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                  <text>(The Organ of the Incorporated Society of Authors.

DECEMBER

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SJ.
81
S3

Warnings
Musical Composers
How
Use the Society
To Musical Composers
The Reading Branch
Notices ...
*
Legal and General Life AssuranceSociety...
GeneralNotes
Sir Henry Bergne, K.C.B., K.C.M.G.
Heroes and Heroines Chiefly Heroes
Lord Southampton and Titchfield Place
Fiction as Menaceto the Book Trade
Tragedy
*
Contemporary Criticisms. X.
Correspondence
...

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PAGE
57
58
61
61
61

Monthly.)

1908.

§e
e

CON
*
Notices
CommitteeNotes
Cases
November Elections
e
Books published
Members the Society
published
by
Books
America
Members
Literary, Dramatic and Musical Notes
Paris Notes
Spanish Notes
&amp;
*
*"u
International Copyright Conference
Canadian Copyright
MagazineContents
Warnings
*W
Producers Books
Warnings
Dramatic Authors

1,

to

3.

a

Vol. XIX.-No.

or.

utb

C

-

The Author.

1s.

1.

The Annual Report for the current year.

2.

PTTBLICATIONS OF THE SOCIETY.
in

of

to to

Published ten months
the year (August and September omitted), devoted especially
Literary, Dramatic, and Musical Property.
protection and maintenance
Issued
non-members, 6d.,
Members gratis.
Price
5s. 6d. per annum, post free.
Back
numbers from 1892,
10s. 6d. per vol.
or

SQUIRE SPRIGGE.

3s.

print.)

of

of

7.

Copyright Law Reform.

8.

of

G.

to

of

by

an

The Society

the
to

of

by

In

Publication.

in

the Society s
are examined,

S.

of

By
SQUIRE SPRIGGE.
this work, compiled from
offices, the various forms
agreements proposed
Publishers
carefully explained, with
Authors
and their meaning
account
various kinds
fraud which have been made possible
the different clauses therein.
By
Being additional
Addenda
the Above.
HERBERT THRING.
facts collected
the office
the Society since the publication
the
Methods.
With comments
advice.
2s.
papers

the
3s.
at

of

(Out

Barrister-at-Law.

18.

of

of

Production.

By

S.

The Various Methods

COLLEs,

de

5.

The Cost

3.
4.

Literature and the Pension List. By W. MORRIS
The History
the Société des Gens
Lettres.

6.

at

to

all

the

and

in

of

of

Germany,

its

1s.

of

A

6d.

By WALTER BESANT

Foundation.

Austria, Hungary, and Switzerland.

By ERNST

11.

Periodicals and

prices net.

List

of

Authors.

Apply

Members.
the

[All

their Contributors.

Giving the Terms

deal with MSS. and Contributions.

to

12. Society

of

and Periodicals

Published

6d.

on

by

Forms

which

the different

October, 1907, price 6d.

Secretary, 39, Old Queen Street, Storey's Gate, S.W.]

By
1s.

of

Agreement issued
the Publishers' Association; with Comments.
HERBERT THRING, and Illustrative Examples
Sir WALTER BESANT.
2nd Edition,

10.

G.

its Action from

by

J.U.D.

Record

1888 1892).

Publication
2s.

The Contract

Committee,

of

9.

(Chairman

LENGE,

Authors.

of

of

J.

of

of

An Exposition
Lord Monkswell's Copyright Bill
1890.
With
1878, the Berne
Convention,
Extracts from the Report
the Commission
and the
By
American Copyright Bill.
M. LELY.
1s. 6d.

Magazines

�ll

AD VERTISEMENTS.

(Ilje Šuriefly uf Autburg
Address : **A UTORIDAD,

Telegraphic

G-TECIERG-TE

LONDON.'

(ſmrurpurated).

Telephone

PRESIDENT.
IMIEERIETITIEH,
COUNCIL.

SIR ROBERT ANDERSON, K.C.B.
SIR. W.M. REYNELL ANSON, Bart., D.C.L.
THE RIGHT HON. THE LORD AVE
J. M. BARRI E.
[BURY, P.C.
A. W. A BECKETT.
ROBERT BATEMAN.
F. E. BEDDARD, F.R.S.
THE RIGHT EION. AUGUSTINE BIR
.
~
RELL, P.C.
MRS. E. NESBIT BLAND.
THE REv. PROF. BONNEY, F.R.S.
THE RIGHT HON. JAMES BRYCE, P.C.
THE RIGHT HON. THE LORD BURGH
CLERE, P.C.

HALL

J.

CA IN E.

W. COMYINS CARR.
EGERTON CASTLE, F.S.A.

EDWARD CLODD.
W. MORRIS COLLES.
THE EION, JOHN COLLIER,

SIR. W. MARTIN CONWAY.
F. MARION CRA W FORD.
THE RIGHT HON. THE LORD CURZON
OF KEDLESTON.
AUSTIN DOBSON.

E. NESBIT BLAND.
W. COMYINS CARR.
THE HON. MRS. ALFRED FELKIN
(ELLEN THORNEYCROFT FOWIER).

MRS.

SYDNEY

JUSTIN MCCARTHY.
THE REV. C. H. MIDDLETON-WAKE,
SIR HENRY NORMAN, M.P.
SIR GILBERT PARKER, M.P.
A. W. PIN ERO.
THE RIGHT HON. SIR HORACE
PLUNKETT, K.P.
ARTHUR RACKEIAM.
OWEN SEAMAN.

GRUNDY.

G. BERNARD SHAW.
G. R. SIMS.
S. SQUIRE SPEIGGE.
FRANCIS STORR.

J

SIR CHARLES VILLIERS
Mus.

Doc.
WILLIAM MOY THOMAS.
MRS. HUMPHRY WARD.

G. BERNARD

STANFORD, -

:
PERCY WHITE.
FIELD MARSHAL THE RIGHT HON.
THE WISCOUNT WolsFLEY, K.P.,
P.C., &amp;c.
SIDNEY WEBB.

OF MANAGEMENT.

Chairman DOUGLAS FRESHEIELD.
MAURICE HEWLETT.
SIDNEY LEE.
ARTHUR RACKEIAM.

S. SQUIRE

SPRIGGE.

FRANCIS STORR.
SIDNEY WEB.B.

SHAW.

SUB-COIVIMIITTEE.

Chairman HENRY

ARCHER.
MRS. E. NESBIT BLAND.
H. GRAN VILLE BARKER.

SIDNEY LEE.
MRS. MAXWELL (M. E. BRADDON).

H. RIDER HAGGARD.
*
THOMAS HARDY.
MRS. HARRISON ( LUCAS MALET ).
ANTHONY HOPE HAWKINS,
E. W. HORNUNG.
MAURICE HEWLETT.
JEROME K. EROM F.
HENRY ARTHUR JONES.
J. SCOTT KELTIE, LL.D.
RUDYARD RIPLING.
SIR EDWIN RAY LANKESTER, F.R.S.
THE REv. W. J. LORTIE, F.S.A.
THE RIGHT HON. SIR ALFRED
LYALL, PC.
LADY LUGARD
(MISS
FLORA.
L.
SHAw).

IDRAIMIATIC
WILLIAM

C - IMI

SIR ARTHUR CONAN DOYLE.
A. W. DUBOURG.
DOUGLAS FRESHEIELD.
THE HON. M.R.S. ALFRED FELKIN.
(ELLEN THORNEYCROFT
FOWLER).
SIR. W. S. GILBERT.
GOSSE,
EDMUND
LL.D.

COIVIIMITTEE

J.

No. : 374 Victoria.

J.

ARTHUR JONES.

W. COMYNS CARR.
JEROME K. J.EROME.
W. J. LOCKE.
W. SOMERSET MAUGHAM.

CAPT. ROBERT
PAUL RUEENS.
G. BERNARD

MARSHALL.

SHAW.

PFNSION FUND COMIMITTEE.
FRESHFIELD.

Chain man DOUGLAS

ANSTEY GUTHRIE.
ANTHONY HOPE HAWKINS,

MORLEY ROBERTS.
|M. H. SPIELMANN.

MRS. ALEC TWEEDIE.
MRS. HUMPHRY WARD.

COPYRIGHT SUB-COMMITTEE.
J. MACGILLIVRAY.
SIR GILRERT PARKER, M.P.

SIR CHARLES WILLIERS

E.

Mus.

J.

HAROLD HARDY.
ANTHONY HOPE HAWKINS.

STANFORD,

Doc.

H. YOXALL, M.P.

ART SUB-COIMIMITTEE.
JoHN HASSALL, R.I.
J. G. MILLAIS.

LAWRENCE GODKIN,

30, Pine Street, New York, U.S.A.,

Counsel

Secretary G.

the United States.

OFFICES.
39, OLD

QUEEN

STREET,

STOREY s

GATE, S.W.

HERBERT THRING,

England
Solicitor
La Société des Gemsde Lettress
to

: a, #an

Soºtors.

in

39,

FIELD, ROSCOE &amp; Co., 36, Lincoln's Inr Fields, W.C.
G. HERBERT THRING,
old Queen street, storey's Gate, s.w..

}.

ARTHUR RACKHAM.
M. H. SPIELMANN.

in

THE HON. JOHN COLLIER.
SIR. W. MARTIN CONWAY.

�El u t b or.

C be
(The Organ of

FOUNDED

BY SIR WALTER BESANT.
DECEMBER 1st, 1908.

3.

-

:

:

AUTORIDAD,

e

LONDON.

,

º-º-º

º-º-º

HE

e

cases that have come before the notice or to the
knowledge of the Secretary of the Society, and that
those members of the Society who desire to have
the names of the publishers concerned can obtain
them on application.

d.

5

()

1

1

0.

()

5

() () (). () 0 () 0. 0 () 6 ().

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10

3

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1908.

*.

Oct. 10, Macnaughton-Jones, H. .
©
Oct. 20, Garvice, Charles
Nov. 12, Woods, Miss Mary A.
Nov. 20, Boycott,
W. M.
Nov. 20, Budgeon, Miss
Nov. 21, Benjamin, Lewis
&amp;
Nov. 21, Coulton,
Margaret
Nov. 21, Dixon, Miss
©
Nov. 21, Colquhoun,
Nov. 23, Holmes, Miss Eleanor
Nov. 23, Hussey, Eyre
Nov. 23, Capes, Bernard
Nov. 23, Hecht, Mrs. Arthur
Nov. 23, Festing, Miss Gabrielle
e
Nov. 23, Carolin, Mrs.
Nov. 23, Bland, Mrs.
Nesbit
Nov. 23, Hichens, Robert
iº

FUNDs.

FUND.

sº-0

Subscriptions.
f,

ROM time to time members of the Society
desire to make donations to its funds in
recognition of work that has been done for
them.
The committee, acting on the suggestion
of one of these members, have decided to place
this permanent paragraph in The Author in order
that members may be cognisant of those funds to
which these contributions may be paid.
The funds suitable for this purpose are : (1) The
Capital Fund. This fund is kept in reserve in
case it is necessary for the Society to incur heavy
expenditure, either in fighting a question of prin
ciple, or in assisting to obtain copyright reform,

XIX.

e

.

6

PENSION

.

º-e

Q e

J.

THE Editor begs to inform members of the
Authors Society and other readers of The Author
that the cases which are quoted in The Author are

List of Members of the Society of Authors,
published October, 1907, can now be obtained
at the offices of the Society at the price of
6d., post free 7#d.
It includes elections to July,
1907, and will be sold to members and associates
of the Society only.
A dozen blank pages have been added at the
end of the list for the convenience of those who
desire to add future elections as they are chronicled
-&gt;
from month to month in these pages.

G.

OR the opinions expressed in papers that are
signed or initialled the authors alone are
responsible.
None of the papers or para
graphs must be taken as expressing the opinion
of the Committee unless such is especially stated
to be the case.

THE SOCIETY's

º-e

LIST OF MEMBERS.

NOTICES.

e

SIXPENCE.

or in dealing
with any other matter closely
connected with the work of the Society.
(2) The Pension Fund. This fund is slowly
increasing, and it is hoped will, in time, cover the
needs of all the members of the Society.

WICTORIA.

TELEGRAPHIC ADDRESS

[PRICE

G.

NUMBER
374

VOL.

Monthly.)

H. G.

TELEPHONE

No.

of Authors.

A.

XIX.

Society

E. .

WOL.

the Incorporated

�AUTHOR,

TISIE

58

§

S.

Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.

23,
23,
23,
23,
23,
23,
24,
24,
24,
25,
25,
25,
25,
25,
25,
25,
25,
25,
25,
25,
25,
26,
26,
26,
26,
26,

J.

Bloundelle-Burton,

Freshfield, Douglas
Rowsell, Miss Mary

g
Bell, Lady
Sanders, Miss E. K.
Count Plunkett
Victoria Cross

Kipling, Rudyard
Pope, Miss Jessie

Scott, G. Forrester

te

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Fenwick, Miss S. F.
Montgomery, Miss K. L.
Dummelow, The Rev. J. R.
e
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Wintle, Harold R..
tº
Malcolm, Mrs. Ian.
26, Marks, Mrs. Mary A. M.

26,
27,
27,
27,
27,
27,
27,
27,
27,
27,
28,
28,
28,
28,
28,
28,

E.

.

g

.

Prideaux, Miss S.
Saies, Mrs. F. H.

1

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T.

1.

.

Heath, Miss Ella
Thomas, Edward
Shaw, Mrs. Bernard
Smith, Bertram
º
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Nembhard, Miss Isabel .
Smith, Miss M. E.
*&gt;
Brandon, Miss Dorothy.
de la Pasture, Mrs. Henry
ge
wº
Scott, Mrs. C.
Harrison, Mrs. Darent .
Logan, The Rev. Robert
Chesterton,

G.

K.

1.

*

1

1908
1908.

&amp;
*
16, Carolin, Mrs.
28, Atherton, Mrs. Gertrude
Aug. 21, Beckett, Arthur W.
Sept. 28, Whitworth Wynne" .
Oct. 23, Woolf, Miss Bella Sidney
ſº
Oct. 31, Robinson, J. K.
.
Nov. 6, Wroughton, Miss Cicely.
ſº
Nov. 7, Sherard, R. H.
.
Nov. 7, Cameron, Miss Charlotte
Nov. 12, Tweedie, Mrs. Alec.
.
Nov. 17, Tench, Miss Mary F. A.

17, Anon. .
&amp;
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e
21, Anson, Sir William, Bart.
21, Cordeaux, Miss K. M. .
21,
21,
21,
21,
21,

Drewitt, F. Dawtrey, M.D.
Delaire, Madame Jean .
Hecht, Mrs. Arthur
.
Collier, The Honble. John
Keltie, G. Scott .
te

21,
21,
21,
21,

Shepeard-Walwyn,

H. W.
Church, Prof. A. H.
.
James, Miss S. Boucher
Ramsden, The Lady Gwen
dolen

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Nov. 21, Spielmann, M. H.
Nov. 21, Saville, Frank
Nov. 24, Kennedy, E. B. .
)
Nov. 24, Bennett, Prof. W. H. .
Nov. 24, Batty, Mrs. Braithwaite
º
Nov. 24, Crouch, A. P.
.
Nov. 24, Hawtrey, Miss Valentine
Nov. 24, Sedgwick, Miss Anna Douglas
gº
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Nov. 24, Anon. .
Nov. 25, Page, Herbert W.
Nov. 25, Brereton, Capt. F. S. .
Nov. 25, Knight, Mrs. Maude C.
Nov. 25, Bowen, Miss Marjorie .
Nov. 25, Turner, Reginald
Nov. 25, Nash, T. A.
Nov. 25, Trevor, John
1
Nov. 25, Wacher, Francis .
o
()
Nov. 25, Hughes-Gibb, Mrs.
e
©
Nov. 25, Farmer, Miss A. A.
&amp;
Nov. 25, Hunt, Holman
Nov. 25, Tuckett, F. F.
I
Nov. 25, Allen, Mrs. Grant
©
Nov. 26, Hole, W. G.
1
Nov. 27, Granville, Charles
Nov. 27, Henoch, Miss Emily T.
Nov. 27, Simes, Miss O. Kathleen
Nov. 27, Penny, The Rev. Frank
Q
1
Nov. 27, Westell, W. P.
.
()
Nov. 28, Coolidge, The Rev. W. A. B.
()
Nov. 28, Lady Pamela Tennant
tº
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Nov. 28, Wingfield, H.
.
The
of those subscribers and donors which
names
are not included in the lists printed above, are
unavoidably held over to the January issue.

i

Carr, Miss Mildred E.
O Brien, The Rev. G. E.
Wells, The Rev. Freeman
Lewis,

Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.
Nov.

1

Cromartie, the Countess of
Sutro, Alfred.

Donations,
077ations.

July
July

10
10

Grogan, W. E.
.
Stowell, Mrs. Rodolph
e
Gay, Mrs.
.
©
Summers, J. .

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COMMITTEE
-

NOTES.

º-º-º

HE
month.

November meeting of the Committee
of
Management of the Society of Authors was
held at the society's offices on the 2nd of that

�A UTFIOR.
is

to

be

it

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the capital account
the Society,
tokens
their thanks for the services which the society
has been able
render them. Miss Dale has made
seventh donation
£5 and Mr. Walker
donation
£1 1s.
the Society.
The secretary reported that the chairman had
sanctioned three county court cases which had been
during the past month, and,
taken
the desire
the dramatic sub-committee,
had sanctioned
respect
point
counsel's opinion being taken
law affecting the interests
dramatic authors.
to

of

it

if

to

as

of

Mrs. Bland's inability
attend.
The committee have
thank Miss Nellie Dale
and Mr. W.
Walker for their contributions

to

to

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story
Zealand newspaper
the copyright
one
the society s members.
has been referred
previous issues
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October meeting
the committee
the delin
quents forwarded
money order
payment for
the infringement.
The committee considered the
matter very carefully, and decided
the circum
accept the sum offered subject
stances
the
Accordingly,
approval
the member concerned.
the secretary has written
the paper, accepting
settlement, but notifying the editor
the amount
stamp out
the committee's determination
piracy
members property
whatever part
may occur.
view,
the globe
With this object
the secretary has been instructed
ascertain
were practicable
collect information
the
any stories written
titles
members
the society
which are running
the Colonial, American and
Continental papers.
Then whenever
case

of

by

by

of to

a

The following cases were then dealt with :
The first related
the infringement
New

up

of

in

a

of

as

be

to

it

of

settled
the dramatic sub-committee
was laid
management, who desired
before the committee
printed
supplement
one
the
Coming issues
The Author.

to

by

a

a

A

of

at

in

be

of

to

in

The

A

G.

J.

H.

M.

Spielmann.
and
copyright
sub-committee
has been con
stituted according
the list printed
the last issue
The Author, and will
found
future
the
head
the society s letter-paper and inside the
front cover of The Author.
pamphlet containing
model agreement and
valuable treatise on dramatic contracts which was
Rackham

appeal made
case related
Having
the society for
assistance.
the fact that the mature
the aid which
the member required did not come within the
Scope
the Society s work, the committee felt bound
refuse the member's request, and instructed the
Secretary
write accordingly.
The question
advertisements
The Author
next engaged the attention
the committee.
Some
our members appear
have thought that
the insertion of an advertisement amounts
some
sort
recommendation
the part
the society
the firm advertised.
This
no more the case in
any other periodical.
The Author than
The com
mittee desire
state that while they
their best
exclude any advertisement they are advised
mis
leading, they can take
further responsibility
the
matter. The subject
dealt with
General Note.
resolution proposed
Mrs.
Nesbit Bland,
involving
important extension
the society's
action, was adjourned
the next meeting owing

The last

member
regard

to

report acceptances

a

of

are pleased

to

of

management

from The Hon. John Collier, Sir W. Martin Conway,
Millais, Arthur
Walter Crane, Arthur Hassall,

of

to

Sir

Right Hon. Sir Horace Plunkett, The Right Hon.
Sir Alfred Lyall. The members
the art sub
Committee were next nominated.
The committee

of

to

in

to

of

The committee proceeded
the nomination
new members to fill the vacancies on the council.
They have pleasure
announcing the following
gentlemen have consented
their names being added
that body
Charles Williers Stanford, The

to

to

of

to 228.

piracy
discovered,
possible, with the
would
pirated,
consent
the member whose work
take immediate action.
The next case before the committee had reference
most important issue dealing with dramatic
rights generally.
While referring the question
the dramatic sub-committee
order that that body
might make any suggestions which occurred
them, the committee
management,
order
avoid any unnecessary delay, instructed the secretary
forward
statement
the case
the society s
Solicitors
the United States
obtain their
might
advice
the steps
desirable for the
management
probable,
Committee
take.
the case bears
the important question
dramatic
rights
the United States, that the opinion, when
hand, will
printed
comes
The Author.
There were two cases against publishers dealing
agreements, non-rendering
with disputes
accounts, and non-payment
moneys.
both
prosecute and
cases the
committee decided
place them
instructed the Secretary
the hands
the society s solicitors.
as

be

it

let

I

up

to

to

grateful affection.
am moved
Twenty-five new members and associates were
elected, bringing the total for the year
date

known that

59

a

Freshfield, reported
he had received a letter from
Mr. George
Meredith, thanking the committee for the copy of
the medallion portrait of himself executed by Mr.
Spicer Simson, which they had forwarded for his
acceptance.
Mr. Meredith wrote as follows:
The medallion touches me as a further instance
of the good will of your committee showed so
genially when a deputation came here on my last
birthday.
Pray
Testimony
enough

to

The chairman, Mr. Douglas

that

to

TISIES

�treaty
translation of the statutes and the general
with managers and agents of the German Society of
Dramatic Authors. He was instructed to have
copies made and circulated to the members of that
A letter from Mr. A. W. Pinero, who
committee.
acting as chairman of the proposed
present
is at
new Dramatic Authors Society, was placed before
the committee, who acceded to the request con
tained therein to meet the delegates of that body.
The secretary was instructed to write to Mr.
Pinero, and arrange a date for the conference.
The next point for discussion was the general
treaty between dramatic authors and managers.
This was carefully considered, and several altera
tions were made. The treaty was finally settled
and made ready for negotiation, the secretary being
final form.
instructed to obtain clean proofs in

COMMITTEE.

Fund Committee was
2, at the offices of

Mrs. Myall (Laura Hain Friswell), owing to
incapacity from illness to continue her literary
work at present, was awarded a pension for One
year under Clause 16, of the Pension Fund Scheme,
which runs as follows:

on

II.
at

to

of

as

of of

M.

J. a

to

on

in

of

2

to

a

-

to

of

to

in

of

of

to

to

a

of of

to

on

of

in

of

if

of

to

in

to

be

all the dramatists

º-º-º

in

by

members put forward
Society thus collected.

to

of

from the American lawyers of the Society, and had
to advise
requested the Dramatic Sub-Committee
The
them if any further steps were necessary.
instructed the secretary
Dramatic Sub-Committee
to call a meeting as soon as the opinion of the

to

to to

of

I.
THE Dramatic Sub-Committee of the Society of
Authors met at 39, Old Queen Street,- S.W., on
Thursday, November 5.
After the minutes of the previous meeting had
been approved and signed, the Dramatic Pamphlet
was finally approved, and the committee passed a
resolution to the effect that it should be printed as
in one of the coming issues of The
a supplement
Author. The final proofs were looked over, at the
request of the other members of the committee, by
Mr. Henry Arthur Jones, and by
the chairman,
Mr. G. Bernard Shaw.
An exceedingly important dramatic case was
The secretary reported that, in
then discussed.
order to save time, the committee of management
had already sanctioned the taking of an opinion

to

of

be

SUB-COMMITTEE.

American lawyers was to hand.
The secretary laid before the sub-committee

the terms proposed
the censorship
reform
the Premier
the recent deputation
autonomy will the Dramatic
(2) What measure
prepared
the
recommend
Sub-Committee
give
management
dramatic
committee
authors
Considerable discussion followed upon these two
respect
points, but
the first the dramatic
pledged themselves
use every
Sub-committee
support
committee
the
the
obtain
endeavour
mem
management and
the general body
carry out this object.
the Society
bers
the second question, the Dramatic
answer
stated,
the first instance, that
Sub-Committee
nothing outside
they could pledge themselves
the society, but finally,
the present constitution
all
the individual members present stated that
the proposed Dramatic Authors
the members
body,
Society came into the Society
Authors
the
they individually would resign their positions
recommend
Dramatic Sub-Committee in order
management the formation
the committee
composed
fresh Dramatic Sub-Committee

at a

º-º-º
DRAMATIC

A.

of

reminiscences.

The committee decided to issue an appeal to the
members for further support to the Pension Fund.
This appeal, which will be in the hands of mem
bers before the present number of this journal, will
they trust meet with a general and substantial
response.

met again
The Dramatic Sub-Committee
39, Old Queen Street,
Thursday, November 19,
deputation composed
Storey's Gate, S.W.,
meet
Barrie, and Mr.
W. Pinero, Mr.
Mr.
Cecil Raleigh, from the proposed new Society
spokesman
Dramatic Authors. Mr. Pinero,
following
two
the
submitted
the deputation,
points:
Authors support the
(1) Will the Society
carry through
their efforts
dramatic authors

2

of literary

its

No pension shall be granted to any person
under the age of sixty years, so long as suitable
candidates of the age of sixty years or upwards
Provided, that a pension
shall present themselves.
may be granted to a person of less age if and while
he shall in the opinion of the Pension Fund Com
mittee be totally incapacitated for work by reason
of illness or accident.
The pension awarded is at the rate of £25 per
annum, and the committee will be prepared to con
at the end of the year.
sider a further application
Myall
of the society since
member
a
been
has
Mrs.
its foundation. Her last published work was entitled
It was a record
In the Sixties and Seventies.

of

MEETING of the Pension

held on Monday, November
the society.

In

A

FUND

of

PENSION

A UTISIOR.

a to

TISIES

60

the

�TISIES

A UITISIOR.

Cases.

Maynard,
L.Constance
-

DURING the past month thirteen new cases have
come before the secretary ; four of these involved
the return of MSS., and in three the MSS. were
returned and despatched to the authors concerned.
The fourth came into the office just before The
Author went to press. Five cases were claims for
money due, and in three of these cheques have been
The remaining two are
obtained and forwarded.
Two claims were for money and
still outstanding.
These are in the course of negotiation.
accounts.
It is probable that settlements will be arrived
There were two claims against
at very shortly.
agents.
The agents in question have replied, and
being
there is every prospect of the disputes
settled, but they have only recently come into
the office.

There are three or four cases open from former
months besides those which have been handed to
the Society s Solicitors, and are mentioned in the
are proceeding in
committee notes. Negotiations
all the cases as answers have been received from
pub
but occasionally
the publishers concerned,
lishers send answers in order to postpone the
settlement of cases. When they adopt this method
the matter is referred to the committee or chairman,
to the hands of the society's
-

º-º-º

Miss

Bowen )

.

º

Campbell, The Rev. R.
Degidon, Miss Nora F.

Duthie,

The

Wallace

Rev.
e

J.

tº
.

D.

o

Ormonde
Man
Southamp
sions,
ton Row, W.C.
Hill Lodge, Enfield.
17,

Gabrielle

( Marjorie

Were

Q

Irish

Literary

W.
Club, 2,
Authors'
Court,
Whitehall
The

Alfonzo
-

-

Gerard,

-

Knoll,

.

J.

.

º

w

Herbert, Agnes
Lewis, Frank C.
Lyons, A. Neil.

&amp;

e

©

.

Grosvenor

º

.

Moore's

.

Harvey,

.

tonhaugh

Club, W.

Cottage,

Wivelsfield Green,
Sussex.

-

MacPherson, John Fethers.

«»

House,
Boro' Green, Kent,

Winfield
o

.

.

O'Higgins, Harvey

.

.

of

London.
Chintadripet, Madras,
S.C., India.
Willas,
2,
Rutland
Uxbridge.
Martinsville,
New
Jersey, U.S.A.

G. A., M.R.C.S.,
L.R.C.P., L.D.S. .
te Cheltenham.
Phillips, Miss Florence
.
Rubens, Paul .
Q
6, Lyric Chambers,
.
Whitcomb Street,
W.C.
Ramps,
Tickell, The Rev S. Claude
Lew
The
Down, R.S.O., N.
Peake,

Devon.

Wills, The Rev Freeman,
M.A. e
º
e
.

42, Sun Street, E.C.
Cox &amp; Co., 16,
.
Charing Cross, S.W.
Two members desire neither their names,
pseudonyms, nor addresses printed.

Wright, Capt. C. H. B.

c/o

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A

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a

R.

A.

by

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It

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To

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verse
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T.

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into French

translated
published

of

Illus.

by

HOL

the second edition which we reviewed last year.
admirably adapted for its purpose.
Crespigny has had her
Mrs. Philip Champion
My Cousin Cynthia
new book
short stories,
brought out
and Others,
Mr. Eveleigh Nash.
Glove, has been
Her novel, The Mischief

a

By Robſ. RT

of

It

TOPOGRAPHY.
By CLIVE
FROM THE FORELAND TO PENZANCE.
LAND,
Illus. Duffield.
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us
a

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ORTH
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of

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EURIPIDEs.
Translated into English rhyming verse by G.
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panics

financial

shilling series
copyright Reward Books
The
Happy League,
Leslie Moore, with illustra
story
family
tions
Paul Hardy.
children, their scrapes and their pleasures.
Manchester, has brought,
Mr. John Heywood,
Weaving
out
Mill Management,
Foster, with many illustrations and drawings.
We have received from the Clarendon Press
new and cheap edition
The King's English,
abridged for school use. The present volume
very favourable impression,
creates
did

in

POETRY.
PoEMs FROM Punch.
Edited by SIR FRANCIS CowLEY
Cloth, 40 c.; limp leather,
BURNAND.
Caldwell Co.

in

the spring
Mr. John
Long
England and Messrs. Dana Estes
Co.
America.
French translation
The
Yoke,
the same author, will shortly appear.
new addition
Messrs. Wells Gardner's

A

PEIILOSOPHY.
FIRST AND LAST THINGs: A ConFESSION OF FAITH AND
A RULE OF LIFE. By H. G. WELLS. Putnam.
$1 m.

EGYPT AND
HICHENS.

Hilary
new novel,
Wales, will
published
by

Dutton
-

By SIR OLIVER JOSEPH
SCIENCE AND IMMORTALITY.
Moffat, Yard.
LODGE
$2 n.

75 c. ; chamois,

recent

in

By CLIVE HOLLAND.

USB A CAMERA.

the

by

50 C.

the causes
America.

in

How To

colour, and eleven chapters,

cluding those
Making
Blight,
Garden,
My Rock Garden, and Characters Flowers.
Mr. Upton Sinclair has published
new novel,
entitled,
The Money Changers,
the English
rights
which have been acquired
Mr. John
Long.
Mr. Sinclair describes from the inside

A

MISCELLANEOUS.

page drawings

of

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G. K. CHESTERTON.
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Bress.

of

AND OTHER BIOGRAPHICAL
OSLER, M.D.
Oxford Univ.

on in

IITERARY.

AN ALABAMA STUDENT,
EssAys.
By WILLIAM

many people
Anna Lea Merritt, well-known
her picture Love Locked Out,
has
book
with Messrs. George Allen, called
An Artist's
course, her own garden which
Garden.
she paints and describes.
There are sixteen full

in

$2.50 n.

other hand, the dramatic season has been more
less
failure play after play has failed, and
half-empty
paper
those that remain show
dressed houses.
by

THE GREATNESS AND DECLINE OF ROME. By GUGLIELIMO
FERRERO. Translated by REV. H. J. CHAYTOR.
Put
nam.

hear that the present publishing season
in the United States is a splendid one,
and that the happy result of the Presi
dential election has stimulated
business in the
bookselling trade as in
other quarters.
On the

-

EIISTORY.

E

--

or

-&gt;

Mitchell,

-º-º-º

to

By HUBERT WALES.

NOTES.

is

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THE OLD ALLEGIANCE.
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LITERARY, DRAMATIC, AND MUSICAL

;

THE GENTLEMAN: A Rom ANCE OF THE SEA.
By
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Little, Brown.
$1.50.
By SIR ARTHUR CONAN
Round 'THE FIRE, STORIES.
DOYLE. McClure Co. $1.50.
SANDY CARMICHAEL. By C. J. CUTCLIFFE WRIGHT
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THE YOKE. M.R. AND MRS. WILLIERS. CYNTHIA IN THE
WILDERNEss. By HUBERT WALES, Stuyvesant Press.

of
a

64

from

German

and

�THE AUTEIOR.
all

of

on

A

to

on

is

in

by

of

on

to

be

a

to

be

of

of

of

by

#

It

by

by

a

of

by

a

to

at

in

in

of

is
a

as

It

a is

by

H.

by

is

of

a

in

A.

&amp;

of

of

by

at

a

27

of

a

by by

by

in

3

impossible
Herself.
the space
our disposal, but
Dolly does not
said that
herself she
more fortunate
husband.
The cast was as
is

if

at

is

Reforming
give the plot
may
least
reforming
succeed
in the case of her

It

Dolly

be in

;

;

follows: Mrs. Harry Telfer, Miss Ethel Irving
Harry Telfer, Mr. Robert Loraine
Matthew
Barron, Mr.
M. Lowme Capt. Lucas Wentworth,
Maude; The Rev. James Pilcher,
Mr. Charles
Mr. Herbert Bunston; Professor Sturgess, Mr.
;

-

will be issued early next year.
Siam,
by Ernest Young, B.Sc., has just
appeared with Messrs. A. and C. Black in their
Peeps in Many Lands
series.
It contains
twelve full-page illustrations in colour.
A Little Child shall Lead Them: A Christmas
Book, by A. Allen Brockington (Messrs. Samuel
Bagster), is another of the author's little spiritual
works with a slim, unobtrusive backbone of fiction.
|Mr. William Archer has now made an arrange
ment with Messrs. Curtis, Brown &amp; Massie by

the loves of the chief characters

Mr. Louis Joseph Vance has recently disposed
the French and Belgian rights
his one-act
play, At the Eleventh Hour.
On October
one-act comedy
Mr. St. John
Hankin was produced
the Criterion.
Its title
The Burglar who Failed.
The burglar under
the bed was played
Mr. Ferdinand Gottschalk,
hockey-stick
the athletic girl with
Miss
Elfrida Clement, and the fearful mother
Miss
Kate Wingfield.
November
was the first night
Mr. Henry
Arthur Jones's new and original comedy
four acts,

R. C.

(12 volumes), by Miss Gladys Davidson.
These
little books deal chiefly with classical and natural
history subjects; and they are arranged on an
original plan, the stories being told partly in verse
and partly in prose, and are quite devoid of the
atmosphere.
usual school-book
Miss Davidson
is now engaged upon a children's Bible story-book
on modern rational lines for Mr. David Nutt, which

he interfered
and what befel.

in at

relations between theosophy and science on the one
hand, and popular beliefs on the other.
Fiddler Matt" is a story of a musical genius
in humble life by Adam Lilburn (Lilias Wasser
mann).
It has many illustrations by Mr. Arthur
Marsh, A.R.W.S., and will be published at once
by Messrs. Brown, Langham &amp; Co.
A new complete short novel, entitled
The
Master Key, by Cosmo Hamilton, will be brought
out by Messrs. Hutchinson &amp; Co. as a supple
ment to the Christmas number of The Lady's
JRealm.
Messrs. T. C. and E. C. Jack have just published
a series of Literary Readers,
in prose and verse

by

doctrine and a particular account of the doctrine
of Karma and reincarnation,
and discuss the

of

have sent out a little book of Essays on Theo
sophy,
from the pen of Mrs. I. E. Taylor.
Its
four papers give a general outline of theosophic

is

President Fallières has accepted a presentation
Servitude,
copy of Irene Osgood's novel
which
is being translated into French by Madame Henri
Heau.
Mr. W. Percival Westell s new Nature book,
Animal's at Home (Messrs. Dent), which was
announced in these columns last month, has an
introduction by Miss Marie Corelli.
Messrs. Swan Sonnenschein
&amp; Co., London,

Bartholomew, has been
As They Are,
brought out
Messrs. Drane.
consists
military, sporting, and social dialogues.
Literary and Biographical Studies,
Jame
Baker (Messrs. Chapman and Hall), deals, among
other matters, with the home-life
the Royal
Family
Osborne and the value
that property
presented by His Majesty
the nation.
Messrs. Graves and Lucas have just published
through Sir Issac Pitman
new humorous volume
If, with many illustrations
George
called
Monow.
Mr. St. John Lucas has just published, with
English love
Mr. Edward Arnold,
collection
lyrics, called
The Rose-Winged Hours.
His
edition
Ronsard has recently been issued
the Oxford University Press.
Miss M.
Woods has
the press,
connection
with Milton's Tercentenary,
book entitled
The
Characters
Paradise
Lost.
The publisher
Mr. John Ouseley.
Spielmann,
The Love Family,
Mrs. M.
illustrated
Mr. Carton Moore-Park,
issued
family,
Messrs. George Allen.
tale
with Cupid
the central member, showing how

to

outstanding men and events in English Church
history rather than a narrative of dates and facts.
The book is the new volume of The Library of
First Principles.

which he will, if desired by the authors, prepare
plays
a detailed
criticism
and comment on
Submitted
him.
feature
the arrangement
that Mr. Archer will report, not only
com
pleted plays, but also
scenarios, and may thus
help save many
good idea from going
able
nip
Wrong, and may also
able
the bud
Some
the hopeless plays
which authors might
otherwise waste their time.

it

French lyrical and ballad poetry are added two
translations from the Greek, with a collection of
sonnets and other verses.
|Mr. Francis Griffiths has lately published
The
Church of England, by R. Ellis Roberts.
Mr.
Roberts writes from the liberal Catholic
stand
point, and endeavours to give a sketch of the

65

�A UTISIOR.
he

in

of

a

in

on

in

in

a

"
in

in

a

a

a

is

to

of

is

la

et
in la

of

a

it

as

to

in

all

les

by

of et

of

of

of

on

to

of

of in

of

by

of

a

of

is

in

in

by

a

at

he he

of

is

is

of

French Academy has now six
certainly
fºuleuils vacant, and there
dramatic author who can fill the place
universally
Victorien
Sardou.
His death
regretted.
age,
He was seventy-seven years
presented his first play
and ever since
the
Odéon,
1854,
had been steadily working for
the theatre.
This first piece was
lamentable
failure, but some years after his Premières armes
Figaro" was played
Virginie Dejazet. From
that time forth Sardou's talent was acknowledged.

been celebrated
the inauguration
monu
ment
his memory, but
account
the death
François Coppée, who was president
the com
mittee, this fête was postponed until May, 1909.
For whole month Mlle. Louise Read (the faithful
Barbey d Aurevilly), who
friend and executrix
since his death has edited and published some thirty
volumes
his works, was literally besieged
journalists and lecturers
biographical
search
notes, photographs, etc.
the great writer, whose
real fame commenced after his death. His life was
extremely hard one, but his real value
now
seen
the posthumous celebrity and
the absolute.
an

HE

of no its

by

º-º-º

in

he

a

of

of

:

are among these, and
them she gives
were,
great
the more private history,
part
Among her other
the seventeenth century.
Saint-Pierre,
works are
Bernardin
Saint.
François d Assise
trois Compagnons,
etc.
Barbey d'Aurevilly, the great.
The centenary
French novelist and critic, was commemorated
throughout
nearly
France
articles
the
important
French papers.
The day was
have
:

PARIS NOTES.

de

as
a

he

no

of at

a

moiselle,

a

6

St. John
December

de

bya

on

of

a

-

by

at

to

is

of

De

7.

and

at

Hankin,

Mullins,
the Haymarket Theatre
the

a

a

by

on

a

The Antelope,
new musical play
Adrian
Ross and Hugo Felix was presented
the Waldorf
Theatre on November 28.
perform
The Stage Society
new play,
The Last

a

in

a

B.

by
of

in

at

On November 27,
the New Theatre, Mrs.
Patrick Campbell appeared
afternoon perfor
T)eirdre,
legendary verse play
mances
one
Yeats, and Electra,
act
W.
one-act
original tragedy founded
the old Greek story by
Hugo von Hofmannsthal, translated
Arthur
Symons.

In

Dolly's

of

novel

of

Mr. Layard's

the

The

he

Frederick.

in

be

lady's-maid

in

the

Lady

of

on

is

Governess.

of

the part

London production
plot
founded

of

took

it

of

in

at

S.

G.

bered,

in

Mr. Harcourt Williams, Mr.
Mr. George Alexander,
Miss
Florence Haydon, and Miss Irene Vanbrugh.
Layard and Mr. Walter Frith produced
Mr.
their new play The New Governess
Malvern
on November 19, 20, and 21. The title rôle was
the hands
Miss Ina Pelly, who,
will
remem
were sustained
T)awson Milward,

a

an

a

by

is

is

to

in

on

St.

by Alfred Sutro, was
staged at the
James's Theatre
November
The heroine juggles with two lovers
attempt
save her brother from imprisonment
for
robbery.
discovered, but
happy
Her duplicity
finally reached. The principal characters
ending

II.

everyone, from the directors
down
the very
employé
humblest
the theatre.
Sardou
was
essentially
man
the theatre.
He was keen
observer, saw dramatic effects
the prosaic episodes
everyday life.
His plays are life and his per
Sonages human beings and not marionettes.
Patrie, which was given
1869, was the play
through which Sardou really won fame.
Later
pieces written for Sarah
came the Series
1882,
Bernhardt.
Fédora
Théodora
Gismonda,
1884,
Cléopatra,
La Tosca and
La Sorcière.
Thermidor caused great sen
1891, and
sation
1893 Madame Réjane won
her laurels
Sardou's Madame Sans-Gêne.
Last.
year L Affaire des Poisons was put on, and only
fortnight before his death
had planned
new
all, there are
piece which had been haunting him.
about sixty
Sardou's plays which have been pro
duced, and his study
manuscripts, notes,
full
Scenarios, etc.
great loss
Madame Arxéde Barine's death
large circle
French literature.
Her work reached
readers throughout the world.
Madame Barine
great reader and an
was not
novelist.
She was
indefatigable Worker. She also took
keen interest
foreign literature and ideas.
Her later works,
were historical
La Jeunesse de
Grande
Mademoiselle,
Louis XIV.
Grande Made
to

as Agâve and Pentheus.

The Builder of Bridges,

in

respectively

has been working
dramatic
author, and
thorough and conscientious was
that there were
secrets for him
his profession.
thoroughly understood
After writing his play
the technical side
At the rehearsals Sardou.
was
veritable Napoleon.
He went into every
detail, knew the rôle
the actors, the mysteries
general favourite with
the stage effects, and was

of
it.

Professor Gilbert Murray's translation
of the
Bacchae
of Euripides was presented at the
Court Theatre on the afternoon of November 10.
Miss Lillah McCarthy took the part of Dionysus,
Mr. R. A. Beaton that of Cadmus, and Miss
Winifred Mayo and Mr. Esmé Percy appeared

For fifty-four years
So

Miss Margaret

Mrs. Sturgess,

Swete ;

us

E. Lyall
Halstan.

a

TISIES

66

�THE AUTISIOR.

of of

by

3.

is

of

du

a

of

au

of

by

a

is

of

de

by

in

de

by

de

du

at

is

in

an

J.

by

et
by

by

of

is

a

an

on

Henry Bordeaux

the

dramatic

news

the

by

month.

of

a

de

on as et

In
an J.

et

on

:

in

de on

de

a

to

it

by

a

in

on

de
Paris Frederic
Masson
continues his articles
the Napoleonic epoch.
The Revue Hebdomadaire commences
its
first November number
novel entitled
Colette
Baudoche
Maurice Barrès;
the story
young girl belonging
Metz family. Comte
Albert
Mun continues his memoirs, entitled
Ma Wocation sociale ; M. Gaston Bonnier
Spain
Writes
the intellectual movement
Pierre
Nolhac
Madame Vigée-Lebrun's
salon" and Judith Cladel on Rodin
l'art
gothique.
the other November
numbers
H. Céard
Coldain give
article on
Christian, Edouard
Huysmans
artist and
Rod writes
the Le Mouvement des idées, and

is

of

It

a

is

to

of

a

in

meeting recently held
At
Paris
the
Syndicate for the Protection
Intellectual Property,
attention was called
the fact that Turkey
one
of the countries where French literature has
large circle
readers.
therefore decided

so

It

be

''

It

to

be

join the Berne
that Turkey shall
invited
Convention.
seems probable that America will
soon be the last of the uncivilized
nations with
respect for intellectual
property.
will
curious
the Turks prove themselves
far
ahead in intellectual matters.
Suderman,
At the Odéon Parmiles Pierres,
still on the bill
the Sarah Bernhardt Theatre
the new piece
Les Révoltés ;
the
L Emigré
Renaissance, Paul Bourget s
still
running. Madame Réjane
still playing Israël.
by

is at

at

is

;

is

it
in

no

francs.
Revue

Bernstein

L'Affaire

des

and

Poisons

public.

the Porte Saint Martin
continues to interest the

ALYS HALLARD.

the Entente

Cordiale.

Its Mani

Etudes sur

Litterature Française

Saint Domingue (Perrin).
La Vie Secréte (Perrin).
Le Livre d'Or
L Entente Cordiale
Piter Pan (Hachette).
de

is

1.

an

in

France
divided

Cordiale
edition with illustra
into three parts.
The

la

in

those
real life.
d Or de L'Entente

2.

History

of

It

published
tions.

as

living
Livre

Le

is in

are

as

in

is

is

us

us

of

or

a

of

her own secret life, and living
the
people who have
midst
crowd
idea
this. The author initiates
into the secret life
his personages, and shows
the dual life that each
leading. The whole book
one
one that remains
the reader's mind, and the various personages

twenty-five
In the

at

that each man and woman

is

the whole book

living his

is

of

all

Edouard Estaunié has written another novel.
He won fame with his powerful work,
L Em
preinte some years ago, and La Vie Secréte
will be appreciated by
who enjoy psychological
studies rather than sensational novels.
The idea

L'Afrique
Nord,
Henri Lorin.
Angleterre (cent années
France
Rivalité
Coloniale),
Jean d'Arcy.
Piter Pan,
M. Barrie, with illustrations
published
Arthur Rackham,
edition

;

otherwise.

Commercial

if

of the French in the colonies under the old régime.
The subjects studied are: The origin of the coloniza
tion of Saint Domingo; the French nobility there ;
the Blacks; life and manners and customs of the
colonizers.
All this is extremely interesting to
anyone taking up the subject of colonization,
or
of the history of French emigrants political or

and

no

maintains that novels written by men at any rate
serve to prevent a certain element disappearing
from the literature of to-day, and this element is
respect for women.
Saint Domingue
(1629 1789) is a book by
Pierre de Vaissière, devoted to the history of the life

Economic

Henry Roujon,
Temps,
the title
volume
articles formerly published
the Temps.
I.'Ile
France Contemporaine,
Hervé
Rauville,
study
the resistance
the
French race under English domination.
La Hongrie
XXe siècle,
René Gonnard.

is

I

Its

festations.
Consequences.
En margé

by

fidelity of the friends, who, so many years after
his death, keep his memory ever fresh.
The
inauguration of his monument will take place at
his birthplace in Normandy.
Etudes sur la Littérature française
is the
sixth volume of this series by René Doumic. It is
interesting, as several of the subjects treated are
Among other chapters, there is one
very topical.
Racine, another on Anatole
on Jules Lemaître s
France s
Jeanne d'Arc.
It is curious to read
René Doumic's criticism of this work.
All those
who know the philosophy or religion of the two
writers can readily imagine the attitude which
René Doumic would naturally take up when judg
ing Anatole France's treatment of this subject.
He sums up in the following lines : His book is
fear, is not as important a
a singular one, which,
contribution as might have been desired to the
biography of Jeanne d'Arc ; but the book is interest
ing in itself, and as the history of M. Anatole
Among other literary
France's curious mind.
subjects discussed in this book is that of Women's
Novels.
In summing up his chapter on this
subject René Doumic says, after analysing the
recent novels of three French women novelists very
much in vogue a short time back, Feminine novels
have created a new form of immorality.
He also

67

(Perrin).
Gounouilhon).

�in

of

as

is

as

of

in

at

a

of

be

up

in

in of

to

to

at a

A

of

a

at

by

in

to

on

el

in

at

byon
a

it

in

la

de

of

of

by

is

de

it

in

to

of

of

to

of

in

on

a

by

in to

to

is

of

it

of

so

of

in

of

as

as

in

on

to

of

a

by

of

he

in

Salaverria

dying bull

of

of

shows his countrymen the baneful effect
the bull
ring
pity for suffering.
the moral sentiment
There has just been some discussion
the
Senate
whether the military Estado Mayor
(the Royal Chamber) should
done away with.
Dominguez,
General Lopez
the Liberal leader,
advocated this course, but General Luque spoke
eloquently
behalf
this military body retaining
its place. The voice
General Luque has weight,
great, and this zeal has
for his Zeal
the service
emboldened the presentation
his notice
Scheme for the construction of
Hotel for invalid
Europe.
officers which would rival any
The

in

be

as

a

in

a

to

of

is

in

of

of

on

to

of

a

of

be

building would
works
such
course
under
Engineers.
the Spanish Corps
Queen Maria
Christina presented the ground
the nation for
this object
the time
the tercentenary fêtes
Spain,
Cervantes, the notable military invalid
whose affliction

of

led

his activity

in

is

It

where the recent article
Señor
Benluirre's admirable Sculpture

of

of

all

in

is
a

to

a

of

de

Rodriguez has just pub
Señora Contreras
poems called Entre mis Muros
lished
book
( Within my Walls ), and the simple poetic insight
she gives
the joys
her hearth and home shows
she
sweet-Souled Spanish mother, who makes
harmony
her environment.
not astonish

tive

at

it

of

seen that

follow the example

literary world.

this review contains forty
London would
well
Paris and admit
into its
do

add that

it
is

I

to

pages (quarto)

in

Portugal, for
seen that the pallia
courses
the present leader, Ferreira do
Amoral, have failed, and that the executive
such
Campos Henriques, who has been
man
successful
his office
Minister
Public Works,
and his successful reforms
the banking laws,
and
the Societies of Mutual Aid as well as the
prisons, etc., shew
fitted for the post.
Speaking
Spain,
reforms takes me back
Minister

of

to

of

of

in

as

of

de

of

*

bishop does his diocese.
The continued monthly appearance
La Revista
Critica (The Critical Review) shows the energy and
power
its editress, Señora Doña Carmen
Burgos.
Boada, Olme
Such well-known writers
della, Ramerez Angel, Edmundo Gonzalez Blanco,
Dr. Angel Pulido, Pascoli, etc., all take their places
poetry, art,
under her banner
the causes
literature, internationalism, philanthropy, and all
subjects which tend
humanity,
the elevation

Musical Association
the Rev. Cart
Fon
interesting information, and
taine opens
Vista
shows the study spent
the subject
the country
itself
the clever lecturer.
Spain
The telegram from the King
Manuel
Portugal and that
the Prime Minister
Spain
the Portuguese political chief expressed
terest
the royal visit
the north
the kingdom.
January will,
hoped
many,
The elections
Campos Henriques being Prime
lead
Alberto

on

as
a

a

to

to

at

a

When Colonel Figuerola Ferretti was
chamber
lain
the royal palace the youthful monarch
Swiftly responded
the courtier's suggestion that
royal visit
Catalonia would quickly check all
Yes, returned the young King,
discontent.
a king should visit all his kingdom, even

a

a

as

all

of the Press.
Spain has certainly been active in practical work
these last few weeks.
The immortal Saragossa,
as it is now called, has been the scene of a splendid
exhibition, which was also honoured by the presence
of the King and Queen of Spain. The Mondariz
Waters took the first prize in that section. The cele
brated house for silk wares at Seville belonging to
the sons of Luca de Tena gained a gold medal.
Their Majesties King Alfonso XIII. and Queen
Victoria's visit to Barcelona proved a record one in
point of enthusiasm. All false reports of Separatism
were washed away in the great wave of welcome
which swept over the city at the first sight of the
English Queen and the young King, whose sym
pathies have always stretched
over his kingdom.

of

practical form to the Association

of

often had occasion to speak of the
admirable daily Spanish paper A.B.C., and
We now hear that the journal has thrown
Open its palatial premises to an exhibition in aid
of the poor. This exhibition, opened on Novem
ber 17, has proved a great success.
Such artists
as Sorolla, Moreno Carbonero, and Iborra exhibit
very fine works, and the first-class character of the
other arts represented was much appreciated by
their Majesties King Alfonso XIII. and Queen
Victoria, who honoured the opening day with their
presence, and also visited the printing works, under
the escort of the enterprising
and clever director,
Don Torcuato Luca de Tena, who gives such

musician

a

HAVE

and when

Spain
character
well known
poet.
and composer
well
Spain, and cele
Dr. Angel Pulido,
senator
brated for his knowledge
medical science, gave
striking speech
the recent Medical Congress
Madrid, showing pharmaceutists the powerful
part they have
play
the campaign of medical
Science. This stimulating call may lead
such
knowledge
Spain, that pre
the pharmacopoeia
Scriptions
the usual Latin can
made
from
other countries without difficulty.
congress
Sacred music has just terminated
Seville, and perhaps
will remove the onus
Spanish church music.
sometimes cast
The
priest
beautiful Masses
the church
San
Francisco
Grande
Madrid have been
revela
many.
tion
The second lecture
the subject
Spanish music recently given
London
the
a

ing that such

is

NOTES.

º-e

.

e

of

SPANISH

A UITISIOR.

to

TRIES

to

68

literature.

�A UITISIOR.
of

as

in

as

to

of

of
of

M.

G.

of

of

as

to

a

be

of

in

It

we

of

be

It

of a

so

all

of

of

to

of

in

Society

of

of

the Canadian

Authors.]

of

E

WEN before the British North America Act,
the Provinces
Canada had the power to,
of

in

to

to

an

is

of

regard

to

a

as

fact, legislate
matter
the protection within
their own boundaries
works produced there.
Under the British North America Act, which
Imperial Act, express power was given
the
copyright
legislate
Dominion
Canada
matters.

in

and did,
independently

of

to

of

as

to

to

is

in

to
a

is

is

to
a

of

of

to

COPYRIGHT.
º-O-0

[Reprinted from the Report

in

to

a

º-e

CANADIAN

of

There were naturally some complicated
questions involved dealing with the position
the
owners
records already produced.
Translation
rights were also considered, and the decision come
this matter that they should run concur
rently with copyright
was eminently satisfactory.
respect
newspaper copyright several import
ant points were decided. The matter comprised
newspaper was divided into three distinct
classes. The first class included all that could be
called literary matter
distinct from news and
this absolute protection was given.
The next
matter before the Congress was the duration
copyright.
We regret
find that although the

In

in on

it

as

as

de

of

all

if

to

of

to

of

be

e

copyright.

in

of

of

by

it in

to

be

in

of

so

at

of

its

It

of

in

greatly deplore was himself
full support
copyright.
great
would
advance
the nations subscribing
the
Convention came
common understanding
copyright, and
the exact length
must
only postponed.
trust that this
There
no doubt that the late Conference
many
has made considerable progress, settling
important points for the benefit and development
literary property.
may
impossible for
ratify some
this country
these improvements
without the introduction and passing
fresh
legislation,
but we trust that the Government
may seriously and without undue delay turn its
vitally concerns
subject which
attention
authors and literary workers,
class surely not
unworthy
the consideration
statesmen.
was decided that the next meeting
the
Conference should be held
Rome.

this extension

of

of

of

in

be

to

by

to

in

to

is

to

as

in

be

of

report
the International Copyright
published
Conference
will
The
possible.
Author
soon
Although the official report
hand,
not yet
we desire
the present number
draw our
readers
attention
the main points under
discussion.
First among these was the principle
which the author's title
his work could,
among
the countries
the Union,
most
easily established, and the author most readily
confirmed
his ownership.
The question
the gramophone and cinemato
graph reproductions
was fully dealt with.
To
musicians
and dramatists
these are matters
reproduction
vital importance.
As mechanical
grows nearer perfection,
popularity increases,
and,
consequence, the dramatist and musical
composer run greater risks
being robbed
the
rewards
their labour.
was decided that
reproduction
(these methods
should
not
allowed without reference
the owner
the

all

of

to

º-e

of

of

Lettres,
Lecompte,
the Société des Gens
the President of the Board
Trade when the
point
question was discussed between them.
Sir Henry Bergne, the leading delegate
Great
Britain
the Berlin Conference whose
death we

CONFERENCE.

as

It

Trade.
pleasure

INTERNATIONAL COPYRIGHT

FULL

their opinion was communicated
the Board
addition, had the
The Chairman,
personally introducing the President
to

of

º-e
e

in

on

is
a

a

is

it

a

RACHEL CHALLICE.

e

to

( Agrarian Redemption ),

Document Préliminaire,
H.M. Government had
not had time
consult those interested
the
point out,
may
matter.
well
far
concerned, that the
the Society
Authors
Board
Trade placed before our committee the
papers received subsequent
the Document
Préliminaire, and requested
the
committee's
opinion
whether the term
life and fifty
The committee of the
years
was approved.
Society were
full accord with this proposal, and
of

;

so

of

Redencion Agraria

striking work, inasmuch
by Romero Quinones,
as, beyond being
agrarianism,
scientific book
Spanish society.
critical sociological study

proposal
the life
the author and fifty years
was supported
the delegates
most
the
Powers represented (judging from the statement
that appeared
The Times),
was rejected
the
ground that
had not been inserted
the

as

de la Esposa ( The Book on the
del mistress de la Casa ) The
Book on the Soul of the House ), translations from
the Catalonian authoress Maria de Echarri, are the
two first works of a series of seven in which the
author expounds the great rules for the organi
sation of the domestic hearth, not only from a
material point of view, but also from a moral, intel
lectual, and aesthetic standpoint
the moral and
the material management
the home are both set
forth very sensibly.

Libro

It

El

Wife ) and El Libro

69

of

TISIES

�AUTISIOR,

all

in

in

is

C.

a

if

R.

S.

of

of

a

is

in

be

a

of

of

of

J.

e

3 e

MAGAZINE

CONTENTS.
6

sº-0

BIBLIOPHILE.

K.

G.

Why Books become Popular.
By
By Bertram Dobell.
James Thomson.

Chesterton.

|BLACKWOOD'S.
Some Letters of Sir Walter Scott.
By Edmund Candler.
Walden.
BOOKMAN.

A

:

at

Henry Irving and Ellen Terry.
Symposium.
Authors
Work
CONTEMPORARY.

By George Barlow.
The Genius
Dickens.
Udny.
By
Dante's Intuition
the Infinite.
S.

of

CORNHILL.
By Lady

Dorothea Beale.

-

The Book on the Table:
Robert Cecil.

EDINBURGH.

New England Nature Studies
Whitman.
The Paston Letters.
Two French Memoirs.

:

Goethe's Novels.

Thoreau,

Burroughs,

FORTNIGHTLY.
A.

E.

By Francis Gribble.
Chateaubriand s
First Love.
By
Baughan.
Literature
Drama.
By
Eugène Tavernier,
Ferdinand Brunetière.
MONTH.

Faith Found
Fleet Street.
Mr. Chesterton s
doxy.
By the Rev. Joseph Keating.
in

Under the Canadian Copyright Act, until the
present
Session of Parliament, a cumbersome
formula was required to be inserted on every copy
right work, namely, Entered according to Act of
by A. B.
the Parliament of Canada in the year
at the Department of Agriculture.
This has now
been cut down to Copyright, Canada, 19 , by
A. B.
The insertion of this notice is a condition
precedent
to obtaining the protection
of the
Canadian Act.
A nice point arises in reference to the importa
tion into Canada of British copyright
works.
Chancellor Boyd pointed out in the case of Anglo
Canadian Music Publishers v. Suckling, 17 O. R.
(1889) p. 241, that
if there is prior, British

was passed
the year
now incorporated
the Copyright
Chap. 70, secs. 28, 29, 30, and 31,
Act
provides that
book has been lawfully published
any part
His Majesty's Dominions other than
copyright under the
Canada, and there
also
Canadian Act,
licence from the holder
the
obtained,
British copyright may
which case
Agriculture may prohibit the
the Minister
importation
into Canada, except with the written
any copies
consent
the licensee,
such book
printed elsewhere.
F. EDGAR.

of

enjoyed by the local legislatures.
The benefit of the Canadian Copyright Act may
be obtained by an author provided he is domiciled
in Canada, or in any part of the British possessions,
or is a citizen of any country which has an Inter
national Copyright Treaty with the United King
dom.
If he is not able to comply with these
conditions he may still obtain Canadian copyright
if a copyright has been granted and is subsisting
in the United Kingdom.
One condition which is found in the Canadian
Act but not in the British Act is that the work
shall be printed in Canada.
While it is necessary, in order to secure Canadian
copyright, to print the work in Canada, it is not
necessary to continue to print it in Canada.
The
terms of the Act will be complied with if an
edition, however small, is printed here on which to
base the application for copyright.
After that the
proprietor of the copyright may bring in his books
from any other country.
Neither is it necessary
that the type from which the book is printed should
be set up in Canada, but the printing may be done
from plates imported from abroad, or transfers may
be imported for use on lithographic stones.

The Fisher Act, which

1900 and

in

I

importation.

of

I

copyright, and thereafter
Canadian copyright is
obtained, then that local copyright is subject to be
by the importation
invaded
of lawful British
copies.
But if the Canadian copyright is first,
then the monopoly is secured from
outside

in

It was then contended, in the case of Smiles V.
Belford (1876) 1 Tupp. App. Rep. 436, that in
giving this authority to the Parliament of Canada
the Imperial Parliament excluded Canada from the
operation of the Imperial Copyright Acts. This
contention was disposed of by the Courts, and the
following is an extract from the judgment
of
Burton J. A. in the Court of Appeal
It is clear, think, that all the Imperial Act
intended to effect was to place the right of dealing
with colonial copyright within the Dominion under
the exclusive control of the Parliament of Canada,
as distinguished
from the Provincial legislatures.
entirely
. . .
concur with the learned Vice
Chancellor in the opinion that he has expressed
that under that Act no greater powers were con
ferred upon the Parliament of the Dominion to
deal with this subject than had previously been

.

TRIES

70

NATIONAL.
By Miss Eveline

Ballads and the Border.

NINETEENTH
An Unknown Poet.

CENTURY.

By Frederic Harrison.

Ortho
-

Godley.

�A UTFIOR.

play-bills.
(b) Sale of performing right or of a licence to
perform on the basis of percentages on
grOSS receipts.
vary between 5
Percentages
and 15 per cent.
An author should obtain a
percentage on the sliding scale of gross receipts

if

This is sometimes satisfactory,
a proper price can be
obtained.
But the transaction should be managed by a
competent agent, or with the advice of the Secretary
of
the Society.

sign an agreement without submitting it to the
Secretary of the Society of Authors or some com
petent legal authority.
2. It is well to be extremely careful in negotiating for
the production of a play with anyone except an established
manager.

of

of
a

of

in

of

on

be

TO MUSICAL

COMPOSERS.

º-º-e

ITTLE

can
added
the warnings given for the
producers
assistance
books and
dramatic
must, however,
pointed out that,
authors.
rule, the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property.
The musical composer has very often the two
rights
deal with performing right and copyright.
He

as

AUTHORS,

WARNINGS

L

EVER

º-º-º

the Society.

* A-- a
w-v-w

Q-0

TO DRAMATIC

the Secretary

a

WARNINGS

a

all

are referred

(3.) Always avoid a transfer of copyright.

e

a

:

be

All other forms of agreement are combinations of the four
above mentioned.
Such combinations are generally disastrous to the author.
Never sign any agreement without competent advice from
the Secretary of the Society.
. "
Stamp all agreements with the Inland Revenue stamp.
Avoid agreements by letter if possible.
The main points which the Society has always demanded
from the outset are
(1.) That both sides shall know what an agreement
In162a,
D.S.
(2.) The inspection of those account books which belong
to the author.
We are advised that this is a right, in the
nature of a common law right, which cannot be denied or
withheld.

9. Agreements
for collaboration
should
be carefully
drawn and executed before collaboration is commenced.
play
An author should remember that production
highly speculative
very great risk
that
runs
delay and
breakdown
the fulfilment
his contract.
He should therefore guard himself
the more carefully
the beginning.
11. An author must remember that the dramatic market
exceedingly limited, and that for
novice the first object
obtain adequate publication.
incomplete,
these warnings must necessarily
account
the wide range
the subject
dramatic con
tracts, those authors desirous of further information
he

General.

of

(2.) Keep control of the advertisements.
(3.) Keep control of the sale price of the book.

of

the

in

approximately

of

to ascertain

to

author

:

an

5. Authors should remember that performing rights can
be limited, and are usually limited, by town, Country, and
time.
This is most important.
rights, but
6. Authors should not assign performing
should grant a licence to perform.
The legal distinction is
great
importance.
of
7. Authors should remember that performing rights in a
play, are distinct from literary copyright.
A manager
holding the performing right or licence to perform cannot
print the book of the words.
8. Never forget that United States rights may be exceed
ingly valuable.
They should never be included in English
agreements without the author obtaining
a substantial
consideration.

a

for

paid in advance of such fees in any event.
It is extremely
important that the amateur rights of one-act plays should
be reserved.

of

possible

truth. From time to time very important figures connected
with royalties are published in The Author.
IV. A Commission Agreement.
The main points are :
(1.) Be careful to obtain a fair cost of production.

other safeguards set out under heading (b.) apply
also in this case.
4. Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible, and a sum

10.

The Royalty System.
This is perhaps, with certain limitations, the best form
of agreement.
It is above all things necessary to know
what the proposed royalty means to both sides. It is now

of performing right or of a licence to
perform on the basis of royalties (i.e., fixed
nightly fees). This method should be always
avoided except in cases where the fees are
likely to be small or difficult to collect. The

(6.) Sale

is

III.

in preference to the American system.
Should
obtain a sum in advance of percentages.
A fixed
date on or before which the play should be
performed.

is is

II. A Profit-Sharing Agreement (a bad form of
agreement).
In this case the following rules should be attended to :
(1.) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation.
(2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs, or by charging exchange advertise
ments.
Therefore keep control of the advertisements.
(3.) Not to allow a special charge for office expenses,
unless the same allowance is made to the author.
(4.) Not to give up American, Colonial, or Continental
rights.
(5.) Not to give up serial or translation rights.
(6.) Not to bind yourself for future work to any publisher.
As well bind yourself for the future to any one solicitor or
doctor |

of

I. Selling it Outright.

such a contract should stipulate in the contract
for, production of the piece by a certain date
and for proper publication
of his name on the

to

are a few standing rules to be observed in an
agreement.
There are four methods of dealing
with literary property

It of be

t-º-º

ERE

-

3. There are three forms of dramatic contract for plays
in three or more acts:
(4.) Sale outright of the performing right.
This
is unsatisfactory.
An author who enters into

a

TO THE PRODUCERS
OF BOOKS.

to

WARNINGS

71

As to

TRIES

�TFI FS

72

A Tr"T fºr OR.

should be especially careful therefore when entering into
an agreement, and should take into particular consideration
the warnings stated above.

MUSICAL

TO

COMPOSERS.

HE Society undertakes to stamp

or

à ~~
º- w
à
wº

VERY

in

of

as of
a

NOTICES.
0 sº-º
HE Editor

to

be
a

is

a

if

to

10. The subscription to the Society is £1 1s. per
annum, or £10 10s. for life membership.

to

or

to

to

be

to

to

of

or

4h.
^ w-w
w

LEGAL

AND

GENERAL LIFE ASSURANCE
SOCIETY.

The

e

ENSIONS

º-e

be

at

to

any selected age,
either with
without Life Assurance, can
obtained from this Society.
Full particulars can
obtained from the City
Branch Manager, Legal and General Life Assurance
Society, 158, Leadenhall Street, London, E.C.
commence

be

9. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society; so
do some publishers.
Members can make their own
deductions and act accordingly.

in

be

of

notice
post,
requests members
who
do not
receive an
important
communications
within two days
write
him without delay.
All remittances should be
London, Chancery Lane,
crossed Union Bank
be sent
by registered letter only.
and
he
answer

or

This

of

in

of

º-º-º

give
The Secretary
the Society begs
that all remittances are acknowledged by return

to the Secretary

8. Many agents neglect to stamp agreements.
must be done within fourteen days of first execution.
Secretary will undertake it on behalf of members.

it

of

of

on

of

to

it

return articles which cannot be accepted.

P

and explanation

Editor

of

7. No contract should be entered into with a literary
agent without the advice of the Secretary of the Society.
Members are strongly advised not to accept without careful
consideration
the contracts with publishers submitted to
them by literary agents, and are recommended to submit

Communications and letters are invited by the
all subjects connected with literature, but on
Every effort will
no other subjects whatever.
made
on

confidential
documents to be read only by the Secretary,
who will keep the key of the safe. The Society now offers:
(1) To read and advise upon agreements and to give
advice concerning publishers.
(2) To stamp agreements
in readiness for a possible action upon them. (3) To keep
agreements.
(4) To enforce payments due according to
agreements.
Fuller particulars of the Society s work
can be obtained in the Prospectus.

to

6. The Committee have now arranged for the reception
of members' agreements and their preservation in a fire
proof safe. The agreements will, of course, be regarded as

to

5. Remember always that in belonging to the Society
you are fighting the battles of other writers, even if you
are reaping
no benefit to yourself, and that you are
advancing the best interests of your calling in promoting
the independence of the writer, the dramatist, the composer.

them for interpretation
of the Society.

of

send

of

to

The Author begs
remind members
the Society that, although the paper
sent
them
charge, the cost
producing
free
would
very heavy charge
great
the resources
the Society
many members did not forward
the Secretary the modest
subscription
year.
5s. 6d.
for the
Communications for The Author should be addressed
the Offices
the Society, 39, Old Queen Street, Storey's
Gate, S.W., and should reach the Editor not later than the
21st of each month.
literary work
any kind,
All persons engaged
not, are invited
whether members
the Society
communicate
the Editor any points connected with their
work which
would
advisable
the general interest
publish.
to

4. Before signing any agreement whatever,
the document to the Society for examination.

is

it

of

a

M

greatly assist the Society
the
branch
its work by informing young writers
its existence.
Their MSS. can be read and
composition
treated
treated by
coach.
The term
fiction, but poetry
MSS. includes not only works
works,
possible,
and dramatic
and when
under
Special arrangement, technical and scientific works.
The
competence
experience.
Readers are writers
and
The
fee
one guinea.
xy
w

|

3. Send to the Office copies of past agreements and past
accounts, with a copy of the book represented.
The
Secretary will always be glad to have any agreements, new
or old, for inspection and note.
The information thus
obtained may prove invaluable.

EMBERS will

of

2. Remember that questions connected with copyright
and publishers' agreements do not fall within the experi
Therefore, do not scruple to use
ence of ordinary solicitors.
the Society.

THE READING BRANCH.
0-0-0

is

member has a right to ask for and to receive
advice upon his agreements, his choice of a pub
lisher, or any dispute arising in the conduct of his
business or the administration
of his property.
The
Secretary of the Society is a solicitor, but if there is any
special reason the Secretary will refer the case to the
Further, the Committee, if they
Solicitors of the Society.
deem it desirable, will obtain counsel's opinion.
All this
without any cost to the member.
1.

is

E

sº-0

of

e

is

HOW TO USE THE SOCIETY.

to

of

in

of

its

copies of music on
behalf of
members for the fee
6d. per 100
part
100. The members stamps are kept
the
Society's safe. The musical publishers communicate direct
Secretary,
with the
and the voucher
then forwarded
the members, who are thus saved much unnecessary trouble.

�A CITISIOR,

TRIES
GENERAL, NOTES.

THE MILTON TERCENTENARY.
is

upon us, and the
THE Milton Tercentenary
for the celebration
the event will

new playground

and new

of

on

of

as
a

in

a

as

to

is

or

of

in

of

''
is
a

it

of

to

in

I

it

to

by

in

a

:

a

illiterate and illiberal should
wise and literate.

restrained

the

an

of

of

Under, the chairmanship
Mr.
Charles Garvice one
the Original members a

by

of

to

find

a

to

fifteen years
companions.

of

Sir

be

founded

by

auspiciously

part from the
Walter Besant. They regretted
old associations and the old friendships
the past

is

had been

by

what

so

to

its

WE are very pleased to hear that the Authors
Club has sprung up with renewed vigour from
Many members were anxious
keep alive
ashes.

in

CLUB.

us

THE AUTHORS

be

member desires special information
he can always
obtain it by applying to the Secretary.

Il

Penseroso,
and
He
much more than this
the
author and the journalist.
Those
who have
benefited
his championship should not fail
read with interest and gratitude his Areopagitica.
He says himself is
one
his letters
Lastly,
his introduction ?
wrote my Areo
pagitica
true Attic style
order
deliver the
press from some
the restraints with which
was encumbered.
quaint and neat
In the true Attic style
recommendation
his work.
How many among
the writers
the present day could boast that they
wrote
the true Attic style.
Milton's Star Chamber indictment was strong
piece
work, and not without its risks.
He con
tinues,
remember rightly
That the power
determining
what was true and what was false,
printed and what suppressed,
what should
should not be
the hands of
few illiterate and
illiberal men.
Now the freedom of the Press has
been with
for some years we might well desire
reverse the Miltonian problem.
He dealt with the suppression
the wise, the
literate,
the liberal,
the narrow, illiterate,
illiberal.
almost time that the narrow,

L Allegro.

of

have

author

we

committee

the

Lycidas,

It

the office, the

poet,

Comus,

the occasion.

Milton merely
Paradise Lost,

in

at

manner worthy

of

passing

great

if

been

thought it necessary to give instructions that
this short paragraph should be inserted.
If any

carried out

But we must not look

of

THERE seems to be an impression among readers
The Author that the committee are personally
responsible for the bona fides of advertisers in these
pages.
This is not so, and never was so. And we
do not think it reasonable of members to accept
this conclusion.
We are not aware that any
proprietor or editor of any paper, technical or other
wise, has ever given such a guarantee, or in any
way made himself answerable for shortcomings
in
his advertisers
business
transactions.
At the
same time, care is exercised to see that no undesir
Beyond this,
able advertisements
are accepted.
the committee of the Society can assume no
liability.
In consequence of some correspondence that has

of

be

arrangements

of

THE AUTHOR.

to

º-º-e
ADVERTISEMENTS
IN

73

OF

AUTHORS.

so

it

it

in

is

of

to

of

of

we

in

in

its

to to

in

to

as

of

of

of

of

in

of

R.

SOCIETY

WE are pleased
note from the Report for
Society
1906-7
the Canadian
Authors
recently received that this Society
prosperous
and increasing
numbers.
We trust
will
continue, both for its own sake and for ours,
since the stronger
becomes the better the
English authors whose books circulate
position
the Dominion.
At the annual meeting for the
January last,
year 1908, held
read that the
secretary
rehearsed
the advantages
which the
Society
members
the Canadian
Authors
already possessed through our close affiliation with
Society
the Incorporated
Authors
Great
Britain.
We may add for the information
members that the advantages are mutual,
the
Canadian Society has very kindly undertaken
power
render
the assistance
connection
Canada,
with cases we find necessary
take up
and other matters relating
book production,
publishing and copyright.
all

all of

in

of

of

to

as

be

to

it

in

of

J.

C.

H.

S.

to

Already the old members are coming back with
join
eagerness, and the following have consented
the general council: The Lord Monkswell, Sir
Edward Brabrook, Sir Arthur Conan Doyle,
Crockett, Francis Gribble,
Rider Haggard,
Anthony Hope Hawkins,
Cutcliffe Hyne, The
London, Morley Roberts, Horace
Archdeacon
Annesley Vachell, Percy White.
As some slight confusion has arisen
the past,
may
well
state that although both the
Authors Club and the Society owe their inception
the energy
Sir Walter Besant, and that
although nearly
the members
the former are
also members
the latter, their constitutions
and
management are
entirely different hands.
We wish the New Authors Club every success.

THE CANADIAN

in

of

so

by

of

a

of

agreement
committee
has been formed and
entered into with the manager
Whitehall Court.
From the new premises overlooking the Embank
ment Gardens and the river, the members have
London,
fine view
that life, the river life
vividly described
which has been
their good
founder,

�A UTISIOR,
or

to

on

to

to

a

do

on

to

to

of

to

as

or

to

to

is

to

or

to

as an

;

of

is

an

to

to

of

is

It

to

A.

of

to

at

to

of

to

a

in

is

of

In

of

of

he

is

-

of

of

in

a

at

be

of

a

by

as

A

is
a

to

be
a

of

a

be

of

to

doubt,
Humphreys
the recent case
many editors are endeavouring
get

its is

MANUSCRIPTS.

to

Thomson

many
He might have gone further than this.
Social gatherings where the works
authors
the
present day are under discussion,
will find out
courteously demanded, that
Where
answer
many
those who argue most emphatically, have
read none
the works under discussion, and many
Only
few.
dreadful instance
the superficial
priggishness,
the worthless cock-Sureness,
the
present day.
may
great asset
Pushfulness
when used properly, but pushfulness backed with
ignorance
bound some day
fall. There
really great work
further point for consideration.
fiction, just
really great work
any branch
the arts cannot
absorbed
the first glance.
only
Jong and detailed study that any idea
proper value can
ascertained.
How many
study
these glib debaters have made such

all

is

it

an

W

OWING,

no

MANGLED

I

books entertain you less than others
worse than
draw invidious comparisons between different
portions
Holy Writ.

is

of

to

in

to

of

sº-s-s-s-s

MR.
HoPE HAWKINS,
the opening
the
Liverpool Courier Book Show, referred
what he
termed literary snobbishness.
He said,
know
needs
little courage
own you have not read
Paradise Lost' ; and again there are com
panies
which,
own that some
Jane Austen's

an

in

a

it

of

The committee
the Authors Society have had
the matter constantly before their eyes, but
impossible for those who have not made
intimate
study
the Copyright Acts
realise the enormous
difficulty which lies before those who desire
alteration
the existing law.

LITERARY SNOBBISHNESS.

of

in

of

as

so

in

is in

of

of

of

to

in

in

of to

of

is,

course, quite clear
It
those who have
copyright
been studying the evolution
the
United States, that British authors do not obtain
reciprocal advantage from the present United States
Copyright Law, and
consequence,
Canada and
the Colonies, not
mention Great Britain and
Ireland, the sale American books increases beyond
the proportion
the sale
the works
British
Since, however,
authors
the United States.
ordinary
literature not saleable
the same way
goods, for
much depends upon the individual
effort, the authorities,
no doubt, considered
the
first instance that half
loaf was better than no
bread, and that
was better
have some sort
copyright arrangement with the United States than
none at all.

is

That as the recently enacted Patents Act provides that
all manufactured articles protected by a British patent
must now be produced in Great Britain or Ireland, result
ing in securing increased employment at home on work
hitherto abroad, the Parliamentary Committee of the Irish
Trades Union Congress, in view of the dearth of employ
ment in all branches of the printing trade, calls upon the
Government to amend the Copyright Act so that similar
provisions shall apply to all printed matter copyrighted in
the United Kingdom.

a

:

all it

THE passing of the Patents Act has stimulated
the Dublin Printers' Employment
Committee
to
adopt
the following resolution
which is to be
forwarded to the Prime Minister

to

ACT.

It

AND THE PATENTS

of of It of of

COPYRIGHT

to

*-*.

agree
authors
contracts under which their MSS.
are accepted
condition that the editors are
allowed
free hand
cut
alter them. While
not think that any writer who has respect
for his writings should allow editors this power, yet
editors inform their contributors beforehand and
contributors
are Willing
submit their work
this understanding, we have nothing further
Say.
Unfortunately, however, there are still some editors
pursue this practice without
who continue
ascertaining
the views
the writers beforehand.
pay
Their method
cut accepted matter, and
only for the mangled remains that are actually
printed.
When the aggrieved author ventures
remonstrate, they fall back upon editorial preroga
tive, and invite him
her,
the case may be,
accept the slender remuneration
either
offered
Without further argument,
cease contributing
publications under their control.
time such methods were stamped out.
pursue
The Society
Authors will continue
aggressive policy with regard
them.
Editors
quite
exploded idea
autocrats
and editorial
prerogative like the divine right
kings is
sufferable only when temperately and courteously
exercised.
We

The Canadian Society of Authors has been in
existence for some eleven years.
The Hon. Presi
dent is Professor Goldwin Smith ; the President,
B. E. Walker, L.I.D. ; and the Secretary, Pelham
Edgar, of 21, Elgin Avenue, Toronto. Its primary
objects, as stated in its constitution, are to promote
the production of literature in Canada; to protect
the interests of Canadian authors; and to obtain.
and distribute information as to channels
of
publication open to Canadian authors.
In another column we reprint an interesting
article on Canadian copyright from the Report.

if

TISIES

74

�A UITISIOR.

all

to

to

to

of

I

in in

a

on

as

a

as

in

to

of

to

of

in

he

In at

in

he

to

at

as

as

in

at

at

in

at

as

he

Finally,
tion.
acted
H.B.M. Plenipotentiary
the International Copyright Conferences
Berne
1886,
1896, and
Paris
Berlin this

autumn. His public rewards were K.C.M.G. (1888),
C.B. (1902), and K.C.B. (1903).
Though man who had filled successfully many
positions
trust and high responsibility under the
Bergne was
Government
his country, Sir
singularly
unassuming
modest
and
both
disposition and manner.
He would put his own
opinion forward he generally had decided one
with equal clearness and suavity.
He had
old
fashioned courtesy, which was almost deferential,
dealing with the opinions
others.
He was,
shining example
short,
the qualities which
many
have distinguished
the permanent
officials
our Civil Service men who come little

H.

in

of

to each donor.

acted with judgment and success
British repre
sentative
such difficult and diverse matters
the Fisheries Commission, the Industrial Property
Convention, and the International Sugar Conven

of a

for English Literature or Greek. The details will
be settled by a committee of donors.
The com
mittee at the time of writing includes, among
others, the Right Hon. Herbert H. Asquith, the
Right Hon. Lord Morley, the Vice-Chancellors of
Oxford and Leeds Universities,
the Bishop of
Hereford, Canon Skrine, Anthony Hope Hawkins,
Sir Arthur Conan Doyle, Sidney Lee, Walter
Crane, Hakluyt Egerton, Dr. Donkin, E. T. Cook,
and Canon H. D. Rawnsley.
Donations may be sent to Mrs. Arthur Bout
wood, Bledlow, Bucks, who will acknowledge them
at once, and will, after the close of the fund on
January 1, 1909, send a complete subscription list

H.

respect from those who loved his character and
personality, who admired him for his great and
many-sided gifts, or who are grateful for help and
pleasure derived from his scholarly lectures
and
books.
The memorial will, according to the amount
subscribed, take the form of a scholarship or prize

is with feelings of the deepest regret a
regret that will be shared by
his colleagues
the Authors Society that
write these
lines
tribute
the memory
our former
chairman and fellow-worker,
Sir Henry Bergne.
He had gone
Berlin
attend the Copyright Con
ference
the senior delegate from Great Britain.
His death took place there
November 15, from
pneumonia, after
week's illness.
public servant has
Bergne's career
Sir
been sufficiently set out
the daily press, and there.
no need for me
do more here than mention
1842,
its leading features.
Born
was.
Brighton, Enfield and
educated successively
London University.
1861
was appointed
clerkship
the Foreign Office
which his
father had served before him.
From this position
rose,
his sterling qualities,
the post
Superintendent
the Treaty Department.
He
by

A FUND is being raised to establish a memorial
to the late Professor J. Churton Collins.
The
intention is to offer a tribute of affection and

IT

is

FUND.

-º-º-º

a

THE CHURTON COLLINS MEMORIAL

75

SIR HENRY BERGNE, K.C.B., K.C.M.G.

he

any of the ancient masterpieces; how many have
made a study of the writers of the day !
Mr.
Perhaps not ;
is not worth reading.
but have you made the attempt 3

in at

TISIES

LEWIS

CAMIPBELL.

of

of

of

so

a

by

in

to

to

before the public eye, but
their faithful and
unostentatious
labours do much
enable the
State
encounter without disaster the chances and

institutions and party

of

changes
parliamentary
government.

In

to

in

of

a

he

at

as
a

it

on

is

of

But
with the work
Sir H. Bergne for the
Authors Society that we are called
deal here.
1903,
He first joined
member
1800.
on his retirement from his official duties
the
Foreign Office,
became member
the committee
it

of

of

to

he

of

as

as

management
well
the copyright
sub
committee,
both
which
served up
the
day
his death. He was chairman
the com
management during 1906 and 1907.
mittee
Sir Henry Bergne was not
author
the sense.
on

in

an

Hon.

of

M.A.,

Professor of Greek
in the University of St. Andrews, died at his
residence, Brissago, Lago Maggiore, on October 25.
Professor Campbell was born in Edinburgh in
1830, and was related to Thomas Campbell, the
poet.
He took a 1st class Classics in 1853, became
a fellow of Queen's two years later, and was
appointed to the Greek Professorship of St. Andrews
in 1863 which he held until 1892. He was the
author of many translations from the Greek, includ
ing Plato's Theaetetus, Sophistes and Republic, and
a complete edition of Sophocles.
In 1882 he pub
lished a Life of James Clerk-Maxwell ? with Dr.
W. Garnett, and in 1897 a Life of Benjamin
Jowett, '' with Mr. E. Abbott. In 1892 he became
a member of the Society of Authors.
Profound scholar and patient student, a faithful
teacher of his generation, Professor Campbell in
his life and work did honour to the best traditions
of British Scholarship.

of

Lewis Campbell,

in in

Reverend

of

THE

LL.D., Hon. D. Litt., Emeritus

an

a

PROFESSOR

�A [CITISIOR.
of

;

to

is

of

or

on

of a

by

in

it

fill it

an

to

of

no

is,

is

us

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to

be

I

at

to

in

to

in

it

he

in

H.

in

of

a

to

he

*

of

of

on

at

of of

to

by

of

on

in

as

t.

in

he

on

a

a

up

of

in

he

a to

as

he

in

of

to

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at

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of as

at

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f

*
-

on

t

of

to

of

as

do

In

to

in

is

on

all

had frequent opportunities,
our
admiring:
interviews with publishers and others,
his conciliatory
and reasonable suggestions
Suggestions which
the end have been prac
tically accepted. Whatever differences
opinion.
there may have been
the time with regard
issue, the Society,
whole,
the matters
Sufficiently
showed its appreciation
the part
putting him
played
Sir Henry Bergne
the head
the poll
the election
the present
committee.
Had he found himself able
accede
the unanimous wish
his colleagues
would
have returned
the chair
Mr. Hope Hawkins'
retirement. No one regretted his decision more than
the present writer.

in

if

to

to

at

to

indicate

a

in
of

as

to an

to

a

of

as

of

an

a

to

in

the right path, and

Committee,

to

is
a

It

be
a

is

of

it

to

be

to

if

It or

an

of

do

in

to

guide them

now happily ended Book War. Having made
his
mind, not without hesitation, that the Authors
Society might intervene with advantage,
did
his best,
far
was himself concerned,
make that intervention
take the character of
mediation.
As joint delegate with him from our

I

be

to

all

of

to

it

be

to

at

to
as

literary
bestowed
tribute
eminence.
has hitherto always been regarded
opportunity
simply
service
our com
rades service voluntarily and freely rendered,
like most good advice not always thankfully
received.
No part
the work
our committees
more
complicated,
more difficult, and more harassing
copyright,
than the questions relating
which
Involving
expert.
Sir Henry Bergne was
they often
confidential discussions, they
not
occupy
space
our reports
commensurate
with their importance.
Technical knowledge and
tact are both needed
handle with any chance
success the delicate negotiations
which
centre
round the more important issues.
all such
matters Sir H. Bergne's knowledge and experience
were invaluable.
His close connection with the
Government enabled him
advise the committee,
distinction

'specialist
was not, however, only
copyright that Sir Henry Bergne was
valuable
adviser and leader
our committee.
He was
chairman at the time of the commencement
the

at

of

of

be

at

and yet
leisure and opportunity
able
frequent meetings.
attend regularly
This
fact familiar
who have worked for the society,
may not
emphasise
but
amiss
now that
management
the election
the committee
the hands
its members.
would
bad day
appointment
for the society
the committee
management came
sought for
honorary

with sufficient

as

itsof It

of

of

of

affairs,

habit

by

it
is

of

to

to

a

or

literary

of

of

of ;
it to

besides
men
and the
aspect,

considering
the
document préliminaire
for
the Berlin Conference
this year, laid before the
Society
the Board
Trade last summer.
He
put his great experience
was always ready
every
the disposal
the advisers
the society
question
International and Colonial Copyright.
these large issues the committee have for many
years relied mainly
him and
his judgment;
may safely say that
and
was the most impor
tant and most responsible British authority
these matters.

in

to

of

of

to

a

it

to

of

a

is

is, of

the committees should have other
qualifications, that they should
legal training
with more
less
looking
things from their legal

Manx Copyright Act. As
member
the copy
right Sub-Committee
dealt with the more recent
United States Bills, and drafted the comment on
them that was forwarded
America.
He assisted

In

from

me

time
time letters which prove that there are
authors outside the society, and others, members
obtaining
who have joined
with
view
assistance in some of the minor business details
incidental
the craft, who have the most inadequate
conception
the nature and scope
the duties
management and its sub-com
the committee
mittees.
The work that comes before these bodies
necessarily varied
advisory,
some extent
large portion
but
involves the consideration
technical and often difficult points
law.
therefore, essential
the proper conduct
the society s affairs and
the interest
members that
fair proportion
those serving on

I

of

of

to

is,

in

Great Britain.
Our secretary, Mr. Thring, has shown

them the limits
the expedient and the attain
say that
able.
common form
words
irreparable one
his loss
for the time,
long before
possible adequately
must
his place
our counsels.
subjoin
few details, kindly supplied me
particular occasions
Mr. Thring,
which our
represented the society
late chairman assisted
questions
copyright.
Bergne worked for the society
many
Sir
questions connected with Canadian and Colonial
Copyright,
represented and spoke for
the
interview
its delegates held with the Canadian
Premier. He gave his careful. attention
and
Criticism
the Bill that was put forward
Parlia
ment
1900: work of an onerous character that
needed more than any other his special knowledge.
He advised the committee with relation
the

It

a bookwriter.
His literary productions
were
State papers. But for the practical purposes of our
Society and its committee
of management his
knowledge
was far more valuable than that of
many eminent authors.
For he was an expert, and
the first of experts, in all matters relating to the
affecting
international treaties or conventions
Copyright,
that
the agreements
which
property
affirm and regulate
the rights
English authors
their literary output outside

of

to

TISIES

76.

�he

to

to

in

a

by

by

I

fill

to

to

of

-

on

it

be

I

to

by

on

of

an

by

of

G. HERBERT THRING.
on

at

by
to

of

in

of

of

to

at

of

of

by

;

be

of

of

a is

to of

is

of

he

an of

a

to

a

of it

to of

to

the methods

an

be

to

differed

as

doubt,

he

no

delayed.
At times,

the following
might not

be

hand
come
society's work

F

I

in

by

to

might

AND HEROHNES-CHIEFLY
HEROES.
º-º-º--

The
the distorted maxim,
the author
woman,
proper study
had
mankind
womankind
and
added the words,
bring forward
man,
would have been able
evidence from modern fiction.
considerable body
irresistible attraction for the
has apparently
make his or her work
man or woman novelist
the opposite sex, and
medium for analysis
gather from the pages
easy task
would
of which the
that literature for the dissemination
large.
circulating libraries seem chiefly
exist

It

by by

to

to

on

he

;

reply

morning, and the

in

of

of

in

I

HEROES

on

he

to

him
come
documents would
voluminous
his return from some public
the last post, and
has read them through carefully,
function yet
order that
and answered them the same night,

of

on

of

by

:

to

-º- _*.
ºa --~~

he

to to

he

even after his retirement from the Foreign Office
was always engaged with public business and
Incidentally,
public enterprise.
has mentioned
important
me that my letters often relating
matters, and accompanied
and complicated

a

G.

A.

of

In

of

on

in

In

he

of

he

of

on

of

I

to

of

as

I

all

of

desire
Association
the Publishers
The Council
convey
Authors the
the Society
the Committee
the loss.
their deep sympathy with them
assurance
Sir Henry
which they have sustained by the death
Bergne.
the Foreign
For many years past Sir Henry, both
laboured incessantly
Office and after his retirement,
copyright and the
promote the interests
all holders
and the services which he thus
literature
welfare
all
remembered with gratitude
rendered will always
books.
the writing and production
Who are engaged
to

of

of

a

to

to

a

as

I

to

add
few personal words
should like
slight token
sorrow,
Sir
the memory
Henry Bergne,
the article which our chairman
has written.
the
have worked under Sir Henry Bergne
the society.
chairman
committee and with him
the
have found him open
occasions
On
Although
suggestions and proposals
others.
copy
the greatest authorities
himself one
right,
his powers and great
was most modest
was
his work for the Society,
attainments.
the consideration
almost over-conscientious
During
him.
submitted
the questions
had many difficult disputes
his chairmanship
had
matters.
deal with outside copyright
his time, for
make many heavy demands

of

D. W. F.

Sir Henry Bergne's funeral took place
Saturday, November 21,
Brookwood Cemetery.
the Chairman, Mr.
the unavoidable absence
Douglas Freshfield, the society was represented
Hope Hawkins and Mr.
Herbert Thring,
Mr.
Secretary.
the grave, from the
Wreath was placed
Incorporated Society
their
token
Authors
deep regret.
The Society has also received the following
the Publishers
the Council
Resolution passed
Association

A

of

in of

of

de

to

to

It

as

he

in

to

to

or

he

on

to

It

us

of

deal with matters under
was anxious
which
consideration, but his dealings with me have always
courtesy, and
kindliness,
been characterised
following his
sympathy.
One felt confidence
guidance that the course mapped out
his mature
satisfactory result.
judgment would produce
can but repeat, what our chairman has stated,
impossible adequately
the
will
that
place
the committee which his death leaves
Vacant.
conclude these few words
should like
testimony
Sir Henry Bergne's work for the
my deep sympathy
expression
Society
the
With Lady Bergne and his near relations,
his death whilst
loss which they have sustained
engaged
had made supremely
that work which
his own.
in

its
a

by

a

of

on

1

of

take him away
did not allow this heavy sorrow
his
interfere with any
from his duties
the Authors Society during the past
services
chairman,
year.
was still the friend
To me
give his assistance.
need, always ready
was
mainly through his freely offered and effective
bring M.
help
that the society was able
Lecompte, the President
the Société des Gens
Lettres, and the President
Trade
the Board
July
into personal and friendly communication
last.

77

I

I

may be allowed to add that my acquaintance
with Sir Henry Bergne did not originate in the
He and I had a common pur
Authors Society.
We
suit a pursuit which makes many friends.
were both devoted to the Alps, and had been for
nearly forty years fellow-members
of the Alpine
That body has secured the services of
Club.
many good men on its committee, and it was not
likely to dispense with those of Sir Henry Bergne.
His kindly and social nature was thoroughly and
widely appreciated in the club, and it was with
Something like dismay that
members learnt
brilliant climber, had been
that his eldest son,
chance slip
the mountains
killed
January
the admira
added
this year.
for Sir Henry Bergne that
some
tion

by

THE AUTHOR,

�A UTFIOR.
of

of

to in

If

do

of

is

do

of be

to

a

as
a

to

it

of to

in

on

of

we

be P.

of

of

we

of

by

to

by

by
a

he

be be

to

of

is to

in

is
a

in

it is

in

If

he

a

he

to

of

a

in

a

so

as

a

is is

as

in

is

us

of

in

to

in 2

of

all

a

a

of

of

a

it,

as

so

so

is

as

he he
is

in

2

or

quixotic
John, but
not
faithful nor
turns out right
the end.
On the way
prig.
quite
much
Priggishness,
indeed, seems
necessary trait
the woman s hero.
The thought may strike us:
this really
mark
our sex
Are We men,
eager
others, really
condemn the taint
infected with
ourselves
Rather than admit

Jack

Is

a

to

on

a

of

a

We knew his books were selling well
By his patent leather boots.

so

I
It

I

classify

his success
his profession which
literature, reminding
the lines,

it

byan

to

results
may even

I

of

as

I

in

be
a

to

is

it

to

or

I
or

labour

silence, although
the strong man who suffers
grief.
may occasionally
bow his head
Usually
plain, honest face, and
has
care
lessly dressed.
smokes anything,
pipe. He
any case
rather stupid, and his wits
quick
are not
the heroine's,
consonance
with the agreeable fiction about woman's livelier
prig, according
intelligence.
always
He
strong
male ideas.
Jack
not
John.
He
may even have had
past, though not very black.
He probably smokes cigarettes. He differs greatly
having clear-cut face and wearing
from John
immaculate clothes, possibly paid for out
the

of

It of

to

of

of

or

of

in

I

a

great

involve

be

I

a

I

by

of

of

of

is to

sit

to

acquain
man either takes her male relatives
copies,
stances
else calls
her imagination
as

would

thoroughly women's heroes, but superficially they
may
divided into two classes, whom we may
call John and Jack, since these names help
indicate their difference in character.
John

to

of

us

of of

In at of

or

as

so

I

to

it

of

to

I

on

be to

as

I
of

to

of

A

heroine for whom
Say
the best treatment would certainly be may
a good spanking.
However,
did not set out
write this article
discussing the Works
with the intention
published
unpublished novelists.
much
misfortune,
read, for
has been my fortune,
financial rather than artistic gain, vast quantities
novels, many
which
trust will never see
day,
the light
least until they have been
strictly revised.
pursuance
my task,
have
been constantly impressed
the weakness
the
drawing
the central male
female character,
even where considerable power
observation has
been shown
the sketching
the minor charac
ters
the same sex.
When the man writer
comes
his heroine,
the woman
her hero,
my fate
failure
manifest.
Now
man, and therefore
am not eligible for the jury
upon the man's heroine.
Perhaps, however,
opinion
express
am ordinarily competent
my own sex
the treatment
Women
repeat, discussing the
novelists.
As
am not,
published, but the yet unpublished,
shall have
avoid giving specific instances.
must also
remembered that
am not dealing with master
works, unless the publishers and the public shall
prove
think quite differently from me.
Generally
speaking, we seem
find that
commencing
woman,
novelist, when she draws

women, and the hero therefore
Women are read
judged
competent standard.
will not
He
may not
all women readers' ideal man, but
will
least have some
the traits which endear
him to the sex.
at

of

I

it,

a

by

I

I

let

of of
all
in

instance, invariably gives

delight him. This matters
the male reader than
little otherwise, for the mass
novels written

be

I

:

to

is

all

of

essential variability and instability
woman.
any ladies who may read with indignation
may point out that
what have just written,
am not sheltering myself behind Virgil's varium
mutabile semper, but behind
remark
one
Meredith, take
their own sex.)
succeeds best
making his women human. The majority
paint their
his rivals have only the skill
version
the ideal She.
And their ideals are
anyone
often very different indeed from those
else.
certain eminent historical novelist, for

(To

rule she does not make heroes
members
her own family.
she puts
her husband, for
instance, she
more likely
make him the
villain than the hero
the book.
Do we not
know
certain published ladies who
this with
rather monotonous frequency
The recurrence
the same brutal type would
somewhat puzzling
course,
always
did not know (as,
know nowadays) that the talented lady and her
very well together, and
husband did not get
Possibly the
that she was taking revenge
ink.
peace may cause married
desire for domestic
Women
refrain from making their husbands the
may often
heroes
their novels, since
even
figure
more unpleasant
certain kind
hero
downright villain.
Assuredly
than
some
Women's heroes are far more calculated
irritate

if

a

I

a

in

so

:

to

I

if

to

women alone can decide whether the man novelist
portray them accurately and vice
has managed
wersá.
have generally found that,
one asks
well-read woman who among male novelists now
living presents,
her mind, the most life-like and
satisfactory
heroines, she will answer
George
questioned the other day;
Meredith. Why
lady
and my victim,
whose good judgment
have the utmost reliance, replied
Because he,
convey the
most
male writers,
able

for the picture
what
man should be, putting
into the composition some characteristics
from
men whom she admires if she admires any.
As

It

;

to

of

sit

collection of male writers
heroines and female
writers' heroes.
In order to judge of the success
of these character-studies, the only fair way would
upon the
be to empanel juries of women to
heroines, and
men
sit upon the heroes for

he

TFIES

78

�A UTISIOR*,

do

to

of

to

in

to

of

of

is

is

all

cousin Elizabeth Vernon, and justifies
action by
kinship. He lends Drury House for political
ties
Raleigh
meetings
circumvent the ambition
of

Finally Lord
and the wiles
Robert Cecil.
Southampton stands
Essex
his trial and
condemned
death.

is

at

on

it

Shortly before this crisis we have
record
that
attends the play with Lord Rutland every
day, and that his countess
with Lady Rich
Essex House.
That the playhouse was Shake
speare's we know
the play ordered the night
before the catastrophe.
Lord Southampton
released
James
His

at

is

I.

by

be said about the learned Lord
first earl, and the Lady Jane who lies
above him, also of Henry the second earl in courtly
armour lying on the north side ; and one can
imagine the eight-year-old
boy already fatherless
coming with his mother Mary Browne, daughter of
Sir Anthony Browne of Cowdray, to watch the
building up of this magnificent sepulchre for which
31,000 had been left by testament.
The widowed countess and her son must often
have stayed at the princely mansion of Cowdray,
for it is not till eleven years after her husband's
death that she loses her father, and two years later
she seeks the Society and protection of Sir Heneage
Finch in marriage.
Her son is violently disturbed,
and to this year belongs
Lucrece by Shake

closely followed from Lord Brook's
The story
translation
Italian novel, but its application
lay
peace
the restoration
two rival houses.
1598 the Danvers are pardoned and return.
Shakespeare receives £1,000 from his patron.
No
virtue
Elizabethan
times
more fashionable
than knightly brotherhood.
Faithful friendship
glorified.
Of such nature was the devotion
Lord
Southampton
Lord Essex.
He marries his

by

Much might

Chancellor,

dignity,
Two households both alike
In fair Verona where we lay our scene,
From ancient grudge break
new mutiny,
Where civil blood makes civil hands unclean.

is

the slender shafts of the pillars, and the dignity
and beauty of the monument to the Earls of South
High on a triply
ampton in the south chapel.
arched marble altar-tomb lies the effigy of a Tudor
Very rich the carving and gilding of the
dame.
armorial bearings, while four tall and polished
obelisks like giant tapers guard the corners of the
tomb.

is

This town belongs to
the charmed ring which lies about our coast, neither
wholly marine nor rural.
Out of sight of the grey
main, but not out of touch with it oceanwards lie
marshy creeks and wind-swept boscage ; inland
nestle hamlets framed in pasture, corn, and wooded
heights.
As one enters the portal of the wooden-steepled
church one is struck by the wideness of the aisles,

by

of Virginia, North America.
To begin with Titchfield.

an

chequered career of a true-hearted though
passionate nobleman, Henry Wriothesley,
third Earl of Southampton, is worthy of note.
He is connected with Titchfield Place, near
Southampton ; Drury House, Strand; and the State

to

HE

of

º-º-º

a

TITCHFIELD

is

SOUTHAMPTON AND
PLACE.

of

LORD

[e

to

S.
P-e

in

I

my identity.

to

I

he

I

all

I

of

her central male character, and that then her
powers of observation desert her.
In order not to stultify myself,
must leave it
to women to say in what respects our heroines fail.
will admit that other men's ideals are very tame
beside my own.
But
have not yet written a
novel.
make this confession at the risk of betraying

speare, dedicated to his patron the young Earl.
Perhaps an appeal to the conscience of the lady.
Ileft to himself wild spirits gather about Titch
field Place and the young heir. Sir Henry Danvers,
formerly page to Sir Philip Sidney, rides up one
day.
He and his elder brother Sir Charles have
served in foreign wars, but on the death of their
father are now in Wiltshire at feud with their
neighbours, the Longs of Corsham.
After a secret
interview Sir Henry returns to Dauntsey.
He has
probably obtained permission
to secrete certain
papers stolen by the Longs at Titchfield.
That is
to say if they can be recovered.
A day or two after Sir Charles and Sir Henry,
with a faithful follower John, gallop up to Titch
field.
There has been bloodshed, Sir Henry Long
has been shot by one of them, the hue and cry is
out.
The Earl of Southampton hurries them up to
a lonely farm on the hill-side, and prepares to ship
them abroad.
But the Sheriff of Southampton is
on the alert and the culprits have to double and
make for London, and thence to France, closely
helped by the young earl.
Signor Florio, the translator of Montaigne, is in
the thick of it all and is wanted.
On reaching London he must have poured out
Shakespeare.
his adventures
featly abroad but are
The Danvers brothers
disgrace and dare not return.
Finally
play
produced
which the prologue
runs thus:

in

this, let me take refuge once more in the sugges
tion that the woman novelist under discussion
breaks down when she comes to the drawing of

79

In in

TFIES

�THE AUTHOR.
or

of

of of

to

so

be

it

of

to

on

of

it

is

in

us,

it

to

a

of

of

of

to

;

of

of

is

to

is

so

so

is

of to

all

to

of

of

is

as
by

of

or

at or

to

of

is,

is

at

at

it

to in

as

º'

do

to

of

on

on

of

so

to

a

on

in

at is

to

on

is

as
a

in

an

.

to

in

in

in

he

is

he

in

he

a

is

on

of to

to

of

a

of

of

or

of
a

another

some
the older publishing houses
make
fiction, restricting
fewer ventures into the realm
themselves
the products
the authors already
their lists
the really meritorious work
to

to

of

a

is,

of

Y

point
took Occasion
short time ago
stemming the tide
out the desirability
what the London Nation calls pedes
vulgar
trian Work, that
books
common

WE

of

the

on

of

by kind permission
the Editor
United States Publishers' Weekly)
of

(Reprinted

or

in

so

he

A

MENACE TO THE BOOK
TRADE.

time

cultivating fiction
realise that
the
keeping his plant employed and adding
ignis
engaged
chasing
his income
fatuºus.
The further
ventures
this direction
the deeper
finds himself
the mire, and the
position
develop the more solid
less
Indeed,
and profitable feature
his profession.
already noticeable
tendency
there
the part
a

?

so on

It

ning

hopes

FICTION AS

one

well-equipped
maintain
book department
realise very quickly that they cannot afford
cut
deeply
the prices
the better class
books
all as they can
the books
which there
less risk, and which require only the service
the average shop-girl, who to-day
the tin
ware department,
the next day
the ribbon
counter, and
help
another day, when needed
out, acts
bookseller.
begin
The more wide-awake publisher, also,

in

by

of

to at

youth.

offered

of

of

of

of

be

it

aged countess
her guest
On that last evening converse must have fallen
upon past days, and
the mighty poet Elizabeth
long and
Vernon had known
well
her

books

fly-by-night
publishing concerns
premiums
bait for other ventures, thus leaving the field
the more substantial books
the regular book
Seller and those department stores that
venture
;

of

of

to

a

be

to

he

of

Hammond, Governor
Wight.
the Isle
Could
that the folio Shakespeare, studied
King Charles
Carisbrooke, was the gift
the

made

of to

of

by

of

to

he

no

a

a

to

Titchfield,
noble seat
the Earl
South
ampton (who was not there) but inhabited
the
old lady, his mother, with
small family, which
made the retreat more convenient.
There his majesty alighted and would speak with
scruple
the lady,
whom
made
com
municating himself, knowing her
lady
that honour and spirit that she was superior
all
temptation.
slept, and was
kind
There
betrayed next day into the hands
Colonel

is

to

all

go

white and ghastly on the sward.
It must have
been centuries old in Shakespeare's
time.
The
walls of the palace are tapestried with ashen ivy
boughs, dead and colourless as the stone.
It might
fitly represent the tragic end of the countess after
1624, for in that year the Earl is brought home
dead from Bergen-ap-Zoom,
and with him the body
of the heir, his son of twenty-six. Again a widowed
countess reigns at Titchfield, her heir a lad of
fifteen.
But yet another tragedy awaits her, twenty
King Charles I. in his flight from
years later.
Hampton Court takes refuge at Titchfield, hoping
thence to escape to France.
Clarendon says:
The
king thought it best for avoiding
highways

at

grounds

that the book trade and the public are disabused
merely the hand
the delusion that bookselling
ling
thinking has caused
fiction.
That way
more confusion, brought more bad feeling into the
trade, and has actually caused more harm
both
publisher and bookseller than
the other per
plexities that beset the book trade put together.
just because
required
little knowledge
handle fiction, and because the equivocal price
generally known
novels
the public that the
department stores, that usually have larger means
their command than most any half-dozen book
sellers
their vicinity combined, seize upon
bait
bamboozle the public into believing that
everything they offer
sold
the same rate
which they sell books that
fiction.
These
stores rarely venture further into the book busi
exploit the novel
ness than
the hour, the
reprints
cheaply
competitive
remainders

a

of Titchfield. Within the
the leafless trunk of a mighty oak lies

of or

of the priory church

to

Speare.
A great white stone wall still encircles the ruins
Magnificent and ghostly
of Titchfield Place.
towers of the gatehouse still mark the place where
the first earl drove his entrance through the nave

books sometimes adds considerably
the income
but,
the bookseller
the other hand, far
Seeing booksellers are coming
realise more and
more that the concentration
their efforts upon
merchandise
that sort has reacted disadvantage
Ously upon the sale
better books.
period
We have reached
the history
the
imperative
book trade,
seems
when

at

fighting chivalrous causes.
News of the death of
Lady Rich must have reached them in 1606. They
lose a four-year-old daughter, the Ladye Mary, in
1614.
In 1616 they hear of the death of Shake

whether
fiction
other printed
matter all
which does
much
interfere
with the distribution
books
real merit.
Undoubtedly, the sale
momentarily
popular

grade,

if

face has lost the petulant brilliancy of his early
portrait and assumes the sober cast of his fore
fathers.
He lives constantly at Titchfield, under
taking voyages to America, subsidising explorations,

is

80

�on

on

an

of

is

it.

to

it

be

of

go

to

a

or

as
as

it.

its

to

so

so

is

of

an

is

it

of

to

to

we

at

to

to

to

as

of

to

.
.
.

of

of in

in

as

if

it

at

;

of

of

an

of

of

a

to

in

a

if

of

to

is
to

is

if

:

:

a

.
.

of

to

in

of

to

a

of

it

.
.
.

as

in

of ..

of

.
.
.

in

Foremost
the ranks
of Christmas
chroniclers
stands pre-eminent Charles Dickens,
author
THE Christmas Carol, par ercellence
that little book, all-powerful
the magic
its
eloquent simplicity.
The Carol, appealing
did
the best parts
our nature, and by
virtue, became
the force
love winning men
deservedly popular;
the language
the Row
was
decided hit a speculation equally satis
factory
those who sold and those who bought.
Accordingly the following Christmas gave
the
all

to

is

Of
of a is of
&amp; of
.

it.

:

x.

HAUNTED MAN AND THE GHOST's BARGAIN
FANCY FOR CHRISTMAS TIME.
BY CHARLES
DICKENS.
LONDON
BRADBURY AND EVANS,
11, BOUVERIE STREET.
1848.

in

of

allis
a

at

;

a

be

a

THE

in

is

no

it

a

CRITICISMS.

º-º-º

A

of

to

is

of

it

of

of

*

Tragedy, by Ashley H. Thorndike, Professor
English
Columbia University. London
Constable
in

CONTEMPORARY

to

to

of

if

a

to

to

of

the theatre and
literature.
This
great task.
adequately
To perform
the space
large type
377 pages
still more difficult,
but Professor Thorndike has accomplished
course,
attempted,
exhaustive
treatment
though
may
tragedies
remarked that
the sixteenth century are mentioned.
The book
really
guide-book,
critical essay
but not
text-book;
compact
Form
Glance
tragedy, yet essentially scholarly and dignified.

1908.

Z.

of

up

of

be

to

in

is

of of

the first
series dealing with the
literature, and
various types
the rest
any Way attain
the excellence
the
Volume before us, the publishers
will have good
proud
cause
their venture.
The design
the book
trace the course
English tragedy
the middle
the last cen
tury, and
show its place and influence
the

it

HIS

Co.

at

of

º-º-º

history

of

if

TRAGEDY.
-*

inquiry into
continuous human activity dedicated
the meanings
life.
Its imaginative and intellectual
study
suffering and ruin must continue, however its
form may alter,
the theatre
be
social force
im
portance,
literature
offer an intelligent, serious and
Comprehensive view
life,
the two are
unite
some
thing better than
trivial and selfish entertainment.
of

º-e

The theatre, while crying for novelty, holds tenaciously
Literature, while enforcing rules, prece
its traditions.
dents, prejudices, while clinging
its models and demand
ing imitation, yet incites
rivalry and originality,
new
endeavour, variation
and excellence.
These two main
ever, run parallel.
classes
influence have rarely,
At
times the theatre
has attracted literature,
the
Elizabethan era
times
has repelled literature,
Usually what the stage
the early nineteenth century.
the day desires and what the literature
the past encourages
have been quite different and quite irreconcilable.
purpose
bring about their
the
dramatic art
reconciliation
harmonise the technic
the theatre,
literary
the necessities
the drama, and the standards
excellence.
Tragedy takes an abiding place among the great courses
to

in to

be

to
is

it

a

e

of

an

incubus, and threatens
book trade, the bookseller
meet the danger before
that event even revolution

reprint the whole
should like
here.
Lack
space, besides other considerations, prevents such
desideratum, but
give two
least
are able
short extracts.

of to

fiction ever becomes
sap the life
the
may
forearmed
too late, because
might prove futile.

if

We therefore hope that,

hand, the gown that Professor Thorndike quotes
obviously
impostor.
We will have none
excellent, and
pregnant
The conclusion
the present time when efforts are being made
early significance, that we
raise the theatre into

of

to by

-

OWI).

every chapter are Notes
the close
Biblio
graphy, which are quite invaluable.
opportunity
page 81,
We find, however,
making
strong protest the
for quibbling,
Among stage costumes
reader may decide.
mentioned the gown
invisible in, graced
here with inverted commas.
To the best
our
knowledge
goo invisibell, and
should
for
such we can readily credit
On the other

to

so

of

to

of

all

to

to

of of

of

of

to

by

of

of

to

by

to

be

in

if,

bound to accrue.
The bookseller, we claim, has an ever-widening
and growing field as his own, because there are
very large classes of books constantly published
which
are always in demand, on which
the
undersellers never cut the price and which are
campaign.
never included in their advertising
Readers in this country are not exclusively readers
unfortunately,
of fiction, good or bad ; and
the near future, some publishers should
blind
to their own best interests as
enable the under
beating the
sellers
discredit the book trade
life out
the best sellers, we trust the book
sellers
the country will have backbone enough
sticking
assist them
their last, and
buying only enough
their output
fiction
supply the actual demands
their customers, and
devote the better part
their time and atten
tion
the dissemination
books that are books,
seasons, the books
the books
all time and for
that count and are more rapidly coming into their

81

is

new writer, and devoting most of their energy,
instead, to the publishing of serious books from
which only moderate sales can be expected, but
from which larger and more certain profits are

At

A UITYFIOR,

It

TFIES

�A CITISIOR.
of

as

is
a

all

a

is

a

to

a

to

it

of

.
.

in

of

by
a

a

an

a

by

to

to

.
.
.

of

in

of

.
.
.
.

of

it

of

its

a

to

or

is

of

to

be

;

a

in

of

us

or of

A

in

.
.
.

of

is

by

is

;

by

of

ye

all

it

in

.
.
.

a

a

of

to

a

of

.
.
.

of

of

of

a

by

of

on

be

of

of

as as

.
.
.
a

of

the material woman about her
enable ordinary
mortals to realise and adore: she
most rare
and beautiful creation.
For ourselves, convinced
a

is

to

of,

as

its

to

it,

be

be

it

all

in

that
this spirit was the character conceived, and
this alone should
treated
we care nothing
urged
for the objections which we foresee will
unreality
against
regarding
cavils
just
much false criticism. The design
the
good and
work
excellent
mind but that

of

;

it

clever man could have originated
master's hand could have executed it.

none but

a

a

of

no

;

it

if

a

;

is

Milly must
irresistible.
The character
Regarded
dealt with gently and lovingly.
the
personification
tenderness and charity,
the
good genius
Christmas Fancy, with just enough

so

as

by

is

a

as

The Haunted Man, and the Ghost's Bargain"
name,
(about
awkward
the way,
ever
appropriately
was hit upon)
termed
A Fancy
for Christmas Time, for such and such alone
but more poetic and beautiful conception we
ever, met with. Though we are
have seldom,

Tetterby, possess
name
most undeniable claim
affording
Our gratitude,
vehicle for the dis
play
our author's own peculiar inimitable vein
humour.
Some
his touches are most happy.
baby a new, wonderfully
The description
imagined, and triumphantly executed baby, pos
Sessing
strong, clearly defined, and most alarming
individuality, and yet, withal, perfectly true (to
baby-nature is
the best
our knowledge)

is

its

by

Charles Dickens; and it is with unmixed satisfac
tion that we now rise from a perusal of the work,
convinced
that
author has profited *
his
experience.

the institution, and husband hear
romantic damsels, and shudder of the
Milly
they are joined
Guardian Angel, Milly
constantly congratu
and her father-in-law, who
lating himself upon the greenness
his memory
which colour
the way,
more
less discernible
the generality
his remarks.
worthy family, rejoicing
the euphonious
custodian

of

or breaking a father's heart.
Such a mistake
could lead but to one result ; and, accordingly,
the Battle of Life was condemned by the critics,
pooh-poohed
by the public, hissed at the Lyceum,
and finally (to use Tilly Slowboy s expressive com
pound verb)
by the Times
dead-and-buried"
reviewer.
That the author was himself aware that,
for Once, his arrow had missed the bull's-eye may
be deduced from the fact that last year he left the
field to other competitors; and Thackeray, and the
beadles, the comic almanacs and the dustnen, had it
all their own way. It was, then, with no uncommon
degree of interest that we saw the announcement,
Some months ago, of a new Christmas
Tale by

constantly gliding into the regions
the ideal
though the ghost
very thorough ghost, indeed,
cold, vague, shadowy, impressive and horrible,
be though the heroine herself,
ghost ought
the calm-eyed, loving, loveable, and particularly
impossible Milly,
good spirit than
more
woman yet the Supernatural machinery
works
very natural way
and though slow imagina
keep pace with
tions may
somewhat put
nothing con
fancy, there
the author's flights
right feeling throughout.
trary
good sense
clear, plain, easily dis
The story, moreover, has
cerned, and most excellent moral; wherein,
predecessors,
most closely resembles
The
Carol, and most widely differs from the Battle
Life.
The tale begins with ten pages
rain, wind,
intensely
Dickenish description
lights
clouds, gable-ends,
old halls and cottage
Having disposed
windows and shadows.
pro
the elements and the other picturesque
perties
his satisfaction Mr. Dickens introduces
his haunted man,
certain professor
chemistry,
name Redlaw, residing
incom
prehensible old edifice containing lecture room.
This gentleman has his dinner brought
certain
Swidger,
William
son
the superannuated

in

The Chimes, a goblin story. This, like
most attempts to repeat a good thing, was in some
still, it had many of its
degrees a falling-off;
quaint and
predecessor's beauties, and certain
loveable originalities all its own ; witness that
most fantastic but delectable creation, Trotty Weck.
The Chimes was succeeded by The Cricket on
the Hearth "; and the charm of the story, the
fascinations
of Dot, and the vis comica of Tilly
Slowboy and her pluralities, caused the general
reader to overlook, and the friendly critic to deal
gently with, a certain want of originality in the
plot and character, and a light comedy arrange
ment of scenes and situations,
which detracted
from its merits as a work of art. But its very
faults rendered it peculiarly adapted for dramatic
representation.
A Punch writer (with the author's
sanction) chopped it up into the necessary longs
and shorts . . . and the Cricket on the Hearth''
became to all intents and purposes a comedietta.
Whether this palpable realisation of the ideal
this clothing the graceful, air-born fancies of
Mr. Dickens' poetic mind, in the inimitable flesh
and blood of the Keeleys was
a wise experiment,
we have grave doubts. . . .
However this might
be, the consequences were fatal to the next Christ
mas book by this writer.
Confused between pub
lishers and players, Mr. Dickens produced a hybrid
anomaly a thing with an unmeaning name
neither Tyrian nor Trojan, neither tale nor farce,
where a phrase of high flown sentiment ended with
a cue for Mrs. Keeley s funny maid-servant, and
her little husband s buffooneries served to enliven
the more serious business of transferring a lover,

world

as

TISIES

82

�A CITFIOR.
as

as

a

of

he

on

of

a

to

on

is

an

a

a

a

1848.)

Yours faithfully,
WARREN BELL,
R.
The Captain.
Editor
of

S.

London Magazine,

of to

;

to

its

be

we

D] &amp;Il.

(Sharpe's

it

I

Ghost's

thousands
tens
counted
sorry
call him our friend who
should
but
perusal
better
wiser and
does not rise from

is,

by

be

have

no is

we
or

may

of of

Bargain"

as
to

the present instance
the
The readers
the result.

to

to

of

as

he

In

of

incalculable.

doubt

83

good
But
new.
will get back almost
editors are not the only people with this failing.
literary agent, who
have remonstrated with
sends round,
the MSS.
makes strange marks
pointing out
the contributions
him that some
collars that
emanating from him bear the look
by
several
attended
have been clerically
laundries.
my mind,
manuscript
Disfiguring
editor, and
the part
distinct discourtesy
justified.
protest
well
C.B.'s"

that

is
of a

There
And it is well that it should be
the possession
fearful responsibility attached
Mr. Dickens; the amount
that
such talent
may exercise for good
evil
influence

he

so.

TFIES

t-G-4

CORRESPONDENCE,

º-º-º
PENSION

EDITORIAL FAILINGS.

of

is

a

go

no

it

do

to

to

is

go

of

is

of

;

to

of

by

in

to

of in

of

of

8,

at

at

of

of of of

to of

of

a

by

a

If I

in

I

be

to

SIR,--I should like
inform C. B. that
my office.
marked
never allow MSS.
can assure him
send me something,
he likes
to

the
have the honour, on behalf
appointed
Committee,
Tercentenary
Milton
view
the British Academy,
the Council
the
them early
memorial addressed
the
year
the Lord Mayor, the Chairman
London County Council, the Vice-Chancellors
Oxford, Cambridge, and Lon
the Universities
don, and others,
announce the following details
the celebration
the programme
the
the eve
December
On the evening
Milton, the British
the birth
300th anniversary
special meeting
Academy will hold
the Theatre
Burlington House, Burlington-gardens,
which

of

II.
to

SIR,--I

of

º-º-º

sº-º

MILTON TERCENTENARY.

of

do

to

Yours faithfully,
THE EDITOR,
Arthur Pearson, Ltd.
C.

of

is

of

all as

or
a

in

editors are rational human beings,
the contrary, they
said
that
play ducks and drakes with their
livelihood.

of by

of

is

of

by

t

of

special staff
tants,
Most journals
readers.
could not exist but for the contributions of out

is

H.

to
to

at

I

if

of

of

of

of by

in

be

of

to

of

of

in

a

in

a

of

it

to

do

to

in

in

is

of

I

my assistants (who
the way are not
hands
editorial work,
office boys) during many years
single complaint that any MS.
have never had
less cleanly condition than
has been returned
MSS. are not numbered in
was received.
when
any way.
office,
nor marked
this
you will permit me
very grateful
should
correcting another
opportunity
for
use this
These
wide-spread error among aspiring authors.
asserting that editors
gentlemen are never tired
MSS. submitted
not read the majority
Let me assure all aspiring authors that
them.
those many thousand MSS. alluded
not one
without having been
above has been returned
myself, my assis
previously considered either

I

repre
SIR,--I cannot think
A. s letter
himself, and can only agree with
sentative even
transposing them
his last words, and then only
principle, but
question
read, It
not
surely the
Literature
the amount demanded.
professions, and
could not exist
most liberal
two
without original thought, which means that
Also, however
people think precisely
alike.
valuable opinions, thoughtful persons are privileged
change them, and sometimes
full speed
believe that his
Yet H. A. wishes us
astern.
only motive for not contributing
the fear that
his generosity, however
Some small portion
great, might,
relieve the
some future time,
sufferings
some imaginary poor devil who might
not
differ from him. This
have the temerity
quite liberal, not quite tolerant
and the evil one
may never need the pension.
No compulsion,
course, but let those subscribe who can, and leave
the pension committee.
the rest
ANOTHER A.
to

I.
SIR,--I think your correspondent C.B.
his
your November issue
rather sweeping
He complains that they
editors.
condemnation
scoring
the habit
(or their office boys) are
May
MSS. and thus spoiling their virgin beauty.
point out that from among thousands
MSS.
which have passed through my hands and the

siders, and
spite
not wantonly
chief means

FUND.

�The price of the portfolio will be
Single plates 3d. each.
am, Sir, your obedient servant,
GOLLANCZ,
Secretary
the British Academy.

I.

e

In

..
.
of . to
.

in

*

if
as

to

by

in

by

of

as

as

to

is

it

be

I

to

of

1.

of

2.

R.

S.

as

J. H.

C.

of

of

by

in

of

at

G. J.

on

E.

H. to

of

C.

H.

of

a

in

in

in

of

25.
These papers, together with other contributions,
will be published in extenso in The Proceedings
of the British Academy, and also separately.
On the evening of Tuesday, December 15, a per
formance of Samson Agonistes will be given at
the theatre, Burlington-gardens, under the direc
tion of Mr. William Poel, for the guests of the
British Academy.
Public performances are being
arranged for in London and elsewhere.
At the British Museum there will be an exhibi
tion of Miltoniana,
and a portfolio containing
facsimiles of the Milton autographs and documents
in the museum will be published by order of the
trustees, on the occasion of the Milton Tercen

Franklin Lieber, Robert Machray,
Herbert
Thring,
Lacon Watson, Horace Wyndham
(hon. librarian) and myself.
To ensure
continual infusion of fresh
interest
the club's affairs, one third
the com
February, 1911, and every
mittee will retire
Subsequent February,
favour
new officers, no
past committee-man being eligible for re-election
until the lapse
one year after resigning office.
No financial liability
the management
any individual member.
attaches
On behalf

the Executive Committee,
-am, Sir,
Your obedient servant,
ALGERNON ROSE,
of

November

the executive committee who were elected
the
general meeting
members
the 5th ult.,
namely
addition
the chairman
aforemen
Cautley,
Harper,
tioned, Messrs.
in

by

E.

Schoolmaster,

in

and

to

Schoolboy

I

as

Mr. A. F. Leach.
Samson Agonistes and the Hellenic Drama,
by the late Sir Richard Jebb.
Further, Professor C. H. Firth will contribute a
paper on Milton as an Historian.
This will be
read at the ordinary meeting of the Academy on

:

Milton

by Professor

4.

on the Continent,
G. Robertson.

5.

J.

Brabrook, C.B., Sir Arthur Conan Doyle, Wen.
Sinclair, D.D., Messrs.
Crockett,
Fry, Francis Gribble,
Rider Haggard,
Anthony Hope Hawkins,
Cutcliffe Hyne,
Morley Roberts, William Senior, Horace Annesley
Wachell, Percy White, with Mr. Charles Garvice
chairman
the Executive Committee, and Mr. T.
Cato Worsfold, hon. solicitor.
The new club rooms overlook the Embank
ment Gardens
and the river, and, until the
refurnishing
completed, members
the Authors
are guests
the Municipal Club
the same
building.
The social affairs
the club are managed
Archdeacon

6.

E. Dowden.
Milton's Fame

the Authors Club has
accomplished with the cordial co-operation
the majority
the former members.
Amongst those who have joined the general
council are the Lord Monkswell, D.L., Sir Edward
been

of is

and Dante, with reference to Macaulay's

Essay, by Mr. W. J. Courthope, C.B.
Milton in the Eighteenth Century, by Professor

-follows:
The reconstruction

Hon. Sec.

2,

Milton

SIR,-As
fully
not possible
answer
inquiry received
one would wish the many letters
daily regarding the now successfully reconstructed
Authors Club (founded
1891
Sir Walter
Besant),
my committee
am requested
ask
permit the most frequent
you will courteously
your columns,
questions
replied

B.

the Bishop of Ripon.
The Right Hon. the Lord
Mayor (Sir George Wyatt Truscott) and the
Sheriffs, in State, leading citizens (especially
of
Milton's ward of Bread-street), the officers and
Fellows of the British Academy, with other invited
guests, will attend the service.
In the evening the Lord Mayor will entertain a
representative company at the Mansion House at a
banquet in celebration of the tercentenary.
On Thursday, December 10, in the afternoon, a
general meeting of the British Academy will be
held, at which will be communicated for publica
tion the following papers on various aspects of
Milton's life and work :

THE AUTHORS CLUB.

C.

On December 9, the day of the tercentenary, a
special commemoration
service will be held in the
afternoon,
at the church
of St. Mary-le-Bow,
Cheapside, at which the sermon will be given by

º-e

3.

response to a request addressed to him by the
Tercentenary
Committee,
Mr. George Meredith,
O.M., has graciously
written some lines on
Milton, in honour of the occasion, and the
celebration will fittingly open with the reading of
these lines.

;

tenary.

of

Dr. A. W. Ward, Master of Peterhouse, Fellow of
the Academy, will deliver a brief oration on
Milton's Life and Work, to be followed by a
discourse on Milton's Comus and its Incidental
Music, by Sir Frederick Bridge, illustrated by the
choristers of Westminster Abbey.

1s.

A UITISIOR.

of

TISIES

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84

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or
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handled

0ffices,

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AMBITIOUS AUTHORS,

2.
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a

A

LONDON

REGIPES
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is

From

Writers.

or

in

of

a

d

Western Mai I.- The subject
well treated and the author
powerful case.
makes out
Dundee Advertiser.
The ruination caused by drunkenness,
and the obstacles the Church throws
the way
divorce by
insisting on the sanctity
marriage, are exhibited
this arrest
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strength which cannot favl
appeal
readers
procuring
who desire the means
better Social environment.
boolethat deservesto bestudied.
vigorous Writer. We do not
Bookseller.
Mr.
Granville
think he has ever done anything better than this veiled tragedy
Of the Conventions.

MONEY-MAKHNG

AUTHORS.

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a

is

a

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Fínd Them.

FOR M0MEW.
Bright Stories: How
Write and Where
Lell Them
Best Prices.
By R. A. H. GOODYEAR.

is

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fº

is

of

TALE WRITING

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a

is

is

is

It

a

a

of
a

WRITE ABOUT

New Plots, and How
By R. A. H.

to

a '
is
a

of

of

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WHAT SHALL

at

GOES"]...[INTF
(CSIRſ Se
story
Westminster Review.
The
Indissoluble Knot
of thrilling interest.
Mr. Granville possesses
trenchant
style, and no little knowledge
seamy
City
the
side
life.
Nottingham
Guardian Literary Supplement.
It
not
showing
often that
novel written avowedly for the purpose
the evils of drink can be treated as serious work of art. But
The Indissoluble Rnot
an exception.
has style, the
good, and the story
interesting from start
characterisation
to finish.
Birmingham Post.
A powerful story. Mr. Granville wins
|bis success by
direct and powerful appeal to elementary
£motions.
cleverly portrays the
The Scotsman.
The
author
good woman under the baneful influence
breakdown
story
dissolute husband.
The
one in which the characters
are cleverly drawn, speaking and acting with
naturalness
seamy side
which will please even fastidious reader, while
graphically delineated.
London commercial life
Dundee Courier.
Mr.
Granville undoubtedly gives Lady
|Haversley very strong case.
As picture
life
the City
story
the
has considerable interest.
A tragic* little story
The Lady.
the characters are well
d?"O,700l.

:

diverge
anxious
from the beaten track, should read the following
new guides:

SS

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SOIV'ſ E.

2/6 nett.

&amp;

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chARLES GRANVILLE.
Price

PAWS

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(NOT.

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THORNE.

NG

CURTIS, BROWN

Authors' MSS. ; Translations; Duplicating ; Plays and Actors' Parts ;
Legal, General and Commercial Documents. Private Rooms for
Dictation. Usual Terms. References.

EPIRFE,

is

It

to

must
submitted
nor that all Plays sub
mitted to Mr. Archer must be further

(Established 1893)

By

be

to

entrusted
Mr. Archer,

SIPKES and SIKES,

THE INDISS01/BLE

us

Authors' MSS. carefully copied from 1s, per 1,000
Duplicate copies third price. French and German
MSS. accurately copied ; or typewritten English trans
lations supplied.
References kindly permitted to Messrs.
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Norfolk Street, Strand, W.C. Telephone 84.64 Central.
words.

223a, Hammersmith Road, LONDON, W.

to

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may submit
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ever,
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Typewriting Office,
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an

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TESTIMONIALS.

Miss M. R. HoRNE has typed for me literary matter to the
©xtent of some hundreds of thousands of words,
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            <text>C u t b or.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Vol. XIX.-No. 3. DECEMBER 1, 1908. [PRICE SIXPENCE.&#13;
C O N T E N T S.&#13;
* PAGE PAGE&#13;
Notices ... tº º tº * * * tº º º tº 9 tº tº e tº e e ſº tº º &amp; ë is &amp; 57 Warnings to Musical Composers 71&#13;
Committee Notes is ſº &amp; tº gº º * * * tº e º * - ſº gº tº º &amp; ge 58 How to Use the Society &amp; 8 72&#13;
Cases tº e. g. * tº ge tº te &amp; e e ſº tº g tº tº t tº &amp; is ſº • e a gº º º 61 To Musical Composers 72&#13;
November Elections ... e g ſº &amp; tº e tº $ tº * G - tº s &amp; &amp; ſº º 61 The Reading Branch ... 72&#13;
Books published by Members of the Society * @ º ge e ſº © º e 61 Notices ... § e e tº g tº ſº e is * * * a s , 72&#13;
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International Copyright Conference *"u º # * g. * = &amp; tº ſº º 69 Lord Southampton and Titchfield Place ... 79&#13;
Canadian Copyright tº tº a. * * e i tº e tº e tº s to * * * 69 Fiction as a Menace to the Book Trade S()&#13;
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Warnings to Producers of Books ... * Wº º tº º tº tº gº º tº º tº 71 Contemporary Criticisms.—X. 81&#13;
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ANTHONY HOPE HAWKINS, -&#13;
E. W. HORNUNG.&#13;
MAURICE HEWLETT.&#13;
JEROME K. J EROM F.&#13;
HENRY ARTHUR JONES.&#13;
J. SCOTT KELTIE, LL.D.&#13;
RUDYARD RIPLING.&#13;
SIR EDWIN RAY LANKESTER, F.R.S.&#13;
THE REv. W. J. LORTIE, F.S.A.&#13;
THE RIGHT HON. SIR ALFRED&#13;
LYALL, PC.&#13;
LADY LUGARD (MISS FLORA. L.&#13;
SHAw).&#13;
SIDNEY LEE.&#13;
MRS. MAXWELL (M. E. BRADDON).&#13;
JUSTIN MCCARTHY.&#13;
THE REV. C. H. MIDDLETON-WAKE,&#13;
SIR HENRY NORMAN, M.P.&#13;
SIR GILBERT PARKER, M.P.&#13;
A. W. PIN ERO. -&#13;
THE RIGHT HON. SIR HORACE&#13;
PLUNKETT, K.P.&#13;
ARTHUR RACKEIAM.&#13;
OWEN SEAMAN.&#13;
G. BERNARD SHAW.&#13;
G. R. SIMS.&#13;
S. SQUIRE SPEIGGE.&#13;
FRANCIS STORR.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
Mus. Doc. -&#13;
WILLIAM MOY THOMAS.&#13;
MRS. HUMPHRY WARD.&#13;
PERCY WHITE. :&#13;
FIELD MARSHAL THE RIGHT HON.&#13;
THE WISCOUNT WolsFLEY, K.P.,&#13;
P.C., &amp;c.&#13;
SIDNEY WEBB.&#13;
COIVIIMITTEE OF MANAGEMENT.&#13;
MRS. E. NESBIT BLAND.&#13;
J. W. COMYINS CARR.&#13;
THE HON. MRS. ALFRED FELKIN&#13;
(ELLEN THORNEYCROFT FOWIER).&#13;
Chairman—DOUGLAS FRESHEIELD.&#13;
MAURICE HEWLETT.&#13;
SIDNEY LEE.&#13;
ARTHUR RACKEIAM.&#13;
G. BERNARD SHAW.&#13;
S. SQUIRE SPRIGGE.&#13;
FRANCIS STORR.&#13;
SIDNEY WEB.B.&#13;
IDRAIMIATIC SUB-COIVIMIITTEE.&#13;
WILLIAM ARCHER.&#13;
MRS. E. NESBIT BLAND.&#13;
H. GRAN VILLE BARKER.&#13;
Chairman—HENRY ARTHUR JONES.&#13;
J. W. COMYNS CARR.&#13;
JEROME K. J.EROME.&#13;
W. J. LOCKE.&#13;
W. SOMERSET MAUGHAM.&#13;
CAPT. ROBERT MARSHALL.&#13;
PAUL RUEENS.&#13;
G. BERNARD SHAW.&#13;
PFNSION FUND COMIMITTEE.&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS,&#13;
Chain’man—DOUGLAS FRESHFIELD.&#13;
MORLEY ROBERTS.&#13;
|M. H. SPIELMANN.&#13;
MRS. ALEC TWEEDIE.&#13;
MRS. HUMPHRY WARD.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
E. J. MACGILLIVRAY.&#13;
SIR GILRERT PARKER, M.P.&#13;
ART SUB-COIMIMITTEE.&#13;
JoHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
HAROLD HARDY.&#13;
ANTHONY HOPE HAWKINS.&#13;
THE HON. JOHN COLLIER.&#13;
SIR. W. MARTIN CONWAY.&#13;
FIELD, ROSCOE &amp; Co., 36, Lincoln's Inr Fields, W.C. : a, #an-&#13;
G. HERBERT THRING, 39, old Queen street, storey's Gate, s.w.. }. Soºtors.&#13;
LAWRENCE GODKIN, 30, Pine Street, New York, U.S.A., Counsel in the United States.&#13;
39, OLD QUEEN STREET, STOREY’s GATE, S.W.&#13;
OFFICES.&#13;
SIR CHARLES WILLIERS STANFORD,&#13;
Mus. Doc.&#13;
J. H. YOXALL, M.P.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN.&#13;
Secretary—G. HERBERT THRING,&#13;
Solicitor in England to&#13;
La Société des Gems de Lettress&#13;
&#13;
&#13;
## p. 57 (#77) ##############################################&#13;
&#13;
C be El u t b or.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
WOL. XIX. —No. 3.&#13;
DECEMBER 1st, 1908.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER : -&#13;
374 WICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
,&#13;
NOTICES.&#13;
—º-º-º-&#13;
OR the opinions expressed in papers that are&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE Editor begs to inform members of the&#13;
Authors’ Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
—e—º-e—&#13;
THE SOCIETY's FUNDs.&#13;
–6—sº-0–&#13;
ROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are : (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
VOL. XIX.&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
—e—º-e—&#13;
LIST OF MEMBERS.&#13;
—º-º-º-&#13;
HE List of Members of the Society of Authors,&#13;
published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7#d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages. -&gt;&#13;
—e—Q–e—&#13;
PENSION FUND.&#13;
—e—sº-0—&#13;
• Subscriptions.&#13;
f, *. 1908. # S. d.&#13;
Oct. 10, Macnaughton-Jones, H. . () 5 ()&#13;
Oct. 20, Garvice, Charles © 1 1 0.&#13;
Nov. 12, Woods, Miss Mary A. () 5 ().&#13;
Nov. 20, Boycott, G. W. M. . () I () 6&#13;
Nov. 20, Budgeon, Miss () 5 ()&#13;
Nov. 21, Benjamin, Lewis J. 1 1 0&#13;
Nov. 21, Coulton, G. G. &amp; © () 5 0.&#13;
Nov. 21, Dixon, Miss H. Margaret 2 2 ()&#13;
Nov. 21, Colquhoun, A. © iº () 10 0&#13;
Nov. 23, Holmes, Miss Eleanor () 5 ()&#13;
Nov. 23, Hussey, Eyre 0 1 0 ().&#13;
Nov. 23, Capes, Bernard O 1 () ()&#13;
Nov. 23, Hecht, Mrs. Arthur 0 5 ()&#13;
Nov. 23, Festing, Miss Gabrielle . () 10 0&#13;
Nov. 23, Carolin, Mrs. . e 0 1 0 ()&#13;
Nov. 23, Bland, Mrs. E. Nesbit 0 1 0 6&#13;
Nov. 23, Hichens, Robert 3 3 ()&#13;
&#13;
&#13;
## p. 58 (#78) ##############################################&#13;
&#13;
58 TISIE AUTHOR,&#13;
§&#13;
S&#13;
(7&#13;
l&#13;
()&#13;
S.&#13;
10&#13;
10&#13;
Nov. 17, Anon. . &amp; e o&#13;
Nov. 21, Anson, Sir William, Bart.&#13;
Nov. 21, Cordeaux, Miss K. M. .&#13;
Nov. 21, Drewitt, F. Dawtrey, M.D. .&#13;
Nov. 21, Delaire, Madame Jean .&#13;
Nov. 21, Hecht, Mrs. Arthur .&#13;
Nov. 21, Collier, The Honble. John&#13;
Nov. 21, Keltie, G. Scott . te&#13;
Nov. 21, Shepeard-Walwyn, H. W.&#13;
Nov. 21, Church, Prof. A. H. .&#13;
Nov. 21, James, Miss S. Boucher&#13;
Nov. 21, Ramsden, The Lady Gwen-&#13;
Nov. 23, Grogan, W. E. .&#13;
Nov. 23, Stowell, Mrs. Rodolph&#13;
Nov. 23, Gay, Mrs. . e&#13;
Nov. 23, Summers, J. . ©&#13;
Nov. 23, Bloundelle-Burton, J.&#13;
Nov. 23, Freshfield, Douglas&#13;
Nov. 24, Rowsell, Miss Mary&#13;
Nov. 24, Bell, Lady g&#13;
Nov. 24, Sanders, Miss E. K.&#13;
Nov. 25, Count Plunkett&#13;
Nov. 25, Victoria Cross te&#13;
Nov. 25, Cromartie, the Countess of&#13;
Nov. 25, Sutro, Alfred.&#13;
Nov. 25, Kipling, Rudyard .&#13;
Nov. 25, Pope, Miss Jessie .&#13;
Nov. 25, Scott, G. Forrester&#13;
Nov. 25, Carr, Miss Mildred E.&#13;
Nov. 25, O’Brien, The Rev. G. E.&#13;
Nov. 25, Wells, The Rev. Freeman&#13;
Nov. 25, Lewis, T. C. g º&#13;
Nov. 25, Fenwick, Miss S. F. º&#13;
Nov. 26, Montgomery, Miss K. L.&#13;
Nov. 26, Dummelow, The Rev. J. R.&#13;
Nov. 26, Jopp, Miss E. A. . e&#13;
Nov. 26, Wintle, Harold R..&#13;
Nov. 26, Malcolm, Mrs. Ian. tº&#13;
Nov. 26, Marks, Mrs. Mary A. M.&#13;
Nov. 26, “E.” . g . .&#13;
Nov. 27, Prideaux, Miss S. T.&#13;
Nov. 27, Saies, Mrs. F. H. .&#13;
Nov. 27, Heath, Miss Ella&#13;
Nov. 27, Thomas, Edward&#13;
Nov. 27, Shaw, Mrs. Bernard&#13;
Nov. 27, Smith, Bertram&#13;
Nov. 27, Niven, Frederick . º&#13;
Nov. 27, Nembhard, Miss Isabel .&#13;
Nov. 27, Smith, Miss M. E. * &gt;&#13;
Nov. 28, Brandon, Miss Dorothy.&#13;
Nov. 28, de la Pasture, Mrs. Henry&#13;
Nov. 28, Scott, Mrs. C. ge wº&#13;
Nov. 28, Harrison, Mrs. Darent .&#13;
1.&#13;
1&#13;
1&#13;
i&#13;
I&#13;
dolen tº tº&#13;
Nov. 21, Spielmann, M. H.&#13;
Nov. 21, Saville, Frank&#13;
Nov. 24, Kennedy, E. B. .&#13;
Nov. 24, Bennett, Prof. W. H. .&#13;
Nov. 24, Batty, Mrs. Braithwaite&#13;
Nov. 24, Crouch, A. P. . º&#13;
Nov. 24, Hawtrey, Miss Valentine&#13;
Nov. 24, Sedgwick, Miss Anna Douglas&#13;
Nov. 24, Anon. . ſº gº gº&#13;
Nov. 25, Page, Herbert W.&#13;
Nov. 25, Brereton, Capt. F. S. .&#13;
Nov. 25, Knight, Mrs. Maude C.&#13;
Nov. 25, Bowen, Miss Marjorie .&#13;
Nov. 25, Turner, Reginald&#13;
Nov. 25, Nash, T. A.&#13;
Nov. 25, Trevor, John&#13;
Nov. 25, Wacher, Francis .&#13;
Nov. 25, Hughes-Gibb, Mrs. o&#13;
Nov. 25, Farmer, Miss A. A. e ©&#13;
Nov. 25, Hunt, Holman &amp;&#13;
Nov. 25, Tuckett, F. F.&#13;
Nov. 25, Allen, Mrs. Grant&#13;
Nov. 26, Hole, W. G. ©&#13;
Nov. 27, Granville, Charles&#13;
Nov. 27, Henoch, Miss Emily T.&#13;
Nov. 27, Simes, Miss O. Kathleen&#13;
Nov. 27, Penny, The Rev. Frank&#13;
Nov. 27, Westell, W. P. . Q&#13;
i&#13;
)&#13;
1&#13;
1&#13;
1.&#13;
1&#13;
I&#13;
()&#13;
1.&#13;
1&#13;
1&#13;
Nov. 28, Logan, The Rev. Robert Nov. 28, Coolidge, The Rev. W. A. B. ()&#13;
Nov. 28, Chesterton, G. K. * 1 Nov. 28, Lady Pamela Tennant ()&#13;
Nov. 28, Wingfield, H. . tº I 1 ()&#13;
Donations, 1908. The names of those subscribers and donors which&#13;
077ations. 1908 are not included in the lists printed above, are&#13;
July 16, Carolin, Mrs. &amp; * 0 5 0 unavoidably held over to the January issue.&#13;
July 28, Atherton, Mrs. Gertrude 21 () ()&#13;
Aug. 21, Beckett, Arthur W. 1 1 0 e—sº-e&#13;
Sept. 28, “Whitworth Wynne" . 1 1 0&#13;
Oct. 23, Woolf, Miss Bella Sidney O 5 () COMMITTEE NOTES.&#13;
Oct. 31, Robinson, J. K. . ſº () 6 () -&#13;
Nov. 6, Wroughton, Miss Cicely. 1 0 () —º-º-º-&#13;
Nov. 7, Sherard, R. H. . ſº 1 I () HE November meeting of the Committee of&#13;
Nov. 7, Cameron, Miss Charlotte () 10 0 Management of the Society of Authors was&#13;
Nov. 12, Tweedie, Mrs. Alec. . 1 1 0 held at the society's offices on the 2nd of that&#13;
Nov. 17, Tench, Miss Mary F. A. 0 10 0 month.&#13;
&#13;
&#13;
## p. 59 (#79) ##############################################&#13;
&#13;
TISIES A UTFIOR.&#13;
59&#13;
The chairman, Mr. Douglas Freshfield, reported&#13;
that he had received a letter from Mr. George&#13;
Meredith, thanking the committee for the copy of&#13;
the medallion portrait of himself executed by Mr.&#13;
Spicer Simson, which they had forwarded for his&#13;
acceptance. Mr. Meredith wrote as follows:—&#13;
“The medallion touches me as a further instance&#13;
of the good will of your committee showed so&#13;
genially when a deputation came here on my last&#13;
birthday. Testimony enough Pray let it be&#13;
known that I am moved to grateful affection.”&#13;
Twenty-five new members and associates were&#13;
elected, bringing the total for the year up to date&#13;
to 228.&#13;
The committee proceeded to the nomination of&#13;
new members to fill the vacancies on the council.&#13;
They have pleasure in announcing the following&#13;
gentlemen have consented to their names being added&#13;
to that body –Sir Charles Williers Stanford, The&#13;
Right Hon. Sir Horace Plunkett, The Right Hon.&#13;
Sir Alfred Lyall. The members of the art sub-&#13;
Committee were next nominated. The committee&#13;
of management are pleased to report acceptances&#13;
from The Hon. John Collier, Sir W. Martin Conway,&#13;
Walter Crane, Arthur Hassall, J. G. Millais, Arthur&#13;
Rackham and M. H. Spielmann.&#13;
The copyright sub-committee has been con-&#13;
stituted according to the list printed in the last issue&#13;
of The Author, and will be found in future at the&#13;
head of the society’s letter-paper and inside the&#13;
front cover of The Author.&#13;
A pamphlet containing a model agreement and&#13;
a valuable treatise on dramatic contracts which was&#13;
settled by the dramatic sub-committee was laid&#13;
before the committee of management, who desired&#13;
it to be printed as a supplement in one of the&#13;
Coming issues of The Author.&#13;
The following cases were then dealt with :—&#13;
The first related to the infringement by a New&#13;
Zealand newspaper of the copyright in a story by&#13;
one of the society’s members. It has been referred&#13;
to in previous issues of The Author. Since the&#13;
October meeting of the committee the delin-&#13;
quents forwarded a money order in payment for&#13;
the infringement. The committee considered the&#13;
matter very carefully, and decided in the circum-&#13;
stances to accept the sum offered subject to the&#13;
approval of the member concerned. Accordingly,&#13;
the secretary has written to the paper, accepting&#13;
the amount in settlement, but notifying the editor&#13;
of the committee's determination to stamp out&#13;
piracy of its members’ property in whatever part of&#13;
the globe it may occur. With this object in view,&#13;
the secretary has been instructed to ascertain if it&#13;
were practicable to collect information as to the&#13;
titles of any stories written by members of the society&#13;
which are running in the Colonial, American and&#13;
Continental papers. Then whenever a case of&#13;
piracy is discovered, it would be possible, with the&#13;
consent of the member whose work is pirated, to&#13;
take immediate action.&#13;
The next case before the committee had reference&#13;
to a most important issue dealing with dramatic&#13;
rights generally. While referring the question to&#13;
the dramatic sub-committee in order that that body&#13;
might make any suggestions which occurred to&#13;
them, the committee of management, in order to&#13;
avoid any unnecessary delay, instructed the secretary&#13;
to forward a statement of the case to the society’s&#13;
Solicitors in the United States to obtain their&#13;
advice as to the steps it might be desirable for the&#13;
Committee of management to take. It is probable, as&#13;
the case bears on the important question of dramatic&#13;
rights in the United States, that the opinion, when&#13;
it comes to hand, will be printed in The Author.&#13;
There were two cases against publishers dealing&#13;
with disputes on agreements, non-rendering of&#13;
accounts, and non-payment of moneys. In both&#13;
cases the committee decided to prosecute and&#13;
instructed the Secretary to place them in the hands&#13;
of the society’s solicitors.&#13;
The last case related to an appeal made by a&#13;
member of the society for its assistance. Having&#13;
regard to the fact that the mature of the aid which&#13;
the member required did not come within the&#13;
Scope of the Society’s work, the committee felt bound&#13;
to refuse the member's request, and instructed the&#13;
Secretary to write accordingly.&#13;
The question of advertisements in The Author&#13;
next engaged the attention of the committee.&#13;
Some of our members appear to have thought that&#13;
the insertion of an advertisement amounts to some&#13;
sort of recommendation on the part of the society of&#13;
the firm advertised. This is no more the case in&#13;
The Author than in any other periodical. The com-&#13;
mittee desire to state that while they do their best&#13;
to exclude any advertisement they are advised is mis-&#13;
leading, they can take no further responsibility in the&#13;
matter. The subject is dealt with in a General Note.&#13;
A resolution proposed by Mrs. E. Nesbit Bland,&#13;
involving an important extension in the society's&#13;
action, was adjourned to the next meeting owing&#13;
to Mrs. Bland's inability to attend.&#13;
The committee have to thank Miss Nellie Dale&#13;
and Mr. W. S. Walker for their contributions to&#13;
the capital account of the Society, as tokens of&#13;
their thanks for the services which the society&#13;
has been able to render them. Miss Dale has made&#13;
a seventh donation of £5 and Mr. Walker a&#13;
donation of £1 1s. to the Society.&#13;
The secretary reported that the chairman had&#13;
sanctioned three county court cases which had been&#13;
taken up during the past month, and, at the desire&#13;
of the dramatic sub-committee, had sanctioned&#13;
counsel's opinion being taken in respect to a point&#13;
of law affecting the interests of dramatic authors.&#13;
&#13;
&#13;
## p. 60 (#80) ##############################################&#13;
&#13;
60&#13;
TISIES A UTISIOR.&#13;
PENSION FUND COMMITTEE.&#13;
A MEETING of the Pension Fund Committee was&#13;
held on Monday, November 2, at the offices of&#13;
the society.&#13;
Mrs. Myall (Laura Hain Friswell), owing to&#13;
incapacity from illness to continue her literary&#13;
work at present, was awarded a pension for One&#13;
year under Clause 16, of the Pension Fund Scheme,&#13;
which runs as follows:&#13;
“No pension shall be granted to any person&#13;
under the age of sixty years, so long as suitable&#13;
candidates of the age of sixty years or upwards&#13;
shall present themselves. Provided, that a pension&#13;
may be granted to a person of less age if and while&#13;
he shall in the opinion of the Pension Fund Com-&#13;
mittee be totally incapacitated for work by reason&#13;
of illness or accident.” -&#13;
The pension awarded is at the rate of £25 per&#13;
annum, and the committee will be prepared to con-&#13;
sider a further application at the end of the year.&#13;
Mrs. Myall has been a member of the society since&#13;
its foundation. Her last published work was entitled&#13;
“In the Sixties and Seventies.” It was a record&#13;
of literary reminiscences.&#13;
The committee decided to issue an appeal to the&#13;
members for further support to the Pension Fund.&#13;
This appeal, which will be in the hands of mem-&#13;
bers before the present number of this journal, will&#13;
they trust meet with a general and substantial&#13;
response.&#13;
—º-º-º-&#13;
DRAMATIC SUB-COMMITTEE.&#13;
I.&#13;
THE Dramatic Sub-Committee of the Society of&#13;
Authors met at 39, Old Queen Street, S.W., on&#13;
Thursday, November 5. -&#13;
After the minutes of the previous meeting had&#13;
been approved and signed, the Dramatic Pamphlet&#13;
was finally approved, and the committee passed a&#13;
resolution to the effect that it should be printed as&#13;
a supplement in one of the coming issues of The&#13;
Author. The final proofs were looked over, at the&#13;
request of the other members of the committee, by&#13;
the chairman, Mr. Henry Arthur Jones, and by&#13;
Mr. G. Bernard Shaw.&#13;
An exceedingly important dramatic case was&#13;
then discussed. The secretary reported that, in&#13;
order to save time, the committee of management&#13;
had already sanctioned the taking of an opinion&#13;
from the American lawyers of the Society, and had&#13;
requested the Dramatic Sub-Committee to advise&#13;
them if any further steps were necessary. The&#13;
Dramatic Sub-Committee instructed the secretary&#13;
to call a meeting as soon as the opinion of the&#13;
American lawyers was to hand.&#13;
The secretary laid before the sub-committee a&#13;
translation of the statutes and the general treaty&#13;
with managers and agents of the German Society of&#13;
Dramatic Authors. He was instructed to have&#13;
copies made and circulated to the members of that&#13;
committee. A letter from Mr. A. W. Pinero, who&#13;
is at present acting as chairman of the proposed&#13;
new Dramatic Authors’ Society, was placed before&#13;
the committee, who acceded to the request con-&#13;
tained therein to meet the delegates of that body.&#13;
The secretary was instructed to write to Mr.&#13;
Pinero, and arrange a date for the conference.&#13;
The next point for discussion was the general&#13;
treaty between dramatic authors and managers.&#13;
This was carefully considered, and several altera-&#13;
tions were made. The treaty was finally settled&#13;
and made ready for negotiation, the secretary being&#13;
instructed to obtain clean proofs in its final form.&#13;
II.&#13;
The Dramatic Sub-Committee met again on&#13;
Thursday, November 19, at 39, Old Queen Street,&#13;
Storey's Gate, S.W., to meet a deputation composed&#13;
of Mr. A. W. Pinero, Mr. J. M. Barrie, and Mr.&#13;
Cecil Raleigh, from the proposed new Society of&#13;
Dramatic Authors. Mr. Pinero, as spokesman of&#13;
the deputation, submitted the two following&#13;
points:— -&#13;
(1) Will the Society of Authors support the&#13;
dramatic authors in their efforts to carry through&#13;
a reform of the censorship on the terms proposed&#13;
at the recent deputation to the Premier 2&#13;
(2) What measure of autonomy will the Dramatic&#13;
Sub-Committee be prepared to recommend to the&#13;
committee of management to give to dramatic&#13;
authors 2 -&#13;
Considerable discussion followed upon these two&#13;
points, but in respect to the first the dramatic&#13;
Sub-committee pledged themselves to use every&#13;
endeavour to obtain the support of the committee&#13;
of management and of the general body of mem-&#13;
bers of the Society to carry out this object.&#13;
In answer to the second question, the Dramatic&#13;
Sub-Committee stated, in the first instance, that&#13;
they could pledge themselves to nothing outside&#13;
the present constitution of the society, but finally,&#13;
the individual members present stated that if all&#13;
the members of the proposed Dramatic Authors’&#13;
Society came into the Society of Authors in a body,&#13;
they individually would resign their positions on the&#13;
Dramatic Sub-Committee in order to recommend&#13;
to the committee of management the formation of&#13;
a fresh Dramatic Sub-Committee to be composed of&#13;
members put forward by all the dramatists in the&#13;
Society thus collected.&#13;
—º-º-º-&#13;
&#13;
&#13;
## p. 61 (#81) ##############################################&#13;
&#13;
TISIES A UITISIOR. 61&#13;
Cases.&#13;
DURING the past month thirteen new cases have&#13;
come before the secretary ; four of these involved&#13;
the return of MSS., and in three the MSS. were&#13;
returned and despatched to the authors concerned.&#13;
The fourth came into the office just before The&#13;
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How To USB A CAMERA. By CLIVE HOLLAND. Dutton”&#13;
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SCIENCE AND IMMORTALITY. By SIR OLIVER JOSEPH&#13;
LODGE Moffat, Yard. $2 n.&#13;
PEIILOSOPHY.&#13;
FIRST AND LAST THINGs: A ConFESSION OF FAITH AND&#13;
A RULE OF LIFE. By H. G. WELLS. Putnam. $1 m.&#13;
POETRY.&#13;
PoEMs FROM Punch. Edited by SIR FRANCIS CowLEY&#13;
BURNAND. Caldwell Co. Cloth, 40 c.; limp leather,&#13;
75 c. ; chamois, $1.25.&#13;
EURIPIDEs. Translated into English rhyming verse by G.&#13;
GILBERT AIMé MURRAY. Longmans, Green. $2.&#13;
TEIEOLOGY.&#13;
SOME ANSWERED QUESTIONS: COLLECTED AND TRANS-&#13;
LATED FROM THE PERSIAN OF ABDU’L-BAHA. By&#13;
LAURA CLIFFORD BARNEY. Lippincott. $1.50 n.&#13;
ORTH ODoxy. By GILBERT KEITH CHESTERTON. John&#13;
Lane Co. $1.50 n. -&#13;
TOPOGRAPHY.&#13;
FROM THE FORELAND TO PENZANCE.&#13;
LAND, Illus. Duffield. $3.50 m.&#13;
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TRAVEL.&#13;
THINGS SEEN IN JAPAN. By CLIVE HOLLAND. Dutton.&#13;
Cloth, 75 c. n. ; leather, $1 n.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
—-º-º-º-&#13;
E hear that the present publishing season&#13;
- - in the United States is a splendid one,&#13;
and that the happy result of the Presi-&#13;
dential election has stimulated business in the&#13;
bookselling trade as in all other quarters. On the&#13;
other hand, the dramatic season has been more or&#13;
less of a failure ; play after play has failed, and&#13;
those that remain show to half-empty or paper-&#13;
dressed houses. - -&#13;
Anna Lea Merritt, well-known to many people&#13;
by her picture “Love Locked Out,” has a book&#13;
with Messrs. George Allen, called “An Artist's&#13;
Garden.” It is, of course, her own garden which&#13;
she paints and describes. There are sixteen full-&#13;
page drawings in colour, and eleven chapters, in-&#13;
cluding those on “Making a Garden,” “Blight,”&#13;
“My Rock Garden,” and “Characters in Flowers.”&#13;
Mr. Upton Sinclair has published a new novel,&#13;
entitled, “The Money Changers,” the English&#13;
rights of which have been acquired by Mr. John&#13;
Long. Mr. Sinclair describes from the inside&#13;
the causes of the recent financial panics in&#13;
America. -&#13;
A new novel, “Hilary Thornton,” by Hubert&#13;
Wales, will be published in the spring by Mr. John&#13;
Long in England and Messrs. Dana Estes &amp; Co.&#13;
in America. A French translation of “The&#13;
Yoke,” by the same author, will shortly appear.&#13;
A new addition to Messrs. Wells Gardner's&#13;
shilling series of copyright Reward Books is “The&#13;
Happy League,” by Leslie Moore, with illustra-&#13;
tions by Paul Hardy. It is a story of a family of&#13;
children, their scrapes and their pleasures.&#13;
Mr. John Heywood, of Manchester, has brought,&#13;
out “Weaving Mill Management,” by A. R.&#13;
Foster, with many illustrations and drawings.&#13;
We have received from the Clarendon Press a&#13;
new and cheap edition of “The King's English,”&#13;
abridged for school use. The present volume&#13;
creates in us a very favourable impression, as did&#13;
the second edition which we reviewed last year. It&#13;
is admirably adapted for its purpose.&#13;
Mrs. Philip Champion de Crespigny has had her&#13;
new book of short stories, “My Cousin Cynthia&#13;
and Others,” brought out by Mr. Eveleigh Nash.&#13;
Her novel, “The Mischief of a Glove,” has been&#13;
translated into French by Mr. Robu.'t Godet and,&#13;
published in Switzerland under the title of “Pour&#13;
un Gant.”&#13;
“From the East and from the West,” by T. C.&#13;
Lewis (Mr. T. Fisher Unwin), is a volume of verse&#13;
containing presentations of poetic thought from .&#13;
Persia, India, and Arabia, and from Germany and&#13;
France. To the rendering from German and&#13;
&#13;
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## p. 65 (#85) ##############################################&#13;
&#13;
THE AUTEIOR.&#13;
65&#13;
French lyrical and ballad poetry are added two&#13;
translations from the Greek, with a collection of&#13;
sonnets and other verses.&#13;
|Mr. Francis Griffiths has lately published “The&#13;
Church of England,” by R. Ellis Roberts. Mr.&#13;
Roberts writes from the liberal Catholic stand-&#13;
point, and endeavours to give a sketch of the&#13;
outstanding men and events in English Church&#13;
history rather than a narrative of dates and facts.&#13;
The book is the new volume of “The Library of&#13;
First Principles.”&#13;
President Fallières has accepted a presentation&#13;
copy of Irene Osgood's novel “Servitude,” which&#13;
is being translated into French by Madame Henri&#13;
Heau.&#13;
Mr. W. Percival Westell’s new Nature book,&#13;
“Animal's at Home” (Messrs. Dent), which was&#13;
announced in these columns last month, has an&#13;
introduction by Miss Marie Corelli. -&#13;
Messrs. Swan Sonnenschein &amp; Co., London,&#13;
have sent out a little book of “Essays on Theo-&#13;
sophy,” from the pen of Mrs. I. E. Taylor. Its&#13;
four papers give a general outline of theosophic&#13;
doctrine and a particular account of the doctrine&#13;
of Karma and reincarnation, and discuss the&#13;
relations between theosophy and science on the one&#13;
hand, and popular beliefs on the other.&#13;
“Fiddler Matt" is a story of a musical genius&#13;
in humble life by “Adam Lilburn” (Lilias Wasser-&#13;
mann). It has many illustrations by Mr. Arthur&#13;
Marsh, A.R.W.S., and will be published at once&#13;
by Messrs. Brown, Langham &amp; Co.&#13;
A new complete short novel, entitled “The&#13;
Master Key,” by Cosmo Hamilton, will be brought&#13;
out by Messrs. Hutchinson &amp; Co. as a supple-&#13;
ment to the Christmas number of The Lady's&#13;
JRealm. -&#13;
Messrs. T. C. and E. C. Jack have just published&#13;
a series of “Literary Readers,” in prose and verse&#13;
(12 volumes), by Miss Gladys Davidson. These&#13;
little books deal chiefly with classical and natural&#13;
history subjects; and they are arranged on an&#13;
original plan, the stories being told partly in verse&#13;
and partly in prose, and are quite devoid of the&#13;
usual “school-book” atmosphere. Miss Davidson&#13;
is now engaged upon a children's Bible story-book&#13;
on modern rational lines for Mr. David Nutt, which&#13;
will be issued early next year. -&#13;
“Siam,” by Ernest Young, B.Sc., has just&#13;
appeared with Messrs. A. and C. Black in their&#13;
“Peeps in Many Lands” series. It contains&#13;
twelve full-page illustrations in colour.&#13;
“A Little Child shall Lead Them: A Christmas&#13;
Book,” by A. Allen Brockington (Messrs. Samuel&#13;
Bagster), is another of the author's little spiritual&#13;
works with a slim, unobtrusive backbone of fiction.&#13;
|Mr. William Archer has now made an arrange-&#13;
ment with Messrs. Curtis, Brown &amp; Massie by&#13;
which he will, if desired by the authors, prepare&#13;
a detailed criticism and comment on all plays&#13;
Submitted to him. A feature of the arrangement&#13;
is that Mr. Archer will report, not only on com-&#13;
pleted plays, but also on scenarios, and may thus&#13;
be able to help save many a good idea from going&#13;
Wrong, and may also be able to nip in the bud&#13;
Some of the hopeless plays on which authors might&#13;
otherwise waste their time.&#13;
“As They Are,” by “Bartholomew,” has been&#13;
brought out by Messrs. Drane. It consists of&#13;
military, sporting, and social dialogues. #&#13;
“Literary and Biographical Studies,” by Jame&#13;
Baker (Messrs. Chapman and Hall), deals, among&#13;
other matters, with the home-life of the Royal&#13;
Family at Osborne and the value of that property&#13;
presented by His Majesty to the nation.&#13;
Messrs. Graves and Lucas have just published&#13;
through Sir Issac Pitman a new humorous volume&#13;
called “If,” with many illustrations by George&#13;
Monow. •&#13;
Mr. St. John Lucas has just published, with&#13;
Mr. Edward Arnold, a collection of English love&#13;
lyrics, called “The Rose-Winged Hours.” His&#13;
edition of “Ronsard” has recently been issued by&#13;
the Oxford University Press. &amp;&#13;
Miss M. A. Woods has in the press, in connection&#13;
with Milton's Tercentenary, a book entitled “The&#13;
Characters of Paradise Lost.” The publisher is&#13;
Mr. John Ouseley. -&#13;
“The Love Family,” by Mrs. M. H. Spielmann,&#13;
illustrated by Mr. Carton Moore-Park, is issued&#13;
by Messrs. George Allen. It is a tale of a family,&#13;
with Cupid as the central member, showing how&#13;
he interfered in the loves of the chief characters&#13;
and what befel.&#13;
Mr. Louis Joseph Vance has recently disposed&#13;
of the French and Belgian rights of his one-act&#13;
play, “At the Eleventh Hour.”&#13;
On October 27 a one-act comedy by Mr. St. John&#13;
Hankin was produced at the Criterion. Its title&#13;
is “The Burglar who Failed.” The burglar under&#13;
the bed was played by Mr. Ferdinand Gottschalk,&#13;
the athletic girl with a hockey-stick by Miss&#13;
Elfrida Clement, and the fearful mother by Miss&#13;
Kate Wingfield.&#13;
November 3 was the first night of Mr. Henry&#13;
Arthur Jones's new and original comedy in four acts,&#13;
“Dolly Reforming Herself.” It is impossible&#13;
to give the plot in the space at our disposal, but&#13;
it may at least be said that if Dolly does not&#13;
succeed in reforming herself she is more fortunate&#13;
in the case of her husband. The cast was as&#13;
follows:—Mrs. Harry Telfer, Miss Ethel Irving ;&#13;
Harry Telfer, Mr. Robert Loraine ; Matthew&#13;
Barron, Mr. C. M. Lowme ; Capt. Lucas Wentworth,&#13;
Mr. Charles R. Maude; The Rev. James Pilcher,&#13;
Mr. Herbert Bunston; Professor Sturgess, Mr.&#13;
&#13;
&#13;
## p. 66 (#86) ##############################################&#13;
&#13;
66&#13;
TISIES A UTISIOR.&#13;
E. Lyall Swete ; Mrs. Sturgess, Miss Margaret&#13;
Halstan.&#13;
Professor Gilbert Murray's translation of the&#13;
“Bacchae’’ of Euripides was presented at the&#13;
Court Theatre on the afternoon of November 10.&#13;
Miss Lillah McCarthy took the part of Dionysus,&#13;
Mr. R. A. Beaton that of Cadmus, and Miss&#13;
Winifred Mayo and Mr. Esmé Percy appeared&#13;
respectively as Agâve and Pentheus.&#13;
“The Builder of Bridges,” by Alfred Sutro, was&#13;
staged at the St. James's Theatre on November&#13;
II. The heroine juggles with two lovers in an&#13;
attempt to save her brother from imprisonment for&#13;
robbery. Her duplicity is discovered, but a happy&#13;
ending is finally reached. The principal characters&#13;
were sustained by Mr. Harcourt Williams, Mr.&#13;
T)awson Milward, Mr. George Alexander, Miss&#13;
Florence Haydon, and Miss Irene Vanbrugh.&#13;
Mr. G. S. Layard and Mr. Walter Frith produced&#13;
their new play “The New Governess” at Malvern&#13;
on November 19, 20, and 21. The title rôle was in&#13;
the hands of Miss Ina Pelly, who, it will be remem-&#13;
bered, took the part of the lady's-maid in the&#13;
London production of “Lady Frederick.” The&#13;
plot is founded on Mr. Layard's novel “Dolly's&#13;
Governess.”&#13;
On November 27, at the New Theatre, Mrs.&#13;
Patrick Campbell appeared in afternoon perfor-&#13;
mances of “T)eirdre,” a legendary verse play in one&#13;
act by W. B. Yeats, and “Electra,” a one-act&#13;
original tragedy founded on the old Greek story by&#13;
Hugo von Hofmannsthal, translated by Arthur&#13;
Symons. -&#13;
“The Antelope,” a new musical play by Adrian&#13;
Ross and Hugo Felix was presented at the Waldorf&#13;
Theatre on November 28.&#13;
The Stage Society is to perform a new play,&#13;
“The Last of the De Mullins,” by St. John&#13;
Hankin, at the Haymarket Theatre on December 6&#13;
and 7.&#13;
PARIS NOTES.&#13;
—º-º-º-&#13;
HE French Academy has now six of its&#13;
fºuleuils vacant, and there is certainly no&#13;
dramatic author who can fill the place of&#13;
Victorien Sardou. His death is universally&#13;
regretted. He was seventy-seven years of age,&#13;
and ever since he presented his first play at the&#13;
Odéon, in 1854, he had been steadily working for&#13;
the theatre. This first piece was a lamentable&#13;
failure, but some years after his “Premières armes&#13;
de Figaro" was played by Virginie Dejazet. From&#13;
that time forth Sardou's talent was acknowledged.&#13;
For fifty-four years he has been working as a dramatic&#13;
author, and So thorough and conscientious was he&#13;
that there were no secrets for him in his profession.&#13;
After writing his play he thoroughly understood&#13;
the technical side of it. At the rehearsals Sardou.&#13;
was a veritable Napoleon. He went into every&#13;
detail, knew the rôle of the actors, the mysteries of&#13;
the stage effects, and was a general favourite with&#13;
everyone, from the directors down to the very&#13;
humblest employé at the theatre. Sardou was&#13;
essentially a man of the theatre. He was a keen&#13;
observer, saw dramatic effects in the prosaic episodes&#13;
of everyday life. His plays are life and his per-&#13;
Sonages human beings and not marionettes.&#13;
“Patrie,” which was given in 1869, was the play&#13;
through which Sardou really won fame. Later on&#13;
came the Series of pieces written for Sarah&#13;
Bernhardt. “ Fédora " in 1882, “Théodora’ in&#13;
1884, “Cléopatra,” “Gismonda,” “La Tosca” and&#13;
“La Sorcière.” “Thermidor” caused a great sen-&#13;
sation in 1891, and in 1893 Madame Réjane won&#13;
her laurels in Sardou's “Madame Sans-Gêne.” Last.&#13;
year “L’Affaire des Poisons” was put on, and only&#13;
a fortnight before his death he had planned a new&#13;
piece which had been haunting him. In all, there are&#13;
about sixty of Sardou's plays which have been pro-&#13;
duced, and his study is full of manuscripts, notes,&#13;
Scenarios, etc.&#13;
Madame Arxéde Barine's death is a great loss to&#13;
French literature. Her work reached a large circle&#13;
of readers throughout the world. Madame Barine&#13;
was not a novelist. She was a great reader and an&#13;
indefatigable Worker. She also took a keen interest&#13;
in foreign literature and ideas. Her later works,&#13;
were historical : “La Jeunesse de la Grande&#13;
Mademoiselle,” “Louis XIV. et la Grande Made-&#13;
moiselle,” are among these, and in them she gives&#13;
us the more private history, as it were, of a great&#13;
part of the seventeenth century. Among her other&#13;
works are : “Bernardin de Saint-Pierre,” “Saint.&#13;
François d’Assise et les trois Compagnons,” etc.&#13;
The centenary of Barbey d'Aurevilly, the great.&#13;
French novelist and critic, was commemorated&#13;
throughout France by articles in nearly all the&#13;
important French papers. The day was to have&#13;
been celebrated by the inauguration of a monu-&#13;
ment to his memory, but on account of the death&#13;
of François Coppée, who was president of the com-&#13;
mittee, this fête was postponed until May, 1909.&#13;
For a whole month Mlle. Louise Read (the faithful&#13;
friend and executrix of Barbey d’Aurevilly), who&#13;
since his death has edited and published some thirty&#13;
volumes of his works, was literally besieged by&#13;
journalists and lecturers in search of biographical&#13;
notes, photographs, etc. of the great writer, whose&#13;
real fame commenced after his death. His life was&#13;
an extremely hard one, but his real value is now&#13;
seen in the posthumous celebrity and in the absolute.&#13;
&#13;
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## p. 67 (#87) ##############################################&#13;
&#13;
THE AUTISIOR. 67&#13;
fidelity of the friends, who, so many years after&#13;
his death, keep his memory ever fresh. The&#13;
inauguration of his monument will take place at&#13;
his birthplace in Normandy.&#13;
“Etudes sur la Littérature française ’’ is the&#13;
sixth volume of this series by René Doumic. It is&#13;
interesting, as several of the subjects treated are&#13;
very topical. Among other chapters, there is one&#13;
on Jules Lemaître’s “Racine,” another on Anatole&#13;
France’s “Jeanne d'Arc.” It is curious to read&#13;
René Doumic's criticism of this work. All those&#13;
who know the philosophy or religion of the two&#13;
writers can readily imagine the attitude which&#13;
René Doumic would naturally take up when judg-&#13;
ing Anatole France's treatment of this subject.&#13;
He sums up in the following lines : “His book is&#13;
a singular one, which, I fear, is not as important a&#13;
contribution as might have been desired to the&#13;
biography of Jeanne d'Arc ; but the book is interest-&#13;
ing in itself, and as the history of M. Anatole&#13;
France's curious mind.” Among other literary&#13;
subjects discussed in this book is that of “Women's&#13;
Novels.” In summing up his chapter on this&#13;
subject René Doumic says, after analysing the&#13;
recent novels of three French women novelists very&#13;
much in vogue a short time back, “Feminine novels&#13;
have created a new form of immorality.” He also&#13;
maintains that novels written by men at any rate&#13;
serve to prevent a certain element disappearing&#13;
from the literature of to-day, and this element is&#13;
“respect for women.”&#13;
“Saint Domingue’” (1629–1789) is a book by&#13;
Pierre de Vaissière, devoted to the history of the life&#13;
of the French in the colonies under the old régime.&#13;
The subjects studied are: The origin of the coloniza-&#13;
tion of Saint Domingo; the French nobility there ;&#13;
the Blacks; life and manners and customs of the&#13;
colonizers. All this is extremely interesting to&#13;
anyone taking up the subject of colonization, or&#13;
of the history of French emigrants—political or&#13;
otherwise.&#13;
Edouard Estaunié has written another novel.&#13;
He won fame with his powerful work, “L’Em-&#13;
preinte” some years ago, and “La Vie Secréte”&#13;
will be appreciated by all who enjoy psychological&#13;
studies rather than sensational novels. The idea&#13;
of the whole book is that each man and woman is&#13;
living his or her own secret life, and living it in the&#13;
midst of a crowd of people who have no idea of&#13;
this. The author initiates us into the secret life of&#13;
his personages, and shows us the dual life that each&#13;
one is leading. The whole book is one that remains&#13;
in the reader's mind, and the various personages&#13;
are as living as those in real life.&#13;
“Le Livre d’Or de L'Entente Cordiale” is&#13;
published in France in an edition with illustra-&#13;
tions. It is divided into three parts. 1. The&#13;
History of the Entente Cordiale. 2. Its Mani-&#13;
festations. 3. Its Economic and Commercial&#13;
Consequences.&#13;
“En margé du Temps,” by Henry Roujon, is&#13;
the title of a volume of articles formerly published&#13;
in the Temps.&#13;
“I.'Ile de France Contemporaine,” by Hervé&#13;
de Rauville, is a study of the resistance of the&#13;
French race under English domination.&#13;
“La Hongrie au XXe siècle,” by René Gonnard.&#13;
“L'Afrique du Nord,” by Henri Lorin.&#13;
“France et Angleterre (cent années de Rivalité&#13;
Coloniale),” by Jean d'Arcy.&#13;
“Piter Pan,” by J. M. Barrie, with illustrations&#13;
by Arthur Rackham, is published in an edition at&#13;
twenty-five francs.&#13;
In the Revue de Paris Frederic Masson&#13;
continues his articles on the Napoleonic epoch.&#13;
The Revue Hebdomadaire commences in its&#13;
first November number a novel entitled “Colette&#13;
Baudoche” by Maurice Barrès; it is the story of&#13;
a young girl belonging to a Metz family. Comte&#13;
Albert de Mun continues his memoirs, entitled&#13;
“Ma Wocation sociale”; M. Gaston Bonnier&#13;
Writes on the intellectual movement in Spain :&#13;
Pierre de Nolhac on “Madame Vigée-Lebrun's&#13;
salon" and Judith Cladel on “Rodin et l'art&#13;
gothique.” In the other November numbers&#13;
H. Céard et J. de Coldain give an article on&#13;
Huysmans as an artist and a Christian, Edouard&#13;
Rod writes on the “Le Mouvement des idées,” and&#13;
Henry Bordeaux on the dramatic news of the&#13;
month.&#13;
At a meeting recently held in Paris by the&#13;
Syndicate for the Protection of Intellectual Property,&#13;
attention was called to the fact that Turkey is one&#13;
of the countries where French literature has a&#13;
large circle of readers. It is therefore decided&#13;
that Turkey shall be invited to join the Berne&#13;
Convention. It seems probable that America will&#13;
soon be the last of the “uncivilized '' nations with&#13;
no respect for intellectual property. It will be&#13;
curious if the Turks prove themselves so far&#13;
ahead in intellectual matters.&#13;
At the Odéon “Parmiles Pierres,” by Suderman,&#13;
is still on the bill ; at the Sarah Bernhardt Theatre&#13;
the new piece is “Les Révoltés”; at the&#13;
Renaissance, Paul Bourget’s “L’Emigré’’ is still&#13;
running. Madame Réjane is still playing “Israël.”&#13;
by Bernstein ; and at the Porte Saint Martin&#13;
“L'Affaire des Poisons” continues to interest the&#13;
public.&#13;
ALYS HALLARD.&#13;
“Etudes sur la Litterature Française ’’ (Perrin).&#13;
“Saint Domingue” (Perrin).&#13;
“La Vie Secréte ” (Perrin).&#13;
“Le Livre d'Or de L’Entente Cordiale” Gounouilhon).&#13;
“Piter Pan’” (Hachette).&#13;
&#13;
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## p. 68 (#88) ##############################################&#13;
&#13;
68&#13;
TRIES A UITISIOR.&#13;
SPANISH NOTES.&#13;
—e—º-e—&#13;
HAVE often had occasion to speak of the&#13;
admirable daily Spanish paper A.B.C., and&#13;
We now hear that the journal has thrown&#13;
Open its palatial premises to an exhibition in aid&#13;
of the poor. This exhibition, opened on Novem-&#13;
ber 17, has proved a great success. Such artists&#13;
as Sorolla, Moreno Carbonero, and Iborra exhibit&#13;
very fine works, and the first-class character of the&#13;
other arts represented was much appreciated by&#13;
their Majesties King Alfonso XIII. and Queen&#13;
Victoria, who honoured the opening day with their&#13;
presence, and also visited the printing works, under&#13;
the escort of the enterprising and clever director,&#13;
Don Torcuato Luca de Tena, who gives such&#13;
practical form to the Association of the Press.&#13;
Spain has certainly been active in practical work&#13;
these last few weeks. The “immortal” Saragossa,&#13;
as it is now called, has been the scene of a splendid&#13;
exhibition, which was also honoured by the presence&#13;
of the King and Queen of Spain. The Mondariz&#13;
Waters took the first prize in that section. The cele-&#13;
brated house for silk wares at Seville belonging to&#13;
the sons of Luca de Tena gained a gold medal.&#13;
Their Majesties King Alfonso XIII. and Queen&#13;
Victoria's visit to Barcelona proved a record one in&#13;
point of enthusiasm. All false reports of Separatism&#13;
were washed away in the great wave of welcome&#13;
which swept over the city at the first sight of the&#13;
English Queen and the young King, whose sym-&#13;
pathies have always stretched all over his kingdom.&#13;
When Colonel Figuerola Ferretti was a chamber-&#13;
lain at the royal palace the youthful monarch&#13;
Swiftly responded to the courtier's suggestion that&#13;
a royal visit to Catalonia would quickly check all&#13;
discontent. “Yes,” returned the young King,&#13;
“a king should visit all his kingdom, even as a&#13;
bishop does his diocese.” *&#13;
The continued monthly appearance of La Revista&#13;
Critica (The Critical Review) shows the energy and&#13;
power of its editress, Señora Doña Carmen de&#13;
Burgos. Such well-known writers as Boada, Olme-&#13;
della, Ramerez Angel, Edmundo Gonzalez Blanco,&#13;
Dr. Angel Pulido, Pascoli, etc., all take their places&#13;
under her banner in the causes of poetry, art,&#13;
literature, internationalism, philanthropy, and all&#13;
subjects which tend to the elevation of humanity,&#13;
and when I add that this review contains forty&#13;
pages (quarto) it is seen that London would do well&#13;
to follow the example of Paris and admit it into its&#13;
literary world.&#13;
Señora Contreras de Rodriguez has just pub-&#13;
lished a book of poems called “Entre mis Muros’&#13;
(“Within my Walls”), and the simple poetic insight&#13;
she gives to the joys of her hearth and home shows&#13;
she is a sweet-Souled Spanish mother, who makes&#13;
harmony in all her environment. It is not astonish-&#13;
ing that such a character is well known in Spain&#13;
as a musician and composer as well as poet.&#13;
Dr. Angel Pulido, a senator of Spain, and cele-&#13;
brated for his knowledge of medical science, gave&#13;
a striking speech at the recent Medical Congress&#13;
at Madrid, showing pharmaceutists the powerful&#13;
part they have to play in the campaign of medical&#13;
Science. This stimulating call may lead to such a&#13;
knowledge of the pharmacopoeia in Spain, that pre-&#13;
Scriptions in the usual Latin can be made up from&#13;
other countries without difficulty.&#13;
A congress of Sacred music has just terminated&#13;
in Seville, and perhaps it will remove the onus&#13;
sometimes cast on Spanish church music. The&#13;
beautiful Masses by a priest at the church of San&#13;
Francisco el Grande in Madrid have been a revela-&#13;
tion to many. The second lecture on the subject&#13;
of Spanish music recently given in London at the&#13;
Musical Association by the Rev. Cart de la Fon-&#13;
taine opens a Vista of interesting information, and&#13;
shows the study spent on the subject in the country&#13;
itself by the clever lecturer.&#13;
The telegram from the King of Spain to Manuel&#13;
of Portugal and that of the Prime Minister of&#13;
Spain to the Portuguese political chief expressed in-&#13;
terest in the royal visit to the north of the kingdom.&#13;
The elections in January will, it is hoped by many,&#13;
lead to Alberto de Campos Henriques being Prime&#13;
Minister of Portugal, for it is seen that the pallia-&#13;
tive courses of the present leader, Ferreira do&#13;
Amoral, have failed, and that the executive of such&#13;
a man as Campos Henriques, who has been so&#13;
successful in his office as Minister of Public Works,&#13;
and his successful reforms in the banking laws,&#13;
and in the Societies of Mutual Aid as well as the&#13;
prisons, etc., shew he is fitted for the post.&#13;
Speaking of reforms takes me back to Spain,&#13;
where the recent article by Señor Salaverria on&#13;
Benluirre's admirable Sculpture of a dying bull&#13;
shows his countrymen the baneful effect of the bull-&#13;
ring on the moral sentiment of pity for suffering.&#13;
. There has just been some discussion in the&#13;
Senate as to whether the military Estado Mayor&#13;
(the Royal Chamber) should be done away with.&#13;
General Lopez Dominguez, the Liberal leader,&#13;
advocated this course, but General Luque spoke&#13;
eloquently on behalf of this military body retaining&#13;
its place. The voice of General Luque has weight,&#13;
for his Zeal in the service is great, and this zeal has&#13;
emboldened the presentation to his notice of a&#13;
Scheme for the construction of a “Hotel for invalid&#13;
officers” which would rival any in Europe. The&#13;
works of such a building would of course be under&#13;
the Spanish Corps of Engineers. Queen Maria&#13;
Christina presented the ground to the nation for&#13;
this object at the time of the tercentenary fêtes&#13;
of Cervantes, the notable military invalid of Spain,&#13;
whose affliction led to his activity in literature.&#13;
&#13;
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## p. 69 (#89) ##############################################&#13;
&#13;
TISIES A UITISIOR.&#13;
69&#13;
“El Libro de la Esposa” (“The Book on the&#13;
Wife”) and “El Libro del mistress de la Casa”)“The&#13;
Book on the Soul of the House”), translations from&#13;
the Catalonian authoress Maria de Echarri, are the&#13;
two first works of a series of seven in which the&#13;
author expounds “the great rules for the organi-&#13;
sation of the domestic hearth, not only from a&#13;
material point of view, but also from a moral, intel-&#13;
lectual, and aesthetic standpoint ’’; so the moral and&#13;
the material management of the home are both set&#13;
forth very sensibly.&#13;
“Redencion Agraria” (“Agrarian Redemption’’),&#13;
by Romero Quinones, is a striking work, inasmuch&#13;
as, beyond being a scientific book on agrarianism,&#13;
it is a critical sociological study of Spanish society.&#13;
RACHEL CHALLICE.&#13;
—e—º-e—&#13;
INTERNATIONAL COPYRIGHT&#13;
CONFERENCE.&#13;
—e—º-e—&#13;
FULL report of the International Copyright&#13;
Conference will be published in The&#13;
Author as soon as possible.&#13;
Although the official report is not yet to hand,&#13;
we desire in the present number to draw our&#13;
readers’ attention to the main points under&#13;
discussion. First among these was the principle&#13;
by which the author's title to his work could,&#13;
among all the countries of the Union, be most&#13;
easily established, and the author most readily&#13;
confirmed in his ownership.&#13;
The question of the gramophone and cinemato-&#13;
graph reproductions was fully dealt with. To&#13;
musicians and dramatists these are matters of&#13;
vital importance. As mechanical reproduction&#13;
grows nearer perfection, its popularity increases,&#13;
and, in consequence, the dramatist and musical&#13;
composer run greater risks of being robbed of the&#13;
rewards of their labour. It was decided that&#13;
(these methods of reproduction should not be&#13;
allowed without reference to the owner of the&#13;
copyright. There were naturally some complicated&#13;
questions involved dealing with the position of the&#13;
owners of records already produced. Translation&#13;
rights were also considered, and the decision come&#13;
to in this matter—that they should run concur-&#13;
rently with copyright——was eminently satisfactory.&#13;
In respect to newspaper copyright several import-&#13;
ant points were decided. The matter comprised&#13;
in a newspaper was divided into three distinct&#13;
classes. The first class included all that could be&#13;
called literary matter as distinct from news and to&#13;
this absolute protection was given. The next&#13;
matter before the Congress was the duration of&#13;
copyright. We regret to find that although the&#13;
years was approved.&#13;
proposal of the life of the author and fifty years&#13;
was supported by the delegates of most of the&#13;
Powers represented (judging from the statement&#13;
that appeared in The Times), it was rejected on the&#13;
ground that it had not been inserted in the&#13;
Document Préliminaire, as H.M. Government had&#13;
not had time to consult those interested in the&#13;
matter. It may be as well to point out, as far as&#13;
the Society of Authors is concerned, that the&#13;
Board of Trade placed before our committee the&#13;
papers received subsequent to the Document&#13;
Préliminaire, and requested the committee's&#13;
opinion as to whether the term of life and fifty&#13;
The committee of the&#13;
Society were in full accord with this proposal, and&#13;
their opinion was communicated to the Board of&#13;
Trade. The Chairman, in addition, had the&#13;
pleasure of personally introducing the President of&#13;
the Société des Gens de Lettres, M. G. Lecompte,&#13;
to the President of the Board of Trade when the&#13;
point in question was discussed between them.&#13;
Sir Henry Bergne, the leading delegate of Great&#13;
Britain at the Berlin Conference—whose death we&#13;
so greatly deplore—was himself in full support of&#13;
this extension of copyright. It would be a great&#13;
advance if all the nations subscribing to the&#13;
Convention came to a common understanding as&#13;
to the exact length of copyright, and we must&#13;
trust that this is only postponed. -&#13;
There is no doubt that the late Conference&#13;
has made considerable progress, settling many&#13;
important points for the benefit and development&#13;
of literary property. It may be impossible for&#13;
this country to ratify some of these improvements&#13;
without the introduction and passing of fresh&#13;
legislation, but we trust that the Government&#13;
may seriously and without undue delay turn its&#13;
attention to a subject which so vitally concerns all&#13;
authors and literary workers, a class surely not&#13;
unworthy of the consideration of statesmen.&#13;
It was decided that the next meeting of the&#13;
Conference should be held in Rome.&#13;
—e—º-e—&#13;
CANADIAN COPYRIGHT.&#13;
—º-O-0–&#13;
[Reprinted from the Report of the Canadian Society of&#13;
Authors.]&#13;
WEN before the British North America Act,&#13;
E the Provinces of Canada had the power to,&#13;
and did, as a matter of fact, legislate&#13;
independently in regard to the protection within&#13;
their own boundaries of works produced there.&#13;
Under the British North America Act, which is an&#13;
Imperial Act, express power was given to the&#13;
Dominion of Canada to legislate in copyright&#13;
matters.&#13;
&#13;
&#13;
## p. 70 (#90) ##############################################&#13;
&#13;
70&#13;
TRIES AUTISIOR,&#13;
It was then contended, in the case of Smiles V.&#13;
Belford (1876) 1 Tupp. App. Rep. 436, that in&#13;
giving this authority to the Parliament of Canada&#13;
the Imperial Parliament excluded Canada from the&#13;
operation of the Imperial Copyright Acts. This&#13;
contention was disposed of by the Courts, and the&#13;
following is an extract from the judgment of&#13;
Burton J. A. in the Court of Appeal –&#13;
“It is clear, I think, that all the Imperial Act&#13;
intended to effect was to place the right of dealing&#13;
with colonial copyright within the Dominion under&#13;
the exclusive control of the Parliament of Canada,&#13;
as distinguished from the Provincial legislatures.&#13;
. . . I entirely concur with the learned Vice-&#13;
Chancellor in the opinion that he has expressed&#13;
that under that Act no greater powers were con-&#13;
ferred upon the Parliament of the Dominion to&#13;
deal with this subject than had previously been&#13;
enjoyed by the local legislatures.”&#13;
The benefit of the Canadian Copyright Act may&#13;
be obtained by an author provided he is domiciled&#13;
in Canada, or in any part of the British possessions,&#13;
or is a citizen of any country which has an Inter-&#13;
national Copyright Treaty with the United King-&#13;
dom. If he is not able to comply with these&#13;
conditions he may still obtain Canadian copyright&#13;
if a copyright has been granted and is subsisting&#13;
in the United Kingdom.&#13;
One condition which is found in the Canadian&#13;
Act but not in the British Act is that the work&#13;
“shall be printed in Canada.”&#13;
While it is necessary, in order to secure Canadian&#13;
copyright, to print the work in Canada, it is not&#13;
necessary to continue to print it in Canada. The&#13;
terms of the Act will be complied with if an&#13;
edition, however small, is printed here on which to&#13;
base the application for copyright. After that the&#13;
proprietor of the copyright may bring in his books&#13;
from any other country. Neither is it necessary&#13;
that the type from which the book is printed should&#13;
be set up in Canada, but the printing may be done&#13;
from plates imported from abroad, or transfers may&#13;
be imported for use on lithographic stones.&#13;
Under the Canadian Copyright Act, until the&#13;
present Session of Parliament, a cumbersome&#13;
formula was required to be inserted on every copy-&#13;
right work, namely, “Entered according to Act of&#13;
the Parliament of Canada in the year by A. B.&#13;
at the Department of Agriculture.” This has now&#13;
been cut down to “Copyright, Canada, 19 , by&#13;
A. B.” The insertion of this notice is a condition&#13;
precedent to obtaining the protection of the&#13;
Canadian Act.&#13;
A nice point arises in reference to the importa-&#13;
tion into Canada of British copyright works.&#13;
Chancellor Boyd pointed out in the case of Anglo-&#13;
Canadian Music Publishers v. Suckling, 17 O. R.&#13;
(1889) p. 241, that “if there is prior, British&#13;
copyright, and thereafter Canadian copyright is&#13;
obtained, then that local copyright is subject to be&#13;
invaded by the importation of lawful British&#13;
copies. But if the Canadian copyright is first,&#13;
then the monopoly is secured from all outside&#13;
importation.”&#13;
The Fisher Act, which was passed in the year&#13;
1900 and is now incorporated in the Copyright&#13;
Act R. S. C. Chap. 70, secs. 28, 29, 30, and 31,&#13;
provides that if a book has been lawfully published&#13;
in any part of His Majesty's Dominions other than&#13;
Canada, and there is also a copyright under the&#13;
Canadian Act, a licence from the holder of the&#13;
British copyright may be obtained, in which case&#13;
the Minister of Agriculture may prohibit the&#13;
importation into Canada, except with the written&#13;
consent of the licensee, of any copies of such book&#13;
printed elsewhere.&#13;
J. F. EDGAR.&#13;
—e—3–e-&#13;
MAGAZINE CONTENTS.&#13;
6—sº-0–&#13;
BIBLIOPHILE.&#13;
Why Books become Popular. By G. K. Chesterton.&#13;
James Thomson. By Bertram Dobell.&#13;
|BLACKWOOD'S.&#13;
Some Letters of Sir Walter Scott.&#13;
Walden. By Edmund Candler.&#13;
BOOKMAN.&#13;
Henry Irving and Ellen Terry.&#13;
Authors at Work : A Symposium.&#13;
CONTEMPORARY.&#13;
. The Genius of Dickens. By George Barlow.&#13;
Dante's Intuition of the Infinite. By S. Udny.&#13;
CORNHILL.&#13;
The Book on the Table: “Dorothea Beale.” By Lady&#13;
Robert Cecil. -&#13;
EDINBURGH.&#13;
Goethe's Novels.&#13;
New England Nature Studies : Thoreau, Burroughs,&#13;
Whitman.&#13;
The Paston Letters.&#13;
Two French Memoirs.&#13;
FORTNIGHTLY.&#13;
Chateaubriand’s First Love. By Francis Gribble.&#13;
Literature in Drama. By E. A. Baughan.&#13;
Ferdinand Brunetière. By Eugène Tavernier,&#13;
MONTH.&#13;
Faith Found in Fleet Street. Mr. Chesterton’s “Ortho-&#13;
doxy.” By the Rev. Joseph Keating. -&#13;
NATIONAL.&#13;
Ballads and the Border. By Miss Eveline Godley.&#13;
NINETEENTH CENTURY.&#13;
An Unknown Poet. By Frederic Harrison.&#13;
&#13;
&#13;
## p. 71 (#91) ##############################################&#13;
&#13;
TRIES A UTFIOR.&#13;
71&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
—t-º-º-&#13;
- ERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property —&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to :&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,”&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor |&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IV. A Commission Agreement.&#13;
The main points are :—&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society. . "&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
In 162a, D.S.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
—e—Q-0–&#13;
WARNINGS TO DRAMATIC AUTHORS,&#13;
—º-º-º-&#13;
EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with anyone except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:—&#13;
(4.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for, production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
(b) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
grOSS receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (b.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, Country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction is&#13;
of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play, are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed-&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
*—A-- a&#13;
w-v-w&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
——º-º-e—&#13;
ITTLE can be added to the warnings given for the&#13;
L assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with—performing right and copyright. He&#13;
&#13;
&#13;
## p. 72 (#92) ##############################################&#13;
&#13;
72 TFI FS A Tr"T fºr OR.&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
HOW TO USE THE SOCIETY.&#13;
—e—sº-0–&#13;
1. VERY member has a right to ask for and to receive&#13;
E advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor, but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion. All this&#13;
without any cost to the member.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Send to the Office copies of past agreements and past&#13;
accounts, with a copy of the book represented. The&#13;
Secretary will always be glad to have any agreements, new&#13;
or old, for inspection and note. The information thus&#13;
obtained may prove invaluable.&#13;
4. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
5. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee have now arranged for the reception&#13;
of members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers:&#13;
—(1) To read and advise upon agreements and to give&#13;
advice concerning publishers. (2) To stamp agreements&#13;
in readiness for a possible action upon them. (3) To keep&#13;
agreements. (4) To enforce payments due according to&#13;
agreements. Fuller particulars of the Society’s work&#13;
can be obtained in the Prospectus.&#13;
7. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
This&#13;
The&#13;
8. Many agents neglect to stamp agreements.&#13;
must be done within fourteen days of first execution.&#13;
Secretary will undertake it on behalf of members.&#13;
9. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
10. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
TO MUSICAL COMPOSERS.&#13;
HE Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or&#13;
part of 100. The members’ stamps are kept in the&#13;
Society's safe. The musical publishers communicate direct&#13;
with the Secretary, and the voucher is then forwarded to&#13;
the members, who are thus saved much unnecessary trouble.&#13;
à —º- à&#13;
~~&#13;
wº w&#13;
THE READING BRANCH.&#13;
–0-0-0–&#13;
EMBERS will greatly assist the Society in the&#13;
M branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
Special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
xy w&#13;
NOTICES.&#13;
–0—sº-º-&#13;
HE Editor of The Author begs to remind members of&#13;
| the Society that, although the paper is sent to them&#13;
free of charge, the cost of producing it would be a&#13;
very heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Secretary the modest&#13;
5s. 6d. subscription for the year.&#13;
Communications for “The Author’” should be addressed&#13;
to the Offices of the Society, 39, Old Queen Street, Storey's&#13;
Gate, S.W., and should reach the Editor not later than the&#13;
21st of each month.&#13;
All persons engaged in literary work of any kind,&#13;
whether members of the Society or not, are invited to&#13;
communicate to the Editor any points connected with their&#13;
work which it would be advisable in the general interest to&#13;
publish.&#13;
Communications and letters are invited by the&#13;
Editor on all subjects connected with literature, but on&#13;
no other subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
—º-º-º-&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post,&#13;
and he requests members who do not receive an&#13;
answer to important communications within two days to&#13;
write to him without delay. All remittances should be&#13;
crossed Union Bank of London, Chancery Lane, or be sent&#13;
by registered letter only.&#13;
^ –4 h.&#13;
w—w-w&#13;
LEGAL AND GENERAL LIFE ASSURANCE&#13;
SOCIETY.&#13;
—e—º-e&#13;
ENSIONS to commence at any selected age,&#13;
P either with or without Life Assurance, can&#13;
be obtained from this Society.&#13;
Full particulars can be obtained from the City&#13;
Branch Manager, Legal and General Life Assurance&#13;
Society, 158, Leadenhall Street, London, E.C.&#13;
&#13;
&#13;
## p. 73 (#93) ##############################################&#13;
&#13;
TRIES A CITISIOR,&#13;
73&#13;
GENERAL, NOTES.&#13;
—º-º-e—&#13;
ADVERTISEMENTS IN THE AUTHOR.&#13;
THERE seems to be an impression among readers&#13;
of The Author that the committee are personally&#13;
responsible for the bona fides of advertisers in these&#13;
pages. This is not so, and never was so. And we&#13;
do not think it reasonable of members to accept&#13;
this conclusion. We are not aware that any&#13;
proprietor or editor of any paper, technical or other-&#13;
wise, has ever given such a guarantee, or in any&#13;
way made himself answerable for shortcomings in&#13;
his advertisers’ business transactions. At the&#13;
same time, care is exercised to see that no undesir-&#13;
able advertisements are accepted. Beyond this,&#13;
the committee of the Society can assume no&#13;
liability.&#13;
In consequence of some correspondence that has&#13;
been passing at the office, the committee have&#13;
thought it necessary to give instructions that&#13;
this short paragraph should be inserted. If any&#13;
member desires special information he can always&#13;
obtain it by applying to the Secretary.&#13;
THE AUTHORS’ CLUB.&#13;
WE are very pleased to hear that the Authors’&#13;
Club has sprung up with renewed vigour from its&#13;
ashes. Many members were anxious to keep alive&#13;
what had been so auspiciously founded by Sir&#13;
Walter Besant. They regretted to part from the&#13;
old associations and the old friendships of the past&#13;
fifteen years to find a new playground and new&#13;
companions. Under, the chairmanship of Mr.&#13;
Charles Garvice—one of the Original members—a&#13;
committee has been formed and an agreement&#13;
entered into with the manager of Whitehall Court.&#13;
From the new premises overlooking the Embank-&#13;
ment Gardens and the river, the members have a&#13;
fine view of that life, the river life of London,&#13;
which has been so vividly described by their good&#13;
founder,&#13;
Already the old members are coming back with&#13;
eagerness, and the following have consented to join&#13;
the general council:—The Lord Monkswell, Sir&#13;
Edward Brabrook, Sir Arthur Conan Doyle, S. R.&#13;
Crockett, Francis Gribble, H. Rider Haggard,&#13;
Anthony Hope Hawkins, C. J. Cutcliffe Hyne, The&#13;
Archdeacon of London, Morley Roberts, Horace&#13;
Annesley Vachell, Percy White.&#13;
As some slight confusion has arisen in the past,&#13;
it may be as well to state that although both the&#13;
Authors’ Club and the Society owe their inception&#13;
to the energy of Sir Walter Besant, and that&#13;
although nearly all the members of the former are&#13;
also members of the latter, their constitutions and&#13;
management are in entirely different hands.&#13;
We wish the New Authors’ Club every success.&#13;
THE MILTON TERCENTENARY.&#13;
THE Milton Tercentenary is upon us, and the&#13;
arrangements for the celebration of the event will&#13;
be carried out in a manner worthy of the occasion.&#13;
But we must not look on Milton merely as a&#13;
great poet, as the author of “Paradise Lost,”&#13;
“Comus,” “Lycidas,” “Il Penseroso,” and&#13;
“L’Allegro.” He is much more than this to the&#13;
author and the journalist. Those who have&#13;
benefited by his championship should not fail to&#13;
read with interest and gratitude his “Areopagitica.”&#13;
He says himself—is it in one of his letters or&#13;
his introduction ?—“Lastly, I wrote my Areo-&#13;
pagitica in true Attic style in order to deliver the&#13;
press from some of the restraints with which it&#13;
was encumbered.”&#13;
“In the true Attic style '' is a quaint and neat&#13;
recommendation of his work. How many among&#13;
the writers of the present day could boast that they&#13;
wrote in the true Attic style.&#13;
Milton's Star Chamber indictment was a strong&#13;
piece of work, and not without its risks. He con-&#13;
tinues, if we remember rightly : “That the power&#13;
of determining what was true and what was false,&#13;
what should be printed and what suppressed,&#13;
should not be in the hands of a few illiterate and&#13;
illiberal men.” Now the freedom of the Press has&#13;
been with us for some years we might well desire&#13;
to reverse the Miltonian problem.&#13;
He dealt with the suppression of the wise, the&#13;
literate, the liberal, by the narrow, illiterate,&#13;
illiberal. It is almost time that the narrow,&#13;
illiterate and illiberal should be restrained by the&#13;
wise and literate.&#13;
THE CANADIAN SOCIETY OF AUTHORS.&#13;
WE are pleased to note from the Report for&#13;
1906-7 of the Canadian Society of Authors&#13;
recently received that this Society is prosperous&#13;
and increasing in numbers. We trust it will so&#13;
continue, both for its own sake and for ours,&#13;
since the stronger it becomes the better the&#13;
position of English authors whose books circulate&#13;
in the Dominion. At the annual meeting for the&#13;
year 1908, held in January last, we read that the&#13;
secretary “rehearsed the advantages which the&#13;
members of the Canadian Society of Authors&#13;
already possessed through our close affiliation with&#13;
the Incorporated Society of Authors of Great&#13;
Britain.” We may add for the information of&#13;
members that the advantages are mutual, as the&#13;
Canadian Society has very kindly undertaken to&#13;
render all the assistance in its power in connection&#13;
with cases we find necessary to take up in Canada,&#13;
and other matters relating to book production,&#13;
publishing and copyright.&#13;
&#13;
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## p. 74 (#94) ##############################################&#13;
&#13;
74&#13;
TISIES A UTISIOR,&#13;
The Canadian Society of Authors has been in&#13;
existence for some eleven years. The Hon. Presi-&#13;
dent is Professor Goldwin Smith ; the President,&#13;
B. E. Walker, L.I.D. ; and the Secretary, Pelham&#13;
Edgar, of 21, Elgin Avenue, Toronto. Its primary&#13;
objects, as stated in its constitution, are to promote&#13;
the production of literature in Canada; to protect&#13;
the interests of Canadian authors; and to obtain.&#13;
and distribute information as to channels of&#13;
publication open to Canadian authors.&#13;
In another column we reprint an interesting&#13;
article on Canadian copyright from the Report.&#13;
*-*.&#13;
COPYRIGHT AND THE PATENTS ACT.&#13;
THE passing of the Patents Act has stimulated&#13;
the Dublin Printers' Employment Committee to&#13;
adopt the following resolution which is to be&#13;
forwarded to the Prime Minister :-&#13;
“That as the recently enacted Patents Act provides that&#13;
all manufactured articles protected by a British patent&#13;
must now be produced in Great Britain or Ireland, result-&#13;
ing in securing increased employment at home on work&#13;
hitherto abroad, the Parliamentary Committee of the Irish&#13;
Trades Union Congress, in view of the dearth of employ-&#13;
ment in all branches of the printing trade, calls upon the&#13;
Government to amend the Copyright Act so that similar&#13;
provisions shall apply to all printed matter copyrighted in&#13;
the United Kingdom.”&#13;
It is, of course, quite clear to those who have&#13;
been studying the evolution of copyright in the&#13;
United States, that British authors do not obtain&#13;
reciprocal advantage from the present United States&#13;
Copyright Law, and in consequence, in Canada and&#13;
the Colonies, not to mention Great Britain and&#13;
Ireland, the sale of American books increases beyond&#13;
the proportion of the sale of the works of British&#13;
authors in the United States. Since, however,&#13;
literature is not saleable in the same way as ordinary&#13;
goods, for so much depends upon the individual&#13;
effort, the authorities, no doubt, considered in the&#13;
first instance that half a loaf was better than no&#13;
bread, and that it was better to have some sort of&#13;
copyright arrangement with the United States than&#13;
none at all.&#13;
The committee of the Authors’ Society have had&#13;
the matter constantly before their eyes, but it is&#13;
impossible for those who have not made an intimate&#13;
study of the Copyright Acts to realise the enormous&#13;
difficulty which lies before those who desire&#13;
alteration in the existing law.&#13;
sº-s-s-s-s&#13;
MANGLED MANUSCRIPTS.&#13;
OWING, no doubt, to the recent case of Humphreys&#13;
W Thomson many editors are endeavouring to get&#13;
authors to agree to contracts under which their MSS.&#13;
are accepted on condition that the editors are&#13;
allowed a free hand to cut or alter them. While&#13;
We do not think that any writer who has respect&#13;
for his writings should allow editors this power, yet&#13;
if editors inform their contributors beforehand and&#13;
contributors are Willing to submit their work on&#13;
this understanding, we have nothing further to Say.&#13;
Unfortunately, however, there are still some editors&#13;
who continue to pursue this practice without&#13;
ascertaining the views of the writers beforehand.&#13;
Their method is to cut accepted matter, and to pay&#13;
only for the mangled remains that are actually&#13;
printed. When the aggrieved author ventures to&#13;
remonstrate, they fall back upon editorial preroga-&#13;
tive, and invite him or her, as the case may be,&#13;
either to accept the slender remuneration offered&#13;
Without further argument, or to cease contributing&#13;
to publications under their control.&#13;
It is time such methods were stamped out.&#13;
The Society of Authors will continue to pursue an&#13;
aggressive policy with regard to them. Editors as&#13;
autocrats is quite an exploded idea ; and editorial&#13;
prerogative—like the divine right of kings—is&#13;
sufferable only when temperately and courteously&#13;
exercised.&#13;
LITERARY SNOBBISHNESS.&#13;
MR. A. HoPE HAWKINS, at the opening of the&#13;
Liverpool Courier Book Show, referred to what he&#13;
termed literary snobbishness. He said, “I know&#13;
it needs a little courage to own you have not read&#13;
all ‘Paradise Lost'’’; and again “there are com-&#13;
panies in which, to own that some of Jane Austen's&#13;
books entertain you less than others is worse than&#13;
to draw invidious comparisons between different&#13;
portions of Holy Writ.”&#13;
He might have gone further than this. In many&#13;
Social gatherings where the works of authors of the&#13;
present day are under discussion, he will find out&#13;
Where an answer is courteously demanded, that&#13;
many of those who argue most emphatically, have&#13;
read none of the works under discussion, and many&#13;
Only a few. -&#13;
It is all a dreadful instance of the superficial&#13;
priggishness, the worthless cock-Sureness, of the&#13;
present day. Pushfulness may be a great asset&#13;
when used properly, but pushfulness backed with&#13;
ignorance is bound some day to fall. There is a&#13;
further point for consideration. A really great work&#13;
of fiction, just as a really great work in any branch&#13;
of the arts cannot be absorbed at the first glance.&#13;
It is only by Jong and detailed study that any idea&#13;
of its proper value can be ascertained. How many&#13;
of these glib debaters have made such a study of&#13;
&#13;
&#13;
## p. 75 (#95) ##############################################&#13;
&#13;
TISIES A UITISIOR.&#13;
75&#13;
any of the ancient masterpieces; how many have&#13;
made a study of the writers of the day !&#13;
Mr. is not worth reading. Perhaps not ;&#13;
but have you made the attempt 3&#13;
THE CHURTON COLLINS MEMORIAL FUND.&#13;
A FUND is being raised to establish a memorial&#13;
to the late Professor J. Churton Collins. The&#13;
intention is to offer a tribute of affection and&#13;
respect from those who loved his character and&#13;
personality, who admired him for his great and&#13;
many-sided gifts, or who are grateful for help and&#13;
pleasure derived from his scholarly lectures and&#13;
books. - -&#13;
The memorial will, according to the amount&#13;
subscribed, take the form of a scholarship or prize&#13;
for English Literature or Greek. The details will&#13;
be settled by a committee of donors. The com-&#13;
mittee at the time of writing includes, among&#13;
others, the Right Hon. Herbert H. Asquith, the&#13;
Right Hon. Lord Morley, the Vice-Chancellors of&#13;
Oxford and Leeds Universities, the Bishop of&#13;
Hereford, Canon Skrine, Anthony Hope Hawkins,&#13;
Sir Arthur Conan Doyle, Sidney Lee, Walter&#13;
Crane, Hakluyt Egerton, Dr. Donkin, E. T. Cook,&#13;
and Canon H. D. Rawnsley.&#13;
Donations may be sent to Mrs. Arthur Bout-&#13;
wood, Bledlow, Bucks, who will acknowledge them&#13;
at once, and will, after the close of the fund on&#13;
January 1, 1909, send a complete subscription list&#13;
to each donor.&#13;
PROFESSOR LEWIS CAMIPBELL.&#13;
THE Reverend Lewis Campbell, M.A., Hon.&#13;
LL.D., Hon. D. Litt., Emeritus Professor of Greek&#13;
in the University of St. Andrews, died at his&#13;
residence, Brissago, Lago Maggiore, on October 25.&#13;
Professor Campbell was born in Edinburgh in&#13;
1830, and was related to Thomas Campbell, the&#13;
poet. He took a 1st class Classics in 1853, became&#13;
a fellow of Queen's two years later, and was&#13;
appointed to the Greek Professorship of St. Andrews&#13;
in 1863 which he held until 1892. He was the&#13;
author of many translations from the Greek, includ-&#13;
ing Plato's Theaetetus, Sophistes and Republic, and&#13;
a complete edition of Sophocles. In 1882 he pub-&#13;
lished a “Life of James Clerk-Maxwell ?” with Dr.&#13;
W. Garnett, and in 1897 a “Life of Benjamin&#13;
Jowett, '' with Mr. E. Abbott. In 1892 he became&#13;
a member of the Society of Authors.&#13;
Profound scholar and patient student, a faithful&#13;
teacher of his generation, Professor Campbell in&#13;
his life and work did honour to the best traditions&#13;
of British Scholarship.&#13;
SIR HENRY BERGNE, K.C.B., K.C.M.G.&#13;
-º-º-º-&#13;
IT is with feelings of the deepest regret—a&#13;
regret that will be shared by all his colleagues&#13;
in the Authors’ Society—that I write these&#13;
lines in tribute to the memory of our former&#13;
chairman and fellow-worker, Sir Henry Bergne.&#13;
He had gone to Berlin to attend the Copyright Con-&#13;
ference as the senior delegate from Great Britain.&#13;
His death took place there on November 15, from&#13;
pneumonia, after a week's illness.&#13;
Sir H. Bergne's career as a public servant has&#13;
been sufficiently set out in the daily press, and there.&#13;
is no need for me to do more here than mention&#13;
its leading features. Born in 1842, he was.&#13;
educated successively at Brighton, Enfield and&#13;
London University. In 1861 he was appointed to&#13;
a clerkship at the Foreign Office in which his&#13;
father had served before him. From this position&#13;
he rose, by his sterling qualities, to the post of&#13;
Superintendent of the Treaty Department. He&#13;
acted with judgment and success as British repre-&#13;
sentative in such difficult and diverse matters as&#13;
the Fisheries Commission, the Industrial Property&#13;
Convention, and the International Sugar Conven-&#13;
tion. Finally, he acted as H.B.M. Plenipotentiary&#13;
at the International Copyright Conferences at Berne&#13;
in 1886, at Paris in 1896, and at Berlin this&#13;
autumn. His public rewards were K.C.M.G. (1888),&#13;
C.B. (1902), and K.C.B. (1903).&#13;
Though a man who had filled successfully many&#13;
positions of trust and high responsibility under the&#13;
Government of his country, Sir H. Bergne was&#13;
singularly modest and unassuming both in&#13;
disposition and manner. He would put his own&#13;
opinion forward—he generally had a decided one—&#13;
with equal clearness and suavity. He had an old-&#13;
fashioned courtesy, which was almost deferential,&#13;
in dealing with the opinions of others. He was,&#13;
in short, a shining example of the qualities which&#13;
have distinguished so many of the permanent&#13;
officials in our Civil Service—men who come little&#13;
before the public eye, but by their faithful and&#13;
unostentatious labours do much to enable the&#13;
State to encounter without disaster the chances and&#13;
changes of parliamentary institutions and party&#13;
government.&#13;
But it is with the work of Sir H. Bergne for the&#13;
Authors’ Society that we are called on to deal here.&#13;
He first joined it as a member in 1800. In 1903,&#13;
on his retirement from his official duties at the&#13;
Foreign Office, he became a member of the committee&#13;
of management as well as of the copyright sub-&#13;
committee, on both of which he served up to the&#13;
day of his death. He was chairman of the com-&#13;
mittee of management during 1906 and 1907.&#13;
Sir Henry Bergne was not an author in the sense.&#13;
&#13;
&#13;
## p. 76 (#96) ##############################################&#13;
&#13;
76.&#13;
TISIES A [CITISIOR.&#13;
of a bookwriter. His literary productions were&#13;
State papers. But for the practical purposes of our&#13;
Society and its committee of management his&#13;
knowledge was far more valuable than that of&#13;
many eminent authors. For he was an expert, and&#13;
the first of experts, in all matters relating to the&#13;
international treaties or conventions affecting&#13;
Copyright, that is, to the agreements which&#13;
affirm and regulate the rights of property of&#13;
English authors in their literary output outside&#13;
Great Britain.&#13;
Our secretary, Mr. Thring, has shown me from&#13;
time to time letters which prove that there are&#13;
authors outside the society, and others, members&#13;
who have joined it with a view to obtaining&#13;
assistance in some of the minor business details&#13;
incidental to the craft, who have the most inadequate&#13;
conception of the nature and scope of the duties&#13;
of the committee of management and its sub-com-&#13;
mittees. The work that comes before these bodies&#13;
is necessarily varied ; to some extent it is advisory,&#13;
but a large portion of it involves the consideration&#13;
of technical and often difficult points of law. It&#13;
is, therefore, essential to the proper conduct of&#13;
the society’s affairs and to the interest of its&#13;
members that a fair proportion of those serving on&#13;
the committees should have other besides literary&#13;
qualifications, that they should be men of affairs,&#13;
with more or less of legal training and the habit of&#13;
looking at things from their legal aspect, and yet&#13;
with sufficient leisure and opportunity to be able&#13;
to attend regularly at frequent meetings. This is a&#13;
fact familiar to all who have worked for the society,&#13;
but it may not be amiss to emphasise it now that&#13;
the election to the committee of management is in&#13;
the hands of its members. It would be a bad day&#13;
for the society if appointment to the committee of&#13;
management came to be sought for as an honorary&#13;
distinction or bestowed as a tribute to literary&#13;
eminence. It has hitherto always been regarded&#13;
as simply an opportunity of service to our com-&#13;
rades—service voluntarily and freely rendered, if&#13;
—like most good advice—not always thankfully&#13;
received.&#13;
No part of the work of our committees is more&#13;
complicated, more difficult, and more harassing&#13;
than the questions relating to copyright, on which&#13;
Sir Henry Bergne was an expert. Involving as&#13;
they often do confidential discussions, they do not&#13;
occupy in our reports a space at all commensurate&#13;
with their importance. Technical knowledge and&#13;
tact are both needed to handle with any chance of&#13;
success the delicate negotiations which centre&#13;
round the more important issues. In all such&#13;
matters Sir H. Bergne's knowledge and experience&#13;
were invaluable. His close connection with the&#13;
Government enabled him to advise the committee,&#13;
to guide them in the right path, and to indicate to&#13;
them the limits of the expedient and the attain&#13;
able. It is no common form of words to say that&#13;
his loss to us is, for the time, an irreparable one ; it&#13;
must be long before it is possible adequately to fill&#13;
his place in our counsels.&#13;
I subjoin a few details, kindly supplied me by&#13;
Mr. Thring, of particular occasions on which our&#13;
late chairman assisted or represented the society&#13;
in questions of copyright.&#13;
Sir H. Bergne worked for the society in many&#13;
questions connected with Canadian and Colonial&#13;
Copyright, he represented and spoke for it at the&#13;
interview its delegates held with the Canadian&#13;
Premier. He gave his careful. attention and&#13;
Criticism to the Bill that was put forward in Parlia-&#13;
ment in 1900:—work of an onerous character that&#13;
needed more than any other his special knowledge.&#13;
He advised the committee with relation to the&#13;
Manx Copyright Act. As a member of the copy-&#13;
right Sub-Committee he dealt with the more recent&#13;
United States Bills, and drafted the comment on&#13;
them that was forwarded to America. He assisted&#13;
in considering the “document préliminaire * for&#13;
the Berlin Conference of this year, laid before the&#13;
Society by the Board of Trade last summer. He&#13;
was always ready to put his great experience at&#13;
the disposal of the advisers of the society on every&#13;
question of International and Colonial Copyright.&#13;
In these large issues the committee have for many&#13;
years relied mainly on him and on his judgment;&#13;
and I may safely say that he was the most impor-&#13;
tant and most responsible British authority in&#13;
these matters. t.&#13;
It was not, however, only as a 'specialist in&#13;
copyright that Sir Henry Bergne was a valuable&#13;
adviser and leader in our committee. He was&#13;
chairman at the time of the commencement of the&#13;
now happily ended Book War. Having made up his&#13;
mind, not without hesitation, that the Authors’&#13;
Society might intervene with advantage, he did&#13;
his best, as far as he was himself concerned, to&#13;
make that intervention take the character of a&#13;
mediation. As a joint delegate with him from our&#13;
Committee, I had frequent opportunities, in our&#13;
interviews with publishers and others, of admiring:&#13;
his conciliatory and reasonable suggestions —&#13;
Suggestions which in the end have been prac-&#13;
tically accepted. Whatever differences of opinion.&#13;
there may have been at the time with regard to&#13;
the matters at issue, the Society, as a whole,&#13;
Sufficiently showed its appreciation of the part&#13;
played by Sir Henry Bergne by putting him at&#13;
the head of the poll in the election of the present&#13;
committee. Had he found himself able to accede&#13;
to the unanimous wish of his colleagues he would&#13;
have returned to the chair on Mr. Hope Hawkins'&#13;
retirement. No one regretted his decision more than&#13;
the present writer. t • * - f&#13;
&#13;
&#13;
## p. 77 (#97) ##############################################&#13;
&#13;
THE AUTHOR,&#13;
77&#13;
I may be allowed to add that my acquaintance&#13;
with Sir Henry Bergne did not originate in the&#13;
Authors’ Society. He and I had a common pur-&#13;
suit—a pursuit which makes many friends. We&#13;
were both devoted to the Alps, and had been for&#13;
nearly forty years fellow-members of the Alpine&#13;
Club. That body has secured the services of&#13;
many good men on its committee, and it was not&#13;
likely to dispense with those of Sir Henry Bergne.&#13;
His kindly and social nature was thoroughly and&#13;
widely appreciated in the club, and it was with&#13;
Something like dismay that its members learnt&#13;
that his eldest son, a brilliant climber, had been&#13;
killed on the mountains by a chance slip on&#13;
January 1 of this year. It added to the admira-&#13;
tion of some of us for Sir Henry Bergne that he&#13;
did not allow this heavy sorrow to take him away&#13;
from his duties or to interfere with any of his&#13;
services to the Authors’ Society during the past&#13;
year. To me as chairman, he was still the friend in&#13;
need, always ready to give his assistance. It was&#13;
mainly through his freely offered and effective&#13;
help that the society was able to bring M.&#13;
Lecompte, the President of the Société des Gens de&#13;
Lettres, and the President of the Board of Trade&#13;
into personal and friendly communication in July&#13;
last.&#13;
D. W. F.&#13;
I should like to add a few personal words of&#13;
sorrow, as a slight token to the memory of Sir&#13;
Henry Bergne, to the article which our chairman&#13;
has written.&#13;
I have worked under Sir Henry Bergne on the&#13;
committee and with him as chairman of the society.&#13;
On all occasions I have found him open to the&#13;
suggestions and proposals of others. Although&#13;
himself one of the greatest authorities on copy-&#13;
right, he was most modest of his powers and great&#13;
attainments. In his work for the Society, he was&#13;
almost over-conscientious in the consideration&#13;
of the questions submitted to him. During&#13;
his chairmanship he had many difficult disputes&#13;
to deal with outside copyright matters. I had&#13;
to make many heavy demands on his time, for&#13;
even after his retirement from the Foreign Office&#13;
he was always engaged with public business and&#13;
public enterprise. Incidentally, he has mentioned&#13;
to me that my letters—often relating to important&#13;
and complicated matters, and accompanied by&#13;
voluminous documents—would come to him by&#13;
the last post, and on his return from some public&#13;
function ; yet he has read them through carefully,&#13;
and answered them the same night, in order that&#13;
a reply might come to hand by the following&#13;
morning, and the society's work might not be&#13;
delayed.&#13;
At times, no doubt, he differed as to the methods&#13;
by which I was anxious to deal with matters under&#13;
consideration, but his dealings with me have always&#13;
been characterised by kindliness, courtesy, and&#13;
sympathy. One felt confidence in following his&#13;
guidance that the course mapped out by his mature&#13;
judgment would produce a satisfactory result.&#13;
I can but repeat, what our chairman has stated,&#13;
that it will be impossible adequately to fill the&#13;
place on the committee which his death leaves&#13;
Vacant. -&#13;
I should like to conclude these few words of&#13;
testimony to Sir Henry Bergne's work for the&#13;
Society by an expression of my deep sympathy&#13;
With Lady Bergne and his near relations, on the&#13;
loss which they have sustained by his death whilst&#13;
engaged in that work which he had made supremely&#13;
his own.&#13;
G. HERBERT THRING.&#13;
Sir Henry Bergne's funeral took place on&#13;
Saturday, November 21, at Brookwood Cemetery.&#13;
In the unavoidable absence of the Chairman, Mr.&#13;
Douglas Freshfield, the society was represented by&#13;
Mr. A. Hope Hawkins and Mr. G. Herbert Thring,&#13;
Secretary.&#13;
A Wreath was placed on the grave, from the&#13;
Incorporated Society of Authors in token of their&#13;
deep regret.&#13;
The Society has also received the following&#13;
Resolution passed by the Council of the Publishers’&#13;
Association :&#13;
“The Council of the Publishers’ Association desire to&#13;
convey to the Committee of the Society of Authors the&#13;
assurance of their deep sympathy with them in the loss.&#13;
which they have sustained by the death of Sir Henry&#13;
Bergne.&#13;
For many years past Sir Henry, both at the Foreign&#13;
Office and after his retirement, laboured incessantly to&#13;
promote the interests of all holders of copyright and the&#13;
welfare of literature ; and the services which he thus&#13;
rendered will always be remembered with gratitude by all&#13;
Who are engaged in the writing and production of books.”&#13;
a -º- _*.&#13;
º --~~&#13;
HEROES AND HEROHNES-CHIEFLY&#13;
HEROES.&#13;
—º-º-º--&#13;
F the author of the distorted maxim, “The&#13;
I proper study of mankind is woman,” had&#13;
added the words, “and of womankind is&#13;
man,” he would have been able to bring forward a&#13;
considerable body of evidence from modern fiction.&#13;
It has apparently an irresistible attraction for the&#13;
man or woman novelist to make his or her work a&#13;
medium for analysis of the opposite sex, and it&#13;
would be an easy task to gather from the pages of&#13;
that literature for the dissemination of which the&#13;
circulating libraries seem chiefly to exist a large.&#13;
&#13;
&#13;
## p. 78 (#98) ##############################################&#13;
&#13;
78&#13;
TFIES A UTFIOR.&#13;
collection of male writers’ heroines and female&#13;
writers' heroes. In order to judge of the success&#13;
of these character-studies, the only fair way would&#13;
be to empanel juries of women to sit upon the&#13;
heroines, and of men to sit upon the heroes ; for&#13;
women alone can decide whether the man novelist&#13;
has managed to portray them accurately and vice&#13;
wersá. I have generally found that, if one asks a&#13;
well-read woman who among male novelists now&#13;
living presents, to her mind, the most life-like and&#13;
satisfactory heroines, she will answer : George&#13;
Meredith. Why so I questioned the other day;&#13;
and my victim, a lady in whose good judgment I&#13;
have the utmost reliance, replied : “Because he,&#13;
most of all male writers, is able to convey the&#13;
‘essential variability and instability of woman.”&#13;
(To any ladies who may read with indignation&#13;
what I have just written, I may point out that I&#13;
am not sheltering myself behind Virgil's varium&#13;
let mutabile semper, but behind a remark by one of&#13;
their own sex.) Meredith, I take it, succeeds best&#13;
of all in making his women human. The majority&#13;
of his rivals have only the skill to paint their&#13;
version of the ideal “She.” And their ideals are&#13;
often very different indeed from those of anyone&#13;
else. A certain eminent historical novelist, for&#13;
instance, invariably gives us a heroine for whom&#13;
the best treatment would certainly be—may I Say&#13;
it —a good spanking.&#13;
However, I did not set out to write this article&#13;
with the intention of discussing the Works of&#13;
published so much as of unpublished novelists. It&#13;
has been my fortune, or misfortune, to read, for&#13;
financial rather than artistic gain, vast quantities&#13;
of novels, many of which I trust will never see&#13;
the light of day, at least until they have been&#13;
strictly revised. In pursuance of my task, I have&#13;
been constantly impressed by the weakness in the&#13;
drawing of the central male or female character,&#13;
even where considerable power of observation has&#13;
been shown in the sketching of the minor charac-&#13;
ters of the same sex. When the man writer&#13;
comes to his heroine, or the woman to her hero,&#13;
failure is manifest. Now it is my fate to be a&#13;
man, and therefore I am not eligible for the jury&#13;
to sit upon the man's heroine. Perhaps, however,&#13;
I am ordinarily competent to express an opinion&#13;
on the treatment of my own sex by Women&#13;
novelists. As I am not, I repeat, discussing the&#13;
published, but the yet unpublished, I shall have&#13;
to avoid giving specific instances. It must also&#13;
be remembered that I am not dealing with master-&#13;
works, unless the publishers and the public shall&#13;
prove to think quite differently from me.&#13;
Generally speaking, we seem to find that a&#13;
woman, “commencing” novelist, when she draws&#13;
a man either takes her male relatives or acquain-&#13;
stances as copies, or else calls on her imagination&#13;
for the picture of what a man should be, putting&#13;
into the composition some characteristics from&#13;
men whom she admires—if she admires any. As&#13;
a rule she does not make heroes of members of&#13;
her own family. If she puts in her husband, for&#13;
instance, she is more likely to make him the&#13;
villain than the hero of the book. Do we not&#13;
know of certain published ladies who do this with&#13;
rather monotonous frequency P. The recurrence of&#13;
the same brutal type would be somewhat puzzling&#13;
if we did not know (as, of course, we always do&#13;
know nowadays) that the talented lady and her&#13;
husband did not get on very well together, and&#13;
that she was taking revenge in ink. Possibly the&#13;
desire for domestic peace may cause married&#13;
Women to refrain from making their husbands the&#13;
heroes of their novels, since it may often be even&#13;
more unpleasant to figure as a certain kind of hero&#13;
than as a downright villain. Assuredly some&#13;
Women's heroes are far more calculated to irritate&#13;
the male reader than to delight him. This matters&#13;
little otherwise, for the mass of novels written by&#13;
Women are read by women, and the hero therefore&#13;
will not be judged by a competent standard. He&#13;
may not be all women readers' ideal man, but he&#13;
will at least have some of the traits which endear&#13;
him to the sex.&#13;
It would involve great labour to classify&#13;
thoroughly women's heroes, but superficially they&#13;
may be divided into two classes, whom we may&#13;
call John and Jack, since these names help to&#13;
indicate their difference in character. John is&#13;
the strong man who suffers in silence, although&#13;
he may occasionally “bow his head in grief.”&#13;
Usually he has a plain, honest face, and is care-&#13;
lessly dressed. If he smokes anything, it is a&#13;
pipe. He is rather stupid, and his wits in any case&#13;
are not as quick as the heroine's, in consonance&#13;
with the agreeable fiction about woman's livelier&#13;
intelligence. He is always a prig, according to&#13;
male ideas. Jack is not so strong as John. He&#13;
may even have had a past, though not very black.&#13;
He probably smokes cigarettes. He differs greatly&#13;
from John in having a clear-cut face and wearing&#13;
“immaculate” clothes, possibly paid for out of the&#13;
results of his success in his profession—which&#13;
may even be literature, reminding us of the lines,&#13;
“We knew his books were selling well&#13;
By his patent leather boots.”&#13;
Jack is not so faithful nor so quixotic as John, but&#13;
he turns out right in the end. On the way to it,&#13;
he is quite as much of a prig.&#13;
Priggishness, indeed, seems a necessary trait of&#13;
the woman’s hero. The thought may strike us:&#13;
Is this really a mark of our sex 2 Are We men,&#13;
so eager to condemn the taint in others, really all&#13;
infected with it ourselves 2 Rather than admit&#13;
&#13;
&#13;
## p. 79 (#99) ##############################################&#13;
&#13;
TFIES A UTISIOR*, 79&#13;
this, let me take refuge once more in the sugges-&#13;
tion that the woman novelist under discussion&#13;
breaks down when she comes to the drawing of&#13;
her central male character, and that then her&#13;
powers of observation desert her.&#13;
In order not to stultify myself, I must leave it&#13;
to women to say in what respects our heroines fail.&#13;
I will admit that other men's ideals are very tame&#13;
beside my own. But I have not yet written a&#13;
novel.&#13;
I make this confession at the risk of betraying&#13;
my identity.&#13;
S.&#13;
P-e—“[e&#13;
LORD SOUTHAMPTON AND TITCHFIELD&#13;
PLACE.&#13;
—º-º-º-&#13;
HE chequered career of a true-hearted though&#13;
passionate nobleman, Henry Wriothesley,&#13;
third Earl of Southampton, is worthy of note.&#13;
He is connected with Titchfield Place, near&#13;
Southampton ; Drury House, Strand; and the State&#13;
of Virginia, North America.&#13;
To begin with Titchfield. This town belongs to&#13;
the charmed ring which lies about our coast, neither&#13;
wholly marine nor rural. Out of sight of the grey&#13;
main, but not out of touch with it oceanwards lie&#13;
marshy creeks and wind-swept boscage ; inland&#13;
nestle hamlets framed in pasture, corn, and wooded&#13;
heights.&#13;
As one enters the portal of the wooden-steepled&#13;
church one is struck by the wideness of the aisles,&#13;
the slender shafts of the pillars, and the dignity&#13;
and beauty of the monument to the Earls of South-&#13;
ampton in the south chapel. High on a triply-&#13;
arched marble altar-tomb lies the effigy of a Tudor&#13;
dame. Very rich the carving and gilding of the&#13;
armorial bearings, while four tall and polished&#13;
obelisks like giant tapers guard the corners of the&#13;
tomb.&#13;
Much might be said about the learned Lord&#13;
Chancellor, first earl, and the Lady Jane who lies&#13;
above him, also of Henry the second earl in courtly&#13;
armour lying on the north side ; and one can&#13;
imagine the eight-year-old boy already fatherless&#13;
coming with his mother Mary Browne, daughter of&#13;
Sir Anthony Browne of Cowdray, to watch the&#13;
building up of this magnificent sepulchre for which&#13;
31,000 had been left by testament.&#13;
The widowed countess and her son must often&#13;
have stayed at the princely mansion of Cowdray,&#13;
for it is not till eleven years after her husband's&#13;
death that she loses her father, and two years later&#13;
she seeks the Society and protection of Sir Heneage&#13;
Finch in marriage. Her son is violently disturbed,&#13;
and to this year belongs “Lucrece” by Shake-&#13;
speare, dedicated to his patron the young Earl.&#13;
Perhaps an appeal to the conscience of the lady.&#13;
Ileft to himself wild spirits gather about Titch-&#13;
field Place and the young heir. Sir Henry Danvers,&#13;
formerly page to Sir Philip Sidney, rides up one&#13;
day. He and his elder brother Sir Charles have&#13;
served in foreign wars, but on the death of their&#13;
father are now in Wiltshire at feud with their&#13;
neighbours, the Longs of Corsham. After a secret&#13;
interview Sir Henry returns to Dauntsey. He has&#13;
probably obtained permission to secrete certain&#13;
papers stolen by the Longs at Titchfield. That is&#13;
to say if they can be recovered.&#13;
A day or two after Sir Charles and Sir Henry,&#13;
with a faithful follower John, gallop up to Titch-&#13;
field. There has been bloodshed, Sir Henry Long&#13;
has been shot by one of them, the hue and cry is&#13;
out. The Earl of Southampton hurries them up to&#13;
a lonely farm on the hill-side, and prepares to ship&#13;
them abroad. But the Sheriff of Southampton is&#13;
on the alert and the culprits have to double and&#13;
make for London, and thence to France, closely&#13;
helped by the young earl.&#13;
Signor Florio, the translator of Montaigne, is in&#13;
the thick of it all and is “wanted.”&#13;
On reaching London he must have poured out&#13;
all his adventures to Shakespeare.&#13;
The Danvers brothers do featly abroad but are&#13;
in disgrace and dare not return.&#13;
Finally a play is produced of which the prologue&#13;
runs thus:&#13;
Two households both alike in dignity,&#13;
In fair Verona where we lay our scene,&#13;
From ancient grudge break to new mutiny,&#13;
Where civil blood makes civil hands unclean.&#13;
The story is closely followed from Lord Brook's&#13;
translation of an Italian novel, but its application&#13;
lay in the restoration of peace to two rival houses.&#13;
In 1598 the Danvers are pardoned and return.&#13;
Shakespeare receives £1,000 from his patron. No&#13;
virtue in Elizabethan times is more fashionable&#13;
than knightly brotherhood. Faithful friendship is&#13;
glorified. Of such nature was the devotion of Lord&#13;
Southampton to Lord Essex. He marries his&#13;
cousin Elizabeth Vernon, and justifies all action by&#13;
ties of kinship. He lends Drury House for political&#13;
meetings to circumvent the ambition of Raleigh&#13;
and the wiles of Robert Cecil. Finally Lord&#13;
Southampton stands by Essex at his trial and is&#13;
condemned to death.&#13;
Shortly before this crisis we have it on record&#13;
that he attends the play with Lord Rutland every&#13;
day, and that his countess is with Lady Rich at&#13;
Essex House. That the playhouse was Shake-&#13;
speare's we know by the play ordered the night&#13;
before the catastrophe.&#13;
Lord Southampton is released by James I. His&#13;
&#13;
&#13;
## p. 80 (#100) #############################################&#13;
&#13;
80&#13;
THE AUTHOR.&#13;
face has lost the petulant brilliancy of his early&#13;
portrait and assumes the sober cast of his fore-&#13;
fathers. He lives constantly at Titchfield, under-&#13;
taking voyages to America, subsidising explorations,&#13;
fighting chivalrous causes. News of the death of&#13;
Lady Rich must have reached them in 1606. They&#13;
lose a four-year-old daughter, the Ladye Mary, in&#13;
1614. In 1616 they hear of the death of Shake-&#13;
Speare. -&#13;
A great white stone wall still encircles the ruins&#13;
of Titchfield Place. Magnificent and ghostly&#13;
towers of the gatehouse still mark the place where&#13;
the first earl drove his entrance through the nave&#13;
of the priory church of Titchfield. Within the&#13;
grounds the leafless trunk of a mighty oak lies&#13;
white and ghastly on the sward. It must have&#13;
been centuries old in Shakespeare's time. The&#13;
walls of the palace are tapestried with ashen ivy&#13;
boughs, dead and colourless as the stone. It might&#13;
fitly represent the tragic end of the countess after&#13;
1624, for in that year the Earl is brought home&#13;
dead from Bergen-ap-Zoom, and with him the body&#13;
of the heir, his son of twenty-six. Again a widowed&#13;
countess reigns at Titchfield, her heir a lad of&#13;
fifteen. But yet another tragedy awaits her, twenty&#13;
years later. King Charles I. in his flight from&#13;
Hampton Court takes refuge at Titchfield, hoping&#13;
thence to escape to France. Clarendon says: “The&#13;
king thought it best for avoiding all highways to&#13;
go to Titchfield, a noble seat of the Earl of South-&#13;
ampton (who was not there) but inhabited by the&#13;
old lady, his mother, with a small family, which&#13;
made the retreat more convenient.&#13;
“There his majesty alighted and would speak with&#13;
the lady, to whom he made no scruple of com-&#13;
municating himself, knowing her to be a lady of&#13;
that honour and spirit that she was superior to all&#13;
kind of temptation. There he slept, and was&#13;
betrayed next day into the hands of Colonel&#13;
Hammond, Governor of the Isle of Wight.”&#13;
Could it be that the folio Shakespeare, studied by&#13;
King Charles at Carisbrooke, was the gift of the&#13;
aged countess to her guest ?&#13;
On that last evening converse must have fallen&#13;
upon past days, and on the mighty poet Elizabeth&#13;
Vernon had known so long and so well in her&#13;
youth.&#13;
FICTION AS A MENACE TO THE BOOK&#13;
TRADE.&#13;
(Reprinted by kind permission of the Editor of the&#13;
United States Publishers' Weekly)&#13;
Y WE took Occasion a short time ago to point&#13;
out the desirability of stemming the tide&#13;
of what the London Nation calls “pedes-&#13;
trian Work,” that is, books of a vulgar or common&#13;
grade, whether it be fiction or other printed&#13;
matter—all of which does so much to interfere&#13;
with the distribution of books of real merit.&#13;
Undoubtedly, the sale of momentarily popular&#13;
books sometimes adds considerably to the income&#13;
of the bookseller ; but, on the other hand, far-&#13;
Seeing booksellers are coming to realise more and&#13;
more that the concentration of their efforts upon&#13;
merchandise of that sort has reacted disadvantage-&#13;
Ously upon the sale of better books.&#13;
We have reached a period in the history of the&#13;
book trade, it seems to us, when it is imperative&#13;
that the book trade and the public are disabused of&#13;
the delusion that bookselling is merely the hand-&#13;
ling of fiction. That way of thinking has caused&#13;
more confusion, brought more bad feeling into the&#13;
trade, and has actually caused more harm to both&#13;
publisher and bookseller than all the other per-&#13;
plexities that beset the book trade put together.&#13;
It is just because so little knowledge is required to&#13;
handle fiction, and because the equivocal price of&#13;
novels is so generally known to the public that the&#13;
department stores, that usually have larger means&#13;
at their command than most any half-dozen book-&#13;
sellers in their vicinity combined, seize upon it as&#13;
a bait to bamboozle the public into believing that&#13;
everything they offer is sold at the same rate at&#13;
which they sell books—that is, fiction. These&#13;
stores rarely venture further into the book busi-&#13;
ness than to exploit the novel of the hour, the&#13;
competitive reprints or remainders of cheaply-&#13;
made books offered at one time or another by&#13;
“fly-by-night º' publishing concerns as premiums&#13;
or bait for other ventures, thus leaving the field&#13;
of the more substantial books to the regular book-&#13;
Seller ; and those department stores that do venture&#13;
to maintain a well-equipped book department&#13;
realise very quickly that they cannot afford to cut&#13;
the prices on the better class of books so deeply—&#13;
if at all—as they can on the books on which there&#13;
is less risk, and which require only the service of&#13;
the average shop-girl, who to-day is in the tin-&#13;
ware department, the next day at the ribbon&#13;
counter, and on another day, when needed to help&#13;
out, acts as a bookseller.&#13;
The more wide-awake publisher, also, is begin-&#13;
ning to realise that in cultivating fiction in the&#13;
hopes of keeping his plant employed and adding to .&#13;
his income he is engaged in chasing an ignis&#13;
fatuºus. The further he ventures in this direction&#13;
the deeper he finds himself in the mire, and the&#13;
less he is in a position to develop the more solid&#13;
and profitable feature of his profession. Indeed,&#13;
there is already noticeable a tendency on the part&#13;
of some of the older publishing houses to make&#13;
fewer ventures into the realm of fiction, restricting&#13;
themselves to the products of the authors already&#13;
on their lists or the really meritorious work of a&#13;
&#13;
&#13;
## p. 81 (#101) #############################################&#13;
&#13;
TFIES A UITYFIOR, 81&#13;
new writer, and devoting most of their energy,&#13;
instead, to the publishing of serious books from&#13;
which only moderate sales can be expected, but&#13;
from which larger and more certain profits are&#13;
bound to accrue.&#13;
The bookseller, we claim, has an ever-widening&#13;
and growing field as his own, because there are&#13;
very large classes of books constantly published&#13;
which are always in demand, on which the&#13;
undersellers never cut the price and which are&#13;
never included in their advertising campaign.&#13;
Readers in this country are not exclusively readers&#13;
of fiction, good or bad ; and if, unfortunately, in&#13;
the near future, some publishers should be so blind&#13;
to their own best interests as to enable the under-&#13;
sellers to discredit the book trade by beating the&#13;
life out of the “best sellers,” we trust the book-&#13;
sellers of the country will have backbone enough&#13;
to assist them by “sticking to their last,” and by&#13;
buying only enough of their output of fiction to&#13;
supply the actual demands of their customers, and&#13;
to devote the better part of their time and atten-&#13;
tion to the dissemination of books that are books,&#13;
the books of all time and for all seasons, the books&#13;
that count and are more rapidly coming into their&#13;
OWI). -&#13;
We therefore hope that, if fiction ever becomes&#13;
an incubus, and threatens to sap the life of the&#13;
book trade, the bookseller may be forearmed to&#13;
meet the danger before it is too late, because in&#13;
that event even a revolution might prove futile.&#13;
——e—º-e—&#13;
TRAGEDY.”&#13;
—º-º-º-&#13;
* HIS is the first of a series dealing with the&#13;
- various types of literature, and if the rest&#13;
- in any Way attain to the excellence of the&#13;
Volume before us, the publishers will have good&#13;
cause to be proud of their venture.&#13;
The design of the book is to trace the course of&#13;
English tragedy up to the middle of the last cen-&#13;
tury, and to show its place and influence in the&#13;
history of the theatre and of literature. This is a&#13;
great task. To perform it adequately in the space&#13;
of 377 pages of large type is still more difficult,&#13;
but Professor Thorndike has accomplished it. Of&#13;
course, no exhaustive treatment is attempted,&#13;
though it may be remarked that all tragedies of&#13;
the sixteenth century are mentioned. The book is&#13;
really a critical essay ; a guide-book, but not a&#13;
text-book; a compact “Form at a Glance” of&#13;
tragedy, yet essentially scholarly and dignified.&#13;
* “Tragedy,”&#13;
English in Columbia University. London : Constable &amp;&#13;
Co. 1908.&#13;
by Ashley H. Thorndike, Professor of .&#13;
At the close of every chapter are Notes on Biblio-&#13;
graphy, which are quite invaluable.&#13;
We find, however, on page 81, an opportunity&#13;
for quibbling, or making a strong protest—the&#13;
reader may decide. Among stage costumes is&#13;
mentioned the “gown to go invisible in,” graced&#13;
as here with inverted commas. To the best of our&#13;
knowledge it should be “for to goo invisibell,” and&#13;
as such we can readily credit it. On the other&#13;
hand, the gown that Professor Thorndike quotes&#13;
is obviously an impostor. We will have none of it.&#13;
The conclusion is so excellent, and so pregnant&#13;
at the present time when efforts are being made to&#13;
raise the theatre into its early significance, that we&#13;
should like to reprint the whole of it here. Lack&#13;
of space, besides other considerations, prevents such&#13;
desideratum, but at least we are able to give two&#13;
short extracts.&#13;
“The theatre, while crying for novelty, holds tenaciously&#13;
to its traditions. Literature, while enforcing rules, prece-&#13;
dents, prejudices, while clinging to its models and demand-&#13;
ing imitation, yet incites to rivalry and originality, to new&#13;
endeavour, variation and excellence. These two main&#13;
classes of influence have rarely, if ever, run parallel. At&#13;
times the theatre has attracted literature, as in the&#13;
Elizabethan era ; at times it has repelled literature, as in&#13;
the early nineteenth century. Usually what the stage of&#13;
the day desires and what the literature of the past encourages&#13;
have been quite different and quite irreconcilable. . . .&#13;
It is the purpose of dramatic art to bring about their&#13;
reconciliation to harmonise the technic of the theatre,&#13;
the necessities of the drama, and the standards of literary&#13;
excellence.”&#13;
“Tragedy takes an abiding place among the great courses&#13;
of continuous human activity dedicated to an inquiry into&#13;
the meanings of life. Its imaginative and intellectual&#13;
study of suffering and ruin must continue, however its&#13;
form may alter, if the theatre is to be a social force of im-&#13;
portance, if literature is to offer an intelligent, serious and&#13;
Comprehensive view of life, if the two are to unite in some-&#13;
thing better than a trivial and selfish entertainment.”&#13;
Z.&#13;
CONTEMPORARY CRITICISMS. x.&#13;
—º-º-º-&#13;
“THE HAUNTED MAN AND THE GHOST's BARGAIN :&#13;
A FANCY FOR CHRISTMAS TIME.” BY CHARLES&#13;
DICKENS. LONDON : BRADBURY AND EVANS,&#13;
11, BOUVERIE STREET. 1848.&#13;
. . . Foremost in the ranks of Christmas&#13;
chroniclers stands pre-eminent Charles Dickens,&#13;
author of THE Christmas Carol, par ercellence . . . .&#13;
that little book, all-powerful in the magic of its&#13;
eloquent simplicity. . . . The Carol, appealing as&#13;
it did to all the best parts of our nature, and by&#13;
the force of love winning men to virtue, became&#13;
deservedly popular; in the language of the “Row ’’&#13;
it was a decided hit—a speculation equally satis-&#13;
factory to those who sold and those who bought.&#13;
Accordingly the following Christmas gave to the&#13;
&#13;
&#13;
## p. 82 (#102) #############################################&#13;
&#13;
82&#13;
TISIES A CITISIOR.&#13;
world “The Chimes,” a goblin story. This, like&#13;
most attempts to repeat a good thing, was in some&#13;
degrees a falling-off; still, it had many of its&#13;
predecessor's beauties, and certain quaint and&#13;
loveable originalities all its own ; witness that&#13;
most fantastic but delectable creation, Trotty Weck.&#13;
“The Chimes” was succeeded by “The Cricket on&#13;
the Hearth "; and the charm of the story, the&#13;
fascinations of Dot, and the vis comica of Tilly&#13;
Slowboy and her pluralities, caused the general&#13;
reader to overlook, and the friendly critic to deal&#13;
gently with, a certain want of originality in the&#13;
plot and character, and a light comedy arrange-&#13;
ment of scenes and situations, which detracted&#13;
from its merits as a work of art. But its very&#13;
faults rendered it peculiarly adapted for dramatic&#13;
representation. A Punch writer (with the author's&#13;
sanction) chopped it up into the necessary longs&#13;
and shorts . . . and the “Cricket on the Hearth''&#13;
became to all intents and purposes a comedietta.&#13;
Whether this palpable realisation of the ideal—&#13;
this clothing the graceful, air-born fancies of&#13;
Mr. Dickens' poetic mind, in the inimitable flesh&#13;
and blood of the Keeleys—was a wise experiment,&#13;
we have grave doubts. . . . However this might&#13;
be, the consequences were fatal to the next Christ-&#13;
mas book by this writer. Confused between pub-&#13;
lishers and players, Mr. Dickens produced a hybrid&#13;
anomaly—a thing with an unmeaning name—&#13;
neither Tyrian nor Trojan, neither tale nor farce,&#13;
where a phrase of high flown sentiment ended with&#13;
a cue for Mrs. Keeley’s funny maid-servant, and&#13;
her little husband’s buffooneries served to enliven&#13;
the more serious business of transferring a lover,&#13;
or breaking a father's heart. Such a mistake&#13;
could lead but to one result ; and, accordingly,&#13;
the “Battle of Life” was condemned by the critics,&#13;
pooh-poohed by the public, hissed at the Lyceum,&#13;
and finally (to use Tilly Slowboy’s expressive com-&#13;
pound verb) “dead-and-buried" by the Times&#13;
reviewer. That the author was himself aware that,&#13;
for Once, his arrow had missed the bull's-eye may&#13;
be deduced from the fact that last year he left the&#13;
field to other competitors; and Thackeray, and the&#13;
beadles, the comic almanacs and the dustnen, had it&#13;
all their own way. It was, then, with no uncommon&#13;
degree of interest that we saw the announcement,&#13;
Some months ago, of a new Christmas Tale by&#13;
Charles Dickens; and it is with unmixed satisfac-&#13;
tion that we now rise from a perusal of the work,&#13;
convinced that its author has profited by his&#13;
experience. *&#13;
“The Haunted Man, and the Ghost's Bargain"&#13;
(about as awkward a name, by the way, as ever&#13;
was hit upon) is appropriately termed “A Fancy&#13;
for Christmas Time,” for such and such alone it&#13;
is ; but a more poetic and beautiful conception we&#13;
have seldom, if ever, met with. Though we are&#13;
constantly gliding into the regions of the ideal—&#13;
though the ghost is a very thorough ghost, indeed,&#13;
cold, vague, shadowy, impressive and horrible, as&#13;
a ghost ought to be—though the heroine herself,&#13;
the calm-eyed, loving, loveable, and particularly&#13;
impossible Milly, is more a good spirit than a&#13;
woman—yet the Supernatural machinery all works&#13;
in a very natural way ; and though slow imagina-&#13;
tions may be somewhat put to it to keep pace with&#13;
the author's flights of fancy, there is nothing con-&#13;
trary to good sense or right feeling throughout.&#13;
The story, moreover, has a clear, plain, easily dis-&#13;
cerned, and most excellent moral; wherein, of its&#13;
predecessors, it most closely resembles “The&#13;
Carol,” and most widely differs from the “Battle&#13;
of Life.” . . . . The tale begins with ten pages of&#13;
intensely Dickenish description of rain, wind,&#13;
clouds, gable-ends, “lights in old halls and cottage&#13;
windows” and shadows. . . . Having disposed of&#13;
the elements and the other picturesque “pro-&#13;
perties” to his satisfaction Mr. Dickens introduces&#13;
us to his haunted man, a certain professor of&#13;
chemistry, by name Redlaw, residing in an incom-&#13;
prehensible old edifice containing a lecture room. . .&#13;
This gentleman has his dinner brought by a certain&#13;
William Swidger, son of the superannuated&#13;
custodian of the institution, and husband—hear&#13;
it all ye romantic damsels, and shudder—of the&#13;
Guardian Angel, Milly ; they are joined by Milly&#13;
and her father-in-law, who is constantly congratu-&#13;
lating himself upon the greenness of his memory—&#13;
which colour by the way, is more or less discernible&#13;
in the generality of his remarks. . . .&#13;
. . . A worthy family, rejoicing in the euphonious&#13;
name of Tetterby, possess a most undeniable claim&#13;
on Our gratitude, by affording a vehicle for the dis-&#13;
play of our author's own peculiar inimitable vein of&#13;
humour. Some of his touches are most happy. . . .&#13;
The description of a baby—a new, wonderfully&#13;
imagined, and triumphantly executed baby, pos-&#13;
Sessing a strong, clearly defined, and most alarming&#13;
individuality, and yet, withal, perfectly true (to&#13;
the best of our knowledge) to baby-nature—is&#13;
irresistible. . . . The character of Milly must be&#13;
dealt with gently and lovingly. Regarded as the&#13;
personification of tenderness and charity, as the&#13;
good genius of a Christmas Fancy, with just enough&#13;
of the material woman about her to enable ordinary&#13;
mortals to realise and adore: she is a most rare&#13;
and beautiful creation. For ourselves, convinced&#13;
that in this spirit was the character conceived, and&#13;
in this alone should it be treated of, we care nothing&#13;
for the objections which we foresee will be urged&#13;
against it, regarding all cavils as to its unreality&#13;
as just so much false criticism. The design of the&#13;
work is excellent ; no mind but that of a good and&#13;
clever man could have originated it ; none but a&#13;
master's hand could have executed it.&#13;
&#13;
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## p. 83 (#103) #############################################&#13;
&#13;
TFIES A CITFIOR. 8&#13;
3&#13;
And it is well that it should be so. There is a&#13;
fearful responsibility attached to the possession of&#13;
such talent as that of Mr. Dickens; the amount&#13;
of influence he may exercise for good or evil is&#13;
incalculable. In the present instance we have no&#13;
doubt as to the result. The readers of the “Ghost's&#13;
Bargain" may be counted by tens of thousands ;&#13;
but we should be sorry to call him our friend who&#13;
does not rise from its perusal a wiser and a better&#13;
D] &amp;Il.&#13;
(Sharpe's London Magazine, 1848.)&#13;
CORRESPONDENCE,&#13;
—º-º-º-&#13;
EDITORIAL FAILINGS.&#13;
I.&#13;
SIR,--I think your correspondent “C.B.” in&#13;
your November issue is rather sweeping in his&#13;
condemnation of editors. He complains that they&#13;
(or their office boys) are in the habit of scoring&#13;
MSS. and thus spoiling their virgin beauty. May&#13;
I point out that from among thousands of MSS.&#13;
which have passed through my hands and the&#13;
hands of my assistants (who by the way are not&#13;
office boys) during many years of editorial work, I&#13;
have never had a single complaint that any MS.&#13;
has been returned in a less cleanly condition than&#13;
when it was received. MSS. are not numbered in&#13;
this office, nor marked in any way.&#13;
I should be very grateful if you will permit me&#13;
to use this opportunity for correcting another&#13;
wide-spread error among aspiring authors. These&#13;
gentlemen are never tired of asserting that editors&#13;
do not read the majority of MSS. submitted to&#13;
them. Let me assure all aspiring authors that&#13;
not one of those many thousand MSS. alluded to&#13;
above has been returned without having been&#13;
previously considered either by myself, my assis-&#13;
tants, or a special staff of readers. Most journals&#13;
could not exist but for the contributions of out-&#13;
siders, and as editors are rational human beings,&#13;
in spite of all that is said to the contrary, they do&#13;
not wantonly play ducks and drakes with their&#13;
chief means of livelihood.&#13;
Yours faithfully,&#13;
THE EDITOR,&#13;
C. Arthur Pearson, Ltd.&#13;
—º-º-º-&#13;
II.&#13;
SIR,--I should like to inform “C. B.” that I&#13;
never allow MSS. to be marked in my office. If&#13;
he likes to send me something, I can assure him&#13;
that he will get it back almost as good as new. But&#13;
editors are not the only people with this failing.&#13;
I have remonstrated with a literary agent, who&#13;
makes strange marks on the MSS. he sends round,&#13;
pointing out to him that some of the contributions&#13;
emanating from him bear the look of collars that&#13;
have been clerically attended to by several&#13;
laundries.&#13;
Disfiguring a manuscript is, to my mind, a&#13;
distinct discourtesy on the part of an editor, and&#13;
“C.B.'s" protest is well justified.&#13;
Yours faithfully,&#13;
R. S. WARREN BELL,&#13;
Editor of The Captain.&#13;
—t-G-4–&#13;
PENSION FUND.&#13;
SIR,--I cannot think H. A.’s letter is repre-&#13;
sentative even of himself, and can only agree with&#13;
his last words, and then only by transposing them&#13;
to read, “It is not a question of principle, but of&#13;
the amount demanded.” Literature is surely the&#13;
most liberal of professions, and it could not exist&#13;
without original thought, which means that no two&#13;
people think precisely alike. Also, however&#13;
valuable opinions, thoughtful persons are privileged&#13;
to change them, and sometimes do go “full speed&#13;
astern.” Yet H. A. wishes us to believe that his&#13;
only motive for not contributing is the fear that&#13;
Some small portion of his generosity, however&#13;
great, might, at some future time, go to relieve the&#13;
sufferings of some imaginary poor devil who might&#13;
have the temerity to differ from him. This is not&#13;
quite liberal, not quite tolerant ; and the evil one&#13;
may never need the pension. No compulsion, of&#13;
course, but let those subscribe who can, and leave&#13;
the rest to the pension committee.&#13;
ANOTHER A.&#13;
—t—sº-º-&#13;
MILTON TERCENTENARY.&#13;
SIR,--I have the honour, on behalf of the&#13;
Milton Tercentenary Committee, appointed by&#13;
the Council of the British Academy, in view&#13;
of a memorial addressed to them early in the&#13;
year by the Lord Mayor, the Chairman of the&#13;
London County Council, the Vice-Chancellors of&#13;
the Universities of Oxford, Cambridge, and Lon-&#13;
don, and others, to announce the following details&#13;
of the programme of the celebration –&#13;
On the evening of December 8, the eve of the&#13;
300th anniversary of the birth of Milton, the British&#13;
Academy will hold a special meeting at the Theatre&#13;
of Burlington House, Burlington-gardens, at which&#13;
&#13;
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## p. 84 (#104) #############################################&#13;
&#13;
84&#13;
TISIES A UITISIOR.&#13;
Dr. A. W. Ward, Master of Peterhouse, Fellow of&#13;
the Academy, will deliver a brief oration on&#13;
“Milton's Life and Work,” to be followed by a&#13;
discourse on “Milton's Comus and its Incidental&#13;
Music,” by Sir Frederick Bridge, illustrated by the&#13;
choristers of Westminster Abbey.&#13;
In response to a request addressed to him by the&#13;
Tercentenary Committee, Mr. George Meredith,&#13;
O.M., has graciously written some lines on&#13;
“Milton,” in honour of the occasion, and the&#13;
celebration will fittingly open with the reading of&#13;
these lines.&#13;
On December 9, the day of the tercentenary, a&#13;
special commemoration service will be held in the&#13;
afternoon, at the church of St. Mary-le-Bow,&#13;
Cheapside, at which the sermon will be given by&#13;
the Bishop of Ripon. The Right Hon. the Lord&#13;
Mayor (Sir George Wyatt Truscott) and the&#13;
Sheriffs, in State, leading citizens (especially of&#13;
Milton's ward of Bread-street), the officers and&#13;
Fellows of the British Academy, with other invited&#13;
guests, will attend the service.&#13;
In the evening the Lord Mayor will entertain a&#13;
representative company at the Mansion House at a&#13;
banquet in celebration of the tercentenary.&#13;
On Thursday, December 10, in the afternoon, a&#13;
general meeting of the British Academy will be&#13;
held, at which will be communicated for publica-&#13;
tion the following papers on various aspects of&#13;
Milton's life and work :—&#13;
“Milton and Dante, with reference to Macaulay's&#13;
Essay,” by Mr. W. J. Courthope, C.B.&#13;
“Milton in the Eighteenth Century,” by Professor&#13;
E. Dowden.&#13;
“Milton's Fame on the Continent,” by Professor&#13;
J. G. Robertson.&#13;
“Milton as Schoolboy and Schoolmaster,” by&#13;
Mr. A. F. Leach.&#13;
“Samson Agonistes and the Hellenic Drama,”&#13;
by the late Sir Richard Jebb.&#13;
Further, Professor C. H. Firth will contribute a&#13;
paper on “Milton as an Historian.” This will be&#13;
read at the ordinary meeting of the Academy on&#13;
November 25. -&#13;
These papers, together with other contributions,&#13;
will be published in extenso in “The Proceedings&#13;
of the British Academy,” and also separately.&#13;
On the evening of Tuesday, December 15, a per-&#13;
formance of “Samson Agonistes” will be given at&#13;
the theatre, Burlington-gardens, under the direc-&#13;
tion of Mr. William Poel, for the guests of the&#13;
British Academy. Public performances are being&#13;
arranged for in London and elsewhere.&#13;
At the British Museum there will be an exhibi-&#13;
tion of “Miltoniana,” and a portfolio containing&#13;
facsimiles of the Milton autographs and documents&#13;
in the museum will be “published by order of the&#13;
trustees, on the occasion of the Milton Tercen-&#13;
tenary.” The price of the portfolio will be 1s. ;&#13;
Single plates 3d. each.&#13;
I am, Sir, your obedient servant,&#13;
I. GOLLANCZ,&#13;
Secretary of the British Academy.&#13;
—e—º-e—&#13;
THE AUTHORS’ CLUB.&#13;
SIR,-As it is not possible to answer as fully as&#13;
one would wish the many letters of inquiry received&#13;
daily regarding the now successfully reconstructed&#13;
Authors’ Club (founded in 1891 by Sir Walter&#13;
Besant), I am requested by my committee to ask if&#13;
you will courteously permit the most frequent&#13;
questions to be replied to in your columns, as&#13;
follows:— * -- . . . . .&#13;
1. The reconstruction of the Authors’ Club has&#13;
been accomplished with the cordial co-operation of&#13;
the majority of the former members.&#13;
2. Amongst those who have joined the general&#13;
council are the Lord Monkswell, D.L., Sir Edward&#13;
Brabrook, C.B., Sir Arthur Conan Doyle, Wen.&#13;
Archdeacon Sinclair, D.D., Messrs. S. R. Crockett,&#13;
C. B. Fry, Francis Gribble, H. Rider Haggard,&#13;
Anthony Hope Hawkins, C. J. Cutcliffe Hyne,&#13;
Morley Roberts, William Senior, Horace Annesley&#13;
Wachell, Percy White, with Mr. Charles Garvice as&#13;
chairman of the Executive Committee, and Mr. T.&#13;
Cato Worsfold, hon. solicitor.&#13;
3. The new club rooms overlook the Embank-&#13;
ment Gardens and the river, and, until the&#13;
refurnishing is completed, members of the Authors’&#13;
are guests of the Municipal Club in the same&#13;
building.&#13;
4. The social affairs of the club are managed by&#13;
the executive committee who were elected at the&#13;
general meeting of members on the 5th ult.,&#13;
namely : in addition to the chairman aforemen-&#13;
tioned, Messrs. C. H. Cautley, E. J. Harper,&#13;
Franklin Lieber, Robert Machray, G. Herbert&#13;
Thring, E. H. Lacon Watson, Horace Wyndham&#13;
(hon. librarian) and myself.&#13;
5. To ensure a continual infusion of fresh&#13;
interest in the club's affairs, one third of the com-&#13;
mittee will retire in February, 1911, and every&#13;
Subsequent February, in favour of new officers, no&#13;
past committee-man being eligible for re-election&#13;
until the lapse of one year after resigning office.&#13;
6. No financial liability in the management&#13;
attaches to any individual member.&#13;
On behalf of the Executive Committee,&#13;
I am, Sir, --&#13;
Your obedient servant,&#13;
ALGERNON ROSE,&#13;
Hon. Sec.&#13;
2, Whitehall Court,&#13;
London, S.W.&#13;
&#13;
&#13;
## p. 84 (#105) #############################################&#13;
&#13;
AD VERTISEMENTS. iii&#13;
TYPEWRITING.&#13;
Authors’ MSS. copied from 9d. per 1,000&#13;
words; in duplicate, 1/-, Plays and General&#13;
Copying. List and specimen of work on appli-&#13;
cation.&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
“Miss M. R. HoRNE has typed for me literary matter to the&#13;
©xtent of some hundreds of thousands of words, I have nothing&#13;
but praise for the accuracy, speed, and neatness with which she&#13;
does her work.—FRANK SAVILLE.”&#13;
MISS M. R. HORNE,&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX.&#13;
MRS. GILL, Typewriting Office,&#13;
(Established 1883.) 35, LUDGATE HILL, E.C.&#13;
Authors' MSS. carefully copied from 1s, per 1,000&#13;
words. Duplicate copies third price. French and German&#13;
MSS. accurately copied ; or typewritten English trans-&#13;
lations supplied. References kindly permitted to Messrs.&#13;
A. P. Watt &amp; Son, Literary Agents, Hastings House,&#13;
Norfolk Street, Strand, W.C. Telephone 84.64 Central.&#13;
SIPKES and SIKES,&#13;
The West Kensington Typewriting 0ffices,&#13;
(Established 1893)&#13;
223a, Hammersmith Road, LONDON, W.&#13;
Authors' MSS. ; Translations; Duplicating ; Plays and Actors' Parts ;&#13;
Legal, General and Commercial Documents. Private Rooms for&#13;
Dictation. Usual Terms. References.&#13;
ANNOUNCEMENT.&#13;
We have pleasure in announcing that&#13;
we have made an arrangement with&#13;
Mr. WILLIAM ARCHER by which&#13;
he undertakes, should the author desire&#13;
it, to read, criticise, and advise upon&#13;
any Dramatic Manuscript (whether a&#13;
Scenario or a finished play) which we&#13;
may submit to him, and to read no&#13;
dramatic manuscript which does not&#13;
reach him through us. It is not, how-&#13;
ever, to be understood that all Plays&#13;
entrusted to us must be submitted to&#13;
Mr. Archer, nor that all Plays sub-&#13;
mitted to Mr. Archer must be further&#13;
handled by us.&#13;
CURTIS, BROWN &amp; THORNE.&#13;
5, HENRIETTA ST.,&#13;
COVENT GARDEN, W.C.&#13;
THE INDISS01/BLE (NOT.&#13;
By chARLES GRANVILLE.&#13;
Price 2/6 nett.&#13;
Crowlyn 8vo.&#13;
SOIV'ſ E. EPIRFE, SS GOES"]...[INTF (CSIRſ Se&#13;
Westminster Review.—“‘The Indissoluble Knot ' is a story&#13;
of thrilling interest. . . . Mr. Granville possesses a trenchant&#13;
style, and no little knowledge of the seamy side of City life.”&#13;
Nottingham Guardian Literary Supplement. —“It is not&#13;
often that a novel written avowedly for the purpose of showing&#13;
the evils of drink can be treated as a serious work of art. But&#13;
“The Indissoluble Rnot is an exception. It has style, the&#13;
characterisation is good, and the story is interesting from start&#13;
to finish.”&#13;
Birmingham Post.—“A powerful story. Mr. Granville wins&#13;
|bis success by a direct and powerful appeal to elementary&#13;
£motions.”&#13;
The Scotsman.—“The author . . . cleverly portrays the&#13;
breakdown of a good woman under the baneful influence of a&#13;
dissolute husband. . . . The story is one in which the characters&#13;
are cleverly drawn, speaking and acting with a naturalness&#13;
which will please even a fastidious reader, while a seamy side of&#13;
London commercial life is graphically delineated.”&#13;
Dundee Courier.—“Mr. Granville undoubtedly gives Lady&#13;
|Haversley a very strong case. . . . As a picture of life in the City&#13;
the story has considerable interest.”&#13;
d The Lady.—“A tragic little story . . . the characters are well&#13;
d?"O,700l.” *&#13;
Western Mai I.-‘‘The subject is well treated and the author&#13;
makes out a powerful case.”&#13;
Dundee Advertiser.—“The ruination caused by drunkenness,&#13;
and the obstacles the Church throws in the way of divorce by&#13;
insisting on the sanctity of marriage, are exhibited in this arrest-&#13;
ing story with a strength which cannot favl to appeal to readers&#13;
who desire the means of procuring a better Social environment.&#13;
A boole that deserves to be studied.” -&#13;
Bookseller.—“Mr. Granville is a vigorous Writer. We do not&#13;
think he has ever done anything better than this “veiled tragedy&#13;
Of the Conventions.’’&#13;
LONDON : OPEN ROAD PUBLISHING CO.&#13;
NG PAWS&#13;
AMBITIOUS AUTHORS, anxious to diverge&#13;
from the beaten track, should read the following&#13;
new guides:&#13;
1. WHAT SHALL : WRITE ABOUT fº&#13;
New Plots, and How to Fínd Them.&#13;
By R. A. H. GOODYEAR.&#13;
2. TALE WRITING FOR M0MEW.&#13;
Bright Stories: How to Write and Where&#13;
to Lell Them at Best Prices.&#13;
By R. A. H. GOODYEAR.&#13;
3. 101 MONEY-MAKHNG REGIPES FOR&#13;
AUTHORS.&#13;
From the Private Papers of Eminent&#13;
Writers.&#13;
SEVENPENCE EACH,&#13;
- Two for 1s. 1d., or three for 1s. 6d. post free, of&#13;
THE MAGAZINE SYNDICATE,&#13;
Publishing Office, SOUTHPORT, LANCS.&#13;
&#13;
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&#13;
&#13;
&#13;
&#13;
## p. 84 (#106) #############################################&#13;
&#13;
iv. AD VERTISEMENTS.&#13;
The Whitefriars Press,&#13;
LONDON &amp; TONBRIDGE,&#13;
Having largely increased their PRINTING and BOOKBINDING PLANT&#13;
(which is now one of the most complete in the British Isles), are prepared&#13;
to undertake, at short notice, the production of&#13;
Works of Fiction, Legal and Medical Text Books,&#13;
High-class Magazines, Newspapers, etc.&#13;
ESTIVIATES FREE.&#13;
An IIIustrated Booklet descriptive of the Country Branch of the&#13;
- Firm sent on receipt of a Post Card.&#13;
Telegrams: Charivari, London ; Charivari, Tonbridge.&#13;
Telephones: 2S Holborn ; 19 Tonbridge; 9108 Central&#13;
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[XV111. CENT.&#13;
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BARNICOTT &amp; PEARC E&#13;
INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
AUTHORS’ TYPEWRITING.&#13;
Novel and Story Work . 9d. per 1,000 words; 2 Copies, 1/-&#13;
General Copying - &amp; ... 1 - 33 33 33 1/3&#13;
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              <text>1908-12-01-The-Author-19-3</text>
            </elementText>
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      <name>publications</name>
    </tag>
    <tag tagId="4">
      <name>The Author</name>
    </tag>
  </tagContainer>
</item>
