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            <text>The Author.&#13;
1.&#13;
(The Organ of the Incorporated Scriety of Authors. Monthly.)&#13;
VOL. XII.-No. 2.]&#13;
JULY 1, 1901.&#13;
[PRICE SIXPENCE.&#13;
PAGY&#13;
:&#13;
CONTENTS.&#13;
PAGE&#13;
Memoranda ...&#13;
... 17 The Pension Fund of the Society of Authors ...&#13;
Authors and the War Fund&#13;
Paris Letter. By Darracotte Scott ... ...&#13;
Death of Sir Walter Besant :&#13;
Notes and News&#13;
Portrait ... ... ...&#13;
Tribute from the President ..&#13;
The Women Writers' Dinner&#13;
Tribute from the Committee...&#13;
Correspondence&#13;
Memoir. By S. Squire Sprigge&#13;
Tribute from Paris&#13;
The Proposed Memorial to Arcbibald Forbes&#13;
From the Committee&#13;
The Handling of MSS.... ...&#13;
Literary Property :&#13;
Authors' Deductions and Income Tax&#13;
Mr. Hall Caine and Messrs. Pearson&#13;
| Robert Buchanan ... ... ... ... ...&#13;
The Same Old Agreement&#13;
The International Literary and Artistic Association ... 29 | Book and Play Talk... ...&#13;
...&#13;
...&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 18.&#13;
2. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary&#13;
Property. Issued to all Members gratis. Price to non-members, 6d., or 6s. 6d. per annum,&#13;
post free. Back numbers from 1892, at ios. 6d. per vol.&#13;
3. Literature and the Pension List By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
6. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses in their&#13;
agreements. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “Methods.” With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By Walter BESANT&#13;
(Chairman of Committee, 1888-1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By Ernst&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association ; with Comments. By G. HERBERT&#13;
THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. is.&#13;
[All prices net. Apply to the SECRETARY, 4, Portugal Street, London, W.C.]&#13;
NST&#13;
&#13;
&#13;
## p. 16 (#352) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
PRESIDENT.&#13;
GEORGE MEREDITH.&#13;
COUNCIL&#13;
Sir Edwin ARNOLD, K.C.I.E., C.S.I. Austin Dobson.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
J. M. BARRIE.&#13;
A. CONAN DOYLE, M.D.&#13;
SIR LEWIS MORRIS.&#13;
A. W. À BECKETT.&#13;
A. W. DUBOURG.&#13;
HENRY NORMAN, M.P.&#13;
ROBERT BATEMAN.&#13;
SIR MICHAEL FOSTER, K.C.B., M.P., Miss E. A. ORMEROD, LL.D.&#13;
F. E. BEDDARD, F.R.S.&#13;
F.R.S.&#13;
GILBERT PARKER, M.P.&#13;
SIR HENRY BERGNE, K.C.M.G.&#13;
D. W. FRESHFIELD.&#13;
J. C. PARKINSON.&#13;
AUGUSTINE BIRRELL, K.C.&#13;
RICHARD GARNETT, C.B., LL.D.&#13;
A. W. PINERO.&#13;
THE REV. PROF. BONNEY, F.R.S. EDMUND GOSSE.&#13;
THE Right Hon. THE LORD PIB.&#13;
The Right Hon. JAMES BRYCE, M.P. | SYDNEY GRUNDY.&#13;
BRIGHT, F.R.S.&#13;
THE RIGHT HON. THE LORD BURGH H. RIDER HAGGARD.&#13;
SiR FREDERICK POLLOCK, Bart.,&#13;
CLERE.&#13;
THOMAS HARDY.&#13;
LL.D.&#13;
HALL CAINE.&#13;
ANTHONY HOPE HAWKINS.&#13;
WALTER HERRIES POLLOCK.&#13;
EGERTON CASTLE, F.S.A.&#13;
JEROME K. JEROME.&#13;
E. ROSE.&#13;
P. W. CLAYDEN.&#13;
J. SCOTT KELTIE, LL.D.&#13;
W. BAPTISTE SCOONES.&#13;
EDWARD CLODD.&#13;
RUDYARD KIPLING.&#13;
Miss FLORA L. SHAW.&#13;
W. MORRIS COLLES.&#13;
PROF. E. RAY LANKESTER, F.R.S. G, R. Sims.&#13;
THE HON. JOHN COLLIER.&#13;
THE RIGHT Hon. W.E. H. LECKY, M.P. S. SQUIRE SPRIGGE.&#13;
SIR W. MARTIN CONWAY.&#13;
J. M. LELY.&#13;
J. J. STEVENSON.&#13;
MRS. CRAIGIE.&#13;
The Rev. W. J. LOFTIE, F.S.A.&#13;
FRANCIS STORR.&#13;
F. MARION CRAWFORD.&#13;
SIR A. C. MACKENZIE, Mus.Doc.&#13;
WILLIAM MOY THOMAS.&#13;
THE RIGHT HON. THE LORD CURZON PROF. J. M. D. MEIKLEJOHN.&#13;
MRS. HUMPHRY WARD.&#13;
OF KEDLESTON.&#13;
Hon. Counsel – E. M. UNDERDOWN, K.C.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-A. HOPE HAWKINS.&#13;
A. W. À BECKETT.&#13;
SYDNEY GRUNDY.&#13;
GILBERT PARKER, M.P.&#13;
A. CONAN DOYLE, M.D.&#13;
J. M. LELY.&#13;
E. Rose.&#13;
D. W. FRESHFIELD.&#13;
HENRY NORMAN, M.P.&#13;
FRANCIS STORR.&#13;
SUB-COMMITTEES.&#13;
ART.&#13;
Hon. John COLLIER (Chairman). I SIR W. MARTIN CONway.&#13;
M. H. SPIELMANN.&#13;
COPYRIGHT.&#13;
A. W. À BECKETT.&#13;
A. HOPE HAWKINS.&#13;
J. M. LELY.&#13;
W. M. COLLES.&#13;
GILBERT PARKER, M.P.&#13;
DRAMA.&#13;
HENRY ARTHUR JONES (Chairman).&#13;
F. C. BURNAND.&#13;
A. W. PINERO.&#13;
A. W. À BECKETT.&#13;
SYDNEY GRUNDI.&#13;
EDWARD ROSE.&#13;
Salinitore FIELD, Roscoe, and Co., Lincoln's Inn Fields.&#13;
G. HERBERT THRING, 4, Portugal-street.&#13;
Secretary-G. HERBERT THRING.&#13;
OFFICES : 4, PORTUGAL STREET, LINCOLN'S INN FIELDS, W.C.&#13;
ESTABLISHED 1896.&#13;
THE COSMOPOLITAN PRINTING &amp; PUBLISHING Co. Ltd.&#13;
INVITE INQUIRIES FROM AUTHORS.&#13;
MSS. read and, if approved, terms offered for Publishing,&#13;
NOVELS OF SUITABLE LENGTH TO INCLUDE IN NEW SIXPENNY SERIES WANTED.&#13;
WALTER T. SING, Secretary, 22, Clare Street, Bristol.&#13;
&#13;
&#13;
## p. 17 (#353) #############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Vou.. XII.—No. 2.]&#13;
JULY 1, 1901.&#13;
[PRICE SIXPENCE.&#13;
For the Opinions expressed in papers that are&#13;
signed or initialled the Authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the&#13;
collective opinions of the Committee unless&#13;
they are officially signed by G. Herbert&#13;
Thring, Sec.&#13;
M HE Secretary of the Society begs to give notice that all&#13;
remittances are acknowledged by return of post, and&#13;
he requests members who do not receive an answer&#13;
to important communications within two days to write to&#13;
him without delay. All remittances should be crossed&#13;
Union Bank of London, Chancery-lane, or be sent by&#13;
registered letter only.&#13;
III. The Royalty System.&#13;
It is above all things necessary to know what the&#13;
proposed royalty means to both sides. It is now possible&#13;
for an author to ascertain approximately and very nearly&#13;
the truth. From time to time the very important figures&#13;
connected with royalties are published in The Author.&#13;
Readers can also work out the figures themselves from the&#13;
“Cost of Production.”&#13;
IV. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other for«ns of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements hy letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
COMMUNICATIONS AND LETTERS ARE INVITED BY THE&#13;
EDITOR on all subjects connected with literature, but on&#13;
no other subjoots whatever. Articles which cannot be&#13;
accepted are returned if stamps for the purpose accompany&#13;
the MSS.&#13;
GENERAL MEMORANDA.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
SERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property :-&#13;
I. Selling it Outright.&#13;
This is in some respects the most satisfactory, if a proper&#13;
price can be obtained. But the transaction should be&#13;
managed by a competent agent, or with the advice of the&#13;
Secretary of the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to :&#13;
(1.) Not to sign any agreemeat in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs : or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
anless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
VOL. XII.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with anyone except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for PLAYS&#13;
IN THREE OR MORE ACTS :-&#13;
(a.) SALE OUTRIGHT OF THE PERFORMING RIGHT.&#13;
This is unsatisfactory. An author who enters&#13;
into such a contract should stipulate in the con-&#13;
tract for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
(6.) SALE OF PERFORMING RIGHT OR OF A LICENCE&#13;
TO PERFORM ON THE BASIS OF PERCENTAGES&#13;
on gross receipts. Percentages vary between&#13;
5 and 15 per cent. An anthor should obtain a&#13;
percentage on the sliding scale of gross receipte&#13;
in preference to the American system. Sbould&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
D2&#13;
&#13;
&#13;
## p. 18 (#354) #############################################&#13;
&#13;
THE AUTHOR.&#13;
the best interests of literature in promoting the indepen.&#13;
lence of the writer.&#13;
6. The Committee have now arranged for the reception of&#13;
members' agreements and their preservation in a fireproof&#13;
safe. The agreements will, of course, be regarded as con.&#13;
fidential documents to be read only by the Secretary, who&#13;
will keep the key of the safe. The Society now offers :-(1)&#13;
To read and advise apon agreements and to give advice con-&#13;
cerning publishers. (2) To stamp agreements in readiness&#13;
for a possible action upon them. (3) To keep agreements.&#13;
(4) To enforce payments due according to agreements.&#13;
THE READING BRANCH.&#13;
(c.) SALE OF PERFORMING RIGHT OR OF A LICENCE&#13;
TO PERFORM ON THE BASIS OF ROYALTIES (i.e.,&#13;
fixed nigbtly fees). This method should be&#13;
always avoided except in cases where the feos&#13;
are likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. PLAYS IN ONE ACT are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Anthors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. Tbis is most important.&#13;
6. Authors should not assign performing rigbts, but&#13;
should grant a licence to perform. The legal distinction is&#13;
of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that AMERICAN RIGHTS may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly specnlative : that be runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete on&#13;
account of the wide range of the subject of dramatio con.&#13;
tracts, THOSE AUTHORS DESIROUS OF FURTHER INFORMA.&#13;
TION ARE REFERRED TO THE SECRETARY OF THE SOCIETY.&#13;
EMBERS will greatly assist the Society in this&#13;
branch of their work by informing young writers of&#13;
its existence. Their MSS. can be read and treated&#13;
as a composition is treated by a coach. The term MSS.&#13;
includes NOT ONLY WORKS OF FICTION, BUT POETRY AND&#13;
DRAMATIC WORKS, and when it is possible, under special&#13;
arrangement, technical and scientific works. The Readers&#13;
are writers of competence and experience. The fee is one&#13;
guinea.&#13;
NOTICES.&#13;
M HE Editor of The Author begs to remind members of the&#13;
1 Society that, although the paper is sent to them free&#13;
of charge, the cost of producing it would be a very&#13;
heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Secretary the modest&#13;
68. 6d. subscription for the year.&#13;
Communications for The Author should be addressed to&#13;
the Offices of the Society, 4, Portugal-street, Lincoln's-inn&#13;
Fields, W.C., and should reach the Editor NOT LATER THAN&#13;
THE 2180 OF EACH MONTH.&#13;
All persons engaged in literary work of any kind,&#13;
whether members of the Society or not, are invited to&#13;
communicate to the Editor any points connected with their&#13;
work whicb it would be advisable in the general interest to&#13;
publish.&#13;
THE AUTHORS' CLUB is situated at 3, Whiteball.court,&#13;
London, S.W. Address the Secretary for information&#13;
concerning rules of admission, &amp;c.&#13;
HOW TO USE THE SOCIETY.&#13;
-&#13;
AUTHORS AND THE WAR FUND.&#13;
1. T VERY member has a right to ask for and to receive&#13;
N advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. If the&#13;
advice sought is such as can be given best by a solici.&#13;
tor, the member has a right to an opinion from the&#13;
Society's solicitors. If the case is such that Counsel's&#13;
opinion is desirable, the Committee will obtain for him&#13;
Counsel's opinion. All this without any cost to the member.&#13;
2. Reinember that yaestions connected with copyright&#13;
and publishers' agreoments do not generally fall within the&#13;
experience of ordinary solicitors. Therefore, do not scruple&#13;
to ase the Society.&#13;
3. Send to the Office copies of past agreements and past&#13;
accounts, with a copy of the book represented. The&#13;
Secretary will always be glad to have any agreements, new&#13;
or old, for inspection and note. The information thus&#13;
obtained may prove invaluable.&#13;
4. BEFORE SIGNING ANY AGREEMENT WHATEVER, send&#13;
the document to the Society for examination.&#13;
5. Remember always that in belonging to the Society you&#13;
are fighting the battlos of other writers, even if you are&#13;
reaping no benefit to yourself, and that you are advancing&#13;
MSEMBERS of the Society of Authors will&#13;
be pleased to hear that the book issued&#13;
under the editorship of Mr. Cutcliffe&#13;
Hyne, the proceeds of the sale of which were to&#13;
go to the War Fund, has had a thoroughly&#13;
successful circulation, and a first contribution of&#13;
£214 10s. 7d. has been forwarded. Authors&#13;
may look upon this result as highly satisfactory,&#13;
and special thanks must be given to the editor&#13;
and the contributors for the trouble they have&#13;
taken.&#13;
&#13;
&#13;
## p. 19 (#355) #############################################&#13;
&#13;
&#13;
By kind permission of Messrs. Ellis and Watery.&#13;
SIR W ALTER BESANC.&#13;
Died at Frognal End, Hampstead, June 9, 1901.&#13;
&#13;
&#13;
## p. 20 (#356) #############################################&#13;
&#13;
20&#13;
THE AUTHOR.&#13;
SIR WALTER BESANT. maintain and enforce. It is not necessary on the&#13;
present occasion to recapitulate these; readers of&#13;
THE FOUNDER OF THE SOCIETY OF AUTHORS.&#13;
this journal are familiar with them. The years&#13;
that have elapsed since that paper was read have&#13;
From the President.&#13;
witnessed no departure from those principles and&#13;
UR Society has to sustain a heavy blow in have been filled with work upon those lines.&#13;
the death of Sir Walter Besant; and, Though no longer chairman, Sir Walter did not&#13;
although vitality breathes from a bright abate in the smallest degree his labours on behalf&#13;
example, such a loss may well seem to us at the of the profession of letters. As an energetic and&#13;
moment irreparable. It is hard to speak of him diligent member of the Committee, and as the&#13;
within measure when we consider his devotion to conductor of The Author, he continued to inspire&#13;
the cause of authors, and the constant good the Society which he had founded, and to give to&#13;
service rendered by him to their material inte. it his time, his thoughts, and his affection with&#13;
rests. In this he was a valorous, alert, persistent that unmeasured generosity which seemed to&#13;
advocate, and it will not be denied by his oppo belong to him alone, and with the ardent enthu-&#13;
nents that he was always urbane, his object being siasm which had enabled him to overcome all&#13;
simply to establish a system of fair dealing opposition and all difficulties in the early days of&#13;
between the sagacious publishers of books and our existence. Nothing but illness kept him&#13;
the inexperienced, often heedless, producers. from the meetings of the Committee; he edited&#13;
How unselfishly, with how pure a generosity he The Author till within a month of his death; he&#13;
gave his valuable time to the previously neglected never ceased to seek how the work of the Society&#13;
office of adviser to the more youthful of his pro might be advanced and extended, and how its&#13;
fession, may be estimated by a review of his position might be yet further fortified and con-&#13;
memorable labours in other fields. They were solidated.&#13;
vast and toilsome, yet he never missed an occa- Faith, zeal, courage, self-devotion—these were&#13;
sion for acting as the young author's voluntary the great qualities which he brought to his&#13;
friend in the least sentimental and most sensible chosen work—the work of developing in men of&#13;
manner. He had no thought of trouble or letters a sense of their brotherhood, of the dignity&#13;
personal loss where the welfare of his fellow. of their profession, of the duty of maintaining&#13;
workers was concerned. We have lost in him the steadfastly its independence and its rights.&#13;
very beating heart of our Society, and it is by What he warred against was, in his own words,&#13;
holding his name in grateful remembrance that “the feeling, ridiculous, senseless, and baseless,&#13;
we may best hope to have something of his that it is beneath the dignity of an author to&#13;
energies remaining with us.&#13;
manage his business affairs as a man of business&#13;
GEORGE MEREDITH. should, with the same regard for equity in his&#13;
agreement, the same resolution to know what is&#13;
meant by both sides of an agreement, and the&#13;
From the Committee.&#13;
same jealousy as to assigning the administration&#13;
When, in the year 1892, Sir Walter Besant of his property.” Against the old bad way—the&#13;
retired from the chairmanship of the Committee hand-to-mouth existence, indolence and ignorance&#13;
of the Society, he himself gave an account parading as the superiority of genius, i slipshod&#13;
of bis stewardship in the form of a “ brief negligence that ended in recriminations and&#13;
history of the Society from its foundation.” wranglings, he set his own face and armed his&#13;
This paper, read at the Annual Meeting, con- comrades. For it was to his comrades in the&#13;
stitutes still the best account of the origin, first instance that his message spoke. Their&#13;
establishment, and progress of the Society. fate was in their own hands; it was in their&#13;
In it our founder lays down the lines of our power to make justice, knowledge, and common&#13;
activity and the principles which we exist to sense prevail in their business arrangements.&#13;
&#13;
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## p. 21 (#357) #############################################&#13;
&#13;
THE AUTHOR.&#13;
21&#13;
“We have enabled you to meet men of business authors. The loyalty and love of his comrades&#13;
as men of business,” he said, rightly discerning in literature-not least of the younger men and&#13;
that only thus could independence exist and women whom he welcomed so cordially and&#13;
reciprocal respect be in the end secured.&#13;
appraised so generously-were his without stint&#13;
“I can at least plead that I have always placed in his lifetime, and follow him in affectionate&#13;
the Cause before any other consideration.” All sorrow beyond the grave.&#13;
our members know one sense in which this was By order of the Committee,&#13;
so abundantly true. He placed it before his ease&#13;
(Signed)&#13;
and his leisure ; for its sake he endured violent&#13;
ANTHONY HOPE HAWKINS, Chairman.&#13;
attack, supercilious comment, ill-informed criti.&#13;
June 17, 1901.&#13;
cism; for it he suffered himself to be represented by&#13;
many as false to the very thing he loved best of&#13;
all—the true and highest interests of literature.&#13;
Memoir.&#13;
But there is another sense in which his words SIR WALTER BESANT was born at Portsmouth&#13;
come back to those whose privilege it was to be sixty-four years ago. He was educated at Ports-&#13;
intimately associated with him in the work and mouth, at several suburban schools, at King's&#13;
counsels of the Society. For a man of his ardent College, London, and at Christ's College, Cam-&#13;
mind and strong convictions it could not have bridge, where a successful student's career was&#13;
been easy to subordinate his judgment to that of rewarded by a high place in the mathematical&#13;
others, and to work as one of several equal members tripos. He was eighteenth wravgler. From&#13;
of a consultative body. But this as a member a small boy a hard worker, he read much&#13;
of the Committee he was always ready to do. and in many directions during hours when his&#13;
He based no claims on his unique services or on schoolmates were playing, for his short sight&#13;
his unrivalled experience. However strongly he prevented him from taking a prominent part in&#13;
might advocate a particular view or a particular athletic pursuits; though it should be added&#13;
course, he accepted loyally the decision of his that when he was at Cambridge he became fond&#13;
colleagues. He never liked to have it said that of rowing. As a youth he was an excellent&#13;
he “was the Society," and to say it was to do an classic, having read sufficiently widely to appre-&#13;
injustice to one of the greatest graces of his ciate the study of Latin and Greek; and it&#13;
character and to one of his most valuable seems to have been by accident rather than by&#13;
qualities as a member of a corporation.&#13;
natural bent that his attention was turned to&#13;
Thanks to him far more than to any other mathematics. Certainly his love of literature, his&#13;
man the Society of Authors has now reached devotion to historical and antiquarian research,&#13;
such a position that no individual loss can shake and his keenness in tracing the ethical develop-&#13;
or cripple it. None the less the loss we have ments of his fellow-men—the influence upon&#13;
suffered is heavy and irreparable. The difference them of heredity and environment-seem to mark&#13;
which his departure makes must be great. It him out rather as a student of the humanities&#13;
should be the work of those who survive him to than of the abstract sciences. He always re-&#13;
lessen it by all means in their power; this would gretted that he had not continued to read classics&#13;
have been his first wish. It is to be hoped when at Cambridge, and made rather light of his&#13;
that a worthy memorial of him may be set on mathematical powers, which were so considerable&#13;
foot. But there would be none that he himself that in many men they would have dictated a&#13;
would value so much as the continued and grow- career.&#13;
ing usefulness and prosperity of the Society. It had been his intention to enter the Church,&#13;
That is the only reward he ever looked to receive but when the time came near he found his dis-&#13;
for all his labours. One other he did receive, taste for Holy Orders to be insuperable, and in&#13;
which at this time it is permissible to express to 1861, after a brief experience as an under master&#13;
those dear to him in the name of his brother at a school, he applied for and obtained a&#13;
&#13;
&#13;
## p. 22 (#358) #############################################&#13;
&#13;
22&#13;
THE AUTHOR.&#13;
Government appointment as professor of mathe- extraordinary power of application was perhaps as&#13;
matics in the Royal College of Mauritius. He much displayed in connection with the Palestine&#13;
held the post for six years, resigning in 1867 Exploration Fund as in any part of his life-work.&#13;
through ill-health. He has described in oue of The Fund, which has done such admirable&#13;
his earlier novels the life of enervating laziness service in illustrating and verifying the Scrip.&#13;
which prevailed at that time in a tropical island, tures, had in him a literally indefatigable servant.&#13;
and to this he never got acclimatised. When He managed the office, edited the Transactions,&#13;
he returned to England he resolved to devote and wrote the hand-books; and it was always a&#13;
himself to a literary career, for which be felt that source of regret to him that he had never been&#13;
he had a strong bent, and to follow which had to the places with whose topography he was so&#13;
been one of his earliest hopes as a lad. As a familiar. I remember that he once pointed out&#13;
beginning he published a volume of studies in to me a short footnote in one of the publications&#13;
early French poetry, the result of a great deal of of the Palestine Exploration Fund which he said&#13;
reading undertaken during his residence in had necessitated the reading of three books&#13;
Mauritius with the help and encouragement of a before the speculation which it contained could&#13;
Frenchman whom he met there named Léon be supported. Later discovery proved its com.&#13;
Doyen. This volume was succeeded by bio. plete correctness. To me the significance of the&#13;
graphies of Coligny and Whittington, contributed story was not that he had taken such trouble to&#13;
to a series of books of biography entitled "The verify the grounds of his hypothesis, but that,&#13;
New Plutarch.” In 1873, and for a few years having acquired so much knowledge by the way,&#13;
later, he was a frequent contributor to the columns he should be content to add only a little foot-&#13;
of the Daily News, and in the former year he note. This was Besant all over, but it is not the&#13;
brought out a volume entitled “The French way of many historians.&#13;
Humourists,” which showed him to be a very It was in 1872 that a chance contribution to&#13;
accurate and appreciative student of Rabelais. Once a Week introduced him to James Rice.&#13;
By this work he proved himself to have a power The story has often been told how Besant called&#13;
of graceful expression, a ready wit, and a store of on Rice to remonstrate with him for publishing&#13;
rather unusual scholarship, and he soon found an article in the magazine which was full of&#13;
ample employment for his pen in magazines and misprints, the author's proof having miscarried.&#13;
newspapers.&#13;
The interview led to Rice inviting Besant to&#13;
Almost immediately upon his return to collaborate with him in a serial novel. The book&#13;
England he had become closely associated was “ Ready Money Mortiboy.” It was a success,&#13;
with the group of scholars and explorers who and was followed by a real triumph—" The&#13;
founded the Palestine Exploration Fund, and by Golden Butterfly.” During the next ten years&#13;
them was appointed secretary, a position which the joint authors produced a series of novels&#13;
he held for upwards of twenty years, only which won them immediate popularity, and a&#13;
resigning it to become hon. secretary in the year permanent place in English letters. An enormous&#13;
1886. His friend Mr. Morris Colles has recorded amount of conjecture has been expended over&#13;
the value of Besant's work to the Palestine the respective shares of the two novelists in their&#13;
Exploration Fund. During the years which admirable stories, and to this conjecture no&#13;
the Survey of Western Palestine was in progress absolute end can be put, as the only two persons&#13;
Mr. Colles was living with Professor Palmer, able to separate the compounds into their respec-&#13;
the great orientalist, who edited the Survey with tive elements are dead without communicating&#13;
Besant, and he testifies to the profound and their formula to the world. But this much may&#13;
; ritical knowledge over an amazingly wide field here be said. The books were truly written in&#13;
» f learning that Besant would display. Palmer, collaboration, though here and there a scene is&#13;
of course, was supreme as an orientalist, but in painted which was outside Besant's experience,&#13;
all else Besant's help was invaluable. His or a place described to which Rice had never&#13;
&#13;
&#13;
## p. 23 (#359) #############################################&#13;
&#13;
THE AUTHOR.&#13;
23&#13;
been. In every case the first draft was in&#13;
Besant's handwriting, though the plot was&#13;
not necessarily his original idea.' The scheme&#13;
of each book was decided upon by them both&#13;
before the draft was made, and every chapter&#13;
was debated between them, the emendations&#13;
and developments that followed being such&#13;
as were approved by both. From a literary&#13;
point of view, therefore, each wrote every word. It&#13;
is completely unfair to relegate, as some have done,&#13;
all the scholarship and graceful fancy to one&#13;
partner, and all the broad humour to another.&#13;
Something of the share that each played in the&#13;
collaboration might be guessed by reading Rice's&#13;
separate work and Besant's many novels written&#13;
after the death of Rice in 1882, but the inference&#13;
made would be misleading, for each man exercised&#13;
an influence on the other. That is all that I ever&#13;
heard Besant say on the matter. He was talking&#13;
of collaboration in general, and not of his own&#13;
works, but I have no doubt that it was from&#13;
personal experience that he was speaking. He&#13;
pointed out that if A. and B. truly collaborated,&#13;
allowing nothing to be published which had not&#13;
received their common approval, their separate&#13;
qualities would be so modified by the process&#13;
that the result would not be the expected or&#13;
even the probable derivative of their individual&#13;
talents.&#13;
In September, 1883, a group of twelve or fifteen&#13;
men, their closest link being, I believe, member-&#13;
ship of the Savile Club, met in Mr. Scoones's&#13;
chambers in Garrick-street to form a Society of&#13;
Men and Women of Letters. Exactly what they&#13;
were going to do they hardly knew. It was only&#13;
felt vaguely that the position of literary men was&#13;
unsatisfactory, a discontent which, as Sir Walter&#13;
Besant recently said in these columns, “ may be&#13;
traced back for 150 years simply by the con-&#13;
tinuous beaded string of epigrams in which they&#13;
have relieved their angry souls.” The Society of&#13;
Men and Women of Letters started with a short&#13;
programme of three objects :-&#13;
1. The maintenance, definition, and defence of&#13;
literary property.&#13;
2. The consolidation and amendment of the&#13;
laws of domestic copyright.&#13;
3. The promotion of international copyright&#13;
vol. xii.&#13;
On these lines a prospectus was produced and&#13;
the adhesion was sought of all who lived by&#13;
literature. Besant was the preliminary chairman&#13;
during the organisation of the society, and to his&#13;
untiring efforts and never-failing enthusiasm&#13;
such measure of success as was obtained was due.&#13;
He had first-hand experience of printing accounts,&#13;
gained at the office of the Palestine Exploration&#13;
Fund, and by the publication of the earliest&#13;
work by Besant and Rice at its authors' risk ;&#13;
while he had also acquired knowledge of certain&#13;
frauds that were then being practised by pub-&#13;
lishers of the baser sort, so that he knew, if a&#13;
little vaguely, in which direction the association&#13;
should begin its work, and he was able to give a&#13;
reason for the enthusiasm with which he infected&#13;
others. I am not be littling the part which the first&#13;
council and committee of the Society of Authors&#13;
played when I say that they almost all gave their&#13;
original adherence “ to oblige Besant.” Later he&#13;
was able to show them, and a large proportion of&#13;
the literary world, that to support the Society of&#13;
Authors made for the benefit of all, but at first&#13;
it was Besant's perso nality that kept the Society&#13;
together. He was loved as well as respected.&#13;
He had gone to the top of the literary profession&#13;
with a few quick strides, and success had made&#13;
no difference to him. The absolutely simple,&#13;
genial, unassuming man was unaltered. When&#13;
such a man initiates a movement a response may&#13;
be obtained that is quite surprising to many who&#13;
have seen noisier and more declamatory efforts&#13;
fail. All Besant's friends followed him because&#13;
they knew the man rather than his cause. There&#13;
was no suspicion that he was doing the thing for&#13;
his own aggrandisement. Everyone felt that it was&#13;
his sense of justice and his desire to be helpful&#13;
that inspired his actions, and were ready to&#13;
follow where he was leading, even though the&#13;
direction was, as he has said, not quite clear even&#13;
to himself. This is the sense in which it may&#13;
truly be said that Besant founded the Society of&#13;
Authors. Men of repute in the literary and&#13;
business world belonged from the beginning to&#13;
the movement. Admirable volunteer service was&#13;
done by counsel, solicitors, and auditors, a strong&#13;
committee of management was backed by an&#13;
influential array of vice-presidents, and the first&#13;
&#13;
&#13;
## p. 24 (#360) #############################################&#13;
&#13;
24&#13;
THE AUTHOR.&#13;
president was Tennyson. Most of these were re-&#13;
cruited into the service of the Society of Authors&#13;
by half-a-dozen men who knew them intimately&#13;
and were related to them, and these half-a-dozen&#13;
men were Besant's friends.&#13;
The following words from Besant's pen are&#13;
probably familiar to readers of The Author, but&#13;
no sketch of his life, however brief, should leave&#13;
in doubt exactly what he meant by the definition&#13;
of literary property and the maintenance of the&#13;
dignity and independence of letters :-&#13;
There has existed for a hundred and fifty years at least,&#13;
and there still lingers among us, a feeling that it is unworthy&#13;
the dignity of letters to take any account at all of the com-&#13;
mercial or pecuniary side. No one, you will please to&#13;
remark, has ever thought of reproaching the barrister, the&#13;
solicitor, the physician, the surgeon, the painter, the&#13;
sculptor, the actor, the singer, the musician, the composer,&#13;
the architect, the chemist, the physicist, the engineer, the&#13;
professor, the teacher, the clergyman, or any other kind of&#13;
brain worker that one can mention, with taking fees or&#13;
salaries or money for his work; nor does anyone reproach&#13;
these men with looking after their fees and getting rich if&#13;
they can. Nor does anyone suggest that to consider the&#13;
subject of payment very carefully-to take ordinary pre-&#13;
cautions against dishonesty-brings discredit on anyone&#13;
who does 80; nor does anyone call that barrister unworthy&#13;
of the Bar who expects large fees in proportion to his name&#13;
and his ability ; nor does anyone call that painter a trades-&#13;
man whose price advances with his reputation. I beg you&#13;
to consider this point very carefully. For the moment any&#13;
author begins to make practical investigation into the value&#13;
--the monetary value of the work which he puts upon the&#13;
market-&amp; hundred voices arise from those of his own&#13;
craft as well as from those who live by administering&#13;
his property-voices which cry ont upon the sordidness, the&#13;
meanness, the degradation of turning literature into a trade.&#13;
We hear, I say, this kind of talk from our own ranks-&#13;
though, one must own, chiefly from those who never had an&#13;
opportunity of discovering what literary property means.&#13;
Doos, I ask, this cry mean anything at all? Well, first of&#13;
all, it manifestly means a confusion of ideas. There are&#13;
two values of literary work—distinct, separate; not com.&#13;
mensurable—they cannot be measured—they cannot be con-&#13;
sidered together. The one is the literary value of a work-&#13;
its artistic, poetic, dramatic value ; its value of accuracy,&#13;
of construction, of presentation, of novelty, of style, of&#13;
magnetism. On that value is based the real position of&#13;
every writer in his own generation and the estimate of him,&#13;
should he survive, for generations to follow. I do not&#13;
greatly blame those who cry out upon the connection of&#13;
literature with trade; they are jealous, and rightly jealous,&#13;
for the honour of letters. We will acknowledge so much.&#13;
But the confusion lies in not understanding that every man&#13;
who takes money for whatever he makes or does may be&#13;
regarded, in a way, and not offensively, as a tradesman;&#13;
but that the making of a thing need have nothing&#13;
whatever to do with the price it will command; and&#13;
that this price in the case of a book cannot be measured&#13;
by the literary or artistic value. In other words,&#13;
while an artist is at work upon a poem, a drama, or a&#13;
romance, this aspect of his work, and this alone, is in his&#13;
mind, otherwise his work would be naught. But, once&#13;
finished and ready for production, then comes in the other&#13;
value—the commercial value, which is a distinct thing.&#13;
Here the artist ceases and the man of business begins.&#13;
Either the man of business begins at this point or the next&#13;
steps of that artist infallibly bring him to disaster, or at&#13;
least the partial loss of that commercial value. Remember&#13;
that any man who has to sell a thing must make himself&#13;
acquainted with its value, or he will be-what? Call it what&#13;
you please-over-reached, deluded, cheated. That is &amp;&#13;
recognised rule in every other kind of business. Let us do&#13;
our best to make it recognised in our own. Apart from&#13;
this confasion of ideas between literary and commercial&#13;
value, there is another and a secondary reason for this&#13;
feeling. For two hundred years, at least, contempt of every&#13;
kind has been poured upon the unsuccessful author. Why?&#13;
How did the contempt arise ? It came to us as a&#13;
heritage of the last century. In the course of&#13;
our investigations into the history of literary property-the&#13;
result of which will, I hope, appear some day in volume&#13;
form-I recently caused a research to be made into the&#13;
business side of literature in the last century. Publishers&#13;
were not then men of education and knowledge, as many of&#13;
them are at the present moment; they were not advised by&#13;
scholars, men of taste and intuition ; the market, compared&#13;
with that of the present day, was inconceivably small; there&#13;
were great risks due to all these causes. The practice,&#13;
therefore, was, in view of these risks, to pay the author so&#13;
much for his book right out, and to expect a successful book&#13;
to balance, and more than balance, one tbat was unsuc-&#13;
cessful. Therefore they bought the books they published&#13;
at the lowest price they could persuade the author to accept.&#13;
Therefore—the consequence follows like the next line in&#13;
Euclid—the author began to appear to the popular imagina-&#13;
tion as a suppliant standing hat in hand beseeching the&#13;
generosity of the bookseller. Physician and barrister stood&#13;
upright, taking the recognised fee. The author bent a&#13;
humble back, holding his hat in one humble hand, while he&#13;
held oat the other humble band for as many guineas as he&#13;
could get. That, I say, was the popular view of the author.&#13;
And it still lingers among us. . . . We constantly read&#13;
here and there of the generosity of a publisher. My friends,&#13;
let us henceforth resolve to proclaim that we do not want&#13;
generosity; that we will not have it; that we are not&#13;
beggars and suppliants ; and that what we want is the&#13;
administration of our own property-or its purchase-on&#13;
fair, just, and honourable terms. Let us remember that the&#13;
80-called generosity must be either a dole--an alms-over&#13;
and above his just claim, in which case it degrades the&#13;
author to take it and robs the publisher who gives it; or it&#13;
is a payment under the just value, when it degrades the&#13;
publisher who gives it, while it robs the author who&#13;
takes it.&#13;
Such was Besant's view of the position which&#13;
authors should take up towards the public and&#13;
the publisher, and in elucidation and support of&#13;
it he spared no pains. He was generally accused&#13;
of, blind and sweeping hatred of publishers, but&#13;
the accusation was an ignorant and short-sighted&#13;
one. His real attitude was this : Having asserted&#13;
that ordinary business routine, either carried out&#13;
personally or by an accredited agent, cannot&#13;
possibly be ºpposed to the production of matter&#13;
of the first artistic excellence, he set to work to&#13;
make clear the principles which should underlie&#13;
the commercial relation of the author and the&#13;
&#13;
&#13;
## p. 25 (#361) #############################################&#13;
&#13;
THE AUTHOR.&#13;
· 25&#13;
publisher. The earliest business done by the influential men; he spoke with pride of the&#13;
Society of Authors made it clear that the publish- strides already made and with hope of future&#13;
ing world—like every other trade and profession developments; he allotted large credit to everyone&#13;
-contained a few deliberate thieves. The who had ever done any work for the Society; but&#13;
impunity of these persons was due to their asser- he entirely omitted to say—even to suggest that&#13;
tion that many of their methods were hallowed by he had been the prime mover in its affairs from&#13;
custom in the publishing world. Besant declared the beginning, that he had initiated its policy,&#13;
at once that, if this were so, customs which moulded much of its fortunes, that he had&#13;
allowed the black sheep to carry on a life of fraud advanced money whenever necessary, and had&#13;
ought to be discontinued by all publishers. This toiled hour after hour and day after day at self-&#13;
was, and is, the opinion of the Society of Authors, imposed tasks that the Society might reach an&#13;
and it is not likely that anyone will be found unassailable position. Besant never “was the&#13;
publicly to disagree with it. Besant was never Society," and had a great objection to the allega-&#13;
tired of publishing it abroad, but it is difficult to tion, for he was always ready to ask and act upon&#13;
believe that any right-ininded judgment could the opinion of his colleagues ; * but during his&#13;
consider his words as dictated by wholesale and chairmanship he possessed such an intimate&#13;
sweeping hatred of all publishers.&#13;
knowledge of all the details of the business of&#13;
Sir Walter Besant was chairman of the Society the Society that he was almost invariably able&#13;
of Authors on three separate occasions, his last to speak with authority.&#13;
tenure of office lasting from 1887 to 1892. Until In 1892 Sir Walter Besant resigned the chair-&#13;
the day of his death the affairs of the Society manship of the Society of Authors, but remained&#13;
formed an integral part of his life, and while he on the Committee, continued to edit The Author,&#13;
was chairman the amount of time that he and in every way kept the affairs of the Society&#13;
cheerfully spent upon its business is well-nigh amongst his foremost thoughts. Soon afterwards&#13;
incredible. The time that I was secretary of the he made a start upon a colossal work, “ The&#13;
Society coincided almost exactly with his last and Survey of London.” For the last five or six&#13;
longest period of office, and during four years he years he had been working daily at the offices&#13;
came three or four days in the week to Portugal- of Messrs. A. and C. Black upon this Survey, and&#13;
street prepared to discuss every imaginable point shortly before he died he said that he considered&#13;
of difficulty. Nothing was too large for him to go the hardest part of his task was over. His&#13;
through with, nothing was too small for him to original design had been to bring “ Stowe's&#13;
attend to that bore upon the profession of letters. London ” up to date, but the enormous masses of&#13;
And he took no credit to himself for the enormous information that he acquired in so many diverse&#13;
sacrifice of his time and the unceasing call upon directions led him gradually to modify his scheme.&#13;
his thoughts; on the contrary, if an opportunity He left himself as his contribution to the work&#13;
occurred, he gave other people the praise. When the writing of the story of London up to the end&#13;
ever he attributed to me good deeds of his own- of the nineteenth century, and this was to be&#13;
and this was his habit at the meetings of the supplemented in all necessary ways by articles&#13;
Society of Authors during my secretaryship—he from specially qualified contributors. One volume&#13;
always wore afterwards the air of having scored out of, I believe, eight, he lived to finish, and it is&#13;
off me. It fell to my lot to accompany him sincerely to be hoped that the arrangements for&#13;
to America in 1894, when we attended the the others are so far forward that the work, which&#13;
Authors' Congress at Chicago as representatives must always be associated with Besant's name,&#13;
of the Society. Besant made a long statement to can be completed in accordance with his design.&#13;
an enthusiastic audience concerning the fortunes&#13;
of the Society of Authors. He described its * Since writing this I see that Mr. Anthony Hope&#13;
small beginnings, its early struggles, its good Hawkins has said almost exactly the same thing, but I&#13;
think the repetition may stand, for my recollections refer&#13;
fortune in obtaining from the first the support of to an earlier period in the Society's affairs.&#13;
&#13;
&#13;
## p. 26 (#362) #############################################&#13;
&#13;
26&#13;
THE AUTHOR.&#13;
His acquaintance with London was very close,&#13;
and his admiration for the capital — for her&#13;
institutions and for the great part she has&#13;
played in the national history-was unbounded.&#13;
That he should acquire and assimilate all that&#13;
scholarly and antiquarian research could teach&#13;
him of London was not so surprising as was his&#13;
great familiarity with the external features of&#13;
the city. How did a man who rarely walked in&#13;
the streets at a less pace than four miles an&#13;
hour, and was quite shortsighted, contrive to&#13;
know where the best views could be had of&#13;
quaint façades, where there were particularly&#13;
splendid iron railings, where there were espe-&#13;
cially hideous gargoyles ? Anyone who has ever&#13;
tramped about the streets with him knows that&#13;
the list of attractions that he had to point out&#13;
could be increased indefinitely, and the things&#13;
that Besant knew about London were not in&#13;
books.&#13;
In 1895 Sir Walter Besant was knighted in&#13;
recognition of his prominent position in the lite-&#13;
rary world and of the practical good that he had&#13;
done with his pen. That the distinction was due&#13;
to him was allowed on all hands, and the occasion&#13;
was the signal for an outburst of ardent esteem&#13;
for the man and his works.&#13;
His health did not begin to fail until the last&#13;
year of his life, nor was he, to all appearance,&#13;
seriously ill until the spring of this year. But&#13;
the complaint from which he suffered was one for&#13;
which but little could be done at his age, and his&#13;
decline during the three weeks preceding the end&#13;
was rapid.&#13;
Sir Walter Besant married in 1874 Mary&#13;
Garrett, daughter of Mr. Eustace Forster-&#13;
Barham, of Bridgwater, by whom he leaves four&#13;
children—two sons (fighting with our army in&#13;
South Africa) and two daughters.&#13;
and scientific life-work of Sir Walter Besant.&#13;
The books from his single pen, written both&#13;
before and after the death of his collaborator,&#13;
speak for him and show him to be a fore-&#13;
most figure in Victorian literature ; and it has&#13;
been with the greatest pleasure that his friends&#13;
have learned from the various obituary notices of&#13;
his career that this fact is universally recognised.&#13;
The good work of a veteran does not always&#13;
appeal to judges a generation younger than the&#13;
author, and we have all of us read criticisms of&#13;
Sir Walter Besant's books that were, I have no&#13;
doubt, sincere, but which were completely&#13;
unfair, in that he was blamed for not doing what&#13;
he had never tried to do. It was good that this&#13;
injustice should be set right when his life-work&#13;
was finished, and when a summary of it had to&#13;
be given to the world. And almost without&#13;
exception Sir Walter Besant's biographers have&#13;
felt the responsibility laid upon them, and&#13;
have recognised with affectionate zeal the high&#13;
claims of the author of “ All Sorts and Condi-&#13;
tions of Men,” “The Revolt of Man,” and&#13;
“Dorothy Forster”—the author's own favourite&#13;
book.&#13;
Brave man and loyal friend, he burned to&#13;
succour the poor and weak ; he hated injustice&#13;
and disregarded all personal considerations in&#13;
his efforts to maintain fair play. It may be&#13;
that occasionally he tilted a windmill, but the&#13;
number of times that Besant's instinct was wrong&#13;
and his onslaughts unjustified were few indeed.&#13;
All who have worked with him will remember&#13;
instances when a rapid generalisation of his seemed&#13;
hardly warranted—when it might be easy, by&#13;
using some particular instance, to display the&#13;
course he was advocating as quixotic or hasty;&#13;
but all will agree that as a rule he was absolutely&#13;
right. Where there were risks Besant led the&#13;
open attack; if only credit was likely to be&#13;
obtained from action he was ever content to&#13;
follow others. A glance through his daily&#13;
correspondence would reveal that his counsel&#13;
was asked, and seldom asked in vain, by all&#13;
sorts and conditions of men. To his charity&#13;
there was no end — the charity that cannot&#13;
think evil. This was a beautiful life.&#13;
S. SQUIRE SPRIGGE.&#13;
When I was asked to write this necessarily&#13;
inadequate note upon our lost leader, I knew that&#13;
nothing in the nature of a critical estimate of his&#13;
literary work would be required of me. Most of&#13;
the things that I have put down are common&#13;
knowledge, some he told me, and some I could&#13;
not but observe. I would not have under-&#13;
taken to sit in judgment upon the artistic&#13;
&#13;
&#13;
## p. 27 (#363) #############################################&#13;
&#13;
W&#13;
27&#13;
THE AUTHOR.&#13;
LITERARY PROPERTY.&#13;
Tribute from Paris.&#13;
On Tuesday, June 11, the death of Sir Walter&#13;
Besant was announced here. Sincere regret&#13;
at the news was expressed in Anglo-Parisian&#13;
circles. Sir Walter Besant's place in litera&#13;
ture must be determined by posterity. He&#13;
perhaps owed his influence and the prestige&#13;
of his position as much to his independent&#13;
character and sturdy integrity—to his sound&#13;
business ability and the shrewd common sense&#13;
which understood how to realise his Utopian&#13;
dreams — as to any extraordinary exhibition&#13;
of literary talent. And he may truly be&#13;
esteemed a great man. For he was great in his&#13;
endeavour to aid his weaker brethren ; great in&#13;
the purity of his aims and the strength of his&#13;
convictions ; great in his unswerving devotion to&#13;
the cause of the poor and oppressed, which he&#13;
made his own; great, above all, in the practice&#13;
of what he preached. The good that he achieved&#13;
during his busy career will assuredly survive him.&#13;
Not only as a recognised literary leader officially&#13;
decorated by the State, but as a sterling moral&#13;
force, will his nanie be inscribed on the roll of&#13;
illustrious Englishmen.&#13;
DARRACOTTE SCOTT.&#13;
Mr. Hall Caine and Messrs. Pearson.&#13;
NHE case between Mr. Hall Caine and Messrs.&#13;
T C. Arthur Pearson will be followed by all&#13;
authors with the greatest attention; as,&#13;
unless the question is settled on a side issue, a&#13;
very interesting point is at stake. Mr. Pearson&#13;
contracted with Mr. Hall Caine for serial rights&#13;
of a story in the Lady's Magazine. This story&#13;
had run for several months, but in the June&#13;
number Messrs. C. Arthur Pearson have inserted&#13;
the following notice, and the story has been with-&#13;
drawn :&#13;
The proprietors of this magazine announce with regret&#13;
that they have felt compelled to discontinue the publication&#13;
of “ The Eternal City.” Differences have arisen between&#13;
them and the author as to the suitability of the story&#13;
for the Lady's Magazine, and the proprietors have, in&#13;
consequence, commenced proceedings against Mr. Hall&#13;
Caine.&#13;
It would be obviously improper to comment further upon&#13;
matters which are the subject of pending litigation, but&#13;
the proprietors feel assured that the reasons for their action&#13;
will commend themselves to their readers when the facts&#13;
are in due course disclosed in a court of law.&#13;
The consequence is an action at law. Mr.&#13;
Pearson, it appears, will be the plaintiff and Mr.&#13;
Hall Caine the defendant. It is impossible, even&#13;
if it were not unwise, to make any comments on&#13;
the case from the information that is as yet&#13;
before the public. The main points, however,&#13;
appear to be : (1) What was the nature of the&#13;
exact passages that Messrs. Pearson objected to,&#13;
and (2) what were the exact terms of the con-&#13;
tract; and on these two points, it would appear,&#13;
the main issue must rest. In the number of&#13;
Literature dated June 8 there are some instances&#13;
quoted of a similar difficulty arising; the most&#13;
important, however, is that referring to Mr.&#13;
Hardy's publication of “ Tess of the D'Urber-&#13;
villes” as a serial in the Graphic. In this case&#13;
the matter was settled, Mr. Hardy publishing the&#13;
chapter that was the subject of discussion in the&#13;
National Observer. This chapter was afterwards&#13;
duly incorporated in the book. The Secretary of&#13;
the Society can recollect one similar instance. It&#13;
was as follows: A humorous writer made a&#13;
contract with an American magazine for the&#13;
publication of a short story. The American&#13;
editor expected a humorous story. The story,&#13;
however, though an exceedingly good one, was not&#13;
in a humorous vein, and the American editor&#13;
objected and returned the story. The author&#13;
placed the story to considerable advantage else-&#13;
where, so that he was unable under the circum-&#13;
stances of the case to claim damages either&#13;
financially or to his literary reputation, as the&#13;
appearance of his story had not been announced&#13;
FROM THE COMMITTEE.&#13;
WING to the lamented death of Sir Walter&#13;
Besant, and to the necessity of making&#13;
fresh arrangements for the publication of The&#13;
Author, the Committee have decided not to&#13;
publish a number in August and September. A&#13;
special autumn number will be published in&#13;
October.&#13;
At a meeting of the Committee, held at the&#13;
Society's offices on Monday, June 17, Mrs. Craigie&#13;
(John Oliver Hobbes) was elected a member of&#13;
the Council, to fill the vacancy caused by the&#13;
much-regretted death of Miss Charlotte Yonge.&#13;
“ Windmills," by Mr. W. Kingsley Tarpey, and&#13;
“ The Unseen Helmsman,” by Miss Laurence&#13;
Alma Tadema, were produced by the Stage&#13;
Society at the Comedy Theatre on June 17.&#13;
&#13;
&#13;
## p. 28 (#364) #############################################&#13;
&#13;
28&#13;
THE AUTHOR.&#13;
in the American paper. Here again it will be to purchase 350 copies by the end of six months&#13;
seen that the matter was not decided in court, as at the price of 3s., making in all a sum of £52 108.,&#13;
there was no legal damage, and it would have a sum which must go a long way towards paying&#13;
been a further question whether it would have the cost of production, if not covering it alto-&#13;
been worth while to sue the American editor gether, especially as no mention is made of the&#13;
for the small amount of money involved for pay- size of the edition. If 750 copies only were&#13;
ment of a short story.&#13;
printed, it may be understood that the publisher&#13;
For some reasons it is to be sincerely hoped would virtually have no risk. This is not all,&#13;
that Mr. Hall Caine's case will not be settled out however. It does not pay the publisher to push&#13;
of court, and it is to be hoped also that the exact the book in the least degree for the first six&#13;
terms of the contract will be such as to prevent months, for if he should do so he will not obtain&#13;
the question being settled on a side issue. the author's money. He therefore has nothing&#13;
About these matters it is vain at the present to do but let the book lie on his shelves and at&#13;
time to conjecture.&#13;
the end of the six months send in his account for&#13;
the number of copies unsold. No agreement&#13;
should be drawn on such lines that it is not for&#13;
The Same Old Agreement.&#13;
the benefit of the author and publisher to be&#13;
MEMORANDUM OF AGREEMENT made this day&#13;
working in unison.&#13;
of&#13;
, 189 between&#13;
of&#13;
hereafter Looking into the agreement further, it is&#13;
called the publisher of the one part, and&#13;
of&#13;
obvious that no mention is made whatever of&#13;
hereafter called the author, of the other part.&#13;
the profits to accrue after the sale of 350 copies,&#13;
The said publisher agrees to produce in tasteful form, and&#13;
except in the last clause, in which it says:&#13;
publish in the usual manner at bis own expense, an edition&#13;
of a volume written by the said author and entitled&#13;
“ This edition is to be the property of the pub-&#13;
" ," the said volume to consist of one hundred and lisher.” As has been pointed out, no limit is&#13;
ninety-two pages crown octavo size, and to be published at mentioned to the edition. If, therefore, the book&#13;
five shillings per copy.&#13;
chances to be a success the publisher could go on&#13;
The said author hereby agrees to be responsible for the&#13;
printing and selling the book, putting all the&#13;
sale of three hundred and fifty copies of the said volume,&#13;
and undertakes at the expiration of six months from the&#13;
profits into his own pocket and stating that the&#13;
date of issue to purchase at the rate of three shillings per first edition was, say, 10,000 copies. The Pub-&#13;
copy whatever namber of copies, if any, may be necessary to lishers' Association have not yet settled that great&#13;
make the sales up to the said number of three hundred and point as to what number should constitute an&#13;
fifty copies.&#13;
edition.&#13;
This edition to be the property of the said publisher, but&#13;
it is understood that the copyright is and remains the pro-&#13;
Summing up the whole results, therefore, of the&#13;
perty of the said author. All proofs of the said work to be agreement, it does not pay the publisher to work&#13;
corrected and returned promptly to the printer by the said in unison with the author. Their benefit is not&#13;
author.&#13;
mutual. The publisher runs no risk and may&#13;
The agreement printed above has again been possibly make a large profit. From the author's&#13;
handed by a member of the Authors' Society to point of view the author stands to lose £52 10s.&#13;
the Secretary. The agreement has been printed in and cannot possibly make anything, however&#13;
The Author and other productions of the Society, successful the book is. This agreement, therefore,&#13;
and the dangers arising from such agreement cannot possibly be called equitable as between&#13;
explained. That in one certain case the agreement the parties, and it may be stated generally that&#13;
may have worked out fairly is not an argument any agreements embodying the system of&#13;
that the agreement is a good one, but this argu- guaranteeing a fixed sum according to the sales of&#13;
ment has been put forward by the publisher; for a book must be unsatisfactory.&#13;
an agreement should be so drawn that in any case Similar kinds of agreements have been put&#13;
and whatever the sale of the book, it should be forward by other publishers, and, though varying&#13;
an equitable agreement between the parties con. in detail, still cannot be recommended for the&#13;
cerned. The dangers of this agreement have so reasons put forward. There is no stimulus to the&#13;
often been set forward that it was hoped, as publisher to push the book, indeed there is every&#13;
indeed has been the case for some time, that no reason why he should neglect it.&#13;
such agreements had been recently circulated. A publisher is but a tradesman and human.&#13;
Perhaps it will be necessary to explain once more He is a tradesman first, and that prompts him&#13;
in general terms the unreasonableness of the to make money with as little trouble as possible.&#13;
agreement as it stands.&#13;
He is, secondly, human, and this also prompts him&#13;
To begin with, the book is a small one, 192 pp. to look after himself.&#13;
cr. 8vo., and it is published at a large price for Better to pay a fixed sum at once and know the&#13;
such a small book, viz., 58. The author guarantees utmost limit of your loss than, under the guarantee&#13;
&#13;
&#13;
## p. 29 (#365) #############################################&#13;
&#13;
THE AUTHOR.&#13;
29&#13;
system, lay the flattering unction to your soul&#13;
that you will not be called upon to redeem your&#13;
pledge.&#13;
..................&#13;
I&#13;
I&#13;
Congress of the International Literary and&#13;
Artistic Association.&#13;
We are indebted to the courtesy of the secretary&#13;
of the above association for the following infor-&#13;
mation respecting the twenty-third congress,&#13;
which will take place at Vevey (Switzerland)&#13;
from Aug. 7 to 13:-&#13;
The subjects laid before the congress will be:&#13;
1. Preliminary consideration of a revision of&#13;
the Berne Convention.&#13;
2. The present legal situation in different&#13;
countries, considered from the point of view of&#13;
the Berne Convention.&#13;
3. Comparative study of the Conventions of&#13;
Berne and Monte Video.&#13;
4. Publishers' contracts and the German legis.&#13;
lation.&#13;
5. Artistic copyright and dramatic art.&#13;
6. Performance and reproduction by means of&#13;
mechanical apparatus.&#13;
7. The constitution of an international tribune&#13;
to deal with literary and artistic copyright.&#13;
8. The creation of an international legal voca-&#13;
bulary.&#13;
9. History of copyright in all countries during&#13;
the nineteenth century.&#13;
Freshfield, D. W...........&#13;
............. £1000 0&#13;
Gibbs, Miss ........&#13;
bs, Miss ..............................&#13;
1 0 0&#13;
Hallward, N. L. .....&#13;
Harraden, Miss Beatrice&#13;
10 0&#13;
Hawkins, A. Hope ..&#13;
200 0&#13;
Hutchinson, Rev. H.&#13;
Jacberns, Raymond ..&#13;
Jones, Henry Arthur......&#13;
50 0 0&#13;
Keltie, J. Scott&#13;
5 0 0&#13;
Kipling, Rudyard .....&#13;
100 0 0&#13;
Loftie, Rev. W. J. .........&#13;
Loraine-Broke, Lady Freda ........................&#13;
Macfarlane, H. ...,&#13;
1 1 0&#13;
Marshall, Capt. R...&#13;
..........&#13;
10 10 0&#13;
Matheson, Miss A. .....&#13;
Miles, Eastace..&#13;
Moncrieff, R. Hope.&#13;
Montresor, Miss F..&#13;
Morrah, Herbert&#13;
2 2 0&#13;
Norris, W. E. ...&#13;
Oliphant, Kingston ............&#13;
Parker, Gilbert ....................&#13;
Phillpotts, Eden ............&#13;
Pollock, Sir Frederick&#13;
Roe, Mrs. Harcourt&#13;
Rossetti, W. M. .....&#13;
S. B. ...........&#13;
Sanderson, Sir J. B. ...............&#13;
Sheldon, G. W.&#13;
Skeat, The Rev. Prof.&#13;
Spielmann, M. H. .........&#13;
Stanton, Miss H. M. E............&#13;
Toplis, Miss G. ......&#13;
Tweedie, Mrs. Alec....................................&#13;
Watt, A. P..............................................&#13;
Weyman, Stanley .......&#13;
Wheelwright, Miss E. E. ...........................&#13;
Williams, Mrs. E. L. ......&#13;
Young, Ernest&#13;
SUBSCRIPTIONS.&#13;
à Beckett, A. W. .......&#13;
5 0 0&#13;
Aidë, Hamilton (for a period of five years)...... 10 0 0&#13;
Alexander, A. .........&#13;
I 10&#13;
Avery, Harold ..........&#13;
Besant, Sir Walter....................................&#13;
Bond, R. Warwick ...........&#13;
Bonney, Rev. Prof. T. G. .................&#13;
Brodhorst, Spencer..............&#13;
Clodd, Edward ...........&#13;
Cresswell, Rev. H. .........&#13;
Crockett, S. R. ............&#13;
Dobson, Austin (annual amount anstated-for&#13;
1901) ..........&#13;
Ellis, Miss M. A.&#13;
Esmond, H. V.&#13;
Gilbert, W. S......&#13;
Goldsmith, W. H. ....................................&#13;
Gribble, F. .............................................&#13;
Guthrie, Anstey .......................................&#13;
Gwynn, S. .....&#13;
Harraden, Miss Beatrice ...............&#13;
Hawkins, A. Hope .&#13;
.................................&#13;
Home, Francis.........&#13;
Jerome, Jerome K.............&#13;
Kelly, C. A............&#13;
Lely, J. M. .....&#13;
Macdonald, Mrs..........&#13;
Marchmont, A. W. ...........................&#13;
Pemberton, Max................&#13;
......&#13;
0-oor en orönen Nonono : -enn-Ō- 0 0 - -&#13;
no ģeroomoo our oeno ou O OOONO o-no-&#13;
000OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO&#13;
.........&#13;
THE PENSION FUND OF THE SOCIETY&#13;
OF AUTHORS.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
5 0&#13;
10&#13;
MIHE following is the list of donations&#13;
and subscriptions at present promised or&#13;
received :-&#13;
DONATIONS.&#13;
MEREDITH, GEORGE, President of the Society&#13;
(first donation)............ £100 0 0&#13;
Meredith, George (second donation)...............&#13;
0 0&#13;
A. S.&#13;
0 0&#13;
Alcott, E. ...&#13;
0 0&#13;
Anonymous.&#13;
o&#13;
Arnim, The Countess von&#13;
Baldwin, Mrs. A.&#13;
Barrie, J. M. ..........................................&#13;
0 0&#13;
Benecke, Miss Ida ...&#13;
0 0&#13;
Begant, Sir Walter....................................&#13;
0 0&#13;
Boevey, Miss Crawley ................ ...........&#13;
2 0&#13;
Chambers, Miss Beatrice .............&#13;
Clifford, Mrs W. K. ...&#13;
Cordeaux, Miss ..........&#13;
0 0&#13;
Craigie, Mrs. ....&#13;
0 0&#13;
Davy, Mrs. E. M. ............&#13;
10&#13;
Doyle, A. Conan ..&#13;
0 0&#13;
Esler, Mrs. Rentoul (for three years) ............ 0 0&#13;
Esmond, H. V.&#13;
3 3 0&#13;
Fowler, Miss E. T.............&#13;
... 10 10 0&#13;
-õen&#13;
uero omen oer--eroooon enou oermeno&#13;
en oenen - over--05 berenn ooooo-eno&#13;
OOOOOOOOOOOOOOOOO 000000000&#13;
Benecke, M&#13;
188&#13;
Ida&#13;
....................................&#13;
öwen - Senen on SW 8-en 8686&#13;
oo-ooerw NoOoero ooo&#13;
.&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 30 (#366) #############################################&#13;
&#13;
30&#13;
THE AUTHOR.&#13;
OOOOOOO&#13;
Pendered, Miss Mary L.&#13;
100 ture, Science, and Art have practically nothing to&#13;
Pinero, A. W. .......&#13;
5 0 0 fall back upon, although, in time, it is hoped, the&#13;
Roberts, Morley ....&#13;
Pension Fund started by the Society of Authors&#13;
Rose, Edward .....&#13;
Rumble, Mrs. ....&#13;
will be sufficient and adequate to meet the&#13;
Sinclair, Miss ....&#13;
claims of those persons—members of the Society&#13;
Stanley, Mrs&#13;
—who have merited the gratitude of the public&#13;
Stevenson, Mrs.&#13;
by the beauty and soundness of their writings in&#13;
Ward, Mrs. Humphry ....................&#13;
literature or science.&#13;
Watt, A. P.......&#13;
1 1 0&#13;
Weston, Miss Jessie L..&#13;
0 5 0&#13;
It is all the more necessary, therefore, as&#13;
Wilkins, W. H.&#13;
....................................... I I 0 the Civil List pensions are not only exceedingly&#13;
small in amount, but are also diverted into&#13;
-ooo&#13;
other channels, that the Pension Fund of the&#13;
A SHORT article on the Civil List Pensions, which Society of Authors should be more adequately&#13;
was published in Literature on June 1, is espe- supported by those who live by Literature,&#13;
cially interesting to members of the Society, as Science, and Art, and who, more fortunate than&#13;
it recognises the steps the Society has taken in their brethren, have made the pursuit of these&#13;
the past with a view to securing fuller recogni. subjects a financial success. It will be seen from&#13;
tion for the representatives of Literature, Science, the list of subscriptions to the Pension Fund&#13;
and Art from the Civil List. It appears from the which is published in The Author from month to&#13;
returns just issued from the Treasury chambers of month that the number of the subscribers is&#13;
persons now in receipt of pensions that there are gradually increasing, together with the amount of&#13;
306 recipients, and the total amount of the pen- capital, and it is hoped that the time is not far&#13;
sions per annum is £23,840. The pensions, accord. distant when the members of the Authors' Society&#13;
ing to the wording of the statute, are “ for such - theological historical scientific and other&#13;
persons as have just claims on the Royal bene- writers—will, by their own combined efforts and&#13;
ficence, or who by their personal services to the looking upon themselves as debtors to their pro-&#13;
Crown, by performance of duties to the public, or fession, have subscribed such sums that there will&#13;
by their useful discoveries in science and attain. be no need whatever for any members of the&#13;
ments in literature and the arts, have merited the brothership of the pen to look to the public for&#13;
gracious consideration of their Sovereign and the support in their old age. It is to be feared,&#13;
gratitude of their country.”&#13;
however, that there are, and always must be in&#13;
These terms are very limited, and the distribu- any body of men met together, some few, with&#13;
tion of pensions in many cases can hardly be said selfish aims in view, who disregard the other&#13;
to have been restricted to this limitation.&#13;
members of the fraternity. The strong and&#13;
It is doubtful whether daughters and sisters increasing support the Society receives, however,&#13;
and widows of the eminent people referred to can tends to show that the number of members who&#13;
come within the conditions set out by the statute, still take the narrow view is gradually diminish-&#13;
except under the heading of “Just claims on the ing.&#13;
Royal beneficence.”&#13;
Mr. W. Morris Colles, formerly a member of&#13;
the committee of the Society of Authors, and a&#13;
PARIS LETTER.&#13;
present member of the Council, produced on&#13;
behalf of the Society in 1889 a very useful and&#13;
instructive book with regard to the Civil List&#13;
4 bis, rue des Beaux-Arts.&#13;
pensions, and pointed out in his notes some very THE literary events of the month are legion.&#13;
curious instances of the qualifications of the 1 Vain were it to attempt even to tabulate&#13;
recipients. To those who would go more fully * them in order. The triumph of M. Edmond&#13;
into the matter this useful handbook is recom- Rostand at the Academy was a foregone con-&#13;
mended. It is worth while to consider the clusion. The extraordinary scenes taking place&#13;
point how far these Civil List pensions should in the Figaro office have augmented the circula-&#13;
be granted to eke out the service pensions of tion of the Journal and Matin, despite the latter's&#13;
those public servants who have claims on other reputation for“ trimming." The upholders of the&#13;
funds of a similar character. With this object Déroulède-Habert programme have chosen this&#13;
in view Mr. Colles wrote his pamphlet, in which moment for launching a new halfpenny daily&#13;
he stated: “Inadequate as the allowances to the entitled Le Drapeau, advertised as “républicain.&#13;
widows of our soldiers and sailors and police plébiscitaire," and supported by a phalanx of&#13;
constables admittedly are, these are only properly well-known contributors, to wit: M. Maurice&#13;
chargeable on the Consolidated Fund.” Litera- Barrès (editor), MM. François Coppée, Quesnay&#13;
&#13;
&#13;
## p. 31 (#367) #############################################&#13;
&#13;
THE AUTHOR.&#13;
31&#13;
de Beaurepaire, Willy, “Gyp," Maizeroy, Quentin violets on the stone, while the other softly wiped&#13;
Bauchart, Talmeyr, and others.&#13;
away her tears, gazing wistfully at the epitaph.&#13;
Feministic questions are, likewise, occupying a “Oh! philosophers, makers of systems, never&#13;
fair amount of attention. Mme. Andrée Téry is will a similar homage be rendered you!” wrote&#13;
vigorously advocating in the Fronde M. Hubbard's the witness of this touching little scene.&#13;
proposal of a mixed jury-viz., a jury composed&#13;
of an equal number of persons of both sexes.&#13;
A CURIOUS AGREEMENT.&#13;
M. Marcel Prévost, chosen champion of Feminism, Posthumous publication is rarely chosen by&#13;
supports the same idea in a leading article in the living authors. Nevertheless, the curator of the&#13;
Figaro. “ La Femme," he writes; "c'est même Bibliothèque Nationale possesses both Lamartine&#13;
dans une vieille nation comme la nôtre, un peuple and Victor Hugo manuscripts which cannot be&#13;
jeune ! C'est le trésor d'énergies morales encore published before 1910. M. Malot has decided to&#13;
inemployées et accumulées depuis tant de siècles !” follow the example of his illustrious predecessors.&#13;
He points out the impossibility of an accused It may, perhaps, be remembered that four years&#13;
person being judged by her peers (as expressly ago M. Malot wrote a book entitled “Le Roman&#13;
enjoined by law) in the case of feminine offenders; de mes Romans," explaining why he laid down&#13;
and insists on the fact that the average intelli. his pen for ever on the morrow of a success.&#13;
gence possessed by the majority of women is He had no wish to act the role of a superannuated&#13;
precisely the intelligence which – united with favourite whom the public accept with indulgent&#13;
masculine prudence-is most likely to arrive at indifference, simply for the sake of what he has&#13;
a just conclusion. Which reminds me that the once achieved. He preferred to bid farewell to&#13;
twentieth Congress of the Société d'économie his readers while the laurels of his thirty years'&#13;
sociale et des Unions de la paix sociale has been literary career were still untouched by time.&#13;
studying the “ Condition de la Femme" from the Henceforth he would live for himself alone.&#13;
economical, moral, intellectual, and juridical points But in making this assertion M. Malot&#13;
of view.&#13;
reckoned without his host-or rather, without his&#13;
THE DAUDET MONUMENT.&#13;
grand-daughter. Having reflected on the desira-&#13;
A sum of over 12,000 francs has been volun. bility of adding a round sum to her dot,&#13;
tarily subscribed for the Daudet monument he found a means of evading the letter, if&#13;
That being insufficient to defray the cost of not the spirit, of his self-imposed sacrifice. A&#13;
M. Saint-Marceaux's beautiful statue of this few months ago he collected his dormant&#13;
most poetical and intensely French writer, a energies, and wrote an extremely entertaining&#13;
very successful Daudet benefit was given at the tale for the young entitled “Le Mousse.” This&#13;
Odéon. The curtain dropped with effect on the done, he signed a treaty with his publisher, M.&#13;
crowning of a plaster cast of M. Saint-Marceaux's Ernest Flammarion, empowering the latter to&#13;
vivid creation. The original is being exhibited issue the work within three months after its&#13;
at the Great Palace, where it attracts much author's death. The profits obtained therefrom&#13;
attention.&#13;
are to be inherited by Mlle. Perrine Mesple.&#13;
The benefit for the Dumas fils statue has been According to the terms of the agreement the little&#13;
postponed. No writer ever laid firmer hold of the lady will receive 50,000 frs, on the publication of&#13;
Gallic imagination than this poignant sentimenta. “Le Mousse.” A goodly sum, even without&#13;
list. A trivial incident which occurred at the reckoning the further profits accruing from serial&#13;
last Fourier anniversary bears witness to this rights and dramatic and foreign royalties. Mlle.&#13;
fact. On the day in question a handful of phalan. Perrine is fortunate in possessing a talented&#13;
sterians and disciples were grouped around their grandfather, whose latest document proves that&#13;
leader's tomb in the Montmartre cemetery. he thoroughly understands the value of post-&#13;
Wearied alike of the laboured perorations of the humous literary property.&#13;
various speakers and the ardent strophes of the&#13;
Gnostic patriarch, one of their number stepped&#13;
“EVE VICTORIEUSE."&#13;
aside to visit the toinb of Alphonsine Duplessis, The above is the title of Mme. Pierre de&#13;
the Marguerite Gauthier of the celebrated “Dame Coulevain's new novel. It is a clever, well-&#13;
aux Camélias” of Dumas fils. On approaching written book, breaking comparatively new ground.&#13;
it he was surprised to perceive that others beside It stands apart from ordinary productions of&#13;
himself had desired to pay the dead woman a its class by the fact that the interest of the tale&#13;
passing tribute of compassionate sympathy. Two does not lie in the amorous intrigue which is the&#13;
“ petites ouvrières" in simple garb, with glossy raison d'étre of the average French novel. “Eve&#13;
hair unbonneted, stood beside the melancholy Victorieuse" appeals to the higher mental calibre&#13;
mausoleum. One tenderly strewed lilacs and of the reader, and shows that a Frenchwoman&#13;
&#13;
&#13;
## p. 32 (#368) #############################################&#13;
&#13;
32&#13;
THE AUTHOR.&#13;
can produce really entertaining and interesting to get them translated. Eh, bien ! What&#13;
reading without being immoral. It would be a next ? "&#13;
good thing for France if she possessed a few more For once M. Huysmans was too much taken&#13;
writers of the type of Pierre de Coulevain. aback to reply. He literally fled.&#13;
Nor must we omit to mention the much-&#13;
praised “Caur Innombrable," a volume of poems&#13;
A JOURNALIST'S REMINISCENCES.&#13;
by the Comtesse de Noailles. One enraptured M. Jean Carrère, the well-known French&#13;
critic declares that until these verses appeared no Transvaal correspondent (author of “En Pleine&#13;
woman had ever comprehended how to enunciate Epopée), has likewise been giving the public&#13;
“ la réalité directe.” Mme. de Staël was merely several anecdotes relating to his early career.&#13;
a fair mirror who polished the thought of the Once as he wandered aimlessly round the&#13;
men in her neighbourhood in reflecting it; while Luxembourg Gardens, penniless and dinnerless,&#13;
George Sand, despite the flowing music of her he suddenly espied a merry band of long-haired&#13;
phrases, never succeeded in being original. We young men of every type, in whom he forthwith&#13;
beg leave to differ from this appreciation. Mme. recognised the chiefs and disciples of all the rising&#13;
de Staël and George Sand may be “terriblement young literati of Paris discussing and haranguing&#13;
femmes”; while Mme. de Noailles may possess with unusual amiability. Desirous of ascertain-&#13;
the superfine genius accredited her by her pane- ing the reason of this unwonted fraternity, he&#13;
gyrist. Unfortunately, it is too subtle to be demanded of X., a would-be author whose&#13;
perceived by the ordinary reader. He would impecuniosity was proverbial :&#13;
probably esteem the last-named lady as merely a “Heavens! Where are you all going together&#13;
graceful versifier, a disciple of the Sully Prud- like this?”&#13;
homme school.&#13;
“To the table d'hôte,” was the reply. “Will&#13;
you accompany us?”&#13;
M. JORIS KARL HUYSMANS.&#13;
Carrère made an eloquent gesture, explicative&#13;
The celebrated Joris Karl Huysmans is correct- of his penniless condition.&#13;
ing the proofs of a new work, “Sainte Lydwine “ That does not signify. You will come as my&#13;
de Schiedam,” in his Poitou retreat. One guest,” said X., grandiloquently.&#13;
edition is to be printed in Gothic, the other in Imagining that X. had at last found a pub-&#13;
ordinary characters. In chatting with an old lisher, Carrère acquiesced. He was too hungry to&#13;
pressman, M. Huysmans recently related several care to solve the mystery.&#13;
amusing anecdotes connected with his journalistic The invitation was repeated. For fifteen days&#13;
career.&#13;
he lunched and dined sumptuously with this&#13;
On one occasion he was contributor to a paper merry company free of cost.&#13;
whose editor was asserted to have made his début But on the sixteenth day all was finished.&#13;
in life as a cook. He had lived long in the East, Vainly he awaited the gay band. At 12.30 he&#13;
and was reported to have tried his 'prentice hand approached X., who was eagerly perusing the&#13;
at innumerable trades before essaying press work. advertisement column of a daily.&#13;
One morning M. Huysmans was summoned in “So nobody lunches to-day?” he remarked,&#13;
haste to the editorial sanctum. Immediately be interrogatively...&#13;
appeared his employer pointed to an enormous “Have you money to go to the neighbouring&#13;
pile of papers, and complacently explained : restaurant?" was the counter question asked in&#13;
"Voilà ! Each of these English, Russian, a cavernous voice.&#13;
German, Italian, Swedish, Turkish, Roumanian, “ If you wish to. But what about the François&#13;
and Dutcb papers contains an article on Zola Premier Café?”&#13;
You will read them all at once, and write me a “Alas! it is sold !”.&#13;
spicy article on •Zola Abroad.'”&#13;
“Sold ? What do you mean?&#13;
M. Huysmans objected, averring his ignorance “ You have not yet solved the enigma. The&#13;
of the languages in question.&#13;
proprietress wished to dispose of the business,&#13;
“That does not matter. You can easily and as she had few customers instructed me to&#13;
get the stuff translated."&#13;
procure her some non-paying ones in order to&#13;
“Impossible! Think of the cost!”&#13;
keep up appearances. Unfortunately I brought&#13;
“ Listen, and do as I tell you. I will send too many, and she found a purchaser imme-&#13;
immediately for a carriage to convey you and the diately."&#13;
papers home. There, since you do not know “No matter. Come and lunch with me.”&#13;
foreign languages, you will merely choose out the “Wait an instant, there's a good fellow. I&#13;
most striking passages in these papers, and mark want to see if no one else has a café to dispose&#13;
them round with a blue pencil; I will undertake of!"&#13;
DARRACOTTE SCOTT.&#13;
&#13;
&#13;
## p. 33 (#369) #############################################&#13;
&#13;
THE AUTHOR.&#13;
33&#13;
OC&#13;
NOTES AND NEWS.&#13;
in the House of Commons “his intention of&#13;
bringing in on an early day a measure con.&#13;
TN its literary column of June 19 the Sketch&#13;
solidating and amending the law of literary copy-&#13;
1 announces that “a very distinguished firm,&#13;
right.”&#13;
that is specially remarkable for its list of&#13;
novels and for the liberal advances it makes to&#13;
It appears from the papers that Sir Walter&#13;
the authors,” “has sent out a circular to book-&#13;
Besant has left an autobiography. This is in&#13;
the hands of Mr. A. P. Watt, who acted as his&#13;
sellers offering a choice of twenty-five novels from&#13;
their six-shilling list for 278., and laying stress on&#13;
literary agent. Those who counted Sir Walter&#13;
ainong their friends will be very anxious to know&#13;
the undoubted fact that many distinguished and&#13;
when it will be published.&#13;
popular authors appear among the contributors.&#13;
If this be carried out,” continnes the writer, “it&#13;
needs no prophet to see that the six-shilling novel&#13;
A great many letters have been received at the&#13;
is practically doomed. What will happen in the&#13;
offices of the Society, from members and others,&#13;
first instance is that no bookseller will stock the&#13;
giving expression to the grief and sense of&#13;
productions of the second-class novelist. He will&#13;
personal loss felt by the writers on hearing of&#13;
say to his customers, ‘By-and-bye the book mayihe death of Sir Walter Besant. These letters&#13;
be had at is. 6d., and in the meantime I can give come from all parts of the country, and each and&#13;
you something better.' But even the distin. all breathe the same spirit of warm regard for&#13;
guished authors will be very much injured.&#13;
the distinguished friend whose death is so deeply&#13;
Sometimes everyone wants to read a book, and deplored.&#13;
many people will put down the price without&#13;
thinking of it. But this is a rare occurrence; in&#13;
the matter of books the public shows a singular&#13;
THE WOMEN WRITERS' DINNER.&#13;
and even lamentable patience. In my opinion it&#13;
spells ruin to all novelists save a very few."&#13;
THE “ Women Writers" held their dinner at&#13;
the Criterion on Monday, the 17th. Now&#13;
The writer goes on to say that the state of&#13;
Mr. Stephen Gwynn, in his paper entitled&#13;
things he discloses “has been brought on by the “A Theory of Talk,” roundly asserts that women&#13;
practice of advancing more to writers than their are less amusing than mon. He says that there&#13;
popularity warrants.” It is certainly difficult to is no reason in nature wby they should be, but&#13;
believe that “very distinguished firms” are in the that their inferiority is obvious. He points out&#13;
habit of making mistakes of that kind, but that that “thirty or forty men will meet at seven&#13;
is not the immediate question. The question o'clock, dine together, and pass the evening&#13;
which demands an answer in the first place, is : very agreeably till midnight. Imagine thirty or&#13;
Does the Publishers' Association countenance forty women called upon to do the same; would&#13;
this practice of offering booksellers a choice of they be able to amuse themselves ?” It seems&#13;
twenty-five 6s. novels for 278. ? We cannot almost a pity that the exclusiveness of the&#13;
suppose for a moment that they will consent to do women writers would not aliow Mr. Gwynn&#13;
so. We know with what displeasure the pub personally to observe whether they were amused&#13;
lishers view the practice of underselling when it or bored on Monday night. In number there were&#13;
is carried on by bookseller against bookseller. nearly two hundred, and there certainly did not&#13;
What action, then, will they take to prevent a appear to be any lack of enjoyment or of laughter,&#13;
member of their own trade from conducting but then it is also a fundamental belief with men&#13;
business on the “job lot” fashion described that women are early adepts at hiding their true&#13;
above?. The matter, of course, involves a serious feelings.&#13;
enough question for authors. For the present, Lucas Malet occupied the chair, and her care-&#13;
however, we content ourselves with the hope that fully prepared speech was read out by Miss&#13;
the circular issued by the “ very distinguished Sydney Phelps. Standing at the base of the&#13;
firm” will receive the very strict examination statue of one of the world's greatest authors, and&#13;
which it deserves at the hands of the Publishers' that, we regret to say, not a woman but a “ mere&#13;
Association.&#13;
man,” Miss Phelps, speaking for Lucas Malet,&#13;
said there was good cause for women to con-&#13;
We are informed that there is not the slightest gratulate themselves that, whereas there had&#13;
hope that the Government will proceed with the been Thackeray, Dickens, the brothers Kingsley,&#13;
Copyright Bill this session. It was on Feb. 14 and Wilkie Collins among authors, authoresses&#13;
that the President of the Board of Trade stated could boast of George Eliot, Mrs. Gaskell,&#13;
&#13;
&#13;
## p. 34 (#370) #############################################&#13;
&#13;
34&#13;
THE AUTHOR.&#13;
Miss Yonge, &amp;c., and she felt that in the&#13;
CORRESPONDENCE.&#13;
future they might equal, she would not&#13;
say rival, their “brother man.” At this The Proposed Memorial to Archibald Forbes.&#13;
courageous vaunt our glance involuntarily strayed&#13;
to the statue, anticipating that it would&#13;
LARGE number of journalists and others.&#13;
be moved to at least a wink; but overwhelmed,&#13;
who appreciate the services of one of the&#13;
greatest of our war correspondents are&#13;
perhaps, by the presence of so many “sister-&#13;
women,” it gave no sign. The speech was long,&#13;
desirous in some permanent and material form&#13;
to do honour to the memory of Archibald Forbes,&#13;
lasting for over thirty minutes. It touched on&#13;
the evils of lowering work to what might be a&#13;
LL.D., who died in March, 1900, to the loss of&#13;
present commercial but fleeting value ; it con-&#13;
the journalism he adorned and the literaturejhe&#13;
tained much that was excellent, and tendered&#13;
enriched.&#13;
some good sound advice; perhaps it dwelt a trifle&#13;
The committee formed to attain this object&#13;
too, insistently upon the obvious, and it was&#13;
have found a sympathy with their object so&#13;
serious even to solemnity. But then “women&#13;
widely spread that they have no doubt of being&#13;
are so serious."&#13;
able to carry it out successfully.&#13;
Mme. Sarah Grand's reply was couched in&#13;
The Dean and Chapter of St. Paul's Cathedral&#13;
far lighter vein. It slipped into the anec-&#13;
have most kindly assigned an excellent wall&#13;
dotal, and was altogether more in the mascu-&#13;
space in the crypt of St. Paul's for a suitable&#13;
memorial.&#13;
line line of after-dinner speaking. It offered no&#13;
It has occurred to me as one of the hon.&#13;
advice save on the advisability of laughter; it&#13;
lingered for a moment on the sorrows of misin-&#13;
secretaries of the committee that many of my&#13;
fellow members of the Authors' Society would&#13;
terpretation and misunderstanding, and included&#13;
like their names to be added to the list of&#13;
some amusing examples. Mme. Sarah Grand&#13;
possesses a sympathetic voice, and is very plea-&#13;
contributors. This being so, may I say that&#13;
sant to listen to.&#13;
subscriptions may be sent to the hon. treasurer,&#13;
It is characteristic of the gravity with which&#13;
Major Arthur Griffiths, at 57, Curzon-street,&#13;
Mayfair, London, W., or to the account of “ The&#13;
even in play hours women regard their “work”&#13;
Archibald Forbes Fund,” at Messrs. Cocks,&#13;
that the majority of guests preferred the more&#13;
serious matter of Lucas Malet to the light personal&#13;
Biddulph, and Co., bankers, 43, Charing Cross,&#13;
S.W.&#13;
note of Mme. Grand. The dinner itself was very&#13;
ARTHUR WM. A'BECKETT,&#13;
good, and it was noticeable that whilst at the&#13;
Authors' dinner on May 1 but few women availed&#13;
President of the Institute of Journalists.&#13;
Garrick Club, June 21, 1901.&#13;
themselves of the permission to smoke, at the&#13;
women's function scarcely one was without a&#13;
cigarette. Coffee was served at the table, and&#13;
afterwards the company broke up into groups.&#13;
The Handling of MSS.&#13;
The committee numbered among its members&#13;
Why is it that editors and publishers never&#13;
Miss Beatrice Harraden, Mrs. Steel, Mrs. Craigie,&#13;
seem to realise that the MSS. sent to them are&#13;
Miss Christabel Coleridge, Miss Violet Hunt, and&#13;
not their own? Most editors scribble numbers,&#13;
many other favourite writers. In the company&#13;
sometimes in red or blue ink, on one's copy, and&#13;
present there were Dr. Jex.Blake. Mrs. Adv. Dr. often the marks cannot be effaced. Aud nearly&#13;
Margaret Todd. Miss Adeline Sergeant.' Mrs. all publishers' readers mutilate the MS. books&#13;
Mona Caird. Mrs. Burnett-Smith. Mme. Albanesi. given into their hands. Might they not reflect&#13;
Miss Nora Maris. Miss Kenealy, and others; and that, when a poor author has paid five or six&#13;
the following presided at the tables : Lucas pounds to have his copy neatly typed, it is heart.&#13;
Malet, Mme. Sarah Grand: Mrs. de la Pasture, rending to have it come back with pages torn&#13;
Miss Montresor, the Lady Mavoress. Mrs. L. T. away, with splashes of tea or coffee all over it,&#13;
Meade, Mrs. Alec Tweedie. Mrs. Walford. Mrs. and crumpled edges. I bave just had a MS.&#13;
B. M. Croker. Miss Violet Hunt. Miss Beatrice novel returned to me from its first publisher in&#13;
Harraden. Mrs. Belloc Lowndes. Miss Violet such a state that it is scarcely fit to go out again!&#13;
Brooke-Hunt, Miss Thorneycroft Fowler.&#13;
May we not make, in your pages, an urgent&#13;
A. H. appeal for more justice, if not courtesy, in this&#13;
matter? Every reader must know when he&#13;
injures a writer's MS. that he is prejudicing the&#13;
Sir Walter Besant's historical romance, “ The next reader against it. And, after all, it is not&#13;
Lady of Lynn," will be published by Messrs. his property; he has no right to treat it care-&#13;
Chatto and Windus on July 4.&#13;
lessly and deface it. A POOR NOVELIST.&#13;
&#13;
&#13;
## p. 35 (#371) #############################################&#13;
&#13;
THE AUTHOR.&#13;
35&#13;
Authors' Deductions and Income Tax.&#13;
The statement presupposes a little knowledge&#13;
As a reply to Mr. G. S. Layard's inquiries on of what items of disbursement will be allowed&#13;
this subject in the June Author may be of interest and what not, and I have no objection to assist&#13;
to many of your readers, I venture to offer them gratuitously any fellow-member of the Society, as&#13;
a professional opinion on the matter.&#13;
far as I can, in the preparation of the account in&#13;
The author should ascertain what sums he has case he or she should be so unfortunate as to be&#13;
received from his literary labours during the year surcharged and obliged to appeal.&#13;
ending April 5 last and what is still due to him,&#13;
WILLIAM ROYLE.&#13;
excluding all bad and doubtful claims, and on 5, Bedford.row, W.C.&#13;
that he should base his estimated return for the&#13;
current year, so far as his receipts are concerned.&#13;
If carrying on his business in his dwelling.&#13;
house, he is entitled by law to deduct from his&#13;
ROBERT BUCHANAN.&#13;
receipts :&#13;
Firstly, such sum, not exceeding two-thirds of D OBERT BUCHANAN is dead, and has&#13;
the annual value of his house, as the Commis.&#13;
been criticised—as the custom is-&#13;
sioners of Inland Revenue in the case of an&#13;
copiously, hastily, not ungenerously, but&#13;
appeal to them may deem reasonable—but in most incompletely. Much has been said of&#13;
estimating the amount the author should have himself, and of his every day output of rapid&#13;
regard to the proportion which his study bears to writing; but of his best work very little.&#13;
the rest of the house.&#13;
And he has been spoken of, for the most part,&#13;
Secondly, such sums as he may expend on as a strong man whose strength was misdirected ;&#13;
repairs, renewals, and alterations in his study, the truth being rather that it was precisely&#13;
and in books of reference, maps, plans, and strength-the highest strength-that he lacked.&#13;
implements for use in his vocation—this amount Not that he was wanting in vigour or virility,&#13;
is to be calculated on the average of the past but that such a life as his required a grit, a&#13;
three years—and should not include the initial tenacity, altogether unusual; and these, in this&#13;
charge of furnishing, but may include an item measure, he had not.&#13;
for depreciation.&#13;
His experience of life was a bitterly sad,&#13;
Thirdly, wherever he carries on business he though not, except in degree, an uncommon one.&#13;
should deduct the full amount he may expend He started with an ideal-or shall one say a&#13;
during the year on his personal outlay connected fancy picture ?-of the existing world, which&#13;
with his calling, the charge for fires, lights, and could only bring him disappointment when he&#13;
service, the subscription to our Society, the cost came to see the world as it was ; and he was&#13;
of assistance, searches at museums and record unlucky in the side of life which, at that critical&#13;
offices, typography, photography, and materials moment, he saw. So he was soured, and passed&#13;
quo ipso usu consumuntur, such as stamps, inks, from idealism to cynicism, and this was the&#13;
pens and papers required in earning the income tragedy of his soul and the shipwreck of his&#13;
to be taxed.&#13;
work.&#13;
Mr. Layard says he has “never claimed any The loss was probably far greater than most of&#13;
deductions," and wants to know if others have his critics realise. They have spoken of his&#13;
and with what results.&#13;
novels, bis plays, his literary duels, his poems;&#13;
These facts seem immaterial, as no deductions and between the lines of their criticism one has&#13;
have to be claimed on making the annual return read the verdict that all these writings of a hasty&#13;
to the tax-gatherers. The author has merely to man will be forgotten before the last of his con-&#13;
state without details the net amount of his temporaries is dead.&#13;
estimated annual profits for the year, whether B ut this is surely wrong. The present writer&#13;
they be £200 or £2000, or any intermediate knows nothing of Buchanan's novels, and thinks&#13;
figure.&#13;
that of his plays and his polemics enough has&#13;
Then, if the surveyor of taxes is not satisfied been said : ves, and would give up to oblivion the&#13;
with the sum stated and thinks it too small, he greater part of his verse. But his best poems-&#13;
will surcharge him. Against this assessment the they are not many, and there is no need to count&#13;
author may appeal to the Commissioners of Inland them here: yet they are true poetry, and to some&#13;
Revenue, in which case he will appear personally of them even the test of all great poetry may be&#13;
before them prepared with a neatly constructed applied—the question, Are they not unsurpassed&#13;
statement of accounts, and will doubtless get in their kind?&#13;
the assessment settled at a proper figure satis Take as an example the “ Legend of the Step-&#13;
factory to him.&#13;
mother”: is there anything finer in the whole&#13;
&#13;
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## p. 36 (#372) #############################################&#13;
&#13;
36&#13;
THE AUTHOR.&#13;
class of imaginative ballad-poetry to which it Mr. Clement Shorter is to edit a new Wednes-&#13;
belongs ? One need use no stronger argument day illustrated paper, dealing mainly with Society&#13;
for Buchanan's claim to the title of poet than the and the Stage, which will shortly be published&#13;
quotation of as much of this beautiful ballad as from the same office as the Sphere. It will be called&#13;
an editor vigilant orer his space will allow : the Tatler, and the price is to be 6d. weekly.&#13;
As I lay asleep, as I lay asleep,&#13;
A new volume by John Oliver Hobbes, which&#13;
Under the grass as I lay so deep,&#13;
will be published by Mr. Unwin, is made up of a&#13;
As I lay asleep in my cotton sirk&#13;
play dealing with a Carlist rising and entitled&#13;
Under the shade of Oar Lady's Kirk,&#13;
“ A Repentance," and three stories entitled “ 'Tis&#13;
I wakened up in the dead of night,&#13;
I wakened up in my death-sirk white,&#13;
an Ill Flight without Wings,” “ Prince Toto,” and&#13;
And I heard a cry from far away,&#13;
“ The Worm that God Prepared.” Messrs.&#13;
And I knew the voice of my daughter May.&#13;
Methuen are about to publish John Oliver&#13;
“Mother, motber, come bitber to me!&#13;
Hobbes's new novel, “ A Serious Wooing.”&#13;
Motber, mother, come hither and see !&#13;
Lucas Malet's new book is announced as the&#13;
Motber, mother, mother dear,&#13;
longest novel the publishers (Methuen) have ever&#13;
Another mother is sitting here :&#13;
sent to press. It is entitled “The History of Sir&#13;
My body is bruised, and in pain I cry,&#13;
On straw in the dark afraid I lie;&#13;
Richard Calmady,” and it will appear shortly.&#13;
I thirst and hanger for drink and meat,&#13;
Under the ciile “ Granuaile, a Queen of the&#13;
And motber, mother, to sleep were sweet!"&#13;
West,” Messrs. Jarrold and Sons are publishing&#13;
I heard the cry, though my grave was deep,&#13;
an historico-romantic poem in six cantos, by the&#13;
And awoke from sleep, and awoke from sleep.&#13;
Rev. Dr. Panter, author of “ Orpheus and&#13;
Eurydice, and other Poems." The poem opens&#13;
with the celebrated interview at Hampton Court&#13;
BOOK AND PLAY TALK.&#13;
between Queen Elizabeth and Granuaile, the&#13;
Irish princess.&#13;
DROFESSOR WOOLDRIDGE is writing Mrs. Düring's new novel, “ Malicious Fortune,”&#13;
P two volumes on music in the earlier and now running serially in the Argosy, was pub-&#13;
later Ecclesiastical Period for a history of lished in book form at 6s. by Mr. George Allen on&#13;
music which the Clarendon Press has projected. June 18.&#13;
The history will be completed in six volumes, the The Bookman understands that Mr. Anthony&#13;
third of which will be by Sir Hubert Parry on Hope's new novel is to be published serially in&#13;
the Seventeenth Century, the fourth by Mr. J. A. the Cornhill Magazine, and afterwards in book&#13;
Fuller-Maitland on the Age of Bach and Handel, form by Messrs. Smith, Elder, and Co.&#13;
the fifth on the Viennese School by Mr. W. H. Mr. Albert Strong has completed a book on&#13;
Hadow, while the concluding volume by Mr. E. musical and dramatic copyright&#13;
Dannreuther will deal with the Romantic Move. Mr. Henry Arthur Jones is writing a new play,&#13;
ment.&#13;
in which the leading part is to be played by&#13;
The Hon. Mrs. Alethea Weil is writing the Miss Lena Ashwell.&#13;
volume on Verona for Dent's Medieval Towns A new theatre is to be erected by Mr.&#13;
Series.&#13;
Mulholland in the Hammersmith-road, at the&#13;
Professor James Gordon Macgregor, LL.D., corner of Rowan-road.&#13;
Munro Professor of Physics, Dalhousie Univer- The Savoy Theatre has passed into the hands&#13;
sity, Halifax, Nova Scotia, has been appointed of Mr. William Greet and Mr. E. C. Engelbach.&#13;
Professor of Natural Philosophy in Edinburgh Mr. Herbert Waring has taken Mrs. Langtry's&#13;
University.&#13;
theatre for the autumn season. He will produce&#13;
The national memorial to Miss Mary Kingsley there, in the middle of August, a new play by&#13;
has taken shape in the establishment of an Mr. Boyle Lawrence.&#13;
African Society to propagate the study of native Mr. William Gillette's version of Sherlock&#13;
laws and customs.&#13;
Holmes is to be introduced to London at the&#13;
Mr. William Allison is the author of “The Lyceum on Sept. 9, after having been produced a&#13;
British Thoroughbred Horse : His History and few days earlier at the Shakespeare, Liverpool.&#13;
Breeding,” which is about to be published by Mr. Mr. Barrie's new play will be produced first in&#13;
Grant Richards. It gives tabulated statistics New York.&#13;
from the racing results of all countries.&#13;
Mr. and Mrs. Kendal will be seen at the St.&#13;
Mr. W. J. Ford is writing a history of James's Theatre in the autumn.&#13;
Cambridge University cricket.&#13;
At Her Majesty's Mr. Tree will produce Mr.&#13;
Mr. W. J. Locke's new novel, “ The Usurper,” Stephen Phillips's “ Ulysses” as the principal&#13;
will be published in September by Mr. John Lane. item in his programme in the autumn.&#13;
-&#13;
-- --&#13;
--&#13;
--&#13;
-- --&#13;
--&#13;
--&#13;
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## p. (#373) ################################################&#13;
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