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            <text>The Elutbor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
VOL. XI.—No. 12.]&#13;
MAY 1, 1901.&#13;
[PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAGE&#13;
... 209&#13;
...&#13;
...&#13;
Memoranda ... ... ... ...&#13;
Literary Property-&#13;
1. Goldwin Smith on Copyright&#13;
2. Copyright in Austria&#13;
3. Capadian Copyright&#13;
4. "The Literary Year Book"&#13;
5. A New Trick ...&#13;
6. White v. Constable ... "&#13;
Paris Letter. By Darracotto Scott&#13;
... 211&#13;
211&#13;
211&#13;
212&#13;
PAGE&#13;
American Letter. By J. R. Davidson ..&#13;
... 218&#13;
Notes and News. By the Editor...&#13;
... 220&#13;
Civil List Pensions. By W. Morris Colles&#13;
222&#13;
The Society's Pension Fund&#13;
The Authors' Club ...&#13;
Correspondence. - 1. Literature. 2. Commercial Morality.&#13;
3. Young Fiction Writers. 4. Editors ...&#13;
Book and Play Talk... ... ... ... ... ... ... ... 226&#13;
... 228&#13;
224&#13;
214&#13;
.&#13;
224&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 18.&#13;
2. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary&#13;
Property. Issued to all Members gratis. Price to non-members, 6d., or 6s. 6d. per annum,&#13;
post free. Back numbers from 1892, at ios. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
5. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses in their&#13;
agreements. 38.&#13;
Addenda to the Above. By G. HERBERT Thring. Being additional facts collected at&#13;
the office of the Society since the publication of the “Methods.” With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 1$. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888—1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By Ernst&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By G. HERBERT&#13;
THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
[All prices net. Apply to the SECRETARY, 4, Portugal Street, London, W.C.]&#13;
ST&#13;
&#13;
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## p. 208 (#286) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
PRESIDENT.&#13;
GEORGE MEREDITH.&#13;
COUNCIL.&#13;
SIR EDWIN ARNOLD, K.C.I.E., C.S.I. Austin Dobson.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
J. M. BARRIE.&#13;
A. CONAN DOYLE, M.D.&#13;
SIR LEWIS MORRIS.&#13;
A. W. À BECKETT.&#13;
A. W. DUBOURG.&#13;
HENRY NORMAN, M.P.&#13;
ROBERT BATEMAN.&#13;
SIR MICHAEL FOSTER, K.C.B., F.R.S. Miss E. A. ORMEROD, LL.D.&#13;
F. E. BEDDARD, F.R.S.&#13;
D. W. FRESHFIELD.&#13;
GILBERT PARKER, M.P.&#13;
SIR HENRY BERGNE, K.C.M.G.&#13;
RICHARD GARNETT, C.B., LL.D.&#13;
J. C. PARKINSON.&#13;
SIR WALTER BESANT.&#13;
EDMUND GOSSE.&#13;
A. W. PINERO.&#13;
AUGUSTINE BIRRELL, K.C.&#13;
SYDNEY GRUNDY.&#13;
THE RIGHT HON. THE LORD Pie.&#13;
The Rev. PROF. BONNEY, F.R.S. H. RIDER HAGGARD.&#13;
BRIGHT, F.R.S.&#13;
THE RIGHT HON. JAMES BRYCE, M.P. THOMAS HARDY.&#13;
SIR FREDERICK POLLOCK, Bart.,&#13;
THE RIGHT HON. THE LORD BURGH ANTHONY HOPE HAWKINS.&#13;
LL.D.&#13;
CLERE.&#13;
JEROME K. JEROME.&#13;
WALTER HERRIES POLLOCK.&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
E. ROSE.&#13;
EGERTON CASTLE, F.S.A.&#13;
RUDYARD KIPLING.&#13;
W. BAPTISTE SCOONES.&#13;
P. W. CLAYDEN.&#13;
PROF. E. RAY LANKESTER, F.R.S. Miss FLORA L. Shaw.&#13;
EDWARD CLODD.&#13;
THE RIGHT HON. W. E. H. LECKY, G. R. SIMS.&#13;
W. MORRIS COLLES.&#13;
M.P.&#13;
S. SQUIRE SPRIGGE.&#13;
THE HON. JOHN COLLIER.&#13;
J. M. LELY.&#13;
J. J. STEVENSON.&#13;
Sie W. MARTIN CONWAY.&#13;
The Rev. W. J. LOFTIE, F.S.A.&#13;
FRANCIS STORR.&#13;
F. MARION CRAWFORD,&#13;
SIR A. C. MACKENZIE, Mus.Doc.&#13;
WILLIAM Moy THOMAS.&#13;
THE RIGHT Hon. THE LORD CURZON | PROF. J. M. D, MEIKLEJOHN.&#13;
MRS. HUMPHRY WARD.&#13;
OF KEDLESTON.&#13;
Hon. Counsel – E. M. UNDERDOWN, K.C.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-A. HOPE HAWKINS.&#13;
A. W. À BECKETT.&#13;
SYDNEY GRUNDY.&#13;
GILBERT PARKER, M.P&#13;
SIR WALTER BESANT.&#13;
J. M. LELY.&#13;
E. Rose.&#13;
A. CONAN DOYLE, M.D.&#13;
HENRY NORMAN, M.P.&#13;
FRANCIS STORR.&#13;
D. W. FRRSHFIELD.&#13;
SUB-COMMITTEES.&#13;
ART.&#13;
Hon. JOHN COLLIER (Chairman). I SIR W. MARTIN CONWAY. I M. H. SPIELMANN.&#13;
COPYRIGHT.&#13;
A. W. À BECKETT.&#13;
A. HOPE HAWKINS.&#13;
J. M. LELY.&#13;
W. M. COLLES.&#13;
GILBERT PARKER, M.P&#13;
DRAMA.&#13;
HENRY ARTHUR JONES (Chairman).&#13;
F. C. BURNAND.&#13;
A. W. PINERO.&#13;
A. W. À BECKETT.&#13;
SYDNEY GRUNDY.&#13;
EDWARD Rose.&#13;
warm FIELD, ROSCOE, and Co., Lincoln's Inn Fields.&#13;
Solicitors- G. HERBERT THRING, 4, Portugal-street.&#13;
Secretary-G. HERBERT THRING.&#13;
OFFICES : 4, PORTUGAL STREET, LINCOLN'S INN FIELDS, W.C.&#13;
FREE-LANCE JOURNALISM : How to Embark upon it and How to make it Pay&#13;
By BASIL TOZER.&#13;
Sir WALTER BESANT says: "I find the book full of infor Mr. FRANKFORT MOORE says: “I think the advice is&#13;
mation which ought to be of great use to the beginner, and I wish it I calculated to be of the greatest possible service to anyone who has&#13;
every possible success."..&#13;
literary inclinations, and who hopes to be able to turn them to good&#13;
Mr. PAUL BLOUET ("MAX O’RELL") says: “A lively account All the remarks are eminently practical-to this fact I can&#13;
little volume, most instructive and entertaining. In itself it is an testify by my experience of journalism."&#13;
edacation in modern journalism."&#13;
Mr. EDEN PHILLPOTTS says: "A bright brochure, beyond&#13;
Dr. WILLIAM BARRY, D D.. says: "Very amusing. all things practical."&#13;
sbrewd, and businesslibe. A wise book, in the brightest style of Mr. C. ARTHUR PEARSON says: "It contains a great deal&#13;
journalism"&#13;
of information likely to be extremely useful to those intending to&#13;
Mr. PERCY FITZGERALD says: “ Extremely interesting make a living out of free-lance journalism."&#13;
and amusing."&#13;
Mr. G. R. SIMS (" DAGONET”) says: " It contains much&#13;
Major ARTHUR GRIFFITHS 8438: "I have read the book excellent advice in a light and readable form."&#13;
with the deepeat interest"&#13;
Mr. FRED. WHISHAW says: "The book ought to prove &amp;&#13;
Mr. ROBERT HICHENS says: “ Most gaily written. Plenty | boon to men and woman who are knocking at the door of journalism.&#13;
of sound common sense."&#13;
It positively teems with useful tips."&#13;
Price 28., postage 3d. (Postal Orders only).&#13;
London: ARTHUR SYKES, 20, Challoner Mansions, West Kensington, W.&#13;
&#13;
&#13;
## p. 209 (#287) ############################################&#13;
&#13;
The Author,&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. XI.–No. 12.)&#13;
MAY 1, 1901.&#13;
[PRICE SIXPENCE.&#13;
For the Opinions expressed in papers that are (6.) Not to bind yourself for future work to any publisher.&#13;
signed or initialled the Authors alone are&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the&#13;
III. THE ROYALTY SYSTEM.&#13;
collective opinions of the Committee unless It is above all things necessary to know what the&#13;
they are officially signed by G. Herbert proposed royalty means to both sides. It is now possible&#13;
for an author to ascertain approximately and very nearly&#13;
Thring, Sec.&#13;
the truth. From time to time the very important figures&#13;
connected with royalties are published in The Author.&#13;
Readers can also work out the figures themselves from the&#13;
“Cost of Production.”&#13;
M HE Secretary of the Society begs to give notice that all&#13;
1 remittances are acknowledged by return of post, and IV. A COMMISSION AGREEMENT.&#13;
requests that all members not receiving an answer to The main points are :-&#13;
important communications within two days will write to him&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
without delay. All remittances shonld be crossed Union&#13;
(2) Keep control of the advertisements.&#13;
Bank of London, Chancery-lane, or be sent by registered (3.) Keep control of the sale price of the book.&#13;
letter only.&#13;
GENERAL.&#13;
All other forms of agreement are combinations of the four&#13;
Communications and letters are invited by the Editor on above mentioned.&#13;
all subjects connected with literature, but on no other sub Such combinations are generally disastrous to the author.&#13;
jocts whatever. Articles which cannot be accepted are Never sign any agreement without competent advice from&#13;
returned if stamps for the purpose accompany the MSS. the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
GENERAL MEMORANDA.&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
ERE are a few standing rules to be observed in an (2.) The inspection of those account books which belong&#13;
I agreement. There are four methods of dealing to the author. We are advised that this is a right, in the&#13;
with literary property:&#13;
nature of a common law right, which cannot be denied or&#13;
I. SELLING IT OUTRIGHT.&#13;
withheld.&#13;
This is in some respects the most satisfactory, if a proper&#13;
price can be obtained. Bat the transaction should be&#13;
managed by a competent agent, or with the advice of the&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
Secretary of the Society.&#13;
II. A PROFIT-SHARING AGREEMENT (a bad form of&#13;
1. N EVER sign an agreement without submitting it to&#13;
agreement).&#13;
the Secretary of the Society of Authors or some&#13;
In this case the following rules should be attended to :&#13;
competent legal authority.&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
2. It is well to be extremely carefal in negotiating for&#13;
duction forms a part without the strictest investigation.&#13;
the production of a play with anyone except an established&#13;
(2.) Not to give the publisher the power of putting the&#13;
manager.&#13;
profits into his own pooket by charging for advertisements&#13;
3. There are three forms of dramatic contract for PLAYS&#13;
in his own organs : or by charging exchange advertise.&#13;
IN THREE OR MORE ACTS :-&#13;
ments. Therefore keep control of the advertisements.&#13;
(a.) SALE OUTRIGHT OF THE PERFORMING RIGHT.&#13;
(3.) Not to allow a special charge for “ office expenses,"&#13;
This is unsatisfactory. An author who enters&#13;
unless the same allowance is made to the author.&#13;
into such a contract should stipulate in the con-&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
tract for production of the piece by a certain date&#13;
rights.&#13;
and for proper publication of his name on the&#13;
(5.) Not to give up serial or translation rights.&#13;
play-bills.&#13;
VOL. XI.&#13;
DD 2&#13;
&#13;
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## p. 210 (#288) ############################################&#13;
&#13;
210&#13;
THE AUTHOR.&#13;
experience of ordinary solicitors. Therefore, do not scruple&#13;
to use the Society.&#13;
3. Send to the Office copies of past agreements and past&#13;
accounts with the loan of the books represented. The&#13;
Secretary will always be glad to have any agreements, new&#13;
or old, for inspection and note. The information' thus&#13;
obtained may prove invaluable.&#13;
4. Before signing any agreement whatever, send the pro-&#13;
posed document to the Society for examination.&#13;
5. Remember always that in belonging to the Society you&#13;
are fighting the battles of other writers, even if you are&#13;
reaping no benefit to yourself, and that you are advancing&#13;
the best interests of literature in promoting the indepen.&#13;
dence of the writer.&#13;
6. The Committee have now arranged for the reception of&#13;
members' agreements and their preservation in a fireproof&#13;
safe. The agreements will, of course, be regarded as con-&#13;
fidential documents to be read only by the Secretary, who&#13;
will keep the key of the safe. The Society now offers :-(1)&#13;
To read and advise apon agreements and publishers. (2) To&#13;
stamp agreements in readiness for a possible action upon&#13;
them. (3) To keep agreements. (4) To enforce payments&#13;
due according to agreements.&#13;
(6.) SALE OF PERFORMING RIGHT OR OF A LICENCE&#13;
TO PERFORM ON THE BASIS OF PERCENTAGES&#13;
on gross receipts. Percentages vary between&#13;
5 and 15 per cent. An anthor should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) SALE OF PERFORMING RIGHT OR OF A LICENCE&#13;
TO PERFORM ON THE BASIS OF ROYALTIES (i.e.,&#13;
fixed nightly fees). This method should be&#13;
always avoided except in cases where the fees&#13;
are likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (b.) apply&#13;
also in this case.&#13;
4. PLAYS IN ONE ACT are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction is&#13;
of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that American rights may be exceedingly&#13;
valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative: that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete on&#13;
account of the wide range of the subject of dramatio con.&#13;
tracts, those authors desirous of further information are&#13;
referred to the Secretary of the Society.&#13;
THE READING BRANCH.&#13;
CEMBERS will greatly assist the Society in this&#13;
branch of their work by informing young writers of&#13;
its existence. Their MSS. can be read and treated&#13;
as a composition is treated by a coach. The term MSS.&#13;
includes not only works of fiction but poetry and dramatic&#13;
works, and when it is possible, under special arrangement,&#13;
technical and scientific works. The Readers are writers of&#13;
competence and experience. The fee is one gainea.&#13;
NOTICES.&#13;
M HE Editor of The Author begs to remind members of the&#13;
1 Society that, although the paper is sent to them free&#13;
of charge, the cost of producing it would be a very&#13;
heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Secretary the modest&#13;
68. 6d. subscription for the year.&#13;
Communications for The Author should be addressed to&#13;
the Offices of the Society, 4, Portugal-street, Lincoln'g-inn&#13;
Fields, W.C., and should reach the Editor not later than the&#13;
21st of each month.&#13;
All persons engaged in literary work of any kind,&#13;
whether members of the Society or not, are invited to&#13;
communicate to the Editor any points connected with their&#13;
work which it would be advisable in the general interest to&#13;
publish.&#13;
The present location of the Authors' Club is at 3, White-&#13;
hall.court, Charing Cross. Address the Secretary for&#13;
information, rules of admission, &amp;c.&#13;
HOW TO USE THE SOCIETY.&#13;
1. TIVERY member has a right to ask for and to receive&#13;
L advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispate arising in the condact of his&#13;
business or the administration of his property. If the&#13;
advice sought is such as can be given best by a solici.&#13;
tor, the member has a right to an opinion from the&#13;
Society's solicitors. If the case is such that Counsel's&#13;
opinion is desirable; the Committee will obtain for him&#13;
Counsel's opinion. All this without any cost to the member.&#13;
2. Remember that questions connected with copyright&#13;
and publisher's agreoments do not generally fall within the&#13;
&#13;
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## p. 211 (#289) ############################################&#13;
&#13;
THE AUTHOR.&#13;
2 II&#13;
M&#13;
LITERARY PROPERTY.&#13;
It also adopted a resolution calling on the&#13;
Government to modify the protection of copyright&#13;
I. — GOLDWIN SMITH ON THE COPYRIGHT&#13;
at present existing in treaties with France, Italy,&#13;
and Great Britain on the lines of the agreement&#13;
QUESTION.&#13;
with Germany, and to take steps with a view to&#13;
HE copyright question, on which Professor&#13;
concluding international treaties for the protection&#13;
Mavor, who has mastered it, has given you&#13;
of copyright with Switzerland, Russia, Roumania,&#13;
an article, is, of course, greatly, almost&#13;
and the United States. The proposal in regard&#13;
fatally, complicated by the prevalence of an&#13;
to the United States had particular reference to&#13;
illiberal protectionism in the United States. Mr.&#13;
* Mr. the protection of musical works.&#13;
unk, the eminent New York publisher, some time The House also adopted a resolution requesting&#13;
ago, in a letter to The Times on “The United the Government to subscribe to the Berne Conven-&#13;
States and Copyright," adverted to the refusal of&#13;
tion.&#13;
the United States to allow the British applicant The Minister of Justice agreed to the introduc-&#13;
for their copyright to print in his own country,&#13;
tion of a Bill embodying these resolutions, and&#13;
while Great Britain allows the American applicant stated that the United States had declared its&#13;
for her copyright to print in his. He ascribed&#13;
willingness to conclude a separate treaty which was&#13;
this to the influence exercised by the American&#13;
particularly important in regard to musical works,&#13;
Printers' Union and its allied trades over the&#13;
—Reuter.&#13;
Government of the United States. He was, no&#13;
doubt, right as to the fact. It is true that the&#13;
III.—CANADIAN COPYRIGHT.&#13;
universal interests of literature, science, and art&#13;
The order printed below is the first that has&#13;
are sacrificed to those of a local handicraft. But&#13;
it would surely be paying a poor compliment to&#13;
been issued under the new Canadian Copyright&#13;
Act of 1900. The order is exceedingly interest.&#13;
the American Government to plead on its behalf,&#13;
as an excuse for its failure to do justice, its sub-&#13;
ing from many points of view, but chiefly to the&#13;
jection to a sinister interest.&#13;
readers of The Author, because the Society of&#13;
The American printer, under the existing&#13;
Authors has made such strenuous endeavours to&#13;
support the view of the copyright law which has&#13;
arrangement, not only secures his own share of&#13;
the printing, but robs the English printer of that&#13;
resulted in the passing of this Act. As stated in&#13;
the report for last year, this Act practically closes,&#13;
which properly belongs to him.&#13;
It is a pity, as it seems to me, that matters&#13;
in a way satisfactory to all those concerned, a&#13;
difficult and troublesome but important question.&#13;
should ever have been allowed to rest on such a&#13;
footing. This is not free trade; it is connivance “ Department of Agriculture,&#13;
on the part of Great Britain at the most mani-&#13;
“Ottawa, Ont., March 15, 1901.&#13;
festly unjust protection. Great Britain should “Whereas, by an Act passed in the sixty-third&#13;
surely have said to the Americans that she was and sixty-fourth year of the reign of Her late&#13;
going into the Berne Convention, and they could Majesty, entitled - An Act to amend the Copy.&#13;
go into it or not as they thought best, but that right Act, it was provided that if a book as to&#13;
they could not expect to share its benefits without which there is a subsisting copyright under the&#13;
fulfilling its conditions. Had this been done, Copyright Act has been first lawfully published&#13;
there would have been an effort on the part of in any part of Her Majesty's Dominions other&#13;
the literary interest in the United States to bring than Canada, and if it is proved to the satisfac.&#13;
about a better arrangement, such as Mr. Funk's tion of the Minister of Agriculture that the owner&#13;
house, to its honour, desires. At present there of the copyright so subsisting and of the copy-&#13;
is none.&#13;
right acquired by such publication has lawfully&#13;
That an Imperial copyright law as well as an granted a licence to reproduce in Canada from&#13;
Imperial marriage law and an Imperial patent law movable or other types, or from stereotype plates,&#13;
are the natural accessories of a united Empire or from lithograph stones, or by any process for&#13;
seems to me a position which is very difficult to facsimile reproduction an edition or editions of&#13;
assail.-GOLDWIN SMITH, D.C.L., in the Univer- such book designed for sale only in Canada, the&#13;
sity of Toronto Monthly.&#13;
Minister of Agriculture may, notwithstanding&#13;
anything in the Copyright Act, by order under&#13;
his hand, prohibit the importation, except with&#13;
II.—COPYRIGHT IN AUSTRIA.&#13;
the written consent of the licensee, into Canada&#13;
The Lower House of the Austrian Reichsrath of any copy of such books printed elsewhere ;&#13;
to-day (March 29) passed the Literary Convention provided that two such copies may be especially&#13;
with Germany.&#13;
imported for the bona fide use of any public free&#13;
&#13;
&#13;
## p. 212 (#290) ############################################&#13;
&#13;
212&#13;
THE AUTHOR.&#13;
library or any university or college library or any The following remarks and comments on the&#13;
duly incorporated institution or society.&#13;
agreements may be useful to authors. There is&#13;
“And whereas there is subsisting copyright in no doubt that a great many authors purchase and&#13;
the Copyright Act as to the book the title of which read “ The Literary Year Book” with a desire&#13;
is • The Lane which had no Turning,' which book to get useful hints as to the management of&#13;
was first lawfully published in Great Britain, their property. These, no doubt, in many instances&#13;
and whereas it has been proved to my satisfaction they might acquire, but ihey cannot be too careful&#13;
that Gilbert Parker, the owner of the copyright how they deal with their agreements, and it is for&#13;
• so subsisting and of the copyright acquired by their guidance that the following remarks are&#13;
such publication, has lawfully granted to George made:&#13;
N. Morang and Co. Limited, a licence to repro Firstly, the author of the article states as&#13;
duce in Canada editions of such book designed follows: “ The Copyright Act of 1842 gives the&#13;
for sale only in Canada.&#13;
author of a published book copyright in it on his&#13;
“I do hereby order, subject to the proviso registering it at Stationers' Hall.” This state-&#13;
contained in the said Act, that the importation, ment is very misleading, as it is not necessary to&#13;
except with the written consent of George N. register at Stationers' Hall in order to obtain&#13;
Morang and Co. Limited, into Canada, of the copyright. Copyright is obtained by publication.&#13;
said book printed elsewhere, be and the same is It is only necessary to register at Stationers' Hall&#13;
hereby prohibited.&#13;
prior to taking action for infringement.&#13;
“Given under my hand and seal on the day With regard to the royalty agreement he then&#13;
and date above written.&#13;
states on the question of how far the contract&#13;
“ (Signed) SIDNEY FISHER,&#13;
for publication should be a personal one or not:&#13;
“Minister of Agriculture.” “ It ought to be presumed that a publisher who&#13;
conducts a respectable and honourable business&#13;
will, when he retires from it, probably do so,&#13;
IV.-AGREEMENTS AND “THE LITERARY YEAR however suddenly, respectably and honourably;&#13;
Book."&#13;
and he ought not to be deprived of the right,&#13;
The new issue of “ The Literary Year Book” is which he himself allows the author, of assigning&#13;
now before the public, and on the whole the his interest in the work if necessary. Deprived&#13;
editor is to be congratulated on the results of his of that right he would be justified in making the&#13;
efforts. But from the authors' point of view, hardest bargain possible for a mere life-interest&#13;
that is, from the point of view of the owners of in the property."&#13;
literary property—the article on agreements must Perhaps lack of space has prevented this&#13;
necessarily meet with severe strictures.&#13;
matter from being dealt with fully; there are&#13;
In the introduction the editor says that in this two or three points, however, which should be dis-&#13;
book he takes “the value of the author and the tinctly pointed out: firstly, that the property is&#13;
honesty of the man of business with whom he the author's, that therefore he should have the&#13;
deals for granted,” but in dealing with the ques. right of dealing with it; secondly, that many of&#13;
tion of agreements the honesty of the publisher the best known business houses are limited liability&#13;
is not in dispute. The real issue is whether a companies; thirdly, that the question of liquida-&#13;
book like “ The Literary Year Book” should deal tion and bankruptcy has been overlooked, and the&#13;
with agreements from the standpoint of the possibility that misfortune might fall to the lot&#13;
author or the publisher. The editor remarks, of even the best houses. In this third case the&#13;
“Impartiality is our key-note"; if this were author's property and the right of dealing with&#13;
possible, it is not expedient when an appeal is it might be sold under an order of the court to&#13;
being made to authors, and if it were expedient, the highest bidder, and the position of the author&#13;
the doctrine has hardly been carried out in the would be unsatisfactory and his property im-&#13;
article referred to. If the line of impartiality perilled.&#13;
had been carried out, it would have been neces- In Clause I as put forward for the reader's&#13;
sary to draft a clause and elaborate the arguments consideration the publisher undertakes to pro-&#13;
pro and con. This would have entailed great duce “at his own risk and expense" and “ with&#13;
labour, a larger knowledge, and larger scope. It due diligence," and "to use his best endeavours&#13;
follows, therefore, that the agreements should to sell the book.” The remark passed by the&#13;
either have been dealt with exhaustively or not writer is as follows: “ Part of the undertaking&#13;
at all, and the same remark applies equally to would seem superfluous on the part of the pub-&#13;
other articles contained in this book. The space lisher.” In an article published in The Author&#13;
given is too small to deal with the question in for July, 1900, this subject was fully dealt with,&#13;
a satisfactory manner.&#13;
and examples there quoted—examples which have&#13;
&#13;
&#13;
## p. 213 (#291) ############################################&#13;
&#13;
THE AUTHOR.&#13;
213&#13;
come before the Society-show distinctly that in case—that is, through an agent--at a charge of&#13;
many instances the publisher does not publish 10 per cent. only. Again, when a publisher is&#13;
with due diligence and does not use his best given the right to produce throughout the world,&#13;
endeavours to sell the book. Full knowledge it very often pays him better, missing the American&#13;
tends to show that an undertaking such as put copyright for the author, to sell stereos to the&#13;
forward in Clause 1 is by no means superfluous, United States. This course, however, is by no&#13;
in many cases it is absolutely necessary.&#13;
means so satisfactory for the author.&#13;
With regard to Clause 2, which deals with the With regard to Clause 4 (the clause for pay-&#13;
indemnity to the publisher against loss for libellous ment of royalties), one very important point has&#13;
and scandalous matter contained in the book, been missed out-namely, that several of the pub-&#13;
some clause on this basis is absolutely necessary lishers put net books on the market; and it&#13;
and fair to the publisher, but the clause put should be expressly stated in the agreement&#13;
down is much too wide and gives too large a whether the book is sold net or subject to the&#13;
scope. Again, the comment on this clause runs as usual discounts. If the book is sold net, the&#13;
follows : “And the publisher may usually be author's royalty should be raised proportionately.&#13;
entrusted with the discretionary power." But if In any case it is of vital importance that the pub-&#13;
the publisher is indemnified it is really of little lished price of the book should be inserted in the&#13;
importance to him how expensive the cost may be agreement. This point has been touched on by&#13;
One instance was brought to the notice of the the writer of the article.&#13;
Society in which the publisher under this indem- “Where copies or sheets of the actual book&#13;
nity clause was not only anxious to fight a very itself are exported, payment should be by way of&#13;
expensive case in America on behalf of the author, royalty on the English published price." This is&#13;
but desired to carry it to the higher courts. not the usual custom, nor is the method satis-&#13;
There is no doubt that the author should have factory. On colonial editions a sum is generally&#13;
some power of limiting expensive costs.&#13;
paid on every copy when exported in sheets.&#13;
In Clause 3 the publisher is given the right to It is impossible to deal with these two last&#13;
publish for the legal term of copyright. The clauses exhaustively. The reader can only be&#13;
importance of this clause cannot be over-esti. referred to the Society's books “ The Methods of&#13;
mated. It should be pointed out that in the Publishing," “ The Addenda to the Methods,"&#13;
other clauses referring to a royalty agreement, “The Forms of Agreement issued by the Pub-&#13;
there is no arrangement for remuneration of the lishers' Association, with Comments by the Secre-&#13;
author on the sale of serial publication and of his tary of the Society," and to Sir Walter Besant's&#13;
minor rights. The answer, no doubt, would be “The Pen and the Book.” The question embraced&#13;
that in Clause 3 the publisher has only the right in these two clauses is so large and of such&#13;
to publish in book form. This, however, is not importance to the author that a superficial com-&#13;
stated, and the point is vital when the propertyment on a superficial and inadequate statement&#13;
of the author is being dealt with. Some of the is more likely to throw the author into difficulty&#13;
comments by the writer are satisfactory and than to assist him in coming to any satisfactory&#13;
sound, especially with regard to the price of the conclusion.&#13;
book. The day of publication is also an impor. The account clause follows next. Semi-annual&#13;
tant point, as many authors have more than one accounts should be preferred (see the books&#13;
contract for book publication, and it is of vital already referred to). Thirteen copies should not&#13;
importance that two books should not be issued be reckoned as twelve. If thirteen cupies are&#13;
simultaneously. The question of American pub- reckoned as twelve then the royalty should he&#13;
lication necessitates that care should be taken proportionately increased. The remarks with&#13;
with regard to the date on which a book is pro. regard to the amount allowed for corrections are&#13;
duced, but the whole question is dealt with by by no means in accord with the majority of agree-&#13;
the writer too superficially, either because he did ments put forward by publishers.&#13;
not care to deal with the author's side of the Clause 6 refers to the revision of the book by&#13;
case, or through ignorance or want of space. the author, and on this clause no comment is&#13;
The remarks with regard to the sale of serial made, as it is stated that no comment is neces-&#13;
and rights other than book rights are useful. It sary. But a comment is exceedingly necessary as&#13;
should, however, be pointed out that a publisher it is of the greatest importance, especially in the&#13;
usually asks 50 per cent. of the returns on the case of technical work, that the author should&#13;
sale of these rights, and takes very little trouble retain the right of revision and not permit that&#13;
with regard to selling them ; whereas an author the book should be arbitrarily dealt with by the&#13;
can place these rights either by himself or through publishers. This point should be made quite&#13;
an agent to greater advantage, and in the latter clear. The clause as it stands is not so, as from the&#13;
&#13;
&#13;
## p. 214 (#292) ############################################&#13;
&#13;
214&#13;
THE AUTHOR.&#13;
There is one publisher certainly who states his&#13;
terms in the manner and order set out in the&#13;
Year Book, one publisher whose agreements have&#13;
often been commented on by the Society. No&#13;
author, however, should sign an agreement such&#13;
as is put forward in “ The Literary Year Book."&#13;
comments on most of the points at fault have&#13;
been exhaustively made in the agreements issued&#13;
by the Publishers' Association and printed by&#13;
the Society in pamphlet form.&#13;
latter part of it it would appear that if the author&#13;
neglected to revise the book, considering, perhaps,&#13;
that it did not need revision, the publisher&#13;
might arbitrarily revise it, and deduct what&#13;
ever cost there was from the returns to the&#13;
author. Again it should be remarked that the&#13;
property is the author's, and the author must have&#13;
the right of safeguarding it.&#13;
The last clause, with regard to the remaindering&#13;
of the book, again gives the publisher too large a&#13;
power. He alone has the right to remainder the&#13;
book when he pleases. The author's reputation&#13;
is in no way taken into consideration. From&#13;
examples that have been brought to the Society's&#13;
notice it is shown to be of importance to prevent&#13;
the publisher from remaindering the work until&#13;
after it has had a fair chance of sale.&#13;
It is not infrequently the case that a publisher&#13;
may desire to get the book off his shelves when&#13;
it may be selling from the author's point of view&#13;
quite satisfactorily. The real point to be remem-&#13;
bered is, to allow the author some satisfactory&#13;
control.&#13;
This is the’end of the comments on the royalty&#13;
agreement.&#13;
It must not be thought that all suggestions&#13;
ught that all suggestions&#13;
made are unsatisfactory and inadequate; some of&#13;
them are excellent, if lukewarm, but the omissions&#13;
are glaring.&#13;
If the only fault to find with the proposed&#13;
agreements were faults of omission little need&#13;
have been said, but from the authors' point of&#13;
view the mistakes of commission necessitate&#13;
putting forward these corrections for their&#13;
guidance and their safeguard.&#13;
The next agreement put forward is the share&#13;
profit agreement. It is absolutely impossible for&#13;
the contributor to “The Literary Year Book” to&#13;
deal with such a complicated and dangerous sub.&#13;
ject in anything like a reliable manner in two&#13;
pages. It will be only necessary to state that, of&#13;
the comments made, the one with regard to adver-&#13;
tisements is entirely misleading. The author ought&#13;
to have a veto on the amount spent in advertising&#13;
and the place where the advertisements are pro.&#13;
duced, and no advertisements on any account&#13;
should be made in the publisher's own magazines&#13;
without special leave of the author, and then at&#13;
simply the cost of setting up the type and print-&#13;
ing. This subject has been fully dealt with in&#13;
the books published by the Society. Authors&#13;
should strongly guard against adopting this&#13;
method of production. The last agreement that&#13;
will be dealt with is where the publisher is com-&#13;
missioned to publish the book at the author's&#13;
own expense. The writer of the article states&#13;
“ the terms of such business are usually stated by&#13;
the publisher in the following manner and order."&#13;
V.-A New TRICK.&#13;
I send you herewith a letter which I clipped&#13;
out of a late number of the Nation which calls&#13;
attention to a new system of deception, apparently,&#13;
that is being developed to the injury of authors.&#13;
It would appear that certain persons buy from&#13;
the authorised publishers printings of sheets of a&#13;
book and then add matter of some kind or other.&#13;
divide up the bulk into a large number of&#13;
volumes, and put these out as “an edition " at&#13;
fancy prices-prices probably which no person&#13;
would pay, knowing the facts. The result is that&#13;
when the author comes to prepare a genuine&#13;
edition, intended for book lovers and those who&#13;
would ordinarily pay for fine editions of such&#13;
works, he finds that the market has already been&#13;
supplied in the way suggested in the inclosed&#13;
lettter.&#13;
A. T. GURLITZ.&#13;
PEPys's Diary.&#13;
Sir,-A few days ago a book agent, representing a subscrip-&#13;
tion house, called upon me and offered a set of Wheatley's&#13;
edition of “ Pepys's Diary” in eighteen volumes, at prices&#13;
ranging from about 50 dollars in buckram binding to I don't&#13;
know how much in "crushed levant.” He unblushingly&#13;
asserted that it was the “ only complete" edition, and was&#13;
imported from abroad by his firm As a caution to others&#13;
who may be called upon in the same way, allow me to state&#13;
that the only complete copyright edition of “Pepys's Diary,"&#13;
edited by Wheatley, is published by the Macmillan Com-&#13;
pany, in nine volumes, at i dollar 50 cents a volume. The&#13;
Macmillan Company sold 500 sets of the sheets, printed from&#13;
their plates at the Norwood Press, to a subscription house for&#13;
“extra illustrating," and this is the so-called " imported ”&#13;
edition which is being foisted off on an unsuspecting-or&#13;
credulous-public in eighteen volumes at a price anywhere&#13;
from 3 dollars a volume ap.-Louis N. Wilson, Librarian,&#13;
Clark University, Worcester, Mass, Feb. 18.&#13;
VI.—WHITE v. CONSTABLE.&#13;
We have received a communication from the&#13;
plaintiff in this case. It contains :-&#13;
1. The report of the case from the Publishers'&#13;
Circular.&#13;
2. A letter from the plaintiff addressed to that&#13;
paper.&#13;
3. A statement of the case by the plaintiff.&#13;
&#13;
&#13;
## p. 215 (#293) ############################################&#13;
&#13;
THE AUTHOR.&#13;
215&#13;
In the last number of The Author attention&#13;
was called to the very strange and unintelligible&#13;
reports of the trial. The whole case, however,&#13;
seems worse-even more unintelligible-than&#13;
appeared from these reports.&#13;
By the written agreement the book had to be&#13;
produced on or before March 20, 1898.&#13;
The plaintiff states that by this agreement the&#13;
publishers were to receive as follows:-&#13;
£ s. d.&#13;
“For the edition,” meaning, one&#13;
supposes, composition, print-&#13;
ing, paper, and binding (query,&#13;
corrections as well ?)............ 95 0 0&#13;
For advertising ..................... 15 0 0&#13;
100 copies free, say, at 3s. 6d. ... 17 10 0&#13;
Moulding (68. a sheet of 2 1 sheets) 6&#13;
aooo&#13;
oooo&#13;
Total .........................£133 16 0&#13;
They were to pay the author 28. 6d. a copy for&#13;
all copies over and above the first 100, and they&#13;
were to issue an edition of 1500.&#13;
With these figures, suppose 600 copies were to&#13;
be sold. How would the author and publisher&#13;
respectively stand ?&#13;
PUBLISHER. £ $. d.&#13;
100 copies free........................ 17 10 0&#13;
500 copies at 38. 6d. less royalty?&#13;
at 28. 6d. ...&#13;
olo o&#13;
the edition sells the publisher makes £87 108.,&#13;
the author £58 145.&#13;
Or, to put it another way, 1030 copies must be&#13;
sold before the author realises his advance, and in&#13;
the most favourable event possible—a most&#13;
unlikely event-he can only realise £58 148., from&#13;
which must be deducted any extras that may be&#13;
charged.&#13;
These figures suppose that the publisher made&#13;
no profit on the money advanced. It was stated,&#13;
however, in the course of the trial that the&#13;
publishers had lost money by the transaction.&#13;
This evidence had nothing to do with the point&#13;
at issue. It is a pity that this was the case. An&#13;
examination into the figures would have been&#13;
interesting.&#13;
Mr. White's communication opens up a great&#13;
many points, all of which might have formed&#13;
subjects for cross-examination, but as they&#13;
turn upon verbal agreements, which are always&#13;
liable to misunderstanding, it is not desirable to&#13;
touch upon them here. The first and most im-&#13;
portant question is as to the cause of the delay.&#13;
There is nothing at all in the evidence to show&#13;
that the plaintiff caused the first fortnight's&#13;
delay : the evidence as reported tends quite in the&#13;
other directionthat the sheets should have been&#13;
placed in the binder's hands in time to bring out&#13;
the book on the 20th: that the binders were&#13;
ready for them : that they only got “some early&#13;
copies” on March 31, so that the agreement was&#13;
then broken by nearly a fortnight: and that&#13;
the subsequent delay, even if it were caused&#13;
by the plaintiff, could not remedy the loss of&#13;
that fortnight and the breaking of the agree.&#13;
ment, if his statement as to the contract is&#13;
correct.&#13;
The second and most important question is as&#13;
to the amount of damage suffered by the plaintiff.&#13;
It is easy to be wise after the event, but would it&#13;
not have been better to have accepted the amount&#13;
paid into court rather than win the case but&#13;
lose the costs ?&#13;
The plaintiff's letter to the Publishers' Circular&#13;
on April 6 fully sets out the inaccuracy of the&#13;
report.&#13;
The Circular expressed sorrow for its in-&#13;
accuracies. The Report was made up, it said,&#13;
from three sources. One would like to know from&#13;
which of the three the following interesting little&#13;
allegations were gathered :&#13;
J. That the plaintiff had “sought and found&#13;
bad advice from some other London publisher.”&#13;
2. That he had given £110“ towards” the cost&#13;
of production, whereas he gave £95 for the cost&#13;
of production-a very different thing, especially&#13;
considering that the book, as the author alleges,&#13;
was printed in Holland.&#13;
Total...........................&#13;
£42 10&#13;
AUTHOR.&#13;
500 copies at 2s. 6d. ...&#13;
Less money advanced ............... 116&#13;
Juu wpies du 28. Oll. ...............&#13;
02 10&#13;
0&#13;
6&#13;
0&#13;
Loss ............... £53 16 0&#13;
This is an excellent arrangement for the pub.&#13;
lisher, as, without taking any risk if the book&#13;
sells only 600 copies, he makes £42 10s., but the&#13;
author loses £53 16s.&#13;
Suppose the 1500 copies all sold :&#13;
PUBLISHER. £ s. d.&#13;
100 copies, free ...... ....... 17 10 0&#13;
1400 copies at 1s. .................. 70 0 0&#13;
ܝܘ ܘ ܘ | ܘ&#13;
Total.&#13;
£87 100&#13;
AUTHOR.&#13;
1400 copies at 28. 6d. ............... 175&#13;
Less money advanced ...... 116&#13;
0&#13;
6&#13;
0&#13;
£58 14 0&#13;
Here, again, the publisher's sound position is&#13;
established. The author takes all the risk. If&#13;
VOL. XI.&#13;
&#13;
&#13;
## p. 216 (#294) ############################################&#13;
&#13;
216&#13;
THE AUTHOR.&#13;
For other points we refer the reader to Mr. made the fortune of its predecessor. The first&#13;
White's letter in the Publishers' Circular. The issues prognosticate a higher literary level.&#13;
editor, after stating that the Report was made up M. Juven is a man wise in his generation. This&#13;
from three different sources, says that he “ put in time he can afford to be a little more scrupulous.&#13;
the account just as it came” to him. But it&#13;
came from three sources; someone, therefore,&#13;
M. DESCHAMPS AND OTHERS.&#13;
must have pieced it together; and someone must M. Deschamps is winning golden opinions in&#13;
be responsible for the “inaccuracies” admitted the United States. His series of lectures on&#13;
by the editor.&#13;
“Le Théâtre contemporain en France," dealing&#13;
In this treatment of the case we have to with the French drama from Dumas fils down&#13;
express some sympathy with the defendants. It to the present day (including a survey of the&#13;
was clearly not their fault that a case involving works of MM. Paul Hervieu, Maurice Dounay,&#13;
literary property should have been treated with so Henri Lavedan, Victorien Sardou, the late Henri&#13;
much levity, and reported with so much inaccuracy. de Bornier, Jean Richepin, Edmond Rostand,&#13;
&amp;c.) is reported to have been highly appreciated by&#13;
the members of the Harvard University. The&#13;
remaining twenty-two universities and literary&#13;
PARIS LETTER.&#13;
associations which seconded the Harvard French&#13;
Club's invitation will, undoubtedly, prove an&#13;
4 bis, rue des Beaux-Arts.&#13;
equally grateful audience.&#13;
THE present and future relations of Great Meantime, M. Edmond Rostand, who is engaged&#13;
| Britain and France have of late occupied on a new play entitled “La Maison des Amants,"&#13;
- the attention of more than one writer. for the Comédie Française ; M. Georges de Porte-&#13;
One of the most practical articles on this knotty Riche, delicate versifier and successful dramatist ;&#13;
subject is that which appeared in the Nouvelle M. Stéphen Liégeard, whose distinguished poetical&#13;
Revue, with the signature of M. Louis Jadot. record is reinforced by his upwards of thirty&#13;
Its general tenor may be gathered from the years' close friendship with the late Henri de&#13;
following extract:&#13;
Bornier; and M. Edmond Haraucourt, im.&#13;
“ The English and French temperaments are passioned poet and vigorous writer, are among&#13;
too different ever to admit of a very lively the candidates whose names are announced as&#13;
sympathy between the two nations, but that need preparing to contest the vacant de Bornier&#13;
not prevent a discreet and pacific understanding, fauteuil. Leconte de Lisle entertained a warm&#13;
in the maintenance of which both parties have an admiration for the last-named candidate's works.&#13;
interest. We have, in 1900, imported goods to In his solitary contribution to the “ Anthologie&#13;
England amounting to over 1,300,000,000 francs; des poètes français,” we find this flattering&#13;
while England, on her side, has exported to us judgment: ..&#13;
productions amounting to about 500,000,000 “ Among all the young poets who have revealed&#13;
francs. Two nations having such important com themselves during these latter years, Haraucourt&#13;
mercial exchanges may sulk, but not fall out is assuredly the most remarkable and the best&#13;
with each other; they may the less do so since gifted, both as thinker and writer.'&#13;
they constitute two important factors of civilisa. The French Academy ratified this verdict by&#13;
tion, which implies in each the existence of an bestowing on M. Haraucourt the “Prix de&#13;
amount of intelligence, energy, science, and labour, Poésie.” But that was before M. Rostand's&#13;
which imposes esteem.&#13;
star had reached its zenith, eclipsing all lesser&#13;
“Do not let us be led astray by the aggressive lights. Needless to add that the latter is gene-&#13;
tone of our own or the English Press; but let us rally expected to be the successful candidate.&#13;
study and seek to comprehend the social, The election will probably take place towards the&#13;
economical, and political life of our neighbours, end of May, as the official receptions of the last&#13;
in order that we may take of their good qualities newly-fledged pair of immortals (MM. Faguet&#13;
that which is assimilable with our temperament, and Berthelot) have been postponed the first to&#13;
and avoid the defects this study will have revealed April 18 or 25, the second to May 2 or 9.&#13;
to us."&#13;
A salutary counsel which, if put into practice,&#13;
“LES HABITS VERTS.”&#13;
can scarcely fail to be otherwise than beneficial to The French Academy has unanimously bestowed&#13;
both parties. À propos of the subject, it is to be the Jouy prize (value 14,000 francs) on M.&#13;
hoped that La Contemporaine, the new periodical Adolphe Brisson. This prize is awarded every&#13;
launched by M. Juven, founder of Le Rire, will two years to the author of the best work, which&#13;
not degenerate into the rabid Anglophobia which has appeared during that period—“soit d'observa.&#13;
&#13;
&#13;
## p. 217 (#295) ############################################&#13;
&#13;
THE AUTHOR.&#13;
217&#13;
tion, soit d'imagination, soit de critique, ayant The “ Euvres de Molière ” (1666), 2 vols., in&#13;
pour objet l'étude des mæurs actuelles.” In his duodecimo, Mercier binding, fetched 1860 francs ;&#13;
amusing sketch entitled “Les Habits Verts” a second “ (Euvres de Molière ” (1673), 8 vols. in&#13;
(viz., the green coats adorned with palms which' 12, ancient binding, was bought for 7720 francs ;&#13;
form the ceremonial uniform de rigueur of while a third edition of the same author (1674-&#13;
members of the French Academy) M. Brisson 1675), 7 vols. in 12, Frantz-Bauzonnet binding,&#13;
asserts the coveted garment to be an equivocal obtained 1950 francs. A fourth edition (1682),&#13;
pleasure to fat men. It irresistibly attracts the bearing the La Reynie arms, Frantz-Bauzonnet&#13;
eye, and throws up the physical imperfections of binding, fetched 13,200 francs. The original&#13;
the wearer. We are informed that the celebrated editions of “ Les Précieuses Ridicules" (1660), in&#13;
Ernest Renan was the greatest martyr to the 12, Mercier binding; of “ Sganarelle" (1660), in&#13;
green coat who has yet existed. After having 12, Cuzin binding; of “Le Tartuffe" (1669), in&#13;
disbursed the necessary 750 francs for his 12, Cuzin binding; of “L'Amour Médecin ”&#13;
Academical costume, he confidingly imagined the (1666), in 12, Mercier binding; of “Le Bour-&#13;
matter was finished. But he reckoned without geois Gentilhomme" (1671), in 12, Frantz-Bau-&#13;
his bost. Immediately after his nomination he zonnet binding; of “Psyché” (1671), in 12,&#13;
commenced to expand immoderately. Each time Cuzin binding; and of the “ Recueil des Ballets&#13;
he was forced to don the regulation garb:&#13;
et Fêtes de la Cour,” by the same author, were&#13;
“Il constatait avec désespoir que ce damné respectively sold for 5100 francs, 3000 francs,&#13;
vêtement semblait s'être rétréci. “Il forçait, il 1220 francs, 1000 francs, 1060 francs, 2525&#13;
forçait!... Il arrivait bien à s'introduire francs, and 2405 francs; “ Les Sentiments de&#13;
dans la carapace, mais il ne pouvait plus remuer l'Académie Française sur le Cid” (1638), in 8,&#13;
les bras. On eut dit une tortue dressée en bearing the Cardinal de Richelieu's arms, Le&#13;
équilibre sur ses pattes de derrière."&#13;
Gascon binding, fetched 9420 francs; while the&#13;
Several times be sent for his tailor and avowed&#13;
“ Euvres de Louise Labé” (1555), ancient&#13;
his suffering. The tailor finally hinted that the&#13;
binding, obtained 5000 francs. The “ Euvres&#13;
best remedy was to order a new coat. But the&#13;
pat. But the Complètes ” of Rabelais (1556), in 16, were&#13;
author of “La Vie de Jésus ” turned a deaf ear&#13;
bought for 3000 francs ; and the original&#13;
to the suggestion. He had no mind to disburse editions of La Fontaine's “ Contes et Nouvelles&#13;
a second 750 francs. Instead of doing so, he put&#13;
en Vers,” in 12, in red morocco binding and&#13;
on his most affable air, and with the episcopal&#13;
gilded, and “ Fables Choisies" (1668) respectively&#13;
unction with which all his speeches and gestures&#13;
fetched 800 and 1060 francs. The original&#13;
were impregnated :&#13;
edition of the “Esther” of Racine (1689), bear-&#13;
"Look you, friend,” said he, “ you are a skil-&#13;
ing Mme. de Maintenon's arms, ancient binding,&#13;
ful man. You know all the secrets of your art.&#13;
was bought for 7500 francs; while the “ (Euvres&#13;
Do you not think that an adroit repairing might&#13;
de Racine" (1697), 2 vols., Frantz-Bauzonnet&#13;
restore to this garment its lost elegance? I am&#13;
binding, fetched only 1050 francs.&#13;
like Béranger; I love my old coat. It would be&#13;
A BOLD-FACED Piracy.&#13;
painful to me to separate myself from it.”&#13;
M. Henry Fouquier, the well-known dramatic&#13;
The tailor was touched by the appeal. He did&#13;
critic of the Figaro, recently appeared before the&#13;
his utmost. The coat was transformed into a&#13;
Sixth Chamber of the Civil Tribunal of the Seine,&#13;
comfortable garment. “And,” adds M. Brisson,&#13;
suing for damages from M. Cios (advertising&#13;
“ the great philosopher had the happiness of&#13;
agent) on account of a bold-faced act of literary&#13;
dying without having renewed his Academical&#13;
piracy perpetrated by the latter gentleman to the&#13;
costume !”&#13;
detriment of M. Henry Fouquier and of the&#13;
THE DE VILLENEUVE SALE.&#13;
Société des Gens de Lettres. M. Cios had&#13;
The following prices offered at the De Ville obtained from Mme. Sarah Bernhardt the mono-&#13;
neuve sale (Hôtel Drouot for choice editions of poly of the sale of the “ Aiglon” programme.&#13;
the respective works below cited will rejoice all Being desirous to avoid paying for the analysis of&#13;
loyal bibliophiles and, likewise, the fortunate the play usually contained in such booklet-&#13;
possessors of rare volumes. It will be remembered programmes, he hit upon the expedient of copying&#13;
that the late M. Guyot de Villeneuve was for verbatim the critique on the “ Aiglon " which&#13;
many years president of the Society of French appeared in the Figaro above the signature of&#13;
Bibliophiles. The sum total realised by the sale the dramatic critic of that paper. M. Fouquier&#13;
of his magnificent library—now irretrievably duly explained to the Tribunal that, being a&#13;
dispersed-amounted to 399,947 francs (almost member of the Société des Gens de Lettres, he&#13;
£16,000).&#13;
was unable to authorise any person to reproduce&#13;
&#13;
&#13;
## p. 218 (#296) ############################################&#13;
&#13;
218&#13;
THE AUTHOR.&#13;
the article in question. Had Mme. Bernhardt Samuel L. Clemens as an expert witness, called&#13;
herself requested him to abandon the royalty due by Mr. Kipling's attorney to testify to the value,&#13;
to him therefrom, he could only have refunded as an author's asset, of an author's distinctive&#13;
her the money after it had been regularly trade-mark. Mr. Clemens' trade-mark is “Mark&#13;
collected by the society. He therefore demanded Twain ”; Mr. Kipling's trade-mark in the United&#13;
from M. Cios 3000 francs damages, since that States is the elephant-headed Ganesha, the god of&#13;
gentleman had not only reproduced the Figaro auspicious beginnings, and, although the analogy&#13;
article without authorisation, but had obtained seems fanciful to the layman, Mr. Clemens was per-&#13;
important profits by his dishonest proceeding. mitted by the commissioner to expound upon the&#13;
M. Fouquier won the case. The defendant not right of an author to exclusive ownership in any&#13;
appearing, judgment by default was pronounced pen-name and device whicb he chooses to adopt.&#13;
against him.&#13;
The informal character of the semi-judicial pro-&#13;
IN MEMORIAM.&#13;
ceedings allowed Mr. Clemens to smoke several&#13;
The death of M. Philippe Gille, journalist, cigars while addressing the tribunal ; he appeared&#13;
dramatist, and literary critic of the Figaro, has to enjoy himself, and he asserted vigorously that&#13;
been widely regretted. “ He read everything Mr. Kipling should defend to the last ditch his&#13;
conscientiously; he analysed admirably; he property in Ganesha, as would the humorist&#13;
quoted judiciously; and he judged impartially, himself defend his own property in the noin de&#13;
never forgetting the respect due to successful plume “ Mark Twain.”&#13;
talent, nor the encouragement necessary to the Mr. Clemens will soon have the opportunity so&#13;
young and diffident writer.” A worthy record to do. A Western house has printed a volume&#13;
that any critic might be proud to merit!&#13;
advertised, on the title page, as “ by Mark Twain,&#13;
For several months previous to his death he and others." The author has brought suit. Of&#13;
had been laid aside by a terrible malady course the words “and others" were added in&#13;
hemiplegia, complicated by the rupture of the diamond type.&#13;
thyroid artery; and when, at last, the end came&#13;
to this conscientious worker and loyal comrade it&#13;
PROPOSED LAW AGAINST SMALL TYPE.&#13;
was welcome. His body was interred in the&#13;
A member of the New York State Legislature,&#13;
family mausoleum at Montmartre, being accom- by the way, wishes to protect the eyes of the&#13;
panied thither by a lengthy cavalcade including American public against any type smaller than&#13;
all that Paris contains of most brilliant and&#13;
eight-point. The suggested law is interesting,&#13;
illustrious in the triple realm of literature, art,&#13;
for, so far as I know, it is the first proposition of&#13;
and the drama.&#13;
DARRACOTTE Scott.&#13;
its kind. The statute takes the form of an&#13;
amendment to the Health Law, and its more im-&#13;
portant paragraphs provide that books, news-&#13;
papers, or serial literature shall not be published&#13;
in type smaller than eight-point, of which the&#13;
AMERICAN LETTER.&#13;
lower-case alphabet measures less than fourteen&#13;
ems; that the lines of type shall be separated by&#13;
New York City, April 12, 1901. at least two-point leads; and that this shall not&#13;
M R. RUDYARD KIPLING'S suit for apply to print contained in foot notices or indexes,&#13;
I damages by infringement against the or to books or other printed matter intended for&#13;
e house of Putnam has been given this reference use only. It is specified that any&#13;
week a place upon the calendar of the United person violating the regulation shall be guilty of&#13;
States Circuit Court, and before these words are a misdemeanour, punishable by fine of not less&#13;
in type the evidence will have been heard by than fifty dollars nor more than one thousand&#13;
judge and jury. The same distinguished author dollars.&#13;
has instituted an action against the Fennos, who I t is needless to describe how the indignant&#13;
published, as it is alleged, several of the Kipling publishers united their forces in order to secure&#13;
stories without any right thereto, and who added the defeat of this Bill by an adverse vote of the&#13;
insult to injury, according to the plaintiff's claim, Assembly. From our State legislatures we are&#13;
by imprinting a duplicate of the famous elephant's accustomed to expect anything in the way of wild&#13;
head designed by Mr. John Lockwood Kipling law making, but this “eight-point law” exhibits&#13;
for the authorised “Outward Bound” edition a desire to interfere in the making of books to&#13;
which was issued by the Scribners. A pre- which there would be no limit if an entering&#13;
liminary hearing in this latter cause is now wedge were driven. On the same ground,&#13;
slowly proceeding before the commissioner. It pictures poorly reproduced might be interdicted,&#13;
was enlivened recently by the introduction of Mr. or flimsy bindings, or even uncut edges, because&#13;
&#13;
&#13;
## p. 219 (#297) ############################################&#13;
&#13;
THE AUTHOR.&#13;
219&#13;
the nerves of the public might be unhealthfully be worth, Mr. Carnegie is quite competent to&#13;
strained thereby. No wonder that the publishers startle us with a scheme of this description.&#13;
were alarmed.&#13;
THE GLARE OF THE FOOTLIGHTS.&#13;
THE CONNECTION BETWEEN MAGAZINES AND The “book-play” craze has received several&#13;
LITERATURE.&#13;
body blows during the present theatrical season,&#13;
Every English writer who keeps a commercial in the shape of half a dozen preposterous dramati.&#13;
eye on remunerative American magazine editors sations of popular novels. The Critic magazine&#13;
will be more or less enlightened by the obiter tells an amusing illustration of this dramatic&#13;
dicta of Mr. Walter H. Page, perhaps the most fashion. It seems that one of our theatre&#13;
purposeful and progressive among the younger managers, who had been unlucky in his attempts&#13;
editors of our periodicals. Last week Mr. Page to secure the stage rights of record-breaking&#13;
delivered an after-dinner speech about the novels, determined to start from the beginning.&#13;
American Magazine. A newspaper report made He brushed up his United States history, selected&#13;
him say: “ The good editor ought to be able to a set of characters and episodes which appealed&#13;
see just how far each phase of development in life most strongly to his theatrical instinct, and then&#13;
has advanced, and then to point out how it can go a approached a successful novelist with a propo.&#13;
little further. Men are divided everywhere into sition to write a story about them. The manager&#13;
two classes. They live in two houses the house was to have the dramatic rights, the author to&#13;
of do' and the house of .don't.' It is for the have all the novel would make. Upon these&#13;
former that the American magazines must be&#13;
terms the book has been written, and it appears&#13;
written.” And again : “The editor should have upon the spring list of a prominent publisher.&#13;
a well-trained sense of literary values, but he&#13;
Even in the absence of such an antecedent agree.&#13;
should not think that a magazine ought to have ment our novelists nowadays compose, consciously&#13;
anything to do with literature. The making of&#13;
or unconsciously, with the glare of the footlights&#13;
magazines is not literature: it is journalism. distracting the artistic vision. The output of&#13;
Those editors who are trying to get out monthly current fiction is inevitably affected.&#13;
literature are making dull magazines. It is not&#13;
Unfortunately, however, the selection of books&#13;
the magazine that ought to produce literature, but for stage purposes is, based, apparently, upon the&#13;
the book.” Certainly this sort of editorial policy circulation and not upon genuine dramatic pos-&#13;
seems to be prevalent with us, and the wise con. sibilities, and the acting versions in some later&#13;
tributor will govern himself and his manuscripts cases have been as bad as could be, made usually&#13;
accordingly. The literary magazine “article” is&#13;
by mechanical and unsympathetic workmen. In&#13;
not in vogue, and even in periodical fiction the&#13;
the meantime our real playwrights are dejected&#13;
note is that of activity and achievement and and our critics bewail. Thus, for example, Mr.&#13;
modernity. Does one whisper “ Kipling"? It Norman Hapgood in the Bookman : “ When an&#13;
would be unsafe to ascribe the condition to any American author of world-wide fame returned&#13;
single cause, however pointed the example.&#13;
recently to New York, after several years abroad,&#13;
his cominent on the stage in this city was that it&#13;
MR. CARNEGIE AND THE THEATRE.&#13;
seemed to be run to meet the taste of donkeys.&#13;
Mr. Andrew Carnegie has escaped miraculously There has been no month within some time to&#13;
the desire to found a magazine, and in the multi. justify this verdict more neatly than the one just&#13;
tude of his educational charities his deliverance past."&#13;
from such an enterprise is nothing short of provi.&#13;
A CHECK TO PIRATES.&#13;
dential. But it is suggested that the great Certain piratical dealers in dramatic literature&#13;
philanthropist has been attacked by the bacillus have been checkmated by an opinion of the&#13;
of an “Independent Theatre.” In the public Attorney-General of the United States regarding&#13;
Press he has invited responses to the question: the importation of Rostand's “ L'Aiglon” in book&#13;
“ What is truth on the stage?”-a problem which, form. M. Rostand's agent in this country&#13;
apparently does not present the slightest difficulty secured American copyright for the French pub-&#13;
to a small army of sages who have answered it to lisher, M. Fasquelle, and the Brentanos bought&#13;
their own satisfaction, if not to that of Mr. the book rights for the United States. But it&#13;
Carnegie. One of the New York papers was uncertain whether the latter house could&#13;
announces that Mr. Carnegie has in mind the prevent the wholesale and unauthorised importa-&#13;
endowment of an “International” theatre, to tion of French copies. The Attorney-General&#13;
unite in its dramatic bonds Great Britain and holds that the French book “ L'Aiglon," printed&#13;
these States, and that Sir Henry Irving is to abroad, is prohibited importation, because it was&#13;
direct its operation. Whatever this gossip may copyrighted under the laws of the United States.&#13;
&#13;
&#13;
## p. 220 (#298) ############################################&#13;
&#13;
220&#13;
THE AUTHOR.&#13;
T&#13;
The opinion should have all the effect of a judicial with his chapter on “Agreements," it is the more&#13;
ruling, and is a notable interpretation of the pleasant to express unqualified assent to three&#13;
International Act. I&#13;
to John RUSSELL DAVIDSON.&#13;
I&#13;
propositions which he there advances. He says :&#13;
(1) " Literature is not adequately represented&#13;
- in this country.” It is not, in fact, represented&#13;
at all. Nor can it be until something in the&#13;
NOTES AND NEWS.&#13;
nature of an Academy is created. The Bar is&#13;
represented; medicine is represented ; surgery,&#13;
HE question of sale or return seems so&#13;
architecture, art, actuary work, are all represented ;&#13;
simple as not to require any argument to&#13;
Literature is not. What, then, is the work and&#13;
recommend it. Booksellers are always&#13;
what the position of the Royal Society of Litera-&#13;
complaining of poverty; they cannot possibly,&#13;
ture? It may be anything that its members&#13;
which is quite evident, subscribe to many new&#13;
claim except the one thing for which it was&#13;
books; most new books, therefore, do not get&#13;
founded-the representation of Literature.&#13;
published at all, because publication means pro-&#13;
(2) What about the Society of Authors ? It&#13;
duction with exhibition and an offer of the book&#13;
represents, as Mr. Morrah points out, “nothing&#13;
but the material side of Literature.” Its one&#13;
to the public. Yet there is a common complaint&#13;
that books sent out on sale or return come back&#13;
object is the maintenance and defence of literary&#13;
unsold and soiled. It is apparently obvious that property in the interests of the author, its creator&#13;
they have had their chance. But have they ?&#13;
and owner. A humble function, perhaps, but&#13;
Do booksellers freely offer and push books which&#13;
recognised by a good many writers as useful and&#13;
are not their own? In many cases they certainly&#13;
productive of results which benefit other writers,&#13;
do not. Books sent on sale or return are, it is&#13;
including those who at present hold aloof from it,&#13;
said, put up on shelves and left there. This&#13;
and even misrepresent it and deride it while they&#13;
seems a very short-sighted policy. Surely it is&#13;
profit by it.&#13;
better to make a selection and to say, “ Send me&#13;
(3) Membership of the Society conveys, Mr.&#13;
these books on sale or return and I will do my&#13;
Morrah very rightly states, no more distinction&#13;
best with them,” rather than to put on a&#13;
than may be boasted by anyone who writes a&#13;
shelf books so sent and to go on pushing books,&#13;
book, however bad. In other words, there is no&#13;
perhaps of far inferior attractions, “subscribed.”&#13;
distinction in membership of the Society. Nor&#13;
It seems, however, that the method of sale or&#13;
bave any of its leaders ever pretended that there is.&#13;
return has been recently adopted by certain pub-&#13;
The Publishers' Circular has been apparently&#13;
lishers, and that, in one case at least, the results&#13;
having a little playful gambol. How playful it is&#13;
bave proved eminently satisfactory. The change&#13;
may be inferred from the concluding paragraph :&#13;
may very possibly lead to such a revolution in D&#13;
"All we deplored was that the · Literary Year&#13;
bookselling methods as we are all anxiously await.&#13;
Book 'should say that the Authors' Society did not&#13;
ing and desiring. Meantime, which is better, to&#13;
represent Literature, and that it is no distinction&#13;
“ subscribe" for so many copies of a book on the&#13;
to belong to it: if that is not lamentable, we are&#13;
assurance of an interested traveller; to take all&#13;
sorry.” It is not lamentable at all; but so long as&#13;
the risk in the hope of selling them; or to select&#13;
the Circular is sorry and penitent all is well.&#13;
books at no risk whatever, and to offer them with&#13;
the certainty of no loss, whatever happens ? In&#13;
the first case the bookseller has already suffered&#13;
Mr. P. J. Hartog writes as follows:-&#13;
himself to be bound and fettered by the pub-&#13;
There is published in this month's number of The Author&#13;
lisher as to the price of his books; he can no&#13;
an article on the Nobel Foundation to wbich my signature is&#13;
appended, and which appears, therefore, as if it had been&#13;
longer deal with his own property as he chooses ;&#13;
specially contributed to your journal. I feel sure that it&#13;
why, then, should he continue to take upon his is only through inadvertence that the origin of the article&#13;
own long-suffering shoulders the greater share of has not been explained. I should be obliged if you&#13;
the risk? In the other case he frankly becomes&#13;
woald kindly state in your next issue that the article in&#13;
little better than a commission agent, incurring&#13;
question is extracted from a summary of the regulations for&#13;
15 the Nobel Foundation drawn up by me, and recently issued&#13;
no risk, and only exercising a certain selection-&#13;
and that as wide a selection as his shelves will&#13;
allow--of the new books which are published.&#13;
No further explanation seems necessary. The&#13;
paper is an official paper sent to the Society of&#13;
Authors presumably by the Board of Education,&#13;
In the Publishers' Circular of April 6 there is and signed with the name of P. J. Hartog, and&#13;
a letter from Mr. Herbert Morrah with which we reproduced in accordance with the right tacitly&#13;
entirely agree. And as we do not agree entirely conceded to the Press of publishing official&#13;
a of&#13;
e Board of Ed&#13;
&#13;
&#13;
## p. 221 (#299) ############################################&#13;
&#13;
THE AUTHOR.&#13;
221&#13;
documents. If this Society is not concerned&#13;
with the Nobel Foundation, it is difficult to under-&#13;
stand what body, or what people, are so con.&#13;
cerned. The paper as published in these columns&#13;
gave only so many of the regulations as concern&#13;
literature and its makers. One does not know&#13;
who is responsible for the distribution of copies,&#13;
but it seems evident that Mr. Hartog is not. It&#13;
is not generally considered necessary to point out&#13;
that official papers having the signature of official&#13;
persons are not sent out by those persons. But,&#13;
since Mr. Hartog wishes it to be so stated, let it&#13;
be understood that he did not send the document&#13;
to the Society, which will, however, continue to&#13;
publish extracts from Blue Books, reports of&#13;
commissions, and other public documents with&#13;
or without the official signatures which accom-&#13;
pany them. If, however, the “summary." is a&#13;
private document, the fact should have been&#13;
stated and confidence would have been respected.&#13;
the “ name.” This author is said to make about £2000 a&#13;
year, partly by the aid of such spiritual assistance.&#13;
This method has been adopted in America within our&#13;
own knowledge. We know of a young writer, industrious,&#13;
ingenious, and anknown, who came into relations with one&#13;
of the most successful writers of sensational fiction, who&#13;
loved drink, and hated work. For some time the young&#13;
writer wrote under the more famous name, received a third&#13;
of the generoas proceeds, while the remaining two-thirds&#13;
were devoted to the more famous man's whisky.&#13;
It would be curious and interesting to learn&#13;
how far the practice of wearing borrowed plumes&#13;
prevails. Some years ago a story was brought to&#13;
me, the names being given, in which a certain&#13;
writer, not unknown to the public, had actually&#13;
taken over and published in his own name a MŠ.&#13;
committed to his charge. More than one novel&#13;
has been written with such a fraud as the motif.&#13;
Some ten years ago a man, assuming the name of a&#13;
well-known publisher, advertised for MSS. to be&#13;
sent to him at an office near Chancery-lane. As&#13;
soon as the thing became suspected he vanished&#13;
it with all his MSS. Were there none among them&#13;
of literary and commercial value? It is, of&#13;
course, most difficult to prove such cases; but if&#13;
the readers of The Author can furnish informa-&#13;
tion on the subject they would be doing good&#13;
service by sending their experiences to this paper&#13;
for publication.&#13;
From time to time a protest is sent to this&#13;
paper by authors who complain of their critics.&#13;
It would be well were they to consider what good&#13;
purpose would be served by inserting their com-&#13;
plaints, either in their own interests or in the&#13;
general interest. A statement which is false, i.e.,&#13;
not an opinion, but a statement of alleged fact,&#13;
may be advantageously corrected, but not an&#13;
opinion. Thus, a critic says that an author has&#13;
been publishing feeble rubbish. That is an&#13;
opinion. What good does an author do hinıself&#13;
by writing to protest? He advances his own&#13;
opinion as to his own work-certainly a favour-&#13;
able opinion-against a critic's opinion, which, in&#13;
the eyes of the world, is judicial. The only&#13;
answer to an adverse judgment is either an appeal&#13;
to a recognised Court of Criticism—which does&#13;
not exist–or, which is the method adopted by&#13;
wise authors, a silent appeal to the public.&#13;
History is full of mistaken judgments. Not the&#13;
Qaarterly only, but Byron himself, failed to see&#13;
the powers of Keats. Let the example of Keats&#13;
console and stimulate the author under discipline.&#13;
Perhaps the critic may be right: he certainly is&#13;
not always wrong. All the more reason for con-&#13;
solation and an appeal to the judgment of Time.&#13;
The following is from the Chronicle, Brookline,&#13;
Mass. It is pleasant to find that this important&#13;
literary organ approves of the action of the Boston&#13;
Library. The readers for the library have&#13;
certainly, as the Brookline Chronicle asserts,&#13;
“done their work with a greater display of skill&#13;
and good judgment than one would expect them&#13;
to show." The only consolation for the novelist&#13;
is that he is excluded in what he has hitherto&#13;
regarded as good company. He will now probably&#13;
proceed to study his art by new and hitherto&#13;
despised methods.&#13;
CENSORS OF Novels.&#13;
Amoog the books which have been "tabooed” by the&#13;
examining committee of the Boston Public Library, and have&#13;
been refused admission to the archives of the library, are the&#13;
following. Many of them, it will be noticed, are well-known&#13;
books :&#13;
“David Harum," George Ade’s “Fables in Slang,”&#13;
Winston Churchill's “The Celebrity," Paul Bourget's&#13;
“ Domestic Dramas," Sir Walter Besant's “The Change-&#13;
ling,” Lilian Bell's “ The Instinct of Step-Fatherhood,”.&#13;
William Le Queux's “Scribes and Pharisees," Captain&#13;
Charles King's “A Wounded Name," Mary E. Wilkins's&#13;
" The People of Our Neighbourhood,” Catcliffe Hyne's&#13;
“ The Adventares of Captain Kettle,” Mrs. Barton&#13;
Harrison's " Good Americans,” Paul Leicester Ford's “The&#13;
Tattle-Tales of Capid,” Harold Frederic's " Gloria Mundi,”&#13;
Amelia E. Barr's “ Trinity Bells,” S. R. Crockett's “ Ione&#13;
March,” Egerton Castle's “ Young April,” Mary Hartwell&#13;
Catherwood's “Spanish Peggy,” W. Pett Ridge's “ A Son of&#13;
the State," Jesse Lynch Williams's “ Adventures of a&#13;
Freshman," Gertrude Atherton's “The Californians,"&#13;
The Daily Chronicle quotes the following&#13;
notice on “Literary Ghosts”:&#13;
Not long ago a story was going round as to the&#13;
method adopted by a certain successfal author. He adver-&#13;
tised for amateurs to send on their stories to a given&#13;
address, whence he filcbed their plots. That is the story.&#13;
Bat the correspondent has a personal experience. He was&#13;
approached by an aathor of repute with the proposal that&#13;
he should write stories and send them for the man with the&#13;
name to “touch up." Then they were to be published under&#13;
&#13;
&#13;
## p. 222 (#300) ############################################&#13;
&#13;
222&#13;
THE AUTHOR.&#13;
“Senator North,” and “ A Daughter of the Vine,” R. W.&#13;
Chambers's “In the Quarter,” “ Outsiders,” and “ The Con&#13;
spirator, ” Molly E. Seawell's" The Loves of Lady Arabella,”&#13;
Henry James's “The Two Magics,” Robert Barr's “Tekla,"&#13;
„&#13;
Maarten Maartens' “ Her Memory," Julia Magruder's&#13;
“Struan,” Jules Verne's “ An Antarctic Mystery,” Emile&#13;
Zola's “ Stories for Ninon,” Robert Barr's " Jeannie Baxter,&#13;
Journalist,” E. W. Hornung's “The Amateur Cracksman,"&#13;
Robert Herrick's “ Love's Dilemma," Amelia E. Barr's&#13;
“ Was it Right to Forgive ?” E. W. Hornung's “ Dead Men&#13;
Tell No Tales," Shan F. Bullock's “The Barrys," Joseph&#13;
Hatton's " When Rogues Fall Out” and “ The White King&#13;
of Manoa," Edward S. Van Zile's “With Sword and&#13;
Crucifix.” Stanley Waterloo's “The Seekers,” Edith&#13;
Wharton's “ The Touchstone,” Arlo Bates’s “Love in a&#13;
Cloud,” Lilian Bell's “ The Expatriates," and John Kendrick&#13;
Banga' “ The Idiot at Home.”&#13;
A book may be rejected at the public library for any one&#13;
of the following reasons, or for many others :-&#13;
It is immoral. It is below the author's usual standard.&#13;
The library has enough of that author anyway. It is poorly&#13;
written. It does not tend to promote caltare. It is too&#13;
sensational. It is a plagiarism. It would tend to create&#13;
anarchy. The money could be better spent for another&#13;
book, &amp;c.&#13;
Most of the exclusions seem just. . . . At any rate, it is&#13;
certain that the readers whose daty it is to examine and&#13;
report upon new books do their work conscientiously, and,&#13;
fortunately, with a greater display of skill and good judg.&#13;
ment than one would expect them to show. In fact, we&#13;
ought to be grateful for the good sense underlying most of&#13;
these decisions.&#13;
The Society of Women Journalists has arranged&#13;
to hold afternoon receptions on the last Tuesday&#13;
in each month at Essex Hall, Essex-street,&#13;
Strand, with a view to promoting social inter-&#13;
course between members and their friends. The&#13;
first, held in March, was attended by more than&#13;
two hundred guests. Several popular artists con-&#13;
tributed to the success of the occasion—among&#13;
them Madame Amy Sherwin, Miss Madeleine&#13;
O'Connor, Miss Helen Mar, Mr. Reginald&#13;
Kenneth, and Mr. George Giddens.&#13;
WALTER BESANT.&#13;
loose expression “ such persons as have just claims&#13;
on the Royal beneficence” led to the bestowal&#13;
of these grants upon a large number of service&#13;
pensioners or their surviving relatives at the&#13;
expense of literature, science, and art. I dealt&#13;
with the whole question in “ Literature and the&#13;
Pension List,” an investigation conducted and&#13;
published for the Incorporated Society of Authors&#13;
in 1889. This was followed up by a memorial&#13;
presented by the Society to the late Mr. W. H.&#13;
Smith praying for further legislation for the&#13;
following purposes.&#13;
(a) The restriction of the grant of pensions&#13;
on the Civil List within ascertained limits.&#13;
(6) The allocation of pensions amounting to not&#13;
less than £800 in each year to those who by their&#13;
useful discoveries in Science, or attainments in&#13;
Literature and the Arts, have merited the gracious&#13;
consideration of their Sovereign and the gratitude&#13;
of their country, or their widows or children.&#13;
(c) The increase of the Royal Bounty Fund&#13;
and the Civil List Pension Fund so that Her&#13;
Majesty may be enabled to reneve distress and&#13;
reward merit in a manner worthy of the dignity&#13;
of the Crown.&#13;
Mr. Smith, who declined to receive a deputa-&#13;
tion, gave no encouragement whatever to the&#13;
prayer of the memorial, and defended the practice&#13;
of the Treasury on the ground of the existence of&#13;
certain undisclosed “regulations,"* which, inter&#13;
alia, excluded novelists, unless “historical&#13;
novelists,” from the benefit of the Fund. He&#13;
further complained that “to make such changes&#13;
as the memorial suggests would necessitate a new&#13;
Act of Parliament”; and defended the grant of&#13;
pensions on the Civil List for services performed&#13;
in the Army, Navy, Diplomatic, Civil, and Colonial&#13;
Services on the ground that these are “services&#13;
to the Sovereign," and that the First Lord enjoys&#13;
" that discretion which must in such cases finally&#13;
rest with some one responsible Minister.” .&#13;
The present opportunity of redressing all these&#13;
grievances is, therefore, of the highest import-&#13;
ance. Genuine regulations should be framed to&#13;
restrict the grant of pensions, not upon an artificial&#13;
theory, but in accordance with the findings of the&#13;
Committee of 1837. It may, too, be asked&#13;
whether a scale struck sixty-four years ago is&#13;
adequate to the needs of to-day. It cannot be&#13;
questioned that if the necessity were shown to exist&#13;
-an easy matter—the country would support&#13;
such a use of public money. It is the unanimous&#13;
testimony of every First Lord of the Treasury&#13;
that he is every year obliged to refuse many&#13;
deserving applicants, and The Author has called&#13;
CIVIL LIST PENSIONS.&#13;
M HE demise of the Crown and the resulting&#13;
T revision of the Civil List Act, in accord-&#13;
ance with the report of the Select Com.&#13;
• mittee appointed to consider the whole question,&#13;
affords an important opportunity for the reform&#13;
of the system under which Civil List Pensions&#13;
are granted. The main purpose of these pensions&#13;
as defined by the resolution of the House of&#13;
Commons of 1834, and by i Vict. c. 2, s. 6, was&#13;
the reward of those who “ by their useful dis.&#13;
coveries in Science and attainments in Literature&#13;
and the Arts have merited the gracious considera-&#13;
tion of their Sovereign and the gratitude of their&#13;
country." But the insertion in the Act of the&#13;
* In the House, in answer to Mr. Bryce, he acknowledged&#13;
that there were no such regulations.--W. B.&#13;
&#13;
&#13;
## p. 223 (#301) ############################################&#13;
&#13;
THE AUTHOR.&#13;
223&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
attention to many such refusals. The practice of&#13;
the Treasury has immensely improved since the&#13;
Society exposed the mismanagement of the Fund,&#13;
but every year grants are made to classes of&#13;
persons not contemplated by Her late Majesty's&#13;
Civil List Act. The further continuance of such&#13;
no of such&#13;
a state of things can and must now be rendered&#13;
impossible.&#13;
W. MORRIS COLLES.&#13;
......&#13;
100&#13;
IO&#13;
The following note is from the report of the&#13;
Committee of the House of Commons on the Civil&#13;
List:-&#13;
Your committee recommend that the new Civil List should&#13;
be fixed according to the following estimate :&#13;
First Class.—Their Majesties' Privy Purse......... £110,000&#13;
Second Class.-Salaries of His Majesty's House-&#13;
hold and Retired Allowances.......................&#13;
125,800&#13;
Third Class.-Expenses of His Majesty's House-&#13;
hold ..............&#13;
............ 193,000&#13;
Fourth Class.-Works .........&#13;
20,000&#13;
Fifth Class.-Royal Boanty, Alms, and Special&#13;
Services...............&#13;
13,200&#13;
Sixth Class.—Unappropriated .........&#13;
8,000&#13;
Ö 8 -enn-Ō-86 -- Sen&#13;
ao ouro ou ooo ooo @en O OOONOÖ-00--000&#13;
000OOOOOOOOOOOOOOOOOOOOOOOOOOO&#13;
0-oeren 0-ÖNNON O&#13;
•&#13;
D&#13;
.&#13;
...&#13;
...&#13;
...............&#13;
......&#13;
.....&#13;
OI.&#13;
..............................&#13;
:&#13;
:&#13;
.............&#13;
:&#13;
:&#13;
:&#13;
:&#13;
Smrt&#13;
Total for the Civil List ......... £470,000&#13;
In the foregoing no reference has been made to the&#13;
pensions granted ander sections 5 and 6 of the last Civil&#13;
List Act, commonly called “ Civil List Pensions.” With&#13;
regard to these no baggestion bas been made for any altera.&#13;
tion, and the committee accordingly recommend the con-&#13;
tinuance of the present system, except that the variable&#13;
amounts payable under this head (Appendix, Part III.)&#13;
should no longer form a nominal class of the Civil List,&#13;
but should be separately entered in the Consolidated Fand&#13;
Accounts.&#13;
:&#13;
:&#13;
Jones, Henry Arthur........&#13;
Keltie, J. Scott .............&#13;
Kipling, Rudyard .........&#13;
Loftie, Rev. W. J. ..........&#13;
Macfarlane, H. .............&#13;
Marshall, Capt. R. ................&#13;
Meredith, George ....................&#13;
Miles, Eastace ...............&#13;
Moncrieff, R. Hope...........&#13;
Montresor, Miss F...........&#13;
Morrah, Herbert ........&#13;
Norris, W. E. .............&#13;
Oliphant, Kingston&#13;
Parker, Gilbert .......&#13;
Phillpotts, Eden&#13;
Pollock, Sir Frederick&#13;
Roe, Mrs. Harcourt&#13;
Rossetti, W. M. ...&#13;
S. B. ..........&#13;
Sanderson, Sir J. B. .........&#13;
Skeat, The Rev. Prof. ...........&#13;
Spielmann, M. H. .........&#13;
Stanton, Miss H. M. E. .............................&#13;
Toplis, Miss G. ......&#13;
Tweedie, Mrs. Aleo...&#13;
Watt, A. P...&#13;
Weyman, Stanley ...&#13;
Wheelwright, Miss E. E.&#13;
Williams, Mrs. E. L. ..&#13;
Young, Ernest .............&#13;
SUBSCRIPTIONS.&#13;
Aidë, Hamilton (for a period of five years)......&#13;
Alexander, A. .....&#13;
Avery, Harold&#13;
Beckett, A. W. à ..&#13;
Bebant, Sir Walter.&#13;
Bond, R. Warwick ..&#13;
Bonney, Rev. Prof. T. G. ..........&#13;
Brodbarst, Spencer....................................&#13;
Clodd, Edward .&#13;
Cresswell, Rev. H. ....................................&#13;
Crockett, S. R. ........................................&#13;
Dobson, Austin (annual amount anstated-for&#13;
1901) ..........&#13;
Ellis, Miss M. A.&#13;
Esmond, H. V. ............&#13;
Gilbert, W. S......&#13;
Goldemith, W. H. ...........&#13;
Gribble, F.&#13;
Guthrie, Anstey&#13;
Gwynn, S. .......&#13;
Harraden, Miss Beatrice&#13;
Hawkins, A. Hope ....................................&#13;
Home, Francis..........................................&#13;
Jerome, Jerome K......&#13;
Kelly, C. A.&#13;
Lely, J. M. ........&#13;
Macdonald, Mrs.....&#13;
Marchmont, A. W.&#13;
Pemberton, Max.&#13;
Pendered, Miss Mary L. ..........&#13;
Pinero, A. W......&#13;
Roberts, Morley ...............................&#13;
Rose, Edward ..................................&#13;
Rumble, Mrs. ......................&#13;
Sinclair, Miss ..........................................&#13;
Stanley, Mrs. .....&#13;
Ward, Mrs. Humphry ..............&#13;
Watt, A. P.....&#13;
:&#13;
:&#13;
:&#13;
:&#13;
50&#13;
0&#13;
..&#13;
.&#13;
PENSION FUND.&#13;
The following is the list of donations&#13;
and subscriptions at present promised or&#13;
received :-&#13;
DONATIONS.&#13;
A. S.&#13;
............. £100 0 0&#13;
Alcott, E.&#13;
Anonymous ........&#13;
100 0 0&#13;
Arnim, The Countess von&#13;
5 5 0&#13;
Baldwin, Mrs. A.&#13;
I 0&#13;
Barrie, J. M. ....&#13;
Benecke, Miss Ida ........................ ............&#13;
Besant, Sir Walter......&#13;
............ 100 0 0&#13;
Boevey, Miss Crawley ..&#13;
2 2 0&#13;
Chambers, Miss Beatrice ............&#13;
0 3 6&#13;
Clifford, Mrs W. K.&#13;
5 5 0&#13;
Cordeaux, Miss ...&#13;
5 0 0&#13;
Craigie, Mrs. ......&#13;
100 0 0&#13;
Doyle, A. Conan .....&#13;
100 0 0&#13;
Esler, Mrs. Rentoul (for three years)&#13;
Esmond, H. V.&#13;
Fowler, Miss E. T...........................&#13;
10 10 0&#13;
Freshfield, D. W................................&#13;
100 0 0&#13;
Gibbs, Miss ..........................&#13;
0 0&#13;
Harraden, Miss Beatrice&#13;
10&#13;
Hawkins, A. Hope .....&#13;
200 0 0&#13;
Hutchinson, Rev. H. ............&#13;
2 0 0&#13;
Jacberns, Raymond ..........&#13;
1 1 0&#13;
Senerowowowen&#13;
oooooWoooow NOOO-ooo&#13;
000000000&#13;
06 o öcienn oooooreno 5-0&#13;
OOOOOOO 0000000000o&#13;
- ooo on our oenen ooren oer-en ooően On en oeroen-enero-6&#13;
-önrooo õenovier-oner --&#13;
OOOOOOOOOOOOOOOOOOO&#13;
ܘ ܘ ܘ ܘ ܘ ܘ&#13;
&#13;
&#13;
## p. 224 (#302) ############################################&#13;
&#13;
224&#13;
THE AUTHOR.&#13;
THE AUTHORS' CLUB.&#13;
CORRESPONDENCE.&#13;
N Monday, April 15, the Authors' Club&#13;
1.-“ LITERATURE.”&#13;
entertained Dr. J. A. H. Murray at dinner. V OUR friendly criticisms on the remarks&#13;
Professor W. W. Skeat, of Cambridge,&#13;
made in Literature of March 16 on&#13;
took the chair. Fewer members of the club than&#13;
“ Critical Standards," à propos of Mr.&#13;
usual sat down at the table, owing to the unfor- Churton Collins's recent book, are likely, I think,&#13;
tunate fact that the first performance of “ Corio. to convey a wrong impression of what the writer&#13;
lanus” at the Lyceum Theatre had been fixed for in Literature actually said.&#13;
the same evening. Those members who were You say: "• It is human,' the writer says,&#13;
present, however, greeted Dr. Murray most to speak up for a friend : to be angry if your&#13;
enthusiastically, and a very pleasant evening wares are condemned: to wish to stand well&#13;
was spent. In response to his health the guest with persons with whom one does business.'&#13;
made a long and interesting speech explaining Undoubtedly it is human. But Mr. Collins's con-&#13;
some of the difficulties and some of the tention is that a book sent out for review demands&#13;
labours connected with the editing of a large impartiality, although partiality is human."&#13;
dictionary. He stated that he had collected These are not our words ; but it is a fair&#13;
over five tons of material, and that he had over summary of three sentences in the note in&#13;
five million quotations bearing on words in the Literature. It conveys, however, a wrong&#13;
English language and in English literature. impression when the sentence which follows is&#13;
Such a statement made it apparent at once that omitted. The writer continued :&#13;
the labour involved in editing the work was What is human, however, we need scarcely add, is not&#13;
almost beyond the powers of one man. He men necessarily rigbt; and it is necessary to face the question&#13;
tioned at the same time some of the more - Does this obviously human attitude of reviewers towards&#13;
humorous sides of the work, and pointed out&#13;
books exist to any large extent, and does it produce such&#13;
that on many occasions when he had asked some terrible consequences, and cause such a failure of justice,&#13;
as Mr. Churton Collins imagines in his wrath ?&#13;
specialist with regard to the definition of technical&#13;
words, in a short time letters had been addressed&#13;
I think this puts a different colour upon the&#13;
to him from other gentlemen asking him to rem&#13;
remarks which The Author quoted, and I venture,&#13;
forward the details which he himself required.&#13;
reanired therefore, to ask you to allow me to call your&#13;
Therefore, to&#13;
What had taken place was quite clear the readers' attention to them.&#13;
specialist, although he was constantly using the&#13;
THE EDITOR OF “LITERATURE."&#13;
word, had no idea of its origin, and had applied&#13;
to someone else, who, in his turn, had applied to&#13;
Dr. Murray.&#13;
II.-ON COMMERCIAL MORALITY.&#13;
The evening ended by Mr. E. W. Brabrook, Mercury was the god of thieves and of&#13;
C.B., proposing the health of the chairman.&#13;
merchants. Oh, you libellous Ancients ! to place&#13;
these two classes of men under the same&#13;
tutelage!&#13;
The general meeting of the Authors' Club was&#13;
If a pickpocket abstracts my purse, my shoe-&#13;
held on Monday, April 15, at five o'clock. Dr.&#13;
: maker or my butcher are greatly shocked, yet the&#13;
Conan Doyle, as chairman, had the satisfaction one will charge for a pair of boots and the other&#13;
of putting before the members a balance-&#13;
for a leg of mutton which were never delivered,&#13;
sheet showing how the club had prospered&#13;
and neither will scruple to accept payment for&#13;
during the past year. Sir Walter Besant and&#13;
the same if he happens to escape detection. A&#13;
Lord Monkswell resigned in rotation from the&#13;
practice which your highly respectable publisher&#13;
directorate, but still kept their names on the&#13;
shudders at. Nevertheless, he will charge&#13;
general committee, and promised their strong&#13;
an unsuspecting author, who was fool enough&#13;
support in the future. Mr. E. W. Brabrook,&#13;
to accept a half-profit agreement, 428. for&#13;
C.B., and Mr. Morley Roberts were elected to fill&#13;
binding 100 of his volumes, till it is found&#13;
the vacant positions. The club has had a steady&#13;
out that the real cost was 298. per 100&#13;
increase of members during the past vear, and&#13;
volumes. He charges the unlucky half-profit&#13;
now embraces among its members many of the&#13;
book heavily for exchange advertisements which&#13;
best known writers of the day.&#13;
cost him next to nothing, and he produces&#13;
as vouchers receipts for full value, because the&#13;
conspiring publishers place these author-defraud.&#13;
ing instruments into each other's hands. But,&#13;
Heaven forbid ! they are not pickpockets, nor yet&#13;
&#13;
&#13;
## p. 225 (#303) ############################################&#13;
&#13;
THE AUTHOR.&#13;
225&#13;
defrauding tradesmen-not they. Or say an its expenses. The following letter from Messrs.&#13;
author of a school-book has, after years of toil Skeffington and Son, who were doing their&#13;
and thought, worked out a new system of teach utmost for us, at once showed me that it was&#13;
ing, say, reading or arithmetic, or any other useless to proceed further in the matter : “I am&#13;
subject, forthwith your honest publisher employs clearly of opinion that the co-operation of the&#13;
his hack-writer to filch the idea and evade the Princess Christian in your book is as necessary as&#13;
copyright, for “there is no copyright in ideas”; ever, if not more so. But in truth it (i.e., the&#13;
in other words, where there is no policeman it is Queen's death) will be a sad blow to all works of&#13;
permissible to steal. And what of those paste fiction, and indeed to most books for some time&#13;
and scissors using piratical backs; are they to come.” I feel confident that Mr. Skeffington&#13;
much better than the light-fingered gentry? did what he could, and for my sake alone he&#13;
Well might Napoleon say, “Le commerce c'est would have produced the book if it had been&#13;
un brigandage bien organisé.” Against some of possible to do so with any chance of success. I&#13;
these ills there is no remedy, but the publishers wish particularly to thank the following ladies&#13;
could be brought to book. Let authors form and gentlemen for their great consideration and&#13;
themselves into an “ Authors' Publishing Union,” help, and for their enthusiastic reception of my&#13;
and publish their own books, and then it will no proposal: M. M. Macpherson, Esq., Paris; Allen&#13;
longer be said, “Now, Barabbas was a publisher.” Oscar, Esq.; L. A. Harker, Esq.; Miss E. G.&#13;
A MUCH-DEFRAUDED AUTHOR.&#13;
Wheelwright, Rev. C. Dudley-Camplin, Miss J. M.&#13;
Waterhouse, B. W. Wentworth, Esq.; Miss M.&#13;
Baines, Miss B. C. Hardy, Miss J. Montgomery.&#13;
Campbell, M. Penrose, Esq.; Frank Hopwood,&#13;
III.-YOUNG FICTION WRITERS AND THE WAR&#13;
Esq.; G. Rennie Powell, Esq.; Mrs. Isabella&#13;
FUND.&#13;
Taylor, H. R. Wintle, Esq., F.R.G.S.; Miss&#13;
My proposal, made in The Author for May of Gibbs, Miss L. G. Moberley, W. H. Robinson,&#13;
last year, resulted in such a large number of Esq., F.R.A.S. In Miss W. M. Willis-Swan I&#13;
encouraging letters from authors of all standing found a most able and considerate fellow editor,&#13;
that, in spite of the many difficulties in our way, and one who did not spare time or labour to&#13;
we felt that we ought to proceed with the idea. bring the proposed volume to a satisfactory issue.&#13;
Consequently, it is with the greatest reluctance If we have failed it has not been for the want of&#13;
that I am compelled to write this letter acknow hard work and kindly interest. It would seem&#13;
ledging our defeat. At the outset we knew fully that the times and fate have alone been against&#13;
what to expect, and we received the following us.&#13;
Jas. BAGNALL-STUBBS.&#13;
letter from our editor :-“I am afraid you will April 5, 1901.&#13;
find considerable difficulty in floating the volume&#13;
which you propose. The young writers must&#13;
IV.-EDITORS.&#13;
make their own names first separately before they Is it not an unusual thing for an editor to&#13;
can do anything in association. I would not accept a poem, and then to repudiate that accept-&#13;
willingly throw cold water on your admirable ance without any presumable reason ?&#13;
project, but I am afraid that the attempt The editor of the Free Lance wrote to me on a&#13;
would only result in disappointinent.” Never. post card, on receipt of a poem : “ All right!&#13;
theless, Sir Walter quite recently consented When I can find a comfortable corner.” (I hold&#13;
to write a preface to the book, provided that this post card). Does not this amount to&#13;
the publisher's agreement was a satisfactory accepting it, or am I drawing over much on my&#13;
one.&#13;
imagination so to interpret it?&#13;
At first we had a good chance of obtaining the Later on the poem was lost in the Free Lance&#13;
interest of a prominent member of the Royal office, and I sent another copy, which was returned&#13;
Family, and up to the death of Her Majesty to me with thanks.&#13;
Queen Victoria (to whom we hoped to have dedi. Again, the editor of the Pictorial Magazine&#13;
cated the volume) things were looking very is always expressing himself as most eager to&#13;
cheerful. Clearly we, like many others, have oblige his readers in any way he can. This is as&#13;
suffered greatly by the great national bereave it should be, but when I sent an addressed reply&#13;
ment.&#13;
post card asking for the name of the author of a&#13;
It is practically impossible to make a volume certain ghost story that had appeared in the&#13;
of short stories a success, and though the many P.M. he took no notice of my request. I&#13;
publishers to whom I mentioned the matter were wished to locate the name of a certain decoy in&#13;
most kind and considerate, they were unanimous Lincolnshire, mentioned in the said story? Was&#13;
in their opinion that the book could not recoup this a presumptuous request ?&#13;
&#13;
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## p. 226 (#304) ############################################&#13;
&#13;
226&#13;
THE AUTHOR.&#13;
I make no commeuts, but would like to know&#13;
what you and your readers think of this?&#13;
I even went so far as to apologise to the editor&#13;
of the Free Lance for my audacity in asking for&#13;
the insertion of an accepted poem.&#13;
Karsfield, Torquay. F. B. DOVETON.&#13;
[It seems that the editor of the Free Lance&#13;
might very fairly reply that he has not yet been&#13;
able to find a “comfortable corner.” The accept-&#13;
ance of the poem was clearly conditional. But as&#13;
regards the other point, if the story was anony.&#13;
mous the editor was surely bound to respect that&#13;
fact. Mr. Doveton's better course would have&#13;
been to ask the editor to forward his question to&#13;
the anonymous writer. There could have been&#13;
no objection to such a question. It is evident&#13;
that if an editor is to be called upon to reveal the&#13;
names of his anonymous writers there is no&#13;
possibility of preserving an incognito which is&#13;
often most desirable.- ED.]&#13;
BOOK AND PLAY TALK.&#13;
Dr. Richard Garnett has written a series of&#13;
essays on Peacock, Beckford, Matthew Arnold,&#13;
Shelley, Lord Beaconsfield, and other writers.&#13;
The volume will be published by Mr. Heinemann&#13;
under the title “ The Essays of an Ex-Librarian.”&#13;
The prevailing idea that Mr. George Smith was&#13;
to be credited with the inception of the Pall Mall&#13;
Gazette, of which he was the original proprietor,&#13;
has been corrected in some of the obituary&#13;
notices of the late publisher. It was to Mr.&#13;
Frederick Greenwood that the Pall Mall owed&#13;
its form as a new spirit in journalism.&#13;
We are glad to learn that the health of Mr.&#13;
George Meredith is improved.&#13;
Mr. Morley's Life of Gladstone is expected&#13;
to be ready in October. Another forthcoming&#13;
volume of political interest is the autobiography&#13;
of Mr. Henry Broadhurst, M.P., one of Mr.&#13;
Gladstone's Under-Secretaries of State, which&#13;
is being prepared for publication by Messrs.&#13;
Hutchinson. Mr. Broadhurst was at one time&#13;
an operative mason, and tramped a thousand&#13;
miles in winter in search of work.&#13;
Mr. Charles Battell Loomis tells in the Atlantic&#13;
Monthly for March “how to write a novel for the&#13;
masses.” “You must admit,” he says in the&#13;
course of his article, “ that the vast majority of&#13;
the reading public is made up of dull, unthink-&#13;
ing people, so why should writers spend so much&#13;
time substantiating facts, studying costumes and&#13;
scenery and other details that do not affect the&#13;
real interest of the story, which is and must be&#13;
the romantic portion of it?".&#13;
The following are among the novels announced&#13;
for early publication :-“ Jack Raymond," by&#13;
Mrs. Voynich; “ The Second Dandy Chater," by&#13;
Mr. Tom Gallon; “ The Sea hath its Pearls," by&#13;
Miss Nellie Blissett; “ Voysey,” by Mr. Richard&#13;
0. Prowse; "A Daughter of the Veldt," by Mr.&#13;
Basil Marnan; “The Extermination of Love," by&#13;
E. Gerard; and “Lady Haife," by Mr. Neil&#13;
Wynn Williams.&#13;
Mr. W. J. Stillman's autobiography is being&#13;
published by Mr. Grant Richards, who also&#13;
announces a history of Rome, designed for&#13;
advanced students of the subject, by Mr. Eustace&#13;
H. Miles.&#13;
In a recent issue, Literature disposes of the&#13;
many accounts that have been published of the&#13;
way the “ Recessional” reached the Times, by&#13;
printing the following letter which enclosed the&#13;
WISS CHRISTABEL COLERIDGE is to&#13;
write the biography of the late Miss Char.&#13;
lotte Yonge. It is requested that letters&#13;
or papers relating to Miss Yonge's life and works&#13;
should be forwarded to Miss Coleridge, at Cheyne,&#13;
Torquay, whence they will be duly returned to the&#13;
owners.&#13;
Mr. Marion Crawford is writing a Life of the&#13;
Pope.&#13;
Mr. W. S. Lilly's new work on the Renaissance&#13;
will be published shortly by Mr. Fisher Unwin.&#13;
He studies the subject as exhibited in the careers&#13;
of five representative men ---- Michael Angelo,&#13;
Erasmus, Reuchlin, Luther, Sir Thomas More.&#13;
Mr. George Gissing's new novel. - The Char.&#13;
latan," will be published shortly by Messrs. Chap-&#13;
man and Hall, as well as his book of travel, which&#13;
will be called “ By the Ionian Sea.”&#13;
Mr. W. J. Ford has written a history of the&#13;
Cambridge University Cricket Club. It will be&#13;
published immediately by Messrs. Blackwood.&#13;
Mr. Hall Caine's new book will probably be&#13;
published in August.&#13;
A new novel by Mr. David Christie Murray&#13;
will be published this month by Messrs. Chatto&#13;
and Windus.&#13;
The title of Mr. Douglas Sladen's new novel is&#13;
“My Son Richard : Ă Romance of the River&#13;
between Maidenhead and Marlow."&#13;
Dear -&#13;
Enclosed pleased find my sentiments on things--which I&#13;
hope are yours. We've been blowing up the Trumpets of&#13;
the New Moon a little too much for White Men, and it's&#13;
about time we sobered down.&#13;
&#13;
&#13;
## p. 227 (#305) ############################################&#13;
&#13;
THE AUTHOR.&#13;
227&#13;
If you would like it, it's at your service-on the old won golden opinions. Since this appeared Mr.&#13;
conditions that I can use it if I want it later in book form. Prichard has by himself published an important&#13;
The sooner it's in print the better. I don't want any proof.&#13;
book of travel entitled “Where Black Rules&#13;
Couldn't you run it to-night so as to end the week piously?&#13;
If it's not your line, please drop me a wire.&#13;
White"; and he is now in Patagonia, leading an&#13;
Ever yours sincerely,&#13;
R. K. expedition of great geographical and scientific&#13;
The poem was published the next morning.&#13;
importance.&#13;
Literature adds that “Mr. Kipling was asked to On May 7 there will appear simultaneously in&#13;
name his own price, but absolutely declined all England and America the “ Further Memoirs of&#13;
payment.”&#13;
Marie Bashkirtseff," the publication of which&#13;
Messrs. Mitchell and Co., of 18, New Bridge.&#13;
has been looked forward to with much eagerness.&#13;
street, E.C., and of Arundel, have just published,&#13;
The volume will be illustrated and will contain a&#13;
under the title of“ Vexed Questions ” (price 6d.),&#13;
diary, a very daring correspondence with Guy de&#13;
a collection of twenty-two articles contributed by&#13;
Maupassant, and an introduction by Mr. G. H.&#13;
Perris. Mr. Grant Richards is the English&#13;
Rachel Challice to the West Sussex Gazette on&#13;
such topics as “Spinster Sisters,” “ Bachelor&#13;
publisher.&#13;
Brothers,” “Husbands' Hobbies,” “ Wives' “On Peter's Island,” by Arthur R. Ropes and&#13;
Work,” “Bloodsuckers,” and other social sub. Mary E. Ropes, has just been published by John&#13;
jects. Racbel Challice is the translator of “The Murray in London and Charles Scribner's Sons&#13;
Grandee” and “The Fourth Estate.” by Señor A. in New York. The book deals with the fortunes&#13;
Palácio Valdés, and the essay by the same author of a petroleum refinery, and with the story of a&#13;
on “ The Decadence of Modern Literature” in young Pole and his sister, about the beginning of&#13;
“ The Library of Famous Literature.”&#13;
the reign of Alexander III. Nihilist secret socie-&#13;
“ Spick and Span,” a book for children, bas&#13;
ties play a part in the tale, as they did in Russia&#13;
at the period in which the story is laid.&#13;
gone into a third edition. Readers wil take&#13;
notice that the book is published by, and can be&#13;
Two new romances, by the Rev. C. Dudley&#13;
obtained of, the writer. "His address is Llwny-y.&#13;
Lampen, will be published during the present&#13;
brain, Whitland, S. Wales. He has in the press&#13;
year. The first, which is entitled “O'Callaghan,&#13;
another story called “ Tom Genuflex,” price 48.&#13;
the Slave Trader," deals with West Africa and&#13;
the former traffic in human flesh. The second,&#13;
Mr. Basil Tozer's new book on “Free Lance entitled “The Servants of the Rod." is a story of&#13;
Journalism ” appeared on Thursday, April 4. It adventure, the scenes being laid amid the wilds&#13;
will be found especially helpful to the young of New Guinea.&#13;
journalist, for whom it is intended.&#13;
The William Black Memorial at Duart Point,&#13;
Mr. John Bloundelle-Burton's new novel-a Mull, has now been completed, and the Commis-&#13;
story of to-day-entitled “A Vanished Rival”&#13;
sioners of Northern Lighthouses have given&#13;
will be published at once by Cassell and Co. notice that on and after the night of Monday,&#13;
Limited. The scene is laid in the mountains of May 13, there will be shown from the “ William&#13;
Haute Savoie, near Evian-les-Bains, the cha-&#13;
Black Memorial Tower" a group-flashing light,&#13;
racters being English.&#13;
showing three flashes in quick succession every&#13;
“ The Mystery of the Moat House," by Derek fifteen seconds. The memorial has been erected&#13;
Vane, which was very popular as a serial, is to on a point six cables south of Duart Castle.&#13;
be published by the Cosmopolitan Publishing London has been chosen as the place of meet.&#13;
Company in their new sixpenny series.&#13;
ing for the Congress of Academical Societies in&#13;
Mr. Poultney Bigelow has just returned from 1904.&#13;
America, where he has been lecturing at various General Sir H. E. Colvile is correcting the&#13;
Universities on British Colonial Administra proofs of his book entitled “The Work of the&#13;
tions and the Colonial History of different Ninth Division." This addition to the literature&#13;
Colonising Powers. His forthcoming book of the Boer War will be published shortly by Mr.&#13;
entitled “The Children of the Nations," will be Arnold.&#13;
published early in this month by McClure.&#13;
Mr. Aylmer Maude has completed a work of&#13;
The announcement by Messrs. Archibald Con- an expository character entitled “ Tolstoy and His&#13;
stable and Co. of a new book by K. and Hesketh Problems."&#13;
Prichard suggests again to us the pleasing and Among the forthcoming novels on Mr. Heine-&#13;
uncommon relationsbip existing between these mann's list are “ The Right of Way," by Mr.&#13;
two writers-namely, that mother and son colla- Gilbert Parker, M.P.; "Boylett's Land” by&#13;
borate. Their first book, " A Modern Mercenary,” Mrs. Henry Dudeney ; “ Four-leaved Clover," by&#13;
&#13;
&#13;
## p. 228 (#306) ############################################&#13;
&#13;
228&#13;
THE AUTHOR.&#13;
Maxwell Gray; and “The Luck of the Vails,” edition, with explanatory notes by the author on&#13;
by Mr. E. F. Benson.&#13;
the margins.&#13;
A new work by George Egerton, entitled “ Rosa “ The Lover's Replies to An English woman's&#13;
Amorsa : the Love Letters of a Woman,” will be Love Letters” is an anonymous work which will&#13;
published shortly by Mr. Grant Ricbards. The be published on May 9 by Messrs. Sampson Low.&#13;
publisher explains that the arrangements for&#13;
Mrs. Patrick Campbell has acquired the English-&#13;
the publication of this book were concluded long&#13;
speakiny rights of Echegaray's “Mariana,” and&#13;
before “ An English woman's Love Letters " was&#13;
will produce this season a new translation by Mr.&#13;
heard of.&#13;
James Monteith Graham.&#13;
Mrs. Harrison. (Lucas Malet) will preside at Sir Henry Irving has made a statement à&#13;
the Women Writers' Dinner, which is fixed to propos of the Carnegie scheme for the endowment&#13;
take place at the Criterion on Monday, June 17. of a national theatre. “I believe,” he says.&#13;
In connection with the death of Bishop Stubbs, “that an endowed theatre would be a tremendous&#13;
“ Bookworm” in the Academy expresses a pre. benefit to the public, not only from the point of&#13;
ference for the following version of the well. view of amusement, but as a factor in education.&#13;
known epigram on Froude and Kingsley. But It would, of course, be devoted to the perform-&#13;
as for the authorship of the jeu d'esprit, he adds, ance of true drama, the line of demarcation being&#13;
“ Dr. Stubbs is about the last person to whom I firmly drawn between the proper work of the&#13;
should have ascribed it”:-&#13;
stage and the miscellaneous productions now so&#13;
Froude informs the Scottish youth&#13;
often seen in theatres.”&#13;
Parsons have small regard for truth;&#13;
The Reverend Canon Kingsley cries&#13;
Mr. Egerton Castle's new play, “The Secret&#13;
That History is a pack of lies.&#13;
Orchard,” will be introduced to London audiences&#13;
What canse for judgments so malign?&#13;
by Mr. and Mrs. Kendal on May 13, at the Grand&#13;
A brief reflection solves the mystery :&#13;
Theatre, Fulham.&#13;
Froude believes Kingsley a divine,&#13;
And Kingsley goes to Fronde for history.&#13;
A new musical comedy, it is announced, is&#13;
Mr. Stanley Lane-Poole has recast and added&#13;
being written by Mr. Mostyn Pigott and Mr.&#13;
to his two-volume book on Sir Harry Parkes for&#13;
George Giddens, and composed by Mr. G.&#13;
a condensed edition which will be published by&#13;
Wolseley-Cox.&#13;
Messrs. Methuen this month under the title&#13;
Mr. Frank Curzon will produce “ Becky&#13;
1“ Sir Harry Parkes in China."&#13;
Sharp" at the Prince of Wales's Theatre in&#13;
The committee of the Irish Literary Society,&#13;
September, with Miss Marie Tempest in the title&#13;
róle.&#13;
London, announce that the prizes (presented by&#13;
Mr. William Gibson) for the best essays upon&#13;
Mrs. Patrick Campbell is to give matinées of&#13;
the “Sieges of Derry and Limerick ” have been&#13;
“ Pelleas and Mélisande” this month; the first&#13;
awarded as follows:- First prize of fifty guineas. performance will take place on May 11.&#13;
to Mr. Henry Mangan, of Dublin ; second prize&#13;
of twenty guineas, to Mr. Hugh Law, co.&#13;
Donegal. The competition is not confined to&#13;
Irishmen, nor to members of the society. This&#13;
year the society (through the generosity of Sir&#13;
Thomas Lipton) is offering for competition two&#13;
SCALE FOR ADVERTISEMENTS.&#13;
prizes of £50 each, one for the best essay written&#13;
in English, on the “ Early Institutions of Ireland,”&#13;
and the other for the best essay, written in Irish,&#13;
[ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.&#13;
on “Brian Boru." The age of competitors for&#13;
the English essay must be under thirty-five, and&#13;
Front Page&#13;
... £4 0 0&#13;
of those for the Irish prize under forty.&#13;
Other Pages&#13;
... ... 3 0 0&#13;
Forthcoming volumes of poetry include Mr. Hall of a Page ... ...&#13;
... 1 100&#13;
Stephen Gwynn's “ The Queen's Chronicler,” to&#13;
Quarter of a Page&#13;
... O 150&#13;
... ... 0 7 6&#13;
be published by Mr. Lane; “Poems," by Mr.&#13;
per inch 0 6 0&#13;
C. J. W. Farwell (Mathews); and a volume of Bills for Insertion ...&#13;
per 2000 300&#13;
poems dealing with animal life by Mr. Henry&#13;
Reduction of 20 per cent. made for a Series of Sir and of 25 per cent. for&#13;
Salt (Bell).&#13;
"THE AUTHOR."&#13;
Eighth of &amp; Page&#13;
Single Column Advertisements&#13;
Twelve Insertions.&#13;
All letters respecting Advertisements should be addressed to tbe&#13;
ADVERTISEMENT MANAGER, The Author Oce, 4, Portugal-street,&#13;
other day for a copy of Gray's “Odes”-a first&#13;
London, w.C.&#13;
&#13;
&#13;
## p. (#307) ################################################&#13;
&#13;
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## p. (#308) ################################################&#13;
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MR. STANHOPE SPRIGG (late of the Daily Express and Daily Mail literary staffs, founder and first&#13;
- editor of the Windsor Magazine), 110, St. Martin's Lane, London, W.C., begs to state that he has set up in&#13;
business as &amp; Literary Agent at the above address, where he undertakes the business representation of a limited&#13;
number of authors. Prospectus on application.&#13;
The Morning Post of March 5 stated: “It may safely be said that if he can gauge the taste of editors and publishers as accurately&#13;
as he onco gauged that of the wider public, be will meet with a great success."&#13;
Third edition, cloth gilt, price 18. 6d. ; postage 2d.&#13;
Post 8vo., price 68. net.&#13;
"SPICK"and “SPAN.” By AUNT CHERRY. A Story for Children.&#13;
In the press. TOM GENUFLEX: A Novel. Price 48.&#13;
of the Writer, Llwyn-y-brain, Whitland, S. Wales.&#13;
AS APPEARING FROM&#13;
AUTHORS' MS. TYPED&#13;
STATUTES, ARTICLES, CANONS, RUBRICS, AND&#13;
JUDICIAL DECISIONS.&#13;
By Experienced Hand. 9d. thousand words.&#13;
A Compilation for General Use.&#13;
M. J. C., 31, LAMMAS PARK ROAD, EALING, W.&#13;
By J. M. LELY, M.A., Barrister-at-Law.&#13;
Second Edition, Revised and Enlarged. Crown 8vo., limp cloth,&#13;
28. 6d. net; postage, 3d. extra.&#13;
TABLE OF CONTENTS.&#13;
THE&#13;
OHAP.&#13;
сHAP.&#13;
1.-Pre-Reformation Law. | V.--The Benefices Act.&#13;
II.-Reformation Law, except&#13;
| VI.-Table of principal Statutes&#13;
the first three Acts of&#13;
Uniformity.&#13;
repealed and unrepealed.&#13;
III.-The Acts of Uniformity. VII.-Table of principal Judicial&#13;
IV.-The Prayer Book and&#13;
Decisions.&#13;
BY&#13;
Rubrics.&#13;
APPENDIX.-Ecclesiastical Bills-Comprehension Bill of 1689. Eccle.&#13;
siastical Appeals Bill 1850. Church Discipline Bill of 1899.&#13;
Statements by English Church Union and Church Association,&#13;
CONTENTS. – 1. Elements of Chegg. 2. General Principios. Extracts from Decrees and Canons of Council of Trent. The&#13;
3. Combination. 4. Exposition of Master Play Complete.&#13;
Creed of Pope Pius the Fourth as added to by Pope Pius the&#13;
Ninth. And a Copious Index.&#13;
M. J. O., Sion, Revised medBobtais&#13;
&#13;
PRINCIPLES OF CHESS&#13;
IN THEORY AND PRACTICE.&#13;
JAMES MASON.&#13;
London : HORACE Cox, Windsor House, Bream's-buildings, E.C. London: HORACE Cox, Windsor House, Broam's Buildings, E.O.&#13;
· Printed and Published by HORACE Cox, Windsor House, Bream's-buildings, London, E.C.&#13;
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PERIODICALS&#13;
AND THEIR CONTRIBUTORS.&#13;
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BRADBURY, AGNEW, &amp; co. LD., PRINTERS,&#13;
LONDON AND TONBRIDGE,&#13;
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PERIODICALS AND THEIR CONTRIBUTORS.&#13;
* ARTIST."&#13;
It is most important that the name and address of the&#13;
sender should be written upon every subject submitted,&#13;
whether drawing, photograph, MS., or otherwise.&#13;
The Editor is always glad to consider original work,&#13;
photographs, illustrated articles, etc. While every possible&#13;
care will be taken of these, absolute responsibility cannot&#13;
be accepted. Sufficient stamps should be enclosed to cover&#13;
the cost of return in case of non-acceptance.&#13;
“ BADMINTON MAGAZINE."&#13;
The Badminton Vigazine does not contain a notice of&#13;
the terms paid to contributors.&#13;
DESIRE has repeatedly been expressed that&#13;
the Author should reproduce the notices&#13;
published in magazines with regard to the&#13;
MSS. sent to the offices.&#13;
It is now four years ago since a similar statement&#13;
was produced, and as the matter will no doubt be&#13;
of service to the many contributors to the magazines.&#13;
members of the society, a fairly exhaustive list is&#13;
printed below, incorporated in which are certain&#13;
letters that have been courteously sent from the&#13;
editors of magazines that do not print notices.&#13;
The question of the responsibility of editors&#13;
with regard to MSS. is one of great importance,&#13;
and some years ago the Committee obtained&#13;
Counsel's opinion on the many legal questions that&#13;
were constantly arising with regard to the receipt&#13;
and dispatch of MSS. This opinion, with a few&#13;
words of advice, is reprinted, as it is clear that&#13;
many of our readers have overlooked it, and for&#13;
the further reason that out of all the cases that&#13;
come before the Secretary during the year a very&#13;
large number refer to this subject.&#13;
“ANSWERS.”&#13;
Short stories (which must be entirely original) are paid&#13;
for at the rate of £3 33. each. They should consist of not&#13;
more than 3,000 and not less than 2,000 words. The most&#13;
acceptable length, however, is 2,100 words.&#13;
The Editor is always pleased to consider articles, which&#13;
should not be less than 700 words (one column) or more&#13;
than 1,400 words in length.&#13;
Payment (£1 ls. a column) is made immediately on&#13;
publication.&#13;
The Editor does not hold himself responsible for any MSS.&#13;
that may be lost or damaged while under consideration.&#13;
(The Editor does not undertake to return rejected contri-&#13;
butions when not accompanied by a fully stamped and&#13;
addressed enrelope.)&#13;
“ANTIQUARY."&#13;
Unsolicited MSS. will always receive careful attention,&#13;
but the Editor cannot return them if not accepted unless a&#13;
fully stamped and directed envelope is enclosed. To this&#13;
rule no exception will be made.&#13;
It would be well if those proposing to submit MSS.&#13;
would first write to the Editor stating the subject and&#13;
manner of treatment.&#13;
"ARGOSY."&#13;
The Editor of The Argosy considers as promptly as&#13;
possible all manuscripts which are sent to him. All com-&#13;
munications must be addressed to the Editor of The Argosy,&#13;
156, Charing Cross Road, W.C. Stories, sketches, studies,&#13;
and verses must always be accompanied by a stamped&#13;
addressed envelope for return in case of unsuitability.&#13;
MSS. should be typewritten. The publisher cannot be&#13;
responsible for articles accidentally lost.&#13;
“BLACK AND WHITE."&#13;
The Editor of Blark and White is always glad to consider&#13;
articles, drawings, and photographs of topical and general&#13;
interest. Paragraphs and articles on any interesting&#13;
subject of the week are particularly invited, and all photo-&#13;
graphs, whether taken by amateurs or professional photo.&#13;
graphers, are promptly considered, and paid for, if accepted,&#13;
without delay.&#13;
"&#13;
The Editor spares no pains to return manuscripts and&#13;
photographs in case he is unable to make use of them, but&#13;
in no case can he be held responsible for their safety.&#13;
Photographs are frequently lost through the carelessness&#13;
of the senders, who fail to write their address on the back,&#13;
and the Editor has a large number of photographs which&#13;
he is unable to return for this reason. All photographs&#13;
should have their description, and the name and address of&#13;
the sender, on the back, faintly written in pencil.&#13;
The Editor is pleased to receive drawings of any events&#13;
of public interest, or of general subjects; and is glad at&#13;
any time to receive suggestions from artists or photo-&#13;
graphers.&#13;
All payments are made promptly on acceptance.&#13;
“BOOKMAN.”&#13;
All communications intended for the Editor must be&#13;
addressed to the Editor of The Bookman, 17, Paternoster&#13;
Row, London, E.C.&#13;
No unused communications will be returned, whether&#13;
stamps are enclosed for that purpose or not, and to this&#13;
rule we can make no exception.&#13;
• BRITANNIA.”&#13;
The Editor will be glad to receive original tales for con-&#13;
sideration, with proposals of terms. Preference will be&#13;
given to type-written copy on account of superior legibility,&#13;
but clearly-written MSS. are also suitable. Short stories,&#13;
of a few pages in length, to appear in a single issue are&#13;
preferred.&#13;
“ CAPTAIN.”&#13;
The Editor does not hold himself responsible for any&#13;
MSS., photographs, or drawings submitted to him, but&#13;
when stamps are enclosed he will endeavour to return&#13;
those contributions of which he cannot make use.&#13;
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THE AUTHOR.&#13;
“CHURCH OF IRELAND."&#13;
The Editor cannot promise to insert in the following&#13;
Friday's issue any letter received after Tuesday.&#13;
Rejected MSS. can only be returned when accompanied&#13;
by a stamped and addressed envelope.&#13;
Correspondents are requested to write as legibly as&#13;
possible, and on one side of the paper only, and not to&#13;
write on Post Cards.&#13;
All letters and MSS. intended for publication should be&#13;
addressed to the Editor at the Office of the Church of&#13;
Ireland Gazette.&#13;
Anonymous letters will not be refused publication, if&#13;
they are otherwise fit for insertion ; but no anonymous&#13;
letter can be inserted unless accompanied by the name and&#13;
address of the writer, as an evidence of good faith.&#13;
The Editor does not hold himself responsible for the&#13;
facts or opinions of his correspondents.&#13;
“ CORNHILL MAGAZINE."&#13;
Communications to the Editor should be addressed to the&#13;
care of Messrs. Smith, Elder &amp; Co., 15, Waterloo Place,&#13;
S.W.&#13;
All contributions are attentively considered, and un-&#13;
accepted MSS. are returned when accompanied by the&#13;
necessary stamps for postage ; but the Editor cannot hold&#13;
himself responsible for any accidental loss. MSS. cannot&#13;
be delivered on personal application, nor can they be&#13;
forwarded through the post when only initials are given.&#13;
Every contribution should be type-written, on one side of&#13;
each leaf only, and should bear the name and address of&#13;
the sender.&#13;
“ COUNTRY LIFE."&#13;
“ CASSELL'S MAGAZINE."&#13;
Illustrated contributions for the “ Something New".&#13;
pages are invited by the Editor, who will be glad to pay for&#13;
original paragraphs or photographs which are accepted.&#13;
Out-of-the-way and curious natural phenomena and freaks&#13;
of nature, as well as portraits and views likely to be of&#13;
topical interest two or three months after they are submitted,&#13;
are sure of prompt and careful consideration.&#13;
Correspondents are requested, when applying to the&#13;
Editor for the names and addresses of the persons from&#13;
whom further particulars respecting articles may be&#13;
obtained, to forward a stamped and addressed envelope&#13;
for reply.&#13;
All contributions for the Editor's consideration must be&#13;
type-written, and submitted at the sender's risk. The&#13;
Editor accepts no responsibility for unsuiiable papers and&#13;
stories, but will use his best endeavour to return such as&#13;
are accompanied by stamped and addressed wrappers.&#13;
“CATHOLIC TIMES."&#13;
All communications which do not belong to the Business&#13;
Department of the Catholic Times and are intended for&#13;
insertion should be addressed to the Editor. They should&#13;
be plainly written, if possible in ink, and invariably on one&#13;
side of the paper. Special care should be taken that names&#13;
of places, countries, proper names, and uncommon words&#13;
have every letter perfectly legible. Figures must also be&#13;
clear and distinct. Ivattention to these directions will&#13;
often compel either rejection or considerable abridgment&#13;
of contributions. The writers of unsolicited articles sent&#13;
for insertion must state clearly if payment is expected for&#13;
them. All communications intended for insertion must be&#13;
authenticated by the name and address of the writer, not&#13;
necessarily for publication, but as a guarantee of good&#13;
faith. No notice will be taken of anonymous letters.&#13;
Rejected communications will not be returned.&#13;
Correspondents are reminded that the earlier their com-&#13;
munications reach this office the better the chance of their&#13;
publication, and all communications intended for insertion&#13;
in the current issue should reach us not later than Tuesday ;&#13;
the Editor reserves Wednesday for special correspondents&#13;
and telegraphic news.&#13;
“ CHAMBERS’ JOURNAL."&#13;
1st. All communications should be addressed - To the&#13;
Editor, 339, High Street, Edinburgh."&#13;
2nd. For its return in case of ineligibility, postage-stamps&#13;
should accompany every manuscript.&#13;
3rd. To secure their safe return if ineligible, all manu-&#13;
scripts, whether accompanied by a letter of advice or&#13;
otherwise, should have the writer's name and address&#13;
written upon them in full.&#13;
4th. Poetical contributions should invariably be accom-&#13;
panied by a stamped and directed envelope.&#13;
" CHURCHMAN."&#13;
All literary communications should be addressed to " The&#13;
Editors, 2, Exeter Street, Strand, W.C."&#13;
All MSS, should bear name and address of writer and&#13;
be accompanied by stamps for return. The Editors will&#13;
endeavour to return all such MSS. : but can accept no&#13;
responsibility for uninvited contributions.&#13;
The Editors accept no responsibility for opinions expressed&#13;
in correspondence or signed articles.&#13;
“ CHURCHWOMAN."&#13;
All literary communications should be addressed to&#13;
“ The Editors, 2, Exeter Street, Strand, W.C.”&#13;
All MSS. should bear name and address of writer and be&#13;
accompanied by stamps for return. The Editors will&#13;
endeavour to return all such MSS. ; but can accept no&#13;
responsibility for uninvited contributions.&#13;
The Editor will be glad to receive for consideration&#13;
photographs, instantaneous or other wise, besides literary&#13;
contributions, in the shape of articles and descriptions, as .&#13;
well as short stories, sporting or otherwise, not exceeding&#13;
2,000 words. Contributors are specially requested to place&#13;
their names and addresses on their MSS, and on the backs&#13;
of photographs. The Editor will not be responsible for the&#13;
return of artistic or literary contributions which he may&#13;
not be able to use, and the receipt of a proof must not be&#13;
taken as evidence that an article is accepted. Publication&#13;
in Country Life alone will be recognised as acceptance.&#13;
Where stamps are enclosed, the Editor will do his best to&#13;
return those contributions which he does not require.&#13;
With regard to photographs, the price required for repro-&#13;
duction, together with all descriptive particulars, must be&#13;
plainly stated, otherwise, when jayment is requested, it&#13;
must be understood that the usnal rates of the paper will&#13;
be paid. If it is desired that the photograph should be&#13;
returned, a sufficiently stamped and directed envelope must&#13;
be enclosed for the purpose.&#13;
"COUNTRY SPORT."&#13;
The Editor cannot undertake the return of any rejected&#13;
manuscript, unless same is accompanied by stamped&#13;
addressed envelope.&#13;
The Editor will be glad to receive for consideration any&#13;
interesting, original paragraphs, sporting anecdotes, or&#13;
other suitable matter for insertion under this heading.&#13;
A postal order for 78. will be remitted immediately after&#13;
publication of any accepted manuscript.&#13;
“CRAMPTON'S MAGAZINE."&#13;
Communications to the Editor should be addressed to 5,&#13;
Henrietta Street, London, W.C.&#13;
Every MS. should bear the name and address of the&#13;
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THE AUTHOR.&#13;
sender, and should be accompanied by a stamped envelope&#13;
for return in cese of rejection.&#13;
The Editor cannot hold himself responsible for the loss of&#13;
MSS.&#13;
“ DAILY GRAPHIC."&#13;
The proprietors cannot hold themselves responsible for&#13;
loss or damage to MSS., sketches, or other contributions&#13;
arising from any cause whatever. A sufficiently stamped&#13;
and directed envelope must accompany contributions when&#13;
their return is desired.&#13;
“ EXAMINER.”&#13;
Editorial Offices, 56, Ludgate Hill, E.C., where all com&#13;
munications for the Editor should be addressed. Letters&#13;
intended for publication must be authenticated in every&#13;
case by the name and address of the writer, and be written&#13;
on one side of the paper only. Unsolicited MSS. cannot&#13;
be returned unless accompanied by stamped addressed&#13;
envelope.&#13;
Correspondents are reminded that we cannot insert any&#13;
letters that are not authenticated by the name and address.&#13;
"GLOBE."&#13;
All communications intended for publication should be&#13;
sent to " The Editor," and be accompanied by the writer's&#13;
name and address, not necessarily for insertion, but as a&#13;
guarantee of good faith.&#13;
The Editor will not undertake to be responsible for any&#13;
rejected MS. nor to return any contribution unaccompanied&#13;
by a stamped and directed envelope.&#13;
"GRAPHIC."&#13;
The Graphic does not publish regularly a notice of&#13;
the terms on which they deal with contributors, but&#13;
occasionally inserts a paragraph as follows : "Every care&#13;
will be taken of all sketches received, and those not used&#13;
will be forwarded to any address furnished by sender; but&#13;
the proprietors cannot hold themselves responsible for loss&#13;
of or damage to MSS., sketches, or other contributions,&#13;
arising from any cause whatever. A sufficiently stamped&#13;
and directed envelope must, when possible, accompany&#13;
contributions where their return is desired."&#13;
HARMSWORTH BROS.' PUBLICATIONS.&#13;
In regard to short stories, they must be sent direct to&#13;
the Editors of the respective journals chosen by the&#13;
contributor. The following are the lengths most suitable :&#13;
Answers, 2,100 words ; Home, Sweet Home, 5,000 words ;&#13;
Home Chut, 1,000 to 3,000 words ; Forget-Me-Not, some&#13;
1,800, and others 7,000; Harm sucurth Magazine, 1,500 to&#13;
4,000 words.&#13;
“HARMSWORTH MAGAZINE."&#13;
Cash for Ideas.--The Editor is always glad to receive&#13;
ideas for articles and pictures. All readers are invited to&#13;
contribute to this magazine.&#13;
Pictures and photographs are essential to all articles, and&#13;
must be bright and interesting.&#13;
All stories, articles, and photographs submitted to the&#13;
Editor for consideration must bear the names and addresses&#13;
of the senders, be typewritten and accompanied by stamped&#13;
and addressed envelopes, otherwise they cannot be considered&#13;
or returned. MSS. must be folded, and not rolled.&#13;
It must be understocd that while every care is taken of&#13;
MSS., they are sent at the author's risk, and the Editor is&#13;
not responsible for their safe custody or return.&#13;
Communications should be addressed to the Editor,&#13;
Harmsworth Magazine. Carmelite House. London. E.C.&#13;
- FINANCE."&#13;
The Editors will not be responsible for MSS. sent to&#13;
them, but will make every endeavour to return rejected&#13;
communications when accompanied by a stamped addressed&#13;
envelope.&#13;
" FREE LANCE."&#13;
The Editor will be glad to consider MSS. of any description&#13;
that may fairly be regarded as suitable for publication in&#13;
this journal.&#13;
The Free Lance stands on an exceedingly broad platform,&#13;
and is always open to publish paragraphs and articles of a&#13;
general, descriptive, or critical nature, provided they be&#13;
topical, interesting to both men and women, always in&#13;
good taste, and not too remote or too academic in style.&#13;
Articles must not exceed from 1,500 to 2,000 words in&#13;
length, and should be light and bright in treatment, full of&#13;
"points," free of verbiage, and rendered readable by new&#13;
ideas and new points of view. Subjects may be treated&#13;
seriously or humorously, frankly, blandly, or caustically,&#13;
or merely from the informative aspect.&#13;
Contributions referring to dead personages, party politics,&#13;
theological questions, Continental matters, and events of&#13;
years gone by are not required.&#13;
Accepted MSS. will be paid for during the week of&#13;
publication.&#13;
Every endeavour will be made to return unused con-&#13;
tributions, provided a stamped envelope be enclosed, but&#13;
the Editor cannot hold himself responsible for the return of&#13;
any MSS. submitted.&#13;
MSS. sent without stamped envelopes will be destroyed.&#13;
MSS. should be typewritten (whenever possible) on one&#13;
side of the paper, and should have the author's name and&#13;
address on the back of each sheet, and should be addressed.&#13;
“ Editor, Free Lance, 15, Essex Street, Strand, W.C.”&#13;
" JEWISH WORLD."&#13;
The Editor of The Jewish World will not in any case be&#13;
responsible for the return of rejected contributions. He&#13;
will, however, always be prepared to consider MSS. and&#13;
sketches that have a distinctly Jewish interest, and where&#13;
stamps are enclosed, and name and address of sender&#13;
legibly written on the manuscript, every effort will be&#13;
made to return rejected contributions promptly. MSS.&#13;
must be clearly written on one side of the paper only.&#13;
“GENTLEMAN'S MAGAZINE."&#13;
All MSS. should be addressed, prepaid, to Sylvanus&#13;
Urban, care of Messrs. Chatto &amp; Windus, 111, St. Martin's&#13;
Lane, W.C. Every MS. should bear the writer's name and&#13;
address, and be accompanied by postage stamps for its&#13;
return if not accepted, but the Editor cannot hold himself&#13;
responsible for any accidental loss.&#13;
"KING.”&#13;
All manuscripts, photographs, drawings, and other&#13;
contributions must be plainly marked with the name and&#13;
address of each sender, for quick identification in case of&#13;
return. Each photograph must have the title thereof&#13;
plainly written on the back, and, where possible, a few&#13;
words of description.&#13;
All available matter will be paid for on acceptance.&#13;
The receipt of a proof, however, will not be a guarantee of&#13;
acceptance.&#13;
All unavailable matter will be promptly returned pro-&#13;
viding stamps are enclosed with contributions, but the&#13;
Editor will not hold himself liable for accidental loss.&#13;
All communications must be addressed to the Editor.&#13;
“GENTLEWOMAN."&#13;
No notices with regard to the MSS, of contributors are&#13;
printed, but any that are sent in have immediate&#13;
consideration, and are returned if unsuitable.&#13;
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&#13;
THE AUTHOR.&#13;
stamped and addressed envelope should accompany the&#13;
MS. if the writer wishes it to be returned in case of non-&#13;
acceptance. The editor can in no case hold himself&#13;
responsible for accidental loss. All communications should&#13;
be addressed to the Editor of Longman'&amp; Magazine.&#13;
“LA DIES' FIELD."&#13;
The Editor will be glad to receive photographs and to&#13;
consider special articles on any subject of interest to cultured&#13;
women.&#13;
The Editor cannot hold herself responsible for rejected&#13;
contributions, though, if stamps are enclosed, together with&#13;
the full name and address of the writer, every effort will&#13;
be made to return them. Contributors desiring remunera.&#13;
tion must mention the price asked for photos. or MSS. at&#13;
the time of sending.&#13;
The receipt of a proof must not be taken as evidence&#13;
that an article is accepted. Publication in The Ladies'&#13;
Field will alone be recognised as acceptance.&#13;
All correspondence concerning letterpress or illustrations&#13;
published in The Ladies' Field should be addressed to the&#13;
Editor.&#13;
" MACMILLAN'S MAGAZINE.”&#13;
Every MS. should bear the name and address of the&#13;
writer, and be accompanied by sufficient postage stamps for&#13;
its return if necessary. Every endeavour will be made to&#13;
send back unaccepted articles, but the Editor cannot&#13;
guarantee their safe return. Under no conditions will he&#13;
be responsible for the return of contributions in verse.&#13;
There is no rule in this magazine entitling a contributor&#13;
to the publication of his signature. This and all kindred&#13;
matters rest solely in the Editor's discretion.&#13;
“LADIES' GAZETTE.”&#13;
All literary communications should be addressed to the&#13;
Editor.&#13;
Contributions are invited upon any subjects of interest&#13;
to women. Articles may be illustrated with non-copyright&#13;
photographs. The remuneration required should be stated&#13;
on the MSS. All MSS. should be typewritten, and must&#13;
have a stamped, addressed envelope enclosed for return.&#13;
The Editor does not hold herself responsible for loss of&#13;
MSS.&#13;
“LADY'S MAGAZINE."&#13;
The Editor is always glad to receive ideas for bright&#13;
articles, especially those that will illustrate well by&#13;
photography. While not holding himself responsible for&#13;
MSS. and drawings sent on approval, the Editor will at all&#13;
times be ready to consider such contributions, and, where&#13;
stamps are inclosed, every effort will be made to secure their&#13;
safe return in case of rejection. All MSS. should be&#13;
typewritten, or in very clear handwriting.&#13;
Communications should be addressed to the Editor, The&#13;
Lady's Magazine, Pearson's, Henrietta Street, London,&#13;
W.C.&#13;
“LADY'S WORLD."&#13;
The Editor will not be responsible for the safe return of&#13;
any MSS. In all cases they must bear the name and&#13;
address of the sender, and be accompanied by stamped&#13;
and addressed envelopes. Consideration will be specially&#13;
given to articles and stories which are typewritten&#13;
All drawings sent to the office for consideration must&#13;
also bear the names and addresses of the senders, and be&#13;
accompanied by stamps for return, but the Editor cannot&#13;
be responsible for the safety of same.&#13;
All communications to be addressed The Editor, The&#13;
Lady's World.&#13;
"M. A. P."&#13;
The Editor will always be happy to consider MSS. sent&#13;
in by any competent contributor--whether a professed&#13;
journalist or not-provided they be typewritten, on one&#13;
side of the paper only, and endorsed on each slip with the&#13;
name and address of the sender. Contributions must be&#13;
formally declared in a brief covering letter to be original,&#13;
and should deal with personal matters directly within the&#13;
knowledge of the writer. Paragraphs relating to celebrities&#13;
of the past, or to notable men and women of Continental&#13;
or trans-Atlantic reputation only, are quite unavailable.&#13;
New, true, and original anecdotes relating to men and&#13;
women of the day will be considered with especial care. -&#13;
Every endeavour will be made to return unsuitable con-&#13;
tributions, if a stamped addressed envelope be enclosed,&#13;
but the Editor cannot hold himself responsible for MSS.&#13;
submitted on approval. When no stamped envelope is&#13;
submitted on androval When nos&#13;
enclosed, the Editor will assume that authors do not desire&#13;
the return of their MSS., which will consequently be&#13;
destroyed, if found, upon reading, to be unsuitable for&#13;
M. A. P. As regards short stories, these must be either&#13;
1,500 or 2,200 words in length, and, in keeping with the&#13;
atmosphere of the pages among which they are intended to&#13;
appear, must have a pleasant tone and a pleasant ending.&#13;
Personal interviews are granted to contributors by written&#13;
appointment, on Tuesdays only, from 12 to 1, and from 2.30&#13;
to 6 p.m.&#13;
"MCCLURE'S MAGAZINE.”&#13;
There are no fixed terms for dealing with manuscripts&#13;
sent in voluntarily, as each contribution which is accepted&#13;
is dealt with on its own merits and valued accordingly.&#13;
With the exception of short stories, which are obtained&#13;
mainly from America, very little contributed matter is&#13;
found available, nearly all of the special articles being&#13;
written by members of the editorial staff. No notice&#13;
concerning the method of dealing with the matter of&#13;
contributions is printed.&#13;
"METHODIST TIMES.”&#13;
“ LEISURE HOUR."&#13;
All manuscripts should be sent to the Editor, The Leisure&#13;
Hour, 56, Paternoster Row, and must have the name and&#13;
address of the sender clearly written thereon, and in any&#13;
accompanying letter the title of the MS. must be given.&#13;
No notice can be taken of anonymous communications.&#13;
Writers are recommended to keep copies of their MSS&#13;
A stamped addressed envelope should accompany each&#13;
communication. Payment for accepted manuscripts is&#13;
made on publication.&#13;
All communications intended for publication should be&#13;
addressed to the Office, and not to the Editor's prirate&#13;
address. No letters can be returned, whether accompanied&#13;
by stamps or not Correspondents will, therefore, please&#13;
discontinue asking for the MSS. of letters which have not&#13;
appeared. No notice will be taken of anonymous com-&#13;
munications. Contributions written on both sides of the&#13;
paper cannot be printed.&#13;
“LONGMAN'S MAGAZINE.”&#13;
The Editor requests that his correspondents will be good&#13;
enough to write to him informing him of the subject of any&#13;
article they wish to offer, before sending the MS. À&#13;
“MORNING POST."&#13;
All letters intended for insertion in the Morning Post&#13;
should be written on one side of the paper, and must be&#13;
&#13;
&#13;
## p. 7 (#315) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
authenticated by the name and address of the writer ;&#13;
either for publication, if desired, or as a confidential&#13;
communication to the Editor.&#13;
We cannot undertake to return the MSS. of such articles&#13;
as we may find it impossible to insert.&#13;
found more satisfactory, both to the author and to the&#13;
management, for this arrangement to obtain. When an&#13;
article is considered suitable, a formal offer is sent the&#13;
author, and if this is accepted, payment is made at once,&#13;
although the article may not appear for some months&#13;
afterwards. The only exception to this rule is in the case&#13;
of payment for ideas for articles.&#13;
"PILOT.”&#13;
Contributors are requested, in all cases, to write name&#13;
and address on the MSS.; and, if they are sent for&#13;
consideration, a fully addressed and stamped envelope&#13;
should be forwarded at the same time.&#13;
If these conditions are complied with, the Editor will&#13;
do his best to return unused articles. Only appearance in&#13;
The Pilot constitutes acceptance. Contributions stand a&#13;
better chance of receiving full consideration if they are&#13;
typewritten.&#13;
“ MOTOR-CAR JOURNAL.”&#13;
All communications intended for insertion in this Journal&#13;
or relating to Editorial matters should be addressed to the&#13;
Editorial Department, Motor-Car Journal, 39 and 40, Shoe&#13;
Lane, London, E.C., and must be written on one side of the&#13;
paper only. Letters must in all cases be accompanied by&#13;
the name and address of the writer, as no notice will be&#13;
taken of anonymous communications.&#13;
The Editors cannot undertake to return MSS. or draw.&#13;
ings, although every effort will be made to do so in the&#13;
case of rejected communications. Where such are regarded&#13;
as of value, correspondents are requested to retain copies.&#13;
The Editors and Publishers beg also to state that they&#13;
will accept no responsibility for unsolicited contribu-&#13;
tions, even if used, unless payment for same is directly&#13;
specified in forwarding, and the terms arranged before&#13;
publication.&#13;
To insure insertion communications and contributions&#13;
must be in the Editors' hands by Tuesday forenoon of the&#13;
week in which the same are intended to appear. Disap-&#13;
pointment may be caused by non-compliance with this&#13;
rule, and to avoid this, earlier receipt, if possible, is&#13;
necessary.&#13;
"ONLOOKER.”&#13;
Contributions.—The Editor will at all times be pleased&#13;
to consider short stories, articles, verses, paragraphs, etc.,&#13;
and will do his best to return them promptly if unsuitable.&#13;
All MSS. must be accompanied by a stamped and addressed&#13;
envelope, and should be typewritten. Such communica-&#13;
tions should bear a note stating the rate of remuneration&#13;
expected, and payment will be made after insertion only.&#13;
It should, however, be understood that the Editor cannot&#13;
kundertake any responsibility for unsolicited contributions.&#13;
All editorial letters and copy should be addressed to the&#13;
Editor, and not to anyone by name,&#13;
“ PRESBYTERIAN."&#13;
The Editor is pleased at all times to consider MSS.&#13;
submitted to him, but they must be sent at the writers'&#13;
own risk. Every care will be taken, however, to return&#13;
unsuitable contributions when stamps are enclosed.&#13;
"PALL MALL GAZETTE.”&#13;
The Editor of the Pall Mall Gazette does not in any&#13;
case hold himself responsible for the return of rejected&#13;
contributions. He is, however, always glad to consider&#13;
MSS. and sketches; and, where stamps are enclosed and&#13;
the name and address are written on the manuscript,&#13;
every effort will be made to return rejected contributions&#13;
promptly. To ensure this it is absolutely necessary that&#13;
the name and address of the contributor should be written&#13;
on the manuscript itself. The sending of a proof is no&#13;
guarantee of the acceptance of the article.&#13;
“PUNCH."&#13;
Punch publishes no notice of the terms on which MSS.&#13;
is dealt with—with the exception of an intimation on the&#13;
cover that they should be accompanied by stamped&#13;
directed wrappers.&#13;
“QUEEN."&#13;
The Editor cannot hold himself responsible for the safety&#13;
of MSS. He will, however, endeavour to return articles&#13;
and sketches when accompanied by a stamped addressed&#13;
wrapper or envelope. All contributions should be type-&#13;
written.&#13;
“QUIVER."&#13;
Ladies or gentlemen who propose offering MSS. for&#13;
insertion, if approved, in The Quirer, are requested to&#13;
forward in the first place, or accompanying a MS., a short&#13;
abstract of the story or paper to be submitted. This&#13;
precaution will save much valuable time to all concerned.&#13;
The abstract should not, as a rule, exceed 250 words in&#13;
length.&#13;
The Editor would be obliged if, in future, all MSS.&#13;
submitted to him for approval be typewritten.&#13;
No responsibility will be taken for loss or miscarriage&#13;
of MSS.&#13;
“REGIMENT."&#13;
The Editor is always glad to consider short interesting&#13;
stories and articles, with a view to publication. MSS.&#13;
should, if they are not typewritten, be written very&#13;
distinctly. Drawings of an interesting or comic nature&#13;
are also considered.&#13;
Whilst doing his best to return unaccepted contributions&#13;
when stamps are enclosed, the Editor will not be responsible&#13;
for their loss or damage in transit, although he will use his&#13;
utmost endeavours to avoid such.&#13;
"PALL MALL MAGAZINE."&#13;
All MSS. submitted to the Editor for consideration must&#13;
bear the names and addresses of the Authors, be type-&#13;
written, and accompanied by stamps, otherwise they will&#13;
not be read or returned. It must be understood that they&#13;
are sent at the Author's risk, and the Editor is not&#13;
responsible for their safe custody or return. All drawings&#13;
submitted must also bear the names and addresses of&#13;
the persons forwarding them, and must be accompanied&#13;
by stamps to defray the cost of return. MSS. and drawings&#13;
should be addressed to the Editor, Pall Mall Vagazine.&#13;
" ROYAL MAGAZINE."&#13;
The Editor will always be ready to consider contributions,&#13;
whether literary or pictorial, and, where stamps are&#13;
enclosed, will make every endeavour to ensure their safe&#13;
return in the event of their proving unsuitable, although&#13;
he cannot hold himself responsible for any MSS. or drawings&#13;
or photographs sent on approval,&#13;
“PEARSON'S WEEKLY."&#13;
The rate of payment for Pearson's Weekly varies in&#13;
accordance with the merit of the article. It has been&#13;
&#13;
&#13;
## p. 8 (#316) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
requested to send stamped and addressed envelopes for&#13;
the return of their MSS. in case of non-acceptance.&#13;
“SANDOW'S MAGAZINE.”&#13;
The Editor will at all times be glad to consider articles,&#13;
stories, and sketches addressed to him at Crown and Sceptre&#13;
Court, but in order to avoid waste of time, contributors&#13;
would do well to submit suggestions for his approval before&#13;
sending in their work. Literary MSS. should be type-&#13;
written. In no case can the editor be responsible for the&#13;
safety of unsolicited sketches and literary matter, but&#13;
where stamps are enclosed he will do his best to secure&#13;
their return if unsuitable.&#13;
“ SUNDAY STRAND."&#13;
MSS. and drawings must be submitted at the owner's&#13;
risk, and the Editor will not guarantee their safety, though&#13;
when stamps are enclosed he will endeavour to return them.&#13;
MSS. should be typewritten.&#13;
“SCIENCE GOSSIP."&#13;
Notice.-Contributors are requested to strictly observe&#13;
the following rules. All contributions must be clearly&#13;
written on one side of the paper only. Words intended&#13;
to be printed in itulics should be marked under with a&#13;
single line. Generic names must be given in full, excepting&#13;
where used immediately before. Capitals may only be&#13;
used for generic, and not specific names. Scientific names&#13;
and names of places to be written in round hand,&#13;
The Editor is not responsible for unused MSS., neither&#13;
can he undertake to return them unless accompanied with&#13;
stamps for return postage.&#13;
- SPARE MOMENTS."&#13;
We offer a prize of Ten Shillings every week for the most&#13;
laugbable story.&#13;
The name and address of the sender should accompany&#13;
the Competition. If original, a declaration to that effect&#13;
must be inclosed ; if cut from another paper, the name and&#13;
date of the paper from which it was taken must be forwarded.&#13;
The Editor will be the sole judge of the contributions,&#13;
and his decision will be final. We reserve the right of&#13;
dividing the 108., should we think proper, and of publishing&#13;
any of the stories sent in.&#13;
Any number of stories may be sent in by the same com-&#13;
petitor, but in all cases the words - Fanny Story Competition"&#13;
must be written on the envelope. Stories will not, under&#13;
any circumstances, be returned.&#13;
Successful competitors are not debarred from again&#13;
contributing,&#13;
We do not require stories that have appeared in other&#13;
papeis the previous week, nor do we want stories that have&#13;
been already published in Spare Woments.&#13;
Competitions should reach the offices of Spare Woments,&#13;
12-14, Fetter Lane, London, E.C., not later than Friday&#13;
of each week. Any arriving later will be placed in the&#13;
following competition.&#13;
"THE SPHERE."&#13;
Photographe. — The Editor will be pleased to receive&#13;
photographs of important current events, of interesting&#13;
houses, and of notable persons. These should be invariably&#13;
accompanied by full descriptive matter, with name and&#13;
address of the sender written upon the reverse of the&#13;
photograph. It must be distinctly understood that no one&#13;
living in a country under the Berne Copyright Convention&#13;
will be treated with who is not the owner of the copyright&#13;
of the photograph submitted, or who has not the permission.&#13;
in writing of the owner of the copyright to submit the&#13;
photograph to the Editor of The Sphere for reproduction.&#13;
All photographs used will be liberally paid for. Any&#13;
photograph will be returned after reproduction if&#13;
desired."&#13;
Januscripts. – The Editor must decline to consider&#13;
manuscripts of any kind unless he has been previously&#13;
approached as to their possible utility. This particularly&#13;
applies to short stories, of which the Editor has sufficient&#13;
in hand.&#13;
“THE TATLER.”&#13;
Literary matter.—The Editor will always be pleased to&#13;
consider MSS. sent in by any contributor - whether&#13;
professed journalist or not-provided they are of a nature&#13;
suitable for The Tatler. Intending contributors are par-&#13;
ticularly recommended to read carefully the columns of&#13;
The Tatler before contributing. What the Editor requires&#13;
are short, bright, personal paragraphs about living celeb.&#13;
rities directly within the knowledge of the writer. New,&#13;
true, and original anecdotes relating to men and women of&#13;
the day are especially acceptable. Paragraphs compiled&#13;
from biographical works are not invited. As regards short&#13;
stories, these must be from 2,000 to 3,000 words in length&#13;
and in keeping with the atmosphere of the pages of the&#13;
paper in which they are intended to appear. All para-&#13;
graphs and stories should be addressed to the society Editor.&#13;
Where a stamped and addressed envelope is enclosed every&#13;
effort will be made to return promptly unsuitable MSS.&#13;
and photographs.&#13;
“ TEMPLE BAR.”&#13;
MSS. should be addressed, post-paid, to the Editor of&#13;
Temple Bar. Each MS. should bear the name and address&#13;
of the writer (not necessarily for publication), and be&#13;
accompanied by postage stamps for its return in case of&#13;
non-acceptance. Every care will be taken, but neither the&#13;
Editor, nor the publisher, can be responsible for accidental&#13;
loss. MSS. should be written in a clear hand on one side&#13;
of the paper only, and the leaves should be fastened&#13;
together, and paged.&#13;
Correspondence- Allarticles sent are carefully considered,&#13;
but it is impossible to advise beforehand what subjects.&#13;
are likely to meet with acceptance.&#13;
"SPEAKER."&#13;
The Editor cannot hold himself responsible for the loss&#13;
or miscarriage of unsolicited manuscripts submitted to him,&#13;
though he will make every effort to return such safely, if a&#13;
stamped and addressed envelope is sent with them.&#13;
“SPECTATOR.”&#13;
A notice is printed that " The Editor cannot return MSS.&#13;
under any circumstances."&#13;
“ SUNDAY AT HOME.”&#13;
The Sunday at llome professes only to return rejected&#13;
MSS. which are accompanied by stamps.&#13;
"SUNDAY CHRONICLE.”&#13;
The Editor is always pleased to consider articles on&#13;
topical subjects and short stories. Contributors are&#13;
" VANITY FAIR."&#13;
The only terms that the Editor of Vanity Fair has with&#13;
regard to contributors of uninvited manuscripts are, that&#13;
if stamps are enclosed and the address is written on the&#13;
manuscript, he makes every effort to return it, and he does.&#13;
not hold himself liable for accidental loss. Manuscripts&#13;
&#13;
&#13;
## p. 9 (#317) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
are sometimes kept for some time under consideration,&#13;
especially when they are stories which are not of topical&#13;
interest ; and it must be understood that such delay does&#13;
not imply acceptance.&#13;
Contributors are specially requested to put their names and&#13;
addresses on their manuscripts. Address : Tudor Street,&#13;
Whitefriars, E.C. Telegraphic address, “ Lobby,” London.&#13;
“VEGETARIAN.”&#13;
The Editor of The Vegetarian cannot hold himself&#13;
responsible in any case for the return of MSS. or&#13;
Sketches. He will, however, always be glad to consider&#13;
any contributions which may be submitted to him ; and&#13;
when postage stamps are enclosed every effort will be&#13;
made to return rejected contributions promptly. Con&#13;
tributors are requested to put their names and addresses&#13;
on their manuscripts. Address: 33, Paternoster Row,&#13;
London, E.C.&#13;
" WINDSOR MAGAZINE.”&#13;
All MSS. (which should be type-written) and drawings&#13;
submitted must bear the names and addresses of the senders,&#13;
and be accompanied by stamps ; otherwise they will not&#13;
be considered. The Editor does not hold himself responsible&#13;
for the safety of any contributions forwarded for his&#13;
inspection. All communications must be addressed to the&#13;
Editor, Windsor Vagazine.&#13;
“WOMAN.”&#13;
Authors are invited to contribute long complete stories.&#13;
They should be 4,500 words in length.&#13;
Enclose stamped addressed envelope in case of rejection.&#13;
“ WESTMINSTER BUDGET."&#13;
The Editor of The Westminster Budget cannot old&#13;
herself responsible in any care for the return of MSS. or&#13;
sketches. She will, however, always be glad to consider&#13;
any contributions, literary or pictorial, which may be&#13;
submitted to her ; and when postage stamps are enclosed&#13;
every effort will be made to return rejected contributions&#13;
promptly. All illustrations appearing in The Westminster&#13;
Budget are copyright. Applications for permission to&#13;
reproduce, or for purchase of blocks, to be addressed to the&#13;
Editor.&#13;
“WESTMINSTER GAZETTE.”&#13;
The Editor of The Westminster Gazette cannot hold&#13;
himself responsible in any case for the return of MS. or&#13;
Sketches. He will, however, always be glad to consider&#13;
any contributions, literary or pictorial, which may be sub-&#13;
mitte ito him ; and when postage-stamps are enclosed every&#13;
effort will be made to return rejected contributions promptly.&#13;
The following Papers and Magazines do not print any&#13;
notice with regard to contributions :-&#13;
British Weekly.&#13;
Short Stories.&#13;
Church Bells.&#13;
Sketchy Bits.&#13;
Church Weekly.&#13;
Sunday Stories.&#13;
Lloyd's.&#13;
Sunday Times.&#13;
Modern Society.&#13;
Contemporary Review,&#13;
Observer.&#13;
English Illustrated.&#13;
People.&#13;
Fortnightly Review,&#13;
Referee.&#13;
Review of Reviews.&#13;
Reynolds.&#13;
Scribner's Magazine.&#13;
Scraps.&#13;
United Service Magazine.&#13;
Select Stories.&#13;
Wide World Magazine.&#13;
Shooting Times.&#13;
&#13;
&#13;
## p. 10 (#318) #############################################&#13;
&#13;
THE AUTHOR.&#13;
THE MANAGEMENT OF MANUSCRIPTS.&#13;
action against an editor a case of contributory neglige ce&#13;
where the author failed to keep a copy of his own composi.&#13;
tion, and that though the Society would be willing to assist&#13;
those who are unable to recover their MSS. when the case&#13;
is clear and the editor has been guilty of wilful neglect, yet&#13;
in the ordinary course of business, touching the circulation&#13;
of MSS., it should be remembered that a great deal depen'ls&#13;
upon the machinery being carefully oiled-in other words,&#13;
upon the courtesy and tact of the authors themselves in the&#13;
matter.&#13;
No excuse is put forward for repeating these statements&#13;
or for reproducing Counsel's opinion, as it appears many of&#13;
the more recent members have no knowledge of the facts,&#13;
and many have forgotten them.&#13;
LIOR various reasons it is necessary to say a few words&#13;
i about the position of editors with regard to MSS. and&#13;
about the action of authors generally in the matter.&#13;
There are two fundamental principles, and if author's&#13;
adhered to them the complaint of the detention of MSS.&#13;
would not be so frequently heard. Firstly, MSS., when&#13;
sent to magazines, should be typewritten, and secondly, an&#13;
author should invariably keep a copy of his MS.&#13;
Next, authors should be careful about the magazines they&#13;
send their MSS. to—in the first instance, that the magazines&#13;
are periodicals of substance and reputation ; secondly, that&#13;
the MSS. are suitable to the particular magazines to which&#13;
they are sent. In forwarding MSS. stamps and a directed&#13;
envelope should be enclosed, and the author's name and&#13;
address should be written on the MSS. In some magazines&#13;
editors invite MSS, to be sent to them, but the author must&#13;
remember that when demanding the return of a MS, he&#13;
must be able to show that it has reached the office, and not&#13;
only has reached the office, but has come into the hands of&#13;
a responsible party. In other magazines the editor makes&#13;
no request for MSS., and therefore his position with regard&#13;
to the possession of MSS, is slightly different from that of&#13;
the editor mentioned above. In the first case, if the MS.&#13;
has reached his hands, he will be bound to take rather&#13;
more care of it than in the latter case, but in neither case&#13;
may the editor be wilfully neglectful of the property in his&#13;
charge. If, however, the MS. has not been acknowledged&#13;
and letters have been left unanswered, it is exceedingly&#13;
difficult for the author to show that the MS. has reached&#13;
the office, that it has come into the hands of a responsible&#13;
party, and that it has been lost through the wilful neglect&#13;
of the editor. It is a simple matter, if the author has a&#13;
copy of his MS., to write to the editor and state that he&#13;
withdraws the offer of the MS, unless he hears definitely&#13;
before a certain date, and that he will try to place it&#13;
elsewhere.&#13;
The Secretary of the Society has found as a general rule.&#13;
on his intervening, that editors are courteous, obliging, and&#13;
businessiike, and will do their best to assist authors in the&#13;
recovery of their MSS., but authors at the same time must&#13;
remember that editors are overwhelmed with MSS. of all&#13;
sorts and kinds, and after all, they are but human.&#13;
It is quite certain that some of the so-called rudeness&#13;
and unbusinesslike conduct of editors is due to corresponding&#13;
characteristics in the authors who put forward their MSS.&#13;
It is exceedingly difficult for the Society to act in cases of&#13;
this kind where the editor has been roundly abused by an&#13;
author without any apparent cause or reason. It has,&#13;
however, frequently occurred that the Society has been&#13;
able to obtain a satisfactory answer from an editor and a&#13;
satisfactory explanation when the author has been unable&#13;
to do so. In many cases this is due to the position which&#13;
the Society now holds, and in other cases it is due to the&#13;
fact of the author's unbusinesslike correspondence.&#13;
Finally, it should be made clear to all authors that it is&#13;
very doubtful, now that it is so easy to obtain typewritten&#13;
copies of MSS., whether it might not be considered in an&#13;
Counsel's Opinion.&#13;
EDITOR AND AUTHOR.&#13;
1. I am of opinion that if a manuscript be sent to the&#13;
editor of a magazine without any previous request or agree-&#13;
ment, the editor is not responsible for its loss while in his&#13;
possession unless the loss be due to some gross negligence&#13;
on his part. So long, however, as the manuscript remains&#13;
in his possession the editor is bound to return it on demand,&#13;
and the publication in his magazine of a notice that he will&#13;
not return manuscripts does not, in my opinion, alter his&#13;
liability in this respect towards an author who was not&#13;
cognizant of such notice when he sent in the manuscript.&#13;
The editor's responsibility for the manuscript while in&#13;
his possession is, in my opinion, that of a gratuitous or&#13;
voluntary bailee, who is answerable for loss through his&#13;
gross negligence, but not for any ordinary neglect. (See I&#13;
Smith's Leading Cases, 10th edition, pp. 189 et seq.) If the&#13;
manuscript has been lost, the onus lies upon the author to&#13;
show that the loss was caused by the editor's gross negligence,&#13;
for which alone the editor is answerable. (See Story on&#13;
Bailments, 9th edition, s. 410, and the cases referred to in&#13;
the notes there.)&#13;
If the manuscript was in the editor's possession when its&#13;
return was demanded, the editor is liable, in my opinion, to&#13;
an action of detenue if he refuse to return it. Evidence&#13;
that the editor received the manuscript would raise a pre-&#13;
sumption that it was still in his possession when the demand&#13;
was made. But the editor could rebut that presumption by&#13;
proving that the manuscript was lost prior to the demand,&#13;
The editor would not escape liability by proving that he&#13;
had improperly destroyed or wrongfully parted with the&#13;
manuscript (see Jones r. Dowle, 9 M. &amp; W. 19), or had lost&#13;
it through his gross negligence (see Reeve r. Palmer, 5 C.B.,&#13;
N.S. 81). But it would be a good defence for the editor to&#13;
show that before its return was demanded the manuscript&#13;
was lost without default on his part (see 5 C.B., N.S.&#13;
pp. 85-89), or in some minner which could not be ascer.&#13;
tained. In the latter cise the editor would not be liable&#13;
unless the author could adle athrmative eridence of gross&#13;
&#13;
&#13;
## p. 11 (#319) #############################################&#13;
&#13;
THE AUTHOR.&#13;
11&#13;
'regligence (see Powell r. Graves, 2 Times L. R. 663; Howard&#13;
r. Harries, C. &amp; E. 253).&#13;
2. I am of opinion that if in the particular case referred&#13;
to the author sent bis manuscript to the editor in ignorance&#13;
of the existence of any such note 4 that which is in the&#13;
magazine, then the editor could not successfully rely upon&#13;
the notice as a defence to any action brought against him.&#13;
In this case the notice would, in my opinion, be immaterial,&#13;
but, of course, the editor might have a complete defence on&#13;
other grounds, such as those I have already referred to in&#13;
my answer to the first question. If the author saw or&#13;
knew of the notice before he sent his manuscript, I think&#13;
he would be held to have sent it on the terms of such&#13;
notice : (see Parker v. South Eastern Railway Company,&#13;
2 C. P. D. 416 ; Richards *. Rowntrte (1894) A. C. 217).&#13;
The exact part of the magazine in which the notice is&#13;
inserted is immaterial, except in so far as it ienders it&#13;
more or less likely that the author in fact saw or did not&#13;
see the notice, assuming that he ever saw the magazine.&#13;
3. 1 am of opinion that the burden of proving that the&#13;
author was cognizant of the notice would lie upon the&#13;
editor.&#13;
T. WILLES CHITTY,&#13;
BRADBURY, AGNEW, &amp; co, LD., PRINTERS, LONDON AND TO BRIDGE.</text>
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              <text>The Author, Vol. 11 Issue 12 (May 1901)</text>
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              <text>&lt;em&gt;The Author&lt;/em&gt;, Vol. 11 Issue 12 (May 1901)</text>
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              <text>&lt;a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015006979390" target="_blank" rel="noopener"&gt;https://babel.hathitrust.org/cgi/pt?id=mdp.39015006979390&lt;/a&gt;</text>
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