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            <text>C be El u t b or,&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESA NT.&#13;
VoI. W.-No. 5.]&#13;
OCTOBER 1, 1894.&#13;
[PRICE SIXPENCE.&#13;
For the Opinions eaſpressed in papers that are&#13;
signed or initialled the Authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as eaſpressing the&#13;
collective opinions of the committee unless&#13;
they are officially signed by G. Herbert&#13;
Thring, Sec.&#13;
HE Secretary of the Society begs to give notice that all&#13;
remittances are acknowledged by return of post, and&#13;
requests that all members not receiving an answer to&#13;
important communications within two days will write to him&#13;
without delay. All remittances showld be crossed Union.&#13;
Bank of London, Chancery-lane, or be sent by registered&#13;
letter only.&#13;
Communications and letters are invited by the Editor on&#13;
all subjects connected with literature, but on no other sub-&#13;
jects whatever. Articles which cannot be accepted are&#13;
returned if stamps for the purpose accompany the MSS.&#13;
*— - --&gt;&#13;
g- &gt; -º&#13;
WARNINGS AND ADVICE.&#13;
{. RAWING THE AGREEMENT.—It is not generally&#13;
understood that the author, as the vendor, has the&#13;
absolute right of drafting the agreement upon&#13;
whatever terms the transaction is to be carried out.&#13;
Authors are strongly advised to exercise that right. In&#13;
every form of business, this among others, the right of&#13;
drawing the agreement rests with him who sells, leases, or&#13;
has the control of the property.&#13;
2. SERIAL RIGHTS.–In selling Serial Rights remember&#13;
that you may be selling the Serial Right for all time; that&#13;
is, the Right to continue the production in papers. If you&#13;
object to this, insert a clause to that effect.&#13;
3. STAMP YOUR AGREEMENTs. – Readers are most&#13;
URGENTLY warned not to neglect stamping their agreements&#13;
immediately after signature. If this precaution is neglected&#13;
for two weeks, a fine of £10 must be paid before the agree-&#13;
ment can be used as a legal document. In almost every&#13;
case brought to the secretary the agreement, or the letter&#13;
which serves for one, is forwarded without the stamp. The&#13;
author may be assured that the other party to the agree-&#13;
ment seldom neglects this simple precaution. The Society,&#13;
to save trouble, undertakes. to get all the agreements of&#13;
members stamped for them at no ea pense to themselves&#13;
eaccept the cost of the stamp.&#13;
4. ASCERTAIN WHAT A PROPOSED AGREEMENT GIVES To&#13;
BOTH SIDES BEFORE SIGNING IT.-Remember that an&#13;
WOL. W.&#13;
reservedly in his hands.&#13;
arrangement as to a joint venture in any other kind of busi-&#13;
ness whatever would be instantly refused should either party&#13;
refuse to show the books or to let it be known what share he&#13;
reserved for himself.&#13;
5. LITERARY AGENTS.–Be very careful. Yow cannot be&#13;
too careful as to the person whom yow appoint as yowr&#13;
agent. Remember that you place your property almost un-&#13;
Your only safety is in consulting&#13;
the Society, or some friend who has had personal experience&#13;
of the agent. Do not trust advertisements alone.&#13;
6. CoST OF PRODUCTION.—Never sign any agreement of&#13;
which the alleged cost of production forms an integral part,&#13;
until you have proved the figures.&#13;
7. CHOICE OF PUBLISHERS.–Never enter into any cor-&#13;
respondence with publishers, especially with those who ad-&#13;
vertise for MSS., who are not recommended by experienced&#13;
friends or by this Society.&#13;
8. FuTURE Work.—Never, on any account whatever,&#13;
bind yourself down for future work to anyone.&#13;
9. PERSONAL RISK.—Never accept any pecuniary risk or&#13;
responsibility whatever without advice.&#13;
Io. REJECTED MSS.—Never, when a M.S. has been re-&#13;
fused by respectable houses, pay others, whatever promises&#13;
they may put forward, for the production of the work.&#13;
II. AMERICAN RIGHTS.–Never sign away American&#13;
rights. Keep them by special clause. Refuse to sign any&#13;
agreement containing a clause which reserves them for the&#13;
publisher, unless for a substantial consideration.&#13;
12. CESSION OF COPYRIGHT.-Never sign any paper,&#13;
either agreement or receipt, which gives away copyright,&#13;
without advice.&#13;
13. ADVERTISEMENTS. – Keep some control over the&#13;
advertisements, if they affect your returns, by a clause in&#13;
the agreement.&#13;
I4. NEVER forget that publishing is a business, like any&#13;
other business, totally unconnected with philanthropy,&#13;
charity, or pure love of literature. You have to do with&#13;
business men. Be yourself a business man.&#13;
Society’s Offices :—&#13;
4, PORTUGAL STREET, LINCOLN's INN FIELDs.&#13;
HOW TO USE THE SOCIETY,&#13;
I. VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. If the advice&#13;
sought is such as can be given best by a solicitor, the member&#13;
M 2&#13;
&#13;
&#13;
## p. 114 (#128) ############################################&#13;
&#13;
II 4.&#13;
THE AUTHOR,&#13;
has a right to an opinion from the Society’s solicitors. If the&#13;
case is such that Counsel's opinion is desirable, the Com-&#13;
mittee will obtain for him Counsel’s opinion. All this&#13;
without any cost to the member. -&#13;
2. Remember that questions connected with copyright&#13;
and publisher's agreements do not generally fall within the&#13;
experience of ordinary solicitors. Therefore, do not scruple&#13;
to use the Society first—our solicitors are continually&#13;
engaged upon such questions for us.&#13;
3. Send to the office copies of past agreements and past&#13;
accounts with the loan of the books represented. This is in&#13;
order to ascertain what has been the nature of your agree-&#13;
ments, and the results to author and publisher respectively&#13;
so far. The Secretary will always be glad to have any&#13;
agreements, new or old, for inspection and note. The infor-&#13;
mation thus obtained may prove invaluable.&#13;
4. If the examination of your previous business trans-&#13;
actions by the Secretary proves unfavourable, you should&#13;
take advice as to a change of publishers.&#13;
5. Before signing any agreement whatever, send the pro-&#13;
posed document to the Society for examination.&#13;
6. The Society is acquainted with the methods, and—in&#13;
the case of fraudulent houses—the tricks of every publish-&#13;
ing firm in the country.&#13;
7. Remember always that in belonging to the Society you&#13;
are fighting the battles of other writers, even if you are&#13;
reaping no benefit to yourself, and that you are advancing&#13;
the best interests of literature in promoting the indepen-&#13;
dence of the writer.&#13;
8. Send to the Editor of the Awthor notes of everything&#13;
important to literature that you may hear or meet with.&#13;
*- - -º&#13;
e- * -s.&#13;
THE AUTHORS, SYNDICATE.&#13;
EMBERS are informed :&#13;
1. That the Authors' Syndicate takes charge of&#13;
the business of members of the Society. With, when&#13;
necessary, the assistance of the legal advisers of the Syndi-&#13;
cate, it concludes agreements, collects royalties, examines&#13;
and passes accounts, and generally relieves members of the&#13;
trouble of managing business details.&#13;
2. That the expenses of the Authors' Syndicate are&#13;
defrayed solely out of the commission charged on rights&#13;
placed through its intervention. Notice is, however,&#13;
hereby given that in all cases where there is no current&#13;
account, a booking fee is charged to cover postage and&#13;
porterage.&#13;
3. That the Authors' Syndicate works for none but those&#13;
members of the Society whose work possesses a market&#13;
value.&#13;
4. That the Syndicate can only undertake any negotiation&#13;
whatever on the distinct understanding that those negotia-&#13;
tions are placed exclusively in its hands, and that all&#13;
communications relating thereto are referred to it.&#13;
5. That clients can only be seen by the Director by&#13;
appointment, and that, when possible, at least four days’&#13;
notice should be given.&#13;
6. That every attempt is made to deal with the corre-&#13;
spondence promptly, but that owing to the enormous number&#13;
of letters received, some delay is inevitable. That stamps&#13;
should, in all cases, be sent to defray postage.&#13;
7. That the Authors' Syndicate does not invite MSS.&#13;
without previous correspondence, and does not hold itself&#13;
responsible for MSS. forwarded without notice.&#13;
8. That the Syndicate undertakes arrangements for&#13;
lectures by some of the leading members of the Society;&#13;
that it has a “Transfer Department” for the sale and&#13;
purchase of journals and periodicals; and that a “Register&#13;
of Wants and Wanted * has been opened. Members anxious&#13;
to obtain literary or artistic work are invited to com-&#13;
municate with the Manager.&#13;
There is an Honorary Advisory Committee, whose services&#13;
will be called upon in any case of dispute or difficulty. It&#13;
is perhaps necessary to state that the members of the&#13;
Advisory Committee have no pecuniary interest whatever in&#13;
the Syndicate.&#13;
* - a -4°&#13;
NOTICES,&#13;
HE Editor of the Author begs to remind members of the&#13;
Society that, although the paper is sent to them free&#13;
of charge, the cost of producing it would be a very&#13;
heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Secretary the modest&#13;
6s. 6d. subscription for the year.&#13;
The Editor is always glad to receive short papers and&#13;
communications on all subjects connected with literature&#13;
from members and others. Nothing can do more good to&#13;
the Society than to make the Author complete, attractive,&#13;
and interesting. Will those who are willing to aid in this&#13;
work send their names and the special subjects on which&#13;
they are willing to write P&#13;
Communications for the Author should reach the Editor&#13;
not later than the 21st of each month.&#13;
All persons engaged in literary work of any kind, whether&#13;
members of the Society or not, are invited to communicate&#13;
to the Editor any points connected with their work which&#13;
it would be advisable in the general interest to publish.&#13;
Members and others who wish their MSS. read are&#13;
requested not to send them to the Office without previously&#13;
communicating with the Secretary. The utmost practicable&#13;
despatch is aimed at, and MSS. are read in the order in&#13;
which they are received. It must also be distinctly under-&#13;
stood that the Society does not, under any circumstances,&#13;
undertake the publication of MSS.&#13;
The Authors’ Club is now open in its new premises, at&#13;
3, Whitehall-court, Charing Cross. Address the Secretary&#13;
for information, rules of admission, &amp;c.&#13;
Will members take the trouble to ascertain whether they&#13;
have paid their subscriptions for the year P If they will do.&#13;
this, and remit the amount, if still unpaid, or a banker's&#13;
order, it will greatly assist the Secretary, and save him the&#13;
trouble of sending out a reminder.&#13;
Members are most earnestly entreated to attend to the&#13;
warning numbered (8). It is a most foolish and may be a,&#13;
most disastrous thing to enter into an agreement binding&#13;
for a term of years. Let them ask themselves if they&#13;
would give a solicitor the collection of their rents for five&#13;
years to come, whatever his conduct, whether he was honest&#13;
or dishonest ? Of course they would not. Why then&#13;
hesitate for a moment when they are asked to sign them-&#13;
selves into literary bondage for three or five years P&#13;
Those who possess the “Cost of Production ” are&#13;
requested to note that the cost of binding has advanced 15&#13;
per cent. This means, for those who do not like the trouble&#13;
of “doing sums,” the addition of three shillings in the&#13;
pound on this head. In other words, if the cost of binding&#13;
is set down in our book at eight pounds, to this must now be&#13;
added twenty-four shillings more, so that it now stands at&#13;
£9 48. The figures in our book are as near the exact truth,&#13;
&#13;
&#13;
## p. 115 (#129) ############################################&#13;
&#13;
THE AUTHOR.&#13;
115&#13;
as can be procured; but a printer's, or a binder's, bill is so&#13;
elastic a thing that nothing more exact can be arrived at.&#13;
Some remarks have been made upon the amount charged&#13;
in the “Cost of Production” for advertising. Of course, we&#13;
have not included any sums which may be charged for&#13;
inserting advertisements in the publisher's own magazines,&#13;
or in other magazines by exchange. As agreements too&#13;
often go, there is nothing to prevent the publisher from&#13;
sweeping the whole profits of a book into his own pocket,&#13;
hy inserting any number of advertisements in his own&#13;
magazines, and by exchanging with others. Some there are&#13;
who call this a form of fraud; it is not known what those&#13;
who practise this method of swelling their own profits call it.&#13;
*- - --&gt;&#13;
LITERARY PROPERTY.&#13;
I.—MAYNARD, MERRILL, and Co., appellees, v.&#13;
WILLIAM BEVERLEY HARRISON, appellant.&#13;
May, 1894.&#13;
(Before Judges WALLACE, LACOMBE, and SHIP-&#13;
MAN, United States Circuit Court of Appeal.)&#13;
Q(HIPMAN, C.J.-The complainant, Maynard,&#13;
Merrill, and Co., a corporation duly created&#13;
under the laws of the State of New York,&#13;
and having its principal office in the City of New&#13;
York, was, in June, 1893, the owner of the&#13;
copyright of a book entitled “Introductory&#13;
Language Work,” of which Alonzo Reed was&#13;
the author, and which had been duly copy-&#13;
righted by him in July, 1891, under the&#13;
laws of the United States respecting copyrights.&#13;
The complainant is a book publisher, and&#13;
has been in the habit of sending the printed&#13;
and unbound sheets of this book, and of other&#13;
books which it published, to George W. Alex-&#13;
ander's bookbindery, in the City of New&#13;
York, to be stored there until it gave Mr.&#13;
Alexander an order to bind a specified quantity,&#13;
who would sometimes bind a lot in anticipation&#13;
of such orders. On June 21, 1893, a destructive&#13;
fire occurred in this bindery, the result of which&#13;
was, as the complainant supposed, to destroy the&#13;
commercial value of all the property which it had&#13;
in the building.&#13;
One of its employés, at its request, examined&#13;
the débris and reported that there was nothing of&#13;
value which the complainant could use in the&#13;
manufacture or sale of books. Alexander there-&#13;
upon sold the entire débris which had fallen into&#13;
the cellar to one Fitzgerald, who resold it, with-&#13;
out moving it, to some Italian dealers in waste&#13;
paper, and in order to prevent them from using&#13;
the paper and books for other purposes than&#13;
paper stock, incorporated the following provision&#13;
in the contract of sale: “It is understood that all&#13;
paper taken out of the building is to be utilised&#13;
as paper stock, and all books to be sold as paper&#13;
stock only, and not placed on the market as any-&#13;
thing else.”&#13;
“The cellar was cleared of this class of mate-&#13;
rial, and subsequently a quantity of damaged&#13;
copies of “Introductory Language Work”&#13;
appeared in the market, as owned and offered for&#13;
sale by the defendant, William Beverley Harrison,&#13;
a dealer in second-hand books, and a citizen of&#13;
the State of New York and residing in the City&#13;
of New York. The leaves of the books were dis-&#13;
coloured and stained by smoke and water, but&#13;
the covers had a respectable appearance, and the&#13;
complainant supposed that the unbound sheets&#13;
which had escaped the fire had been rebound by&#13;
Barrison, or under his direction, or with his&#13;
privity, and that he was selling such newly bound&#13;
books, as well as some bound books which had&#13;
escaped serious injury, and thereupon brought a&#13;
bill in equity before the United States Circuit&#13;
Court, to restrain his alleged infringement of its&#13;
copyright. The bill counted entirely upon the&#13;
right of the complainant under the copyright&#13;
statutes of the United States. Upon its motion,&#13;
the Court granted an injunction pendente lite.&#13;
Harrison denies, in his affidavit, that he pur-&#13;
chased any sheets or loose covers of the book.&#13;
He further says, rather vaguely, that he “learned&#13;
that certain dealers had come into possession of&#13;
the salvage from the fire at said Alexander's&#13;
place; that affiant visited the premises where&#13;
said salvage was stored, and from them purchased&#13;
a number of bound and completely finished&#13;
volumes, some of which were the publications of&#13;
the complaimant.” He further says that he “pur-&#13;
chased the said books in the regular course of trade,&#13;
without any knowledge of any understanding or&#13;
arrangement, if any there was, between com-&#13;
plainant and others, and that he accepted the&#13;
same, as he believes, according to the established&#13;
usage of the trade, believing them to be books&#13;
which had been put upon the market as Salvage,&#13;
as damaged books are bought and sold.”&#13;
The affidavits show that the complainant, which&#13;
was the owner of the copyright. permitted&#13;
Alexander to sell absolutely all its copyrighted&#13;
books in his cellar, and that his vendee obtained&#13;
the entire legal title to these damaged volumes.&#13;
They were sold again, together with other papers&#13;
and books, under express restrictions against their&#13;
use for any other purpose than for the manufac-&#13;
ture of paper. Harrison says that he bought the&#13;
books in question without knowledge of this&#13;
restriction. Whether he had notice of facts which&#13;
should have put a purchaser upon inquiry to&#13;
ascertain whether he was being made a party to&#13;
a violation of contract cannot be determined upon&#13;
the affidavits.&#13;
The question, as it arises upon the bill and the&#13;
&#13;
&#13;
## p. 116 (#130) ############################################&#13;
&#13;
I i 6&#13;
THE AUTHOR.&#13;
affidavits, is, can the owner of a copyright restrain,&#13;
by virtue of the copyright statutes, the sale of a&#13;
copy of the copyright book, the title to which he&#13;
has transferred, but which is being sold in viola-&#13;
tion of an agreement entered into between him-&#13;
self and the purchaser; or are the remedies of the&#13;
original owner confined to remedies for a breach&#13;
of contract P&#13;
So long as the owner of a copyright retains the&#13;
title to the copies of the book which he has the&#13;
exclusive right to vend, by virtue of the copyright,&#13;
he can impose restrictions upon the manner in&#13;
which and upon the persons to whom the copies&#13;
can be sold. Having the exclusive right to vend,&#13;
he has the right to appoint to whom the book&#13;
shall be sold. If his agents, to whom he has&#13;
intrusted the possession of his books, violate his&#13;
instructions and fraudulently sell to a person with&#13;
knowledge or notice of the fraud,-such fraud will&#13;
be an infringement of the copyright, with which&#13;
the original owner has never parted, and can be&#13;
restrained by virtue of the Statutes of the United&#13;
States. Thus, if the owner of a copyrighted book&#13;
entrusts copies of the book to an agent or&#13;
employé for sale only by subscription and for&#13;
delivery to the subscribers, and the agent fraudu-&#13;
lently sells to non-subscribers, who have know-&#13;
ledge or notice of the fraud, such sale is an&#13;
infringement of the original owner's copyright,&#13;
who can disregard the pretended sale and have&#13;
the benefit of all the remedies which the statute or&#13;
the law furnish. This right to enjoy the benefit&#13;
of the copyright statutes results from the fact&#13;
that the owner has never parted with the title to&#13;
the book or the copyright, although he parted&#13;
with the possession of the book.&#13;
But the right to restrain the sale of a parti-&#13;
cular copy of the book, by virtue of the copyright&#13;
statutes, has gone when the owner of the copy-&#13;
right and of that copy has parted with all his&#13;
title to it, and has conferred an absolute title to&#13;
the copy upon a purchaser, although with an&#13;
agreement for a restricted use. The exclusive&#13;
right to vend the particular copy no longer&#13;
remains in the owner of the copyright by the&#13;
Copyright statutes. The new purchaser cannot&#13;
reprint the copy, he cannot print or publish a&#13;
new edition of the book; but the copy having&#13;
been absolutely sold to him, the ordinary inci-&#13;
dents of ownership in personal property, among&#13;
which is the right of alienation, attach to it. If&#13;
he has agreed that he will not sell it for certain&#13;
purposes, or to certain persons, and violates his&#13;
agreement and sells to an innocent purchaser, he&#13;
can be punished for a violation of his agreement,&#13;
but neither is guilty under the copyright statutes&#13;
of an infringment. If the new purchaser parti-&#13;
cipates in the fraud he may also share in the&#13;
punishment : (“Clemens v. Estes,”&#13;
899.) . . .&#13;
The distinction between the remedy of the&#13;
owner of a copyright and the books published&#13;
under its protection, who has retained the title&#13;
to the books and the copyright, and has been&#13;
defrauded by an unauthorised sale to a purchaser,&#13;
with notice, and the remedy of a copyright owner&#13;
who has parted with his title to a copy of the&#13;
copyrighted book, and has been injured by the&#13;
failure of the purchaser to comply with his con-&#13;
tract in regard to its use, is stated by Judge&#13;
Hammond in “Henry Bill Publishing Company&#13;
v. Forsythe’’ (27 Fed. Rep. 914) as follows:&#13;
“The owner of the copyright may not be able&#13;
to transfer the entire property in one of his&#13;
copies, and retain for himself an incidental&#13;
power to authorise a sale of that copy, or rather&#13;
the power of prohibition on the owner that he&#13;
shall not sell it, holding that much, as a modicum.&#13;
of his former estate, to be protected by the copy-&#13;
right statute; and yet he may be entirely able,&#13;
so long as he retains the ownership of a particular&#13;
copy for himself, to find abundant protection&#13;
under the copyright statute for his then inci-&#13;
dental power of controlling its sale. This copy-&#13;
right incident of control over the sale, if I may&#13;
call it so, as contradistinguished from the power&#13;
of sale incident to ownership in all property—&#13;
copyrighted articles like any other—is a thing&#13;
that belongs alone to the owner of the copyright&#13;
itself, and as to him only so long as and to the&#13;
extent that he owns the particular copies involved.&#13;
Whenever he parts with that ownership, the&#13;
ordinary incident of alienation attaches to the&#13;
particular copy parted with, in favour of the&#13;
transferee, and he cannot be deprived of it.&#13;
This latter incident supersedes the other —&#13;
swallows it up, so to speak—and the two cannot&#13;
co-exist in any owner of the copy except he be&#13;
the owner at the same time of the copyright;&#13;
and, in the Inature of the thing, they cannot be&#13;
separated so that one may remain in the owner&#13;
of the copyright as a limitation upon or denial of&#13;
the other in the owner of the copy.” -&#13;
The case of “Murray v. Heath " (I Bain &amp;&#13;
Adol. 804), which is somewhat relied upon by&#13;
the defendant’s counsel, does not throw a strong&#13;
light upon a case arising under the statutes of&#13;
the United States. The question was whether&#13;
the sale of the engravings was, under the circum-&#13;
stances of the case, a violation of the English,&#13;
statutes, which prohibited a piratical publication,&#13;
of the engravings of another, or was a breach of&#13;
contract. The Court was of opinion that the&#13;
statutes were not applicable. -&#13;
The other cases which were cited on the argu-&#13;
ment are not applicable to the facts of this case, ,&#13;
22 Fed. Rep.&#13;
&#13;
&#13;
## p. 117 (#131) ############################################&#13;
&#13;
THE AUTHOR.&#13;
117&#13;
although they are instructive upon the rights of&#13;
copyright owners, under copyright statutes, or of&#13;
the rights of owners of manuscripts: (“Stephens&#13;
v. Cady,” 14 How. 529; “Stephen v. Gladding,”&#13;
17 How. 447; “Parton v. Prang,” 3 Cliff. 537;&#13;
“Bartlette v. Chittenden º’ 4 McLean, 3oo;&#13;
“Prince Albert v. Strange,” 2 De G. &amp; S. 652;&#13;
“Taylor v. Pillow,” L. R. 7 Eq. Cases, 418;&#13;
“Howitt v. Hall,” Io Weekly Rep. 381 ; “Hud-&#13;
son v. Patten,” I Root, Con. 133.) The dis-&#13;
cussion by Judge Hammond upon the general&#13;
subject, in “Henry Hill Co. v. Smythe.” (supra) is&#13;
most valuable, and anyone who has occasion to&#13;
examine this subject will find that the territory&#13;
bas been thoroughly explored.&#13;
Our conclusion is that, upon the facts stated&#13;
in the bill and in the affidavits, the complainant&#13;
has no remedy under the copyright statutes of&#13;
the United States, and, as both parties are&#13;
deemed to be citizens of the State of New York,&#13;
the complainant is without remedy in the Circuit&#13;
Court for the Southern District of New York.&#13;
The order of the Circuit Court for a preliminary&#13;
injunction is reversed and set aside, with costs.&#13;
Wallace and Lacombe, J.J. concur.&#13;
New York Law Journal, June 13.&#13;
II.-MUSICAL CoPYRIGHT IN AMERICA.&#13;
We published in the September number of&#13;
the Author a letter addressed by Mr. G. Dixey,&#13;
secretary of the Music Publishers’ Association,&#13;
on a recent decision in an American court.&#13;
To repeat the last words of that letter, “The&#13;
judgment thus delivered has settled the point&#13;
for the present, and until that judgment is upset&#13;
or varied it must be accepted that the law of&#13;
the United States of America is, that the expres-&#13;
sion “book’ in the Act of 1891 does not include&#13;
‘ musical composition and that, consequently it is&#13;
not necessary that such compositions should be&#13;
printed in America as a condition of obtaining&#13;
copyright there.”&#13;
On this point Mr. R. H. Johnson writes from&#13;
New York as follows: “I hope the news of the&#13;
confirmation by the courts of our contention that&#13;
music does not have to be manufactured here will&#13;
be widely published in your country. It closes&#13;
a chapter in the history of International copyright&#13;
Music is now a thing produced and published, and&#13;
not subject to exclusion because the method of&#13;
publication may be like that of books or chromos.&#13;
My testimony as to the intention of the framers&#13;
of the bill was part of the plaintiff's brief, and&#13;
that consideration seems to have had weight in&#13;
the decision.” -&#13;
III.-AUTHORSHIP FALSELY AsCRIBED.&#13;
A publisher of New York printed in 1873 a&#13;
volume, the authorship of which was ascribed to&#13;
Bret Harte. This volume contained four chapters&#13;
of a story that had actually been written by Bret&#13;
Harte ten years previously, while the remaining&#13;
chapters making up the volume were written by&#13;
some person unknown. To the whole story Bret&#13;
Harte's name was prefixed, but at the end of&#13;
his portion of the story appeared an explanatory&#13;
note. .&#13;
The facts having been proved as above stated,&#13;
the court granted Harte's application for an&#13;
injunction under which further sale of the book&#13;
was restrained. The judge said, in his opinion:&#13;
“I think that the plaintiff has such an interestin&#13;
his name and in his reputation as an author as&#13;
entitles him to invoke the aid of a court of equity&#13;
in restraining the defendant in falsely repre-&#13;
senting that a literary production published and&#13;
sold by the defendant is the work of the plaintiff.&#13;
. . . It seems to me that the act of the defen-&#13;
dant is calculated to mislead the public, and&#13;
induce the purchase of the work referred to in&#13;
the complaint, under the impression that said&#13;
work is wholly written by the plaintiff. The case&#13;
is analogous to that of a trade mark, and the&#13;
principle on which the relief is granted in such&#13;
cases is that a defendant shall not be permitted&#13;
by the adoption of a trade mark that is untrue or&#13;
deceptive, to sell his own goods as those of the&#13;
plaintiff, which is injuring the latter and also&#13;
defrauding the public. In this case the gen ral&#13;
public would, in my judgment, be misled by the&#13;
title-page of the book in question into supposing&#13;
that the whole of the book was a production of&#13;
the plaintiff, and the facts seem to point strongly&#13;
to the conclusion that it was the design of the&#13;
defendant thus to mislead the public. &amp;&#13;
It is no answer to this to say that every one who&#13;
read the book must necessarily read the note at&#13;
page 34, as that note is better calculated to call&#13;
the attention of the purchaser to the fact that he&#13;
has been deceived rather than to prevent the&#13;
deception. Entertaining these views, I shall&#13;
direct that an order be granted continuing the&#13;
injunction until the case can be tried, plaintiff&#13;
to pay all the costs of the motion.”&#13;
-—-º-º-º-º-º-&#13;
IV.—HANFSTAENGL v. NEWNEs.&#13;
The “living picture * cases, Hanfstaeng! v.&#13;
Newnes, 7 R. Aug. 80; Hanfstaeng! v. Empire&#13;
Palace, '94, 2 Ch. 1, 7 R. Sept. 84 (both in C.A.),&#13;
make a good example of the true principles of&#13;
copyright law. Copyright is not a property in&#13;
ideas conferred by the law of nature, as certain&#13;
philosophers have vainly talked, but a monopoly&#13;
&#13;
&#13;
## p. 118 (#132) ############################################&#13;
&#13;
1 18&#13;
THE AUTHOR.&#13;
specially created by law on grounds of public&#13;
utility, and a monopoly not in ideas or artistic&#13;
motives in the abstract, but in particular forms&#13;
of expression. Therefore copyright in a work of&#13;
literature or art can be infringed only by a repro-&#13;
duction ejusdem generis, a picture by something&#13;
pictorial, and so forth. It does not follow, how-&#13;
ever, that infringement might not be indirectly&#13;
committed by reconstruction of the original design&#13;
from something which was not itself an infringe-&#13;
ment, even if the reconstructor had no direct&#13;
acquaintance with the original ; it was expressly&#13;
allowed by the Court of Appeal that it could be&#13;
so, though they held that in the particular case it&#13;
was not. The questions of dramatising literary&#13;
work and of “performing rights * are not touched&#13;
by these decisions, and stand on a special footing.&#13;
—Law Quarterly Review for October.&#13;
*– ~ *-*&#13;
THE INTERNATIONAL COPYRIGHT&#13;
CONGRESS AT ANTWERP,&#13;
R. J. E. MUDDOCK, F.R.G.S., was the&#13;
sole representative of England at the&#13;
Congress, which closed its sittings on the&#13;
26th of August, Mr. Muddock, who went over&#13;
by special invitation of the committee, speaks in&#13;
glowing terms of the princely hospitality offered&#13;
to the foreign delegates by their Belgian confrères&#13;
Without making any invidious comparison, he&#13;
wishes to particularise the exceeding kindness and&#13;
courtesy of the Hon. Paul Cogel, President of the&#13;
Antwerp Society of Bibliophiles; of M. Victor&#13;
Robyns, the esteemed President of the Antwerp&#13;
Cercle Artistique, Litteraire, and Scientific; and&#13;
M. Franz Gittens, the well-known Belgian&#13;
dramatic author. Fetes, illuminated corteges,&#13;
receptions, dinners, excursions, and visits to all&#13;
that is interesting in Antwerp, were the order of&#13;
the day, and the wonder is that the guests have&#13;
survived all this kindness. They have not only&#13;
survived, however, but are unanimous in their&#13;
expressions of satisfaction and gratitude for the&#13;
magnificent hospitality of their hosts. Notwith-&#13;
standing all the feasting and junketing much solid&#13;
work was done, as two seances were held each day,&#13;
and some six hours a day were consumed in this&#13;
way. At the opening sitting, M. Robyns, in the&#13;
name of the old and intellectual city of Antwerp,&#13;
extended a warm welcome to the foreign delegates,&#13;
and he alluded in graceful terms to the great&#13;
interest manifested in the Congress by His&#13;
Majesty the King of the Belgians. It was a&#13;
good sign when representatives of nearly every&#13;
European nation assembled to discuss amicabl&#13;
their mutual interests in the products of intellect,&#13;
whether such products took the form of litera-&#13;
ture, art, science, poetry, the drama, or music.&#13;
Meetings like that did more to bring about the&#13;
longed for universal brotherhood than anything&#13;
else could possibly do; for there was no nation-&#13;
ality in brain work. Literature and art were&#13;
cosmopolitan, they recognised no frontiers, and&#13;
gatherings of that kind served to strengthen the&#13;
bond of good feeling which literary men and&#13;
women, musicians, artists, composers, &amp;c., enter-&#13;
tained for one another, irrespective of country.&#13;
Great strides had been made of late years in&#13;
securing to authors and artists universal recogni-&#13;
tion of their rights in the works they created.&#13;
But there was still much to do, though the good&#13;
work that had already been done was a guarantee&#13;
for the future; and it might safely be asserted&#13;
that there would be no pause until the literary&#13;
and artistic millenium was reached. Then nations&#13;
would be compelled to recognise, by the laws of&#13;
their respective countries, that the products of a&#13;
man’s brain labour could no more be filched&#13;
from him with impunity than could his land, his&#13;
houses, his household effects, or anything that&#13;
was legitimately his.&#13;
The sentiments expressed by the President&#13;
were received with warm approval, and Dr.&#13;
Albert Osterrieth, who spoke in the name of&#13;
the Congress of German authors, said that&#13;
throughout Germany there was a very strong&#13;
desire to promote in every possible way the&#13;
interests of international copyright. M. Pfeiffer,&#13;
of the Syndicate of the Musical Composers of&#13;
Paris; Dr. Lundstadt, in the name of Swedish&#13;
publishers, and of the Literary and Artistic&#13;
Circle of Stockholm ; Herr Stoutz, for Switzer-&#13;
land; and Mr. J. E. Muddock, for England, said&#13;
that authors and composers of their respective&#13;
countries would not rest until their rights&#13;
in literary and artistic property were fully&#13;
recognised.&#13;
At the second sitting there was a very large&#13;
attendance, including the Princess Napoleon&#13;
Bonaparte-Weiss, and several women of letters,&#13;
amongst them being Madame Brun, the well-&#13;
known Belgian novelist and journalist. When&#13;
the meeting had been declared open by the&#13;
President, M. Bonilla, who represented the&#13;
“Society of Spanish Writers,” rose to address&#13;
the assembly. Speaking in Spanish, he made a&#13;
stirring and eloquent appeal for the universal&#13;
recognition of the results of intellectual labour.&#13;
He insisted that workers with the pen and pencil&#13;
had been too long regarded as mere time-servers&#13;
of the public, whose mission was to give to the&#13;
world the efforts of their genius, but like the&#13;
slaves of old they could own nothing. Fortu-&#13;
nately a more enlightened era was dawning, and&#13;
&#13;
&#13;
## p. 119 (#133) ############################################&#13;
&#13;
THE AUTHOR.&#13;
I Ig&#13;
the day could not be far distant when authors&#13;
and artists would have cause to rejoice that they&#13;
had clamoured for an equitable recognition of&#13;
their interests by all nations.&#13;
A long discussion followed on the rights of&#13;
translation. Translation in principle is said to&#13;
be a mode of reproduction, but while that prin-&#13;
ciple is admitted in some countries it is contested&#13;
in others. It was certainly proclaimed at the&#13;
Brussels Congress in 1858; and since then the&#13;
International Literary Union has endeavoured to&#13;
get it universally recognised. Under any cir-&#13;
cumstances, the desirability was urged of pro-&#13;
longing the term during which an author's&#13;
consent has to be obtained before his works can&#13;
be translated, and twenty years was named as an&#13;
equitable limit. This was objected to by M.&#13;
Ernest Eisenmann, an avocat of Paris, and the&#13;
author of an important work on the rights of&#13;
authors and journalists. He maintained that if&#13;
such restrictions were placed upon the rights&#13;
of translation they would militate against the&#13;
author's themselves. That would certainly be&#13;
the case in dramatic and musical composition.&#13;
When the subject had been well threshed out,&#13;
without any very definite conclusion being&#13;
arrived at, M. Alcide Darras, one of the general&#13;
secretaries of the union, laid before the assembly&#13;
a brief but lucid account of the legislative move-&#13;
ments that had been made with regard to inter-&#13;
national copyright during the past few years.&#13;
He spoke bitterly of the action of the United&#13;
States, and said it was something more than an&#13;
anomaly that Canada should be disposed to favour&#13;
American writers in preference to all others.&#13;
England had given copyright to English authors&#13;
in the whole of the British Empire, and that&#13;
copyright was secured by an international treaty;&#13;
nevertheless Canada showed a strong disposition&#13;
to give American authors Canadian rights,&#13;
although America had treated English authors so&#13;
scurvily. Referring to Mexico, M. Darras said it&#13;
was greatly to the credit of that country that&#13;
Mexican subjects, or anyone producing a literary&#13;
work in Mexico, had the advantage of perpetual&#13;
copyright, while great liberality was shown to&#13;
authors of all nationalities. It certainly would&#13;
be more honourable on the part of the Govern-&#13;
ment of the United States if they took a leaf out&#13;
of their neighbour's book. At the subsequent&#13;
sittings of the Congress long and interesting dis-&#13;
cussions took place on the relations of publishers&#13;
and authors, in so far as those relations were&#13;
concerned in contracts of publications. All the&#13;
speakers pointed out that in every country, as&#13;
matters now stood, the author was entirely in the&#13;
hands of his publisher, and if the publisher chose&#13;
to act dishonestly, as he often did, the author&#13;
WOL. W.&#13;
suffered, and had no remedy. It was pertinently&#13;
asked why literary contracts should not be&#13;
placed upon the same basis as any other&#13;
commercial contract. If an author wrote a&#13;
book, and a publisher undertook to publish&#13;
it on terms of mutual profit, there was a&#13;
distinct partnership created. The author's&#13;
capital in the business was represented by his&#13;
work, and the value of that work must be taken&#13;
to be equal in every sense to the amount the pub-&#13;
lisher invested when he printed and put the&#13;
work on the market. The author should there-&#13;
fore be in a position to know precisely what busi-&#13;
ness is being transacted and what returns are&#13;
coming in. As matters now stood, he was&#13;
entirely dependent for this information on the&#13;
bare statement of the publisher. And, while it&#13;
was not assumed for a moment that all pub-&#13;
lishers were dishonest, it could not be denied that&#13;
the temptation to make a little extra profit by&#13;
the manipulation of accounts and the suppression&#13;
of information that ought to be afforded was very&#13;
great indeed; and human nature was the same in&#13;
a publisher as it was in other buman beings, often&#13;
more so. It was admitted that the subject was a&#13;
very difficult one to deal with in an international&#13;
sense, for transactions of the kind often had to be&#13;
determined by local circumstances. But there&#13;
was no reason why some general principles&#13;
should not be laid down and adopted by the&#13;
union. And it was suggested that in default of&#13;
distinct stipulation to the contrary a contract of&#13;
publication should be taken to mean one edition&#13;
only, whether it was of a musical or literary&#13;
work. The number of that edition should be&#13;
expressly stated in the contract, and every copy&#13;
of it should be numbered and signed by publisher&#13;
and author. This scheme would at once afford&#13;
an author a ready means of knowing how many&#13;
copies of his work had been sold, and it would be&#13;
a safeguard against unauthorised reproduction.&#13;
Of course the same regulations would apply to&#13;
any subsequent editions.&#13;
Although no definite decision was arrived at&#13;
on this subject owing to various difficulties that&#13;
presented themselves, it was admitted that it was&#13;
too important to be shelved, and that it should&#13;
be brought forward next year, and in the mean-&#13;
time some concerted plan of action should be.&#13;
worked out which should aim at doing justice to.&#13;
all parties without wounding the susceptibilities.&#13;
of any.&#13;
Mr. Wolfgang Kirschbach, the well-known.&#13;
theatrical critic and editor of the Dresdner.&#13;
Nachrichten, then invited the Congress to meet.&#13;
next year at Dresden, and he said he was autho-&#13;
rised to promise a welcome and a reception in the&#13;
name of the Saxon Government, as well as of the&#13;
N&#13;
&#13;
&#13;
## p. 120 (#134) ############################################&#13;
&#13;
I 20&#13;
THE AUTHOR.&#13;
municipal authorities. And he further promised&#13;
that the warmest support would be accorded te&#13;
the work and aims of the Congress by the whole&#13;
of Germany, North and South. The invitation&#13;
was accepted, and Dresden fixed as the next&#13;
place of meeting.&#13;
Altogether it may be said that the Congress&#13;
has been productive of many good results, and the&#13;
work so far achieved is just and equitable to all&#13;
who labour with their brains. And, as M.&#13;
Bergerem, the Minister of Justice, said at the&#13;
grand banquet given by the President to the&#13;
distinguished foreigners gathered together in&#13;
Antwerp in the name of literature, science, and&#13;
art, the objects of the association must, in the&#13;
end, be universally triumphant. They had right&#13;
on their side, and they would soon have power&#13;
to enforce those rights.&#13;
It is greatly to be regretted that the entire&#13;
English press, from the Times downwards, should&#13;
have been so utterly indifferent to this important&#13;
Congress that no report of it has appeared in any&#13;
paper in this country. Journalists cannot afford&#13;
to ignore the aims and objects of the association,&#13;
and it surely would have been worth while for&#13;
the great London dailies to have instructed&#13;
their foreign correspondents to furnish to their&#13;
respective papers some particulars of the labours&#13;
of the Congress. It is also a matter of surprise&#13;
that Mr. Muddock was not supported by some&#13;
of his London confrères. The question of inter-&#13;
national copyright is one which very closely affects&#13;
us as a literary people, and particularly in so far&#13;
as our dealings with America are concerned. And&#13;
unless writers and artists here think their&#13;
property is not worth protecting, they would do&#13;
well to show that they are in full accord with the&#13;
spirit and aims of these annual congresses, and&#13;
attend in numbers to speak and vote on all that&#13;
tends to promote the common welfare of the&#13;
great brotherhood of the pen and pencil.&#13;
*— — —”&#13;
* * *&#13;
NOTES FROM PARIS.&#13;
AM writing this from a fishing village at the&#13;
extreme southern point of the Bay of Biscay,&#13;
in a desolate land of dunes, with the purple&#13;
line of the Pyrenees in front of me, and all&#13;
around a forest of pine trees. . A coin perdu. if&#13;
ever there was one, yet at the time of the English&#13;
rule in Aquitaine, a place of some importance.&#13;
In the middle of the village rises the “Tower of&#13;
the English,” and many of the houses were built&#13;
by English hands. g e gº&#13;
Is it a fallacy that, as many of us imagine, soli-&#13;
stude and quiet are very necessary to the man&#13;
who would produce his best work, and that a&#13;
man works hardest where there is little tempta-&#13;
tion for him to leave his writing-table P Zola has&#13;
recorded the fine fevers of industry which come&#13;
upon him in the country, but then Zola will&#13;
work anywhere and under any circumstances.&#13;
Daudet, on the other hand, has told me that at&#13;
the seaside at least he is never able to work.&#13;
“The sea is a terrible waster,” he said, and added&#13;
that having sought solitude in a little village on&#13;
the Mediterranean coast, he remained six weeks&#13;
without putting pen to paper. For my part my&#13;
experience is that a solitary and monotonous way&#13;
of life is fatal to literary production. One&#13;
cannot think when one yawns. And again, the&#13;
song of the sea is one continual invitation to&#13;
idleness, whilst the fields and the forest have&#13;
mysterious and syremlike voices to tempt one&#13;
away. People who have read “Jack,” will remem-&#13;
ber the poet D’Argenton, who, having longed for&#13;
years for a quiet retreat in the country, found,&#13;
when he was able to afford one, that he could not&#13;
work there, and wasted six years in idle endea-&#13;
vours. Perhaps the reason of this is that the&#13;
country is so delightful that idleness becomes a&#13;
real pleasure.&#13;
It is a characteristic trait of the American&#13;
critics that when reviewing a translation all men-&#13;
tion of the translator, even in quoting the title of&#13;
the book, is omitted by them. Translation, it&#13;
would appear, after their manner of thinking, is&#13;
and cannot be otherwise than hack work. Yet&#13;
one of Charles Baudelaire's chief titles to fame is&#13;
in his masterly translation of Poe's tales.&#13;
American journalism, by the way, seems to be&#13;
sinking lower and lower into infamy. Not many&#13;
days ago I was passing a delightful hour in the&#13;
pine forest near my house, with my dog and my&#13;
grey donkey for companions, and an odd volume&#13;
of Montaigne in my hand. I could see the great&#13;
red sun going down into the sea, athwart the&#13;
pines; the air was fresh and balsamous, and only&#13;
the cooing of the turtle-doves broke the stillness.&#13;
I was away for the time from everything that was&#13;
common and cruel, and ugly and human. And&#13;
then broke in upon my tranquil meditation&#13;
American journalism, in the form of a cablegram&#13;
from New York, an unclean thing that I threw&#13;
away from me with disgust as soon as I had read&#13;
it. It came from a great American editor, and&#13;
requested me to nose out the dirty story of an&#13;
American milliardaire, who, it appears, has fallen&#13;
into the toils of some Parisian Phryne. I was to&#13;
“ mail photos,” and to accompany the same with&#13;
a “rip-roarer story of their intimacy.” After&#13;
reflection I picked the filthy paper up again, and&#13;
have pasted it up in my study as a reminder of&#13;
the things to which American journalism leads.&#13;
&#13;
&#13;
## p. 121 (#135) ############################################&#13;
&#13;
THE AUTHOR.&#13;
I 2 I&#13;
Inasmuch as, by the stress of circumstances,&#13;
there are many writers who engage in literature&#13;
in a purely commercial spirit, might not the&#13;
critics exact that the publishers in sending in&#13;
ibooks for review should mention, besides the&#13;
price of each volume, the amount of remunera-&#13;
tion which was assured to the author when he&#13;
sat down to the task of its production. This&#13;
knowledge might dispose them to greater&#13;
leniency or severity, as the case might be. The&#13;
critic might be very exacting in the case of a&#13;
book for which the author had received or was&#13;
to receive several hundred pounds, and less so&#13;
in the case of work paid for with as many six-&#13;
pences. I would like to read some such sentence&#13;
in a literary critique as the following: “This is&#13;
a hastily-written book, immaturely considered.&#13;
Still, when we remember that the author&#13;
produced it at the rate of fourpence halfpenny&#13;
for each hour's work, we cannot but commend it&#13;
as extremely good value for money.” In this&#13;
matter also the philosophy of Mrs. Gamp holds&#13;
good, and them as wants titivating must pay&#13;
accordingly.&#13;
Alphonse Daudet has just finished a new&#13;
novel. It is one of the very few of his stories—&#13;
is it not the only one P-which contains a murder.&#13;
There are a husband and wife who each suspects&#13;
the other of the crime, and so on. It ends in a&#13;
reconciliation. I am glad to say that Daudet's&#13;
health is improving. I had a long letter from&#13;
him a few days ago, entirely in his own hand,&#13;
firm, healthy writing “in his least nervous pen.”&#13;
Be usually dictates to his secretary, the amiable&#13;
M. Ebner. He tells me that his son’s book,&#13;
“Les Morticoles,” is still selling very well,&#13;
already in a tenth edition, I believe.&#13;
Apropos of Léon Daudet, who, it will be&#13;
remembered, married Victor Hugo's grand-&#13;
daughter, the last time I saw him he told me&#13;
that Hugo's books were selling very badly&#13;
indeed, and he is in a position to know the&#13;
facts, as husband of the lady who is entitled&#13;
to one half the revenue from the Hugo copy-&#13;
rights. This disposes of various accounts we&#13;
have heard of the continued demand for these&#13;
works.&#13;
Emile Zola, leaves for Rome next month to&#13;
collect materials for the second volume of “Les&#13;
Trois Villes " series, which is to be called “Rome.”&#13;
I am afraid that he will not succeed, as he had&#13;
hoped, in securing an interview with the Holy&#13;
Father, and it is to be feared that the odium&#13;
theologicum provoked by “Lourdes,” will put&#13;
many difficulties in his way. In the meanwhile&#13;
“Lourdes'' is in its hundredth edition, and&#13;
Charpentier's presses are still hard at work&#13;
turning out copies by the thousand. It is expeeted&#13;
WOL. V.&#13;
that this book will have the largest sale of any of&#13;
Zola's works. *&#13;
Edmund de Goncourt, I am sorry to say, is, as&#13;
I hear from Champrosay, ailing with “a liver&#13;
crisis.” This splendid old man is, however, so&#13;
robust that I expect him to outlive us all. He is&#13;
resting his pen at present, though, of course, he&#13;
continues to keep his daily diary, as he has done&#13;
for the past thirty years.&#13;
The widow of Leconte de Lisle is preparing&#13;
her late husband's manuscripts for the press.&#13;
She is working in collaboration with De Héredice,&#13;
and they hope to collect sufficient material for a&#13;
volume of poems, which shall add to the reputa-&#13;
tion of the author of “Poémes Barbares.” The&#13;
task is a difficult one, as the late poet was very&#13;
critical about his own work, and they are anxious&#13;
not to print anything which he would have&#13;
refused to publish. Leconte de Lisle destroyed&#13;
more than four thousand lines of verse which he&#13;
deemed unsatisfactory, and what he published&#13;
had been revised and revised again.&#13;
A new life of Napoleon is being prepared in&#13;
Paris by a Boston Professor, and will run for two&#13;
years in the Century Magazine. I myself was&#13;
recently invited by the proprietors of another&#13;
American magazine to do another life of Napoleon,&#13;
and very good terms were offered. But the&#13;
matter fell through when I was informed that&#13;
Napoleon had to be treated in an entirely favour-&#13;
able light, as I found it impossible to do so. The&#13;
Americans all have an immense admiration for&#13;
Napoleon, chiefly, no doubt, because of the persis-&#13;
tent way in which he plagued England. A study&#13;
of Napoleon as the Arch-Anarchist and forerunner&#13;
of the anarchy of this fin de siècle would be&#13;
interesting. ROBERT H. SHERARD.&#13;
Capbreton, Landes, Sept. 19.&#13;
*– ~ –”&#13;
g- &gt; -e&#13;
AUGUSTA WEBSTER,&#13;
HE death of Augusta Webster on Sept. 5&#13;
takes from us a poet of very remarkable&#13;
powers, and of achievement second to no&#13;
woman of the age who has attempted poetry.&#13;
She was a daughter of the late Admiral Davies,&#13;
who for many years filled the post of Chief&#13;
Constable for Cambridgeshire, and lived at Cam-&#13;
bridge.&#13;
Augusta Davies published her first volume of&#13;
verse in the year 1861 or 1862. It was entitled&#13;
“Blanche Lisle,” and bore the assumed name of&#13;
Cecil Horne. After her marriage to Mr. Thomas&#13;
Webster, a classical scholar and a Fellow of Trinity,&#13;
she published under her own name translations&#13;
of “Prometheous Vinctus ” and the “Medea,”&#13;
N 2&#13;
&#13;
&#13;
## p. 122 (#136) ############################################&#13;
&#13;
I 22&#13;
THE AUTHOR.&#13;
she also published another volume of verse under&#13;
her nom de plume. The works that followed were&#13;
“Dramatic Studies” (1866), “A Woman Sold”&#13;
(1867), “Portraits” (1870), “The Auspicious&#13;
Day” (1872), “Yu-Pe-Yas's Lute” (1874),&#13;
“Disguises” (1879), “A Book of Rhyme’”&#13;
(1881), “In a Day” (1882), “Daffodil and the&#13;
Croaxaxicans” (1884), and “The Sentence”&#13;
(1887). In addition to these volumes of verse,&#13;
Mrs. Webster produced a book of essays called&#13;
“A Housewife's Opinions.” She wrote for the&#13;
Eacaminer when William Minto was its editor,&#13;
and, it is understood, for the Athenæum. She&#13;
also essayed a novel, but, apparently, without&#13;
success, and for six years she was a member of&#13;
the London School Board.&#13;
It will be seen that her time of greatest&#13;
activity was in the sixties and the seventies. It&#13;
seems a long time ago, but the time has not yet&#13;
come for an estimate of Augusta Webster's place&#13;
among the poets of the Victorian age—an age&#13;
which produces more fine verse in a decade&#13;
than was written during the whole of the last&#13;
century, and an age in which critics are continu-&#13;
ally bemoaning the decay of verse; an age in&#13;
which we are so busy over our own work that we&#13;
have no time to read the work of others; an age&#13;
in which a new great Inovelist, if not a new great&#13;
poet, is boomed every month; an age in which&#13;
the poet of to-day will be clean forgotten to-&#13;
morrow. The contemporaries of Augusta&#13;
Webster—those who lived in the sixties and&#13;
the seventies—have read her works and found in&#13;
them qualities of the highest order, purity of&#13;
thought, beauty of expression, music in rhythm,&#13;
dexterity in metre, power of conceiving and&#13;
drawing character. Does the younger genera-&#13;
tion read her P Ome knows not. Will the works&#13;
of this singer survive? Out of all she wrote,&#13;
surely, something. He would be a bold critic who&#13;
would foretell immortality, even a limited im-&#13;
mortality—an existence prolonged for three&#13;
generations—for any poem of the day. But to&#13;
him who remembers those early volumes—the&#13;
“Dramatic Studies,” “Portraits,” and the trans-&#13;
lations—Augusta Webster will always remain a&#13;
figure in contemporary literature among the fore-&#13;
most, and among the worthiest. W. B.&#13;
** a 2–º&#13;
r- - -,&#13;
NOTES AND NEWS.&#13;
R. JAMES PAYN writes that if he had&#13;
twenty lives he would give them all to&#13;
the profession of Letters. He says,&#13;
moreover, that no profession is more free from&#13;
jealousies and acrimonies. Well, a certain depress-&#13;
ing work on the “Quarrels of Authors” is to be&#13;
found in most of our libraries. Some day it will&#13;
be brought up to date, and then some very pretty&#13;
jealousies and acrimonies of the present day, of&#13;
which the world is now ignorant, will be brought&#13;
to light. There have been two or three actions in&#13;
the High Court of Justice produced by “acri-&#13;
monies’’ of literary men. And there are too&#13;
often to be seen even in signed articles, criticisms&#13;
and judgments by literary men concerning other&#13;
literary men that are certainly not kindly either&#13;
in phrase or intention. In fact, one of the prin-&#13;
cipal reasons which has hitherto kept men of&#13;
letters apart from each other, is the unhappy pre-&#13;
judice that it is the duty of a writer to criticise&#13;
and sit in judgment upon other writers, as if the&#13;
power of writing verse should make a critic as&#13;
well as a poet. That criticism should be con-&#13;
temptuous and derisive; that it should not be&#13;
written with the view of pointing out what ought&#13;
to be, but to inflict as much pain as possible by&#13;
exaggerating what is, in the volume: these are&#13;
articles of belief that seem happily passing away.&#13;
The editor of the immediate future will certainly&#13;
insist on as much courtesy in his columns as at&#13;
his dinner table.&#13;
I have before me certain extracts from the&#13;
registers of St. Bartholomew's Church, which&#13;
formerly stood on the site now occupied by the&#13;
east wing of the Bank of England. The dates&#13;
of these registers are from 1568 down to 1720 or&#13;
thereabouts. There are baptisms, marriages, and&#13;
deaths. Among them are three entries which&#13;
are curious. They are all in the burials, and are&#13;
as follows:&#13;
1672. Katharine Dufoe.&#13;
I687. Katharine Dufoe.&#13;
1708. Mary Defoe.&#13;
Now Daniel Defoe, son of Thomas Foe, of&#13;
Cripplegate, and said to be the grandson of&#13;
Thomas Foe, of Elton, assumed the “De '’ about&#13;
the year 1684. It is generally assumed that he&#13;
did so in the hope of passing for one of gentle&#13;
birth. These entries, however, make it clear that&#13;
there was one family, perhaps two, in the City&#13;
of the name of Dufoe or Defoe. It is probablé,&#13;
therefore, that this was the older way of spelling&#13;
his name, and that he was really connected with&#13;
families who so spelled the name.&#13;
The Rev. Dr. Bell, of Cheltenham, calls my&#13;
attention to the question in the September&#13;
number of the Author : “Is not the Sheridan&#13;
family the only family on record which has con-&#13;
tinued to hand down its best characteristics from&#13;
One generation to another ?” He reminds me of&#13;
&#13;
&#13;
## p. 123 (#137) ############################################&#13;
&#13;
THE AUTHOR.&#13;
I 23&#13;
the Arnold family as another which has also done&#13;
so. He mentions the names of Matthew Arnold,&#13;
Thomas Arnold, Mrs. Humphry Ward, Mr. Oakley&#13;
Arnold Forster. Undoubtedly this is another&#13;
case of hereditary genius, which in the domain of&#13;
literature is exceedingly rare. In music and in&#13;
law hereditary ability is more often found. What&#13;
descendants of Chaucer, Shakespeare, Milton,&#13;
Wordsworth, Byron, Shelley, have ever distin-&#13;
guished themselves in literature ?&#13;
In another column will be found some kind of&#13;
answer—though of necessity incomplete—towards&#13;
the question of what the people read. Setting&#13;
aside fiction, an army of Io,000 borrowers, in&#13;
one library, read during one year 65,000 works of&#13;
history, travels, philosophy, art, and science.&#13;
This for a body of people only just beginning to&#13;
read seems pretty well. We must remember that&#13;
they are nearly all working people; that a great&#13;
many of them—the women especially—have very&#13;
long hours of work; that during the summer&#13;
months they will naturally take their recreation&#13;
in the open air; and that a large proportion of&#13;
the men have been accustomed to take their&#13;
winter recreation in public houses.&#13;
Let us remember also that without this library&#13;
only very few of these working men would have&#13;
read any book at all. Not any book at all. It is&#13;
rare to find books in a working man's lodging ;&#13;
it is still rarer to find him buying books. How&#13;
can he buy books unless out of the twopenny&#13;
basket P Indeed, to those who ignorantly accuse&#13;
us, as a nation, of not buying books, the first&#13;
reply is, that whether we want to buy books or&#13;
not we cannot afford to do so, because, out of the&#13;
whole 37,000,000 population or 7,400,000 families&#13;
in this our United Kingdom, there are but&#13;
250,000 families which earn an income of so much&#13;
as 32OO a year, and not more than 400,000&#13;
families which either earn or possess that modest&#13;
income. Now, with the lowest possible standard&#13;
of necessary comfort, what margin can be left&#13;
with an income of £200 for the purchase of&#13;
books P From time to time we read letters in the&#13;
papers on the economy of small incomes. Some-&#13;
thing is put down for the luxury of trips and&#13;
excursions—for change of air is necessary; the&#13;
gentility of a pew, instead of a free seat, is never&#13;
forgotten ; but nothing is ever left for books.&#13;
Why? Because books cannot be afforded. And&#13;
those who cannot buy books are now growing&#13;
eager to read them. “We would buy,” they say,&#13;
“if we could. But, indeed, we are not able to&#13;
buy.”&#13;
--&gt;e-&#13;
As for those favoured few—the happy 4OO,OOO&#13;
families—whose income is 32OO a year and over,&#13;
they have hitherto bought all the books that are&#13;
sold—new or secondhand—all but the books of&#13;
elementary education. The new public libraries are&#13;
now stepping in as purchasers. When we speak of&#13;
the vast audience which already awaits a success-&#13;
ful writer, whether historian, poet, exponent of&#13;
science, preacher, philosopher, or novelist, it&#13;
must be remembered that this great body of&#13;
readers who cannot buy will always form the&#13;
largest part. And if, as seems probable, the&#13;
400,000 families above-named become reduced in&#13;
number, and their incomes grow steadily and&#13;
yearly less, there will be nobody at all left to buy&#13;
books, and the libraries will be the only pur-&#13;
chasers. Meantime what the 400,000 do buy and&#13;
how much they buy, and how far the reproach is&#13;
just that they do not buy, must be considered by&#13;
the light of actual figures. And these figures&#13;
we will try to collect and to publish.&#13;
The New York Critic of Aug. 11 contained a&#13;
paper on Art in the Magazines, suggested by cer-&#13;
tain comparisons made in these columns between&#13;
the advance of the American magazines and the&#13;
seeming decline of our own. The writer says:&#13;
“Among other reasons advanced for this state of&#13;
things is the abundance of illustrations that we&#13;
give, but the most important thing is omitted,&#13;
viz., their quality. With us illustration is an art;&#13;
in England it is a pastime—it entertains without&#13;
instructing. The same class of men do not prac-&#13;
tise it in both countries; and, furthermore, the&#13;
English draughtsmen have not yet learned to&#13;
draw for the photo-engravers, as have the&#13;
American and the French.” He goes on to&#13;
criticise the artistic character of a certain English&#13;
magazine. The remarks under this head may be&#13;
omitted. The following, however, is an American's&#13;
opinion on American art. One would like that&#13;
of an English artist on the same work:&#13;
Now take the August Harper’s and see the difference&#13;
between the American process-work and that of England.&#13;
Note Mr. Smedley’s illustrations in Mr. Ralph's story of&#13;
“Old Monmouth,” in Mr. Matthews’s “A Vista in Central&#13;
Park,” or in Mr. Warner's story. They are made by the&#13;
Kurtz process. Here we have the artist and the process-&#13;
engraver working in perfect harmony, and the result is&#13;
almost as fine as that brought about by the graver. Mr.&#13;
Remington’s illustrations of his own paper are even better.&#13;
There are few artists who know so well how to work for&#13;
mechanical engraving as Mr. Remington. An admirable&#13;
piece of work is Mr. Thulstrup's in “Up the Coast of&#13;
Norway.” The illustration on page 381 has all the softness&#13;
and light and shade of a mezzotint engraving. Mr. Du&#13;
Maurier's illustrations of “Trilby’’ lend themselves parti-&#13;
cularly well to the work of photo-engraving, because they&#13;
are pen-and-ink drawings. The engraver could probably&#13;
not reproduce them any better, if as well. But to see just&#13;
&#13;
&#13;
## p. 124 (#138) ############################################&#13;
&#13;
I 24&#13;
THE AUTHOR.&#13;
what delicaey and tone the engraver's hand gives to a picture,&#13;
we must turm to the frontispiece, “On Shark River,” drawn&#13;
and engraved by Victor Bernstrom. In Mr. Castaigne we&#13;
have another artist who is a master of the art of drawing&#13;
for process-engraving. He is a Frenchman, and learned his&#13;
art in France, where they have long made a specialty of it.&#13;
I doubt whether the engraver could do him the justice that&#13;
the camera does. It would be very difficult to catch his&#13;
peculiar effects with the hand. His illustrations to&#13;
“Washington as a Spectacle,” in the Century, make this&#13;
clear, especially the picture on page 490. Mr. Sterner&#13;
shows himself in a new light in his illustration of “Poe in&#13;
the South.” There is an imaginative quality in his work&#13;
that goes well with that of the author he illustrates. For&#13;
work with the graver it would be hard to find anything&#13;
more satisfactory than Mr. Timothy Cole's reproduction of&#13;
Quentin Matsy’s portrait of his second wife. Here we have&#13;
something that mechanical engraving can never give—the&#13;
personality of the engraver, the touch of the artist. In&#13;
looking at this picture one feels the dignity of handwork&#13;
over that of the machine. Another fine example of the&#13;
engraver's art is the frontispiece of Scribner's, Carolus .&#13;
Duran’s “The Poet with the Mandolin,” engraved by W. B.&#13;
Closson. Here, again, we have what photo-engraving cannot&#13;
give. The name of W. S. Vanderbilt Allen is comparatively&#13;
new in the art world, but it accompanies some spirited&#13;
scenes of Newport life, which have had the distinction of&#13;
being engraved. Kaemmerer's illustrations of Professor&#13;
C. G. D. Roberts's poem would have gained much, had&#13;
Florian touched them into life; as it is, they have lost by&#13;
the “process.” On the other hand, it is doubtful whether&#13;
the engraver could have done more for Castaigne's illus-&#13;
trations of Mr. Bunner's story. Process work has seldom&#13;
been seen to better advantage than in the picture opposite&#13;
page I64. Mr. Sterner's illustrations of “An Undiscovered&#13;
Murder” are, if anything, better than those he has in the&#13;
Centwry. They are certainly more pleasing in subject, and&#13;
the one on page 183 is a gem. No ; one does not find such&#13;
art in the English magazines.&#13;
Everybody is interested in the Autocrat of&#13;
Boston. Therefore I make no doubt that every-&#13;
body will read the following extract from the&#13;
New York Critic (Sept. 8, 1894). I had the&#13;
pleasure of an afternoon with the most amiable&#13;
of poets and essayists last year. We drove from&#13;
Salem to Beverly one fine afternoon in July, the&#13;
party consisting of Prof. Woodberry, Mr. Sprigge,&#13;
and myself. And we spent a couple of hours&#13;
talking to the Autocrat, who was in the best&#13;
spirits, and the best health possible. At Beverly&#13;
he has a charming country house on a hill with&#13;
a large garden and a delightful view.&#13;
Dr. Oliver Wendell Holmes’s birthday, of which the&#13;
Critic had brief mention last week, was celebrated in a very&#13;
quiet manner, as the poet himself desired. He is not only&#13;
adverse to publicity on that day, but finds it best to protect&#13;
his health as far as possible by preventing intrusion into his&#13;
Sanctum. The good Doctor is always kindly in feeling and&#13;
expression towards every reporter who calls, but yet has be-&#13;
come now extremely reserved. To the first reporter who&#13;
came last week he gave an interview, and then, when the&#13;
other gentlemen of the press trod the path to his Beverly&#13;
Summer home, he presented each with a printed slip con-&#13;
taining this same interview, thus saving time and exertion.&#13;
The friends who called on his birthday were glad to find that&#13;
in spite of the prolonged illness which prostrated both mind&#13;
and body (infact, the doctor himself says that it was the longest,&#13;
illness he ever had), the Autocrat is regaining his physical&#13;
strength. He is no longer able to answer the hosts of letters.&#13;
that pour in upon him as they always have, people by the score&#13;
having simply flooded his table with queries and with manu-&#13;
scripts to which they have invited his attention ; and, while the&#13;
Doctor has always expressed himself as gratified at words.&#13;
of affection, he has not been able of late to answer even the&#13;
complimentary notes. Indeed, he does no writing now at&#13;
all, and whatever dictation he is able to carry out is devoted&#13;
to the completion of his autobiography, now made his great.&#13;
lifework, and not destined to be published until after his&#13;
death. Someone suggested to the Doctor, when the latter&#13;
spoke of the cramp that affected his hand in writing, that&#13;
he learn to use the type-writer, but the poet smilingly&#13;
replied that he did not propose to forsake an old friend for&#13;
a new one at his time of life. For eight summers now Dr.&#13;
Holmes has been at Beverly Farms, which he regards as the&#13;
most perfect of summer resorts (barring the east winds),&#13;
and he delights in telling visitors about all the surroundings.&#13;
of the place. He points out, with delightful interest, the&#13;
two islands in front of his house, quaintly named “Great.&#13;
Misery" and “Little Misery"—terms derived from a game&#13;
of cards called Boston,” invented by some British officers.&#13;
who were quartered upon those islands during the early&#13;
wars. Of course, the trees still consume a great deal of his&#13;
attention. Recently, it is said, he has found a new tree in.&#13;
Beverly, which he considers the most beautiful of all; and&#13;
to its base he drives several times each week, there to sit&#13;
in its shade and enjoy its protection. If he can hear of any&#13;
big tree within any reasonable distance of his home he is sure&#13;
to visit it.&#13;
Speaking about his health to a caller, Dr. Holmes said:—&#13;
“I am afraid that I am commencing to grow old. Since&#13;
last February, when I had a severe attack of the grip, I&#13;
have not been very well, and I have been obliged to take.&#13;
good care of myself. Walking and riding principally, an&#13;
occasional call and receiving some of my friends who are&#13;
kind enough to call upon me, form the day’s routine.” He&#13;
spoke briefly of literary people he had known, stating that&#13;
he had been visited by almost every literary Englishman,&#13;
who had come to Boston since Dickens's time. He added&#13;
sadly, “Lowell’s death affected me keenly, it makes.&#13;
me feel that I am old, that I have outlived my genera-&#13;
tion.” It is a well known and remarkable fact that&#13;
the year which saw Dr. Holmes’s birth, 1809, also saw&#13;
the births of Tennyson, Darwin, Gladstone, Robert C.&#13;
Winthrop, and Abraham Lincoln. Dr. Holmes himself&#13;
once spoke of this, mentioning all except himself in noting:&#13;
the “wonders” of the year, and when his visitor added,&#13;
“You have forgot to mention one birth, Doctor, that of&#13;
Oliver Wendell Holmes,” the Autocrat quickly responded,&#13;
“Oh, that doesn’t count ; I ‘sneaked in, as it were.” Dr.&#13;
Holmes’s birthday this year was remembered, as usual, by&#13;
his publishers, Houghton, Mifflin and Co., with a magnificent.&#13;
bouquet of eighty-five roses, one for each year of the poet's,&#13;
life, while other friends sent remembrances.&#13;
The classification of Literature is a subject&#13;
which belongs especially to the Institute of&#13;
Librarians. If, however, the existing methods of&#13;
classification are to be considered by this body,&#13;
we may ask to send representatives to the&#13;
deliberating committee. A letter by Mr. J.&#13;
Taylor Kay, in the Daily Chronicle for Sept. 18,&#13;
proposes that a commission consisting of one or&#13;
&#13;
&#13;
## p. 125 (#139) ############################################&#13;
&#13;
THE AUTHOR.&#13;
I 25&#13;
two members of the crafts of author, publisher,&#13;
bookseller, journalist, and librarian, shall be&#13;
appointed to consider existing systems, and to&#13;
recommend, or to create, a classification for&#13;
general use. Meantime Mr. Kay gives the&#13;
classification which he considers the best, that of&#13;
Mr. Melville Dewey, proposed in 1876. Here it&#13;
IS :—&#13;
CLASSES AND DIVISIONs.&#13;
O 480 Greek.&#13;
IO Bibliography. 490 Other Languages.&#13;
2O Book Rarities and 500 NATURAL SCIENCE.&#13;
MSS. 5IO Mathematics.&#13;
30 General Cyclopedias. 520 Astronomy.&#13;
40 Polygraphy. 53O Physics.&#13;
50 General Periodials. 540 Chemistry.&#13;
6O General Societies. 550 Geology.&#13;
70 Bookbinding. 560 Paleontology.&#13;
80 Catalogues. 57O Biology.&#13;
90 58o Botany.&#13;
IOO PHILOSOPHY. 590 Zoology.&#13;
I IO Metaphysics. 6OO USEFUL ARTs.&#13;
I 20 - 6IO Medicine.&#13;
130 Anthropology. 62O Engineering.&#13;
140 Schools of Psychology. 630 Agriculture.&#13;
I 5o Mental Faculties. 64o Domestic Economy.&#13;
16O Logic. 650 Communication and&#13;
17o Ethics. Commerce.&#13;
180 Ancient Philosophies. 660 Chemical Technology.&#13;
190 Modern Philosophies. 670 Manufactures.&#13;
2OO Theology. 68o Mechanic Trades.&#13;
2Io Natural Theology. 690 Building.&#13;
22O Bible. 700 FINE ARTs.&#13;
23o Doctrinal Theology. 7Io Landscape Gardening.&#13;
240 Practical and Devo- 720 Architecture.&#13;
tional. 730 Sculpture.&#13;
250 Homiletical and Pas- 740 Drawing and Design.&#13;
toral. 75o Painting.&#13;
26O Institutions and Mis- 76o Engraving.&#13;
sions. 77O Photography.&#13;
270 Ecclesiastical History. 78o Music.&#13;
28o Christian sects. 790 Amusements.&#13;
290 Non-Christian Reli- 8oo LITERATURE.&#13;
gions. 8Io Treatises and Collec-&#13;
3OO SOCIOLOGY. tions.&#13;
3IO Statistics. 820 English.&#13;
320 Political Science. 830 German.&#13;
330 Political Economy. 84o French.&#13;
340 Law. 85o Italian.&#13;
350 Administration. 86o Spanish.&#13;
360 Associations and In- 870 Latin.&#13;
tutions. - 88o Greek.&#13;
37O Education. 890 Other Languages.&#13;
380 Commerce and Com- 90o HISTORY.&#13;
- munication. 9IO Geography and De-&#13;
390 Customs and Cos- scription.&#13;
tumes. 920 Biography.&#13;
4OO PHILOLOGY. 930 Ancient History.&#13;
4IO Comparative. 940 Europe.&#13;
42O English. 950 º ſ:&#13;
430 German. 96o 3 || Africa.&#13;
44O French. 97O 3 4 North America.&#13;
450 Italian. 98o 3 | South America.&#13;
460 Spanish. 990 Oceanica and&#13;
47O Latin. Polar Regions.&#13;
. . Each of these divisions is, of course, capable of&#13;
mine further sub-divisions. In adapting the&#13;
8th Alabama Regiment.&#13;
system to shelving arrangements, the above&#13;
numbers are the subjects or class numbers, and&#13;
a decimal point number being added, acts at the&#13;
order of numeration on the shelves, which in each&#13;
case will, of course, run to infinity.&#13;
An interesting point in literary history is&#13;
touched upon by an “Old Novel Reader”&#13;
(p. 129). He informs us that the first attempt&#13;
to introduce cheap books was made in Ireland&#13;
nearly sixty years ago, by Mr. John Simms, of&#13;
the firm of Simms and MacIntyre, of Belfast.&#13;
Mr. Henry Herman is dead. One was sur-&#13;
prised to learn, first, that he was sixty-three&#13;
years of age, and next, that he was formerly a&#13;
Confederate officer—Lieutenant-Colonel of the&#13;
He was the author,&#13;
in collaboration with Mr. Henry Arthur Jones,&#13;
of the “Silver King,” and he wrote “Claudian.”&#13;
He also wrote, with Mr. David Christie Murray,&#13;
two novels, and several without collaboration.&#13;
He was a man of strong friendships, of great&#13;
resource, and of wide personal experience.&#13;
Sir Frederick Pollock (p. 126) objects to the&#13;
“language” of a note of mine about the importa-&#13;
tion of Tauchnitz books. He complains that it is a&#13;
note of “vituperation.” I thought, in my feeble&#13;
way, that it was a note written in good temper&#13;
and without any calling of names. I have read&#13;
it again ; and again I fail to find any “vitupera-&#13;
tion.” Is it right, or is it not, to bring these&#13;
books into England P. If it is not right, one is&#13;
justified in saying so. The reason why the prac-&#13;
tice is common is that many excellent people who&#13;
carry it on are ignorant that it is much the same&#13;
thing as smuggling a roll of lace. And this was&#13;
pointed out in the note. However, as some&#13;
readers have not perhaps read the note of&#13;
September who will read Sir Frederick's remarks&#13;
in October, I reproduce it, vituperation and all :&#13;
Every year, as regularly as the showers of August,&#13;
appears the letter complaining of the bold bad smuggler who&#13;
imports Tauchnitz editions in his pockets. The whole family,&#13;
girls and all, enter with zeal into the smuggling business;&#13;
impromptu pockets are devised in feminine garments;&#13;
men’s coats are found to contain stowage room previously&#13;
unsuspected; a successful run is made ; and the family&#13;
shelves are enriched with another row of Tauchnitz books.&#13;
They have been bought at half the cost of the English&#13;
edition, you see. Cheapness before anything. These books,&#13;
moreover, are openly sold in this country; one may some-&#13;
times see rows of them in the secondhand shops. What is&#13;
to be done P. It is impossible to touch the conscience of the&#13;
traveller homeward bound. He will not smuggle lace,&#13;
because he understands that lace is property—it is visible&#13;
property—he must not defraud the revenue ; literary pro-&#13;
perty he does not understand—he cannot see it. Here is a&#13;
&#13;
&#13;
## p. 126 (#140) ############################################&#13;
&#13;
126&#13;
THE AUTHOR.&#13;
book—why cannot he take the book home with him P&#13;
Because the law prohibits P Nonsense ; it can hurt nobody.&#13;
It is impossible to make him see that to import this book is&#13;
an infringement of right; a robbery of author or publisher,&#13;
or both. Therefore something else must be attempted.&#13;
What? Let us take counsel together. There must surely&#13;
be some way of preventing the smuggling of books. Now&#13;
the rough and ready way by which dockyard labourers are&#13;
prevented from stealing dockyard stores might be at-&#13;
tempted. Wardens of the yard stand at the gates and feel&#13;
the men as they pass. An expert hand would detect a&#13;
Tauchnitz in the coat pocket. And a substantial fine&#13;
judiciously and sternly administered would do the rest. But&#13;
perhaps some other method might be suggested.&#13;
About the magnitude of the mischief; Sir&#13;
Frederick puts it down at £50 or £100. Let us&#13;
see. Every year there are at least 300,000&#13;
travellers from the British Isles on the Continent.&#13;
These include the people who crowd the hotels of&#13;
Biarritz, the Riviera, and Italy in the winter; the&#13;
people who stay at the mountain resorts; and the&#13;
people who travel in the spring, summer, and&#13;
autumn. All these people buy for their reading&#13;
the Tauchnitz books. This collection contains&#13;
2Ooo works, I believe, in about 25oo volumes. It&#13;
is certainly not too much to estimate the annual&#13;
purchase at one volume for each traveller. If&#13;
only half of these volumes—say 150,000, repre-&#13;
senting I2O,OOO works—are brought back to Eng-&#13;
land, it means that I2O,OOO works printed abroad&#13;
are annually brought over here, to the great detri-&#13;
ment and loss of books printed in this country. We&#13;
certainly must not assume that every book brought&#13;
over prevents the purchase of an English manufac-&#13;
tured book. But, remembering the way that&#13;
books get lent, and that in certain houses, where&#13;
not much can be spent in new books, every book&#13;
is circulated, we may be pretty sure that the&#13;
Tauchnitz books do prevent the purchase of a&#13;
very large number of English books. I should be&#13;
disposed, roughly, to estimate the yearly loss at&#13;
something like 60,000 volumes, which means a&#13;
good many thousand pounds, and I think that if&#13;
the Society could do anything to stop the practice&#13;
of bringing over these books, it would be doing&#13;
good service to everybody concerned.&#13;
The new departure which was observed by&#13;
Messrs. Sampson Low, Marston, and Co. in the&#13;
publication of Mr. Blackmore’s “Perlycross"&#13;
has been followed in Mr. William Black's new&#13;
novel “Highland Cousins.” The first issue of&#13;
the novel in book form is in one volume at 6s.&#13;
The edition consisted of 6000 copies, and the 4th,&#13;
5th, and 6th thousand are so numbered on the&#13;
title page. The month which produces “Trilby’’&#13;
and “Perlycross” and “Highland Cousins” is&#13;
fortunate indeed. WALTER BESANT.&#13;
NOTES BY THE WAY.&#13;
HE correspondent who complains, in the&#13;
September number of the Author, that he&#13;
dares not talk to his publisher like a man&#13;
of business, has another way open to him. If he&#13;
really believes in his own estimate of the com-&#13;
mercial value of his work, he can easily make sure&#13;
whether his view or the publisher's is right. Let&#13;
him publish on commission. But this, it may be&#13;
said, involves risk. Of course it does. Nothing&#13;
venture, nothing have. In the usual forms of&#13;
publishing contract the author is insured against&#13;
risk by the publisher. People will not insure your&#13;
book against publishing risks for nothing, any&#13;
more than they will insure your house against&#13;
fire, or your crops against storm. This insurance&#13;
is not separately charged, but is one of the many&#13;
elements determining the author's share of&#13;
profits. In the case of an author who is already&#13;
successful, the risk and the insurance premium&#13;
may be taken as less than any assignable quan-&#13;
tity. In the case of an unknown or hitherto&#13;
unsuccessful author they are and must be appre-&#13;
ciable. The fact that a new author's book suc-&#13;
ceeds does not show that there was no risk, no&#13;
more than the fact of one's house not being burnt&#13;
down or one's ship wrecked shows that it was&#13;
foolish to insure. For the rest, the Society can&#13;
and does give information and advice to its&#13;
members; it cannot provide them with back-&#13;
bones.&#13;
2. I must deprecate the language of the note&#13;
about importing Tauchnitz editions. It is use-&#13;
less to call people thieves and robbers for not&#13;
being in advance of public opinion ; and I must&#13;
also protest against the suggestion of adding&#13;
some new inquisitorial procedure to the terrors&#13;
of our custom houses, which are already, since&#13;
the dynamite scare of ten or twelve years ago, the&#13;
most troublesome in Western Europe. Neverthe-&#13;
less, a law-abiding man ought to satisfy law and&#13;
conscience, and at the same time do a work of&#13;
charity to other travellers, by leaving his foreign&#13;
reprints asan addition to some hotelorship library.&#13;
Public opinion has to be educated on this point,&#13;
but it is not to be done by vituperation. Mean-&#13;
while, I should like to know whether the total&#13;
loss to British publishers and authors by the&#13;
private importation of Tauchnitz copies amounts&#13;
to anything like 3100 or £50 in a year. We&#13;
certainly cannot assume that every one who brings&#13;
in a Tauchnitz copy of a popular book would&#13;
otherwise have bought an English one. It seems&#13;
to me that we have more important things to&#13;
attend to, even in this particular line. For&#13;
example, the book market of the minor colonies is,&#13;
or very lately was, supplied almost wholly by&#13;
&#13;
&#13;
## p. 127 (#141) ############################################&#13;
&#13;
THE AUTHOR.&#13;
127&#13;
pirated issues notwithstanding the efforts already&#13;
made by the Society to procure better inforce-&#13;
ment of the law. The same mischief exists,&#13;
though not so largely, in Canada.&#13;
3. The question of filling up the Laureateship&#13;
iseems to me outside the business of the Society&#13;
of Authors. Individual members are entitled to&#13;
their opinions. I shall not state mine, but I feel&#13;
sure that any corporate attempt at meddling in&#13;
this matter could only bring the Society into&#13;
ridicule.&#13;
4. I have observed with uneasiness, in the&#13;
Author and elsewhere, a tendency to revive the&#13;
high metaphysical theory of copyright as a per-&#13;
petual and immutable right of property conferred&#13;
by the law of nature. This theory is, in my&#13;
opinion, unsound, and at all events it has been&#13;
definitely rejected by English and American law.&#13;
'Copyright is property, but not a property in&#13;
ideas; it is a monopoly or exclusive franchise,&#13;
created for reasons of policy, in particular forms&#13;
whereby ideas are expressed. M. Mallarmé's&#13;
project is of a different order. It is an instal-&#13;
ment of Socialism, and points towards a proposal&#13;
which I quite expect to see seriously made some&#13;
day, namely, to abolish copyright and substitute&#13;
the endowment of literature by a State depart-&#13;
ment, which department would, as a probable&#13;
though not necessary corollary, be invested with&#13;
large powers of censorship. Let authors consider&#13;
how they would like this. -&#13;
FREDERICK POLLOCK.&#13;
*— - -º&#13;
HAMMERSMITH PUBLIC LIBRARY,&#13;
- HE Report of the Commissioners for the&#13;
Public Library of Hammersmith for the&#13;
year 1893-94 has been sent to us. The facts&#13;
and figures are instructive. By an unfortunate&#13;
omission the rules of the library are not presented&#13;
with the report, so that the subscription or price&#13;
of a ticket for the lending library cannot be&#13;
learned. That it is very small is shown from the&#13;
return of receipts for the year, in which&#13;
320 Os. 5d. is set down for sales of tickets.&#13;
Comparing the number of applicants for new&#13;
tickets with the amount realised, it would seem&#13;
that 2:#d. was the price of a ticket, but perhaps&#13;
this is wrong.&#13;
Bowever, there are about Io,000 borrowers.&#13;
An analysis of the professions and trades of the&#13;
2OOO who enrolled themselves during the year&#13;
shows 350 belonging to the professional classes,&#13;
among them two authors, three publishers, one&#13;
barrister, one solicitor, fourteen clergymen, two&#13;
missionaries, nine journalists, while the rest are&#13;
all working men and working women. The&#13;
library, therefore, belongs to all classes. It con-&#13;
tains II,500 books, of which more than one-fourth&#13;
belong to fiction. It is greatly to be hoped that&#13;
in the next report the commissioners will give an&#13;
analysis of the books taken out, showing the&#13;
names of the authors mostly read. There is,&#13;
however, a classified list showing the number of&#13;
books in each class. The figures are very satis-&#13;
factory. The IO,OOO borrowers between them,&#13;
representing, in the proportion, viz., 18 per cent.&#13;
of the professional to 82 per cent. of the working&#13;
classes, read between them the following:&#13;
Theology and Philosophy 1,958 books&#13;
History and Biography... 7,088&#13;
Voyages and Travels 5,220 , ,&#13;
Law and Politics ......... 679 ,&#13;
Arts and Sciences......... 8,027 ,&#13;
Fiction ..................... I 25,827 ,&#13;
Poetry, Drama, and&#13;
Classics .................. I,725 23&#13;
Miscellaneous and Maga-&#13;
Zines ..................... 9,469 ×&#13;
Juvenile Literature ... ... 28,350 ,&#13;
Music........................ 1,871 ,,&#13;
In all they read I 90,214 books, which, divided&#13;
among the IO, SOO, means very nearly twenty&#13;
books a-head. Since reading is no longer to the&#13;
great mass of mankind study but recreation, and&#13;
since it may be allowed that the Commissioners&#13;
and the librarian between them know how to&#13;
present only literature that is worthy of being&#13;
read, we need not wonder at fiction representing&#13;
60 per cent. of the books taken out. If, however,&#13;
we ask what fiction is read, the answer exactly&#13;
agrees with what has been repeatedly advanced in&#13;
these columns; that the general public turned&#13;
into a public library read exactly what the limited&#13;
public turned into Mudie’s library read, viz., the&#13;
newest fiction by living writers first, and that they&#13;
call for these books oftenest. This must neces-&#13;
sarily be the case, because the books of the day will&#13;
always interest more than the books of yesterday.&#13;
Thus Rider Haggard’s books go out at the rate of&#13;
56 copies a year for each volume, but Scott's&#13;
only 22 ; Thomas Hardy’s novels are taken out&#13;
at the rate of 47 copies a year for each book;&#13;
Charles Dickens's at the rate of 35; Thackeray,&#13;
23; Charles Kingsley, 36. The dead novelists&#13;
still in demand at the Hammersmith Library&#13;
may be classified as follows:–&#13;
Wilkie Collins ............... 26O4 issues.&#13;
Harrison Ainsworth ......... I926 ,&#13;
Miss Muloch .................. I 594 3,&#13;
Lord Lytton .................. I494 3,&#13;
Anthony Trollope ............ I494 3,&#13;
Dickens ........................ I388 ,&#13;
&#13;
&#13;
## p. 128 (#142) ############################################&#13;
&#13;
fº&amp;&#13;
THE AUTHOR.&#13;
Sir W. Scott ~&#13;
II 22 issues.&#13;
Lever ................. ......... 815 ,&#13;
George Eliot .................. 696 »&#13;
Thackeray ..................... 5I 7 2,&#13;
Charlotte Bronté ............ 347 ,&#13;
As to the popularity of living authors the&#13;
returns are not trustworthy, because the collections&#13;
do not appear to be complete.&#13;
On the same subject the Tibrarian of the&#13;
Clerkenwell Public Library—Mr. J. D. Brown—&#13;
writes as follows: “My experience is that slush&#13;
and truck are avoided even by the classes who&#13;
are supposed to have nothing in the nature of&#13;
educated perception about them. Give even the&#13;
ordinary public library boy reader his choice&#13;
between one of Henty’s tales and ‘Broadway&#13;
Bill’s Adventures in Denver,’ and it will soon be&#13;
seen that Paternoster-row licks the Bowery.’”&#13;
• *=~~~~~&#13;
--z-------&#13;
FICTION.&#13;
HE following is an enumeration of the prin-&#13;
T cipal novels and tales published in one,&#13;
two, and three volumes respectively during&#13;
the last three years—Sept. 1891 to Aug. 1894, both&#13;
included. It is compiled from the monthly list of&#13;
, “New Books and New Editions” published in&#13;
the Author, these lists being prepared from the&#13;
daily announcements. Each work is counted&#13;
once only, taking no account of the numerous&#13;
new editions. Translations are not included :-&#13;
1891. 1892. 1893.&#13;
1. 2 3 1. 2 3 1 2 3&#13;
Vol. Wols. Vols. Vol. Vols. Vols. Vol. Vols. Vols.&#13;
September ... Ig | 2 || 5 || 2 I | 2 | II || 48 || 1 || 12&#13;
October ...... 28 || 4 || 7 || 62 || 2 || 14 || 81 8, 16&#13;
November ... 52 || 3 || 6 || 52 || 8 || Io || 75 || 6 || Io&#13;
December ... 18 || 3 9 || 35 | 5 || 5 || 51 || 6 9&#13;
1892. 1893. 1894.&#13;
January ....., I6 || 2 7 I I I 2 8 || 24 2 6&#13;
February ... I9 || 3 || 5 || I4 5 8 || 20 || 4 8&#13;
March ...... 28 2 8 || 2I IO || 23 4 4.&#13;
April ......... I9 || 4 4 || 26 2 6 || 30 7 7&#13;
May ......... 35 || 5 || IO 27 | 5 9 || 28 || 4 || 13&#13;
June ......... 23 2 6 || 38 || 4 || I4 || 41 || 8 || 14&#13;
July ......... 18 4 3 : 36 I 5 || 28 3 3&#13;
August ...... I9 2 3 || 25 | I 3 I7 2 2&#13;
Totals... 204] 36 || 73 ||368 || 37 IO3|466 55 IO2&#13;
Note, in connection with this list, a passage in&#13;
the Author for Sept. 1894, page IO7:—&#13;
“Perhaps the most striking, because the most&#13;
ignorant, comment on the recent three-volume&#13;
novel discussion is the following:—‘The simple&#13;
fact is, that until the public can be educated to:&#13;
buy books instead of borrowing them, the attempt&#13;
to produce original works of fiction in one volume:&#13;
must inevitably result in a ruinous failure.’”&#13;
It will be observed that the one-volume form.&#13;
has increased in two years from 294 to 466. This.&#13;
form is produced for the buying public. Some of&#13;
the books have run into many thousands of copies;,&#13;
we have not heard of any ruinous failures in&#13;
consequence of their appearance.&#13;
II.—THE THREE-VoIUME NOVEL.&#13;
The London Booksellers’ Society has addressed&#13;
a letter to publishers. The letter was published&#13;
on July 18 in the Westminster Gazette, from&#13;
whose columns it is here quoted. By accident the&#13;
slip has been delayed two months:–&#13;
“We observe in the circular addressed to you&#13;
by Messrs. Mudie and Messrs. W. H. Smith and&#13;
Son, with reference to the price of three-volume:&#13;
novels, that they suggest—‘That you shall&#13;
agree not to issue cheaper editions of novels and&#13;
of other books, which have been taken for library&#13;
circulation, within twelve months from the date.&#13;
of publication.” We beg to convey to you our&#13;
unqualified disapproval of such a proposal, and&#13;
in the event of your being inclined to entertain&#13;
the idea, we desire, at this early stage, to enter&#13;
our formal protest against such an injustice to:&#13;
the bookseller. At the same time we are very&#13;
conscious that on this subject your own ideas.&#13;
and ours run on parallel lines. As the whole&#13;
question of three-volume novels is now being&#13;
raised, we should like to say that it would be a&#13;
great satisfaction to us if good works of fiction&#13;
ceased to be issued in this way. We are unani-&#13;
&#13;
mously in favour of such novels being published&#13;
at once in a six-shilling form, or, at any rate, at&#13;
some popular price, and we feel convinced that.&#13;
not only would the bookseller order such volumes&#13;
in large numbers, but that the library orders.&#13;
would not be diminished. As to ‘other books,’&#13;
we have long been of opinion that the price at&#13;
which they are issued upon first publication pro-&#13;
hibits sales.”&#13;
III.-LoRD CHESTERFIELD ON NOVELS.&#13;
In connection with the discussion on the length.&#13;
of novels, I think the following quotation from&#13;
Lord Chesterfield is not inapposite: “I am in&#13;
doubt whether you know what a novel is : it is a&#13;
little gallant history, which must contain a great&#13;
deal of love, and not eaceed one or two small,&#13;
volumes. The subject must be a love affair, the&#13;
lovers are to meet with many difficulties and&#13;
&#13;
&#13;
## p. 129 (#143) ############################################&#13;
&#13;
THE AUTHOR.&#13;
I-29&#13;
obstacles, to oppose the accomplishment of their&#13;
wishes, but at last overcome them all, and the&#13;
conclusion or catastrophe must leave them happy.&#13;
A novel is a kind of abbreviation of a romance;&#13;
for a romance generally consists of twelve&#13;
volumes, all filled with insipid love nonsense and&#13;
most incredible adventures.”&#13;
F. Norreys Conn ELL.&#13;
IV.--THE Two-WOLUME, NOVEL.&#13;
As no voice has so far been raised on behalf of&#13;
the two-volume novel during your late interest-&#13;
ing discussion upon the rival merits of its longer&#13;
and shorter sister, might Inow urge my feeble plea&#13;
for it P. In the first place, would not many three-&#13;
volume novels be improved in quality by some&#13;
compression P. How often the padding will come&#13;
out in that third inevitable volume. Witness&#13;
even “Lord Ormont and his Aminta.” I am an&#13;
ancient and omnivorous novel reader, and I speak&#13;
the name of George Meredith with all due&#13;
reverence, but here for the first time I did strip&#13;
some irrelevant (as it seemed to me) details and&#13;
conversations, not bearing in his usual admirable&#13;
way upon the plot, which helped to expand two&#13;
very short first vols. and this filled up last one&#13;
into the publishers’ fatal three.&#13;
I speak in ignorance of the financial aspect of&#13;
the question. Perhaps you would enlighten us a&#13;
little as to that matter. As regards the reader,&#13;
his pocket would benefit of course, though less&#13;
than if the com oression into one solid mass,&#13;
involving smaller type and poorer margins,&#13;
became general. But then our eyes. We&#13;
especially who go on loving fiction in our&#13;
decrepitude. Besides, who has the courage to&#13;
face a one-volume “Middlemarch " or “Diana&#13;
of the Crossways,” if even the shabbiest of&#13;
second-hand editions in decent print can be had&#13;
second-hand on easy terms ?&#13;
May I venture, in my role of sexagenarian, to&#13;
correct a statement in your August number to&#13;
the following effect, and by so doing do justice&#13;
to an enterprising Irish firm of publishers ?&#13;
“The cheap edition” you say “was introduced&#13;
about thirty years ago.” It is almost double that&#13;
term of years since Mr. John Simms, of the firm&#13;
of Simms and MacIntyre, an old established firm&#13;
in Belfast, invented the shilling novel. This&#13;
gentleman is still alive. I inclose his address&#13;
On the chance that you may care to have a few&#13;
particulars of his venture. I remember, when&#13;
a child, the arrival of each gay green monthly&#13;
volume as it came to be read aloud of an evening,&#13;
and then added to the long rows of its fellows on&#13;
the book-shelves. These bore on their backs the&#13;
names of Miss Mitford, Mary Howitt, Mrs. Gore,&#13;
shilling.&#13;
Mrs. Trollope (Anthony's mother), the Banims.&#13;
(O'Hara family), Carleton, Gerald Griffin, and&#13;
numbers of other good novelists, to say nothing&#13;
of the great “Monte Christo,” “Consuelo,” and&#13;
hosts of the better sort of French and German.&#13;
stories, translated for the first time into English.&#13;
All these came to us at the modest price of one&#13;
With many apologies for intruding on&#13;
your space, I am, sir, yours faithfully,&#13;
AN OLD NOVEL READER.&#13;
THE AUTUMN ANNOUNCEMENTS.&#13;
Tº: following announcements are reduced&#13;
and classified from the lists published in&#13;
the Athenæum up to Sept. 22. The order&#13;
followed is that of their appearance in that.&#13;
paper.&#13;
Among the more important books announced&#13;
by Messrs. Longmans are Froude's “Life and&#13;
Letters of Erasmus;” Gardimer’s “History of&#13;
the Commonwealth;” “Wandering Words,” by&#13;
Sir Edwin Arnold; Liddon’s “Life of Pusey,”&#13;
third vol. ; Liddon’s “Clerical Life and Work;”&#13;
the Bishop of Peterborough’s “Hulsean Lectures.&#13;
for 1894.” They announce one three volume&#13;
novel, one novel in one volume, and a complete.&#13;
set of Mrs. Walford’s books. A new edition of&#13;
Max Müller’s “Chips from a German Workshop;”&#13;
a new edition of Chesney’s “Indian Polity;” and&#13;
a new edition of Leslie Stephen’s “Playground&#13;
of Europe,” are also in their list of thirty-seven&#13;
new books.&#13;
Messrs. Chatto and Windus will produce fifty-&#13;
seven new books, including three novels in&#13;
three volumes; five in two volumes; twenty-five-&#13;
in one volume ; some of these being cheap&#13;
editions only. In what is called more solid.&#13;
literature will be issued Wols. III. and IV. of&#13;
Justin Huntly M*Carthy’s “French Revolution;”&#13;
the Life and Inventions of Edison ; a translation.&#13;
of the Memoirs of the Duchess de Gontant ;.&#13;
Flammarion’s “Popular Astronomy ; ” George&#13;
MacDonald’s Poetical Works. Not belonging to .&#13;
“solid" literature, is Lehmann’s “Conversational.&#13;
Guide to Young Shooters,” from Punch.&#13;
Messrs. Chambers's announcements are mainly&#13;
of fiction. Nine one volume novels; four new&#13;
volumes of popular biographies; and certain.&#13;
elementary works.&#13;
Messrs. G. P. Putnam's Sons announce forty--&#13;
two works. Among these are biographies and&#13;
studies of Rufus King, Oliver Cromwell, Tinto-&#13;
retto, Napoleon, Prince Henry, Julian the&#13;
Apostate, Louis XIV., Thomas Jefferson, Thomas&#13;
&#13;
&#13;
## p. 130 (#144) ############################################&#13;
&#13;
I 30&#13;
THE AUTHOR,&#13;
Paine—a sufficiently miscellaneous collection—&#13;
and five novels.&#13;
Messrs. Macmillan and Co. announce in all&#13;
eighty-two works, including reprints and new&#13;
editions and selections, and republished essays and&#13;
papers. Among the reprints and old authors we&#13;
find Shakespeare: a new Concordance to Shake-&#13;
speare; Tennyson, “Gulliver's Travels;” Froissart,&#13;
Thoreau, Chaucer, Keble, Southey, a new version&#13;
of Marcus Aurelius Antoninus, and several new&#13;
editions of classical works. The more important&#13;
of the new books are Matthew Arnold’s Letters;&#13;
Mrs. Oliphant’s “Reign of Queen Anne,” Mrs.&#13;
Steele's “Tales of the Punjab,” novels by Marion&#13;
Crawford and Sir H. Cunningham, the Life of&#13;
Dean Church, the Life of Cardinal Manning, the&#13;
Life of Sir A. C. Ramsay, Frederic Harrison on&#13;
“The Meaning of History;” Five Lectures by&#13;
Freeman; Canon Atkinson on “Whitby,” and a&#13;
book on Sport and Natural History, by the&#13;
late George Kingsley.&#13;
Mr. John Nimmo will publish eight new books,&#13;
and will complete the “Border Waverley.”&#13;
Among these books will be a biography of the&#13;
late John Addington Symonds; a posthumous&#13;
work by Symonds on Boccaccio; and a selection&#13;
from the stories of Bandello.&#13;
Mr. Edward Arnold announces twenty-six&#13;
works, including a Life of Sir John Macdonald ;&#13;
a Memoir of Maria Edgworth ; the Recollections&#13;
of the Dean of Salisbury; Robert Sherard’s Life&#13;
of Alphonse Daudet; Dean Hole's “Thoughts&#13;
upon England spoken in America; ” and a selec-&#13;
tion from Ste. Buive.&#13;
Messrs. Hutchinson announce thirty-four new&#13;
books. Among these are novels by Mrs. Oliphant,&#13;
D. C. Murray, Mrs. Spender, the author of the&#13;
- “Yellow Aster,” F. Frankfort Moore, Mrs. Dilke,&#13;
Mrs. Alfred Marks, “Rita.” Adeline Sergeant,&#13;
Amelia Barr, and Sarah Tytler.&#13;
The Sunday School Union announces five books,&#13;
including a volume to which Archdeacon Farrar&#13;
- contributes. -&#13;
Messrs. Cassell and Co. announce thirty-eight&#13;
works. These include the second volume of&#13;
Traill’s “Social History of England; ” George&#13;
Augustus Sala’s Autobiography; a “Life of&#13;
Daniel Defoe;” by Thomas Wright; and novels by&#13;
Frank Stockton, Hesba Stretton, Max Pember-&#13;
ton, H. Hutchinson, L. T. Meade, Mrs. Alex-&#13;
ander, Mrs. Molesworth, Anthony Hope, Frank&#13;
Barrett, Egerton Castle, Maurus Jokai, and&#13;
Elizabeth Stuart Phelps.&#13;
Messrs. Partridge and Co. announce twenty-&#13;
seven works. Among these are Biographies of&#13;
Reginald Heber, John Howard, Elizabeth Fry,&#13;
and Bishop Alwyn. There are novels by G.&#13;
Manville Fenn and Sarah Doudney, and there are&#13;
books for boys and girls.&#13;
The S.P.C.K. announce sixteen works. Among&#13;
the writers are Mrs. Charles, Professor Maspero,&#13;
G. Manville Fenn, F. Frankfort Moore, Harry&#13;
Collingwood, and others,&#13;
Messrs. Innes and Co. announce six new books,&#13;
besides story books, for these children's series.&#13;
Dorothea Gerard and Stanley Weyman have&#13;
intrusted them with two novels.&#13;
Messrs. Oliphant, Anderson, and Ferrier&#13;
announce three new books, including one novel by&#13;
Maggie Swan.&#13;
Messrs. Bell announce twenty-eight books.&#13;
Among them are a new volume of Pepys; a&#13;
History of the British Navy, by Capt. Robinson,&#13;
R.N. ; a new edition of “Eros and Psyche,” by&#13;
Robert Bridges; a “Handbook to the Ruins of&#13;
Rome,” by the Rev. Robert Burn; and a transla-&#13;
tion of Gregorovius's “History of Rome in the&#13;
Middle Ages.”&#13;
Messrs. A. and C. Black announce nineteen&#13;
works. Among them are Archdeacon Farrar on&#13;
“The Life of Christ as represented in Art;” an&#13;
“Introduction to the Book of Isaiah,” by the Rev.&#13;
T. K. Cheyne; Haikel’s “Monism,” translated;&#13;
“Syriac Literature,” by the late William Wright;&#13;
“The Religion of the Semites” (new edition), by&#13;
the late Professor Robertson Smith ; and three&#13;
novels.&#13;
Messrs. Methuen and Co. have forty-six books&#13;
in preparation. Among them are six selections of&#13;
English verse and one of English prose; additions&#13;
to the different series running for this firm ; a&#13;
History of Egypt, by Professor Flinders Petrie; a&#13;
book on the French Riviera, by Mrs. Oliphant; a&#13;
book of Ballads, by Rudyard Kipling; and novels&#13;
in one volume by Baring Gould, W. E. Norris,&#13;
Gilbert Parker, Anthony Hope, Conan Doyle,&#13;
Robert Barr, “X, L.,” and Standish O'Grady.&#13;
Messrs. Sonnenschein and Co. announce fifty-&#13;
six works, of which thirteen are educational and&#13;
thirteen belong to social and political economy.&#13;
There is a volume of Ethical Discourses by&#13;
Leslie Stephen; a new series, called “Social Eng-&#13;
land Series,” will be commenced; and there are&#13;
four novels.&#13;
Mr. Fisher Unwin announces fifty-seven works.&#13;
Among them are a translation of Villari’s&#13;
Florence ; “A Literary History of the English&#13;
People,” by M. J. J. Jusserand; the Life of&#13;
Charles Bradlaugh, by his daughter; a Life of&#13;
Abraham Lincoln, by John Nicolay and John&#13;
Hay; Henry Norman's Travels in the Far East;&#13;
four or five books of new verse; twenty novels,&#13;
including one by the Rev. S. R. Crockett and&#13;
one by “Rita; ” the Tales of John Oliver Hobbes,&#13;
now first collected, in one volume ; and the com-&#13;
&#13;
&#13;
## p. 131 (#145) ############################################&#13;
&#13;
THE AUTHOR.&#13;
I31&#13;
mencement of a series called the “Criminology&#13;
Series.”&#13;
Messrs. Wells Gardner and Co. announce&#13;
twenty-three works, including seven stories.&#13;
Mr. John Hogg announces two books, viz., one&#13;
on Whist and a collection of stories.&#13;
The Cambridge University Press announce&#13;
fifty-one books, of which the greater part are&#13;
theological, classical and educational. Not a&#13;
single mathematical or scientific work is in the&#13;
list. The most important of the new books are&#13;
“The History of English Law,” by Sir Frederick&#13;
Pollock and Frederic William Maitland; “Chap-&#13;
ters on the Principles of International Law,” by&#13;
J. Westlake; “The Growth of British Policy,”&#13;
by Sir J. R. Seeley; “Outlines of English&#13;
Industrial History,” by W. Cunningham and E.&#13;
A. McArthur; “The Europeans in India,” by H.&#13;
Morse Stephens; and “The Foundation of the&#13;
German Empire,” by J. W. Headlam.&#13;
Messrs. Chapman and Hall are producing&#13;
fifteen new books. The more important are Sir&#13;
C. P. Beauchamp Walker's “Days of a Soldier's&#13;
Tife,” Col. Malleson’s “Tife of Warren Hastings;&#13;
Col. Cooper King’s “Life of George Washington,”&#13;
“Life of General Lee,” by Fitzhugh Lee, his&#13;
nephew ; six books of sport and travel, and five&#13;
novels.&#13;
Messrs. Heinemann has a list of thirty-five new&#13;
books. Among them may be mentioned “Letters&#13;
of Samuel Taylor Coleridge,” edited by Ernest&#13;
Hartley Coleridge; “In Russet and Silver,” a&#13;
new volume of poems by Edmund Gosse; three&#13;
new volumes of the “Great Educator’”; seven-&#13;
teen novels by Mrs. Lynn Linton, W. E.&#13;
Norris, M. L. Pendered, including transla-&#13;
tions of Björnstjerm, Björnson, Tourjuénief, and&#13;
Zola.&#13;
The “Roxburghe Press” announce sixteen&#13;
books. Among them is the address of the&#13;
Marquis of Salisbury to the British Association,&#13;
revised.&#13;
Mr. David Nutt announces twenty-one books.&#13;
They are not all reprints of mediaeval and Tudor&#13;
literature. Among them is Canon Jenkinson's&#13;
“Cardinal Toussure and the Jesuits in China,”&#13;
and “Lectures on Darwinism,” by the late&#13;
Alfred Milne Marshall. -&#13;
Messrs. Nisbet and Co. announce twenty-five&#13;
new books, with a note of “several new volumes&#13;
in the ‘Pilgrim’ and other series.” With the&#13;
exception of two stories, they appear to be of a&#13;
religious character.&#13;
Messrs. Blackie and Sons announce five new&#13;
books and a new series.&#13;
Messrs. Routledge and Sons announce six new&#13;
novels, beginning a series—new editions of Long-&#13;
fellow, Grace Aguilar, Randolph Caldecott, and&#13;
“The Three Musketeers,” and Harry Furniss's,&#13;
Book of Romps.&#13;
Messrs. Hodder and Stoughton announce&#13;
thirty works. Of these twelve are devotional,&#13;
seven are novels, the rest chiefly biographical.&#13;
Messrs. Henry and Co. announce five books—&#13;
One of sport, one of rhymes, one of housewifery,&#13;
and two novels, of which one is by John Oliver&#13;
Hobbes.&#13;
Messrs. Oliphant, Anderson, and Farrier&#13;
announce twelve books. Of these three are bio--&#13;
graphical, one is devotional, seven are novels.&#13;
*- = -º&#13;
a- - -&#13;
M. MALLARMES PROPOSAL.&#13;
MALLARME'S proposal, published in&#13;
M the month of August, called forth a .&#13;
* considerable amount of discussion, for&#13;
the most part favourable as to the general.&#13;
principle involved, viz., that if literary property&#13;
is to become everybody’s property after a term.&#13;
of years it might very well be subject to a .&#13;
tax, i.e., that those who, for trading purposes,&#13;
produce books whose time of copyright has&#13;
expired should pay to the State for that privi-.&#13;
lege a royalty upon every copy sold. It is not&#13;
expected that persons interested in this kind.&#13;
of property should welcome the proposal —&#13;
indeed, one or two such persons have already&#13;
cried out pretty loudly against “taxing the&#13;
public ’’ and “taxing knowledge.” But it would&#13;
not be taxing the public at all, nor would it.&#13;
be taxing knowledge; it would be taxing the&#13;
publisher for permission to use literary pro-.&#13;
perty for his own individual emolument. We.&#13;
may be very certain that a book now sold.&#13;
for a shilling, if it were subject to a half.&#13;
penny stamp, would continue to be sold for a&#13;
shilling.&#13;
The opinion of our Chairman, Sir Frederick&#13;
Pollock, on the proposal will be found in another&#13;
column (p. 127). Meanwhile, without consider-&#13;
ing the possibility or even the wisdom of such a .&#13;
scheme, let us see how it would work.&#13;
Suppose such a tax imposed. It would be&#13;
collected by the simple process of affixing a&#13;
stamp on every copy that went out of the pub-&#13;
lisher's office. It would produce say, at a half-&#13;
penny in the shilling, a small revenue, say, of&#13;
320,000 a year. What could be done with that&#13;
money P Would the heirs of the authors by the&#13;
sale of whose books it was raised be entitled to&#13;
take it all? Clearly not, because then the needy&#13;
author would be induced to sell his possible.&#13;
claims in futurity as he now sells his copyright,&#13;
very likely for a mere song. It must, therefore,&#13;
&#13;
&#13;
## p. 132 (#146) ############################################&#13;
&#13;
** * * *&#13;
I:32:&#13;
be thrown into a special Fund—not the Literary&#13;
Fund, which exists only for the relief of&#13;
occasional distress, but a special Fund which&#13;
shall distribute the income. The rights of&#13;
successful books would then belong to the&#13;
mation in trust. This Fund would be used for&#13;
the purpose of preventing distress. It is always&#13;
a miserable and a humiliating thing to appeal&#13;
to the Literary Fund for assistance; it would be&#13;
well not to extend the humiliations. Such a Fund&#13;
as that proposed should be used for conferring&#13;
pensions on the children and grandchildren of&#13;
great writers, should they be in want; and in giv-&#13;
ing pensions to living writers should their works&#13;
warrant the grant. Such pensions to the living&#13;
would be like a good-service pension in the navy,&#13;
an honour and a distinction. It is not, however,&#13;
in the least likely that the proposal will ever go&#13;
farther.&#13;
One point rises out of the discussion. It is&#13;
fifty years since the question of terminable copy-&#13;
right was discussed. Perhaps the time has now&#13;
returned when the question should be again&#13;
-discussed. If the same arguments would be&#13;
used which then prevailed they would at least be&#13;
clothed in new language, and would be set forth&#13;
by leader writers and magazine writers in&#13;
language that would be understood by the&#13;
people. Whatever the conclusion of such a&#13;
discussion might be as to the law, one good&#13;
result would certainly follow: that authors would&#13;
better understand what is meant by copyright,&#13;
and would more stiffly demand agreements in&#13;
accordance with their rights of property. It may&#13;
be quite true that only one book in a thousand&#13;
enjoys an existence of a hundred years; it is cer-&#13;
tainly quite true that most agreements are based&#13;
on the tacit understanding that the work will not&#13;
become a classic. At the same time, every writer&#13;
should act as if his book was going to become&#13;
immortal.&#13;
*— — —”&#13;
a- - -&#13;
A DISHONEST AUTHOR,&#13;
R. HEINEMANN communicates to the&#13;
Daily Chronicle the following story:&#13;
“Years ago a clever author brought&#13;
to the publisher an incomplete MS., saying that&#13;
the remainder should be delivered within a few&#13;
weeks, and pressing the publisher to at once go&#13;
to press with the part delivered. His plausible and&#13;
pleasant manner persuaded the unsuspecting&#13;
publisher to do so, and, with the additional plea&#13;
of poverty, he obtained a large sum of money on&#13;
account of the price of the whole. For years the&#13;
publisher vainly begged, prayed, clamoured,&#13;
insisted to be given the remainder of that MS.,&#13;
THE AUTHOR.&#13;
so that the book could be published; but, waiving&#13;
aside all trivial considerations of honesty and&#13;
good faith, the author, with a splendid indiffe-&#13;
rence, steadily declined to again put his pen to&#13;
paper to complete the work in question. Neither&#13;
did he vouchsafe any satisfaction to his victim.&#13;
When all amicable means failed, and the publisher&#13;
found himself duped and deceived, the arm of&#13;
the law was called in, but every stick that the&#13;
author owned had been cleverly donated to&#13;
another. The book was never completed, never&#13;
published, except that the author used the&#13;
identical title for a later work issued through&#13;
another channel. The publisher, however,&#13;
resigned himself to his loss, and refrained even&#13;
from attempting to persuade a British jury that&#13;
money had been obtained from him under false&#13;
pretences.”&#13;
One has heard from time to time of this case,&#13;
but vaguely. It is like a nursery story beginning&#13;
“Once upon a time.” It would be well if it&#13;
were fitted with a name and date. Meantime&#13;
we may note Mr. Heinemann's sweeping state-&#13;
ment that publishers are “only too often victims&#13;
of thieves most cunning, robbers most unscru-&#13;
pulous.” Only “too often " ? Then let us hear&#13;
another case or two, if another can be found.&#13;
No good is accomplished by exaggerating the&#13;
importance of a single fact so as to make it&#13;
appear like a typical instead of an isolated fact.&#13;
Publishers, in fact, are not “too often º’ victims&#13;
of such dishonesty; though they may be sometimes&#13;
treated in this manner. No one supposes that&#13;
every writer is therefore an honourable man.&#13;
Publishers may also lend money to an author in&#13;
difficulties, and find it difficult to get that money&#13;
back, a thing which happens in every profession&#13;
or trade. Would it not be better to recognise&#13;
all along that between author and publisher&#13;
the same business precautions should be observed&#13;
as between any other two parties to a business&#13;
transaction ?&#13;
No one pretends that perfect confidence should&#13;
be placed in an author because he is an author;&#13;
nor does any man in any business, except that&#13;
of publishing, demand that absolute confidence&#13;
shall be placed in him simply because he is in that&#13;
business.&#13;
&gt;&#13;
º:&#13;
&#13;
&#13;
## p. 133 (#147) ############################################&#13;
&#13;
THE AUTHOR.&#13;
I 33&#13;
BOOK TALK.&#13;
R.S. STEVENSON will contribute a new&#13;
volume to Messrs. Hutchinson’s series of&#13;
“Homespun Stories.” It will be called&#13;
“Woodrup's Dinah, a Tale of Nidderdale.” She&#13;
has also nearly ready a story entitled “Helena&#13;
Hadley.”&#13;
Among the reprints announced in the literary&#13;
columns, the most interesting to one old enough&#13;
to remember the literature of the sixties is that&#13;
of Henry Kingsley's novels. He had the misfor-&#13;
tune to be the rival of his brother, who came first&#13;
and had the advantage always conferred by a&#13;
serious and a religious turn. Kingsley's Devon-&#13;
shire lads who sailed westward ho! all carried&#13;
a Bible in their pockets, and were extremely&#13;
careful not to use naughty words. . In “Alton&#13;
Locke” and in “Yeast ’’ Charles Kingsley was a&#13;
reformer and a radical ; in “Hypatia” he gave&#13;
us nineteenth century difficulties discussed by&#13;
philosophers in Alexandria from an English point&#13;
..of view taken about the year 1860. Henry&#13;
Kingsley, on the other hand, had no reforms to&#13;
propose, no grievances to remove, no difficulties&#13;
to encounter. He took the world as he found it; he&#13;
had no theological difficulties; he was not plagued&#13;
with “questions; ” and he wrote his stories about&#13;
the men and women that he knew. Thirty years&#13;
ago they were rattling good stories—considered as&#13;
stories, a good deal better than his brother could&#13;
produce, with a lighter touch and a more&#13;
dramatic instinct. Whether, after all these years,&#13;
one would find them as bright and interesting&#13;
remains to be seen. Mr. Clement Shorter edits&#13;
the books and contributes a memoir. I have&#13;
Beard that Henry Kingsley wrote the most&#13;
delightful letters possible, but I have never had&#13;
the opportunity of reading any of them. Perhaps&#13;
Mr. Shorter will be able to give the world an&#13;
illustration.&#13;
Mr. John Bloundelle-Burton's new novel, “The&#13;
Hispaniola Plate,” will commence in the St.&#13;
James's Budget, on Friday, the 5th inst., and will&#13;
be illustrated by M. G. Montbard. In this novel&#13;
the scene will be laid partly in the present day&#13;
and partly in the last days of the Stuart period,&#13;
bothepochs being connected by incidents pertaining&#13;
to the ends of the seventeenth and nineteenth&#13;
centuries. The action of the story takes place&#13;
principally in the Virgin Islands.&#13;
A translation of “Astronomie Populaire,” by&#13;
M. Camille Flammarion, the well-known French&#13;
astronomer, will be published immediately by&#13;
Messrs. Chatto and Windus. The work, which is a&#13;
very interesting and popular one, written expressly&#13;
for the general reader, had an enormous sale in&#13;
France, no less than IOO,OOO copies having been&#13;
sold in a few years Several new illustrations&#13;
have been added, and the work has been carefully&#13;
brought up to date by the translator, Mr. J. E.&#13;
Gore, F.R.A.S.&#13;
Cecil Clarke has just issued a new novel,&#13;
entitled “An Artist's Fate,” through Mr. Elliot&#13;
Stock.&#13;
Mr. Maberly Phillips, F.S.A., of the Bank&#13;
of England, Newcastle-on-Tyne, has written a&#13;
book on the History of Banks and Bankers of&#13;
Northern England. The book deals with early&#13;
currency, the establishment of the first north-&#13;
country bank, traces the evolution from their&#13;
early beginnings of the many well-established&#13;
banking concerns which now exist, and gives&#13;
most interesting accounts of the serious failures&#13;
which attended the efforts of the earlier bankers&#13;
to cope with the rapid strides in trade and&#13;
industry which followed the epoch-making inven-&#13;
tion of steam power. It will be published&#13;
immediately by Messrs. Effingham, Wilson,&#13;
and Co.&#13;
Mr. C. A. M. Fennell, Litt.D., proposes a&#13;
“National Dictionary of English Language and&#13;
Literature.” It is to be issued in monthly parts&#13;
at a subscription of three guineas paid in advance,&#13;
or four guineas in parts. The work will be based&#13;
on full indexes of certain selected authors, with&#13;
quotations from many others.&#13;
We learn from the New York Critic that&#13;
Messrs. Dodd, Mead, and Co., of Boston, are&#13;
about to issue a new edition of Mrs. Trollope's&#13;
famous “Domestic Manners of the Americans,”&#13;
in two volumes, with ninety-four illustrations&#13;
from contemporary drawings reproduced from&#13;
the first edition of 1832.&#13;
From the same paper we learn that a new and&#13;
complete Concordance to Shakespeare, by Mr.&#13;
John Bartlett, who has been engaged upon the&#13;
work for eighteen years, will be published in&#13;
New York immediately. It will fill 1910&#13;
double column quarto pages. Also that Mr.&#13;
Richard Watson Eddis's poems will shortly be&#13;
issued in a collected form by the Century&#13;
Company.&#13;
Max O’Rell sails for America this month on a&#13;
fourth lecture tour in the States.&#13;
On Longevity of Authors, “H. G. K.” says:&#13;
“You might have noted Hobbes, Fontenelle,&#13;
St. Evremond, and Goethe, whose united ages&#13;
amount to 368, an average of 92.”&#13;
A new edition has just appeared of Mr. Powis&#13;
Bale’s “Handbook for Steam Users” (Long-&#13;
mans), and a new and enlarged edition of “Wood-&#13;
&#13;
&#13;
## p. 134 (#148) ############################################&#13;
&#13;
I34.&#13;
THE AUTHOR.&#13;
working Machinery; its Rise, Progress, and Con-&#13;
struction ” (Crosby, Lockwood, and Son).&#13;
Early in the autumn a new serial story by Fitz-&#13;
gerald Molloy, entitled “A Justified Sinner,” will&#13;
be run through Messrs. Tillotson's syndicate of&#13;
newspapers.&#13;
The same author began in the third week of&#13;
this month (September) a sensational serial novel&#13;
called “In Shadow of Shame,” in Cassell’s&#13;
Saturday Journal. This story deals with a cer-&#13;
tain operation performed on the brain, and the&#13;
consequences which follow. The incident has&#13;
not previously been used in fiction. Mr. Fitz-&#13;
gerald Molloy recently told an interviewer&#13;
that such a case was brought to his notice&#13;
by a distinguished surgeon, and that the&#13;
chapter in which he, the author, deals with&#13;
the subject is largely copied from the medical&#13;
reports, all distressing and disagreeable details&#13;
being omitted.&#13;
Mr. Thomas Aspden, author of “The House of&#13;
Stanley,” “Queen Victoria,” &amp;c., will produce a&#13;
political novel this month called “The Member&#13;
for Workshire; or Church and State.” The pub-&#13;
lishers are Swan, Sonnenschein, and Co.&#13;
Mr James Baker, F.R.G.S., has had two works&#13;
published during the past month; one, “Pictures&#13;
from Bohemia,” being this year's volume of the&#13;
“Pen and Pencil” series of the Religious Tract&#13;
Society. The volume is very artistic, being&#13;
illustrated by Walter Crane, Henry Whatley, and&#13;
other artists who have travelled with the author&#13;
in distant Bohemia; a country crowded with&#13;
historical and picturesque and artistic surprises.&#13;
The second work of Mr. James Baker is wholly&#13;
historical, entitled “A Forgotten Great English-&#13;
man.” It deals with the life of Peter Payne, a&#13;
great leader of men in the 15th century, who, as&#13;
principal of an Oxford college, had to flee for his&#13;
opinions, and became a chief in Bohemia of the&#13;
powerful Hussite movement, being first always in&#13;
debates, in councils, and in treaties; a man with&#13;
whom Pope, Kaiser, and kings had to reckon; a&#13;
leader of thought of his century, and yet forgotten&#13;
|by his own country, as the letters embodied in the&#13;
volume from such authorities as the late Pro-&#13;
fessor E. A. Freeman, Professor J. A. Froude,&#13;
Mr. W. E. Gladstone, Professor James Rowley,&#13;
and others fully prove. This volume, like the&#13;
first, is the outcome of Mr. Baker’s travels and&#13;
researches in Bohemia.&#13;
Readers and students of Scandinavian litera-&#13;
ture and history may note that they may obtain&#13;
catalogues of Scandinavian books at the Skandi-&#13;
navisk Antiquaria, 49, Gothersgade, Copen-&#13;
hagen.&#13;
Mr. Robert Sherard has now completed his&#13;
biographical study of Alphonse Daudet. It will&#13;
be published this autumn with a portrait, a fac-&#13;
simile letter, and other illustrations.&#13;
Mr. John Codman Roper, author of “The&#13;
Campaign of Waterloo,” has written the “Story&#13;
of the American Civil War.” It will be pub-&#13;
lished by Putnams in three volumes.&#13;
Mr. James Field has collected his papers, which&#13;
appeared originally in Scribner's, into a volume,&#13;
which will be published by the same house.&#13;
Max O’Rell's new book “John Bull and Co. :&#13;
the Great Colonial Branches of the Firm,” will&#13;
be issued simultaneously in England, America,&#13;
and France.&#13;
Mr. John Burroughs has a new volume of&#13;
“Outdoor” essays in the press (Houghton,&#13;
Mifflin, and Co.). Three other “Outdoor” books&#13;
are announced in the New York Critic from the&#13;
same firm.&#13;
The “Book Hunter in London,” by W.&#13;
Roberts, will appear in the autumn. It will form&#13;
a companion to M. Octave Uzanne’s “Physio-&#13;
logie des Quais de Paris,” better known under&#13;
the title of the English translation of “The&#13;
Book-Hunter in Paris.” In this contribution&#13;
to the history of book-collecting the results&#13;
of many years’ inveterate book-hunting will&#13;
be chronicled, and the experiences not only&#13;
of the compiler but of many past and present&#13;
distinguished “hunters” will be laid under con-&#13;
tribution. The introductory chapter takes the&#13;
form of an essay on “The Theory and Practice of&#13;
Book-Hunting.” This is followed by a disserta-&#13;
tion on book-hunting in London from the&#13;
earliest times to the eighteenth century. Other&#13;
chapters deal with book auctions and auctioneers;&#13;
with some famous collections and collectors;&#13;
with book thieves; with bookstalling in London;&#13;
with famons booksellers; with lady book-col-&#13;
lectors; with the prices paid for particular books&#13;
in past and present times, booksellers' catalogues,&#13;
and other interesting matters connected with the&#13;
subject. In a book covering such a wide field&#13;
it is naturally impossible for the efforts of one&#13;
man to gather into his net all the numerous&#13;
incidents and anecdotes connected with book-&#13;
hunting in London. The author, therefore,&#13;
invites any information or suggestion sent without&#13;
delay to him, as well as the loan or indication&#13;
of rare or curious pictorial illustrations of the&#13;
subject, at 86, Grosvenor-road, S.W.&#13;
A new method of publication is about to be put&#13;
to the test by the Roxburghe Press, of 3, Victoria-&#13;
street, Westminster, and 32, Charing-cross, S.W.,&#13;
who announce a “time ’’ limited edition of&#13;
&#13;
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## p. 135 (#149) ############################################&#13;
&#13;
THE AUTHOR.&#13;
I 35&#13;
“Phantasms,” a volume of original stories,&#13;
illustrating posthumous personality and character,&#13;
by Wirt Gerrare, author of “Rufus's Legacy.”&#13;
Instead of confining the edition to a predeter-&#13;
mined number of copies, the publishers will&#13;
supply booksellers until Dec. 31 next, after which&#13;
date all sales by the publishers will be stopped,&#13;
and no other edition will be issued during the&#13;
continuance of the copyright. The sole edition&#13;
will be popular and modern in price and form, and&#13;
the limit is made with a view to guard booksellers&#13;
from deterioration in value of any stock carried&#13;
over at the end of the season, and as affording a&#13;
safer investment than offered by the purchase of&#13;
first editions, subject to cheap reissues and&#13;
remainder sales.&#13;
The Roxburghe Press have in preparation “The&#13;
Magistracy,” being a directory and biographical&#13;
dictionary of the justices of the peace of the United&#13;
Ringdom, revised to date and edited by Charles&#13;
F. Rideal; “Evolution,” a retrospect by the&#13;
Marquis of Salisbury, K.G., being the address&#13;
(slightly revised by the author) recently delivered&#13;
before the Royal British Association; a second&#13;
edition of the “Law and Lawyers of Pickwick,”&#13;
by Frank Lockwood, Q.C., M.P., slightly revised,&#13;
with an original drawing by the author of Mr.&#13;
Sergeant Buzfuz; a third edition of “Wellerisms”&#13;
from “Pickwick” and “Master Humphrey's&#13;
Clock,” selected by Charles F. Rideal,” with an&#13;
introduction by Charles Kent and an entirely&#13;
original drawing of “Sam Weller,” by George&#13;
Cruickshank, jun. ; “Woman Regained,” a novel&#13;
of artistic life by George Barlow; a second&#13;
revised edition of “Charles Dickens' Heroines&#13;
and Women Folk,” some thoughts concerning&#13;
them, by Charles F. Rideal, with original&#13;
drawings or Edith Dombey and Dot ; “The&#13;
Reunion of Christendom,” by Cardinal Vaughan,&#13;
being the slightly revised address recently&#13;
delivered before the Catholic Truth Society;&#13;
“Young Gentlemen of to-day,” by Charles F.&#13;
Rideal, illustrated by “Crow’”; “Phantasms,”&#13;
Original stories illustrating posthumous character&#13;
and personality, by Wirt Gerrare, a time-limited&#13;
'edition ; “The Mountain Lake and other Poems,”&#13;
from the works of Friedrich von Bodenstedt,&#13;
translated by Mrs. Percy Preston, an edition&#13;
limited to 450 copies; “Told at the Club,” some&#13;
short stories, being No. 1 of the “Pot-boiler”&#13;
series, by Charles F. Rideal; “Accidents,” by&#13;
I)r. G. M. Lowe, lecturer and examiner to the St.&#13;
John Ambulance Association; “Young Babies,&#13;
their Food and Troubles,” by Mrs. Truman and&#13;
Miss Edith Sykes; and a second edition of 5000&#13;
copies of “Food for the Sick” by the same&#13;
authors; “The Reminiscences of a Septuagenarian&#13;
Citizen,” by Edward Callow.&#13;
CORRESPONDENCE,&#13;
I.—PRoof SHEETs.&#13;
AY I suggest to writers, especially writers&#13;
of fiction, that it would be a kindness to&#13;
- send their proof sheets to any hospital&#13;
they may choose, for the use of the patients P&#13;
The lightness of the sheets is a distinct advantage&#13;
for those who have to read in bed.&#13;
F. M. PEARD.&#13;
II.-PERSONAL.&#13;
Will you allow me, through the medium of The&#13;
Author, to thank the Society of Authors and&#13;
their secretary for aiding me to obtain an&#13;
acknowledgment from two papers of infringe-&#13;
ment of my copyright in title and matter. The&#13;
first, a paper, boldly adapted my title of “By the&#13;
Western Sea.” The second, a case of a reprint&#13;
of a Canadian article entitled “ British v.&#13;
German,” which is bodily taken from pages 25,&#13;
27, 31, 33, 34, 45, 46, and 95, of my “Our&#13;
Foreign Competitors.” Individually I doubt if&#13;
I could have obtained these public acknowledg-&#13;
ments, as one editor laughed at my first very&#13;
polite note suggesting an infringement of copy-&#13;
right had been committed; but the letters from&#13;
the Society’s secretary had a salutary effect, and&#13;
tardy and reluctant justice was done to my little&#13;
book and title, and the acknowledgment given&#13;
as wished. JAMES BAKER.&#13;
III.-GEORGE ELIOT.&#13;
It is a matter of wonder to me that Miss&#13;
Gilchrist's remarks on George Eliot in the July&#13;
Author have remained unchallenged. As a lover&#13;
of George Eliot let me say that I cannot discover&#13;
the “barren fatalism” in her work. Why, the&#13;
great difference between the ancients and George&#13;
Eliot stands in the fact that the former depicted&#13;
mortals at the mercy of a predestined fate outside&#13;
their own personality, and independent of it&#13;
altogether, men and women like CEdipus or&#13;
Helen being “sculptured in black marble on the&#13;
wall of their fate,” while the George Eliot made&#13;
man master of his fate. Let me refer you to&#13;
Sidney Lanin's masterly essays on the English&#13;
novel on the subject of George Eliot : “An me&#13;
peut €tre juste qu’envers ceux qu’en aime.”&#13;
S. S.&#13;
Will “Sans Souci.” be so good as to give&#13;
the Editor an opportunity of answering her letter&#13;
of Aug. 5*&#13;
IV.-HEREDITARY GENIUS.&#13;
The Rev. Dr. Bell, of Cheltenham, writes:&#13;
“In your brief notice of Lady Dufferin's&#13;
&#13;
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## p. 136 (#150) ############################################&#13;
&#13;
136&#13;
THE AUTHOR.&#13;
Memoirs, by her son, you ask : “Is not the&#13;
Sheridan family the only family on record which&#13;
has continued to hand down its best charac-&#13;
teristics from one generation to another ?” May&#13;
I in reply remind you that genius has shown&#13;
itself to be hereditary in the family of the late Mr.&#13;
Thomas Arnold, the eminent head master of&#13;
Rugby, and author of “A History of Rome,”&#13;
“Lectures on Modern History,” and other valu-&#13;
able works. Mr. Matthew Arnold, the distin-&#13;
guished poet, essayist, and critic, was his son,&#13;
and his place in English Literature has become&#13;
assured. Another son, Mr. Thomas Arnold, is&#13;
well known in the literary world as the editor of&#13;
Pope, the author of a volume on Literature, and&#13;
is now engaged on a work, likely to add to his&#13;
reputation, for the Rolls Office on the history of&#13;
Bury St. Edmunds. His daughter, Mrs. Hum-&#13;
phry Ward, has won herself a name in literature&#13;
as the authoress of three novels which have&#13;
commanded a large share of popular attention,&#13;
and made their mark in the domain of fiction.&#13;
Mr. Oakley Arnold Forster, a son of Mr. William&#13;
Arnold, and grandson of Dr. Thomas Arnold, has&#13;
a seat in the House of Commons for West&#13;
Belfast, and has already shown distinct states-&#13;
manlike qualities which augur well for his future,&#13;
He also has proved himself possessed of literary&#13;
powers. All who have the privilege of intimacy&#13;
with the daughters of Dr. Arnold, one of whom&#13;
is the widow of the eminent statesman the Right&#13;
Hon. William Forster, will bear ready witness to&#13;
their culture, charm, and intellectual powers, both&#13;
of thought and expression, though those have&#13;
been confined to the quiet sphere of home, and&#13;
not sought the suffrages of the public. I may&#13;
say, however, that Mrs. Forster has edited a new&#13;
edition of her father's “Sermons on the Interpre-&#13;
tation of Scripture and the Christian Life.”&#13;
Surely you will allow that in the Arnold family,&#13;
as well as in the Sheridan, literary genius is here-&#13;
ditary. The great grandchildren are too young&#13;
as yet to prove by their works what they can&#13;
achieve.”&#13;
W.—A NEW FoEM OF PAPER FOR TYPE-&#13;
WIRITER.S.&#13;
All who use a typewriter know what an amount&#13;
of time is consumed in putting in, adjusting, and&#13;
taking out the sheets of finished copy, particularly&#13;
if one is duplicating by the use of carbon paper.&#13;
I wish to suggest an improvement which I venture&#13;
to think will save much time, particularly in MSS.&#13;
of great length. Instead of the ordinary sheets&#13;
of paper cut to 8in. by Ioin., or foolscap, why&#13;
could we not have paper furnished us on rolls&#13;
8in. wide, and in lengths that would make IOO or&#13;
200 ordinary manuscript pages. The paper could&#13;
then be put on a little adjustable reel and fed to&#13;
the machine as the huge rolls of paper are fed to:&#13;
printing machines. To make a duplicate copy&#13;
two reels will be required, one placed above the&#13;
other, and between these a long strip of carbon&#13;
paper may be inserted. The sheets may be after-&#13;
wards torn off as one tears off a cheque. I&#13;
believe this to be perfectly practicable and intend&#13;
to give it a trial, and will let your readers know&#13;
the result of my experiment (with your permis-&#13;
sion) later. J. H. H.ILL.&#13;
*– ~ *-*&#13;
*=s&#13;
NEW BOOKS AND NEW EDITIONS,&#13;
Theology.&#13;
A KEY TO THE BIBLE. By an Oxford M.A.&#13;
Marshall. Is.&#13;
DAVIE, REv. G. J. John Maldonatus’s Commentary on&#13;
the Holy Gospels. Translated and edited. St. Matthew’s,&#13;
Gospel. Part IV. Paper covers. John Hodges. Is.&#13;
net.&#13;
GIRDLESTONE, CANON.&#13;
New edition. R.T.S.&#13;
HEDLEY, JOHN C. A Retreat, consisting of Thirty-three&#13;
Discourses with Meditations, for the use of the Clergy,&#13;
Religious, and Others. Burns and Oates. 6s.&#13;
HOLLAND, REv. W. L. The Bible Hymnal. Compiled&#13;
by. Edinburgh : R. W. Hunter. Is. and 2s. 6d.&#13;
net.&#13;
HUMPHREY, REv. W.M.&#13;
and Sacraments. Second edition, enlarged.&#13;
and Leamington Art and Book Company. 58.&#13;
MEYER, KUNo. Hibernica Minora, being a fragment of an&#13;
Old Irish Treatise on the Psalter, with a translation&#13;
and facsimile, glossary, and an appendix. Edited by.&#13;
Anecdota Oxeniensia, Mediaeval and Modern Series,&#13;
Part VIII. Henry Frowde. 7s.6d.&#13;
MONCKTON, REv. J. G. A Key to the Figures of the Bible,&#13;
&amp;c. Paper covers. Simpkin, Marshall, and Co.&#13;
MossMAN, REv. D. T. W. The Great Commentary of Cor-&#13;
nelius à Lapide upon the Holy Gospels, Translated&#13;
and edited. Fifth edition. Part I. Paper covers.&#13;
John Hodges. Is. net.&#13;
NYE, G. H. F. The Church and Her Story. New and re-&#13;
vised edition. Paper covers. Simpkin, Marshall.&#13;
Is. 6d. net.&#13;
PALMER, JoBIN. Catechisms for the Yonng. Third Series:&#13;
The Prayer Book. Church of England Sunday School&#13;
Institute. Is. 4d&#13;
PRYNNE, REv. G. R. The Truth and Reality of the&#13;
Eucharistic Sacrifice. Longmans. 3s. 6d.&#13;
RHYs DAVIDs, T. W. The Questions of King Milinda.&#13;
Part II. Translated from the Pāli. Being Vol.&#13;
XXXVI. of Sacred Books of the East, Edited by F. Max&#13;
Müller. Henry Frowde. 12s. 6d.&#13;
RocK, DR. DANIEL. The Hierurgia ; or the Holy Sacrifice.&#13;
of the Mass. New and revised edition by W. H. J.&#13;
Weale. Paper covers. Part II. John Hodges. Is..&#13;
net. -&#13;
WATson, REv. DR. R. A. The Book of Numbers. Expo-&#13;
sitor's Bible, seventh series. Hodder and Stoughton-&#13;
7s.6d. . ,”&#13;
Simpkin,&#13;
How to Study the English Bible.&#13;
The One Mediator, or Sacrifice.&#13;
London&#13;
&#13;
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## p. 137 (#151) ############################################&#13;
&#13;
THE AUTHOR.&#13;
I37&#13;
History and Biography.&#13;
ACCOUNTS OF THE CoRPORATION OF THE CITY OF&#13;
LONDON FOR 1893. Paper covers. Charles Skipper&#13;
and East.&#13;
AIYA, W. NAGAM. Report on the Census of Travancore.&#13;
Boards. Vol. I., Report. Vol. II., Appendix. Madras:&#13;
Addison and Co.&#13;
ARNOLD ForsTER, H. O. Things New and Old, or Stories&#13;
from English History Standard W., Modern School&#13;
Series. Cassell. Is. 6d.&#13;
BELL, MALCOLM. Sir Edward Burne Jones, Bart. A&#13;
Record and Review. Third edition. In special binding&#13;
designed by Gleeson White. George Bell and Sons.&#13;
2Is. net.&#13;
BROWN, ROBERT. The Story of Africa and its Explorers.&#13;
Wol. III. Cassell and Co.&#13;
CHANCELLOR, E. BERESFORD. The History and Antiquities&#13;
of Richmond, Kew, Petersham, Ham, &amp;c. Richmond :&#13;
Hiscoke and Son.&#13;
CowAN, PROF. HENRY.&#13;
the Reformation.&#13;
6d. net.&#13;
CUNNINGHAM, MAJOR-GENERAI, SIR. A. Coins of Mediaeval&#13;
India, from the Seventh Century down to the Moham-&#13;
medan Conquests. B. Quaritch. I58.&#13;
DUCREST, MME. Memoirs of the Empress Josephine, with&#13;
Anecdotes of the Courts of Navarre and Malmaison.&#13;
2 vols. Limited edition. H. S. Nichols and Co.,&#13;
Soho-square, W. 281 Is... net.&#13;
GASQUET, FRANCIs A., D.D.&#13;
English Monasteries. Sixth edition.&#13;
Hodges. IS. net.&#13;
HADDON, T. W. and HARRIson, G. C. Caesar’s Gallic&#13;
War, Books I. and II. Edited by. Edward Arnold.&#13;
Is. 6d. net.&#13;
HISTORICAL NOTICES AND RECOLLECTIONS RELATING TO&#13;
THE PARISH OF SOUTHAM IN THE COUNTY OF&#13;
WARWICK. With the Parochial Registers from 1539&#13;
and the Churchwardens’ accounts from 1580. Paper&#13;
covers. Part I. Elliot Stock.&#13;
JONES, JAMES P. A History of the Parish of Tettenhall,&#13;
in the County of Stafford. Wolverhampton: Steen&#13;
and Co.; London : Simpkin, Marshall.&#13;
MAssoN, PROFEssoR DAVID. The Life of John Milton,&#13;
Narrated in Connection with the Political, Ecclesias-&#13;
tical and Literary History of his Time. Vol. II., 1638-&#13;
1643, new and revised edition. Macmillan. 16s.&#13;
MUSGRAVE, C. A. German History, the Examination&#13;
Series. Swan Sonnenschein.&#13;
ROSE, PRAMATHA N. A. History of Hindu Civilisation&#13;
during British Rule. In 4 vols. Vol. I. Religious&#13;
Condition. Vol. II. Socio-Religious Condition, Social&#13;
Condition, Industrial Condition. Kegan Paul.&#13;
ROSS’s PARLIAMENTARY RECORD OF THE THIRTEENTH&#13;
SESSION OF QUEEN VICTORIA. Boards. Charles&#13;
Good and Co., Burleigh-street, W.C.&#13;
SIMPson, W. SPARRow. St. Paul’s Cathedral and Old City&#13;
Life ; Illustrations of Civil and Cathedral Life from the&#13;
Thirteenth to the Sixteenth Centuries. Sub-Dean of&#13;
St. Paul's. Elliot Stock.&#13;
SPIERS, VICTOR, J. S. History and Literature of France in&#13;
Synoptic Tables. Rivington, Percival, and Co. 6s.&#13;
STRAUs, OSCAR S. Roger Williams, the Pioneer of&#13;
Religious Liberty. T. Fisher Unwin. 6s.&#13;
Landmarks of Church History to&#13;
Paper Covers. A. and C. Black.&#13;
and the&#13;
John&#13;
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TRAILL, H. D. Social England. By various writers.&#13;
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to the Death of Henry VII. Cassell. I5s.&#13;
WIBART, CoLoREL H. M. Addiscombe : its Heroes and&#13;
Men of Note. With an introduction by Lord Roberts.&#13;
Constable and Co.&#13;
WESTLAKE, N. H. J. A. History of Design in Painted&#13;
Glass. Vol. 4. James Parker and Co., Oxford and&#13;
London.&#13;
WILLs, W. A. AND Col.1, INGRIDGE, L. T. The Downfall of&#13;
Lobengula : The Cause, History, and Effect of the&#13;
Matabeli War. With contributions by Major Forbes, ,&#13;
Sir John Willoughby, Mr. H. Rider Haggard, Mr. F. C.&#13;
Selous, and Mr. P. B. S. Wrey. The African Review:&#13;
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permission, from papers published in the Daily Tele--&#13;
graph and Foreign Journals and Magazines, by Sir&#13;
Edwin Arnold, M.A., K.C.I.E., C.S.I., with illustrations.&#13;
from drawings by Ben Boothby, and from photographs.&#13;
Longmans. I88.&#13;
BARBER, HENRY. Furness and Cartmel Notes.&#13;
Stock.&#13;
BETTESWORTH, W. A. Brighton : Queen of the Seaside.&#13;
Jarrold and Sons. Is.&#13;
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BILL NYE’s HISTORY OF THE UNITED STATES.&#13;
and Windus. 3s. 6d.&#13;
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ment Central Printing Office.&#13;
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Administration Report on&#13;
Part I. Simla : Govern-&#13;
BREWER's DICTIONARY OF PHRASE AND FABLE. New and .&#13;
enlarged edition. Part I. Paper covers. Part I.&#13;
76. Cassell and Co.&#13;
BURNS, DAVID. The May Queen : a Thespis. Carlisle : .&#13;
C. Thurnam and Sons. London : Simpkin, Marshall..&#13;
2s. 6d.&#13;
CALVERT, Albert F. Map of Western Australia, showing&#13;
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as assumed by priests of the Italian Mission. Paper&#13;
covers. C. J. Thynne, Great Queen-street, W.C. 6d.&#13;
CoLLMANN, L. Official and Authorised Royal Guide to&#13;
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CoopFR-CHADWICK, J. Three Years with Lobengula' .&#13;
and Experiences in South Africa. Cassell. 3s. 6d.&#13;
CoREA OF To-DAY. Papers covers. T. Nelson and Sons. .&#13;
6d.&#13;
CowLING, C. H. The Isle of Wight.&#13;
ton’s handbooks, edited by Ralph Darlington,&#13;
gollen : Darlington and Co. Is.&#13;
CURzoN, HON. G. N. Problems of the Far East : Japan, ,&#13;
Rorea, China. Longmans. 218.&#13;
CUSACK-SMITH, SIR WM. Our Naval Reserves.&#13;
covers. Pewtress and Co. 2d.&#13;
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by the author, Ladbroke-grove, W. 18. *&#13;
One of Darling--&#13;
Llan-&#13;
Paper&#13;
&#13;
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## p. 138 (#152) ############################################&#13;
&#13;
138&#13;
THE AUTHOR.&#13;
DAWSON, MILES. American Life Insurance Methods.&#13;
Paper covers. P. S. King and Sons. 15 cents.&#13;
DIBDEN, J. C. AND AYLING, JoBN. The Book of the Life-&#13;
boat. Edited by. Oliphant, Anderson, and Ferrier.&#13;
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By A. J. David, LL.M. Crosby Lockwood. 18.&#13;
ENGLISH COACH DRIVES, 1894. Boards.&#13;
Office. Is.&#13;
FULTON, DAVID, A Practical Treatise on Patents, Trade&#13;
Marks, and Designs. Jordan and Sons, Chancery-lane.&#13;
12s. 6d. net.&#13;
FURNEAUX, HENRY. The Germania of Tacitus.&#13;
by. Oxford, at the Clarendon Press.&#13;
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the Convent of S. Catharine, on Mount Sinai. Com-&#13;
piled by. Being Studia. Sinaitica, III. Paper covers.&#13;
C. J. Clay and Sons. 6s. net.&#13;
GROSER, ALBERT. Norway Revisited.&#13;
Plymouth : W. H. Luke. 6d.&#13;
INITIALs. An alphabet from the year 1596, after the&#13;
original etchings by Theodor and Israel de Bry.&#13;
Limited edition. Paper covers. Grevel and Co. 4s.&#13;
JEUNE, LADY. Lesser Questions. By Lady Jeune.&#13;
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