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                  <text>C be Elut bor.
Monthly.)

(The Organ of the Incorporated Society of Authors.

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StampingMusic
The Reading Branch
The Author"
Remittances
GeneralNotes
Sir TheodoreMartin
U.S. Copyright Code Defects
Copenhagen
The Conference
Uncle Tom's Cabin "...
The Procrastination Happiness Fiction
Certain Practical Matters
Illustrating
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Taste and Style
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Notices
CommitteeNotes
Books published by Members the Society
Books published America by Members
Literary, Dramaticand Musical Notes
Paris Notes
ee
The Smart Set" Publishing Co., Ltd.
Heinemann
Legal Action and Members' Responsibilities
Authors and Income Tax
MagazineContents
&amp;
How
Use the Society
Warnings the Producers Books
Warnings Dramatic Authors
Registration Scenarios
*
Warnings Musical Composers
e.

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CON

1, 1909,

30

OCTOBER

1.

..,...

XX.-No.

of

Wol.

31

The Annual Report for the current year.

18.

the year (August and September omitted), devoted especially
Published ten months
Literary, Dramatic, and Musical Property.
protection and maintenance
Issued
non-members, 6d.,
Back
5s. 6d. per annum, post free.
Price
Members gratis.
10s. 6d. per vol.
numbers from 1892,

of

in

The Author.

(Out

S.

print.)

of

an

by

of

the
3s.

of

Publication
The Contract
LUNGE, J.U.D.
2s. 6d.

of

Copyright Bill
the

Berne

and

With
1890.
Convention,
and the
of

of

1s. 6d.

Action from

its

its

Germany,

1878,

Foundation.

By WALTER BESANT

18.

Austria, Hungary, and Switzerland.

By

in

1888 1892).

of

Committee,

M. LELY.

Record

Lord Monkswell's

Commission

of

By

A

of

Authors.

of

Bill.

J.

American

the

at

G.

to

of

Report

the
Copyright

(Chairman
9.

An Exposition

Extracts from

of

.7

8.

Copyright Law Reform.
The Society

the

by

In

of

in

S.

of

this work, compiled from
SQUIRE SPRIGGE.
Publication. By
agreements proposed
Publishers
the Society's offices, the various forms
account
Authors are examined, and their meaning carefully explained, with
the different clauses therein.
fraud which have been made possible
various kinds
Being additional facts collected
By
HERBERT THRING.
the Above.
Addenda
With comments
the
Methods.
the Society since the publication
the office
2s.
advice.
papers

to

of

of

of

Production.

3s.
18.

The Various Methods

de

.5

The Cost

3.
4.

Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law.
By
SQUIRE SPRIGGE.
Lettres.
the Société des Gens
The History

.6

at

to

or

the

all

to to

2.

.1

PUBLICATIONS OF THE SOCIETY.

ERNST

prices net.

of

List

Apply

Members.

Published

October, 1907, price 6d.

the Secretary, 39, Old Queen

Street,

Storey's Gate,

S.

[All

Authors.

to

12. Society

of

on

1s.

by

G.

Forms

;

of

By
Agreement issued by the Publishers' Association
with Comments.
2nd Edition,
Sir WALTER BESANT.
HERBERT THRING, and Illustrative Examples
Giving the Terms
which the different Magazines
11. Periodicals and their Contributors.
and Periodicals deal with MSS. and Contributions. 6d.

10.

W.]

�ii

ADVERTISEMENTS.

(ſlje Šuriefn of Autburg
UTORIDAD,
Telegraphic

A

Address :

(incorporatº).

Telephone No. : 374 Victoria.

LONDON.

PRESIDENT.

-

TIEHIOIMI_A_S IEHI-A-IBIDTY.

COUNCIL,

SIR ROBERT ANDERSON, K.C.B.
SIRWM.REYNELL ANSON, Bart., D.C.L.
THE RIGHT HON, THE LORD AVE
J. M. BARRIE.
[BURY, P.C.,
SIR ALFRED BATEMAN, K.C.M.G.

ROBERT BATEMAN.
F. E. BEDDARD, F.R.S.
THE RIGHT HON, AUGUSTINE

BIR

RELL, P.C.
MRS. E. NESBIT BLAND.
THE REv. PROF. BONNEY, F.R.S.
THE RIGHT HON. JAMES BRYCE, P.C.
THE RIGHT HON. THE LORD BURGH
CLERE, P.C.
HALL CAINE,
J. W. COMYINS CARR.
EGERTON CASTLE, F.S.A.
S. L. CLEMENs ( MARK TwAIN").
EDWARD CLODD.
W. MORRIS COLLES.
THE HON. JOHN COLLIER,
SIR. W. MARTIN CONWAY.
THE RIGHT HON. THE LORD CURZON
OF KEDLESTON,
D.C.

AUSTIN DOBSON.
SIR ARTHUR CONAN DOYLE.
A. W. DUBOURG.
DOUGLAS FRESHFIELD.
THE HON. MRS. ALFRED FELKIN
(ELLEN THORNEYCROFT FOWLER). .
SIR. W. S. GILBERT.
EDMUND GossE, LL.D.
SYDNEY GRUNDY.
H. RIDER HAGGARD.
MRS, HARRISON ( LUCAS MALET").
ANTHONY HoPE HAwkINs.
.
E. W. HORNUNG,
MAURICE HEWLETT.
JEROME. K. J.EROMF.
HENRY ARTHUR JONES.
J. Scott KELTIE, LL.D.
RUDYARD KIPLING.
SIR EDWIN RAY LANKESTER, F.R.S.
THE REv. W. J. LOFTIE, F.S.A.
THE RIGHT HON, SIB ALFRED
LYALL, P.C.
LADY LUGARD (MISS
FLOBA L.
SHAw).
Chairman MAURICE
DOUGLAS FRESHFIELD.
SIDNEY LEE.
ARTHUR RACKHAM.
G. BERNARD

SIR CHARLES WILLIERS STANFORD,
Mus.

Doc.

WILLIAM MOY THOMAS.
MRS. HUMPHRY WARD.
PERCY WHITE.
FIELD-MARSHAL THE RIGHT HON.
THE WIscount Wolseley, K.P.,
P.C., &amp;c.
SIDNEY WEBB.

S. SQUIRE

SPRIGGE.

FRANCIS STORR.
SIDNEY WEBB.

SHAW.

IDRAMATIC

SUB-COMMITTEE.

ARTHUR JONES.
G. BERNARD SHAW.
ALFRED SUTRO.

FUND COMMITTEE.

PENSION

HAROLD HARDY.
ANTHONY
HOPE HAWKINS,

OWEN SECAMAN,
G. BERNARD SHAW,
G. R. SIMS,
S. SQUIRE SPRIGGE,
FRANCIS STORR.

EIEWLETT.

Wice-Chairman HENRY
Chairman SIR ARTHUR PINERO.
JEROME K. J.EROME.
H. GRANVILLE BARKER.
J. M. BARRIE.
W. J. LOCKE.
CAPT. ROBERT MARSHALL.
R. C. CARTON.
CECIL RALEIGH.
MISS CICELY HAMILTON.

ANSTEY GUTHRIE.
ANTHONY HOPE HAWKINS,

JUSTIN MCCARTHY,
THE REV. C. H. MIDDLETON-WAKE,
SIR HENRY NORMAN, M.P.
SIR GILBERT PARKER, M.P.
SIR ARTHUR PINERO,
THE RIGHT HON. SIR HORACE
PLUNKETT, K.P.
ARTHUR RACKEIAM.

OF MANAGEMENT,

COMMITTEE

SIR ALFRED BATEMAN, K.C.M.G.
MRS. E. NESBIT BLAND.
J. W. COMYNS CARR.
THE HON. MRS. ALFRED FELKIN.
(ELLEN THORNEYCROFT FowlER).

SIDNEY LEE.
MRS. MAXWELL (M. E. BRADDoN).

Chairman MAURICE HEWLETT.
MORLEY ROBERTS,
M. H. SPIELMANN.

MRS. ALEC TWEEDIE,
MRS. HUMPHRY WARD.

COPYRIGHT SUB-COMMITTEE.
E. J. MACGILLIVRAY.

SIR CHARLES
Mus.

SIR GILBERT PARKER, M.P.

Doc.

WILLIERS STANFORD,
.

SIR JAMES YOXALL, M.P.

ART.

THE HON, JOHN COLLIER,
ARTHUR RACKHAM.
JOHN HASSALL, R.I.
J. G. MILLAIS.
M. H. SPIELMANN.
SIR. W. MARTIN CONWAY.
Secretary G.
HERBERT THRING,
FIELD, Roscoe &amp; Co., 36, Lincoln's Inn Fields, W.C.
º º
Solicitor im Emgland to
Solicitors.
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W.
La Société des Gemsde Lettres,
LAWRENCE GODKIN, 30, Pine Street, New York, U.S.A., Counsel in the United States.

OFFICES.

39, OLD

THE FAMILY READER
good

prices for short

Io, ooo words.

QUEEN

STREET, STOREY s

is offering

stories of 5, ooo to

Strong plots with

a

love

interest. Typewritten copy, with price asked,
to the Editor, 35, Surrey Street, Strand, W.C.

GATE, S.W.

AUTHORS AND ARTISTS.
Special facilities for placing work of every description.
Particulars from Manager, Literary Department,

WIENER AGENCY,

LD.,
64, Strand, LONDON,

AND TRIBUNE

BUILDING,

NEW YORK.

�C be
(The Organ of

FOUNDED
Vol. XX.-No.
TELEPHONE

the Incorporated

OCTOBER

:

374

WICTORIA.

TELEGRAPHIC ADDRESS

Society

of Authors.

:

1st, 1909.

[PRICE

e

º-º-º

t-sº-0

HE

OR the opinions expressed in papers that are
signed or initialled the authors alone are
responsible.
None of the papers or para
graphs must be taken as expressing the opinion
unless such is especially stated

THE Editor begs to inform members of the
Authors' Society and other readers of The Author
that the cases which are quoted in The Author are

cases that have come before the notice or to the
knowledge of the Secretary of the Society, and that
those members of the Society who desire to have
the names of the publishers concerned can obtain
-

them on application.

e

º-e

THE SOCIETY'S FUNDS.
t-sº-0

LYROM

time to time members of the Society
desire to make donations to its funds in
recognition of work that has been done for
them.
The committee, acting on the suggestion
of one of these members, have decided to place
this permanent paragraph in The Author in order
that members may be cognisant of those funds to
which these contributions may be paid.
The funds suitable for this purpose are : (1) The
Capital Fund. This fund is kept in reserve in
case it is necessary for the Society to incur heavy
expenditure, either in fighting a question of prin
ciple, or in assisting to obtain copyright reform,
WOL.

XX.

º-e

LIST OF MEMBERS.

NOTICES.

the Committee
to be the case.

SIxPENCE.

or in dealing
with any other matter closely
connected with the work of the Society.
(2) The Pension
Fund. This fund is slowly
increasing, and it is hoped will, in time, cover the
needs of all the members of the Society.

AUTORIDAD, LONDON.

of

Monthly.)

BY SIR WALTER BESANT.

1.

NUMBER

or,

El u t b

List of Members of the Society of Authors,
published October, 1907, can now be obtained
at the offices of the Society at the price of
6d., post free 7#d.
It includes elections to July,
1907, and will be sold to members and associates
of the Society only.
A dozen blank pages have been added at the
end of the list for the convenience of those who
desire to add future elections as they are chronicled
from month to month in these pages.

e

sº-0

PENSION

FUND.

*

N

the 5th of February, 1909, the Trustees of
the Pension
Fund of the Society, after
the secretary had placed before them the
financial position of the Fund, decided to invest
£350 in the purchase of Corporation of London
24 per cent. Stock (1927 57).
The amount purchased is £438 2s. 4d., and is

added to the list printed below.
The Trustees are glad to report that owing to
the generous answer to the circular sent round at
the end of 1908, they have been able to invest
more than £100 over the amount invested last
year.

23%.............................. £1,000

0
0

0

500

Wictorian Government 3% Consoli
dated Inscribed Stock ...............

291.

19

11

War Loan

201

9

3

250

0

0

Consols

Local Loans

..............................

.................................

London and North-Western 3% Deben
ture Stock ..............................

0

�AICTISIOR,
TYHE

of

to

to

is

is

to

of

In

of

to

to

go

to

to

by

of

of

as

E.

at

to

of of

he

in

be

to

of

if

to

to

to

it,

;

of

of

of

of

on

to

by

to

in

of

to

in

by

on

on to

in

by

of

of

to

of

byis

to

to

at

to

of

are

to

are not included
the lists printed above
unavoidably held over
the next issue.

certain letters which
had received from Mr.
regard
Thomas Hardy
the presidency
the
society. The committee, after considering the views
expressed
Mr. Hardy
the letters, decided
repeat the invitation extended
him
the council,
and
confirm and endorse the opinion already
expressed
the council meeting.
They are pleased
state that Mr. Hardy has
now accepted the presidency.
printed the reply
On another page
the
questions addressed
Mr. Robert Harcourt (who
member
the society)
the Chancellor
the
Exchequer
regard
income tax
the moneys
copyrights.
received
authors
the sale
The
committee desire
draw the special attention
members
the answers given.
to

of

from the present announcement.
The names
those subscribers and donors which

in

in

a

to

on

a

to

to

all

it

at

S.

S.

of

to

We regret that we omitted
chronicle
dona
Sprigge
tion
£5 from Mr.
the beginning
the year.
We have now added
the list.
With this exception
fresh subscribers
and
April, 1909, have been deleted
donors previous
of

The secretary then reported the negotiations
that had been carried
with some
the agents
the question
insurance for the benefit
members
the society.
He stated that one agent
was favourably disposed towards the suggestion
three were against
while one other had not
replied
his letter.
The committee requested the
secretary, during the vacation,
make arrange
adopt the
ments with the agent who was willing
Society's suggestion, and
the matter was arranged
satisfactorily,
determined that the agent's name,
with the amount
the insurance guaranteed
the
society, should
printed
The Author.
The chairman then laid before the committee

is
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50

Burchell, Sidney H.
15, Linton,
Stuart
19, Loraine, Lady
19, Durand, Sir Henry Mortimer
20, Stephens, Riccardo
May 24, Lefroy, Mrs.
June
Olivia Ramsey
Horne,
º
June
©
June 10, Muir, Ward
June 10, Swan, Miss Myra
June 17, Bradley,
June 22, Trotēre, H.
July Harland, Mrs.
July
Sinclair, Miss May
Aug.
Cameron, Mrs. Charlotte
Sept. 10, Hinkson, Katharine Tynan

0

() O O 5

10

e

o

o

Q

S.
S.

1,

1909.
Sprigge,

S.

S.

Donations.

Jan.
April
April
April
April
April

of

on

in

1 5

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1
5

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Mrs. Basil

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11, Grier, Miss Julia M.
11, Field,
11, Barrington, Mrs. Russell
Burmester, Miss Frances

9, 8,

July

Jaques,

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10,

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June

June
June
June
July
July

©

#

1909.
13, Gask, Miss Lilian
May 17, Rorison, Miss Edith
June 10, Voynich, Mrs.

5,

After the minutes

been

is

4

Subscriptions.

April

of

d.

..............................

of

()

Total ............... #3,815

0

()

0 9

438

2

the previous meeting had
read and signed, thirty-two members and
associates were elected
the society.
The list
printed
another page.
The total number
elections for the current year
181.
The com
mittee are pleased
notice that the number
largely
excess
the number elected during the
corresponding period
1908 and 1907.
1907
the elections up
and including July totalled 135,
1908, 154. Two resignations brought the
and
resignations up
sixty-five.
The first question considered
the committee
fiction, and they decided
was the sale price
appoint
fully into
sub-committee
five
the matter.
The names of those who have con
sented
act are
follows: Mrs. Belloc Lowndes,
Charles Garvice,
W. Hornung, W. W. Jacobs,
Sprigge.
and
The reference to this sub-committee was the
standard price
fiction with special reference
the production
new copyright novels
the price
of 2s.

1

Street.

0 6

228
247
258

of

1927 57

last meeting
the committee
the
Society
Authors, before the vacation, was
Monday, July
39, Old Queen
held
on

0

0

200

NOTES.

e-º-e

0

S.

...

Stock ..................................
Glasgow and South-Western Railway
4% Preference Stock..................
New Zealand 33% Stock...........
Irish Land Act 23% Guaranteed Stock
Corporation
London 23% Stock,

COMMITTEE

0

of

Egyptian
Irrigation
Government
Trust 4% Certificates ............... #200
Cape of Good Hope 33% Inscribed

at

TISIES

2

�A CITISIOR,
lay

of

in

in

before the Departmental
the principle embodied

0-sº-0

of

be

as

a

is or

an

in

in

of

July, there
SINCE the last issue
The Author
have been thirty-four cases
the secretary's hands,
average
seventeen cases each month. This
heavy list for the holiday season. The cases
may
divided
follows:
There were five claims for the return of MSS.
four
these the Secretary was successful; the
fifth came
the office only just before the paper
press.
had gone
The applications for money reached
total
thirteen, and are accounted for
follows: In six
the cheques have been recovered and forwarded
the members.
One case had
be referred
the
Solicitors, who succeeded
obtaining judgment
the county court.
The debt and costs have been
paid, and
cheque for the former sent
the
member.
Two cases are still
the course
negotiation, the defaulting parties having promised
make payment
certain date.
The time had
press.
not elapsed when The Author went
In
one case the defendant was found
be in bank
ruptcy, and the Society had
register
formal
claim against his estate.
Of the remaining three
cases one has been placed
the hands
the
solicitors
the society, for the defendant made
of

to

to

to

in

in

to

to

as

a

of

to

of

in

by
a

to

to

of

a

to

in

to

a

of

to

go

is

in

by
a

the case and forward the accounts
fixed date.
Six cases have arisen where members have been
unable
obtain from the publishers
accounts
and money.
Of these three have been successful.
Two have been withdrawn from the society,
the
member was informed that most probably,
the
accounts were not delivered and the money not
paid,
necessary
would
take the matter into
many occasions,
court.
The committee have,
dealt with this point, and have urged upon members
being prepared
the absolute necessity
take
matters into court
the Society's demands
their
behalf are not complied with. This position
dealt with
another column of The Author.
In
the remaining case the author has agreed
wait
as

if

is

on to

if

of

on

to

be

a

to

in

certain time. There were five cases for the ordinary
delivery
accounts.
Of these two have been

of

J.

dispute
One case, dealing with the settlement
agreement, has been satisfactorily
carried
through.
Two cases have been placed
the secretary's
hands for the collection of accounts due under
dramatic contracts.
Neither of these
in Great
Britain, but the manager has promised
into
an

MEETING of the Coypright Sub-Committee was
at the offices of the society on June 24,
Mr. Anthony Hope Hawkins in the chair.
The business before the committee was the con
sideration of a Bill for the protection of musical
MacGillivray at
composers, drafted by Mr. E.
the suggestion of Sir Charles Williers Stanford.
Sir Charles explained to the committee the neces
sity for the provisions set out in the Bill, and stated
that, in the present circumstances, it was absolutely
impossible for composers to get publishers to accept
a grant of a licence to publish in their contracts.
They insisted upon a full assignment, even though
they paid a royalty.
The position of the composer
was thus rendered impossible.
After some discus
sion the committee decided to report to the com
mittee of management that they were in favour of
the principle of the Bill, but that they left it to the
committee of management to decide as to the
expediency of extending the principle contained in
the Bill to books in the publication of which the
same difficulties
exist in law, though
not so
frequently in actual practice.
The committee also
subsidiary
instructed the secretary to obtain
evidence from Sir Alexander Mackenzie and Mr.

the three letters which had been sent
him.
The other two have only recently come
the office.

to

A

held

response

it

SUB-COMMITTEE.

toto no

of

º-º
COPYRIGHT

support

Cases.

on

ruptcy.

Committee,
the Bill.

a

literary contributions for the benefit of charities.
The committee thought the matter of importance,
and instructed the editor of The Author to take
notice of this custom in the columns of this paper.
There were three cases considered.
The first
related to a demand for work supplied to a news
paper but not paid for.
The committee authorised
proceedings on behalf of the author. In the second
case the committee found it impossible to come to
a decision without further information and a copy
of the original contract, but granted full powers to
the chairman to act during the vacation in any way
In the third case, which
he considered necessary.
referred to an infringement in Denmark, the com
mittee decided not to take further action, as they
had been informed by their Danish lawyers that
One of the offending parties had left Denmark and
could not be traced, while the other was in bank

3

William Wallace, to

In

The committee granted the chairman, during the
vacation, the powers and authorities vested in them,
should any emergency arise calling for an immediate
decision.
Some letters were then laid before the committee
relating to the list of novelists published in the
June number of The Author. It was decided to
take no further steps in the matter.
The secretary then placed before the committee
a letter received from a prominent novelist in regard
to the requests made by certain persons forgratuitous

to

TFIES

�A [ſº] IOR.

Reiss, Miss Erna

Road,

Boscombe,

Ennerdale,

Lapwing
Didsbury,

Manchester.

L.

Miss Marie

L.

Ernest
(Ernest Black)

Shedlock,
Simpson,

Miss Violet

Spurrell, H.

University
Rhodes
College,
Grahams
town, South Africa.
13, Pembroke
Gar
dens, W.
26, Nevern Mansions,
4,

Stott, M.
Syrett, Jerrard.
O.

e

Buckingham

Palace Road, S.W.
Grangermon,
Wood
side Park, N.
Road,
Clifton
Crouch End, N.

º-e

PUBLISHED BY MEMBERS OF
THE SOCIETY.

BOOKS

keep
WHILE every effort
made by the compilers
possible, they have
this list
accurate and
exhaustive
attaining this object owing
some difficulty
the fact
that many
the books mentioned are not sent
the office
consequence,
rely
necessary
the members.
largely upon lists
literary and
books which appear
hoped, however, that members will
other papers.
to

to

Wells,

Somerset.
Carrig-Cleena,
Maidenhead.
40, Elm Park Man
sions, Chelsea, S.W.

170,

6,

Turner, Edgar

S.W.
Park Place,
James's, S.W.

St.

H.

Schwarz,

is

East Liberty

Place,

Derby Avenue,
North Finchley, N.
Lodge, Owls
Forest

Lane,

o

Scroope Terrace,
Cambridge.
Yockley House, Cam
berley.
Wyche-Side, Malvern.
6,
Walpole
Road,
Croydon.

Place,

27,

as

Humphry, Mrs. ( Madge "
º
of Truth)
Huntley, Mrs. Hope

W.

Hants.

Ditchling, Sussex.
.

10, Cavendish

in

cellor Scott

©

Raeburn

Edinburgh.

to to

Hargrave, Mrs. Basil (Parry
Truscott)
Holmes, The Rev. Chan

(W.

dilly W.

50,

as

.
,

Vernon

as

Grindrod, Charles F.
Groves, Capt. P. R. C.

O'Connell, Mildred (Mau
e
e
rice Patrice)
O'Fallon, J. M.

Athenæum.
31,
Dover

Street, W.
Grosvenor Club, Picca

it

Furse, Mrs. Charles W.

e

-

Tibbits, Annie

3,

.

º

tain Scuttle)

.

Shawford,

Burmester, Miss Frances G.

Clifford, Miss Lucy

N.W.
Ladies'
Club,

Minck, J. Murray (Aitken
©
º
Murray)
Mummery, J. P. Lockhart

.

Fairleigh,
Hants.

41, Grove End Road,

Lyons, Capt. Gervais (Cap-

is of
In

Elections.

Miss Marie

N.W.

Richard

of

Boileau,

41, Grove End Road,
-

Lowry, Miss Mary G.

by

July

Park, London, S.W.

Kirmse, Madame

Peek,
W.
Weepey)

Street,

-

58, Overstrand Man
sions,
Battersea

D.

e-º-º

Kelly, Minnie Harding
Charles Rann

Kennedy,

Kirmse,

Denmark

W.C.

in

During the vacation no case has been carried
through the High Courts on behalf of the society's
members, but three county court cases have been
settled, and the debt and costs paid.

6,

-

is

take some time owing to the distance between the
parties, but as the paper is a responsible one it is
hoped that the matter will be satisfactorily settled.
One case of infringement in Great Britain has been
settled, and the sum claimed by the author has
been paid.
One case, which was commenced early
in the year against a paper in New Zealand, has
also been settled, and the sum claimed has been
paid to the author.
º
The society has been very successful in its foreign
cases during the past year, as it has obtained com
pensation for two infringements
of copyright in
New Zealand and one in Spain.
There was one other matter beyond those
included in the list set out above.
One of the
large publishing houses, owing to the necessity of
making some alteration in the disposition of its
shares and capital, had to obtain a voluntary
winding-up order, and, in consequence, under the
law, was bound to send notice of this to its various
authors.
This brought a considerable amount of
correspondence to the secretary.
The matter has,
however, been satisfactorily explained and brought
to a conclusion.
All the cases open at the issue of the last number
have been settled or handed over to the solicitors
of the Society.

Miss Agnes M.

Kelley,

G.

successful ; two are still in the course of negotia
tion ; and one has only recently come to the office.
Finally, there are three cases of infringement of
copyright.
One dealing with the infringement of
an author's copyright in Canada must necessarily

F.

TISIES

It

4

�THE AUTHOR.
o-operate in the compiling of this list and, by sending
particulars of their works, help to make it substantially

accurate.

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A

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in

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x

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94

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63

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C.

of

A

of

A.

of
a

to

A

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5.

× P.

H.

68

of

D.

T.
A.

79

In.

of

J.

of

in

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n.

TOPOGRAPHY.
of

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(A

I.

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LITERARY, DRAMATIC, AND MUSICAL

Blackheath,

where

they

were

received

by

the

of

in

on

to

of

an

by

on

of

in

be

is

R.

by

H.

of

at

is

of

of

is

FICTION.

Major Weir

by

by

on

out

L.

Montgomery, has been
popular shilling edition
Mr.
Fisher Unwin. An article
Allen Raine, by
the same author, appeared
the June number
The Treasury.
our United States notes some time ago we
brought

in

founded

is

Science,

to

Psychical

in January, 1905, has changed hands.
Mr. Dudley Wright, the assistant editor,
has succeeded Mrs. Laura I. Finch as editor, the
last named joining the Editorial Board, which
already includes such well-known
names in the
world of psychical research as Sir William Crookes,
Flammarion,
Lombroso,
Camille
Prof.
Prof.
Richet, and Col. Albert de Rochas.
Charles
Premises have been secured in the west end
of London for the proposed Psychical Research
Club, which will now shortly be opened. Mr.
Wynton Hope has been appointed secretary, and
all communications respecting the club should for
the present be addressed to him c/o
The Annals
of Psychical Science, 110, St. Martin's Lane,
London, W.C.
The summer number of The Car contains an
article by Maude C. Knight, called An Argyll in
the West.
The members of the London and Middlesex
Archaeological
Society paid a visit in July, by
permission
of the trustees, to Morden College,

in

HE Annals of

is

MISCELLANEOUS.
&amp;4

K.

º-e

a

e

all

NOTES.

Wanders into the thickest stress of atheistic prac
tice.
In the second part reference is made to the
difference between the nineteenth and twentieth
centuries, and to modern faiths.
An individual
is introduced whose progress through certain
engineering workshops and docks is traced in the
third part, which contains descriptions of the
life found there and such reflections as genuinely
spring out of this.
Part four concerns the faith
ages, and his practice
of man in
this.
Madame Wassal, who has lately returned from
Annam, where she has been living for three years,
lecturing engagements
open
the subject
Life
Annam.
Dr. Wassal, who was attached
Nhatrang, made several
the Pasteur Institute
expeditions into the interior, and
every possible
Occasion was accompanied
Madame Wassal, who
opportunity
studying not only
thus obtained
the Annamese, but the wild hill tribes.
Applications for lectures should
addressed
The Lecture Agency, The Outer Temple, Strand,
London, W.C.
Royal Revenues,
H.,
booklet
which
revealed an obsolete historical incident,
exemplifying the self-abnegation
the late Queen
Victoria and the devotion of one of her counsellors.
Mr. Elliot Stock
the publisher
the work,
which
obtainable
the price
6d. nett.

in

à
w

J.

In

EDWIN, ABBOT.

OF

The

to

THEOLOGY.
THE MESSAGE

the Rev. Henry Lansdell, D.D., author
Sacred Tenth,
who had prepared for
their information an account of the most ancient
possession of the college, namely, the lordship or
manor at Old Court, Greenwich.
Mr. J. Ashby Sterry, who originated and has
Bystander
Written the popular
column in the
Graphic for considerably over eighteen years, has .
now altogether retired from that paper.
Miss M. A. Woods, author of The Characters
of Paradise Lost,
has just published, through
Messrs. Baker &amp; Son, of Clifton, Bristol, a work
entitled
A Study of Opposites.
Miss Alice Henry has been appointed editor of
the Woman's department of the Union Ilabour
Advocate
of Chicago, Ill.
The Adventures of Lally Helsmark is a work
written by Mr. Marshall Kelly and published by
Mr. Henry
Drane
in three volumes, sub
divided into four parts.
The first part follows the
Course of a man who, bred in the ancient faith,
Chaplain,

of

of

TECHNICAL.
COMPRESSED
AIR WORK AND DIVING : A Handbook
Deep Water Diving and
for Engineers, comprising
the use of Compressed Air for Sinking Caissons and
By
Cyclinders,
and for Driving Subaqueous Tunnels.
G. W. M. BOYCOTT.
New York : D. Wan Nostrand Co.
128 pp. $4 n.
THE LIFE STORY OF SIR CHARLES BRIGHT, CIVIL
ENGINEER : With which is incorporated the story of
the Atlantic Cable and the first Telegragh to India and
By CHARLES BRIGHT. 490 pp.
the Colonies.
New
York : D. Wan Nostrand Co. $4.50.

9

a

TFIES

�A DTEIOR.
the
-

next year.

autumn publica
tions include a modern romance, by Helen H.
Watson (Mrs. Herbert A. Watson).
Love: The
Intruder, is the title of the story, the author of
which has already written many stories for children,
as well as some novels, the latter category includ
ing Andrew Goodfellow
and
The Captain's

The Religious Tract Society's

at.

Daughter.
Mr. John Bloundelle-Burton's new novel, The
King's Mignon,
is to be published shortly by
Messrs. Everett &amp; Co.
The period covers the few
months that elapsed between the murder of the
Duc de Guise and his brother, the Cardinal,
Blois,
order
the King (Henri III.) and the
Jacques.
assassination
the evil king himself
Clément.
this setting
the author tells
by

of

of

a,

In
to

of

of

romance
the period, and
introduces
the
vicissitudes
which the heroine, wife
one of
exposed.
the worst
the mignons,
An amount,
mystery, which
surrounds
her existence
portion
the end, also forms
considerable
of
Mr. Bloundelle-Burton's latest story.
Penny's new Indian story, entitled
Mrs.
The Unlucky Mark, has just been published by
Messrs. Chatto and Windus.

to

is

a

E.

&amp;

in is

a

as

by

Messrs. Washbourne
Co. are publishing A.
Red Handed Saint,
Miss Olive Katharine Parr,
this autumn.
The story
another slum narrative,
and has run
serial
The Universe, London,
The Universe, Ohio, and the Catholic Standard,
a.

to

in

of

&amp;

C.

by

is

Philadelphia.
The Unexplained
the title given
Gerrard,
collection
Indian stories
Edith
which Messrs. Digby, Long
Co. have published.
all, and they tell
There are eight stories
Indian life
the hills and when travelling
the
of

on

by by

plains.

&amp;

a

Sidney
Paths Perilous,
new novel
Pickering, was published last month
Messrs.
Chapman and Hall.
Miss Winifred James will produce, early this,
month,
Saturday's Children.
book entitled
published
Sons,
will
Messrs. Blackie
by

cent Gossip from Old Note-books,
some chapters
of which have appeared in the St. James's Gazette.
Mrs. M. H. Spielmann has published, through
Messrs. Chatto and Windus, a volume called The
Rainbow Book, in which are included sixteen
tales of fun and fancy.
The book has a coloured
frontispiece
and fourteen illustrations by Arthur
Rackham, and twenty-two in black and white by
Hugh Thomson, Bernard Partridge, Lewis Baumer,
Harry Rowntree, and C. Wilhelm.
Mr. H. A. Wachell's new novel, The Paladin,
during the
which
has been running serially
current year in the Cornhill Magazine, was pub
lished in book form in the last week of September
by Messrs. Smith, Elder &amp; Co.
Mr. Wachell is
now engaged upon some dramatic work.
Only a Woman : An Unsuspected Heroine of
the Reformation, by Edith C. Kenyon, author of
A Girl in a Thousand, etc., will be published by
the Religious Tract Society.
This story, dealing
with the times of Luther, ran as a serial through
the pages of Our Own Gazette, and we understand
has already been translated into Swedish.
Shadow-Shapes
is a new volume of short
stories and sketches by Ella Erskine.
It owes its
title to one of the quatrains of Omar
º
We are no other than a moving row of magic
shadow-shapes that come and go round with the

by

on

Sylvia and the Secretary is a new novel by
Olivia Ramsey (author of The Marriage of Lionel
Glyde
and
The Girl from Catford ), which
Mr. John Long has just published.
Amongst the novels to be issued at the popular
price of 28. in the autumn is a re-issue of the
novels by the author of John Westacott.
The
first volume that Messrs. Chapman and Hall will
produce is The Gleaming Dawn.
This will be
followed by The Cardinal's Page, and then will
By
come the River Stories : John Westacott,
the Western Sea, etc. The author, Mr. James
Baker, is now engaged upon a volume of Reminis

publish

by

was mainly

in midnight

just been published by Mr. Elkin.
Price 3s. 6d. nett.
Dolf Wyllarde is publishing, this autumn,
through Messrs. Stanley Paul &amp; Co., a collection
of short stories, entitled Tropical Tales, which
are mostly based on a theory of the influence of
climate upon human actions and characters.
The
author has adopted the plan of stating the tempera
ture in each case.
The same Writer, in addition to a certain amount
of journalism and magazine work, is also writing
a long novel which Messrs. Methuen
&amp; Co. will

of

about authors.

a work which

held

It has
Mathews.

F.

Girl with Feet of Clay,

sun-illumined
lantern
master of the show.

be a

announced the publication of a new novel by
Gertrude Atherton this spring.
We understand
that we were premature in this announcement and
that the work in question will not be ready till the
spring of 1910.
by Hope
The Diamond and the Rose,
Protheroe, is a novel which has for its theme the
sacrifice of a girl who releases her lover because of
the knowledge which comes to her of her inherit
ance of the taint of insanity.
The Century Press
are the publishers.
Mr. Edgar Turner is publishing,
this month,
through Messrs. Stanley, Paul &amp; Co., a new novel
entitled
The Submarine Girl, which, in title and
in style, recalls the same author's first book, The

of

TISIES

It

10

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departments.

in

Francis Gribble's three monographs
on
Montreux, and Lausanne
have been
brought together
single volume called
The
Geneva,
published by
{Lake
which will

of

Mr.

Geneva,

on

TRAVEL.

of

To Messrs. George Allen
Sons' series,
England, under the
Memorials
the Counties
general editorship
Ditchfield,
the Rev.
M.A., has been added Memorials
Old Sussex,
Percy
Mundy. Mr. Mundy has had
edited
the assistance
Mr. Hilaire Belloc, who con
introductory chapter
tributes
the indi
viduality Sussex;
Dr. Cox, who writes
the
subject
Sussex forests;
Mr.
Tavenor
Perry, who writes
Saxon architecture
and
many other writers distinguished
their various
of of
an

be

is

in

by

J.

new work
Mr.
Ellard Gore, F.R.A.S.,
entitled Astronomical Curiosities: Facts and
Fallacies,
pub
the press, and will shortly
lished
Messrs. Chatto and Windus.

A

TOPOGRAPHY.

by

by

SCIENCE.

a by

H.

its

of

of

}

a

of

he

of

&amp;

to

In

G.

avoiding

Pastimes,
R.,
M.
verse, homely
form and reverent
spirit, which has been published
Messrs.
Kegan, Paul
Co.
The proceeds
the sales are
the Great Ormond
Street Children's
Hospital.
The volume contains six illustrations,
which add
the attractiveness
the production.
Mr.
K. Chesterton's first book, The Wild
Knight, and Other Poems,
was published nine
years ago, and Messrs.
M. Dent
Co. are now
preparing
new edition, which will
revised
the author and contain many entirely new poems.
to

in

to

of

history,

the language
the
considers are often quite
beyond the ken
the ordinary individual.
eight coloured plates there are
addition
nearly
250 photographic
illustrations.
Messrs.
Methuen
Co. are the publishers.
natural

large text-books, which

Thoughts and

collection
go

in

to

by

to

a

is

W. Percival Westell,
British animal life,
which the
popularise the study
author continues his efforts
guide

POETRY.

to

of

of

in

to

a

NATURAL HISTORY.

The YoungNaturalist,

Perfection,
Georgie Har
A Vision
greaves, describes the struggle
being against
agnostic precepts, and
eventual victory over
Morland,
16, Park
them.
Mr. Frank
Mansions, Fulham, S.W.,
the publisher.

in

C.

to by

to

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in

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is

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:

of

of

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be

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to

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in

of
a

It

of

is

in

of

of

by

a

A.

C.

of

S.

F.

Miss
M.
Batchelor has translated, with the
Miles,
assistance
Mr.
short history
the Popes, which has lately been written
Prof.
Giessen, one
Gustav Krüger,
the foremost
Germany.
ecclesiastical
historians
concise and impartial account
the Papacy from
the earliest times
the accession
Pius
Messrs.
M. Dent
Co. are the publishers
the
volume which bears the title
The Papacy the
Exponents.
Idea and
Miss Agnes Murphy, who has been commissioned
write the biography
Madame Melba, which
published
New York and London during
October,
Irishwoman who has travelled widely,
and who, for some years, has filled the position
personal representative
Song.
the Queen
The
book will contain
number
illustrations.
Mr. John Lane has recently published
new
Maintenon, her
work dealing with Madame
life and time, 1635 1719,
Charlotte
Dyson.
Recent research has led
the discovery
many new facts concerning one whom friends
and foes alike acknowledge
have been one
the
most remarkable figures
French history, and
Miss Dyson will probably, taking these facts into
account,be able
show the wife
Louis XIV.
new light.
There are 17 illustrations
the book.

a

BIOGRAPHY.

Messrs.
and
Black.
The scope
the work
rather biographical and historical than descrip
tive. The scenery
the lake having been copiously
illustrated
Hardwicke Lewis and Miss Mary
Hardwicke Lewis, Mr. Gribble, the author, has
mainly devoted his text
anecdotal summaries
the careers
the celebrities, from Bonivard
Byron, and from Calvin
Voltaire, whose names
are associated with Geneva, Vaud, and Chablais.
Messrs. Hutchinson
Co. have just published
Sir Godfrey Lagden's work
The Basutos,
which the author, who spent the greater part
thirty years
Southern
Africa and seventeen
amongst the Basutos, traces their early origin and
formation into
tribe under the celebrated chief
Moshish.
Their struggles for ascendency with the
Zulus and other tribes are first depicted, and then
the rough story
contest with the European
pioneers.
published
The work, which
two
Volumes,
24S. nett,
illustrated from
series
reproductions from photographs
the author's
collections.
THEOLOGY.
at

an

in

of

at the price of
The illustrations are
Frances Ewan, and the book deals with the
vicissitudes
two penniless girls
Australian
town.

11

.

6s.

by

TISIES

�A DTEIOR.
by

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interpreted

by

at

of

4,

on of

was

in

at

in

by

on

of

and

which included Mr. Matheson Lang, Miss.
Dorothy Thomas, and Mr. Eric Mayne.
Sir Arthur Pinero's play, Mid-Channel,
four acts, was produced
the St. James's Theatre
early
September.
The caste included Miss
Irene Vanbrugh, Mr. Lyn Harding, and Mr.
M. Lowne.
The Whip
was produced
Mr. Cecil
Raleigh
collaboration
with
Mr. Henry
Drury Lane Theatre,
Thursday,
Hamilton
September
with
caste
which
were
included
Miss Jessie Bateman, Mr. Wincent
Keightley, and Miss Madge.
Clive, Mr. Cyril
Fabian.
C.

of

be

of

by
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is
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to

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a

A

of

September

caste

at in

in

in

of

is

at

is

in :

an

to

of

Everyman's Library.

F.

Mr. McCarthy's play The Proud Prince, an
the well-known legend King Robert.
Sicily, was produced
the Lyceum Theatre

adaptation

9,

in

in

of

of

of

is

Since the last issue of The Author the dramatic
Section
the Society
Authors has been well
represented
the stage.
Mr. Justin Huntly
McCarthy, Sir Arthur Pinero, Mr. Cecil Raleigh,
Shaw,
Mr. Paul Rubens, Mr.
Bernard
Mr.
Fagan, and Mr.
Alfred Sutro, Mr.
Anstey
plays during the
have each produced
Vacation.

of

or

a

of

apostolic succession
from the records
the
during the first
five primitive mother-churches
Christianity.
three centuries
Christianity
The Dawn
Continental
Europe
the title
Miss Caulfeild s book,
which
illustrated from photographs, and
published
2s. 6d. nett.
preparing
Count Lützow
new edition
his
Bohemia
Historical Sketch,
which first
print.
appeared
1896, and has long been out
considerably altered and
The new edition will
enlarged.
As Count Lützow has recently written
history
Bohemian literature, the last chapter
the Sketch,
which dealt with the literature
Bohemia, has been omitted.
On the other
hand,
extensive chapter has been added which
deals with the history
Bohemia from the year
1620
the present day. The first edition did
not continue the history
Bohemia beyond the
year 1620.
The new edition
Bohemia:
published about the
Historical Sketch, will
end
the present year
Messrs. Dent
Co.
up

DRAMATIC.

of

A.

F.

S.

Miss
Caulfeild has published, through
sketch, more
Mr. Elliot Stock,
less brief,
the planting
the Christian faith
Continental
Europe when the several nationalities were pagan.
The author has included
her history extracts

of of a

deals particularly with the two main schools
who advocate respectively formality and inform
ality
design, and suggests definite principles for
guidance.
The book, which has 300 illustrations,
published
Mr. Fisher Unwin
the price
£1 1s. nett.

is

HISTORICAL.

Practice,
Mr. Raymond
book which
not occupied with the
advocacy
town planning
the Garden City
movement, but, assuming the desirability
these,
put before the reader
seeks
sketch
town
planning
has been practised
the past, and
give some idea
the different styles
work.
Unwin,

It to

of

of

of

in

on

to

to

be

in

on

of

a

in

has republished
Small volume some articles
his which appeared
recently
the Morning Post
the question
Germany and sea power,
1912 P
the tile
given
the volume (in which will
found some
hitherto unpublished matter) provides
the clue
writing
the author's purpose
one
the
gravest questions
the day.
Messrs. Pitmans
are the publishers.

the law.

ARCHITECTURE.

Town Planning

Mr. Archibald Colquhoun

J.

they are regulated

in

POLITICAL.

by of

as

wife,

so

in

by

Mr. Edward Jenks's book
Husband and Wife
the Law, published
Messrs.
M. Dent
Co., explains the mutual relations
husband and

of

On

an

it

is

in

of

in

LAW.

a

The Internal Combustion

book under notice deals
with
subjects
the borderland between the several
allied sciences (notably physics and chemistry) and
the exclusively practical sides
their application.
necessarily mathematical
The treatment
certain parts, but
does not demand any more
average acquaintance with mathematics
than
the part
the reader.

Friends

of

by

oil

of

E.

Wimperis.

"-the

My
Werner Laurie has just published
French,
Robert Harborough
Sherard.
this volume Mr. Sherard relates
Paris, beyond those given
further reminiscences
Paris, and his observa
his Twenty Years
tions
modern Social life
France.
Mr.T.

Messrs. Archibald Constable &amp; Co. announce
the publication of a text-book on gas,
and petrol
engines for the use
students and engineers,

Mr. H.
Engine

REMINISCENCEs.

at

in

The volume is to be published on subscription
15s, nett.
ENGINEERING.

in

TRIES

12

.

�THE AUTHOR.

the

Revue des, Deua Mondes.
It is the history
the sister-in-law of Louis XIV. As

of Madame,

in

by

of

all

as

to

is

a

it

as

by

as
a

is

as

so

us

as

of

de

by

is

in

of

of

a

as

as

in

up

is

in

of

to

by

as

to

an

in

all

of

of

et

is

of

of

la

of

is

;

de

by

is

a

of

by by

et

de

G.

by

;

of

of

all

in

of

is

of

last book written by Mme. Arvède Barine
has been published in volume form since
her death.
It appeared in serial form in

and

published

shortly

Messrs. Dutton

by Mr. Nash
in

HE

of

NOTES.

º-º-º

be

PARIS

by

º-e

by

e

de

part.

L Hygiène
Soldats,
Propreté,
L Anti
sémitisme.
The author of this series of books has
parts
Germany, and his
been travelling
study
the country and
the Germans
one
the most impartial and thorough
criticisms that
has hitherto appeared.
Blanche,
Among recent books are La Chasse
Gyp
Thérèse,
Pierre
Marcel Prévost
Polochon,
Pawlowski;
Le Partage
l'Afrique (Fachoda),
Gabriel Hanotaux.
poems
volume
the Duchesse d'Uzès,
née Mortemart,
has just been published under the
title
Paillettes grises.
The title itself
trouvaille, and very many
the poems are
exquisite.
Pierre de Coulevain's book On the Branch"
A

Miss Ella Erskine, the author of the piece, has
also written a one-act play which she has called
The White Hair.
This piece has been acquired
by the Scottish Repertory Theatre for productions
in Glasgow and Edinburgh this autumn, and Miss
Erskine has been engaged to play the leading

America.

in

had desired he

et

his mother

ing
Mme. Arvède Barine's works.
Jules Huret has now published another volume
Germany.
his studies
The present one
Berlin,
chapters
entitled
and
contains
on
l Avenir,
La Vie Nocturne,
Le Monde,
Le Peuple,
Les Ouvriers,
Officiers

to

she was a typist) what
should do.

word too much. Mme. Barine was thoroughly well
her subject, and possessed
the secret
giving,
concisely
possible,
life-like portrait
the person she was depicting.
She was one
writers, and spared no
the most conscientious
pains
getting
the information necessary from
every possible source before commencing her book.
education
read her notes,
no detail
was neglected
her which might add
the
interest
the subject she had
hand.
This
volume on Madame
one of the most interest
is

A new one-act play called The Typist was
produced on September 15 at the Garden Theatre
in the Women of All Nations Exhibition at Olympia.
There are three characters in the piece: Earl
Dreighton
(Mr. Walter Pearce), Mary Lister (a
heiress impersonated by Miss Ella Erskine), and
Johnson (a butler, taken by Mr. Louis Calvert).
The theme relates to the attempt of the Earl to
literature,
Save the fortunes of his house through
rather than by contracting
an alliance with an
heiress as suggested by his mother, and the play
shows how he finally did unconsciously (by falling
in love with an heiress under the impression that

Bohemia, her life was by no means an uneventful
Philippe, Duc d'Orléans,
One.
On marrying
brother of Louis XIV., she was required to abjure
her religion.
With her German tastes and her
independence of character she found Court etiquette
most irksome, until she became fascinated by the
Grand Monarch.
It is this thread of romance
which makes the history of the Duchesse d Orléans
so interesting.
We see her, in
the freshness
her girlhood, amusing the French Court
her
frankness and her daring speeches.
She delights
hunting and riding, and
indefatigable
all
Outdoor exercises.
Much later on we see her
growing old, tormented
her family troubles,
withdrawing
jealous
Maintenon,
Mme.
possible from Court life.
much
Mme. Arvède
Barine gives
extracts from her letters
her
family,
were, from her
that we have her story,
reading between the lines. The whole
own lips,
interesting
book
novel.
There
not

It

Leigh, and Miss Isabel Jay in the caste.
The Showing-Up of Blanco-Posnet "--Mr. G.
Bernard Shaw's one-act play was produced at the
Abbey Theatre in Dublin during the last week in
August, with Mr. O Donovan as Blanco, and Miss
Mary O Neill as the mother.
Mr. Alfred Sutro's play Making a Gentleman,
was produced at the Garrick on Saturday, Septem
ber 11, and was interpreted by a caste in which
were included Mr. Arthur Bourchier, Miss Ethel
Irving, and Mr. Kenneth Douglas.
False Gods is a translation, for which Mr. J.
B. Fagan is responsible, from La Foi, by M.
Brieux, and was produced at His Majesty's Theatre
on September 14, with a caste which included
Sir Herbert Tree, Mrs. Patrick Campbell, Henry
Ainley, and Miss Evelyn D Alroy.
Mr. F. Anstey's fantasy,
The Brass Bottle,
was produced at the Vaudeville Theatre just before
The Author went to press.
In the cast were Mr.
Lawrence Grossmith, Miss Viva Birkett, and Mr.
Rudge Harding.

º, descendant of the Stuarts the story of this
Princess is extremely interesting to English readers.
A granddaughter
of the
Winter King
of

of

Mr. Paul Ruben s
Dear Little Denmark,
described as a Danish musical incident in two
acts, was produced at the Prince of Wales's Theatre
early last month, Mr. Huntley Wright, Miss Gracie

13

England

�of

at

of

of

to

of

of

be

to

Berlin" (Fasquelle).
Blanche
La Chasse
de

of

Le

in

to so

he

et

(Flammarion).
(Lemerre).
Thérèse
Pierre
Polochon (Fasquelle).
l'Afrique (Fachoda) (Flammarion).
Partage
Paillettes grises (Lemerre).
de

to

a
* u
º- w
w

in

us

v.

at

by

THE SMART SET
HEINEMANN
PUBLISHING CO., LTD.

".

to

a

as

(Hachette).

Madame"

On

in

is

It

is

M.

in at

ALYS HALLARD.

M.

of

In

.

Jean Jacques
her vindication
else hitherto.
Rousseau she has brought some astonishing revela
Maury calls
support her theory, and
tions
upon his readers
admire the resolution and the
this clever writer. Further
British perseverance
M. Maury acknowledges that Mme. Macdonald
Rarely,
has proved the plot against Rousseau.
says, has any seeker after truth been
fortunate
being able
finding proofs and
show the
Mme. d'Epinay have
The memoirs
evidence.
weapon against Rousseau.
always been used
certainly interesting
find now that these
the instiga
the author
memoirs were altered
Mme. Macdonald
tion of Grimm and Diderot.
the original manuscript with the altera
shows
She certainly has been most fortunate
tions.
has taken
her researches among the archives.
prove her assertions, but her
her twenty years
era for the disciples and admirers
book marks
of Rousseau.

her victim.
hand stained for ever with the blood
the
The torch-light threw the magnified shadow
this
The dramatic effect
the wall.
hand
hoped that the play
scene was intense.
given again under the same conditions.
may

It

it,

reviews

the

on

had devoted some pages to the
and this
Maury very
As
had aroused great curiosity.
justly observes, Mme. Frederika Macdonald has
gone more deeply into her subject than anyone

of

English edition, giving extracts from

the green, and, con
the witches out
looked
room, they witnessed
groups from room
ducted
the tragedy. The most
the different scenes
effective one was when Lady Macbeth descended
her own
the Wide staircase, looking with horror

be

In the Revue Bleue M. Lucien Maury devotes
book on
four pages to Frederika Macdonald's
The translation of this book into
Rousseau.
French has been greatly appreciated here. Several

to on

A UITISIOR.

TISIES

14

as

an

N

a

in

in by
of

&amp;

by

of

to

in

in

to

an

in

in

:

it

in

be

to

&amp;

&amp;

of

to

in

&amp;

in

of

a

to

an

in

in

of

on

in

of

It

in
of

It

to

as

of

England serial rights meant the right
that
parts
publishing
novel serially, i.e.,
book
in

or

be by

to

It
to

of

at

in

be

to

Smart Set stated that the English rights were
included, and the defendant company published
abridged version
one number
the whole story
the
behalf
was urged
the magazine.
defendants that they had acted innocently and
regarding
pursuance
what they were justified
authority from the plaintiff's agent
America.
the meaning
Some evidence was given
was stated
Serial rights and magazine rights.
a

on

by

a

is

it

in

in

Was arranged

of

a

on

on

of

of

en

of

of

of

America, and
rights
Co. should
that Messrs. Duffield
dispose
these rights for £100, which was
divided equally between the plaintiff, the author,
Co.
and Messrs. Duffield
apparently,
misunderstanding,
Owing
Co.,
disposing
the maga
Messrs. Duffield
The
the publishers
the novel
zine rights
plaintiff for the serial

in

H.

on

In

by

by

an

by

by

on

et

an

on

;

;

by

the
Macbeth"
has been the representation
Abbaye
Saint Wandrille. The play has been
entirely re-translated
M. Maurice Maeterlinck,
the
and Mme. Georgette Leblanc Maeterlinck,
forgotten
Lady Macbeth, will never
rôle
those spectators who had the good fortune
picturesque old château
The Abbaye
resent.
was
which dates from the seventh century.
M. and
the eleventh century.
reconstructed
this chdteau during the
Mme. Maeterlinck live
pro
them
occurred
summer months, and
duce Macbeth, using the different rooms for the
stage
From the windows the guests
the play.

Mr.

an

et

In

on

by

et

by

anonymous writer;
Chateau
Napoléon
Leonce
les Bourbons,
by
Pingaud
La Question d'Alsace,
Lichtenberger and
Questions extérieures,
the September number there
Victor Bérard.
Darwiniens
Charles Bouglé
are articles
Sedan,
Cambridge,
Commandant Picard
anonymous writer
Le Débarque
and
Allemagne.
ment des Anglais
this season in France
The theatrical event
russe,
briand,

novel entitled
the copyright
North, which was
Lawrence
England
published
the
volume form
January, 1909. The plaintiff claimed
plaintiff
injunction
damages and
restrain the defendant
Company from publishing the novel
the magazine
called The Smart Set.
England
Before the book was published
Co.,
the
New York, applied
Messrs. Duffield
prietor

of

on

paradoxale,
Voltaire
Fernand Caussy
Philippe Gonnard
Sainte
and
ses Curés,
Napoléon III.
the August numbers
Hélène
of the same review are articles on L Armée

this case Mr. Heinemann, the well-known pub
registered pro
lisher, brought
action

Syrinx,

as

on

de

by

of

July there are interest
Paris
L Orthodoxie
André Chevrillon

the Revue

ing articles

by

In

an

to

It

SERIAL RIGHTS.

�TEIE AUTISIOR.
it

he to

it

if

of

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at

at

to

if

in

it

an

to

all

to

a to an

of

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in a

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a

of

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to

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of

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it

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if

on

in

of

if

; all

to

a is

or

is

be

to

is

it

a

of

a

in

it

of of

an

of

to

if

is

a

he

of

of by
an

as

to in

in

be

if

an

in

a

at

difficulty. Such statement would,
authors when
contrary
were made,
course
the facts,
the fault lies with the member and not with the
society.
Again
necessary
impress upon
mem
bers that prevention
better than cure
but
they desire
place
case
the hands
the
secretary they must
prepared,
his demand
neglected
repudiated,
ready
their behalf
By these means they will not
take legal action.
to

of

to

of

in

a an

at

It

of

be

be

to

on

in

º-º-º

HE question
the fighting strength
the
society has again arisen.
From time
time
the society's reports and
The Author
the committee have insisted and persisted that
those members who place their disputes
the
ready
hands
the secretary should
take
their cases into the courts
such
course
essential.
Some little time ago
old member
the
society who had not made very much use
the
society's machinery came
and laid three cases
before the secretary, desiring that
should take
the matters
hand immediately.
agree
The first was claim for moneys under
publishers.
ment from
American firm
The
copyright
second was
claim for infringement
under the Berne Convention, and the third was
English publisher
claim for royalties withheld
through misinterpretation
the terms
the
agreement.
The secretary
once proceeded
take what
action he could.
In the first case he found out
very
that the American publisher was not
in

to

of

of

as

to

in

as

LEGAL ACTION AND MEMBERS
RESPONSIBILITIES.

of

to

an

in

In

at

to

be

to

be

In

be

to

as

to

of

a

of

of

an

to

a

in

to

an

to

of

in

by

the defendants
discontinue the sale
the
number
The Smart Set containing the novel
injunction was not necessary, but the plaintiff
damages and
was entitled
the usual inquiry
the costs
the action.
HAROLD HARDY.

sound financial position, and that
would most
probably
necessary
bring
action
enforce
payment.
He
once communicated
with the
publisher.
American
the second case some
further details were necessary
order
establish
copyright,
the infringement
and
once
wrote
the solicitors
the society
obtain
their opinion upon the position.
seemed quite
clear, however, that
the guilty party had been
dealing with property that was not his,
would
necessary
take the matter into court
the
infringement was clearly established.
the third case the secretary read through the
papers and agreement carefully, and, assured
the
mistake
the interpretation
the contract, wrote
the publishers.
He then informed the member
the steps that had been taken, and that
would
any rate
most probably
essential but
was
necessary
prepared to
carry the matters
through the courts.
He pointed out
the same
time that the society's influence very often was
bring
dispute
able
settlement without
going into court, though that influence
the past
would have been considerably weakened
the
important point
committee had not made
prepared
that members should
take legal
action.
The secretary received
answer
his com
munication requesting him
return
the papers
litigious disposition,
the member was not
and did not desire
take legal action.
To such
member the society can
doubt
use
advising
contracts before they are signed, and
keeping business out
the hands
doubtful
and unsatisfactory publisher, but
must
evident
the member on consideration,
and
others
who read this statement, that
useless
ask
demand, and then refuse,
the society
make
repudiated,
the demand
allow the society
management,
take action.
the committee
during the twenty-five
years
the society's
existence, had conducted business
these lines,
the society would have been the laughing stock
publishers, editors, and literary robbers.
The only danger that may arise
action
this kind
that sometimes the member may go
away from the society's office and may proclaim
good that
that the society
cannot help
of to

an

a

in It

to

no

to

it

for

in

for

magazine rights was
and that the expression
not commonly used and had no distinctive meaning.
On the other hand, it was said that in America
news
serial rights were divided into two groups
paper syndicate rights and magazine right; "
and that the latter included the right of publishing
the whole of the novel in an abridged form if neces
sary in one number of a magazine.
It Was a
common practice in America to abridge a work
this purpose without consulting the author.
giving judgment for the
Mr. Justice Parker,
plaintiff, said that
impossible
was
the defen
justify what they had done under any
dants
Duffield,
authority obtained through
Mr.
who
clearly had
authority
deal with the English
rights.
was
case where,
innocent party
innocent
the sense that they believed they had
they had not infringed
the right, though
copyright.
The plea
innocence
that sense
Owing
undertaking
was not good
law.

15

�A UTEIOR.

MAGAZINE

to

of

H.

of

Mandré

The Master

Hoaxer

Some Neglected Aspects
Pearson.

by

to

la

in

E.

of

of

:

M. Dent
Co. announce new editions
Gulliver's Travels and Lamb's Tales from
&amp;

Messrs.

of

in

Shakespeare.
Numerous coloured drawings and
many illustrations
black and white by Mr.
Arthur Rackham, with specially designed end
papers, will
the salient features
the pro
duction.
large paper edition
There will
each
Volume, which will
limited
750 copies, and
subscription a price
Will
issued
21s. nett.
which will
raised after publication.

of

of

to

be

a

be

be

at

be

or

By Harold Binns.

be

to

of

By Norman

NINETEENTH CENTURY.
Matrimony and the Man
By Sidney Low.
Letters.
By André Beaunier.
L Art Français Contemporain.
By A.
Debussy
His Science and his Music.
Keeton.
By the Hon. Mrs. Alfred
The Book
Lismore.
Lyttelton.

J.

of ;

or

as

Horace Walpole.

By Andrew

NATIONAL REVIEW.

in

or

a

as

as

Cloche.

By Hubert Ives.
George Borrow
Russia.
By W. Roberts.
Modern French Pictures.
By George Hookham.
The Shakespearean Problem.

on

or

to

to

or

be

Bell.

MONTH.

Mandeville's Travels.

of

or

of

is

be

or

to

James de

On

to

in

Lang.

:

to

in

to

a

in

or

Such moneys received by an author, dramatist,
composer are liable
being the income
income tax
profession, and would
treated
earned income.

By Kenneth

FORTNIGHTLY.

be

to

he to
as

or of

in

as

or

Reply:

History.

English

Architecture

in

as

to

of

to

composers may regard
Whether authors, dramatists,
performing
moneys received from the sale
copyright
right
capital, and
such not subject
income tax
and whether,
view
the fact that the duration
composer's property
an author's, dramatist's,
his own
forty-two years,
by
works has been limited
statute
life
and seven years, whichever
the longer period, the
royalties and other payments which an author, dramatist,
composer may obtain
return for
lease
licence
publish
perform
will
assessed
earned income
whether they accrue due before
after the death
the
author, dramatist,
composer 7

By Edmund Gosse.

Gide.

CORNEIILL.

a

of

to

The Writings

of

he

which had
entered into, but finally
Mr. Robert Harcourt,
member
the society,
was kind enough
undertake the duty, and
put the following questions
June 22, 1909,
the Chancellor and received the reply set forth
below :

A

H.

as

is

of

is

the society saw this reply
put the matter before the committee
order
put somewhat
ascertain whether they desired
regard
similar questions
the Chancellor
the
sale
authors copyrights.
The committee authorised the step suggested
the secretary.
There was some little delay owing
the negotia

Buxton Forman.

CONTEMPORARY.

is

in

:

"

By Maurice
Meredithian.
Byronic Memories.

of

in

BOOK MONTHLY.

the

sells outright his patent rights,
capital and
regarded
the sum realised from the Sale
not taxed.
Where an inventor has not parted with
his patent rights, but allows another person
work the
royalty, the
patent
consideration
the payment
resulting income
regarded
unearned income derived
from property.

When the secretary

A.

on

Chesterton
Shaw
Review by
St. John Adcock.
By Edward Thomas.
The Country Books.
History.
By
The Times
Lieut.-Col. W.
James.

of

of

replied

byF.

C.

arTy.

B

of

in

to

of

to

of

the Exchequer

Where an inventor

a

a

BOOKMAN.

By Thomas Seccombe.
Spencer Scott.
Dr. Johnson's Literary Work. By
By
Sargisson.
Dr. Johnson's Ancestry.
The White Prophet: Review
The Rev. William
Johnson.

as

he (the Chancellor)
was aware that the Inland
Revenue Commissioners contended that the income of an
inventor
derived from patent royalties was, under the
1907, not
Finance Act
be treated
earned income,
but was liable
the full tax
1s.
the pound instead
9d. which was the rate allowed on incomes earned by
other professional and scientific labours; and whether he
would state upon what section
the Act that contention
was founded.

CONTENTS.

0-º-º

If

of

as

to

of

º-º-º

1908, Sir Henry Kimber
November
put the following questions
the Chancellor
the Exchequer:

tions

earned.

of

to

AND INCOME TAX.
26,

The Chancellor
following terms:

b

by

his representatives

of

a

N

the hands

The committee
the society, observing the
discrepancy
put
these replies, propose
further
question
the Chancellor
the Exchequer.

45 a
w-ul---w

AUTHORS

But any payments received after his death would be income
him, and could not
from property left

derived
treated

of

is

to

all

only strengthen their own position, but the position
of
their fellow authors, and Surely,
the
majority, the latter reason
the higher ideal.

in

TISIES

16

�members.

of

or

is

or

or

to

to

It to

is

to

to

in

of

a

of

of

to

if

or

in

º-e
AUTHORS,

DRAMATIC

º-º-º

it

or

in

of

of

of

(a.) Sale outright
unsatisfactory.

of

an

of to
a

is

There are three forms
three or more acts:
is

dramatic

contract

a in

such
contract should stipulate
the contract
for production
the piece by
certain date
proper
publication
and for
his name on the
of

of

be

price can

for plays

the performing right. This
An author who enters into

a

in
in

of

a

if

proper

of

to
:

of

or

a

is

It

to

to

of of

of

of

TO

3.

It

2.

*
to

a

it

is

I.

WARNINGS

copyright.

sign an agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority.
negotiating for
well
be extremely careful
play with anyone except
the production
established
manager.

are
few standing rules
observed
an
agreement.
dealing
There are four methods
literary
property :
with

Selling
Outright.
This
sometimes satisfactory,

transfer

e

per

TO THE PRODUCERS
OF BOOKS.
e-Q-0
be

ERE

1s.

of

in

to

a

to

to

to

to to

|

(3.) Always avoid

EVER

º- a
v----w

WARNINGS

£1

(a

A

In

in

tº

of

(2.) The inspection
those account books which belong
right,
the author.
We are advised that this
the
nature
common law right, which cannot be denied
withheld.

to

is

or

9.

to

The subscription
the Society
annum,
£10 10s. for life membership.

the four

Such combinations are generally disastrous
the author.
Never sign any agreement without competent advice from
the Secretary
the Society.
Stamp all agreements with the Inland Revenue stamp.
possible.
Avoid agreements by letter
The main points which the Society has always demanded
from the outset are :
(1.) That both sides shall know what an agreement
In 68,0S,

so

of

to

agreement are combinations

do

to

8.

prevent authors from
referring matters
the Secretary
the Society;
some publishers.
Members can make their own
deductions and act accordingly.

above mentioned.

is
a

This
The

General.
All other forms

of

of

of

to

on

it

7.

stamp agreements.
days
first execution.

Commission Agreement.

The main points are
production.
(1.) Be careful
obtain
fair cost
(2.) Keep control
the advertisements.
(3) Keep control
the sale price
the book.

of

to

to

to

by

of

the Society.

IV.

a

of

to

of

a

6.

No contract should be entered into With literary
agent without the advice
the Secretary
the Society,
accept without careful
Members are strongly advised not
publishers
consideration the contracts with
submitted
literary agents, and are recommended
them
submit
interpretation
explanation
them for
and
the Secretary

what the proposed royalty means
both sides.
now
possible for an author
approximately
ascertain
the
truth. From time
time very important figures connected
with royalties are published
The Author.

of
a

in

be

of

Prospectus.

behalf

The Royalty System.
perhaps, with certain limitations,
the best form
agreement.
above all things necessary
know

to

To

a

in

to

To

To

(1)

B. The Committee have arranged for the reception of
members' agreements and their preservation in a fire
proof safe. The agreements will, of course, be regarded as
confidential documents to be read only by the Secretary,
who will keep the key of the safe. The Society now offers:
stamp agreements
possible action
readiness for
upon them.
keep agreements.
(2)
(3).
enforce
payments due according
agreements.
Fuller particu
Society's
iars
the
work can
obtained
the

form

III.

This

4. Remember always that in belonging to the Society
you are fighting the battles of other writers, even if you
are reaping no direct benefit to yourself, and that you are
advancing the best interests of your calling in promoting
the independence of the writer, the dramatist, the composer.

bad

is

send

Agreement

this case the following rules should be attended
pro
sign any agreement
(1.) Not
which the cost
part without the strictest investigation.
duction forms
putting the
give the publisher the power
(2.) Not
profits into his own pocket by charging for advertisements
by charging exchange advertise
his own organs,
ments. Therefore keep control
the advertisements.
(3.) Not
allow special charge for office expenses,
unless the same allowance
made to the author.
give up American, Colonial,
Not
Continental
rights.
give
up
rights.
(5.) Not
serial
translation
any publisher.
(6.) Not
bind yourself for future work
any one solicitor
well bind yourself for the future
Octor

A

3. Before signing any agreement whatever,
the document to the Society for examination.

Profit-Sharing

º

2. Remember that questions connected with copyright
experi
and publishers' agreements do not fall within the
Therefore, do not scruple to use
ence of ordinary solicitors.
the Society.

II.

agreement).

º

advice upon his agreements, his choice of a pub
lisher, or any dispute arising in the conduct of his
business or the administration
of his property.
The
Secretary of the Society is a solicitor; but if there is any
the
special reason the Secretary will refer the case tº
Further, the Committee, if they
Solicitors of the Society.
deem it desirable, will obtain counsel's opinion
without
any cost to the member.
Moreover, where counsel's
opinion is favourable, and the sanction of the Committee
is obtained, action will be taken on behalf of the aggrieved
member, and all costs borne by the Society.

Some agents endeavour

managed by
the Secretary

.

WERY member has a right to ask for and to receive

Many agents neglect
must be done within fourteen
Secretary will undertake

of

or

obtained.
But the transaction should
competent agent,
with the advice
the Society.

º-º-º

l,

17
of a

HOW TO USE THE SOCIETY.

TTISIOR.
be

A

TISIES

(?

play-bills.

�AUTHOR,
can be added to the warnings given for the
of books and dramatic
assistance of producers
It must, however, be pointed out that, as
authors.
publisher
from the musical
rule,
demands
the musical
a
C9mposer a transfer of fuller rights and less liberal finan.
cial terms than those obtained for literary and dramatic
property. , The musical composer has Very often the two
rights to deal with performing right and Copyright.
He
should be especially careful therefore when entering into
an agreement, and should take into particular consideration
the warnings stated above.

0-4-0

to

in

be

a

is

of

it

of

to

is

it

a

if

be
a

to

of

**

wº
-v-º--a

REMITTANCES.

CENARIOS,

º-º-º

All

to

of

give
the Society begs
The Secretary
that all remittances are acknowledged by return
remittances should be crossed
Lane,
Smith's Bank, Chancery
letter only.

Union
sent

of

notice
post.
London and
by registered

of

typewritten in duplicate on foolscap paper
forwarded to the offices of the Society, together with
a registration fee of two shillings and sixpence, will
be carefully compared by the Secretary or a qualified assis
tant. One copy will be stamped and returned to the author
Copies
and the other filed in the register of the Society.
by
of the scenario thus filed may be obtained at any time
the author only at a small charge to cover cost of typing.

by

of

to

accepted.

º-º-º

be

OF SCENARIOS.

is

of

Communications and letters are invited by the
all literary matters treated from the stand
business, but on no other subjects whatever.
point
art
Every effort will
return articles which cannot
made

Editor
be

REGISTRATION

of

as of
a

remind members
The Author begs
them
sent
the Society that, although the paper
producing
would
charge, the cost
free
great
the Society
very heavy charge
the resources
the Secretary the modest
many members did not forward
58. 6d. subscription for the year.
Communications for The Author should be addressed
the Society, 39, Old Queen Street, Storey's
the Offices
Gate, S.W., and should reach the Editor not later than the
21st of each month.

HE Editor

or

e

º-e

THE AUTHOR.
º-º-º

of

{}-6

e

to

are referred to the Secretary of the Society.

one guinea.

on

As these warnings must necessarily be incomplete, on
account of the wide range of the subject of dramatic con
tracts, those authors desirous of further information

fee

of

11. An author must remember that the dramatic market
object
is exceedingly limited, and that for a novice the first
is to obtain adequate publication.

this
assist the Society
informing young writers
its work
and
read
Their MSS. can
its existence.
The term
composition
coach.
treated by
treated
fiction, but poetry
only
works
MSS. includes not
possible, under
and dramatic Works, and when
The
Special arrangement,
technical and scientific works.
The
competence and experience.
Readers are writers
branch

of

play
10. An author should remember that production of a
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract.
He should therefore guard himself all the more carefully in
the beginning.

0-Q-0
EMBERS will greatly

on

should be carefully
for collaboration
9. Agreements
drawn and executed before collaboration is commenced.

BRANCH,

THE READING

is

consideration.

in

* h
v-v-w

to

8. Never forget that United States rights may be exceed
They should never be included in English
ingly valuable.
a substantial
agreements without the author obtaining

of

is

the
then forwarded
Secretary, and the voucher
members, who are thus saved much unnecessary trouble.

is of great importance.

rights in a
7. Authors should remember that performing
A manager
play are distinct from literary copyright.
holding the performing right or licence to perform cannot
print the book of the words.

or

The Society undertakes to stamp copies of music on
part
6d. per 100
members for the fee
of
the Society's
100. The members stamps are kept
safe. The musical publishers communicate direct with the
behalf

rights can
5. Authors should remember that performing
country, and
be limited, and are usually limited, by town,
This is most important.
time.
rights, but
6. Authors should not assign performing
should grant a licence to perform. The legal distinction

MUSIC.

STAMPING

of

one act are often sold outright, but it is
a small nightly fee if possible, and a sum
It is extremely
of such fees in any event.
the amateur rights of one-act plays should

L";

of

4. Plays in
better to obtain
paid in advance
important that
be reserved.

-º-º-º

be

(c.) Sale of performing right or of a licence to
perform on the basis of royalties (i.e., fixed
nightly fees). This method should be always
avoided except in cases where the fees are
The
likely to be small or difficult to collect.
other safeguards set out under heading (b.) apply
also in this case.

TO MUSICAL COMPOSERS,

WARNINGS

its

(b.) Sale of performing right or of a licence to
perform on the basis of percentages on
vary between
Percentages
5
gross receipts.
An author should obtain a
and 15 per cent.
percentage on the sliding scale of gross receipts
Should
in preference to the American system.
A fixed
obtain a sum in advance of percentages.
date on or before which the play should be
performed.

or

TISIE

18

�TISIE AUTISIOR.
or

be

to

on

of

If

of

of

be

of

STANDING

MATTER.
to

or

on

to

be

of

to

a

its

to

be

of

we

a

to

of

a

of of

In

at

to

a

of in

to

of

on

be

to

is

is of

to

to

of

be

to

MORAL

OBLIGATIONS.

of

to
by in a

of

by

a

WE were discussing with
well-known English
composer the other day the serious issues involved
copyright
publisher, and the
the transfer
fatal result
the composer
the event
the
assignment
the contract
the trustee after
of to

of

to

in

of

of

a

to

of

to

it

to

of

as

a

to

its of

to

to
of a

committee formed shortly
the July Author. Appli
cation was made
the Society
Authors
appoint
delegate
represent
views before
Unfortunately,
the committee.
the last meet
ings
the society's committees before the vacation
had been held,
was impossible
obtain sanction
represent the
the appointment
dramatist
society officially, but the secretary circularised
various members
the dramatic profession, mem
bers
the society,
order that they might per
sonally give expression
their views before the
committee that had been appointed.
Much
the

a

dramatic
plays,

in

of

of interest to
the censorship

of

ANOTHER question,
writers, the question
has been referred
after the appearance

We should like
remind musical composers
that the Society stamps their compositions, retain
ing the stamps
safe
the office, and charging
the usual fee
5s. per 1,000.
The vouchers are
forwarded
the composers and the accounts for
stamping rendered semi-annually.
To all members we should like
state that the
agreements
Society
undertakes the stamping
necessary
and letters
contract.
All that
that the agreement should
sent
the office
within the prescribed time. The document will
returned, the only charge made being the cost
paid.
the stamp duty which has
The society also stores agreements
behalf
members, keeping them
safe for this purpose.
Some
our members may have overlooked these
matters, which we recall for their convenience.
of be

all

======

of

*

to

SINCE the last issue of The Author the Depart
mental Committee dealing with the Berlin Con
vention has been taking further evidence on the
many points connected with this very difficult
subject.
The Society of Authors has given every
assistance in its power in the collection of evidence
on the points suggested by the chairman and
secretary of the committee.
The president of
L'Association Littéraire et Artistiques Inter
nationale has given evidence before the committee
on the question of the duration of copyright. We
understand that all the evidence has now been
taken, but that the committee will re-assemble in
the autumn in order to consider their report. This
report will be awaited with great interest by those
who have any dealings with copyright property.

it

do

it

if

or,

a

of

paper often neglect
READERS
read
standing matter,
they read
once, forget
again.
substance and
not read
may
worth while, therefore,
remind
members
one
two points
which the society
endeavours
advise and protect them.
the beginning
this year the society
register
plays. This
established
scenarios
great convenience
good
has been found
many
may
permitted
our members, but
call the members' attention once again
existence.

It

PARLIAMENTARY COMMITTEES.

its its

to

all

is

its

as

or to

of

WE regret to record the death of Miss Rosa
Nouchette Carey, which occurred at her residence,
Sandilands, Putney, in July.
Miss Carey joined
the Society in 1891, and was a member up to the
day of her death, as well as an annual subscriber to
*.
the Pension Fund since its inauguration.
As a writer for girls she enjoyed a wide popularity,
appearing in
her first story, Nellie's Memories,
1868, and her last, The King of the Unknown,
to which we referred in a previous issue, being
published by Messrs. Macmillan &amp; Co. in September.

In

to

masºmº,
*mammº

to

WE have much pleasure in announcing that Mr.
Thomas Hardy has accepted the presidency of the
Society of Authors.

of

a

THE SOCIETY's PRESIDENT.

of

in

to

-º-º-º

an

evidence has appeared
the papers.
One
two
members, owing
what would appear
inac
Curate report
which the society's name was men
tioned, have obtained
false idea
the work
the
$90iety's committees and the attitude
the society
the matter.
these members had taken the trouble
read the columns
The Author they would not
have been misled and would have known what had
taken place.
We must refer members
the
Society's organ for full information.
this case
also the report
the committee will
awaited
With great interest.
Whatever view one may take
the desirability
the censorship whether
against
for
continuance the
matter
one
great importance
dramatic writers.

in

GENERAL NOTES.

19

�THE AUTHOR.
can then obtain an injunction against the printer, have
the pirated work destroyed, and the party so infringing
unished.
Sir
Jordan adds that similar applications
made through British consuls to local authorities in China
against
infringement by Chinese subjects of British
copyright have met with success.
am to inform you that there is no objection to the
publication of this letter.
am,

J.

I

I

Sir,

Your most obedient, humble servant,
F. A. CAMPBELL.
à
º- -a
wº ~-w

SIR THEODORE
0-Q-0

Y the

MARTIN.

Sir Theodore Martin literature

death of

to

a

as

as

no

a

it

be

to

of

to

in

he

of

of

as
a

as

a a

of

of

its

doyen, and the Society
loses
Authors
twenty-five
years' standing.
member
letters; and
He was solicitor
well
man
practical affairs
doubt the large experience
which
had gained
the former capacity helped
him
realise from the outset that the work which
the founders
the society were setting out
do
was work which badly needed
done.
The law,
has often been said,
is jealous
mistress and brooks
rival.
Most lawyers,
therefore, who have discovered
talent,
well
taste, for literature, have taken the earliest oppor
no

tunity
quitting the law for the pursuits which
pleased them better.
Wilkie Collins did
for
one, and
easy
would
cite other examples.
Sir Theodore Martin, however, contrived
follow
both callings with equal success, and
may
adopting the policy
said
have done
those
strange people
Odyssey who earned
the
toiling both night and day. His
double wage
office hours, during the greater part
his pro
fessional life, were from nine o'clock
the morn
ing until nine o'clock
night. He then so we
gather from some personal notes contributed
few
years ago
Literature
his relative, Mr. Robert

be

of

by

a

to

by

a

at

in

of

by

in

a

a

to

it

of

a

it

to

an

by

or

he

of

printed

in

of

protests against the blatant Radicalism
the motor 'bus.
There may
truth
the
ancient adage that hard work never kills ; but
no

J.

be

and Chinese subjects.
Great Britain, as you are aware, has no treaty with China
which deals with the question of copyright, but Sir
Jordan states that a Chinese author wishing to protect his
work usually sends a copy to the local authority begging
warning the public
that he will issue a proclamation
against infringement.
In case of infringement the author

he

I

strain
such excesses,
would have found the
willingness
the spirit undermined
the weak
ness of the flesh.
Sir Theodore Martin carried his
carry
burden lightly, and continued
until
advanced
old age. Working
harder than the
average solicitor,
larger output
also produced
letters; while
books than the average man
seems only the other day that
was still con
spicuous
the old-fashioned Conservatism
his

of

FOREIGN OFFICE,
June 12, 1909.
SIR,-With reference to your letter of February 24th last,
am directed by Secretary Sir Edward Grey to inform you
that a despatch has now been received from His Majesty's
Minister at Peking upon the subject of the protection of
British copyright in China against infringement by British
-

by

We have much pleasure in printing, with the
consent
of the Foreign Office, the last letter
received on the subject :

Machray rested from his labours and refreshed
himself for brief hour and half; but presently,
10.30, he sat down
write, and often continued
his desk until the clock struck two.
Most men would have broken down under the
of

Office and ascertain what retribution, if any, could
be obtained against piracy in that country, taking
into consideration the fact that no treaty dealing
with copyright exists between Great Britain and
China.

at at

SOME months ago one of the members of the
Society drew the committee's
attention
to the
question of literary piracy in China, and the
secretary was instructed to write to the Foreign

it

to

COPYRIGHT.

of

CHINESE

he

to

to

it

be

so

of

the publisher's bankruptcy.
The composer stated
that although the assignee of the contract might
not be bound by law to pay the royalties, the com
poser's claim being merely one for damages against
the bankrupt estate, yet he felt quite certain that
no respectable music publisher would repudiate his
obligation under the original contract.
We were pleased to hear this expression of
opinion.
Business men, as a rule, do not take
much cognisance of moral obligations,
and the
society has generally found moral force of little
avail unless it can be backed up by legal pressure ;
but we are compelled, with regret, to confess that
our experience does not bear out the statement
made by our friend the composer.
We have known one publisher of books who has
paid the royalties in full on taking up contracts
from a bankrupt estate. We have known other
publishers who have been only too willing to take
advantage, in order to evade payment of royalties,
of the doubtful wording of any contract, when they
consider that this wording is covered by the legal
decisions, and we have known publishers of music
as well as of books equally ready to repudiate their
moral liabilities in the circumstances.
It is necessary to repeat, therefore, that no
author or composer should trust to the morality of
the issue, but should invariably insist upon a con
tract which does not transfer the copyright either
directly or impliedly to the publisher.

a

20

�he

by

a

he

of

in

a

to

of

it

be

in

he

poet unless
loves him.
He must first
penetrated
his spirit, and have steeped his
ear
the music
his verse, before
can reflect
these under
humorous aspect with success.
Precisely because they fulfil those conditions,
keep
Theodore Martin's parodies are likely
permanent place
that class
literature.

in

COPYRIGHT

U.S.

by

of

in

to

is

in

of

in

a

is

:

as

a

as

is

to

as

in

by

is to

of

on

a

of

of

to

as

1.
e.

A

or

of

a

or

all

of of
by

be

if

or

or,

or

by

by

of

or

as

of

in

a

of

in

be

of

a

be

a

to

in

or

of

a

no

be

it

in

as

to

he

brackets preferably

periodical
That
the printed book
section five, subsections (a) and (b)
this Act, except the original text
book
foreign origin
language
languages
copies accorded
other than English, the text
protection under this Act, except
below provided,
printed from type set within the limits
shall
the United States, either
hand
the aid
typesetting machine,
any kind
from plates
made within the limits of the United States from
type set therein,
produced
the text
lithographic
process,
photo-engraving
process,
process wholly performed within the
then
limits
the United States, and the printing
the
performed within the
text
the said work shall
limits
the United States [which requirements
shall extend also
the illustrations within
book
consisting
printed text and illustrations produced
lithographic process
photo-engraving process,
except where
either case the subjects represented
foreign country]; but they shall
are located

SEC. 15.
specified

of by

as

of

as

no

no

follows, part

of

in
of

of

of

to

promise, was
omitted

of

no

it

in in we

a

In

us of

of

to

is

of

little offence
their victims and,
Sir
Theodore justly claimed, for the same reason.
one,
quotes from Heine,
Let
ridicule
mankind unless he loves them ; and he con
tinues :
said, let
With
less truth may
one

SEC.
The proviso curtailing the rights
musical authors
mechanical reproductions.
SEC. 13.
The addition of the words and the
copyright shall become void
(in case
non
deposit
copies), which makes
double, indeed
triple,
penalty
and
involves
forfeiture
technicality, while denial
proceed
the right
against infringers until such deposit
made
quite sufficient.
SECS, 15 17.
The manufacturing clauses, which
prevent participation
this country
the Berne
binding and
Copyright Union, particularly
illustration.
The affidavit clause
considered
needlessly burdensome.
less objectionable form, admissible
com

of of

as

of

at

a

.
.
.

be

to

a

of

to

a

of

.
.
.

as

to
a

a

a

purpose higher than mere amusement, appeared
the verses, with
few exceptions, which subse
quently became popular,
degree we then little
contemplated,
the Bon Gaultier Ballads.
Fortunately for our purpose there were then living
thought
not
few poets whose style and manner
were sufficiently marked
make imitation easy,
popular
parody
and sufficiently
for
their
readily recognised.
Never,
characteristics
probably, were verses thrown off, with
keener
writing them we had
enjoyment.
sense
thought
pleasant sur
the public, and
was
prise
when
found how rapidly they became
England, but also
popular, not only
America,
which had come
for no small share
severe
though well-meant ridicule.
On the authors
the Bon Gaultier Ballads,
say, had fallen the mantle
that
the authors
Rejected Addresses.
Their parodies were
well liked
those
their predecessors, and gave

productions:

by

of

of of

of

or

an

or

of

of

he

says, in which we ran
In these papers,
atilt, with all the recklessness
youthful spirits,
against such
the tastes
follies
the day
mirth,
presented
opening for ridicule
the
same time that we did not altogether lose sight

as

are the features
which the
unsatisfactory
new code
the friends
unrestricted property rights
intellectual

et

de

a

in

be

collaborator.

Weekly.)

Publishers'

States

HE following

ce

en

et

et

en

in

of

a kind
Beaumont and Fletcher partnership
with Professor Aytoun. His own account
the
partnership
may
read
his memoir
his

DEFECTS.

CODE

e-º-º

(Printed from the United

in

of

of

in

to

a

in

to

no

imposed restrictions
the biographer.
He could
more give expression
his own personality
such
volume than
his various translations
from the German and the Latin. The more critical
public, therefore, will prefer
judge him
those
Bon Gaultier Ballads which he wrote
the
heyday
his youth and irresponsibility.
course, was taken from
The pseudonym,
Rabelais.
A moi, we read
the master's pages,
gloire d estre dict
reputé
n'est que honneur
Bon Gaultier
bon compaignon;
nom Suis
bien venu
toutes bonnes compaignies
Panta
gruelistes.
young man
Sir Theodore, then
about five-and-twenty,
wrote under the signature
for various magazines, first alone, and afterwards

GRIB BLE.

FRANCIS

on

of

up

of

to

of

parody

21

Sir

it

at - events,
had
neither terror nor peril.
The work which gained Sir Theodore his widest
circle
readers was indubitably his official Life
the late Prince Consort,
which
devoted
fifteen years
his leisure.
The mere fact that
was official, while opening
sources
information
which would not otherwise have been accessible,

of

for his vigorous constitution,

AUTISIORs

a

all

THE

�A DITISIOR.
an

or

of

at

if

as

all

In

to

of of

of

in

of

of

if

or
a

if

:

as

to

in

be

if

or or

or or

to

to

no if

of or

in

of

be

;

or

or

in

of

by

of

or

no

in

of

of

to

in

to

as

by

in

as

thirty-first Congress
the International
Literary and Artistic Association was held
Copenhagen
26,
from
June 21,
join the Berne
Denmark was the last

and

to

but was anxious
support

continuous

show her zealous
the principles

of

1909.
Convention,

to

a

of be

AT COPENHAGEN,
sº-0

HE

if

of

it

or

in

to

of

In

or

be

e

a

for

of

a

of

be

THE CONFERENCE

of

in

* ~~ A.
v-v-w

to

for byas

or

for

is

of

of

of

for

to
In
a (a)

of by

of

SEC, 31.
The importation clauses, while abso
lutely prohibiting importation
foreign-made
copies even for the author himself, omit the words
with the written consent
the copyright pro
prietor, from (d) first and third, emphasised
publishers
necessary
secure the American
market,
previous
1891, and
accord with our
patent laws and the copyright provisions
other
countries.
Omits,
SEC. 53.
view
the voiding for non
deposit, the desirable proviso; Provided, That
regulations shall affect the
breach
such rules
validity
the copyright.
supported
These variations from the bill
publishers are here recorded for possible use
case
of future movements for amendment.
as

of

of

or
of

or
of

or

a

of
for

or
by

of

any posthumous work,
any
the case
periodical
any work
other composite work,
copyrighted
corporate body (otherwise than
assignee
authors),
the individual author
employer
hire,
whom such work
made
fifty years from the date
first publication;
any work not specified
(b)
the case
sub
section
this section, but including contribu
periodical when such contribution, has
tion
been separately registered,
the lifetime
the
fifty years after his death (or
author and
joint authors until fifty years after the
work
them); and
death
the last survivor
shall
executors, administrators,
assigns
the duty

the application for such

of

In

(a)

this Act shall

:

That the copyright secured

endure

:

by

as

in in

of

a

of

by
all a

a

be

of

be

to

a

as

shall knowingly make
false affidavit
his
having complied with the above conditions shall
misdemeanor, and upon con
deemed guilty
punished
viction thereof shall
fine
not
more than one thousand dollars, and
his rights
and privileges under said copyright shall thereafter
be forfeited.
SEC. 23.
Authors and publishers desired term
accord, with the Berlin
life and fifty years,
agreement,
embodied
the following draft

successor shall join
renewal and extension.

of

in

of

to

a

of

of

or

of

of

or

or

or

or

plates were made
lithographic
process,
photo-engraving
printing
process
were performed and the date
the completion
publication.
the printing
the book
the date
SEC. 17.
That any person who, for the purpose
obtaining registration
copyright,
claim

of

type was

publish the work on
less
entitled
continue
payment
the royalty stipulated
the original
agreement
but
such original assignment
provision for the payment
license contained
royalty, the copyright shall
renewed and extended
only
case the original assignee
licensee
his

at

set

or

of

of

of

printing
the text
the said book has also been
performed within the limits
the United States.
Such affidavit shall state also the place where and
the establishment
establishments
which such

in

be

of

or,

if

of

or

by

;

set

or

within the limits
the United States
from plates made within the limits
the United
States from type
therein
the text
produced
lithographic process,
photo-engrav
ing process, that such process was wholly performed
within the limits
the United States, and that the

the copyright office the

work published anonymously
under
assumed name, copyright shall subsist for the same
period
the work had been produced bearing
the author's true name, provided that
least one
year before the expiration
fifty years from the
publication the true name
date
the author shall
registered
the copyright office.
the
above cases the term shall extend
the end
the
expiration.
calendar year
SEC. 24.
The bill omits the provision asked for
publishers, with the concurrence
the authors,
known
the Munroe-Smith proviso
And provided further, That
such subsisting
copyright
shall have been assigned
license
granted therein for publication, and
such assign
ment
license shall contain provision for payment
royalty, and
the renewed copyright for the
extended term provided
this Act shall not
assigned nor license therein granted
such original
assignee
licensee
his successor, said original
assignee
licensee
his successor, shall neverthe

T

type

of

set

he shall require an affidavit, under the official seal
of any officer authorised to administer oaths within
the United States, duly made by the person claim
ing copyright or by his duly authorised agent or
representative residing in the United States, or by
the printer who has printed the book, setting forth
that the copies deposited have been printed from

such author,
record
date
his death.

by

not apply to works in raised characters for the use
of the blind, or to books published abroad in the
English language seeking ad interim protection
under this Act.
SEC. 16. That in case the Register of Copyrights
shall receive notice, upon information and belief,
or shall have other reason to believe that the copies
so deposited have not been manufactured
within
the limits of the United States as before provided,

of

TFIES

22

�THE AUTHOR,
A.

of

a

at

a

be

a

a

no

in

a

so

in

in

is

in

as

of

of

an

of

to

is

;

if
it

it

in

be

be

by

a

is

of

to

it

to

a

is

of

on

to

to

of

of

on

be

to

on

is
.

a

in

is

to

to

to
.

to

to

be

a

CABIN.
by

TOM'S

in

(Written for the Bath Classics.
Published
Cedric Chivers, Ltd., Bath.
Printed
these.
columns
the kind permission
the author,
with the consent
the publishers.)
of

of

more simple
those whose judgment
un
first-hand knowledge
the
given work upon the author's.

of is

appraisement

matter for
trammelled
effect produced
contemporaries.

a

ITERARY

is

of

UNCLE

by

to

to
to

º-- ~
a
v-u-

by

of

of

all

up

be

to

of

to
a

of

to

at

as

of

it

t

iſ

likely,
ideal will not
account
the reasons.
put forward,
adopt the policy
retaliation, but
will urge every nation
come up
the
platform
which they themselves stand.
the recent Act passed
the United States.
higher platform.
tendency
we see
rise
slow, but still there
The movement, indeed,
movement, and we trust that the United States,
copyright
when next they bestir themselves
alteration, will
able
come whole-heartedly
the level
the civilised European nations.

by

of

to

it

to

a

is,

a

is

It

came

it

at

of
a

in

it

to

in

of

of

or its
to

into existence after Norway, and
joining the Berne Convention, found
sign the additional Act
hemselves unable
aris.
Mr. Oesterreith trusted that along the
possible for
nations,
lines laid down
would
time,
the course
level
their laws
the
present fixed.
Convention
Śweden,

on

tically

per
The Berlin Convention
not
fect convention, but
the delegates
the different.
nations
would appear that this has seemed the
most perfect Convention obtainable under existing:
conflicting opinions.
circumstances and amidst
many points
passes beyond the Copyright
Legislation
the countries which were represented.
The Convention
fair ideal for which to:
struggle, and those nations who get nearest
the

right laws.

a

of

of

its

is

on

a

in

of

to

accept one
two alternatives either
see
some
decisions practically nullified and
resultless,
find some plan which might result
development
international protection, such
that the countries which could not agree
all
particulars might accept the union with restric
tions.
This plan Mr. Oesterreith has named the
system which prac
differential system.

If

its

in

of

of

of

do

to of

of

upof

to

of
at

likely
Convention
affect the cause
inter
national copyright.
|M. Albert Oesterreith
read
most important
report
the Berlin Revision.
He said that
the
Conference
that
the
Berlin Con
having
ference found
itself
the position

point, and
return.
This
doubt
England have been suffer
strong point, but we
ing from this for
long
our connection with
the United States that this argument will have
but little weight.
There has been
certain
England about retaliation.
amount
talk
this same argument found support among those.
suggested
nations who take the higher ground,
M. Taillefer, the result would indeed
disas
trous, and render international agreement almost.
hopeless, but we cannot think that this will
the
case.
We have been optimistic
the past and
OSt.
Personally,
are still so.
we think
admirable step that the Convention
should have
impossible
been passed
for even
the
present circumstances for any nation
adow
the
whole
the Convention, yet there lies before the
legislature
each country
ideal towards which
legislators will look when altering the copy
little

In

its

by

to

to

be

to

an

of

of

to

to

its

in

present form owing
great extent
the
efforts
the International Literary and Artistic
Association during the past years, and We must
feel deeply grateful for the work this body has
done and for the results that
has been able
attain.
We regret, therefore, that the discussion
Copenhagen appears
raised
make
not
little doubtful how the passage
the Berlin

On the other hand, M.
Taillefer pointed out
the dangers which might result from the
Berlin, the chief one being that.
course adopted
higher
the countries whose copyright law took
giving
ground would
great deal and getting:
Some

In

It

a

be

to

is

is

to

of

of

in

all

warmest description.
We regret that the Society of Authors has never
been represented at these annual gatherings.
Its
delegates should take a part, and a prominent
part, in
any Way
assemblies which can
copyright reform.
further the cause
No doubt
any representative was due
the absence
the
wealthy body.
fact that the society
not
hoped, however, that the time will come
when the society will
able
afford
send
representative annually
these meetings.
King Frederick
The delegates were welcomed
appropriate speech
the Seventh, who made
proposing the health
the International Society.
The sessions
the Congress
were devoted
principally
questions
the investigation
art and architecture
and the application
the
industry, questions which
arts
not come
within the scope
the Society
Authors. The
greater part
literary matter
the time devoted
was taken
with the discussion
the Berlin
probable result.
Convention and
Rothlisberger,
Professor
the great copyright
authority, and Secretary
Berne,
the Bureau
who has always been most courteous and con
Authors, assures
Society
siderate
the
us that the Convention
the result
the
Berlin Conference has been moulded and posted

a

copyright, and gave the delegates a welcome of the

23.

�THE A DfTHOR.

24

praising

The third
not
much ours
what we
surprise,
are sure, would
Mrs. Stowe's the
too,
those zealous and somewhat shortsighted
Abolitionists, could they know that nearly half
century after the outbreak
the Civil War,
the most difficult, perhaps most menacing, problem
confronting
precisely
America should
the
relation between the white population
and that
other, less and less black, yet never
practice
equal, and never wholly free.
After
these decades
the nominal emancipa
tion
the negro, few indeed are the white house
any part
holds
America to-day where the

a

is

he

at

in

a

is

it

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is

so

as

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if

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.

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by

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in

to in

former master.
Hence her enthusiasm for the naif
plan that America should give the slave his manur
mission papers with one hand, and with the othe
should open the door and politely,
but firmly,
wave him off the premises.
Not even our
ardent philanthropist
could
her inmost softl
think
the negro
share citizenshi
with Beechers and with Stowes
the home

fit

of

however, only fair
Mrs. Stowe's perspiCacity
say even though the admission provide,
food for the ironist that
the Reformer-novelist
foresaw something
the difficulty involved
the
jowl, with his
life, cheek
free negro's taking

as

of

on

of

of

of

I

of a

to

of

I

is,

is

or

a

of

of

is

of

of

Abolitionists

1850
the hard reality
these early years
the twentieth century
find ourselves con
startling commentary upon the more
fronted
obscure elements
the destiny
nations.
Here
We are, after many days,
face
face with one
those not-to-be-predicated
results
human
action, which seems
set history forever outside
the realm
science.
to

a

so

a

It

to

on

of

at

I

a

It

To turn from the hopes indulged

of

an be

to

of

a

of

a

of

an

a

of

of

to

little

in

its of

so

it

as

to

as
a

a

as

by

on

is by

kindly,
nevertheless
sure that
the
woman
would not have been
set beside these grave and reverend
to-day.
tributes
certain verdict
have
good story.
said that this brave book
also
being read
comes well out
the test
aloud, and out
that other
test
hold
ing the attention and sympathy, not only
administrators
and men
the world, but also of
youth.
lay
The laurel
am proud
the altar
One
humorous
ill-pleased

in

a

by

of

of

a

in

be

a

in

I

born white child has to-day) and who had known
youth the kindness and the sheltering
black
nurse's faithful arms.
Between those days and
now stretches the dismal swamp
the Reconstruc
newly filled with the
tion period, and the air
lingering poison left
the more recent lynchings
and race riots.

in

of

it

all

of

a

to

to

g is

a

of

in

So

a

as

Topsy,
had its share
skill that did not
exhaust itself upon the moral issue.
true
there are those who believe that the ailing and
housewife writing her book with
poverty-ridden
baby
eye
her knee, and
the oven
story
wipe her
did more
means
country
slavery
clean
the stain
than
any single statesman
any
the Capitol,
general
the field.
Lord Palmerston said
Uncle Tom's Cabin :
have not read
novel
for thirty years, but
have read that book, rot
only for the story, but for the statesmanship
it.
Lord Cockburn could declare the story had done
more for humanity than was ever before accom
plished
any single book
fiction.

coloured citizen would
received
the footing
brotherliness and respect accorded the refugee
slaves on the northern side
the Ohio river
the
eighteen-fifties.
those days the fusing flame
abolitionist ardour burned steady
the North and
the South was still
fund
that old patriarchal
kindness
the breasts
white folk of men and
women who had had negro playmates (as
well

of

of its

Through the mouth
the least inhuman
her
slave-dealers she says:
You Kentucky folks spile
your niggers ;
through
and
the story she
shows,' that the most horrible threat which
was
Kentucky slave was his
possible
hold over
being sold out
that State.
many
To re-read the work after the lapse
yea
find one's early bias corrected
gro
perception
temperance,
the
the
scru filous fairness of the famous
indictment.
Two" other surprises await the latter-day reader
long
Uncle Tom.
The work has worn for
purpose, everywhere (except
label
novel with
perhaps
the Southern States)
has come
unquestionably accepted
having played
active part
the awakening
national
conscience, that the new generation
readers
good
will
little prepared
find the book
story.
Albeit Mrs. Stowe was not
theme, but
novelist using reform
reformer
using the novel
weapon, the hand that drew
Miss Ophelia,
Uncle Tom, and the immortal

It

'

valour, and breeding ;
for magnanimity,
whose treatment of the negro she characterised
exceptional
patriarchal
indulgence.
as
for

of

Mrs. Stowe's memory
the record
school
boy's indignation
hearing
Uncle Tom's Cabin
described
classic.
When finally overborne,
said with the air
one who breaks
lance
some
classic, it's jolly
dear cause: Well, even
decent. . The frame
mind that produced that
appreciation
flower
the modern reader's second
surprise.

of

To think of Uncle Tom s Cabin is for some
of us to remember hearing that book described in
our youth as a vicious travesty upon the institution
of slavery as it existed in the Southern States.
It is curious now to recall the fact that bitter
resentment against Mrs. Stowe's work should have
been perpetuated by Kentuckians in particular
those Kentuckians
Mrs. Stowe is never tired of

�TISIE AUTISIOR,

to

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Y

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if

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:

ilm

to in

a

until the house was still for the night, and
enjoyed
borrowed bougie
the light
length
disused garret.
the silence
day's march behind. Could
Duty first, pleasure
her heroine, have
Charlotte Brontë, with her soul
One's thoughts
treated the incident otherwise
bleak Haworth and her cheerful setting
once
any plans
her own which threatened
aside
lie

a

is

to

in
he

to

its

For the elect
wise so truthfully reflects nature.
are as great offenders in this matter as the paid
hacks writing to space. The latter might be for
given for marking time a little at a crucial moment
determined length, but
to eke out the story to
find the man who has
one does not expect
league with the printers, indeed one
arrived
not, and casts about for
fresh
knows that
glution
the mystery.
Casterbridge
*In Mr. Hardy s Mayor
the
instance occurs which strains credulity
the inn when Elizabeth Jane
the scene
utmº
returns from her interview with Henchard bearing
woman
Here
her mother.
note from him
who years before, when Henchard's wife, was sold
fair for five
auction
his cups
Casterbridge
Coming
guineſs
another man.
supposed widowhood for the sole purpose

keep the
children who prefer
read my letter there
Did
the last.
once, and
consume the venison
Did
then
day
every
haste,
flew
shaft
Esau s
with
The precious
Willette.
Thus Lucy Snowe
M.
letter from Bretton given into her hands
be devoured
class was not
her desk
Paul
The cover with its
were.
mouthful
address, the seal with its three clear letters was
bounty and abundance for the present,
and the
stealthy exit from the
description follows
room, the acquisition
the great
the key
dormitory, and the subsequent committal
the
precious document, shrouded
silver paper
her bureau, there
drawer
box
case within
grown-up
to

appears to be wilful procrastination
or maddening inability to seize the golden
opportunity on the part of characters in
fiction often causes the novel-reader to throw aside
his book in disgust, or at least to lay it down and
question the likeness of certain passages to life.
There are undoubtedly some amongst us who fail
to utilise life's great moments; Mrs. Pullets, who
withal slaves to dress, keep their best clothes under
lock and key in an upper chamber, and never wear
them out, but so few are these that they stand forth
and the feel
as notable landmarks in idiosyncrasy,
ing becomes strong in encountering them repeatedly
in novels of some defect in the mirror which other

a

HAT

in

º-º-º

to

THE PROCRASTINATION OF HAPPINESS
IN FICTION.

in

of

to

º-e

fly
at

e

a

ELIZABETH ROBINS.

of be

that half a century after she had described the
brotherly-kindness
of Indiana whites towards the
negro, that these passages would sound as strange,
as unrealisable, to Northern ears, as they did to any
slave-holding Southerner in the ante-bellum days.
Once more we are confronted by the impotence
of the sword to right the most galling wrongs.
Not by battles in the field by victories in the mind
and heart of man shall the true emancipation come.

giºs

brought
the
her
the answer
the evening, although moved
the course
once, but
she does not read
description
Elizabeth Jane's
asks for
Henchard,
matter one would think
Importance
the direct communicati
also
Mr. Hardy
sealed before her.
On
for Raye's lukewarm attitude
genuinely disquieted
He
Circuit.
girl who attracts him has not availed
write, and when
permission
answe
comes,
request that she will
hour, though
the first
for half
he has received from her.
And the whole raison d'être
Weyman s
Castle Inn, though the fac
deplored
his readers,
means
the heroine, who although
behaviour
her lover
with emotion and happiness
tion must needs postpone her acceptan
more
There
for twenty-four hours.
Hetty Sorrel, whom exacting househol
prevent from opening the letters whic
her through Adam Bede.
thorne sent
delivery come Mrs. Poyser s col
heels
her
draw the beer, whilst the lighting
pipe and
hundred trivialities follow.
Wonders that the poor girl, guessing the
import
the letter, does not contrive
her bedroom before dark.
course be made for
must
Allowance
When

by

Whatever were her misgivings, the actual
Heaven.
result of the failure to adopt her simple remedies
No
must have beggared her darkest imagining.
One could have made Harriet Beecher Stowe believe

discovering her first husband, she makes known
her
letter conveyed
him her whereabouts
daughter.
sufficient evidence that she
This
person, yet
introduce herself
too perturbed

it

free.
of
the
land
the
and
of the brave
Apparently she was to the end unconscious how
charged with evil significance for the future of
America was her quite typical Yankee eagerness to
transfer all her dear black friends to Liberia, or to

25

�THE AUTHOR.
of

T

is

on

a

it

of

at

a

it

if

it

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of

or

a

to of

its

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to

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of a

It

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it

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to

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in

a

a

of

as

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be

to

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at

a

I

of

in

or

or

or

by

to

be

as

of

in

or

of

to

of

on

bybe

of

by

as

in

it

as

as

of
it,
is

on

is a

is

to of to

it.

or

or

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of

of an

at is

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on

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of

or

do

of

º

is

O

or

in

it

is

in or

a

of

do

it of

of

of

on

say.
booksellers
am not prepared
both are excellent, but between
them they
not handle their wares with the
common sense with which the grocer handles his
pounds
pots
jam.
tea
What the book
put
seller can
when
almost beyond
important
belief.
Not long ago
saw
railway station,
the stall
one
the largest
book-distributing agencies
the United Kingdom,
row
the little volumes
the Scott
lishers

The intentions
of

in

a

be

to

this

or

a

in

at

to

be

to

to

be

to

be

to

of

of

to

to at

do

be

on

MYRA SWAN.

an

to

of

in

all

or

to

of

in

of

it

if

At

of

to

*

frighten them out
hinder
the state
aralytic hysteria which appeared
overtake them
joy, and Jane Austen's Marianne
crises
parallel case, snatching
Willoughby's letter
which the servant delivers
her
the common
working-table, and fleeing, deadly pale, from the
room, seems the only woman worth her salt.
The
gods that
not put themselves
the trouble
providing good things with the intention that
they are not
enjoyed
Happi
the utmost.
put before hungry
ness was never intended
appetites
the return system a sugared cake
our midst not
cut into, and many
sermon
youth, not
should
drummed into the ears
only from the pulpit, but through the medium
stage and literature,
grasping
the necessity
comes.

found most prominent
There are exceptions

rule,
course.
Some soldiers are brave,
know
several women who are more domesticated than
the average man, some poets are imaginative, and
few,
very few, practical men are practical.
any rate,
But
what
called the book trade,
the more the work
done falls into the region
the practical the worse
done.
On the
whole,
the present day, novels are better written,
printed, published, advertised, and reviewed, than
they are handled
commerce,
articles
sold
lent for
fee over
counter like any other
article of commerce.
We are always hearing that the book trade
suggestions are made for
bad way.
All sorts
improvement, but they are all,
nearly all,
trade,
based
the assumption that the
the
practical part
being done
well
can
being done very
done.
On the contrary,
badly.
Any improvement
the book trade, and
particularly
affecting the sale
novels, will
achieved, not
juggling with prices,
pander
strenuous efforts
the part
writers
imaginary
taste
the public,
more
exciting advertisements, but,
any other trade,
bringing the article
the obvious means
sold
lent into contact with the people who are
likely
buy
borrow
present there
conspiracy
keep.
almost
pub
them apart.
Whether this
the fault

a

or

a in
a

la

as

to

t

the lights
the stereotyped
how true men and women ought
der given circumstances,
the actors
the
ing examples, with the exception, perhaps,
Snowe, deserved the lash
some such sharp

cold blood will
individual members.

its

all
is

a

of

an

f

he

rding

commonplace,
the writer
novels
but none the less exasperating
that
account, that for every person who buys his
work
borrows
from library there
another
who would buy, and there are
least twenty who
they were aware
would borrow
its existence.
There
no reason whatever but removable defects
the machinery
distribution why
novel that
sells from one
three thousand copies should
not easily sell
twice
three times that number.
things for the novelist, but
This
sad state
pretty safe general
not surprising.
any particular class
rule that the official virtue
profession
not the one that
examination

be

It

nt.

he

point
duel between human nature
ame personality, which after
but the
individual man
woman pitted
same property
more general sense.
est
nature vue
travers un tempera

-º-º-º

to

with their creator's ideas of life. Never
strength an author can trans
aſsoever of
* soul into his work, such as can help
2 race that is set before us, whether it
he mouth of a fictitious man or woman,
kes the form of a little moralising by
would none of us wish to eliminate,
ffend the canons of art or not.
We
anity Fair puppets for themselves, but
ll more the countless peeps afforded us
r dead hand that pulled the strings
maxims given by great lights to less
comes only
in literature by the
2ealment of one's every day working
seems that this digression
has

s

CERTAIN PRACTICAL MATTERS.

by

collide ever so gently with those of her captious
parent.
Indeed the whole question resolves itself
into the personality of the different authors, that
personality of which, if the law-makers had their
y, we should never be allowed a glimpse.
not the men and the women whom you paint
tour blood-brothers
was Leonardo's advice
artists of his day.
Neither would we wish
characters to be hung promiscuously like so

a

26

Fº

�of do

fee

I

?

it

2 to

is

a

a

as

du

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it

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of

;

is
th

by

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all It

at

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it

of

be

BY WM. BRETT PLUMMER.

rights

artists,

journalists,

the Author.)
reserved
INTRODUCTION.

to

as

a

we

an

be

N

the present day good illustrations are acknow
ledged
almost
additional attraction
open
any publication.
book for
When
we
the first time does not our eye involuntarily,

I
or

to

is if

it of

to

to

of

I

of

be

a

(All

authors,

by

it

(Compiled for the use
advertisers, and others).

of

º-º-º

to

of

or

a

is

of

it

be

to

I

to

a

it

of

I

CHARLES MARRIOTT.
* -v-º- ań.
vºy
*F

THE ART OF ILLUSTRATING.

is

*

a

of

of

-

a

of

is

to

is

go

I

I

be It go

to

is

to

be

to

be

to

a

to to
to

;

a

at

of

to

to

is

of

of of

it

If

is

a

(varying)
get your last book
times,
tried
So-and-So's, but they hadn't got it ; and every
People can write
novelist can tell the same tale.
course, but
one's publisher for the book,
people don't want
one's
bothered writing
publisher.
able
What they want
into shop and buy the book then and there.
about
said that the six shilling novel
abolished, but until
into any bookshop
can
and see, actually see and handle, within two days
twenty
any one
publication, the last work
living novelists
shall
could name offhand,
believe that any serious attempt has been
refuse
not even
sell the six shilling novel.
made
popular
easy
novel if
borrow
publication.
don't know how
within six weeks
pays "a circulating
many copies
new novel
stock, but
library
am convinced that informa
librarian, publisher, and
the advantage
tion
novelist, might
obtained from the man who
lends bicycles for hire.
that the
remembered
Moreover,
must
books
borrowers
would-be buyers
number
very small one.
who know what they want
huge public that does not know what
There
grateful for being told.
wants, but will
Over
have won the gratitude
and over again
acquaintances and
writers
earned the gratitude
by introducing them
novelists they had never
they had
of, never would have heard
sell
the men whose business
been left

things

do not kno
the fact remains that the practical
selling novels
not sufficiently practical
where between the publisher and the
machinery breaks down.
The novels
read are being written and publ
want
read them are
the people that want
they meet only
Advertise
accident.
postcard, isn't much good there
the postcard and
between the receipt
considered.
the bookshop
there,
ought
wh
the spot, just
grocer's the Epps' cocoa and the
into
Also
the spot.
mustard are there,
every bookseller knew
advantage
about the books that are being publishe
expected
read them, but
cannot
know who wrote what, and when.
least
abolish that
time
Above all,
publishers and booksellers
superstition
the public, and come down
the taste
the pu
The taste
the case.
hard facts
taste for trash,
the sense intended, that
Mrs. Harris. People want good novels, and
are always grumbling because they can't get them."
That merely means that they don't know where
good I don't say great.
plenty
look for them
but
novels are being written and published,
between the published novel and the possible buyer
great gulf fixed.
borrower there
methods

be

I

it

to

in

to

in

It

is

It

a

in

about week and you are leaving the town the
day after to-morrow.
said that people don't
buy novels. Indeed, they seldom get the chance
the most
the mood.
when they are
buy
novel.
the world
difficult thing
dozen
has been said
me once
has been said

this state

to

is,

to

it,

Ellen Thorneycroft Fowler.
Go into the average provincial bookshop, and,
leaving out the three great and the half dozen or
so notorious living writers of fiction, ask for the
work of any fairly well-known novelist within a
fortnight of publication.
The chances are ten to
when we
But we can get
one it is not there.
Messrs. So-and-So' that
send off our next order

How much
and how much

to

I

an

I

not
works.
those novelists
lend
my
special virtue; every one
claim this
But
readers must have had the same experience.
introduce the right novel
whose business
The
The publishers
the right person
Few people read publishers' advertise
reviewers
great,
ments; fewer still read reviews.
people want
read now
immense number
but, speaking generally, they
not read the
they would prefer
read because they are
brought
their notice.

in

I

27

or

every symptom of pride in his work, the
man in charge of the stall had labelled them, New
Only
edition of the Novels of Sir Walter Scott.
Again,
one shilling and sixpence per volume.
learn that for many booksellers Mrs. Alfred Sidg
are interchangeable
wick and Miss Sedgwick
names, Mrs. Henry Dudeney and Miss Sarah
Doudney are one with interesting results in the
schoolroom and,
if may be forgiven the illustra
tion it is believed by more than one practical
man engaged in the sale and lending of novels,
The
As for
Peter Simple.
wrote
that
they, of course, were written by Miss
Bensons,

With

for

A CITISIOR,

TISIE

�is

as

f

a

it

to

as

as

of

go

or

by

of

a

as

or

at

it

be

to

;

be

to

of

of

to a

it of

"

to

he

he

(if

if

or

So

he

at

in

or

of

by

of

in

so

as

to

or

in

of

so

a

in

a

in

to

as

|

in

a

In

of

of

or

on

by

as

a

as

In

!

well.

set

or of

a

copper plate was covered with
flowing bees'-wax, which
melted
get cold
solid, when the picture
was allowed
produced was engraved upon
with either

The steel
thin coating

to of
or

in

and others.

this process, which was principally used for
book-illustration, the artist
rule depended
upon himself alone, being artist and
engraver

it

as

a

in

or

of

the day were employed for the sketches.
They were usually drawn
pencil,
painted
wash on
box-wood block
one would make

Phiz"

be

''

in

of

so

to

so

in

Wood-engraving
expensive
those days was
that few publishers
were brave enough
risk
entering the field, and
Punch and the Illustrated
paper-illustration
London News had the world
their own hands.
All their cuts
were woodcuts, and the best

to

I

to

a

a

century ago there were practically only
HALF
two well-known illustrated journals, and these made
reputation through their illustrations that has
lasted until the present day.
allude
the
Illustrated London News and our old humorous
friend Punch.

artists

or

at

Engraving.

On Wood- and Steel-Plate

an

I.

to

to

of

to

CHAPTER

large full-page
was especially
the case
double-page illustrations, when,
reason
four engravers
their size, several perhaps, two
helped
cut the one block.
This was necessary
such instances where
topical subject was required hurriedly, because time
consequence, even
was
certain extent
those
easygoing days;
the box-wood blocks were placed
sections
the hands
several engravers, and
joined together afterwards
then screwed
complete the total picture for printing.
Therefore wood-engraving was costly,
the best
engravers commanded big salaries, and
was fre
quently the case that the wood-engraver
earned
considerably more than the artist himself.
Each well-known
artist
had his
favourite
engraver.
To wit Sir John Tenniel, the famous
Punch cartoonist, would only allow one man
engrave his cartoons.
This chosen engraver was
the late Mr. Joseph Swain, who personally retired
from wood-engraving
the same time
Sir John
Tenniel retired from Punch.
As
matter of fact
they both finished their lives' work together
artistic sense.
The only other style
artistic reproduction was
copper
either
steel.
this way the early
editions
Charles Dickens's works were illustrated

it

to

is

h

or

of

ries
art reproduction suitable for books,
papers, magazines,
catalogues.
not my intention
enter into the
Lhnicalities
the various processes,
that
give
unnecessary, but
the lay mind some idea
of what can and what cannot be done.

brush and water

But the drawback
this process was the fact
that, after the artist had completed the sketch,
had then
into the hands
the wood-engraver,
who
were not
artistic
the artist himself,
were, yet had not the feeling
even
know
ledge
touch
that particular artist) more often
than, not ruined
wood-pecking
his
the
excellence
the original.
And
was that the artist with
name
was nervous
the engraver who had
conceive
his ideas.
Not infrequently
the engraver was
nervous
the artist, and occasionally had reason
poor
able cause
the artist who made
picture generally expected more from the engraver
ought
than
have done.
Consequently
appreciated that the
can
talented artist was
the engraver's mercy, who
frequently spoiled
misinterpreted
his sketches,
while
other cases the engraver was
the mercy
the artist.

to
a

at

I

in

is

or

er

to

to

as

to

to

be

of

so

be

to

of

or

in

of

a

ready market more easily than one
upon its letterpressentirely
illustrating, whether
ently the art
choosing suitable illustrations
whether
understanding how
illustrate wisely
mically, cannot
ignored.
ays
reproduction are now
many and
that
the uninitiated they must
hifusing.
authors who wish their work
be illus
ave often very little idea
the best way
dure and not infrequently propose
their
printer something that
either totally
ticable or otherwise ineffective.
my
with this reason prominently fixed
will endeavour to elucidate some of the

with

of

of

a

all

a

to

of

f f

ing

sepia drawing

It

is

a

byits

ey

he

In

no

2

all

If

ordinary
colour.

or

our fingers, seek for the
pictures 2
there are none, is it not without some
inner feeling of disappointment that we begin to
con over the head-lines of the various chapters or
rapidly glance through odd pages to try to glean
tickly what it is
about
this hurry-scurry age,
matter how excellent
literary
quality,
always
book
nced
suitable and well-produced illustrations.
catch the eye more readily, and convey
ickly
general idea
the mind some sort
Contents.
large per
ookseller will tell you what
books
kinds are sold through the
the illustrations alone,
well-illustrated

in

run the pages through

an

THE AUTHOR,

28

�THE AUTHOR.
of

to

i

it

of

of

is
a

\\
|

|

|

|

º|

|

º

Variegatedtint.

in

By aid

a

W
||||

these engraving-machines

Even coarsetint.

e er

or

there are many machines for cutting
upon wood
various ways,
which
few
are here shown.

of

|

It

of

to

of

in

Waved line tint.

|

Zºº
i. |

º

The solid box-wood.

of

º

º

often the favourite mode
reproduction.
goods there
the above class
good
straight line
mechanical ruling, and now

|

º/

T
ſºlºiſi
Øſº

the

---

Circular engraving.

||||

-

|

|

%

the class

For instance,

of

and steel-plate engraving,
beautiful though both were when well executed,
became
almost
obsolete
when
the so-called
mechanical processes came into vogue; for the
latter, besides being cheaper, were more generally
dependable and quicker.
For comparison : where
a large Wood block would take an engraver, perhaps,
an entire month to engrave, the same-sized plate
or block could to-day be reproduced in a few hours.
And although the so-called half-tone process."

itself

goods they wish
illustrate.
the case
electro-plate and
silver
goºds, cutlery, bags and portmanteaus, tools
and machines, agricultural implements, etc.,
better

or

But wood-engraving

Many firms, too, who issue
periodical catalogues,
Prefer wood-engravings because
their decision,
glearness, and sharpness
line.
adapts
...

ate into the uncoated or unprotected parts of the
metal, and finally, when the wax was cleared away
from the plate, the picture showed up engraved
clearly upon it in the same way as an ordinary
copper-plate
heading or address-plate
appears
to-day.

29

In

medium,
or
coarse
needles a sort of
scratching away down to the surface of the metal.
The plate was then etched with acid, which

of

fine,

º

-

M
º

§

%

|

|

*

|

ºW.

-

|
|

a

of

do

as

wood blocks has been reduced,
the apprentices
can
this branch
the work quite well after
little practice.

is

be

or

of

on

be

it
in

to

to

a

is

Apart from this mechanical work there
yet
small quantity
the free-hand
artistic wood
engraving
principally con
found.
This
fined
the large drapery houses, who still think
that some
their goods look best
wood.
Boot
manufacturers,
too, perfume-makers,
and others
cling affectionately
many instances.
With regard
paid for
the price that should
to

of

of

or

to

is

or

to

it

of

an

inventor desires some
engine
machine made
noticeable,
more prominently
easy for the
engraver
elaborate the part required and
minimise the detail
features
the surrounding
portiorhs.

|º

Graduatedtint.

of

engineer

important portion

Crossedlines.

to

is

it

it.

where

or

art,

an

in

for mechanical and industrial articles than any
thing else, because
this particular branch

||

I

shall allude fully later on) is un
questionably
not quite so artistic
as a finely
still, in the race for
finished wood-engraving,
saving time alone, it was bound to come in first
at last, paradoxical though this may sound.
Yet wood-engraving is not altogether eclipsed.
There are many people to-day, especially advertisers,
who insist upon having
But
used more

(to which

�A DITFIOR.

to

to

of

a

an

to

all

to:

to

an

of in

It

is,

of

an

is

in

.

for

he

he

is
he

a

a

is

he

;

to

of

of

Form It,

by

to

Literary Taste: How
New Age Press.

Bennett.

21

or

is

;

in

*

cº

no

be

to
-

it

so

in

of

it

to a

is

he in

in

to

a

of

.

be

to

is

the cultiya
there follow hints and instructions
Begin with Lamb,
Mr.
the faculty.
holds out hopes.
and
Bennett's prescription
that the man who does begin with Lamb may end
preferring the works
the
Wordsworth
the halfpenny papers and the trick articles
serials
He insists, hºwever,
the illustrated magazines.
books,
should buy plenty
that the aspirant

tion
by

is a

I

;

up

to by

at

or

satisfactory result
them best, and, consequently,
should be obtained.
wood-engraver can engrave everything
But
why
equally brilliant
and that
each branch

poor,
faculty, without which man
says,
merely not born.
imperfect
He
creature.
any
can't feel
can't hear;
He can't see;
And then
can only eat his dinner.
full sense;

in

of

on
a

so

or

by

an

different

requirements; some clever
mechanical detail,
landscape work, others
floral
some suited
portraits and figures.
perhaps smart
To these
given out that suits
men individually the work
at to

R.

|

be

of

is
a

of

is

eminent.
Arnold Bennett possesses
degree the admirable quality
enthusiasm.
that literature is.
He will not have
distraction, and literary taste the taste,
merely
permanent
say, for the things
value.
that
accomplishment.
literature merely

\

%

t-º-e

many grades
Then, too, there are
wood
may add
medium, bad
engraving good,
and
There
atrocious.
fourth degree very bad
found, and
plenty
the fourth-degree work
generally produced
small men on their
the larger firms
own "who cannot get employed
simply because they are not
their trade.
ordinarily large engraving firm they have

it

"

TASTE AND STYLE.

good example
obtained
the effects that can
This
rotating table.
by mechanical wood engraving

In

be

to

at

byin a

-*- A_
Wy
-º-

--~~~

have) men who are suited

be

to

of

by

3.

NS: ºf
...*&amp;^ſ
Sºrºº:
Sºssº:

(or should

be

of

all

If

is

buying and selling used blocks
The
kinds.
price paid
these firms for second hand woodcuts.
perhaps
generally varies from
about seven
according
sixteen shillings per hundredweight
the wood.
the quality and condition
My next instalment will concern photo-mechani
line process.
cal illustrations
of

à
-

-

!\

I

a

V

in

&amp;

ºº

so

N

N
º NN

s

º

S-4
sº

in

some instances

\\

-

---T.

that have been used are in
repurchased
the wood engravers.
themselves for planing down, but although they
produce
the first place they
much
cost
realise very little second hand, unless they can be:
their original form.
utilised again
business alone of
There are firms who make
by

Ş

N

original woodcut.
Old wood blocks

to

&gt;

by

a

it

§

E=
agº:=

a

a

good

job.

it

I

an

of

it.

is

º
RN
and

Taking the price
wood blocks cursorily they
might average say, from eighteenpence
four
square inch, according
shillings
the quality
work required.
and style
given
estimate
should always advise that
done, and also
cases for the work
sample
handed
the work guaranteed
the same time.
the customer
you have
wood block that needs alteration
any particular part
can always.
incorrect
He can
the wood-engraver.
remedied
affected, generally
plug
and recut the part
the
small cost and without detriment

a

be

or

a

of

lly

hand-work

upon the amount
upon
This takes time,
good-class
necessary for

may sound unkindly refrain
say although
from employing the smaller man for general work,
because he cannot do it.

be or

in

all

of

a

by

it

in it,

wood blocks, it is practically an impossibility to
plan out any way of scaling
the charges.
An artistic or freehand wood-engraving would
cost decidedly more than a merely mechanical one,
as a man of natural artistic taste and proclivities
the mechanical
whereas
would have to engrave
photo
probability
teproduction
would
aphed direct upon the wood itself, and then
straight
paved
circular lines
series
nich wood-engraving machinery would play
:tant part.
wood block always depends
ost

at

TFIES

30

Arnold.

�A UTSIORs

I

on

is

ºr

I

se

on

to so I

a

do to
be

I

w at

as
a

au

as

byit

an

po

to

So

no

I

it

I

in

of

be

it

it

I

to is

*

of

on

I

I

I

is

I

to to

of

of

of

a

is

it
is

of

a

it

of

to

of

is

a to of

if

all

I

It

of

to

fit

do,

were not for
think would compromise
thing
that that sort
the marble columns and
implies.
letters
Your correspondent speaks
indignation, flat refusals, etc., from publishers,
judge
not for me
has yielded.
whom
he

at

his

to

he

to

to

79

beginner.
Whatever individual authors may think

will

I.

of

to

to

an

a

order
get
land
lower
books
the society's advice and place
accept.
He thinks
author ought
terms than
take into
that thºse who give the advice fail
position
the
defenceless
lishers

I

suggests (The Author,
ranged too
society's advice
pub:
satisfy the demands
disregard
living
has had

M. I.

the

is

1909)

In

high.

that

It

THE SOCIETY'S ADVICE.
DEAR

jut

fr t

in

I

as

do

it

if

to

is

in

º-º-º

July,

to

he

it.

he or

it

be

I

In

is

CORRESPONDENCE.

SIR,- A.

if,to do
is
in

on

an

an

be

to a

or

a

upto
is,

to

in

world

up

to

of

might
some importance
only publish
life and thought, were
their own books.
Most authors think the same
am
that
which differ from most
The point
keep my
only want
not after big royalties.
copyright.
the other hand,
The publishers,
start with.
demand the copyright
stone steps, magnificent stair
have been
cases, past marble columns, classic busts, into the
They
palatial apartments
various publishers.
the copyright the
this matter
assure me that
prove
entirely mistaken.
Authors' Society
right.
endeavour
them that the Society
business mutually profitable.
line
show them
less than the society requires, but then
They are
Publishers are cast iron.
new thing.
affluent, and, like the Bourbons, they learn nothing
They fight shy
me and my
and forget nothing.
They will not compromise.
manuscript.
Nor

even that

on

It a

of

of

is

on

on

is

º-º-º

of

a

to

of
all

to

all

of

of
of

a

it

large sale.

insignificant
withdrew the book.
perhaps unlikely
myself
incur the col
publishers,
boycott
but my offence
publisheſ
known, and certainly
became
since accepted my book.
Naturally like my book.
think it may
too,
fond delusion that others would like
of

a

in

he

so

say that

he

I

a

a

a

to

it

is

it,

he

to

It

is

it

not only have

We
Aristotle and Meredith were muddle-headed.
say the same
might even have
the authors
the higher mathematics.
the treatises
Argument with Mr. Bennett
this point, how
lively appreciation
ever,
not incompatible with
brightly written
his pamphlet.
the merits
sage counsel
those who, while fond
and full
reading,
have not yet found the key which
the literary
unlocks the treasures enshrined
previous ages.
masterpieces
We cordially wish

They are the least coherent body
lifetime.
body,
unionists existing, and perhaps,
businesslike.
publisher some time ago offered me
ment which the society officially told me
altered, but the main alt
get
tried
preposter
the publisher
was refused

A

If

Tennyson, play an indifferent tune brilliantly. If
may, like Kant, play
he is not a master of
just
say that
Nor
brilliant tune badly.
style difficult
muddle-headed
follow implies
may merely imply
man whose intellect
man.
simply cannot enter into the
acute that
comprehending
plain man's difficulty
com
plicated and carefully qualified proposition.
Were
otherwise we should

31

trust that the society will not lower their flag.
ought not
author
man becomes
When
the society's
He can act
adult.
cease
disregard
advice,
should not
What
disregard
set
and then request the society
blame the society
lower standard;
accepting their advice,
remains unpublished.
many cases acting
may even
that
Society's advice would exclude new authors
publication, and thus leave the ground cleare
The simple question
well-known authors.
whether the society advises what
say they do, and
right?
have every
speak, inasmuch
have myself remained
the
acted
lished merely because
again, regardless
advice and would
good
Sequences,
me
seemed
saying this, moreover,
not hop
effective trade union combination of autho

I

intentions of read
them or not : an expression of opinion from
which no reader of The Author is likely to dissent.
If one wished to argue with Mr. Bennett, one
might question some of his dicta about style.
He lays down that style cannot be distinguished
from matter, that style and matter are co-existent,
and inseparable, and alike, that you cannot have
good matter with bad style, and he denies that it
is ever justifiable to say: Yes, this idea is fine,
This is the sort of
but the style is not fine.
exaggeration that is provoked by perverse utterances
of enthusiasts for style ; but it will not stand the
test of close scrutiny. The ideas of Kant, to take
a glaring instance, are very fine indeed, but the
style of Kant is nothing less than execrable. We
are quite sure that Mr. Bennett will not, on
yet,
Teflection, deny either of these propositions;
taken in conjunction, they are quite fatal to his
The writer, in fact, is in the position of a
thesis.
Tmusician who is at once composer and executant.
he is a master of his instrument he may, like
whether he has any immediate

ing

I

TISIES

�A LITHOR.
to

as

d.

£

S.

of

of

a

3

8

4

-

9

5

it,

-

5

it,

to

2

-

-

a -

I

2

4

-

-

;

1.
1

6

7

- it

8

d

-

5

-

-

-

-

2

0

-

of

in

an

of

-

I

all

to

In

to

no

of

no

of

at

in

I

of

to

of

I

to

of I

a

to

it

as

a

in

it, ; as

to

a

in

J

a

it

to

Yours faithfully,

a

of

to

-

be

in

is is

as

it

as

in

ofH.

read with interest
Stuart Thompson's
the June number
The Author.
As
far
novelists are concerned,
cannot
said
expenditure
that
Nor
there any capital
frequently the case
required,
business,
letter

1.

in

CAPITAL ExPENDITURE.

I

SIR,--I

-

he

to

º-e

I

it

is

AN AUTHOR'S

Yours faithfully,
EMILY SHORE.

in

is

of

e

2.

I

of

or

or

all

is

after
hardly worth more than the cost
lost, and this
paper and typewriting.
The book itself
not stolen unless
be
published without remuneration
being made
the author.

For my two first novels
never got more than
royalties, and
get half
about £20
that
had
have recourse
the secretary
our
society.
used
become
life member.
left that publisher, and got into the clutches
another, bearing
well-known name.
yet only
For my third novel
have received
royalties.
£17 14s. 6d.
This publisher
his
agreements stipulates that
does not undertake
send
accounts and pay till five months after
they are due.
The last MS. sent
him will
half,
any money for
year and
not bring
hardly likely
publish
till anuary next
yet
have
settle the typewriter's bill for
Surely
£11 0s. 2d. out
the £17 14s. 6d.
capital expenditure beyond
novelists
have
few postage stamps.
in

!

of

be

of

a

or

a

an

have not two
more copies
the
who could not re-write the whole.
only one copy that the publisher has

I

2

a

7s

of

It

writers who
Same work,

10

in

your last

gºmber, Manuscript
Or Waste Paper ? what
the intrinsic value of
MS.
publisher who loses
Surely
destroys
copy
destroying
author's MS. cannot
accused
property
several pounds worth
There are few

12

two

to
a

a

MS.

the article

º

sºs

two

was
failure
altered
and had
July, 1908,
re-typed
published
{º
º
tºº
two copies
18
No.
Published January, 1909, two
*-8
{13
copies
*
13
No.
Published June, 1909
nyr rejected,
No.
Neither accept
my publisher
lay
but told
12
aside for the present, two copies
Accepted
my publisher, two
No.
*
sº
*
sº
11
copies
agent recom
Add
this the employing
mended
the secretary. This man,
the course
year, never placed one
my five stories.
He charged
advance #2 2s.
press cutting agency, £1 1s.
The payment
Innumerable stamps for postage, and extra
postage for rejected MSS., paper, ink, pens, and
postage for correspondence, for
which
cannot
give figures.
Moreover,
pay for the production
have had
the first five novels.
future my publisher
will produce them
cost
me.
The small authors are the worst treated creatures
on this earth.
Talk
the great shops sweating
people
the poor workers
the slums,
class
are more sweated than we are.
of

OF

As

place

gº

º

to

to

(DEAR

VALUE

in

INTRINSIC

A

º-º-º
SIR,-Referring

Agent failed

copies

sº

*

in

I
a

to

a

,

a

Yours faithfully,
M. C. A.

*

1906,

to
by

J.

if

ell

should like to express my interest in the
ºated by
H.
A.
He thinks novels
they were cheap, and
agree with
Many travellers would buy
new novel
they had seen well reviewed,
beguile
when
mere magazine would seem too
ive luxury.
-

º

7.

NEW NOVELS.

OF

sº

of
a

J

THE PRICE

copies

No.

tº

autumn,

to

º-º-º

wº

Published

by

I

No.

by

I

Published the spring, 1906, one

copy

3.

I

No.

it it

I

I

to

º

I

unless, indeed, some writers are disposed
look
upon
postage stamps'
capital expendi
few
typewriting. Take
ture.
Think
the cost
my own case.
Typewriting
Novels.
Pills.

he
is

I

4.

fellow author whose living depends on his author
ship.
Personally
have solved the living problem
for myself in another way.
have become a clerk.
yield
hope, would
But under no circumstances,
to marble columns.
If publishers, as a class, were
still human, it is likely that I should have so far
ven way as to have got my books published
nehow by this time.
It is because, with certain
tions perhaps, they have become Superhuman,
upon the spirit shown by our friend in
§
ºr,
that
won t give way, and would rather
y manuscripts cremated with me than be
to serfhood.
It was only by getting into
erhaps a somewhat hard condition of mind
that I was able to produce such writings
[e produced, and therefore
am merely
der a necessity of habit long continued,
not now do otherwise.
am, etc.,
SIGMA,

6. 5.

TFIES

32

�AD VERTISEMENTS.
THE DESIRE OF THE HILLS.

By No RNA. Bound in blue cloth, with gold lettering. 1s.
net. . A book of poems that will appeal to all lovers of hills
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Scotsman.
These verses are melodious and full of fine thoughts in
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Swinburne, The poet'sinspiration is a love of the hills.
The Universe,

Poems.

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By MARGARET E. For D. A capital book of poetry, highly
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Miss M.
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the
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some hundreds
thousands
Words.
have nothing
neatness
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she
praise
accuracy,
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to

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you intend entering for the Literary Agency
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Messrs.

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AUTHORS' MSS, and GENERAL COPYING undertaken
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f

HOW

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HILL, E.C.
29, LUDGATE
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IN STORY WRIT

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Of this work the Westminster Gazette writes:
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}ºes

MISS

Literary

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By CHAs. HAwkINs. With Frontispiece-on art paper. Bound
in attractive cloth covers, 1s. Inet.
The author aims at showing that the Mosaic Cosmogony
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COASTER.

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            <text>C be Elut bor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Wol. XX.-No. 1. OCTOBER 1, 1909, [PRICE SIXPENCE.&#13;
C O N T E N T S.&#13;
PAGE - PAGE&#13;
Notices ... ... . ... ... ... ... ... ... ... 1–2 Stamping Music ... ... ... ... ... ... ... ... 18&#13;
Committee Notes “. ... ... ... ... ... ... 2 The Reading Branch ... ... ... ... ... ... ... 18&#13;
Books published by Members of the Society ... ... ... 4 “The Author" ... ... ... ... ... ... ... ... 18&#13;
Books published in America by Members ... ... ... ... 8 Remittances ... ... ... ... ... ... ... ... 18&#13;
Literary, Dramatic and Musical Notes ... * * * * * * * * * 9 General Notes ... * * * * * * - - - tº º º ... ... ... 19&#13;
Paris Notes a tº e s tº e - - - e tº º tº º e e ee tº e is e - © 13 Sir Theodore Martin ... tº º ºs - «» - © s &amp; e a 6. - - - tº e &amp; 20&#13;
Heinemann v. “The Smart Set" Publishing Co., Ltd. ... ... 14 U.S. Copyright Code Defects ... ... ... ... ... ... 21&#13;
Legal Action and Members' Responsibilities ... ... ... 15 The Conference at Copenhagen ... ... ... ... ... 22&#13;
Authors and Income Tax ... ... ... ... ... 10 “Uncle Tom's Cabin "... " ... ... ... ... ... ... 23&#13;
Magazine Contents © tº º e - e. • e ºs tº g tº e - e. tº º ºs ... 16 The Procrastination of Happiness in Fiction ... - - - - e ºs 25&#13;
How to Use the Society tº Q tº tº e tº © tº º e tº º &amp; © tº tº - º 17 Certain Practical Matters º - - - * * * tº tº a - * * e - e. 26&#13;
Warnings to the Producers of Books ... ... ... ... 17 The Art of Illustrating ... ... ... ... ... ... 27&#13;
Warnings to Dramatic Authors ... ... ... ... ... 17 Taste and Style ... ... ... ... ... ... ... ... 30&#13;
Registration of Scenarios ... • * * • * * * * * * * 4 tº º º 18 Correspondence .., Tº tº wº * e &amp; tº º º º ºg ſº tº a • 2 e tº º º 31&#13;
Warnings to Musical Composers ... e - e. e tº º c tº e © &amp; Gº 18&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1&#13;
. The Annual Report for the current year.&#13;
18.&#13;
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to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 5s. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
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4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
5&#13;
6&#13;
. The Cost of Production. (Out of print.)&#13;
. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
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12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. (#362) ################################################&#13;
&#13;
ii&#13;
ADVERTISEMENTS.&#13;
(ſlje Šuriefn of Autburg (incorporatº).&#13;
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SHAw).&#13;
SIDNEY LEE.&#13;
MRS. MAXWELL (M. E. BRADDoN).&#13;
JUSTIN MCCARTHY,&#13;
THE REV. C. H. MIDDLETON-WAKE,&#13;
SIR HENRY NORMAN, M.P.&#13;
SIR GILBERT PARKER, M.P.&#13;
SIR ARTHUR PINERO,&#13;
THE RIGHT HON. SIR HORACE&#13;
PLUNKETT, K.P.&#13;
ARTHUR RACKEIAM.&#13;
OWEN SECAMAN,&#13;
G. BERNARD SHAW,&#13;
G. R. SIMS,&#13;
S. SQUIRE SPRIGGE,&#13;
FRANCIS STORR.&#13;
SIR CHARLES WILLIERS STANFORD,&#13;
Mus. Doc.&#13;
WILLIAM MOY THOMAS.&#13;
MRS. HUMPHRY WARD.&#13;
PERCY WHITE.&#13;
FIELD-MARSHAL THE RIGHT HON.&#13;
THE WIscount Wolseley, K.P.,&#13;
P.C., &amp;c.&#13;
SIDNEY WEBB.&#13;
COMMITTEE OF MANAGEMENT,&#13;
SIR ALFRED BATEMAN, K.C.M.G.&#13;
MRS. E. NESBIT BLAND.&#13;
J. W. COMYNS CARR.&#13;
THE HON. MRS. ALFRED FELKIN.&#13;
(ELLEN THORNEYCROFT FowlER).&#13;
Chairman—SIR ARTHUR PINERO.&#13;
H. GRANVILLE BARKER.&#13;
J. M. BARRIE.&#13;
R. C. CARTON.&#13;
MISS CICELY HAMILTON.&#13;
Chairman—MAURICE EIEWLETT.&#13;
DOUGLAS FRESHFIELD.&#13;
SIDNEY LEE.&#13;
ARTHUR RACKHAM.&#13;
G. BERNARD SHAW.&#13;
JEROME K. J.EROME.&#13;
W. J. LOCKE.&#13;
CAPT. ROBERT MARSHALL.&#13;
CECIL RALEIGH.&#13;
S. SQUIRE SPRIGGE.&#13;
FRANCIS STORR.&#13;
SIDNEY WEBB.&#13;
IDRAMATIC SUB-COMMITTEE.&#13;
Wice-Chairman—HENRY ARTHUR JONES.&#13;
- G. BERNARD SHAW.&#13;
ALFRED SUTRO.&#13;
PENSION FUND COMMITTEE.&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS,&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
HAROLD HARDY.&#13;
ANTHONY HOPE HAWKINS,&#13;
THE HON, JOHN COLLIER,&#13;
SIR. W. MARTIN CONWAY.&#13;
Chairman—MAURICE HEWLETT.&#13;
MORLEY ROBERTS,&#13;
M. H. SPIELMANN.&#13;
E. J. MACGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
FIELD, Roscoe &amp; Co., 36, Lincoln's Inn Fields, W.C. º º&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W. Solicitors.&#13;
LAWRENCE GODKIN, 30, Pine Street, New York, U.S.A., Counsel in the United States.&#13;
OFFICES.&#13;
MRS. ALEC TWEEDIE,&#13;
MRS. HUMPHRY WARD.&#13;
SIR CHARLES WILLIERS STANFORD,&#13;
Mus. Doc. .&#13;
SIR JAMES YOXALL, M.P.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN.&#13;
Secretary—G. HERBERT THRING,&#13;
Solicitor im Emgland to&#13;
La Société des Gems de Lettres,&#13;
39, OLD QUEEN STREET, STOREY’s GATE, S.W.&#13;
&#13;
THE FAMILY READER is offering&#13;
good prices for short stories of 5, ooo to&#13;
Io, ooo words.&#13;
interest. Typewritten copy, with price asked,&#13;
to the Editor, 35, Surrey Street, Strand, W.C.&#13;
Strong plots with a love&#13;
AUTHORS AND ARTISTS.&#13;
Special facilities for placing work of every description.&#13;
Particulars from Manager, Literary Department,&#13;
WIENER AGENCY,&#13;
LD.,&#13;
64, Strand, LONDON,&#13;
AND TRIBUNE BUILDING, NEW YORK.&#13;
&#13;
&#13;
## p. (#363) ################################################&#13;
&#13;
C be El u t b or,&#13;
(The Organ of the Incorporated Society of Authors.&#13;
Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
Vol. XX.-No. 1.&#13;
OCTOBER 1st, 1909.&#13;
[PRICE SIxPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 WICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
NOTICES.&#13;
—t-sº-0–&#13;
OR the opinions expressed in papers that are&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE Editor begs to inform members of the&#13;
Authors' Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application. -&#13;
—e—º-e—&#13;
THE SOCIETY'S FUNDS.&#13;
—t-sº-0–&#13;
LYROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are : (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
WOL. XX.&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
—e—º-e—&#13;
LIST OF MEMBERS.&#13;
—º-º-º-&#13;
HE List of Members of the Society of Authors,&#13;
published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7#d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
—e—sº-0—&#13;
PENSION FUND.&#13;
*&#13;
N the 5th of February, 1909, the Trustees of&#13;
the Pension Fund of the Society, after&#13;
the secretary had placed before them the&#13;
financial position of the Fund, decided to invest&#13;
£350 in the purchase of Corporation of London&#13;
24 per cent. Stock (1927–57).&#13;
The amount purchased is £438 2s. 4d., and is&#13;
added to the list printed below.&#13;
The Trustees are glad to report that owing to&#13;
the generous answer to the circular sent round at&#13;
the end of 1908, they have been able to invest&#13;
more than £100 over the amount invested last&#13;
year.&#13;
Consols 23%.............................. £1,000 0 0&#13;
Local Loans .............................. 500 0 0&#13;
Wictorian Government 3% Consoli-&#13;
dated Inscribed Stock ............... 291. 19 11&#13;
War Loan ................................. 201 9 3&#13;
London and North-Western 3% Deben-&#13;
ture Stock .............................. 250 0 0&#13;
&#13;
&#13;
## p. (#364) ################################################&#13;
&#13;
2 TISIES AICTISIOR,&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates ............... #200 0 0&#13;
Cape of Good Hope 33% Inscribed&#13;
Stock .................................. ... 200 0 0&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock.................. 228 () ()&#13;
New Zealand 33% Stock........... 247 9 6&#13;
Irish Land Act 23% Guaranteed Stock 258 0 0&#13;
Corporation of London 23% Stock,&#13;
1927–57 .............................. 438 2 4&#13;
Total ............... #3,815 1 0&#13;
Subscriptions.&#13;
1909. # S. d.&#13;
April 13, Gask, Miss Lilian © O 5&#13;
May 17, Rorison, Miss Edith . O 5&#13;
June 10, Voynich, Mrs. E. L. I 1&#13;
June 10, Jaques, E. T. . 1 I&#13;
June 11, Grier, Miss Julia M. ... O 5&#13;
June 11, Field, C. º © . 0 5&#13;
June 11, Barrington, Mrs. Russell . 0 10&#13;
July 8, Burmester, Miss Frances 1 1&#13;
July 9, Grindrod, Dr. G. F. tº . 1 1&#13;
July 10, Hargrave, Mrs. Basil . ... O 5&#13;
Donations.&#13;
1909.&#13;
Jan. 1, Sprigge, S. S. Q o 5 0 0&#13;
April 5, Burchell, Sidney H. . ... O 5 0&#13;
April 15, Linton, C. Stuart e ... O 5 0&#13;
April 19, Loraine, Lady . º . () 10 0&#13;
April 19, Durand, Sir Henry Mortimer 1 0 0&#13;
April 20, Stephens, Riccardo . . 1 1 0&#13;
May 24, Lefroy, Mrs. C. P. 1 1 0&#13;
June 2, “Olivia Ramsey” e 0 10 6&#13;
June 7, Horne, A. B. º o . 50 0 0&#13;
June 10, Muir, Ward © . 1 1 0&#13;
June 10, Swan, Miss Myra . () 5 (0&#13;
June 17, Bradley, A. C. e . 1 0 0&#13;
June 22, Trotēre, H. . © © . 1 1 0&#13;
July 8, Harland, Mrs. e o . () 10 O&#13;
July 8, Sinclair, Miss May . e . 15 0 ()&#13;
Aug. 5, Cameron, Mrs. Charlotte 1 1 0&#13;
Sept. 10, Hinkson, Katharine Tynan . 1 1 0&#13;
We regret that we omitted to chronicle a dona-&#13;
tion of £5 from Mr. S. S. Sprigge at the beginning&#13;
of the year. We have now added it to the list.&#13;
With this exception all fresh subscribers and&#13;
donors previous to April, 1909, have been deleted&#13;
from the present announcement.&#13;
The names of those subscribers and donors which&#13;
are not included in the lists printed above are&#13;
unavoidably held over to the next issue.&#13;
COMMITTEE NOTES.&#13;
—e-º-e—&#13;
TYHE last meeting of the committee of the&#13;
Society of Authors, before the vacation, was&#13;
held on Monday, July 5, at 39, Old Queen&#13;
Street.&#13;
After the minutes of the previous meeting had&#13;
been read and signed, thirty-two members and&#13;
associates were elected to the society. The list&#13;
is printed on another page. The total number of&#13;
elections for the current year is 181. The com-&#13;
mittee are pleased to notice that the number is&#13;
largely in excess of the number elected during the&#13;
corresponding period of 1908 and 1907. In 1907&#13;
the elections up to and including July totalled 135,&#13;
and in 1908, 154. Two resignations brought the&#13;
resignations up to sixty-five.&#13;
The first question considered by the committee&#13;
was the sale price of fiction, and they decided to&#13;
appoint a sub-committee of five to go fully into&#13;
the matter. The names of those who have con-&#13;
sented to act are as follows: Mrs. Belloc Lowndes,&#13;
Charles Garvice, E. W. Hornung, W. W. Jacobs,&#13;
and S. S. Sprigge.&#13;
The reference to this sub-committee was “the&#13;
standard price of fiction with special reference to&#13;
the production of new copyright novels at the price&#13;
of 2s.”&#13;
The secretary then reported the negotiations&#13;
that had been carried on with some of the agents&#13;
on the question of insurance for the benefit of&#13;
members of the society. He stated that one agent&#13;
was favourably disposed towards the suggestion ;&#13;
three were against it, while one other had not&#13;
replied to his letter. The committee requested the&#13;
secretary, during the vacation, to make arrange-&#13;
ments with the agent who was willing to adopt the&#13;
Society's suggestion, and if the matter was arranged&#13;
satisfactorily, determined that the agent's name,&#13;
with the amount of the insurance guaranteed to the&#13;
society, should be printed in The Author.&#13;
The chairman then laid before the committee&#13;
certain letters which he had received from Mr.&#13;
Thomas Hardy in regard to the presidency of the&#13;
society. The committee, after considering the views&#13;
expressed by Mr. Hardy in the letters, decided to&#13;
repeat the invitation extended to him by the council,&#13;
and to confirm and endorse the opinion already&#13;
expressed at the council meeting.&#13;
They are pleased to state that Mr. Hardy has&#13;
now accepted the presidency.&#13;
On another page is printed the reply to the&#13;
questions addressed by Mr. Robert Harcourt (who&#13;
is a member of the society) to the Chancellor of the&#13;
Exchequer in regard to income tax on the moneys&#13;
received by authors on the sale of copyrights. The&#13;
committee desire to draw the special attention of&#13;
members to the answers given.&#13;
&#13;
&#13;
## p. (#365) ################################################&#13;
&#13;
TFIES A CITISIOR, 3&#13;
The committee granted the chairman, during the&#13;
vacation, the powers and authorities vested in them,&#13;
should any emergency arise calling for an immediate&#13;
decision. -&#13;
Some letters were then laid before the committee&#13;
relating to the list of novelists published in the&#13;
June number of The Author. It was decided to&#13;
take no further steps in the matter.&#13;
The secretary then placed before the committee&#13;
a letter received from a prominent novelist in regard&#13;
to the requests made by certain persons forgratuitous&#13;
literary contributions for the benefit of charities.&#13;
The committee thought the matter of importance,&#13;
and instructed the editor of The Author to take&#13;
notice of this custom in the columns of this paper.&#13;
There were three cases considered. The first&#13;
related to a demand for work supplied to a news-&#13;
paper but not paid for. The committee authorised&#13;
proceedings on behalf of the author. In the second&#13;
case the committee found it impossible to come to&#13;
a decision without further information and a copy&#13;
of the original contract, but granted full powers to&#13;
the chairman to act during the vacation in any way&#13;
he considered necessary.&#13;
referred to an infringement in Denmark, the com-&#13;
mittee decided not to take further action, as they&#13;
had been informed by their Danish lawyers that&#13;
One of the offending parties had left Denmark and&#13;
could not be traced, while the other was in bank-&#13;
ruptcy.&#13;
——º-º-&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
A MEETING of the Coypright Sub-Committee was&#13;
held at the offices of the society on June 24,&#13;
Mr. Anthony Hope Hawkins in the chair.&#13;
The business before the committee was the con-&#13;
sideration of a Bill for the protection of musical&#13;
composers, drafted by Mr. E. J. MacGillivray at&#13;
the suggestion of Sir Charles Williers Stanford.&#13;
Sir Charles explained to the committee the neces-&#13;
sity for the provisions set out in the Bill, and stated&#13;
that, in the present circumstances, it was absolutely&#13;
impossible for composers to get publishers to accept&#13;
a grant of a licence to publish in their contracts.&#13;
They insisted upon a full assignment, even though&#13;
they paid a royalty. The position of the composer&#13;
was thus rendered impossible. After some discus-&#13;
sion the committee decided to report to the com-&#13;
mittee of management that they were in favour of&#13;
the principle of the Bill, but that they left it to the&#13;
committee of management to decide as to the&#13;
expediency of extending the principle contained in&#13;
the Bill to books in the publication of which the&#13;
same difficulties exist in law, though not so&#13;
frequently in actual practice. The committee also&#13;
instructed the secretary to obtain subsidiary&#13;
evidence from Sir Alexander Mackenzie and Mr.&#13;
In the third case, which&#13;
William Wallace, to lay before the Departmental&#13;
Committee, in support of the principle embodied&#13;
in the Bill.&#13;
–0-sº-0–&#13;
Cases.&#13;
SINCE the last issue of The Author in July, there&#13;
have been thirty-four cases in the secretary's hands,&#13;
or an average of seventeen cases each month. This&#13;
is a heavy list for the holiday season. The cases&#13;
may be divided as follows:&#13;
There were five claims for the return of MSS.&#13;
In four of these the Secretary was successful; the&#13;
fifth came to the office only just before the paper&#13;
had gone to press.&#13;
The applications for money reached a total of&#13;
thirteen, and are accounted for as follows:—In six&#13;
the cheques have been recovered and forwarded to&#13;
the members. One case had to be referred to the&#13;
Solicitors, who succeeded in obtaining judgment in&#13;
the county court. The debt and costs have been&#13;
paid, and a cheque for the former sent to the&#13;
member. Two cases are still in the course of&#13;
negotiation, the defaulting parties having promised&#13;
to make payment by a certain date. The time had&#13;
not elapsed when The Author went to press. In&#13;
one case the defendant was found to be in bank-&#13;
ruptcy, and the Society had to register a formal&#13;
claim against his estate. Of the remaining three&#13;
cases one has been placed in the hands of the&#13;
solicitors of the society, for the defendant made&#13;
no response to the three letters which had been sent&#13;
to him. The other two have only recently come&#13;
to the office.&#13;
One case, dealing with the settlement of a dispute&#13;
on an agreement, has been satisfactorily carried&#13;
through.&#13;
Two cases have been placed in the secretary's&#13;
hands for the collection of accounts due under&#13;
dramatic contracts. Neither of these is in Great&#13;
Britain, but the manager has promised to go into&#13;
the case and forward the accounts by a fixed date.&#13;
Six cases have arisen where members have been&#13;
unable to obtain from the publishers accounts&#13;
and money. Of these three have been successful.&#13;
Two have been withdrawn from the society, as the&#13;
member was informed that most probably, if the&#13;
accounts were not delivered and the money not&#13;
paid, it would be necessary to take the matter into&#13;
court. The committee have, on many occasions,&#13;
dealt with this point, and have urged upon members&#13;
the absolute necessity of being prepared to take&#13;
matters into court if the Society's demands on their&#13;
behalf are not complied with. This position is&#13;
dealt with in another column of The Author. In&#13;
the remaining case the author has agreed to wait a&#13;
certain time. There were five cases for the ordinary&#13;
delivery of accounts. Of these two have been&#13;
&#13;
&#13;
## p. (#366) ################################################&#13;
&#13;
4 TISIES A [ſº] IOR.&#13;
successful ; two are still in the course of negotia-&#13;
tion ; and one has only recently come to the office.&#13;
Finally, there are three cases of infringement of&#13;
copyright. One dealing with the infringement of&#13;
an author's copyright in Canada must necessarily&#13;
take some time owing to the distance between the&#13;
parties, but as the paper is a responsible one it is&#13;
hoped that the matter will be satisfactorily settled.&#13;
One case of infringement in Great Britain has been&#13;
settled, and the sum claimed by the author has&#13;
been paid. One case, which was commenced early&#13;
in the year against a paper in New Zealand, has&#13;
also been settled, and the sum claimed has been&#13;
paid to the author. º&#13;
The society has been very successful in its foreign&#13;
cases during the past year, as it has obtained com-&#13;
pensation for two infringements of copyright in&#13;
New Zealand and one in Spain.&#13;
There was one other matter beyond those&#13;
included in the list set out above. One of the&#13;
large publishing houses, owing to the necessity of&#13;
making some alteration in the disposition of its&#13;
shares and capital, had to obtain a voluntary&#13;
winding-up order, and, in consequence, under the&#13;
law, was bound to send notice of this to its various&#13;
authors. This brought a considerable amount of&#13;
correspondence to the secretary. The matter has,&#13;
however, been satisfactorily explained and brought&#13;
to a conclusion.&#13;
All the cases open at the issue of the last number&#13;
have been settled or handed over to the solicitors&#13;
of the Society.&#13;
During the vacation no case has been carried&#13;
through the High Courts on behalf of the society's&#13;
members, but three county court cases have been&#13;
settled, and the debt and costs paid.&#13;
—e-º-º-&#13;
July Elections.&#13;
Boileau, Miss Marie Fairleigh, Shawford,&#13;
Hants.&#13;
Burmester, Miss Frances G.&#13;
Clifford, Miss Lucy . 3, Scroope Terrace,&#13;
Cambridge.&#13;
Furse, Mrs. Charles W. Yockley House, Cam-&#13;
berley.&#13;
Grindrod, Charles F. . Wyche-Side, Malvern.&#13;
Groves, Capt. P. R. C. , 6, Walpole Road,&#13;
Croydon.&#13;
Hargrave, Mrs. Basil (Parry&#13;
Truscott)&#13;
Holmes, The Rev. Chan-&#13;
Ditchling, Sussex.&#13;
East Liberty Wells,&#13;
cellor Scott . Somerset.&#13;
Humphry, Mrs. (“Madge " Carrig-Cleena,&#13;
of Truth) º Maidenhead.&#13;
Huntley, Mrs. Hope 40, Elm Park Man-&#13;
sions, Chelsea, S.W.&#13;
Kelley, Miss Agnes M. 6, Denmark Street,&#13;
- W.C. -&#13;
Kelly, Minnie Harding&#13;
Kennedy, Charles Rann 58, Overstrand Man-&#13;
sions, Battersea&#13;
Park, London, S.W.&#13;
Kirmse, Madame 41, Grove End Road,&#13;
N.W. -&#13;
Kirmse, Richard 41, Grove End Road,&#13;
N.W.&#13;
Lowry, Miss Mary G. Ladies' Athenæum.&#13;
Club, 31, Dover&#13;
Street, W.&#13;
Lyons, Capt. Gervais (Cap- Grosvenor Club, Picca-&#13;
tain Scuttle) º e dilly W.&#13;
Minck, J. Murray (Aitken 50, Raeburn Place,&#13;
Murray) © º Edinburgh.&#13;
Mummery, J. P. Lockhart 10, Cavendish Place,&#13;
- W.&#13;
O'Connell, Mildred (Mau-&#13;
rice Patrice) e e&#13;
O'Fallon, J. M. 27, Derby Avenue,&#13;
North Finchley, N.&#13;
Peek, W. Vernon (W. Forest Lodge, Owls&#13;
Weepey) © Road, Boscombe,&#13;
Hants.&#13;
Reiss, Miss Erna Ennerdale, Lapwing&#13;
Lane, Didsbury,&#13;
Manchester.&#13;
Schwarz, Ernest H. L. Rhodes University&#13;
(Ernest Black) College, Grahams-&#13;
town, South Africa.&#13;
Shedlock, Miss Marie L. 13, Pembroke Gar-&#13;
dens, W.&#13;
Simpson, Miss Violet 26, Nevern Mansions,&#13;
S.W.&#13;
4, Park Place, St.&#13;
James's, S.W.&#13;
Spurrell, H. G. F.&#13;
Stott, M. D.&#13;
Syrett, Jerrard. 170, Buckingham&#13;
Palace Road, S.W.&#13;
Tibbits, Annie O. Grangermon, Wood-&#13;
side Park, N.&#13;
Turner, Edgar . o . 6, Clifton Road,&#13;
Crouch End, N.&#13;
—e—º-e—&#13;
BOOKS PUBLISHED BY MEMBERS OF&#13;
THE SOCIETY.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and as exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the office&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
&#13;
&#13;
## p. (#367) ################################################&#13;
&#13;
THE AUTHOR. 5&#13;
FRENCH IDIOMATIC ExPRESSIONs witH ENGLISH&#13;
EXPRESSIONS. By FRED. Rothwell, B.A. (London).&#13;
7% × 5. 208 pp. Sands. 2s. 6d. In -&#13;
FRENCH-ENGLISH, ENGLISH-FRENCH DICTIONARY. By&#13;
ºup LATHAM. 74 × 5. 1,176 pp. Routledge.&#13;
S. g&#13;
HELOISE DE J. J. ROUSSEAU, avec préface critique de&#13;
FRANK A. HEDGCOCK in French (Dent's Edition of&#13;
Classiques Français Nouvelle). J. M. Dent &amp; Co.&#13;
THE GOLD BUG, AND OTHER TALEs. By EDGAR ALLAN&#13;
POE, 118 pp. FAIRY TALEs. By the BROTHERS&#13;
GRIMM. 126 pp. HANS ANDERSON's FAIRY TALEs.&#13;
118 pp. (Blackie's English Texts. Edited by W. H. D.&#13;
ROUSE, Litt.D.). 6% x 43. Blackie. 6d. each.&#13;
“THE RED CODE” (1909). The N. U.T. edition. By J. H.&#13;
YOXALL and E. GRAY. Seventeenth year (revised to&#13;
September, 1909). 83 × 53. 418 pp. National Union&#13;
of Teachers. 1s. n.&#13;
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ARCELITECTURE.&#13;
TOWN-PLANNING IN PRACTICE. An Introduction to&#13;
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UNWIN. 10 x 7%. 416 pp. Fisher Unwin. 218, n.&#13;
BIOGRAPHY.&#13;
GENERAL Wol, FE. By EDWARD SALMON. 73 x 5.&#13;
248 pp. Edited by W. H. HuTTON, B.D. Sir Isaac&#13;
Pitman. 3s. 6d. n.&#13;
THE ADVENTURES OF A CIVIL ENGINEER : Fifty years&#13;
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Alston Rivers. 7s. 6d. n.&#13;
THE STORY OF HAMPSHIRE : A History for Schools. By&#13;
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ls. 6d.&#13;
GEORGE BERNARD SHAw. By G. K. CHESTERTON.&#13;
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THE PAPACY : The Idea and its Exponents. A Short&#13;
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Unwin. 5s. n.&#13;
THE LIFE AND LETTERS OF JAMES WOLFE. By BECKLES&#13;
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MEMOIR AND LETTERS OF FRANCIS W. NEWMAN. By&#13;
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BOOKS OF REFERENCE.&#13;
DrcTIONARY OF NATIONAL BIOGRAPHY. Edited by&#13;
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8 × 5}.&#13;
Stovin. 9% x 6%. 1,342 pp. Smith, Elder. 15s. n.&#13;
I)ICTIONARY OF NATIONAL BIOGRAPHY. Wol. XIX.&#13;
Stow —Tytler. Edited by SIDNEY LEE. 93 x 63.&#13;
1,399 pp. Smith, Elder. 15s. n.&#13;
DRAMA.&#13;
THE CLIFFs. By CHARLEs M. Doug HTY. 73 × 5. 267 pp.&#13;
Duckworth.&#13;
SEVEN SHORT PLAYs. By LADY GREGORY. 73 × 53.&#13;
211 pp. Maunsel. 3s. 6d. n.&#13;
THREE PLAYS : THE MARRYING OF ANN LEETE–THE&#13;
VoysEY INHERITANCE — WASTE. By GRANVILLE&#13;
BARKER, 73 x 5. 347 pp. Sidgwick &amp; Jackson.&#13;
58. n.&#13;
EDUCATIONAL.&#13;
THE FACULTIES AND THEIR POWERS. A contribution to&#13;
the History of University Organization. By C. H.&#13;
FIRTH, Regius Professor of Modern History in the&#13;
University of Oxford. 9 × 6. 43 pp. Oxford : Black-&#13;
well. London : Simpkin Marshall. 1s. n.&#13;
THE GIRLs’ SCHOOL YEAR-BOOK. (Public Schools,)&#13;
Fourth Year. April, 1909–April, 1910. Edited by&#13;
H. F. W. DEAN.E. 73 × 5. 591 pp. Swan, Sonnen-&#13;
schein. 2s. 6d. n.&#13;
ENGINEERING.&#13;
THE INTERNAL COMBUSTION ENGINE. By H. E.&#13;
WIMPERIS, M.A. 114 illustrations and diagrams, 326 pp.&#13;
Constable. 6s. n.&#13;
FICTION.&#13;
STARBRACE. By SHEILA. KAYE-SMITH. 73 × 5.&#13;
Bell. 6s.&#13;
SYLVIA AND THE SECRETARY.&#13;
73 × 5. 318 pp. Long. 6s.&#13;
THE SECRET PAPER. By WALTER WooD.&#13;
319 pp. Cassell. 68.&#13;
THE LADY IN GREY. By MRS. FRED REYNoLDs. 73 × 5.&#13;
342 pp. Hurst &amp; Blackett. 6s.&#13;
HER OWN PEOPLE. By MRs. B. M. CROKER.&#13;
TURNSTILE OF NIGHT,&#13;
Hurst &amp; Blackett. 7d.&#13;
A PROFESSIONAL RIDER. By MRs. EDWARD KENNARD.&#13;
389 pp.&#13;
By OLIVIA RAMSEY.&#13;
84 × 5.&#13;
THE&#13;
By MRS. C. N. WILLIAMSON,&#13;
Cheap re-issue. 7+ x 5. 296 pp. Stanley Paul.&#13;
1S. n.&#13;
2835 MAYFAIR. By FRANK RICHARDSON. 74 × 43.&#13;
310 pp. Werner Laurie. 1s. n.&#13;
THE GREAT AMULET. By MAUD DIVER, 7} x 5. 406 pp.&#13;
Blackwood. 18. n.&#13;
THE FORBIDDEN THEATRE. By KEIGHLEY SNOWDEN.&#13;
7; x 4%. 295 pp. Werner Laurie. 6s.&#13;
A WILLAGE TEMPTRESS. By FRED WHISHAw. 84 × 5.&#13;
319 pp. Everett. 6s.&#13;
PHILIP LOVELUCK. By CHARLES OWEN.&#13;
320 pp. Everett. 6s.&#13;
THE LADY CALPHURNIA ROYAL. By ALBERT DORRING-&#13;
TON and A. G. STEPHENS. 73 × 5. 374 pp. Mills &amp;&#13;
Boon. 68.&#13;
A ROMANCE OF THE NURSERY. By L. ALLEN HARKER.&#13;
(Revised and enlarged edition.) 7% x 5. 317 pp. Murray.&#13;
68.&#13;
LovE's Fool, : THE CONFESSIONS OF A MAGDALEN. By&#13;
MRS. STANLEY WIRENCH, 73 x 43. 318 pp. Long.&#13;
1S. n.&#13;
THE DIAMOND AND THE ROSE.&#13;
242 pp. Century Press. 6s.&#13;
MULTITUDE AND SOLITUDE. By JOHN MASEFIELD.&#13;
8 x 5+, 300 pp. Grant Richards. 68.&#13;
SHOES OF GOLD. By HAMILTON DRUMMOND. 8 x 5.&#13;
320 pp. Stanley Paul. 68.&#13;
OLIVER. By HENRY C. FF. CASTLEMANN.&#13;
318 pp. John Long. 68.&#13;
MR. BURNSIDE's RESPONSIBILITY. By THOMAS CoEB.&#13;
73 x 5. 299 pp. Mills &amp; Boon. 6s.&#13;
THE NECROMANCERs. By ROBERT HUGH BENSON,&#13;
7% x 5. 326 pp. Hutchinson. 68.&#13;
A ROYAL WARD. By PERCY J. BREBNER,&#13;
360 pp. Cassell, 68. -&#13;
83 × 5}.&#13;
By HOPE PROTHEROE.&#13;
7# × 5.&#13;
8 x 5.&#13;
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6 TISIES A UTEIOR.&#13;
THE ROMANCE OF BEAUTY. By ROY HoRNIMAN. 73 × 5.&#13;
408 pp. Eveleigh Nash. 6s.&#13;
THE COMING OF AURORA. By MRS. PHILIP CHAMPION&#13;
DE CRESPIGNY. 7# × 5. 368 pp. Eveleigh Nash. 6s.&#13;
THE ENTERPRISE OF ELLA. A Stock Exchange Romance.&#13;
By JAY JELF. 7# x 5. 318 pp. John Long. 6s.&#13;
AN EYE FOR AN EYE. By MARIE CONNOR LEIGHTON.&#13;
73 × 5. 378 pp. Ward, Lock. 6s.&#13;
CUPID AT THE COUNTER, AND OTHER STORIES. BY&#13;
AITKEN MURRAY. 6 × 4%. 154 pp. Sands. 6d. In.&#13;
TESTIMONY. By ALICE and CLAUDE ASKEW. 73 × 43.&#13;
320 pp. Chapman &amp; Hall. 6s.&#13;
SHAMELESS WAYNE. By HALLIWELL SUTCLIFFE.&#13;
83 × 53. 188 pp. Newnes, 6d.&#13;
THE SCORE. By LUCAS MALET. 73 × 5. 326 pp.&#13;
Murray. 6s.&#13;
A ROYAL INDISCRETION. By RICHARD MARSH. 73 × 5.&#13;
311 pp. Methuen. 6s.&#13;
THE ADVENTURES OF CAPTAIN JACK. By MAx&#13;
PEMBERTON. 73 × 5. 306 pp. Mills &amp; Boon. 6s.&#13;
THE WAKING Hou R. By HAROLD WINTLE. 73 × 5.&#13;
350 pp. Fisher Unwin. 6s.&#13;
THE HOUSE OF THE SOUL. By J. B. HARRIS-BURLAND.&#13;
8 x 5. 303 pp. Chapman &amp; Hall. 6s.&#13;
THE LUST OF POWER. By BEATRICE SELWYN and&#13;
RUSSELL WAUN. 7# x 5. 318 pp. John Long. 6s.&#13;
THREE MEN IN A BOAT. By JEROME K. JEROME,&#13;
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A MIRACLE OF THE TURF. (Cheap Edition.) By&#13;
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THE WAY THINGS HAPPEN. By HUGH DE SELINCOURT.&#13;
73 × 5+. 302 pp. Lane. 6s.&#13;
MIDSUMMER MADNESS. By MORLEY ROBERTS. 73 x 5.&#13;
255 pp. Nash. 6s.&#13;
THE FOUR CANDLEs. By HARRY TIGHE. 74 × 5.&#13;
318 pp. John Long. 6s.&#13;
MARY. By WINIFRED GRAHAM. 73 x 5. 377 pp. Mills&#13;
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THOMAS HENRY. By W. PETT RIDGE. 74 × 5. 191 pp.&#13;
Mills &amp; Boon. 18. n.&#13;
GAY LAWLESS. By HELEN MATHERS. 74 × 5. 368 pp.&#13;
Stanley Paul. 1s. n.&#13;
THE WHITE PROPHET. By HALL CAINE. Two vols.&#13;
7 x 4%. 381 + 383 pp. Heinemann. 4s. n.&#13;
THIS DAY'S MADNESS. By MAUD ANNESLEY. 73 × 5.&#13;
303 pp. Methuen. 6s.&#13;
THE NATIVE WIFE. By Henry Bruce. 73 × 5. 380 pp.&#13;
John Long. 68.&#13;
THE OLD ALLEGIANCE. By Hubert Wales. 7 × 43.&#13;
316 pp. John Long. 1s. n.&#13;
ORPHEUS IN MAYFAIR. By MAURICE BARING. 73 × 5.&#13;
306 pp. Mills &amp; Boon. 68.&#13;
LoRDS OF THE SEA. By EDWARD NOBLE. 384 pp. 68.&#13;
THE MOUNT. By C. F. KEARY. 73 x 5. 319 pp. Con-&#13;
stable. 6s.&#13;
A SUMMER WREATH. By MRS. CAMPBELL PRAED.&#13;
7# x 5. 318 pp. John Long. 6s.&#13;
THE WOMAN WHO DIDN'T. By VICTORIA CRoss.&#13;
7 x 4%. 159 pp. Lane. 18. n.&#13;
THE KNIGHT OF THE GOLDEN SworD. By MICHAEL&#13;
BARRINGTON. Chatto &amp; Windus. 6s.&#13;
SPLENDID BROTHER. By W. Pett Ridge.&#13;
335 pp. Methuen. 68.&#13;
THE MEN OF THE MOUNTAIN. By S. R. CROCKETT.&#13;
73 x 5.&#13;
8 × 53. 322 pp. Religious Tract Society. 68.&#13;
LovE, THE THIEF. By HELEN MATHERs. 74 × 5.&#13;
316 pp. Stanley Paul. 68.&#13;
THE SINS OF SOCIETY. By CECIL RALEIGH. 280 pp.&#13;
THE MARRIAGES OF MAYFAIR. 256 pp. By E. KEBLE&#13;
CHATTERTON. Adapted from the Drury Lane Dramas&#13;
of Cecil Raleigh and Henry Hamilton. 7: x 5. (Drury&#13;
Lane Novels.) Stanley Paul. 18. In. and 2s. m. each.&#13;
MR. MARX's SECRET.&#13;
THE ILLUSTRIOUS O'HAGAN. By JUSTIN Huntry-&#13;
MCCARTHY: 320 pp. ColonBL 5Averon. By PERCY&#13;
WHITE. 820 pp. 64 × 4+. Hurst &amp; Blackett.&#13;
7d. each.&#13;
OPEN COUNTRY: A Comedy with a sting. By MAURICE:&#13;
HEWLETT. 73 × 53. 316 pp. Macmillan. 6s,&#13;
PATHS PERILOUS. By SIDNEY PICKERING. 7# × 5.&#13;
311 pp. Chapman &amp; Hall. 6s.&#13;
LOVE AND THE WISE MEN. By PERCY WHITE. 73 × 5.&#13;
312 pp. Methuen. 6s. 4.&#13;
THE SMITHS OF WALLEY WIEW : Being further Adventures.&#13;
of the Smiths of Surbiton. By KEBLE How ARD, 7#&#13;
× 5. 304 pp. Cassell. 6s.&#13;
THE TRAGEDY OF THE PYRAMIDs: A Romance of Army&#13;
Life in Egypt. By DOUGLAS SLADEN. 8 x 5. 428 DD,&#13;
Hurst &amp; Blackett. 6s.&#13;
MY, LADY WENTwo RTH. By ALLAN FEA.&#13;
320 pp. Mills &amp; Boon. 68.&#13;
THE GEOST PIRATES. By W. HoPE HODGSON. 8 x 5.&#13;
276 pp. Stanley Paul. 6s.&#13;
THE RETURN OF THE PETTICOAT. By WARWICK DEEP-&#13;
ING, 73 × 5. 348 pp. Harper. 6s.&#13;
THE SQUIRE's DAUGHTER. By ARCHIBALD MARSHALL.&#13;
7# × 5. 316 pp. Methuen. 6s. -&#13;
By E. PHILLIPs OPPENHEIM.&#13;
74 × 5. 314 pp. Ward, Lock. 6s.&#13;
A STUDIO MODEL. By BURFORD DELANNox. 73. x 5.&#13;
320 pp. Digby, Long. 6s.&#13;
NORTHERN LIGHTS. By Sir GILBERT PARKER. 74 ×&#13;
5+. 375 pp. Methuen. 6s.&#13;
7# x 5.&#13;
HAPPINESS. By MAUD STEPNEY RAWSON. # x 5.&#13;
415 pp. Methuen. 6s.&#13;
AVENGING CHILDREN. By MRs. MANN. 310 pp.&#13;
Methuen. 6s. * -&#13;
SEYMOUR CHARLTON. By W. B. MAxwell. 73 × 5.&#13;
533 pp. Hutchinson. 6s. -&#13;
CUT OFF FROM THE WORLD. By F. T. BULLEN. 73 ×&#13;
5. 348 pp. Fisher Unwin. 6s.&#13;
THE IMPERIAL MARRIAGE. By A. W. MARCHMONT.&#13;
73 × 5. 318 pp. Ward, Lock. 6s.&#13;
THE GIFT OF ST. ANTHON.Y. By CHARLEs GRANVILLE.&#13;
8 × 5. 272 pp. Daniel. 68.&#13;
THE SCANDALOUS MR. WALDo. By RALPH STRAUs.&#13;
7 × 4%. 323 pp. Heinemann. 3s. n.&#13;
SHADOW SHAPES. By ELLA ERSKINE. 73 x 5. 147 pp.&#13;
Elkin Mathews. 3s.6d. n.&#13;
ARSENE, LUPIN. From the Play by MAURICE LEBLANC.&#13;
and FRANCIS DE CROISSET. By EDGAR JEPson and&#13;
MAURICE LEBLANC. 73 x 5. 344 pp. Mills &amp; Boon.&#13;
6s.&#13;
SALTHAVEN. By W. W. JACOBs. New and Cheaper&#13;
Issue. 73 × 5. 309 pp. Methuen. 3s.6d.&#13;
FOLKLORE.&#13;
LINGUISTIC SURVEY OF INDIA. Vol. III. Tibeto-Burman&#13;
Family. Part I. General introduction ; Specimens of&#13;
the Tibetan Dialects, the Himalayan Dialects, and the&#13;
North Assam Group. Compiled and edited by G. A.&#13;
GRIERSON, C.I.E., Ph.D., &amp;c. 14 × 10%. 641 pp.&#13;
Calcutta: Government Printing Office.&#13;
GEOGRAPHY,&#13;
EXPLORATIONS IN CENTRAL AFRICA, 1906–8. By&#13;
M. AURIEL STEIN, Ph.D. 93 × 6+. 66 pp. (Reprinted&#13;
from the Geographical Journal for July and September,&#13;
1909.)&#13;
HISTORY.&#13;
THE LAST DAYS OF PAPAL ROME, 1850–70. By R. de&#13;
CESARE. Abridged with the assistance of the author&#13;
and translated by HELEN ZIMMERN. 9 × 6. 488 pp.&#13;
Constable. 12s. 6d. n.&#13;
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TISIE A DITISIOR, 7&#13;
HDESPATCHES FROM PARIs, 1784–1790. Selected and&#13;
Edited from the Foreign Office Correspondence by Oscar&#13;
Browning. Vol. I. (1784–1787). Camden Third Series.&#13;
Vol. XVI. 83 x 63. 278 pp. Offices of the Society.&#13;
LAW.&#13;
MLAW AND CUSTOM OF THE CONSTITUTION. By SIR&#13;
WILLIAM ANSON, BART., D.C.L. In 3 vols. Vol I.&#13;
Parliament. Fourth Edition. 9 × 53. 404 pp. Oxford :&#13;
Clarendon Press. London : Frowde. 12s. 6d. n.&#13;
IHUSBAND AND WIFE IN THE LAw. By EDwARD JENKS.&#13;
7 x 4%. 120 pp. Dent. 2s. 6d. n.&#13;
LITERARY.&#13;
A REAPING. By E. F. BENSON.&#13;
Heinemann. 68.&#13;
PROOFS BEFORE PULPING,&#13;
172 pp. Mills &amp; Boon.&#13;
‘OMNIUM GATHERUM BOOKLET. Edited by MRS. ALEC&#13;
TWEEDIE. 11 x 8%. 55 pp. Simpkin, Marshall. 13.&#13;
THE IMPERSONAL ASPECTS OF SHAKESPEARE'S ART. By&#13;
SIDNEY LEE, D.Litt., LL.D. 93 × 6}. 20 pp. (The&#13;
English Association Leaflet No. 13.) 1s.&#13;
7# x 5. 292 pp.&#13;
By BARRY PAIN. 73 x 43.&#13;
MEDICAL.&#13;
REPORT ON PLAGUE IN THE GOLD COAST IN 1908.&#13;
By W. J. SIMPSON, M.D., C.M.G. 13 x 84. 55 pp.&#13;
Churchill. 2s. n.&#13;
MISCELLANEOUS.&#13;
THE ADVENTURES OF LALLY HELLSMARK. By MARSHALL&#13;
KELLY. In 3 vols. 298 pp. -- 340 pp. 4- 330 pp. Henry&#13;
J. Drane. 18s.&#13;
A STUDY OF OPPOSITES.&#13;
Baker &amp; Son. 3s. 6d.&#13;
By M. A. WooDs. Clifton,&#13;
NATURAL HISTORY.&#13;
"THE YOUNG NATURALIST. A Guide to British Animal&#13;
Life. By W. P. WESTELL. 73 × 5. 476 pp. Methuen.&#13;
6s.&#13;
NAVAL.&#13;
FIGHTING SERIPs, 1909. Founded and edited by F. T.&#13;
JANE. 73 x 123. 492 pp. Sampson, Low. 21s. n.&#13;
PHILOSOPHY.&#13;
IN THE ABSTRACT. By NORMAN ALLISTON.&#13;
- 73 x 5.&#13;
156 pp. Sonnenschein. 2s. 6d.&#13;
POETRY.&#13;
THE SHEPHERD. A book of Ballads and Songs. By&#13;
H. A. MORRAH. 84 × 64. 112 pp. Allen. 5s.&#13;
A VISION OF LIFE. By DARRELL FIGGIS. With an&#13;
introduction by G. K. CHESTERTON. 74 × 5. 100 pp.&#13;
Lane. 3s. 6d. n.&#13;
MooDs. A Booklet of Verse. By CHARLES GRANVILLE.&#13;
73 × 53. 39 pp. The Open Road Publishing Co.&#13;
ls. 6d. n.&#13;
"THOUGHTS AND PASTIMEs. By M. E. R. Illustrated.&#13;
73 × 5+. 99 pp. Kegan Paul. 3s. 6d. n.&#13;
VERSES IN TwiligEIT. By the REV. P. W. DE QUETTE-&#13;
VILLE. 73 x 5. 48 pp. Stock. 2s. 6d. n.&#13;
POLITICAL,&#13;
1912 7 GERMANY AND SEA POWER. By A. R. COLQUHOUN.&#13;
73 x 43. 119 pp. Sir Isaac Pitman. 1s. n.&#13;
REPRINTs.&#13;
THE FOUNDATIONs of THE ORIGIN OF SPECIES. A&#13;
Sketch written in 1842. By CHARLEs DARw IN. Edited&#13;
by FRANCIS DARWIN. 9 × 6. 53 pp. Cambridge&#13;
University Press.&#13;
SPEECHES ON POLITICS AND LITERATURE. By LoRD&#13;
MACAULAY. 465 pp. (Everyman's Library. Edited&#13;
by ERNEST RHYs.) 7 x 4+. Bent. 1s. n.&#13;
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MESMERISM AND CHRISTIAN SCIENCE. A Short History&#13;
of Mental Healing. By FRANK PopMoRE. 9 × 53.&#13;
306 pp. Methuen. 10s. 6d. n.&#13;
THE ANNALS OF PSYCHICAL SCIENCE, July–September,&#13;
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334–514. 110, St. Martin's Lane. 3s.&#13;
SOCIOLOGY.&#13;
THE SovKANTY OF SOCIETY. By H. E. M. STUTFIELD.&#13;
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NEW WORLDS For OLD. A Plain Account of Modern&#13;
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Constable. 1s. n.&#13;
MARRIAGE AS A TRADE. By CICELY HAMILTON.&#13;
73 × 5. 284 pp. Chapman &amp; Hall. 6s.&#13;
POWERTY AND HEREDITARY GENIUS : A Criticism of Mr.&#13;
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CONSTABLE, 74 x 43. 149 pp. (Cheaper Issue.)&#13;
Fifield. 18. n.&#13;
SPORT.&#13;
THE KEEPER'S BOOK : A Guide to the Duties of a Game-&#13;
keeper. By P. JEFFREY MACKIE and A. STODART&#13;
WALKER. 73 × 5. 356 pp. Sixth Edition. Revised&#13;
and Enlarged. Foulis. 5s. n.&#13;
THEOLOGY.&#13;
A VISION OF PERFECTION. By GEORGIE HARGREAVES.&#13;
7 x 4. 68 pp. Frank H. Morland, 16, Park Mansions,&#13;
Fulham, S.W. 1s. n.&#13;
TRANSMIGRATION OF SOULS. By D. ALFRED BERTHol.ET,&#13;
Professor of Theology in the University of Basle.&#13;
Translated by the REV. H. J. CHAYTOR, Headmaster of&#13;
Plymouth College. (Harper's Library of “Living&#13;
Thought.”) 7 × 4%. 133 pp. Harper. 2s. 6d. In.&#13;
CONSCIOUSNESS OF GOD. Two Lectures on the Ante-&#13;
cedents of Revelation. By the REV. T. A. LACEY. 79 pp.&#13;
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THE DAWN OF CHRISTIANITY IN CONTINENTAL EUROPE,&#13;
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THE HOSPITAL OF ST. JOHN OF JERUSALEM IN&#13;
ENGLAND. By S. F. A. CAULFIELD. 73 × 5. 132 pp.&#13;
Stock 2s. 6d. n.&#13;
TOPOGRAPHY.&#13;
MEMORIALS OF OLD MIDDLESEX. Edited by J. TAVENOR-&#13;
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of England. General Editor, Rev. P. H. DITCHFIELD,&#13;
F.S.A.) Bemrose. 15s. n.&#13;
VISITORs' GUIDE To WESTMINSTER ABBEY. By FRANCIS&#13;
BOND. Illustrated by 12 plans, 36 photographs, and other&#13;
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THE ISLE OF MAN. Described by AGNES HERBERT.&#13;
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Lane. 10s. 6d. m.&#13;
TRAVEL.&#13;
A WANDERER IN PARIs. By E. V. LUCAS. 73 × 5.&#13;
329 pp. Methuen. 6s,&#13;
THE BERNESE OBERLAND. Vol. I. From the Gemm to&#13;
the Mönchjock. Part I., The Main Range. (A New&#13;
edition.) By W. A. B. Coolidge. 53 x 3}. 155 pp.&#13;
(Conway &amp; Coolidge's Climbers' Guides.) Fisher Unwin.&#13;
108.&#13;
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&#13;
8 - TISIE A DITFIOR.&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
- MEMBERS.&#13;
—º-º-º-&#13;
ART.&#13;
WILLIAM BLAKE. By BASIL DE SELINCOURT.&#13;
Scribner. $2 n.&#13;
THE ENGLISH HOUSE :&#13;
AND STYLES.&#13;
298 pp.&#13;
HOW TO JUDGE ITS PERIODS&#13;
By W. SHAw SPARROW. 348 pp. John&#13;
Lane Co. $2 n.&#13;
BIOGRAPHY.&#13;
THE LIFE AND TIMES OF MASTER JOHN HUs. By Count&#13;
LUTzow. 398 pp. $4 n.&#13;
A BISHOP IN THE ROUGH. By THE REV. D. WALLACE&#13;
DUTHIE. 386 pp. Dutton &amp; Co. $2 n.&#13;
BOOKS FOR TEIE YOUNG .&#13;
MADGE-MAKE-TEIE-BEST-OF-IT. By M. E. FRANCIS. St.&#13;
Nicholas Series of Beautiful Books. Benziger Bros.&#13;
80 cents n.&#13;
IN NATURE’s SCHOOL. By LILIAN GASK ; with 16&#13;
illustrations by DOROTHY HARDY. 320 pp. New&#13;
York : Thomas Y. Crowell &amp; Co. $1.50.&#13;
MOTHER Goose's NURSERY REIYMEs. By WALTER&#13;
JERROLD. Dodge Publishing Co. $1.50 m.&#13;
DRAMA.&#13;
PLAYs : THE SILVER BOX ; Joy ; STRIFE. By JoHN&#13;
GALsworth Y. 263 pp. Putnam. $1.35 m,&#13;
FAIRY TALE PLAYS AND HOW TO ACT THEM. By&#13;
LADY BELL. With illustrations by LANCELOT SPEED.&#13;
New York : Longmans, Green &amp; Co. 366 pp. $1.50.&#13;
ECONOMICS.&#13;
TEIE INDUSTRIAL SYSTEM : AN ENOUIRY INTO EARNED&#13;
AND UNEARNED INCOMES. By J. A. HOBSON. 328 pp,&#13;
Longmans, Green &amp; Co. $2.50 n. -&#13;
MARRIAGE AS A TRADE. By CICELY HAMILTON. 257 pp.&#13;
Moffat Yard &amp; Co. $1.25 m.&#13;
EDUCATIONAL.&#13;
STORIES FROM DON QUIXOTE ; STORIES FROM THE&#13;
AENEID ; STORIES FROM THE GREEK TRAGEDY ;&#13;
STORIES FROM THE ILIAD ; STORIES FROM THE&#13;
ODYSSEY. Retold by H. L. HAVELL. New York :&#13;
Dodge Publishing Co. $1.50.&#13;
CoRSICA. By ERNEST YOUNG. Illustrated by E. A.&#13;
NORBURY. New York : Macmillan. 75 cents n.&#13;
AUTHORS AND PRINTERS' DICTIONARY : A guide for&#13;
authors, editors, printers, correctors of the press, com-&#13;
positors, typists, etc.; with full list of abbreviations ;&#13;
an attempt to codify the best typographical practices&#13;
of the present day. By F. HowARD Col.IINs. 408 pp.&#13;
New York: Oxford University Press. 35 cents.&#13;
FICTION.&#13;
THE LONG GALLERY. By Eva LATHBURY. 363 pp.&#13;
Henry Holt &amp; Co. $1.50.&#13;
THE GOVERNORS. By E. PHILLIPs OPPENHEIM. 300 pp.&#13;
Little, Brown &amp; Co. $1.50.&#13;
A DRAMA IN SUNSHINE. By H. A. WACHELL.&#13;
R. F. Fenno. $1 m.&#13;
DIANA DETHRONED. By W. M. LETTS.&#13;
Lane Co. $1.50.&#13;
THE SCORE. By LUCAS MALET.&#13;
Dutton &amp; Co. $1.50.&#13;
NovKLS AND TALES. By HENRY JAMEs (with special&#13;
prefaces by the Author). Wols. XXIII., XXIV. : THE&#13;
GOLDEN BOWL. New York : Scribners. 402 pp.,&#13;
369 pp. $2 and $4.&#13;
347 pp.&#13;
317 pp. John&#13;
323 pp. New York:&#13;
SIXPENNY PIECES.&#13;
Lane Co. $1.50.&#13;
THE MEN OF THE MOUNTAIN.&#13;
316 pp. Harper. $1.50.&#13;
THE RESQUER. By PERCY WHITE. 322 pp. George W.&#13;
Dillingham &amp; Co. $1.50.&#13;
By A. NEIL LYONs. 305 pp. John&#13;
By S. R. CROCKETT.&#13;
THE WHITE PROPHET. By HALL CAINE. 613 pp.&#13;
Appleton. $1.50.&#13;
GREEN GINGER. By ARTHUR MoRRISON. 814 pp.&#13;
Frederick A. Stokes Co. $1.50.&#13;
THE SHOW GIRL. By MAX PEMBERTON. 358 pp.&#13;
Philadelphia : John C. Winston Co. $1.50.&#13;
ON THE SPANISH MAIN. By HERBERT STRANG. 368 pp.&#13;
Bobbs-Merrill Co. $1.50.&#13;
BROTHERS ALL : MORE STORIES OF DUTCH PEASANT&#13;
LIFE. By MAARTEN MAARTENS. 324 pp. Appleton,&#13;
1909, $1.50. -&#13;
LITERARY.&#13;
MILTON MEMORIAL LECTURES, 1908. Read before the&#13;
Royal Society of Literature; edited, with an introduction,&#13;
by PERCY W. AMES ; with 4 illustrations. Oxford&#13;
University Press, 222 pp. $2.&#13;
OXFORD LECTURES ON PoETRY. By A. C. BRADLEY.&#13;
395 pp. Macmillan. $3 n.&#13;
PLAYS, ACTING AND MUSIC. A book of theory. By&#13;
ARTHUR SYMONS. 322 pp. Dutton &amp; Co. $2 n.&#13;
THE CLAIMS OF FRENCH PoETRY ; NINE STUDIES IN THE&#13;
GREATER FRENCH PoETs. By J. C. BAYLEY. New&#13;
York: Mitchell Kennerley. 313 pp. $2.50.&#13;
GEORGE MEREDITH IN ANECDOTE AND CRITICISM.&#13;
Illustrated with reproductions from photographs and from&#13;
drawings by famous artists. By J. A. HAMMERTON.&#13;
392 pp. New York : Mitchell Kennerley. $4 n.&#13;
MEDICAL.&#13;
PARENTHOOD AND RACE CULTURE : AN OUTLINE OF&#13;
EUGENICS. By C. W. SALEEBY. 389 pp. Moffatt Yard&#13;
&amp; Co. $2.50 m.&#13;
MICELLANEOUS.&#13;
HINTS ON HousB FURNISHING. By WALTER SHAw&#13;
SPARROW. 308 pp. John Lane Co. $2.50 n.&#13;
DUTCH BULBS AND GARDENS. By UNA. L. SILBERRAD&#13;
and SOPHIE LYALL; painted by MIMA NIxoN. 176 pp.&#13;
New York : Macmillan Co. $2 n. -&#13;
- MUSIC.&#13;
HUGo Wolf. By ERNEST NEWMAN.&#13;
279 pp. John Lane&#13;
Co. $2.50 m. - .&#13;
NATURAL HISTOR. Y.&#13;
THE WONDERS OF THE ZOO. By LILIAN GASK. 238 pp.&#13;
The Dodge Publishing Co. $1.25.&#13;
POETRY.&#13;
By DARRELL FIGGIs ; with an&#13;
New York : John&#13;
A VISION OF LIFE.&#13;
introduction by G. K. CHESTERTON.&#13;
Lane Co. 100 pp. $1.25 n.&#13;
REPRINTS.&#13;
THE NAULAHKA : A STORY OF WEST AND EAST. By&#13;
RUDYARD KIPLING and C. WOLCOTT BALESTIER.&#13;
379 pp. (Pocket Kipling.) Doubleday, Page &amp; Co.&#13;
$1.50.&#13;
SCIENCE.&#13;
SCIENTIFIC PAPERS. Vol. II. : Tidal Friction and COS-&#13;
mogony. By SIR GEO. DARWIN. 516 pp. Putnam.&#13;
$4.50 m.&#13;
&#13;
&#13;
## p. (#371) ################################################&#13;
&#13;
TFIES A CITFIOR. 9&#13;
TECHNICAL.&#13;
COMPRESSED AIR WORK AND DIVING : A Handbook&#13;
for Engineers, comprising Deep Water Diving and&#13;
the use of Compressed Air for Sinking Caissons and&#13;
Cyclinders, and for Driving Subaqueous Tunnels. By&#13;
G. W. M. BOYCOTT. New York : D. Wan Nostrand Co.&#13;
128 pp. $4 n.&#13;
THE LIFE STORY OF SIR CHARLES BRIGHT, CIVIL&#13;
ENGINEER : With which is incorporated the story of&#13;
the Atlantic Cable and the first Telegragh to India and&#13;
the Colonies. By CHARLES BRIGHT. 490 pp. New&#13;
York : D. Wan Nostrand Co. $4.50.&#13;
THEOLOGY.&#13;
THE MESSAGE OF THE SON OF MAN. By the REV.&#13;
EDWIN, ABBOT. New York : Macmillan. $1.75 m.&#13;
TOPOGRAPHY.&#13;
HAMPSHIRE. Painted by WILFRED BALL. Described by&#13;
the REv. TELFORD WARLEY. Macmillan. $6 m.&#13;
THE ISLE OF MAN, described by AGNES HERBERT ; with&#13;
a foreword by A. W. MOORE ; and 32 colour plates by&#13;
DONALD MAXWELL. 270 pp. Jane Lane Co. $3.50 n.&#13;
TRAVEL.&#13;
WASHED BY FOUR SEAS. By H. C. WOODS. An English&#13;
Officer’s travels in the Near East ; with an introduction&#13;
by SIR MARTIN CONWAY ; illustrated by 62 photographs&#13;
taken by the Author. Brooklyn, New York : A. Wessels&#13;
Co. 316 pp. $2.50 n.&#13;
à&#13;
w&#13;
—h- a-&#13;
~---&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
—e—º-e—&#13;
MISCELLANEOUS.&#13;
&amp; 4 HE Annals of Psychical Science,” founded&#13;
in January, 1905, has changed hands.&#13;
Mr. Dudley Wright, the assistant editor,&#13;
has succeeded Mrs. Laura I. Finch as editor, the&#13;
last named joining the Editorial Board, which&#13;
already includes such well-known names in the&#13;
world of psychical research as Sir William Crookes,&#13;
Camille Flammarion, Prof. Lombroso, Prof.&#13;
Charles Richet, and Col. Albert de Rochas.&#13;
Premises have been secured in the west end&#13;
of London for the proposed Psychical Research&#13;
Club, which will now shortly be opened. Mr.&#13;
Wynton Hope has been appointed secretary, and&#13;
all communications respecting the club should for&#13;
the present be addressed to him c/o “The Annals&#13;
of Psychical Science,” 110, St. Martin's Lane,&#13;
London, W.C.&#13;
The summer number of The Car contains an&#13;
article by Maude C. Knight, called “An Argyll in&#13;
the West.”&#13;
The members of the London and Middlesex&#13;
Archaeological Society paid a visit in July, by&#13;
permission of the trustees, to Morden College,&#13;
Blackheath, where they were received by the&#13;
Chaplain, the Rev. Henry Lansdell, D.D., author&#13;
of “The Sacred Tenth,” who had prepared for&#13;
their information an account of the most ancient&#13;
possession of the college, namely, the lordship or&#13;
manor at Old Court, Greenwich.&#13;
Mr. J. Ashby Sterry, who originated and has&#13;
Written the popular “Bystander ’’ column in the&#13;
Graphic for considerably over eighteen years, has&#13;
now altogether retired from that paper. .&#13;
Miss M. A. Woods, author of “The Characters&#13;
of Paradise Lost,” has just published, through&#13;
Messrs. Baker &amp; Son, of Clifton, Bristol, a work&#13;
entitled “A Study of Opposites.”&#13;
Miss Alice Henry has been appointed editor of&#13;
the Woman's department of the “Union Ilabour&#13;
Advocate ’’ of Chicago, Ill.&#13;
“The Adventures of Lally Helsmark’ is a work&#13;
written by Mr. Marshall Kelly and published by&#13;
Mr. Henry J. Drane in three volumes, sub-&#13;
divided into four parts. The first part follows the&#13;
Course of a man who, bred in the ancient faith,&#13;
Wanders into the thickest stress of atheistic prac-&#13;
tice. In the second part reference is made to the&#13;
difference between the nineteenth and twentieth&#13;
centuries, and to modern faiths. An individual&#13;
is introduced whose progress through certain&#13;
engineering workshops and docks is traced in the&#13;
third part, which contains descriptions of the&#13;
life found there and such reflections as genuinely&#13;
spring out of this. Part four concerns the faith&#13;
of man in all ages, and his practice in this.&#13;
Madame Wassal, who has lately returned from&#13;
Annam, where she has been living for three years,&#13;
is open to lecturing engagements on the subject of&#13;
“Life in Annam.” Dr. Wassal, who was attached&#13;
to the Pasteur Institute of Nhatrang, made several&#13;
expeditions into the interior, and on every possible&#13;
Occasion was accompanied by Madame Wassal, who&#13;
thus obtained an opportunity of studying not only&#13;
the Annamese, but the wild hill tribes.&#13;
Applications for lectures should be addressed to&#13;
The Lecture Agency, The Outer Temple, Strand,&#13;
London, W.C.&#13;
“Royal Revenues,” by H. R. H., is a booklet&#13;
in which is revealed an obsolete historical incident,&#13;
exemplifying the self-abnegation of the late Queen&#13;
Victoria and the devotion of one of her counsellors.&#13;
Mr. Elliot Stock is the publisher of the work,&#13;
which is obtainable at the price of 6d. nett.&#13;
FICTION.&#13;
“Major Weir” by K. L. Montgomery, has been&#13;
brought out in a popular shilling edition by Mr.&#13;
Fisher Unwin. An article on “Allen Raine,” by&#13;
the same author, appeared in the June number of&#13;
The Treasury. -&#13;
In our United States notes some time ago we&#13;
&#13;
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## p. (#372) ################################################&#13;
&#13;
10&#13;
TISIES A DTEIOR.&#13;
announced the publication of a new novel by&#13;
Gertrude Atherton this spring. We understand&#13;
that we were premature in this announcement and&#13;
that the work in question will not be ready till the&#13;
spring of 1910.&#13;
“The Diamond and the Rose,” by Hope&#13;
Protheroe, is a novel which has for its theme the&#13;
sacrifice of a girl who releases her lover because of&#13;
the knowledge which comes to her of her inherit-&#13;
ance of the taint of insanity. The Century Press&#13;
are the publishers. -&#13;
Mr. Edgar Turner is publishing, this month,&#13;
through Messrs. Stanley, Paul &amp; Co., a new novel&#13;
entitled “The Submarine Girl,” which, in title and&#13;
in style, recalls the same author's first book, “The&#13;
Girl with Feet of Clay,” a work which was mainly&#13;
about authors.&#13;
“Sylvia and the Secretary” is a new novel by&#13;
Olivia Ramsey (author of “The Marriage of Lionel&#13;
Glyde’’ and “The Girl from Catford”), which&#13;
Mr. John Long has just published.&#13;
Amongst the novels to be issued at the popular&#13;
price of 28. in the autumn is a re-issue of the&#13;
novels by the author of “John Westacott.” The&#13;
first volume that Messrs. Chapman and Hall will&#13;
produce is “The Gleaming Dawn.” This will be&#13;
followed by “The Cardinal's Page,” and then will&#13;
come the River Stories : “John Westacott,” “By&#13;
the Western Sea,” etc. The author, Mr. James&#13;
Baker, is now engaged upon a volume of “Reminis-&#13;
cent Gossip from Old Note-books,” some chapters&#13;
of which have appeared in the St. James's Gazette.&#13;
Mrs. M. H. Spielmann has published, through&#13;
Messrs. Chatto and Windus, a volume called “The&#13;
Rainbow Book,” in which are included sixteen&#13;
tales of fun and fancy. The book has a coloured&#13;
frontispiece and fourteen illustrations by Arthur&#13;
Rackham, and twenty-two in black and white by&#13;
Hugh Thomson, Bernard Partridge, Lewis Baumer,&#13;
Harry Rowntree, and C. Wilhelm.&#13;
Mr. H. A. Wachell's new novel, “The Paladin,”&#13;
which has been running serially during the&#13;
current year in the Cornhill Magazine, was pub-&#13;
lished in book form in the last week of September&#13;
by Messrs. Smith, Elder &amp; Co. Mr. Wachell is&#13;
now engaged upon some dramatic work.&#13;
“Only a Woman : An Unsuspected Heroine of&#13;
the Reformation,” by Edith C. Kenyon, author of&#13;
“A Girl in a Thousand,” etc., will be published by&#13;
the Religious Tract Society. This story, dealing&#13;
with the times of Luther, ran as a serial through&#13;
the pages of Our Own Gazette, and we understand&#13;
has already been translated into Swedish.&#13;
“Shadow-Shapes” is a new volume of short&#13;
stories and sketches by Ella Erskine. It owes its&#13;
title to one of the quatrains of Omar — º&#13;
“We are no other than a moving row of magic&#13;
shadow-shapes that come and go round with the&#13;
sun-illumined lantern held in midnight by the&#13;
master of the show.” -&#13;
It has just been published by Mr. Elkin.&#13;
Mathews. Price 3s. 6d. nett.&#13;
Dolf Wyllarde is publishing, this autumn,&#13;
through Messrs. Stanley Paul &amp; Co., a collection&#13;
of short stories, entitled “Tropical Tales,” which&#13;
are mostly based on a theory of the influence of&#13;
climate upon human actions and characters. The&#13;
author has adopted the plan of stating the tempera-&#13;
ture in each case.&#13;
The same Writer, in addition to a certain amount&#13;
of journalism and magazine work, is also writing&#13;
a long novel which Messrs. Methuen &amp; Co. will&#13;
publish next year.&#13;
The Religious Tract Society's autumn publica-&#13;
tions include a modern romance, by Helen H.&#13;
Watson (Mrs. Herbert A. Watson). “Love: The&#13;
Intruder,” is the title of the story, the author of&#13;
which has already written many stories for children,&#13;
as well as some novels, the latter category includ-&#13;
ing “Andrew Goodfellow ’’ and “The Captain's&#13;
Daughter.”&#13;
Mr. John Bloundelle-Burton's new novel, “The&#13;
King's Mignon,” is to be published shortly by&#13;
Messrs. Everett &amp; Co. The period covers the few&#13;
months that elapsed between the murder of the&#13;
Duc de Guise and his brother, the Cardinal, at.&#13;
Blois, by order of the King (Henri III.) and the&#13;
assassination of the evil king himself by Jacques.&#13;
Clément. In this setting the author tells a,&#13;
romance of the period, and introduces the&#13;
vicissitudes to which the heroine, wife of one of&#13;
the worst of the mignons, is exposed. An amount,&#13;
of mystery, which surrounds her existence to&#13;
the end, also forms a considerable portion of&#13;
Mr. Bloundelle-Burton's latest story.&#13;
Mrs. F. E. Penny's new Indian story, entitled&#13;
“The Unlucky Mark,” has just been published by&#13;
Messrs. Chatto and Windus.&#13;
Messrs. Washbourne &amp; Co. are publishing “A.&#13;
Red Handed Saint,” by Miss Olive Katharine Parr,&#13;
this autumn. The story is another slum narrative,&#13;
and has run as a serial in The Universe, London,&#13;
The Universe, Ohio, and the Catholic Standard,&#13;
Philadelphia.&#13;
“The Unexplained” is the title given to a.&#13;
collection of Indian stories by Edith C. Gerrard,&#13;
which Messrs. Digby, Long &amp; Co. have published.&#13;
There are eight stories in all, and they tell of&#13;
Indian life on the hills and when travelling on the&#13;
plains.&#13;
“Paths Perilous,” a new novel by Sidney&#13;
Pickering, was published last month by Messrs.&#13;
Chapman and Hall. -&#13;
Miss Winifred James will produce, early this,&#13;
month, a book entitled “Saturday's Children.”&#13;
It will be published by Messrs. Blackie &amp; Sons,&#13;
&#13;
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## p. (#373) ################################################&#13;
&#13;
TISIES A UTISIOR.&#13;
11&#13;
at the price of 6s. The illustrations are by&#13;
Frances Ewan, and the book deals with the&#13;
vicissitudes of two penniless girls in an Australian&#13;
town. -&#13;
BIOGRAPHY.&#13;
Miss F. M. S. Batchelor has translated, with the&#13;
assistance of Mr. C. A. Miles, a short history of&#13;
the Popes, which has lately been written by Prof.&#13;
Gustav Krüger, of Giessen, one of the foremost&#13;
ecclesiastical historians in Germany. It is a&#13;
concise and impartial account of the Papacy from&#13;
the earliest times to the accession of Pius X.&#13;
Messrs. J. M. Dent &amp; Co. are the publishers of the&#13;
volume which bears the title of “The Papacy : the&#13;
Idea and its Exponents.”&#13;
Miss Agnes Murphy, who has been commissioned&#13;
to write the biography of Madame Melba, which&#13;
is to be published in New York and London during&#13;
October, is an Irishwoman who has travelled widely,&#13;
and who, for some years, has filled the position of&#13;
personal representative of the Queen of Song. The&#13;
book will contain a number of illustrations.&#13;
Mr. John Lane has recently published a new&#13;
work dealing with “Madame de Maintenon, her&#13;
life and time, 1635–1719,” by Charlotte C.&#13;
Dyson. Recent research has led to the discovery&#13;
of many new facts concerning one whom friends&#13;
and foes alike acknowledge to have been one of the&#13;
most remarkable figures in French history, and&#13;
Miss Dyson will probably, taking these facts into&#13;
account,be able to show the wife of Louis XIV. in&#13;
a new light.&#13;
There are 17 illustrations to the book.&#13;
NATURAL HISTORY.&#13;
“The YoungNaturalist,” by W. Percival Westell,&#13;
is a guide to British animal life, in which the&#13;
author continues his efforts to popularise the study&#13;
of natural history, avoiding the language of the&#13;
large text-books, which he considers are often quite&#13;
beyond the ken of the ordinary individual.&#13;
In addition to eight coloured plates there are&#13;
nearly 250 photographic illustrations. Messrs.&#13;
Methuen &amp; Co. are the publishers.&#13;
SCIENCE.&#13;
A new work by Mr. J. Ellard Gore, F.R.A.S.,&#13;
entitled “Astronomical Curiosities: Facts and&#13;
Fallacies,” is in the press, and will shortly be pub-&#13;
lished by Messrs. Chatto and Windus.&#13;
TRAVEL.&#13;
Mr. Francis Gribble's three monographs on&#13;
Geneva, Montreux, and Lausanne have been&#13;
brought together in a single volume called “The&#13;
{Lake of Geneva,” which will be published by&#13;
Messrs. A. and C. Black. The scope of the work&#13;
is rather biographical and historical than descrip-&#13;
tive. The scenery of the lake having been copiously&#13;
illustrated by J. Hardwicke Lewis and Miss Mary&#13;
Hardwicke Lewis, Mr. Gribble, the author, has&#13;
mainly devoted his text to anecdotal summaries of&#13;
the careers of the celebrities, from Bonivard to&#13;
Byron, and from Calvin to Voltaire, whose names&#13;
are associated with Geneva, Vaud, and Chablais.&#13;
. Messrs. Hutchinson &amp; Co. have just published&#13;
Sir Godfrey Lagden's work on “The Basutos,” in&#13;
which the author, who spent the greater part of&#13;
thirty years in Southern Africa and seventeen&#13;
amongst the Basutos, traces their early origin and&#13;
formation into a tribe under the celebrated chief&#13;
Moshish. Their struggles for ascendency with the&#13;
Zulus and other tribes are first depicted, and then&#13;
the rough story of contest with the European&#13;
pioneers. The work, which is published in two&#13;
Volumes, at 24S. nett, is illustrated from a series of&#13;
reproductions from photographs in the author's&#13;
collections.&#13;
THEOLOGY.&#13;
“A Vision of Perfection,” by Georgie Har-&#13;
greaves, describes the struggle of a being against&#13;
agnostic precepts, and its eventual victory over&#13;
them. Mr. Frank H. Morland, of 16, Park&#13;
Mansions, Fulham, S.W., is the publisher.&#13;
} POETRY.&#13;
“Thoughts and Pastimes,” by M. E. R., is a&#13;
collection of verse, homely in form and reverent&#13;
in spirit, which has been published by Messrs.&#13;
Kegan, Paul &amp; Co. The proceeds of the sales are&#13;
to go to the Great Ormond Street Children's&#13;
Hospital. The volume contains six illustrations,&#13;
which add to the attractiveness of the production.&#13;
Mr. G. K. Chesterton's first book, “The Wild&#13;
Knight, and Other Poems,” was published nine&#13;
years ago, and Messrs. J. M. Dent &amp; Co. are now&#13;
preparing a new edition, which will be revised by&#13;
the author and contain many entirely new poems.&#13;
TOPOGRAPHY.&#13;
To Messrs. George Allen &amp; Sons' series,&#13;
“Memorials of the Counties of England,” under the&#13;
general editorship of the Rev. P. H. Ditchfield,&#13;
M.A., has been added “Memorials of Old Sussex,”&#13;
edited by Percy D. Mundy. Mr. Mundy has had&#13;
the assistance of Mr. Hilaire Belloc, who con-&#13;
tributes an introductory chapter on the indi-&#13;
viduality of Sussex; of Dr. Cox, who writes on the&#13;
subject of Sussex forests; of Mr. J. Tavenor-&#13;
Perry, who writes on Saxon architecture ; and of&#13;
many other writers distinguished in their various&#13;
departments. - -&#13;
&#13;
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## p. (#374) ################################################&#13;
&#13;
12&#13;
TRIES A DTEIOR.&#13;
The volume is to be published on subscription at&#13;
15s, nett.&#13;
ENGINEERING.&#13;
Messrs. Archibald Constable &amp; Co. announce&#13;
the publication of a text-book on gas, oil and petrol&#13;
engines for the use of students and engineers, by&#13;
Mr. H. E. Wimperis. “The Internal Combustion&#13;
Engine "-the book under notice—deals with&#13;
subjects in the borderland between the several&#13;
allied sciences (notably physics and chemistry) and&#13;
the exclusively practical sides of their application.&#13;
The treatment is necessarily mathematical in&#13;
certain parts, but it does not demand any more&#13;
than an average acquaintance with mathematics&#13;
On the part of the reader. -&#13;
POLITICAL.&#13;
Mr. Archibald Colquhoun has republished in a&#13;
Small volume some articles of his which appeared&#13;
recently in the Morning Post on the question of&#13;
Germany and sea power, “1912 P’’—the tile&#13;
given to the volume (in which will be found some&#13;
hitherto unpublished matter)—provides the clue to&#13;
the author's purpose in writing on one of the&#13;
gravest questions of the day. Messrs. Pitmans&#13;
are the publishers.&#13;
HISTORICAL.&#13;
Miss S. F. A. Caulfeild has published, through&#13;
Mr. Elliot Stock, a sketch, more or less brief, of&#13;
the planting of the Christian faith in Continental&#13;
Europe when the several nationalities were pagan.&#13;
The author has included in her history extracts&#13;
from the records of apostolic succession in the&#13;
five primitive mother-churches during the first&#13;
three centuries of Christianity.&#13;
“The Dawn of Christianity in Continental&#13;
Europe” is the title of Miss Caulfeild’s book,&#13;
which is illustrated from photographs, and is&#13;
published at 2s. 6d. nett.&#13;
Count Lützow is preparing a new edition of his&#13;
“Bohemia : A Historical Sketch,” which first&#13;
appeared in 1896, and has long been out of print.&#13;
The new edition will be considerably altered and&#13;
enlarged. As Count Lützow has recently written&#13;
a history of Bohemian literature, the last chapter&#13;
of the “Sketch,” which dealt with the literature&#13;
of Bohemia, has been omitted. On the other&#13;
hand, an extensive chapter has been added which&#13;
deals with the history of Bohemia from the year&#13;
1620 up to the present day. The first edition did&#13;
not continue the history of Bohemia beyond the&#13;
year 1620. The new edition of “Bohemia: A&#13;
Historical Sketch,” will be published about the&#13;
end of the present year by Messrs. Dent &amp; Co. in&#13;
“Everyman's Library.”&#13;
REMINISCENCEs.&#13;
Mr.T. Werner Laurie has just published “My&#13;
Friends the French,” by Robert Harborough&#13;
Sherard. In this volume Mr. Sherard relates&#13;
further reminiscences of Paris, beyond those given&#13;
in his “Twenty Years in Paris,” and his observa-&#13;
tions of modern Social life in France.&#13;
LAW.&#13;
Mr. Edward Jenks's book “ Husband and Wife&#13;
in the Law,” published by Messrs. J. M. Dent &amp;&#13;
Co., explains the mutual relations of husband and&#13;
wife, so far as they are regulated by the law.&#13;
ARCHITECTURE.&#13;
“Town Planning in Practice,” by Mr. Raymond&#13;
Unwin, is a book which is not occupied with the&#13;
advocacy of town planning or the Garden City&#13;
movement, but, assuming the desirability of these,&#13;
seeks to put before the reader a sketch of town&#13;
planning as it has been practised in the past, and&#13;
to give some idea of the different styles of work.&#13;
It deals particularly with the two main schools&#13;
who advocate respectively formality and inform-&#13;
ality of design, and suggests definite principles for&#13;
guidance. The book, which has 300 illustrations,&#13;
is published by Mr. Fisher Unwin at the price of&#13;
£1 1s. nett.&#13;
DRAMATIC.&#13;
Since the last issue of The Author the dramatic&#13;
Section of the Society of Authors has been well&#13;
represented on the stage. Mr. Justin Huntly&#13;
McCarthy, Sir Arthur Pinero, Mr. Cecil Raleigh,&#13;
Mr. Paul Rubens, Mr. G. Bernard Shaw, Mr.&#13;
Alfred Sutro, Mr. J. B. Fagan, and Mr. F.&#13;
Anstey have each produced plays during the&#13;
Vacation.&#13;
Mr. McCarthy's play “The Proud Prince,” an&#13;
adaptation of the well-known legend King Robert.&#13;
of Sicily, was produced at the Lyceum Theatre&#13;
on September 4, and was interpreted by a&#13;
caste which included Mr. Matheson Lang, Miss.&#13;
Dorothy Thomas, and Mr. Eric Mayne.&#13;
Sir Arthur Pinero's play, “Mid-Channel,” in&#13;
four acts, was produced at the St. James's Theatre&#13;
early in September. The caste included Miss&#13;
Irene Vanbrugh, Mr. Lyn Harding, and Mr.&#13;
C. M. Lowne.&#13;
“The Whip” was produced by Mr. Cecil&#13;
Raleigh in collaboration with Mr. Henry&#13;
Hamilton at Drury Lane Theatre, on Thursday,&#13;
September 9, with a caste in which were&#13;
included Miss Jessie Bateman, Mr. Wincent&#13;
Clive, Mr. Cyril Keightley, and Miss Madge.&#13;
Fabian. .&#13;
&#13;
&#13;
## p. (#375) ################################################&#13;
&#13;
THE AUTHOR.&#13;
13&#13;
Mr. Paul Ruben’s “Dear Little Denmark,”&#13;
described as a Danish musical incident in two&#13;
acts, was produced at the Prince of Wales's Theatre&#13;
early last month, Mr. Huntley Wright, Miss Gracie&#13;
Leigh, and Miss Isabel Jay in the caste.&#13;
“The Showing-Up of Blanco-Posnet "--Mr. G.&#13;
Bernard Shaw's one-act play—was produced at the&#13;
Abbey Theatre in Dublin during the last week in&#13;
August, with Mr. O’Donovan as Blanco, and Miss&#13;
Mary O’Neill as the mother.&#13;
Mr. Alfred Sutro's play “Making a Gentleman,”&#13;
was produced at the Garrick on Saturday, Septem-&#13;
ber 11, and was interpreted by a caste in which&#13;
were included Mr. Arthur Bourchier, Miss Ethel&#13;
Irving, and Mr. Kenneth Douglas.&#13;
“False Gods” is a translation, for which Mr. J.&#13;
B. Fagan is responsible, from “La Foi,” by M.&#13;
Brieux, and was produced at His Majesty's Theatre&#13;
on September 14, with a caste which included&#13;
Sir Herbert Tree, Mrs. Patrick Campbell, Henry&#13;
Ainley, and Miss Evelyn D’Alroy.&#13;
Mr. F. Anstey's fantasy, “The Brass Bottle,”&#13;
was produced at the Vaudeville Theatre just before&#13;
The Author went to press. In the cast were Mr.&#13;
Lawrence Grossmith, Miss Viva Birkett, and Mr.&#13;
Rudge Harding.&#13;
A new one-act play called “The Typist” was&#13;
produced on September 15 at the Garden Theatre&#13;
in the Women of All Nations Exhibition at Olympia.&#13;
There are three characters in the piece: Earl&#13;
Dreighton (Mr. Walter Pearce), Mary Lister (a&#13;
heiress impersonated by Miss Ella Erskine), and&#13;
Johnson (a butler, taken by Mr. Louis Calvert).&#13;
The theme relates to the attempt of the Earl to&#13;
Save the fortunes of his house through literature,&#13;
rather than by contracting an alliance with an&#13;
heiress as suggested by his mother, and the play&#13;
shows how he finally did unconsciously (by falling&#13;
in love with an heiress under the impression that&#13;
she was a typist) what his mother had desired he&#13;
should do.&#13;
Miss Ella Erskine, the author of the piece, has&#13;
also written a one-act play which she has called&#13;
“The White Hair.” This piece has been acquired&#13;
by the Scottish Repertory Theatre for productions&#13;
in Glasgow and Edinburgh this autumn, and Miss&#13;
Erskine has been engaged to play the leading&#13;
part.&#13;
—e—º-e—&#13;
PARIS NOTES.&#13;
—º-º-º-&#13;
HE last book written by Mme. Arvède Barine&#13;
has been published in volume form since&#13;
her death. It appeared in serial form in&#13;
the Revue des, Deua Mondes. It is the history&#13;
of “Madame,” the sister-in-law of Louis XIV. As&#13;
º, descendant of the Stuarts the story of this&#13;
Princess is extremely interesting to English readers.&#13;
A granddaughter of the “Winter King ” of&#13;
Bohemia, her life was by no means an uneventful&#13;
One. On marrying Philippe, Duc d'Orléans,&#13;
brother of Louis XIV., she was required to abjure&#13;
her religion. With her German tastes and her&#13;
independence of character she found Court etiquette&#13;
most irksome, until she became fascinated by the&#13;
Grand Monarch. It is this thread of romance&#13;
which makes the history of the Duchesse d’Orléans&#13;
so interesting. We see her, in all the freshness of&#13;
her girlhood, amusing the French Court by her&#13;
frankness and her daring speeches. She delights&#13;
in hunting and riding, and is indefatigable in all&#13;
Outdoor exercises. Much later on we see her&#13;
growing old, tormented by her family troubles,&#13;
jealous of Mme. de Maintenon, withdrawing as&#13;
much as possible from Court life. Mme. Arvède&#13;
Barine gives us extracts from her letters to her&#13;
family, so that we have her story, as it were, from her&#13;
own lips, by reading between the lines. The whole&#13;
book is as interesting as a novel. There is not a&#13;
word too much. Mme. Barine was thoroughly well&#13;
up in her subject, and possessed the secret of&#13;
giving, as concisely as possible, a life-like portrait&#13;
of the person she was depicting. She was one of&#13;
the most conscientious of writers, and spared no&#13;
pains in getting all the information necessary from&#13;
every possible source before commencing her book.&#13;
It is an education to read her notes, as no detail&#13;
was neglected by her which might add to the&#13;
interest of the subject she had in hand. This&#13;
volume on “Madame’’ is one of the most interest-&#13;
ing of Mme. Arvède Barine's works.&#13;
Jules Huret has now published another volume&#13;
of his studies of Germany. The present one is&#13;
entitled “Berlin,” and contains chapters on&#13;
“l’Avenir,” “La Vie Nocturne,” “Le Monde,”&#13;
“Le Peuple,” “Les Ouvriers,” “Officiers et&#13;
Soldats,” “L’Hygiène et la Propreté,” “L’Anti-&#13;
sémitisme.” The author of this series of books has&#13;
been travelling in all parts of Germany, and his&#13;
study of the country and of the Germans is one of&#13;
the most impartial and thorough criticisms that&#13;
has hitherto appeared.&#13;
Among recent books are “La Chasse de Blanche,”&#13;
by Gyp ; “Pierre et Thérèse,” by Marcel Prévost ;&#13;
“Polochon,” by G. de Pawlowski; “Le Partage&#13;
de l'Afrique (Fachoda), by Gabriel Hanotaux.&#13;
A volume of poems by the Duchesse d'Uzès,&#13;
née Mortemart, has just been published under the&#13;
title of “Paillettes grises.” The title itself is a&#13;
trouvaille, and very many of the poems are&#13;
exquisite.&#13;
Pierre de Coulevain's book “On the Branch" is&#13;
to be published shortly by Mr. Nash in England&#13;
and by Messrs. Dutton in America.&#13;
&#13;
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## p. (#376) ################################################&#13;
&#13;
14&#13;
TISIES A UITISIOR.&#13;
In the Revue Bleue M. Lucien Maury devotes&#13;
four pages to Frederika Macdonald's book on&#13;
Rousseau. The translation of this book into&#13;
French has been greatly appreciated here. Several&#13;
of the reviews had devoted some pages to the&#13;
English edition, giving extracts from it, and this&#13;
had aroused great curiosity. As M. Maury very&#13;
justly observes, Mme. Frederika Macdonald has&#13;
gone more deeply into her subject than anyone&#13;
else hitherto. . In her vindication of Jean Jacques&#13;
Rousseau she has brought some astonishing revela-&#13;
tions to support her theory, and M. Maury calls&#13;
upon his readers to admire “the resolution and the&#13;
British perseverance of this clever writer.” Further&#13;
On M. Maury acknowledges that Mme. Macdonald&#13;
has proved the plot against Rousseau. Rarely, he&#13;
says, has any seeker after truth been so fortunate&#13;
in finding proofs and in being able to show the&#13;
evidence. The memoirs of Mme. d'Epinay have&#13;
always been used as a weapon against Rousseau.&#13;
It is certainly interesting to find now that these&#13;
memoirs were altered by the author at the instiga-&#13;
tion of Grimm and Diderot. Mme. Macdonald&#13;
shows us the original manuscript with the altera-&#13;
tions. She certainly has been most fortunate in&#13;
her researches among the archives. It has taken&#13;
her twenty years to prove her assertions, but her&#13;
book marks an era for the disciples and admirers&#13;
of Rousseau.&#13;
In the Revue de Paris of July there are interest-&#13;
ing articles by André Chevrillon on “L’Orthodoxie&#13;
paradoxale,” by Fernand Caussy on “Voltaire et&#13;
ses Curés,” and by Philippe Gonnard on “Sainte&#13;
Hélène et Napoléon III.” In the August numbers&#13;
of the same review are articles on “L’Armée&#13;
russe,” by an anonymous writer; on “Chateau-&#13;
briand, Napoléon et les Bourbons,” by Leonce&#13;
Pingaud ; on “La Question d'Alsace,” by H.&#13;
Lichtenberger ; and on “Questions extérieures,”&#13;
by Victor Bérard. In the September number there&#13;
are articles by Charles Bouglé on “Darwiniens a&#13;
Cambridge,” by Commandant Picard on “Sedan,”&#13;
and by an anonymous writer on “Le Débarque-&#13;
ment des Anglais en Allemagne.”&#13;
The theatrical event of this season in France&#13;
has been the representation of “Macbeth" at the&#13;
Abbaye of Saint Wandrille. The play has been&#13;
entirely re-translated by M. Maurice Maeterlinck,&#13;
and Mme. Georgette Leblanc Maeterlinck, in the&#13;
rôle of Lady Macbeth, will never be forgotten by&#13;
those spectators who had the good fortune to be&#13;
resent. The Abbaye is a picturesque old château&#13;
which dates from the seventh century. It was&#13;
reconstructed in the eleventh century. M. and&#13;
Mme. Maeterlinck live in this chdteau during the&#13;
summer months, and it occurred to them to pro-&#13;
duce “Macbeth,” using the different rooms for the&#13;
stage of the play. From the windows the guests&#13;
looked at the witches out on the green, and, con-&#13;
ducted in groups from room to room, they witnessed&#13;
the different scenes of the tragedy. The most&#13;
effective one was when Lady Macbeth descended&#13;
the Wide staircase, looking with horror at her own&#13;
hand stained for ever with the blood of her victim.&#13;
The torch-light threw the magnified shadow of the&#13;
hand on the wall. The dramatic effect of this&#13;
scene was intense. It is to be hoped that the play&#13;
may be given again under the same conditions.&#13;
ALYS HALLARD.&#13;
“Madame" (Hachette).&#13;
“Berlin" (Fasquelle).&#13;
“La Chasse de Blanche” (Flammarion).&#13;
“Pierre et Thérèse’’ (Lemerre).&#13;
“Polochon’” (Fasquelle).&#13;
Le Partage de l'Afrique (Fachoda)” (Flammarion).&#13;
“Paillettes grises” (Lemerre).&#13;
*—º- a&#13;
w—u—w&#13;
HEINEMANN v. “THE SMART SET ".&#13;
PUBLISHING CO., LTD.&#13;
SERIAL RIGHTS.&#13;
N this case Mr. Heinemann, the well-known pub-&#13;
lisher, brought an action as registered pro-&#13;
: prietor of the copyright in a novel entitled&#13;
“Syrinx,” by Mr. Lawrence North, which was&#13;
published in volume form in England by the&#13;
plaintiff in January, 1909. The plaintiff claimed&#13;
damages and an injunction to restrain the defendant&#13;
Company from publishing the novel in the magazine&#13;
called The Smart Set.&#13;
Before the book was published in England&#13;
Messrs. Duffield &amp; Co., of New York, applied to the&#13;
plaintiff for the serial rights in America, and it&#13;
Was arranged that Messrs. Duffield &amp; Co. should&#13;
dispose of these rights for £100, which was to be&#13;
divided equally between the plaintiff, the author,&#13;
and Messrs. Duffield &amp; Co.&#13;
Owing to a misunderstanding, apparently,&#13;
Messrs. Duffield &amp; Co., in disposing of the “maga-&#13;
zine rights” in the novel to the publishers of The&#13;
Smart Set stated that the English rights were&#13;
included, and the defendant company published an&#13;
abridged version of the whole story in one number&#13;
of the magazine. It was urged on behalf of the&#13;
defendants that they had acted innocently and in&#13;
pursuance of what they were justified in regarding&#13;
as an authority from the plaintiff's agent in&#13;
America.&#13;
Some evidence was given as to the meaning of&#13;
Serial rights and magazine rights. It was stated&#13;
that in England “serial rights” meant the right of&#13;
publishing a book or novel serially, i.e., in parts&#13;
&#13;
&#13;
## p. (#377) ################################################&#13;
&#13;
TEIE AUTISIOR.&#13;
15&#13;
and that the expression “magazine rights” was&#13;
not commonly used and had no distinctive meaning.&#13;
On the other hand, it was said that in America&#13;
serial rights were divided into two groups—“news-&#13;
paper syndicate rights” and “magazine right; "—&#13;
and that the latter included the right of publishing&#13;
the whole of the novel—in an abridged form if neces-&#13;
sary—in one number of a magazine. It Was a&#13;
common practice in America to abridge a work for&#13;
this purpose without consulting the author.&#13;
Mr. Justice Parker, in giving judgment for the&#13;
plaintiff, said that it was impossible for the defen-&#13;
dants to justify what they had done under any&#13;
authority obtained through Mr. Duffield, who&#13;
clearly had no authority to deal with the English&#13;
rights. It was a case where, an innocent party–&#13;
innocent in the sense that they believed they had&#13;
the right, though they had not—infringed a&#13;
copyright. The plea of innocence in that sense&#13;
was not good in law. Owing to an undertaking&#13;
by the defendants to discontinue the sale of the&#13;
number of The Smart Set containing the novel&#13;
an injunction was not necessary, but the plaintiff&#13;
was entitled to the usual inquiry as to damages and&#13;
the costs of the action.&#13;
HAROLD HARDY.&#13;
LEGAL ACTION AND MEMBERS’&#13;
RESPONSIBILITIES.&#13;
—º-º-º-&#13;
HE question of the fighting strength of the&#13;
society has again arisen. From time to time&#13;
in the society's reports and in The Author&#13;
the committee have insisted and persisted that&#13;
those members who place their disputes in the&#13;
hands of the secretary should be ready to take&#13;
their cases into the courts if such a course is&#13;
essential.&#13;
Some little time ago an old member of the&#13;
society who had not made very much use of the&#13;
society's machinery came in and laid three cases&#13;
before the secretary, desiring that he should take&#13;
the matters in hand immediately.&#13;
The first was a claim for moneys under an agree-&#13;
ment from an American firm of publishers. The&#13;
second was a claim for infringement of copyright&#13;
under the Berne Convention, and the third was a&#13;
claim for royalties withheld by an English publisher&#13;
through misinterpretation of the terms of the&#13;
agreement.&#13;
The secretary at once proceeded to take what&#13;
action he could. In the first case he found out&#13;
that the American publisher was not in a very&#13;
sound financial position, and that it would most&#13;
probably be necessary to bring an action to enforce&#13;
payment. He at once communicated with the&#13;
American publisher. In the second case some&#13;
further details were necessary in order to establish&#13;
the infringement of copyright, and he at once&#13;
wrote to the solicitors of the society to obtain&#13;
their opinion upon the position. It seemed quite&#13;
clear, however, that as the guilty party had been&#13;
dealing with property that was not his, it would&#13;
be necessary to take the matter into court if the&#13;
infringement was clearly established.&#13;
In the third case the secretary read through the&#13;
papers and agreement carefully, and, assured of the&#13;
mistake in the interpretation of the contract, wrote&#13;
to the publishers. He then informed the member&#13;
of the steps that had been taken, and that it would&#13;
most probably be essential—but at any rate it was&#13;
necessary to be prepared—to carry the matters&#13;
through the courts. He pointed out at the same&#13;
time that the society's influence very often was&#13;
able to bring a dispute to settlement without&#13;
going into court, though that influence in the past&#13;
would have been considerably weakened if the&#13;
committee had not made it an important point&#13;
that members should be prepared to take legal&#13;
action.&#13;
The secretary received an answer to his com-&#13;
munication requesting him to return all the papers&#13;
as the member was not of a litigious disposition,&#13;
and did not desire to take legal action. To such a&#13;
member the society can no doubt be of use in&#13;
advising on contracts before they are signed, and&#13;
in keeping business out of the hands of a doubtful&#13;
and unsatisfactory publisher, but it must be evident&#13;
to the member on consideration, and to others&#13;
who read this statement, that it is useless to ask&#13;
the society to make a demand, and then refuse,&#13;
if the demand is repudiated, to allow the society&#13;
to take action. If the committee of management,&#13;
during the twenty-five years of the society's&#13;
existence, had conducted business on these lines,&#13;
the society would have been the laughing stock of&#13;
publishers, editors, and literary robbers.&#13;
The only danger that may arise on an action of&#13;
this kind is that sometimes the member may go&#13;
away from the society's office and may proclaim&#13;
that the society is no good—that it cannot help&#13;
authors when in difficulty. Such a statement would,&#13;
if it were made, of course be contrary to the facts,&#13;
as the fault lies with the member and not with the&#13;
society.&#13;
Again it is necessary to impress upon all mem-&#13;
bers that prevention is better than cure ; but if&#13;
they desire to place a case in the hands of the&#13;
secretary they must be prepared, if his demand on&#13;
their behalf is neglected or repudiated, to be ready&#13;
to take legal action. By these means they will not&#13;
&#13;
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## p. (#378) ################################################&#13;
&#13;
16 TISIES A UTEIOR.&#13;
only strengthen their own position, but the position&#13;
of all their fellow authors, and Surely, to the&#13;
majority, the latter reason is the higher ideal.&#13;
a ––45– a&#13;
w-ul---w&#13;
AUTHORS AND INCOME TAX.&#13;
—º-º-º-&#13;
N November 26, 1908, Sir Henry Kimber&#13;
put the following questions to the Chancellor&#13;
of the Exchequer:-&#13;
“If he (the Chancellor) was aware that the Inland&#13;
Revenue Commissioners contended that the income of an&#13;
inventor derived from patent royalties was, under the&#13;
Finance Act of 1907, not to be treated as earned income,&#13;
but was liable to the full tax of 1s. in the pound instead&#13;
of 9d. which was the rate allowed on incomes earned by&#13;
other professional and scientific labours; and whether he&#13;
would state upon what section of the Act that contention&#13;
was founded.”&#13;
The Chancellor of the Exchequer replied in the&#13;
following terms:—&#13;
“Where an inventor sells outright his patent rights,&#13;
the sum realised from the Sale is regarded as capital and&#13;
is not taxed. Where an inventor has not parted with&#13;
his patent rights, but allows another person to work the&#13;
patent in consideration of the payment of a royalty, the&#13;
resulting income is regarded as unearned income derived&#13;
from property.”&#13;
When the secretary of the society saw this reply&#13;
he put the matter before the committee in order to&#13;
ascertain whether they desired to put somewhat&#13;
similar questions to the Chancellor in regard to the&#13;
sale of authors’ copyrights.&#13;
The committee authorised the step suggested by&#13;
the secretary.&#13;
There was some little delay owing to the negotia-&#13;
tions which had to be entered into, but finally&#13;
Mr. Robert Harcourt, a member of the society,&#13;
was kind enough to undertake the duty, and on&#13;
June 22, 1909, he put the following questions&#13;
to the Chancellor and received the reply set forth&#13;
below :—&#13;
“Whether authors, dramatists, or composers may regard&#13;
moneys received from the sale of copyright or performing&#13;
right as capital, and as such not subject to income tax ;&#13;
and whether, in view of the fact that the duration of&#13;
an author's, dramatist's, or composer's property in his own&#13;
works has been limited by statute to forty-two years, or life&#13;
and seven years, whichever is the longer period, the&#13;
royalties and other payments which an author, dramatist,&#13;
or composer may obtain in return for a lease or licence to&#13;
publish or perform will be assessed as earned income&#13;
whether they accrue due before or after the death of the&#13;
author, dramatist, or composer 7”&#13;
Reply:&#13;
“Such moneys received by an author, dramatist, or&#13;
composer are liable to income tax as being the income&#13;
of a profession, and would be treated as “earned income.’&#13;
But any payments received after his death would be income&#13;
derived from property left by him, and could not b&#13;
treated in the hands of his representatives as earned.”&#13;
The committee of the society, observing the&#13;
discrepancy of these replies, propose to put a further&#13;
question to the Chancellor of the Exchequer.&#13;
MAGAZINE CONTENTS.&#13;
–0-º-º-&#13;
BOOKMAN.&#13;
Johnson. By Thomas Seccombe.&#13;
Dr. Johnson's Literary Work. By H. Spencer Scott.&#13;
Dr. Johnson's Ancestry. By C. F. Sargisson.&#13;
B The White Prophet: Review by The Rev. William&#13;
arTy.&#13;
Chesterton on Shaw : A Review by A. St. John Adcock.&#13;
The Country Books. By Edward Thomas.&#13;
“The Times " History. By Lieut.-Col. W. H. James.&#13;
BOOK MONTHLY.&#13;
Meredithian. By Maurice Buxton Forman.&#13;
Byronic Memories.&#13;
CONTEMPORARY.&#13;
The Writings of Mandré Gide. By Edmund Gosse.&#13;
CORNEIILL.&#13;
Architecture in English History. By Kenneth Bell.&#13;
FORTNIGHTLY.&#13;
The Master Hoaxer : James de la Cloche.&#13;
Lang.&#13;
Some Neglected Aspects of Horace Walpole. By Norman&#13;
Pearson.&#13;
By Andrew&#13;
MONTH.&#13;
Mandeville's Travels. By Harold Binns.&#13;
NATIONAL REVIEW.&#13;
George Borrow in Russia. By Hubert Ives.&#13;
Modern French Pictures. By W. Roberts.&#13;
The Shakespearean Problem. By George Hookham.&#13;
NINETEENTH CENTURY.&#13;
Matrimony and the Man of Letters. By Sidney Low.&#13;
L’Art Français Contemporain. By André Beaunier.&#13;
Debussy : His Science and his Music. By A. E. Keeton.&#13;
The Book of Lismore. By the Hon. Mrs. Alfred&#13;
Lyttelton.&#13;
Messrs. J. M. Dent &amp; Co. announce new editions&#13;
of “Gulliver's Travels” and “Lamb's Tales from&#13;
Shakespeare.” Numerous coloured drawings and&#13;
many illustrations in black and white by Mr.&#13;
Arthur Rackham, with specially designed end&#13;
papers, will be the salient features of the pro-&#13;
duction.&#13;
There will be a large paper edition of each&#13;
Volume, which will be limited to 750 copies, and&#13;
Will be issued at 21s. nett. On subscription—a price&#13;
which will be raised after publication.&#13;
&#13;
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## p. (#379) ################################################&#13;
&#13;
TISIES A TTISIOR. 17&#13;
(?&#13;
HOW TO USE THE SOCIETY.&#13;
—º-º-º-&#13;
l, WERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case tº the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
B. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers:&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3). To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
iars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into With a literary&#13;
agent without the advice of the Secretary of the Society,&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
This&#13;
7. Many agents neglect to stamp agreements.&#13;
The&#13;
must be done within fourteen days of first execution.&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
• –—º-–a&#13;
v----w *&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
—e-Q-0–&#13;
ERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property :—&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society. .&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to :&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,”&#13;
unless the same allowance is made to the author.&#13;
tº º Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
º well bind yourself for the future to any one solicitor or&#13;
Octor |&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IV. A Commission Agreement.&#13;
The main points are —&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :—&#13;
(1.) That both sides shall know what an agreement&#13;
In 68,0S,&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
——e—º-e—&#13;
WARNINGS TO DRAMATIC AUTHORS,&#13;
—º-º-º-&#13;
EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with anyone except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:—&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
&#13;
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## p. (#380) ################################################&#13;
&#13;
18&#13;
TISIE AUTHOR,&#13;
(b.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (b.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed-&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
-6–e&#13;
{}&#13;
REGISTRATION OF SCENARIOS.&#13;
—º-º-º-&#13;
CENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
WARNINGS TO MUSICAL COMPOSERS,&#13;
-º-º-º-&#13;
L"; can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
C9mposer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. , The musical composer has Very often the two&#13;
rights to deal with—performing right and Copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
–0-4-0–&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members’ stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
* —h-&#13;
v-v-w&#13;
THE READING BRANCH,&#13;
–0-Q-0–&#13;
EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic Works, and when it is possible, under&#13;
Special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
—e—º-e—&#13;
“THE AUTHOR.”&#13;
—º-º-º-&#13;
HE Editor of The Author begs to remind members of&#13;
the Society that, although the paper is sent to them&#13;
free of charge, the cost of producing it would be a&#13;
very heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Secretary the modest&#13;
58. 6d. subscription for the year.&#13;
Communications for “The Author” should be addressed&#13;
to the Offices of the Society, 39, Old Queen Street, Storey's&#13;
Gate, S.W., and should reach the Editor not later than the&#13;
21st of each month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the stand-&#13;
point of art or business, but on no other subjects whatever.&#13;
Every effort will be made to return articles which cannot&#13;
be accepted.&#13;
* * —º-- a&#13;
-v- wº&#13;
REMITTANCES.&#13;
—º-º-º-&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smith's Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
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## p. (#381) ################################################&#13;
&#13;
TISIE AUTISIOR.&#13;
19&#13;
GENERAL NOTES.&#13;
-º-º-º-&#13;
THE SOCIETY's PRESIDENT.&#13;
WE have much pleasure in announcing that Mr.&#13;
Thomas Hardy has accepted the presidency of the&#13;
Society of Authors.&#13;
• *mammº masºmº,&#13;
WE regret to record the death of Miss Rosa&#13;
Nouchette Carey, which occurred at her residence,&#13;
Sandilands, Putney, in July. Miss Carey joined&#13;
the Society in 1891, and was a member up to the&#13;
day of her death, as well as an annual subscriber to&#13;
the Pension Fund since its inauguration. *.&#13;
As a writer for girls she enjoyed a wide popularity,&#13;
her first story, “Nellie's Memories,” appearing in&#13;
1868, and her last, “The King of the Unknown,”&#13;
to which we referred in a previous issue, being&#13;
published by Messrs. Macmillan &amp; Co. in September.&#13;
PARLIAMENTARY COMMITTEES.&#13;
SINCE the last issue of The Author the Depart-&#13;
mental Committee dealing with the Berlin Con-&#13;
vention has been taking further evidence on the&#13;
many points connected with this very difficult&#13;
subject. The Society of Authors has given every&#13;
assistance in its power in the collection of evidence&#13;
on the points suggested by the chairman and&#13;
secretary of the committee. The president of&#13;
L'Association Littéraire et Artistiques Inter-&#13;
nationale has given evidence before the committee&#13;
on the question of the duration of copyright. We&#13;
understand that all the evidence has now been&#13;
taken, but that the committee will re-assemble in&#13;
the autumn in order to consider their report. This&#13;
report will be awaited with great interest by those&#13;
who have any dealings with copyright property.&#13;
* ======&#13;
ANOTHER question, of interest to all dramatic&#13;
writers, the question of the censorship of plays,&#13;
has been referred to a committee formed shortly&#13;
after the appearance of the July Author. Appli-&#13;
cation was made to the Society of Authors to&#13;
appoint a delegate to represent its views before&#13;
the committee. Unfortunately, as the last meet-&#13;
ings of the society's committees before the vacation&#13;
had been held, it was impossible to obtain sanction&#13;
to the appointment of a dramatist to represent the&#13;
society officially, but the secretary circularised&#13;
various members of the dramatic profession, mem-&#13;
bers of the society, in order that they might per-&#13;
sonally give expression to their views before the&#13;
committee that had been appointed. Much of the&#13;
evidence has appeared in the papers. One or two&#13;
members, owing to what would appear to be an inac-&#13;
Curate report in which the society's name was men-&#13;
tioned, have obtained a false idea of the work of the&#13;
$90iety's committees and the attitude of the society on&#13;
the matter. If these members had taken the trouble&#13;
to read the columns of The Author they would not&#13;
have been misled and would have known what had&#13;
taken place. We must refer members to the&#13;
Society's organ for full information. In this case&#13;
also the report of the committee will be awaited&#13;
With great interest. Whatever view one may take&#13;
as to the desirability of the censorship—whether&#13;
for or against its continuance—the matter is one&#13;
of great importance to all dramatic writers.&#13;
STANDING MATTER.&#13;
READERS of a paper often neglect to read its&#13;
standing matter, or, if they read it once, forget its&#13;
substance and do not read it again.&#13;
It may be worth while, therefore, to remind&#13;
members of one or two points on which the society&#13;
endeavours to advise and protect them.&#13;
In the beginning of this year the society&#13;
established a register of scenarios of plays. This&#13;
has been found a great convenience to a good&#13;
many of our members, but we may be permitted&#13;
to call the members' attention once again to its&#13;
existence.&#13;
We should like to remind musical composers&#13;
that the Society stamps their compositions, retain-&#13;
ing the stamps in a safe at the office, and charging&#13;
the usual fee of 5s. per 1,000. The vouchers are&#13;
forwarded to the composers and the accounts for&#13;
stamping rendered semi-annually.&#13;
To all members we should like to state that the&#13;
Society undertakes the stamping of agreements&#13;
and letters of contract. All that is necessary is&#13;
that the agreement should be sent to the office&#13;
within the prescribed time. The document will&#13;
be returned, the only charge made being the cost&#13;
of the stamp duty which has to be paid.&#13;
The society also stores agreements on behalf of&#13;
members, keeping them in a safe for this purpose.&#13;
Some of our members may have overlooked these&#13;
matters, which we recall for their convenience.&#13;
MORAL OBLIGATIONS.&#13;
WE were discussing with a well-known English&#13;
composer the other day the serious issues involved&#13;
by the transfer of copyright to a publisher, and the&#13;
fatal result to the composer in the event of the&#13;
assignment of the contract by the trustee after&#13;
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## p. (#382) ################################################&#13;
&#13;
20&#13;
THE AUTHOR.&#13;
the publisher's bankruptcy. The composer stated&#13;
that although the assignee of the contract might&#13;
not be bound by law to pay the royalties, the com-&#13;
poser's claim being merely one for damages against&#13;
the bankrupt estate, yet he felt quite certain that&#13;
no respectable music publisher would repudiate his&#13;
obligation under the original contract.&#13;
We were pleased to hear this expression of&#13;
opinion. Business men, as a rule, do not take&#13;
much cognisance of moral obligations, and the&#13;
society has generally found moral force of little&#13;
avail unless it can be backed up by legal pressure ;&#13;
but we are compelled, with regret, to confess that&#13;
our experience does not bear out the statement&#13;
made by our friend the composer.&#13;
We have known one publisher of books who has&#13;
paid the royalties in full on taking up contracts&#13;
from a bankrupt estate. We have known other&#13;
publishers who have been only too willing to take&#13;
advantage, in order to evade payment of royalties,&#13;
of the doubtful wording of any contract, when they&#13;
consider that this wording is covered by the legal&#13;
decisions, and we have known publishers of music&#13;
as well as of books equally ready to repudiate their&#13;
moral liabilities in the circumstances.&#13;
It is necessary to repeat, therefore, that no&#13;
author or composer should trust to the morality of&#13;
the issue, but should invariably insist upon a con-&#13;
tract which does not transfer the copyright either&#13;
directly or impliedly to the publisher.&#13;
CHINESE COPYRIGHT.&#13;
SOME months ago one of the members of the&#13;
Society drew the committee's attention to the&#13;
question of literary piracy in China, and the&#13;
secretary was instructed to write to the Foreign&#13;
Office and ascertain what retribution, if any, could&#13;
be obtained against piracy in that country, taking&#13;
into consideration the fact that no treaty dealing&#13;
with copyright exists between Great Britain and&#13;
China.&#13;
We have much pleasure in printing, with the&#13;
consent of the Foreign Office, the last letter&#13;
received on the subject :—&#13;
FOREIGN OFFICE,&#13;
- June 12, 1909.&#13;
SIR,-With reference to your letter of February 24th last,&#13;
I am directed by Secretary Sir Edward Grey to inform you&#13;
that a despatch has now been received from His Majesty's&#13;
Minister at Peking upon the subject of the protection of&#13;
British copyright in China against infringement by British&#13;
and Chinese subjects.&#13;
Great Britain, as you are aware, has no treaty with China&#13;
which deals with the question of copyright, but Sir J.&#13;
Jordan states that a Chinese author wishing to protect his&#13;
work usually sends a copy to the local authority begging&#13;
that he will issue a proclamation warning the public&#13;
against infringement. In case of infringement the author&#13;
can then obtain an injunction against the printer, have&#13;
the pirated work destroyed, and the party so infringing&#13;
unished. Sir J. Jordan adds that similar applications&#13;
made through British consuls to local authorities in China&#13;
against infringement by Chinese subjects of British&#13;
copyright have met with success.&#13;
I am to inform you that there is no objection to the&#13;
publication of this letter.&#13;
I am,&#13;
Sir,&#13;
Your most obedient, humble servant,&#13;
F. A. CAMPBELL.&#13;
à —º- - a&#13;
wº ~-w&#13;
SIR THEODORE MARTIN.&#13;
–0-Q-0–&#13;
Y the death of Sir Theodore Martin literature&#13;
loses its “doyen,” and the Society of Authors&#13;
a member of twenty-five years' standing.&#13;
He was a solicitor as well as a man of letters; and&#13;
no doubt the large experience of practical affairs&#13;
which he had gained in the former capacity helped&#13;
him to realise from the outset that the work which&#13;
the founders of the society were setting out to do&#13;
was work which badly needed to be done.&#13;
The law, it has often been said, “is a jealous&#13;
mistress and brooks no rival.” Most lawyers,&#13;
therefore, who have discovered a talent, as well as&#13;
a taste, for literature, have taken the earliest oppor-&#13;
tunity of quitting the law for the pursuits which&#13;
pleased them better. Wilkie Collins did so for&#13;
one, and it would be easy to cite other examples.&#13;
Sir Theodore Martin, however, contrived to follow&#13;
both callings with equal success, and he may be&#13;
said to have done it by adopting the policy of those&#13;
strange people in the “Odyssey” who earned a&#13;
double wage by toiling both night and day. His&#13;
office hours, during the greater part of his pro-&#13;
fessional life, were from nine o'clock in the morn-&#13;
ing until nine o'clock at night. He then—so we&#13;
gather from some personal notes contributed a few&#13;
years ago to Literature by his relative, Mr. Robert&#13;
Machray—rested from his labours and refreshed&#13;
himself for a brief hour and a half; but presently,&#13;
at 10.30, he sat down to write, and often continued&#13;
at his desk until the clock struck two.&#13;
Most men would have broken down under the&#13;
strain of such excesses, or would have found the&#13;
willingness of the spirit undermined by the weak-&#13;
ness of the flesh. Sir Theodore Martin carried his&#13;
burden lightly, and continued to carry it until an&#13;
advanced old age. Working harder than the&#13;
average solicitor, he also produced a larger output&#13;
of books than the average man of letters; while it&#13;
seems only the other day that he was still con-&#13;
spicuous by the old-fashioned Conservatism of his&#13;
printed protests against the blatant Radicalism of&#13;
the motor 'bus. There may be no truth in the&#13;
ancient adage that “hard work never kills”; but&#13;
&#13;
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## p. (#383) ################################################&#13;
&#13;
THE AUTISIORs 21&#13;
for his vigorous constitution, at all events, it had&#13;
neither terror nor peril. -&#13;
The work which gained Sir Theodore his widest&#13;
circle of readers was indubitably his “official” Life&#13;
of the late Prince Consort, to which he devoted&#13;
fifteen years of his leisure. The mere fact that it&#13;
was official, while opening up sources of information&#13;
which would not otherwise have been accessible,&#13;
imposed restrictions on the biographer. He could&#13;
no more give expression to his own personality in&#13;
such a volume than in his various translations&#13;
from the German and the Latin. The more critical&#13;
public, therefore, will prefer to judge him by those&#13;
“Bon Gaultier Ballads” which he wrote in the&#13;
heyday of his youth and irresponsibility.&#13;
The pseudonym, of course, was taken from&#13;
Rabelais. “A moi,” we read in the master's pages,&#13;
“n'est que honneur et gloire d’estre dict et reputé&#13;
Bon Gaultier et bon compaignon; en ce nom Suis&#13;
bien venu en toutes bonnes compaignies de Panta-&#13;
gruelistes.” Sir Theodore, then a young man of&#13;
about five-and-twenty, wrote under the signature&#13;
for various magazines, first alone, and afterwards&#13;
in “a kind of Beaumont and Fletcher partnership”&#13;
with Professor Aytoun. His own account of the&#13;
partnership may be read in his memoir of his&#13;
collaborator.&#13;
“In these papers,” he says, “in which we ran&#13;
atilt, with all the recklessness of youthful spirits,&#13;
against such of the tastes or follies of the day as&#13;
presented an opening for ridicule or mirth, at the&#13;
same time that we did not altogether lose sight of&#13;
a purpose higher than mere amusement, appeared&#13;
the verses, with a few exceptions, which subse-&#13;
quently became popular, to a degree we then little&#13;
contemplated, as the “Bon Gaultier Ballads.” . . .&#13;
Fortunately for our purpose there were then living&#13;
not a few poets whose style and manner of thought&#13;
were sufficiently marked to make imitation easy,&#13;
and sufficiently popular for a parody of their&#13;
characteristics to be readily recognised. . . . Never,&#13;
probably, were verses thrown off, with a keener&#13;
sense of enjoyment. In writing them we had no&#13;
thought of the public, and it was a pleasant sur-&#13;
prise to us when we found how rapidly they became&#13;
popular, not only in England, but also in America,&#13;
which had come in for no small share of severe&#13;
though well-meant ridicule.”&#13;
On the authors of the “Bon Gaultier Ballads,”&#13;
that is to say, had fallen the mantle of the authors&#13;
of “Rejected Addresses.” Their parodies were as&#13;
well liked as those of their predecessors, and gave&#13;
as little offence to their victims—and, as Sir&#13;
Theodore justly claimed, for the same reason.&#13;
“Let no one,” he quotes from Heine, “ridicule&#13;
mankind unless he loves them ’’; and he con-&#13;
tinues :—&#13;
“With no less truth may it be said, let no one&#13;
parody a poet unless he loves him. He must first&#13;
be penetrated by his spirit, and have steeped his&#13;
ear in the music of his verse, before he can reflect&#13;
these under a humorous aspect with success.”&#13;
Precisely because they fulfil those conditions,&#13;
Sir Theodore Martin's parodies are likely to keep&#13;
a permanent place in that class of literature.&#13;
FRANCIS GRIB BLE.&#13;
U.S. COPYRIGHT CODE DEFECTS.&#13;
—e-º-º-&#13;
(Printed from the United States Publishers' Weekly.)&#13;
HE following are the features in which the&#13;
new code is unsatisfactory to the friends of&#13;
unrestricted property rights in intellectual&#13;
productions:&#13;
SEC. 1. e. The proviso curtailing the rights of&#13;
musical authors as to mechanical reproductions.&#13;
SEC. 13. The addition of the words “and the&#13;
copyright shall become void” (in case of non-&#13;
deposit of copies), which makes a double, indeed&#13;
triple, penalty and involves forfeiture on a&#13;
technicality, while denial of the right to proceed&#13;
against infringers until such deposit is made is&#13;
quite sufficient.&#13;
SECS, 15–17. The manufacturing clauses, which&#13;
prevent participation by this country in the Berne&#13;
Copyright Union, particularly as to binding and&#13;
illustration. The affidavit clause is considered&#13;
needlessly burdensome.&#13;
A less objectionable form, admissible as a com-&#13;
promise, was as follows, part in brackets preferably&#13;
omitted :&#13;
SEC. 15. That of the printed book or periodical&#13;
specified in section five, subsections (a) and (b)&#13;
of this Act, except the original text of a book&#13;
of foreign origin in a language or languages&#13;
other than English, the text of all copies accorded&#13;
protection under this Act, except as below provided,&#13;
shall be printed from type set within the limits of&#13;
the United States, either by hand or by the aid of&#13;
any kind of typesetting machine, or from plates&#13;
made within the limits of the United States from&#13;
type set therein, or, if the text be produced by&#13;
lithographic process, or photo-engraving process,&#13;
then by a process wholly performed within the&#13;
limits of the United States, and the printing of the&#13;
text of the said work shall be performed within the&#13;
limits of the United States [which requirements&#13;
shall extend also to the illustrations within a book&#13;
consisting of printed text and illustrations produced&#13;
by lithographic process or photo-engraving process,&#13;
except where in either case the subjects represented&#13;
are located in a foreign country]; but they shall&#13;
&#13;
&#13;
## p. (#384) ################################################&#13;
&#13;
22&#13;
TFIES A DITISIOR.&#13;
not apply to works in raised characters for the use&#13;
of the blind, or to books published abroad in the&#13;
English language seeking ad interim protection&#13;
under this Act.&#13;
SEC. 16. That in case the Register of Copyrights&#13;
shall receive notice, upon information and belief,&#13;
or shall have other reason to believe that the copies&#13;
so deposited have not been manufactured within&#13;
the limits of the United States as before provided,&#13;
he shall require an affidavit, under the official seal&#13;
of any officer authorised to administer oaths within&#13;
the United States, duly made by the person claim-&#13;
ing copyright or by his duly authorised agent or&#13;
representative residing in the United States, or by&#13;
the printer who has printed the book, setting forth&#13;
that the copies deposited have been printed from&#13;
type set within the limits of the United States&#13;
or from plates made within the limits of the United&#13;
States from type set therein ; or, if the text be&#13;
produced by lithographic process, or photo-engrav-&#13;
ing process, that such process was wholly performed&#13;
within the limits of the United States, and that the&#13;
printing of the text of the said book has also been&#13;
performed within the limits of the United States.&#13;
Such affidavit shall state also the place where and&#13;
the establishment or establishments in which such&#13;
type was set or plates were made or lithographic&#13;
process, or photo-engraving process or printing&#13;
were performed and the date of the completion of&#13;
the printing of the book or the date of publication.&#13;
SEC. 17. That any person who, for the purpose&#13;
of obtaining registration of a claim to copyright,&#13;
shall knowingly make a false affidavit as to his&#13;
having complied with the above conditions shall be&#13;
deemed guilty of a misdemeanor, and upon con-&#13;
viction thereof shall be punished by a fine of not&#13;
more than one thousand dollars, and all of his rights&#13;
and privileges under said copyright shall thereafter&#13;
be forfeited.&#13;
SEC. 23. Authors and publishers desired a term&#13;
of life and fifty years, in accord, with the Berlin&#13;
agreement, as embodied in the following draft :&#13;
That the copyright secured by this Act shall&#13;
endure :&#13;
(a) In the case of any posthumous work, or of any&#13;
periodical or other composite work, or of any work&#13;
copyrighted by a corporate body (otherwise than as&#13;
assignee of the individual author or authors), or by&#13;
employer for whom such work is made for hire, for&#13;
fifty years from the date of first publication;&#13;
(b) In the case of any work not specified in sub-&#13;
section (a) of this section, but including a contribu-&#13;
tion to a periodical when such contribution, has&#13;
been separately registered, for the lifetime of the&#13;
author and for fifty years after his death (or if a&#13;
work by joint authors until fifty years after the&#13;
death of the last survivor of them); and it shall be&#13;
the duty of executors, administrators, or assigns of&#13;
such author, to record in the copyright office the&#13;
date of his death.&#13;
In a work published anonymously or under an&#13;
assumed name, copyright shall subsist for the same&#13;
period as if the work had been produced bearing&#13;
the author's true name, provided that at least one&#13;
year before the expiration of fifty years from the&#13;
date of publication the true name of the author shall&#13;
be registered in the copyright office. In all of the&#13;
above cases the term shall extend to the end of the&#13;
calendar year of expiration.&#13;
SEC. 24. The bill omits the provision asked for&#13;
by publishers, with the concurrence of the authors,&#13;
known as the Munroe-Smith proviso :&#13;
And provided further, That if such subsisting&#13;
copyright shall have been assigned or a license&#13;
granted therein for publication, and if such assign-&#13;
ment or license shall contain provision for payment&#13;
of royalty, and if the renewed copyright for the&#13;
extended term provided in this Act shall not be&#13;
assigned nor license therein granted to such original&#13;
assignee or licensee or his successor, said original&#13;
assignee or licensee or his successor, shall neverthe-&#13;
less be entitled to continue to publish the work on&#13;
payment of the royalty stipulated in the original&#13;
agreement ; but if such original assignment or&#13;
license contained no provision for the payment of&#13;
royalty, the copyright shall be renewed and extended&#13;
only in case the original assignee or licensee or his&#13;
successor shall join in the application for such&#13;
renewal and extension.&#13;
SEC, 31. The importation clauses, while abso-&#13;
lutely prohibiting importation of foreign-made&#13;
copies even for the author himself, omit the words&#13;
“with the written consent of the copyright pro-&#13;
prietor,” from (d) first and third, emphasised by&#13;
publishers as necessary to secure the American&#13;
market, as previous to 1891, and in accord with our&#13;
patent laws and the copyright provisions of other&#13;
countries.&#13;
SEC. 53. Omits, in view of the voiding for non-&#13;
deposit, the desirable proviso; Provided, That no&#13;
breach of such rules or regulations shall affect the&#13;
validity of the copyright.&#13;
These variations from the bill as supported by&#13;
publishers are here recorded for possible use in case&#13;
of future movements for amendment.&#13;
* ~~ A.&#13;
v-v-w&#13;
THE CONFERENCE AT COPENHAGEN,&#13;
—e—sº-0–&#13;
HE thirty-first Congress of the International&#13;
T Literary and Artistic Association was held&#13;
at Copenhagen from June 21, to 26,&#13;
1909. Denmark was the last to join the Berne&#13;
Convention, but was anxious to show her zealous&#13;
and continuous support of the principles of&#13;
&#13;
&#13;
## p. (#385) ################################################&#13;
&#13;
THE AUTHOR,&#13;
23.&#13;
copyright, and gave the delegates a welcome of the&#13;
warmest description.&#13;
We regret that the Society of Authors has never&#13;
been represented at these annual gatherings. Its&#13;
delegates should take a part, and a prominent&#13;
part, in all assemblies which can in any Way&#13;
further the cause of copyright reform. No doubt&#13;
the absence of any representative was due to the&#13;
fact that the society is not a wealthy body. It&#13;
is to be hoped, however, that the time will come&#13;
when the society will be able to afford to send its&#13;
representative annually to these meetings.&#13;
The delegates were welcomed by King Frederick&#13;
the Seventh, who made an appropriate speech in&#13;
proposing the health of the International Society.&#13;
The sessions of the Congress were devoted&#13;
principally to the investigation of questions of&#13;
art and architecture and the application of the&#13;
arts to industry, questions which do not come&#13;
within the scope of the Society of Authors. The&#13;
greater part of the time devoted to literary matter&#13;
was taken up with the discussion of the Berlin&#13;
Convention and its probable result.&#13;
Professor Rothlisberger, the great copyright&#13;
authority, and Secretary of the Bureau at Berne,&#13;
who has always been most courteous and con-&#13;
siderate to the Society of Authors, assures&#13;
us that the Convention — the result of the&#13;
Berlin Conference—has been moulded and posted&#13;
in its present form owing in a great extent to the&#13;
efforts of the International Literary and Artistic&#13;
Association during the past years, and We must&#13;
feel deeply grateful for the work this body has&#13;
done and for the results that it has been able to&#13;
attain. We regret, therefore, that the discussion&#13;
raised at Copenhagen appears to make it not a&#13;
little doubtful how the passage of the Berlin&#13;
Convention is likely to affect the cause of inter-&#13;
national copyright.&#13;
|M. Albert Oesterreith read a most important&#13;
report on the Berlin Revision. He said that&#13;
the Conference — that is, the Berlin Con-&#13;
ference—found itself in the position of having&#13;
to accept one of two alternatives—either to see&#13;
some of its decisions practically nullified and&#13;
resultless, or to find some plan which might result&#13;
in a development of international protection, such&#13;
that the countries which could not agree to all&#13;
particulars might accept the union with restric-&#13;
tions. This plan Mr. Oesterreith has named the&#13;
“differential system.” It is a system which prac-&#13;
tically came into existence after Norway, and&#13;
Śweden, on joining the Berne Convention, found&#13;
hemselves unable to sign the additional Act of&#13;
aris. Mr. Oesterreith trusted that along the&#13;
lines laid down it would be possible for all nations,&#13;
t&#13;
iſ the course of time, to level up their laws to the&#13;
Convention as at present fixed.&#13;
On the other hand, M. A. Taillefer pointed out&#13;
Some of the dangers which might result from the&#13;
course adopted at Berlin, the chief one being that.&#13;
the countries whose copyright law took a higher&#13;
ground would be giving a great deal and getting:&#13;
little in return. This is no doubt a point, and a&#13;
strong point, but we in England have been suffer-&#13;
ing from this for so long in our connection with&#13;
the United States that this argument will have&#13;
but little weight. There has been a certain&#13;
amount of talk in England about retaliation. If&#13;
this same argument found support among those.&#13;
nations who take the higher ground, as suggested&#13;
by M. Taillefer, the result would indeed be disas-&#13;
trous, and render international agreement almost.&#13;
hopeless, but we cannot think that this will be the&#13;
case. We have been optimistic in the past and&#13;
are still so. Personally, we think it OSt.&#13;
admirable step that the Convention should have&#13;
been passed ; for even if it is impossible the&#13;
present circumstances for any nation to adow the&#13;
whole of the Convention, yet there lies before the&#13;
legislature of each country an ideal towards which&#13;
its legislators will look when altering the copy-&#13;
right laws. The Berlin Convention is not a per-&#13;
fect convention, but to the delegates of the different.&#13;
nations it would appear that this has seemed the&#13;
most perfect Convention obtainable under existing:&#13;
circumstances and amidst conflicting opinions.&#13;
In many points it passes beyond the Copyright&#13;
Legislation of the countries which were represented.&#13;
The Convention is a fair ideal for which to:&#13;
struggle, and those nations who get nearest to the&#13;
ideal will not be likely, on account of the reasons.&#13;
put forward, to adopt the policy of retaliation, but&#13;
will urge every nation to come up on to the&#13;
platform on which they themselves stand.&#13;
In the recent Act passed in the United States.&#13;
we see a tendency to rise to a higher platform.&#13;
The movement, indeed, is slow, but still there is .&#13;
a movement, and we trust that the United States,&#13;
when next they bestir themselves to copyright&#13;
alteration, will be able to come whole-heartedly to .&#13;
the level of the civilised European nations.&#13;
a —º-- a-&#13;
v-u- ~&#13;
“ UNCLE TOM'S CABIN.”&#13;
(Written for the Bath Classics. Published by&#13;
Cedric Chivers, Ltd., Bath. Printed in these.&#13;
columns by the kind permission of the author,&#13;
with the consent of the publishers.)&#13;
ITERARY appraisement is a more simple-&#13;
matter for those whose judgment is un-&#13;
trammelled by first-hand knowledge of the&#13;
effect produced by given work upon the author's.&#13;
contemporaries.&#13;
&#13;
&#13;
&#13;
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## p. (#386) ################################################&#13;
&#13;
24&#13;
THE A DfTHOR.&#13;
To think of “Uncle Tom’s Cabin’’ is for some&#13;
of us to remember hearing that book described in&#13;
our youth as a vicious travesty upon the institution&#13;
of slavery as it existed in the Southern States.&#13;
It is curious now to recall the fact that bitter&#13;
resentment against Mrs. Stowe's work should have&#13;
been perpetuated by Kentuckians in particular—&#13;
those “Kentuckians ' Mrs. Stowe is never tired of&#13;
praising for magnanimity, valour, and breeding ;&#13;
whose treatment of the negro she characterised&#13;
as exceptional for its patriarchal indulgence.&#13;
Through the mouth of the least inhuman of her&#13;
slave-dealers she says: “You Kentucky folks spile&#13;
your niggers”; and all through the story she&#13;
shows,' that the most horrible threat which it was&#13;
possible to hold over a Kentucky slave was his&#13;
being sold out of that State.&#13;
To re-read the work after the lapse of many&#13;
is to find one's early bias corrected by a&#13;
yea&#13;
gro g perception of the temperance, the&#13;
scru filous fairness of the famous indictment.&#13;
Two" other surprises await the latter-day reader of&#13;
“Uncle Tom.” The work has worn for so long its&#13;
label of a novel with a purpose, everywhere (except&#13;
perhaps in the Southern States) it has come to be&#13;
So unquestionably accepted as having played an&#13;
active part in the awakening of a national&#13;
conscience, that the new generation of readers&#13;
will be little prepared to find the book so good&#13;
as a story. Albeit Mrs. Stowe was not a&#13;
novelist using reform as a theme, but a reformer&#13;
using the novel as a weapon, the hand that drew&#13;
“Miss Ophelia,” “Uncle Tom,” and the immortal&#13;
“Topsy,” had its share of a skill that did not&#13;
exhaust itself upon the moral issue. It is true&#13;
there are those who believe that the ailing and&#13;
poverty-ridden housewife—writing her book with&#13;
a baby on her knee, and an eye on the oven—&#13;
did more by means of a story to wipe her&#13;
country clean of the stain of slavery than&#13;
any single statesman at the Capitol, or any&#13;
general in the field. Lord Palmerston said of&#13;
“Uncle Tom's Cabin’”: “I have not read a novel&#13;
for thirty years, but I have read that book, rot&#13;
only for the story, but for the statesmanship of it.”&#13;
Lord Cockburn could declare the story had “done&#13;
more for humanity than was ever before accom-&#13;
plished by any single book of fiction.”&#13;
One is nevertheless sure that the kindly,&#13;
humorous little woman would not have been&#13;
ill-pleased to set beside these grave and reverend&#13;
tributes a certain verdict of to-day. I have&#13;
said that this brave book is also a good story.&#13;
It comes well out of the test of being read&#13;
aloud, and out of that other test of hold-&#13;
ing the attention and sympathy, not only of&#13;
administrators and men of the world, but also of&#13;
youth. The laurel I am proud to lay on the altar&#13;
of Mrs. Stowe's memory is the record of a school-&#13;
boy's indignation at hearing “Uncle Tom's Cabin’”&#13;
described as a classic. When finally overborne, he&#13;
said with the air of one who breaks a lance in some&#13;
dear cause: “Well, even if it is a classic, it's jolly&#13;
decent.”. The frame of mind that produced that&#13;
flower of appreciation is the modern reader's second&#13;
surprise.&#13;
The third is not so much ours as what we&#13;
are sure, would be Mrs. Stowe's—the surprise,&#13;
too, of all those zealous and somewhat shortsighted&#13;
Abolitionists, could they know that nearly half a&#13;
century after the outbreak of the Civil War,&#13;
the most difficult, perhaps most menacing, problem&#13;
confronting America should be precisely the&#13;
relation between the white population and that&#13;
other, less and less black, yet never in practice&#13;
“equal,” and never wholly “free.”&#13;
After all these decades of the nominal emancipa-&#13;
tion of the negro, few indeed are the white house-&#13;
holds in any part of America to-day where the&#13;
coloured citizen would be received on the footing&#13;
of brotherliness and respect accorded the refugee&#13;
slaves on the northern side of the Ohio river in the&#13;
eighteen-fifties. In those days the fusing flame of&#13;
abolitionist ardour burned steady in the North ; and&#13;
in the South was still a fund of that old patriarchal&#13;
kindness in the breasts of white folk—of men and&#13;
women who had had negro playmates (as no well-&#13;
born white child has to-day)—and who had known&#13;
in youth the kindness and the sheltering of a black&#13;
nurse's faithful arms. Between those days and&#13;
now stretches the dismal swamp of the Reconstruc-&#13;
tion period, and the air is newly filled with the&#13;
lingering poison left by the more recent lynchings&#13;
and race riots.&#13;
To turn from the hopes indulged by Abolitionists&#13;
in 1850 to the hard reality of these early years of&#13;
the twentieth century is to find ourselves con-&#13;
fronted by a startling commentary upon the more&#13;
obscure elements in the destiny of nations. Here&#13;
We are, “after many days,” face to face with one&#13;
of those not-to-be-predicated results of human&#13;
action, which seems to set history forever outside&#13;
the realm of science.&#13;
It is, however, only fair to Mrs. Stowe's perspi- .&#13;
Cacity to say—even though the admission provide,&#13;
food for the ironist—that the Reformer-novelist&#13;
foresaw something of the difficulty involved in the&#13;
free negro's taking up life, cheek by jowl, with his&#13;
former master. Hence her enthusiasm for the naif&#13;
plan that America should give the slave his manur&#13;
mission papers with one hand, and with the othe&#13;
should open the door and politely, but firmly,&#13;
wave him off the premises. Not even our&#13;
ardent philanthropist could in her inmost softl&#13;
think of the negro as fit to share citizenshi&#13;
with Beechers and with Stowes in the home&#13;
&#13;
&#13;
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## p. (#387) ################################################&#13;
&#13;
TISIE AUTISIOR,&#13;
25&#13;
of the brave and the land of the free.&#13;
Apparently she was to the end unconscious how&#13;
charged with evil significance for the future of&#13;
America was her quite typical Yankee eagerness to&#13;
transfer all her dear black friends to Liberia, or to&#13;
Heaven. Whatever were her misgivings, the actual&#13;
result of the failure to adopt her simple remedies&#13;
must have beggared her darkest imagining. No&#13;
One could have made Harriet Beecher Stowe believe&#13;
that half a century after she had described the&#13;
brotherly-kindness of Indiana whites towards the&#13;
negro, that these passages would sound as strange,&#13;
as unrealisable, to Northern ears, as they did to any&#13;
slave-holding Southerner in the ante-bellum days.&#13;
Once more we are confronted by the impotence&#13;
of the sword to right the most galling wrongs.&#13;
Not by battles in the field—by victories in the mind&#13;
and heart of man shall the true emancipation come.&#13;
ELIZABETH ROBINS.&#13;
—e—º-e—&#13;
THE PROCRASTINATION OF HAPPINESS&#13;
IN FICTION.&#13;
—º-º-º-&#13;
HAT appears to be wilful procrastination&#13;
or maddening inability to seize the golden&#13;
opportunity on the part of characters in&#13;
fiction often causes the novel-reader to throw aside&#13;
his book in disgust, or at least to lay it down and&#13;
question the likeness of certain passages to life.&#13;
There are undoubtedly some amongst us who fail&#13;
to utilise life's great moments; Mrs. Pullets, who&#13;
withal slaves to dress, keep their best clothes under&#13;
lock and key in an upper chamber, and never wear&#13;
them out, but so few are these that they stand forth&#13;
as notable landmarks in idiosyncrasy, and the feel-&#13;
ing becomes strong in encountering them repeatedly&#13;
in novels of some defect in the mirror which other-&#13;
wise so truthfully reflects nature. For the elect&#13;
are as great offenders in this matter as the paid&#13;
hacks writing to space. The latter might be for-&#13;
given for marking time a little at a crucial moment&#13;
to eke out the story to its determined length, but&#13;
one does not expect to find the man who has&#13;
“arrived ” in league with the printers, indeed one&#13;
knows that he is not, and casts about for a fresh&#13;
glution to the mystery.&#13;
*In Mr. Hardy’s “Mayor of Casterbridge” an&#13;
instance occurs which strains credulity to the&#13;
utmº : the scene at the inn when Elizabeth Jane&#13;
returns from her interview with Henchard bearing&#13;
a note from him to her mother. Here is a woman&#13;
who years before, when Henchard's wife, was sold&#13;
ilm in his cups by auction at a fair for five&#13;
guineſs to another man. Coming to Casterbridge&#13;
in supposed widowhood for the sole purpose of&#13;
discovering her first husband, she makes known to&#13;
him her whereabouts in a letter conveyed by her&#13;
daughter. This is sufficient evidence that she is&#13;
too perturbed to introduce herself in person, yet&#13;
When the answer is brought to her by the giºs&#13;
the course of the evening, although moved at .&#13;
of it, she does not read it at once, but i&#13;
asks for a description of Elizabeth Jane's re&#13;
by Henchard, a matter one would think of se&#13;
Importance to the direct communicati&#13;
sealed before her. Mr. Hardy is also&#13;
for Raye's lukewarm attitude in “On&#13;
Circuit.” He is genuinely disquieted&#13;
girl who attracts him has not availed h&#13;
permission to write, and when an answe&#13;
request that she will do so comes, he do&#13;
it for half an hour, though it is the first&#13;
he has received from her.&#13;
And the whole raison d'être of&#13;
Weyman’s “Castle Inn,” though the fac&#13;
means to be deplored by his readers, is t&#13;
behaviour of the heroine, who although&#13;
with emotion and happiness at her lover&#13;
tion must needs postpone her acceptan&#13;
for twenty-four hours. There is more e&#13;
Hetty Sorrel, whom exacting househol&#13;
prevent from opening the letters whic&#13;
thorne sent to her through Adam Bede.&#13;
heels of its delivery come Mrs. Poyser’s col&#13;
to draw the beer, whilst the lighting of her&#13;
pipe and a hundred trivialities follow. Y&#13;
Wonders that the poor girl, guessing the&#13;
import of the letter, does not contrive to st&#13;
to her bedroom before dark.&#13;
Allowance must of course be made for tº&#13;
grown-up children who prefer to “keep the ja&#13;
to the last.” “Did I read my letter there an&#13;
then 2 Did I consume the venison at once, and&#13;
with haste, as if Esau’s shaft flew every day ?”&#13;
Thus Lucy Snowe in “Willette.” The precious&#13;
letter from Bretton given into her hands by M.&#13;
Paul at her desk in class was not to be devoured&#13;
in a mouthful as it were. “The cover with its&#13;
address, the seal with its three clear letters was&#13;
bounty and abundance for the present,” and the&#13;
description follows of a stealthy exit from the&#13;
room, the acquisition of the key of the great&#13;
dormitory, and the subsequent committal of the&#13;
precious document, shrouded in silver paper to a&#13;
case within a box in a drawer of her bureau, there&#13;
to lie until the house was still for the night, and by&#13;
the light of a borrowed bougie to be enjoyed at&#13;
length in the silence of of a disused garret.&#13;
Duty first, pleasure a day's march behind. Could&#13;
Charlotte Brontë, with her soul in her heroine, have&#13;
treated the incident otherwise ? One's thoughts&#13;
fly at once to bleak Haworth and her cheerful setting&#13;
aside of any plans of her own which threatened to&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
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&#13;
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&#13;
26&#13;
THE AUTHOR.&#13;
collide ever so gently with those of her captious&#13;
parent. Indeed the whole question resolves itself&#13;
into the personality of the different authors, that&#13;
personality of which, if the law-makers had their&#13;
y, we should never be allowed a glimpse.&#13;
not the men and the women whom you paint&#13;
tour blood-brothers ” was Leonardo's advice&#13;
artists of his day. Neither would we wish&#13;
characters to be hung promiscuously like so&#13;
s with their creator's ideas of life. Never-&#13;
aſsoever of strength an author can trans-&#13;
* soul into his work, such as can help&#13;
2 race that is set before us, whether it&#13;
he mouth of a fictitious man or woman,&#13;
kes the form of a little moralising by&#13;
would none of us wish to eliminate,&#13;
ffend the canons of art or not. We&#13;
anity Fair puppets for themselves, but&#13;
ll more the countless peeps afforded us&#13;
r dead hand that pulled the strings&#13;
maxims given by great lights to less&#13;
comes only in literature by the&#13;
2ealment of one's every day working&#13;
nt. It seems that this digression has&#13;
he point of a duel between human nature&#13;
ame personality, which after all is but the&#13;
f an individual man or woman pitted&#13;
he same property in a more general sense.&#13;
est la nature vue a travers un tempera-&#13;
rding to the lights of the stereotyped&#13;
t as to how true men and women ought to&#13;
der given circumstances, all the actors in the&#13;
ing examples, with the exception, perhaps, of&#13;
* Snowe, deserved the lash or some such sharp&#13;
hinder to frighten them out of the state of&#13;
aralytic hysteria which appeared to overtake them&#13;
in crises of joy, and Jane Austen's Marianne in a&#13;
parallel case, snatching at Willoughby's letter&#13;
which the servant delivers to her at the common&#13;
working-table, and fleeing, deadly pale, from the&#13;
room, seems the only woman worth her salt. The&#13;
gods that be do not put themselves to the trouble&#13;
of providing good things with the intention that&#13;
they are not to be enjoyed to the utmost. Happi-&#13;
ness was never intended to be put before hungry&#13;
appetites on the return system—a sugared cake in&#13;
our midst not to be cut into, and many a sermon&#13;
should be drummed into the ears of youth, not&#13;
only from the pulpit, but through the medium of&#13;
stage and literature, on the necessity of grasping it&#13;
if it comes.&#13;
MYRA SWAN.&#13;
º&#13;
CERTAIN PRACTICAL MATTERS.&#13;
-º-º-º-&#13;
O the writer of novels it is a commonplace,&#13;
T but none the less exasperating on that&#13;
account, that for every person who buys his&#13;
work or borrows it from a library there is another&#13;
who would buy, and there are at least twenty who&#13;
would borrow it if they were aware of its existence.&#13;
There is no reason whatever but removable defects&#13;
in the machinery of distribution why a novel that&#13;
“sells” from one to three thousand copies should&#13;
not easily “sell’” twice or three times that number.&#13;
This is a sad state of things for the novelist, but&#13;
it is not surprising. It is a pretty safe general&#13;
rule that the official virtue of any particular class&#13;
or profession is not the one that on examination&#13;
in cold blood will be found most prominent in its&#13;
individual members. There are exceptions to this&#13;
rule, of course. Some soldiers are brave, I know&#13;
several women who are more domesticated than&#13;
the average man, some poets are imaginative, and&#13;
a few, a very few, practical men are practical.&#13;
But in what is called “the book trade,” at any rate,&#13;
the more the work to be done falls into the region&#13;
of the practical the worse it is done. On the&#13;
whole, at the present day, novels are better written,&#13;
printed, published, advertised, and reviewed, than&#13;
they are “handled ” as articles of commerce, to be&#13;
sold or lent for a fee over a counter like any other&#13;
article of commerce.&#13;
We are always hearing that the book trade is in&#13;
a bad way. All sorts of suggestions are made for&#13;
its improvement, but they are all, or nearly all,&#13;
based on the assumption that the “trade,” the&#13;
practical part of it, is being done as well as it can&#13;
be done. On the contrary, it is being done very&#13;
badly. Any improvement in the book trade, and&#13;
particularly as affecting the sale of novels, will be&#13;
achieved, not by juggling with prices, or by&#13;
strenuous efforts on the part of writers to pander&#13;
to an imaginary “taste of the public,” or by more&#13;
exciting advertisements, but, as in any other trade,&#13;
by the obvious means of bringing the article to be&#13;
sold or lent into contact with the people who are&#13;
likely to buy or borrow it.&#13;
At present there is almost a conspiracy to keep.&#13;
them apart. Whether this is the fault of pub-&#13;
lishers or booksellers I am not prepared to say.&#13;
The intentions of both are excellent, but between&#13;
them they do not handle their wares with the&#13;
common sense with which the grocer handles his&#13;
pounds of tea or pots of jam. What the book-&#13;
seller can do when he is put to it is almost beyond&#13;
belief. Not long ago I saw at an important&#13;
railway station, on the stall of one of the largest&#13;
book-distributing agencies in the United Kingdom,&#13;
a row of the little volumes in the “Scott Fº&#13;
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&#13;
TISIE A CITISIOR,&#13;
27&#13;
With every symptom of pride in his work, the&#13;
man in charge of the stall had labelled them, “New&#13;
edition of the Novels of Sir Walter Scott. Only&#13;
one shilling and sixpence per volume.” Again, I&#13;
learn that for many booksellers Mrs. Alfred Sidg-&#13;
wick and Miss Sedgwick are interchangeable&#13;
names, Mrs. Henry Dudeney and Miss Sarah&#13;
Doudney are one—with interesting results in the&#13;
schoolroom—and, if I may be forgiven the illustra-&#13;
tion—it is believed by more than one practical&#13;
man engaged in the sale and lending of novels,&#13;
that I wrote “Peter Simple.” As for “The&#13;
Bensons,” they, of course, were written by Miss&#13;
Ellen Thorneycroft Fowler.&#13;
Go into the average provincial bookshop, and,&#13;
leaving out the three great and the half dozen or&#13;
so notorious living writers of fiction, ask for the&#13;
work of any fairly well-known novelist within a&#13;
fortnight of publication. The chances are ten to&#13;
one it is not there. “But we can get it, when we&#13;
send off our next order to Messrs. So-and-So'—that&#13;
is, in about a week—and you are leaving the town the&#13;
day after to-morrow. It is said that people don't&#13;
buy novels. Indeed, they seldom get the chance&#13;
when they are in the mood. It is the most&#13;
difficult thing in the world to buy a novel. If it&#13;
has been said to me once it has been said a dozen&#13;
times, “I tried to get your last book at (varying)&#13;
So-and-So's, but they hadn't got it’’; and every&#13;
novelist can tell the same tale. People can write&#13;
to one's publisher for the book, of course, but&#13;
people don't want to be bothered writing to one's&#13;
publisher. What they want is to be able to go&#13;
into a shop and buy the book then and there. It&#13;
is said that the six shilling novel is about to be&#13;
abolished, but until I can go into any bookshop&#13;
and see, actually see and handle, within two days&#13;
of publication, the last work of any one of twenty&#13;
living novelists I could - name offhand, I shall&#13;
refuse to believe that any serious attempt has been&#13;
made to sell the six shilling novel. It is not even&#13;
easy to borrow a novel—if it is at all popular—&#13;
within six weeks of publication. I don't know how&#13;
many copies of a new novel it “pays "a circulating&#13;
library to stock, but I am convinced that informa-&#13;
tion to the advantage of librarian, publisher, and&#13;
novelist, might be obtained from the man who&#13;
lends bicycles for hire.&#13;
Moreover, it must be remembered that the&#13;
number of would-be buyers or borrowers of books&#13;
who know what they want is a very small one.&#13;
There is a huge public that does not know what it&#13;
wants, but will be grateful for being told. Over&#13;
and over again I have won the gratitude of&#13;
acquaintances—and earned the gratitude of writers&#13;
—by introducing them to novelists they had never&#13;
* of, never would have heard of if they had&#13;
been left to the men whose business it is to sell or&#13;
lend for a fee those novelists’ works. I do not&#13;
claim this as a special virtue; every one of my&#13;
readers must have had the same experience. But&#13;
whose business is it to introduce the right novel&#13;
to the right person 2 The publishers ? The&#13;
reviewers ? Few people read publishers' advertise-&#13;
ments; fewer still read reviews. A great,&#13;
immense number of people want to read now&#13;
but, speaking generally, they do not read the no&#13;
they would prefer to read because they are&#13;
brought to their notice.&#13;
How much of this state of things is du&#13;
and how much to methods I do not kno&#13;
the fact remains that the practical bu&#13;
selling novels is not sufficiently practical&#13;
where between the publisher and the p&#13;
machinery breaks down. The novels t&#13;
want to read are being written and publ&#13;
the people that want to read them are&#13;
they meet only by accident. Advertise&#13;
by postcard, isn't much good ; there is th&#13;
between the receipt of the postcard and&#13;
to the bookshop to be considered. T&#13;
ought to be there, on the spot, just as wh&#13;
into a grocer's the Epps' cocoa and the&#13;
mustard are there, on the spot. Also it w&#13;
an advantage if every bookseller knew so&#13;
about the books that are being publishe&#13;
cannot be expected to read them, but he o&#13;
least to know who wrote what, and when.&#13;
Above all, it is time to abolish that&#13;
superstition of publishers and booksellers&#13;
the “taste of the public,” and come down&#13;
hard facts of the case. The “taste of the pu&#13;
in the sense intended, that is a taste for trash,&#13;
Mrs. Harris. People want good novels, and t&#13;
are always grumbling because they can't get them."&#13;
That merely means that they don't know where to&#13;
look for them ; plenty of good—I don't say great.&#13;
—novels are being written and published, but&#13;
between the published novel and the possible buyer&#13;
or borrower there is a great gulf fixed.&#13;
CHARLES MARRIOTT.&#13;
* —º- ań.&#13;
vºy -v- *F&#13;
THE ART OF ILLUSTRATING.&#13;
—º-º-º-&#13;
BY WM. BRETT PLUMMER.&#13;
(Compiled for the use of authors, artists, journalists,&#13;
advertisers, and others).&#13;
(All rights reserved by the Author.)&#13;
INTRODUCTION.&#13;
N the present day good illustrations are acknow-&#13;
I ledged to be an additional attraction to almost&#13;
any publication. When we open a book for&#13;
the first time does not our eye involuntarily, as we&#13;
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&#13;
28&#13;
THE AUTHOR,&#13;
run the pages through our fingers, seek for the&#13;
pictures 2&#13;
If there are none, is it not without some&#13;
inner feeling of disappointment that we begin to&#13;
con over the head-lines of the various chapters or&#13;
rapidly glance through odd pages to try to glean&#13;
tickly what it is all about 2&#13;
In this hurry-scurry age, no matter how excellent&#13;
he its literary quality, a book is always&#13;
nced by suitable and well-produced illustrations.&#13;
ey catch the eye more readily, and convey&#13;
ickly to the mind some sort of general idea&#13;
Contents.&#13;
ookseller will tell you what a large per-&#13;
f books of all kinds are sold through the&#13;
f the illustrations alone, a well-illustrated&#13;
ing a ready market more easily than one&#13;
upon its letterpressentirely&#13;
ently the art of illustrating, whether in&#13;
choosing suitable illustrations or whether&#13;
of understanding how to illustrate wisely&#13;
mically, cannot be ignored.&#13;
ays of reproduction are now so many and&#13;
that to the uninitiated they must be at&#13;
hifusing.&#13;
authors who wish their work to be illus-&#13;
ave often very little idea as to the best way&#13;
dure and not infrequently propose to their&#13;
er or printer something that is either totally&#13;
ticable or otherwise ineffective.&#13;
with this reason prominently fixed in my&#13;
I will endeavour to elucidate some of the&#13;
ries of art reproduction suitable for books,&#13;
papers, magazines, or catalogues.&#13;
Lhnicalities of the various processes, as that is&#13;
unnecessary, but to give to the lay mind some idea&#13;
of what can and what cannot be done.&#13;
CHAPTER I.&#13;
On Wood- and Steel-Plate Engraving.&#13;
HALF a century ago there were practically only&#13;
two well-known illustrated journals, and these made&#13;
a reputation through their illustrations that has&#13;
lasted until the present day. I allude to the&#13;
Illustrated London News and our old humorous&#13;
friend Punch.&#13;
Wood-engraving in those days was so expensive&#13;
that few publishers were brave enough to risk&#13;
entering the field, and so Punch and the Illustrated&#13;
London News had the world of paper-illustration&#13;
in their own hands.&#13;
All their “cuts '' were woodcuts, and the best&#13;
artists of the day were employed for the sketches.&#13;
They were usually drawn in pencil, or painted in&#13;
‘wash ’’ on a box-wood block as one would make&#13;
f&#13;
h is not my intention to enter into the&#13;
an ordinary sepia drawing with a brush and water-&#13;
colour.&#13;
But the drawback to this process was the fact&#13;
that, after the artist had completed the sketch, it&#13;
had then to go into the hands of the wood-engraver,&#13;
who (if he were not as artistic as the artist himself,&#13;
or even if he were, yet had not the feeling or know-&#13;
ledge or touch of that particular artist) more often&#13;
than, not ruined by his “wood-pecking” the&#13;
excellence of the original.&#13;
And So it was that the artist with a “name "&#13;
was nervous of the engraver who had to conceive&#13;
his ideas. Not infrequently the engraver was&#13;
nervous of the artist, and occasionally had reason-&#13;
able cause to be ; as the artist who made a poor&#13;
picture generally expected more from the engraver&#13;
than he ought to have done.&#13;
Consequently it can be appreciated that the&#13;
talented artist was at the engraver's mercy, who&#13;
frequently spoiled or misinterpreted his sketches,&#13;
while in other cases the engraver was at the mercy&#13;
of the artist.&#13;
It was especially so in the case of large full-page&#13;
or double-page illustrations, when, by reason of&#13;
their size, several—perhaps, two or four—engravers&#13;
helped to cut the one block.&#13;
This was necessary in such instances where a&#13;
topical subject was required hurriedly, because time&#13;
was to a certain extent a consequence, even in those&#13;
easygoing days; so the box-wood blocks were placed&#13;
in sections in the hands of several engravers, and&#13;
then screwed or joined together afterwards to&#13;
complete the total picture for printing.&#13;
Therefore wood-engraving was costly, as the best&#13;
engravers commanded big salaries, and it was fre-&#13;
quently the case that the wood-engraver earned&#13;
considerably more than the artist himself.&#13;
Each well-known artist had his favourite&#13;
engraver. To wit—Sir John Tenniel, the famous&#13;
Punch cartoonist, would only allow one man to&#13;
engrave his cartoons. This chosen engraver was&#13;
the late Mr. Joseph Swain, who personally retired&#13;
from wood-engraving at the same time as Sir John&#13;
Tenniel retired from Punch. As a matter of fact&#13;
they both finished their lives' work together in an&#13;
artistic sense. |&#13;
The only other style of artistic reproduction was&#13;
either on copper or steel. In this way the early&#13;
editions of Charles Dickens's works were illustrated&#13;
by “Phiz" and others.&#13;
In this process, which was principally used for&#13;
book-illustration, the artist as a rule depended&#13;
upon himself alone, being artist and engraver as&#13;
well. !&#13;
The steel or copper plate was covered with a&#13;
thin coating of melted of flowing bees'-wax, which&#13;
was allowed to get cold or set solid, when the picture&#13;
to be produced was engraved upon it with either&#13;
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## p. (#391) ################################################&#13;
&#13;
THE AUTHOR. 29&#13;
fine, medium, or coarse needles—a sort of&#13;
scratching away down to the surface of the metal.&#13;
The plate was then “etched ” with acid, which&#13;
ate into the uncoated or unprotected parts of the&#13;
metal, and finally, when the wax was cleared away&#13;
from the plate, the picture showed up engraved&#13;
clearly upon it in the same way as an ordinary&#13;
copper-plate heading or address-plate appears&#13;
to-day.&#13;
But wood-engraving and steel-plate engraving,&#13;
beautiful though both were when well executed,&#13;
became almost obsolete when the so-called&#13;
“mechanical” processes came into vogue; for the&#13;
latter, besides being cheaper, were more generally&#13;
dependable and quicker. For comparison : where&#13;
a large Wood block would take an engraver, perhaps,&#13;
an entire month to engrave, the same-sized plate&#13;
or block could to-day be reproduced in a few hours.&#13;
And although the so-called “half-tone process."&#13;
T |&#13;
%&#13;
ſºlºiſi&#13;
Øſº º º&#13;
Zºº&#13;
|&#13;
i. |&#13;
º&#13;
º&#13;
/&#13;
º&#13;
\\&#13;
| W&#13;
||||&#13;
(to which I shall allude fully later on) is un-&#13;
questionably not quite so artistic as a finely&#13;
finished wood-engraving, still, in the race for&#13;
saving time alone, it was bound to come in first&#13;
at last, paradoxical though this may sound.&#13;
Yet wood-engraving is not altogether eclipsed.&#13;
There are many people to-day, especially advertisers,&#13;
who insist upon having it. But it is used more&#13;
for mechanical and industrial articles than any-&#13;
thing else, because in this particular branch of&#13;
art, where an engineer or inventor desires some&#13;
important portion of an engine or machine made&#13;
more prominently noticeable, it is easy for the&#13;
engraver to elaborate the part required and to&#13;
minimise the detail or features of the surrounding&#13;
portiorhs.&#13;
Many firms, too, who issue periodical catalogues,&#13;
Prefer wood-engravings because of their decision,&#13;
glearness, and sharpness of line. It adapts itself&#13;
better to the class of goods they wish to illustrate.&#13;
... For instance, in the case of electro-plate and&#13;
silver goºds, cutlery, bags and portmanteaus, tools&#13;
and machines, agricultural implements, etc., it i&#13;
often the favourite mode of reproduction.&#13;
In the above class of goods there is a good&#13;
of straight line or mechanical ruling, and now&#13;
The solid box-wood. Waved line tint.&#13;
|&#13;
º&#13;
|&#13;
|&#13;
| | |&#13;
º&#13;
Variegated tint.&#13;
there are many machines for cutting or er&#13;
upon wood in various ways, of which a few e&#13;
are here shown.&#13;
By aid of these engraving-machines the&#13;
|&#13;
Even coarse tint. Circular engraving.&#13;
|||| | | - ---&#13;
M - º&#13;
º W.&#13;
| § - %&#13;
* |&#13;
| | | | |º&#13;
Graduated tint.&#13;
Crossed lines.&#13;
wood blocks has been reduced, as the apprentices&#13;
can do this branch of the work quite well after a&#13;
little practice.&#13;
Apart from this mechanical work there is yet a&#13;
small quantity of the free-hand or artistic wood-&#13;
engraving to be found. This is principally con-&#13;
fined to the large drapery houses, who still think&#13;
that some of their goods look best on wood. Boot-&#13;
manufacturers, too, perfume-makers, and others&#13;
cling affectionately to it in many instances.&#13;
With regard to the price that should be paid for&#13;
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&#13;
30&#13;
TFIES A DITFIOR.&#13;
wood blocks, it is practically an impossibility to&#13;
plan out any way of “scaling ” the charges.&#13;
An artistic or freehand wood-engraving would&#13;
cost decidedly more than a merely mechanical one,&#13;
as a man of natural artistic taste and proclivities&#13;
would have to engrave it, whereas in the mechanical&#13;
teproduction it would in all probability be photo-&#13;
aphed direct upon the wood itself, and then&#13;
paved by a series of straight or circular lines&#13;
nich wood-engraving machinery would play an&#13;
:tant part.&#13;
ost of a wood block always depends&#13;
lly upon the amount of “hand-work’&#13;
upon it. This takes time, and a good&#13;
is necessary for a good-class “job.”&#13;
E=&#13;
agº:=&#13;
§&#13;
&gt;&#13;
Ş&#13;
N&#13;
\\&#13;
º&#13;
---T. N&#13;
-&#13;
º&#13;
º&#13;
&amp;&#13;
V&#13;
RN -&#13;
º s - à&#13;
N&#13;
N&#13;
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NS:&#13;
...*&amp;^ſ ºf&#13;
Sºrºº:&#13;
3. Sºssº:&#13;
S-4&#13;
--~~~&#13;
sº %&#13;
This is a good example of the effects that can be obtained&#13;
by mechanical wood engraving on a rotating table.&#13;
Then, too, there are so many grades of wood-&#13;
engraving—good, medium, bad ; and I may add a&#13;
fourth degree—very bad or atrocious. . There is&#13;
plenty of the fourth-degree work to be found, and&#13;
it is generally produced by small men “on their&#13;
own "who cannot get employed by the larger firms&#13;
simply because they are not up to their trade.&#13;
In an ordinarily large engraving firm they have&#13;
(or should have) men who are suited to different&#13;
requirements; some clever at mechanical detail,&#13;
some suited to floral or landscape work, others&#13;
perhaps smart at portraits and figures. To these&#13;
men individually the work is given out that suits&#13;
them best, and, consequently, a satisfactory result&#13;
should be obtained. cº&#13;
But no wood-engraver can engrave everything or&#13;
be equally brilliant in each branch ; and that is why&#13;
Bennett.&#13;
I say—although it may sound unkindly—refrain&#13;
from employing the smaller man for general work,&#13;
because he cannot do it.&#13;
Taking the price of wood blocks cursorily they&#13;
might average—say, from eighteenpence to four&#13;
shillings a square inch, according to the quality&#13;
and style of work required.&#13;
I should always advise that an estimate be given&#13;
in all cases for the work to be done, and also&#13;
a sample of the work guaranteed to be handed to&#13;
the customer at the same time. -&#13;
If you have a wood block that needs alteration&#13;
or is incorrect in any particular part it can always.&#13;
be remedied by the wood-engraver. He can&#13;
“plug’’ it and recut the part so affected, generally&#13;
at a small cost and without detriment to the&#13;
original woodcut.&#13;
Old wood blocks that have been used are in&#13;
some instances repurchased by the wood engravers.&#13;
themselves for planing down, but although they&#13;
cost so much to produce in the first place they&#13;
realise very little second hand, unless they can be:&#13;
utilised again in their original form.&#13;
There are firms who make a business alone of&#13;
buying and selling used blocks of all kinds. The&#13;
price paid by these firms for second hand woodcuts.&#13;
generally varies from about seven to perhaps&#13;
sixteen shillings per hundredweight according to:&#13;
the quality and condition of the wood.&#13;
My next instalment will concern photo-mechani-&#13;
cal illustrations by “line " process.&#13;
-*- A_&#13;
-º- Wy&#13;
TASTE AND STYLE.”&#13;
—t-º-e—&#13;
\ | R. Arnold Bennett possesses in an eminent.&#13;
degree the admirable quality of enthusiasm.&#13;
He will not have it that literature is.&#13;
merely a distraction, and literary taste—the taste,&#13;
that is to say, for the things of permanent value.&#13;
in literature—merely an accomplishment. It is,&#13;
he says, a “faculty,” without which man is a poor,&#13;
imperfect creature. “He is merely not born.&#13;
He can't see; he can't hear; he can't feel in any&#13;
full sense; he can only eat his dinner.” . And then&#13;
there follow hints and instructions for the cultiya-&#13;
tion of the faculty. “Begin with Lamb,” is Mr.&#13;
Bennett's prescription ; and he holds out hopes.&#13;
that the man who does begin with Lamb may end&#13;
by preferring the works of Wordsworth to the&#13;
serials in the halfpenny papers and the trick articles&#13;
in the illustrated magazines. He insists, hºwever,&#13;
that the aspirant should buy plenty of books,&#13;
* “Literary Taste: How to Form It,” by Arnold.&#13;
New Age Press. 21-&#13;
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&#13;
TISIES A UTSIORs&#13;
31&#13;
whether he has any immediate intentions of read-&#13;
ing them or not : an expression of opinion from&#13;
which no reader of The Author is likely to dissent.&#13;
If one wished to argue with Mr. Bennett, one&#13;
might question some of his dicta about “style.”&#13;
He lays down that “style cannot be distinguished&#13;
from matter,” that “style and matter are co-existent,&#13;
and inseparable, and alike,” that “you cannot have&#13;
good matter with bad style,” and he denies that it&#13;
is ever justifiable to say: “Yes, this idea is fine,&#13;
but the style is not fine.” This is the sort of&#13;
exaggeration that is provoked by perverse utterances&#13;
of enthusiasts for style ; but it will not stand the&#13;
test of close scrutiny. The ideas of Kant, to take&#13;
a glaring instance, are very fine indeed, but the&#13;
style of Kant is nothing less than execrable. We&#13;
are quite sure that Mr. Bennett will not, on&#13;
Teflection, deny either of these propositions; yet,&#13;
taken in conjunction, they are quite fatal to his&#13;
thesis. The writer, in fact, is in the position of a&#13;
Tmusician who is at once composer and executant.&#13;
If he is a master of his instrument he may, like&#13;
Tennyson, play an indifferent tune brilliantly. If&#13;
he is not a master of it, he may, like Kant, play a&#13;
brilliant tune badly. Nor is it just to say that a&#13;
style difficult to follow implies a muddle-headed&#13;
man. It may merely imply a man whose intellect&#13;
is so acute that he simply cannot enter into the&#13;
plain man's difficulty in comprehending a com-&#13;
plicated and carefully qualified proposition. Were&#13;
it otherwise we should not only have to say that&#13;
Aristotle and Meredith were muddle-headed. We&#13;
might even have to say the same of all the authors&#13;
of all the treatises on the higher mathematics.&#13;
Argument with Mr. Bennett on this point, how-&#13;
ever, is not incompatible with a lively appreciation&#13;
of the merits of his pamphlet. It is brightly written&#13;
and full of sage counsel to those who, while “fond&#13;
of reading,” have not yet found the key which&#13;
unlocks the treasures enshrined in the literary&#13;
masterpieces of previous ages. We cordially wish&#13;
it a large sale.&#13;
—º-º-º-&#13;
CORRESPONDENCE.&#13;
—º-º-º-&#13;
THE SOCIETY'S ADVICE.&#13;
DEAR SIR,-‘A. M. I.” suggests (The Author,&#13;
July, 1909) that “the society's advice is ranged too&#13;
high.” In order to satisfy the demands of pub:&#13;
lishers land to get a living he has had to disregard&#13;
the society's advice and place his books at lower&#13;
terms than an author ought to accept.” He thinks&#13;
that thºse who give the advice “fail to take into&#13;
defenceless position of the&#13;
79&#13;
beginner.&#13;
Whatever individual authors may think fit to do,&#13;
I trust that the society will not lower their flag.&#13;
When a man becomes an author he ought not to&#13;
cease to be an adult. He can act on the society's&#13;
advice, or disregard it. What he should not do is&#13;
to disregard it and then request the society to set&#13;
up a lower standard; or blame the society if, in&#13;
accepting their advice, he remains unpublished. I&#13;
may even be that in many cases acting on t&#13;
Society's advice would exclude new authors fr&#13;
publication, and thus leave the ground cleare&#13;
well-known authors. The simple question t&#13;
is, whether the society advises what is ju&#13;
right? I say they do, and I have every ºr&#13;
speak, inasmuch as I have myself remained&#13;
lished merely because I acted on the se&#13;
advice—and would do so again, regardless&#13;
Sequences, if it seemed to me to be good a&#13;
In saying this, moreover, I do not hop&#13;
effective trade union combination of autho&#13;
lifetime. They are the least coherent body&#13;
unionists existing, and perhaps, as a body,&#13;
businesslike.&#13;
A publisher some time ago offered me at&#13;
ment which the society officially told me w&#13;
I tried to get it altered, but the main alt&#13;
was refused by the publisher as preposter&#13;
withdrew the book. So insignificant an au&#13;
myself is perhaps unlikely to incur the col&#13;
boycott of publishers, but my offence po&#13;
became known, and certainly no publisheſ&#13;
since accepted my book.&#13;
Naturally I like my book. I think—it may&#13;
fond delusion—that others would like it too,&#13;
even that it might be of some importance in&#13;
world of life and thought, were it only publish&#13;
Most authors think the same of their own books. *&#13;
The point on which I differ from most is that I am&#13;
not after big royalties. I only want to keep my&#13;
copyright. The publishers, on the other hand,&#13;
demand the copyright to start with.&#13;
I have been up stone steps, magnificent stair-&#13;
cases, past marble columns, classic busts, into the&#13;
palatial apartments of various publishers. They&#13;
assure me that in this matter of the copyright the&#13;
Authors' Society is entirely mistaken. I prove to&#13;
them that the Society is right. I endeavour to&#13;
show them a line of business mutually profitable.&#13;
It is less than the society requires, but then it is a&#13;
new thing. Publishers are cast iron. They are&#13;
affluent, and, like the Bourbons, they learn nothing&#13;
and forget nothing. They fight shy of me and my&#13;
manuscript. They will not compromise. Nor&#13;
will I.&#13;
I think I would compromise if it were not for&#13;
the marble columns and all that that sort of thing&#13;
implies. Your correspondent speaks of letters of&#13;
indignation, flat refusals, etc., from publishers, to&#13;
whom he has yielded. It is not for me to judge a&#13;
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&#13;
32 TFIES A LITHOR.&#13;
fellow author whose living depends on his author-&#13;
ship. Personally I have solved the living problem&#13;
for myself in another way. I have become a clerk.&#13;
But under no circumstances, I hope, would I yield&#13;
to marble columns. If publishers, as a class, were&#13;
still human, it is likely that I should have so far&#13;
ven way as to have got my books published&#13;
nehow by this time. It is because, with certain&#13;
tions perhaps, they have become Superhuman,&#13;
º upon the spirit shown by our friend in&#13;
ºr, that I won’t give way, and would rather&#13;
y manuscripts cremated with me than be&#13;
to serfhood. It was only by getting into&#13;
erhaps a somewhat hard condition of mind&#13;
that I was able to produce such writings&#13;
[e produced, and therefore I am merely&#13;
der a necessity of habit long continued,&#13;
not now do otherwise.&#13;
I am, etc.,&#13;
§&#13;
SIGMA,&#13;
—º-º-º-&#13;
THE PRICE OF NEW NOVELS.&#13;
J should like to express my interest in the&#13;
ºated by “H. J. A.” He thinks novels&#13;
ell if they were cheap, and I agree with&#13;
Many travellers would buy a new novel&#13;
they had seen well reviewed, to beguile a&#13;
, when a mere magazine would seem too&#13;
ive a luxury.&#13;
Yours faithfully,&#13;
- - M. C. A.&#13;
—º-º-º-&#13;
INTRINSIC VALUE OF A MS.&#13;
(DEAR SIR,-Referring to the article in your last&#13;
gºmber, “Manuscript Or Waste Paper ?” what&#13;
7s the intrinsic value of a MS. 2&#13;
Surely a publisher who loses or destroys a copy&#13;
of an author's MS. cannot be accused of destroying&#13;
property of several pounds’ worth ! There are few&#13;
writers who have not two or more copies of the&#13;
Same work, or who could not re-write the whole.&#13;
It is after all only one copy that the publisher has&#13;
lost, and this is hardly worth more than the cost&#13;
of paper and typewriting. -&#13;
The book itself is not stolen unless it be&#13;
published without remuneration being made to&#13;
the author.&#13;
Yours faithfully,&#13;
EMILY SHORE.&#13;
—e—º-e—&#13;
AN AUTHOR'S CAPITAL ExPENDITURE.&#13;
SIR,--I read with interest H. Stuart Thompson's&#13;
letter in the June number of The Author. As&#13;
far as novelists are concerned, it cannot be said&#13;
that “Nor is there any capital expenditure&#13;
required, as is frequently the case in business,&#13;
on this earth.&#13;
unless, indeed, some writers are disposed to look&#13;
upon a few “postage stamps' as capital expendi-&#13;
ture.” Think of the cost of typewriting. Take&#13;
my own case.&#13;
Typewriting&#13;
Novels. Pills.&#13;
£ S. d.&#13;
No. 1. Published the spring, 1906, one&#13;
copy - wº tº sº * - 2 8 3&#13;
No. 2. Published autumn, 1906, two&#13;
copies - º * “ sº - 4 12 10&#13;
No. 3. Agent failed to place it, two&#13;
copies - º gº sºs º - 5 5 9&#13;
As it was a failure I altered it, and had -&#13;
it re-typed ; published July, 1908,&#13;
two copies - {º tºº •º - 4 18 2&#13;
No. 4. Published January, 1909, two&#13;
copies - *-8 - - {- - 6 13 1.&#13;
No. 5. Published June, 1909 * - 5 13 1&#13;
No. 6. Neither accept d nyr rejected,&#13;
but told by my publisher to lay it&#13;
aside for the present, two copies - 7 12 8&#13;
No. 7. Accepted by my publisher, two&#13;
copies - sº * * sº - 11 0 2&#13;
Add to this the employing of an agent recom-&#13;
mended by the secretary. This man, in the course&#13;
of a year, never placed one of my five stories.&#13;
He charged in advance #2 2s. -&#13;
The payment to a press cutting agency, £1 1s.&#13;
Innumerable stamps for postage, and extra&#13;
postage for rejected MSS., paper, ink, pens, and&#13;
postage for correspondence, for all which I cannot&#13;
give figures.&#13;
Moreover, I have had to pay for the production&#13;
of the first five novels. In future my publisher&#13;
will produce them at no cost to me.&#13;
The small authors are the worst treated creatures&#13;
Talk of the great shops sweating&#13;
the poor workers in the slums, no class of people&#13;
are more sweated than we are.&#13;
For my two first novels I never got more than&#13;
about £20 in royalties, and to get half of that I&#13;
had to have recourse to the secretary of our&#13;
society. I used it to become a life member. I&#13;
left that publisher, and got into the clutches of&#13;
another, bearing a well-known name.&#13;
For my third novel I have received as yet only&#13;
£17 14s. 6d. in royalties. This publisher in his&#13;
agreements stipulates that he does not undertake&#13;
to send in accounts and pay till five months after&#13;
they are due. The last MS. sent in to him will&#13;
not bring in any money for a year and a half, as&#13;
he is hardly likely to publish it till J anuary next ;&#13;
yet I have to settle the typewriter's bill for it,&#13;
£11 0s. 2d. out of the £17 14s. 6d. Surely&#13;
novelists have “capital expenditure” beyond a&#13;
few “postage stamps.” -&#13;
Yours faithfully,&#13;
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## p. (#395) ################################################&#13;
&#13;
AD VERTISEMENTS. iii&#13;
THE DESIRE OF THE HILLS.&#13;
By “No RNA.” Bound in blue cloth, with gold lettering. 1s.&#13;
net. . A book of poems that will appeal to all lovers of hills&#13;
and hill-scenery.&#13;
“This book evinces true poetic charm.”—Scotsman.&#13;
“These verses are melodious and full of fine thoughts in&#13;
graceful language, in a style which reminds the reader of&#13;
Swinburne, The poet's inspiration is a love of the hills.”—&#13;
The Universe,&#13;
GARDEN SONGS, and other Poems.&#13;
By MARGARET E. For D. A capital book of poetry, highly&#13;
commended to all lovers of fresh and stimulating verse.&#13;
Printed on thick antique paper, with uncut edges, and boundin&#13;
attractive brochure cover, with flaps, 1s.6d. net.&#13;
1N THE LONG RUN : A Novel,&#13;
By RoberT B. MoRENO. With Frontispiece on art paper.&#13;
Bound in half red and half blue, in cloth, 2s. 6d. net.&#13;
“A very curious novel."—Publishers' Circular.&#13;
“A brightly written and readable novel. The author has a&#13;
facile pen.”—Dundee Advertiser.&#13;
IN THE BEGINNING.&#13;
By CHAs. HAwkINs. With Frontispiece on art paper. Bound&#13;
in attractive cloth covers, 1s. Inet. -&#13;
“The author aims at showing that the Mosaic Cosmogony&#13;
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cidity and force, and the treatment of the subject has both&#13;
freshness and interest.”—Belfast Northern Whig.&#13;
MONICA OF ESSEBURNI : A Novel.&#13;
By MARGARET F. Osborn E. Contains splendid photograph as&#13;
frontispiece, and is bound with attractive design. 2s. met.&#13;
“The story of a girl who fell in love with her sister's lover . . .&#13;
}ºes some pretty description of the village.”—Christian&#13;
O?"{{!,&#13;
Authors should forward MSS. of any description&#13;
§§§ Stories, Poems, Essays, &amp;c.), direct to Mr.&#13;
m Šoćwiſſ, who will immediately advise, free&#13;
of charge, as to publication.&#13;
LONDON :&#13;
AERTHUR. H. STOCKWELL,&#13;
29, LUDGATE HILL, E.C.&#13;
Full lists on application, post free.&#13;
T0 AUTHORS AND JOURNALISIS.&#13;
"I The writer, whether he aspires to write novels,&#13;
short stories, or articles, often spends years in&#13;
uncongenial work, rebuffs and drudgery being&#13;
the only return for the time and labour spent.&#13;
• THE COURSE OF LITERARY TRAINING&#13;
promoted by the Literary Correspondence Colleg&#13;
teaches the aspirant to serve his apprenticeshi&#13;
to Literature in the briefest time possible.&#13;
* The College also undertakes Literary&#13;
business of all kinds.&#13;
For full particulars write at once for pam&#13;
D.M. to the LITERARY CORRESPONDENCE COLL.&#13;
9, Arundel Street, Strand, W.C.&#13;
FIRST LESSONS IN STORY WRIT&#13;
By BARRY PAIN. :&#13;
2s. 6d. net; 2s. 8d. post free.&#13;
ºff Of this work the Westminster Gazette writes:&#13;
beginner who takes these lessons to heart m&#13;
quite assured of an advantage over his compet)&#13;
HOW TO BECOME AN AUTH&#13;
By ARNOLD BENNETT. A Practical Guide; f&#13;
useful hints. 5s. net; 5s. 4d. post free.&#13;
THE LITERARY CORRESPONDENCE COLL&#13;
9, Arundel Street, Strand, W.C.&#13;
AUTHORS’ TYPEWRITING.&#13;
Novel and Story Work 9d. per 1,000 words; 2 Copies, 1/-&#13;
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Plays, ruled © º &amp; &amp; 4 &amp; ... 1)- by y by 1/4&#13;
Specimens and Price List on application.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELD.&#13;
TYPEWRITING.&#13;
AUTHORS' MSS, and GENERAL COPYING undertaken from&#13;
1s. per 1,000 words. Duplicate copies one third price.&#13;
TRIAL ORDER SOLICITED,&#13;
GOOD WORK GUARANTEED,&#13;
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to AN AUthor&#13;
the APPEARANCE and STYLE of manuscript is&#13;
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Sejd your typewriting to me! I have had a broad experience of&#13;
Literary Work,&#13;
{ -&#13;
and, guarantee to execute, all commissions in a manner&#13;
war'ai éqā to tempt the consideration of the busiest Editors,&#13;
Full Tariff, Testimonials, etc., on application,&#13;
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a Competition, this Coupon entitles you to one&#13;
Carbon Duplicate, Gratis, if sent with your order.&#13;
MRS. GILL, Typetoriting Of&#13;
(Established 1883.) 35, LUDGATE HILL, E.&#13;
Authors' MSS. carefully copied from 1s, per 1,&#13;
words. Duplicate copies third price. French and Germ&#13;
MSS. accurately copied; or typewritten English tran&#13;
lations supplied. References kindly permitted to Messrs.&#13;
A. P. Watt &amp; Son, Literary Agents, Hastings House,&#13;
Norfolk Street, Strand, W.C. Telephone 8464 Central.&#13;
TYPEWRITING.&#13;
Authors’ MSS. copied from 9d. per 1,000&#13;
words; in duplicate, 1/-, Plays and General&#13;
Copying. List and specimen of work on appli-&#13;
cation.&#13;
ONE OF NUMB ROUS TESTIMONIALS.&#13;
“Miss M. R. HoRNE has typed for me literary matter to the&#13;
extent of some hundreds of thousands of Words. I have nothing&#13;
but praise for the accuracy, speed, and neatness with which she&#13;
does her work,-FRANK SAVILE." -&#13;
MISS M. R. HORNE,&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX.&#13;
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&#13;
AD VERTISEMENTS.&#13;
** COASTER. 2%&#13;
You know there is only one Coast—the West&#13;
Coast of Africa. Every “Coaster,” and every-&#13;
one who has a Son, or a brother, or a husband,&#13;
or a friend on&#13;
WTHE SEDUCTIVE GOAST"&#13;
uld ask for the volume of poems which&#13;
is that title. It is by J. M. Stuart-Young,&#13;
the author has sought to capture some-&#13;
g of the elusive charm which holds the&#13;
aster’’ bound to West Africa. The&#13;
S are not pretentious. Each one, how-&#13;
is the sincere expression of an emotion ;&#13;
any aspects of tropical life have been&#13;
touched upon.&#13;
Grown 8vo, 175 pp. 5|- nef,&#13;
your B00kseller, or the Railway Bookstall for it—and&#13;
see that you get it !&#13;
HN OUSELEY, Limited,&#13;
rringdon Street, London, E.C.&#13;
TYPEWRITING.&#13;
S BARRETT,” , Copthall Avenue&#13;
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Telephone : 9677 Central,&#13;
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Orders by post quickly carried out.&#13;
Efficient Clerks supplied to Clients by day, week, or month.&#13;
ºrms and specimen of work on application. Highest References.&#13;
TWO popular Hotels in Gentral London.&#13;
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TYPEYAVIRITING:&#13;
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