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            <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Vol. XII.-No. 6.&#13;
JANUARY 1, 1902.&#13;
[PRICE SIXPENCE.&#13;
92&#13;
81&#13;
Notices ...&#13;
The Pension Fund of the Society of Authors&#13;
From the Committee ... ...&#13;
Sir Walter Besant's Autobiography ...&#13;
Book and Play Talk ...&#13;
Literary, Dramatic, and Musical Property&#13;
A Literary Advertisement ..&#13;
The Dictionary of National Biography&#13;
The Authors' Club ... ...&#13;
General Memoranda ...&#13;
Warnings to Dramatic Anthors&#13;
How to Use the Society&#13;
CONTENTS.&#13;
PAGE&#13;
PAGE&#13;
81, 92&#13;
The Reading Branch ...&#13;
Authorities ... ... ...&#13;
Author and Literary Agent ...&#13;
Desirability of Standard Rules for Printing, and a Method to&#13;
obtain them ...&#13;
... ... ... 97&#13;
The Advantages of Commission Publishing&#13;
American Notes&#13;
... ... ... ... ... ... 102&#13;
The Changing of Street Names ,&#13;
105&#13;
The Publication of Educational Works&#13;
106&#13;
“ Real People" in Fiction ...&#13;
107&#13;
Correspondence...&#13;
108&#13;
100&#13;
::::::::::::&#13;
:8::&#13;
::::::::::&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. ls.&#13;
2. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary&#13;
Property. Issued to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum,&#13;
post free. Back numbers from 1892, at 10s. 6d. per vol.&#13;
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4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 1s.&#13;
5. The Cost of Production. (Out of print.)&#13;
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Authors are examined, and their meaning carefully explained, with an account of the&#13;
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agreements. 38.&#13;
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LUNGE, J.U.D. 28. 6d.&#13;
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G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. ls.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S.W.]&#13;
&#13;
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## p. 80 (#468) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
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&#13;
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## p. 80 (#469) #############################################&#13;
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&#13;
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## p. 80 (#470) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
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&#13;
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## p. 81 (#471) #############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XII.–No. 6.&#13;
JANUARY 1st, 1902.&#13;
[PRICE SIXPENCE.&#13;
1&#13;
CHANGE OF ADDRESS.&#13;
Nov. 21, Balfour, A. ....&#13;
.&#13;
Nov. 22, Risley, J.........&#13;
:r;';'...ccccccc&#13;
Nov. 25, Walker, W. S..&#13;
...&#13;
0&#13;
0&#13;
1&#13;
5&#13;
5&#13;
0&#13;
0&#13;
0&#13;
0&#13;
The office of the Incorporated Society of Authors&#13;
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STOREY'S GATE, S.W.&#13;
ANNUAL SUBSCRIPTIONS.&#13;
Nov. 25, Vaux, P. ....&#13;
Nov. 25, Lambe, Lawrence ........&#13;
1&#13;
1&#13;
1&#13;
1&#13;
0&#13;
0&#13;
NOTICE.&#13;
FROM THE COMMITTEE.&#13;
NHE EDITOR begs to inform members of the&#13;
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come before the notice or to the knowledge of the&#13;
Secretary of the Society, and that those members&#13;
of the Society who desire to have the names of&#13;
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TT is with much regret that we have to record&#13;
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constant and sincere supporter of the work it has&#13;
done for the benefit of the profession as a whole,&#13;
although he has seldom had occasion to obtain any&#13;
direct benefit.&#13;
We must also mention with regret the death of&#13;
E. Livingstone Prescott (Miss Spicer Jay), whose&#13;
work was deservedly appreciated. She was also&#13;
a member of the Society for some time.&#13;
THE PENSION FUND OF THE SOCIETY&#13;
OF AUTHORS.&#13;
M HE following is the total of donations and&#13;
1 subscriptions promised or received up to&#13;
the 1st December, 1901.&#13;
Further sums will be acknowledged from month&#13;
to month as they are received, as it has been con-&#13;
sidered unnecessary to print the full list with&#13;
every issue.&#13;
Donations .........&#13;
......£1439 16 6&#13;
Subscriptions ......&#13;
... 106 7 6&#13;
In re A. M. de Beck, Limtd.&#13;
A COMPULSORY winding-up order was made&#13;
against this company.&#13;
DONATIONS.&#13;
2 u&#13;
5 5&#13;
0&#13;
0&#13;
Nov. 9, Dale, Miss .......&#13;
Oct. 10, Harrison, Mrs. (Lucas Malet)&#13;
Oct. 15, Rossi, Miss L.&#13;
Oct. 25, Potter, M. H. ............&#13;
Oct. 30, Stanley, Mrs. .....&#13;
VOL. XII.&#13;
The Work of the Society.&#13;
During the past month the Secretary has had on&#13;
hand, in addition to and outside of his correspon-&#13;
dence, ten cases. Four of these have been completed;&#13;
the rest are in process of settlement.&#13;
The Society has taken up two county court&#13;
actions, one of which has been settled without the&#13;
issue of a plaint. A solicitor's letter appeared to&#13;
be amply sufficient.&#13;
0 12&#13;
0 10&#13;
0&#13;
O&#13;
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## p. 82 (#472) #############################################&#13;
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82&#13;
THE AUTHOR.&#13;
· ·&#13;
.&#13;
.&#13;
· · ·&#13;
.&#13;
· · · · · · · · ·&#13;
· · · ·&#13;
·&#13;
Nerer&#13;
.&#13;
.&#13;
.&#13;
Besant Memorial.&#13;
Donations from Members and Others.&#13;
As it appears from the subscriptions sent in to Bell, Mackenzie . .&#13;
. .&#13;
the Secretary that the members of the Society as&#13;
. . 1 1 0&#13;
Boevey, Miss Crawley . . . .&#13;
a whole cannot have read the notice published in&#13;
() 10 0&#13;
Dale, Miss Nellie ...&#13;
0 10 6&#13;
last month's Author, the Committee again desire Kelly, C. A.&#13;
to state that subscriptions to the Memorial are&#13;
. .&#13;
• . 2 20&#13;
Moncrieff. A. R. Hope&#13;
now invited from all members, and they trust that&#13;
Stanton, Miss A. M. .&#13;
.&#13;
there will be no difficulty in obtaining a sum&#13;
.&#13;
. 1 1 0&#13;
Toynbee, William&#13;
m .&#13;
.&#13;
. . . 1&#13;
sufficient to cover all possible contingencies.&#13;
1 0&#13;
Watt, A. P. &amp; Son .&#13;
. .&#13;
The full statement of what it is proposed to do&#13;
. 26 5 0&#13;
Wilkins. W. H.&#13;
. .&#13;
has already been set out in The Author.&#13;
. 1 1 0&#13;
Wilson, Miss Aphra ..&#13;
Cheques should be made payable to the Incor-&#13;
. 1 1&#13;
Woods. Mrs. M.A.&#13;
. . . 1 1&#13;
porated Society of Authors, London Joint Stock&#13;
0&#13;
Bank, and crossed “ Walter Besant Memorial.”&#13;
SIR WALTER BESANT'S AUTOBIOGRAPHY.&#13;
Donations from Members of the Council.&#13;
Meredith, George, President of the&#13;
CYIR WALTER BESANT'S Autobiography,&#13;
Society . . . . .£10 0 0 D which is now in the press, and which will&#13;
à Beckett, A. W. .&#13;
. 1 1 0 be published shortly by Messrs. Hutchinson&#13;
Barrie, J. M. .&#13;
5 5 0 &amp; Co., is not at all like the autobiographies to&#13;
Bateman, Robert . . . . 5 0 0 which we are accustomed. It is neither a diary,&#13;
Beddard, F. E..&#13;
0 0&#13;
nor does it contain lengthy transcripts from a&#13;
Bonney, Rev. T. G. .&#13;
2 0 diary ; it includes no letters from eminent friends,&#13;
Caine, T. Hall, amount dependent on&#13;
and is remarkably free from personal references ;&#13;
what sum required&#13;
it says nothing at all about the pecuniary side of&#13;
Clodd, Edward . .&#13;
.&#13;
.&#13;
1 1 0 his career as a professional man of letters; and is&#13;
Colles, W. M. .&#13;
5 5 0 quite silent about his domestic life. It tells&#13;
Collier, The Honble. John .&#13;
O briefly and modestly of the influences which led&#13;
Conway, Sir W. Martin&#13;
1 1 0 him to be a novelist and an antiquarian, and of&#13;
Craigie, Mrs. .&#13;
2 2 0 the circumstances which conduced to his success ;&#13;
Dobson, Austin.&#13;
10 and undoubtedly the main purpose which Sir&#13;
Doyle, A. Conan.&#13;
. 15 0 0 Walter Besant had in writing it was to draw&#13;
Dubourg, A. W..&#13;
0 attention to what he considered to be the proper&#13;
Foster, Sir Michael, M. P., F.R.S.&#13;
1 0 equipment for sound and useful literary perform-&#13;
Freshfield, D. W.&#13;
• 5 0 0 ance. He tells the story of his childhood with&#13;
Garnett, Richard&#13;
some detail, and draws an interesting picture of&#13;
Gosse, Edmund . .&#13;
3 0&#13;
his school and college life ; and from his descrip-&#13;
Grundy, Sydney . .&#13;
2 0 tion of how the various situations in which he was&#13;
Haggard, H. Rider.&#13;
. 3 3 0 placed affected him, the reason for his religious&#13;
Hardy, Thomas . .&#13;
. 2 2 0 convictions—which he states—can be gathered.&#13;
Harrison, Mrs. (Lucas M&#13;
• 1 1 0 Some foreword was considered by Sir Walter&#13;
Hawkins, A. Hope&#13;
0 0 Besant's literary executor, and by others to whom&#13;
Jerome K. Jerome .&#13;
2 2 0 his memory is especially dear, to be necessary, to&#13;
Keltie, J. Scott.&#13;
1 1 0 explain to some extent the limitations of the book,&#13;
Kipling, Rudyard&#13;
0 0 and the responsibility of writing a preface has&#13;
Lely, J. M.&#13;
10 been entrusted to Mr. S. Squire Sprigge.&#13;
Loftie, Rev. W. J.&#13;
1 0 We are certain that a life of Sir Walter Besant,&#13;
Middleton-Wake, Rev. C. H. .. 2 2 0 whatever its scope or aims, whatever its contents&#13;
Norman, Henry.&#13;
1 1 0 or omissions, cannot fail to be deeply interesting&#13;
Parker, Gilbert ..&#13;
3 3 0 to the members of the Society of Authors. His&#13;
Pinero, A. W..&#13;
5 0 affectionate zeal for the Society can never be&#13;
Pollock, Sir F..&#13;
1 1 0 fogotten by us. He gave us of his best with&#13;
Rose, Edward .&#13;
2 2 0 the utmost cost to himself. At the busiest period&#13;
Scoones, W. Baptiste .&#13;
1 1 0 of his life, when his great success as a novelist&#13;
Sims, George R.. .&#13;
5 0 0 made his time of the first pecuniary value to him,&#13;
Sprigge, S. S. . .&#13;
2 2 0 and wheu his expenses were necessarily at their&#13;
Ward, Mrs. Humphry&#13;
. . 5 0 0 highest point, he devoted half his working day&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
·&#13;
0&#13;
.&#13;
·&#13;
.&#13;
8-100 - NCN CO er NON&#13;
ONCON COCO O NON&#13;
·&#13;
.&#13;
·&#13;
·&#13;
·&#13;
·&#13;
.&#13;
·&#13;
.&#13;
·&#13;
.&#13;
·&#13;
.&#13;
·&#13;
1&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
&#13;
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## p. 83 (#473) #############################################&#13;
&#13;
THE AUTHOR.&#13;
83&#13;
for years to our cause—the cause of his colleagues There are also many reproductions from quaint&#13;
of the pen. But this is no place to run into a engravings in out-of-print volumes, and over forty&#13;
needless eulogy of our dead friend. It is sufficient street scenes from photographs taken by the author&#13;
to say, in alluding to the forthcoming biography, and Mr. E. B. Cochrane, of Hillhurst, P.G.&#13;
that any message which Sir Walter Besant gives&#13;
A special feature of the book is the amount of&#13;
to the world is sure to be received with keen&#13;
information it gives about curio-buying. Messrs.&#13;
welcome by one class. Brethren of his craft&#13;
Sands &amp; Co. are the publishers. The price is&#13;
will read with pleasure the passages of his life&#13;
£3 38. net.&#13;
which he has bequeathed to the public, feeling&#13;
The Rev. Walter Skeat, Elrington and Bosworth&#13;
that any lessons which he may inculcate are&#13;
Professor of Anglo-Saxon in the University of&#13;
bound to be worthy of attention, as coming&#13;
Cambridge, has edited the complete works of&#13;
from a good, brave, and generous man.&#13;
Chaucer from numerous manuscripts. This&#13;
admirable edition (1 vol., 3s. 6d., Clarendon&#13;
Press, Oxford ; Henry Frowde, London) will be a&#13;
BOOK AND PLAY TALK.&#13;
boon to students and lovers of Chaucer. The&#13;
book is handy to hold and easy to read. Professor&#13;
Skeat's short but full preface gives the reader all es-&#13;
TR. A. W. à BECKETT, who is a member&#13;
sential information, and those poems which research&#13;
M of the Council, of the Committee of&#13;
has proved not to be Chaucer's have been eliminated.&#13;
Management, and of the Sub-Committees&#13;
on Copyright and Drama, is lecturing on the “Comic&#13;
Sir George Young, the translator of Sophocles,&#13;
Century.” The humours of the years 1801 to 1901&#13;
has rendered a selection of Victor Hugo's poems&#13;
are' illustrated with slides from the best-known&#13;
into English verse. The selection ranges over the&#13;
caricaturists of the century. Mr. à Beckett would&#13;
whole of Hugo's immense and multifarious work,&#13;
be exceedingly pleased if any members of the Society&#13;
and contains over 10,000 lines of verse, so that&#13;
having caricatures which they would allow him to&#13;
the English student may get from it a fair&#13;
reproduce in the form of lantern slides would com conception of Hugo's poetry, excluding the dramas.&#13;
municate with him to that effect as soon as possible. “More Letters of Edward Fitzgerald,” edited by&#13;
Commander the Hon. H. N. Shore, R.N., whose Mr. W. Aldis Wright (Macmillan, 5s.), will be&#13;
book, “ Smuggling Ways and Smuggling Days”&#13;
warmly welcomed by those who have appreciated&#13;
(Cassell &amp; Co., 1892), was the fruit of eight years'&#13;
the Fitzgerald Letters already published. They&#13;
experience and investigation as inspecting officer of&#13;
are Letters first and foremost and all through.&#13;
the Coastguard in England and Scotland, is pub-&#13;
By their means Fitzgerald brings his readers into&#13;
Jishing through the columns of the Kent County close contact, primarily with his own quaint&#13;
Examiner a series of articles entitled “Half Hours personality, and then into intimate touch with&#13;
with Kentish Smugglers," which deals with the smug. many of his distinguished contemporaries.&#13;
glers of the south-east coast of England exclusively. “The Life of the Right Hon. Sir William Moles-&#13;
The period treated of is that which followed the&#13;
worth, Bart., M.P., F.R.S.," by Mrs. Fawcett, LL.D.&#13;
close of the long war with France in the early part&#13;
(Macmillan, 8s. 6d. net), is a timely publication,&#13;
of the 19th century. Over a large part of Kent&#13;
though Sir William died in 1855. This far-seeing&#13;
and of Sussex smuggling was carried on with&#13;
statesman and true Liberal entered Parliament for&#13;
brazen boldness. The coast was infested with&#13;
East Cornwall in 1832. In 1855 he took office as&#13;
armed gangs who defied the Government officers Secretary of State for the Colonies in the Govern-&#13;
and terrorised the law - abiding. Commander&#13;
ment of Lord Palmerston.&#13;
Shore's narrative comprises much sensational and Molesworth held that the Colonies should have&#13;
hitherto unpublished matter which may be of responsible government. The following statement&#13;
especial value to novelists.&#13;
of his has a peculiar value at the present time :-&#13;
Mr. Douglas Sladen's new book, “In Sicily,” Every war (with an external foe) is necessarily an&#13;
follows hard on the heels of Miss Norma Lorimer's&#13;
Imperial war i... In certain cases it would not be&#13;
unreasonable to expect that the colonies should assist the&#13;
“ By the Waters of Sicily” (Hutchinson, 108. 6d.&#13;
Empire both with troops and with money, and I feel con-&#13;
net). Mr. Sladen spent the winters of 1896, 1898, vinced that if the colonies were governed as they ought to&#13;
and 1900 in Sicily, collecting the materials for this be, they would gladly come to the aid of the Mother&#13;
important work, which is in two volumes, large Country in any just and necessary war.&#13;
quarto, with maps and some 300 illustrations. Sir William worked with Buller and Gibbon&#13;
Thirteen of these are from original oil-paintings Wakefield, John Stuart Mill and Lord Durham, to&#13;
by Miss Margaret Thomas, the artist-author of encourage colonisation in South Australia and New&#13;
“Two Years in Palestine and Syria.”&#13;
Zealand, and to bring peace to a distracted Canada.&#13;
&#13;
&#13;
## p. 84 (#474) #############################################&#13;
&#13;
84&#13;
THE AUTHOR.&#13;
He is remembered too as the editor of “John English jury is not to lose time. Mere finesse they don't&#13;
Hobbes."&#13;
appreciate; go straight at the witness and at the point ;&#13;
throw your cards on the table. It is a simple method, and&#13;
66 The Tragedy of Sir Francis Bacon” is the I think it is a good method.&#13;
title of a work by Mr. Harold Bayley, Mr. Grant Another important book is the “ Life of Sir&#13;
Richards being the publisher. The book is a com-&#13;
William Wilson Hunter, K.C.S.I., &amp;c.," by Mr.&#13;
prehensive study of the recently discovered cypher F. H. Skrine (Longmans, 16s.). Sir William was&#13;
narration concealed within the plays of Shakespeare,&#13;
a collector of facts, a historian, a man of extra-&#13;
and an examination of the evidence leading to show&#13;
ordinary industry. He directed the statistical&#13;
that Francis Bacon was not only the author of the&#13;
survey of India, and he wrote many books. His&#13;
plays and of much contemporary work hitherto&#13;
“ Thackeray in India” contains interesting infor-&#13;
attributed to other writers, but that he was further&#13;
mation about that novelist's early years.&#13;
the son of Queen Elizabeth. This is indeed to&#13;
He came into contact with Mr. Kipling, and in&#13;
out-Shakespeare Shakespeare !&#13;
his review of the third edition of “ Departmental&#13;
Mr. Walter Wall, who was for many years editor&#13;
Ditties ” (Academy, 1888) he said,&#13;
of the Mining Journal, is publishing through Mr.&#13;
Grant Richards a volume entitled “How to Specu-&#13;
Some day a writer will arise - perhaps the destined&#13;
man- who will make that noble. Anglo-Indian world&#13;
late in Mines.” The object of the book is to known as it really is. It will then be seen by what a&#13;
instruct the ordinary capitalist and to give him hard discipline of endurance our countrymen and country-&#13;
disinterested advice. The principal goldfields of women in India are trained to do England's greatest work&#13;
on the earth. Of this realistic side of Anglo-Indian life&#13;
the world are dealt with, and there are chapters&#13;
Mr. Kipling also gives us glimpses. His serious poems&#13;
on “ Prospective Criticism,” “How Markets are&#13;
seem to me the ones most full of promise. Taken as a&#13;
Influenced,” “Bulls and Bears," " The Financial whole, his work gives hope of a new literary star of no&#13;
Press," &amp;c. There is an index, and a glossary of mean magnitude arising in the East.&#13;
mining terms.&#13;
• Sir William Hunter's great work was “The&#13;
A very different book is to be added immediately History of British India."&#13;
to Mr. Grant Richards' Religious Life Series. It A useful and timely volume is “The Foundation&#13;
is a reprint of Bishop Hall's “ Meditations and of British East Africa,” by J. W. Gregory, D.Sc.&#13;
Vows." Bishop Hall was one of the later Elizabe- (Horace Marshall, 6s. net). In it the author&#13;
thans. His “ Meditations and Vows” first relates the chief events in the history of the&#13;
appeared in their original form in 1605, but were country down to the appointment of Sir Harry&#13;
subsequently revised and considerably enlarged. Johnston as Commissioner of Uganda. There&#13;
The present edition will be complete and will be are maps and illustrations.&#13;
edited by Mr. Charles Sayle.&#13;
Number 42 of the Portfolio Monographs ·&#13;
“The Life of Lord Russell of Killowen " (Smith, (Seeley &amp; Co) is “ Mediæval London," by the&#13;
Elder, 10s. 6d. net), by Mr. R. Barry O'Brian, is Rev. Čanon Benham, D.D., Rector of St. Edmund&#13;
one of the season's successful books. That this the King in Lombard Street, and Charles Welsh,&#13;
biography of the late Lord Chief Justice is so F.S.A., Librarian to the Corporation of London.&#13;
interesting is partly because Mr. O'Brian's bio. The first twenty-one pages is a comprehensive&#13;
graphical intentions were known to Lord Russell, “ Survey of Mediæval London.” Then come&#13;
who willingly talked to the point. Lord Russell's chapters on “Civic Rule," “ The Thames,"&#13;
family have also supplied papers. This masterful “ Religious Life," “ The Fortresses, Palaces,&#13;
man, endowed with a magnetic personality, who and Mansions,” and “The Passing of Medieval&#13;
imposed himself on the jury and the Court, was London.” The monograph is exquisitely illus-&#13;
considered by many to be the biggest advocate of trated. There are four plates printed in colours&#13;
the century.&#13;
and reproductions of a series of Antonie Van den&#13;
The following opinion of his with reference to Wyngaerde's drawings of Elizabethan London,&#13;
the difference between English and Irish juries now in the Bodleian Library. All who love&#13;
has been considerably quoted, but it will bear their London will welcome this scholarly mono-&#13;
repetition :&#13;
graph. Price 5s. net ; or in cloth 78. net.&#13;
In dealing with an English jury it is better to go Two books which have a special interest for&#13;
straight to the point ; the less finesse the better. It is&#13;
those who live in and about London are (1)&#13;
different with an Irish jury. An Irish jury enjoys the trial.&#13;
They can follow every turn of the game. They understand&#13;
“London City Churches” (Constable &amp; Co.), by&#13;
the points of skill; the play between an Irish witness and A. E. Daniell, who knows these churches and has&#13;
an Irish counsel is good fun, and they like the fun, and they carefully studied their monuments and archives ;&#13;
don't mind the loss of time. They get as good value out of the and (2) - London Riverside Churches,” by the&#13;
trial as they would out of the theatre. With an English&#13;
jury it is different. They are busy men, and they want to same painstaking author&#13;
same painstaking author. Both volumes are fully&#13;
get away quickly. The great thing in dealing with an illustrated.&#13;
&#13;
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## p. 85 (#475) #############################################&#13;
&#13;
THE AUTHOR,&#13;
85&#13;
A volume which is particularly interesting just aquatints, &amp;c., &amp;c. There are also valuable hints&#13;
now is “ English Coronation Records,” edited by to beginners. Mr. Whitman is an acknowledged&#13;
Leopold G. W. Legg, B.A. (Constable &amp; Co., expert.&#13;
31s. 6d. net). It consists of documents illus-&#13;
Mr. Edward Clodd has finished for early publi-&#13;
trating the history of English coronations from&#13;
cation a brief monograph on Professor Huxley,&#13;
the seventh century to the nineteenth. There&#13;
which will be issued by Messrs, Blackwoods &amp; Sons&#13;
is a general introduction on ceremonies and&#13;
as a volume of their “ Modern English Writers&#13;
customs, and an account of services due at the&#13;
Series."&#13;
coronation. There are numerous illustrations from&#13;
contemporary sources. The edition is limited to&#13;
The seventh Annual Continuation of “Chitty's&#13;
500 copies.&#13;
Statutes of Practical Utility,” of which the 5th&#13;
edition was brought out in 13 volumes in 1894-5,&#13;
The students of heraldry will be interested in&#13;
has just been brought out by Mr. J. M. Lely, and&#13;
“ Some Feudal Coats of Arms,” by Joseph Foster&#13;
published by Sweet &amp; Maxwell, Limited, and&#13;
(James Parker &amp; Co., 63s.). There are some&#13;
some Stevens &amp; Sons, Limited, at 7s. The new volume&#13;
2,000 illustrations in this volume, which is in the&#13;
contains a summary of the selected Statutes, with&#13;
first instance a collection from certain heraldic&#13;
notes, in which the bearing of the Civil List Act&#13;
rolls.&#13;
on the Civil List Pensions is fully treated. A&#13;
A large paper edition, limited to 250 copies, of consolidating volume containing the seven con-&#13;
Mr. Barry Pain's new book,“ Stories in the Dark," tinuations, with additional notes, will shortly&#13;
is being prepared by Mr. Grant Richards.&#13;
be issued.&#13;
Among the important art books recently published Mr. Anthony Hope's new play will follow "Iris"&#13;
is “ Sir Henry Raeburn, R.A.," by Sir Walter at the Garrick. It is a new and original modern&#13;
Armstrong, Director of the National Gallery, comedy in four acts, and the cast will be very&#13;
Ireland. There is an introduction by (the late) carefully selected. Mr. Bourchier will appear in&#13;
R.A. M. Stevenson, and a catalogue raisonné of the leading part, and Mr. Esmond will make a&#13;
Raeburn's works by J. L. Law, Curator of the reappearance in an important character.&#13;
National Gallery of Scotland (Heinemann, £5 5s.).&#13;
Mr. Martin Harvey will present his new play&#13;
Raeburn's reputation has grown slowly but very&#13;
“ After All,” by Freeman Wills and Frederick&#13;
surely, and his pictures are now eagerly sought&#13;
Langbridge, for the first time in London at the&#13;
I&#13;
after. A Raeburn is among one of the most&#13;
Avenue Theatre this month. The drama, which&#13;
recent acquisitions of the Musée du Louvre. There&#13;
is founded upon “Eugene Aram," was recently&#13;
are 70 plates in this fine volume ; 66 are in&#13;
produced in Dublin and was favourably received.&#13;
photogravure and 4 in lithographic facsimile.&#13;
Mr. H. V. Esmond's "The Wilderness” may be&#13;
Another important book published through&#13;
followed by a revival for a short run of “The&#13;
Messrs. Longmans is the English edition of&#13;
Importance of Being Earnest.” Preparations will&#13;
“ Andrea Mantegna” (Paul Kristeller), by&#13;
be active for the production of Mr. Stephen&#13;
S. Arthur Strong, M.A., Librarian to the House of&#13;
Phillips' tragedy “Paola and Francesca,” which is to&#13;
Phi&#13;
Lords and at Chatsworth. £3 108. net is the&#13;
be put on early next month. Miss Elizabeth&#13;
price of this finely illustrated book on the artist&#13;
artist Robbins is cast for the important part of Lucrezia.&#13;
R&#13;
of Padua.&#13;
Early in February a new piece is due at the&#13;
Then there is an admirable new work on&#13;
Lyric. It is “My Best Girl,” by Seymour Hicks and&#13;
“Modelling,” by Professor Lanteri, of the Royal&#13;
Walter Slaughter.&#13;
College of Art, South Kensington (Chapman &amp;&#13;
Hallº 15s. net). It is meant primarily as a Mr. Sydney Grundy's new play, .“ Frocks and&#13;
guide for teachers and students. "M. Lanteri is Frills," will be produced at the Haymarket on the&#13;
well known as a remarkably successful teacher. evening of January 2nd. As Miss Winifred Emery&#13;
who aims at bringing out any originality his is compelled under medical advice to take a few&#13;
pupils may possess.&#13;
months' rest, her part will be assumed by Miss&#13;
There is also “The Print Collector's Handbook"&#13;
Grace Lane, who has done well under Mrs. Kendall.&#13;
by Mr. Alfred Whitman (Bell, illustrated, 15s, net). Mr. Charles Frohman is sending into the pro-&#13;
There has been such a run on the book that it is vinces four companies (under the direction of Mr.&#13;
practically out of print already and copies are not C. E. Hamilton), with the successful drama “Sher-&#13;
very easily got. Mr. Whitman, of the British lock Holmes,” by Dr. A. Conan Doyle and Mr.&#13;
Museum, gives some interesting information about William Gillette. The companies will be provided&#13;
the Print Rooms of the Museum. There are with new scenery and the special electrical effects&#13;
chapters on line engravings, mezzotints, etchings, which have been used at the Lyceum.&#13;
&#13;
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## p. 86 (#476) #############################################&#13;
&#13;
86&#13;
THE AUTHOR.&#13;
One of the events of the theatrical season has of a further volume containing the historical books,&#13;
been the brilliant and extremely successful revival although the Books of Moses have not yet been&#13;
of “ Iolanthe" at the Savoy. “Iolanthe" was first many weeks out of the press. The whole work is&#13;
produced nineteen years ago. Miss Rosina Bran- intended to be contained in four volumes, and&#13;
dram as Queen of the Fairies made a marked there is every indication that Mr. Fenton's version&#13;
success.&#13;
of the Old Testament will be as popular as his&#13;
We understand that Mr. W. S. Penley has gone&#13;
translation of the New Testament has been, and&#13;
abroad for a short holiday. On his return he will&#13;
continues to be, both here and in America.&#13;
reopen the Great Queen Street Theatre with a new A new volume of verse is being issued by F. B.&#13;
piece.&#13;
Doveton through Messrs. Baker and Son, of Clifton.&#13;
Mrs. Patrick Campbell's American tour com-&#13;
The volume's title is “Mirth and Music," and the&#13;
mences at the Grand Opera House in Chicago.&#13;
poems contained in it have been collected and&#13;
The elerenth annual dinner in aid of the Actors'&#13;
reprinted from various magazines and papers, both&#13;
Benevolent Fund was held in the Whitehall Rooms,&#13;
London and provincial.&#13;
Hôtel Métropole on the evening of December 18th.&#13;
“In the Blood " is the title of a recently pub-&#13;
The Right Hon. Lord Alverstone was in the chair,&#13;
lished book by Mr. W. S. Walker_“ Coo-ee.”—&#13;
and was supported on his right by Mr. Charles which shows that Australian larrikinism revels in&#13;
Wyndham, and on his left by Sir Squire Bancroft. the big cities of the island continent on much the&#13;
Mr. Anthony Hope Hawkins, Mr. Murray Carson, same lines as does hooliganism in London.&#13;
Sir Anderson Critchett, and Mr. George Grossmith Mr. Lewis Melville, author of the “Life of&#13;
were among those present. It was announced Thackeray," will this month publish, through&#13;
during the evening that the subscription list Messrs. Greening &amp; Co., a novel dealing with&#13;
amounted to over £900, the chairman having the stage. It is called “In the World of&#13;
contributed 100 guineas.&#13;
Mimes.”&#13;
The fifth English edition of Mr. F. Howard Collins A new book, “Shrouded in Mystery," by Sarah.&#13;
“ Epitome of the Synthetic Philosophy of Herbert Eleanor and Harriet Stredder (Deane, 3s. 6d.) is a&#13;
Spencer” was published recently (Williams and contribution to psychic stories. All the four stories&#13;
Norgate, 21s.). It now represents the Philosophy are founded on fact.&#13;
as it at present stands, having been revised and&#13;
enlarged where necessary. There are second and&#13;
Her Majesty the Queen has been graciously&#13;
third separate editions of it appearing in America,&#13;
pleased to accept a copy of “King Helge-A sloq,"&#13;
dramas based upon the Scandinavian legends, by&#13;
France, and Russia, and last year a German&#13;
F. J. Winbolt.&#13;
translation appeared.&#13;
“ The Student's History of Philosophy," by “An Angelico Angel” is the title of a little&#13;
Professor A. K. Rogers (Macmillan), falls into volume of short stories by Miss Emily Underdown&#13;
three parts. The first deals with the Greeks from (Norley Chester). It is published by Messrs. J.&#13;
Thales down to the Neo-Platonists and the advent Clarke &amp; Co., price 1s., and all profits will be given&#13;
of Christianity ; the second treats briefly of the to the United Kingdom Beneficent Association.&#13;
Middle Ages and the Schoolmen, and of the transi. Copies may be obtained from the office of the&#13;
tion from them to modern philosophy in the works Association, 7, Arundel Street, Strand : from Miss&#13;
of Bacon and Hobbes; the third, occupying half the E. Underdown, 22, Belsize Crescent, Hampstead,&#13;
book, is concerned with the Moderns, from Descartes N.W., or from any bookseller. Norley Chester is&#13;
to Herbert Spencer and the Evolutionists.&#13;
known as the author of “A Plain Woman's Part,"&#13;
Dr. Westermarck's “ History of Human Mar-&#13;
“Stories from Dante,” “Songs and Sonnets,"&#13;
riage” is now issued in a new edition. This is the&#13;
&amp;c., &amp;c.&#13;
third within ten years—a success too rare with We understand that the circulation of The&#13;
books of philosophy. Messrs. Macmillan are the Lady's Realm (Hutchinson &amp; Co.) has gone up&#13;
publishers.&#13;
considerably, owing to its new serial, “ No Other&#13;
Mr. Ferrar Fenton has put into the hands of his&#13;
is Way,” by Sir Walter Besant. The same firm have&#13;
printers the second volume of his “Bible in Modern&#13;
fortunately been able to secure Sir Walter Besant's&#13;
English,” which will be issued to the public through&#13;
Autobiography.&#13;
the house of S. W. Partridge &amp; Co., 8, Paternoster Miss Ellen Thorneycroft Fowler's new serial,&#13;
Row, London, E.C. The very favourable reception “Fuel of Fire," begins in this month's The&#13;
of his first volume of the Hebrew portion of the Woman at Home (Hodder &amp; Stoughton). Some&#13;
Bible, containing the “Five Books of Moses," both 200,000 copies of “ Concerning Isabel Carnaby”&#13;
in Britain and America, has led to a call for an issue have now been sold.&#13;
&#13;
&#13;
## p. 87 (#477) #############################################&#13;
&#13;
THE AUTHOR.&#13;
87&#13;
Mr. Hannilton Aïde's novel “ The Snares of the LITERARY, DRAMATIC, AND MUSICAL&#13;
World” has gone into a third edition. Mr. John&#13;
PROPERTY.&#13;
Murray will publish early next year a volume of&#13;
short plays by Mr. Hamilton Aïdé, entitled “ We&#13;
are Seven,” “Half-hours on the Stage,” “ Grave&#13;
1.-Cost of Production.&#13;
and Gay.”&#13;
TT not infrequently happens that a young author,&#13;
“Mr. Horrocks the Purser," by Mr. Cutcliffe&#13;
I ignorant of the technical question—the amouni.&#13;
Hyne, will be published by Methuen on January&#13;
of words contained in the ordinary 6s. volume&#13;
15th, by Lewis and Mayo in the States, and in&#13;
-makes his maiden effort of a length which causes&#13;
translations in Germany and France. Mr. Hyne&#13;
the publisher to fight shy of its production. It is of&#13;
has also written another series of “ Adventures of&#13;
great importance, therefore, for the beginner to&#13;
Captain Kettle” for Pearson's Magazine, to appear&#13;
write a book that is rather under than above the&#13;
in 1902, and is collaborating with Mr. Murray&#13;
average. The average may be taken as about&#13;
Carson in a play dealing with the “ Adventures of&#13;
85,000 words.&#13;
Captain Kettle.”&#13;
The length of a book, however, not infrequently&#13;
causes the publisher to make demands on an author's&#13;
pocket that he would not otherwise have done, and&#13;
“HAMPSTEAD ANNUAL," 1901. in an indefinite way leads the author to think that&#13;
a book of 170,000 words will cost twice as much&#13;
This, the fifth number of the “ Hampstead to produce as a book of 85,000. This is very far&#13;
Annual,” has a special interest for members of from being the case, as the example given below&#13;
the Society. Mr. S. Squire Sprigge has con- will show.&#13;
tributed a most interesting and sympathetic Let no author, therefore, be led into paving&#13;
article on our founder, who was for many years exorbitant sums merely on account of a slight&#13;
a distinguished resident of the suburb on the advance in length.&#13;
heights. Sir Walter Besant wrote a preface, A novel, crown octavo, of twenty sheets, of sixteen&#13;
“graceful and cordial,” for the first “Hampstead pages to the sheet, with 260 words for each page,&#13;
Annual,” which appeared in 1897. The present small pica type, will amount to approximately&#13;
number, admirably edited by Mr. Greville E.&#13;
82,000 words—in reality it is 82,200—and the&#13;
Matheson and Mr. Sydney C. Mayle, is full of cost of production of 1,000 copies works out as&#13;
good things possessing a more than local interest. follows :-&#13;
For instance, Dr. Richard Garnett's illuminating&#13;
article on “ Sir Francis Palgrave as a Precursor of&#13;
Composition. 1 7 6 per sheet £27 10 0&#13;
Printing : 0 10 6 , ,&#13;
Ruskin” is likely to arouse wide interest and con-&#13;
10 10 0&#13;
siderable comment. Professor John W. Hales, in&#13;
Paper . . ( 19 6 , , 19 10 0&#13;
his scholarly “Shelley's Adonais,” explains-con-&#13;
vincingly, one thinks—wby Shelley styled Keats&#13;
Total cost . . . £57 10 0&#13;
Adonais, in his noble monody, “ an In Memoriam The next point for consideration is the cost of&#13;
poem of immortal beauty.” Then Mr. H. W. composition of a novel of twice the length, say&#13;
Nevinson, of war correspondent fame, whose “Plea 164,000 words.&#13;
of Pan” (John Murray) has been one of the year's Instead of setting up the work in small pica&#13;
literary successes, has written a delightful article type, the publisher sets it up in long primer,&#13;
about his old school upon the Severn-Shrewsbury with the following result:&#13;
to wit-under the title of “ Sabrina Fair." Sir That in the twenty sheets (the number taken&#13;
Richard Temple has a contribution on “ Londoners above) which take 82,000 words in small pica&#13;
and London"; Mr. James E. Whiting gives “Some type, the publisher can set up 108,000 words,&#13;
Notes on the Flora of Hampstead”, Miss Beatrice approximately, in long primer, reckoning 340&#13;
Marshall writes on “ Romney's Connection with words to the page, crown octavoin reality&#13;
Hampstead”; Canon Ainger contributes an article 108,800. The cost of composition of long&#13;
on " Mrs. Barbauld”; Miss Beatrice Harraden has primer type is, giving ample margin, 5s. more&#13;
a short prose parable,“ The Talisman”; and Maude expensive than small pica. The result, there-&#13;
Egerton King's story is called “ The Play Angel." fore, will be that the cost of production will be&#13;
Miss May Sinclair's poem - emphatically it is exactly the same as above, with the exception that&#13;
poetry—“A Fable,” is remarkable. There is a the cost of composition is 5s. a sheet more, with&#13;
short poem by Dollie Radford, and a long one by the result that £5 must be added to the cost of&#13;
Mr. B. Paul Newman. There are some sixteen production, making in all £62 10s.&#13;
interesting illustrations, carefully produced. The But we are still 56,000 words short. Reckoning&#13;
“ Annual” is well worth its price-2s.6d, net. that each sheet of sixteen pages set up in long&#13;
&#13;
&#13;
## p. 88 (#478) #############################################&#13;
&#13;
88&#13;
THE AUTHOR.&#13;
primer as above will take 5,440 words, eleven 6. The MS. does not infringe in any way upon any&#13;
sheets will amply cover the 56,000 words that existing copyright.&#13;
NAME&#13;
are still wanting.&#13;
ADDRESS&#13;
The cost of eleven sheets, 1,000 copies, basing&#13;
N.B.-All MSS. must be typewritten, bear the name and&#13;
our calculations on the amount stated above, will address of the sender, and be accompanied by stamped and&#13;
be as follows :&#13;
addressed envelope for its return.&#13;
Composition, 11 sheets at £1 12s. 6d.&#13;
This method of doing business is from some&#13;
per sheet.&#13;
£17 17 6 points of view exceedingly satisfactory, as it sets&#13;
Printing, 11 sheets at 10s. 6d. per&#13;
forth clearly the responsibilities of the editor and&#13;
sheet .&#13;
5 15 6 the position of the author, but there are some&#13;
Paper, 11 sheets at 198. 6d. per sheet 10 14 6 points in which it has serious blemishes. Firstly,&#13;
in Clause 2 a fixed date should be limited for reply ;&#13;
Total. . . . . £34 7 6 the words “longer than necessary” are far too&#13;
indefinite, and contracts that lack clearness are&#13;
Total cost of 20 sheets . . £62 10 0 almost sure to give rise to disputes. Secondly, in&#13;
, , 11 , . . 34 7 6 Clause 3 there is no definition of "current prices.”&#13;
Now, either the magazine pays a regular amount&#13;
Total cost of both . £96 17 6 per page or it does not, but suits its price to the&#13;
author. If it pays a regular amount per page, the&#13;
It will be seen, therefore, from the example that current price ought to be definitely stated. If it&#13;
a book of 82,000 words will cost £57 10s., but a suits the amount to its author, then the vague&#13;
book of 164,000 will cost only £96 128., or barely phraseology of “current prices” should never have&#13;
£40 more.&#13;
been inserted.&#13;
It should be remarked also that the figures Thirdly, in Clause 4 the magazine is to have&#13;
taken are very liberal from the printer's point the “sole right to this MS. in the English&#13;
of view, and that a book produced according to language in the event of its acceptance."&#13;
the size and type named would not really cost Authors should never sell the copyright and all&#13;
so much. This point, however, does not directly their rights to a magazine.&#13;
bear on the argument.&#13;
They should only sell the serial use of their MS.&#13;
G. H. T.&#13;
for that one magazine, and this is the plan by&#13;
which nearly all serial work is placed in England.&#13;
Lastly, the author cannot publish in a foreign&#13;
II. - The Management of MSS.&#13;
language without the proprietor's leave. This&#13;
An American magazine entitled Smart Society&#13;
restriction is quite unnecessary for safeguarding&#13;
has been much in evidence during the last few&#13;
last few the magazine's property, and only likely to cause&#13;
months on the English bookstalls. It has estab-&#13;
irritation to the author.&#13;
blished an office in London, and is full of excellent&#13;
reading in many branches of literature.&#13;
In consequence members of the Society have&#13;
III.-Half Profits on Sheets to America.&#13;
forwarded MSS. for the perusal and, if possible, THE following point in a publisher's agreement&#13;
the acceptance of the editor. In reply the follow- must be brought before the notice of the members&#13;
ing document is sent to them for signature : of the Society of Authors. It is not an uncommon&#13;
thing for publishers to enter into an agreement for&#13;
Gentlemen,&#13;
My MS., entitled , is submitted to you on the&#13;
the publication of a book, undertaking to pay the&#13;
following conditions :&#13;
author a royalty in England, and—failing to secure&#13;
1. If published, the MS. should appear under the name the American copyright-half profits on the sale of&#13;
of&#13;
as author.&#13;
sheets or stereos in America. A clause drafted on&#13;
2. I agree not to offer this MS, to anyone else, or permit&#13;
its publication unless and until I receive the reply from&#13;
these lines is a distinct pitfall to the author, and&#13;
you of your Editor rejecting it. You agree that this reply is one of the many tricks, off the line of fair&#13;
shall not be delayed longer than necessary.&#13;
trading, by which the publisher obtains an advan-&#13;
3. The MS. is submitted at the current price for contri.&#13;
tage to himself to the detriment of the author.&#13;
butions, payment to be made on application.&#13;
4. You to have the sole rights to this MS, in the English&#13;
Such a strong phrase has been used advisedly and&#13;
language in the event of its acceptance, and it is not to be for the following reasons : 1. Because to the&#13;
published in any other language until after it has appeared ordinary person the difficulties with which the&#13;
", and then only with your permission in clause is pregnant are altogether invisible. 2. Be-&#13;
writing.&#13;
5. The MS. has never been printed anywhere in any cause the amount the author receives in royalty&#13;
form.&#13;
is always calculated-see the books of the Society&#13;
in&#13;
66&#13;
&#13;
&#13;
## p. 89 (#479) #############################################&#13;
&#13;
THE AUTHOR.&#13;
on the point-on the basis that the full cost of account of £2 10s., as the sale to America has&#13;
composition is charged against the English failed to cover the cost of production.&#13;
edition. If this were not the case, the author As soon as the edition is sold and the amount is&#13;
ought to receive a higher royalty. Let us worked out against the author he prints 10,000&#13;
explain what we mean more fully.&#13;
copies for the English edition, but never takes&#13;
Take the ordinary 68. book :-&#13;
into account the proportion of the cost of pro-&#13;
Cost of composition of 3,000 copies. £30 0 0 duction of the 500 sent to America to the 10,000&#13;
Cost of printing&#13;
printed in England. Again, supposing you take&#13;
Cost of paper&#13;
» .&#13;
458&#13;
£58&#13;
»&#13;
0&#13;
Ö&#13;
0&#13;
the first instance and 20,000 were subsequently&#13;
sold, the cost of the 2,000 sold to America is taken&#13;
Total . . . . £104 0 0 into proportion to the cost of the 3,000 printed.&#13;
It will be seen, therefore, that quite apart from&#13;
Of the 3,000 copies the publisher sends 2,000 to&#13;
the contract being unfair and a pitfall to the&#13;
America, and receives for the same (say) 1s. a copy&#13;
unwary (as to the ordinary author on the face&#13;
-£100. The cost of composition was compulsory&#13;
of the agreement the difficulty is invisible),&#13;
for the completion of the English edition, the&#13;
even if it is worked out by a publisher with an&#13;
author's royalty, as stated, being based on this&#13;
honest (?) idea of doing nothing dishonourable,&#13;
understanding ; but the publishers take two-thirds&#13;
the result of its working out its natural evolution&#13;
of this cost towards the American edition, as&#13;
becomes a fraud on the author. The position is&#13;
well as two-thirds of the cost for the print and&#13;
ridiculous. It is to be hoped that the Publishers'&#13;
the paper, leaving to be divided between himself&#13;
Association will disassociate themselves from this&#13;
and the author-&#13;
form of agreement.&#13;
By sale of 2,000 copies to America. £100 0 0&#13;
Two-thirds cost of production&#13;
£69 6 8&#13;
A LITERARY ADVERTISEMENT.&#13;
£30 13 4&#13;
It is at once seen that the result is unfair, as&#13;
the cost of composition has no right to be charged TT was a curious and unusual advertisement. It&#13;
against the American edition, but only the cost I caught my eye in a daily paper which has&#13;
of print and paper, which would work out as a column devoted to literary wants. The&#13;
follows :-&#13;
advertiser required special articles for one week ;&#13;
By sale of 2,000 copies to America. £100 0 0 the remuneration to be thirty shillings; and&#13;
Two-thirds cost of print and paper £49 6 8 applicants were summoned to a certain number in&#13;
the Brixton Road at 3 p.m. to ascertain particulars.&#13;
£50 13 4&#13;
Fired with curiosity and craving to understand&#13;
the methods of one of London's literary advertisers,&#13;
Instead, therefore, of the author receiving&#13;
I took the train for this remote district, and after&#13;
£25 6s. 8d., by the publisher's method of cal-&#13;
a long, wearisome walk past garish and glaring&#13;
culation of half profits, the author receives&#13;
shops, respectable villas, and gloomy terraces, I&#13;
£15 6s. 8d. and the publisher £35 6s. 8d. It&#13;
knocked at the door of the house indicated. It&#13;
is almost as reasonable an arrangement as the&#13;
was one of a row of buildings, sombre-looking&#13;
ordinary half profit agreement whose clauses&#13;
and dingy-hued. A woman answered my ring, a&#13;
and workings have so often been exposed in&#13;
female with untidy light hair and a ruffled dress, who&#13;
The Author.&#13;
smirked and spoke with a light-hearted accent.&#13;
To show how this method may be worked out in&#13;
“ I have called about the advertisement," I said.&#13;
the interests of untrustworthy publishers unfairly to&#13;
The young woman's countenance beamed afresh,&#13;
the author, say the publisher in the first instance&#13;
as if my call had renewed her pleasurable excitement.&#13;
only publishes a thousand copies. The cost of&#13;
I was offered a seat in the hall. Next to me&#13;
composition would still be £80 ; printing, £10;&#13;
sat a serene-faced, spectacled young man, waiting.&#13;
paper, £20. He sells 500 copies to America, and&#13;
I glanced at the cheap prints on the walls, and&#13;
on the same principle the following sum is worked&#13;
borne to my ears was a gruff voice of an applicant&#13;
out :-&#13;
in the adjoining room. I heard him expatiating&#13;
Half cost of production,&#13;
£30 0 0&#13;
on his own merits and his work, in his anxiety to&#13;
By sale of 500 copies to America at&#13;
secure this thirty shillings for a week's literary&#13;
18. per copy . . · · £25 00 employment. In the meantime two other appli-&#13;
cants had been offered seats in the hall.&#13;
£5 0 0 “Your turn, I think?" said the smiling, untidy.&#13;
This would leave a deficit against the author's looking young woman.&#13;
&#13;
&#13;
## p. 90 (#480) #############################################&#13;
&#13;
90&#13;
THE AUTHOR.&#13;
I bowed deferentially. The gentleman with the the • Dictionary of National Biography' is pub-&#13;
gruff voice passed out and I entered the room, lished to-day, he commands me to congratulate&#13;
A young man with a self-complacent smile and a you on the final completion of this great work.&#13;
self-important manner accosted me, nervously “ It is one which cannot fail to be most useful&#13;
twirling my card about his fingers and glancing at to everybody, and no English library should be&#13;
it, as if to assure himself that it was a real card without a copy.&#13;
“Will you give me particulars of your advertise “ From what His Majesty has been able to read&#13;
ment?” I asked, in a respectful and persuasive of the various articles he is much struck by the&#13;
voice.&#13;
ability and research which have been shown by the&#13;
“Well, it's just this,” he replied; “I am writing writers, as well as the admirable and careful way&#13;
a book of travel. I have nearly finished it, but I in which the work has been edited.&#13;
want assistance."&#13;
“Believe me, yours very truly,&#13;
"And the nature of the assistance ?" I asked,&#13;
“FRANCIS KNOLLYS.”&#13;
deeply interested.&#13;
“Reading up a bit and writing about 3,000 We must congratulate Mr. Sidney Lee on the&#13;
words a day," he informed me.&#13;
recognition he has received from the King of the&#13;
“ That would be just 18,000 words in the week, arduous work which, begun by Mr. Leslie Stephed,&#13;
besides the necessary research, and all for thirty he has so conscientiously carried through to the&#13;
shillings! Hardly good enough for me," I replied. end.&#13;
I retired. The hall was now so crowded with&#13;
applicants that I pushed my way to the door with&#13;
difficulty.&#13;
THE AUTHORS' CLUB.&#13;
This true experience ought to prove interesting&#13;
to literary aspirants.&#13;
LUNETTE.&#13;
URING November and December the&#13;
Authors' Club has had some interesting&#13;
guests at its Monday night dinners.&#13;
THE DICTIONARY OF NATIONAL&#13;
On November the 25th Mr. Morley Roberts&#13;
BIOGRAPHY.&#13;
took the chair, and Mr. E. W. Hornung was the&#13;
guest of the evening. It was a curious fact that&#13;
in years gone by, both the guest and the chairman&#13;
CONGRATULATIONS FROM THE KING.&#13;
had been working on the same ranche in Australia,&#13;
wing letter has been sent to the press and they told some very amusing stories of their&#13;
1 by Mr. Sidney Lee :-&#13;
experiences out there.&#13;
On December 9th Prof. Rucker was the guest&#13;
SIR,— On the day of publication of the third and Sir Michael Foster took the chair, Sir&#13;
and last of the supplementary volumes of the Michael Foster spoke from his intimate knowledge&#13;
“ Dictionary of National Biography " the King of the guest of the evening, as a friend of long&#13;
was graciously pleased to honour me with a letter standing, and made an interesting and amusing&#13;
of congratulation on the completion of the under- speech, to which the learned professor aptly&#13;
taking. At the time I was travelling in Italy, responded. He drew a parallel between men of&#13;
whence I am just returned.&#13;
science and writers of fiction, stating that both&#13;
I feel that every member of the little army of were endeavouring to discover the truths of nature,&#13;
writers and collectors of information who have though working from different standpoints.&#13;
helped the editors and publishers to build up the On December 16th Prof. J. Rhys, the renowned&#13;
great edifice of the Dictionary ought to have an Celtic Scholar and Principal of Jesus College, was&#13;
opportunity of reading His Majesty's congratu- the guest, and Mr. E. W. Brabrook, C.B., the&#13;
latury words. I have therefore sought and chairman. Prof. Rhys, in an amusing speech,&#13;
obtained permission to make public the generous repudiated any claim to real authorship, unless&#13;
communication.&#13;
being an authority on a subject could be called&#13;
I am, sir, your obedient servant,&#13;
authorship. He gave some amusing instances of&#13;
SIDNEY LEE. the disadvantages of being a referee on any subject.&#13;
15, Waterloo Place, London, S.W.: Dec. 3. In January and February the club has an&#13;
interesting list of guests: F. Carruthers Gould,&#13;
“ Marlborough House, Pall Mall, S.W.:&#13;
Austin Dobson, A. E. W. Mason, and Hesketh&#13;
“ October 25th, 1901.&#13;
Prichard.&#13;
“MY DEAR MR. LEE,—As the King believes The members appear to be dealing out honours&#13;
that the last of the supplementary volumes of to the profession with a liberal hand.&#13;
&#13;
&#13;
## p. 91 (#481) #############################################&#13;
&#13;
THE AUTHOR.&#13;
91&#13;
GENERAL MEMORANDA.&#13;
(.) sa&#13;
ITERE are a few standing rules to be observed in an&#13;
01 agreement. There are four methods of dealing&#13;
with literary property :-&#13;
I. Selling it Outright.&#13;
This is in some respects the most satisfactory, if a proper&#13;
price can be obtained. But the transaction should be&#13;
managed by a competent agent, or with the advice of the&#13;
Secretary of the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher,&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
It is above all things necessary to know what the&#13;
proposed royalty means to both sides. It is now possible&#13;
for an author to ascertain approximately and very nearly&#13;
the truth. From time to time the very important figures&#13;
connected with royalties are published in The Author.&#13;
Readers can also work out the figures themselves from the&#13;
“ Cost of Production."&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Nerer sign any agreement without competentadvice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
3. There are three forms of dramatic contract for PLAYS&#13;
IN THREE OR MORE ACTS :-&#13;
(a.) SALE OUTRIGHT OF THE PERFORMING RIGHT.&#13;
This is unsatisfactory. An author who enters&#13;
into such a contract should stipulate in the con-&#13;
tract for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
SALE OF PERFORMING RIGHT OR OF A LICENCE&#13;
TO PERFORM ON THE BASIS OF PERCENTAGES&#13;
on gross receipts. Percentages vary between&#13;
5 and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) SALE OF PERFORMING RIGHT OR OF A LICENCE&#13;
TO PERFORM ON THE BASIS OF ROYALTIES (i.e.,&#13;
fixed nightly fees). This method should be&#13;
always avoided except in cases where the fees&#13;
are likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. PLAYS IN ONE ACT are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction is&#13;
of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that AMERICAN RIGHTS may be exceed-&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, THOSE AUTHORS DESIROUS OF FURTHER INFORMA-&#13;
TION ARE REFERRED TO THE SECRETARY OF THE SOCIETY.&#13;
HOW TO USE THE SOCIETY.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
MTEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with anyone except an established&#13;
manager.&#13;
1. DVERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. If the&#13;
advice sought is such as can be given best by a solicitor,&#13;
the member has a right to an opinion from the Society's&#13;
solicitors. If the case is such that Counsel's opinion is&#13;
desirable, the Committee will obtain for him Counsel's&#13;
opinion. All this without any cost to the member.&#13;
&#13;
&#13;
## p. 92 (#482) #############################################&#13;
&#13;
92&#13;
THE AUTHOR.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not generally fall within the&#13;
experience of ordinary solicitors. Therefore, do not scruple&#13;
to use the Society.&#13;
3. Send to the Office copies of past agreements and past&#13;
accounts, with a copy of the book represented. The&#13;
Secretary will always be glad to have any agreements, new&#13;
or old, for inspection and note. The information thus&#13;
obtained may prove invaluable.&#13;
Communications for The Author should be addressed to&#13;
the Offices of the Society, 39, Old Queen Street, Storey's&#13;
Gate, S.W., and should reach the Editor NOT LATER&#13;
THAN THE 21st OF EACH MONTH.&#13;
All persons engaged in literary work of any kind,&#13;
whether members of the Society or not, are invited to&#13;
communicate to the Editor any points connected with their&#13;
work which it would be advisable in the general interest to&#13;
publish.&#13;
4. BEFORE SIGNING ANY AGREEMENT WHATEVER, send&#13;
the document to the Society for examination,&#13;
For the Opinions expressed in papers that are signed&#13;
or initialled the Authors alone are responsible.&#13;
None of the papers or paragraphs must be taken&#13;
as expressing the opinion of the Committee unless&#13;
such is especially stated to be the case.&#13;
COMMUNICATIONS AND LETTERS ARE INVITED BY THE&#13;
EDITOR on all subjects connected with literature, but on&#13;
no other subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
5. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no benefit to yourself, and that you are&#13;
advancing the best interests of literature in promoting the&#13;
independence of the writer.&#13;
6. The Committee have now arranged for the reception&#13;
of members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
-(1) To read and advise upon agreements and to give&#13;
advice concerning publishers. (2) To stamp agreements&#13;
in readiness for a possible action upon them. (3) To keep&#13;
agreements. (4) To enforce payments due according to&#13;
agreements.&#13;
7. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts submitted to them by literary&#13;
agents, and are recommended to submit them for inter-&#13;
pretation and explanation to the Secretary of the Society.&#13;
8. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
THE SECRETARY OF THE SOCIETY begs to give notice&#13;
that all remittances are acknowledged by return of post,&#13;
and he requests members who do not receive an&#13;
answer to important communications within two days to&#13;
write to him without delay. All remittances should be&#13;
crossed Union Bank of London, Chancery Lane, or be sent&#13;
by registered letter only.&#13;
9. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society ; so do&#13;
some publishers. Members can make their own deductions&#13;
and act accordingly.&#13;
AUTHORITIES.&#13;
THE READING BRANCH.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of their work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes NOT ONLY WORKS OF FICTION, BUT POETRY&#13;
AND DRAMATIC WORKS, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
W E see it stated in some of the French papers&#13;
V that a proposal is being put forward to&#13;
levy a tax on all books sold in Paris.&#13;
One of the suggested advantages which would&#13;
accrue from adopting this measure is that the&#13;
author would have a Government Certificate of&#13;
his sales.&#13;
In the large publishing houses it must very&#13;
seldom occur that mistakes are made in the sale&#13;
accounts of a book. There may be a clerical&#13;
error now and again, but the idea that any&#13;
well-established firm would keep duplicate sets&#13;
of books or fraudulent clerks seems to be wholly&#13;
absurd.&#13;
There are no doubt some authors who are&#13;
continually complaining of publishers' accounts ;&#13;
these, we fear, would not be satisfied even with a&#13;
Government Certificate.&#13;
It seems quite clear also that if a publisher&#13;
thought it worth his while to send fraudulent&#13;
returns to the author, it would not be very difficult&#13;
for the same man to defraud the Government.&#13;
NOTICES.&#13;
TIHE Editor of The Author begs to remind members of&#13;
T the Society that, although the paper is sent to them&#13;
free of charge, the cost of producing it would be a&#13;
very heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Secretary the modest&#13;
58. 6d. subscription for the year.&#13;
&#13;
&#13;
## p. 93 (#483) #############################################&#13;
&#13;
THE AUTHOR.&#13;
93&#13;
We have much pleasure in printing in addition,&#13;
as an inset in the January number, notices to&#13;
contributors collected from many magazines.&#13;
It must not be taken from this that we do not&#13;
strongly advocate the careful consideration of&#13;
accounts sent in by publishers. This is especially&#13;
applicable to accounts in which the cost of produc-&#13;
tion is included, as many items in these accounts&#13;
which are not fairly charged to authors are taken&#13;
direct from the books of the publishers and&#13;
should be at once disputed.&#13;
In royalty accounts, however, the matter is rather&#13;
different, and unless the author has grave reasons&#13;
almost amounting to adequate legal proof to suspect&#13;
that the sales are erroneously stated, it would be&#13;
hardly worth his while to appoint an accountant&#13;
to investigate the matter.&#13;
In many cases the publisher would make no&#13;
objection whatever to showing the vouchers. If,&#13;
however, he raised an objection, and the author&#13;
decided to carry through the case, it is quite&#13;
possible, if the accounts proved to be correct&#13;
when the publisher showed his books under com-&#13;
pulsion, that the author would then have to pay&#13;
his own costs in the case. The loss would be a&#13;
heavy one for the author to bear.&#13;
The right of an author to investigate accounts,&#13;
as we have often pointed out, is a common law&#13;
right, but it should be exercised with extreme&#13;
caution, not only because of the expense that the&#13;
author may be incurring, but also on account of&#13;
the trouble and annoyance—not to mention the&#13;
interruption of business—that it may give to the&#13;
publisher.&#13;
The great effort that is being made in America&#13;
to com pel the sale of books on the net system is a&#13;
matter that should not be overlooked by the&#13;
English author.&#13;
The same effort on a more modified scale is&#13;
being made in the English book trade, and an article&#13;
appeared in the Author from Mr. Robert MacLehose,&#13;
of Glasgow, on this subject. We have written to&#13;
an American publisher, and trust to be able to&#13;
place before our readers at no distant date the&#13;
result in America of this method of trading.&#13;
There is one serious point, however, which&#13;
should be put forward, and which Sir Walter&#13;
Besant was very strong upon when the subject on&#13;
a former occasion came under discussion.&#13;
If the net system means that the extra profit&#13;
accruing on the sale of the books goes to the book.&#13;
seller, so that, where he is now ruined, he may&#13;
drive a flourishing trade, then the author cannot&#13;
raise any objection. But there is the danger that&#13;
part of the sum may go into the publisher's pocket,&#13;
who already, as middleman, Aourishes on the&#13;
profits of the author, whom nobody, as yet,&#13;
has had the boldness to state is in an unsound&#13;
financial position. Even if this is quite a diminu-&#13;
tive amount per book, say a penny (taking the&#13;
penny as the average on the varying prices), then&#13;
on the books sold in the year the increase on the&#13;
publisher's profits would be enormous.&#13;
It is necessary that this point should be very&#13;
carefully looked into, as, if the publisher is going&#13;
to obtain his share from the public the author&#13;
must also obtain his.&#13;
LIFE.&#13;
“ A little struggle, a little growth ;&#13;
A little pause; and nothing loth ;&#13;
Decay and death ; and welcome both.”&#13;
A. C: B.&#13;
On reviewing the cases that have been dealt&#13;
with by the Society during the past year, we find&#13;
that forty cases have passed through the Secretary's&#13;
hands referring to the detention and return of&#13;
MSS. by editors and publishers, these amounting&#13;
to nearly half of the total numbers.&#13;
As the question of the forwarding of MSS. to&#13;
magazines is a most important question from the&#13;
author's point of view, and as authors naturally&#13;
place a very high value on their MSS.—a point&#13;
of view which the publisher or editor does not very&#13;
often perceive—it has been thought well to reprint&#13;
Counsel's opinion that was taken some years ago on&#13;
this important subject, setting forth the respon-&#13;
sibilities of editors.&#13;
We cannot too strongly repeat the advice, always&#13;
given, that authors must send in their MSS.&#13;
typewritten and must retain copies.&#13;
In the introductory chapter of “ The Pen and the&#13;
Book," by Sir Walter Besant, we find the following&#13;
paragraph :-&#13;
Now, if you look at the Census of 1891, you will find&#13;
returned as authors, editors, and journalists in England&#13;
and Wales the number of about 5,800. As authors, editors&#13;
and journalists do often overlap and run into one another's&#13;
field of work, we will not try to distinguish them. But&#13;
you would carry away a very false impression of the&#13;
numbers engaged in literary work if you think this&#13;
number represents all, or even a half of those who produce&#13;
literature. There are clergymen, professors, lecturers,&#13;
teachers of all kinds, lawyers, doctors, men in every&#13;
branch of science, artists of all kinds, all of whom produce&#13;
literary work. Literature is universal, and embraces&#13;
everything, and the number of those who are literary men&#13;
by profession is small indeed compared with the number&#13;
of those who are literary men in fact. Take, for instance,&#13;
the clergy. Consider how many of them are literary men,&#13;
writers of books-books on theology, on scholarship, on&#13;
&#13;
&#13;
## p. 94 (#484) #############################################&#13;
&#13;
94&#13;
THE AUTHOR.&#13;
archæology, on criticism, on history, on poetry, on fiction. showing what we have constantly asserted, that&#13;
Think what we should lose if such men as Dean Stanley, the publication of educational books is a great&#13;
Chalmers, Stubbs, Lightfoot, Maurice, Kingsley, Martineau,&#13;
had never written. And so in other professions. For one property, and that those educationalists who are&#13;
man who actually lives by literary work there are three or constantly producing books and reap a bare profit&#13;
four to whom the production of literature is an occasional of £100 or £150 a year, are distinctly ignorant of&#13;
event, perhaps an occasional necessity. I think we should&#13;
the proper way in which to manage their business.&#13;
not be far wrong in placing the whole number of men and&#13;
women engaged more or less in literary work at something&#13;
On one or two occasions the old answer is still&#13;
like 20,000.&#13;
heard that the educational editor or the educa-&#13;
Let us take the number at half that put forward&#13;
tional writer does not believe the statements pot&#13;
by Sir Walter. We candidly think that the forward in The Author, and is quite content with&#13;
Society ought some day to approach so high a his miserable pittance. In cases of this kind the&#13;
total. We must repeat that the Society does not disease is past cure.&#13;
merely include writers of fiction and members of We should like to obtain a strong combination&#13;
the dramatic profession, but includes all those of educational writers to fight this sistem of&#13;
various branches mentioned in the above para underpay, and to obtain a satisfactory reward for&#13;
graph. If in the production of one book-nearly&#13;
the books which are the result of years of stored-&#13;
all those included who do not live by their writings up knowledge and experience.&#13;
but are occasional writers, produce considerably&#13;
more than one volume—the Society can save them&#13;
£5, either by their obtaining higher royalties, or&#13;
We have much pleasure in announcing that an&#13;
by its better knowledge of literary prices, or by&#13;
S or by article from the pen of Mr. Henry Arthur Jones&#13;
showing how that amount can be saved in the cost&#13;
will appear in one of the coming numbers of The&#13;
of production, the Society will have done sufficient&#13;
Author on “The Modern System of the Censorship&#13;
to cover the subscription for five years at least.&#13;
and the Licensing of Plays.”&#13;
If in the production of two volumes it can add&#13;
£10 to the return of these writers, life member-&#13;
ship subscription will have been earned, and any&#13;
In the December number of The Author a&#13;
further sums would be clear profit to the writer.&#13;
Again we desire to impress upon all writers-&#13;
practical article was inserted with regard to&#13;
Commission Publishing, entitled “The Method of&#13;
not only those who live by their pen, but those&#13;
who write, say, a volume every third year or every&#13;
the Future.”&#13;
fifth year that the Society can assist them, and&#13;
The figures were supplied by one who was&#13;
may probably save them sums much larger than&#13;
thoroughly conversant with the book and publish-&#13;
they would pay in their annual subscriptions.&#13;
ing trades, and the cost of printing, binding, etc.&#13;
It is these occasional writers—more, perhaps,&#13;
In the calculation, however, there was one slight&#13;
than any others—who need the Society's help, as&#13;
mistake. The number of copies given away for&#13;
review had not been counted. These would&#13;
their ignorance of the literary market makes it&#13;
very easy for them to obtain a bad contract and&#13;
amount to 80 or 100 at the outside. On the other&#13;
to throw away the work of years for a mere&#13;
hand, there is always the possibility of “ overs,"&#13;
pittance.&#13;
which generally amount to 20 or 30 in a large&#13;
edition.&#13;
One important warning, however, we should like&#13;
We should like to impress upon the members to place before the members of the Society who&#13;
once more—not only those who conduct their own are considering this method, namely, the fact that&#13;
business, but also those who conduct their literary publishers very often do not give the author the&#13;
work through the hands of an agent—that it is benefit of cash payments, and in addition take&#13;
most important that The Author should receive from the author, beyond their commission on the&#13;
early notices of books about to be published, as sales of the book, a commission on the cost of&#13;
great inconvenience is caused by the sending of production. Some publishers do this without&#13;
notices within a few days of publication of the&#13;
saying anything about it; other publishers do it&#13;
monthly numbers. We trust that all members of openly, stating the facts in their agreements.&#13;
the Society, especially those who have made their&#13;
Of the first case we have examples in the office.&#13;
literary fame, will see that notes of their coming of the second case the publishers' own agreement.&#13;
books are forwarded regularly to The Author by issued by their association, is sufficient proof.&#13;
their agents.&#13;
The clause runs as follows :&#13;
In another part of The Author we publish a&#13;
The publisher will supply the author with estimates for&#13;
the printing, and will charge a commission of per cent.&#13;
further article on educational books, again on the trade prices for printing, paper, binding, advertising,&#13;
&#13;
&#13;
## p. 95 (#485) #############################################&#13;
&#13;
THE AUTHOR.&#13;
95&#13;
and other disbursements, and reserves to himself the right&#13;
to take the usual credit or the equivalent cash discount for&#13;
cash payments, but no such discount shall exceed 74 per&#13;
cent.&#13;
It would be impossible to insert all these in The&#13;
Author, but we print in the Correspondence the&#13;
first that was opened by the Secretary.&#13;
The following is the comment on the clause&#13;
contained in the pamphlet published by the&#13;
Society : -&#13;
In Clause 2 the publisher is going to hand in estimates&#13;
to the author, and on these estimates he is to charge a&#13;
percentage. This course makes the publisher's and author's&#13;
interests in direct variance, for the higher the estimates&#13;
the greater the publisher's percentage. From this point of&#13;
view the clause is a bad one, quite apart from the right of&#13;
the publisher to have a percentage on the cost of produc-&#13;
tion at all in addition to the other profits that he is going&#13;
to make out of the books. Again, he is to be allowed to&#13;
take 7 per cent. discount for cash payments. This dis&#13;
count he will be able to obtain at once, as under Clause 3&#13;
the author is to pay the publisher a sum to cover the&#13;
estimated cost of production before the work is sent to&#13;
press. More than this, he is to pay for the advertisements&#13;
at the same time, when it is hardly possible that the cash&#13;
will be needed for advertising until three or four months&#13;
later at the earliest. To the end of Clause 2, therefore, the&#13;
publisher makes in the way of profits a fee to begin with,&#13;
à percentage on the cost of production, binding, and&#13;
advertisement, it being to the publisher's interest to make&#13;
these charges as high as possible, and a discount of 7) per&#13;
cent. on the same items. This is a good beginning when&#13;
the publisher is to have no risk whatever as regards the&#13;
book, all expenses being covered by the author.&#13;
There is no space to put forward at the present&#13;
time the many other difficulties connected with&#13;
this agreement passed by the Publishers' Associa-&#13;
tion. Members of the Society are referred to the&#13;
Society's pamphlet “ Publishers' Agreements, with&#13;
comments by G. Herbert Thring, and illustrative&#13;
examples by Sir Walter Besant.” If, however,&#13;
members are desirous of adopting commission-&#13;
publishing, they must, as set forth in the article&#13;
“ The Method of the Future," be prepared to pay&#13;
the publisher a reasonable percentage on the sales,&#13;
but must take care at the same time to deal with a&#13;
man who will give them the real cost of production&#13;
and does not want to take a percentage on it.&#13;
We must not treat the editor of “What's What”&#13;
too seriously. He cannot expect it. Has he not&#13;
rather published the book with a view to making&#13;
merriinent at Christmastide ? His article on&#13;
Copyright confirms us in this opinion.&#13;
He commences, “ Copyright is one of those things&#13;
which ‘no fellow'really understands, least of all&#13;
the lawyer." We are not surprised, therefore, to&#13;
find that Mr. Quilter-keeping up his Merry&#13;
Christmas jest—writes himself down as a barrister-&#13;
at-law.&#13;
The article proceeds, “ The law will protect that&#13;
right (the copyright of any article or publication)&#13;
for forty years or for twenty years after the author's&#13;
death, whichever be the longer period.” Both&#13;
these periods are wrong. It is the time of the&#13;
year when the clown and harlequin run riot and&#13;
the practical jester is licensed, but we must warn&#13;
authors not to treat the book as a reliable book&#13;
of reference&#13;
of reference, as far as Copyright is concerned.&#13;
for&#13;
He next endeavours to explain the 18th section,&#13;
an avowedly badly drawn and difficult clause ;&#13;
but whatever its interpretation, it certainly is not&#13;
explained on the lines suggested by Mr. Quilter.&#13;
On Artistic Copyright he is equally at fault.&#13;
If we thought it worth while, the paragram&#13;
(Mr. Quilter's word) should have a critical article,&#13;
but a warning to members is quite sufficient. As&#13;
editor, he states that every one of the paragrams&#13;
is original. The originality of the one dealing&#13;
with Copyright convinces us of his sincerity. We&#13;
hope Mr. Quilter has passed a Merry Christmas&#13;
with his jest-book.&#13;
AUTHOR AND LITERARY AGENT.&#13;
We publish two more articles on the advantages&#13;
of commission publishers. The first is an actual&#13;
case, and, therefore, of great practical value. The&#13;
second is from Mr. MacLehose, the Glasgow publisher,&#13;
We are delighted to have a letter from one who&#13;
knows the trade so well. We do not entirely agree&#13;
with his dedactions, but hope to deal with them in&#13;
the next issue.&#13;
TT was not my intention again to occupy your&#13;
1 pages, but as my remarks on the Literary&#13;
Agent in the October Author have been mis-&#13;
understood by one or two of your correspondents,&#13;
I will ask you to permit me to make my position&#13;
clearer.&#13;
The string of falsehoods written about the&#13;
Society by Mr. Quilter brings its compensation in&#13;
the shape of many pleasant letters from members&#13;
speaking of the benefits derived from its work.&#13;
Your correspondents seem to assume that I was&#13;
complaining of the literary agent. I did nothing&#13;
of the sort; I simply followed your invitation to&#13;
explain my views on the advisability of employing&#13;
a literary agent. As for myself and any grievance&#13;
&#13;
&#13;
## p. 96 (#486) #############################################&#13;
&#13;
96&#13;
THE AUTHOR.&#13;
I might have against certain literary agents, I am&#13;
II.&#13;
quite prepared to take care of myself, so that if a&#13;
literary agent can cheat me, he is welcome to do An author's property in his work may be&#13;
80. I do not complain of him, nor of the author classed under the following heudinys :-&#13;
who acquiesces in the use of fair or foul means (1) Book rights—the right of production in&#13;
towards me. But I will certainly never willingly book-form, and (2) serial rights—the right of&#13;
give a literary agent (or anyone for that matter) publication in the form of a periodical or magazine&#13;
two chances of getting the better of me. Thus issue.&#13;
I have always had agreeable relations with Mr. Book rights may be subdivided into the follow-&#13;
Benson's agent, and I continue to do business ing : rights in Great Britain, America, the colonies&#13;
with him which is satisfactory to both of us ; but and dependencies of Great Britain, Continental&#13;
there are other literary agents in London whom rights, and right of translation. Serial rights may&#13;
I prefer not to deal with. I don't complain of be divided : (1) rights in some English magazine&#13;
their methods ; but as I have found their methods or paper; (2) rights in some American maga-&#13;
so different from my methods, it seemed best not zine or paper ; (3) secondary rights in England;&#13;
to be in business relations with them. I mention (4) secondary rights in America ; (5) rights in&#13;
this only in explanation of my personal position, the colonies and dependencies of Great Britain ;&#13;
which has been brought into this matter by your (6) in translation form in foreign countries.&#13;
correspondents. It has nothing to do with the It will be seen, therefore, that not only writers&#13;
statement I sent you, which purported to be a state- of fiction, but writers of technical works, educa-&#13;
ment of policy, not of individual expediency. That tional works, and the many other branches of&#13;
is why I fail to see where Mrs. Craigie has detected literature have a considerable number of rights to&#13;
in my letter a “prattling about the indignity of be dealt with, and the point under discussion is&#13;
accepting money for art;" on the contrary, it whether it is advisable to employ an agent with&#13;
seems to me that an artist, just as a business inan, a view to marketing all these rights. A long&#13;
depreciates his goods if he sells them under their experience at the office of the Society forces this&#13;
value-even if their value be fixed by auction. fact before one's notice, that, as a general rule,&#13;
Mr. Benson is right when he says that it would when an author is sufficiently well known to have&#13;
be madness to let one publisher have a book a market for all these rights the agent is essential,&#13;
cheap, if, cæteris paribus, the author can get more and further that the majority of well-known&#13;
froni another."&#13;
authors (in spite of the statement made in the&#13;
I cordially welcome “ Omega's ” statement that Sphere) employ an agent to market their work.&#13;
“authors are all in competition against one another, There are certainly half-a-dozen, or perhaps even&#13;
and why competitors in the same affairs should as many as ten, who, as a general rule, do not&#13;
employ the same agent to represent them is a employ an agent. These, however, bare a parti-&#13;
riddle which no sane business man can answer.” cular faculty for doing business, and consider&#13;
And I emphatically repeat (1) that a literary agent that the time spent in these negotiations can be&#13;
is of no use to a beginner, (2) that when an author afforded more easily than the payment of an agent.&#13;
has succeeded, the business entrusted to an agent On this point I entirely agree with them, and&#13;
can be done better and more reasonably by a consider, on the whole, that as far as the more&#13;
solicitor.&#13;
popular writers are concerned the agent is an&#13;
Mr. Le Queux addresses to me a direct question, expensive item. It is the author's fault, however,&#13;
saying that his brother authors and himself “would if his contract with an agent is unsatisfactory.&#13;
be interested to know whether it is not a fact that Though it is an undoubted fact that with the&#13;
in order to effect the sale of my English books in popular authors an agent is essential, yet all&#13;
America I actually employ a literary agent in New authors should be careful not to accept contracts&#13;
York.” I have much pleasure in satisfying his laid before them by agents without careful&#13;
curiosity by stating that I have a salaried employé investigation and advice.&#13;
in New York, who attends to my affairs in America Secondly, in the case of the author with smaller&#13;
exactly as my London manager and staff attend markets and lower circulations an agent may still&#13;
to the details of my business in London. Mr. Le be necessary, as in the majority of cases authors&#13;
Queux will on reflection see, however, that the are unbusinesslike, and if not unbusinesslike are as&#13;
employment of an agent for the sale of a manu- ignorant of the law of copyright, of the rights they&#13;
factured article would be open only to the least possess, and of the prices of literary property as the&#13;
of my objections.&#13;
ordinary niortal is of the law.of conveyancing and&#13;
Wu. HEINEMANN. land transfer. But in this second case it is even&#13;
more necessary for the author to be exceedingly&#13;
careful, and to obtain sound and substantial advice&#13;
&#13;
&#13;
## p. 97 (#487) #############################################&#13;
&#13;
THE AUTHOR.&#13;
97&#13;
with regard to the agreements laid before him by DESIRABILITY OF STANDARD RULES&#13;
the agent. The popular author with a large FOR PRINTING, AND A METHOD TO&#13;
circulation has generally, through long experience,&#13;
OBTAIN THEM.&#13;
considerable knowledge of his market value, of the&#13;
law of copyright, and the details of his business,&#13;
and employs an agent to save his time. The other M HE Committee of the Society of Authors&#13;
with the smaller circulation lacks this essential I have requested me to put together a few&#13;
knowledge, and the agent, being naturally desirous suggestions upon “The Desirability of&#13;
to place the work, is liable to persuade him to enter Standard Rules for Printing, and a Method to&#13;
into an unsatisfactory agreement. This author obtain them," so as to gauge the interest of the&#13;
employs the agent partly to save trouble and members in the question, and to enable an opinion&#13;
business worries, but generally to supply the to be formed as to the advisability, or not, of&#13;
knowledge in which he is deficient. Sometimes thoroughly investigating the whole question, ana,&#13;
he is disappointed.&#13;
if possible, of formulating such a set of rules. This&#13;
With regard to those who are just entering the request came in reply to a suggestion of mine that&#13;
profession the agent is of very little use. They it was very desirable, and distinctly within the&#13;
can obtain full advice and information from the province of the Society, to formulate such a standard&#13;
Society should they so desire, and, as a general for the guidance of authors, editors, publishers,&#13;
rule, have sufficient time to attend to their business compositors, readers, and, in fact, all connected&#13;
duties.&#13;
with the making of books.&#13;
Finally, the author should be careful of what As a compositor would say, the question is to&#13;
agent he employs, the agreement that the agent see if the “customs of the house" in each separate&#13;
puts before him, and the commission he pays the printing establishment could not, by a little&#13;
agent for the work done.&#13;
give and take, here and there, be made into one&#13;
It only remains to make a few remarks on the uniform set of rules in black and white, to be&#13;
publisher's attitude.&#13;
followed by all.&#13;
Granting that, as a general rule—and this may At the present time, one may say, that if exactly&#13;
be stated for a certainty-the author's agent is the same copy be sent, without special instructions,&#13;
necessary, is that agency work generally carried to a dozen different printers, the resulting proofs&#13;
out better through an independent individual or will all differ in some particular. They may differ&#13;
through the aid of the publisher ? As far as the in punctuation ; in the use of large and small&#13;
individual is concerned his charge is 10 per cent., capitals ; in spelling, especially the suffixes " ise"&#13;
a price which works out at a very high sum in the and “ize”; in placing the hyphen in divided words ;&#13;
case of large authors, but to counteract this he can in contractions of words ; in the use of numerals ;&#13;
devote his whole time to his clients, if his clientèle in italicizing anglicized foreign words ; in the&#13;
is not too large. The publisher, on the contrary, printing of authorities mentioned, or titles quoted ;&#13;
looks upon this agency work as a secondary sort in spacing; and, in fact, in many ways too&#13;
of business, his main business being publishing. numerous to mention. This means, in short, that&#13;
He cannot, therefore, devote his whole time as one method of printing must be right, all, or all&#13;
and attention to it, and in addition asks 25 per cent. but one, of the proofs will be wrong.&#13;
seldom-generally 50 percent. on the author's In order to see if this divergence of practice&#13;
returns.&#13;
could not be done away with, I recently wrote to&#13;
These figures appear in the agreements of the some dozen of the leading printers as to the&#13;
best houses in London. There is no doubt, there. “customs of the house” in their particular estab-&#13;
fore, that, of the two, the private individual as lishments, and the possibility of evolving a standard&#13;
authors' agent is much better than the publisher set of rules. With two or three exceptions they&#13;
as authors' agent. There is no comparison between wrote that they had no printed rules, but worked&#13;
them.&#13;
in accordance with their own unwritten laws.&#13;
If you employ an agent remember these three All are agreed upon the great importance of&#13;
points&#13;
typographical uniformity, and would apparently&#13;
1. Take care of your contract with him. Do welcome any thoroughly good set of rules could&#13;
not pay him too large a percentage.&#13;
one be formed and acknowledged by the majority of&#13;
2. Take care of his contracts with the publishers. authors. For, as they say, nothing can be done in&#13;
3. Take care that you get adequate attention this matter without their concurrence. The great&#13;
and application for the amount you pay.&#13;
trouble at present arises from each author wanting&#13;
G. H. T.&#13;
some one particular detail varied, because in many&#13;
cases he is evidently in doubt as to how it should&#13;
be printed, for he can refer to no acknowledged&#13;
&#13;
&#13;
## p. 98 (#488) #############################################&#13;
&#13;
98&#13;
THE AUTHOR.&#13;
authority. As one very well-known firm writes given, and for supplying so generously copies of&#13;
me, an author frequently insists on having his own his work, which is truly priceless from the fact&#13;
MS. “ accurately copied,” notwithstanding that the that it is only "privately printed," and therefore&#13;
same word is spelt in two or three different ways has no price!&#13;
on the same page!&#13;
May I ask all those who have any wish to see&#13;
In fact, I may say that the underlying truth of books more correctly printed in the future than in&#13;
all the replies is that nothing can be done without the past, and who take sufficient interest in their&#13;
first of all getting the authors to come to some own work to desire it to be at least accurately&#13;
common understanding amongst themselves. A printed, to obtain a copy, to read it over carefully,&#13;
proof, as it seems to me, that the matter is most and to forward to me a list of queries, suggestions,&#13;
distinctly within the province of our Society, and and so forth ? As it is only by collating a mass&#13;
one which it would well repay all our members to of such opinions that reliable and lasting progress&#13;
give a helping hand to investigate, so that it may can be hoped for.&#13;
be put upon a sound and lasting basis.&#13;
I should like to have sent to me at Iddesleigh,&#13;
I use the term basis, for like everything in this Torquay, as many answers as possible to these&#13;
world, evolution would take place in it, leading in questions :-&#13;
subsequent years to developments and improve- (1) Do the “Rules” meet with the entire&#13;
ments which at the present time cannot be foreseen. approval of the member ; and would he be willing&#13;
But this is no reason for not doing our best to dig for his future work to be printed in accordance&#13;
the fouudations upon which a structure may be with them? If not, (2) the points of disagree.&#13;
subsequently raised. For the rocks must be pre- ment; and if possible, (3) the reasons for them ;&#13;
pared at some time for this work, and the sooner they and (4) the specific alterations and additions&#13;
are, the sooner may we hope to erect the light desired.&#13;
house for the illumination of what is now but if members will favour me with some con-&#13;
a dark, dreary, desolate waste of contradictory siderable number of replies, I will investigate&#13;
practices.&#13;
and tabulate them, and publish the results and&#13;
To come now to a consideration of the practical inferences from them, in a future number of The&#13;
work required, the great question arises, are any Author.&#13;
of the printed rules now used by the two or three It may be as well here to point out that Mr.&#13;
separate printers referred to, sufficiently good to Hart's Rules having passed through eleven&#13;
be adopted en bloc; are they good only to serve as editions at the Oxford University Press, and also&#13;
a foundation for our work ; or, must a completely having been reprinted by others — apparently&#13;
new set be made ?&#13;
without his permission-have a character which&#13;
I venture to say that the only rules known to shows them to be of considerable use and&#13;
me which can in any way be considered worthy of standing.&#13;
adoption, or even discussion, are, as the title-page I will now, for those who may not know them,&#13;
says, the “ Rules for the Compositors and Readers give a brief summary of this small pamphlet.&#13;
employed at the Clarendon Press, Oxford, compiled Small, for the rules are contained in twenty-one&#13;
by Horace Hart, M.A., printer to the University pages—three and a half by five inches-of read-&#13;
of Oxford. The English spellings revised by Dr. able type.&#13;
J. A. H. Murray and Mr. Henry Bradley, Editors The first seven pages deal with the spelling of&#13;
of the New English Dictionary. Oxford, words which have two or more forms. A rule is&#13;
1901."&#13;
given whether the ending “able” is to have an “e,"&#13;
In order that any member of the Society of or not, preceding : such as movable, changeable,&#13;
Authors may make acquaintance with these rules, &amp;c. Then follows a list of thirty words spelt with&#13;
Mr. Hart has most kindly fallen in with a sugges- the final “ise," and a much longer one of those&#13;
tion which Mr. Thring made to me, and sent with the suffix “ize :" the spelling here being&#13;
gratis to the Secretary a batch of these “ Rules " so founded on the “New English Dictionary." A&#13;
that any member interested in this subject—and rule for placing "e" before the termination&#13;
all should be—may obtain a copy by sending a “ment ;” and four pages of words the spelling&#13;
postcard to 39, Old Queen Street, S.W., asking for of which is far from uniform in ordinary usage,&#13;
one to be sent to him.&#13;
as enclose, insure. The use of the apostrophe in&#13;
I desire here to express my personal thanks to the possessive case. A list of those words of foreign&#13;
Mr. Hart for his courtesy in this matter, and for origin which have, by constant use, become angli-&#13;
the trouble he has taken in what has been to me cized and should not therefore be printed in italics,&#13;
an interesting correspondence. In fact, whatever as vice versa : followed by a list of those whicli&#13;
result we may arrive at, I feel that the thanks of should, as en masse. And the use of "a" or "an"&#13;
the Society are due to him for the help he has before vowels.&#13;
&#13;
&#13;
## p. 99 (#489) #############################################&#13;
&#13;
THE AUTHOR.&#13;
in smal&#13;
Ankle.&#13;
After spelling we come to the proper forms for A.D. : (Anno Domini) to be An herb.&#13;
such contracted words as ain't, Exod., etc. Rules&#13;
- heroic.&#13;
Advise.&#13;
for the printing of poetry, and a couple of pages&#13;
- historical.&#13;
Ad loc. : not italics.&#13;
- honest.&#13;
dealing with the use of the hyphen, with nouns, ae: (the digraph) should – honour, -able.&#13;
adjectives, adverbs, and words with one or more be separate in Latin and – hotel.&#13;
accents.&#13;
Greek words, as Aenid, - hour, -glass,&#13;
Aeschylus, Caesar, and in&#13;
Capital letters are “ to be avoided as much as&#13;
English as mediaeval. In Anybody.&#13;
possible, but to be used in the following and similar Old English names, and Any one.&#13;
cases.” With a page of directions: and also illus in French, they should Anything.&#13;
trations for the use of small capitals.&#13;
not be separated, Elfred, Anywhere.&#13;
Cædmon.&#13;
The division of English words, when they must&#13;
Apologise.&#13;
Aërial.&#13;
Apophthegm.&#13;
be divided, is upon the principle “that the part&#13;
A European.&#13;
Apostasy.&#13;
of the word left at the end of the line should suggest A ewe.&#13;
Apostrophize.&#13;
the part carried over.” Thus, happi-ness, not hap-&#13;
A ewer.&#13;
Appanage.&#13;
Affranchise.&#13;
piness. (This section should apparently be included&#13;
Apple-tree : with hyphen.&#13;
Aggrandize.&#13;
Apprise : (to inform).&#13;
in the one dealing with the hyphen.)&#13;
Agnosti-cism : when neces. Apprize : (to appraise).&#13;
The hints—they cannot be called rules—upon sary.&#13;
d priori : itals.&#13;
punctuation are few, and, many would say, could Agonize.&#13;
A propos : itals.&#13;
A hospital.&#13;
with advantage be expanded.&#13;
Armchair : no hyphen.&#13;
A humble.&#13;
Artisan.&#13;
The remark that the titles of books are frequently A. H. : (Anno Hegira) small Ascendancy.&#13;
printed now in italics, instead of inverted commas, caps.&#13;
Atmo-sphere : when neces-&#13;
and “must be determined by the directions given Aide de camp: not italics. sary.&#13;
with the copy,” lacks in a marked degree that&#13;
Albumen.&#13;
A unanimous.&#13;
Alkalize.&#13;
A uniform.&#13;
“ light and leading " which generally characterizes Almanac.&#13;
A union.&#13;
Mr. Hart's remarks.&#13;
A. M. (Anno Mundi) to be A universal.&#13;
After a few more words on spacing, italics, small caps.&#13;
A useful.&#13;
figures and numerals, we come to the appendices :&#13;
a. m. (ante meridiem) lower A usurper.&#13;
case, not caps.&#13;
Authorities : at the end of&#13;
I., written by Mr. H. Stuart Jones on the division&#13;
Amour propre : itals.&#13;
quotations or notes thus :&#13;
of Greek words ; and II., by Prof. Robinson Ellis Analyse.&#13;
HOMER Odyssey ii 15,&#13;
on that of Latin words.&#13;
Ancien régime: itals.&#13;
but print Hor. Carm, ii.&#13;
It will be seen from the foregoing that the&#13;
Anathematize.&#13;
14. 2 ; Hom. Od. iv, 272.&#13;
Anatomize.&#13;
“Rules” are in the form known to librarians as a&#13;
Authorize.&#13;
Anglicé : itals.&#13;
Ay : always.&#13;
“ classed catalogue.” In other words, one has to Anglicize.&#13;
Aye : (yes—" the ayes have&#13;
know the contents of the book thoroughly before Au heir.&#13;
it").&#13;
being able to refer to the remarks upon any one&#13;
particular word. The advantages of this classifi-&#13;
Those who already know these “Rules" will, i&#13;
cation of matter in the present instance appears to think, agree that the foregoing arrangement is the&#13;
me very open to question. An alphabetic arrange-&#13;
better one. If Mr. Hart would arrange a new&#13;
ment would enormously increase facility of reference, edition upon these lines we should, I think, have&#13;
and would, I think, be a great advantage in many&#13;
much to be thankful for. And as helping towards&#13;
ways, as it would enable any question arising to be&#13;
this end I have offered to supply him with the&#13;
as quickly settied by those quite ignorant as by necessary “copy,” if it should meet with his&#13;
those thoroughly conversant with the book. In the approval.&#13;
case of authors, whom we are at present considering, May I repeat, in conclusion, the request already&#13;
the advantage would be very great indeed, for few made, that every member of the Society should&#13;
of them would have the time, or inclination, to send a postcard to the Secretary, 39, Old Queen&#13;
learn the whole book by heart, and even if they Street, S.W., for a copy of Mr. Hart's “ Rules,”&#13;
had, would, I imagine, more readily acquire the and should forward to me for tabulation at Iddes-&#13;
knowledge if arranged in this way.&#13;
leigh, Torquay, replies to the four questions asked&#13;
To show the advantages of this arrangement I in this article.&#13;
have extracted all those entries which would come To those who will thus lend theiraid in developing&#13;
under the letter “ A,” and here append them in typographical uniformity, I offer my thanks.&#13;
alphabetic order :-&#13;
F. HOWARD COLLINS.&#13;
A: the article, not to end Act: initial capital when&#13;
a line.&#13;
referring to Act of Parlia-&#13;
Abun-dance: if necessary ment, or Acts of a play.&#13;
divide thus.&#13;
Acts : scriptural book of&#13;
Advertise.&#13;
the.&#13;
&#13;
&#13;
## p. 100 (#490) ############################################&#13;
&#13;
100&#13;
THE AUTHOR.&#13;
THE ADVANTAGES OF COMMISSION giving a description of the book, and the cost of this&#13;
PUBLISHING&#13;
is included in the cost of the first three thousand.&#13;
A second impression was almost immediately&#13;
demanded, and in this the advertising was included.&#13;
Actual Figures and Actual Facts.&#13;
The cost of the impression with some additional&#13;
charges, and including advertising, amounted to&#13;
£148 19s. 5d.&#13;
TN the December number of The Author an article A sufficient number of copies of the second&#13;
I was printed on “ The Method of the Future,” impression were sold to cover the cost of production&#13;
pointing ont the large percentage to be of that impression, and to give the author a profit&#13;
obtained in cases where the author takes the cost of of £31 198. 2d., and this, although a large edition,&#13;
production in hand himself, and uses the publisher was sold in sheets at a comparatively cheap rate to&#13;
merely as an agent to publish on commission. the Colonies, and the book was withdrawn from&#13;
Figures simply set out to prove a theory are not the market before the sales ceased.&#13;
always satisfactory, and many doubts will arise in The attention of authors should also be called to&#13;
an author's mind before he would attempt to carry the fact that this was a book of 470 pages, and&#13;
out a method he might consider merely theoretical ? therefore a long book compared with the ordinary&#13;
The figures printed below, however, are figures novel—the book taken in the example quoted in&#13;
referring to the sale of a book that was actually “ The Method of the Future” was only about 350&#13;
published on commission, and tend to show that pages.&#13;
this method of publishing will not only give the In working out this sum on a royalty basis in&#13;
author a larger profit than he would otherwise order to compare it with the“Method of the Future,”&#13;
obtain, but will also do away, if satisfactorily we find that if the advertising set forth in the cost&#13;
handled, with the profits that are spent on the of production of the second edition is thrown into&#13;
author's agent.&#13;
the first edition, reducing the author's profits to&#13;
In the statement contained in the article to £230, this works out as a royalty on a six shilling&#13;
which reference has been made, there was one book of over 26 per cent.&#13;
slight mistake. The seventy copies or thereabouts In the example previously given the figures&#13;
sent for review were not included. In the figures worked out at ls. 8d. a copy. The difference&#13;
given below, however, this item is appended, as it between the two is very small. In addition,&#13;
is the account of a book actually published and although the advertising has been thrown into the&#13;
placed on the market.&#13;
first edition it is hardly fair to throw the whole of&#13;
FIRST EDITION, 3,000 COPIES, 470 PP.&#13;
the advertising into the one edition ; indeed, under&#13;
the circumstances of this particular case it will be&#13;
£ $. d.&#13;
hardly fair to reckon it into the first edition at all,&#13;
Printing and Paper . . 97 0 0&#13;
Extras, including Moulds . 14 10&#13;
as the first edition was practically sold without any&#13;
3&#13;
Frontispiece :&#13;
8 10 0&#13;
advertising. But we do not want to underestimate&#13;
the figures.&#13;
Binding 3,000 . . . 39 10 10&#13;
The result of this shows that the “ Method of the&#13;
Printing Circulars, etc. . 2 16 6&#13;
Future,” if entered into by an author, must bring&#13;
£162 7 7&#13;
in, if properly managed, a larger profit, and a more&#13;
satisfactory return, than any other method.&#13;
2,930 at 38. 3d. . . . 476 2 6&#13;
The time will no doubt come when all authors&#13;
Commission 10 per cent. . 47 12 2&#13;
with an ascertained circulation will adopt book&#13;
production on these lines.&#13;
428 10 4&#13;
Cost of Production . . 162 7 7&#13;
II.&#13;
Profit to Author : £266 2 9&#13;
DEAR SIR,&#13;
Your article in the December Author on the&#13;
The author will at once exclaim, " But what has “Method of the Future” has interested me much,&#13;
become of the advertising ?” It is merely neces- but I venture to dispute your conclusions, as your&#13;
sary to say that practically the first edition was adviser, “whose knowledge" you say “ of the&#13;
hardly advertised at all, but to prevent any cavilling printing and publishing trades is undoubted,” has&#13;
in reckoning the profits of the first edition on the forgotten three facts which materially affect your&#13;
royalty basis as set out in the figures below, a sum calculations. He has forgotten (1) that the ordinary&#13;
of £35 13s. 5d, has been included in the cost of 6s. novel, that justifies an edition of 2,000 copies,&#13;
production. A circular was sent round to the trade exceeds 96,000 words in length; (2) that an&#13;
&#13;
&#13;
## p. 101 (#491) ############################################&#13;
&#13;
THE AUTHOR.&#13;
101&#13;
author always makes corrections in his proofs;&#13;
and (3) that an edition of 2,000 does not mean a&#13;
sale of 2,000 copies.&#13;
(1) I took up at random ten popular novels, all&#13;
of which were printed in small pica, and found&#13;
that their extent in pages and lines was as follows&#13;
(excluding title-sheet) :-&#13;
Pages.&#13;
Lines.&#13;
368&#13;
35&#13;
620&#13;
44&#13;
412&#13;
35&#13;
384&#13;
440&#13;
32&#13;
33&#13;
518&#13;
344&#13;
328&#13;
446&#13;
27&#13;
(A) He can be paid for the copyright of his&#13;
book. In this case the publisher takes all risks,&#13;
and loses or gains as the case may be.&#13;
(B) The publisher may pay a royalty from the&#13;
beginning with or without a payment to account&#13;
of royalties. In this case the author gets something&#13;
whatever number of copies are sold.&#13;
(C) He can get a greater royalty after expenses&#13;
are paid, or what comes to the same thing, can&#13;
share with the publisher in the profits.&#13;
Now, let us apply these systems of payment of&#13;
authors to the account in question in cases where&#13;
1,000 and 1,500 copies are sold, and assuming that&#13;
in the first system the publisher pays £50 for the&#13;
copyright, in the second that he pays a royalty of&#13;
124 per cent. on every copy sold, and in the third&#13;
that author and publisher share equally in the&#13;
profits; and then let us compare these with&#13;
(D) The “ Method of the Future.”&#13;
Let 1,000 copies be sold at 3s. 4d.=£166 13s. 4d.&#13;
According to the different systems&#13;
the result will be (leaving out shillings&#13;
and pence) —&#13;
(A) Purchase of Copyright.&#13;
Publisher's Outlay.&#13;
£ 8. d.&#13;
Cost of production and advertising&#13;
as above&#13;
... ... ... 161 0 0&#13;
Payment to author ... ... 50 00&#13;
£211 00&#13;
408&#13;
36&#13;
Allowing ten words to a line, the average of&#13;
these ten novels was about 154,000 words as&#13;
against your 96,000. This would be equal to a&#13;
volume of over 480 pages, instead of 320 pages, of&#13;
30 lines each. Most publishers, however, would&#13;
prefer to put this amount into, say, 400 pages of&#13;
about 37 or 38 lines. The alteration in cost of&#13;
production on the basis of your figures would be&#13;
about once and a half your cost for composition,&#13;
and once and a quarter for moulding, printing,&#13;
and paper. The binding I do not propose to&#13;
increase, though the number of sheets to be folded&#13;
is increased.&#13;
(2) An allowance for corrections must be made&#13;
at a minimum of 48. per 16 pages.&#13;
(3) A number of copies are given away and a&#13;
number are almost always left over. To base&#13;
calculations on the assumption that nine-tenths&#13;
are sold is a generous calculation,&#13;
On the basis of these figures, and on your&#13;
suggested arrangement that a 68. novel should be&#13;
credited at 3s. 4d., less 15 per cent., I find the&#13;
following results on an edition of 2,000 copies.&#13;
Sales (say) 1,800 at 38. Ad.&#13;
Composition ... ... £35 | Cost of produc-&#13;
Corrections ...&#13;
tion ... £121&#13;
Moulding&#13;
Advertising... 40&#13;
Publisher's&#13;
Paper ...&#13;
commission 45 206&#13;
Binding&#13;
Leaving a profit of £94&#13;
£121&#13;
Or about 1s. a copy.&#13;
It is not difficult to show that, unless a large&#13;
proportion of an edition is sold, this is the worst&#13;
bargain that the author could make for an edition&#13;
of 2,000 or 3000. For (1) the author, not the pub.&#13;
lisher, runs the risk, and (2) the author has to wait&#13;
for his profit till the publisher has been repaid, not&#13;
only his outlay, but his profit. The ordinary ways&#13;
in which an author can be paid are three.&#13;
£300&#13;
(B) Payment by Royalty.&#13;
Publisher's Outlay.&#13;
1. £ s. d.&#13;
Cost of production and advertising&#13;
as above&#13;
... ... ... 161 0 0&#13;
Royalties to author ... ... 37 10 0&#13;
£198 100&#13;
(C) Equal Profits.&#13;
Publisher's Outlay.&#13;
£ s. d.&#13;
Cost of production and advertising&#13;
as above&#13;
... ... ... 161 00&#13;
(D) Method of the Future.&#13;
Author's Outlay.&#13;
£ $. d.&#13;
Cost of production and advertising&#13;
as above ... ... ... 161 0 0&#13;
Publisher's commission ... ... 25 0 0&#13;
Printing&#13;
15&#13;
33&#13;
£186&#13;
0&#13;
0&#13;
&#13;
&#13;
## p. 102 (#492) ############################################&#13;
&#13;
102&#13;
THE AUTHOR.&#13;
According to the system of-&#13;
(A) Author gains £50. Publisher loses £44.&#13;
2&#13;
„ £45.&#13;
, £32.&#13;
(C)&#13;
£2 10s.&#13;
gains £2 10s.&#13;
y loses £20&#13;
£25&#13;
If 1,500 copies were sold the results would be&#13;
Sales = £250.&#13;
The cost according to the&#13;
different systems would be-&#13;
(A) Publisher's outlay for production and&#13;
copyright ...&#13;
211&#13;
Publisher's outlay for production and&#13;
royalties ...&#13;
216&#13;
") Publisher's outlay for production ... 161&#13;
(D) Author's outlay for production and com-&#13;
mission&#13;
198&#13;
Leaving the result that in-&#13;
(A) Author gains £50 Publisher gains £39&#13;
(B) ,&#13;
(C) , ., 44&#13;
(D) , , 52&#13;
In the same way a novel of which 3,000 copies&#13;
were printed and boarded would require to sell 2,000&#13;
before the author gained £75, which is exactly&#13;
equal to a royalty cf 124 per cent.&#13;
From this it will be seen that according to the&#13;
“Method of the Future” the author is expected to&#13;
Findertake all risks and cannot, on editions of a&#13;
novel of average length with a circulation of 2,000&#13;
or 3,000, gain as much as he would from a royalty&#13;
of 124 per cent. unless he sells more than two-&#13;
thirds of the edition.&#13;
I am, yours faithfully,&#13;
ROBERT MACLEHOSE.&#13;
34&#13;
44&#13;
37&#13;
their countenances to the historical novel which&#13;
continues to dominate contemporary fiction.&#13;
Winston Churchill's “ The Crisis," which sur-&#13;
passed in interest and popularity his “Richard&#13;
Carvell,” led the way, together with Irving&#13;
Bacheller's “D’ri and I,” and “Granstark; the story&#13;
of a Love behind a Throne” and “The Helmet&#13;
of Navarre,” by the new writers George Barr&#13;
McCutcheon and Bertha Runkle. Sarah Orne&#13;
Jewitt's “The Tory Lover” is a sympathetic&#13;
and graceful story dealing with the American&#13;
Revolution and introducing the vigorous personality&#13;
of Paul Jones. It is her longest, if not perhaps&#13;
her strongest, work. The scene of Robert W.&#13;
Chambers's “ Cardigan” is New York, on the eve&#13;
of the same period ; and Clinton Scollard's “ The&#13;
Son of a Tory” is located in New York State&#13;
in 1777. Mrs. Caroline Mason's “A Lily of&#13;
France," and Charlton Andrews's “ A Parfit Gentil&#13;
Knight,” take us two centuries further back ;&#13;
while the seventeenth century is treated of in&#13;
Jessie Van Zile Belden's “Antonia” and Ruth&#13;
Hall's “The Golden Arrow.” Robert Nelson&#13;
Stephen's “ Capt. Ravenshaw” is an Elizabethan&#13;
story; and Cyrus Townshend Brady's “The&#13;
Quiberon Torch " a sea romance of the eighteenth&#13;
century, in which Hawke, the great British admiral,&#13;
figures. It is the writer's longest and not least&#13;
delightful performance. The « Deborah ” of&#13;
James M. Ludlow deals with the much more&#13;
remote times of Judas Maccabæus in a frankly&#13;
imaginative manner. Another romance which has&#13;
attracted much attention is of a semi-historical&#13;
character, since the hero is Eleazar Williams, one&#13;
of the numerous persons who claimed to be the&#13;
real Louis XVII. The book is called “ Lazarre,”&#13;
and the author is Mary Hartwell Catherwood.&#13;
The war of 1812 is the subject of Dr. Jas. Naylor's&#13;
“ The Sign of the Prophet.”.&#13;
But the Civil War is the period which finds&#13;
most favour with the historical romancer. It has&#13;
inspired Miss Lafayette McLaws to make her&#13;
début with “ When the Land was Young," a simple&#13;
story of more than average merit, but in which&#13;
there is no attempt at character-drawing. The&#13;
writer hails from the South. Other Southern&#13;
stories of some interest are “ The Night Hawk,"&#13;
by Alix John, in which a woman acts as the secret&#13;
agent of the Confederates and there is much&#13;
blockade-running ; "Warwick of the Knobs," by&#13;
John Uri Lloyd, who introduces a portrait of the&#13;
Confederate leader, Morgan; and “The Marrow of&#13;
Tradition,” by Charles W. Chesnutt, a Northern&#13;
champion of the contemporary negro. “ Mistress&#13;
Joy," by two Tennessee ladies, Mrs. Booth&#13;
McKinney and Miss Grace McGowan, deals with&#13;
Missisippi and New Orleans at a somewhat earlier&#13;
AMERICAN NOTES.&#13;
NHERE has been a vast output of books during&#13;
the fall season, but few volumes have&#13;
appeared of extraordinary merit or perma-&#13;
nent value to literature. It is noticeable, too, how&#13;
prominently European products stand out in the&#13;
publishers' lists. These last we shall, however,&#13;
leave out of the account in our present survey, as&#13;
they are only nominally American issues.&#13;
By far the largest proportion of books published&#13;
consists of course of novels, this being still more&#13;
the case in America than it is in the Old World.&#13;
Over here the romantic movement, stimulated by&#13;
the new Imperialism, is still largely in the ascen-&#13;
dant; and new issues of the works of George&#13;
Sand, Harrison Ainsworth, Fenimore Cooper, and&#13;
Croly's “Salathiel, the Wandering Jew," lend&#13;
&#13;
&#13;
## p. 103 (#493) ############################################&#13;
&#13;
THE AUTHOR.&#13;
103&#13;
period, Aaron Burr coming into the story. Mr. G. said to be at the head of “the year's refined fun-&#13;
W. Cable, in “The Cavalier,” has also occupied him- makers.” Hoping that we have been able to pick&#13;
self with the Civil War, and has written a stirring if out at least the chief prizes from the bran-pie of&#13;
somewhat theatrical tale of love and fighting. fiction, we must now pass on to other departments&#13;
A first novel of great promise was “Tom of literature.&#13;
Beauling," by Gouverneur Morris, great-grand Turning to poetry, we find the harvest very&#13;
son of the great diplomatist of the same name; meagre. Dr. Howard Furness has added&#13;
and “The Road to Ridgeby's" had such merit as “Twelfth Night” to his great Variorum Shake-&#13;
to cause great regret to be felt at the premature speare. "A Little Book of Tribune Verse"&#13;
death of the young author, Frank Burlinghame completes the output of Eugene Field, the sweet&#13;
Harris. Another posthumous work is “ The singer of Michigan. Dr. William Henry Drum-&#13;
Teller," by Edward Noyes Westcott, whose mond, author of "The Habitant,” has gained great&#13;
“ David Harum” is having the largest sale of credit and success with “ Johnnie Courteau and&#13;
any American novel since “Uncle Tom's Cabin.” other Poems," which are rather off the beaten&#13;
We omitted from our selections of stories of the track. Paul Leicester Dunbar with “Candle-&#13;
Civil War period Pauline Bradford Mackie's “The Lightin' Time” and Eli Shepherd with “ Planta-&#13;
Washingtonians,” in which Lincoln and his wife tion Songs for My Lady's Banjo” have made&#13;
as well as Horace Greeley appear.&#13;
contributions to dialect verse.“ Beowulf," by&#13;
" The Tempting of Father Anthony,” by George Samuel Harden Church, is something more than a&#13;
Horton, tells of modern Greece.&#13;
paraphrase. Charles G. Blanden's “Omar Resung"&#13;
Miss Wilkins, in “The Portion of Labor," and is based upon Huntley McCarthy's and not Fitz-&#13;
Sarah P. McL. Greene in her “ Floodtide,” are gerald's version of the Rubaiyat. There are&#13;
concerned with New England ; and the scene of ten new poems in Louise Chandler Moulton's&#13;
Basil King's divorce story, “Let no man put “ Swallow Flights." Edwin Markham has pub-&#13;
asunder,” is Boston. Two political novels bring lished “Lincoln, and other Poems"; and Gelett&#13;
before their readers the mysteries of Tammany Burgess, of “ Purple Cloud” fame, “A Gage of&#13;
Hall. These are “ The Victors," by Robert Barr, Youth”-lyrics from “ The Lark" and other poems.&#13;
and “J. Devlin, Boss,” by Francis Churchill James Easby Smith's “ Songs of Alcæus," con-&#13;
Williams. The politics of the West are described sisting of a memoir, text, and notes, besides the&#13;
in Walter Bart's “Shacklett.” Hermann K. verse translations, is a scholarly volume by the&#13;
Viele's “Last of the Knickerbockers" and Ellen author of the “ Songs of Sappho.” An ambitious&#13;
Olney Kirk's “Our Lady Vanity” are studies of and scarcely commendable work is Mr. William&#13;
New York society ; “The New Americans,” by Turk of Chicago's “ Completion of Coleridge's&#13;
Alfred Hodder, supplies a realistic but unpleasant • Christabel.'” Rodney Blake has edited a collec-&#13;
view of the influence of women and their methods. tion called “Hasty Pudding Poems," and Myron&#13;
“ The Wage of Character," which is concerned with T. Pritchard has made a compilation of the “Poetry&#13;
New York and Washington, may be described as of Niagara.” A history of American verse has&#13;
semi-political. “Amos Judd,” by John A. Mitchell, been written by James L. Onderdonck.&#13;
is a mystical romance of some power. Miss Eliza Neither is there much to say about scientific&#13;
G. Jordan's “ Tales of the Cloister" are pitched in works, though we have to record the publication&#13;
quieter key," as also is Anna Fuller's “Katherine of the results of the great Alaskan expedition&#13;
Day." Nath. Stephenson's “They That Took the conducted by E. H. Harriman, who took with&#13;
Sword” tells of Cincinnati in '62. Of notable him to the far North-West twenty-five scientists,&#13;
books depicting life outside the towns may be three artists, and two photographers. The&#13;
mentioned Melville Dawson Post's “Dwellers in narrative is by J. Burroughs ; whilst John Muir&#13;
the Hills,” a story of the West Virginia hill cattle- writes on “Glaciers,” Dr. G. B. Grinnell on “Forest&#13;
country ; Ralph Connor's “The Man from Glen- and Stream," Chas. Keeler, the Californian authority,&#13;
garry,” dealing with the lumbermen of the great on “ Birds,” and William Healy Dall on the&#13;
North land ; and “Calumet K," the romance of “History of the Country.” The editing and&#13;
a grain-elevator. Among other novels which illustrating of this magnificent collection was&#13;
attracted attention were “ King Midas,” by Upton undertaken by Dr. C. Hart Merriam. Dr. L. 0.&#13;
Sinclair, a new writer ; Anna Katherine Green's Howard has produced a readable but thoroughly&#13;
detective story, “ One of my Sons”; “ The Potter scientific book on “Mosquitoes”; his popular but&#13;
and the Clay,” by Maud Howard Peterson ; and authoritative “ Insect Book " treats of more than&#13;
“ Margaret Warrener,” by Alice Brown. John 135 families. Clara Morris Weed's “ Nature Bio-&#13;
Kendrick Bangs added to the gaiety of nations graphies” contains some new observations on&#13;
with an account of “Mr, Munchausen's” recent common American insects. R. Osgood Mason's&#13;
adventures ; but “A Twentieth Century Boy” is “Hypnotism and Suggestion," a moderate book,&#13;
&#13;
&#13;
## p. 104 (#494) ############################################&#13;
&#13;
104&#13;
THE AUTHOR.&#13;
cites from experience gained in practice cases of doyen of music in America ; the stage reminiscences&#13;
the beneficent use of hypnotism upon children of Clara Morris and Mrs. Gilbert; and going&#13;
Books like Seton Thompson's “Lives of the further back in the past, Prof. Alfred C. Downer's&#13;
Hunted” and “Wild Animals I have known” work on Frédéric Mistral, the Provençal poet,&#13;
have become numerous and popular.&#13;
i and Miss Mary Pepper's “Maids and Matrons of&#13;
In history and biography we have a much richer New France.” “The Early History of Syria and&#13;
record. Mr. H. E. Scudder's sympathetic and well- Palestine,” by Prof. Lewis Bayles Paton, condenses&#13;
informed “Life of Lowell” is probably the most the results of modern research in those regions.&#13;
important book of the season, and will be acclaimed Prof. W. M. Sloane's “ The French Revolution and&#13;
in England by all who realise how much the Religious Reform” is a re-cast of lectures. Everett&#13;
literary diplomatist did for the relations between Tomlinson has added yet another to histories of&#13;
the two countries. It is supplementary to the the American Revolution.&#13;
“ Letters " which were edited some years ago by In Philosophy, we would call attention to the&#13;
Prof. Norton, but the author has had access to late Prof. Fiske's “Life Everlasting," and in theo-&#13;
further correspondence. Prof. Hart, of Harvard, logy to Dr. A. W. Moore's “Rational Basis of&#13;
has completed with the last of his four sections Orthodoxy" and Dr. Levi L. Paine's "The Ethnic&#13;
(" The Welding of the Nation, 1845–1900") his Trinities and their Relation to the Christian&#13;
very valuable and interesting collection, “ American Trinity.” Under one or other of these categories&#13;
History told by Contemporaries.” A “ History of should also be placed Mrs. Elizabeth Phelps Ward's&#13;
the American people” by Dr. Fras. Newton Thorpe “Within the Gates.” Prof. Hugo Münsterberg's&#13;
is useful for the last twenty-five years. J. Howard “ American Traits," and Dr. Lyman Abbott's&#13;
Brown's “ Biographical Dictionary of the United “Rights of Man," seem to belong to the former,&#13;
States” approaches its end. “The Views of an under which also perhaps may be classed “The&#13;
Ex-President,” edited by Benjamin Harrison's Lore of Cathay ; or, the Intellect of China," with&#13;
widow, are interesting, but hardly of the first which the President of the Chinese Imperial&#13;
importance. “A Life of Gen. McClellan," by the University at Chicago, Dr. W. A. P. Martin, has&#13;
late General Peter S. Michie, has been added to complemented his “Cycle of Cathay." We may&#13;
Appleton's “Great Commanders.” The series of add that the international “ Dictionary of Philo-&#13;
“Historical Towns of the Western States," edited sophy and Psychology,” which is edited by James&#13;
by Lyman P. Powell, for Messrs. Putnam, has Mark Baldwin, Ph.D., is American in plan.&#13;
been finished this fall.“ The True Jefferson,” by Under Art all that seems worthy of mention is&#13;
Will. Elroy Curtis, follows similar works on covered by W. C. Brownell's “ French Traits," and&#13;
Washington, Franklin and Penn. Cyrus Townsend “American Mural Painting,” by Pauline King.&#13;
Brady has added a second series of his “ Colonial We may place under the heading of either Law or&#13;
Fights and Fighters." “ Whittier as a Politician” Sociology the useful work called Hirsch's “ Tabu-&#13;
has been treated through the publication of his lated Digest of the Divorce Laws of the United&#13;
letters to Prof. Elizur Wright, and the “ Person- States."&#13;
ality of Thoreau” has been illustrated in a similar We must not forget to mention Mr. W. D.&#13;
way by Frank B. Sanborn. The late John Howell's “Heroines of Fiction;" John C. Van&#13;
Codman's “ Arnold's Expedition to Quebec" tells Dyke's “ The Desert,” the fruit of two years' wander-&#13;
the story of the attempt on Quebec in 1775 in a ings in Western America ; Prof. Washburn Hop-&#13;
highly interesting manner. “The Spanish Settle- kins's edition of the Mahabharata, “ The Great&#13;
ments within the Present Limits of the United Epic of India” ; or Poulteney Bigelow's “The&#13;
States, 1531–61,” by Woodbury Lowery, deals Children of the Nations”-an account of colonial&#13;
with Mexico in a scholarly spirit. Prof. Browne's experiments based on travel experiences. Among&#13;
“Essays in Historical Criticism” contain an notable miscellanea is to be counted Rosa Belle&#13;
important paper on the settlement of Oregon, Holt's “Rugs, Oriental and Occidental.”&#13;
entitled “ The Legend of Marcus Whitman”; Coming lastly to translations of foreign works,&#13;
but the “ Biographical and Other Articles” by exclusive of the classics of the ancient world, we&#13;
William C. Todd, President of the New Hants note that William Morton Payne, the American&#13;
Hist. Society, though rich in personal experiences, pioneer of Ibsen, has added to his version of the&#13;
lack the sense of perspective. General Alger's Life by H. Jaeger an additional chapter made up of&#13;
* History of the Spanish-American War” is an renderings of the six most recently produced plays.&#13;
apology for his own administration rather than a Helger Drachmaun's love idyll “ Nanna " has been&#13;
historical work. “Eugene Field,” by Mason translated from the Danish by Francis P. Browne ;&#13;
Thompson, is an intimate study. Among other Jeremiah Austin has presented in “The Argo-&#13;
noteworthy biographical volumes are “Memories nauts” a version of the Polish romance of Eliza&#13;
of a Musical Life,” by Dr. William Mason, the Orzeszko ; and Maxim Gorky's work has been&#13;
&#13;
&#13;
## p. 105 (#495) ############################################&#13;
&#13;
THE AUTHOR.&#13;
105&#13;
introduced to the American public in translations Sir Philip Warwick, who, in the seventeenth&#13;
by Isabel F. Hapgood of “ Fomá Gordyéff” and century, gave his name to Warwick Street, and a&#13;
“Orloff and His Wife.”&#13;
successful rival; for when Lord Southampton died&#13;
In conclusion we may remark that the publish in 1667 the duties of Lord High Treasurer were&#13;
ing business of the season generally is reported to put in commission, and Sir Philip Warwick, who&#13;
be flourishing, and the new system of net prices to had been secretary to Lord Southampton, was not&#13;
be working well.&#13;
made a commissioner, while the post of secretary&#13;
to the commission was filled by Downing. It is&#13;
curious, too, that it should be proposed to oust one&#13;
name associated with literature and replace it with&#13;
THE CHANGING OF STREET NAMES. another. Sir Philip Warwick's “ Memoirs of the&#13;
Reign of King Charles I.” are not to be named of&#13;
course with Smollett's writings as works of litera-&#13;
M HE Daily Chronicle stated the other day that ture, but they are, nevertheless, well known con-&#13;
1 Warwick Street, Pall Mall, a cul-de-sac temporary records of the historical events and&#13;
which runs out of Cockspur Street, nearly personages of a particularly interesting epoch.&#13;
opposite the end of Suffolk Street, is about to be As a matter of fact the projected change has&#13;
renamed Smollett Street, its connection with the been under consideration for some little time, and&#13;
author of “ Roderick Random ” being apparently Tilt-Yard Street is a name that was suggested but&#13;
found in the British Coffee House, which he has been abandoned for the good reason that the&#13;
frequented, situated not in Warwick Street but tilt-yard was not at or even very near the site of&#13;
in Cockspur Street, between Warwick Street and Warwick Street, but the Daily Chronicle also informs.&#13;
Spring Gardens. There are at least six Warwick us that there was at one time a proposal, also since&#13;
Streets in the county of London, and no doubt any abandoned, to disguise Warwick Street by renaming&#13;
change such as that proposed would be to the con- it “ Kyte Street.” Why “Kyte” Street we are not&#13;
venience of the post-office, while it cannot be informed. There was a Kyte once who was a mezzo-&#13;
denied that to call a street after a great author is tint engraver of moderate skill, but won more&#13;
to some extent a compliment to literature, even conspicuous fame in his day by being sentenced to&#13;
though the author's fame is not likely to be the pillory for forging bank-notes. Is this the&#13;
materially increased thereby. One of the other gentleman whose name was to supersede that of&#13;
Warwick Streets is also in the South Western Warwick, of whom Pepys wrote: “I honour the&#13;
Postal District, and no doubt this is the reason man with all my heart, and I think him to be a&#13;
why a change has been suggested : but if it be very able and right honest man.” Pepys, by the&#13;
granted that one of two streets must be re-named, way, went down Warwick Street to Warwick&#13;
need the older, and the one whose name is the House on the 3rd of January, 1665, and found&#13;
better known to history, be the one selected for the streete full of footballs, it being a great&#13;
alteration ? Warwick Street, Cockspur Street, or frost," and Sir Philip Warwicke with Mr. Coven-&#13;
Pall Mall (it is known with both distinctive try walking in St. James's Park. There is a&#13;
additions), may not be famous, but it has unques- passage now through a mews into Carlton House&#13;
tionably old and honourable associations. Will Terrace which may preserve a trace of the old&#13;
anyone claim honourable associations for Warwick egress from Warwick House, but there is no&#13;
Street, Pimlico, old or otherwise ?&#13;
acknowledged thoroughfare, although there is&#13;
It will be observed, moreover, that the link enough traffic to render the roadway unsuitable&#13;
between Smollett and Warwick Street is not a for football. Warwick House was the residence&#13;
very close one. The street did not contain the of Princess Charlotte of Wales, and is described,&#13;
coffee-house, and the coffee-house was only one as regards her period of residence (1813), in the&#13;
of many that the author used. Perhaps it was “Autobiography of Miss Knight.” Apparently&#13;
his favourite one, but neither when living in the name Little Warwick Street was at one time&#13;
Downing Street nor when living in Chelsea can used, for in referring to it Wheatley says, “At&#13;
his nearest route to the site of Stanford's well. No. 4, Little Warwick Street, lived General&#13;
known map-shop have taken him even past the Conway, the cousin and correspondent of Horace&#13;
entrance to Warwick Street, of the existence of which Walpole.” (“ London, Past and Present,” vol. 3,&#13;
he may have been almost unconscious. In Downing 452.)&#13;
Street Smollett lived in his early days of practice as As regards Warwick Street, therefore, there are&#13;
a surgeon in London, but presumably Downing reasons that particularly appeal to men of letters why&#13;
Street is not likely to be renamed. It is interesting the name that it has borne for a couple of centuries&#13;
however, to note that Downing Street took its name should be retained, and the reasons which apply to&#13;
from Sir George Downing, a contemporary of Warwick Street apply to almost every other street&#13;
&#13;
&#13;
## p. 106 (#496) ############################################&#13;
&#13;
106&#13;
THE AUTHOR.&#13;
of any antiquity. To rename a street or place is £300 short of expenses. I retorted that I at&#13;
to obliterate a landmark. The name may not length appreciated Dr. Johnson's definition of half&#13;
have been originally one of very striking appro- profits—"a plan of publication that gave all the&#13;
priateness, or with interesting associations attached gains to the publisher and all the glory to the&#13;
to it, but the associations have grown and the author.”&#13;
inappropriateness has been forgotten. Old build. It was certainly very pleasing to hear that the&#13;
ings have been replaced by new ones, but the sites editions thrown off reached the exalted standard&#13;
at all events remain. Spring Gardens are not of ten thousand at a time, and that there existed&#13;
gardens, Moorgate Street leads to no city gate, a large stock which, when sold, would show a&#13;
and Pump Court might commemorate the name of considerable balance. Much stress was laid on&#13;
some famous chancellor or jurist, instead of a pump cost of advertising ; but, on asking for a specific&#13;
which has been replaced by a water-tap ; but to statement thereof, the request was declined with a&#13;
alter the name of spots such as these would obscure superciliousness that made me thoroughly ashamed&#13;
their history. It would confuse every reference to of my impertinence.&#13;
them in every chronicle of London, and in the I then announced that I was about to venture&#13;
contemporary records of lives and events before on the experiment of competing with myself, and&#13;
the change. Care should be taken, no doubt, in candidly offered an outline of my scheme. The&#13;
naming new streets not to allot to them titles that assembled firm was delighted, and urged me to&#13;
are silly, or that will be confused with old ones, put it into operation at once. While assenting to&#13;
and there is obvious inconvenience where similar this, I suggested fresh terms, and that the profits&#13;
names are liable to be confused. But it is sub- of the successful series should be separate and&#13;
mitted to the consideration of the County Council independent. A palaver as usual followed without&#13;
(a body which we all know is actuated by no other fruit. Accordingly, I offered to pay all expenses&#13;
motive than the desire to benefit London in every of production and to give over the right of&#13;
way that lies in its power) that, as a general sale on the usual commission terms. Proposal&#13;
principle, where one name has been borne longer rejected with scorn! On approaching one of our&#13;
than the other, and particularly where other names largest booksellers, he eagerly closed with the&#13;
are interwoven in its history, the claims of the offer, showing me a room amply stored with my&#13;
older should prevail, while further it must not be current publications bought by subscription.&#13;
thought that the change of a name two hundred On arrival at home, I found a telegram from&#13;
years old will be commended simply because it the mystic“ House" alluded to, complying&#13;
gives the name of a great man to a blind alley. fully and literally with my terms, and insinuating&#13;
The associations that adorn the blind alley may be a subtle suggestion to relieve me of the trouble&#13;
lost, while the fame of the great man cannot of printing, &amp;c., at a merely nominal rate of&#13;
possibly be increased.&#13;
percentage. Of this I took no notice, seeing&#13;
E. A. ARMSTRONG. that I had declined their condescending services&#13;
altogether.&#13;
The new series consisted of seven volumes,&#13;
whose complete preparation for the market cost&#13;
THE PUBLICATION OF EDUCATIONAL&#13;
about £750. In less than a year the sales&#13;
recouped the entire expenditure, including stereo&#13;
WORKS.&#13;
plates, and plus a fair and reasonable solatium in&#13;
the shape of net profit. This became a reserve fund&#13;
for further ventures of an educational sort, all of&#13;
Experiences of a School Book Editor.&#13;
which were, more or less, so successful as to vield,&#13;
under commission terms, a very handsome addition&#13;
[N response to your general hint, I venture, to my income.&#13;
I as an ancient school book editor, to furnish Especially with relaxed efforts, hot competition&#13;
your readers with a few experiences. As an on all sides naturally reduced my returns year&#13;
inspector, I was daily disgusted with the supremacy br year. Nevertheless, I grudged no trading pub-&#13;
of the Irish Board series in our elementary schools. lisher the reward of honest rivalry. Assuredly,&#13;
I, therefore, set to work to emulate in a fair fight, however, this remark does not apply to public&#13;
and, I think, with some success.&#13;
societies, largely drawing their capital from volun-&#13;
My first effort, through a noted publishing firm, tary contributions certainly not subscribed for the&#13;
resulted in a sale of a series of six readers of nearly purpose of destroying or diverting the legitimate&#13;
a million volumes in about a year. At harvest channels of commerce.&#13;
time I was ingenuous enough to expect a hand- With regard to the vexed question of publishers'&#13;
some cheque, but was told that the works were still clandestine profits or unfair trading with authors,&#13;
&#13;
&#13;
## p. 107 (#497) ############################################&#13;
&#13;
· THE AUTHOR.&#13;
107&#13;
it may be interesting here to note that the estab- the question of identity, imaginary incidents&#13;
lishment of an Authors' Publishing Society was occurring in the life of the fictitious bandmaster&#13;
long deliberated by my deceased friends M. might be taken as assertions of hers with regard to&#13;
Arnold, T. Hughes, and A. Froude. I presume the bandmaster of fact. Having so far forgotten&#13;
the difficulties arising from the irritabile genus at the situation in which she had placed herselt, she&#13;
large stood in the way. Of course, it is impos- made the bandmaster in her story, to some extent&#13;
sible to predict what, in these days of storm and at least, a musical failure, thus libelling the real&#13;
stress, may yet arise from the tricks and manners bandmaster in his calling. The author's bad luck&#13;
our departed presidium et dulce decus so bravely did not end with her imprudence of forgetfulness,&#13;
exposed; but it is far from hopeful that, in spite for novelists have often escaped without having&#13;
of your signs and warnings, authors continue to actions brought against them even by persons&#13;
flounder between Scylla and Charybdis.&#13;
intentionally satirised. Still, granting that Eliza-&#13;
J. S. LAURIE.&#13;
beth Godfrey was unlucky, it is safe to assert that&#13;
considering that the law of libel is applied by&#13;
juries with upsparing hands, and that people do&#13;
not as a rule like being “put into books," it is&#13;
better to describe types, and not particular indivi-&#13;
“REAL PEOPLE” IN FICTION.&#13;
duals. Such typical characters may possess features,&#13;
which the author wishes to introduce, taken from&#13;
• living models, but non-essential features should&#13;
T the last summer assize at Winchester a be omitted. The arts of the pen and of the brush&#13;
Bournemouth bandmaster won an action are near akin, and illustration from the latter is&#13;
for libel against the lady who writes under easy. Suppose, for example, an artist commis-&#13;
the name of Elizabeth Godfrey, securing nominal sioned to make comic pictures of sport knows a&#13;
damages, and putting a stop to all further sale of man who has the worst possible seat on a horse,&#13;
the book complained of, with the usual costs of the and moreover has bushy whiskers, and a crooked&#13;
successful litigant. It need hardly be said that nose, wbile he habitually wears an eyeglass&#13;
the defendant having to defray her own legal with a black ribbon. The artist may watch his&#13;
expenses in addition to the taxed costs of the friend go across country, and come back and pro-&#13;
plaintiff will thereby have been mulcted in a duce an admirable series which his unconscious&#13;
sum exceeding the probable profits of the unre- model will some day laugh over consumedly.&#13;
stricted sale of her novel, and equal to many Suppose, however, that the artist has crowned each&#13;
times the compensation awarded to the libelled drawing with the strongly marked features of his&#13;
person.&#13;
friend, and inserted the eyeglass and black ribbon.&#13;
The report of such a case should be read as a Will he have any right to complain if the friend&#13;
warning by authors inclined to draw their char- be offended at being held up to ridicule, and vill&#13;
acters and scenes from life. Elizabeth Godfrey he not have erred by introducing non-essential&#13;
was no doubt a victim of what schoolboys call, or details into a picture where all that was essential&#13;
used to call, “hard lines.” She had, we may was the correct drawing of the attitudes adopted&#13;
safely assume, no deliberate intention to wound by various portions of a bad rider's anatomy?&#13;
the feelings or injure the reputation of Mr. D. The law of libel, as administered by modern&#13;
Godfrey. A bandmaster was, however, necessary juries before modern judges in courts to which&#13;
for the purposes of her povel, and residing, as she many hesitate to bring more important causes for&#13;
did, at Bournemouth, she described one who con- trial, is oppressive and unjust, largely owing to the&#13;
ducted a band in precisely the circumstances in huge costs, out of all proportion to the injury done,&#13;
which Mr. Godfrey conducted his, giving a recog- to which attention has been called above. But&#13;
nisable picture of Bournemouth, and an epigram- apart from libel actions, the introduction of real&#13;
matic definition of the “ Winter Garden" in which persons in a recognisable form into books is an&#13;
apparently the Bournemouth band habitually unsatisfactory way of losing friends or making&#13;
performs. If she ever reflected that her fictitious enemies. Charles Dickens affords a case in point,&#13;
bandmaster was recognisable by the friends of a which will occur to everyone. He can hardly have&#13;
bandmaster in real life, she probably did not felt that he gained reputation by the introduction&#13;
realise how carefully they avd he would read her or apparent introduction of a friend into “ Bleak&#13;
novel and apply its incidents. She must clearly House.” Is there anything to show that, in doing&#13;
have failed to consider that while circumstances this, Charles Dickens was guilty of anything worse&#13;
that apparently were common to the real band than carelessness or forgetfulness? He did not&#13;
master and the fictitious one would serve to accen- plan his stories in detail before he wrote them.&#13;
tuate the resemblance between them and clinch He probably took Leigh Hunt as a suggestion for&#13;
&#13;
&#13;
## p. 108 (#498) ############################################&#13;
&#13;
108&#13;
THE AUTHOR.&#13;
the novelist should observe before he invents, it is&#13;
the lively exercise of his invention rather than the&#13;
accurate transcript of his observation that we&#13;
should admire in his work.&#13;
CORRESPONDENCE.&#13;
a character, and was amused for a time by develop-&#13;
ing and accentuating certain characteristics in his&#13;
original, and perhaps adding others which he&#13;
thought might well accompany them in fiction,&#13;
Then the exigencies of his story demanded that&#13;
certain information should be conveyed to certain&#13;
persons at a particular moment in the action, and&#13;
he made Skimpole do a dishonourable act for a&#13;
mercenary motive, regardless of the fact that he&#13;
had no original intention of his being other than&#13;
a harmless butterfly, and, what was more important,&#13;
wholly forgetting that he had started by making&#13;
him a recognisable portrait of a person with whom&#13;
he and many of his most eager readers were&#13;
acquainted.&#13;
Modern instances of this semi-accidental unkind-&#13;
ness of writers who take a character from life and&#13;
forget the inferences, usually wholly unjustifiable,&#13;
which may afterwards be drawn by their readers,&#13;
could easily be multiplied both from dead and from&#13;
living authors. It is a form of unkindness which&#13;
lies in the middle between deliberate satire and&#13;
wholly accidental injury of the feelings of the&#13;
hyper-sensitive. Deliberate satire of individuals&#13;
disguised in fiction is more or less obsolete, and&#13;
modern methods, coupled with the fear of the law.&#13;
courts, render it less biting and effective than it&#13;
used to be ; while publishers naturally do not&#13;
regard it with favour, although they may not&#13;
always be able to detect it before the book is&#13;
issued. There is a marked distinction (most people&#13;
will readily admit) between deliberately holding an&#13;
individual up to ridicule and using an individual&#13;
as a type in such a way that he or she is recognised.&#13;
At all events, any legal consequences that follow in&#13;
the former case can hardly be regarded as unmerited&#13;
accidents. On the other hand, few writers of fiction&#13;
dealing with crime, or writing humorously, have&#13;
published many stories without being accused by&#13;
some total stranger of having made him or one of&#13;
his friends play the part of a criminal, or of having&#13;
otherwise held him up to opprobrium or ridicule.&#13;
Almost any writer can multiply instances of this&#13;
quite unintentional “ libelling” of foolish persons,&#13;
who have eagerly made the cap fit their own heads,&#13;
perhaps merely on the strength of their name being&#13;
that of the author's character. No one can avoid&#13;
occasional offence of this kind, even if he cared to&#13;
do so. With regard, however, to those who choose&#13;
what we may call the middle course—who draw&#13;
characters straight from life to begin with, and&#13;
then proceed to invent actions, possibly discredit-&#13;
able, for them to perform—these should remember&#13;
that a little further exercise of the same invention&#13;
may disguise a few of the recognisable but not&#13;
indispensable features of the original, without&#13;
detracting from the general effect. It may, more-&#13;
over, be suggested to them that although admittedly&#13;
THE METHOD OF THE FUTURE&#13;
DEAR SIR,—In his most interesting and helpful&#13;
article (page 75 of the December issue), G. H. T&#13;
lays great stress on the advisability of a publisher&#13;
confining himself to publishing on commission.&#13;
This does not seem to me to be quite fair, and is&#13;
certainly not my experience. I have now published&#13;
mfany books on this method, thanks to the kind&#13;
advice of Sir Walter Besant, our hard-worked&#13;
Secretary, and contributors to The Author. I am&#13;
convinced that no publisher could have given to&#13;
any of his own books more devoted care than has&#13;
been bestowed upon mine by my publishers who&#13;
are not solely commission publishers.&#13;
A s I have myself derived so much profit from&#13;
the pages of The Author, I hope I may save much&#13;
time and trouble to fellow-workers by giving the&#13;
name of my publishers, viz., Messrs. Simpkin,&#13;
Marshall, Hamilton, Kent &amp; Co., Limited.&#13;
VICTOR SPIERS.&#13;
King's College, London, W.C.,&#13;
December 10th, 1901.&#13;
(Ed.—Is it not a fact that the majority of&#13;
books produced by this publisher are commission&#13;
books !)&#13;
THE SOCIETY AND “WHAT'S WHAT.”&#13;
SIR, I have read the passages quoted by you in&#13;
the December number of The Author from Mr.&#13;
Harry Quilter's book “What's What." As a&#13;
member of the Society of Authors, I desire strongly&#13;
to condemn as untrue the statements made by Mr.&#13;
Quilter with regard to the Society and its work.&#13;
I have often received from the Secretary valuable&#13;
advice, promptly given, and without any expense&#13;
to me. I have acted on his advice, and have&#13;
received ample proof that his advice is sound and&#13;
me&#13;
that the Society's work is useful and beneficial.&#13;
John HOLT SCHOOLING.&#13;
Fotheringhay House, Twickenham,&#13;
December 3rd, 1901.&#13;
&#13;
&#13;
## p. 108 (#499) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
CHATTO &amp; WINDUS'S NEW BOOKS.&#13;
| A&#13;
NEW SIX-SHILLING NOVELS.&#13;
THE GRAND BABYLON HOTEL. By | THE LADY OF LYNN. By Sir WALTER&#13;
ARNOLD BENNETT.&#13;
[Jan. 9. BESANT, Author of “The Orange Girl," &amp;c. With&#13;
JUDAH PYECROFT, PURITAN. By HARRY 12 Illustrations by G. DEMAIN-HAMMOND.&#13;
LINDSAY.&#13;
[Jan. 16.&#13;
SOWER OF WHEAT. By HAROLD&#13;
THE OLD BANK. By WILLIAM WESTALL.&#13;
BINDLOSS, Author of " Ainslie's Ju-ju.”&#13;
[Shortly.&#13;
THE CANKERWORM: being Episodes of a&#13;
THE CAT'SPAW. By B. M. CROKER. With 12 Woman's Life. By GEORGE MANVILLE FENN, Author&#13;
Illustrations by F. PEGRAM.&#13;
[Shortly.&#13;
of " Double Cunning," &amp;c.&#13;
A STUMBLE BY THE WAY. By L. T.&#13;
FIGHT TO A FINISH. By FLORENCE&#13;
MEADE.&#13;
WARDEN, Author of " Joan, the Curate.”&#13;
DUMB. By the Hon. Mrs. WALTER R. D. FORBES,&#13;
Author of " A Gentleman."&#13;
THE HOUSE ON THE SCAR: a Tale of&#13;
South Devon. By BERTHA THOMAS, Author of "In a&#13;
DESPAIR'S LAST JOURNEY. By D. CHRISTIE&#13;
Cathedral City," &amp;c. SECOND EDITION.&#13;
MURRAY, Author of " Joseph's Coat."&#13;
THE TRIUMPH OF HILARY BLACH.&#13;
THE WEALTH OF MALLERSTANG: an&#13;
LAND. By BERTRAM MITFORD, Author of “The&#13;
Upland Tale. By ALGERNON GISSING, Author of " A&#13;
Gun-runner," &amp;c.&#13;
Secret of the North Sea," &amp;c.&#13;
THE PURPLE CLOUD. By M. P.SHIEL, Author&#13;
THREE MEN OF MARK. By SARAH TYTLER,&#13;
of "The Yellow Danger," &amp;c.&#13;
Author of “St. Mungo's City,” &amp;c.&#13;
THE LOVER'S PROGRESS. Told by Himself, | ONLY A NIGGER. By EDMUND MITCHELL,&#13;
and Dedicated “To All who Love.&#13;
Anthor of " The Lone Star Rush," &amp;c.&#13;
NEW THREE-AND-SIXPENNY BOOKS.&#13;
TALES OF A DYING RACE. By ALFRED A. | THE INIMITABLE MRS. MASSINGHAM.&#13;
GRACE.&#13;
By HERBERT COMPTON.&#13;
A BLIND MARRIAGE, &amp;c. By Geo. R. SIMS.&#13;
THE FOURTH GENERATION. By Sir&#13;
WALTER BESANT.&#13;
THE JOY OF LIFE. By EMILE ZOLA. Edited&#13;
"AS A WATCH IN THE NIGHT.” By&#13;
with an Introduction by ERNEST A. VIZETELLY.&#13;
Mrs. CAMPBELL PRAED.&#13;
HER ROYAL HIGHNESS WOMAN. By&#13;
TERENCE. By B. M. CROKER. With 6 Illustrations Max O’RELL, Author of " John Bull and his Island,"&#13;
by SIDNEY PAGET.&#13;
&amp;c. FIFTH EDITION,&#13;
NEW SERIES OF TWO-SHILLING NOVELS.&#13;
Bound in picture cloth boards, flat backs.&#13;
PLOTTERS OF PARIS. By EDMUND MITCHELL. | THE WATERS OF EDERA. By OUIDA.&#13;
SPORT AND SPANGLES. By BYRON WEBBER. THE LADY FROM NOWHERE. By&#13;
FERGUS HUME.&#13;
DORA MYRL, THE LADY DETECTIVE.&#13;
IN LONDON'S HEART. By GEORGE R. SIMS.&#13;
By McD. BODKIN, K.C.&#13;
JOAN. THE CURATE. By FLORENCE WARDEN.&#13;
THE RECORDS OF VINCENT TRILL,&#13;
ST. KATHERINE'S BY THE TOWER.&#13;
OF THE DETECTIVE SERVICE. By DICK&#13;
By Sir WALTER BESANT.&#13;
DONOVAN&#13;
IN Å HOLLOW OF THE HILLS. By&#13;
DARK DEEDS. By Dick DONOVAN.&#13;
BRET HARTE.&#13;
THE ST. MARTIN'S LIBRARY.&#13;
POCKET VOLUMES, printed upon fine and very thin paper. Post 8vo, cloth, gilt top, 2s. net each ;&#13;
leather, gilt edges, with marker, 3s. net each.&#13;
THE CLOISTER AND THE HEARTH., THE DEEMSTER. By HALL CAINE.&#13;
By CHARLES READE.&#13;
"IT IS NEVER TOO LATE TO MEND."&#13;
FAMILIAR STUDIES OF MEN AND&#13;
By CHARLES READE.&#13;
BOOKS. By R. L. STEVENSON.&#13;
A VERSAILLES CHRISTMAS-TIDE. By MARY, THE COMPLETE POETICAL WORKS OF&#13;
STUART BOYD. With 53 Illustrations by A. S. BOYD. F'cap&#13;
ROBERT BUCHANAN. With Portraits in each Volume.&#13;
4to, cloth gilt and gilt top, 6s.&#13;
2 vols., crown 8vo, buckram, 12s.&#13;
LOVE, COURTSHIP. AND MARRIAGE. By the Rev.&#13;
THE CLOISTER AND THE HEARTH. By CHARLES&#13;
READE. A New edition, set in handsome type, and Illustrated&#13;
E. J. HARDY, Author of " How to be Happy Though Married." by 16 Photogravure and 84 Half-tone Illustrations by MATT B.&#13;
Crown 8vo, cloth, 3s. 6d.&#13;
HEWERDINE. Small 4to, cloth gilt and gilt top, 10s. 6d. net.&#13;
LONDON : CHATTO &amp; WINDUS, 111, ST. MARTIN'S LANE, W.C.&#13;
&#13;
&#13;
## p. 108 (#500) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Printing and Bookbinding.&#13;
THE BEST HOUSE&#13;
• FOR .&#13;
High-Class Printing at Moderate Prices,&#13;
Bookbinding in All Styles,&#13;
Lithography of Every Description,&#13;
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•&#13;
IS&#13;
.&#13;
BRADBURY, AGNEW, &amp; CO. LTD.,&#13;
Law, General and Railway Printers,&#13;
Lithographers and Bookbinders,&#13;
THE WHITEFRIARS PRESS,&#13;
10, BOUVERIE STREET, LONDON, E.C.&#13;
MEDWAY WHARF, TONBRIDGE, KENT&#13;
Telegrams : CHARIVARI, LONDON.&#13;
CHARIVARI, TONBRIDGE.&#13;
National Telephones : 28, HOLBORN.&#13;
19, TONBRIDGE.&#13;
ESTIMATES FREE. SPECIMENS FORWARDED BY RETURN OF POST.&#13;
&#13;
&#13;
## p. 108 (#501) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vu&#13;
LITERARY YEAR BOOK, 1902.&#13;
An indispensable work of reference for all who&#13;
are concerned in Literature.&#13;
Ready in January, 1902. Crown 8vo, Cloth Limp. Price before Publication, 4s. 6d. Net, Post.&#13;
Note.—ON PUBLICATION the Price of this Annual will be raised to 5s. Net. [Free.&#13;
Edited by Herbert Morrah.&#13;
MHE SIXTH ISSUE of “THE LITERARY YEAR-BOOK” will contain a considerable&#13;
amount of new matter, the whole of the information collected in previous years being&#13;
thoroughly revised and to a large extent re-arranged.&#13;
The FIRST PART of the volume will contain an exhaustive Review of the Year 1901, based&#13;
upon the plan general in the most valuable works of reference, and conveying, in the form of&#13;
an interesting narrative, a complete impression of the literary activities of the period under&#13;
notice.&#13;
The SECOND PART of - The Literary Year-Book” will contain the usual Directories in&#13;
amplified form. A vast amount of fresh information has been collected. The endeavour has&#13;
been to cover a wider field than has hitherto been possible, and though, in view of the great&#13;
expense and labour involved, a slight advance in price has been found necessary, the book&#13;
will be seen to be well worth the sum charged for it.&#13;
eme&#13;
In PART I.&#13;
Information and articles respecting the following subjects will be included :&#13;
Agreements. Authorship. Book Sales of 1901. Bookselling. Calendar.&#13;
Controversies of 1901. Copyright Cases of 1901. Dramatic Rights.&#13;
Events of the Literary Year. Obituary (With Biography of Deceased Authors).&#13;
PART II.&#13;
Will be greatly enlarged as well as thoroughly revised, and will contain information with&#13;
regard to the following :&#13;
Agents. American Information (Largely increased).&#13;
Artists (With Books illustrated for 1901).&#13;
Authors (This important Section will be considerably increased). Books of 1901. Clubs.&#13;
Contributors' Guide. Events of 1901. Indexers. Libraries.&#13;
Literary Searchers. Pensions. Periodical Publications. Plays.&#13;
Publishers, English and Foreign. Royalties. Societies. Typists.&#13;
Technical Information. Trade Information.&#13;
GEORGE ALLEN, 156, CHARING Cross Road, London.&#13;
&#13;
&#13;
## p. 108 (#502) ############################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
SECOND EDITION&#13;
OR&#13;
LADY FLORENCE DIXIE'S NEW BOOK&#13;
READY.&#13;
66 The Songs of a Child,”&#13;
Dedicated to and containing lines by the 1st LORD LYTTON.&#13;
Published for the first time.&#13;
Popular Edition, 2s.6d. Edition de Luxe, in white vellum gilt, 7s.6d.&#13;
Both contain Coloured Portrait of Author as a Child.&#13;
PUBLISHERS :&#13;
THE LEADENHALL PRESS, 50, LEADENHALL STREET, E.C.&#13;
AND&#13;
CHARLES SCRIBNER AND Sons, New YORK.&#13;
Extracts from Representative Reviews and Opinions of the Book.&#13;
Reviewing this book at some length, a well-known writer and thinker writes :&#13;
“As far as inspired Dreamland can ever be restored to me, it has been restored by an afternoon's revel in Songs&#13;
by a Child. Again over the dull abyss of intervening years, I found myself chasing the wild bee and gathering&#13;
the gowans. ... The most matured and artistic of all her lyrics, Iolanthe and Bereen,' is hardly unworthy&#13;
of being compared to Hogg's · Kilmeny'; in conception and execution, in dramatic construction, in deftness of&#13;
artistic touch, in melodious cadence, the piece gives evidence, not only of high possibilities, but of actual lyric&#13;
and epic accomplishment. ... Although a book by a child, its perusal has given me surcease from adult cark&#13;
and care, and some day when I am stricken down in the world's heartless fight, when I feel all effort useless and&#13;
all life's prizes illusory, I shall betake me to this book in order that I may feel young again,”-Nov. 30th, 1901.&#13;
In a lengthy review “ The Dumfries Standard” says :&#13;
“ The whole volume is richer in the promise of poetic greatness than most great poets can show at so early an&#13;
age; better than any extract the book itself will be, and for the nobility of its sentiment, for the vein of genuine&#13;
poetry that is in it, we have no word too cordial to recommend it.”—Dec. 4th, 1901.&#13;
“ Ouida” writes :&#13;
"I am much moved by the pathos and beauty of many of your poems. Thanks from my heart for the · Prayer&#13;
for the Dogs,' and 'Janet Lees' is lovely. It should be reprinted everywhere and 'Averille.'”-Dec. 3rd, 1901,&#13;
Marie Corelli says:&#13;
“Your charming book of Poems, which I find very fascinating.”--Dec. 6th, 1901.&#13;
“ The Herald of the Golden Age" for December says:&#13;
“ This volume of poems contains many gems of thought. There is a freshness and versatility about the book&#13;
that is quite unique. There can be no doubt that the author possesses the poetic gift in a most marked degree."&#13;
“ The Literary World” of Dec. 30th remarks:&#13;
66. Esterelle, or the Lure Witch of the Alpine Glen’ fills fifty-six pages, and contains passages that would do no&#13;
discredit to poets of riper age and more mature mind. Pathetic and beautiful thoughts are expressed on every&#13;
page.”&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED),&#13;
at 10, Bouverie Street, London, E.C.</text>
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              <text>The Author, Vol. 12 Issue 06 (January 1902)</text>
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              <text>&lt;em&gt;The Author&lt;/em&gt;, Vol. 12 Issue 06 (January 1902)</text>
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              <text>&lt;a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015006979390" target="_blank" rel="noopener"&gt;https://babel.hathitrust.org/cgi/pt?id=mdp.39015006979390&lt;/a&gt;</text>
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