<?xml version="1.0" encoding="UTF-8"?>
<item xmlns="http://omeka.org/schemas/omeka-xml/v5" itemId="306" public="1" featured="0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://historysoa.com/items/show/306?output=omeka-xml" accessDate="2026-10-19T00:52:08+00:00">
  <fileContainer>
    <file fileId="337">
      <src>https://historysoa.com/files/original/5/306/1897-08-02-The-Author-8-3.pdf</src>
      <authentication>eb8c988715633956c9c1de1e4d303380</authentication>
      <elementSetContainer>
        <elementSet elementSetId="4">
          <name>PDF Text</name>
          <description/>
          <elementContainer>
            <element elementId="87">
              <name>Text</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="4296">
                  <text>������������������������������������</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </file>
  </fileContainer>
  <collection collectionId="5">
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3615">
                <text>The Author</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3616">
                <text>&lt;em&gt;The Author&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3617">
                <text>A digitised run of the Society of Authors' monthly periodical, &lt;em&gt;The Author&lt;/em&gt;, 1890&lt;span&gt;–&lt;/span&gt;1914, made available together for the first time.&lt;br /&gt;&lt;br /&gt;Currently users can browse issues and &lt;a href="https://historysoa.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Index&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;exhibit=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items&amp;amp;sort_field=Dublin+Core%2CTitle"&gt;indices&lt;/a&gt; (not available for all volumes). Full text search for all issues, and other additional search functionality, will be added in 2022.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3618">
                <text>1890–1914</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3619">
                <text>The-Author-Issues</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </collection>
  <itemType itemTypeId="19">
    <name>Publication</name>
    <description/>
    <elementContainer>
      <element elementId="76">
        <name>Date</name>
        <description>The date of an event (in YYYY, YYYY-MM or YYYY-MM-DD format)</description>
        <elementTextContainer>
          <elementText elementTextId="4302">
            <text>1897-08-02</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="89">
        <name>Volume</name>
        <description/>
        <elementTextContainer>
          <elementText elementTextId="4303">
            <text>8</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="90">
        <name>Issue</name>
        <description/>
        <elementTextContainer>
          <elementText elementTextId="4304">
            <text>3</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="91">
        <name>Pages</name>
        <description>Page range in volume</description>
        <elementTextContainer>
          <elementText elementTextId="4305">
            <text>57–88</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="92">
        <name>Ngram Date</name>
        <description>Version of the date in YYYYMMDD format for use by the Ngram plugin</description>
        <elementTextContainer>
          <elementText elementTextId="6889">
            <text>18970802</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="94">
        <name>Ngram Text</name>
        <description>Version of the text with no HTML formatting for use by the Ngram plugin</description>
        <elementTextContainer>
          <elementText elementTextId="7016">
            <text>XL he Hutbor*&#13;
(The Organ of the Incorporated Society of Aidhors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. VIII.—No. 3.] AUGUST 2, 1897. [Price Sixpence.&#13;
CONT&#13;
FAQ I&#13;
General Memoranda 87&#13;
From the Committee 59&#13;
Literary Properly—1. The Home of Lords Committee. 2. The&#13;
New Copyright Bill. 3. The Eight of CriiioiBm. 4. University&#13;
of Cambridge r. Blackie and Sons 59&#13;
Copyright (Amendment) Bill (H. of L.) 63&#13;
Civil List Pensions 67&#13;
Notes and News. By the Editor 67&#13;
The Proposed Net System "1&#13;
A Warning to Authors and Others 72&#13;
A Case in Pofnt 74&#13;
ENTS.&#13;
PAOI&#13;
'International Library Conference 75&#13;
Book Talk 78&#13;
Fashions in Language. By H. O. K ... 81&#13;
Correspondence.—1. Corruptions of the Language. 2. Editor&#13;
and Contributor. 8. English Novels In Germany. 4. A Query.&#13;
5. Transliteration. 6. Subjunctive Mood: its Present Day use.&#13;
7. Cost of Production. S. How Long; 82&#13;
Literature in the Periodicals 85&#13;
Personal 86&#13;
Obituary 87&#13;
The Books of the Month 87&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report, That for January 1897 can be had on application to the Secretary.&#13;
2. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary&#13;
Property. Issued to all Members, 6*. 6d. per annum. Back numbers are offered at the&#13;
following prices: Vol. I., 10*. 6d. (Bound); Vols. II., III., and IV., 8«. 6d. each (Bound);&#13;
Vol. V., 6s. 6J. (Unbound).&#13;
3. Literature and the Pension List. By W. Morris Colles, Barrister-at-Law. (Henry Glaisher,&#13;
95, Strand, W.C.) 3$.&#13;
4. The History of the Societe des Gens de Lettres. By S. Squire Spriooe, late Secretary to&#13;
the Society, is.&#13;
5. The Cost of Production. In this work specimens are given of the most important forms of type,&#13;
size of page, &lt;fec, with estimates showing what it costs to produce the more common kinds of&#13;
books. Henry Glaisher, 95, Strand, W.C. 2*. 6d.&#13;
6. The Various Methods of Publication. By S. Squire Sprigoe. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the various&#13;
kinds of fraud which have been made possible by the different clauses in their agreements.&#13;
Henry Glaisher, 95, Strand, W.C. 3*.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill now before Parlia-&#13;
ment. With Extracts from the Report of the Commission of 1878, and an Appendix&#13;
containing the Berne Convention and the American Copyright Bill. By J. M. Lely. Eyre&#13;
and Spottiswoode. is. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By Walter Besant&#13;
(Chairman of Committee, 1888—1892). is.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By Ernst&#13;
Lunge, J.U.D. 2*. 6d.&#13;
&#13;
&#13;
## p. 56 (#470) #############################################&#13;
&#13;
11&#13;
AD VER TISEMENTS.&#13;
^i)e gociefj} of Jlufljors (§ttcotporafe6).&#13;
8ib Edwin Arnold, K.C.I.E., C.S.I.&#13;
J. M. Barbie.&#13;
A. W. X Beckett.&#13;
Robert Bat em an.&#13;
F. E. Beddard, F.R.S.&#13;
Sir Henry Bkrgne, K.C.M.G.&#13;
Sib Walter Besant.&#13;
ATjOUBTINE BlRRELL, M.P.&#13;
Rev. Prop. Bonnet, F.R.S.&#13;
Right Hon. James Brtce, M.P.&#13;
Right Hon. Lord Burohclire, P.C.&#13;
Hall Cains.&#13;
Eoerton Castle, F.S.A.&#13;
P. W. Clatden.&#13;
Edward Clodd.&#13;
W. Morris Colles.&#13;
Hon. John Collier.&#13;
Sir W. Martin Conwat.&#13;
F. Marion Crawford.&#13;
The Eabl of Desart.&#13;
president.&#13;
o-ieozroce :mz:e:k.:e:dit;e3:.&#13;
COUNCIL.&#13;
Adstin Dobson.&#13;
a. conan dotle, m.d.&#13;
A. W. Dubouro.&#13;
Prof. Michael Foster, F.R.S.&#13;
D. W. Freshfield.&#13;
Richard Garnett, C.B., LL.D.&#13;
Edmund Gosse.&#13;
H. Rider Haqgard.&#13;
Thomas Hardy.&#13;
Anthony Hope Hawkins.&#13;
Jerome K. Jerome.&#13;
RuDYARD KlPLINO.&#13;
Prof. E. Ray Lankester, F.R.S.&#13;
W. E. H. Lecky, P.C.&#13;
J. M. Lely.&#13;
Mrs. E. Lynn Linton.&#13;
Rev. W. J. Loftie, F.S.A.&#13;
Sir A. C. Mackenzie, Mas.Doc.&#13;
Prof. J. M. D. Meiklejohn.&#13;
Herman C. Merivale.&#13;
Eon. Counsel — E. M. Underdown,&#13;
Rev. C. H. Middleton-Wake.&#13;
Sir Lewis Morris.&#13;
Henry Norman.&#13;
Miss E. A. Ormerod.&#13;
J. C. Parkinson.&#13;
Right Hon. Lord Pirbrioht, P.C,&#13;
F.R.S.&#13;
Sir Frederick Pollock, Bart., LL.D.&#13;
Walter Herries Pollock.&#13;
W. Baptiste Scoones.&#13;
Miss Flora L. Shaw.&#13;
G. R. Sims.&#13;
S. Squire Spriqoe.&#13;
J. J. Stevenson.&#13;
Francis Store.&#13;
William Moy Thomas.&#13;
H. D. Traill, D.C.L.&#13;
Mrs. Humphry Ward.&#13;
Miss Charlotte M. Yonoe.&#13;
Q.C.&#13;
A.. W. X Beckett.&#13;
Sir Walter Besant.&#13;
Eoerton Castle, F.S.A.&#13;
W. Morris Colles.&#13;
ART.&#13;
Hon. John Collier (Chairman).&#13;
Sir W. Martin Conway.&#13;
M. H. Spielmann&#13;
COMMITTEE OF MANAGEMENT&#13;
Chairman—H. Rider Haggard.&#13;
Sir W. Martin Conway.&#13;
D. W. Freshfield.&#13;
Anthony Hope Hawkins.&#13;
J. M. Lely.&#13;
SU B-COM M ITTEES.&#13;
MUSIC.&#13;
C. Villiers Stanford, Mas.D. (Chairman)&#13;
Jacques Blumenthal.&#13;
J. L. Molloy.&#13;
Sir A. C. Mackenzie, Mub.Doc.&#13;
Henry Norman.&#13;
Francis Storr.&#13;
Solicitors—&#13;
f Field, Roscoe, and Co., Lincoln's Inn Fields&#13;
DRAMA.&#13;
Henry Arthur Jones (Chairman).&#13;
A. W. a Beckett.&#13;
Edward Rose.&#13;
Herbert Thring, B.A., 4, Portugal-street. Secretary—G. Herbert Thrino, B.A.&#13;
OFFICES: 4, Portugal Street, Lincoln's Inn Fields, W.C.&#13;
.A.. IP. WJ^TT &amp; SOINT,&#13;
LITERARY AGENTS,&#13;
Formerly of 2, PATERNOSTER SQUARE,&#13;
Have now removed to&#13;
HASTINGS HOUSE, NORFOLK STREET, STRAND,&#13;
LONDON". W.C.&#13;
Published every Friday morning; price, without Reports, 9&lt;L; with&#13;
Reports, Is.&#13;
THE LAW TIMES, the Journal of the Law and the&#13;
Lawyers, which has now been established for over half a century,&#13;
supplies to the Profession a complete Record of the Progress of Legal&#13;
Reforms, and of all matters affecting the Legal Profession. The&#13;
Reports of the Law Times are now recognised as the most complete&#13;
and efficient Beries published.&#13;
Offices: Windsor House, Bream's-buildings, E.0&#13;
THE ART of CHESS. By James Mason. Price 5s.&#13;
net, by post 5s. 4d.&#13;
London: Horace Cox, Windsor House, Bream's-buildings, E.0.&#13;
THE KNIGHTS and KINGS of CHESS. By the Rev.&#13;
G. A. MACDONNELL, B.A. With Portrait and 17 Illustra-&#13;
tions. Crown 8vo., cloth boards, price 2s. «d. net.&#13;
London: HouACE Cox, Windsor House, Bream's-buildings, E.O.&#13;
&#13;
&#13;
## p. 57 (#471) #############################################&#13;
&#13;
be Hutbor*&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. VIII.—No. 3.] AUGUST 2, 1897. [Price Sixpence.&#13;
For the Opinions expressed in papers that are&#13;
signed or initialled the Authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the&#13;
collective opinions of the Committee unless&#13;
they are. officially signed by G. Herbert&#13;
Thring, Sec.&#13;
THE Secretary of the Society begs to give notice that all&#13;
remittances are acknowledged by return of post, and&#13;
requests that all members not receiving an answer to&#13;
important communications within two days will write to him&#13;
without delay. All remittances should be crossed Union&#13;
Bank of London, Chancery-lane, or be sent by registered&#13;
letter only.&#13;
Communications and letters are invited by the Editor on&#13;
all subjects connected with literature, but on no other sub-&#13;
jects whatever. Articles which cannot be accepted are&#13;
returned if stamps for the purpose accompany the MSS.&#13;
GENERAL MEMORANDA.&#13;
FOB some years it has been the praotioe to insert, in&#13;
every number of The Author, certain " General Con-&#13;
siderations," Warnings, Notices, &amp;c, for the guidance&#13;
of the reader. It has been objeoted as regards these&#13;
warnings that the tricks or frauds against which they are&#13;
directed cannot all be guarded against, for obvious reasons.&#13;
It is, however, well that they should be borne in mind, and&#13;
if any publisher refuses a clause of precaution he simply&#13;
reveals his true character, and should be left to carry on&#13;
his business in his own way.&#13;
Let us, however, draw up a few of the rules to be&#13;
observed in an agreement. There are three methods of&#13;
dealing with literary property:—&#13;
I. That of Belling it outright.&#13;
This is in some respects the most satisfactory, if a proper&#13;
price can be obtained. But the transaction should be&#13;
managed by a competent agent.&#13;
II. A pro&amp;t-sharing agreement.&#13;
In this case the following rules should be attended to &gt;&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
VOL. VIII.&#13;
in his own organs: or by charging exchange advertise-&#13;
ments.&#13;
_ (3.) Not to allow a special charge for " offioe expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
(7.) To stamp the agreement.&#13;
III. The royalty system.&#13;
In this system, which has opened the door to a most&#13;
amazing amount of overreaching and trading on the&#13;
author's ignorance, it is above all things necessary to know&#13;
what the proposed royalty means to both °ides. It is now&#13;
possible for an author to ascertain approximately and very&#13;
nearly the truth. Prom time to time the very important&#13;
figures conneoted with royalties are published in The Author.&#13;
Readers can also work out the figures themselves from the&#13;
"Cost of Production." Let no one, not even the youngest&#13;
writer, sign a royalty agreement without finding out what&#13;
it gives the publisher as well as himself.&#13;
It has been objeoted. that these precautions presuppose a&#13;
great success for the book, and that very few books indeed&#13;
attain to this great success. That is quite true: but there is&#13;
always this uncertainty of literary property that, although&#13;
the works of a groat many authors carry with them no risk&#13;
at all, and although of a great many it is known within a few&#13;
copies what will be their minimum circulation, it is not&#13;
known what will be their maximum. Therefore every&#13;
author, for every book, should arrange on the chance of a&#13;
success whioh will not, probably, come at all; but which&#13;
may come.&#13;
The four points whioh the Society has always demanded&#13;
from the outset are:—&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) That there shall be no secret profits.&#13;
(4.) That nothing shall be charged whioh has not been&#13;
actually paid—for instance, that there shall be no charge for&#13;
advertisements in the publisher's own organs and none for&#13;
exchanged advertisements and that all dissounta shall b"&#13;
duly entered.&#13;
If these points are carefully looked after, the author may&#13;
rest pretty well assured that he is in right hands. At the&#13;
same time he will do well to send his agreement to the&#13;
secretary before he signs it.&#13;
F 2&#13;
&#13;
&#13;
## p. 58 (#472) #############################################&#13;
&#13;
58 THE AUTHOR.&#13;
HOW TO USB THE SOCIETY.&#13;
I. "TTWERY member has a right to ask for and to receive&#13;
I* J advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. If the advice&#13;
sought is such as can be given best by a solicitor, the member&#13;
has a right to an opinion from the Society's solicitors. If the&#13;
case is such that Counsel's opinion is desirable, the Com-&#13;
mittee will obtain for him Counsel's opinion. All this&#13;
without any cost to the member.&#13;
2. Eemember that questions connected with oopyright&#13;
and publisher's agreements do not generally fall within the&#13;
experience of ordinary solicitors. Therefore, do not scruple&#13;
to use the Society first—our solicitors are continually&#13;
engaged upon such questions for us.&#13;
3. Send to the office copies of past agreements and past&#13;
accounts with the loan of the books represented. This is in&#13;
order to ascertain what has been the nature of your agree-&#13;
ments, and the results to author and publisher respectively&#13;
so far. The Seoretary will always be glad to have any&#13;
agreements, new or old, for inspection and note. The infor-&#13;
mation thns obtained may prove invaluable.&#13;
4. If the examination of your previous business trans-&#13;
actions by the Secretary proves unfavourable, you should&#13;
take advice as to a change of publishers.&#13;
5. Before signing any agreement whatever, send the pro-&#13;
posed dooument to the Society for examination.&#13;
6. The Society is acquainted with the methods, and—in&#13;
the cose of fraudulent houses—the tricks of every publish-&#13;
ing firm in the country.&#13;
7. Remember always that in belonging to the Society you&#13;
are fighting the battles of other writers, even if you are&#13;
reaping no benefit to yourself, and that you are advancing&#13;
the best interests of literature in promoting the indepen-&#13;
dence of the writer.&#13;
8. Send to the Editor of The Author notes of everything&#13;
important to literature that you may hear or meet with.&#13;
9. The committee have now arranged for the reception of&#13;
members' agreements and their preservation in a fireproof&#13;
safe. The agreements will, of course, be regarded as con-&#13;
fidential documents to be read only by the Secretary, who&#13;
will keep the key of the safe. The Society now offers:—(1)&#13;
To read and advise upon agreements and publishers. (2) To&#13;
stamp agreements in readiness for a possible action upon&#13;
them. (3) To keep agreements. (4) To enforce payments&#13;
due according to agreements.&#13;
THE AUTHORS' SYNDICATE.&#13;
MEMBERS are informed:&#13;
1. That the Authors' Syndicate takes charge of&#13;
the business of members of the Society. That it&#13;
submits MSS. to publishers and editors, concludes agree-&#13;
ments, examines, passes, and collects accounts, and, gene-&#13;
rally, relieves members of the trouble of managing business&#13;
details.&#13;
2. That the terms upon which its services can be secured&#13;
will be forwarded upon detailed application.&#13;
3. That the Authors' Syndicate works only for those&#13;
members of the Society whose work possesses a market&#13;
value.&#13;
4. That the Syndicate can only undertake any negotiations&#13;
whatever ou the distinct understanding that those negotia-&#13;
tions are placed exclusively in its hands, and that all&#13;
communications relating thereto are referred to it.&#13;
5. That clients can only be seen by the Direotor by&#13;
appointment, and that, when possible, at least two days'&#13;
notice should be given.&#13;
6. That every attempt is made to deal with all communi-&#13;
cations promptly. That stamps should, in ail cases, be sent&#13;
to defray postage.&#13;
7. That the Authors' Syndicate does not invite MSS.&#13;
without previous correspondence; does not hold itself&#13;
responsible for MSS. forwarded without notice; and that&#13;
in all cases MSS. must be accompanied by stamps to defray&#13;
postage.&#13;
8. That the Syndicate undertakes arrangements for&#13;
lectures by some of the leading members of the Society;&#13;
that it has a "Transfer Department" for the sale and&#13;
purchase of journals and periodicals; and that a " Register&#13;
of Wants and Wanted" is open. Members are invited to&#13;
communicate their requirements to the Manager.&#13;
There is an Honorary Advisory Committee, whose services&#13;
will be called upon in any case of dispute or difficulty. It&#13;
is perhaps necessary to state that the members of the&#13;
Advisory Committee have no pecuniary interest whatever in&#13;
the Syndicate.&#13;
NOTICES.&#13;
THE Editor of The Author begs to remind members of the&#13;
Society that, although the paper is sent to them free&#13;
of charge, the cost of producing it would be a very&#13;
heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Secretary the modest&#13;
6s. 6d. subscription for the year.&#13;
The Editor is always glad to receive short papers and&#13;
communications on all subjects connected with literature&#13;
from members and others. Nothing can do more good to&#13;
the Society than to make The Author complete, attractive,&#13;
and interesting. Will those who are willing to aid in this&#13;
work send their names and the special subjects on which&#13;
they ore willing to write?&#13;
Communications for The Author should reach the Editor&#13;
not later than the 21 st of each month.&#13;
All persons engaged in literary work of any kind, whether&#13;
members of the Society or not, are invited to communicate&#13;
to the Editor any points connected with their work which&#13;
it would be advisable in the general interest to publish.&#13;
Members and others who wish their MSS. read are&#13;
requested not to send them to the Office without previously&#13;
communicating with the Secretary. The utmost practicable&#13;
despatch is aimed at, and MSS. are read in the order in&#13;
which they are received. It must also be distinctly under-&#13;
stood that the Society does not, under any circumstances,&#13;
undertake the publication of MSS.&#13;
The Authors' Club is now open in its new premises, at&#13;
3, Whitehall-court, Charing Cross. Address the Secretary&#13;
for information, rules of admission, Ac.&#13;
Will members take the trouble to ascertain whether they&#13;
have paid their subscriptions for the year? If they will do&#13;
this, and remit the amount, if still unpaid, or a banker's&#13;
order, it will greatly assist the Secretary, and save him the&#13;
trouble of sending out a reminder.&#13;
Members are most earnestly entreated to attend to the&#13;
following warning. It is a most foolish and may be a&#13;
most disastrous thing to enter into an agreement binding&#13;
for a term of years. Let them ask themselves if they&#13;
would give a solicitor the collection of their rents for five&#13;
years to come, whatever his conduct, whether he was honest&#13;
. I&#13;
&#13;
&#13;
## p. 59 (#473) #############################################&#13;
&#13;
THE AUTHOR.&#13;
59&#13;
or dishonest? Of coarse they would not. Why then&#13;
hesitate for a moment when they are asked to sign them-&#13;
selves into literary bondage for three or five years?&#13;
Those who possess the "Cost of Production" are&#13;
requested to note that the cost of binding has advanced 15&#13;
per cent. This means, for those who do not like the trouble&#13;
of "doing sums," the addition of three shillings in the&#13;
pound on this head. In other words, if the cost of binding&#13;
is set down in our book at eight pounds, to this must now be&#13;
added twenty-four shillings more, bo that it now stands&#13;
at £g 48. The figures in our book are as near the exact&#13;
truth as can be procured; but a printer's, or a binder's,&#13;
bill is so elastic a thing that nothing more exact can be&#13;
arrived at.&#13;
Some remarks have been made upon the amount charged&#13;
in the " Cost of Production " for advertising. Of course, we&#13;
have not included any sums which may be charged for&#13;
inserting advertisements in the publisher's own magazines,&#13;
or in other magazines by exchange. As agreements too&#13;
often go, there is nothing to prevent the publishor from&#13;
sweeping the whole profits o a book into his own pocket,&#13;
by inserting any number of advertisements in his own&#13;
magazines, and by exchanging with others. Some there are&#13;
who call this a form of fraud; it is not known what those&#13;
who practise this method of swelling their own profits call it.&#13;
FROM THE COMMITTEE.&#13;
ON Thursday, July 26, a meeting of the Com-&#13;
mittee was held at the Medical Association&#13;
Rooms, Hanover-square. It was Resolved:&#13;
"That in view of the proposed action of the&#13;
Publishers' Association towards the booksellers,&#13;
a committee be appointed to consider the whole&#13;
questiou, and to arrive at the opinions and inte-&#13;
rests of the persons most concerned. That the&#13;
committee should consist of five, who should have&#13;
power to extend their number to twelve, but not&#13;
more."&#13;
It is expected that the committee will begin&#13;
their work in September.&#13;
Owing to the great pressure upon our space&#13;
this month, Mr. Hapgood's New York Letter, and&#13;
Mr. Sherard's Notes from Elsewhere, have been&#13;
unavoidably held over.&#13;
LITERARY PROPERTY.&#13;
I.—The House of Loeds Committee.&#13;
THE Select Committee of the House of Lords&#13;
which has been appointed to deal with the&#13;
copyright law promoted by the Society, and&#13;
drafted for the Society by Mr. J. Rolt, of 4, New-&#13;
square, sat for the first time on Thursday, July 1.&#13;
As previously stated in The Author, the Bill is&#13;
being brought forward on behalf of the Society&#13;
by Lord Monkswell, who acted as chairman of&#13;
the Lords' Committee.&#13;
Mr. Daldy, who was a member of the com-&#13;
mission of 1878, and who is secretary of the&#13;
Copyright Association, was the first witness&#13;
called.&#13;
He gave evidence on the various points of the&#13;
Bill, and answered the numerous questions put to&#13;
him by their Lordships as to the effect of the Bill&#13;
and its bearing with regard to change in the exist-&#13;
ing law.&#13;
The witness, in answer to their Lordships,&#13;
touched on the point of the inclusion of transla-&#13;
tion rights in a definition of copyright and its&#13;
effect on the International law; on the question&#13;
of the definition of " book" shall include " news-&#13;
paper"; on the existing law with respect to&#13;
lectures ; on the proposed amendment of that law;&#13;
and generally on all the other points dealt with&#13;
in the Bill.&#13;
After the witness had given his evidence on&#13;
the point relating to the definition "book shall&#13;
include newspaper," the room was cleared, and on&#13;
the re-admission of the public the chairman said&#13;
that the committee had come to the conclusion&#13;
that they would not include any alteration in the&#13;
law with regard to the copyright in newspapers&#13;
in the present Bill.&#13;
Mr. Daldy was taken through various objec-&#13;
tions, and suggested amendments, which objec-&#13;
tions and amendments he had furnished to the&#13;
secretary of the Society, who in turn had forwarded&#13;
them to the chairman of the committee.&#13;
Their Lordships listened with attention to his&#13;
statements, and reserved the points for their con-&#13;
sideration.&#13;
At the conclusion of Mr. Daldy's evidence,&#13;
Mr. C. J. Longman, representing the Publishers'&#13;
Association, was called. His evidence was given&#13;
in support of the Bill in all its important essen-&#13;
tials. He did not touch on the points that had&#13;
already been covered by the former witness except&#13;
when it appeared to him that errors of law or&#13;
fact had been put before their Lordships. His&#13;
evidence was very strongly in favour of the fullest&#13;
protection for the performance of dramatic works,&#13;
whether such performance took place in a place&#13;
of dramatic entertainment or in a private house.&#13;
Although not supporting the suggestion in the&#13;
Bill for registration at the British Museum, he&#13;
stated that he looked forward to a time when&#13;
registration should be made compulsory.&#13;
Mr. G. H. Thring, the secretary of the Society,&#13;
as representing the promoters of the Bill, was&#13;
called last so as, if necessary, to supplement or&#13;
correct the evidence already given, and to put&#13;
before the Committee, should they desire, the views&#13;
of the promoters of the Bill on any of the sepa-&#13;
&#13;
&#13;
## p. 60 (#474) #############################################&#13;
&#13;
6o&#13;
THE AUTHOR.&#13;
rate clauses. As most of the difficulties had&#13;
already been explained (both of the former wit-&#13;
nesses being mainly in favour of the Bill), there&#13;
was very little to add, but the secretary pressed&#13;
those points which appeared to be of the greatest&#13;
benefit to authors, namely, the repeal of the 18th&#13;
section of the existing Act and the adoption of&#13;
the present clauses; the retention in the author&#13;
of rights of dramaiisation of his novels, and the&#13;
necessity for complete registration.&#13;
The committee then adjourned to Thursday,&#13;
July 8.&#13;
On Thursday, July 8th, their Lordships' Special&#13;
Committee again sat, Mr. Bram Stoker, Sir&#13;
Henry Irving's manager, was called as being&#13;
able to answer for the theatrical managers on the&#13;
points relating to the drama and dramatic rights.&#13;
He stated that the practice of dramatising novels&#13;
was on the increase, and he thought it was&#13;
absolutely essential both that the author of a&#13;
book should be protected from dramatisation,&#13;
and the author of a drama from novelisation.&#13;
He submitted that dramatic authors should be&#13;
able to prohibit performances in public or private.&#13;
He desired to see a simplification if possible of&#13;
the method of obtaining an injunction against the&#13;
infringing parties, and stated that managers&#13;
would prefer such simplified legal remedy rather&#13;
than merely the power of obtaining penalties.&#13;
He also touched on the subject of copyright in&#13;
lectures.&#13;
At the close of his evidence the room was&#13;
■cleared for the consideration of the Bill by their&#13;
Lordships.&#13;
The Bill has now been revised by the Special&#13;
Committee, Lord Thring undertaking the redraft-&#13;
ing of it on behalf of their Lordships' Special&#13;
Committee.&#13;
On Monday, July 19, Lord Monkswell on the&#13;
motion to go into committee on the Bill made the&#13;
following speech. The House then went into&#13;
committee, and the amendments proposed by the&#13;
Special Committee were agreed to.&#13;
Lord Monkswell asked to be allowed to say&#13;
a few words as to the proceedings of the&#13;
Select Committee to which the Bill was referred.&#13;
The benches opposite were represented by Lord&#13;
Knutsford, Lord Pirbright, Lord Hatherton,&#13;
and Lord Tennyson; while Lord Farrer, Lord&#13;
Thring, and Lord Wei by represented that side.&#13;
The committee sat several days, and went into&#13;
the subject carefully. The first point which&#13;
they devoted a great deal of attention to was that&#13;
of translation. It was absolutely necessary to&#13;
amend the law with regard to translations. It&#13;
was now in a sad state of confusion. Trans-&#13;
lation into foreign tongues were dealt with&#13;
under the Berne Convention and under the&#13;
International Copyright Act. But as to trans-&#13;
lations into Hindustani, Welsh, Gaelic, and other&#13;
tongues current within the British Dominions the&#13;
law was in a doubtful state indeed. With regard&#13;
to this he could not do better than quote from&#13;
the evidence of Mr. Daldy, one of the Commis-&#13;
sioners of 1878, and who was now, and had been&#13;
for many years, honorary secretary of the Copy-&#13;
right Association.&#13;
Lord Monkswell then read the portion of the&#13;
evidence bearing on this point, and then pro-&#13;
ceeded :—It was certain, therefore, that the matter&#13;
of translation ought to be dealt with as soon as&#13;
possible, and the promoters of the Bill proposed&#13;
to deal with it by giving, as was proposed in the&#13;
original Bill, the absolute right during the whole&#13;
period of the copyright to prevent unauthorised&#13;
translations. An endeavour had been made to&#13;
lighten the Bill so that it might be got through&#13;
their Lordships' House this Session, and it dealt&#13;
only with those subjects which were most press-&#13;
ing and least contentious. All reference to news-&#13;
paper copyright had been struck out. With&#13;
regard to magazine copyright, it was proposed to&#13;
make it retrospective, but as there was a diffe-&#13;
rence of opinion as to that, the clause in the Bill&#13;
making the copyright retrospective had been&#13;
omitted. With regard to lectures the Bill&#13;
had also been considerably lightened. The&#13;
great point on which the committee wished&#13;
to insist was that eojiyright should be given not&#13;
only in lectures when published in a book, but&#13;
when delivered, and that they had tried to effect&#13;
by the Bill. It was further suggested in the&#13;
original Bill that the law should be altered so as&#13;
to give copyright, which did not now exist, to&#13;
lectures delivered in endowed buildings. The&#13;
Select Committee were on the whole favourable to&#13;
that proposition, but, at the same time, they re-&#13;
cognised that any alteration of the law to effect&#13;
that must seriously affect very considerable inte-&#13;
rests; and they thought it was not desirable,&#13;
without taking a great deal of evidence and going&#13;
into the matter very thoroughly, to recommend&#13;
such an alteration in the law, consequently they&#13;
had inserted in the amended Bill a proviso set-&#13;
ting up again the provision that now existed—&#13;
not allowing copyright to lectures in endowed&#13;
buildings. For the present it had been decided&#13;
not to propose any change in the law with&#13;
regard to the difficult and thorny question of&#13;
registration. Another alteration had been made&#13;
which he thought would commend itself to their&#13;
lordships. The principil Act of 1842 now&#13;
applied to all British possessions, unless by Order&#13;
in Council they should bo exempted either from&#13;
the whole Act or part of it. It was proposed&#13;
in the amended Bill to give the British posses-&#13;
&#13;
&#13;
## p. 61 (#475) #############################################&#13;
&#13;
THE AUTHOR.&#13;
61&#13;
sion8 much greater freedom of action by declar-&#13;
ing that the Act, if it passed, should not run in&#13;
any of the British possessions unless they them-&#13;
selves asked either for the whole or part of it.&#13;
The net result, therefore, of the labours of the&#13;
Select Committee had been to greatly lighten&#13;
the Bill, and to clear it of almost every subject&#13;
of controversy, whilst at the same time it intro-&#13;
duced a great many alterations of the law which&#13;
were of considerable value. He might, perhaps,&#13;
be allowed to say that the best thanks of the&#13;
committee were due to Lord Thring for the great&#13;
care and attention he had bestowed on the draft-&#13;
ing of this measure. (Hear.) He found that&#13;
two or three amendments would have to be made,&#13;
which, however, did not touch the Bill in this&#13;
respect. In order that noble lords might have&#13;
an opportunity of considering the amendments&#13;
he had put down, he proposed to take the&#13;
report stage to-morrow, and the amendments&#13;
on Thursday or Friday, when he hoped the&#13;
House would give a third reading to the Bill.&#13;
(Hear, hear.) He begged to move that the&#13;
House now resolve itself into Committee on the&#13;
Bill.&#13;
On Friday, July 23, the Bill was read a third&#13;
time.&#13;
Lord Monkswell stated that at the wish of the&#13;
Colonial Office he desired to move that Clause 12&#13;
be omitted.&#13;
The omission was agreed to.&#13;
II.—The New Copyright Bill.&#13;
I. FBOM THE "TIMES."&#13;
A gentleman engaged in a publishing business&#13;
recently wrote to Lord Monkswell suggesting that&#13;
it was desirable to take steps to protect the titles&#13;
of series of books, and so to prevent the foisting&#13;
upon the public of hasty imitations of deservedly&#13;
popular volumes. "I have been," he said, "in&#13;
correspondence both with the Stationers' Hall&#13;
authorities and the Trade Mark Office of the&#13;
Board of Trade; and recently I took occasion to&#13;
have an interview with the respective chiefs of&#13;
these offices. The Eegistrar of Trade Marks told&#13;
me that, unquestionably, such titles fall outside&#13;
the scope of the present Trade Mark Acts; but&#13;
he seemed to see no objection whatever to the re-&#13;
gistration of such titles, only he thought that&#13;
such a matter would fall more fittingly within the&#13;
province of Stationers' Hall. The chief man at&#13;
Stationers' Hall said: (1) That my application&#13;
was by no means the first of the sort, that, on the&#13;
contrary, more people came to his office with&#13;
similar requests than with any other; (2) that he&#13;
thought that means for registering novel titles of&#13;
businesses and series of books should be given to&#13;
the public; (3) that he had noted with surprise&#13;
that the new Copyright Bill which your lordship&#13;
was introducing into the House of Lords contained&#13;
no provision for this purpose; (4) that he thought&#13;
it very possible that, if the matter were brought&#13;
before your lordship, your lordship would see the&#13;
desirability of making such an addition." Lord&#13;
Monkswell's reply was as follows: "I will lay&#13;
your statement before the Copyright Committee&#13;
at its next meeting; but, as the amendments you&#13;
suggest would enlarge the scope of the Bill, I do&#13;
not think they will consider themselves justified&#13;
in recommending them to the House."&#13;
II. FBOM THE " DAILY NEWS."&#13;
Lord Monkswell's Copyright Bill has been&#13;
printed and circulated with the amendments made&#13;
by the Select Committee of the House of Lords.&#13;
These were accepted in committee of the whole&#13;
House yesterday afternoon, and the Bill now&#13;
stands for third reading. As it has not yet passed&#13;
through the House of Commons, the chances of&#13;
its becoming law this session must be regarded as&#13;
remote. But it has now been brought into the&#13;
best shape which legal minds can give it, and&#13;
there may be some hope for it in 1898. Even&#13;
this year, if some general agreement could be&#13;
obtained, a judicious attempt to deal with a&#13;
difficult subject might be crowned with success.&#13;
Social reform is not achieved in England with&#13;
reckless or thoughtless haste. The essence of this&#13;
measure formed the subject of a Bill which the&#13;
present Duke of Rutland, then Lord John&#13;
Manners and Postmaster-General, introduced&#13;
into the House of Commons in 1879. That&#13;
was, if we are not mistaken, the year in&#13;
which the late Sir John Holker moved the&#13;
second reading of the Criminal Code Bill, which&#13;
has never got beyond a second reading since.&#13;
There are presentable, we do not say conclusive,&#13;
arguments against the codification of the criminal&#13;
law. But the law of copyright has been osten-&#13;
sibly codified for more than half a century, and&#13;
all that is now required may be accomplished by&#13;
a short amending Bill. In 1878 there was a&#13;
Royal Commission on Copyright, to which Lord&#13;
John Manners' Bill was due, and thirteen years&#13;
afterwards, in 1891, Lord Monkswell again&#13;
endeavoured to legislate upon the Commission's&#13;
Report. But there is none of "that slippery&#13;
stuff," as Mr. Morley calls party capital, to be&#13;
made out of copyright, and so copyright, like the&#13;
Corporation of London, remains unreformed. In&#13;
1891 Lord Monkswell's Bill was read a second&#13;
time. This year it has advanced a step further,&#13;
and has gone through Committee. The first&#13;
&#13;
&#13;
## p. 62 (#476) #############################################&#13;
&#13;
62&#13;
THE AUTHOR.&#13;
clause makes translation an infringement of copy-&#13;
right. This is obviously just, if there is to be&#13;
any copyright at all, whether the right has or has&#13;
not been expressly reserved. A very important&#13;
change is made in the copyright of magazines.&#13;
In 1842, when the principal Copyright Act was&#13;
passed, there were very few magazines, except the&#13;
old quarterlies, with Blachicood's and the Gentle-&#13;
man's. Now there are almost as many magazines&#13;
in a month as there are days in a year, and a large&#13;
number of the articles contributed to them have a&#13;
really permanent value. At present the author of&#13;
an article has a right of separate publication for&#13;
eight-and-twenty years. Macaulay, for instance,&#13;
could not without permission from the editor of&#13;
the Edinburgh Review—which was, of course,&#13;
given, but which might have been refused—have&#13;
republished during his lifetime any of his essays&#13;
except those on Milton, Machiavelb, and, perhaps,&#13;
one or two more.&#13;
The Bill provides that while the proprietor of&#13;
the magazine shall have the sole right of pub-&#13;
lishing the magazine itself, and the articles as&#13;
part of it, the author of an article may publish&#13;
it separately after three years. This is a great&#13;
change, but a change wholly, in our opinion,&#13;
for the better. Copyright is essentially the asser-&#13;
tion of property. But whei-e a special kind of&#13;
property, which did not exist at common law, is&#13;
created by statute, Parliament should be careful&#13;
to regulate it in the public interest. The interest&#13;
of the public lies in the rapid diffusion of readable&#13;
matter, and cannot be served by locking up&#13;
interesting essays for a generation. Seven years&#13;
before the Copyright Act of 1842 there was passed&#13;
the Lectures Copyright Act of 1835. This Act&#13;
gives a lecturer the exclusive right of publication.&#13;
But it requires a preliminary notice to Justices of&#13;
the Peace, which savours of the terror inspired by&#13;
the French Revolution, when lectures were&#13;
regarded much as dynamite w-as regarded a hun-&#13;
dred years later. It is doubtful whether the Act&#13;
applies to sermons, and there must, we should&#13;
imagine, be very few magistrates who have been&#13;
formally notified that a new volume of sermons&#13;
was about to dazzle the world. The Bill abolishes&#13;
this rather ridiculous formality, and gives the&#13;
lecturer, as well as the preacher, an absolute&#13;
copyright. But it allows a lecture to be reported&#13;
in a newspaper unless the lecturer expressly&#13;
states that he does not wish to be reported.&#13;
There are not many lectures which would suffi-&#13;
ciently attract the general reader to be reported&#13;
at any great length, nor would many newspapers&#13;
have space for them. But a paid lecturer, who&#13;
delivers the same lecture, which may have cost&#13;
him much labour and research, at several places,&#13;
is entitled to protection against a form of&#13;
publicity which would destroy his market. Suchr&#13;
at least, is the view popular in the literary class,&#13;
and the view to which Carlyle gave such forcible&#13;
emphasis in his famous petition to the House of&#13;
Commons. There is, of course, the theory,&#13;
understood to find favour with at least one&#13;
eminent statesman, that copyright is an infringe-&#13;
of public right, and that authors should be com-&#13;
pensated by a royalty. But that is not within&#13;
the range of practical politics. One of Johnson's&#13;
biographers narrates an argument upon a Scottish&#13;
case, which went from the Court of Session to&#13;
the House of Lords, and which raised the point&#13;
of copyright at common law in lectures or&#13;
sermons. Dr. Johnson declared that it was&#13;
unjust to stereotype a man's doctrines and ideas,&#13;
which he might afterwards see cause to alter.&#13;
That motive had not previously restrained the&#13;
sage from reporting Parliamentary debates in&#13;
what he was pleased to call the "Senate of&#13;
Liliput."&#13;
Wot the least important clauses in the Bill are&#13;
those which deal with abridgments. As Lord&#13;
Monkswell says in the useful memorandum pre-&#13;
fixed to the Bill: "It is now easy without any&#13;
infringement of copyright, in a few weeks, by&#13;
skilful abridgment, to appropriate the fruit of&#13;
the labours of many years, and to compete with&#13;
the original copyright bought and published at a&#13;
very great expense." The art of judicious&#13;
abridgment is not perhaps quite so common as&#13;
Lord Monkswell supposes. But a farrago of&#13;
extracts any fool can turn out, and they may&#13;
be so copious or so vital as to prevent many&#13;
readers from approaching the original work.&#13;
Under this Bill copyright carries with it the right&#13;
of abridgment as well as the right of transla-&#13;
lation, and the author would be empowered to&#13;
insist upon a disclaimer of his authorship being&#13;
printed upon the title-page. There is no copy-&#13;
right in ideas. That is to say, that an illegitimate&#13;
reproduction of another man's work must be a.&#13;
verbal one, or there is no remedy. Any one,&#13;
therefore, is at liberty to make a play out of&#13;
somebody else's novel, or a novel out of somebody&#13;
else's play. The whole plot may in either case be&#13;
stolen. But no penalty is imposed upon the thief.&#13;
It is for this reason that novelists who intend&#13;
afterwards to dramatise their own novels arrange&#13;
for one colourable performance on the stage so-&#13;
soon as the story appears, so as to bring them-&#13;
selves under the protection of the Dramatic Copy-&#13;
right Act. It is proposed to make a statutory&#13;
copyright in ideas, and to make the unauthorised&#13;
dramatisation of a novel an infringement of it.&#13;
Such are the chief features of this excellent Bill.&#13;
&#13;
&#13;
## p. 63 (#477) #############################################&#13;
&#13;
THE AUTHOR.&#13;
63&#13;
III.—The Eight of Criticism.&#13;
In the action brought by Sir John Carr in&#13;
1808 against Messrs. Hood and Sharpe, the&#13;
exact words of Lord Ellenborough were as&#13;
follows:—&#13;
Every man who publishes a book commits himself to the&#13;
judgment of the public, and anyone may comment upon his&#13;
performance. Ridicule is often the fittest weapon that can&#13;
be employed for such a purpose. Reflection on personal&#13;
character is another thing. Show me an attack on the&#13;
moral character of this plaintiff, or any attack upon his&#13;
character unconnected with his authorship, and I shall be&#13;
as ready as any judge who ever sat here to protect him;&#13;
but I cannot hear of malice on acconnt of turning his works&#13;
into ridicule.&#13;
In the more recent case of Merivale v. Carson&#13;
(20 Q. B. Div. at pp. 280-1), Lord Esher, M.E.,&#13;
said, carrying the doctrine, if possible, even&#13;
further:—&#13;
Every latitude must be given to opinion and to prejudice,&#13;
and then an ordinary set of men with ordinary judgment&#13;
must say whether any fair man would have made such a&#13;
comment. . . . Mere exaggeration, or even gross exag-&#13;
geration, would not make the comment unfair. However&#13;
wrong the opinion expressed may be in point of truth, or&#13;
however prejudiced the writer, it may still be within the&#13;
prescribed limit. The question which the jury must con-&#13;
sider is this. Would any fair man, however prejudiced he&#13;
may be, however exaggerated or obstinate his views, have&#13;
said that which this criticism has said of the work which is&#13;
criticised?&#13;
IV.—University op Cam bridge v. Blacxie&#13;
and Sons.&#13;
(Before Mr. Justice Kekewich.)&#13;
In this ease the plaintiffs as proprietors of the&#13;
"Pitt Press" brought this action and now moved&#13;
the court for an injunction in respect of an alleged&#13;
infringement of their copyright in annotated&#13;
editions of Pope's "Essay on Criticism" and&#13;
Milton's " Lycidas," "Allegro," and "II Pense-&#13;
roso." Copyright was, of course, claimed solely&#13;
in respect of the annotations.&#13;
Mr. Millar, Q.C., and Mr. Ingpen appeared&#13;
for the plaintiffs, and Mr. Stokes for the defen-&#13;
dants.&#13;
It was now arranged that on the defendants&#13;
undertaking to keep an account of all books sold&#13;
by them, and to file affidavits and deliver copies of&#13;
exhibits within the first seven days of October, the&#13;
motion should stand over until the second motion&#13;
day in Michaelmas sittings; and&#13;
Mr. Justice Kekewich made an order to that&#13;
effect.— Times, July 23.&#13;
VOL. Till.&#13;
COPYRIGHT (AMENDMENT) BILL. [H. L]&#13;
[As Amended by the Select Committee.]&#13;
MEMORANDUM.&#13;
THIS Bill is intended to amend some of the&#13;
most serious defects in the present law of&#13;
copyright. Its provisions do not mate-&#13;
rially differ from the provisions on the same&#13;
points contained in the Bill introduced by Lord&#13;
John Manners (on behalf of the then Govern-&#13;
ment) in the House of Commons in 1879, and in&#13;
the Bill introduced by Lord Monkswell in the&#13;
House of Lords in 1891. Both these Bills were&#13;
mainly founded on the report of the Royal Com-&#13;
mission on Copyright of 1878. Lord Monkswell's&#13;
Bill passed a second reading in the House of&#13;
Lords.&#13;
The amendments are directed to the following&#13;
points :—&#13;
I.—Translations.&#13;
Translation is made an infringement of copy-&#13;
right.&#13;
II.—Magazine Copyright.&#13;
Since the passing of the Copyright Act, 1842,&#13;
this kind of copyright property has probably&#13;
increased a hundredfold in value and importance,&#13;
both to authors and publishers, much literature&#13;
of high merit being constantly published in the&#13;
first instance in magazine form. The 18th section&#13;
of the Act of 1842, which deals with the subject,&#13;
is expressed in language so obscure as to be&#13;
almost unintelligible, and defers the author's&#13;
right of separate publication to the end of a&#13;
period of twenty-eight years. It is proposed that&#13;
that section should be repealed, and that the&#13;
copyright should be vested in the author, subject&#13;
to the following qualifications :—&#13;
(1.) The proprietor of the magazine to have&#13;
the sole right of publishing as part of the&#13;
magazine.&#13;
(2.) The author not to publish separately until&#13;
after the expiration of three years from&#13;
publication.&#13;
The entire copyright in encyclopaedias is vested&#13;
in the publisher as before, but in a separate&#13;
section.&#13;
III.—Lectures.&#13;
The Lectures Copyright Act, 1835, gives to the&#13;
lecturer the exclusive right of publication, but&#13;
requires a preliminary notice to justices of the&#13;
peace, and probably does not apply to sermons.&#13;
It is proposed to repeal this Act, and to give the&#13;
lecturer (including the preacher) copyright with-&#13;
out any useless formalities, but permitting a&#13;
newspaper report unless expressly prohibited by&#13;
the lecturer. It will be observed that a proviso&#13;
has been inserted maintaining the present law as&#13;
G&#13;
&#13;
&#13;
## p. 64 (#478) #############################################&#13;
&#13;
64&#13;
THE AUTHOR.&#13;
to lectures in endowed buildings, &amp;c. The com-&#13;
mittee have taken this course because they did&#13;
not think it desirable to alter the law without&#13;
taking more evidence than time permitted.&#13;
IV.—Abridgments.&#13;
It is now easy, without any infringement of&#13;
copyright, in a few weeks, by skilful abridgment,&#13;
to appropriate the fruit of the labours of many&#13;
years, and to compete with the original copyright,&#13;
bought and published at very great expense. This&#13;
will be prevented by the" simple enactment that&#13;
copyright shall carry with it the right to abridge.&#13;
The reputation of the author is also safeguarded&#13;
by a provision that a disclaimer of his author-&#13;
ship of the abridgment shall, if required by the&#13;
author, be printed on the title page ; and that the&#13;
abridgment shall not be issued without the&#13;
author's consent in eases where the author retains&#13;
an interest in the sale (by royalties or otherwise)&#13;
though not in the copyright.&#13;
V.—Dramatisation of Novels.&#13;
As there is no copyright in ideas, it is easy for&#13;
any person to take the whole plot of a novel and&#13;
practically reproduce the novel itself in dramatic&#13;
form without any legal infringement of copyright,&#13;
and a similar injury can be inflicted by the&#13;
novelisation of dramas. It is proposed to convert&#13;
these moral into legal infringements of copyright.&#13;
Owners of dramatic copyright are also given a&#13;
summary remedy against infringement which is&#13;
much needed, as pirates are often difficult to&#13;
detect, or are not worth the expense of an action&#13;
in the High Court when detected ; and the remedy&#13;
is to be available against those who •■ permit" as&#13;
well as those who " cause " the representation.&#13;
AEEANGEMENT OF CLAUSES.&#13;
Translations.&#13;
Clause.&#13;
1. Translations and infringement of copy-&#13;
right. Copyright in translations.&#13;
Copyright in Periodical Works.&#13;
2. Copyright in articles in periodical works.&#13;
3. Registration of article by author.&#13;
4. Registration by owner of periodical work.&#13;
5. Articles in encyclopaedias.&#13;
Copyright in Lectures.&#13;
6. Lectures.&#13;
Abridgments.&#13;
7. Abridgments without consent prohibited.&#13;
Copyright owner not to abridge without&#13;
author's consent in certain cases. Notice&#13;
on title page that abridgment is not by&#13;
author.&#13;
Dramatisation.&#13;
8. Dramatisation of novels prohibited.&#13;
9. Conversion or adaptation of dramatic&#13;
works prohibited.&#13;
Summary Remedy for Infringement of Dramatic&#13;
Copyright.&#13;
10. Liability to fine of person representing&#13;
drama without consent of owner of per-&#13;
forming right.&#13;
Repeal.&#13;
11. Repeal.&#13;
12. Application of Act.&#13;
13. Short title.&#13;
14. Commencement of Act.&#13;
Schedules.&#13;
A Bill (as amended by the Select • Committee)&#13;
intituled an Act to amend the Law relating to&#13;
Copyright in Periodical Works, Lectures,&#13;
Abridgments, and otherwise. — [The Lord&#13;
Monkswell.]&#13;
Be it enacted by the Queen's most Excellent&#13;
Majesty, by and with the advice and consent of&#13;
the Lords Spiritual and Temporal, and Commons,&#13;
in this present Parliament assembled, and by the&#13;
authority of the same, as follows:—&#13;
Translations.&#13;
1. —(1.) In the case of a book, it shall be an&#13;
infringement of the copyright therein if any&#13;
person shall, without the consent of the owner&#13;
of the copyright, translate the book:&#13;
(2.) The author of an authorised translation&#13;
of a book shall be entitled to copyright therein&#13;
in the same manner as if it was an original&#13;
work.&#13;
Copyright in Periodical Works.&#13;
2. Where any article, essay, poem, or other&#13;
work is first published in and forms part of a&#13;
review, magazine, or other periodical, the copy-&#13;
right in such article, essay, poem, or other work&#13;
shall, in the absence of any agreement in writing&#13;
to the contrary, be the property of the author&#13;
thereof. Provided that where the author is paid&#13;
for the writing of such work as aforesaid by or&#13;
on behalf of the owner of the review, magazine,&#13;
or other periodical, then—&#13;
(i.) the owner of the review, magazine, or&#13;
periodical shall, during the subsistence of&#13;
copyright in such article, essay, poem, or&#13;
other work, have the sole right of publishing&#13;
the same as part of the review, magazine,&#13;
or periodical, but not otherwise;&#13;
(ii.) neither the author nor his assigns shall,&#13;
without the consent of the owner of the&#13;
review, magazine, or periodical, print or&#13;
&#13;
&#13;
## p. 65 (#479) #############################################&#13;
&#13;
THE AUTHOR.&#13;
65&#13;
publish such article, essay, poem, or other&#13;
work in any form until after the expiration&#13;
of three years from its first publication in&#13;
the review, magazine, or periodical, and any&#13;
printing or publication contrary to this pro-&#13;
vision shall be an infringement of the rights&#13;
of the owner of the review, magazine, or&#13;
periodical.&#13;
3. The author of any such article, essay, poem,&#13;
or other work as aforesaid, or his assigns, may&#13;
either before or after the expiration of the said&#13;
term of three years register the same at Stationers'&#13;
Hall as a separate work, and shall thereupon be&#13;
entitled to restrain and obtain damages for any&#13;
infringement of the copyright therein as a separate&#13;
work.&#13;
4. —(i.) The owner of a review, magazine, or&#13;
other periodical may register the same at&#13;
Stationers' Hall, and shall thereupon be entitled&#13;
to restrain and obtain damages for any infringe-&#13;
ment of his rights in the same or any part&#13;
thereof.&#13;
(ii.) Registration of a review, magazine, or&#13;
other periodical shall be in the form set forth in&#13;
the First Schedule hereto, or as near thereto as&#13;
circumstances will permit.&#13;
(iii.) It shall be necessary to register only the&#13;
first number, volume, or part of a review, magazine,&#13;
or other periodical published in numbers, volumes,&#13;
or parts.&#13;
5. Where any article, essay, poem, or other&#13;
work is first published in and forms part of an&#13;
encyclopaedia or similar collective work, and the&#13;
author is paid for the writing thereof by or on&#13;
behalf of the owner of the encyclopaedia or similar&#13;
collective work, the copyright in such article,&#13;
essay, poem, or other work shall, in the absence of&#13;
any agreement in writing to the contrary, belong&#13;
to the owner of the encyclopaedia or similar collec-&#13;
tive work.&#13;
Copyright in Lectures.&#13;
6. The author of any lecture shall be entitled&#13;
to copyright therein as if the same were a&#13;
book, subject to the following modifications and&#13;
additions:—&#13;
(i.) The first delivery of a lecture shall be&#13;
deemed to be the first publication thereof.&#13;
(ii.) So long as a lecture has not been published&#13;
as a book by or with the consent of the&#13;
author, the copyright therein shall include&#13;
the exclusive right of delivering the same in&#13;
public, but when so published the copyright&#13;
in the book shall date from the first delivery&#13;
of the lecture.&#13;
(iii.) It shall not be necessary to register the&#13;
copyright in a lecture which has not been&#13;
published as a book by or with the consent of&#13;
the author.&#13;
VOL. Till.&#13;
(iv.) A report of a lecture delivered in public,&#13;
in the ordinary current edition of a newspaper&#13;
after the delivery of such lecture, shall not&#13;
be deemed an infringement of the copy-&#13;
right unless the author before delivering the&#13;
same gives public notice that he prohibits&#13;
the same being reported, but no such report&#13;
shall be deemed to be a publication of the&#13;
lecture within the meaning of sub-sect, (ii.)&#13;
(v.) The notice referred to in the last preceding&#13;
clause may be given either by affixing the&#13;
same to the door of the place where the&#13;
lecture is delivered, or by advertisement in&#13;
one or more newspapers published and circu-&#13;
lating in the district, or by a declaration&#13;
made by the lecturer before the delivery of&#13;
his lecture at the place where he delivers the&#13;
same.&#13;
(vi.) The term "lecture" shall include a piece&#13;
for recitation, address, or sermon.&#13;
(vii.) Provided that this enactment shall not&#13;
extend to any lectures delivered in any uni-.&#13;
versity or public school or college or on any&#13;
public foundation, or by any individual in&#13;
virtue of or according to any gift, endowment&#13;
or foundation [5 &amp; 6 Will 4, c. 65, s. 5.]&#13;
Abridgments.&#13;
7.—(i.) It shall be an infringement of the&#13;
copyright in a book if any person shall, without&#13;
the consent of the owner of the copyright, print or&#13;
otherwise multiply, or cause to ba printed or&#13;
otherwise multiplied, any abridgment of such&#13;
book, or shall export or import any abridgment&#13;
so unlawfully produced, or shall sell, publish, or&#13;
expose for sale or hire, or cause to be sold, pub-&#13;
lished, or exposed for sale or hire, any abridg-&#13;
ment, knowing, or having reasonable grounds to&#13;
suspect, that the same has been so unlawfully&#13;
produced or imported.&#13;
(ii.) Where the author of a book has sold the&#13;
copyright thereof in consideration (whether wholly&#13;
or in part) of a royalty or a share of the profits to&#13;
be derived from the publication thereof, or is&#13;
otherwise, notwithstanding such sale, possessed of&#13;
a pecuniary interest therein, such book shall not,&#13;
during the continuance of the copyright therein,&#13;
and so long as the author shall be entitled to such&#13;
royalty, share of profits, or shall be so interested&#13;
as aforesaid, be abridged by the purchaser of such&#13;
copyright without the consent in writing of tht&#13;
author or his assigns.&#13;
(iii.) Where the author has sold the exclusive&#13;
right of publication of a book without assigning&#13;
the copyright, he shall not be at liberty to publish&#13;
an abridgment of the work without the consent&#13;
of the owner of the exclusive right of publication.&#13;
(iv.) If the owner of the copyright in a book&#13;
o 2&#13;
&#13;
&#13;
## p. 66 (#480) #############################################&#13;
&#13;
66&#13;
THE AUTHOR.&#13;
to the abridgment whereof the author's consent&#13;
is not required under the preceding proviso&#13;
intends to publish an abridgment thereof made&#13;
by some person other than the author of the&#13;
original book, he shall give notice of such inten-&#13;
tion to the author, if living, by registered letter,&#13;
directed to his last known address, and shall, if so&#13;
required by such author, either state or cause to&#13;
be stated on the title page of each part or volume&#13;
of the abridgment that the abridgment is not by&#13;
the author of the original book, or shall in like&#13;
manner state or cause to be stated the name of the&#13;
maker of the abridgment.&#13;
(v.) The author of a book shall be entitled to&#13;
restrain and obtain damages for any abridgment&#13;
published in contravention of the above provisions&#13;
of the section.&#13;
Dramatisation.&#13;
8. In the case of a book which is a work of&#13;
fiction in prose or in verse, it shall be an infringe-&#13;
ment of the copyright therein if any person shall&#13;
without the consent of the owner of the copyright,&#13;
take or colourably imitate the title of such book,&#13;
or take from such book any material or substan-&#13;
tial part thereof, and use or convert it into or&#13;
adapt it for a dramatic work, or knowing or&#13;
having reasonable grounds to suspect such&#13;
dramatic work to have been so made shall&#13;
perform or permit or cause the same to be&#13;
performed.&#13;
9. In the case of a dramatic work it shall be an&#13;
infringement of the copyright therein if any&#13;
person shall, without the consent of the owner of&#13;
the copyright, take or colourably imitate the title&#13;
of such book, or take from such book any material&#13;
or substantial part thereof and convert or adapt&#13;
such part into any other form of work, whether&#13;
dramatic or otherwise, or knowing or having&#13;
reasonable grounds to suspect any work to have&#13;
been so made shall print or otherwise multiply, or&#13;
cause to be printed or otherwise multiplied, copies&#13;
thereof for sale or exportation, or shall export or&#13;
import, or sell, publish, or expose for sale or hire,&#13;
or cause to be sold, published, or exposed for sale&#13;
or hire, any copies thereof, or shall perform such&#13;
work, or permit or cause the same to be per-&#13;
formed.&#13;
Summary Remedy for Infringement of Dramatic&#13;
Copyright.&#13;
10. If any person shall represent or cause or&#13;
permit any dramatic work to be represented&#13;
without the consent in writing of the owner of&#13;
the performing right in such work, it shall be&#13;
lawful for the owner of the performing right&#13;
(without prejudice to any action for damages or&#13;
other remedy he may be entitled to) to apply&#13;
within two months after the commission of the&#13;
offence to a court of summary jurisdiction having&#13;
jurisdiction in the place where the representation&#13;
has taken place, or where the offender dwells, and&#13;
such court shall, on production of the certificate&#13;
of registration, order the offender to pay as a civil&#13;
debt a sum not exceeding fifty pounds and costs,&#13;
and such sum shall go to the owner of the per-&#13;
forming right by way of compensation. Provided&#13;
that not more than one penalty shall be recovered&#13;
in respect of each representation.&#13;
Repeal.&#13;
11. The Acts or parts of Acts specified in the&#13;
Second Schedule hereto are hereby repealed as&#13;
from the passing of this Act, but except as&#13;
hereinbefore expressly provided, such repeal&#13;
shall not prejudice or affect any rights acquired&#13;
previously to such repeal, and such rights may be&#13;
enforced and enjoyed as if such repeal had not&#13;
been made.&#13;
Extent of Act.&#13;
12. —(i.) This Act shall extend only to the&#13;
British Islands, but if Her Majesty the Queen&#13;
is satisfied that the Legislature of any&#13;
British possession has by resolution declared&#13;
its assent to this Act or any part thereof&#13;
being extended to such possession, Her Majesty&#13;
may direct by Order in Council that this Act&#13;
or such part thereof shall apply to such&#13;
possession, and this Act or such part shall apply&#13;
accordingly.&#13;
(ii.) Any such Order in Council may, with such&#13;
assent as aforesaid, from time to time, be revoked&#13;
or altered by any further Order in Council.&#13;
(iii.) Every such Order in Council shall, as&#13;
soon as may be after the making thereof, be&#13;
published in the London Gazette.&#13;
(iv.) A copy of every such Order in Council&#13;
shall be laid before both Houses of Parliament&#13;
within six weeks after the issuing thereof if&#13;
Parliament is then sitting, and if not, then&#13;
within six weeks after the commencement of the&#13;
next session of Parliament.&#13;
(v.) No such Order in Council shall affect&#13;
prejudicially any right acquired at the date of&#13;
its coming into operation.&#13;
13. This Act may be cited as the Copyright&#13;
(Amendment) Act, 1897, and shall, except so&#13;
far as is inconsistent with this Act, be read and&#13;
construed with the Copyright Acts.&#13;
14. This Act shall come into operation on the&#13;
first day of January, one thousand eight hundred&#13;
and ninety-eight.&#13;
&#13;
&#13;
## p. 67 (#481) #############################################&#13;
&#13;
THE AUTHOR.&#13;
67&#13;
SCHEDULES.&#13;
First Schedule.&#13;
Form of Entry of a Periodical Work.&#13;
Date of Publica-&#13;
tion of first&#13;
Volume, Part, or&#13;
Number.&#13;
Name and&#13;
Address&#13;
of Owner.&#13;
Name and&#13;
Address&#13;
of Publisher.&#13;
Title of Work.&#13;
Second Schedule.&#13;
Ads Repealed.&#13;
Session and Chapter.&#13;
Short Title.&#13;
Extent of Repeal.&#13;
5 &amp; 6 Will. 4 0. 65.&#13;
5 4 6 Vict. c. 45.&#13;
Lectures Copyright The whole Act.&#13;
Act, 1835.&#13;
Copyright Act, 1842 Sections eighteeen&#13;
and nineteen.&#13;
CIVIL LIST PENSIONS.&#13;
APAELIAMENTARY return which has just&#13;
been issued gives the following list of all&#13;
pensions granted during the year ended&#13;
June 20, 1897, and charged upon the Civil&#13;
List:—&#13;
Mary Anne, Lady Broome, &lt;£ioo, in considera-&#13;
tion of the public services of ber late husband, Sir&#13;
F. N. Broome, K.C.M.G., especially as Governor&#13;
of Western Australia, and of her own literary&#13;
merits.&#13;
Mr. William Alexander Hunter, £200, in con-&#13;
sideration of his labours in connection with&#13;
Roman law and scientific jurisprudence.&#13;
Dr. John Thomas Arlidge, .£150, in considera-&#13;
tion of his valuable labours in the cause of&#13;
public health, and especially his investigation into&#13;
the hygienic results of particular industries and&#13;
occupations.&#13;
Miss Beatrice Hatch, .£30, Miss Ethel Hatch,&#13;
JB30, Miss Evelyn Hatch, ,£30, in consideration&#13;
of the services of their father, the late Rev. Edwin&#13;
Hatch, in connection with ecclesiastical history.&#13;
Amelia, Lady Thurston, £150, in recognition of&#13;
the distinguished services of her husband, the&#13;
late Sir John Bates Thurston, as Governor of&#13;
Fiji and High Commissioner for the Western&#13;
Pacific.&#13;
Mrs. Elizabeth Dickens, £100, in consideration&#13;
of the literary eminence of the late Mr. Charles&#13;
Dickens, and of the straitened circumstances in&#13;
which she has been left by the death of her&#13;
husband, Mr. Charles Dickens, jun.&#13;
Mrs. Rose Trollope, £100, in consideration of&#13;
the distinguished literary merits of her husband,&#13;
the late Mr. Anthony Trollope, and of her&#13;
straitened circumstances.&#13;
Miss May Martha Mason, £30.&#13;
Mrs. Mary Caroline Florence Wood, £30, in&#13;
recognition of the originality and merit of the&#13;
work of their father, the late Mr. George Mason,&#13;
in painting.&#13;
Mr. Augustus Henry Keane, F.R.G.S., £50, in&#13;
consideration of his labours in the field of&#13;
ethnology.&#13;
Dr. Francis Steingass, £50, in consideration&#13;
of his services to Oriental scholarship in England.&#13;
Mrs. Maria Garrett, £50, in recognition of the&#13;
merits of her husband, the late Dr. George&#13;
Garrett, as a composer of church music.&#13;
Mrs. Jane Wallace, £50, in recognition of the&#13;
philosophical labours of her husband, the late&#13;
Whyte's professor of moral philosophy in the&#13;
University of Oxford.&#13;
Mr. Archibald Hamilton Bryce, D.C.L., £50, in&#13;
recognition of his services in the cause of secon-&#13;
dary education in Scotland.&#13;
The total is £ 1200.&#13;
NOTES AND NEWS.&#13;
TINHERE is an article in the current number&#13;
I of the Quarterly Review entitled "Ou&#13;
Commencing Author," which purports to&#13;
be based on this journal and its contents for the&#13;
last seven years. The paper is in many respects,&#13;
as I shall show immediately, quite satisfactory&#13;
and even sympathetic. The writer begins with&#13;
recognising the right of the author to a full&#13;
understanding at least of what is meant by the&#13;
estate which his publisher administers: therefore,&#13;
of course, his further right to understand what&#13;
the publisher makes by his administration. As&#13;
to the sympathetic side, we will return to that&#13;
immediately. Let us first take the points to&#13;
which I must take exception.&#13;
It has been our contention in this paper, over&#13;
and over again, that the literary and the com-&#13;
mercial side of literature are totally distinct.&#13;
The poet at work, if he allows any other con-&#13;
sideration to enter his brain — any touch of&#13;
commercialism—must infallibly mar that work.&#13;
In every art, the artist must be absorbed while&#13;
he is at work. The work done, he may be as&#13;
commercial as he pleases. That is the just&#13;
and obvious deduction. But this writer cannot&#13;
understand such a distinction. His view is that&#13;
an artist, when his work is finished, must not,&#13;
without detriment to that work, pay any atten-&#13;
&#13;
&#13;
## p. 68 (#482) #############################################&#13;
&#13;
68&#13;
THE AUTHOR.&#13;
tion to its commercial value. He says, "To&#13;
such men"—i.e., men who, when their work is&#13;
finished, do consider its literary value—" there&#13;
comes a literary half and a commercial half."&#13;
Just so. Why not ?" Where the commercial half&#13;
arrives at being real, there is some danger that it&#13;
will drive out the literary half." No : because the&#13;
two have nothing to do with each other. If the&#13;
writer means that there is danger that the artist&#13;
may have his brain filled with commercialism&#13;
while he is at work, one can only reply that he&#13;
must be a very mean and miserable artist. Apply&#13;
the same kind of conventional talk to painting.&#13;
All great painters receive large sums of money for&#13;
their work. No one in his senses has ever re-&#13;
proached them with doing so: no one has ever&#13;
asserted that they have ruined their art as their&#13;
price went up. In the name of common sense,&#13;
then, why cannot literary men be treated as on&#13;
the same footing as painters?&#13;
There is, again, another distinction between&#13;
the literary and the commercial side of literature&#13;
which must not be forgotten. It by no means&#13;
follows that a writer of the highest kind will&#13;
become popular, while a person of tenth-rate&#13;
merit may command the shillings of millions.&#13;
This consideration alone should show the futility&#13;
of the common talk about commercialism. My&#13;
position is this: If an author chooses to give his&#13;
property to a publisher, let him. If he chooses to&#13;
keep his property for himself, or to administrate&#13;
it for himself, or to let its administration out at a&#13;
rent or royalty, or to sell it, there is no danger&#13;
whatever that the same care of his commercial&#13;
interests will damage that completed tcork&#13;
any more than the same care icill damage a&#13;
painting. There is, perhaps, the danger that he&#13;
may scamp the next poem, and that commercialism&#13;
may "infect it." Surely, however, something&#13;
must be allowed to the artistic sense which&#13;
governs and controls artistic production.&#13;
Again, the writer says: "In some of our lesser&#13;
men, it is conceivable that a journeyman's credit-&#13;
able faculty of going straight on, and of produc-&#13;
ing yet another book, and yet another book, will&#13;
survive." Here we seem to discern the bogey of&#13;
"inspiration." The writer plainly understands, I&#13;
have no doubt, that the painter must go on paint-&#13;
ing because he is a painter; yet he cannot see that&#13;
the poet, the story-teller, the dramatist—where&#13;
are we to stop ?—the critic, the essayist—everyone&#13;
who writes because he is to the manner born,&#13;
must go on—must go on writing till he dies.&#13;
Lo boa Diea me dit, " Chante,&#13;
Chante, paavre petit."&#13;
The writer quote3 these lines—full of tears as&#13;
well as of consolation—yet cannot understand that&#13;
they contradict flatly what he has just advanced&#13;
about the dangers of " going on."&#13;
He finds fault with The Author for hoping-&#13;
that copyright may be so enlarged as to enable a&#13;
successful and popular writer to found a family.&#13;
Says that it is an ignoble wish. Why does he&#13;
think so? Because he confuses the literary&#13;
and the artistic value of a book. He says, he who&#13;
could act " on a pill-vendor's conditions, namely,&#13;
that he keep his private property for ever, must&#13;
receive only as a pill-vendor.'' This is nonsense.&#13;
One might as well say that the Marquis of&#13;
Salisbury if he receives his rents and keeps-&#13;
his property does so as a pill vendor. But&#13;
this kind of rubbish will continue to be talked&#13;
so long as literary value and literary property are&#13;
mixed.&#13;
The Reviewer speaks of a certain writer who&#13;
would abolish criticism. I wonder who that&#13;
writer is. The position taken up by The Author&#13;
has always been (i) that criticism should be a&#13;
distinction—that is to say, that a paper should,&#13;
as some papers do, select books for careful criti-&#13;
cism by competent persons; (2) that the system of&#13;
"reviewing" books in a batch is injurious to&#13;
literature because it does not give importance to&#13;
important books, because " notice " is not criticism,&#13;
and because it is impossible for the writer, with the&#13;
best intentions, to read the books he notices, and&#13;
that the system is injurious to the paper because it&#13;
ruins the literary character of that paper; (3)&#13;
that to notice harmless weak productions is useless,&#13;
because such a notice does not educate the writer&#13;
nor does it help the pubbc, which, whatever its&#13;
faults, does not buy or read we.ak books; (4)&#13;
that the space in the paper taken up by little&#13;
notices written without reading the books would&#13;
be much better bestowed upon an important&#13;
notice; (5) that the present depressed condition&#13;
of criticism is due mainly to the system of the little&#13;
notices, which simply will not allow their writers&#13;
to read the books; and, lastly, that the public&#13;
never read, and pay no heed, to these little notices.&#13;
This is the position taken up in these columns on&#13;
the subject of reviewing. It will be seen that this&#13;
is very, very far from wishing to abolish criticism.&#13;
The Reviewer is also very angry with some&#13;
uuknown persons who, it seems, object to literary&#13;
men advising publishers. Who, again, are these&#13;
people? The position of adviser to publishers is&#13;
one of the greatest responsibility and importance.&#13;
Most men of letters have at various times done&#13;
&#13;
&#13;
## p. 69 (#483) #############################################&#13;
&#13;
THE AUTHOR.&#13;
69&#13;
such work: some, occasionally: some by engage-&#13;
ment and on salary. It seems to me quite&#13;
unnecessary to defend the work, and I do not&#13;
know who has attacked it. Personally, I have&#13;
myself done such work, and I see no reason at all&#13;
to be ashamed of it.&#13;
Nor do I think it necessary in these columns to&#13;
do more than enter a protest against the implied&#13;
accusation that The Author, the only publication&#13;
standing at the head of the article, finds any fault&#13;
with any literary man or woman who advises for&#13;
pay a publishing house.&#13;
He says that in demanding inspection of docu-&#13;
ments I myself have done a " grea,t service" and&#13;
have been right, "however injudiciously" I may&#13;
be held to have done it. My methods—or rather the&#13;
methods of the Committee—have always been&#13;
perfectly simple. There has been throughout a&#13;
steady determination to get at the facts and the&#13;
figures and to publish them; to pour a flood of&#13;
light on facts strenuously concealed. There has&#13;
been no other method, and that method will be&#13;
continued. _&#13;
In many points: on the necessity for main-&#13;
taining the responsibility and the honour of&#13;
authorship: on the differences which mark men&#13;
of genius: on the writer as teacher: and so forth,&#13;
one has nothing but gratitude to this Reviewer,&#13;
because it is good that such things should be said.&#13;
But the whole paper is tainted and spoiled by&#13;
this inability to distinguish literary value from&#13;
commercial value: so that the writer, while he is&#13;
fain to acknowledge the genius of Scott and&#13;
Dickens, must needs try to explain away or to lament&#13;
the fact that they were good at business. Nearly&#13;
all popular writers have thought very much of the&#13;
separate commercial side: Scott: Dickens: Trol-&#13;
lope: George Eliot: Macaulay: Byron: every-&#13;
body.&#13;
At the same time one must certainly not obtrude&#13;
the subject. As our writer says: "If the public&#13;
once hears too much about profits—it has not&#13;
bothered itself yet about the matter—but if it&#13;
should?" In The Author the question of profits&#13;
is a question of principle: there is no mention&#13;
of any single writer's returns: or of what he&#13;
obtained from any book: and there never will be&#13;
any. It is the trade organ of literary men and&#13;
women generally: its object is to give such facts&#13;
and figures as illustrate principles. But the&#13;
writer is quite wrong about the matter. The public&#13;
has heard about these profits: it hears often : not&#13;
from us, but from other papers, what this and&#13;
that writer is receiving.&#13;
Again, the Beviewer protests against the use of&#13;
the phrase " thousand words," " so many thousand&#13;
words:" "so much for so many thousand words."&#13;
Now this is not the phrase of the author, but of&#13;
the editor. He wants an article of a certain&#13;
length, and no longer: it is to fill a definite space&#13;
in his magazine: he may say, if he likes, so&#13;
many pages: or he may say so many thousand&#13;
words. What on earth does it matter? Or the&#13;
author, in that commercial spirit which the&#13;
reviewer confuses with the artistic spirit, may&#13;
say, "Here is my work. It occupies so many&#13;
pages," or "Here is my work. It occupies so&#13;
many thousand words." Will anybody in his&#13;
senses contend that there is any difference? It&#13;
is a fctfon de parler. I am myself, for instance,&#13;
under agreement to hand in, by a certain time,&#13;
a certain story to a certain editor. My editor tells&#13;
me, " I want a story of 8o,coo words." He means&#13;
that it is to occupy a certain number of months&#13;
in his serial. Whether it is 70,000 words, or&#13;
80,000 words, or 90,000 words he will not mind,&#13;
nor will he count. But he means that I am not&#13;
to take lip the old space, and that he will not fill&#13;
up his pages with the old-fashioned three-volume&#13;
novel. He must assign a limit: he must say how&#13;
much space he can give. Whether he says words&#13;
or pages, I repea", what does it matter?&#13;
In a word, this Reviewer means well: he sees&#13;
that we are absolutely in the right, and he says so:&#13;
but because he confuses literary and commercial&#13;
value he has got hopelessly muddled ; while in such&#13;
little matters, as one or two which I have quoted,&#13;
he is wrong simply because he does not know the&#13;
practice.&#13;
There are one or two remarks which I should&#13;
like to quote:&#13;
There is this special feature in the writing business, that&#13;
it is entirely volunteered.&#13;
Some few years ago writers awoke to the belief that they&#13;
had not received a fair share in the net profit of their&#13;
wares. More particularly they desired to make a declara-&#13;
tion of their right to know the amount of expense incurred&#13;
in the publication of their volumes. In this they have&#13;
nothing bnt our sympathies, and part of their work is yet&#13;
to do.&#13;
What are the more prevalent motives which set genuine&#13;
men of letters to work? We fear that the first motive we&#13;
assign will appear to many most honourable men of the day&#13;
l; perilously near to cant." Yet, upon omviction, we&#13;
cannot but put it in the forefront of the battle. We speak&#13;
of a mission, a vocation, a priestly office; a priestly office&#13;
assuredly in a wider natural church. And this office no&#13;
man lightly takes upon himself. The real men are never&#13;
likely to take it upon themselves lightly, for they slide&#13;
into it involuntarily and unconsciously. And they slide&#13;
into it too with a good deal of that suffering, whioh, in the&#13;
genuine man of letters, seems inevitable.&#13;
Business men who have selected as their path to fortune&#13;
the financial side of books, are, from one commercial point&#13;
of view at least, exceptionally lucky. They are hardehells&#13;
who have to deal with softshelU. It is not to be wondered&#13;
at that the softshells have not been conspicuous for getting&#13;
&#13;
&#13;
## p. 70 (#484) #############################################&#13;
&#13;
7°&#13;
THE AUTHOR.&#13;
the best of it. Many a publisher might say perhaps, as&#13;
Robert Clive said in the gold vaults of the Indian city, " By&#13;
heaven ! I am surprised at my own moderation!"&#13;
A man oan only be an author in so far as he is a man who&#13;
has perceived, or known, or done real things, and possesses&#13;
the gift and feels the duty of speaking about them.&#13;
A woman and an author must be either something above&#13;
the average robust male or something below him.&#13;
The following information is here published as&#13;
a warning to typewriters:&#13;
"Some time ago a friend lent me a small but&#13;
interesting pamphlet, and as it is out of print I&#13;
was allowed to have a typewritten copy made&#13;
of it. The friend recommended as type-&#13;
writer a young lady, orphan daughter of a clergy-&#13;
man, recently deceased, who courageously sup-&#13;
ported herself by typewriting, She copied the&#13;
pamphlet for me very nicely, and when I paid&#13;
her bill she said she wished to get regular work&#13;
from authors, so I advised her to advertise in&#13;
The Author, which she has done every month since&#13;
January, 1897. She now writes to say that some&#13;
one, whose name she does not mention, has&#13;
written to ask her terms, but says his MS. is so&#13;
precious that she must pay him a guinea as&#13;
caution money before he sends her the MS. She&#13;
naturally declines to have anything to do with a&#13;
person of this sort."&#13;
I would only add to the above that the object of&#13;
the demand is made obvious by the fact that when&#13;
a manuscript, which is very rare, is precious, it is&#13;
probably worth many hundred guineas. Asking&#13;
a guinea as caution money for a manuscript which&#13;
the writer declares to be "precious," is too thin&#13;
to deceive anybody. I shall be much obliged if&#13;
papers generally will be so good as to copy this&#13;
warning in the interests of typewriters, who have&#13;
not, probably, too much experience of the world.&#13;
The Civil List, which is published in another&#13;
column, is the very best list that has ever ap-&#13;
peared since its commencement. There are sixteen&#13;
recipients of pensions. Among them, eleven are&#13;
widows and daughters. One observes that these&#13;
pensions are granted more and more to widows&#13;
and daughters instead of the workers themselves.&#13;
The change will be accepted by everybody with&#13;
satisfaction. One observes, also, that it is not yet&#13;
possible to obtain a list completely in accord with&#13;
the famous resolution of 1837. That resolution&#13;
undoubtedly gave power to place in this list&#13;
persons who had claims upon the Sovereign. Thus,&#13;
the Queen's tutors and teachers were placed upon&#13;
the list by authority of that clause. Yet the list&#13;
was then, and has always been, intended for persons&#13;
distinguished or connected with literature, science,&#13;
and art. There are two ladies in this list who&#13;
are widows of Colonial Governors. One of these,&#13;
Lady Broome, better known as Lady Jackson, is&#13;
herself a writer of some distinction; the other,&#13;
Lady Thurston, is simply the widow of a Colonial&#13;
Governor. As such, her pension has no place on&#13;
this list. The power of foisting all kinds of&#13;
people into this meagre provision for literature,&#13;
science, and art could be removed by passing&#13;
another resolution omitting the clause referred to.&#13;
I observed in a certain paper a question meant&#13;
to be " smart." "Is it," the writer asked, " the&#13;
wickedness of the publisher which causes the&#13;
names of Dickens and Trollope to appear in this&#13;
list?" It is not in these pages that private affairs&#13;
will be discussed. The late Charles Dickens, jun.,&#13;
however, was not a writer, except of one or two guide&#13;
books. He was a printer. Perhaps publishers&#13;
showed their "wickedness" by not paying his&#13;
accounts. As for the name of Trollope, it was&#13;
stated at the time of Anthony Trollope's death&#13;
that he was possessed of a large sum saved from&#13;
the proceeds of his novels. Publishers have&#13;
hardly been so "wicked " as to take that money&#13;
from his family. But what silly nonsense it is to&#13;
ask such a question!&#13;
I have received from a correspondent a collec-&#13;
tion of extracts from letters received from various&#13;
publishers, which inform him that they cannot&#13;
undertake the responsibility of publishing his&#13;
manuscript.&#13;
The letters are very curious and instructive.&#13;
Various reasons were assigned, all of which were&#13;
different, but all contained one cardinal fact in&#13;
which they were agreed: that the work was too&#13;
long.&#13;
One firm frankly admitted that what they&#13;
wanted was a manuscript of about 60,000&#13;
words.&#13;
What may be gathered from all these letters&#13;
is, in fact, that some publishers are becoming&#13;
increasingly anxious to bring out books at 6*.&#13;
which contain the minimum leugth for which the&#13;
long suffering public will pay 4s. 6d. In these&#13;
columns mention has already been made of a&#13;
little book, containing about 24,000 words, and&#13;
taking very little more than an hour to read, and&#13;
costing 4.S'. 6d. cash.&#13;
To what lengths is this practice going to be&#13;
carried?&#13;
A certain result will be that before long the&#13;
advertised price of 6*. and the real price of&#13;
4«. 6d. will fall into contempt, and the public&#13;
will refuse to pay more than a shilling for a little&#13;
book which can be read in one hour.&#13;
It is true there may be cases in which the&#13;
&#13;
&#13;
## p. 71 (#485) #############################################&#13;
&#13;
THE AUTHOR.&#13;
author's name is great enough to carry off a high&#13;
price for a short story, but these cases must&#13;
always be very rare.&#13;
It seems that it should always be the duty of&#13;
novelists to provide the public with work which,&#13;
in length, at least, will give them some fair return&#13;
for the cost of the book.&#13;
Let us turn to lighter themes. The following&#13;
appeared in the Times, July 24, in the form of a&#13;
letter from Mr. Walter Wren. He kindly&#13;
gives me permission to reproduce it here. Mr.&#13;
Wren is well known as a profound student of&#13;
Dickens. The origin of Do-the-boys Hall seems&#13;
settled by this discovery beyond the reach of&#13;
reasonable doubt. One pities the unfortunate&#13;
Mr. Simpson, of Easby, near Richmond, York-&#13;
shire:&#13;
"In your article of June 12, on the coronation&#13;
number of the Times, telling your readers that&#13;
they would be presented gratis with a reproduc-&#13;
tion in facsimile of the Times of Friday, June 29,&#13;
1838, you call attention to these two advertise-&#13;
ments as containing a hint of some of the abuses&#13;
which Dickens (whose 'Oliver Twist' is here an-&#13;
nounced as appearing in Bentley's Miscellany)&#13;
was already setting himself to scourge. 'These&#13;
are of schools—one in Yorkshire—at which&#13;
youths are boarded and instructed according to&#13;
age, including clothes, books, and other neces-&#13;
saries. No extras and no vacations.'&#13;
"I respectfully submit that you might have put&#13;
this more strongly, and that these must be the&#13;
originals from which Dickens made up Mr.&#13;
Squeers's card. 'Nicholas Nickleby' was published&#13;
in 1839. It seems to me clear that Mr. Squeers's&#13;
card was based on them. It will be found on&#13;
page 20 of the original edition. Please print all&#13;
three.&#13;
'" Education.—At Winton Hall, near Kirby&#13;
Stephen, in Westmoreland, young gentlemen are&#13;
boarded, clothed, provided with books, and edu-&#13;
cated, by Mr. Twycross, in whatever their future&#13;
prospects may require, at £20 per annum. There&#13;
are no extras nor vacations. Prospectuses and&#13;
references may be had at Peele's Coffee-house,&#13;
Fleet-street, where Mr. T. attends daily, between&#13;
12 and 2 o'clock.'&#13;
"' Education.—At Mr. Simpson's Academy,&#13;
Easby, near Richmond, Yorkshire, youth are&#13;
boarded, and instructed by Mr. S. and proper&#13;
assistants in whatever their future prospects may&#13;
require, at twenty and twenty-three guineas a&#13;
year, according to age, including clothes, books,&#13;
and other necessaries. No extras and no vaca-&#13;
tions. Cards with references to be had from Mr.&#13;
S., who attends from 12 to 2 o'clock daily at&#13;
VOL VIII.&#13;
the Saracen's Head, Snow-hill. Conveyance by&#13;
steam vessel weekly.'&#13;
'" Education.—At Mr. Wackford Squeers's&#13;
Academy, Dotheboys-hall, at the delightful village&#13;
of Dotheboys, near Greta-bridge, in Yorkshire,&#13;
youth are boarded, clothed, booked, furnished&#13;
with pocket money, provided with all necessaries,&#13;
instructed in all languages living and dead,&#13;
mathematics, orthography, geometry, astronomy,&#13;
trigonometry, the use of the globes, algebra,&#13;
single stick (if required), writing, arithmetic,&#13;
fortification, and every branch of classical litera-&#13;
ture. Terms twenty guineas per annum. No&#13;
extras, no vacations, and diet unparalleled. Mr.&#13;
Squeers is in town, and attends daily, from one&#13;
to four, at the Saracen's Head, Snow-hill.'&#13;
"Dickons added to the advertisements in your&#13;
issue of 1838. But the leading principles are in&#13;
all three—viz., ,£20 a year for clothes, books, and&#13;
education; no extras, no vacations; and both Mr.&#13;
Simpson and Mr. Squeers, the two Yorkshire&#13;
schoolmasters, 'attended daily at the Saracen's&#13;
Head.'"&#13;
Mr. Howard Collins projxises to take up and&#13;
continue the subject of the subjunctive mood in&#13;
the October number of The Author if possible.&#13;
He is consulting.as many men of letters as he can&#13;
reach as to their opinion of his j&gt;osition.&#13;
Walter Besant.&#13;
THE PROPOSED NET SYSTEM.&#13;
ACOMMITTEE has been appointed by the&#13;
Society for the investigation of the whole&#13;
subject. It would be injudicious therefore&#13;
to express any opinion until that committee has&#13;
given in its report. There has already appeared&#13;
a sheaf of papers and articles dealing with the&#13;
proposal. It is well known that among the book-&#13;
sellers—the persons most concerned—there is con-&#13;
siderable difference of opinion. Perhaps it would&#13;
be well, before their views are ascertained, and&#13;
before the committee completes its labours, that&#13;
there should be a general silence. On the produc-&#13;
tion of the report, no doubt, the floods will be&#13;
let loose. The bare facts of the case seem fairly&#13;
stated in a brief article which appeared in the&#13;
Pall Mall Gazette of July 13. There is one word,&#13;
however, which should be altered. It is there said&#13;
that the publishers "intend to boycott discount&#13;
booksellers." They do not intend: they propose&#13;
—a very different thing.&#13;
One Book, One Price.&#13;
Shall we buy a book at gd. or is.? The outside&#13;
public say, unhesitatingly, gd.; the booksellers&#13;
H&#13;
&#13;
&#13;
## p. 72 (#486) #############################################&#13;
&#13;
72&#13;
THE AUTHOR.&#13;
say, unhesitatingly, i«. Both natural enough,&#13;
when you come to look at it. The advantages of&#13;
selling at is. and buying at gd. are so obvious&#13;
that there is no need to go further into them.&#13;
But the most casual observer who remarks the&#13;
prices on the bookstalls and compares them with&#13;
the rumours that reach us from the traHe cannot&#13;
help seeing that a Battle of the Books is only a&#13;
question of time. Here and there we find six-&#13;
penny magazines sold at 4.|«?., and books pub-&#13;
lished at 6*. going at 4*. 6d.&#13;
The thing seems simple enough. Can a retail&#13;
bookseller sell at what price he likes r He gets&#13;
his books at a discount of 25 per cent., or some-&#13;
thing more than that; has he a free hand after&#13;
that? With the vague idea we all have of the&#13;
principles of law, we declare offhand that any-&#13;
thing else would be interfering with the liberty&#13;
of the subject. The question is nothing new. It&#13;
has been gone into years ago. The only novelty&#13;
now is that the booksellers have got an associa-&#13;
tion, and have the powers of a trade union.&#13;
They are the only people who object to the&#13;
discount. The publishers do not. The authors&#13;
do not. If an author is getting a royalty on the&#13;
published price it is nothing to him how the book&#13;
is sold. In any case the lower rate is probably to&#13;
his advantage, for it increases the sale of his work.&#13;
The same thing would apply to the publisher. In&#13;
fact, the opinions of all the great writers of the&#13;
day were taken on the subject, and were published&#13;
in Sir W. Besant's paper, The Author. Speaking&#13;
from memory, we recollect they were practically&#13;
unanimous and decided in saying the retail&#13;
price was the bookseller's affair. The price at&#13;
which the wholesale bookseller buys from the&#13;
publisher is quite another matter. It is allowed&#13;
that to break this is to ruin the book for regular&#13;
trade.&#13;
Against all this the fact remains that most of&#13;
the big publishers intend to boycott the discount&#13;
booksellers. Taking it logically, the publishers&#13;
are really the employes, and are going on strike.&#13;
To the average onlooker it would seem to lje just&#13;
a case in which a strike would not succeed. The&#13;
discount man can get his books indirectly if he&#13;
likes; and he can appeal to the public to support&#13;
him. The reduction of yl. in the shilling is an&#13;
argument which touches the British public in its&#13;
tenderest point. It is the argument which he&#13;
has always made till now whenever the difficulty&#13;
has come up; and in these days of libraries the&#13;
British public wants every possible encourage-&#13;
ment in buying books.&#13;
However, publishers are not ignorant of the&#13;
world, nor are they, by any means, incapable&#13;
men of business. Obviously, the new Book-&#13;
sellers' Association have found their power, and&#13;
can put pressure on the publisher which he is-&#13;
unable to resist. But the fight has hardly yet&#13;
begun.&#13;
The publication of a book appears a simple&#13;
thing at first sight. When you come to look&#13;
into it, or, worse still, have anything to do with&#13;
it, it is a problem which runs close South African&#13;
politics or the Irish question itself.—Pall Mall&#13;
Gazette, July 13.&#13;
A WARNING- TO AUTHORS-AND OTHERS.&#13;
ITHINK the following story may interest&#13;
some readers of The Author, if only as a&#13;
curious instance of human effrontery. It&#13;
may, however, act as a warning against a certain&#13;
class of "literary agents."&#13;
About a year ago Madame X., a French lady,&#13;
wished to have some short articles and stories,&#13;
which she had written in English, corrected for&#13;
the press, and inserted an advertisement in a local&#13;
London paper. It brought several replies, and&#13;
among them one from a gentleman whom I will&#13;
call Mr. A. He stated that he was "late editor&#13;
of the Readers' Gazette" (I give a fictitious&#13;
title), and named several persons as his referees;&#13;
among them, a well-known publishing firm, "for&#13;
literary publications "; and for " scholastic pub-&#13;
lications " a certain "Jones, Manchester." in a&#13;
foot-note he also named a gentleman, very well&#13;
known in the scholastic world, as able to speak&#13;
to his literary qualifications. I will call him&#13;
"Mr. N." Mine. X. was delighted. She&#13;
fancied that fortune had directed her to a literary&#13;
man, and she hastened to communicate with A.&#13;
He called upon her, and in conversation told&#13;
her he held an official post in the Civil Service.&#13;
It was agreed that he should undertake the&#13;
corrections, the only thing contemplated up to&#13;
now. But, in the course of the interview, he&#13;
intimated that he was prepared to undertake the&#13;
duties of literary agent, and to place the MSS.&#13;
as well as to correct them.&#13;
Mine. X. said that she could not afford' to&#13;
pay for this, but Mr. A. replied that she had told&#13;
him she was acquainted with many French&#13;
journalists. Now, it was the wish "of his heart&#13;
to become a correspondent of the Continental&#13;
Press, and if she would give him an introduction&#13;
he would consider himself paid. On this Mme.&#13;
X. confided to him a number of MSS., and gave&#13;
him an introduction to the editor of one of the&#13;
most widely known of continental journals.&#13;
Months passed, during which Mr. A. wrote&#13;
from time to time, speaking vaguely of his efforts&#13;
on Mine. X.'s behalf—they had been uusuccess-&#13;
&#13;
&#13;
## p. 73 (#487) #############################################&#13;
&#13;
THE AUTHOR.&#13;
73&#13;
ful, but he expressed himself as by no means&#13;
discouraged. During this time he corrected the&#13;
longest of the articles—it was a short story. I&#13;
saw the copy he had made—the MS. was entirely&#13;
in his handwriting, and so far his assertion that&#13;
he had "re-written" it was true. But his&#13;
corrections were a farce. As I myself had to&#13;
"re-write" it, I speak from knowledge, and a&#13;
gentleman, who is himself a writer, said of it that&#13;
it was not worth having, even if done for nothing,&#13;
that no one with the least literary ear could&#13;
possibly have passed the foreign turns of expres-&#13;
sion. Even obvious omissions of parts of sen-&#13;
tences were not supplied, and the general&#13;
incompetence displayed in this specimen of A.'s&#13;
powers confirmed our suspicions that he was not&#13;
what he had represented himself to be. We&#13;
were not at all surprised to find that the foreign&#13;
editor had been puzzled by his letter, had evi-&#13;
dently conceived an unfavourable opinion of A.,&#13;
and declined to have anything to do with him. I&#13;
should say that A. asked and received 5*. for&#13;
correcting this short story.&#13;
On my return to England after an absence,&#13;
Mme. X. had confided her doubts to me. I&#13;
advised her to get her MSS. back as soon as&#13;
possible—especially as she had a chance of dispos-&#13;
ing of them herself. She wrote explaining this.&#13;
A. replied in a manner which struck us as evasive,&#13;
but at last, after many weeks and many letters&#13;
from Mme. X., he returned all but one. .In the&#13;
accompanying letter, lie said that he had sent all,&#13;
and also said that he had "re-written" two&#13;
others of the MSS.; but the parcel, on being&#13;
opened, did not contain these copies, nor were&#13;
the returned MSS. "corrected." Mme. X. felt&#13;
that she had simply wasted six months—A. had&#13;
done absolutely nothing—his corrections were&#13;
worthless in the instance in which he made them,&#13;
and, in the majority of instances, he had done no&#13;
work at all. Of course he could not be held&#13;
responsible for failing to dispose of the MSS.,&#13;
supposing lie ever tried, which the sequel makes&#13;
us gravely doubt. Mme. X. wrote in vain, asking&#13;
for the missing MS. and the two "copies." A.&#13;
replied that he had sent the MS., and he ignored&#13;
the question of the copies. And in a few days he&#13;
sent in a bill for ,£3 3*. for "professional ser-&#13;
vices." Mme. X. was in despair, she was utterly&#13;
unable to pay £3 38., and A. had known this&#13;
from the first. She wrote reminding him that&#13;
he had himself offered those services in return for&#13;
an introduction which she had given; and added&#13;
that she was ready to pay on the same scale as&#13;
before for the "corrections" of the MSS. which&#13;
he had said he had" re-written," when she received&#13;
the rc-tcritten copies. The reply was a threat of&#13;
the County Court. Neither then, nor afterwards,&#13;
did A. ever allude to the (verbal) agreement, or&#13;
to the missing copies. He simply repeated his&#13;
threats of the County Court if a remittance was&#13;
not sent " to-morrow," or " next Tuesday," as the&#13;
case might be. It was almost amusingly evident&#13;
that he was trying to strike terror into a helpless&#13;
foreigner. He numbered his letters "second and&#13;
third " application." His first threat of the County&#13;
Court came barely a fortnight after the "first&#13;
application," and in reply to a civil request for the&#13;
work he was demanding payment for. Mme. X.&#13;
was in very bad health, and was much distressed&#13;
at the prospect of appeariug in Court, and&#13;
perhaps being made to say what she did not mean.&#13;
Under these circumstances a friend began to&#13;
make inquiries of the persons given by A. as&#13;
referees.&#13;
The first person applied to was the present&#13;
editor of the Readers Gazette. He replied&#13;
that there must be some mistake—he himself&#13;
had been editor many years—and he suggested&#13;
imposture. Next, the Civil Service List was&#13;
tried, with the result that nothing whatever&#13;
was known of Mr. A. A slight clue, however,&#13;
was followed up, and at last Mr. A. was dis-&#13;
covered—not as a Civil servant, but as under-&#13;
master in a primary school in an adjacent&#13;
parish. Meantime, the firm of publishers was&#13;
written to. They at length remembered—not&#13;
Mr. A.'s name, but a now, de plume which he&#13;
had mentioned as the name he wrote under.&#13;
A MS. by a writer with this nom de plume had&#13;
been submitted to the firm, and declined. The&#13;
"scholastic" side of Mr. A. was next probed;&#13;
and here, strange to say, we came upon the first&#13;
piece of bond fides we had yet discovered.&#13;
"Jones, Manchester," whose name had sounded&#13;
to us so apocryphal that we had not thought it&#13;
worth while to waste a letter upon him, turned&#13;
out to be a most respectable firm of publishers&#13;
—almost entirely, it seemed, of school books for&#13;
primary schools. They knew Mr. A., and thought&#13;
well of him. He had published an " elementary&#13;
book " and a leaflet or two for children to learn.&#13;
It was not precisely a testimony to "scholastic"&#13;
qualification, but at least he was known. More-&#13;
over, Mr. N, whom A. had mentioned as able to&#13;
speak to his literary qualifications, replied favour-&#13;
ably, and said that A. had held " high positions,"&#13;
and was "an educated gentleman," but added&#13;
that he knew nothing of his literary qualifications.&#13;
Thinking there was a mistake in identity, and that&#13;
A. was trading on a similarity of name, we asked&#13;
for further particulars, and learned that Mr. N.&#13;
had obviously no personal knowledge of A., but&#13;
that A. really had been inspector of some diocesan&#13;
schools in the provinces, and afterward* head-&#13;
master of a " high school." All this while, A.'s&#13;
&#13;
&#13;
## p. 74 (#488) #############################################&#13;
&#13;
THE A UTHOR.&#13;
threats were becoming more urgent, and he repre-&#13;
sented himself as on the eve of placing the&#13;
matter in the hands of his solicitor. The friend&#13;
who made the inquiries thought it was time to do&#13;
something, and wrote a letter to A., repeating the&#13;
facts as stated by Mine. X., and informing A.&#13;
of the result of the inquiries. The letter con-&#13;
cluded with a renewed offer to pay him 58. each&#13;
for the corrected stories, on receiving the correc-&#13;
tions. A reply came by return of post. It&#13;
appeared to be written by A.'s wife at. his dicta-&#13;
tion, and stated that Mr. A. could not answer the&#13;
letter now, as the matter had passed out of his&#13;
hands.&#13;
Before this, at first, in order to learn whether&#13;
A. was already known to our Society, 1 had con-&#13;
sulted Mr, Thring, who with the greatest kind-&#13;
ness gave me counsel. He now reiterated his&#13;
opinion that wc ought to get a " friendly solicitor"&#13;
to write A. a letter. A legal friend of my own&#13;
most kindly consented to do this, and wrote deny-&#13;
ing any indebtedness for "professional services,"&#13;
but again renewing the offer to pay for the cor-&#13;
rections. It brought the following answer again&#13;
by return:&#13;
"Sib,—-I have received yours of the , and&#13;
it has been duly filed."&#13;
This extraordinary reply, and the effrontery of&#13;
A.'s whole attitude, astonished the solicitor, and is&#13;
still a puzzle to us all. We are, however, consoled&#13;
by seeing that A. is really not so clever. For six&#13;
weeks after this, when we all thought the matter&#13;
was ended, he suddenly wrote once more to Mme.&#13;
X., threatening to put the matter into a&#13;
lawyer's hands if the money was not sent within&#13;
three days. By this time the threat had lost its&#13;
terrors—even Mme. X. was able to laugh at it,&#13;
and so I trust all was well that ended well. But&#13;
it is a singular story, for there can be no doubt&#13;
that A. was at no distant period in an excellent&#13;
position, and yet his calm effrontery would seem&#13;
to show a practised hand. It is my deliberate&#13;
conviction, basrd on several small indications,&#13;
that he never showed the MSS. to a single editor.&#13;
This, of course, we cannot prove, but if he had&#13;
ventured to force us into court he would have&#13;
heen required to mention names. I should say&#13;
that in this last letter he repeated that he had&#13;
been editor of the Readers' Gazette — it was&#13;
the only allusion he ever made to the unmasking&#13;
of his pretensions. Finally, I would entreat, not&#13;
only authors, but everybody, to "look up their&#13;
references"—though, as a gentleman I consulted&#13;
over this business said very frankly, " When does&#13;
one look them up, if they are good ones?" And&#13;
I confess that I should have thought it impossible&#13;
that a man would venture falsely to call himself&#13;
ex-editor of a paper—it is a statement so easily&#13;
verified. But perhaps A. is a student of human&#13;
nature, and reckoned on our reasoning thus!&#13;
And candour compels me to admit, that had&#13;
inquiries been made at first, and had we happened&#13;
to begin with Mr. N. and "Jones, Manchester,"&#13;
we might have- been perfectly satisfied, and have&#13;
gone no farther. Wherefore, when references are&#13;
given you, write to them all. Y.&#13;
A CASE IN POINT.&#13;
IOUGHT to have joined the Society of&#13;
Authors long ago; but I suppose it is a&#13;
case of stinginess over the wrong thing, and&#13;
that even the demands of a large family upon a&#13;
slender income should not have hindered my&#13;
finding that guinea subscription. Every author&#13;
wants more or less protection under the present&#13;
conditions of things: certainly the unwary one.&#13;
Here is a case in point.&#13;
A well-known publisher asked me to prepare a&#13;
book for the present season. It was to be ready&#13;
at the New Tear, and I was to receive =£50 in&#13;
advance, on account of royalties, upon delivery of&#13;
the MS. I sent in the complete work in the last&#13;
days of December. I waited, and at length hud&#13;
to remind the publisher that three weeks had&#13;
elapsed, and I was expecting to hear from hiin.&#13;
To my surprise his reply, and several subsequent&#13;
communications, showed me that he was " off the&#13;
job," if possible, having doubts of its probable&#13;
success. But I stuck to him. He suggested&#13;
additions and improvements, which I loyally&#13;
worked up with great benefit to the book. At&#13;
length, early in April, I had the first proofs and a&#13;
cheque for .-£25.&#13;
The last sheets were returned, and I was look-&#13;
ing for the completion of the payment. But,&#13;
guess my astonishment on being informed by&#13;
letter that many faults in composition, cant&#13;
phrases, and so forth, had been discovered, and it&#13;
had been necessary to take the thing to pieces&#13;
—also " whether the thing will ever pay is becom-&#13;
ing more than ever a matter of doubt with me."&#13;
With the best possible grace I accepted the&#13;
possibility that my style was open to criticism,&#13;
but I asserted that for acquiescence in his&#13;
improvements I must first have the opportunity&#13;
of weighing their value. Now that the book is&#13;
published I find that, far from " improvement,"&#13;
the book has been utterly damaged by interpola-&#13;
tions and omissions, and many alterations of very&#13;
slight importance but destructive to that coherent&#13;
unity of style which should throughout reveal an&#13;
author's personality. There are six verbal altera-&#13;
tions which I should consent to. The remainder&#13;
&#13;
&#13;
## p. 75 (#489) #############################################&#13;
&#13;
THE AUTHOR.&#13;
75&#13;
are of a piece with the specimens I have marked&#13;
in the copy of the work inclosed for your inspec-&#13;
tion, which amount to nothing more nor less than&#13;
interpolated blunders.&#13;
The book has been brought out, price 7«. 6d.&#13;
As it looks more like a 4*. or 58. volume, the&#13;
booksellers won't touch it, and it has fallen still-&#13;
born upon a season especially favourable for the&#13;
sale of such a work. Our publisher tells me it is&#13;
"complete failure," and ascribes the failure to&#13;
the numerous alterations rendered necessary after&#13;
the thing was in type, and which added heavily to&#13;
the printer's bill. What this has to do with the&#13;
shyness of the retail booksellers passes me, but I&#13;
have been so worked upon by the sad story of&#13;
£150 or more thrown away upon my " diabolical"&#13;
(tie) book as to give a renunciation of all further&#13;
right or claim upon payment of ,£5 5*. There is&#13;
nothing now to hinder Mr. X. T. from reforming&#13;
his mode of publication, and making a small&#13;
income out of it.&#13;
Simpleton, you will say! I deserve it.&#13;
S.&#13;
INTERNATIONAL LIBRARY CONFERENCE.&#13;
President—Sir John Lubbock. Chairman of&#13;
Committee—Kichard Garnett, LL.D. Hon.&#13;
Treasurer—H. K. Tedder. Hon. Secretary—&#13;
J. Y. W. MacAlister. Secretary—J. D. Brown.&#13;
f I ^HE Conference was opened on Tuesday, July&#13;
I 14, by the Lord Mayor, in the Council&#13;
Chamber of the Guildhall. The following&#13;
notes of the principal proceedings are taken from&#13;
the Times:—&#13;
PRESIDENTIAL ADDRESS.&#13;
The President (Sir J. Lubbock) then gave his&#13;
inaugural address. He said that the existence of&#13;
this congress was an indirect result of an Act&#13;
passed by a private member of Parliament (Mr.&#13;
Ewart) in the year 1850. The Act was a striking&#13;
example of beneficent legislation passed by a&#13;
private member. It had been adopted by some&#13;
350 places, containing nearly half our people.&#13;
From 1857 to 1866 it was adopted by fifteen&#13;
localities, from 1867 to 1876 by forty-five, from&#13;
1877 to 1886 by sixty-two, from 1887 to 1896 by&#13;
no fewer than 190. In London the recent pro-&#13;
gress had been even more remarkable. From&#13;
1850-66 only one public library was established,&#13;
and Westminster had the honour of taking the&#13;
lead; from 1867 to 1876 not one, from 1876 to&#13;
1886 only two, from 1887 to 1896 no fewer than&#13;
thirty-two. These libraries now contained over&#13;
5,000,000 volumes, the annual issues amounted to&#13;
27,000,000, and the attendances to 60,000,000.&#13;
Australia had 844 public libraries with 1,400,000&#13;
volumes, New Zealand 298 with 330,000, South&#13;
Africa about 100 with 300,000. In Canada the&#13;
public libraries contained over 1,500,000 of&#13;
volumes. The United States possessed in 1890&#13;
1686 public libraries, containing 13,800,000&#13;
volumes. These numbers, however, were hardly&#13;
comparable with ours, as they included in some&#13;
cases college and law libraries. Moreover, we had&#13;
many public libraries which were not included in&#13;
the above numbers. The British Museum alone&#13;
contained 2,000,000 volumes. Those who doubted&#13;
the advantage of public libraries generally based&#13;
their argument on the assertion that an immense&#13;
preponderance of the books read were novels.&#13;
But it must be remembered that a book of poems,&#13;
and even more a work of science, would take much&#13;
longer to read than a novel. Moreover, many&#13;
novels were not only amusing and refreshing, but&#13;
also instructive. No doubt the wise choice of books&#13;
was becoming more and more difficult. The&#13;
National Home Reading Union had done, and was&#13;
doing, excellent service in assisting our country-&#13;
men and countrywomen to what to read, and how&#13;
to read. A recent writer had referred to the&#13;
treasures of ancient lore in Egyptian papyri,&#13;
which were now scattered in large numbers&#13;
through the museums of Europe, where, for want&#13;
of catalogues and descriptions, they lay well nigh&#13;
as profoundly buried as if they were in their&#13;
original tombs. Many authors buried their own&#13;
creations by misleading titles, or by bringing&#13;
together incongruous subjects, which led to un-&#13;
fortuuate results, like other ill-assorted marriages.&#13;
A friend of his had recently mentioned a remark-&#13;
able case in point. In the year 1850, Dr.&#13;
Mitchell, the Director of the Observatory of&#13;
Cincinnati, which was then the only astro-&#13;
nomical observatory in the United States,&#13;
brought out a perfectly beautiful book, and&#13;
it came over here for sale in the ordi-&#13;
narv way. It was called "The Planetary and&#13;
Stellar Worlds." The publisher of the book&#13;
complained bitterly about it, and said that he had&#13;
not sold a single copy. His friend said, "Well,&#13;
you have killed the book by its title. Why not&#13;
call it ' The Orbs of Heaven'?" That was acted&#13;
upon, and 6000 copies were sold in a month.&#13;
(Cheers and laughter.) As regarded Govern-&#13;
ment, our own had set a very good example. An&#13;
American writer (E. H. Walworth), in an article&#13;
on " The Value of National Archives," had paid&#13;
us the compliment of stating that "perhaps no&#13;
nation had been more careful than England in&#13;
the preservation of her archives; and perhaps no&#13;
nation has been more careless in this direction&#13;
than the United States." (Cheers.) This was,&#13;
however, no longer true of the United States&#13;
&#13;
&#13;
## p. 76 (#490) #############################################&#13;
&#13;
76&#13;
THE AUTHOR.&#13;
Government, which now issued excellent monthly-&#13;
catalogues. India also had for some time taken&#13;
much pains to make her publications as available&#13;
as possible. The Eoyal Colonial Institute had&#13;
recently taken an important step in adopting and&#13;
forwarding to every colonial Government a reso-&#13;
lution, "That the colonial Governments be&#13;
respectfully invited to issue—through the medium&#13;
of their Government gazettes or otherwise—&#13;
registers containing entries of all publications&#13;
within given periods, and also all other locally&#13;
published works, with their full titles, so as to&#13;
furnish for general information complete records&#13;
of the literature of each colony." To turn to the&#13;
scientific societies, our own Eoyal Society had&#13;
accomplished a great and most useful work in its&#13;
catalogue of scientific papers, contained in nine&#13;
thick quarto volumes. These had been extremely&#13;
useful. The society was moreover organising a&#13;
catalogue which aimed at completeness, and was&#13;
intended to contain the titles of scientific publica-&#13;
tions, whether appearing in periodicals or inde-&#13;
pendently. In such a catalogue the titles of&#13;
scientific publications would be arranged, not only&#13;
according to authors' names, but also according to&#13;
subject-matter, the text of each paper and not the&#13;
title only being consulted for the latter purpose.&#13;
The preparation and publication of such a com-&#13;
plete catalogue was far beyond the power and&#13;
means of any single society. Led by the above&#13;
considerations, the president and council of the&#13;
Royal Society had appointed a committee to&#13;
inquire into and report upon the feasibility of&#13;
such a catalogue being compiled through inter-&#13;
national co-operation. (Hear, hear.) There was&#13;
one other catalogue to which he should like to&#13;
refer, namely, the classified index of the London&#13;
Library in which were given the names of the&#13;
principal authors who had written on each sub-&#13;
ject; and the assistance there given to the student&#13;
was invaluable. To every true lover of books it&#13;
was sad to see our countrymen and countrywomen&#13;
neglecting the great masterpieces of science and&#13;
literature, and wasting their time over " books&#13;
that were no books," merely because they were&#13;
new—in many cases, to use Buskin's words,&#13;
"fresh from the fount of folly." (Cheers.)&#13;
EVOLUTION OF THE PUBLIC LIBRARY.&#13;
Mr. Henry Tedder read a paper on "The&#13;
Evolution of the Public Library." Mr. Herbert&#13;
Spencer had, he said, traced the origin of all our&#13;
professions. The processes of development and&#13;
differentiation had been as clearly shown in the&#13;
case of public libraries as in other departments.&#13;
The earliest librarians were priests, and the&#13;
earliest libraries ienples. The earliest civilisa-&#13;
tions—those, e.g., of Assyria and Egypt—had&#13;
their public libraries, which, however, were purely&#13;
of an ecclesiastical character. Aulus Gellus said&#13;
that Pisistratus in the sixth century b.c. was the&#13;
first founder of a real public library, whilst others&#13;
ascribed their origin to Aristotle. One of&#13;
Caesar's projects was the establishment of a great&#13;
public library, and Varro had written a treatise&#13;
on the subject; and at Herculaneum a beauti-&#13;
fully arranged small room was found with 1756&#13;
manuscripts, which gave an insight into the&#13;
arrangements of libraries of that time. Christian&#13;
libraries, of course, dated from Constantine; and&#13;
his successors, especially Theodosius, busied&#13;
themselves with their establishment, and St.&#13;
Augustine gave his library to the church at&#13;
Hippo. The early church was, however, more or&#13;
less hostile to the ancient literature of Greece and&#13;
Rome. But the Benedictines early in the sixth,&#13;
century were the first of the Christian bodies to&#13;
establish libraries, and their example was followed&#13;
by the Carthusians, Cistercians, Prasmonstraten-&#13;
sians, and others; and the Cistercians were the&#13;
first to allow persons outside their orders to&#13;
borrow books. In the thirteenth century a&#13;
library was formed at St. Germain des Pres.&#13;
Paris, where, in 1513, a noble library was&#13;
founded. For much which was in his paper he&#13;
wished to acknowledge his obligations to Mr.&#13;
J. Willis Clarke, who had clearly traced the con-&#13;
nection between collegiate and monastic libraries&#13;
—a connection specially manifest at Merton&#13;
College, Oxford. Mr. Tedder also gave interest-&#13;
ing accounts of the construction and arrangements&#13;
of college libraries; and particularly of the&#13;
Escurial Library founded in 1584. He also&#13;
described cathedral libraries, of which he took&#13;
Westminster as a type. The old type was mainly&#13;
for the benefit of the professional scholar; and it&#13;
was not until the middle of the eighteenth&#13;
century t hat the needs of the people at large were&#13;
considered, and the Bodleian and Mazarin&#13;
libraries were splendid instances of private&#13;
munificence. The free library movement started&#13;
by E wart's Act was mainly educational, and the&#13;
rapid growth of rate-supported libraries—which&#13;
were peculiar to this country—had been described&#13;
by Sir John Lubbock. In the United States a&#13;
similar movement had been going on, and France&#13;
afforded numerous examples of public libraries on&#13;
every scale of magnitude. Belgium, Austria-&#13;
Hungary, and Scandinavia were also well&#13;
equipped, and in recent years a vast number of&#13;
library associations had grown up both here and&#13;
in the United States. In conclusion, Mr. Tedder&#13;
described public libraries as the real universities&#13;
of the unattached, and said that the librarian&#13;
should remeinbir that he was a priest of litera-&#13;
ture. (Cheers.)&#13;
&#13;
&#13;
## p. 77 (#491) #############################################&#13;
&#13;
THE AUTHOR.&#13;
77&#13;
PUBLIC LIBRARY AUTHORITIES.&#13;
Mr. Herbert Jones read a paper on "Public&#13;
Library Authorities, their Constitution and&#13;
Powers, as they are and as they should be."&#13;
Our present system, he observed, was due to&#13;
the happy-go-lucky methods which were so&#13;
characteristic of the British people. The results&#13;
had, no doubt, on the whole been good, but the&#13;
time had come for a reconstruction on a more&#13;
logical and consistent basis. Library committees&#13;
were variously constituted in different centres,&#13;
and the numbers were fluctuating and sometimes&#13;
too great for useful action, and their relations to&#13;
other local bodies vague and ill-defined. But&#13;
when commissioners were appointed a better&#13;
system prevailed. Our free library legislation&#13;
needed amendment, and it was not desirable tliat&#13;
a possibly hostile vestry should be able to super-&#13;
sede the regular library authority. A small body&#13;
appointed or elected ad hoc was surely better than&#13;
a large body constituted for a variety of purposes.&#13;
He was in favour of the appointment in each&#13;
district of a distinct library authority—not&#13;
constituted of too many persons, but varying&#13;
according to population—whose sole work would&#13;
be the supervision of libraries. In this way&#13;
a uniformity of action and a security which&#13;
was greatly to be desired would be effected.&#13;
(Cheers.)&#13;
Mr. Alderman Rawson, of Manchester, said&#13;
that his city was the first to adopt Mr. Ewart's&#13;
Act. A like movement had almost simultaneously&#13;
started in the United States. Since the estab-&#13;
lishment of the libraries the numbers of books&#13;
and readers in Manchester had increased tenfold.&#13;
Notwithstanding the enormous circulation of&#13;
books, the loss by missing or injured books was a&#13;
mere trifle. The employment of women in the&#13;
libraries had produced most beneficial effects in&#13;
the maintenance of silence and order. The cor-&#13;
poration, though entitled to elect outsiders on the&#13;
library committees, had not done so, and had, with&#13;
pardonable vanity, thought themselves competent&#13;
to manage their libraries. The Manchester&#13;
libraries were peculiar in one respect, that they&#13;
never levied fines, and their confidence in the public&#13;
had never been abused. (Cheers.) The Inland&#13;
Revenue had tried to exact income-tax, and the&#13;
case had been carried to the House of Lords,&#13;
where in the end the library authority of Man-&#13;
chester achieved a notable victory for themselves&#13;
and all the public libraries of the country.&#13;
THE TRAINING OF LIBRARIANS.&#13;
Mr. Charles Welch, Guildhall Librarian, read a&#13;
paper on "The Training of Librarians." He&#13;
insisted on the primary importance of a wide and&#13;
liberal education.&#13;
BOOKS AND TEXT-BOOKS.&#13;
A paper on "Books and Text-Books: The&#13;
Function of the Library in Education," was&#13;
read by Mr. F. M. Crunder, librarian, Public&#13;
Library, St. Louis, U.SA., who said that the&#13;
problem was to provide the best education for the&#13;
masses. Could text-books furnish that educa-&#13;
tion P He remembered his surreptitious enjoy-&#13;
ment as a schoolboy of a book of extracts—chiefly&#13;
poetry and oratory—and those poems and speeches&#13;
were to him worth all the arithmetic and text-&#13;
book learning which he was compelled to learn.&#13;
To use Sir John Lubbock's words, "the main •&#13;
thing is not so much that every child should be&#13;
taught as that every child should wish to learn."&#13;
Franklin's was the ideal education—that no child&#13;
should be taught until he desired to learn.&#13;
Books were the true university, and the true edu-&#13;
cation was to stimulate the love of good literature,&#13;
and to enable the child to discriminate between&#13;
what is good and bad in books. Education&#13;
should seek to make not lawyers, engineers,&#13;
farmers, &amp;c., but men; and the larger aim would&#13;
be found also invariably to have included the&#13;
narrower. The text-book should only be employed&#13;
as the guide to what was of permanent value and&#13;
interest in literature.&#13;
NATIONAL BIOGRAPHY AND BIBLIOGRAPHY.&#13;
Mr. Sidney Lee, editor of the Dictionary of&#13;
National Biography, read the next paper on&#13;
"National Biography and National Biblio-&#13;
graphy." He said he should make his immediate&#13;
purpose plainer if he said a few words about the&#13;
aims and scope of the Dictionary of National&#13;
Biography, which might be defined as a bio-&#13;
graphical census of all dwellers in the British&#13;
dominions who had achieved anything worthy of&#13;
commemoration. The most notable feature in&#13;
their methods of execution was the effort to give&#13;
authority for every fact recorded. The life of&#13;
Shakespeare, for instance, would be practically&#13;
useless were not the authenticity of each of the&#13;
traditions which had accumulated about his name&#13;
carefuly determined. He had himself attempted&#13;
on a modest scale a bibliography of Shakesperiana&#13;
arranged in the order in which the student of&#13;
Shakespearian biography was likely to find it&#13;
convenient to approach the books. His biblio-&#13;
graphy was far from complete; the catalogues&#13;
of the British Museum Library, with its 3680&#13;
entries; the Barton collection in the Boston&#13;
Public Library, with its 2500 entries; and the&#13;
Birmingham Public Library, with 9640 volumes,&#13;
supplied far longer lists of Shakesperiana. But he&#13;
had endeavoured to observe some logical principle&#13;
of classification which the larger library cata-&#13;
logues did not attempt. After a reference to the&#13;
&#13;
&#13;
## p. 78 (#492) #############################################&#13;
&#13;
78&#13;
THE AUTHOR.&#13;
bibliography respecting Milton, Sir Walter Scott,&#13;
Sir W. Raleigh, Dryden, and others, he said that&#13;
all that was possible was to mention, as a rule&#13;
in chronological sequence, the chief articles or&#13;
memoirs previously published. The Dictionary's&#13;
list of authorities contained much that was&#13;
material for the preparation of a subject&#13;
catalogue of literature, and a subject catalogue&#13;
was obviously of high importance in developing&#13;
the utility of public libraries. The making&#13;
of subject catalogues was a subsidiary branch&#13;
of the science of bibliography. In its essence&#13;
bibliography was the science of describing&#13;
books as books, in contradistinction to books as&#13;
literature. For the literature of Great Britain&#13;
and Ireland there existed at present four notable&#13;
experiments in national bibliography. At the&#13;
beginning of the century Eobert Watt, a poor&#13;
surgeon of Paisley, sacrificed twenty years of&#13;
arduous labour in compiling his "Bibliotheca&#13;
Britannica," an elaborate catalogue mainly of&#13;
British literature, though a few foreign works&#13;
were included, arranged in two indices—one of&#13;
authors' names, the other of the titles of books.&#13;
The next effort in national bibliography was made&#13;
by William Thomas Lowndes, who in his&#13;
"Bibliographers' Manual," first published in&#13;
1834, endeavoured to arrange the titles of books&#13;
(under authors' names) with some regard to their&#13;
intrinsic interest. Lowndes, after many years of&#13;
abject poverty, lost his reason and died in 1843.&#13;
The third great attempt at a bibliography of&#13;
English literature was made in America, and it was&#13;
to the credit of that great country that its history&#13;
involved no distressing incidents like those which&#13;
accompanied the efforts of Watts and Lowndes.&#13;
Allibone's ample " Dictionary of English Litera-&#13;
ture" was projected in 1850, and the last proof&#13;
sheets were read by the author on the last day of&#13;
1870. The work was published by Messrs.&#13;
Lippincottof Philadelphia, in three large volumes,&#13;
and a supplement in two volumes, almost equally&#13;
large, appeared in 1891. Living authors were&#13;
included as well as the dead, and to all books&#13;
of importance there were appended illustrative&#13;
quotations from critical reviews. Although&#13;
Allibone's book was open to criticism and con-&#13;
tained many blunders, jet the work was an&#13;
invaluable book of reference, as every librarian&#13;
would acknowledge. The fourth great experi-&#13;
ment in national bibliography was the printed&#13;
British Museum catalogue, which is a permanent&#13;
memorial of the skill, knowledge, and industry&#13;
of Dr. Garnett, the Keeper of Printed Books, and&#13;
his staff.&#13;
BOOE TALE.&#13;
THE Earl of Desart's new novel will be&#13;
entitled " The Raid of the Detrimental."&#13;
In it he has made a new departure. The&#13;
tale deals with the true history of the Great&#13;
Disappearance of 1862, and is related by several&#13;
of those implicated, and others. The book will&#13;
be published early in September by Messrs. C.&#13;
Arthur Pearson Limited.&#13;
Professor Laughton is engaged upon "The&#13;
Life and Letters of Henry Reeve." The book&#13;
will be published by Messrs. Longmans, Green,&#13;
and Co. Among other forthcoming publications&#13;
by this firm are "The Validity of the Papal&#13;
Claims," by Dr. Nutcombe Oxenham, with a&#13;
preface by the Archbishop of "Xork; and a&#13;
biography of Dr. Maples, Bishop of Likoma, in&#13;
Central Africa, by his sister.&#13;
Colonel H. M. Vibart has written a work on&#13;
"The Siege of Delhi, in the Indian Mutiny," in&#13;
which he gives to Colonel Bard Smith's services a&#13;
more adequate recognition than he believes they&#13;
have hitherto been granted. The book will be&#13;
published by Messrs. A. Constable and Co.&#13;
Mr. Bret Harte's new novel is called "Three&#13;
Partners," and treats of a strike in a mining&#13;
camp. It will be published next month by&#13;
Messrs. Chatto and Windus.&#13;
Mr. Meredith's volume of selected poems will&#13;
appear shortly.&#13;
Mr. W. Clark Russell's articles on the life of&#13;
Nelson, which are running in one of the maga-&#13;
zines, will be issued in book form in the autumn&#13;
by Mr. James Bowden.&#13;
Mr. Sidney G. Murray is the author of "A&#13;
Popular Manual of Finance," which will be issued&#13;
immediately by Messrs. Blackwood.&#13;
The late Mr. Du Maurier's novel, "The&#13;
Martian," will be published by Messrs. Harper&#13;
on Sept. 17.&#13;
Mine. Sarah Grand's new novel is to be published&#13;
by Mr. Heinemann.&#13;
Mr. Herbert Warren, the president of Magdalen&#13;
College, is having his poems published by Mr.&#13;
Murray, under the title " By Severn Sea." Some&#13;
time ago they were printed by Mr. Daniel, of&#13;
Oxford, but only circulated privately. They are&#13;
now to be available to the public.&#13;
Mr. Geo. Haven Putnam has a scheme for the&#13;
institution of literary courts or boards of arbitra-&#13;
tion, to settle disputes arising between the writing&#13;
and publishing professions. Details of it are to&#13;
be given in the revised edition of his work,&#13;
&#13;
&#13;
## p. 79 (#493) #############################################&#13;
&#13;
THE AUTHOR.&#13;
79&#13;
"Authors and Publishers," which is to appear&#13;
shortly.&#13;
Sir Ellis Ashmead Bartlett, M.P., has written&#13;
"The War in Thessaly, with Personal Experiences&#13;
in Turkey and Greece." It will be remembered&#13;
that one of the "personal experiences" of the&#13;
author was to be captured by a Greek torpedo&#13;
boat and carried to Athens.&#13;
Mr. Fitzgerald Molloy has aimed at presenting&#13;
a complete picture of Irish society in the last&#13;
century, in his forthcoming work entitled "The&#13;
Romance of the Irish Stage." Messrs. Downey&#13;
and Co., who will publish the book, are also about&#13;
to issue a uniform edition of Mr. Molloy's social&#13;
and historical studies at a popular price.&#13;
Mr. D. J. O'Donoghue, the biographer of&#13;
Carleton, will shortly conclude " The Life and&#13;
Writings of James Clarence Mangan," a work he&#13;
has been engaged at for some time. It will tell&#13;
for the first time the story of the young poet's&#13;
tragic career in the Young Ireland days; and&#13;
there will also be reminiscences of Mangan by Sir&#13;
Frederick Burton, Sir Charles Gavan Duffy, Dr.&#13;
J. K. Ingram, and others.&#13;
A biography of the engineer who laid the first&#13;
Atlantic cable—Sir Charles Tilston Bright—is&#13;
being prepared for publication (by subscription)&#13;
by Messrs. Constable and Co. A brother and a&#13;
son of the distinguished pioneer have compiled&#13;
the work from the diaries which Sir Charles kept;&#13;
therefore it will be largely autobiographical in&#13;
character.&#13;
Lord Eibblesdale, who was Master of the&#13;
Buckhounds under the last administration, is&#13;
writing his recollections of " The Queen's Hounds&#13;
and Stag Hunting," to which will be contributed&#13;
illustrations by prints and drawings from Her&#13;
Majesty's collections at Windsor Castle and at&#13;
Cumberland Lodge. The book will be published&#13;
by Messrs. Longmans.&#13;
Mr. Theodore A. Cook will write a book about&#13;
Rouen, and Miss Margaret Symonds (daughter of&#13;
the late John Addington Symonds) one about&#13;
Perugia, for a series of volumes dealings with&#13;
mediaeval towns which Messrs. J. M. Dent and&#13;
Co. are to publish. The late Mrs. Oliphant was&#13;
writing "Sienna," but had only completed three&#13;
chapters of it.&#13;
The biography of Professor Huxley is not&#13;
likely to be ready before the autumn of 1898.&#13;
Prince Ranjitsinhji's book on cricket is to be&#13;
published by Messrs. Blackwood, and will be&#13;
dedicated to the Queen. There will be an ddition&#13;
de luxe in crown quarto, with the author's auto-&#13;
graph, twenty photogravures, and eighty full-&#13;
page plates; a fine-paper edition in royal octavo,&#13;
with a photogravure frontispiece and ninety-nine&#13;
plates; and a popular edition in large crown&#13;
octavo, with eighty page illustrations and twenty&#13;
in the text.&#13;
Mr. George Bernard Shaw is revising his plays&#13;
for their coming publication in book form under&#13;
the title " Plays Pleasant and Unpleasant." They&#13;
will be in two volumes, to be published by Mr.&#13;
Grant Richards in the autumn.&#13;
The several stories contained in Mr. Coulson&#13;
Kernahan's "Book of Strange Sins," are being&#13;
published in separate numbers by Messrs. Ward,&#13;
Lock and Co.&#13;
Mr. Fraser Rae is at work upon a new edition&#13;
of Sheridan, in which he will correct the accepted&#13;
text to a considerable extent.&#13;
Mr. William Le Queux's new Tuscan novel, now&#13;
in the press, is to be called "A Madonna of the&#13;
Music Halls."&#13;
Mr. F. E. Robinson, M.A., the latest recruit to&#13;
the ranks of London publishers, announces that&#13;
he has nearly completed arrangements for a series&#13;
of Oxford and Cambridge College Histories,&#13;
which will be written by dons and other well-&#13;
known graduates.&#13;
Mr. Frank A. Munsey—whose enterprise has&#13;
lately been spoken of by Mr. Hapgood in the&#13;
New York Letter of The Author—has been in&#13;
London making preliminary arrangements for an&#13;
English edition of Mungey's Magazine. He will&#13;
probably send a manager from New York, and&#13;
open a branch establishment here. Mr. Munsey&#13;
has secured a story by Mr. Max Pemberton for&#13;
the magazine, to succeed Mr. Hall Caine's " The&#13;
Christian."&#13;
Mr. Alfred Kingston is engaged upon a work&#13;
entitled " East Anglia and the Great Civil War,"&#13;
in which he tells the story of the rising of Crom-&#13;
well's Ironsides in the counties of Cambridge,&#13;
Huntingdon, Lincoln, Norfolk, Suffolk, Essex,&#13;
and Hertford.&#13;
The "Victorian Era" series of books, to be&#13;
issued by Messrs. Blackie, is intended as an&#13;
authoritative record of the great movements of&#13;
the century. Mr. J. H. Rose, M.A., late Scholar&#13;
of Christ's College, Cambridge, will edit the&#13;
series, and contribute a volume on " The Rise of&#13;
the Democracy." Canon J. H. Overton will write&#13;
"The Anglican Revival ;" Dean Stubbs, a&#13;
biography of Charles Kingsley; Mr. George&#13;
Gissing, a biography of Charles Dickens; Mr.&#13;
H. Holman, "National Education;" Mr. G.&#13;
Aimitage Smith, " Free Trade and Its Results;"&#13;
Mr. Lawrence Gomme," Modern London;" &amp;c.&#13;
&#13;
&#13;
## p. 80 (#494) #############################################&#13;
&#13;
8o&#13;
THE AUTHOR.&#13;
Mr. F. Anstey's "Baboo Jabberjee" will be&#13;
published by Messrs. Dent this autumn.&#13;
Mr. Barry Pain's new novel, which Messrs.&#13;
Harper will publish immediately, is entitled " The&#13;
Octave of Claudius."&#13;
Colonel L. J. Trotter has written the " Life of&#13;
John Nicholson, Soldier and Administrator,"&#13;
which Mr. Murray will publish.&#13;
A series of stories by Mr. Barry Pain, dealing&#13;
with the career of Eobin Hood; a series by Mr.&#13;
Max Pemberton, dealing with the French&#13;
Revolution; and a series of detective stories by&#13;
Major Arthur Griffith, are among the forth-&#13;
coming projects of the English Illustrated&#13;
Magazine,&#13;
Mr. Andrew Lang has edited a volume of selec-&#13;
tions from Wordsworth, which is in the press, and&#13;
which will be the first of a new series of "Selec-&#13;
tions from the Poets," to be published by Messrs.&#13;
Longmans.&#13;
Mr. William Harbutt Dawson has written a&#13;
comprehensive account of the present day social&#13;
movement in Switzerland in its various branches.&#13;
The volume, entitled "Social Switzerland," will&#13;
be published by Messrs. Chapman and Hall at&#13;
once.&#13;
"The Typewriter Girl" is the title of a story&#13;
dealing with an aspect of London life untouched&#13;
hitherto, which Messrs. Pearson are about to&#13;
publish. "Olive Pratt Rayner" is the name&#13;
assumed by the writer.&#13;
A work on English monastic history, by the&#13;
Rev. Ethelred L. Taunton, will be published by&#13;
Mr. John C. Nimnio in the autumn. It will be&#13;
called, "The English Black Monks of St. Bene-&#13;
dict: A Sketch of their History from the Coming&#13;
of St. Augustine to the Present Day."&#13;
The third volume of the series entitled " Litera-&#13;
tures of the World," which Mr. Heinemann&#13;
publishes, will be "Italian Literature," by Dr.&#13;
Richard Garnett. It will appear early in the&#13;
autumn. Three months later "English Litera-&#13;
ture," by Mr. Edmund Gosse, the editor of&#13;
the series, will be ready.&#13;
Mr. G. Forrest, Director of Records, Govern-&#13;
ment of Tndia, is to write "A History of&#13;
British India" for the important project, the&#13;
Cambridge Historical Series.&#13;
The Historical Society of Trinity College,&#13;
Dublin, is co-operating with the National Literary&#13;
Society of Dublin to celebrate the centenary&#13;
of Burke's death. It is proposed to hold a&#13;
public meeting in November, and to erect a&#13;
tablet on the house in which Burke was born.&#13;
Miss Phoebe Allen, whose work in interesting&#13;
children and spreading their love for Nature is&#13;
well known, is the editor of a small botanical&#13;
quarterly called the Sunchildren's Budget, which&#13;
is the organ of two botany clubs, the second of&#13;
which is for children. Readers of this paper who&#13;
are interested in the subjects are invited to make&#13;
the acquaintance of the magazine for their&#13;
children.&#13;
Mrs. Butcher, wife of Dean Butcher of Cairo,&#13;
will publish in October a book on Egypt, where&#13;
she has lived for nearly twenty years. It gives&#13;
an outline of the history of Egypt from the time&#13;
of the Roman occupation in the year 30 b.c. to the&#13;
English occupation in the year 1882 a.d., and so&#13;
will fill a blank in our knowledge of that ancient&#13;
country. As the Christianity of Egypt is the&#13;
connecting thread for all the various epochs com-&#13;
prehended in these twenty centuries, the book&#13;
will be called "The Story of the Church of&#13;
Egypt." Messrs. Smith and Elder are the&#13;
publishers, and it will appear in two volumes.&#13;
A story of public school life, entitled " The Gift&#13;
of God," is about to be brought out in volume&#13;
form. It is by Mrs. Laffan, the wife of the Prin-&#13;
cipal of Cheltenham College; better known to the&#13;
reading public by her former name—" Mrs. Leith&#13;
Adams." Mrs. Laffan gave a lecture at the&#13;
Ladies' College, Cheltenham, last month, on the&#13;
subject of "Fictional Literature as a Profession&#13;
for Women." It has created great interest, and&#13;
will be repeated. New editions of "Madelon&#13;
Lemoine," and" The Old Pastures," by this&#13;
writer, are in the press.&#13;
Volume 2 of Mr. Edwin 0. Sachs' monumental&#13;
work, "Modern Opera Houses and Theatres," has&#13;
now been issued, and with it, perhaps, that part&#13;
of the undertaking which appeals most to the&#13;
general public has seen its completion, for the&#13;
third volume, due in December, will mainly deal&#13;
with the historical and practical details of theatre&#13;
construction, finance, and management, and have&#13;
an essentially technical character. Mr. Sachs has&#13;
been able to extend materially the scope of the&#13;
second volume beyond what was originally in-&#13;
tended, so that the part now completed contains&#13;
descriptions of over fifty playhouses in Europe,&#13;
with no less than 450 illustrations. Most of the&#13;
latter are on plates. Every country is represented,&#13;
including Russia with three theatres, Roumania&#13;
and Greece with one each. Garnier's charming&#13;
theatre at Monte Carlo even stands to do credit&#13;
for the principality of Monaco. The playhouse&#13;
most elaborately illustrated in vol. 2 is the Paris&#13;
Opera House, and the French capital is further&#13;
represented by the new Opera Comique in course&#13;
of construction, and the Eden Varietv Theatre.&#13;
&#13;
&#13;
## p. 81 (#495) #############################################&#13;
&#13;
THE AUTHOR.&#13;
81&#13;
The great Vienna Opera House heads the Austrian&#13;
examples in vol. 2, whilst Her Majesty's takes&#13;
a similar position among our metropolitan houses.&#13;
Mr. Sachs has received great assistance from&#13;
many foreign Governments whilst preparing the&#13;
work, and many of the names prominently asso-&#13;
ciated with drama on the one hand, and with&#13;
architecture on the other, will also be found on&#13;
his list of subscribers.&#13;
Mr. Arthur Lee Knight has a new book for&#13;
boys in the press, entitled "Under the White&#13;
Ensign; or, for Queen and Empire." Messrs.&#13;
Jarrold are the publishers, and the volume will&#13;
be profusely illustrated by Mr. J. B. Greene, who&#13;
makes a special study of naval subjects.&#13;
"The King's Oak" will be the title of a volume&#13;
of stories by Robert Cromie, which Messrs. E.&#13;
Aickin and Co., Limited, of Belfast, have in the&#13;
press. Mr. Cromie is best known as the author&#13;
of " The Crack of Doom," which had an extraordi-&#13;
nary circulation in Sir GeorgeNewnes' "Famous&#13;
Books " series.&#13;
The author of " The Song-Book of Bethia Hard-&#13;
acre" (Chapman and Hall) is Mrs. (not Miss)&#13;
Fuller Maitland.&#13;
"The Demon of Santa Fc," by Mr. Farquhar&#13;
Palliser (Heber K. Daniels), commences in the&#13;
current number of Eureka: The Playgoers'&#13;
Magazine, conjointly with "A Romance of Nor-&#13;
way," from the same pen, in No. 4 of the&#13;
"Favourite Illustrated Stories." A sequel to Mr.&#13;
Palliser's " Me and Jim," entitled " Our Tenants,"&#13;
will also be published by the same publishers—&#13;
the Favourite Publishing Company, Pentonville-&#13;
road.&#13;
The Navy and Army Illustrated (edited by&#13;
Commander C. N. Robinson, R.N.) is devoting a&#13;
series of special numbers to the Yeomanry and&#13;
Volunteers. The title of the work is "Our&#13;
Citizen Army," and the entire letterpress is by&#13;
Callum Beg, author of " The Life of a Soldier,"&#13;
&amp;c. The second number of the series was lately&#13;
published and contains some fifty or sixty&#13;
illustrations descriptive of the duties falling&#13;
to the lot of our citizen soldiers in camp and&#13;
elsewhere.&#13;
"Cruelties of Civilisation."—Early in August&#13;
the Humanitarian League will issue the third&#13;
volume of its publications. It will contain the&#13;
following essays: "Literce Humaniores: An&#13;
Appeal to Teachers," by Henry S. Salt; "Public&#13;
Control of Hospitals," by Harry Roberts; "The&#13;
Shadow of the Sword," by G. W. Foote; "What&#13;
it Costs to be Vaccinated," by Joseph Collinson;&#13;
"The Gallows and the Lash," by Hypatia Brad-&#13;
laugh Bonner; "The Sweating System," by&#13;
Maurice Adams; "The Humanities of Diet," by&#13;
H. S. Salt. One of the League's new pamphlets&#13;
will deal with the English Game Laws.&#13;
FASHIONS IN LANGUAGE.&#13;
VERT great men may almost be said to be&#13;
"of no time." The English of Shakspeare&#13;
is still modern, and one reads it with more&#13;
ease and pleasure than that of much more recent&#13;
writers; the reason being that he writes sincerely,&#13;
and is but little swayed by the thoughtless&#13;
fashions of his day. This is not the case with a&#13;
vast majority of even good authors; most of whom&#13;
are content to swim with the tide, and to gain a&#13;
temporary success at the cost of all chance&#13;
of immortality. Addison, Gray, Coleridge,&#13;
Macaulay, Tennyson, are all instances of men who&#13;
have stedfastly resisted such temptations, and of&#13;
whom, therefore, we may feel sure that their&#13;
works will endure and will become classics.&#13;
It is when one turns to the colloquial idiom&#13;
recorded by writers of various times that one&#13;
observes how fashions affect our language, and&#13;
realises what changes are in store for it among&#13;
the multitudes of so-called "English-speaking&#13;
people" that are growing up in America and the&#13;
Colonies. Yet precisely similar changes have been&#13;
always going on, even in the comparatively small&#13;
and well-trained circle of London society, without&#13;
seriously affecting the purity of written English.&#13;
Time and space would not suffice for a com-&#13;
plete exemplification of these remarks; we may&#13;
however, find enough to justify them in con-&#13;
sidering one class of words—the adjectives and&#13;
adverbs by which indolent and ill-trained men and&#13;
women have been wont to express intenseness and&#13;
superlative quality. Thus, in the London of the&#13;
Revolution, when institutions began to be fixed&#13;
and West-end society to become organised, we&#13;
find colloquialism of this sort recorded by Con-&#13;
preve and the Spectator; and the fine ladies and&#13;
their beaux at once began to coin current epithets&#13;
which circulated with but little regard to their&#13;
intrinsic value. Mrs. Fainall hates her husband&#13;
"transcendentally"; Mirabell is a "pretty"&#13;
fellow; Cleantha has been "hugely" diverted.&#13;
Then comes the Hanoverian age, beginning with&#13;
George II. and ending with George IV., when&#13;
convention was lord of all, and " enthusiasm"&#13;
was regarded as a form of insanity. Here we&#13;
come upon yet more artificial epithets, the paper-&#13;
money of social intercourse. Not only are words&#13;
used without any pretence of their proper signifi-&#13;
cation, but the lords and ladies who set the&#13;
fashion do not even deign to employ the neces-&#13;
&#13;
&#13;
## p. 82 (#496) #############################################&#13;
&#13;
82&#13;
THE AUTHOR.&#13;
sary termination to indicate an adverbial meaning&#13;
The characters in Miss Burney's novels talk of a&#13;
"monstrous handsome woman," and a "prodi-&#13;
gious pretty place;" like the mediaeval emperor,&#13;
they are above grammar, though they can hardly&#13;
be said to have mastered that humble science.&#13;
Many other instances will occur to readers of&#13;
eighteenth century books, and will be even found&#13;
in sermons and works intended to be dignified.&#13;
"Respectable " is used as a high form of praise;&#13;
few words, indeed, can have more changed their&#13;
value.&#13;
Boswell writes of "Chief Baron Smith of&#13;
respectable and pious memory," where he evidently&#13;
means to exhaust eulogy. Two other favourite&#13;
epithets of the period have fallen from their high&#13;
estate—"elegant"and "genteel," the former used&#13;
to mean much what we mean when we say that a&#13;
lady is refined, or that her hospitality is gracious;&#13;
the latter meant well bred or polite.&#13;
Lord Chesterfield, about the middle of the&#13;
period, touched the subject with his habitual&#13;
plesantry:—&#13;
"Not content," writes the witty peer, "with&#13;
enriching our language with words absolutely&#13;
new, my fair countrywomen have gone still&#13;
farther and improved it by the application and&#13;
extension of old ones to various and very different&#13;
significations. They take a word and change it,&#13;
like a guinea into shillings for pocket-money, to&#13;
be employed in the several occasional purposes of&#13;
the day. For instance, adjective vast, and its&#13;
adverb vastly, mean anything. . . . Large&#13;
objects are vastly great, small ones are vastly&#13;
little; and I had lately the pleasure to hear a&#13;
fine woman pronounce a very small gold snuff-&#13;
box that was produced in company to be vastly&#13;
pretty because it was vastly little."&#13;
On this Walpole noted: "Humming is a cant&#13;
word for vast. A person meaning to describe a&#13;
very large bird, said 'It was a humming bird.'"&#13;
Surely we seem to be on familiar ground here.&#13;
Is it not the fact that for the last thirty years we&#13;
have had "cant words," or intensive expletives,&#13;
of at least equal absurdity?&#13;
What is the meaning of a lady who is awfully&#13;
ugly, but has an airfu/ly jolly house?" Or of&#13;
the young officer who comes down to breakfast in&#13;
a strange house declaring that he has had "a&#13;
rippin' night's rest?"&#13;
H. G. K.&#13;
CORRESPONDENCE.&#13;
I.—Corruptions of the Language,&#13;
THE AUTHOR" is fulfilling several useful&#13;
functions, and its usefulness seems to&#13;
grow with every month.&#13;
The suggestion of " E. W. H." appears to me&#13;
to be an excellent one; and I shall be glad to&#13;
support it.&#13;
But I am hunting smaller game just now; and&#13;
I ask for only a few lines of your journal to call&#13;
attention to a minor nuisance. The English&#13;
language is in daily danger of being corrupted&#13;
by slovenly phrases introduced by journalists&#13;
and reporters in a hurry; and it might be one of&#13;
the duties, and one of the privileges, of The&#13;
Author to guard the purity of the language, in&#13;
so far as this is possible and practicable for any&#13;
one journal. But, as The Author is read by&#13;
hundreds of men and women who write, and who&#13;
have an honest respect for the language they&#13;
write in, it is, probably, a task that becomes it&#13;
well, to exclude from the language words and&#13;
phrases that are "bad English" or ungram-&#13;
matical, or ill-sounding.&#13;
An obituary notice of Mrs. Oliphant in the&#13;
July number of The Author, concludes with&#13;
the words: "Mrs. Oliphant was predeceased by&#13;
her husband and two sons." Now, I did not&#13;
expect to find that in The Author. Let me talk&#13;
grammar for a minute; I will try not to bore you.&#13;
"Predeceased by " is clearly a verb in the passive&#13;
voice. If one can "be predeceased," it follows&#13;
that one can "decease" and even "predecease."&#13;
Then " decease" is an active verb. What is to&#13;
decease/ There is no such verb in the English&#13;
language. Still less is there the verb to pre-&#13;
decease. The writer might have given the sad&#13;
facts in a truer way if he had not gone after&#13;
Latin words, but kept within the bounds of his&#13;
mother tongue: "Mrs. Oliphant was a widow;&#13;
and all her children had died before her."&#13;
There is another Latin word that is hauled in&#13;
by every penny-a-liner with fatal facility and&#13;
unpleasant results. I saw this heading in a&#13;
country newspaper the other day: "Demise of a&#13;
Dundee Baker in Canada." What is a demise*&#13;
It is a demissio—a handing down (of the crown&#13;
or of some title). Shakespeare has the verb to&#13;
demise in the sense of to bequeath. Mr. Greville,&#13;
in his Memoirs (quoted in the Century Dictionary),&#13;
writes: "Now arose anew difficulty—whether the&#13;
property of the late king demised to the king or&#13;
to the Crown." Here the word demise is rightly&#13;
used. An act of demise is a handing down of&#13;
something to somebody. But the small journalist&#13;
saw the word, liked the sound of it and the look&#13;
&#13;
&#13;
## p. 83 (#497) #############################################&#13;
&#13;
THE AUTHOR.&#13;
83&#13;
of it, didn't know what it meant, took the ignotum&#13;
pro magnifico, and applied it to the death of the&#13;
first person he had to mention the departure of.&#13;
As I am on the prowl for a few minutes, I will&#13;
mention another piece of bad English that seems&#13;
likely to gain and to keep a place in our language.&#13;
It is the American vulgarism " at that." Anyone&#13;
whose ear has been trained by the reading of the&#13;
best English prose, must be shocked by the use of&#13;
a phrase so unrhythmical.&#13;
I should like to suggest to you the usefulness&#13;
of setting apart a column as a sort of Index&#13;
Expurgatorius, in which all kinds of bad English&#13;
and slovenly grammar would be gibbeted, as the&#13;
gamekeeper nails stoats and other vermin to the&#13;
barn door. J. M. D. Meiklejohn.&#13;
St. Andrew's, July 6.&#13;
II.—Editor and Contributor.&#13;
What is the law in the following supposed&#13;
case? I write an article, more or less ephemeral,&#13;
and send it to a daily paper. I receive a proof;&#13;
on it is a notice that such proof is no guarantee&#13;
that the article will be accepted or published.&#13;
There is, therefore, no contract.&#13;
I send a copy of the same article to another&#13;
daily paper, which at once prints and pub-&#13;
lishes it.&#13;
It happens that on the first of the Greek&#13;
Kalends my article appears in both papers.&#13;
Has either paper any remedy against me, or&#13;
are they both equally in my debt?&#13;
Delay spells ruin to an ephemeral article; how&#13;
am I to view the notice printed on the proof&#13;
slip? Dubious.&#13;
[My opinion is that, if the author of the article&#13;
in question was not able, or willing, to take his&#13;
chance, he should have kept the proof and&#13;
informed the editor of his intention to offer it&#13;
elsewhere, unless he received a note of acceptance&#13;
or contract to publish. I do not think that he&#13;
was justified in sending it to the second paper&#13;
without such warning or notification to the first&#13;
paper. Clearly, the editor of the first paper&#13;
was entitled to believe that the article was offered&#13;
to him alone. By the decision of the Westminster&#13;
County Court in the case of "Macdonald v.&#13;
National Revieic," the forwarding of a proof is&#13;
in itself an acceptance of the article, or a contract&#13;
to pay for it, if not to publish it. The notice&#13;
that the proof is not a guarantee of acceptance&#13;
is probably sent with the proof in consequence of&#13;
that decision.—Ed.]&#13;
III.—English Novels in Germany.&#13;
I have read with considerable surprise the&#13;
statement of your contributor, " E. W. H.," to the&#13;
effect that " Germans have found it necessary to-'&#13;
forbid the perusal by young girls of English&#13;
novels." The italics are his.&#13;
After a comprehensive study of the works of&#13;
prominent German writers of to-day, I confess it&#13;
would seem to me quite unnecessary to banish&#13;
even some very advanced English novels from the&#13;
library unless, at the s:ime time, an enormous per-&#13;
centage of the romances read, with or without&#13;
permission of the parents, by girls of seventeen or&#13;
younger, were forbidden at the same time. Per-&#13;
sonally, I have the greatest admiration for the&#13;
style and literary merits of works I could men-&#13;
tion, written by leading Teuton (men and women)&#13;
authors; but it is impossible to deny that few&#13;
books which attain general popularity in the&#13;
Fatherland would escape the verdict in England&#13;
of "highly pernicious," or that they would&#13;
instantly be locked away on the shelf with the&#13;
glass windows, of which only " papa" is supposed&#13;
to have the key.&#13;
As the assertion in question is not" E. W. H.'s"&#13;
own, I trust he will forgive me for taking up the&#13;
cudgels in defence of English literature.&#13;
Gwendoline Ashworth-Edwards.&#13;
Germany. ii&lt;ri&#13;
IV.—A Query.&#13;
I should feel much obliged if any reader of 'The&#13;
Author could give a definite rule, or refer to a&#13;
satisfactory authority, in the following cases:&#13;
(a) The correct form of the predicate verb,&#13;
"when two or more pronouns of different persons,&#13;
are connected by alternative conjunctions."&#13;
According to Professor Bain, there is a diver-&#13;
gence of use among classical writers.&#13;
(/?) The correct auxiliary to be used with&#13;
verbs of motion.&#13;
(y) The present day use of, and distinction&#13;
between, the prepositions " by " and " with."&#13;
A. E. Aldington.&#13;
V.—Transliteration.&#13;
With reference to the note by "H. G. K." on&#13;
"Transliteration" in The Author for this month,&#13;
I beg to point out that the congress he wishes for&#13;
has sat, and to a great extent settled the question.&#13;
At the Tenth Oriental Congress, held at Geneva&#13;
in 1894, on the motion of Lord Reay, President&#13;
of the Royal Asiatic Society of Great Britain, a&#13;
commission was appointed to consider this&#13;
subject. The scheme adopted by the commission&#13;
was printed in the Proceedings of the Congress,&#13;
and a translation of it was published in the&#13;
Asiatic Society's Journal for October, 1895.&#13;
This system has, with a few alterations, been&#13;
adopted by the society, and earnestly recom-&#13;
&#13;
&#13;
## p. 84 (#498) #############################################&#13;
&#13;
84&#13;
THE AUTHOR.&#13;
mended for adoption by all writers on Oriental&#13;
subjects.&#13;
As one who has written and published a good&#13;
deal on Indian languages, I am deeply impressed&#13;
with the necessity of uniformity on this point—&#13;
not for the sake of Oriental scholars, to whom,&#13;
knowing as they do the words in their Oriental&#13;
alphabets, transliteration is of little moment, but&#13;
for the general public, who are apt to be bewil-&#13;
dered by diversity of spelling. The system&#13;
adopted by the Geneva Congress does not com-&#13;
mend itself to me in every particular, and in such&#13;
of my writings as are intended for students of&#13;
Oriental languages only I could not conscien-&#13;
tiously adopt some of the Roman equivalents&#13;
proposed, as I consider them misleading. But in&#13;
writing for the general public this objection&#13;
would not arise, and the Geneva system might&#13;
be used. I think, however, for general use&#13;
the employment of dots and diacritical signs&#13;
would have to be dispensed with, as the public&#13;
would not understand them without previous&#13;
study—and the public has no time to study such&#13;
matters.&#13;
In the Arabic language there are four letters,&#13;
all of which in India are pronounced as z, three&#13;
which are pronounced s, and two pronounced t.&#13;
It would suffice to write all these letters as they&#13;
are pronounced without putting dots under them.&#13;
But then the four letters pronounced as z in India&#13;
are pronounced differently in other Mahomedan&#13;
countries. For instance, the name of the month&#13;
during which all good Muslims fast is pronounced&#13;
in India and Persia Ramzan, while in Arabia and&#13;
Turkey it is pronounced Ramadhan (i.e., like the&#13;
two English words "rummer " and "darn," not&#13;
like "rammer" and "dan"). I do not think&#13;
any system, except one which hideously distorted&#13;
them, would enable the Englishman who is unac-&#13;
quainted with Arabic to pronounce these words&#13;
properly at sight—one would not like to see the&#13;
word written " rummer darn!" The short indis-&#13;
tinct vowel which is so very frequent in Oriental&#13;
languages creates a great difficulty. The sound&#13;
of it is exactly the same as the u in English&#13;
bun, sun, run. It is also the same as the unac-&#13;
cented e in the French le, jc, me; and the half&#13;
audible c at the end of German eine, meine, gate.&#13;
But it is also the same as the final unaccented a in&#13;
America, woman. Consequently the Geneva&#13;
Congress, following an already established rule,&#13;
has adopted a to express this sound, and this&#13;
course is now followed by all Oriental scholars.&#13;
French writers (not scholars), however, use e.&#13;
Thus the general whose name we should pro-&#13;
nounce in India as Uzzum Pasha, appears in&#13;
Thessaly as Edhem, and Muhammad is written&#13;
Mehemet.&#13;
While, therefore, absolute uniformity is,per haps,&#13;
not likely to be attained soon, it might be an&#13;
advantage if the alphabet adopted by the Geneva&#13;
Congress were made more geuerally known, and&#13;
used by English writers at least. Foreign writers&#13;
may perhaps in time consent to use it also.&#13;
John Beames.&#13;
Netherclay House, Bishop's Hull,&#13;
Taunton, July 6.&#13;
VI.—Subjunctive Mood: Its Present Day&#13;
Use.&#13;
Your correspondent might have ascertained&#13;
Mr. Lang's views on this subject by a shorter&#13;
process than the study of 68,000 words.&#13;
"I," says Prince Prigio, "unworthy as I am,&#13;
represent the sole hope of the Royal Family.&#13;
Therefore to send me after the Fired rake were*&#13;
both dangerous and unnecessary." To which the&#13;
author appends a note: *" Subjunctive mood!&#13;
He was a great grammarian!"&#13;
Apparently a suspicion of priggishness attaches&#13;
at the present day even to the use of "the sub-&#13;
junctive of to be after if." E. C. S.&#13;
VII.—Cost of Production.&#13;
In re the letter of "S. R.," published on page&#13;
38 of the current issue of The Author, I think he&#13;
is quite wrong in his deduction that because a&#13;
decent publisher declines to accept a book that&#13;
therefore it is not worth publishing! Not so,&#13;
friend " S. R."! However meritorious a book is,&#13;
many publishers will not accept it unless the&#13;
author has already a well-known name in the&#13;
literary world, as they think that without this the&#13;
work will not "catch on." The commercial side&#13;
comes in, you see, and publishers will not take&#13;
the first plunge.&#13;
The refusal of a book by a decent publisher is&#13;
no sign that it is not worth publishing, for it is&#13;
not its literary merit so much as the status of&#13;
the author that the publisher considers. Many&#13;
historic cases—" Vanity Fair," "Jane Eyre,"&#13;
&amp;c. — prove this. My own book, "Fisherman&#13;
Fancies," Elliot Stock declined to bring out at&#13;
his own risk, and yet it was much praised by Mr.&#13;
R. D. Blackmore, and had capital reviews from&#13;
good London and provincial journals.&#13;
F. B. Doveton.&#13;
VIII—How Long?&#13;
Here is another choice experience of the&#13;
courtesy of editors. Last December I submitted&#13;
a contribution to a weekly paper circulating in&#13;
the parish where I reside. No acknowledgment&#13;
was vouchsafed. After a couple of reminders, it&#13;
&#13;
&#13;
## p. 85 (#499) #############################################&#13;
&#13;
THE AUTHOR.&#13;
85&#13;
has to-day been sent back, declined with thanks.&#13;
Seven months to consider a short story! It is&#13;
difficult to believe that a small suburban news-&#13;
paper can find any valid excuse for so long a&#13;
detention of manuscript. C. C.&#13;
Authors' Club, July 15.&#13;
—■»•«&gt;&#13;
LITERATURE IN THE PERIODICALS.&#13;
On Commencing Author. Quarterly Review for July.&#13;
On the Complaints op Authors. A. T. Q. C&#13;
Speaker for July 3.&#13;
The Proposed School op Fiction. A. T. Quiller&#13;
Coach. Pall Hall Magazine for Jaly.&#13;
John Sterling, and a Correspondence between&#13;
Sterling and Emerson. Edward Waldo Emerson.&#13;
Atlantic Monthly for July.&#13;
Some Reminiscences op English Journalism Sir&#13;
Wemysa Reid. Nineteenth Century for July.&#13;
Pascal. Leslie Stephen. Fortnightly Review for July.&#13;
A Woman Poet [Mme. Marceline Valmore]. Fort-&#13;
nightly Review for July.&#13;
The paper in the Quarterly Review has been&#13;
treated elsewhere (see Notes and News).&#13;
A practical suggestion the Quarterly Review&#13;
makes has regard to the work of agents. At the&#13;
present time, many agents only look at the work&#13;
of well-known people; but the writer seems to&#13;
foresee considerable remuneration to a firm who&#13;
will announce themselves as the depositaries of&#13;
everything—sonnets, epics, turnovers for a paper,&#13;
or anything else, by servant girls, duchesses, or&#13;
eminent men. For these they would have to give&#13;
an immediate receipt. They would be free to send&#13;
back at once anything considered unmarketable.&#13;
They would be at liberty to charge (say) ten per&#13;
cent, on whatever they obtained for the item, and to&#13;
pay themselves. There would be no temptation to&#13;
dishonesty, because the action of the percentage&#13;
and the immediate receipt for the document would&#13;
be so self-working. It will be noticed that the&#13;
idea is substantially that which Mr. Isidore G.&#13;
Ascher put forward in the July number of The&#13;
Author.&#13;
Just before the latest Quarterly appeared,&#13;
Mr. Quiller Couch had been writing his view that&#13;
the commercial side of the literary calling has&#13;
been too prominent of late. He believes " that&#13;
writing has aims and rewards of its own which&#13;
must and always will escape what I may call a&#13;
bagman's estimate, and that if a man can only&#13;
bring a bagman's estimate to this calling, a bag-&#13;
man he had better be." The author and the&#13;
publisher, is a case of the workman and the&#13;
capitalist; and "give and take" is the best&#13;
motto for each. There is a class of authors,&#13;
one would point out to Mr. Couch, who take&#13;
their money, as much as they can get, and then&#13;
pretend not to care how much it is. There is, as&#13;
a rule, no one more anxious for money than the&#13;
writer who talks big about bagmen. Those who&#13;
know how to separate literary from commercial&#13;
value do not talk about the sordidness of keeping&#13;
watch over property.&#13;
An interesting friendship between Emerson and&#13;
Sterling is revealed by Mr. E. Waldo Emerson.&#13;
The correspondence (they never met) that passed&#13;
between the American poet and the British man&#13;
of letters, here published for the first time, shows&#13;
their relations to have originated by Emerson&#13;
sending a presentation copy of his "Essays."&#13;
Sterling acknowledges this in a letter from&#13;
Clifton, dated Sept. 30,1839. "I have read very,&#13;
very little modern English writing that has&#13;
pleased, me so much," he says; "among recent&#13;
productions almost only those of our friend&#13;
Carlyle, whose shaggy-browed and deep-eyed&#13;
thoughts have often a likeDess to yours which is&#13;
very attractive and impressive, neither evidently&#13;
being the double of the other." Emerson, in re-&#13;
plying, criticises Sterling's volume of poems,&#13;
saying, "I must count him happy who has this&#13;
delirious music in his brain;" and " I am natu-&#13;
rally keenly susceptible of the pleasures of rhythm,&#13;
and cannot believe but that one day—I ask not&#13;
where or when—I shall attain to the speech of&#13;
this splendid dialect." There are twenty letters&#13;
altogether, eight of them Emerson's. They are&#13;
made up of criticisms of literature, and passages&#13;
of tender personal sympathy with trouble.&#13;
"Ill-health, many petty concerns, much loco-&#13;
motion, and infinite laziness," are Sterling's first&#13;
excuse for delay; and the Eame reason of ill-&#13;
health continues until in June, 1844, when he is&#13;
dying, he writes from Ventnor that his condition&#13;
is one of " expecting to be dead in five minutes,&#13;
and noticing the pattern of the room paper&#13;
and of the doctor's waistcoat as composedly&#13;
as if the whole had been a dream." We find&#13;
Sterling saying, in 1840, that "Hartley Cole-&#13;
ridge, Alfred Tennyson, and Henry Taylor are&#13;
the only younger men I now think of who have&#13;
shown anything like genius, and the last—&#13;
perhaps the most remarkable—has more of voli-&#13;
tion and understanding than imagination."&#13;
In 1842 Sterling thought of visiting New Eng-&#13;
land. "Come and bring your scroll in hand,"&#13;
promptly writes the American sage. "Come to&#13;
Boston and Concord, and I will go to Niagara&#13;
with you. I have never been there." Again he&#13;
writes, introducing his countryman Bronson Alcott&#13;
as " a man who cannot write, but whose conver-&#13;
sation is unrivalled in its way—such insight, such&#13;
discernment of spirits, such pure intellectual play,&#13;
such revolutionary impulses of thought." Another&#13;
friend Emerson introduces is Henry James, of New&#13;
&#13;
&#13;
## p. 86 (#500) #############################################&#13;
&#13;
86&#13;
THE AUTHOR.&#13;
York, "a man of ingenuous and liberal spirit, and&#13;
a chief consolation to me when I visit his city."&#13;
Here is one paragraph from a letter of Emerson's,&#13;
dated January 31, 1844.&#13;
I learned by your last letter that you had builded a&#13;
house, and I glean from Russell all I can of your health and&#13;
aspect; and as James is gone to your island, I think to come&#13;
still nearer to you through his friendly and intelligent eyes.&#13;
Send me a good gossiping letter, and prevent all my proxies.&#13;
What can I tell you to invite such retaliation? I dwell&#13;
with my mother, my wife, and two little girl -. the eldest five&#13;
years old, in the midst of flowery fields. I wasted much&#13;
time from graver work in the last two months in reading&#13;
lectures to Lyceums far and near; for there is now a&#13;
"lyceum," so oalled, in almost every town in New Eogland,&#13;
and, if I would accept every invitation, I might read a&#13;
lecture every night. My neighbours in this village of&#13;
Concord are Ellery Cbanning, who sent his poems to you, a&#13;
yontb of genius; Thoreau, whose name you may have Been&#13;
in the Dial ; and Hawthorne, a writer of tales and historiettes,&#13;
whose name you may not have Been, though he, too,&#13;
prints books. All these three persons are superior to their&#13;
writings, and, therefore, not obnoxious to Kant's observa-&#13;
tion, " Detestable is the company of literary men."&#13;
Emerson was trying to arrange for the printing&#13;
of Sterling's poems in America, but the project&#13;
hung fire. The reasons are given by Emerson in&#13;
his letter of June 30, 1843, which shows the un-&#13;
satisfactory state of the book law at that time:&#13;
Oar whole foreign book market has suffered a revolution&#13;
within eighteen months, by the new practice of printing&#13;
whatever good books or vendible books you send ns, in the&#13;
cheapest newspaper form, and hawking them in the streets&#13;
at twelve, eighteen, and twenty-five cents the whole work;&#13;
and I suppose that fears, if his book should prove&#13;
popular, that it would be pirated at once. I printed Carlyle's&#13;
•' Past and Present" two months ago, with a preface beseech-&#13;
ing all honest men to spare our book; but already a wretched&#13;
reprint has appeared, published, to be sure, by a man&#13;
unknown to the trade, whose wretchedness of type and&#13;
paper, I have hope, will still give my edition the market for&#13;
all persons who have eyes and wish to keep them. But,&#13;
beside the risk of piracy, this cheap system hurts the sale&#13;
of dear books, or such whose price contains any profit to&#13;
an author. Add one more unfavonrable incident whioh&#13;
damped the design, that a Philadelphia edition of&#13;
"Sterling's Poems " was published a year ago, though bo ill&#13;
got up that it did not succeed well, our booksellers think.&#13;
To judge from this year's issue of Professor&#13;
Kiirschner's "Deutsche Litteratur Kalender,"&#13;
which has been fully described in this journal&#13;
before, the guild of writers must be on the&#13;
increase in Germany. It numbers sixty pages&#13;
more than last year's issue, and contains much&#13;
new and valuable information. The portraits&#13;
inserted in the present volume are of special&#13;
interest. The one facing the title-page represents&#13;
the popular and prolific romancer Mas Ring, who,&#13;
as we learn from Kiirschner, is a doctor of&#13;
medicine, and will celebrate on the 4th of next&#13;
month his eightieth birthday. Among his&#13;
various successful novels the one entitled "John&#13;
Milton und seine Zeit" has attracted in Germany&#13;
particular attention. The second portrait is that&#13;
of the well-known poet . Detlev von Liliencron.&#13;
As for the rest, the useful literary and biographical&#13;
annual fully maintains its standard, and we&#13;
may cordially recommend it to all who take an&#13;
interest in current German literature.&#13;
PERSONAL.&#13;
"|V TE- GEORGE SMITH gave a dinner at&#13;
IVI the Hotel Mctropole, on July 8, to his&#13;
friends and the contributors to the&#13;
"Dictionary of National Biography." In pro-&#13;
posing the health of Mr. Sidney Lee, Mr. Smith&#13;
said that twenty-one volumes of the "Dic-&#13;
tionary" had appeared under the editorship of&#13;
Mr. Leslie Stephen, with the assistance of Mr.&#13;
Sidney Lee; five were edited jointly by Mr.&#13;
Stephen and Mr. Lee; and twenty-five had been&#13;
produced under the editorship of Mr. Lee. The&#13;
number of contributors was 634; and each volume&#13;
contained between 400 and 500 separate biogra-&#13;
phies. Mr. Lee, in replying to the toast, said&#13;
that when ill-health unhappily compelled Mr.&#13;
Stephen to retire from the editorship, it was the&#13;
force of his example that had enabled him to&#13;
carry the work forward to the stage it had&#13;
reached. Mr. Stephen also acknowledged the&#13;
toast. Mr. Lee gave " The Health of the Con-&#13;
tributors," and Canon Ainger replied. "The&#13;
Guests who were not Contributors" was proposed&#13;
by the Chairman, who coupled with it the names&#13;
of Viscount Peel and Mr. Lecky. One of the&#13;
most remarkable features of the time, said Mr.&#13;
Lecky, was the manner in which individual exer-&#13;
tion had been replaced by corporate work, by&#13;
syndicates and companies. It was old fashioned&#13;
now to think that a history could only be written&#13;
by one hand in a uniform style.&#13;
The Tennyson Memorial in the Isle of Wight&#13;
will be unveiled by Lady Tennyson, and dedicated&#13;
by the Archbishop of Canterbury, on Friday, the&#13;
6th inst., at 3 p.m. It is placed in Freshwater&#13;
Down, the favourite walk of the late Laureate.&#13;
Mark Twain has declined the fund which was&#13;
set on foot for him by the New York Herald, and&#13;
supported in London by the Westminster Gazette.&#13;
A man who is able to work, he says, should not&#13;
accept charity. The appeal was meeting with&#13;
ready response.&#13;
A successful Dickens fete was held at Broad-&#13;
stairs in the first week of July. The principal&#13;
feature was a fancy dress bazaar, in which the&#13;
stall-holders impersonated characters in the&#13;
novelist's books. The proceeds will be devoted to&#13;
erecting a club-house and other buildings in&#13;
memory of Charles Dickens.&#13;
&#13;
&#13;
## p. 87 (#501) #############################################&#13;
&#13;
THE AUTHOR.&#13;
87&#13;
OBITUARY.&#13;
MISS JEAN INGELOW died at Kensing-&#13;
ton on July 20, at the age of seventy-&#13;
seven. She came, like Tennyson, of a&#13;
Lincolnshire family (her mother was a Scotch,&#13;
woman of literary inclinations), and was one of a&#13;
banker's eleven children. Her first volume which&#13;
attained fame was "Poems" (1863), which has&#13;
been popular through the half century that has&#13;
elapsed since. This was her second work, the&#13;
first, "A Rhyming Chronicle of Incidents and&#13;
Feelings," having been published anonymously in&#13;
1850. "The Brothers," " Divided," and " Songs&#13;
of Seven" were likewise well received; and&#13;
Mr. Swinburne, for one, paid very high praise&#13;
to "Requiescat in Pace." Both in this country&#13;
and in the United States her works com-&#13;
manded large sale in the sixties and seventies.&#13;
Her stories in blank verse included " Lawrance"&#13;
and "Gladys and Her Island "; "Supper at&#13;
the Mill" and "Afternoon at a Parsonage"&#13;
were dainty sketches. The poem by which&#13;
Miss Ingelow is best known is "High Tide&#13;
on the Coast of Lincolnshire," which is a&#13;
favourite piece with public reciters. She also&#13;
wrote fairy stories for children and novels for the&#13;
young. "Off the Skelligs" was perhaps her&#13;
best prose work. Miss Ingelow seldom revised&#13;
her poems after she had once committed them to&#13;
paper. She shunned publicity, and was a generous&#13;
friend of the poor.&#13;
Sir John Skelton, K.C.B., LL.D., Advocate,&#13;
late Vice-President of the Local Government&#13;
Board for Scotland, died in his native city, Edin-&#13;
burgh, on the 20th ult., aged sixty-six. He was&#13;
the author of several books on public health and&#13;
the poor law; of "Nugse Criticse," a volume of&#13;
essays published in 1862; and of historical and&#13;
other works, including " A Campaigner at Home,"&#13;
"The Impeachment of Mary Stuart," " Maitland&#13;
of Lethington and the Scotland of Mary Stuart,"&#13;
"Mary Stuart," "Essays in Romance," and&#13;
one novel, "Crookit Meg." It was Disraeli's&#13;
admiration for "Crookit Meg" that removed&#13;
the young barrister from Parliament House at&#13;
Edinburgh to be Secretary of the old Board&#13;
of Supervision. His latest work was "Table&#13;
Talk of Shirley" (1895), of which a second&#13;
series appeared last winter. This work contains&#13;
reminiscences of some of the foremost writers of&#13;
the present reign. Dr. Skelton was a consistent&#13;
admirer of the unfortunate Queen of Scots, but&#13;
this did not interfere with his close friendship&#13;
with Froude. Under the pseudonym of " Shirley"&#13;
lie was a frequent contributor to Frasers and&#13;
Blackwood's. He was the original of Lord&#13;
Glenalmond in Stevenson's" Weir of Hermiston."&#13;
"' Shirley' is the last of them," the late Miss&#13;
Isabella Blackwood used to say in speaking&#13;
of the former but departed glories of literary&#13;
Edinburgh.&#13;
Sir John Charles Bucknill, M.D., F.R.C.P.,&#13;
F.R.S., who died at Bournemouth on the 19th&#13;
ult., aged seventy-nine, originated, in 1853, the&#13;
Journal of Mental Science—which for nine years&#13;
he edited, was one of the original editors—and&#13;
Brain; and wrote numerous psychological works.&#13;
The most important of these are: "Unsound-&#13;
ness of Mind in Relation to Criminal Acts,"&#13;
"The Mad Folk of Shakespeare," "Notes on&#13;
American Asylums," "Habitual Drunkards and&#13;
Insane Drunkards," and " Care of the Insane and&#13;
their Legal Control."&#13;
THE BOOKS OP THE MONTH.&#13;
[June 24 to July 23.—154 Books.]&#13;
About, Edmond. The King of the Mountains, [trans, by Richard&#13;
Davey.] 3/6. Heinemann.&#13;
Allen, Grant. An African Millionaire. 6'- Richards.&#13;
Allingham, Francis. Crooked Paths. 6/- Longmans.&#13;
Aloysius, Slater Mary. Memories of the Crimea. Burns and Oates.&#13;
Anglican, An. Some Thoughts on the Third Order of St. Francis.&#13;
I/- Skeffington.&#13;
Anonymous. A Catalogue of the Egyptian Antiquities in tho Posses-&#13;
sion of F. G. Hilton Price. Quaritch.&#13;
Anonymous [*'E."]. Peggy's Decision. 1/- Simpkin.&#13;
Anonymous. Notes on tho Painted Glass in Canterbury Cathedral.&#13;
Canterbury: E. Crow.&#13;
AnonymouB. The Oxford Debate on tho Textual Criticisms of the New&#13;
Testament. Bell.&#13;
Anonymous [•'One of H. M.'s servants."] The Private Life of tho&#13;
Queen. 2/6. Pearson.&#13;
Armitage, E. S. A Key to English Antiquities, with special reference&#13;
to the Sheffield and Roiherham District. 7, - Sheffield:&#13;
W, Townsend.&#13;
ABtlns, G. S. Wayside Echoes. 2/- King, Sell, and Railton.&#13;
Austin, Alfred. Victoria: June 20, 1S37—June 20, 1897. 6d.&#13;
Macmillan.&#13;
Bailey, James. Sunday School Teaching. 1/6. R. Cully.&#13;
Barnes, W. E. An Apparatus Criticus to Chronicles in the Pesbitta&#13;
Version. 5/- Clay.&#13;
Harnett. P. A. (ed.) Teaching and Organisation. 6/6. Longmans.&#13;
Barr, Robert. Tho Mutable Many, (i - Methueu.&#13;
Bathurst, J. K. The Royal Houses of Great Britain. Genealogical&#13;
Chart, with notes. Comparative Synoptical Chart Company.&#13;
Be a van, A. A. Popular Royalty. 10 6. Low.&#13;
Bell, R. S. Warren. The Cub in Love and Other Stories. 18.&#13;
Richards.&#13;
Bellamy, Edward. Equality 0 - Heinemann.&#13;
Besant, Sir W. The Queen's Reign and its Commemoration.&#13;
The Werner Company.&#13;
Bingham, Clive. With the Turkish Army in Thessaly. C tj net.&#13;
Macmillan.&#13;
Blrrel), Augustine. Four Lectures on the Law of Employers' Liability&#13;
at Home and Abroad. 2/6. Macmillan.&#13;
Boae. W. P. Du. The Ecumenical Councils. 6 - Edinburgh: Clark.&#13;
Bower, Marfan. The Story of Molly. 3;(J. Andrews.&#13;
Brown, J. D., and Stratton, S. S. British Musical Biography. 10,6&#13;
net. Birmingham: S. S. Stratton.&#13;
Browning, Oscar (ed.) The Journal of Sir George Rooke, Admiral&#13;
of the Fleet. Navy Records Society.&#13;
Bryant, Sophie. The Teaching of Morality in the Family and the&#13;
School. 8/- Sonnenschein.&#13;
Bryden, H. A. The Victorian Era in South Africa. Offices of&#13;
African Criiic.&#13;
Caine, Caisar (editor). AnaVcta Eboracensia: Some Hemaynesof the&#13;
Ancient City of York. 42 - Phillimore.&#13;
Cameron, MrB. Lovott. A Man's Undoing. White.&#13;
Campbell, C. T. British South Africa: A History of the Colony of&#13;
the Cape of Good Hope. 7 C. Haddon&#13;
Campbell, F. Index-Catalogue of Bibliographical Works (chiefly&#13;
in the English language) relating to India. Library Bureau.&#13;
&#13;
&#13;
## p. 88 (#502) #############################################&#13;
&#13;
88&#13;
THE AUTHOR.&#13;
Cavalry Officer, A. Cavalry Titetics. 4 - Stanford.&#13;
Clarke, L. W. Tlie Miracle Play in England. 3/6. Andrews.&#13;
Cocking. B. D. A Primer of French Etymology. 1/6. Innes.&#13;
Cotton, John. Thoughts and Fancies. Simpkin.&#13;
Cowell, E. B. (ed.) The Jataka. Vol. III. 12/6. Clay.&#13;
Crawford, J. W. Wild Flowers of Scotland. 6/- net. Hacqueen.&#13;
Davenport, Cyril. The English Regalia. 21 - net. Kegan Paul.&#13;
Donaldson, T. Walt Whitman, The Man. 6/- (lay and Bird.&#13;
Druery, O. T. The New Gulliver, or Travels in Athomia. 3/6.&#13;
Roxburghe.&#13;
Earlo, Mrs. C. W. Pot-Pourri from a Surrey Oarden. 7/6. Smith,&#13;
Elder.&#13;
England, Frances. Small Concerns. 1/- Dlgby.&#13;
Farquharson, C. D. The Federation of the Powers. 1/- Warno.&#13;
Forlong, J. G. R. Short StudieB in the Science of Comparative&#13;
Bcligion, embracing all the religions of Asia. Quaritch.&#13;
Fowler, Edith H. The Professor's Children. 6/- Longmans.&#13;
Oarbctt, Captain H. Naval Gunnery. 6/- Bell.&#13;
Gardiner, S. It. What Gunpowder Plot Was. o/- Longmans.&#13;
Gardner, J. Starkie. Armour in England. 3/6 net. Seeley.&#13;
Glnsburg. C. D. Introduction to the Massoretieo—Critical Edition of&#13;
the Hebrew Bible. Tractarian Bible Society.&#13;
Gorst, MrB. Harold. E. Possessed of Devils. 6/- Macqueen.&#13;
Gregor, N. Ter. The Star of the Sea. 6/- Hoywood.&#13;
Grenfell, B. P. and Hunt, A. S. (editors land trs.) AOriA IHCOY:&#13;
Sayings of our Lord. From an early Greek Papyrus. 2 - net,&#13;
and 6d. net. Frowde.&#13;
Haldane, J. W. C. Bailway Engineering, Mechanical and Electrical.&#13;
15/- Spon.&#13;
Hallard, J. H. Gold and Silver: an Elementary Treatise on Bimetall-&#13;
ism. 2/6. Bivington.&#13;
Hammond, Joseph. A Coinish Parish. [St. Austell ] 10/6.&#13;
Skeffington.&#13;
Hancock, F. The Parish of Selworthy. Taunton: Barnicott and&#13;
Pea re e.&#13;
Harris, C. F. The Science of Brickmaking. H. Grevile Montgomery.&#13;
Harvey, M. Newfoundland in 181)7. 6/- Low.&#13;
Hay, J. Speech at Unveiling of the Scott Bust. 1/- net. Lane-&#13;
Herbert, W. de Brocy. A Handbook of the Law of Banks and&#13;
Bankers. 2/6. C. Wilson.&#13;
Hewitt, J. D. It. Creation with Development, or Evolution. &lt;; -&#13;
Kegan Paul.&#13;
Hewitt, J. T. Organic Chemical Manipulation. 7/6. Whittaker.&#13;
Hill, G. F. Scenes from Greek History between tho Persian and&#13;
Peloponnesian Wars. 10/6. Froude.&#13;
Holt, B. B. Whitby PaBt and Present. Copas&#13;
Howard. J. J., and Crisp, F. A. Visitation of England »nd Wales.&#13;
Vol. V. 21/- F. A. Crisp, Grove Park, Denmark Hill, S.E.&#13;
Hull, E. Our Coal Resources at the Close of the 19th century. Spon.&#13;
James, R. N. Painters and their Works. Vol. III. Gill.&#13;
Jane, Fred. T. The Torpedo Book. 1/- Bcoman.&#13;
Jane, Fred. T. To Venice in Five Seconds. 1/6. Innes.&#13;
Jay. Rose. A Missionary Family. 3/6. Marshall Bros.&#13;
Johnson. A. H. Europe in the Sixteenth Century. 7/6. Rivington.&#13;
Johnston, Sir H. H. British Central Africa. Mcthuen.&#13;
Jones, H. A. The Case of Rebellious Susan. 2/6. Macmillan.&#13;
Klrsop, Jos. Life of Thomas N. Carthew. Crombie.&#13;
Lamond, B. The Sporting Adventures of M. Lolotte. 1/- Dlgby.&#13;
Lang, Andrew, Modern Mythology. 9/. Longmans.&#13;
Lee, Sidney (ed.). Dictionary of National Biography. Vol. LI.&#13;
Smith, Elder.&#13;
Leith, Mrs. Disney. Three Visits to Iceland. 5/G. J. Masters and Co.&#13;
Levett-Yeata, S. The Chevalier d'Aurlac. 6/- LongmanB.&#13;
Lillie, A. Croquet: Its HiBtory, Rules, and Secrets. 6/- Longmans.&#13;
Lowndes, Frederic S. Bishops of the Day. 5/- Richards.&#13;
Lyrienne, B. de. The Quest of the Qilt-Edged Girl. 1/-net Lane.&#13;
Macgregor, Sir William. British New Guinea. 4/. Murray.&#13;
Macleane, D. A HiBtory of Pembroke College, Oxford. Oxford His-&#13;
torical Society.&#13;
Macray, W. D. A Register of the Members of St. Mary Magdalen&#13;
College, Oxford. New Series, Vol. II.—Fellows, 1522-1575.&#13;
7,6. net. Frowde.&#13;
Maeterlinck, M. Aglavaine and Selysette. (tr. by A. Sutro). 2 6.&#13;
net. Richards.&#13;
Marlon, Neville. Sweet Scented Grass. 1/- Digbv.&#13;
MarBh, F. E. Five Hundred Bible Readings. 6/- Marshall Bros.&#13;
Martin, E. A. Nature Cbat.l/- Taylor.&#13;
Maurice, Major-General. National Defences. 2/6. Macmillan.&#13;
Mlall, L. C. Thirty Years of Teaching. 8/6. Macmillan.&#13;
Morloy, George. In Russet Mantle Clad. 10,6. Skeffington.&#13;
Morris, Sir Lewis. The Diamond Jubilee, an Ode. 6d. Kegan Paul.&#13;
Morris, Wm. O'Connor. Hannibal. 5/- Putnam's.&#13;
Oates, John. The Sorrow of God, and Other Sermons. 8/6. Bowden.&#13;
Oliver, Pasfleld (tr. and editor). The Voyages made by the Sieur&#13;
D. B. to Madagascar and Bourbon in 1669, 1670, 1671, and 1672.&#13;
10/6 net. Nutt.&#13;
Omond, T. S. English Verse-Structure. 1/- Edinburgh: D. Douglas.&#13;
Pallnurus. The Paper Boat. 8/6. Bowden.&#13;
Papenfus, F. W. The " Grondwet" of the South African Republic,&#13;
wllh the Thirty-three Articles. Dunbar Brothers.&#13;
Parish, Edmund. Hallucinations and Illusions, G- Scott.&#13;
Pearmain, T. H., and Moor, C. G. The Analysis of Focd and Drugs.&#13;
»/- BalUere.&#13;
Pearson, the late Bishop. Words of Counsel. Stock.&#13;
Phelps, Philip E. The Odea of Horace in English, and the Original&#13;
Metres. 4 C net. Parker.&#13;
Pollock, Wilfred. War and a Wheel. 1/- Cbwtto.&#13;
Pope, J. Buckingham. Conservatives or Socialists? 1- Riving/ton.&#13;
Prescott, J. E. (editor). The Bcgister of the Priory of Wetherhal.&#13;
18/- Kendal: T. Wilson.&#13;
Primmer, J. Jacob Primmer in Borne. 2 fi net. Dunfermline:&#13;
Citizen Office.&#13;
Pryde, D. The Queer Folk of Fife. Glasgow: Morison.&#13;
Pryer, W. Stephen. Rowena and Harold. 1/6. Ward, Lock.&#13;
Rnien of Reviewz. Notables of Britain. [Portraits and Autographs. ]&#13;
5/- Office of Rcrhic of Revietc*.&#13;
Bidden, Mrs. J. H. A Bich Man's Daughter. 6/- White.&#13;
Bigg, Jas. Wild Flower Lyrics and other Poems. Gardner.&#13;
Roberts, T. R. The Spas of Wales. 1/- J. Hog/r.&#13;
Bobertson, F. E. A Practical Treatiso on Organ Building. Low.&#13;
Ro8, Mrs. A. McK. Irene Iddesleigh. W. and G. Baird.&#13;
Bothenstein, Will. English Portraits. Part III 2 G net. Richards.&#13;
Bye, W. Songs, Stories, and Sayings of Norfolk. 2 - net.&#13;
Norwich: A. H. Goose.&#13;
Sachs, E. O. Modern Opera Houses and Theatres. Vol V. Batsford.&#13;
Salntsbury, George. Sir Walter Scott [•'Famous Scots."] 1/6.&#13;
Oliphant.&#13;
Seymour, Gordon. A Homburg Story. 2 - Dent.&#13;
Shuttleworth, E. The County Courts Act, 1S88. J. Smith and Co.&#13;
Sill, E. B. What Happens at Death? *e. 16. Skiff!ngton.&#13;
Skeat, W. W. (cd ). Chaucerian and Other Pieces. A Supplement to&#13;
Complete Works of Geoffrey Chaucer (1894). 18'- Frowde.&#13;
Smith, J. Fruits and Farinacea the Proper Food. Ideal Publ. Union.&#13;
Solly, S. E. A Handbook of Medical Climatology. If./- ChurehllL&#13;
Stanley, Hiram M. Essays on Literary Art. 3 6. Sonnenschofn.&#13;
Stunner. H. H. The Counsels of William de Britaine. 3 6. Robinson.&#13;
Swan, Annie S. The Curse of Cowden. 1/- Hutchinson.&#13;
Taylor, Job. The Public Man: His Duties. Ac. 3 6 net E.Wilson.&#13;
Temple, A. G. England's History as Pictured by Famous Painters.&#13;
10/6. NewneB.&#13;
Thomas, Bertha. Camera Lucida, or Strange Passages in Common&#13;
Life. 6/- Low.&#13;
Thomas, J. LI. Journeys among the Gentle Jsps. 7/6. Low.&#13;
Thompson. J. A. Contribution to the History of Leprosy in&#13;
New Zealand. 2 6 net. Macmillan.&#13;
Traill, H. D. (ed.). Social England. Vol. VI.—1815-85. 18 - Cassell.&#13;
Various Contributors. Paying Pleasures of Country Life. 1/-&#13;
Routledge.&#13;
Various Contributors (Bishop of Stepney and others). The Church&#13;
Historical Society Lectures. Third Series. 2/- S.P.C K.&#13;
Vaughan, J. N. Thoughts for All Times. 5/- Boxburghe.&#13;
Venn, J. Biographical History of Gonvllle and Caius College, 1849-&#13;
189 7. Vol.1. 20,- net. Clay.&#13;
Vye, Birch. From the Womb of the Morning. 1 - Boxburghe.&#13;
Wachtmeister, Countess C, and Davis, K. B. (editors). Practical&#13;
Vegetarian Cookery. 3 6 net. TheoBophical Publishing Co.&#13;
Walker, A. Manual of Needlework and Cutting Out. ■'./- Blackie.&#13;
Wells, J. Oxford and Its Colleges. 3/- Methuen.&#13;
Wentworth, B. Tho Master of Hurlingham Manor. 1'- Digby.&#13;
Williams. E. E. The Foreigner in the Farmyard. Heinemann.&#13;
Wlngfleld, W. Bicycle Gymkhana and Musical Bides. 5/- net.&#13;
Harrison.&#13;
Wooldridge, H. E. Early English Harmony. Vol I.—Facsimiles,&#13;
prepared for the members of the Plainseng and Medieval Music&#13;
Society. 25.'- Quaritch.&#13;
Wright, S. The Law Eclating to Landed Estates. 12/6. Eztates&#13;
Gazette Office.&#13;
Wyatvllle, G. Victoria, Begina et Itnperatrix, and Other Poems.&#13;
3/6 net. Birmingham: Cornish Bros.&#13;
Xenopoulos, Gregory. Tho Stepmother (tr. by MrB. Edmonds).&#13;
2/6 net. Lane.&#13;
Zeto. Vashtl. a tragedy, and Other Poems. 5;- Kegan Paul.&#13;
'• Zuresta." Ye Booke of Ye Cards. 1/- Boxburghe.&#13;
Among the books of the month of July ought&#13;
to have been mentioned " The Fairies' Favourite;&#13;
or, the Story of Queen Victoria," told for children&#13;
by T. Mullett Ellis. It was published nominally&#13;
on Commemoration Day, but actually a little&#13;
earlier. The publishers are Messrs. Ash Partners,&#13;
Limited, and the price is is.&#13;
In the books of the month, "Armstrong,&#13;
Q-. F. S., Queen, Empress, and Empire," should&#13;
have been entered as "Savage-Armstrong, G. F.,&#13;
Queen, Empress, and Empire."&#13;
&#13;
&#13;
## p. 88 (#503) #############################################&#13;
&#13;
ADV&#13;
Now Ready, Crown 8vo., Cloth Boards, Silver&#13;
Price 68.&#13;
A LADY OF WAI&#13;
"A Story of the Siege of Chester, 1i&#13;
BY THE&#13;
Rev. VINCENT J. LEATHERDAL&#13;
London: Horace eox, Windsor House, Bream'e-tmili&#13;
SEMENTS.&#13;
Ill&#13;
Now ready, demy 8vo., cloth boards, price 10s&#13;
IN NEW SOUTH AFf&#13;
Travels in the Transvaal and Rhoa&#13;
With Map and Twenty-six Illustrations.&#13;
By H. LINCOLN TAN&#13;
In demy 8vo., price 12s. net, by poet 12s. 6d.&#13;
Six Months in a Syrian Monastery.&#13;
Being the Record of a Visit to the Headquarters of the Syrian&#13;
Church in Mesopotamia, with some account of the Yazidis, or Devil&#13;
Worshippers of Mosul, and El Jilwah, their Sacred Book.&#13;
By OSWALD H. PARRY, B.A.&#13;
(Of Magdalen College, Oxford.)&#13;
Illustrated by the Author. With a Prefatory Note by the&#13;
Right Reverend the Lord Bishop of Durham.&#13;
41 The author of this handsome volume presents 1 a detailed study of&#13;
a relic of history pursued off the track of general research;' he has&#13;
sought to give, and has succeeded in giving. 'a picture of quiet life in&#13;
a country much abused, and among a people that command less than&#13;
their share of ordinary interest.' 1 Westward the tide of Empire takei&#13;
its way,' sang a prophetic divine of the olden days, and no less&#13;
certainly, as Mr. Parry points out, does the ebb of travel roturn&#13;
towards the East. ... As a volume descriptive of life and travel&#13;
among a distant people, his work is welt worth reading, but for those&#13;
persons who are more particularly concerned with the old Syrian&#13;
Church, or in the solution of the problem indicated above, it is one of&#13;
quite unique attraction. A pathetic interest attaches to the account&#13;
of the YazidiB included in this volume for it contains part of their&#13;
sacred writings, the original manuscript of which was in the hands&#13;
of Professor Robertson Smith for translation at the time of his&#13;
death.' —Publisher? Circular,&#13;
CONTENTS.&#13;
Introductory.&#13;
PART I.&#13;
Chapter I.—The Land of Gold and the Way there.&#13;
II.—Across Desert and Veldt.&#13;
III. —Johannesburg the Golden.&#13;
IV. —A Transvaal Coach Journey.&#13;
V.—Natal: the South African Garden.&#13;
VI.—Ostracised in Africa. Home with the Swalt&#13;
PART II —RAMBLES IS RHODESIA&#13;
Chapter L—Eendragt Maakt Magt.&#13;
,, IL—Into the Country of Lobengula.&#13;
III.—The Trail of War.&#13;
,, IV.—Gold mining. Ancient and Modern.&#13;
V.—Sic Transit Gloria Mundi.&#13;
„ VI.—To Northern Mashonaland.&#13;
„ VIL—Primitive Art. The Misadventures of a Wa&#13;
Index.&#13;
London: H0Ri.cs Cox, Windsor House, Bream's-builc&#13;
Crown 8vo., cloth boards, price 6s.&#13;
HATHERSAC&#13;
A Tale of North Derbyshij&#13;
BY&#13;
CHARLES EDMUND H&#13;
Author of " An Ancient AnoeBtor," ftc|&#13;
London: HORACE Cox, Wlnd»or House, Breun's-bull&#13;
London: Horace Cox, Windsor House, Bream's-buildings, E.C.&#13;
Eoyal 8vo., price 16s. net.&#13;
SPORTING DAYS&#13;
IN&#13;
SOUTHERN INDIA:&#13;
BEING&#13;
REMINISCENCES OF TWENTY TRIPS IN PURSUIT&#13;
OF BIG GAME,&#13;
CHIEFLY IN THE MADRAS PRESIDENCY.&#13;
Lieut.-Col. A. J. O. POLLOCK,&#13;
Eoyal Scots Fusiliers.&#13;
WITH NUMEROUS ILLUSTRATIONS BY WHYMPER&#13;
AND OTHERS.&#13;
Contents.&#13;
Chapters I., II., and III—The Bear.&#13;
IV. and V.—The Panther.&#13;
VI., VII., and VIII.—The Tiger.&#13;
IX. and X.—The Indian Bison.&#13;
XI. and XII.—The Elephant.&#13;
XHI.—Deer (CervicUe) and Antelopes.&#13;
XIV. —The Ibex.&#13;
XV. and XVI.—Miscellaneous.&#13;
ndon : Horace Cox, Windsor House, Bream's-buildings, E.C.&#13;
&#13;
&#13;
## p. 88 (#504) #############################################&#13;
&#13;
ADVErERTKNTS.&#13;
IV&#13;
THE TEMPLE 1&#13;
UTING OFFICE. §&#13;
kail&#13;
| rpYPEWEITING EXCEPTIONALLY ACCTJ T| fl KriceB. Duplicates of Circulars by the latest |&#13;
^ ■&gt; ,_.TrT,-r&gt;V ITT DON C &lt;J, 1&lt; .L. H.Xl&lt;-1- OJ-iVJaiaii&#13;
3 ^y^^^3.r^»^mr&#13;
be ns. a-1L&#13;
TYPE-WRITING OFFICE,&#13;
LUDGATE HILL, E.C.&#13;
"TYP.ws.Tixa by S»™1'!ijtfl'1,SlKl&#13;
13 Wol^erton Gardens, Hammersmtth, R jflj^ J. (ESTABLISHED 1883.)&#13;
(EsTAnusnED IBM.) \ ;~M&#13;
t am) General Copyi..„.&#13;
TywwrMen Circular, by Copying Process. ,ing8&lt; E.0.&#13;
AUTHORS' BEFEBKSCEB.&#13;
EUSS carefully copied from In. per 1000 words. Duplicate&#13;
M&lt; price. Skilled typists sent out by hour day. or week.&#13;
W; accurately copied, or typewritten English translations&#13;
kindly permitted to Sir Walter Bcsant: also&#13;
, P Watt and Son, Literary Agents, Hastings House,&#13;
Meet, Strand, W.C.&#13;
ACCURATELY AND PROMPTLY EXECXJTEI d(&#13;
RLeadenhall Street, London, n.C&#13;
H&#13;
POSTAGE I'AID. PUAW »i-» t&#13;
MISS HAINES, 11. FALCONER CHAMBERS, SCARB&lt;\&#13;
luTHOR'S HAIRLESS PAPER-PAD.&#13;
(The Leadeshau. Press Ltd.),&#13;
q esio&#13;
&#13;
Super-royal Svo., price 20a., post free.&#13;
CROCKFORD'S&#13;
CLERICAL DIRECTORY 1&#13;
BEING A&#13;
STATISTICAL BOOK OF EEFEEENC&#13;
For fa ts Muting to the Clergy in England, Wales, Scotia&#13;
and the Colonies: with n fuller Index relating to P&#13;
Benefices thim any ever yet given to the public.&#13;
Chockkord's CLERICAL Directory is more than a Direc&#13;
taini concise Biographical details of all the mlnlstersandd&#13;
the Church of England, Wales, Scotland. Ireland, and th&#13;
also a List of the Parishes of each Diocese in Englandffon&#13;
arranged in Hural Deaneries.&#13;
ins hairless paper, over which the pen&#13;
„ h perfect freedom.&#13;
1 -v^x."1 %xpence each: 5«. per dozen, ruled or plain.&#13;
Pocket Size, price fid.; by post, fi.Jd.&#13;
LAWS OF GOLF,&#13;
jpted by the Royal and Ancient Gulf Club of&#13;
1 St. Andrc^ve.&#13;
tii:il Kulcs for Medal Plav.&#13;
uette of Golf.&#13;
rners of the Golfing Championship,&#13;
pen and Kunners-up for the Amateur Championship.&#13;
&#13;
Q Horace Cox, Windsor House, Bream's-buildings, E.C&#13;
Crown Svo., limp cloth, price 2s. Cd.&#13;
HANDBOOK&#13;
Horace COX. Windsor House, Bream-s-buildiugs,&#13;
Crown 8vo.,&#13;
3d. extra&#13;
PROCEDURE&#13;
OF THE&#13;
USE of COMMONS,&#13;
WITH&#13;
Second Edition, B-*- -d&#13;
PRINCIPLES™* OP 4r' MEN™Y D'BATING S0C'ETIES'&#13;
„„v and PRACT1C1' &gt; „ „^ ✓ &lt; t&gt; t v x^,„&#13;
HE:&#13;
'.SUGGESTIONS AND PRECEDENTS&#13;
FOR THE CSE OF&#13;
,N THEORY AND PRACT1CI&#13;
Combination. *■ .&#13;
Windsor House. Bream's-buB&#13;
3. Combination.&#13;
London: Hobace Cox&#13;
r GEO. G. GRAY, Esq.,&#13;
Ind.), J.P., Barrister-at-Law, Ac., Author of "A Manual of&#13;
_ —. ptcy," a Treatise on 11 The Right to Support from Land and&#13;
^\ J J I Jj ^Si" &amp;C., Speaker of the Hastings Local House of Commons.&#13;
: Horace Cox, Windsor House, Bream's-buildings, E.C&#13;
"panted and Published by&#13;
^~^dlng«, E.C. fie&gt; Bream'e-btiildings, London, E.C.</text>
          </elementText>
        </elementTextContainer>
      </element>
    </elementContainer>
  </itemType>
  <elementSetContainer>
    <elementSet elementSetId="1">
      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
      <elementContainer>
        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="4297">
              <text>The Author, Vol. 08 Issue 03 (August 1897)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="4298">
              <text>&lt;em&gt;The Author&lt;/em&gt;, Vol. 08 Issue 03 (August 1897)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="48">
          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
          <elementTextContainer>
            <elementText elementTextId="4299">
              <text>&lt;a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015049239455" target="_blank" rel="noopener"&gt;https://babel.hathitrust.org/cgi/pt?id=mdp.39015049239455&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="4300">
              <text>Publication</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
          <elementTextContainer>
            <elementText elementTextId="4301">
              <text>1897-08-02-The-Author-8-3</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
  <tagContainer>
    <tag tagId="66">
      <name>publications</name>
    </tag>
    <tag tagId="4">
      <name>The Author</name>
    </tag>
  </tagContainer>
</item>
