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                  <text>The Author .
VOL

XXI . - No . 2 .

.

Society of Authors .

Incorporated

the

Monthly .)

1, 1910 .

NOVEMBER

[PRICE SIXPENCE

CONTENTS .

:::
::

PAOE
25
25
25

PAGK
41

Warnings to Dramatic Authors
Registration of Scenarios and Origin
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music ...
The Reading Branch
Remittances
General Notes
...
The Influence of Reviews
Music Publishers and the Society' s Agreement ...
English Writers and Journalists in Galicia
The Inspiration of Poetry
...
The Literary Profession in the Elizabethan Age ...
Book Prices Current- Vol. XXIVlizabethan
. , No. 5 ...
Correspondence...
...

..
..
.

Notices
.
"The Society 's Funds
List of Members...
The Pension Fund
Committee Notes
Books pablished by Members of the Society
Literary , Dramatic and Musical Notes
Paris Notes
Arrency Clauses in Publishers' Agreements
Thirty -second Congress of the International Literary and
Artistic Association
The Cat from the Bag ...
Magazine Contents
...
How to Use the Society
Warnings to the Producersof Books

.

80p

( The Organ of

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All

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Authors
List
Members
International Copyright Convention

as

of

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Sir '

,

by

Agreemont issued
the Publishers Association
with Comments
HERBERT THRING and Illustrative Examples
WALTER BESANT
2nd Edition
Giving
Periodicals and their contributors
the Terms
which the different Magazines
and Periodicals deal with MSS and Contributions

Forms

12 Society

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Barrister

The Yarious Methods
Publication
SQUIRE SPRIGGE
this work compiled from the
agreements proposed
papers
the Society
offices the various forms
Publishers
carefully
explained
the
with
account
Authors are examined and their meaning
various kinds
fraud which have been made possible
the different clauses therein
Being additional facts collected
Addenda
the Above
HERBERT THRING
the office
the Society since the publication
the
Methods
With comments and
advice

13

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6d
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MORRIS COLLES

print

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Production

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of

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of

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Literature and the Pension List
The History
the Société des Gens
The Cost

18

.

in

per vol

108

.

,

at

1892

from

W

.

Members

numbers

months
the year Angust and September omitted
devoted especially
Literary Dramatic
maintenance
and Musical Property
Issued
per annum
post free
Price
non members
Back

and
gratis

6d
. . to

protection

the
all

to to

.

ten

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1

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2

the current year

6d

Annual Report
The Author
Published
The

By

for

.

PUBLICATIONS OF THE SOCIETY

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in

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ART.

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QUEEN

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EVERY GOLFER

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�The Elutbor .
the Incorporated

NOVEMBER

:

bona fides of the
advertisers , the Committee desire it to be stated
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in to

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is

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of

,

in

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is

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6d
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is

to in

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to

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.

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if

or

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its

to

is

a

be

of

of

of

Author begs
remind
that although the paper
production would
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free
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great many members did not forward
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ADVERTISEMENTS

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[PRICE SIXPENCE

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.

VOL

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FOUNDED BY

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desire
draw the attention
the members
the society
this fact
the hope that
additional subscriptions and donations there will
sufficient funds
hand
the course
the
year
declare another pension
case any
portant claim
forthcoming
They

, 15 17 6,

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in to

the fund
decided
invest £260
the following securities
£130
the purchase
per cent Stock 1919
Jamaica
and £130
per cent Stock 1937
the purchase
Mauritius
purchased
The
amount
£132
188
per cent Stock and £120 128
Jamaica
per cent Stock
Mauritius
This brings the invested funds
over £4 000
The trustees however have been unable
recom
any further pensions
mend the payment
the
present exhausted
inoome
their disposal

6

-

-

of

of

position

.

of

1,

,

February
the
1910
the trustees
after the secre
the society
Pension Fund
tary had placed before them the financial

N

O

FUND

.

THE PENSION

Desborough
The Right Hon
Jan
the Lord
Jan
Lion Leon
Fagan
Feb
Newton Miss
Feb
March
Smith Bertram
April
Mrs
Dillon
May
Inkster Leonard
May
Truman Miss Olivia Marie
July
Stereni William Barnes
Capt Harry
Oct
Graham
10
13 7 ,

.

in

to

to

as

the convenience
those who
they are chronicled
add future elections
from month
month
these pages

end

desire

.

. . . . . . . . . . . . . . . .
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26

�THE AUTHOR .

's

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for

to

it

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in

.

of an

.

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,

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to

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an

to

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to

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is

in

in

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as

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a

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to

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it

of

.

,

it

by

session

of

.

22
,

,

the Committees

Management

of

the action taken

a

to

,

-

The half yearly meeting
the Council was
settled for Tuesday
November
when
Mrs
bring forward
Hurnphry
proposes
Ward
motion referring
the Academic Committee and
byto

.

compensation
were proceeding for the payment
adjourn the matter
the author
was decided
till the next meeting
The consideration
the Copyright Bill was
Management
referred
the Committee
the
sub committees interested
was probable that
pushed forward during the next
the Bill would
.

-

in

November

.

to

of

to

.

in

.

of

,

,

a

.

to

of

,

of

to

is

In

returnable

in

,

is

.

of

.

.

of

.

in

of

.—

and

Music Publishers Association for the assistance
that had been given
the society
The last case
negotiations
referred
the loss
MS but
to

,

a

,

to

to

of
up

as

to

to

up

,

,

in

of

.

, .
.

issued

a did

, '

the.

as s

's

to

so

0

,

on

.

3

of

at

1

M

first meeting after the vacation was held
Monday
the offices
the society
October
When the minutes had been read and signed
during
large number
elections which had come
the vacation
were laid before the committee and
64 members and associates were elected bringing
the total
number for the current year
220
The committee are very pleased
notice
the steady inflow
authors
the society
the
elections are well
the average
former
years
Four resignations were accepted with
regret bringing the total number
resignations
69
Cascs
The secretary then reported
the com
mittee the cases placed
the hands
the solicitors
during the vacation
There were seven county
court matters
Two
these have been settled and
the debt due has been paid
One
still
the
negotiation
course
another the summons
to

be

,

. by

,

.

for

,

is

It

.

,

in

,

appeal
was strongly against making
adopt
good one
not think the case was
test case
The committee decided
therefore
not
take the matter further
The member
the
acquiesced
society concerned
the decision
The next subject related
the making
certain
voluntary payments
agents who had been instru
judg
assisting the society
mental
obtain
ment against the defendants
the piracies
De
Profundis which have already been referred
previous Committee Notes
The committee agreed
payment and passed
vote
thanks
the

-

he

has been

to

,

,

to

a

,

,

to

in

be

Nereo

0
6
0
0

There were two cases which had
conducted
foreign courts
Germany
One was
an
Judgment has
ordinary
claim
work done
The
not yet satisfied
been obtained but
infringement
other
Switzerland related
copyright
still
course
settlement
Those cases then came before the committee
which required their sanction before further steps
appeal
could
taken
The first related
judgment
from
the High Courts
The com
mittee were advised that the judgment had raised
important issue
authors namely the legality
personal contracts
the assignment
As the com
mittee were
advised they decided
take counsel
opinion which opinion was read
opinion
Counsel
a

O 0 0 0

0

OS

0 0

0 6
7

NOTES

.

COMMITTEE

bring

In

issue

.

to

in an

a

matter

been

proposed

now

order

in

of

cases

is

In
to

the

the remaining

but not satisfied and
bankruptcy petition

in

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Knowles Foster Miss Frances

Oct
Oct

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Alfred

The

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Pakington

ON

10 10 1

Sidgwick

Oct
Mary

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Sept

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Bristow Noble

Sept

5 1

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Scaramanga

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Aug

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Ellis Havelock
Myers

July

ON

Miss

A

March

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Peacock Mrs

1

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July
July
July
July

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Harold

Higgins Harvey

,

June

July

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5 5 4
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,

Maunder
Atkinson

one

it

$

0 0
0

£

0 1

another the defendant
company was
liquidation
and the society
claim
was met with the usual answer that the
debenture holders had foreclosed
and there was
pay the ordinary creditors
not sufficient money
bankrupt paper was one
The last case against
which the society had already acted
some
the
and here again the assets
its members
defendant company had been
claimed by the
debenture holders and the member was informed
after further investigation
the solicitors that
push the claim
was useless

.. 5
..
.. ..
..

Whitworth

,
, , .
J.

Wynne

June
June

. as of .

.

.

.

Society

)

the

judgment has

obtained
issue

.

"

money recovered
damages

.
byS
.
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(

,

,

.

,

W

W

. .
J. K
. .

, ,

14
,

“

8

. . .

Loraine Lady
Macdonnell Randall
Blake
Patricia Wentworth
Tynan
Hinkson Mrs
Greenstreet
John
Cousin
Zangwill Israel
Sprigge Dr
Portion

, ,

May

May

7 6
19 10 , ,

May
May

Smith Bertram
Yould

, 6,

March

Miss Valentina

,
,
J.
,
,
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P
.
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. ,
.

March

April
April
April

Hawtrey

, , ,

29 16 12

5 3
,

,

March
March
March

27

�THE AUTHOR
be
at

,

an

.

-

of

at

-

of

,

21

on

,

Sir

, of

of

an

of .

89

in

of

in

to

to

to

.

-

a

,

,

of

.

to

on

,

be

of

.

agreed

to

to

in

's

to

, in

to

of

.

to

to

in

,

to in

is

in

.

a

to

of

of

,

of

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in

re

),

in

of of

at

.

of

of

,

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(

of

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a

to

a

of

,

it

a

of to

of

to

.

,

by

,

-

of

,

it

,

in

is

the statement
his
received
and
the
reply
forward
from
the Italian Society

been

secretary was instructed
letter
The receipt
Authors which gave particulars
the work
undertaken
that society for dramatic authors
was next reported
get
The secretary was instructed
translation
lay before
made
the rules
the society and
the next meeting when the question
the advisa
of

-

's

.

be

.

it

to

tions and
what extent
accord with the
Berlin Convention
This report
was decided
should
laid before the next meeting
the Sub
committee

considered
the light
complaint which had

of

in to

-

to

a

to

.

.

to

-

to

of

,

of

The minutes
the previous meeting having
been read and signed the secretary explained that
Management
the Committee
had referred the
Copyright
new
Bill
the Copyright
Sub
report thereon
committee with instructions
After careful discussion Mr MacGillivray kindly
report
lay before the
draw up
undertook
Sub committee and
indicate
that report how
far the draft bill satisfies the Society
recommenda

,

of
to

of to
six

be

a

October

He was also instructed
see Messrs
French
the matter
the performances
dramatic pieces
South Africa
question discussed
the last meeting
the
regard
sub committee
member
the
society
since resigned
who
had called into
question the conduct
another member was
A

ihe society

on

-

13
.

of

at

A

.

-

of

Copyright Sub committee

MEETING
the
was held
the offices

in

SUB COMMITTEE

COPYRIGHT

in
a

,

to

in

of

a

of

,

,

at

39

of

17

to

,

a

,

.

of

on

.

FUND

The Committee
the Pension
Fund met
Monday October
Old Queen
Street
pension
and awarded
Miss May Crommelin
year
recognition
£25
her services
litera
ture extending over many years

a in

THE PENSION

of

.

.

to

;

to

to

Out
clubs
102 answers received
give the undertaking
asked by the sub
give
subject
five agreed
committee
certain
give
The
all
and seven refused
conditions
dramatists inside the society number some 250
The next question that arose was the appoint
agents for dramatic authors
ment
the various
colonies and dependencies
Great Britain
and
the secretary was instructed
write
the society
lawyers
request them
prepare and
India
forward
return
the theatrical performances
Calcutta and other centres
the Indian Empire
period
over
months
order that the sub
position
judge
committee may
what
prevalent
extent piracy
India
men

;

of

.

18
.

£1

of

a

of

Arthur

condolence
should
sent
Mrs Marshall
the loss she
had sustained by the death
her son the late
Captain Robert Marshall until recently
member
this sub committee
The secretary was accord
ingly instructed
convey this message
her
The secretary then reported the result
the
circular which was sent round
dramatists
regard
plays
working
the performances
to

of to

to

.

,

.

the previous meeting had
the chairman
expression

to

a

for of

on

,

.

of

-

to

W

the society
October
After the minutes
been read and signed
Pinero proposed that

of

it

in

to

of 's

of

to

,

.

the many sub committees
Various letters dealing with matters
interest
the society were laid before the committee and
considered
and the committee
have
thank
Durran
for
donation
the
Capital Fund
the society

The first meeting
the Dramatic Sub com
mittee after the Vacation was held
the offices

's

to

to

,

an

.

of It

,

to

.

.

member
the Council
The committee decided
the suggestion
the
secretary
purchase additional furniture
the
This course had become necessary owing
office
papers incidental
the increase
the working

SUB COMMITTEE

DRAMATIC

it
at

a

in to

.

,

in

in

A letter from the Publishers' Association , asking
for the support of the society with a view to
taking united action when the Bill should come
before Parliament, together with a copy of the
Copyright Bill containing
certain
amendments
suggested by that body , was also considered .
A
report of the proceedings of the meeting on
October 24 will appear in the December number .

in

,

to

of

by

of

.

to

24

be

, ,

of

. .

in

to

to

of the society in
Notices will
formation
sent
the Council
due course
regard
The notices
the dinner the date
which has been fixed for November
will
sent
round
members during the month
The financial position
the society was laid
Management
before the Committee
the
secretary who explained that certain sums due
consequence
the society had not been paid and
had left the society with rather
small balance
the bank
The committee sanctioned
over
draft
case the sums referred
were not received
due course
was proposed
order
increase
the usefulness
the society and
make
more
widely known
pay
extra clerk
circularise
papers those authors
with the society
the
various branches
literature who were not already
members
Mr Henry James was unanimously elected

.

it

in its

28

�THE AUTHOR .

of

,

In , for
,

.

of

,

on

.

.

.

by

in

,

.

,

, .
, .

.
Woodbury

. ,

Park
Road
bridge Wells

Tun
”

,

Wa rrendale

Combe Lane King
ston Hill Surrey

,

“

.
.

A

,

Clappé Miss Marion

.

,

, ,

,

23

, .

.

31
,

.

.
.

Midmoor

Wimbledon

Road

,

.
.
.

Forbes

near

Essex

Wellington Road

Dublin
Dawson

View

Thundersley

.

.

K

,
R
.

Crawford

River

E

,

Copping Arthur

.

-

,

W

,

.

,

,

Roslyn

to

,

's

. , ,

.

Parade
Eastbourne
Ifield Wood Crawley
Ebury
215
Street

,

.

Luther

W

.

The Rev

to

to

as

.

These have been

Devonshire

Royal

S
.
W

. .

.

, ,
J.
L
.
J.

Caws

to

, .

of

clauses under contracts

Torres

,

Topsham

81
,

J.

Miss Edith

.

Carter
Carter

,

its

to

be

,

of

in

, ,

,

, S.
W

.

.

.
.

W

,
J.

-

Dr Helen
Mrs Hawtrey

. .

a

Bridport
Milton Brodie

,

, ,

is

It

.

,

of

to

of

Duke
Avenue
Chiswick
The Knapp Bradhole

.

in

,

.

of to

Road
Tooting

Scotland

.

of

Capes

Campbell

,

,
lie

.

Brodie Innes

,

to

a

use

the writers but have also omitted
accede
the request
the secretary
One case
the remaining six has been settled
and the
negotiation
other five are still
course
Three disputes have arisen
the interpreta
tion

14

.

.

.

.

M

to

It

.

Broadley

,
A
.

.

as

of

is

It

.

is

it

as
a

of by

their best endeavours
meet
careful search
Two
the eight clairns will
handed over
the solicitors for
both these cases although the
authors hold receipts the parties
whom
the
comply with
MSS were sent have not only failed
the demands

a

.

of

,

in

of

to

its

in

will

Manville

Upper

88

,

Miriam

.

.

Regina

Block

destination
and come into the hands
responsible
party and that that party has not
very difficult
handled
with ordinary care
prove these points but the society
some cases
general rule that editors publishers and
finds
others
wishes

to

in

of

in

,

of

.,
L
.L
.A
.

,

Amy

B

.

Cases

has had
hand since the last
issue
The Author twenty cases
Of these eight
repeat the
were demands for MSS
well
difficulties from the legal point
view
that arise
when
MS
not returned
must
with the
author
show that the MS has actually reached

. ,

,

of

In

for

of

Elections
Barnard

secretary

a

by

.

to

on

.

to

to

to

-

sub committee

The

the member

,

's

-

recovered and paid over

.

report

the Theatres Alliance upon
the sub committee
Report and he was
the Censorship Committee
forward
ask the Theatres Alliance
instructed
lay before the different members
copies
the

to

the table

of

laid

a

on

.

Agreement
The secretary then

During the month
one case
the German
courts has been settled
the amount claimed
the
society through its German lawyer having been

,

a

of

Hall

a

. ,

.

to

of

at

of a -

to

,

,

were

in

-

hall sketch contracts came
the office
increasing numbers
indeed coming
sub committee
instructed
the secretary
prepare
lay the same before them
contract and
one
their future meetings
The consideration
the agreement for
run
was adjourned
till the settlement
the Music

and
The

bear
the society the books have been
the market while
the third case date
publication
has been fixed
There were five cases respecting money due
work done
As yet none
these has been settled
but two have only recently come into the office
the remaining three correspondence has passed and
they will probably be settled shortly except where
the case
one demand the proprietor
the
paper has gone into bankruptcy
There are still sundry cases open from former
months
which negotiations are being carried
satisfactory settlement
They
with
view
great importance
are none
them

placed

to

to

many music

brought

of

-

,

draft contract for music
the sub committee that

-

a

committee the need for
sketches assuring

hall

-

to

.

-

to

on

,

to

of

.

in

plays
England
The consideration
the Copyright Bill was
adjourned till the next meeting owing
the fact
lay
that the report
the Bill was not ready
before the sub committee
The secretary then pointed out
the sub

in

in

-

of

to

of

ness

of

power
what assistance was in
the settlement
contracts and the busi
arrangements for the production
French
its

give

regard

,

to

settled to the satisfaction of the authors and the
other parties concerned .
One case for infringement of copyright has been
placed in the hands of the solicitors .
In two cases
of non -delivery of accounts , one has been settled
and the other is still in the course of negotiation .
Three instances arose
unwarrantable delay
publication
two
these owing
the pressure

a

joining the society
of English dramatists
would be considered . The recommendation of the
sub - committee will appear later in The Author .
It was decided also to write to the French
Society of Dramatic Authors a letter indicating
the readiness of the English Society of Authors

in

bility

29

�THE AUTHOR .

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Potter, Mrs . Frances S uire

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Tokyo , Japan .

6d

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France .
43 , St. Paul 's Road ,
Bradford , Yorks .
Authors' Club , White
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Ozaki, Madame

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30

�THE AUTHOR

31
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KEARTON ' S NATURE PICTURES . Reproduced in Photo
gravure , Colour , and Black and White from Photographs
by R. and C. KEARTON . With Descriptive
Text by R.
KEARTON .

12 x 9,

96 pp .

Cassell ,

THE FLOWER Book . By CONSTANCE SMEDLEY ARMFIELD .
Pictured by MAXWELL ARMFIELD . 94 X 64.
153 pp .
Chatto &amp; Windus . 78. 60 . n.
By
THE BOOK OF THE ANIMAL KINGDOM : MAMMALS .
by W . S .
W. PERCIVAL WESTELL , F. L. S.
Illustrated
BERRIDGE . 9 x 7. 379 pp . Dent . 108. 6d . n .

158. n.

AND SAINTS OF ISLAM . BY CLAUD
78 x 5. 215 pp . Francis Griffiths . 38. 6d . n .

MYSTICS

PHILOSOPHICAL

FIELD ,

.

FROM PASSION TO PEACE . By JAMES ALLEN . 70 pp .
William
Rider
&amp; Son , 164, Aldersgate
Street , E . C .
1x. n .
ABOVE
LIFE 's TURMOIL . By JAMES ALLEN . 163 pp .
G . P. Putnam ' s Sons. 38. 6d . n.

POETRY .
MARY AND THE BRAMBLE , By LASCELLES ABERCROMBIE ,
Published by the Author : Much Marcle , Herefordshire .

Post free , ls, ld .
By H . DE
POEMS AND BALLADS .
VERE STACPOOLE .
7 x 41.
120 pp . Murray . 38. 60 , n.
IN POETS ' CORNER . By LAUCHLAN MACLEAN
WATT ,
Hodder &amp; Stoughton . 38. 6d .
THE QUEEN OF THE FIORD . By JOHN CAVE . 8 X 51 .
201 pp . Kegan Paul. 58. n.
RUMBO RHYMES ; OR, THE GREAT COMBINE : A Satire .
By A. C. CALMOUR .
by WALTER CRANE .
Illustrated
93 x 64 . 99 pp . Harpers . 58. n .
LITTLE SONGs . By ELLA ERSKINE , 61 x 41 . 18 pp .
Truslove &amp; Hanson .

POLITICAL .
By CAPTAIN
HARRY
THE MOTHER OF PARLIAMENTS .
GRAHAM . 9 x 5 . 314 pp . Methuen . 108. 6d , n .
AFGHANISTAN : THE BUFFER STATE . GREAT BRITAIN
AND RUSSIA IN CENTRAL ASIA . By CAPTAIN GERVAIS
LYONS .
Madras : Higginbotham
&amp; Co .
London :
Luzac &amp; Co.

REPRINTS .

XIII

THE OXFORD BOOK OF ITALIAN VERSE .
. CENTURY
to XIX . CENTURY. Chosen by St . John Lucas . 6 *
41 . 576 pp .
Oxford : Clarendon
Press ; London :
Frowde . 68. n.
THE CAXTON SHAKESPEARE . Vol . 12 : KixG HENRY IV . ;
Vol . 13 : KING HENRY V. AND KING HENRY
. ;
Vol . 14 : ROMEO AND JULIET AND TITUS ANDRONICUS .
By
With Annotations
and a General Introduction .
SIDNEY LEE . 9 x 61 .
151 + 163 ; 155 + 155 ; 154
pp
. Caxton Publishing Co . 68. 6d . n.
+ 123
AN ANTHOLOGY
OF HUMOROUS
VERSE . FROM ROBERT
HERRICK TO OWEN SEAMAN . By HELEN AND LEWIS
pp
MELVILLE . 7% ~ 5. 255
. Harrap .

VIII

SPORT .
ANECDOTES OF BIG CATS AND OTHER BEASTS . By DAVID
WILSON . 74 x 5. 312 pp . Methuen . 68.
By H .
HUNTING
CAMPS IN WOOD AND WILDERNESS .
by LADY
HESKETH
PRICHARD , F . Z. S.
Illustrated
HELEN GRAHAM , E . G . CALDWELL , and from Photo
graphs . 104 x 71. 274 pp . Heinemann . 158. n .
SPORTING
DAYS
AND SPORTING
WAYS . BY RALPH
NEVILL . 9 x 6. 318 pp . Duckworth . 12s. 60. n .
By
RECOLLECTIONS
OF AN OLD MOUNTAINEER .
W.
LARDEN . 91 x 51. 320 pp . Arnold . 148. n .

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America
The central figure
the volume
seventeenth
and eighteenth century letters
edited
Miss
Julia Longe
Martha Lady Giffard the only
Temple
sister
Sir William
The letters which
are
from
various important people
the day
Lady Temple
notably
orothy
Sacharissa

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new
novel
Master and
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Murray here and Messrs Charles Scribners Sons

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and
the predominant
influence
the sea
set
men who even
when they are not afloat are always looking towards
bring out the
the
their daily bread
poetry
pathos and jollity
the life without
sacrificing
realism
The volume
illustrated
eight photographs
Mr Melville Mackay
descriptive

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original illustrations for
book entitled
House
hold Foes
Miss Alice Ravenhill which Messrs
Sidgwick
Jackson are publishing
&amp;

Melrose

Mr
Norris has
serial entitled
Vittoria
running
Victrix
the Daily Telegraph
will
published
book form next spring
Messrs Macmillan have published Mr Stephen
Reynolds new novel
Alongshore
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hear that Mr Rudyard Kipling new
book
Rewards and Fairies
further collection
stories told
Dan and Una
certain interest
ing personages
olden
times who
the
previous book are introduced
them
their
friend Robin Goodfellow
Messrs Macmillan
Co are the publishers

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164 Aldersgate Street
the English and Messrs
Crowell
New

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first Novel

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entitled

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received
work
Mr Allen
Passion
Peace
Here starting
chapter
with
Passion the lowest level
human life the reader
shown
the chapter
Aspiration the way from the under darkness
the upper light
The causes leading
the birth
aspiration are dwelt upon and
character
Temptation
istics described
the subject
the
third chapter
shown
the reversion

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rise above the turmoil
the world and without
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life fortify
ourselves against anxiety regarding them
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England
Putnam
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showing how surrounded
James Allen aims
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our forefathers
two hilling edition
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The Faith
His Fathers has been issued
Mr Andrew Melrose The six shilling edition was
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By ROBERT HICHENS
THE SPELL
EGYPT
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279 pp
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ELSA
TUSCANY
VAL
SANGIMIGNANO
JEAN CARLYLE GRAHAM AND ELIZABETH
DERBI
SHIRE
Rome
Ermano Loescher
128
TRAVEL AND EXPLORATION
Edited
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Witherby
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October
1910
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OLD ENGLISH HOUSES
The Record
By ALLAX FEA
51
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108

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Edward
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TOPOGRAPHY
Black
VANISHING

Thomas Baker has just published
selection
the old English mystic and
the works

devotional writer Richard Rolle
pole
Yorkshire
the reigns

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LONDON

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Messrs . A . M . Gardner &amp; Co . have published
the
edition
Francis Bancroft
novel Of
published
Like Passions
The present issue
at

THEOLOGY .
COMMUNION
TABLE, By LAUCHLAN MACLEAN
Purple
Library
2nd Edition
Hodder
Stoughton
Chapters
THE LORD FROM HEAVEN
the Deity
By SIR ROBERT ANDERSON
Christ
Second
134
Nisbet
Edition with New Preface
3s 60
SUNDAY EVENIXG
FIFTY TWO SHORT SERMONS POR
By
HOME READING
ROBERTSON NICOLL
87x53
Stoughton
416 pp
Hodder
MESSAGES FROM THE THRONE By MRS HARDING KELLY

THE

33

�THE AUTHOR .

34

a foreword , and the volume is properly
with original portraits of many of the
writers , and autographs of Lady Giffard , Lady
Temple , and Dean
Swift . The publishers are
Messrs . Allen .
We have received a copy of a book entitled
Tuscany , " by
“ Sangimignano of Val D . Elsa in
Jean Carlyle Grahain and Elizabeth M . Derbishire.
The scope of the book may be best described in
words of the anthors in the preface : “ There is
nothing finally dogmatic in our little book . We
merely present to you a sketchy series of observa tions, realist or impressionist as circumstances

contains an article entitled “ In the Heart of an
Indian
Forest , "
from
the pen of Mr . C . E .
Gouldsbury . The same writer also has an article
in the Illustrated Sporting and Dramatic Neues
of September 24 , called “ Two Lucky Shots ,"
while “ Camp Life in Bengal,” which will appear
shortly
Young
in
the
current volume of
England , is another article from Mr. Gouldsbury 's
pep .
Miss Regina Miriam Bloch 's poem “ Song " has
Birthday
been
included
in “ The Biographical
Book of Prominent Poets of the Period , ” published
by Messrs . Kegan Paul &amp; Co ., Ltd .

elucidating documents which have never hitherto
put into print ; also a plan of the city ; and
above
we offer you
means
our pen and
Sangimignano
ink
illustrations the veritable
with its own peculiar rugged lines which
camera and no brush have ever succeeded
reproducing
Messrs
Ermano Loescher
Only 300 copies have
Rome are the publishers
price
been printed and the published
the work

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Messrs
Dent
Sons Ltd
announce
Percival Westell
work
entitled
The Book
the Animal Kingdom
representa
and treats
over five hundred kinds
chapter
tive mammals
the world with
the
four footed beasts
Australia by Charles Barrett
There will
fourteen
coloured and
new

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and short description
classification
chief works with certain considerations bearing
his Life and Letters
Selected title pages
the
earliest editions
Bacon
works appear
the

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have issued
volume
Francis Bacon
Dr
Steeves
The
the author has been
sketch
the chief
freed
much
the life
Bacon
events
possible from general historical detail followed

The Downs
Socialist who

enlightened
into Sussex and
the old order and will
found
interest
students
social conditions
the same time the romance
not overburdened
publish the
with theories
Mr Murray hopes
volume before Christmas

comes down
representative

of

”

on

by
Co

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will

cat rabbit and badger
Ireland
Miss Maud Goldring
new novel
man
treats
the rivalry between

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promised
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Lives
the Fur Folk
animal biographies dealing with the

series

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Shenstone
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Barclay
Florence
author

“
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in

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of

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The Fairbourn Papers
edited
Mr
Webb
and published
Messrs
John Ouseley
Ltd relate the history and career
solicitor
residing
the City
London
Century
Ballads 1810
1910
their
Composers and Singers
Simpson
Harold
popular song told
popular style
the story
abounds
anecdotes about well known songs
composers and singers from the beginning
the
19th century
the present day
illustrated
with photographs
all the best known composers
singers and lyric writers together with numerous
facsimiles and autographs
Messrs Mills
Boon
are the publishers

volume

“ I. B .
A . 1909 ”
hive , “ Claustral
Detention Chambers ," “ Searching for the Queen , "
Wight Disease
the
Isle
Recent Investiga
tions into the Cause
Foul Brood
and
Exhibiting and Judging Bee
new chapter
Twenty new
Products
has been introduced
blocks have been inserted
the new edition
and fifty three
the
edition disappear from
the present issue their places being taken
others more accurate
Mr Digges has deemed
rely upon pen and camera for the
wise
manipulations appliances etc
illustration
The
Simpkin
London publishers are Messrs
Marshall
while Messrs Eason
Son Ltd
are the
publishers
Dublin and Belfast
Lady Vereker
Derek Vane
new
novel
appearing
first serially
the Daily Telegraph
He has also recently been writing short stories for
the Bystander
Sicetch and
Black
and White
His last novel
The Secret Door
will shortly
brought out
cheap
edition by the Weekly
Telegraph
Messrs Longmans
have just issued Mr

,

in no

Co

&amp;

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."

,

of

is

12s

We have received a copy of the second edition
of the Rev . J . C . Digges ' “ Practical Bee Guide ."
Many new paragraphs have been added to the new
edition , treating of such subjects as the “ W . B . C . "

"

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of

,

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by

all
,

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insist or as occasion demands . We go about and
talk of what we see, we gossip of the past , we
digress at times , we wander at willi ; but you will
forgive , because with this we give you certain

-

illustrated

“

contributing

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South America
Afghanistan
the Buffer State
com
prehensive treatise
the entire Central Asian
question
Captain Gervais Lyons
The book
has two maps fully illustrating the subject and
showing all frontiers and existing and projecting
railways
introductory note by
There
also
Reginald
Lieut General
Hart
Messrs
are the publishers
Luzac
Miss Dorothy Margaret Stuart has just published
&amp;

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any

America
translated
successor
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Messrs Stanley

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these systems
The
are the publishers
Messrs Chatto and Windus have just issued Mr
Michael Barrington
new romance
The Lady
Tripoli
his new book the author
The

Publicity

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London

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new book
Diet and the Maximum
Duration
Life
Charles Reinhardt discusses
advantages and disadvantages
various foods
those who would preserve robust health
for the
longest possible
time
There are also chapters
infancy food
dealing with such matters
food
disease beverages and one
dietetic systems
which should be read by those who have committed

Herbert Flower

new novel
Edward Noble will
shortly
Messrs Constable
book dealing with the handicap imposed
our divorce laws
women
the impossibility
woman obtaining freedom
the same grounds
man and incidentally exposing some aspects
the White Slave traffic
seen
the seaports

Chains
published

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the famous castles
Touraine are bewildered
mysterious
claiming the heroine
double
name
This puzzle with
love affairs
and
under plot involving some French country gentry
the life current playing round the rock histories
the once English
owned châteaux

be a

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in

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of

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to

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and

Mr

published
also being

Swedish
announced
Paul
for publication early
1911
Mr Flowerdew has written
article
The
Psychology
Tariff Reform
for The English
Review
and
article from his pen
the price
early number
the novel will appear
The
Nineteenth Century and After
Crespigny
Mrs Philip
book
The Valley
Achor published by Messrs Mills
Boon has
gone into
second edition
The November issue
story
The Story Teller contains
Mrs
Crespigny

-

Dent

Sons Ltd
announce
Aacassin and Nicolette
from
Mr Eugene Mason The edition
illustrated
colour
Mr Maxwell Armfield
hoped
The book which will
the first
published
series
similar
romances will
the price
6d net
Miss May Crommelin
autumn novel will shortly
published by Messrs Hutchinson
Co under
the title
Madam Mystery
The scene
laid
party
happy sightseers
the Loire Valley where

addition
translation by

,

of

of

,

In

St
.
,

is

into German
Third Wife

“

.

Messrs

new

, -

in

of

in

“

“

's

Messrs Brentano

.

by

The Second Elopement
being
1910 novel

dew

by

be

'

be

,

Will

d

as

'

.

d

-

;

of

,

,

'

be .

d

to

,

to

of

of

,

,

on

&amp;

Co

their

quest
the fourfold
love religion
and ideal beauty
story
Waste
Places
new
Mrs
Woollaston White
will
issued
December
The scene
laid
the early days
British
Columbia
and chiefly concerns the thrilling ex
periences
young wife
will
issued
the
Andrew
Press Barnet
Messages from the Throne
Mrs Harding
Kelly
little book compiled for the use
speaking
district visitors who find difficulty
the cottagers whom they visit
The readings are
suggestive and
intended
make the Bible
more interesting
and intelligible
the people
Mr Robert Scott the publisher
Mrs Harding
Kelly has also issued through the Religious Tract
Philip
Society
story
Compton
entitled
“

,
a

,
, of

of

,

of

of

of

to

to

,

in

,

of

of

an an

.

,

the diseased brain
the religious
enthusiast
Rasaillac
cleared up
The work will also contain
accurate description
the Paris
the time
Sully and also
exhaustive description
the
extraordinary manner
vanity he
which
out
identify himself
appears
have endeavoured
with the supposed poisoning
Gabrielle Estrées
Other leading
characters
the time will also
fully described some
whoin except
writers
the reading
are almost unknown
the period
Entragues
public
characters such
Henriette
Epernon
and the Duc
The book will
full
illustrated
with portraits
and some rare
published
views
Paris and will
Everett

symbolic

wisdom

.

ofold

,

of

a

or

of

it

of

as

of

's ”,

is is

's

-

of

,

“

de

.

In

John Bloundelle Burton
new
book
Henri
Navarre
which
not
novel the true story
that king
death
told
and the mystery
whether
took place
the
outcome
Court plot
was solely the result
Fate

The

King 's Fool ” has returned
once more
to the
Middle Ages, and has portrayed the soul 's history
of a famous Troubadour Prince . It is a romance
which the reader breathes the dream haunted
Aquitaine
air
the twelfth century
and

."

to

,

Mr

.

of a

to

be

a

in

to

aim

two hundred and sixty plain plates , chiefly from
photographs
of the living animals , by W . S .
Berridge , F . L . S . The work is divided into sixteen
sections , and it has been the author 's
eschew
dry and uninviting definitions and
present his
may
way that both young and
story
such
acquire
general knowledge
able
the
the world
mammalian fauna

35

romance entitled

�THE AUTHOR .
and the present volume is “ Le
Vingt Ans ."
à
The three
volumes are marvels
conscientious work and
give evidence
years
patient research
Perhaps
prince has been
misunderstood
Louis XIII
Thanks
the ambition and love
power
his mother Marie
Medicis
and the
influence
Concini and his wife Louis
young man was set aside
As be was powerless
obtain his proper position and was extremely
reserved
remained apparently
submissive and
resigned
his fate and for this reason
has
nonentity
been generally treated
historians
so

to

,

as

,

.

,

.,

,

de

.

of

of

a

he

,

.

a

as

by,

,

to

,

he

to

of

.

of

a

as

,

, of

,

in

"

.

his

to

of

us

,

.

,

-

.

fit

in

at

a

of a

to

of 's

.

,

on

for
a

he I

:

of

'

.

to d

he de

,

his

“

,

,

.

to of

is

,

it

,
on

.

a

his friends
whom
Gradually
his intentions
little group
faithful accomplices gathered round Louis
The
whole nation was resenting the power and influence
the foreign favourites and Concini himself had
gradually usurped many
the privileges which
should have belonged
the young prince
April 1617
was finally decided that
Concini
arrest should take place
Louis had
received letters from
sides promising help and
loyal service and
Batiffol description
the
plot
necessary
arrest and
kill Concini most
graphically
and dramatically
told
He describes
the whole scene which took place
the courtyard
spoke

.

,

.

Irene

Luynes was the first

.

it

of

by

in

.

is

, 's

.

,
if

of

,

,

,

of

.

to

on

at

",

of

.

as

or

a

of

,

th
e

,

at

,

of

.

a

,

XIII

.

of

de

'

d

.”

.

de

of

“

de

XIII

in

.

on

.

M

Louis Batiffol has now published his third
volume
the period
Marie
Médicis
The
first was Au Temps
Louis
The second
was entitled La Vie intime une Reine
France
“

in

”

famous

the Louvre when the favourite escorted
his
young nobles
through the gate
passed
suite
known
the Porte de Bourbon
He was arrested
attempting
the name
the king
and
draw
his sword
was
once killed
The trans
formation which now took place
the apparently
submissive boy was most remarkable one
With
the promptness and decision
man three
four times his age Louis
now took his place
his kingdom
He appeared
one
the
cheering crowd
windows
the Louvre thanked
in

of .

et

“

de ;

'

“
L

I.
"

.

of .

“

.

M

.
a

"

et de

made him

to

to is

of

Albert Vandal
another loss
the French Academy and
French litera
ture
Vandal was formerly President
the Société des Gens de Lettres and he was
essentially
historian
Louis XV
Elisabeth
Napoléon
Russie
was one
his first books
Bonaparte
Alexandre
and
Avénement

“

HE death

I

M

to

.

,

PARIS NOTES

M

all

.

's

,

In

to

of

,

Miss

.

.

,

Leslie Faber Miss Lillah McCarthy
Vanbrugh and Mr Edmund Gwenn

of as

.

of

of

no

's ,

, ,
,

.

.

's

of on

a

of

.

15

by

of

of on

,
”

“

of -

at

.

's

W

.

Somerset Maugham
new
four act play
was produced
the Duke
York
October
The play deals with
gamekeeper her
the daughter
banishment
the family owning the estate and
the effect
the girl subsequent suicide
the
relations existing between husband and wife
the
family
The cast includes Mr Dennis Eadie Mr

,

Mr

Grace
Theatre
the fall

his insolence and left Paris
time
From
that
very
date forth
evident that Louis had
decided
his plan
action
Later
when
explaining his scheme
his friends he said
acted the child
For the next five months
plan
was silently preparing
without taking
anyone into his confidence
Charles
Albert

.”

.

cast

mere child
Concini and his wife the Queen
favourites
treated Louis with great insolence
Things came
climax after
violent
anger
the part
the young prince
the age
fifteen
Concini saw that he had gone too far

.

.

,

in

.

.

.

is

of

to

he

which
had been given him
The
had been invited
which
humour
the play
derived from the various
enjoyments which the unwelcome guest favours
during his stay
Mr Kenneth Douglas Miss
Eva Moore and Mr Fewlass Llewellyn are
the

of

at

a to

a of

of

a

.

it

15

on

do

to

to

by

.

,

at

-

is
a

”

“

.
R
.
S
.

the hospitality
country house

has studied the archives
this
more thoroughly than most
the historians
hitherto and has unearthed many curious docu
ments
He shows
how the young prince was
sympathy and affection
educated and the lack
between him and
mother
her anxiety
retain the regency she kept her son
the back
ground
treated
him
the age
sixteen

M

a

,

,

at

“

of

as

,

,

”

“

of

.

28

on

at by

.”

Miss Ursula Keene and Miss Clarice Laurence
Company for George
three act farce
Mr
Warren Bell which was produced
the
Kingsway
October
The story
disclosed
University
had
with the reluctance
student
admit the existence
time limit

Louis Batiffol

epoch

of

a

,

at

“

,

”,

.

at in 's

,

at

,

,

the Court Theatre
October
At the same
matinée was produced
The Servants
Pan
fantasy
Clarice
Laurence
which
was also
produced
the Theatre Royal Margate during
the same week
witnessed the staging
The
Tramp
The cast
these performances included

XIII

of

a

",

“

in

play
one
Ursula
Royal
was produced
the
Theatre
early
Margate
Ursula Keene
last month
comedy
The Eldest Miss Darrell
suburban
special matinée
three acts was produced
The

Keene

of

by

act

DRAMATIC

Tramp

on

third edition

au XVII . Siècle , "
Roi Louis XIII.

.

published on
Co . , is now

In

&amp;

.

in

,"

at

its

Mrs . Perrin 's novel , “ The Charm
September
1 by Messrs . Methuen

of

36

�THE AUTHOR
He
that he was now their king .
and told them
refused to see his mother , but sent her word that he
of the
decided to take the government
had now
State into his own hands .
From that time forth ,
until Richelieu was admitted into the State Council
in 1624 , the strong government and discipline of the
boy king are a revelation
been
to all who had
thinking of Louis
. as a
to
accustomed
nonentity .
It is to be hoped that M . Batiffol will
continue the study of this king 's character after
1624 , as the three volumes which take us up to
this period only serve to make us wish to continue
the study of history from authentic documents .

XIII

Lady Hamilton , ” by A . Fauchier Magnan , is a
which might very easily be taken for a
novel .
The writer gives us an account of this
extraordinary woman 's life in an extremely interest
ing manner . He begins with her early years in
Cheshire and her first visit to London in 1777 at
From this time forth we
the age of fourteen .
have all the romantic episodes of her life , her
liaisons with
Charles Francis Greville with Sir
William Hamilton her friendship
with the Queen

.

37

M . Pierre Berton ; “ Montmartre , " comedy in four
acts by M . Pierre Frondaie ; “ Sa Fille ,” comedy
in four acts by MM . Félix Duquesnel and André
Barde ; “ Crésus , " comedy in three acts by M .
At the Porte Saint -Martin
Henri de Rothschild .
given , and at the
is still being
“ Chantecler "
Théâtre Antoine “ Cesar Bírotteau .”

ALYS HALLARD .

XIII

" Le Roi Louis
. à Vingt Ans ” (Calmann
“ Lady Hamilton ” (Perrin ).
“ Quarante Ans Après " (Fasquelle ) .
** La Pologne Vivante " ( Perrin ) .
“ Les Petits Joyeux ” (Calmann Levy ) .

Levy ).

“

beto

I.
,

in

of

to

by

,

of

's
is

a

II
.

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be
a

to

be

in

of

.”

III

be

.

CLAUSE

.”

,

of

be

of

his said representative

;

it

to

an

,

in

are

at

an

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all
(

-

of of

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it

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if

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of

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to

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a is

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to

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if

an

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),

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of a

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la

de

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M de
.

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by

at

M

."

la

et

de

the
Vandeville
are
comedy
Bonheur
three acts
Kistemaeckers
Rue
Paix
comedy
three acts
MM Abel Hermant
comedy
Toledo
Tribun
four acts
play
Paul Bourget
Raissa
four acts

authors

The Author
have settled
contract
agent
dramatist and
fact that there
less need for the employ
agent
place dramatic works than
ment
proper use
place literary works
made
the
society
assistance
But whether
writer
performed
author
works
works
exceedingly
read
should
careful
the
contracts
makes with agents

matter
between

It

de

.

”,

un

an

'

d

Le

M

on

la
“

us

“

.

an

,

M

15

.”

In

.

M

La

of

“

on

us

on
"
for

this scason

Marchand
Henry

agents
settle agreements
may
and publishers
but
proper that
the first place the author
agreement
should
settle and settle with care
with his agent
For
there are bad publishers
probable that there
and shifty authors
careless and possible that there are dishonest
agents
The Dramatic
Sub committee
the society
while expressing their disapproval
the principle
agent
employing
confer standing

,

.

-

:

la

de

.

.
A
.

In

the Revue hebdomadaire
Emile Guillaumin
Terre Delaissée
the same
Gailly
periodical
October
Taurines
interesting
gives
article
Un Projet de
Mariage dans
famille Bonaparte
Ernest
Seillière tells
Roman
futur Empereur
interesting article
and Maurice
Lanoire writes
Thackeray
France
Among the new plays announced
Porel
writes

the duty

between
often

of

; :

M

",

byl'

M

.

”,

M

et

“

de

“

et

In

of

."

consent

be
a to

,

"

paid
All sums due under this agreement shall
the
author representative whose receipt alone shall
full
and sufficient discharge
the obligations and this authority
shall not
revocable by the author without the previous

's

,

“

"

a

be

"

A

CLAUSE

“

's

.

a

.”

paid

All accounts due and all moneys payable under this
agreement shall
rendered and paid
hereby agreed tbat their receipt shall
and
full and
sufficient discharge therefor and that
shall have
authority
treat for and
behalf
the said author
all matters under this agreement
on

of

the publishers

.

,

is

”

Petits Joyeux
September
the Revue des Deux Mondes
interesting articles
there were some exceptionally
by
Religion
Morale
Emile Boutroux
Deux Conceptions
Histoire
Révolution
Taine
Aulard
Albert Petit

shall

is

us

of

,

this agreement

the author representative whose receipt shall
full and sufficient discharge
the obligation and
hereby empowered
the said agent
the author
respect
conduct all negotiations
the said work with

to

of

.

a

's

by

CLAUSE

ALL moneys due under

it

in

of

.

M

. .

to

of

in

a

us

us

on

,

of

Naples and finally her liaison with Nelson
Fauchier Magnan takes
the very end
He
her death
her extreme poverty and
tells
poorly
she had
which
little room
furnished
Many lives
Lady Hamilton
rented
Calais
have been
written but this French book gives
perbaps
this beautiful
more impartial study
the accounts written
career than some
woman
her own compatriots
Among new books Jules Clarétie
Quarante
having great success
Marius Ary
ans Après
very welcome volume
Leblond has written
La
Pologne Vivante
mohlished
new
Les
new volume

AGENCY CLAUSES IN PUBLISHERS '
AGREEMENTS .

"

,

,

Sir

biography

�THE AUTHOR .

.

in

for

.
3
,

is

to

,

is

it

.
2,

a

to

in

of .

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s
a

on

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he
is of

,

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to

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or

to

be

to

author

on

an

an

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on in

go

be

to

he

a

it

If

10

1

.

he
,

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to

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to

of

an

to

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to

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to

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In a

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to 10

.

of

,

do

to

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of

of

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in

of

III

.

in

to

to

or

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's

an

an

a

,

is

as

clauses

no .

may

a

of

.

,

in

author

if

;

dispute will arise but
that
should put himself
chains even
they
not gall
the agent makes
fair statement
the case
happen

,

.

be

custodiet

ipsos custodes

?
"

Quis

is

to

and the author while unwilling
bind himself
under too stringent clauses with the publisher
willing
stringent clause affecting the
sign
agent then nothing can
said
a

It
on in

.

these and similar

,

,

in

to

,

“

agent got

The Author
would practically
able
drawing his percentage through the ages and the
author would bear the burden
two old men
the sea instead
one
Little need
added
criticism
Clause
what has already been said
The revocability
only with the agent
the clause
consent
speaks for itself
The position
serious one and the real difficulty
agent
many
arises from the fact that while
cases may protect
author interests most care
fully
between
author and publisher there
no
compelling him
means
turn
the author
point out the difficulties and dangers surrounding

to

of

I.

as

to to
is

”

all

in

happened that

himself for his next nine books
the basis
contract similar
the one recently printed

of

in

,

,
I

is

“

I.

of II
.

.”

bind

do

is be

,
to

,

is

II
.

.

a

is

per cent

,

in

.

of

,

up

.

,
I

is

In

Clause
the said work
referred
clear that this would mean one book
but
Clause
the agent has authority
for and
behalf
the said author
matters under this
agreement

the author
next two works and
per cent may
tempted
induce
sign
the author
clause giving away the refusal
may possibly
future work
other words
neglect the author
interest
foster his own
The author may have many and crucial objec
tions after his first book has been published
the
agent but with the two
further employment
clauses
the one referring
the disposal
future
powers
work the other
the agent
bound
irrevocably
breaking the agreement
Should
employ another agent
his own work
pay
agent No
would still
bound
the

of

-

,

if
is

it

a

,

to

all

to is

.

is

.

Clause
even worse than Clause
The remarks already made
the payment
and receipt for the money apply
this clause but
there
subtle and important distinction
the
last sentence

the control
secure his

of to

-

“

;

to

an

a

if

agent

author and agent
also thoroughly
bad
for
obliged
under the above clause the author
let
pass through
work No
and perhaps work No
the agent hands
great temptation
premium
Here
here
dishonesty
For the agent
order
secure

It

, , . I.

all

to

of
is

an

if

,

,

is

he

is

an

an

If

be
.” a

's

,

.

clutches
this clause
But worse follows for the agent receipt
shall
full and sufficient discharge
the obliga
tion
agent
agent
careless
deceitful
agent
fraudulent
can still under this clause
give sufficient discharge
the publisher
and
doubtful how far the author could open the accounts
authority had given
the agent under such
full
receipt
But there
still worse
come for the
negotiations
agent
empowered
conduct
respect
the said work with the publishers
Practically
therefore the agent can always
covering
his own tracks and the author
powerless
The author may communicate with the
publisher direct and the publisher may say and
say
strict fairness
bound
cannot communicate
with you
can only conduct the business with the

contract.
wrong principle
The principle is a thoroughly
and should be fought on every possible occasion .
But the issue as between author and publisher is
this article
As between
discussion
not

no

.
in

an

it

a

In

to

of

of

,

.

If

to

,

is

if

to to

an

's

is

.

us

.

to

a

to In

and cannot
cancelled
between the
gives
consequence
the contract
power
the third party not party
the contract
which he ought not
possess
study the clauses closer
Let
Clause
moneys
the author representative
receive
However doubtful his financial position may be
however
author may come
distrust his agent
change his repre
even
the author may desire
pay him
sentative still the publisher
bound
the moneys
the position happens
be still
more serious the author cannot get out
the

,
to ”

interest
parties

as

“

is

. be an

a

.

its

of

a

it

if

in

the contract
was
matter
course
Yet this clause may bring all sorts
difficulties
train
Such
clause existing
between the publisher
authority coupled with
and the author

Now agents , unfortunately , among other clauses
which they have allowed to pass into currency ,
have not infrequently allowed a publisher to have
the refusal of other books by the saine author ,
sometimes on terms to be subsequently settled ,
sometimes on terms roughly agreed
in the one

If

of

as

--

of

There is , however , a danger beyond this , and the
clauses printed at the head of this paper , taken
at random from a large collection of agreements ,
are examples of this danger .
When an author has gone to an agent with an
established reputation , and has settled a satisfactory
contract
with him , he then most probably
is
quite ready to leave the management of his busi ness in the agent 's hands .
If the agent advises
him to accept certain terms and sign certain agree .
ments he will do so , trusting to the agent 's judg ment the agent placing one
the above clauses

“

38

�THE AUTHOR .

the

by

,

for

;

of

of

by

,

;

of

of

of

a

,

;

of by

a

,

of

,

or

a

of

;

's

of

;

;

by

a

.

of

a to

of

would

.

to

of

“

be

to

,
. of

K

,

.

of

-

,
,

,

to

,

“

a

. ,

to

by

,

"

,

of

of

In

.

,

particular

it

of

.

of

,

to

in

,

,

at

a

,

”

of

of

.

of

outside the direct action
the Berne Convention
the development
international treaties and
various cases presented
before the tribunals
different countries
addition
this Mr
explainod
representing
the
Denmark
Gahn

by means
by main
mechanical instruments
taining for photographs
protection identical with
that given artistic works
protecting
and
architectural designs
the same time the International Literary
and Artistic Association takes the liberty
draw
ing the attention
the British Government
certain particulars which will form the subject
special report which the executive committee
the
association proposes
submit
the Government
of

little

those
which have been
various dates held
various
cities
Switzerland
The labours
the Congress
general
were grouped principally
around
literary and artistic
review
affairs relating
copyright from the diplomatic
legislative and
judicial points
view
Mr Ernest Röthlis
berger
This report dealt with the Berlin Revision
legislative movements
the Berne Convention

of

similar

At

been

“

have

a

this

friendly kind

In

of

declares

,

congress

to

ciation

&amp;

of

-

IVT

,

who presided
over the thirty second Congress
the
International Literary and Artistic Asso

“

MAILLARD

GEORGES

as

1910

.

2
5

,

September

,

LUXEMBURG

;

ASSOCIATION

.

ARTISTIC

enactments at present existing , would codify
legislation respecting copyright and would repre
making
notably
sent
immense progress
copyright for the life
uniform the duration
by suppress
the author and fifty years afterwards
ing all formalities
necessary
the exercise
rights
completely assimilating
the author
by forbidding
translation
and reproduction
the
dramatisation
novel
the transformation
drama into
novel without the consent
the
declaring
author
the original
without
restrictions that the right
musical composer
includes the right
the reproduction
the work
an

THE THIRTY -SECOND CONGRESS OF THE
INTERNATIONAL
LITERARY
AND

39

especially regrettable

had hitherto prevented his country
ratifying the Convention
from
1908
Mr
Thorvald Solberg dealt with the present situation
Signor
the United States
Ferrari discussed
Italy
the objection which has been raised
against the prolongation
dramatic copyright
eighty years after the date
first performance

sidered too high

pro
apologised
delay
gress
which has been occasioned
give
the Government having been compelled
agrarian disturbances
its attention
the results
The Count
Suzor representing
Russia
dis
cassed the opposition
the Russian Duma
Among the
wholesome copyright legislation

rights and might lead
infraction
the author
serious abuses
much
desired that the English law
should affirm the absolute principle that copyright
originates
saving when there are agreements
the contrary
the person
the creator
the
art shall not
work
work and that the sale

,

of

,

a

,

or

,

a

to

,

of

of

of

the sale

the

of

,

.

of a

to

,

of

)

in

of

(

to

be

to

is

It

“

.

to

's

of

. of

,

,

in

no

be

of

to

of

itself

architecture

shall be pro
in

inin

be

it

,

of

for

.

,

,

,

of

,

.

by

of

,

.

of

by

in

,

be

,

of

works and
works produced
conformity with
collaboration
should
fixed
the provisions
the typical law suggested
the
association
to

be

of

is

it
is

force

the author

incompletenesses

in

into

the protection

of

of

is

opinion that
The Congress
that the abrogation
the common law may
particularly when the new law
result
first put
feared

in

of

a

; of

of

involve

posthumous

.

by

by

of

is

in

grave

tected without certain reservations contained
clearly stated that
the Bill and that
shall
works
architecture wbich are protected are
cluded designs plans sketches and plastic works
intended for architectural purposes
Also that the duration
the period
action
against piracy should not be less than three years
Also that the duration
the protection of

)

of

by

the

an

of

in

. of

amount

(

-

as

,

in

to

a

up

so

to

of

to

of

,

by to of

“

be

,
of

be

,

.

:

in

association
equally gratified
The Congress
the Bill
placed before Parliament
the President
the
Board
Trade
view
the adhesion
Great
Britain
the Revised Convention
Berlin
Bill
abrogating the different and incompatible
which

presumed

"

to -

,

by .

at

to

,

“

in

finding
the admirable final report
the
Copyright Committee
approval
the greater
principles proclaimed
number
the

This would

copyright
Also that works

“

to

of

of

,

de to

resolutions subsequently passed
the Congress
one which we give
full length below will
particular interest
English authors
Resolution respecting the new English Copyright
Bill
the following terms
The International Literary and Artistic Con
gress thanks the Copyright Committee constituted
by the British Government
draw
Bill
copyright for having been
relating
good
consult
the president
the association
the
course
the inquiry and has much satisfaction

“

to

a

in

. all by- .

of

for

,

in

.
T
.
G
.

M

Djuvara
Roumania

that after the death
the author the Controller
give
Patents should have power
licence for
the reproduction
the work not only when there
shall
more copies
circulation
but also
when
the price demanded for existing copies
public performance
for the rights
shall be con

“

.

.

of

in

.

A

.

in

of

reasons which

�he

!

is
"

of

at an !

a

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Dr
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Z
.

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at

”

“

By
H .

.

.

St .
.

.

,

.

A

.

Granville Barker
By James Moffatt
John Adcock
.

as

BOOKMAN

Barrie
Dramatist
Barrie and His Books
By
Mason

.

.

.

,

H

.

ByW
W .
. M

,

.
.

.

A

,

W

.

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of

Darrell

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in

.
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.

Archer

William

,

By

By
A

.

. .

G

of

.

Situation

.

NATIONAL

Mr

William

Shakespeare

.

Lady

Dark

.

By

Holland

.

Bernard

By

.

II
.

Gibbon
Gibbon the Historian
Clarke
By Abbé Ernest Dimnet

.
T of
.

H

.

CENTURY

.

NINETEENTH
The Genius
the Rev
The Sillon

.

The

.

a

.

.

.

.

.

of

in

.

Keeton
The Theatrical

A

of

of

,

.

"

Drama

FORTNIGHTLY
By Charles Zeffertt
Fairyland
Shakespeare
By Ford Madox Hueffer
Holman Hunt
William
By Lewis
Forgotten
Pindar
Peter
Satirist
Melville
Imperial Copyright By
Herbert Thring
The Night Thoughts
Robert Schumann

.

to

's
In

REVIEW

.

by

,

The Vitality

to

..

.

.

Dillon

. .

of
it
.

a

.

Tooley

By Frank Harris
Shakespeare
The Women
By George Moore
Une Promenade Sentimentale
By
Contemporary
Nihilism
Russian Literature

.

,

is

is

it

, ;

.

I

By .

ENGLISH

Ward

By Sarah

.

to

.

to
to

to

to

as

,
it —

,

Cleghorn Gaskell
Edinburgh
Brown

.

to of

at

I

I

did

.

I

on

is

do

be

the advertiser
taste that
his distastes that must be

must
avoided
learn the great secret from the editor
very
well known and prosperous journal
the course

-

.

CORNHILL

Elizabeth
Dr John

A

—

is

is

it
.

old

an

.

.

.

by

—

,

a

all

am

,

I

. I
v

is

is

editors defer
considered

By

.

.

,

of

.

collins

.

to

,

I I

.

an

,

.

no

my side
either
present
the secret
make you
please
not choose
themselves
please
Nor
themselves
they choose
please
their public
Their
quite another tune
And that
made
choice
tune
called
most tunes are nowadays
him
who pays the piper
the Advertiser
The advertiser
would seem
the critic
one else

whom

X

CONTEMPORARY

By
Rossetti
Holman Hunt
Reminiscences
Massing
The Modern Press and Its Public
ham
Browning and Butler
the late Professor Churton

.

. .

?

on

any terms stand
not
We have speculated
we have questioned
And our speculation has
remained unfruitful
Our questions have never
Perhaps our questions never will
been answered
be answered
For my part
care little whether
they ever be answered for
now see that they
have nothing
do with the matter
There has
unsuspected reason for the choices
the
been
strange amazing choices made
editors
That
reason
has been
secret
and that secret
now
Nothing
mine
know
about
hidden
from me
hand
this game
author
editor and yet
never came near
guessing the riddle
And
venture
think that

Here
Editors

,

By

.

or

.

's

to

Book MONTHLY
James Milne
Life
Short By

,

a

,

is

,

Beaconsfield
Novels Long

it

or

; it;

:

it

.

wronged our editors
We have wondered sometimes whether
was
possible that editorial taste could be at fault
that
editors really did not know good stuff when they
saw
whether drivel really did and could appeal
them
whether
was merely that they knew
good story decently
their public and knew that
written
the one thing which that public will

BLACKWOOD

.

.

of

CONTENTS

Bengal Fair
By
Vernède
Hamlet
Musings Without Method
Journalists
Conclave
Stage
The Elizabethan Drama
Criticism
Dramatic
for the Poets
A J. .J
.
E MM
. . .
W

as

to

-

the journal

speculations we have

these

in

up

for

the make

that

see

MAGAZINE

us ,

of

,

so

a

all

-

, in of

I

now

a

of

for

so

so

,

1

as

are needed

of

to

,

is

's

So

.

taste
editors has long seemed
incal
mysterious their
culable their standard
selection
erratic that many
have
wondered whether they really exercise any discre
whether they do not rather madly
tion
choice
manuscripts
bearing unknown
mix
hat
many
pull out
names and order the office boy

But

you know

now

THE BAG

of

HE

do

M

THE CAT FROM

." as

of

,

of
be

.

he

letter concerning some work done
tells me that personally
likes my work
very much but that such work
mine
never
special interest
Adrertisers
advertisers
The cat
out
the bag
And what
cat
These are our censors these the arbiters
author destiny
Our struggling novelists are
the mercy
Non Fat Food Company
our
crescent poets are the sport
Pink and his
Purple People
Pale Pills

to

;

,

law
”

the English

in

to

,

of

or

this principle asserted

a charming

of

him

all

to

of in an

to

of

to

“ The International Literary and Artistic Asso ciation particularly
insists upon the necessity
protecting works
industry
art applied
and
come
calls upon the executive committee
understanding
with the Englishmen interested
this question
obtain protection for
works
the graphic and plastic arts whatsoever may
get
the merit
destination
the works and

for

THE AUTHOR .

40

�THE AUTHOR .
But the transaction should
obtained
competent agent
with the advice
the Society

of

managed
the Secretary

.

,

by
of a

be

SOCIETY .

THE

or

USE

TO

.

HOW

41

of

(
a

:

to

of

.

.

..

or

,

to

or .

to

.

or

up

,

up

is

to

“

a

to

to

.

",

.

of

,

or

to

of

.

a

in

to

be

).

-S

A

II
.

(1
.) In

(2
.)

in

,

.

It to
is

,

.

.

in

.

to

to

an

to

is

.

It ,

is

of

.

,

of

.

General
All other forms

,

of

a

of of

(3 ( (
2 1
). .) .)

to

:

.

A

.

.

an

:

.

if

.

.

of

or

copyright

,

transfer

of

,

be

.

is
a

,
in

of

.

(
1
.)

a

so

;

Always avoid

AUTHORS

to

it

agreement without submitting
the
the Society
Authors
some com

.

or

of an

sign
Secretary

DRAMATIC
of

.

£1

is

1s

TEVER

.

to

petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established
an

in

be

a

.

for

of

.

stipulate

the contract
certain date
his name
the
on

of

the piece

by
a in

should

for proper publication

and
play bills

plays

the performing right
This
An author who enters into

of

a

contract

contract

dramatic

.

of

:

or

is

such

for production
-

price

be

a

proper

can

sometimes satisfactory

is

.

:

.

it

Outright

,
if

is

1
.

This

There are three forms
three
more acts
Sale outright
unsatisfactory

3
in
of

in

to

a

.

n

observed
are
few standing rules
agreement
dealing
There are four methods
literary
property
with

Selling

.

manager

an

be

ITERE

of to

THE PRODUCERS
BOOKS

(a
).

OF

.

TO

WARNINGS

It

2
.

.

.

,
or

.

9

per

.

WARNINGS

.

subscription
the Society
£10 10s for life membership

The
annum

TO

.

do

to

8
.

to

prevent authors from
Some agents endeavour
referring matters
the Secretary of the Society
some publishers
Members can make their own
deductions and act accordingly

. of
a

.

.

of

on

it

of

.

to

.

7

This
The

(2
.)

.

Many agents neglect
stamp agreements
must be done within fourteen days
first execution
Secretary will undertake
behalf
members

to

to

,

to

to

to

.

of

of

a

6
.

literary
No contract should be entered into with
agent without the advice
the Society
the Secretary
accept without careful
Members are strongly advised not
consideration
the contracts with publishers submitted
by
literary
agents
them
and are recommended
submit
them for interpretation
and explanation
the Secretary
the Society

(3
).

.

to

.

of

agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
by letter
agreements
possible
Avoid
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld

of

of . .

: , as
.

To

in

Prospectus

System

Agreement
Commission
The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

a

in

be

(
3
)

.

.

's

of

to

(2
)

To

a

in

.

ofto

be

by ,

of

,

'

.

To

The Royalty

perhaps with certain limitations
This
the best form
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible for
approximately
author
ascertain
the
very
important
truth
figures
From time
time
connected
with royalties are published
The Author

IY

if

, to

ist
,,

in

,

of to of in

,

of

no

4
.

.

5

The Committee have arranged for the reception
agreements and their preservation
members
fire
proof safe
regarded
The agreements will
course
confidential documents
read only
the Secretary
who will keep the key
the safe
The Society now offers
stamp agreements
possible action
readiness for
upon them
keep agreements
enforce
payments due according
agreements
Fuller particu
lars
the Society
work can be obtained
the

.

III

,

to

always that
belonging
Remember
the Society
you are fighting the battles
you
other writers
even
yourself and that you are
are reaping
direct benefit
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the
the composer
composer

(
1
)

(3
.) n

!

send

,

3
.

Before signing any agreement whatever
the document
the Society for examination

of

to to

.

to

,

do

.

.

of

'

do

2
.

Remember that questions connected with copyright
agreements
and publishers
not fall within the experi
ordinary solicitors
ence
Therefore
not scruple
use
the Society

Profit haring Agreement
bad form
agreement
this case the following rules should
attended
pro
sign any agreement
Not
which the cost
part without the strictest investigation
duction forms
putting the
give the publisher the power
Not
profits into his own pocket by charging for advertisements
by charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
otto
special charge for office expenses
Not
allow
anless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
give
rights
Not
serial
translation
any publisher
Not
bind yourself for future work
yourself
any one solicitor
As well bind
for the future
doctor
(4
.)

.

all

by

VERY

T
B

(6 (5
.) .)

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub
lisher , or any dispute arising in the conduct of his
business or the administration
of his property .
The
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society . Further , the Committee , if they
deem it desirable , will obtain counsel ' s opinion
without
any
Moreover , where counsel ' s
cost to the member .
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and
costs borne
the Society
1.

�TIIE AUTHOR .
AGENTS .
of

T

AND

authors should seek the advice
the
before putting plays into the hands
present an agent
As the law stands
play
who has once had
his hands may acquire
perpetual claim
percentage on the author
fees
plays
from
far
the placing
concerned
may
general rule that there are only
taken
anything for
very few agents who can
author
that he cannot under the guidance
the Society
equally well
better for himself
The collection
fees
many cases
intermediary
also
matter
which
required
purposes
For certain
such
the collection
general the trans
fees
amateur performances
and
frequent
petty
action
authorisations
with different
foreign
individuals
and also for the collection
fees
countries almost all dramatic authors employ agents
and
agents are real and valuable
these ways the services
But the Society warns authors against agents who profess
plays
have influence with managers
the placing
principals by offering
purchase
who propose
act
rights
any case
the author
the present state
agent should not
employed under any
the law
agreement approved
circumstances without
the
Society
,

a

do

,

of

as

.

or

,

of

of

to

by

.

of

an

be

,

in

In

.

an 's

,

to

as

in

to

in

of

,

;

in

,

of

of

,

in

,

.

on

of is

no

.

in

in

a

is

or

,

of

do

an

,

is

of

's

to
as as a
a
a

As

it
.

be

it

in

.

at

of

Society
agents

ITTLE

MUSICAL COMPOSERS

.

TO

WARNINGS

as

,

, of

be

.

.

be

-

to .

a

of

,

,

.

to

It of be

T

can
added
the warnings given for the
producers
assistance
books and
dramatic
pointed out that
authors
must however
rule the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property
The musical composer has very often the two
rights
performing right and copyright
deal with
He
especially
should
careful therefore when entering into
agreement and should take into particular consideration
the warnings stated above
.

,

MUSIC

.

STAMPING

in

all

time. This is most important.
rights , but
6. Authors
should not assign performing
should grant a licence to perform . The legaldistinction
is of great importance .
7. Authors should remember that performing rights in a
play are distinct from literary copyright . A manager
holding the performing right or licence to perform cannot
print the book of the words.
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining a substantial
consideration ,
should
be carefully
for collaboration
9, Agreements
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .
He should therefore guard himself
the more carefully

AUTHORS

RAMATIC

U

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one- act plays should
be reserved .
5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and

DRAMATIC

a

(6.) Sale of performing right or of a licence to
perform
on
of percentages
on the basis
vary between
Percentages
gross receipts .
5
per
a
should
obtain
cent. An author
and 15
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
(0. ) Sale of performing right or of a licence to
perform
on the basis of royalties ( i.e., fixed
nightly fees ). This method should be always
except in cases where the fees are
avoided
likely to be small or difficult to collect . The
other safeguards set out under heading (b. ) apply
also in this case.

an

42

on

.

in

.

,

. .

,

is

it

,

of

,

.

REMITTANCES

.
sent

by

be

or

Lane

,

Chancery

.

of

be

of

to

of

Smiths
Bank
letter only

,

to

give notice
The Secretary
the Society begs
that all remittances are acknowledged by return
post
All remittances should
crossed Union
London and

.

of

at

.

a

coach
The term
fiction
but poetry
possible
under
technical and scientific works
The
competence and experience
The
is

treated

.

of

a be

a

to

at

6d
.

2s
.

of

be

.

.

its

of

,

Readers are writers
fee
one guinea
is

,

special arrangement

to

be

in

.

of

,

at

's

to

.

will greatly assist the Society
this
work by informing young writers
existence
Their MSS can
read and

composition

or
a

a

of

to

D

,

of in

typewritten
duplicate
foolscap paper
the offices
forwarded
the Society together with
registration fee
two shillings and sixpence will
qualified assis
be carefully compared by the Secretary
stamped and returned
tant
One copy will
the author
Copies
and the other filed
the register
the Society
any time by
the scenario thus filed may be obtained
the author only
typing
small charge
cover cost
Original Plays may also
filed subject
the same
play will be charged for
rules with the exception that
per act
the price

or

in

is

BRANCH

MSS includes not only works
and dramatic works
and when

, on

QCENARIOS

.

of

'

READING

of by

.

treated

a

AND

its

branch

asof

OF

SCENARIOS

PLAYS

6d

to

of

.

of

.

THE

MTEMBERS
REGISTRATION
ORIGINAL

of

stamp copies
The Society undertakes
music
part
per 100
behalf
its members for the fee
stamps are kept
100
The members
the Society
safe
The musical publishers communicate direct with the
the
Secretary
then forwarded
and the voucher
members who are thus saved much unnecessary trouble
, ,

,

of

to

,

of

of

. on

be

.

,

a

An author must remember that the dramatic market
exceedingly limited and that for
novice the first object
obtain adequate publication
incomplete
As these warnings must necessarily
dramatic con
the subject
account of the wide range
further information
tracts those authors desirous
are referred
the Secretary of the Society

.

is is
to
11
.

.

the beginning

registered

�THE AUTHOR .
GENERAL NOTES .

by

.

de

to

,

do

“

,

I

a

.

all

of

.

is

a

is

.

.

its

,

of

I

,

.

,

,

it

a to

so

a

,

,

to
a
so

in

;

,

, .

-

its

of

of

norels soon become aware that
are peculiarly impartial
Just

.

,

as
a

.

or

,

by

—

.

of

or

so

,

far

of

as

in

or

-

a

in

of a

,

to

be

as

or

art
,

us

it
.

in

. , ,

a

is

,

a

—

I

what say
that
book
returned
reviewer with the plea that knowing the author
would prefer not
deal with
Let
however boldly face the fact that
some cases
to

)

me out

in

to

a

of

.

whole

fondly attached
you may
human being
and think but very indifferently
his
her taste
such
more homely and every day
thing
every
taste
dress
house decoration
writer must have many friends and acquaintances
whose literary work strikes them
less admir
every way than that
able
either the character
nature
intellect
its creator
coustantly
happens
every editor will bear

,

is

,

to

.

a

as

,

reviews

in

of on

of

a

,

.

of
to

,

is in

the book
Most writers

in

.

of

of

In

at

In

reviews can
certain
this case the rapid
appearance
reviewed
the poorly written books
the second hand market tells
own story
greater
The supply has been
than the demand
digest
and the reading public have declined

but

to

of

our

DRAMATISTS
consulting
the necessity
the
dramatists inside
the Society
Authors
separate list
questions affecting
their work
kept
dramatic authors has been compiled and
the office
the society
keep the list comprehensive and
order
accurate
members are asked
write
the
they become qualified for
secretary immediately
inclusion
the list
The qualification for such
play
inclusion
the public performance
performance for copyright purposes
other than
place licensed for public entertainment

in (
a

if,
,

of

continued

good

It

OF

LIST

view

of

.

“

is

-

,

a

.

,

he his

his
objects

On the other hand
extent sell bad stuff

he

in

,

and

No

it

,

its "

V

I

of

soof

on

,

showed

aims

speak
about
the top even
nothing than
few sentences however
notice of
enthusiastic
On the whole
doubt whether bad reviews have
really good work
though
ever
stifled
course
recognition
they have delayed

at

of

mio

a

In

.

of

. of

,

its

of

.

,

.

the

.

sympathy
with
organisation

.

of in

II
.

.

NOVELIST

sometimes hear
said that
one
reads reviews and this
both true and
companion saying
false
like
also
frequently heard among literary people that
No
one buys books
believe that many people
very much larger number
read reviews and that
people just glance through them
The length
review
most important
long review
your book
Better
with the name

in

.

W

.

A

to

W

.

A

a

the beginning he was not able
although
years
later

during
continue
many
occasions

at

be

A

.

as

A

OU

.”

;

an

.

.

of

is

REVIEWS

OF

WOMAN

,

.

is

,

of

.

a

to

,
to

,

of

,

30

,

,

it

go

p
.m
.

.

7

for

.

to

to

at

of

in

,

.

INFLUENCE

THE

on a

DUBOURG

.

of

of as

disinterestedly

.

.

to

Fisher
difficult

chronicle with regret the death
Dubourg
Another
dramatic author
Mr
the original members
the Society
Authors
has fallen out
ranks
He joined the society
very early member
dramatic author and was
the early days he supported
the council
the work
the society was doing
behalf
given
his fellow
dramatists but this support

We have

.

SOCIETY

.
very

this

Bill

on to

OF THE

the Society

.

to

is

is

in

Mr

see how

enforce
although

we quite under
stand that the United States have brought this
about through their own retrograde legislation we
pity that any country which has gone
think
forward
the great copyright ideals should now
back upon them
English works
With regard
the registration
great pity
we also think this
The action
retrogressive
not progressive
The less registra
tion the safer
the property
author but we
hardly care
criticise until after we have seen the
position

be

let

to

in

,

in

Bill
Personally
his

Ottawa

BY

proposes

interesting
to

It

is

be

their copyright

will

not

they

if

to

printing

going
register

is

It

in

.
do

to

it

done
Canada and that he
penalise the English
authors

to

,

United
the

the grass
steps with regard
say exactly
difficult

taking

till the draft Bill
our
would appear from his utterances that
stop the protection
awarded
States Copyright books
Canada unless

hands but
he intends

of

be

COPYRIGHT

Fisher has not

.

under his feet
Canadian Copyright
what he intends
grow

DINNER

of Authors will be
held on November 24 at the Criterion Restaurant
at 7
The chair will be taken
Mr Maurice Hewlett and the guest the evening
Morgan
will
Mr William
Members desiring
present are requested
make early applica
procured
tion for tickets which
can
the
offices
the society
conversazione will be
held after the dinner
indicated
the notice
the dinner sent
all subscribers
the society
to

Mr

that

see

THE

The Dinner

.

CANADIAN

We

43

�THE AUTHOR .

a

is

a

a

on

.

,

of

's

a

be

of

to

by

to go

.

It

is

or

it

;

to is To

.

a

to a

is

it

,

,

so

”

“

”

“

.

in

an

.

so

,

to -

is

-

is

—

no

.

a

of

.

of

in

as

,

is

?

a

of

of

iu

"

“

,

of

he

be

-

of

of

of

,

he

;

to
a

to

be

he

,

,

to

a

as

.

no

,

"

A

,

“

be

,

to

I

,

I

to in

a

,

. to

,

a

,

in

is

,

,

is

to

,

.

in

—

or

;

—

,

is to

's

an

in

to

,

.

a

of

,

to

is

it

,

,
, I

in

a

of

.

of

A

.

of

,

as

some

of

.

of

reviewers

.

have
honesty

minds

to

the best

as

.

or

in

which aroused the enthusiasm
the day
left
the last the question

,

it

.
L
.

R

of

his work

of

is

,

a

is

a

.

of

.

in

,

in

a

in

,

of

a

it

,

.

of

It

.

to

,

to

a

a

,

I

as

far

to

of

a

in

a

,

of

spite
Stevenson and
all that has been written
always had
the contrary Mr George Meredith
highly cultivated readers who
certain number

of

by

,

so

to

is

- of

-

of

in

,

happen
the one
with
Eliot
the formation about
him
small devoted phalanx
admirers who
print
whole heartedly proclaim
his merit both
and
conversation
has become the fashion
nowadays
group
call this kind
unofficial
group once formed
praisers
clique
Such
of inestimable value for
creates
demand for
the often very special and unusual work which
group
admires and such
often
the precursor
real popularity
This good fortune befel
never
country

said

this

,

.

of

it

-; ,

of

a

to

,

writer but which

a

to by

all

to

at

no

he

.

be

a

good

remember may
woman
writer
exception
George

he

,

's

;

,

of

is

by

,

a

,

to

happen

make some kind
effort
secure that the review
copies are sent out
good
the various papers
elementary
time
This which would seem
be
part
publisher
business
done
matter
perhaps
course by certain houses
but others
because their managers do not regard early reviews
particularly
important
take little
trouble
the matter
On the whole
editors and reviewers resent
special efforts being made
draw their attention
special book
though
this resentment
mitigated
altogether
even
removed when
the
absolutely disinterested
advice rendered
by
book
commercial sense may
made
fortunately
honest enthusiastic admirer who
large acquaint
for the writer happens
have
have
But though
ance
the literary world
my mind several such examples
cannot call
single example which was due
mind
the
personal friendship
the admirer with the author
power
Certain writers have
thus attracting
point
repeat was
sincere enthusiasm
case
quite
that
Robert Louis Stevenson who
clear never made the slightest personal effort
good
early review
secure
But there was
something
his personality
well
much

of

of

to an

of

an

or

's

be be

to

.

.

a is
,

when
reviewer receives
batch
books
newspaper
picks out almost instinctively
for early notice the books published
the good
Young writers
this
should remember
houses
when considering where
send their manuscripts
thinking over the terms which have
and when
been offered them
Probably the most fortunate thing which can
from

literature
would
well advised
make no
effort especially with regard
first book
when
has published several books
can
course

as

by
a

,

or

in

a

of

.

—

a

that

author influence reviews and
How far can
what every publisher will tell him
most impor
tant obtain early reviews
gifted with
Unless
most unusual power
push
and
business capacity which would
any walk
make his fortune
life except that

a

of

of

,

is
,
a

.

-

,

masterpiece
for by
unknown
every rule
There are
course exceptions
appreciative reviewer
the masterpiece may find
and the great man
the famous woman
book
may
treated with complete candour
but these
exceptions and will scarcely count among
will
the 69
100 reviews which every book issued
leading
publishers can now hope
firm
obtain
important
And this brings me
another
question
There
doubt
that reviewers
are impressed
the standing
the publisher
almost always they are quite candid about
can be hoped

writer

good was
the honest conviction that nothing
group greatly
done before
This kind
influenced that period
French literature known
puff
group
Romanticism
Such
each
appropriate
other
other term
the fervent
quite first rate
conviction that their work
On
the other hand rival groups are apt
crab
praised
the work
ever

to

,

or

-

of

-

upis

it .

,

to

by
a

written
well known statesman
woman
some other branch
who has made her fame
art will receive far more respectful treatment than

selfless

an

's

of

of

to
-

in
a

less value than
one which cuts
the volume
way which was more fashion
under discussion
day
able some years ago than
being
Human nature
what
reviewers are
generally
quite unconsciously
course influenced
by certain facts concerning the author
the book
they are about
very poor novel
notice
Even

touch of eager
enthusiasm
have the power of
eroking such
extremely valuable
sentiment
great mistake
suppose that
but
has
anything
personal
do with private friendship
popularity
often felt for
writer who
recluse and years may
before the master
and his disciple meet face
face
clique but
Akin
this type
lower
plane will
group
clever young writers
who all hold together and praise each other work

his work with that special

regarded

and

of in

is
-

It

to

.

a in

,

of of of

's

a

its

is

of

.

of

of

.

a

is

far

as

a book is given to a friend , and a friend who is
honestly anxious to extol the book as
possible
very
Yet such
review
seldom
satis
factory from the point
view
the author
invariably
better for any work
art
be
judged apart
from
creator
The personal
judging
element almost inevitably creeps
when
friend work and too often
friend
review
simply consists
that kind
mild praise which
perhaps
from
the point
view
the writer
infinitely
we should say
the publisher

I

44

the

�THE AUTHOR .

of to

in

up'

as
a

.

-

it
.

of

,

its

its to

,

at or

in

to

to

.

is

It

.

it

to

on

,

of

of

:

.

a

in

of

to

;

."

to to

!

is
a

a

to

a

,

of

of

at

.

,

it

.
, .

it

for

—

in

to

of

'

,

.”

of

to

.

as

a

of

's

of

of is

It

.'

a

a

.,

or

of

—

of

,

is
a

-

of

,

or

of

.

in

he

do
so

he

,

of

Society knows
found
allow
that the Authors
anything about the publication
books
music
composers
the value
the property
writers

'

,

or

or

of

of

of

its

of

'

This publisher does not affirm that the Authors
Society does not understand the question
the
production
music for
could not
but
carefully suggests that conclusion
his curiously
ungrammatical sentence
No publisher
books
music will ever be
to

of

in

is

,

in to

it

of

an

.

of

to

no

in

The Society
Authors may understand the production
very different thing
books but music
the author
years over the MS but many
book may spend months
composers
write dozen pieces day
composers could
could

or

was explained

The Author
extent
advance
the
present antiquated documents which most music
publishers
delight
issue
that the committee
accepting
had
hesitation
terms and
recommending
them
those composers who are
members
the society
issue

.

to

,

is
a

by

,.

as

such

. ,

May

is

the

But

It

a

management
perfect agreement

not
to

committee

.

of

.

&amp;&amp;

-

of

to

in

in

is

still being
stir has been made and
made
regard
the musical trade papers
the agreement that was settled by the
Copyright Sub committee
the society with
by the
approved
ner
Bell and
Messrs
Stainer
Bell
and approved
the

pub

assigning

Nearly one
Here
record
look back upon
hundred years during which time the publisher has
sole
the composer
obtained the assignment
rights
glaring example
indeed
the
ignorance
some owners
the value
their
own property

a

COME

as
a

:

.

to

our nearly one hundred years existence
lishing house no composer has yet complained
his sole rights

.

.

AGREEMENT

.

to

"

'
all
. s

at

the composers are

earnest and
this
they will make
necessary
doubt
this firm
concern itself about the agreement
Now
the time
come into closer combination
and
united effort
make firmer the advantage
that has already been obtained
Another publisher says
there

us

'S

MUSIC PUBLISHERS AND THE SOCIETY

Messrs
does not

of

But

of

,

by

do
&amp;
us

concern

to no

to a

of

a

.

not propose
criticise the details
really
inspiration
because

Bell

if

.

on

, ,

in

it

is

of

,

it

all

We

Stainer

is

,

be

to

is

it

In

by

.

at

to

leading
statement
come from
legal
Audi alteram partem
house
evidently
motto
which
this firm
has never
Why the whole band
musical composers
heard
wild with discontent
the agreement put for
this and other houses
ward

What

publishing

is

to of

he

a

of

say that our present agreement with
both their and our mutual satisfaction

by

of

in

in

to

a

as

;

,
if

to

,

it,

or

in is

We have only
composers works

In

.

of

,

or

are

in

.

or

a

to

'

or

;

,

-

of

to

on

,

on

or

?

,

,

or

hidden from those whose business
the watch for
and even the cleverest critic once
tried and found guilty
his editorial judge finds
gone
reality
his occupation
those
position
know
the facts must feel
absurd
discuss the question
for
obvious that
writing dishonest
no man
woman capable
likely
position
any
criticisms
attain
importance
the critical world

serious criticism
the agreement has been put
nothing but vague generalities and
forward
crude statements
facts relating
methods
publication
vogue
hundred years ago
Here are some examples
“

,

is

of

to

he

,

be

man
woman
His rewards
allows either
are
him
enmity
influence
friendsbip
extremely meagre and last but
very short time
impartiality can never be
lack
For such

work
adopt the same
The music publishers desire
position now
impossible
comment
detail
the numerous letters that have been
published but
say that no minute
will suffice

is

of

on

he

to

or

,

to

,

it

in

, -

a

community
every
There
dishonest people
profession and walk
life
but
matter
fact the modern critic has really less temptation
dishonest and less excuse for vielding
that
professional
any
other
temptation
almost
than

contempt

“

its

to

of ,

in

,

disappointment the author
the article had
nothing new
say
suggest
even
the
subject
fact
was very clear that
was not
critic and knew very few critics for he asserted
that the criticism
fiction
almost always
persons who are themselves novelists
entrusted
say that most
and
went
these story
tellers know each other and they naturally praise
each other
the quid pro quo principle
But why should the honesty
book reviewers
be discussed any more than the honesty
any other class
butchers
solicitors
the

imperfect shape the music publishers
E ven in
will have none
History repeats itself
About five and twenty
years ago the leading publishers tried either
society
laugh
down the Authors Society
lofty
amateurs
hold
their heads

"

,

I

?
"

“

I

a

as

Once when walking through a railway station
newspaper bill bearing
noticed
sole
question
contents
the ominous
Are Book
immediately
bought the
Reviewers Honest
paper feeling the interest which
every writer
my great
books must feel
this question but

45

�THE AUTHOR .
WRITERS AND JOURNALISTS
IN GALICIA
(SPAIN ).

ENGLISH

publishers would delight their public to think .

The remark of the publisher quoted referring to
composers might be reversed with

of

aim

of

all

,

of
it

aim

to

is

It

is

a

in of

“

to

is

of

of .

of

.

a

to To to

of

”

of

1

,

of

.

to

.

-

to

,

in

to

of

.

S
.
S

of

in

it

of

.

,

in

of

by

,

all

at

as

step

-

.

,

of ,

,
at

for

a

,

;

of

!

in

.

,

in

a

, .

!

-

,

to

a

up

,

At

”

its .

. .

,

of

,

.

“

a

-

by

,

in

;

in

.

,

.

,

of

vicinity proved full
Mondariz
and
the
pastoral scenery archæological problems
charms
history
and mediæval
The great feast
the
Virgin del Carmen was
picturesque scene
peasants devotion and gaiety
strange mingling
prayer and dance
bagpipes and
the drone
tap
Lastly
drum
Salve Regina was sung
before the bishop and monsignori clad
rich
vestments while the peasants
many colours and
the beau monile
Madrid
all bearing lighted
of

,

,

a

,

a

of

.

of

to

in

,

,

in

a

.

,

on

a

of

,

is

of

.

at

to

,

&amp;

an

,

his subject

proved indefatigable
their efforts
these
Spanish gentlemen spoke English perfectly
August
What surprise was Galicia
Not
dried
land
but one
rich valleys grey rocky
mountains and wooded hills
As one motored
away from Vigo
sharp con
Mondariz what
trast the scenery gave
palms and vines heath
and maize blackberry bush and mimosa grores
Dartmoor with its tors and Greece with its silver
grey bills and deep blue bays
Mondariz the
Spain are all bad was demolished
idea that hotels
palace
here was
and
the ball room the party
was received
the Señors Peinador and
brilliant
group
notables
God Save the King
and
the Spanish Royal March were played and Mr
Campion chairman
the delegation and the hon
secretary responded

,

in

for

is

,

;

a

.

in

,

.

,

indeed

of

."
&amp;

of

to

by

,
is

,

it

a

by

do .

is

.

is

, it

's

item

Galicia was made and
other places the party was
received
the dignitaries
the province
and
town and the ladies were presented with choice
bouquets
The president and the vice president
the Galician Tourist Society Señors Oya and
Barreras
once took charge
their guests and
here

'

“

.

,

do

,

to

,

of

.

. ,

is

member had some interesting

brought before him
At Vigo the first

,

in

In

.

,

. of

or

a

,

in

to

.

It

of

in

.

were

,

is

of
In 15

.

,

so

is

,

to

of or

do

.

,

in

If
,

case the attitude
Messrs Stainer
Bell the
publishers
They
attests
not desire
rob the
publishers
equitable control
All they ask
their own property
not infrequently the case that the public
and the individual who have been allowed the use
property for
long time impudently
other
assert that
Many examples there
their own
history and
are
history generally the strongest
has succeeded
Let the composers then show that they are the
stronger party and then they will succeed backed
with the knowledge that justice
also
their
side

Spain

those who joined the Booth
Hilary
journalists
special sub
who were experts
jects and
was remarkable how almost daily each

Most

-

a to

is fit

It

.

.

,

of

a

to

is

do

It

is

,

It

would appear from
careful perusal
the
whole correspondence
that the publishers either
ignorance fail
wilfully
grasp
not desire
the importance
the position adopted
the
composers
they
not think that the composers are
raising these points
real earnest
the
composers
show them
that they are mistaken
Let the composers combine and by
united front
force the publishers
recognise the great issues
stake
The composers backed
the society are not
asking for anything unreasonable
that this
the

to

is

.”

of

2

.

's

as

,

an

Lord Beaconsfield
political opponent
that
petulance
not sarcasm nor
insolence invective
impossible
think that letters
this kind
can
the writers any good
Messrs Stainer
against
any harm
Bell
whom they are written

of

Province

,

do a

,

"

,

to

issued from
important firm and published
September
the Music Trades Review
that
the firm has passed beyond argument
this case
that saying might be quoted
aptly applied by

, F . R .G . S.

BAKER

the
International Associations
the Press
spread knowledge
the
journalistic life and work
conditions
lands and
strive for
betterment
these con
ditions
work effectively for this
necessary
knoir the life and language
the
people
gain this know
other countries
ledge that the members
the British International
Association
Journalists have accepted invitations
Accordingly the writer
visit other countries
was glad
receive an invitation from some
the
principal residents
arrange
Galicia asking him
twenty one members
visit
the Galician

,

a

if

on

to

can
increase the value
his copyright
The inference left with the reader
that the
publisher will treat composer No
with but scant
courtesy and fairness
he has not thought
make himself the publisher
servant
candid and damaging confession
But perhaps the most curious letter
all
one

HE

of

will

enters into
publishing
agreement
the royalty basis only giving
publish because
licence
the publisher will

BY JAMES
M

à

a

he

to

he

a

larger sales than

he

get

all

his

if .

is no argument for or against the
agreement which has been published
Another publisher states that
composer
assigns
copyright subject
royalty

of

It

of

authors and
equal truth .

,

vet there is clear eridence every day in the work
of the society that it is not so ignorant as the

of

46

�THE AUTHOR .
candles in the procession , formed a veritable scène
d ' opéra .
From Mondariz , again in motors , the members
were conducted through a richly varied country ,
first to Pontevedra , the town where the ship of
Columbus, the Santa
Maria , was built , and
where the churches of the eleventh
to the six teenth centuries were intensely interesting ; and
then to sylvan Lerez , a town famous for its rich
mineral springs , where the party was received
with flowers and music , and the vivas of the

crowd .
From
Pontevedra a run was made inland
along the sea coast , to the island of La Toja .

and

All

the motors halted at the entrance to the new
bridge , some 400 met . long , linking the island to
the mainland , which the members of the British
International Association
of Journalists were to
open . On the island is a vast palace of an hotel,
and an extensive series of baths both for rich and
poor . The waters here are of the greatest value
for skin and other diseases . All Galicia makes
holiday in August . Here the local regattas with
twenty - four - oared fishing boats and the peculiar
little sailing boats , Gallegan singers , and peasant
dances and fireworks

,

afforded entertainment

Galician loves fireworks .
Fortunately, cool rains and

fresh breezes

.

population gave a hearty welcome - army and navy ,
Alcalde
and councillors, and the “ fashion " of
Corunna , never forgetting the courteous Pressmen ,
who arranged so much , and so assiduously aided a
better understanding
of the local history
and
customs .
The grave of Sir John Moore , the house
in which he died , and other places connected with
the famous campaign , were full of interest . Then
the hosts of Corunna motored
their guests to
Ferroll , where the dockyard authorities and the
English firms who are building the new Spanish
navy received
Quitting northern Galicia
them .
they made for Vigo , whence had emanated so
much organisation
for the tour ; here there were
fresh delights — courtesies from Alcalde, council and
other authorities , and from the Marquise Merced
del Paso at her castle of Montreal at Bayona . It
was with regret that the party bade good -bye to
their friends of Galicia ; much had been learnt
the developments under great difficulties , the gay ,
yet hard lot of the peasants . Surely with such men
to guide her , there is a great future
in store for

Galicia .

The

brought

alleviation
from
the heat , otherwise the work
before the members , with Señor Barreras to goad
them
on , might have been too much .
It was in rain
that they steamed round the island of Cortegada ,
which is soon to become the Osborne of Spain .
From here a salute of homage was sent to their
Majesties the King and Queen of Spain , and at
Santiago a gracious reply was receired saying that
their Majesties were deeply touched by the salute
and homage .
At Santiago - as everywhere - there was a warm

welcome ; the Press of the district , the learned
Eijo , Señor Don Oviedo , and the Alcalde
Canon
and councillors formally gare a greeting to the
party .
Three - and - a -half days were spent in this
vondrous city . So closely is it linked with English
history that the writer , speaking at the Ajunta miento , was able to give for the year 1395 the
pames of the ships leaving Hartlepool, Dartmouth ,
Newcastle , and , above all , Bristol , with pilgrims
for Santiago ; no less than 660 pilgrims sailed
from Bristol alone .
The churches , chapels , and hospitals , are full of
wondrous detail , and the Cathedral and Church of
study .
San Martin
demanded lengthened
The
swinging of the great cepser is an exciting and
strange rite , only gone through three times a year ,
but the visit was timed to see it .
.
After leaving mediaval Santiago the party ran
northward
to Corunna , where the whole of the

47

THE INSPIRATION

OF

POETRY .*

ais

book is warrantably , even appropriately
named .
The first chapter is entitled " Poetic
Madness , " the last “ Inspiration ,” and in one
as in the other the subject is not shirked or eyaded ,
but discussed .
The discussion takes the form of
marshalling the testimony of the poets , and the

M

I

author' s point of view is determined by his faith in
the reliability of the evidence massed , and amounts
against
to remonstrance
the attitude, based on
practice ," which would
“ academic , second -hand

reality to the poet 's experience . ”
These
chapters form a reminder of the constituent ele
ments of the waters at the fountain
head of
inspiration .
The elements are the emotional and
the intellectual , or , as Nietzsche synonymised them ,
the Dionysiac and the Apollonian . Without over
looking Apollo 's share , the Dionysiac
portion is
brought into greater conspicuousness than it has
appeared for a long time in such studies .
From
his definition of the poet as “ under excitement ,
presenting the phenomenon of a highly developed
“ deny

in a primitive way ,” Mr. Woodberry
into speculations on the history of emotion .
as a result of which he suggests the theory that the
emergence of man from the brute stage of life was
accompanied by an
outburst
and increase of

mind working
is led

emotional power , and he considers it plausible that
- - -- " The Inspiration
of Poetry , " by George
Woodberry . New York : The Macmillan Co .

Edward

�THE AUTHOR .

Golden

by

him

in

. .

no

,

on

of

.

It

to a

To

. of

to

of

to

.

is

to

as

"

“

the most simple
statements and the most innocent allusions
complaint
Heresy was
frequent
cause
Political topics were most risky
was dangerous
for the philosopher
the man
science
the
put his learning before the public lest
scholar
arraigned
he should
and fined
tortured
was indeed difficult for Christian
arrive
the
Promised Land
there were other censors still
lurking
and
the author passed
these the
monopolies
Stationers
Hall
the publishers
ruined him
get £2
was little use
£3 for
pamphlet
pay £50
you had
£100 fine
appear
Dramatists
have had rather more
in

that treason and sedition lurked

.

It

at.

to or

'

or

for

a

to

.

or

to

to

or

.

if

if

,

,

to
-

in

,

of

.

,

.

, , of

, of

of

by

.

all

to a

is

,

.

of

by

",

by

.

.

. ,

D

*
“

in

The Literary Profession
Age
the Elizabethan
Phoebe Shearyo
Litt
Published
the Manchester
University Press

careful research
Methods
advertisement
publication
prices theatrical takings
methods
and book earnings
sordid tale
Lastly the author has
explain
the many
supplementary
means
livelihood employed

It ,

too high

.

the standard

of

;

of

.

a

raise

.

not

to

is

to it

at

it,

but that

but their pay was miserable and even
their works were produced
under the highest
patronage the risk remained
All the horrors
this hand
mouth existence
many instances from the
are vividly put forth
mouths
the authors themselves
But the other sides
the literary profession are
also dealt with lucidly
and show the result
freedom

of

of

—

in

by

.

to

-

in

-

of ,

,

of

, is

at

in

the literary professor
the Elizabethan
perhaps more interesting than
any other
period because at that time the birth
printing
was bringing into
possibilities
existence new
wonderful and far reaching and
the opinion
authority
those
full
fearsome and startling
dangers
Men were beginning
live
their
writings without the aid of any other profession
poor livelihood
but
the best
was
The
dramatists seem
have had slightly the best

,

But

Age

It

of of

.

the society

-

to

to

,

A

of

BOOK dealing with the literary profession
must always be
interest
followers
that profession and therefore
members

of

,

,
if

THE

.*

IN

LITERARY PROFESSION
ELIZABETHAN AGE

THE

be

to

or

.

the

The most serious
these was the Privy Council
and the Star Chamber
breathe
word against
bring down
their ruling was as likely as not
their powers
crush
the unfortunate
doubt took some real courage
the part
Milton
Areopagitica
courage which the
write his
presentgeneration
inclined
undervalue
they read his perfect and easy periods
prove
There were
host
informers ready

or

to

second

the

of

of Gibraltar

Straits

with

.

the

dealt

are

of It

from

Horn ."

These

censors

chapter

a

criticism
is the skilfully sus tained assertion of the fourth chapter : “ It is an
poet . . . .
error to think of Byron as an English
He was rather a poet of the Mediterranean world .
There he found the main material of his works —
the motive , the stage, the incidents, and the inspira ranging
tion . . . the scene of bis imagination

if

a

of Mr. Woodberry 's

At the best the drawbacks and hindrances were
serious : there was , firstly , the drawback
of the
patron , which as likely as not turned the author
into a miserable whining tout ; but next , the draw
back of the Star Chamber , which might bring the
unfortunate
author to the torture - chamber or the
prison ; and thirdly , the bitter monopolies
of the
Stationers Company and the publishers .
The first chapters deal with the evils of the
system
of patronage , and many examples
from
contemporary writers are given of their unhappy
lot .
The whole picture would be contemptible
it
There were one
were not at the same time so sad .
or two notable exceptious , in which the author was
treated as friend , but generally he was handled worse
than his master 's dog . If, however , the author tried
to be of free and independent spirit , that spirit was
most probably crushed out of
the official

to

emotion was a main condition of the gradual
advent of intellectual life .
In the other chapters the general remarks illustra tive of that passion and power of life in which
poetic energy consists are applied specifically to
Marlowe , Camoens , Byron , Gray , Tasso and
Lucretius . The writer is aware of the apparent
inconsistency of Gray ' s position in such company ;
contending nevertheless , that though the work of
minor poets be in low relief, yet, if the theory is
sound , they should show in their degree the traits
of the grand style . The essay in itself is excellent ,
but the advisability of inserting it here without
fuller explanation is open to doubt , as it ushers in a
question separate
from , albeit related
to , the main
thesis .
The author ' s assignment of the poets treated to
their places in literature is marked by catholicity
of taste , breadth of scholarship , and an almost non chalant, logical , if not irrefutable reasoning which
lifts them from their traditionally allotted niches
and insists upon their association with other regions .
mental or physical , with which heretofore they have
not been sufficiently identified . One of the most
brilliant instances of this important characteristic
such

of

48

�THE AUTHOR .
a

a

as
of
a

is

.

,

, ,

others
value

“

,

less interest
whole

."

.

common with
very considerably

at

all

CORRESPONDENCE

FUND

Society

.

,

—

DEAR MR
THRING
Will you kindly convey
the Chairman and committee
the Authors
Pension Fund my heartfelt thanks for their generous
award
me the wording
which touches me
deeply
viz that
the only recognition
my long services
their power
literature and
high example
sincerity and sound work
Pray
assure them that
look upon this pension
honour that gladdens my autumn
life besides
also
handsome staff that will greatly help me
my road
the remaining stages
For however
hopefully
begin
mind
discern the Gate
looming nearer ahead
undeniable that declining
strength
body makes my work less
happiness
increasing years
and more weight added
that
my
For some time past the wish has been
help other writers like myself
mind
this
end
destined certain earnings
some £600
capital
now seems
me that
the Authors
accept this
gift
Pension Fund would see
allowing me the interest during my lifetime
should joyfully hand
over
them now
instead
bequeathing
later
help
The Society has
often been
me and
many
among my
number
its members
accept
friends that
trust this small gift may
able
and accepted
them
token
true
gratitude
sympathy and
their most kind act
comradeship

'

of

in

"

is

it

to

an

on

,

of

I

as

."

of

, .,

,

.

to

is

To

as
a

,
I , '

if

,

,

to

of

in

of

for

as
a

by

I

be

so

of

so

it

. it

to

to

fit to

It

. I

,

in

.

to

in

.

of

to

a

of

it

, I

in

of

a

.

,

,

.

CROMMELIN

.

,

,

21

,

.

May

of

”,

two

Contributor
Editorial Attitude

"

one

or

add

“
A

like

."

called

“

which

should

those related
forth
The

byto

.

1

,
-I

DEAR SIR
experiences

to

is to

ATTITUDE

.

THE EDITORIAL

at

by

"

)

17

,

.,

(S

-

16

, .

it

to

.

of

",

Once more thanking the committee
Believe me
Yours sincerely

,

“

's

Edward

the brown

,

to

of

a

(

Omar Khayyam
covers will attract the notice
those who remember that Mr Quaritch
one
persuade the public
time found
difficult
purchase the work
An opposite phenomenon
July
otheby
presented
Purchas his
Pilgramage
presentation
copy
3rd edit
1617

edition
wanting

Fitzgerald

a

July

of

of ,

(

Sotheby

Holy Cross and the
Edmundsbury
The sale
copy
for £38
the first
Waltham

21
)

Abbatial Library
Monastic Library

St
.

a

's

)

22

The Ruston sale Sotheby July
number of ancient MSS from the
of of

. of

an

of

.

by

21

sales
included

season

,

the

,

of a

at

, ,

18 of

on

,

of

-

in

,

of

publications

sixteen

Kelmscott Press were offered
June
and
July
respectively
Sotheby
The preface
unusually large proportion
remarks that
collections
books has been
feature
this

of

-

. ,

;

”

16

of 26

on

“

of

.

,

58
.

the other

in

and

of

,

”

by

“

,

entitled
Address
£190
and
July
sale
the same firm
another letter
his £235
At the same sale
June
the first
Aldine edition
the
Terze Rime
Dante the
first Aldine showing the well known anchor sold
eighteen
for £6
Collections
the one case
fetched

,

, -

15

to

Pitt

of of 16

as

's

At

'

,

17

.up

,

as

a

.)
,

of

(

,

18

's

.

,

29
,

to

, .

his letter
William
the Scottish Distillers

of

,

",

as

of

a

,

in

of be

,

in

to

-

“

of

is

1

T

the concluding number
the 24th
volume
Book Prices Current and
very full general
usual contains
addition
preface
Index
which will
found interesting
remarks respecting the sales
the season 1909
1910
The sales recorded are those from June
July
inclusively
1910
1910
Authors will
interesting Sotheby
probably
particularly
find
July
large pro
sale
etc
which included
portion
many books
belles lettres
well
Sotheby
which seldom turn
sale June
and
Burns original holograph MS draft

I

HIS

,

.
5
.

NO

of

XXIV

of

to

.

.

VOL

.

PRICES CURRENT

-

BOOK

Authors

.

of

.

PENSION
the

To

.

THE

Secretary

the

of

,

,

,

.

as

is

It

,

on

on

. all

.

schoolmasters
The book has undoubted claims not only
those who write but also
those who read
well that those who have received
times
infinite relaxation
from
the highest
literature
should know with what heartburnings from what
misery amid what sordid surroundings their
pleasure has been manufactured

,

in

,

fallen

in

,

at

,

have

in

,

by

i.e

. .,

in in

of

.

,

of

or

for

.

Dramatists took
shares
other
theatrical
some even shares
the house
the
patrons
theatre itself
Some werc salaried
While authors
books went into the professions
clergymen tutors private and
the Universities
ventures

inscriptions, knocked down at the same sale
July 1908 for £270
£101 having sold
As the preface points out the present
bad
good time for
time for selling rare books and
purchasing them
Rare and expensive books
with

,

make both ends

to

order

in

dramatists and authors

meet

49

�THE AUTHOR

to

.

is

it

,

?

I

is

to

no

.

I

an ?

On

,

”

“

-

of

it

't

.

a

to

of

,

.

.

as

to

it us

;

of an

if

as

it

a

If

,

,

—

,

of

of

to

.
no

as

.

,

,

, ,
I

to

,

;
if
.

,

for

,

as

of

a

,

is

to

”

of

,

,

,

of

if

as

.

a

,

a

no

as

,

,

if

of

sit a

be

he

-a
-

he If

. of
in

,

If

.

to

to

.

,

of

,

he

,

an he he

.

a

a

of

be

.

to

,

,

.

's ,

any writer gamble
personal
we hanker after
success
must not complain
the rules
the
pure
table
chooses his own table
artist
investor not speculator
can
down
cheerfully
bread and cheese
his half crown
;

he

,

.

it

:

a

,

the publisher
This fact publishers who object
bankruptcy must take into consideration
On the
neglecting the
other hand should anyone
them
publish books only because they
travlesman
view
constitute
sound literature
would shortly find

-

far

.

to

,

.

,

advice

he choose he can even
novelist be
suc
cessful tradesman
few prove
ut
he respect himself
an artist let him
poverty
remember
too
that the crown
and ignominy honest artists
like the author
The City
Dreadful Night
and Clarence
Maugan attained
thousand
times better
present and passing
worth having than the crown
social and monetary success which
tradesmen
B

of

an

,

by

of

a

an

of

with

the other

one complain that publishers are trades
they were not tradesmen
men
and successful
they could not continue
tradesmen
exist
Personally
have the greatest admiration
for
trade
And let every writer remember too that

“

of

-

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in

-

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is

is

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than

ought
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of

to

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he decided was by
The former
had published
anonymously
fell dead from the press
The
expected
latter had the success
book
published under his name
When
writer has
reputation then sheer drivel from his
established
pen will for awhile be read with pleasure and pay
novels

it

I

if

,

: t'

it

Roman the Unitarian
the Materialist
all under
preconceived ideas see contradictory
the influence
aspects
the same one thing they regard
Kipling his worshippers
drivel were possible from
would adore
the supreme
the supreme were
presented
us from
unknown writer we should
require the guidance
authority
imbue
with
preconceived ideas before we could worship
we

,

.II
in

"

“

do

"

-

_
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Fair
Jane Eyre
Vice Versâ
and
doubtless
many others
The fact
that any well established firm
publishers
making money
one which
skilled
by the publication
books and any book
certainty
profit
established author gives almost
while the best
books by
unknown man may
fall dead from the press
James Payn
whom
On looker refers proved this
He wrote two

better

,

a

to

,

-

byin

.
for

;

-

,

Young

On looker
prove
his paper going
editors
not read the manuscripts
might perhaps have used for argu
unknown men
Vanity
ment the early history
the MSS
SIR

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in

ERNEST

success
have tried
more than once and
never failed
Let him take any more or less
unknown passage from some established romance
chance audience with an
writer and read
expression
contempt
All those who don
recognise the author will agree with him that what
he has read
rot
Publishers
have not
deal with reasonable
except myself and you who
customers
we
authority
read
think under the gouvernance
and preconceived
ideas
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the

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describe
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interest
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and the names are enclosed for the benefit
editor
The Author who can show them
Editor
confidence
thinks desirable
Yours faithfully

for their own
even the skilled
labourer who
right
honest but starving has
demand
employment from any capitalist
will
And our revered clients the public

is
“

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to

.

in

.

to
a

I

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it

a

(2
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,

(
3
)

payment was made
Several months afterwards
wrote for my fees and
learned
the publication
received them
little later the same paper published
kept look out
another article
the same way
saw
the article waited another month
and then
wrote asking for payment
The three papers referred
are all well known

a

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so

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editor
write
short
received
two years ago
wrote
March last
complain
reply
and got
the effect that the
editor had been changed and the story mislaid
story
January
Another editor accepted
1909 but
still unpublished
paper
sent
article
the article was
published but no proof was sent
me and no

story

.

himself in the bankruptcy court or a lunatic asylum .
It was by sheer chance Hardy stuck to a profession
that carried him to the top of the tree ; and we all
know the history of Meredith and his works.
We must not kick against the pricks
hare
myself lately had the MS
book
returned
publish
me with most courteous refusal
And
from
like courteous explanation
clear the
possibly because
book has not been read
told
question that
the publisher
successful
would
read
four people and four people only
England
But what complaint have
Some
publishers don
produce books for my benefit bat
in

to

am

I

of

.

of

try

The editor who wrote the latter , remarks , “ The
waiting for years ' notion is far from being any .
thing like the rule , sporadic cases notwithstanding ,
and with it may be bracketed the notion that
wriggle
editors publish
contributions and
writing
paying for them
respon
out
sible editors
established journals
The experiences
refer
are
follows

of

50

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it

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Celtic
Latin blood
Shakespeare without
single
Our possession
permanent répertoire theatre where his works may
surely huge joke enough without
seen
new
academy composed
worthy professors
Yours etc
WAYFARER

if

do

,
or

,

to

se

it

,

is a

commentators
dead authors rather than creators
living literature and they are not
appraisers
likely
inspire confidence
the proposed awards
aspiring authors
made
many foreign critics
proved
the claim
once and for
time true that the Anglo Saxons
have
and that the seeming exceptions which
might prove the contrary are due merely
Is

an .”

as

"

per

-

or

,

Pure literature
has nothing
with
pre historical research
historical
the evolution
may contribute
language though
both
noticeable also that many
the learned
members whose interests are literary are critics and

or

say that
Publication
should like
think
would
unwise thing for the society
have
any business concern
any interest whatever
might prevent the officials
the society from
dealing
independent fashion
They might
feel bound
bolster
the society own publish
ing venture
Even
this was not the case those
who were anxious
find fault with
the society
would always claim that the action and dealings
the society must
biassed
was connected
agent business
any way with
publisher
any way agree with what your corre
do not
spondent states about Mr Thring advice and the
publishers
dictatorial position
have found
Mr Thring advice very useful and have found
publishers willing
alter their agreements
order
meet the authors
cannot say about
other authors but personally
have never been
publisher although
black balled
has
my connection with the society
known
Indeed
the publishers took
into their heads
black
ball
all those who were members
the Society
very few authors for
Authors there would
they would
publish
whom
able
be

be

.

“

of

unchallenged
apart from

accepted
these can
pure literature

"
?

in

workers
learning

not without amusement that
have
the October number
The Author the
letter signed
with regard
Co operative
read

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original members

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on

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to

is

If

stating that
object
Times
correct
represent pure literature
the same way
that
the Royal Academy represents the fine
arts the Royal Society science and the British
Academy learning
then
most disastrous start
has been made
the selection
the twenty seven

It of

.”

.

last month
the

issue of The Author for some comment
newly constituted Academic Committee

to

or

.

hope

's

--

COMMITTEE

vain

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I

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SIR

ACADEMIC

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CONSTABLE

in

to

or

work which has undergone any revision
altera
tion
then the only objection seems
be
the
the term and the term must be altered
definition
the word
issue
which he suggests
his
letter
but the fixing
unit seems
not
only practicable but essential
Mr Hubert Haes
really
further says
his letter
does not
matter
the public how many copies constitute
beg
edition
issue
On this point
take
exactly the opposite view
Yours faithfully
ONE INTERESTED
”,

It .

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be

,

in

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in

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in

us
.

honest striving
manifest the spiritual

is

God and his fellowmen
should there
not
fulfilment that we

Why

51

;

and write
result

room

will

no

- week

There

be

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for

THE AUTHOR .

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30

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or

a

it

2
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“

operative publishing
SIR
The subject
which there has been some correspondence
The
surpassing interest
Author
writers who
having adopted the usual methods
publication
pocket
have found themselves out
the trans
many months
receipt
action
after the lapse
exiguous remuneration
for their labour
gather from the letter
your last
proposes that the Incorporated
issue that
of

such

seems
me absurd
What reason makes
impossible
the unit was fixed
000
say
500 were published
half
edition pub
quarter
lished
edition published
were published
000 were published
twenty editions
Mr Hubert Haes inter
prets the term
every issue
edition
the

if

II
.

.

of

,

obtain

.

-

.

is

impracticable

to

is

”

an

that

it

suggestion

upit

under the signature
Mr
your last issue dealing with the
interesting
Edition
but the

in

-

of

*

Hubert Haes

Unit

Edition

The letter

,

SIR

OF

THE UNIT

AN

,

Yours faithfully
MIDDLE CLASS

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am

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be

to

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to

then

from

pirate

.

sale

,

Yours faithfully
GIVE AND

TAKE

.

by

in

interfere with

photograph

the photographer
allowing not more than

its

,

or

a

work

a

a

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safeguarded

publications

scientific

any book
material
copyright illustrations
No one could
per

.

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at
,

be

of of

of

.

.

while

a

,

.

of of

to

co

on

extracts

not single detail may
used
without payment
The benefit
ten

have read with interest and sympathy
operative publication
letter
the
issue
The Author
As one
those
of

To

.

of

,

a

of

on
a on

book

would

III
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F ,
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to it
is

to

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to

so

.

be

I

CRUX

PHOTOGRAPHS

copyright must
SIR
The question
looked
not only from the personal point
view
but
knowledge
also from
the point
the advance
private rights should
The real test
that
the probable profits
the author should
not
uphold
reduced
entire right over every
photograph for about eighty years outside
every
expected
profit
knowledge
detriment
without any reasonable gain
give
instance many continental
writers
desire
use one
two illustrations from books
my own one man took nearly half his illustrations
from me without asking
raise no objection as
all for the good
science
But when want
photographs made by
few portions
use only
Germans
met with copyright claims that bar
any way detract from
the use which could not
Why should
newspaper
their expected profits
pick the plums
allowed for profit
new
be

a

to

,

he

,

of

a

of

,

it

in

COPYRIGHT

of

-

to

to

at

,

a

. of .

of it

had undoubted

kind that appealed
The author also printed

a

he of

I

to

as

of

.

,

a

,

The poem

limited class
readers
simple but attractive
leaflet which with the
assistance
his wife
addressed and posted
friends and likely customers
He also sent copies
the poem
various papers with some
which
slight journalistic connection
had
The
result bas
far been satisfactory
The total
amount
cash received has
course been small
printing and
but
has repaid the entire cost
publication
profit
with
fair margin
The
poem has been well reviewed and the author has
with quarters which
communications
established
give promise
literary employment
remunerative
the future
glad
shall
have your views and those
your readers
the prospects
this mode
larger scale
publication
Yours faithfully

“
D

Yours faithfully

to

on

to

as

a

very short poem
self
merit though
was

October

it

-

,

be

,

to

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s

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for

of

provisions

is

is

,

is

probable

the

SIR

restricted circle
readers frequently
find themselves
this class belong the majority
popular science and philosophy
writers even
either
all those whose works
and practically
subject are technical
Either they must sign
hopelessly unsatisfactory
they must
contract
painful dilemma and
forego publication
operative
cannot but think the suggestion
worthy
publication
consideration
possible also
carefully hought out
that
scheme
the kind the swamping
works
real
but not catch penny merit might become less
common
than according
the confession
most
publishers
publication
now
The business
pronounced commercial aspect
bound
have
but
not the only one
which
should
regarded
a

,
in

of

at

.

as

as

”

.
as

If,

incorporated
the society
the Companies
Acts
relating
associations formed
the advance
ment
science etc and not for profit then
proposal
could
not
carried out
unless the society were reconstituted
limited
company
preferable course
think would
for the
competent advisers
society
after being assured
young author
that
work possessed
distinct
prove
defray
merit and was likely
success
printing and
the cost
some portion thereof
preparing
agreed
for publication
terms
repayment and
circulate the
leave the author
book
best he could
my knowledge
An instance has just come
young writer who printed
small cost
him
under

appeal

to

of

,

as

to

in

on

to to

no

to

of

“

founded

have

Thring
thing
but
to

as

a

,

to

,

,
I

is

.

F
.
”

.

a

private
firm
fear only too clear that
giving
the society although
the
regard
the
authors
most admirable advice
agreements they should enter into with publishers
bring
can
influence
bear
the latter
accept fair
order
induce them
instead
Authors who have not
unfair agreements
completely
arrived
are
the mercy
publishers
they were before the society was

“
D

through

than

, It

society rather
publishers
says

experience
get
found
that
kindly and admirable advice
one
get the slightest alteration
wholly another
publisher
dictatorial proffer
beg
operative publication
say that
some
form
seems
me
offer almost the only issue
which authors who necessarily
from the impasse
who

Mr

of

up

set

of

to

of

publishing
Society of Authors should
business for the benefit
such
its members
might prefer
issue
their works through the

by

THE AUTHOR .

52

�ADVERTISEMENTS .

.

PICTURES FROM

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            <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXI.- No. 2.&#13;
NOVEMBER 1, 1910.&#13;
[PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAOE&#13;
25&#13;
PAGK&#13;
41&#13;
25&#13;
25&#13;
:::::&#13;
Notices .&#13;
"The Society's Funds&#13;
List of Members...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books pablished by Members of the Society&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes&#13;
Arrency Clauses in Publishers' Agreements&#13;
Thirty-second Congress of the International Literary and&#13;
Artistic Association&#13;
The Cat from the Bag ...&#13;
Magazine Contents ...&#13;
How to Use the Society&#13;
Warnings to the Producers of Books&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Origin&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes ...&#13;
The Influence of Reviews&#13;
Music Publishers and the Society's Agreement ...&#13;
English Writers and Journalists in Galicia&#13;
The Inspiration of Poetry ...&#13;
The Literary Profession in the Elizabethan Age ...&#13;
Book Prices Current-Vol. XXIV., No. 5...&#13;
Correspondence ... ...&#13;
奴必归纪绍的如打80p&#13;
lizabethan........&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 18.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58, 6d. per annum, post free. Back&#13;
numbers from 1892, at 108. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Yarious Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods.” With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 1s. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreemont issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. ls.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 1s.&#13;
[All prices net. Apply to the Secretary, 39, Ou Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. 24 (#48) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No.: 374 Victoria,&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL&#13;
SIR ROBERT ANDEREON, K.C.B. | AUSTIN DOBSON.&#13;
JUSTIN MOCARTHY.&#13;
SIR WM.REYNELL ANSON, Bart., D.C.L. SIR ARTHUR CONAN DOYLE.&#13;
THE REV. C. H, MIDDLETON-WAKE,&#13;
THE RIGHT Hox. THE LORD AVE A. W. DOBOURG.&#13;
SIR HENRY NORMAN.&#13;
J. M. BARRIE.&#13;
[BURY, P.C. DOUGLAS FRESHFIELD,&#13;
SIR GILBERT PARKER, M.P.&#13;
SIR ALFRED BATEMAN, K.C.M.G. SIR W. S. GILBERT.&#13;
SIR ARTHUR PINERO.&#13;
ROBERT BATEMAN.&#13;
EDMUND GOSSE, LL.D.&#13;
THE RIGHT HÓN. SIR HORACE&#13;
F. E. BEDDARD, F.R.S.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
MRS. BELLOC-LOWNDES.&#13;
H. RIDER HAGGARD.&#13;
ARTHUR RACKHAM.&#13;
THE RIGHT HON. AUGUSTINE BIR MRS. HARRISON (“LOCAS MALET"). OWEN SEAMAN.&#13;
RELL, P.C.&#13;
ANTHONY HOPE HAWKINS.&#13;
G. BERNARD SHAW.&#13;
MRS. E. NESBIT BLAND.&#13;
E. W. HORNUNG.&#13;
G. R, SIMS.&#13;
THE REV. PROF. BONNEY, F.R.S. MAURICE HEWLETT.&#13;
S. SQUIRE SPRIGGE.&#13;
THE RIGHT HON, JAMES BRYCE, P.C. W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
THE RIGHT HON. THE LORD BURGH. JEROME K. JEROME.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mus. Doc.&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
MRS. HUMPHRY WARD.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
PERCY WHITE.&#13;
EGERTON CASTLE, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.8. FIELD-MARSHAL THE RIGHT HON.&#13;
EDWARD CLODD.&#13;
THE REV. W. J. LOFTIE, F.S.A,&#13;
THE VISCOUNT WOLSELEY, K.P.&#13;
W. MORRIS COLLES.&#13;
THE RIGHT Hon. SIR ALFRED P.C., &amp;c.&#13;
The Hon. JOHN COLLIER,&#13;
LYALL, P.C.&#13;
SIDNEY WEBE,&#13;
SIR W. MARTIN CONWAY.&#13;
LADY LUGARD (M188 FLORA L. | H. G. WELLS.&#13;
THE RIGHT HON. THE LORD CORZON SHAW).&#13;
OF KEDLESTON, P.C.&#13;
MRS. MAXWELL (M. E. BRADDON).&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-MAURICE HEWLETT,&#13;
SIR ALFRED BATEMAN, K.C.M.G. DOUGLAS FRESHFIELD.&#13;
S. SQUIRE SPRIGGE,&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR,&#13;
MRS. E. NESBIT BLAND.&#13;
ARTHUR RACKHAM.&#13;
SIDNEY WEBB,&#13;
J. W. COMYNS CARR,&#13;
| G. BERNARD SHAW.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-SIR ARTHUR PINERO. Vice-Chairman-HENRY ARTHUR JONES.&#13;
H. GRANVILLE BARKER.&#13;
Miss CICELY HAMILTON.&#13;
CECIL RALEIGH.&#13;
J. M. BARRIE.&#13;
CAPT. Basil Hoon.&#13;
G. BERNARD SHAW.&#13;
R. C. CARTON.&#13;
JEROME K. JEROME.&#13;
ALFRED SUTRO.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-MAURICE HEWLETT.&#13;
| MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
M. H. SPIELMANN.&#13;
| MRS. HUMPHRY WARD,&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS.&#13;
ANTHONY HOPE HAWKINS.&#13;
E. J. MACGILLIVRAY.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR GILBERT PARKER, M.P.&#13;
HERBERT SULLIVAN.&#13;
SIR CHARLES VILLIERS STANFORD, SIR JAMES YOXALL, M.P.&#13;
Mus. Doc.&#13;
THE HON. JOHN COLLIER.&#13;
SIR W. MARTIN CONWAY.&#13;
ART.&#13;
| JOHN HASSALL, R.I.&#13;
| J. G. MILLAIS.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN.&#13;
FIELD, ROSCOE &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W. soucit&#13;
Solicitor in England to&#13;
La Société des Gens de Lettres.&#13;
Legal Adviser in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
&#13;
&#13;
## p. 24 (#49) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
To Authors and Journalists.&#13;
- PLAYS&#13;
The writer, whether he aspires to write novels, short stories,&#13;
or articles, often spends years in uncongenial work,&#13;
rebuffs and drudgery being the only return for the time&#13;
and labour spent.&#13;
THE COURSE OF LITERARY TRAINING promoted by&#13;
the Literary Correspondence College teaches the&#13;
aspirant to serve his apprenticeship to Literature in the&#13;
briefest time possible.&#13;
The College also undertakes Literary Agency business of all&#13;
kinds.&#13;
For full particulars write at once for Pamphlet D.M. to the LITERARY&#13;
CORRESPONDENCE COLLEGE, 9, Arundel Street, Strand, W.C.&#13;
"First Lessons in Story Writing."&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. Od: net. 28. 8d. post free.&#13;
of this work the Westminster Gazette writes :-"The&#13;
beginner who takes these lessons to heart may be quite&#13;
assured of an advantage over his competitors."&#13;
MR. FORBES DAWSON,&#13;
An actor of over 25 years' continuous experience&#13;
on the Stage and possessing a thoroughly practical&#13;
knowledge of .&#13;
PLAY CONSTRUCTION&#13;
AND STAGE CRAFT,&#13;
Author of plays produced in England and&#13;
America, adapter of several novels to the stage.&#13;
ADVISES UPON PLAYS,&#13;
Their Construction and&#13;
Stage Technique.&#13;
Knowing every manager of any note in the&#13;
theatrical world, MR. FORBES DAWSON uses his&#13;
influence in the placing of Plays.&#13;
"How to become an Author."&#13;
By ARNOLD BENNETT.&#13;
A Practical Guide; full of useful hints.&#13;
2nd Edition. 58. net. 58. 4d. post free.&#13;
The Literary Correspondence College,&#13;
9, Arundel Street, Strand, w.c.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON,&#13;
from 10d. per 1,000 words, by experienced&#13;
Typist. Authors' MSS. and Technical&#13;
work a speciality.&#13;
ORDERS BY POST PROMPTLY ATTENDED TO.&#13;
MISS LUETCHFORD, 122, LONDON WALL, E.C.&#13;
TYPEWRITING OF HIGHEST QUALITY.&#13;
GENERAL MSS., 10d. per 1,000 words. CARBON COPIES, 3d. per 1,000 words.&#13;
DRAMATIC WORK. DUPLICATING.&#13;
NORA DICKINSON, 1, Sackville Gardens, ILFORD, ESSEX.&#13;
WANTED!&#13;
TYPEWRITING&#13;
AUTHORS' MSS., PLAYS, AND GENERAL COPYING.&#13;
Don't hesitate. Send a trial order now. I guarantee&#13;
AND -&#13;
satisfaction. One Carbon Duplicate supplied gratis&#13;
with first order. Terms on application&#13;
C. HERBERT CÆSAR,&#13;
by Carbon and Mimeograph.&#13;
Homefield, Woodstock Rd., ST. ALBANS, HERTS.&#13;
From 10d. per 1,000 words. Good&#13;
AUTHORS' TYPEWRITING. materials. Standard Machines. No pupils'&#13;
Novel and Story Work .. 9d per 1,000 words ; 2 Copies, 1/ work. Accurate and prompt. References.&#13;
General Copying .&#13;
..&#13;
Plays, ruled&#13;
"&#13;
.. ..&#13;
Kindly mention “ The Author.”&#13;
Specimens and Price List on application.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
Miss EMILY BATE,&#13;
SUTTON, MACCLESFIELD.&#13;
15, St. John's Church Road, FOLKESTONE.&#13;
DUPLICATING&#13;
.&#13;
1/1&#13;
&#13;
&#13;
## p. 24 (#50) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
EVERY GOLFER KNOWS the thrill that accompanies&#13;
that“ square drive from the tee"—the easy swing, the clean-&#13;
hit ball, the perfect follow-through, and the sense that “all's&#13;
right with the world.” But what of the other side of the&#13;
picture ?-the day of misfortune, the foozled tee-shot, the&#13;
uncertain approach, or the six-inch putt missed and the&#13;
match given away ? The effect of such a day varies of course&#13;
in accordance with the temperament of the sufferer, but in&#13;
all alike, from crack player to beginner, there certainly remains&#13;
the desire for something, like the sugar plum of childhood,&#13;
to “take away the taste.” This is within the reach of&#13;
everyone who is able and willing to look at&#13;
“The Funny Side of&#13;
GOLF."&#13;
"THE FUNNY SIDE OF GOLF” is a book of 120 pictures&#13;
and sketches, taken from the pages of “ Punch" and dealing&#13;
with the Royal and Ancient Game in all its foibles and&#13;
phases. Every golfer will find something to laugh at, and&#13;
will play a better round in consequence.&#13;
"It was a capital idea to bring into one volume&#13;
the cream of the many golf sketches that have&#13;
appeared in the pages of PUNCH.” – The&#13;
Sportsman.&#13;
“No one can resist a hearty laugh on looking&#13;
over these pictures."-The Queen.&#13;
"This delightful collection."--The Daily Graphic.&#13;
“Is easily the best club house book that has&#13;
appeared for years."'-Golfing.&#13;
“ Will provide abundant amusement." - The&#13;
Scotsman&#13;
“ All serious golfers will be the better for this&#13;
handsome volume of golf sketches."-The Glasgow&#13;
• Citizen.&#13;
"To say that no golfer should be without it is&#13;
the merest truism--both men and lady golfers will&#13;
find much in it to gratify their sense of humour."&#13;
-The Lady's Pictorial.&#13;
"Should be on the table of every golf club&#13;
house.”—The World of Golf.&#13;
"Every golfer will find something to laugh at,&#13;
and play a better round in consequence.”—The&#13;
County Gentleman.&#13;
" Their humour is of the richest.” – Golf&#13;
Illustrated.&#13;
“Extremely amusing. No golf club should be&#13;
without a copy."-The Court Journal.&#13;
In a Handsome Half Cloth Binding. 5s. net.&#13;
"PUNCH” Office, 10, Bouverie Street, E.C., and all Booksellers.&#13;
&#13;
&#13;
## p. 25 (#51) ##############################################&#13;
&#13;
The Elutbor.&#13;
(The Organ of the Incorporated Society-of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXI.—No. 2.&#13;
NOVEMBER 1ST, 1910.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
D oR the opinions expressed in papers that are&#13;
i signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
The Editor begs to inform members of the&#13;
Authors' Society and other readers of The Author&#13;
that the cases wbich are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
FROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are: (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time. cover the&#13;
needs of all the members of the Society.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of The Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 58. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
VOL. XXI.&#13;
LIST OF MEMBERS.&#13;
M HE List of Members of the Society of Authors,&#13;
1 published October, 1907,can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
&#13;
&#13;
## p. 26 (#52) ##############################################&#13;
&#13;
26&#13;
THE AUTHOR.&#13;
·&#13;
·&#13;
·&#13;
· ·&#13;
·&#13;
ܕ ܚ ܗܘ ܙܝܘ ܙ ܗ ܙܫ ܕܘ ܗ ܘ.t ܙ ܟܫ ܝܙ ܕ&#13;
·&#13;
· ·&#13;
·&#13;
·&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled Jan. 14, Desborough, The Right Hon.&#13;
from month to month in these pages.&#13;
the Lord, K.C.V.O. .&#13;
1 1 0&#13;
Jan. 27, Lion, Leon M. .&#13;
0 5 0&#13;
Feb. 7, Fagan, J. B. . · · · 0 10 0&#13;
Feb, 10, Newton, Miss A. M.&#13;
A. M. . . () 5 0&#13;
THE PENSION FUND.&#13;
March 7, Smith, Bertram.&#13;
April 13, Dillon, Mrs. .&#13;
May 6, Inkster, Leonard.&#13;
O N February 1, 1910, the trustees of the May 17, Truman, Miss Olivia Marie. 0 10 0&#13;
Pension Fund of the society-after the secre- July 15, Stereni, William Barnes : 0 5 0&#13;
tary had placed before them the financial Oct. 6, Graham, Capt. Harry . . 1 1 0&#13;
position of the fund-decided to invest £260 in&#13;
the following securities : £130 in the purchase of&#13;
Donations.&#13;
Jamaica 31 per cent. Stock 1919-49, and £130 in&#13;
the purchase of Mauritius 4 per cent. Stock 1937.&#13;
1910.&#13;
The amount purchased is £132 188. 6d. Jan. 1, Robinson, J. R. .&#13;
: :. 0 5 0&#13;
Jamaica 34 per cent. Stock and £120 128. ld. Jan. 1, Mackenzie, Miss J. (2nd lona-&#13;
Mauritius 4 per cent. Stock.&#13;
tion) . . .&#13;
0 5 0&#13;
This brings the invested funds to over £4,000. Jan. 1, Northcote, H.&#13;
The trustees, however, have been unable to recom- Jan. 3, Watson, Mrs. Herbert A.&#13;
mend the payment of any further pensions, as the Jan. 3, Fursdon, Mrs. F. M. .&#13;
inoome at their disposal is at present exhausted. Jan. 3, Smith, Miss Edith A. .&#13;
They desire to draw the attention of the members Jan. 4, Pryce, Richard . .&#13;
of the society to this fact, in the hope that by Jan. 4, Wroughton, Miss Cicely.&#13;
additional subscriptions and donations there will Jan. 6, Kaye-Smith, Miss Sheila&#13;
be sufficient funds in hand in the course of the Jan. 6, Underdown, Miss E. M..&#13;
year to declare another pension in case any im. Jan. 6, Carolin, Mrs. .&#13;
portant claim is forthcoming.&#13;
Jan. 8, P. H. and M. K. .&#13;
Consols 21%.&#13;
0 0&#13;
Jan. 8, Crellin, H. R.&#13;
............ ...........£1,000&#13;
.&#13;
Local Loant's ...................&#13;
500 0&#13;
Jan. 10; Tanner, James T..&#13;
0&#13;
....................&#13;
2. 2 0&#13;
Victorian Government 3% Consoli-&#13;
Jan. 10, Miller, Arthur .&#13;
dated Inscribed Stock ............... 291 19 11&#13;
Jan. 10, Bolton, Miss Anna&#13;
London and North-Western 3% Deben-&#13;
Jan. 10, Parr, Miss Olive K.&#13;
0 5 0&#13;
ture Stock ......&#13;
250&#13;
Jan. 17, Harland, Mrs. .&#13;
0 10 0&#13;
Egyptian Government Irrigation&#13;
Jan. 21, Benecke, Miss Ida&#13;
2 5 4&#13;
Trust 4% Certificates&#13;
Jan. 25, Fradd, Meredith&#13;
0 5 0&#13;
Cape of Good Hope 3% Inscribed&#13;
Jan. 29, Stayton, F. . . . 0 JO 6&#13;
Stock .............&#13;
200 0 0&#13;
Feb. 1, Wharton, L. C.&#13;
0 10 0&#13;
Glasgow and South-Western Railway&#13;
Feb. 4, Bowen, Miss Marjorie .&#13;
1 1 0&#13;
4% Preference Stock...................&#13;
228 0 0&#13;
Feb. 5, Cameron, Mrs. Charlotte&#13;
1 1 0&#13;
New Zealand 32% Stock ............... 247 9 6&#13;
Feb. 7, Pettigrew, W. F. .&#13;
. 0 5 0&#13;
Irish Land Act 27% Guaranteed Stock 258 0 0&#13;
Feb. 7, Church, Sir A. H. . .&#13;
1 1 0&#13;
Corporation of London 2% Stock,&#13;
Feb. 8, Bland, Mrs. E. Nesbit.&#13;
1927-57 ..............................&#13;
438 24&#13;
Feb. 8, The XX. Pen Club&#13;
Jamaica 31% Stock, 1919-49 .......... 132 18 6&#13;
Feb. 10, Greenbank, Percy.&#13;
. : 0 5 0&#13;
Mauritius 4% 1937 Stock......... 120 121&#13;
Feb. 11, Stopford, Francis .&#13;
2 2&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Feb. 11, Dairson, A. J. .&#13;
. 0 5 0&#13;
Grant Stock, 1938..................... 198 3 8&#13;
Feb. 12, Ainslie, Miss Kathleen&#13;
Feb. 16, W. D.&#13;
. . . . 1 1 0&#13;
Total ............... £4,065&#13;
Feb. 16, Gibbs, F. L. A.&#13;
6 0&#13;
Feb. 17, Wintle, H. R. ..&#13;
Feb. 21, Thurston, E. Temple.&#13;
Subscriptions.&#13;
Feb. 23, Dawson, Mrs. Frederick&#13;
1910.&#13;
£ 8. d.&#13;
Feb. 24, Williamson, C. N. . . 220&#13;
.&#13;
Feb. 24, Williamson, Mrs. C. X.&#13;
Jan. 12, Riley, Miss Josephine . . ( 7 6 Feb. 27, Westell, W. P. . .&#13;
Jan. 13, Child, Harold H.. . . 0 10 0 March 2, Toplis, Miss Grace . 0 5&#13;
·&#13;
·&#13;
· ·&#13;
ova.&#13;
· ·&#13;
·&#13;
0&#13;
·&#13;
· · ·&#13;
·&#13;
·&#13;
· ·&#13;
· ·&#13;
200&#13;
·&#13;
· ·&#13;
·&#13;
.&#13;
.&#13;
.&#13;
er er voor&#13;
.&#13;
.&#13;
.&#13;
...&#13;
.&#13;
.&#13;
.&#13;
.&#13;
0 10&#13;
.&#13;
&#13;
&#13;
## p. 27 (#53) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
27&#13;
..........&#13;
NOC ON LOCO 5&#13;
Nereo ON-OS coo&#13;
0&#13;
£ $. d. In one of the remaining cases judgment has been&#13;
March 3, Hawtrey, Miss Valentina . 1 1 0 obtained but not satisfied, and it is now proposed&#13;
March 5, Smith, Bertram .&#13;
5 0 0 to issue a bankruptcy petition in order to bring&#13;
March 12, Yould, A. . .&#13;
5 0&#13;
the matter to an issue. In another the defendant&#13;
March 16, Loraine, Lady.&#13;
company was in liquidation, and the society's&#13;
March 29, Macdonnell, Randall .&#13;
0 claim was met with the usual answer that the&#13;
April 6, Blake, J. P..&#13;
0 debenture holders had foreclosed, and there was&#13;
April 8, “ Patricia Wentworth "&#13;
1 0 not sufficient money to pay the ordinary creditors.&#13;
April 14, Hinkson, Mrs. K. Tynan&#13;
10 0 The last case, against a bankrupt paper, was one&#13;
May 6, Greenstreet, W. J.. . . 0 5 0 in which the society had already acted for some of&#13;
May 7, Cousin, John W. . . . 0 5 0 its members, and here again the assets of the&#13;
May 10, Zangwill, Israel . . 1 1 0 defendant company had been claimed by the&#13;
May 19, Sprigge, Dr. S. S. (Portion of&#13;
debenture holders, and the member was informed&#13;
money recovered by the Society as&#13;
after further investigation by the solicitors, that it&#13;
damages)&#13;
. 10 0 0 was useless to push the claim.&#13;
June 3, Wynne, C. Whitworth&#13;
3 0. There were two cases which had to be conducted&#13;
June 15, Maunder, J. H. . . . 1 1 0 in foreign courts. One was in Germany-an&#13;
June 30, Atkinson, Harold&#13;
6 0 ordinary claim for work done. Judgment has&#13;
July 4, O'Higgins, Harvey .&#13;
1 0 0 been obtained but is not yet satisfied. The&#13;
July 5, Muir, Ward . . .&#13;
1 0 other, in Switzerland, related to an infringement of&#13;
July 5, Peacock, Mrs. .&#13;
0 copyright. It is still in course of settlement.&#13;
July 11, March, Miss A. M..&#13;
0 Those cases then came before the committee&#13;
July 18, Ralli, C. Scaramanga&#13;
which required their sanction, before further steps&#13;
July 20, Ellis, Havelock . .&#13;
O could be taken. The first related to an appeal&#13;
Aug. 22, Myers, C. S. .&#13;
0 from a judgment in the High Courts. The com-&#13;
Sept. 9, Bristow-Noble, J. C.&#13;
0 7 6 mittee were advised that the judgment had raised an&#13;
Sept. 30, Sidgwick, Mrs. Alfred . 1 1 0 important issue to authors, namely, the legality of&#13;
Oct. 4, Pakington, The Honourable&#13;
the assignment of personal contracts. As the com-&#13;
Mary&#13;
. 1 1 0 mittee were so advised they decided to take counsel's&#13;
Oct. ii, Caws, Luther W. .&#13;
0 10 0 opinion, which opinion was read. Counsel's opinion&#13;
Oct. 11, Knowles-Foster, Miss Frances G. 0 10 0 was strongly against making the appeal, as he did&#13;
not think the case was a good one to adopt as a&#13;
test case. The committee decided, therefore, not&#13;
to take the matter further. The member of the&#13;
COMMITTEE NOTES.&#13;
society concerned acquiesced in the decision.&#13;
The next subject related to the making of certain&#13;
voluntary payments to agents who had been instru.&#13;
M he first meeting after the vacation was held mental in assisting the society to obtain a judg-&#13;
1 at the offices of the society on Monday, ment against the defendants in the piracies of De&#13;
October 3.&#13;
Profundis ” which have already been referred to in&#13;
When the minutes had been read and signed, a previous Committee Notes. The committee agreed&#13;
large number of elections which had come in during on a payment, and passed a vote of thanks to the&#13;
the vacation were laid before the committee, and Music Publishers' Association for the assistance&#13;
64 members and associates were elected, bringing that had been given to the society. The last case&#13;
the total number for the current year up to referred to the loss of a MS., but as negotiations&#13;
220. The committee are very pleased to notice were proceeding for the payment of compensation&#13;
the steady inflow of authors to the society, as the to the author, it was decided to adjourn the matter&#13;
elections are well up to the average of former till the next meeting.&#13;
years. Four resignations were accepted, with The consideration of the Copyright Bill was&#13;
regret, bringing the total number of resignations referred by the Committee of Management to the&#13;
to 69.&#13;
sub-committees interested, as it was probable that&#13;
Cascs.—The secretary then reported to the com- the Bill would be pushed forward during the next&#13;
mittee the cases placed in the hands of the solicitors session.&#13;
during the vacation. There were seven county The half-yearly meeting of the Council was&#13;
court matters. Two of these have been settled and settled for Tuesday, November 22, when Mrs.&#13;
the debt due has been paid. One is still in the Hurnphry Ward proposes to bring forward a&#13;
course of negotiation. In another the summons motion referring to the Academic Committee, and&#13;
has been issued, and is returnable in November. the action taken by the Committees of Management&#13;
&#13;
&#13;
## p. 28 (#54) ##############################################&#13;
&#13;
28&#13;
THE AUTHOR.&#13;
A letter from the Publishers' Association, asking&#13;
for the support of the society with a view to&#13;
taking united action when the Bill should come&#13;
before Parliament, together with a copy of the&#13;
Copyright Bill containing certain amendments&#13;
suggested by that body, was also considered. A&#13;
report of the proceedings of the meeting on&#13;
October 24 will appear in the December number.&#13;
of the society in its formation. Notices will be&#13;
sent to the Council in due course.&#13;
The notices in regard to the dinner, the date of&#13;
which has been fixed for November 24, will be sent&#13;
round to members during the month.&#13;
The financial position of the society was laid&#13;
before the Committee of Management by the&#13;
secretary, who explained that certain sums due to&#13;
the society had not been paid, and in consequence&#13;
had left the society with rather a small balance at&#13;
the bank. The committee sanctioned an over-&#13;
draft, in case the sums referred to were not received&#13;
in due course. It was proposed, in order to increase&#13;
the usefulness of the society and to make it more&#13;
widely known, to pay an extra clerk to circularise&#13;
with the society's papers those authors in the&#13;
various branches of literature who were not already&#13;
members.&#13;
Mr. Henry James was unanimously elected a&#13;
member of the Council.&#13;
The committee decided, on the suggestion of the&#13;
secretary, to purchase additional furniture for the&#13;
office. This course had become necessary owing to&#13;
the increase of papers incidental to the working of&#13;
the many sub-committees.&#13;
Various letters dealing with matters of interest&#13;
to the society were laid before the committee and&#13;
considered, and the committee have to thank&#13;
W. Durran for a donation of £1 18. to the&#13;
Capital Fund of the society.&#13;
THE PENSION FUND.&#13;
The Committee of the Pension Fund met on&#13;
Monday, October 17, at 39, Old Queen Street,&#13;
and awarded to Miss May Crommelin a pension of&#13;
£25 a year in recognition of her services to litera-&#13;
ture, extending over many years.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
The first meeting of the Dramatic Sub-com-&#13;
mittee after the Vacation was held at the offices of&#13;
the society on October 21,&#13;
After the minutes of the previous meeting had&#13;
been read and signed, the chairman, Sir Arthur&#13;
Pinero, proposed that an expression of condolence&#13;
should be sent to Mrs. Marshall on the loss she&#13;
had sustained by the death of her son, the late&#13;
Captain Robert Marshall, until recently a member&#13;
of this sub-committee. The secretary was accord-&#13;
ingly instructed to convey this message to her.&#13;
The secretary then reported the result of the&#13;
circular which was sent round to dramatists in&#13;
regard to the performances of plays in working&#13;
men's clubs. Out of 102 answers received 89&#13;
agreed to give the undertaking asked by the sub-&#13;
committee ; five agreed to give it subject to certain&#13;
conditions ; and seven refused to give it at all. The&#13;
dramatists inside the society number some 250.&#13;
The next question that arose was the appoint-&#13;
ment of agents for dramatic authors in the various&#13;
colonies and dependencies of Great Britain, and&#13;
the secretary was instructed to write to the society's&#13;
lawyers in India to request them to prepare and&#13;
forward a return of the theatrical performances in&#13;
Calcutta and other centres of the Indian Empire,&#13;
over a period of six months, in order that the sub-&#13;
committee may be in a position to judge to what&#13;
extent piracy is prevalent in India.&#13;
He was also instructed to see Messrs. French in&#13;
the matter of the performances of dramatic pieces&#13;
in South Africa.&#13;
A question discussed at the last meeting of the&#13;
sub-committee, in regard to a member of the&#13;
society (since resigned), who had called into&#13;
question the conduct of another member, was re-&#13;
considered in the light of the statement of his&#13;
complaint which had been received, and the&#13;
secretary was instructed to forward a reply.&#13;
The receipt of a letter from the Italian Society&#13;
of Authors, which gave particulars of the work&#13;
undertaken by that society for dramatic authors,&#13;
was next reported.&#13;
The secretary was instructed to get a translation&#13;
made of the rules of the society and to lay it before&#13;
the next meeting, when the question of the advisa-&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
A MEETING of the Copyright Sub-committee&#13;
was held at the offices of ihe society on October&#13;
13.&#13;
The minutes of the previous meeting having&#13;
been read and signed, the secretary explained that&#13;
the Committee of Management had referred the&#13;
new Copyright Bill to the Copyright Sub-&#13;
committee with instructions to report thereon.&#13;
After careful discussion Mr. MacGillivray kindly&#13;
undertook to draw up a report to lay before the&#13;
Sub-committee and to indicate in that report how&#13;
far the draft bill satisfies the Society's recommenda-&#13;
tions and to what extent it is in accord with the&#13;
Berlin Convention. This report, it was decided,&#13;
should be laid before the next meeting of the Sub-&#13;
committee.&#13;
&#13;
&#13;
## p. 29 (#55) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
29&#13;
bility of English dramatists joining the society settled to the satisfaction of the authors and the&#13;
would be considered. The recommendation of the other parties concerned.&#13;
sub-committee will appear later in The Author. One case for infringement of copyright has been&#13;
It was decided also to write to the French placed in the hands of the solicitors. In two cases&#13;
Society of Dramatic Authors a letter indicating of non-delivery of accounts, one has been settled&#13;
the readiness of the English Society of Authors and the other is still in the course of negotiation.&#13;
to give what assistance was in its power in Three instances arose of unwarrantable delay in&#13;
regard to the settlement of contracts and the busi- publication. In two of these, owing to the pressure&#13;
ness arrangements for the production of French brought to bear by the society, the books have been&#13;
plays in England.&#13;
placed on the market, while in the third case a date&#13;
The consideration of the Copyright Bill was has been fixed for publication.&#13;
adjourned till the next meeting, owing to the fact There were five cases respecting money due for&#13;
that the report on the Bill was not ready to lay work done. As yet none of these has been settled,&#13;
before the sub-committee.&#13;
but two have only recently come into the office. In&#13;
The secretary then pointed out to the sub- the remaining three correspondence has passed and&#13;
committee the need for a draft contract for music- they will probably be settled shortly, except where,&#13;
hall sketches, assuring the sub-committee that in the case of one demand, the proprietor of the&#13;
many music-hall sketch contracts came to the office, paper has gone into bankruptcy.&#13;
and were, indeed, coming in increasing numbers. There are still sundry cases open from former&#13;
The sub-committee instructed the secretary to months in which negotiations are being carried on&#13;
prepare a contract and to lay the same before them with a view to a satisfactory settlement. They&#13;
at one of their future meetings.&#13;
are none of them of great importance.&#13;
The consideration of the agreement for a run During the month one case in the German&#13;
was adjourned till the settlement of the Music courts has been settled, the amount claimed by the&#13;
Hall Agreement.&#13;
society through its German lawyer having been&#13;
The secretary then laid on the table a report of recovered and paid over to the member.&#13;
the sub-committee of the Theatres Alliance upon&#13;
the Censorship Committee's Report, and he was&#13;
instructed to ask the Theatres Alliance to forward&#13;
copies to lay before the different members of the&#13;
Elections.&#13;
sub-committee.&#13;
Barnard, Amy B., L.L.A. 14, Manville Road,&#13;
Upper Tooting,&#13;
S.W.&#13;
Block, Regina Miriam . 88, Duke's Avenue,&#13;
The secretary has had in hand since the last&#13;
Chiswick, W.&#13;
issue of The Author twenty cases. Of these eight Broadley, A. M. . . The Knapp, Bradhole,&#13;
were demands for MSS. It is as well to repeat the&#13;
Bridport.&#13;
difficulties, from the legal point of view, that arise Brodie-Innes, J. W.. . Milton Brodie, Torres,&#13;
when a MS. is not returned. It must lie with the&#13;
Scotland.&#13;
author to show that the MS. has actually reached Campbell, Dr. Helen J. . Topsham, Devonshire.&#13;
its destination and come into the hands of a Capes, Mrs. Hawtrey . 81, Royal Parade,&#13;
responsible party, and that that party has not&#13;
Eastbourne.&#13;
handled it with ordinary care. It is very difficult Carter, J. L. J. . . Ifield Wood, Crawley.&#13;
in some cases to prove these points, but the society Carter, Miss Edith . 215, Ebury Street,&#13;
finds as a general rule that editors, publishers, and&#13;
S.W.&#13;
others will use their best endeavours to meet its Caws, The Rev. Luther W. Roslyn, Woodbury&#13;
wishes by a careful search.&#13;
Park Road, Tun-&#13;
Two of the eight clairns will be handed over to&#13;
bridge Wells.&#13;
the solicitors, for in both these cases, although the Clappé, Miss Marion A. . “ Wa rrendale,”&#13;
authors hold receipts, the parties to whom the&#13;
Combe Lane, King-&#13;
MSS. were sent have not only failed to comply with&#13;
ston Hill, Surrey.&#13;
the demands of the writers, but have also omitted Copping, Arthur E. . River View, near&#13;
to accede to the request of the secretary. One case&#13;
Thundersley, Essex.&#13;
of the remaining six has been settled, and the Crawford, R. K. . . 31, Wellington Road,&#13;
other five are still in course of negotiation.&#13;
Dublin.&#13;
Three disputes have arisen as to the interpreta- Dawson Forbes . . 23, Midmoor Road,&#13;
tion of clauses under contracts. These have been&#13;
Wimbledon.&#13;
Cases.&#13;
&#13;
&#13;
## p. 30 (#56) ##############################################&#13;
&#13;
30&#13;
THE AUTHOR.&#13;
Dodd, Miss Agnes F. . 3, Lincoln's Inn Ozaki, Madame Yukio . 225, Shinagawa,&#13;
Fields, W.C.&#13;
Tokyo, Japan.&#13;
Douglas, Morgan (Madame Le Manoir, Loches, Peto, D. 0. G..&#13;
Winterhalter)&#13;
Indre et Loire, Poe, John William, . 7, Longfield Terrace,&#13;
France.&#13;
(Pater Padus)&#13;
N.C.R., Dublin.&#13;
Edwards, Albert H. . . 43, St. Paul's Road, Potter, Mrs. Frances S uire 57 28, Madison&#13;
Bradford, Yorks.&#13;
Avenue, Chicago,&#13;
Edwards, Percy J. . . Authors' Club, White-&#13;
III., U.S.A.&#13;
hall Court, S.W. Ramsey, R. . . . Scaldhurst, Carewdon,&#13;
Fisher, F. W. A. . . 38, Guildford Street,&#13;
Rochford, Essex.&#13;
Russell Square, Reynolds, Stephen , Western Town, Sid-&#13;
W.C.&#13;
mouth.&#13;
Fleet, Vice - Admiral The Camber, Coley Rosen, Monsieur Jean H. 7, Av. du Grammont,&#13;
Henry L.&#13;
Avenue, Reading. de&#13;
Lausanne, Switzer-&#13;
Ford, Harold, LL.D., Taddington Rectory,&#13;
land.&#13;
D.C.L.&#13;
Buxton.&#13;
Skeaping, Emily J. . . Eccleston Park, Pres-&#13;
Glover, Wm. . . . Plasnewydd School,&#13;
cot, Lancs.&#13;
Maesteg, R.S.O., Simpson, Mrs. Alicia Isabel 14, Cadogan Court,&#13;
Glamorgan.&#13;
S.W.&#13;
Goetz, Mrs. Alma . . 26, Norfolk Crescent, Southey, Rosamond. . The Patch, Minehead,&#13;
Hyde Park, W.&#13;
Somerset.&#13;
Graham, Capt. H. (Col. 5, Tedworth Square, Sowerby, Mrs. . . . Pali Hill, Bandra,&#13;
D. Streamer)&#13;
Chelsea, S.W.&#13;
Bombay.&#13;
Grant, L. (Mrs.) . New County Club, 21, Sturge, Miss M. Carta .&#13;
Hanover Square, W. Sturt, George (George The Lower Bourne,&#13;
Guérin, E. W. de . . 14, Barclay Road, Bourne) . .&#13;
Farnham, Surrey.&#13;
Fulham, S.W. Trites, W. B. . . Bala, Philadelphia.&#13;
Hammerton - Gill, Mrs. Lower Green Road, Verney, Frank E. . . Cleveland, Combe&#13;
Beryl A. . . . Rusthall,Tunbridge&#13;
Martin, N. Devon.&#13;
Wells.&#13;
Waltham, Ernest . . 97, Upper Tulse Hill,&#13;
Hodges, Henry . . 31, High Street,&#13;
S.W.&#13;
Christchurch, Hants. Wentworth-James, Mrs. “ The Turret," Wim-&#13;
Hughes, The Rev. Geoffrey Woolston Vicarage,&#13;
. bledon Park Road.&#13;
Southampton. Wilkinson, Clement J. . 3, Osborne Villas,&#13;
Hunter, Mrs.. ... The Lyceum Club,&#13;
Windsor.&#13;
128, Piccadilly, W. Woolf, Miss Flora 9, Clinette Road,&#13;
James, Spencer Theodore 87, Brudenell Road, Sidney&#13;
Putney, S.W.&#13;
Leeds.&#13;
Wylie, Ida A. R. . . Krieg "Strasse 99,&#13;
J. E. Buckrose . . Hornsea, near Hull.&#13;
Karlsruhe, Baden,&#13;
Jameson, Mrs. Norab . Manasterwan, co. Kil-&#13;
Germany.&#13;
dare.&#13;
Zulueta, Pedro de . .&#13;
Keene, Viss Ursula . . 105, Elm Park Man-&#13;
sions, Chelsea, S.W.&#13;
Knowles · Foster, Miss St. James' Park, Har-&#13;
Frances G. ,&#13;
rogate.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
Lamport, Richard Fifield 24, St. John's Grove,&#13;
Croydon.&#13;
WHILE every effort is made by the compilers to keep&#13;
Lethaby, John W. . . Carisbrooke, Rother this list as accurate and exhaustive as possible, they have&#13;
field, Sussex.&#13;
some difficulty in attaining this object owing to the fact&#13;
MacDonnell, Col. A. C.,&#13;
that many of the books mentioned are not sent to the cffice&#13;
F.R.G.S., A.M.I.E.E. Sandhurst, Farnham.&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
Menon, T. K. Krishma . Ernakulam, Cochin other papers. It is hoped, however, that members will&#13;
• State, India.&#13;
co-operate in the compiling of this list and, by sending&#13;
Meredith, Mark . . 240, Anfield Road,&#13;
particulars of their works, help to make it substantially&#13;
Liverpool.&#13;
accurate,&#13;
ᎪᎡᎢ .&#13;
Methven, Paul . . . 117, Warwick Road,&#13;
Philbeach Gardens,&#13;
GEORGE MORLAND. Sixteen examples in colour of the&#13;
artist's work. With an Introduction by E. D. CUMING.&#13;
S.W.&#13;
9.1 x 7. 12 pp. Black. 28. 6d. 17.&#13;
G.&#13;
&#13;
&#13;
## p. 31 (#57) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
31&#13;
100 POPULAR PICTURES. Facsimile Reproductions in&#13;
· Colour of Popular Pictures. Selected froin the World's&#13;
Great Galleries. With an Introduction by M. H.&#13;
SPIELMANN, and Notes by A. Fish. 15 x 104. 50 pp.&#13;
Cassell. 12x.&#13;
THE EXHIBITIOy of SEVENTEENTH CENTURY FLEMISH&#13;
ART: BRUSSELS, 1910. By M. H. SPIELMANN. 11}x&#13;
84. 32 pp. The Connoisseur. ls. 60.&#13;
BIOGRAPHY.&#13;
LIFE AND LETTERS OF ALEXANDER MACMILLAN. By&#13;
C. L. GRAVES. 9 x 6. 418 pp. Macmillan. 108, n.&#13;
ForR FASCINATING FRENCHWOMEN. By MRS. BEARNE.&#13;
8 X 5.1. 480 pp. Unwin, 10s. 6d. n.&#13;
THE LIFE OF TOLSTOY : LATER YEARS. By AYLMER&#13;
• MAUDE, 94 X 6. 680 pp. Constable. 108.6d, n.&#13;
SAMUEL ROGERS AND HIS CIRCLE. By ELLIS ROBERTS.&#13;
8 X 51. 301 pp. Methuen. 108. 6d. n.&#13;
THE LOVE AFFAIRS OF LORD BYRON. By FRANCIS&#13;
GRIBBLE. 97 x 53. 381 pp. Eveleigh Nash. 158. n.&#13;
LIVES OF THE EARLY MEDICI. As told in their Corre-&#13;
spondence. Translated and Edited by JANET Ross.&#13;
9 x 58. 352 pp. Chatto &amp; Windus. 108. 60, n.&#13;
THE GREAT EMPRESS DOWAGER OF CHKA. By P. W.&#13;
SERGEANT. 83 x 51. 314 pp. Hutchinson, 168, n.&#13;
HORACE WALPOLE, By AUSTIN DOBSON. New Edition.&#13;
71 x 51 328 pp. Harpers. 58. n.&#13;
DRAMA.&#13;
IOLANTHE, AND OTHER OPERAS. By W. S. GILBERT.&#13;
· With Illustrations in Colour by W. RUSSELL FLINT.&#13;
104 x 71. 224 pp. Bell. 158. n.&#13;
The Cost OF A CROWN. A Story of Doway and Durham.&#13;
A Sacred Drama in Three Acts. By R. H. BENSON.&#13;
74 x 5. 101 pp. Longmans. 3.8. 6. n.&#13;
THE PASSING OF THE THIRD FLOOR BACK. By JEROME&#13;
K. JEROME. 74 X 5. 212 pp. Hurst &amp; Blackett.&#13;
18. 6d. n.&#13;
ECONOMICS.&#13;
THE GLASS MENDER, AND OTHER STORIES. By MAURICE&#13;
BARING. 81 x 5. 260 pp. Nisbet. 68.&#13;
THE GOLDEN SILENCE. By C. N. and A. M. WILLIAM-&#13;
son. 8 x 5. 507 pp. Methuen. 63.&#13;
THE MAN WHO DROVE THE CAR. By MAX PEMBERTON.&#13;
73 x 5, 218 pp. Nash. 28. n.&#13;
THE SKIPPER'S WOOING. By W. W. JACOBS. 6 X 44.&#13;
270 pp. Velson. 7d. n.&#13;
THE LADY OF TRIPOLI. By MICHAEL BARRINGTON.&#13;
With Frontispiece, Title-page, and Initials. By CELIA&#13;
MARTIN. Chatto &amp; Windus. . 5s.&#13;
THE FINER GRAIN. By HENRY JAMES. 73 x ö. 307 pp.&#13;
Methuen. 68.&#13;
MRS. FITZ. By J. C. SNAITH. 7} * 5. 330 pp. Smith,&#13;
Elder. 68.&#13;
THE WISDOM OF FOLLY. By ELLEX THORNEYCROFT&#13;
FOWLER (The Hon. MRS. ALFRED FELKIN). 78 x 5.&#13;
367 pp. Hodder &amp; Stoughton. 68.&#13;
AN EMPRESS IN LOVE. By FRED WHISHAW. 8 x 5.&#13;
311 pp. Stanley Paul. 6s.&#13;
A WAIF OF DESTINY. By L. G. MOBERLY. 73 x 5.&#13;
319 pp. Ward, Lock. 68.&#13;
THE DRIFTERs. By W. R. TITTERTON. 7.1 x 54. 169 pp.&#13;
E. Palmer. 18, n.&#13;
THE REST CURE. By W. B. MAXWELL. 78 X 5. 355 pp.&#13;
Methuen. 68.&#13;
ALONGSHORE, WHERE MAN AND THE SEA FACE ONE&#13;
ANOTHER. By STEPHEN REYNOLDS. 73 x 5. 325 pp.&#13;
Macmillan. 68.&#13;
BEYOND THESE VOICES. By M. E. BRADDON, 74 x 5.&#13;
373 pp. Hutchinson. 6s. n.&#13;
THE PRIZE. By SYDNEY GRIER. 74 x 5. 315 pp.&#13;
Blackwood. 68.&#13;
THE ANDERSONS. By S. MacNAUGHTAN. 74 x 5.&#13;
372 pp. Murray. 6s.&#13;
LIGHT REFRESHMENT. By W. PETT RIDGE. 246 pp.&#13;
Hodder &amp; Stoughton. 28. n.&#13;
THE PURSUIT. By FRANK SAVILE. 74 x 5. 316 pp.&#13;
Arnold. 6s.&#13;
THE DEW OF THEIR YOUTH. By S. R. CROCKETT.&#13;
78 x . 314 pp. Hodder &amp; Stoughton. 68.&#13;
THE HOUSE OF THE SECRET. By KATHARINE TYNAN.&#13;
8 X 81. 313 pp. James Clarke. 68.&#13;
A KNIGHT OF POLAND. By M. E. CARR. 74 x 5.&#13;
323 pp. Smith, Elder. 68.&#13;
Pan's MOUNTAIN. By AMÉLIE RIVES (PRINCESS&#13;
TROUBETZKOY). 7 X 5. 288 pp. Harpers. 68.&#13;
JUSTICE. By VARIE C. LEIGHTON, 8 X 5. 303 pp.&#13;
Ward, Lock. 68.&#13;
WHISKERS AND SODA. By FRANK RICHARDSON.&#13;
77 x 5. 255 pp. Eveleigh Nash. 68.&#13;
JOHN CHRISTOPHER : DAWN AND MORNING. By&#13;
ROMAIN ROLLAND. Translated by GILBERT CANNAN.&#13;
78 x 5. 285 pp. Heinemann. 68. n.&#13;
THE FOUR FEATHERS. By A. E. W. Mason. 17th&#13;
Impression. 7} X 5. 338 pp. Smith, Elder &amp; Co.&#13;
3s. 6d.&#13;
THE INVISIBLE MAx. By H. G. WELLS. 61 x 41.&#13;
275 pp. Nelson. 7d.&#13;
MARTIN THE MUMMER. BY DOROTHY MARGARET&#13;
STUART. 517 pp. Constable. 6s.&#13;
GARDENING.&#13;
ALPINE FLOWERS AND ROCK GARDENS. Illustrated in&#13;
Colour. By W. P. WRIGHT. 91 x 63. 292 pp.&#13;
Headley Bros. 125. 60. n.&#13;
THE FIRST PRINCIPLES OF INVESTMENT. A Sequel to&#13;
** The Wheels of Wealth.” By J. BEATTIE CROZIER,&#13;
LL.D. 8! X 51. 168 pp. The Financial Reriew of&#13;
Recievcs.&#13;
EDUCATIONAL.&#13;
PLUTARCH'S LIVES OF BRUTUS AND CORIOLANOS&#13;
(ENGLISH TEXTS). Edited by W. H. D. ROUSE, LITT. D.&#13;
61 X 41. 123 pp. Blackie. . 6d.&#13;
FICTION.&#13;
TAE CREATORS. By MAY SINCLAIR. 71 x 7. 525 pp.&#13;
Constable. 68.&#13;
THE OSBORNES. By E. F. Benson. 73 x õ. 335 pp.&#13;
Smith, Elder. 68.&#13;
THE TEMPLETOX TRADITION. By ADAM GOWANS&#13;
WHYTE. 78 X 5. 344 pp. Blackwood. 68.&#13;
TAE SHADOW. By HAROLD BEGBIE. 8 X 51. 491 pp.&#13;
R. T. S. 68.&#13;
THE LAND OF HIS FATHERS. By A. J. Dawson. 8 X 5.&#13;
384 pp. Constable. 68.&#13;
HEARTS AND CORONETS. By ALICE WILSON Fox.&#13;
7 x 5. 349 pp. Macmillan. 68.&#13;
REWARDS AND FAIRIES. By RUDYARD KIPLING. 8 x 51.&#13;
338 pp. Macmillan. 68.&#13;
LET THE ROOF FALL IN. By FRANK DANBY. 71 x .&#13;
476 pp. Hutchinson. 6s.&#13;
HEALTH.&#13;
DIET AND THE MAXIMUM DURATION OF LIFE. By&#13;
CHARLES REINHARDT, M.D. London Publicity Co.&#13;
ls, n.&#13;
&#13;
&#13;
## p. 32 (#58) ##############################################&#13;
&#13;
32&#13;
THE AUTHOR.&#13;
THE FLOWER Book. By CONSTANCE SMEDLEY ARMFIELD.&#13;
Pictured by MAXWELL ARMFIELD. 94 X 64. 153 pp.&#13;
Chatto &amp; Windus. 78. 60. n.&#13;
THE BOOK OF THE ANIMAL KINGDOM : MAMMALS. By&#13;
W. PERCIVAL WESTELL, F.L.S. Illustrated by W. S.&#13;
BERRIDGE. 9 x 7. 379 pp. Dent. 108. 6d. n.&#13;
ORIENTAL.&#13;
MYSTICS AND SAINTS OF ISLAM. BY CLAUD FIELD,&#13;
78 x 5. 215 pp. Francis Griffiths. 38. 6d. n.&#13;
PHILOSOPHICAL.&#13;
FROM PASSION TO PEACE. By JAMES ALLEN. 70 pp.&#13;
William Rider &amp; Son, 164, Aldersgate Street, E.C.&#13;
1x. n.&#13;
ABOVE LIFE's TURMOIL. By JAMES ALLEN. 163 pp.&#13;
G. P. Putnam's Sons. 38. 6d. n.&#13;
HISTORY.&#13;
HISTORICAL VIGNETTES. By BERNARD CAPES. 9 x 51.&#13;
319 pp. Fisher Unwin. 78. 6d. n.&#13;
LONDON MUNICIPAL GOVERNMENT : HISTORY OF A&#13;
on&#13;
GREAT REFORM, 1880-1888. By JOHN LLOYD. 11 x 8].&#13;
72 pp. P. S. King. 28. n.&#13;
JUVENILE.&#13;
THE SPY: A TALE OF THE PENINSULAR WAR. By&#13;
CAPTAIN CHARLES GILSON. Illustrated by CYRUS&#13;
CUNEO. 51 X 72. 379 pp. Frowde and Hodder &amp;&#13;
Stoughton, 68.&#13;
THE LOST ISLAND. By CAPTAIN CHARLES GILSON,&#13;
Illustrated by CYRUS CUNEO. 5$ x 73. 288 pp.&#13;
Frowde, and Hodder &amp; Stoughton. 38. 6d.&#13;
Yo-Ho! FOR THE SPANISH MAIN! By S. WALKEY.&#13;
311 pp. 4 Coloured Illustrations by ARCHIE WEBB.&#13;
Cassell. 38. 6d. n.&#13;
ADVENTURES OF JASMIN. By L. E. TIDDEMAN. Jarrold.&#13;
28. 68.&#13;
ALL ABOUT ME. By L. E. TIDDEMAN. Chambers. 28. 6d.&#13;
JACK'S INSECTS. By EDMUND SELOUS. 78 x 5. 379 pp.&#13;
Methuen. 68.&#13;
WINNING AND WAITING. A Story of Village and City.&#13;
By L. E. TIDDEMAN. 8 * 51. 280 pp. Pilgrim&#13;
Press. 38. 60.&#13;
ODIN'S TREASURY. By W. VICTOR Cook. 74 x 5.&#13;
253 pp. S.P.C.K. 28. 6d.&#13;
FIGHTING THE ICEBERGS. By F. BULLEN. 8 x 5.&#13;
372 pp. Nisbet, 68.&#13;
FAIRIES I HAVE MET. By Mrs. R. STAWELL.&#13;
78 X 6. 117 pp. 18. 6d. Hodder &amp; Stoughton. 3s.6d, n.&#13;
NEXT DOOR GWENNIE. By L. E. TIDDEMAN. 73 x 5.&#13;
156 pp. S.P.C.K. 18. 6d.&#13;
PHILIP COMPTON'S WILL. By MRS. HARDING KELLY,&#13;
287 pp. Religious Tract Society.&#13;
LITERARY.&#13;
THE DEVIL'S MOTOR. A Fantasy. By MARIE CORELLI.&#13;
114 x 8. Hodder &amp; Stoughton. 68. n.&#13;
THE FRENCH RENAISSANCE IN ENGLAND. An Account&#13;
of the Literary Relations of England and France in the&#13;
16th Century. By SIDNEY LEE. 87 x 51. 494 pp.&#13;
Oxford : Clarendon Press ; London : Frowde. " 108, 6d. n.&#13;
OLD KENSINGTON PALACE, AND OTHER PAPERS. By&#13;
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FRANCIS BACON. A Sketch of his Life, Works, and&#13;
Literary Friends ; chiefly from a Bibliographical Point of&#13;
View. By G. W. STEEVES, M.D. 78 x 5. 230 pp.&#13;
Methuen. 68. n.&#13;
MISCELLANEOUS.&#13;
A CENTURY OF BALLADS (1810-1910); THEIR COM-&#13;
POSERS AND SINGERS. By HAROLD SIMPSON. Mills&#13;
&amp; Boon. 108. 6d. n.&#13;
OUR HOUSE. By ELIZABETH ROBINS PENNELL. 81 X&#13;
54. 328 pp. Fisher Unwin. 48. 60. n.&#13;
NATURAL HISTORY.&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H. BARRETT&#13;
HAMILTON, F.Z.S. With 27 Full-Page Plates in Colour&#13;
and Other Illustrations. By E. A. WILSON. Part I.,&#13;
October, 1910. 10 X 61. 88 pp. Gurney &amp; Jackson.&#13;
28. 6d. n.&#13;
LIVES OF THE Fur FOLK. By M. D. HAVILAND. 78 X&#13;
51. 234 pp. Longmans. 58. n.&#13;
KEARTON'S NATURE PICTURES. Reproduced in Photo&#13;
gravure, Colour, and Black and White from Photographs&#13;
by R. and C. KEARTON. With Descriptive Text by R.&#13;
KEARTON. 12 x 9, 96 pp. Cassell, 158. n.&#13;
POETRY.&#13;
MARY AND THE BRAMBLE, By LASCELLES ABERCROMBIE,&#13;
Published by the Author : Much Marcle, Herefordshire.&#13;
Post free, ls, ld.&#13;
POEMS AND BALLADS. By H. DE VERE STACPOOLE.&#13;
7 x 41. 120 pp. Murray. 38. 60, n.&#13;
IN POETS' CORNER. By LAUCHLAN MACLEAN WATT,&#13;
Hodder &amp; Stoughton. 38. 6d.&#13;
THE QUEEN OF THE FIORD. By JOHN CAVE. 8 X 51.&#13;
201 pp. Kegan Paul. 58. n.&#13;
RUMBO RHYMES ; OR, THE GREAT COMBINE: A Satire.&#13;
By A. C. CALMOUR. Illustrated by WALTER CRANE.&#13;
93 x 64. 99 pp. Harpers. 58. n.&#13;
LITTLE SONGs. By ELLA ERSKINE, 61 x 41. 18 pp.&#13;
Truslove &amp; Hanson.&#13;
POLITICAL.&#13;
THE MOTHER OF PARLIAMENTS. By CAPTAIN HARRY&#13;
GRAHAM. 9 x 5. 314 pp. Methuen. 108. 6d, n.&#13;
AFGHANISTAN: THE BUFFER STATE. GREAT BRITAIN&#13;
AND RUSSIA IN CENTRAL ASIA. By CAPTAIN GERVAIS&#13;
LYONS. Madras : Higginbotham &amp; Co. London :&#13;
Luzac &amp; Co.&#13;
REPRINTS.&#13;
THE OXFORD BOOK OF ITALIAN VERSE. XIII. CENTURY&#13;
to XIX. CENTURY. Chosen by St. John Lucas. 6*&#13;
41. 576 pp. Oxford : Clarendon Press; London :&#13;
Frowde. 68. n.&#13;
THE CAXTON SHAKESPEARE. Vol. 12: KixG HENRY IV. ;&#13;
Vol. 13: KING HENRY V. AND KING HENRY VIII. ;&#13;
Vol. 14 : ROMEO AND JULIET AND TITUS ANDRONICUS.&#13;
With Annotations and a General Introduction. By&#13;
SIDNEY LEE. 9 x 61. 151 + 163; 155 + 155 ; 154&#13;
+ 123 pp. Caxton Publishing Co. 68. 6d. n.&#13;
AN ANTHOLOGY OF HUMOROUS VERSE. FROM ROBERT&#13;
HERRICK TO OWEN SEAMAN. By HELEN AND LEWIS&#13;
MELVILLE. 7% ~ 5. 255 pp. Harrap.&#13;
SPORT.&#13;
ANECDOTES OF BIG CATS AND OTHER BEASTS. By DAVID&#13;
WILSON. 74 x 5. 312 pp. Methuen. 68.&#13;
HUNTING CAMPS IN WOOD AND WILDERNESS. By H.&#13;
HESKETH PRICHARD, F.Z.S. Illustrated by LADY&#13;
HELEN GRAHAM, E. G. CALDWELL, and from Photo-&#13;
graphs. 104 x 71. 274 pp. Heinemann. 158. n.&#13;
SPORTING DAYS AND SPORTING WAYS. BY RALPH&#13;
NEVILL. 9 x 6. 318 pp. Duckworth. 12s. 60. n.&#13;
RECOLLECTIONS OF AN OLD MOUNTAINEER. By W.&#13;
LARDEN. 91 x 51. 320 pp. Arnold. 148. n.&#13;
&#13;
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## p. 33 (#59) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
33&#13;
THEOLOGY.&#13;
Messrs. A. M. Gardner &amp; Co. have published&#13;
THE COMMUNION TABLE, By LAUCHLAN MACLEAN the 8th edition of Francis Bancroft's novel “ Of&#13;
Watt. 2nd Edition. Purple Library. Hodder &amp; Like Passions.” The present issue is published&#13;
Stoughton. 28. 6d.&#13;
THE LORD FROM HEAVEN : Chapters on the Deity of&#13;
of at ls.&#13;
Christ. By SIR ROBERT ANDERSON, K.C.B. Second&#13;
Mr. Thomas Baker has just published a selection&#13;
Edition (with New Preface). 84 * 51. 134 pp. Nisbet. from the works of the old English mystic and&#13;
3s. 60.&#13;
devotional writer, Richard Rolle, Hermit of Ham-&#13;
SUNDAY EVENIXG. FIFTY-TWO SHORT SERMONS POR&#13;
pole, in Yorkshire, in the reigns of Edward II. and&#13;
HOME READING. By W. ROBERTSON NICOLL. 87x53.&#13;
416 pp. Hodder &amp; Stoughton. 58. n.&#13;
Edward III., comprising “ The Form of Perfect&#13;
MESSAGES FROM THE THRONE. By MRS, HARDING KELLY Living,” “ Our Daily Work: A Mission of Dis-&#13;
99 pp. Robert Scott.&#13;
cipline,” “A Treatise on Grace," “ On Charity,”&#13;
TOPOGRAPHY,&#13;
“On Contrition, etc., etc. The selection has been&#13;
LONDON. By A. R. HOPE MONCRIEFF. 91 x 7. 312 pp.&#13;
rendered into modern English by Dr. Geraldine&#13;
Black, 78. 6d. n.&#13;
Hodgson. The book is not intended for the use of&#13;
VANISHING ENGLAND. The Book by P. H. DITCHFIELD, those acquainted with Anglo-Saxon and Middle&#13;
F.S.A. The Illustrations by FRED ROE, R.I. 9 x 6.&#13;
English ; but for those who care for the thought,&#13;
403 pp. Methuen. 158, n.&#13;
OLD ENGLISH HOUSES. The Record of a Random Itinerary.&#13;
especially the religious and devotional thought of&#13;
By ALLAX FEA. 8} x 51. 273 pp. Martin Secker.&#13;
our forefathers.&#13;
108. 6d. n.&#13;
A two-shilling edition of A. E. Jacomb's novel&#13;
TRAVEL.&#13;
“ The Faith of His Fathers” has been issued by&#13;
THE SPELL OF EGYPT. By ROBERT HICHENS. 74 x 5.&#13;
Mr. Andrew Melrose. The six-shilling edition was&#13;
279 pp. Hodder &amp; Stoughton. 68.&#13;
published some two or three years ago when the&#13;
SANGIMIGNANO OF VAL D'ELSA IN TUSCANY. By novel was successful in Mr. Melrose's first Novel&#13;
JEAN CARLYLE GRAHAM AND ELIZABETH M. DERBI. Competition.&#13;
SHIRE. Rome : Ermano Loescher &amp; Co. 128.&#13;
Readers of “Pack of Pook's Hill" may be&#13;
TRAVEL AND EXPLORATION. Edited by E. A. REY.&#13;
NOLDS BALL. October, 1910. Witherby. 18. n.&#13;
interested to hear that Mr. Rudyard Kipling's new&#13;
book, “Rewards and Fairies," is a further collection&#13;
of stories told to Dan and Una by certain interest-&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
ing personages of olden times, who, as in the&#13;
previous book, are introduced to them by their&#13;
NOTES.&#13;
friend, Robin Goodfellow. Messrs. Macmillan &amp;&#13;
Co. are the publishers.&#13;
TN his new book, “ Above Life's Turmoil,” Mr. Mr. W. E. Norris has a serial entitled “ Vittoria&#13;
James Allen aims at showing how, surrounded Victrix,” running in the Daily Telegraph. It will&#13;
by noise, we can still preserve a quiet mind, be published in book form next spring.&#13;
and, through self-knowledge and self-discipline, Messrs. Macmillan have published Mr. Stephen&#13;
rise above the turmoil of the world, and without Reynolds' new novel, “ Alongshore,” in which the&#13;
shirking the duties and difficulties of life, fortify author aims, in a series of humorous and&#13;
ourselves against anxiety regarding them. Messrs. descriptive chapters, to show the predominant&#13;
G. P. Putnam's Sons are the publishers in England influence of the sea on a set of men who, even&#13;
and in America.&#13;
when they are not afloat, are always looking towards&#13;
We have also received a work by Mr. Allen the sea for their daily bread : to bring out the&#13;
entitled “From Passion to Peace.” Here, starting poetry, pathos, and jollity of the life without&#13;
with a chapter on Passion, the lowest level of sacrificing its realism. The volume is illustrated&#13;
human life, the reader is shown, in the chapter on by eight photographs by Mr. Melville Mackay.&#13;
Aspiration, the way from the under darkness to L. Allen Harker's new novel, “ Master and&#13;
the upper light. The causes leading to the birth Maid,” will be published this antuinn by Mr. John&#13;
of aspiration are dwelt upon, and its character. Murray here, and Messrs. Charles Scribners' Sons&#13;
istics described Temptation, the subject of the in America.&#13;
third chapter, is shown to be the reversion in The central figure of the volume of seventeenth&#13;
thought from purity to passion. Messrs. Wm. and eighteenth century letters, edited by Miss&#13;
Rider &amp; Son, of 164, Aldersgate Street, E.C., are Julia Longe, is Martha, Lady Giffard, the only&#13;
the English, and Messrs. T. Y. Crowell &amp; Co., of sister of Sir William Temple. The letters, which&#13;
New York, the American publishers.&#13;
are from various important people of the day,&#13;
Miss Agnes M. Kelly provides 100 new and notably “ Sacharissa " Lady Temple (Dorothy&#13;
original illustrations for a book entitled “ House- Osborn), the Duchess of Somerset, Sir William&#13;
hold Foes," by Miss Alice Ravenhill, which Messrs. Godolphin, etc., are arranged chronologically and&#13;
Sidgwick &amp; Jackson are publishing,&#13;
form a consecutive narrative. Judge Parry is&#13;
&#13;
&#13;
## p. 34 (#60) ##############################################&#13;
&#13;
34&#13;
THE AUTHOR.&#13;
contributing a foreword, and the volume is properly contains an article entitled “In the Heart of an&#13;
illustrated with original portraits of many of the Indian Forest," from the pen of Mr. C. E.&#13;
writers, and autographs of Lady Giffard, Lady Gouldsbury. The same writer also has an article&#13;
Temple, and Dean Swift. The publishers are in the Illustrated Sporting and Dramatic Neues&#13;
Messrs. Allen.&#13;
of September 24, called “Two Lucky Shots,"&#13;
We have received a copy of a book entitled while “ Camp Life in Bengal,” which will appear&#13;
“ Sangimignano of Val D. Elsa in Tuscany," by shortly in the current volume of Young&#13;
Jean Carlyle Grahain and Elizabeth M. Derbishire. England, is another article from Mr. Gouldsbury's&#13;
The scope of the book may be best described in pep.&#13;
words of the anthors in the preface : “ There is Miss Regina Miriam Bloch's poem “ Song" has&#13;
nothing finally dogmatic in our little book. We been included in “The Biographical Birthday&#13;
merely present to you a sketchy series of observa- Book of Prominent Poets of the Period,” published&#13;
tions, realist or impressionist as circumstances by Messrs. Kegan Paul &amp; Co., Ltd.&#13;
insist or as occasion demands. We go about and We have received a copy of the second edition&#13;
talk of what we see, we gossip of the past, we of the Rev. J. C. Digges' “ Practical Bee Guide."&#13;
digress at times, we wander at willi; but you will Many new paragraphs have been added to the new&#13;
forgive, because with this we give you certain edition, treating of such subjects as the “ W. B.C."&#13;
elucidating documents which have never hitherto hive, the “I. B. A. 1909” hive, “ Claustral&#13;
been put into print ; also a plan of the city ; and Detention Chambers," “ Searching for the Queen,"&#13;
above all, we offer you, by means of our pen-and- the “Isle of Wight Disease," “ Recent Investiga-&#13;
ink illustrations, the veritable Sangimignano tions into the Cause of Foul Brood," etc., and a&#13;
with its own peculiar rugged lines which no new chapter on “Exhibiting and Judging Bee&#13;
camera and no brush have ever succeeded in Products" has been introduced. Twenty new&#13;
reproducing." Messrs. Ermano Loescher &amp; Co., blocks have been inserted in the new edition,&#13;
of Rome, are the publishers. Only 300 copies have and fifty-three in the old edition disappear from&#13;
been printed, and the published price of the work the present issue, their places being taken by&#13;
is 12s.&#13;
others more accurate, as Mr. Digges has deemed&#13;
“The Fairbourn Papers," edited by Mr. G. E. it wise to rely upon pen and camera for the&#13;
Webb, and published by Messrs. John Ouseley, illustration of manipulations, appliances, etc. The&#13;
Ltd., relate the history and career of a solicitor London publishers are Messrs. Simpkin, Marshall&#13;
residing in the City of London.&#13;
&amp; Co., while Messrs. Eason &amp; Son, Ltd., are the&#13;
"A Century of Ballads (1810–1910), their publishers in Dublin and Belfast.&#13;
Composers and Singers,” by Harold Simpson, is Derek Vane's new novel, “ Lady Vereker,” is&#13;
the story of popular song, told in a popular style. appearing first serially in the Daily Telegraph.&#13;
It abounds in anecdotes about well-known songs, He has also recently been writing short stories for&#13;
composers and singers, from the beginning of the the Bystander, Sicetch, and Black and White.&#13;
19th century to the present day. It is illustrated His last novel, “ The Secret Door,” will shortly&#13;
with photographs of all the best known composers, be brought out in a cheap edition by the Weekly&#13;
singers and lyric writers, together with numerous Telegraph.&#13;
facsimiles and autographs. Messrs. Mills &amp; Boon Messrs. Longmans &amp; Co. have just issued Mr.&#13;
are the publishers.&#13;
D. Haviland's book, “ Lives of the Fur Folk,” a&#13;
G. P. Putnam's Sons announce a new novel by series of animal biographies dealing with the fox,&#13;
Florence L. Barclay, author of "The Rosary," cat, rabbit, and badger in Ireland.&#13;
now in its 120th thousand. The title is “ The Miss Maud Goldring's new novel, “ The Downs-&#13;
Mistress of Shenstone,” and it is promised that man,” treats of the rivalry between a Socialist who&#13;
many of the characters in “The Rosary” will comes down into Sussex and an enlightened&#13;
appear again in the new story.&#13;
representative of the old order, and will be found&#13;
Messrs. Methuen &amp; Co. have issued a volume on of interest to students of social conditions. At&#13;
“ Francis Bacon," by Dr. G. W. Steeves. The the same time the romance is not overburdened&#13;
aim of the author has been to sketch the chief with theories. Mr. Murray hopes to publish the&#13;
events in the life of Bacon, freed as much as volume before Christmas.&#13;
possible from general historical detail, followed by Messrs. J. M. Dent &amp; Sons, Ltd., announce a&#13;
a “classification” and short description of Bacon's new work by W. Percival Westell, F.L.S. It is&#13;
chief works, with certain considerations bearing on entitled “The Book of the Animal Kingdom,"&#13;
his Life and Letters. Selected title pages of the and treats of over five hundred kinds of representa-&#13;
earliest editions of Bacon's works appear in the tive mammals of the world, with a chapter on the&#13;
volume by Dr. Steeves.&#13;
four-footed beasts of Australia by Charles Barrett,&#13;
The October issue of the Boys On Paper M.A.O.U. There will be fourteen coloured and&#13;
&#13;
&#13;
## p. 35 (#61) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
35&#13;
two hundred and sixty plain plates, chiefly from King's Fool” has returned once more to the&#13;
photographs of the living animals, by W. S. Middle Ages, and has portrayed the soul's history&#13;
Berridge, F.L.S. The work is divided into sixteen of a famous Troubadour Prince. It is a romance&#13;
sections, and it has been the author's aim to eschew in which the reader breathes the dream-haunted&#13;
dry and uninviting definitions, and to present his air of Aquitaine in the twelfth century, and is&#13;
story in such a way that both young and old may symbolic of the fourfold quest of love, religion,&#13;
be able to acquire a general knowledge of the wisdom, and ideal beauty.&#13;
mammalian fauna of the world.&#13;
“In Waste Places," a new story by Mrs.&#13;
In Mr. John Bloundelle-Burton's new book, Woollaston White, will be issued in December.&#13;
“ The Fate of Henri de Navarre,” which is not a The scene is laid in the early days of British&#13;
novel, the true story of that king's death is told, Columbia, and chiefly concerns the thrilling ex-&#13;
and the mystery of whether it took place as the periences of a young wife. It will be issued by&#13;
outcome of a Court plot, or was solely the result of the St. Andrew's Press, Barnet.&#13;
the diseased brain of the religious enthusiast, “ Messages from the Throne,” by Mrs. Harding&#13;
Rasaillac, cleared up. The work will also contain Kelly, is a little book compiled for the use of&#13;
an accurate description of the Paris of the time, district visitors who find a difficulty in speaking to&#13;
an exhaustive description of Sully, and also of the the cottagers whom they visit. The readings are&#13;
extraordinary manner in which, out of vanity, he intended to be suggestive, and to make the Bible&#13;
appears to have endeavoured to identify himself more interesting and intelligible to the people.&#13;
with the supposed poisoning of Gabrielle d'Estrées. Mr. Robert Scott is the publisher. Mrs. Harding&#13;
Other leading characters of the time will also be Kelly has also issued, through the Religious Tract&#13;
fully described, some of whoin, except to writers Society, a story entitled “ Philip Compton's&#13;
on the period, are almost unknown to the reading Will."&#13;
public-characters such as Henriette d'Entragues “The Second Elopement,” Mr. Herbert Flower-&#13;
and the Duc d'Epernon. The book will be dew's 1910 novel, is being published in America&#13;
full; illustrated with portraits and some rare by Messrs. Brentano. It is also being translated&#13;
views of Paris, and will be published by Everett into German and Swedish. It successor, “The&#13;
&amp; Co.&#13;
Third Wife,” is announced by Messrs. Stanley&#13;
Messrs. J. M. Dent &amp; Sons, Ltd., announce Paul &amp; Co, for publication early in 1911.&#13;
a new addition of “ Aacassin and Nicolette” from Mr. Flowerdew has written an article on “The&#13;
a translation by Mr. Eugene Mason. The edition Psychology of Tariff Reform,” for The English&#13;
is illustrated in colour by Mr. Maxwell Armfield. Review', and an article from his pen on the price&#13;
The book, which will, it is hoped, be the first of a of the novel will appear in an early number of The&#13;
series of similar old romances, will be published Nineteenth Century and After.&#13;
at the price of 2s. 6d. net.&#13;
Mrs. Philip de Crespigny's book, “ The Valley&#13;
Miss May Crommelin's autumn novel will shortly of Achor," published by Messrs. Mills &amp; Boon, has&#13;
be published by Messrs. Hutchinson &amp; Co. under gone into a second edition. The November issue&#13;
the title “ Madam Mystery.” The scene is laid in of The Story Teller contains a story by Mrs. de&#13;
the Loire Valley, where a party of happy sightseers Crespigny.&#13;
to the famous castles of Touraine are bewildered "Chains," a new novel by Edward Noble, will&#13;
by a mysterious “ double” claiming the heroine's be published shortly by Messrs. Constable &amp; Co.&#13;
name. This puzzle, with love affairs and an It is a book dealing with the handicap imposed by&#13;
under-plot involving some French country gentry, our divorce laws on women ; the impossibility of&#13;
is the life-current playing round the rock-histories a woman obtaining freedom on the same grounds&#13;
of the once English-owned châteaux.&#13;
as a man, and incidentally exposing some aspects of&#13;
In his new book, “Diet and the Maximum the White Slave traffic as seen in the seaports of&#13;
Duration of Life,” Dr. Charles Reinhardt discusses South America.&#13;
the advantages and disadvantages of various foods - Afghanistan, the Buffer State,” is a com-&#13;
for those who would preserve robust health for the prehensive treatise on the entire Central Asian&#13;
longest possible time. There are also chapters question by Captain Gervais Lyons. The book&#13;
dealing with such matters as food in infancy, food has two maps fully illustrating the subject, and&#13;
in disease, beverages, and one on dietetic systems, showing all frontiers and existing and projecting&#13;
which should be read by those who have committed railways. There is also an introductory note by&#13;
their digestions to any of these systems. The Lieut.-General Sir Reginald C. Hart. Messrs.&#13;
London Publicity Co. are the publishers.&#13;
Luzac &amp; Co. are the publishers.&#13;
Messrs. Chatto and Windus have just issued Mr. Miss Dorothy Margaret Stuart has just published,&#13;
Michael Barrington's new romance, “ The Lady of through Messrs. Constable &amp; Co., a romance entitled&#13;
Tripoli.” In his new book the author of “The “ Martin the Mummer.”&#13;
&#13;
&#13;
## p. 36 (#62) ##############################################&#13;
&#13;
36&#13;
THE AUTHOR.&#13;
Mrs. Perrin's novel, “The Charm," published on au XVII. Siècle," and the present volume is “ Le&#13;
September 1 by Messrs. Methuen &amp; Co., is now Roi Louis XIII. à Vingt Ans." The three&#13;
in its third edition.&#13;
volumes are marvels of conscientious work and&#13;
give evidence of years of patient research.&#13;
DRAMATIC&#13;
Perhaps no prince has been so misunderstood as&#13;
“The Tramp," a play in one act by Ursula&#13;
Louis XIII. Thanks to the ambition and love of&#13;
Keene, was produced at the Theatre Royal,&#13;
power of his mother, Marie de Medicis, and the&#13;
Margate, early last month. Ursula Keene's&#13;
influence of Concini and his wife, Louis XIII., as&#13;
suburban comedy, “ The Eldest Miss Darrell,” in&#13;
a young man, was set aside. As be was powerless&#13;
three acts, was produced at a special matinée at&#13;
to obtain his proper position and was extremely&#13;
the Court Theatre on October 28. At the same&#13;
reserved, he remained apparently submissive and&#13;
matinée was produced “ The Servants of Pan,” a&#13;
resigned to his fate, and, for this reason, he has&#13;
fantasy by Clarice Laurence, which was also&#13;
been generally treated by historians as a nonentity.&#13;
produced at the Theatre Royal, Margate, during&#13;
M. Louis Batiffol has studied the archives of this&#13;
the same week as witnessed the staging of “The&#13;
epoch more thoroughly than most of the historians&#13;
Tramp.” The cast at these performances included&#13;
hitherto, and has unearthed many curious docu-&#13;
Miss Ursula Keene and Miss Clarice Laurence.&#13;
ments. He shows us how the young prince was&#13;
“ Company for George” is a three-act farce by&#13;
educated, and the lack of sympathy and affection&#13;
Mr. R. S. Warren Bell, which was produced at the&#13;
between him and his mother. "In her anxiety to&#13;
Kingsway on October 15. The story it disclosed&#13;
retain the regency she kept her son in the back-&#13;
had to do with the reluctance of a University&#13;
ground-treated him, at the age of sixteen, as a&#13;
student to admit the existence of a time limit to&#13;
mere child. Concini and his wife, the Queen's&#13;
the hospitality which had been given him at a&#13;
favourites, treated Louis with great insolence.&#13;
country house to which he had been invited. The&#13;
Things came to a climax after a violent fit of&#13;
humour of the play is derived from the various&#13;
anger on the part of the young prince at the age&#13;
enjoyments which the unwelcome guest favours&#13;
of fifteen. Concini saw that he had gone too far in&#13;
during his stay. Mr. Kenneth Douglas, Miss&#13;
his insolence, and left Paris for a time. From that&#13;
Eva Moore and Mr. Fewlass Llewellyn are in the&#13;
date forth, it is very evident that Louis had&#13;
decided on his plan of action. Later on, when&#13;
cast.&#13;
Mr. W. Somerset Maugham's new four-act play,&#13;
explaining his scheme to his friends, he said : “I&#13;
“Grace,” was produced at the Duke of York's&#13;
acted the child.” For the next five months he&#13;
Theatre on October 15. The play deals with&#13;
was silently preparing his plan, without taking&#13;
the fall of the daughter of a gamekeeper, her&#13;
anyone into his confidence. Charles d'Albert de&#13;
banishment by the family owning the estate, and&#13;
Luynes was the first of his friends to whom he&#13;
the effect of the girl's subsequent suicide on the&#13;
spoke of his intentions. Gradually a little group&#13;
relations existing between husband and wife of the&#13;
of faithful accomplices gathered round Louis. The&#13;
family. The cast includes Mr. Dennis Eadie, Mr.&#13;
whole nation was resenting the power and influence&#13;
Leslie Faber, Miss Lillah McCarthy, Miss Irene&#13;
of the foreign favourites, and Concini himself had&#13;
Vanbrugh and Mr. Edmund Gwenn.&#13;
gradually usurped many of the privileges which&#13;
should have belonged to the young prince.&#13;
In April, 1617, it was finally decided that&#13;
Concini's arrest should take place. Louis had&#13;
received letters from all sides promising help and&#13;
PARIS NOTES.&#13;
loyal service, and M. Batiffol's description of the&#13;
plot to arrest and, if necessary, kill Concini is most&#13;
graphically and dramatically told. He describes&#13;
M HE death of Albert Vandal is another loss to the whole scene which took place in the courtyard&#13;
I the French Academy and to French litera. of the Louvre, when the favourite, escorted by his&#13;
ture. M. Vandal was formerly President of suite of young nobles, passed through the gate&#13;
the Société des Gens de Lettres and he was known as the Porte de Bourbon. He was arrested&#13;
essentially a historian. “ Louis XV. et Elisabeth “in the name of the king," and on attempting to&#13;
de Russie" was one of his first books ; “Napoléon draw his sword was at once killed. The trans-&#13;
et Alexandre I." and“L'Avénement de Bonaparte” formation which now took place in the apparently&#13;
made him famous.&#13;
submissive boy was a most remarkable one. With&#13;
M. Louis Batiffol has now published his third the promptness and decision of a man three or&#13;
volume on the period of Marie de Médicis. The four times his age, Louis XIII, now took his place&#13;
first was “ Au Temps de Louis XIII.” The second in his kingdom. He appeared at one of the&#13;
was entitled “ La Vie intime d'une Reine de France windows of the Louvre, thanked th e cheering crowd,&#13;
&#13;
&#13;
## p. 37 (#63) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
37&#13;
M. Pierre Berton ; “Montmartre," comedy in four&#13;
acts by M. Pierre Frondaie ; “Sa Fille,” comedy&#13;
in four acts by MM. Félix Duquesnel and André&#13;
Barde ; “Crésus," comedy in three acts by M.&#13;
Henri de Rothschild. At the Porte Saint-Martin&#13;
“Chantecler" is still being given, and at the&#13;
Théâtre Antoine “Cesar Bírotteau.”&#13;
ALYS HALLARD.&#13;
" Le Roi Louis XIII. à Vingt Ans” (Calmann Levy).&#13;
“Lady Hamilton” (Perrin).&#13;
“Quarante Ans Après" (Fasquelle).&#13;
** La Pologne Vivante" (Perrin).&#13;
“Les Petits Joyeux” (Calmann Levy).&#13;
AGENCY CLAUSES IN PUBLISHERS'&#13;
AGREEMENTS.&#13;
and told them that he was now their king. He&#13;
refused to see his mother, but sent her word that he&#13;
had now decided to take the government of the&#13;
State into his own hands. From that time forth,&#13;
until Richelieu was admitted into the State Council&#13;
in 1624, the strong government and discipline of the&#13;
boy king are a revelation to all who had been&#13;
accustomed to thinking of Louis XIII. as a&#13;
nonentity. It is to be hoped that M. Batiffol will&#13;
continue the study of this king's character after&#13;
1624, as the three volumes which take us up to&#13;
this period only serve to make us wish to continue&#13;
the study of history from authentic documents.&#13;
“Lady Hamilton,” by A. Fauchier Magnan, is a&#13;
biography which might very easily be taken for a&#13;
novel. The writer gives us an account of this&#13;
extraordinary woman's life in an extremely interest-&#13;
ing manner. He begins with her early years in&#13;
Cheshire and her first visit to London in 1777 at&#13;
the age of fourteen. From this time forth we&#13;
have all the romantic episodes of her life, her&#13;
liaisons with Sir Charles Francis Greville, with Sir&#13;
William Hamilton, her friendship with the Queen&#13;
of Naples, and finally her liaison with Nelson. M.&#13;
Fauchier Magnan takes us on to the very end. He&#13;
tells us of her extreme poverty and of her death in&#13;
a poorly furnished little room which she had&#13;
rented in Calais. Many lives of Lady Hamilton&#13;
have been written, but this French book gives us&#13;
perbaps a more impartial study of this beautiful&#13;
woman's career than some of the accounts written&#13;
by her own compatriots.&#13;
Among new books, Jules Clarétie's “ Quarante&#13;
ans Après” is having great success. Marius Ary&#13;
Leblond has written a very welcome volume, “La&#13;
Pologne Vivante.”&#13;
mohlished a new volume "Les&#13;
Petits Joyeux."&#13;
In the Revue des Deux Mondes of September&#13;
there were some exceptionally interesting articles :&#13;
“Morale et Religion," by M. Emile Boutroux;&#13;
“Deux Conceptions de l'Histoire de la Révolution:&#13;
Taine et M. Aulard,” by M. A. Albert-Petit.&#13;
In the Revue hebdomadaire M. Emile Guillaumin&#13;
writes on “ La Terre Delaissée.” In the same&#13;
periodical of October 15, M. Gailly de Taurines&#13;
gives us an interesting article on “Un Projet de&#13;
Mariage dans la famille Bonaparte,” M. Ernest&#13;
Seillière tells us “Le Roman d'un futur Empereur,"&#13;
and Maurice Lanoire writes an interesting article&#13;
on "Thackeray et la France."&#13;
Among the new plays announced by M. Porel&#13;
for this scason at the Vandeville are: “Le&#13;
Marchand de Bonheur,” comedy in three acts by&#13;
M. Henry Kistemaeckers ; “Rue de la Paix,"&#13;
comedy in three acts by MM. Abel Hermant et&#13;
de Toledo ; “Le Tribun,” comedy in four acts by&#13;
M. Paul Bourget; "Raissa," play in four acts by&#13;
new&#13;
CLAUSE I.&#13;
" ALL moneys due under this agreement shall be paid to&#13;
A the author's representative, whose receipt shall be&#13;
a full and sufficient discharge of the obligation, and&#13;
the said agent is hereby empowered by the author to&#13;
conduct all negotiations in respect of the said work with&#13;
the publishers."&#13;
CLAUSE II.&#13;
"All accounts due and all moneys payable under this&#13;
agreement shall be rendered and paid to&#13;
and it is hereby agreed tbat their receipt shall be a full and&#13;
sufficient discharge therefor and that shall have&#13;
authority to treat for and on behalf of the said author in&#13;
all matters under this agreement.”&#13;
CLAUSE III.&#13;
"All sums due under this agreement shall be paid to the&#13;
author's representative, whose receipt alone shall be a full&#13;
and sufficient discharge of the obligations, and this authority&#13;
shall not be revocable by the author without the previous&#13;
consent of his said representative.”&#13;
It is the duty of agents to settle agreements&#13;
between authors and publishers; but it may&#13;
often be proper that in the first place the author&#13;
should settle, and settle with care, an agreement&#13;
with his agent. For if there are bad publishers&#13;
and shifty authors, it is probable that there are&#13;
careless, and possible that there are dishonest,&#13;
agents.&#13;
The Dramatic Sub-committee of the society,&#13;
while expressing their disapproval of the principle&#13;
of employing an agent at all (confer standing&#13;
matter in The Author), have settled a contract&#13;
between a dramatist and an agent.&#13;
It is a fact that there is less need for the employ-&#13;
ment of an agent to place dramatic works than to&#13;
place literary works, if proper use is made of the&#13;
society's assistance. But whether a writer is an&#13;
author of works to be performed or of works to be&#13;
read, he should be exceedingly careful of the&#13;
contracts he makes with agents.&#13;
&#13;
&#13;
## p. 38 (#64) ##############################################&#13;
&#13;
38&#13;
THE AUTHOR.&#13;
There is, however, a danger beyond this, and the Now agents, unfortunately, among other clauses&#13;
clauses printed at the head of this paper, taken which they have allowed to pass into currency,&#13;
at random from a large collection of agreements, have not infrequently allowed a publisher to have&#13;
are examples of this danger.&#13;
the refusal of other books by the saine author,&#13;
When an author has gone to an agent with an sometimes on terms to be subsequently settled,&#13;
established reputation, and has settled a satisfactory sometimes on terms roughly agreed in the one&#13;
contract with him, he then most probably is contract.&#13;
quite ready to leave the management of his busi- The principle is a thoroughly wrong principle&#13;
ness in the agent's hands. If the agent advises and should be fought on every possible occasion.&#13;
him to accept certain terms and sign certain agree. But the issue as between author and publisher is&#13;
ments he will do so, trusting to the agent's judg- not for discussion in this article. As between&#13;
ment--the agent placing one of the above clauses author and agent it is also thoroughly bad, for&#13;
in the contract as if it was a matter of course. under the above clause the author is obliged to let&#13;
Yet this clause may bring all sorts of difficulties in work No. 2, and perhaps work No. 3, pass through&#13;
its train.&#13;
the agent's hands.&#13;
Such a clause existing between the publisher Here is a great temptation, here is a premium&#13;
and the author is “an authority coupled with an on dishonesty. For the agent, in order to secure&#13;
interest,” and cannot be cancelled as between the the control of the author's next two works and&#13;
parties to the contract. In consequence it gives secure his 10 per cent., may be tempted to induce&#13;
the third party not a party to the contract a power the author to sign a clause giving away the refusal&#13;
which he ought not to possess.&#13;
of future work. In other words, he may possibly&#13;
Let us study the clauses closer. In Clause I. neglect the author's interest to foster his own,&#13;
the author's representative is to receive all moneys. The author may have many and crucial objec-&#13;
However doubtful his financial position may be, tions after his first book has been published to the&#13;
however an author may come to distrust his agent, further employment of an agent, but with the two&#13;
even if the author may desire to change his repre- clauses, the one referring to the disposal of future&#13;
sentative, still the publisher is bound to pay him work, the other to the agent's powers, he is bound&#13;
the moneys. If the position happens to be still irrevocably. Should he, breaking the agreement,&#13;
more serious, the author cannot get out of the do his own work or employ another agent, he&#13;
clutches of this clause.&#13;
would still be bound to pay to agent No. 1 the&#13;
But worse follows, for the agent's receipt “ shall 10 per cent.&#13;
be a full and sufficient discharge of the obliga- If it happened that an agent got an author to&#13;
tion.”&#13;
bind himself for his next nine books on the basis&#13;
If an agent is careless, if an agent is deceitful, if of a contract similar to the one recently printed in&#13;
an agent is fraudulent, he can still under this clause The Author, he would practically be able to go on&#13;
give a sufficient discharge to the publisher ; and it is drawing his percentage through the ages, and the&#13;
doubtful how far the author could open the accounts author would bear the burden of two old men of&#13;
if the agent under such an authority had given a full the sea instead of one.&#13;
receipt. But there is still worse to come, for the Little need be added in criticism of Clause III.&#13;
agent is empowered to conduct all negotiations in to what has already been said. The revocability&#13;
respect of the said work with the publishers. of the clause “only with the agent's consent "&#13;
Practically, therefore, the agent can always be speaks for itself.&#13;
covering up his own tracks and the author is The position is a serious one, and the real difficulty&#13;
powerless. The author may communicate with the arises from the fact that while an agent in many&#13;
publisher direct, and the publisher may say, and in cases may protect an author's interests most care-&#13;
strict fairness is bound to say, I cannot communicate fully as between author and publisher, there is no&#13;
with you, I can only conduct the business with the means of compelling him to turn to the author or&#13;
agent.&#13;
point out the difficulties and dangers surrounding&#13;
Clause II. is even worse than Clause I.&#13;
these and similar clauses.&#13;
The remarks already made as to the payment of It may happen that no dispute will arise ; but&#13;
and receipt for the money apply to this clause, but no author should put himself in chains, even if&#13;
there is a subtle and important distinction in the they do not gall.&#13;
last sentence.&#13;
If the agent makes a fair statement of the case&#13;
In Clause I. “the said work ” is referred to. It and the author, while unwilling to bind himself&#13;
is clear that this would mean one book, but in under too stringent clauses with the publisher, is&#13;
Clause II. the agent has authority “for and on willing to sign a stringent clause affecting the&#13;
behalf of the said author in all matters under this agent, then nothing can be said.&#13;
agreement.”&#13;
“Quis custodiet ipsos custodes ? "&#13;
&#13;
&#13;
## p. 39 (#65) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
39&#13;
THE THIRTY-SECOND CONGRESS OF THE enactments at present existing, would codify the&#13;
INTERNATIONAL LITERARY AND legislation respecting copyright, and would repre-&#13;
ARTISTIC ASSOCIATION.&#13;
sent an immense progress ; notably by making&#13;
uniform the duration of copyright for the life of&#13;
LUXEMBURG, September 2-5, 1910.&#13;
the author and fifty years afterwards ; by suppress-&#13;
ing all formalities, as necessary for the exercise&#13;
GEORGES MAILLARD, who presided of the author's rights ; by completely assimilating&#13;
IVT over the thirty-second Congress of the translation and reproduction ; by forbidding the&#13;
International Literary and Artistic Asso dramatisation of a novel, or the transformation of&#13;
ciation, declares this to have been a “ little &amp; drama into a novel, without the consent of the&#13;
congress” of a friendly kind, similar to those author of the original; by declaring, without&#13;
which have been, at various dates, held in various restrictions, that the right of a musical composer&#13;
cities of Switzerland. The labours of the Congress includes the right of the reproduction of the work&#13;
were grouped principally around a “ general by means of mechanical instruments ; by main-&#13;
review of affairs relating to literary and artistic taining for photographs a protection identical with&#13;
copyright from the diplomatic, legislative, and that given artistic works ; and by protecting&#13;
judicial points of view," by Mr. Ernest Röthlis- architectural designs.&#13;
berger. This report dealt with the Berlin Revision “ At the same time the International Literary&#13;
of the Berne Convention, legislative movements and Artistic Association takes the liberty of draw-&#13;
outside the direct action of the Berne Convention, ing the attention of the British Government to&#13;
the development of international treaties, and certain particulars, which will form the subject of a&#13;
various cases presented before the tribunals of special report which the executive committee of the&#13;
different countries. In addition to this, Mr. K. association proposes to submit to the Government.&#13;
Gahn, representing Denmark, explainod the “ In particular it would be especially regrettable&#13;
reasons which had hitherto prevented his country that, after the death of the author, the Controller&#13;
from ratifying the Convention of 1908. Mr. of Patents should have power to give a licence for&#13;
Thorvald Solberg dealt with the present situation the reproduction of the work, not only when there&#13;
in the United States. Signor A. Ferrari discussed shall be no more copies in circulation, but also&#13;
the objection which has been raised in Italy when the price demanded for existing copies, or&#13;
against the prolongation of dramatic copyright to for the rights of public performance, shall be con-&#13;
eighty years after the date of first performance. sidered too high. This would amount to a grave&#13;
M. T. G. Djuvara apologised for a delay in pro- infraction of the author's rights, and might lead&#13;
gress in Roumania, which has been occasioned by to serious abuses.&#13;
the Government having been compelled to give all “It is much to be desired that the English law&#13;
its attention to the results of agrarian disturbances. should affirm the absolute principle that copyright&#13;
The Count de Suzor, representing Russia, dis- originates (saving when there are agreements to&#13;
cassed the opposition of the Russian Duma to the contrary) in the person of the creator of the&#13;
wholesome copyright legislation. Among the work, and that the sale of a work of art shall not&#13;
resolutions subsequently passed by the Congress, be presumed to involve of itself the sale of the&#13;
one, which we give at full length below, will be of copyright.&#13;
particular interest to English authors.&#13;
" Also, that works of architecture shall be pro-&#13;
Resolution respecting the new English Copyright tected without certain reservations contained in&#13;
Bill in the following terms :-&#13;
the Bill, and that it shall be clearly stated that in&#13;
“ The International Literary and Artistic Con- works of architecture wbich are protected are in-&#13;
gress thanks the Copyright Committee constituted cluded designs, plans, sketches, and plastic works&#13;
by the British Government to draw up a Bill intended for architectural purposes.&#13;
relating to copyright for having been so good as to “ Also, that the duration of the period for action&#13;
consult the president of the association in the against piracy should not be less than three years.&#13;
course of the inquiry, and has much satisfaction “ Also, that the duration of the protection of&#13;
in finding in the admirable final report of the posthumous works, and of works produced by&#13;
Copyright Committee an approval of the greater collaboration, should be fixed in conformity with&#13;
number of the principles proclaimed by the the provisions of the typical law suggested by the&#13;
association.&#13;
association.&#13;
“ The Congress is equally gratified by the Bill “ The Congress is of opinion that it is to be&#13;
placed before Parliament by the President of the feared that the abrogation of the common law may&#13;
Board of Trade in view of the adhesion of Great result (particularly when the new law is first put&#13;
Britain to the Revised Convention of Berlin ; a Bill into force) in incompletenesses in the protection of&#13;
which, by abrogating the different and incompatible the author.&#13;
&#13;
&#13;
## p. 40 (#66) ##############################################&#13;
&#13;
40&#13;
THE AUTHOR.&#13;
“The International Literary and Artistic Asso- of a charming letter concerning some work done for&#13;
ciation particularly insists upon the necessity of him, he tells me that personally he likes my work&#13;
protecting works of art applied to industry ; and very much, but that such work as mine is "never&#13;
calls upon the executive committee to come to of special interest to advertisers." Adrertisers !&#13;
an understanding with the Englishmen interested The cat is out of the bag. And what a cat!&#13;
in this question to obtain protection for all works These are our censors, these the arbiters of an&#13;
of the graphic and plastic arts, whatsoever may be author's destiny. Our struggling novelists are at&#13;
the merit or destination of the works, and to get the mercy of a Non-Fat-Food Company, our&#13;
this principle asserted in the English law.” crescent poets are the sport of Dr. Pink and his&#13;
Pale Pills for Purple People.&#13;
So now you know.&#13;
THE CAT FROM THE BAG.&#13;
X. Y, Z.&#13;
MAGAZINE CONTENTS.&#13;
M HE taste of editors has long seemed so incal-&#13;
1 culable, their standard so mysterious, their&#13;
selection so erratic, that many of us have&#13;
wondered whether they really exercise any discre-&#13;
tion of choice-whether they do not rather madly&#13;
mix in a hat all manuscripts bearing unknown&#13;
names, and order the office boy to pull out as many&#13;
as are needed for the make-up of the journal.&#13;
But I now see that in these speculations we have&#13;
wronged our editors.&#13;
We have wondered sometimes whether it was&#13;
possible that editorial taste could be at fault : that&#13;
editors really did not know good stuff when they&#13;
saw it; whether drivel really did and could appeal to&#13;
them ; or whether it was merely that they knew&#13;
their public, and knew that a good story, decently&#13;
written, is the one thing which that public will&#13;
not on any terms stand? We have speculated,&#13;
we have questioned. And our speculation has&#13;
remained unfruitful. Our questions have never&#13;
been answered. Perhaps our questions never will&#13;
be answered. For my part I care little whether&#13;
they ever be answered, for I now see that they&#13;
have nothing to do with the matter. There has&#13;
been an unsuspected reason for the choices—the&#13;
strange, amazing choices—made by editors. That&#13;
reason has been a secret, and that secret is now&#13;
mine. I know all about it. Nothing is hidden&#13;
from me. I am an old hand at this game of&#13;
author v. editor, and yet I never came near to&#13;
guessing the riddle. And I venture to think that&#13;
no one else on my side did either.&#13;
Here is the secret. I make you a present of it.&#13;
Editors do not choose to please themselves. Nor&#13;
to please themselves. Nor&#13;
do they choose to please their public. Their&#13;
choice is made to quite another tune. And that&#13;
tune is called, as most tunes are nowadays, by him&#13;
who pays the piper—the Advertiser.&#13;
The advertiser, it would seem, is the critic to&#13;
whom editors defer; it is the advertiser's taste that&#13;
must be considered, his distastes that must be&#13;
avoided.&#13;
I learn the great secret from the editor of a very&#13;
well-known and prosperous journal. In the course&#13;
BLACKWOOD's.&#13;
“Hamlet” at a Bengal Fair. By R. E. Vernède.&#13;
Musings Without Method : Journalists in Conclave-&#13;
Dramatic Criticism-The Elizabethan Drama-A Stage&#13;
for the Poets.&#13;
BOOKMAN.&#13;
J. M. Barrie as Dramatist, By H. Granville Barker.&#13;
J. M. Barrie and His Books. By James Moffatt.&#13;
A. E. W. Mason. By A. St. John Adcock.&#13;
Book MONTHLY.&#13;
Beaconsfield's Life. By James Milne,&#13;
Novels Long or Short. By X.&#13;
CONTEMPORARY.&#13;
Reminiscences of Holman Hunt. By W. M. Rossetti.&#13;
The Modern Press and Its Public. By W. H, Massing.&#13;
ham.&#13;
Browning and Butler. By the late Professor Churton&#13;
collins.&#13;
CORNHILL.&#13;
Elizabeth Cleghorn Gaskell. By A, W, Ward.&#13;
Dr. John Brown, of Edinburgh. By Sarah A. Tooley.&#13;
ENGLISH REVIEW.&#13;
The Women of Shakespeare. By Frank Harris.&#13;
"Une Promenade Sentimentale." By George Moore.&#13;
Nihilism in Contemporary Russian Literature. By E. J.&#13;
Dillon.&#13;
The Vitality of Drama. By Darrell Figgis.&#13;
FORTNIGHTLY.&#13;
Shakespeare in Fairyland. By Charles Zeffertt.&#13;
William Holman Hunt, O.M. By Ford Madox Hueffer.&#13;
A Forgotten Satirist,“ Peter Pindar." By Lewis&#13;
Melville.&#13;
Imperial Copyright. By G. Herbert Thring.&#13;
The Night Thoughts of Robert Schumann. By A. E.&#13;
Keeton.&#13;
The Theatrical Situation. By William Archer,&#13;
NATIONAL.&#13;
The Dark Lady to Mr. William Shakespeare. By&#13;
Bernard Holland.&#13;
NINETEENTH CENTURY.&#13;
The Genius of Gibbon. II. Gibbon the Historian. By&#13;
the Rev. A. H. T. Clarke.&#13;
The Sillon. By Abbé Ernest Dimnet.&#13;
&#13;
&#13;
## p. 41 (#67) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
41&#13;
HOW TO USE THE SOCIETY.&#13;
1. T VERY member has a right to ask for and to receive&#13;
B advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
ist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu.&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
n otto&#13;
anless the same allowance is made to the author..&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System,&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book,&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright,&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
TEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com.&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
ITERE are a few standing rules to be observed in an&#13;
n agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 42 (#68) ##############################################&#13;
&#13;
42&#13;
TIIE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(0.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (b.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9, Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
T RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
U assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
MTEMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
QCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 2s. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 43 (#69) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
43&#13;
GENERAL NOTES.&#13;
THE DINNER OF THE SOCIETY.&#13;
The Dinner of the Society of Authors will be&#13;
held on November 24 at the Criterion Restaurant&#13;
at 7 for 7.30 p.m. The chair will be taken by&#13;
Mr. Maurice Hewlett, and the guest of the evening&#13;
will be Mr. William de Morgan. Members desiring&#13;
to be present are requested to make early applica-&#13;
tion for tickets, which can be procured at the&#13;
offices of the society. A conversazione will be&#13;
held after the dinner as indicated in the notice of&#13;
the dinner sent to all subscribers of the society.&#13;
CANADIAN COPYRIGHT.&#13;
We see that Mr. Fisher has not let the grass&#13;
grow under his feet in taking steps with regard to&#13;
Canadian Copyright. It is difficult to say exactly&#13;
what he intends to do till the draft Bill is in our&#13;
hands, but it would appear from his utterances that&#13;
he intends to stop the protection awarded to&#13;
United States Copyright books in Canada unless&#13;
the printing is done in Canada, and that he is not&#13;
going to penalise the English authors if they&#13;
register their copyright at Ottawa.&#13;
It will be interesting to see how Mr. Fisher&#13;
proposes in his Bill to enforce this very difficult&#13;
position. Personally, although we quite under-&#13;
stand that the United States have brought this&#13;
about through their own retrograde legislation, we&#13;
think it a pity that any country which has gone&#13;
forward on the great copyright ideals should now&#13;
go back upon them.&#13;
With regard to the registration of English works,&#13;
we also think this a great pity. The action is&#13;
retrogressive, not progressive. The less registra-&#13;
tion, the safer is the property of an author ; but we&#13;
hardly care to criticise until after we have seen the&#13;
THE INFLUENCE OF REVIEWS.&#13;
Bill.&#13;
A. W. DUBOURG.&#13;
We have to chronicle with regret the death of&#13;
Mr. A. W. Dubourg, dramatic author. Another&#13;
of the original members of the Society of Authors&#13;
mio&#13;
has fallen out of its ranks. He joined the society&#13;
as a dramatic author, and was a very early member&#13;
of the council. In the early days he supported&#13;
the work the society was doing on behalf of&#13;
his fellow dramatists, but this support. given so&#13;
disinterestedly in the beginning, he was not able&#13;
to continue during his later years, although&#13;
on many occasions he showed his continued&#13;
sympathy with the aims and objects of our&#13;
organisation.&#13;
BY A WOMAN NOVELIST.&#13;
II.&#13;
V OU sometimes hear it said that “No one&#13;
I reads reviews," and this is both true and&#13;
false, like its companion-saying, also&#13;
frequently heard among literary people, that “No&#13;
one buys books.” I believe that many people do&#13;
read reviews, and that a very much larger number&#13;
of people just glance through them.&#13;
The length of a review is most important.&#13;
Better a long review, with the name of your book&#13;
at the top, even if, so to speak, it is all about&#13;
nothing, than a notice of a few sentences, however&#13;
enthusiastic.&#13;
On the whole, I doubt whether bad reviews have&#13;
ever stifled really good work, though of course.&#13;
they have delayed its recognition.&#13;
On the other hand, good reviews can to a certain&#13;
extent sell bad stuff ; but in this case the rapid&#13;
appearance of the poorly written books so reviewed&#13;
in the second-hand market tells its own story.&#13;
The supply has been greater than the demand,&#13;
and the reading public have declined to digest&#13;
the book.&#13;
Most writers of norels soon become aware that&#13;
reviews, as a whole, are peculiarly impartial. Just&#13;
as you may be fondly attached to a human being,&#13;
and think but very indifferently of his or her taste&#13;
in art, or in such a more homely and every-day&#13;
thing as taste in dress or house decoration, so every&#13;
writer must have many friends and acquaintances&#13;
whose literary work strikes them as far less admir-&#13;
able in every way than that of either the character,&#13;
nature or intellect of its creator.&#13;
It coustantly happens—every editor will bear&#13;
me out in what I say—that a book is returned by a&#13;
reviewer with the plea that, knowing the author,&#13;
he would prefer not to deal with it. Let us,&#13;
however, boldly face the fact that in some cases.&#13;
LIST OF DRAMATISTS.&#13;
In view of the necessity of consulting the&#13;
dramatists inside the Society of Authors on&#13;
questions affecting their work, a separate list of&#13;
dramatic authors has been compiled, and is kept&#13;
at the office of the society.&#13;
In order to keep the list comprehensive and&#13;
accurate, members are asked to write to the&#13;
secretary immediately they become qualified for&#13;
inclusion in the list. The qualification for such&#13;
inclusion is the public performance of a play&#13;
(other than a performance for copyright purposes)&#13;
in a place licensed for public entertainment.&#13;
&#13;
&#13;
## p. 44 (#70) ##############################################&#13;
&#13;
44&#13;
THE AUTHOR.&#13;
a book is given to a friend, and a friend who is regarded his work with that special touch of eager&#13;
honestly anxious to extol the book as far as is and selfless enthusiasm. To have the power of&#13;
possible. Yet such a review is very seldom satis- eroking such a sentiment is extremely valuable ;&#13;
factory from the point of view of the author. It but it is a great mistake to suppose that it has&#13;
is invariably better for any work of art to be anything to do with private friendship or personal&#13;
judged apart from its creator. The personal popularity. It is often felt for a writer who is a&#13;
element almost inevitably creeps in when judging recluse, and years may go by before the master&#13;
a friend's work, and too often a friend's review and his disciple meet face to face.&#13;
simply consists of that kind of mild praise which, Akin to this type of clique, but on a lower&#13;
from the point of view of the writer-or perhaps plane, will be a group of clever young writers&#13;
we should say of the publisher-is of infinitely who all hold together and praise each other's work&#13;
less value than one which cuts up the volume in the honest conviction that nothing so good was&#13;
under discussion in a way which was more fashion ever done before. This kind of group greatly&#13;
able some years ago than to-day.&#13;
influenced that period of French literature known&#13;
Human nature being what it is, reviewers are of as Romanticism. Such a group“ puff” each&#13;
course influenced, generally quite unconsciously, other—no other term is appropriate--in the fervent&#13;
by certain facts concerning the author of the book conviction that their work is quite first-rate. On&#13;
they are about to notice. Even a very poor novel the other hand, rival groups are apt to “ crab ”&#13;
written by a well-known statesman, or by a woman the work so praised.&#13;
who has made her fame in some other branch of How far can an author influence reviews, and&#13;
art, will receive far more respectful treatment than what every publisher will tell him is most impor-&#13;
can be hoped for by a masterpiece of an unknown tant-obtain early reviews ?&#13;
writer. There are of course exceptions to every rule Unless he be gifted with a most unusual power&#13;
—the masterpiece may find an appreciative reviewer, of “push," and of business capacity which would&#13;
and the great man's or the famous woman's book make his fortune iu any walk of life except that of&#13;
may be treated with complete candour ; but these literature, he would be well advised to make no&#13;
will be exceptions, and will scarcely count among effort, especially with regard to a first book ; when&#13;
the 69 to 100 reviews which every book issued by he has published several books, he can of course&#13;
a leading firm of publishers can now hope to make some kind of effort to secure that the review&#13;
obtain.&#13;
copies are sent out to the various papers in good&#13;
And this brings me to another important time. This, which would seem to be an elementary&#13;
question. There is no doubt at all that reviewers part of a publisher's business, is done as a matter&#13;
are impressed by the standing of the publisher, of course by certain houses ; but others—perhaps&#13;
almost always they are quite candid about it ;-. because their managers do not regard early reviews&#13;
that is, when a reviewer receives a batch of books as particularly important — take little or no&#13;
from a newspaper, he picks out almost instinctively trouble in the matter.&#13;
for early notice the books published by the good On the whole, editors and reviewers resent&#13;
houses, Young writers should remember this special efforts being made to draw their attention&#13;
when considering where to send their manuscripts, to a special book, though this resentment is&#13;
and when thinking over the terms which have mitigated, even altogether removed, when the&#13;
been offered them.&#13;
advice rendered is absolutely disinterested. A&#13;
Probably the most fortunate thing which can book, in a commercial sense, may be “made " by&#13;
happen to a good writer, but which, so far as I an honest, enthusiastic admirer who, fortunately&#13;
remember, may be said never to happen to a for the writer, happens to have a large acquaint-&#13;
woman writer in this country with the one ance in the literary world. But though I have in&#13;
exception of George Eliot-is the formation about my mind several such examples, I cannot call to&#13;
him of a small devoted phalanx of admirers who mind a single example which was due to the&#13;
whole-heartedly proclaim his merit both in print personal friendship of the admirer with the author.&#13;
and in conversation. It has become the fashion Certain writers have a power of thus attracting&#13;
nowadays to call this kind of group of unofficial sincere enthusiasm. A case in point, I repeat, was&#13;
praisers a clique. Such a group, once formed, is that of Robert Louis Stevenson, who, it is quite&#13;
of inestimable value, for it creates a demand for clear, never made the slightest personal effort to&#13;
the often very special and unusual work which it secure a good or early review. But there was&#13;
admires, and such a group is often the precursor something in his personality, as well as much&#13;
of real popularity. This good fortune befel R. L. in his work, which aroused the enthusiasm of some&#13;
Stevenson, and in spite of all that has been written of the best minds of the day.&#13;
to the contrary, Mr. George Meredith always had I have left to the last the question of the&#13;
a certain number of highly cultivated readers who honesty of reviewers.&#13;
&#13;
&#13;
## p. 45 (#71) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
45&#13;
Once when walking through a railway station E ven in its imperfect shape, the music publishers&#13;
I noticed a newspaper bill bearing as its sole will have none of it.&#13;
contents the ominous question, “ Are Book History repeats itself. About five-and-twenty&#13;
Reviewers Honest ?" I immediately bought the years ago the leading publishers tried either to&#13;
paper, feeling the interest which every writer of laugh down the Authors' Society as a society of&#13;
books must feel in this question, but to my great amateurs, or to hold up their heads in lofty&#13;
disappointment the author of the article had contempt at its work.&#13;
nothing new to say, or even to suggest on the The music publishers desire to adopt the same&#13;
subject-in fact, it was very clear that he was not position now. It is impossible to comment in&#13;
a critic, and knew very few critics, for he asserted detail on the numerous letters that have been&#13;
that the criticism of fiction is almost always published, but it will suffice to say that no minute&#13;
entrusted to persons who are themselves novelists ; or serious criticism of the agreement has been put&#13;
and he went on to say that most of these story- forward ; nothing but vague generalities and&#13;
tellers know each other, and they naturally praise crude statements of facts relating to methods of&#13;
each other, on the quid pro quo principle.&#13;
publication in vogue a hundred years ago.&#13;
But why should the honesty of book reviewers Here are some examples :-&#13;
be discussed any more than the honesty of&#13;
“We have only to say that our present agreement with&#13;
butchers, or solicitors, or any other class in the composers works to both their and our mutual satisfaction."&#13;
community? There are dishonest people in every&#13;
profession and walk in life ; but as a matter of&#13;
What a statement to come from a leading&#13;
fact the modern critic has really less temptation to publishing house! Audi alteram partem is a legal&#13;
be dishonest, and less excuse for vielding to that motto of which evidently this firm has never&#13;
temptation, than almost any other professional heard. Why, the whole band of musical composers&#13;
man or woman. His rewards, if he allows either&#13;
is wild with discontent at the agreement put for-&#13;
friendsbip or enmity to influence him, are ward by this and other houses,&#13;
extremely meagre, and last but a very short time. “We do not propose to criticise the details of Messrs.&#13;
For such a lack of impartiality can never be Stainer &amp; Bell's inspiration, because it really does not&#13;
hidden from those whose business it is to be on concern us at all."&#13;
the watch for it, and even the cleverest critic, once But if the composers are in earnest—and of this&#13;
tried and found guilty by his editorial judge, finds there is no doubt they will make it necessary for&#13;
his' occupation gone. In reality those in a this firm to concern itself about the agreement..&#13;
position to know the facts must feel it absurd to Now is the time to come into closer combination,&#13;
discuss the question at all, for it is obvious that and by united effort to make firmer the advantage&#13;
no man or woman capable of writing dishonest that has already been obtained.&#13;
criticisms is likely to attain a position of any Another publisher says :-&#13;
importance in the critical world.&#13;
"In our nearly one hundred years' existence as a pub-&#13;
lishing house, no composer has yet complained of assigning&#13;
us his sole rights.”&#13;
Here is a record to look back upon. Nearly one&#13;
MUSIC PUBLISHERS AND THE SOCIETY'S hundred years, during which time the publisher has&#13;
AGREEMENT.&#13;
obtained the assignment of the composer's sole&#13;
rights. It is indeed a glaring example of the&#13;
ignorance of some owners as to the value of their&#13;
COME stir has been made and is still being own property.&#13;
made in the musical trade papers in regard - The Society of Authors may understand the production&#13;
to the agreement that was settled by the of books, but music is a very different thing—the author of&#13;
Copyright Sub-committee of the society with a book may spend months or years over the MS., but many&#13;
Messrs. Stainer &amp; Bell, and approved by the&#13;
ner &amp; Bell. and approved by the&#13;
composers could&#13;
composers could write a dozen pieces a day.'&#13;
committee of management.&#13;
This publisher does not affirm that the Authors'&#13;
It is not a perfect agreement, as was explained Society does not understand the question of the&#13;
in the May issue of The Author.&#13;
production of music, for he could not do so, but he&#13;
But to such an extent is it in advance of the carefully suggests that conclusion in his curiously&#13;
present antiquated documents which most music ungrammatical sentence.&#13;
publishers delight to issue, that the committee No publisher of books or music will ever be&#13;
had no hesitation in accepting its terms and found to allow that the Authors' Society knows&#13;
recommending them to those composers who are anything about the publication of books or music&#13;
members of the society.&#13;
or the value of the property of writers or composers,&#13;
&#13;
&#13;
## p. 46 (#72) ##############################################&#13;
&#13;
46&#13;
THE AUTHOR.&#13;
vet there is clear eridence every day in the work ENGLISH WRITERS AND JOURNALISTS&#13;
of the society that it is not so ignorant as the&#13;
IN GALICIA (SPAIN).&#13;
publishers would delight their public to think.&#13;
The remark of the publisher quoted referring to&#13;
BY JAMES BAKER, F.R.G.S.&#13;
authors and composers might be reversed with&#13;
equal truth. It is no argument for or against the&#13;
M HE aim of the “International Associations&#13;
agreement which has been published.&#13;
1 of the Press” is to spread a knowledge of the&#13;
Another publisher states that if a composer&#13;
conditions of journalistic life and work in all&#13;
assigns his copyright subject to a royalty he will&#13;
lands, and to strive for a betterment of these con-&#13;
get larger sales than if he enters into a publishing&#13;
ditions. To work effectively for this aim, it is&#13;
agreement on the royalty basis, only giving a necessary to knoir the life and language of the&#13;
licence to publish, because " the publisher will do people of other countries. It is to gain this know-&#13;
all he can to increase the value of his copyright.”&#13;
ledge that the members of the British International&#13;
The inference left with the reader is that the Association of Journalists have accepted invitations&#13;
publisher will treat composer No. 2 with but scant to visit other countries. Accordingly the writer&#13;
courtesy and fairness, as he has not thought fit to was glad to receive an invitation from some of the&#13;
make himself the publisher's servant. It is a principal residents in Galicia, asking him to arrange&#13;
candid and damaging confession.&#13;
à visit of twenty-one members to the Galician&#13;
But perhaps the most curious letter of all is one Province of Spain.&#13;
issued from an important firm, and published in&#13;
Most of those who joined the Booth S.S. Hilary&#13;
the Music Trades Review of September 15. In that were journalists who were experts in special sub-&#13;
the firm has passed beyond argument. In this case jects, and it was remarkable how almost daily each&#13;
that saying might be quoted, so aptly applied by member had some interesting item of his subject&#13;
Lord Beaconsfield to a political opponent, “that&#13;
brought before him.&#13;
petulance is not sarcasm, nor is insolence invective." At Vigo the first step in Galicia was made, and&#13;
It is impossible to think that letters of this kind&#13;
here, as indeed at all other places, the party was&#13;
can do the writers any good or Messrs. Stainer &amp; received by the dignitaries of the province and&#13;
Bell, against whom they are written, any harm. town, and the ladies were presented with choice&#13;
It would appear from a careful perusal of the bouquets. The president and the vice-president&#13;
whole correspondence, that the publishers either of the Galician Tourist Society, Señors Oya and&#13;
in ignorance fail, or wilfully do not desire, to grasp&#13;
Barreras, at once took charge of their guests, and&#13;
the importance of the position adopted by the proved indefatigable in their efforts, for these&#13;
composers.&#13;
Spanish gentlemen spoke English perfectly.&#13;
If they do not think that the composers are in What a surprise was Galicia in August! Not a&#13;
real earnest in raising these points, it is for the dried-up land ; but one of rich valleys, grey rocky&#13;
composers to show them that they are mistaken. mountains, and wooded hills. As one motored&#13;
Let the composers combine, and by a united front away from Vigo to Mondariz, what a sharp con-&#13;
force the publishers to recognise the great issues at&#13;
trast the scenery gave ! - palms and vines, heath&#13;
stake. The composers, backed by the society, are not and maize, blackberry bush and mimosa grores.&#13;
asking for anything unreasonable ; that this is the Dartmoor with its tors, and Greece with its silver-&#13;
case, the attitude of Messrs. Stainer &amp; Bell, the grey bills and deep blue bays. At Mondariz the&#13;
publishers, attests. They do not desire to rob the idea that hotels in Spain are all bad was demolished ;&#13;
publishers. All they ask is an equitable control of here was a palace, and in the ball-room the party&#13;
their own property.&#13;
was received by the Señors Peinador and a brilliant&#13;
It is not infrequently the case that the public group of notables. “God Save the King” and&#13;
and the individual who have been allowed the use the Spanish Royal March were played, and Mr.&#13;
of other's property for a long time, impudently Campion, chairman of the delegation, and the hon.&#13;
assert that it is their own. Many examples there&#13;
secretary responded.&#13;
are in history, and in history generally the strongest&#13;
Mondariz and its vicinity proved full of the&#13;
has succeeded.&#13;
charms of pastoral scenery, archæological problems,&#13;
Let the composers, then, show that they are the and mediæval history. The great feast of the&#13;
stronger party, and then they will succeed, backed Virgin del Carmen was a picturesque scene of&#13;
with the knowledge that justice is also on their peasants' devotion and gaiety, a strange mingling&#13;
side.&#13;
of prayer and dance to the drone of bagpipes and&#13;
tap of drum. Lastly, a Salve Regina was sung&#13;
before the bishop and monsignori clad in rich&#13;
vestments, while the peasants in many colours, and&#13;
the beau monile of Madrid, all bearing lighted&#13;
&#13;
&#13;
## p. 47 (#73) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
47&#13;
candles in the procession, formed a veritable scène population gave a hearty welcome-army and navy,&#13;
d'opéra.&#13;
Alcalde and councillors, and the “fashion " of&#13;
From Mondariz, again in motors, the members Corunna, never forgetting the courteous Pressmen,&#13;
were conducted through a richly varied country, who arranged so much, and so assiduously aided a&#13;
first to Pontevedra, the town where the ship of better understanding of the local history and&#13;
Columbus, the Santa Maria, was built, and customs. The grave of Sir John Moore, the house&#13;
where the churches of the eleventh to the six- in which he died, and other places connected with&#13;
teenth centuries were intensely interesting ; and the famous campaign, were full of interest. Then&#13;
then to sylvan Lerez, a town famous for its rich the hosts of Corunna motored their guests to&#13;
mineral springs, where the party was received Ferroll, where the dockyard authorities and the&#13;
with flowers and music, and the vivas of the English firms who are building the new Spanish&#13;
crowd.&#13;
navy received them. Quitting northern Galicia&#13;
From Pontevedra a run was made inland and they made for Vigo, whence had emanated so&#13;
along the sea coast, to the island of La Toja. All much organisation for the tour ; here there were&#13;
the motors halted at the entrance to the new fresh delights—courtesies from Alcalde, council and&#13;
bridge, some 400 met. long, linking the island to other authorities, and from the Marquise Merced&#13;
the mainland, which the members of the British del Paso at her castle of Montreal at Bayona. It&#13;
International Association of Journalists were to was with regret that the party bade good-bye to&#13;
open. On the island is a vast palace of an hotel, their friends of Galicia ; much had been learnt-&#13;
and an extensive series of baths both for rich and the developments under great difficulties, the gay,&#13;
poor. The waters here are of the greatest value yet hard lot of the peasants. Surely with such men&#13;
for skin and other diseases. All Galicia makes to guide her, there is a great future in store for&#13;
holiday in August. Here the local regattas with Galicia.&#13;
twenty-four-oared fishing boats and the peculiar&#13;
little sailing boats, Gallegan singers, and peasant&#13;
dances and fireworks, afforded entertainment. The&#13;
THE INSPIRATION OF POETRY.*&#13;
Galician loves fireworks.&#13;
Fortunately, cool rains and fresh breezes brought&#13;
alleviation from the heat, otherwise the work M ais book is warrantably, even appropriately&#13;
before the members, with Señor Barreras to goad I named. The first chapter is entitled " Poetic&#13;
them on, might have been too much. It was in rain Madness," the last “ Inspiration,” and in one&#13;
that they steamed round the island of Cortegada, as in the other the subject is not shirked or eyaded,&#13;
which is soon to become the Osborne of Spain. but discussed. The discussion takes the form of&#13;
From here a salute of homage was sent to their marshalling the testimony of the poets, and the&#13;
Majesties the King and Queen of Spain, and at author's point of view is determined by his faith in&#13;
Santiago a gracious reply was receired saying that the reliability of the evidence massed, and amounts&#13;
their Majesties were deeply touched by the salute to remonstrance against the attitude, based on&#13;
and homage.&#13;
“ academic, second-hand practice," which would&#13;
At Santiago-as everywhere-there was a warm “ deny reality to the poet's experience.” These&#13;
welcome; the Press of the district, the learned chapters form a reminder of the constituent ele-&#13;
Canon Eijo, Señor Don Oviedo, and the Alcalde ments of the waters at the fountain head of&#13;
and councillors formally gare a greeting to the inspiration. The elements are the emotional and&#13;
party. Three-and-a-half days were spent in this the intellectual, or, as Nietzsche synonymised them,&#13;
vondrous city. So closely is it linked with English the Dionysiac and the Apollonian. Without over-&#13;
history that the writer, speaking at the Ajunta- looking Apollo's share, the Dionysiac portion is&#13;
miento, was able to give for the year 1395 the brought into greater conspicuousness than it has&#13;
pames of the ships leaving Hartlepool, Dartmouth, appeared for a long time in such studies. From&#13;
Newcastle, and, above all, Bristol, with pilgrims his definition of the poet as “under excitement,&#13;
for Santiago ; no less than 660 pilgrims sailed presenting the phenomenon of a highly developed&#13;
from Bristol alone.&#13;
mind working in a primitive way,” Mr. Woodberry&#13;
The churches, chapels, and hospitals, are full of is led into speculations on the history of emotion.&#13;
wondrous detail, and the Cathedral and Church of as a result of which he suggests the theory that the&#13;
San Martin demanded lengthened study. The emergence of man from the brute stage of life was&#13;
swinging of the great cepser is an exciting and accompanied by an outburst and increase of&#13;
strange rite, only gone through three times a year, emotional power, and he considers it plausible that&#13;
but the visit was timed to see it. .&#13;
-----&#13;
After leaving mediaval Santiago the party ran "The Inspiration of Poetry," by George Edward&#13;
northward to Corunna, where the whole of the Woodberry. New York: The Macmillan Co.&#13;
&#13;
&#13;
## p. 48 (#74) ##############################################&#13;
&#13;
48&#13;
THE AUTHOR.&#13;
such emotion was a main condition of the gradual&#13;
advent of intellectual life.&#13;
In the other chapters the general remarks illustra-&#13;
tive of that passion and power of life in which&#13;
poetic energy consists are applied specifically to&#13;
Marlowe, Camoens, Byron, Gray, Tasso and&#13;
Lucretius. The writer is aware of the apparent&#13;
inconsistency of Gray's position in such company;&#13;
contending nevertheless, that though the work of&#13;
minor poets be in low relief, yet, if the theory is&#13;
sound, they should show in their degree the traits&#13;
of the grand style. The essay in itself is excellent,&#13;
but the advisability of inserting it here without&#13;
fuller explanation is open to doubt, as it ushers in a&#13;
question separate from, albeit related to, the main&#13;
thesis.&#13;
The author's assignment of the poets treated to&#13;
their places in literature is marked by catholicity&#13;
of taste, breadth of scholarship, and an almost non-&#13;
chalant, logical, if not irrefutable reasoning which&#13;
lifts them from their traditionally allotted niches&#13;
and insists upon their association with other regions.&#13;
mental or physical, with which heretofore they have&#13;
not been sufficiently identified. One of the most&#13;
brilliant instances of this important characteristic&#13;
of Mr. Woodberry's criticism is the skilfully sus-&#13;
tained assertion of the fourth chapter : “It is an&#13;
error to think of Byron as an English poet. ...&#13;
He was rather a poet of the Mediterranean world.&#13;
There he found the main material of his works—&#13;
the motive, the stage, the incidents, and the inspira-&#13;
tion ... the scene of bis imagination ranging&#13;
from the Straits of Gibraltar to the Golden&#13;
Horn."&#13;
At the best the drawbacks and hindrances were&#13;
serious: there was, firstly, the drawback of the&#13;
patron, which as likely as not turned the author&#13;
into a miserable whining tout ; but next, the draw-&#13;
back of the Star Chamber, which might bring the&#13;
unfortunate author to the torture-chamber or the&#13;
prison ; and thirdly, the bitter monopolies of the&#13;
Stationers Company and the publishers.&#13;
The first chapters deal with the evils of the&#13;
system of patronage, and many examples from&#13;
contemporary writers are given of their unhappy&#13;
lot.&#13;
The whole picture would be contemptible if it&#13;
were not at the same time so sad. There were one&#13;
or two notable exceptious, in which the author was&#13;
treated as friend, but generally he was handled worse&#13;
than his master's dog. If, however, the author tried&#13;
to be of free and independent spirit, that spirit was&#13;
most probably crushed out of him by the official&#13;
censors. These are dealt with in the second&#13;
chapter.&#13;
The most serious of these was the Privy Council&#13;
and the Star Chamber. To breathe a word against&#13;
their ruling was as likely as not to bring down&#13;
their powers to crush the unfortunate. It no&#13;
doubt took some real courage on the part of Milton&#13;
to write his “ Areopagitica," courage which the&#13;
presentgeneration is inclined to undervalue as&#13;
they read his perfect and easy periods.&#13;
There were a host of informers ready to prove&#13;
that treason and sedition lurked in the most simple&#13;
of statements and the most innocent allusions.&#13;
Heresy was a frequent cause of complaint.&#13;
Political topics were most risky. It was dangerous&#13;
for the philosopher or the man of science or the&#13;
scholar to put his learning before the public lest&#13;
he should be arraigned and fined or tortured. It&#13;
was indeed difficult for Christian to arrive at the&#13;
Promised Land, for there were other censors still&#13;
lurking, and if the author passed these the&#13;
monopolies of Stationers' Hall or the publishers&#13;
ruined him.&#13;
It was little use to get £2 or £3 for a&#13;
pamphlet if you had to pay £50 or £100 fine.&#13;
- Dramatists appear to have had rather more&#13;
freedom, but their pay was miserable, and even if&#13;
their works were produced under the highest&#13;
patronage, the risk remained.&#13;
All the horrors of this hand-to-mouth existence&#13;
are vividly put forth, in many instances from the&#13;
mouths of the authors themselves.&#13;
But the other sides of the literary profession are&#13;
also dealt with lucidly, and show the result of&#13;
careful research. Methods of advertisement,&#13;
methods of publication, prices, theatrical takings,&#13;
and book earnings. It is all a sordid tale.&#13;
Lastly, the author has to explain the many&#13;
supplementary means of livelihood employed by&#13;
THE LITERARY PROFESSION IN THE&#13;
ELIZABETHAN AGE.*&#13;
BOOK dealing with the literary profession&#13;
A must always be of interest to followers of&#13;
that profession, and therefore to members of&#13;
the society.&#13;
But the literary professor in the Elizabethan&#13;
Age is perhaps more interesting than at any other&#13;
period, because at that time the birth of printing&#13;
was bringing into existence new possibilities,&#13;
wonderful and far-reaching, and—in the opinion of&#13;
those in authority-full of fearsome and startling&#13;
dangers. Men were beginning to live by their&#13;
writings without the aid of any other profession;&#13;
but at the best it was a poor livelihood. The&#13;
dramatists seem to have had slightly the best of&#13;
it, but that is not to raise the standard too high.&#13;
* “ The Literary Profession in the Elizabethan Age," by&#13;
Phoebe Shearyo, D.Litt. Published by the Manchester&#13;
University Press.&#13;
&#13;
&#13;
## p. 49 (#75) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
49&#13;
with inscriptions, knocked down at the same sale&#13;
for £101, having sold in July, 1908, for £270.&#13;
As the preface points out, the present is a bad&#13;
time for selling rare books, and a good time for&#13;
purchasing them. “ Rare and expensive books&#13;
have, in common with others of less interest,&#13;
fallen very considerably in value as a whole."&#13;
dramatists and authors in order to make both ends&#13;
meet.&#13;
Dramatists took shares in other theatrical&#13;
ventures, some even shares in the house, i.e., the&#13;
theatre itself. Some werc salaried by patrons.&#13;
While authors of books went into the professions&#13;
of clergymen, tutors private and at the Universities,&#13;
or schoolmasters.&#13;
The book has undoubted claims not only on all&#13;
those who write, but also on all those who read.&#13;
It is as well that those who have received at times&#13;
infinite relaxation from the highest literature,&#13;
should know with what heartburnings, from what&#13;
misery, amid what sordid surroundings their&#13;
pleasure has been manufactured.&#13;
CORRESPONDENCE.&#13;
BOOK-PRICES CURRENT. VOL. XXIV.&#13;
NO. 5.&#13;
T HIS is the concluding number of the 24th&#13;
1 volume of “Book-Prices Current," and, as&#13;
usual, contains in addition to very full general&#13;
Index, a preface in which will be found interesting&#13;
remarks respecting the sales of the season 1909-&#13;
1910. The sales recorded are those from June 15,&#13;
1910, to July 29, 1910, inclusively. Authors will&#13;
probably find particularly interesting Sotheby's&#13;
sale (July 18, etc.), which included a large pro-&#13;
portion of belles lettres, as well as many books&#13;
which seldom turn up. At Sotheby's sale, June 16&#13;
and 17, Burns' original holograph MS. draft of&#13;
his letter to William Pitt, entitled “ Address of&#13;
the Scottish Distillers,” fetched £190 ; and at a&#13;
sale by the same firm on July 26 another letter of&#13;
his £235. At the same sale of June 16 the first&#13;
Aldine edition of the “ Terze Rime” of Dante, the&#13;
first Aldine, showing the well-known anchor, sold&#13;
for £6 58. Collections, in the one case of eighteen&#13;
and in the other of sixteen publications, of the&#13;
Kelmscott Press were offered on June 18 and&#13;
July 21 respectively by Sotheby. The preface&#13;
remarks that an unusually large proportion of&#13;
collections of books has been a feature of this&#13;
season's sales. The Ruston sale (Sotheby, July 21-&#13;
22) included a number of ancient MSS. from the&#13;
Abbatial Library of Waltham Holy Cross, and the&#13;
Monastic Library of St. Edmundsbury. The sale&#13;
(Sotheby, July 21) for £38 of a copy of the first&#13;
edition of Edward Fitzgerald's “ Omar Khayyam,”&#13;
wanting the brown covers, will attract the notice&#13;
of those who remember that Mr. Quaritch at one&#13;
time found it difficult to persuade the public to&#13;
purchase the work. An opposite phenomenon is&#13;
presented (Sotheby, July 16-17) by " Purchas his&#13;
Pilgramage," 3rd edit., 1617, presentation copy&#13;
THE PENSION FUND.&#13;
To the Secretary of the Society of Authors.&#13;
DEAR MR. THRING,— Will you kindly convey&#13;
to the Chairman and committee of the Authors'&#13;
Pension Fund my heartfelt thanks for their generous&#13;
award to me, the wording of which touches me&#13;
deeply, viz., that it is "the only recognition in&#13;
their power, of my long services to literature and&#13;
high example of sincerity and sound work." Pray&#13;
assure them that I look upon this pension as an&#13;
honour that gladdens my autumn of life, besides&#13;
also a handsome staff that will greatly help me on&#13;
the remaining stages of my road. For, however&#13;
hopefully in mind I begin to discern the Gate&#13;
looming nearer ahead, it is undeniable that declining&#13;
strength of body makes my work less a happiness&#13;
and more weight added to that of increasing years.&#13;
For some time past the wish has been in my&#13;
mind to help other writers like myself. To this&#13;
end I destined certain earnings, some £600 in&#13;
capital. It now seems to me that if the Authors'&#13;
Pension Fund would see fit to accept this as a gift,&#13;
allowing me the interest during my lifetime, I&#13;
should joyfully hand it over to them now, instead&#13;
of bequeathing it later.&#13;
The Society has so often been of help to me, and&#13;
I number so many of its members among my&#13;
friends, that I trust this small gift may be accept-&#13;
able, and accepted by them as a token of true&#13;
sympathy, and in gratitude for their most kind act&#13;
of comradeship.&#13;
Once more thanking the committee,&#13;
Believe me,&#13;
Yours sincerely,&#13;
May CROMMELIN.&#13;
THE EDITORIAL ATTITUDE.&#13;
1.&#13;
DEAR SIR,--I should like to add one or two&#13;
experiences to those related by “A Contributor "&#13;
which called forth “The Editorial Attitude."&#13;
&#13;
&#13;
## p. 50 (#76) ##############################################&#13;
&#13;
50&#13;
THE AUTHOR.&#13;
The editor who wrote the latter, remarks, “The himself in the bankruptcy court or a lunatic asylum.&#13;
waiting for years' notion is far from being any. It was by sheer chance Hardy stuck to a profession&#13;
thing like the rule, sporadic cases notwithstanding, that carried him to the top of the tree ; and we all&#13;
and with it may be bracketed the notion that know the history of Meredith and his works.&#13;
editors publish contributions and try to wriggle We must not kick against the pricks. I hare,&#13;
out of paying for them. I am writing of respon- myself, lately had the MS. of a book returned to&#13;
sible editors of established journals."&#13;
me with a most courteous refusal to publish. And,&#13;
The experiences I refer to are as follows:-&#13;
from a like courteous explanation, it is clear the&#13;
(1) I was asked by an editor to write a short book has not been read-possibly because I told&#13;
story, and did so. He received it two years ago. the publisher in question that, if successful, it&#13;
It is yet unpublished. I wrote in March last to would be read by four people and four people only&#13;
complain, and got a reply to the effect that the in England. But what complaint have I ? Some&#13;
editor had been changed and the story mislaid. publishers don't produce books for my benefit bat&#13;
(2) Another editor accepted a story in January, for their own : even the skilled labourer who is&#13;
1909, but it is still unpublished.&#13;
honest but starving has no right to demand&#13;
(3) I sent an article to a paper ; the article was employment from any capitalist.&#13;
published, but no proof was sent to me, and no And our revered clients, the public ? I will&#13;
payment was made. Several months afterwards I describe for the benefit of “On-looker” an interest-&#13;
learned of the publication, wrote for my fees and ing little experiment that he may try with certainty&#13;
received them. A little later the same paper published of success-I have tried it more than once and&#13;
another article in the same way ; I kept a look-out, never failed. Let him take any more or less&#13;
saw the article, waited another month, and then unknown passage from some established romance&#13;
wrote asking for payment.&#13;
writer and read it to a chance audience with an&#13;
The three papers referred to are all well known, expression of contempt. All those who don't&#13;
and the names are enclosed for the benefit of the recognise the author will agree with him that what&#13;
editor of The Author, who can show them to he has read is “rot."&#13;
“ Editor" in confidence, if he thinks desirable. Publishers have not to deal with reasonable&#13;
Yours faithfully,&#13;
customers ; we all-except myself and you who&#13;
ERNEST Young, read-think under the gouvernance of authority&#13;
and preconceived ideas. The Protestant, the&#13;
Roman, the Unitarian, the Materialist—all, under&#13;
the influence of preconceived ideas, see contradictory&#13;
aspects of the same one thing they regard. If&#13;
SIR,_" On-looker" in his paper going to prove drivel were possible from a Kipling his worshippers&#13;
that editors “do not read the manuscripts of would adore it as the supreme ; if the supreme were&#13;
unknown men" might perhaps have used for argu- presented to us from an unknown writer we should&#13;
ment the early history of the MSS. of “Vanity require the guidance of authority to imbue us with&#13;
Fair," “ Jane Eyre,” “ Vice Versâ” and, doubtless, preconceived ideas before we could worship it as we&#13;
many others.&#13;
ought.&#13;
The fact is that any well-established firm of Let no one complain that publishers are trades-&#13;
publishers is one which is skilled in making money men ; if they were not tradesmen, and successful&#13;
by the publication of books, and any book by an tradesmen, they could not continue to exist.&#13;
established author gives almost a certainty of profit, Personally, I have the greatest admiration for&#13;
while the best of books by an unknown man may trade. And let every writer remember, too, that&#13;
fall dead from the press. James Payn, to whom if he choose he can, even as a novelist, be a suc-&#13;
* On-looker” refers, proved this. He wrote two cessful tradesman, as no few prove.&#13;
novels ; one, with advice, he decided was by far B ut if he respect himself as an artist let him&#13;
better than the other. The former he had published remember, too, that the crown of poverty&#13;
anonymously : it fell dead from the press. The and ignominy honest artists, like the author&#13;
latter had the success to be expected of a book of “ The City of Dreadful Night” and Clarence&#13;
published under his name. When a writer has Maugan attained to, is a thousand times better&#13;
established a reputation, then sheer drivel from his worth having than the crown of present and passing&#13;
pen will, for awhile, be read with pleasure and pay social and monetary success which, as tradesmen,&#13;
the publisher. This fact publishers who object to we hanker after. If any writer gamble for personal&#13;
bankruptcy must take into consideration. On the success he must not complain of the rules of the&#13;
other hand, should anyone of them, neglecting the table ; he chooses his own table. If he be a pure&#13;
travlesman's view, publish books only because they artist-an investor, not speculator-he can sit down&#13;
constitute sound literature, he would shortly find cheerfully to bread and cheese in his half-a-crown-&#13;
II.&#13;
&#13;
&#13;
## p. 51 (#77) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
51&#13;
a-week room and write for God and his fellowmen.&#13;
There will be no result. Why should there be? It&#13;
is in honest striving, not in fulfilment, that we&#13;
manifest the spiritual in us.&#13;
F. C. CONSTABLE.&#13;
work which has undergone any revision or altera-&#13;
tion,” then the only objection seems to be in the&#13;
definition of the term, and the term must be altered&#13;
to the word “issue,” which he suggests in his&#13;
letter ; but the fixing of a unit seems to be not&#13;
only practicable but essential. Mr. Hubert Haes&#13;
further says in his letter, “it really does not&#13;
matter to the public how many copies constitute&#13;
an edition or issue.” On this point I beg to take&#13;
exactly the opposite view.&#13;
Yours faithfully,&#13;
ONE INTERESTED.&#13;
THE ACADEMIC COMMITTEE.&#13;
SIR,--I looked in vain hope in last month's&#13;
issue of The Author for some comment on the&#13;
newly-constituted Academic Committee.&#13;
If the Times is correct in stating that its object&#13;
is “ to represent pure literature in the same way&#13;
that (sic) the Royal Academy represents the fine&#13;
arts, the Royal Society science, and the British&#13;
Academy learning," then a most disastrous start&#13;
has been made in the selection of the twenty-seven&#13;
original members.&#13;
How many of these can be accepted unchallenged&#13;
as workers in “pure literature" as apart from&#13;
“ learning"?&#13;
Pure literature, per se, has nothing to do with&#13;
historical or pre-historical research, or the evolution&#13;
of a language, though it may contribute to both.&#13;
It is noticeable also that many of the learned&#13;
members whose interests are literary are critics and&#13;
commentators of dead authors rather than creators&#13;
or appraisers of living literature, and they are not&#13;
likely to inspire confidence in the proposed awards&#13;
to be made to aspiring authors.&#13;
Is the claim of many foreign critics to be proved&#13;
once and for all time true, that the Anglo-Saxons&#13;
have no art, and that the seeming exceptions which&#13;
might prove the contrary are due merely to&#13;
ebnliitions of Celtic or Latin blood ?&#13;
Our possession of Shakespeare without a single&#13;
permanent répertoire theatre where his works may&#13;
be seen is surely huge joke enough, without a new&#13;
academy composed of worthy professors.&#13;
Yours, etc.&#13;
WAYFARER.&#13;
CO-OPERATIVE PUBLISHING.&#13;
I.&#13;
SIR,—It is not without amusement that I have&#13;
read in the October number of The Author the&#13;
letter signed “ D. F." with regard to “ Co-operative&#13;
Publication.” I should like to say that I think it&#13;
would be an unwise thing for the society to have&#13;
any interest whatever in any business concern.&#13;
It might prevent the officials of the society from&#13;
dealing in an independent fashion. They might&#13;
feel bound to bolster up the society's own publish-&#13;
ing venture. Even if this was not the case, those&#13;
who were anxious to find fault with the society&#13;
would always claim that the action and dealings&#13;
of the society must be biassed if it was connected&#13;
in any way with a publisher's or agent's business.&#13;
I do not in any way agree with what your corre-&#13;
spondent states about Mr. Thring's advice and the&#13;
dictatorial position of publishers. I have found&#13;
Mr. Thring's advice very useful and have found&#13;
publishers willing to alter their agreements in&#13;
order to meet the authors. I cannot say about&#13;
other authors, but personally I have never been&#13;
“ black-balled” by a publisher although he has&#13;
known of my connection with the society. Indeed,&#13;
if the publishers took it into their heads to “ black-&#13;
ball ” all those who were members of the Society&#13;
of Authors, there would be very few authors for&#13;
whom they would be able to publish.&#13;
Yours faithfully,&#13;
MIDDLE-CLASS.&#13;
THE UNIT OF AN Edition.&#13;
SIR, -The letter under the signature of Mr.&#13;
Hubert Haes in your last issue dealing with the&#13;
* Unit of an Edition” is interesting, but the&#13;
suggestion that it is impracticable to obtain such&#13;
a upit seems to me absurd. What reason makes&#13;
it impossible, if the unit was fixed at 1,000, if&#13;
500 were published to say " half an edition pub-&#13;
lished,” or “ quarter of an edition published"&#13;
if 2.30 were published, or if 20,000 were published,&#13;
“twenty editions"? If Mr. Hubert Haes inter-&#13;
prets the term "edition” as “every issue of the&#13;
II.&#13;
SIR,—The subject of co-operative publishing, on&#13;
which there has been some correspondence in The&#13;
Author, is of surpassing interest to writers who,&#13;
having adopted the usual methods of publication,&#13;
have found themselves out of pocket by the trans-&#13;
action, or, after the lapse of many months, in receipt&#13;
of an exiguous remuneration for their labour.&#13;
I gather from the letter of “ D. F.” in your last&#13;
issue that he proposes that the Incorporated&#13;
&#13;
&#13;
## p. 52 (#78) ##############################################&#13;
&#13;
52&#13;
THE AUTHOR.&#13;
Society of Authors should set up a publishing who have found by experience “that to get&#13;
business for the benefit of such of its members as Mr. Thring's kindly and admirable advice is one&#13;
might prefer to issue their works through the thing, but to get the slightest alteration in a&#13;
society rather than through a private firm of publisher's dictatorial proffer is wholly another," I&#13;
publishers. It is, I fear, only too clear that, as beg to say that co-operative publication in some&#13;
“D. F.” says, the society, although giving the form seems to me to offer almost the only issue&#13;
most admirable advice to authors in regard to the from the impasse in which authors who necessarily&#13;
agreements they should enter into with publishers, appeal to a restricted circle of readers frequently&#13;
can bring no influence to bear on the latter in find themselves. To this class belong the majority&#13;
order to induce them to accept fair instead of writers even on popular science and philosophy,&#13;
of unfair agreements. Authors who have not and practically all those whose works on either&#13;
“arrived” are as completely at the mercy of subject are technical. Either they must sign a&#13;
publishers as they were before the society was hopelessly unsatisfactory contract or they must&#13;
founded.&#13;
forego publication. It is a painful dilemma, and&#13;
If, as is probable, the society is incorporated I cannot but think the suggestion of co-operative&#13;
under the provisions of the Companies Acts publication is worthy of consideration. It is&#13;
relating to associations formed for the advance- possible also that by a carefully-thought-out&#13;
ment of art, science, etc., and not for profit, then scheme of the kind, the swamping of works of real&#13;
“D. F.'s” proposal could not be carried out but not catch-penny merit might become less&#13;
unless the society were reconstituted as a limited common than, according to the confession of most&#13;
company.&#13;
publishers, it now is. The business of publication&#13;
A preferable course, I think, would be for the is bound to have a pronounced commercial aspect,&#13;
society, after being assured by competent advisers but it is not the only one in which it should be&#13;
that a young author's work possessed distinct regarded.&#13;
merit and was likely to prove a success, to defray&#13;
I am,&#13;
the cost (or some portion thereof) of printing and&#13;
Yours faithfully,&#13;
preparing it for publication on agreed terms as to&#13;
repayment, and to leave the author to circulate the&#13;
book as best he could.&#13;
An instance has just come to my knowledge of&#13;
COPYRIGHT IN PHOTOGRAPHS.&#13;
a young writer who printed, at small cost to him- SIR,—The question of copyright must be looked&#13;
self, a very short poem. The poem had undoubted at, not only from the personal point of view, but&#13;
merit, though it was of a kind that appealed to a also from the point of the advance of knowledge.&#13;
limited class of readers. The author also printed The real test of private rights should be that&#13;
a simple but attractive leaflet which, with the the probable profits of the author should not be&#13;
assistance of his wife, he addressed and posted to reduced. To uphold an entire right over every&#13;
friends and likely customers. He also sent copies photograph for about eighty years, outside of every&#13;
of the poem to various papers with some of which expected profit, is a detriment to knowledge,&#13;
he had a slight journalistic connection. The without any reasonable gain.&#13;
result bas so far been satisfactory. The total To give an instance, many continental writers&#13;
amount of cash received has of course been small, desire to use one or two illustrations from books of&#13;
but it has repaid the entire cost of printing and my own; one man took nearly half his illustrations&#13;
publication, with a fair margin of profit. The from me without asking. I raise no objection, as&#13;
poem has been well reviewed, and the author has it is all for the good of science. But when I want&#13;
established communications with quarters which to use only a few portions of photographs made by&#13;
give promise of remunerative literary employment Germans, I am met with copyright claims that bar&#13;
in the future.&#13;
the use, which could not in any way detract from&#13;
I shall be glad to have your views and those of their expected profits. Why should a newspaper&#13;
your readers on the prospects of this mode of be allowed for profit to pick the plums of a new&#13;
publication on a larger scale.&#13;
book in extracts, while for scientific publications&#13;
Yours faithfully,&#13;
not a single detail may be used from a photograph&#13;
CRUX. without payment? The benefit to the photographer&#13;
would be safeguarded by allowing not more than&#13;
ten per cent. of material in any book to be from&#13;
III.&#13;
copyright illustrations. No one could then pirate&#13;
SIR,—I have read with interest and sympathy a work, or interfere with its sale.&#13;
“D. F.'s ” letter on co-operative publication in the&#13;
Yours faithfully,&#13;
October issue of The Author. As one of those&#13;
GIVE AND TAKE.&#13;
&#13;
&#13;
## p. 52 (#79) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
THE LITERARY YEAR BOOK.&#13;
.. A Library of Humour is a boon both to the busy&#13;
worker and to the man or woman of leisure.&#13;
The finest Library of Humour in the World is&#13;
PICTURES FROM “PUNCH”&#13;
Four Handsome Yolumes,&#13;
Two Thousand Pages,&#13;
Four Thousand Pictures.&#13;
AII the illustrations in “Pictures from&#13;
• Punch" are reproduced in the original&#13;
size without any reduction whatever.&#13;
They can be sent to you (carriage paid), bound&#13;
in cloth, for 40s., or bound in a remarkably rich&#13;
half-morocco binding, at 55s.&#13;
Address: THE SECRETARY, “ PUNCH” OFFICE,&#13;
10, Bouverie Street, London, E.C.&#13;
Price 6s. net.&#13;
15th Annual Volume (1911) now in preparation, will contain&#13;
about 1,000 pages.&#13;
CONTENTS :-Authors' Directory and Index of Authors;&#13;
Pen-Names and Pseudonyms (new feature); Literary&#13;
and Press Agents ; Typists and Indexers, etc. ;&#13;
Booksellers (town and country); Law and Letters ;&#13;
Libraries; British, American, Canadian. and Indian&#13;
Periodicals, with particulars for contributors, and a&#13;
very complete Classified Index; Obituary; Publishers&#13;
(British, Colonial, Foreign, and American); Royalty&#13;
Tables ; Societies and Literary Clubs (British,&#13;
Colonial, and Foreign); List of Cheap Reprints, etc.&#13;
“An indispensable book of reference for authors and&#13;
journalists." - Daily Graphic&#13;
"Has been so excellently devised as to leave no room&#13;
for improvement."-Birmingham Post.&#13;
“The editor is to be congratulated on an excellent and&#13;
useful production."- Queen.&#13;
"Carefully edited and thoroughly accurate and up-to-&#13;
date."-Dundee Advertiser.&#13;
* Full of the most intoresting information ... that con.&#13;
cerns literary and book-reading people. Immense care has&#13;
been taken in the compilation of this work."-Irish Monthly.&#13;
Literary &amp; Dramatic Typewriting.&#13;
Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Plays, ruled and covered, 1/- 1,000 words.&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased . , . It is beautiful work."&#13;
MRS. TOM GODFREY:"I think you must be a treasure&#13;
trove to all authors who have the good fortune to hear of you ...&#13;
You certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN): “I have never&#13;
met with anything approaching your intelligence, carefulness&#13;
and promptitude."&#13;
RICHARD PRYCE, ESQ.:“The work could not be better&#13;
done."&#13;
LOUIS A. ST. JOHN. L'Isle: Dimond Road, sau&#13;
Bitterne Park,&#13;
Address the Editor, clo&#13;
GEORGE ROUTLEDGE &amp; SONS, Ltd.,&#13;
68-74, CARTER LANE, LONDON, E.C.&#13;
About 2,000 Books Wanted&#13;
TYPEWRITING.&#13;
Authors' MSS. and general typing, 10d. per 1,000&#13;
words (quantity by contract.) Prompt and accurate.&#13;
Trial order not exceeding 3,000 words, 1/4 post free, or&#13;
specimen supplied.&#13;
Mrs. MASON, Easthorpe Rectory, Kelvedon, Essex.&#13;
Are advertised for weekly in&#13;
THE PUBLISHERS' CIRCULAR&#13;
AND BOOKSELLERS' RECORD&#13;
(ESTABLISHED 1837),&#13;
Which also gives Lists of the New Books published&#13;
during the Week, Announcements of Forthcoming&#13;
Books, &amp;c.&#13;
Subscribers have the privilege of a Gratis Advertisement&#13;
in the Books Wanted Columns.&#13;
Sent for 52 weeks, post free, for 108. 60. home and&#13;
135. 68. foreign.&#13;
Specimen Copy Free on application.&#13;
Price TWOPENCE Weekly,&#13;
orfice : 19, Adam Street, Adelphi, W.c.&#13;
WHY NOT&#13;
Have your MANUSCRIPTS typed on the Best Pure&#13;
Linen Paper, the use of which greatly facilitates perusal&#13;
by Editor and Readers, and gives an attractive appearance&#13;
and finish to the work ?&#13;
Brochure Scale of Charges on request.&#13;
ARTHUR CARR, 109a, Knight's Hill, West Norwood, S.E.&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices,&#13;
(Extablished 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
Authors' MSS. 18. 1,000 words; over 40,000, 10d. No unfair&#13;
"cutting" of prices.&#13;
Educated Operators, GOOD PAPER, Standard Machines.&#13;
REFERENCES.&#13;
ESTABLISHED)&#13;
(XVIII. CENT.&#13;
The Wessex Press, Taunton.&#13;
BARNICOTT &amp; PEARCE&#13;
INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
&#13;
&#13;
## p. 52 (#80) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
Opposite the British Museum.&#13;
WITH&#13;
WITH BRAINS.&#13;
THACKERAY HOTEL.&#13;
Great Russell Street, London.&#13;
Near the British Museum.&#13;
KINGSLEY HOTEL.&#13;
exceedingly pread themen great&#13;
Hart Street, Bloomsbury Square, London.&#13;
Every Order I have executed has been followed&#13;
by Repeats. Why?&#13;
My work is always the same-THE BEST.&#13;
Indifferent copy TYPED WELL stands a better&#13;
chance with Editors and Publishers than GOOD&#13;
WORK TYPED BADLY.&#13;
An AUTHOR has sent me the following:&#13;
“Cricklewood, N.W.&#13;
"I am exceedingly pleased with the type-&#13;
written copies. I have read them carefully&#13;
through and consider you have taken great&#13;
pains with the work. Also the type is excel-&#13;
lent. I have had 5 MSS. done and YOURS&#13;
IS FAR THE BEST.&#13;
" I shall certainly remember you when I want&#13;
anything typed.”&#13;
I USE BRAINS AS WELL AS HANDS.&#13;
HIGH-CLASS WORK AT LOW CHARGES.&#13;
I have many Testimonials from Members of the Authors' Society.&#13;
SEND IN ORDER NOW.&#13;
MISS RALLING,&#13;
176, Loughborough Road, LONDON, s.w.&#13;
Passenger Lifts. Bathrooms on every Floor. Lounges&#13;
and Spacious Dining, Drawing, Writing. Reading, Billiard&#13;
and Smoking Rooms. Fireproof Floors. Perfect Sanita-&#13;
tion. Telephones. Night Porters.&#13;
Bedrooms (including attendance), single, from&#13;
3/6 to 6/-.&#13;
Inclusive Charge for Bedroom, Attendance, Table d'Hole,&#13;
Breakfast and Dinner, from 816 to 10/6 per day.&#13;
Full Tariff and Testimonials on application.&#13;
Telegraphic Addresses :&#13;
Thackeray Hotel- Thackeray, London."&#13;
Kingsley Hotel —"Bookcraft, London.”&#13;
MRS. GILL, Typewriting Office,' | AUTHORS &amp; PLAYWRIGHTS.&#13;
(Established 1883.) 35, LUDGATE HILL, E.C.&#13;
Special facilities for placing work of every description.&#13;
Authors' MSS. carefully copied from 1s. per 1,000 Particulars from Manager, Literary Department,&#13;
words. Duplicate copies third price. French and German&#13;
MSS. accurately copied; or typewritten English trans-&#13;
WIENER AGENCY, LD.,&#13;
lations supplied. References kindly permitted to Messrs.&#13;
64, Strand, LONDON,&#13;
A. P. Watt &amp; Son, Literary Agents, Hastings House,&#13;
Norfolk Street, Strand, W.C. Telephone 8464 Central.&#13;
AND TRIBUNE BUILDING, NEW YORK.&#13;
“THE AUTHOR.”&#13;
SCALE FOR ADVERTISEMENTS.&#13;
TYPEWRITING.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
words; in duplicate, 1/- Plays and General&#13;
Copying List and specimen of work on appli-&#13;
cation.&#13;
[ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT...&#13;
...&#13;
...&#13;
...&#13;
***&#13;
***&#13;
Front Page&#13;
Other Pages ... ... ...&#13;
Half of a Page ...&#13;
Quarter of a Page&#13;
Eighth of a Page ...&#13;
Single Column Advertisements&#13;
::::&#13;
**&#13;
...&#13;
...£4 0 0&#13;
... 300&#13;
... ... 1 100&#13;
... ... O 15 0&#13;
... 0766&#13;
per inch 0 60&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
"Miss M. R. HORNE has typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I have nothing&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.-FRANK SAVILE."&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent for&#13;
Twelve Insertions.&#13;
Advertisements should reach the Office not later than the 20th for&#13;
insertion in the following month's issue.&#13;
All letters respecting Advertisements should be addressed to the&#13;
ADVERTISEMENT MANAGER, The Author Office, 39, Old Queen Street,&#13;
Storey's Gatı, S.W.&#13;
MISS M. R. HORNE,&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX.&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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