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            <text>Vol. 1.–No. 3]&#13;
JULY 15, 1890.&#13;
.&#13;
[Price, Sixpence,&#13;
The Author.&#13;
THE ORGAN OF THE SOCIETY OF AUTHORS&#13;
(INCORPORATED).&#13;
CONDUCTED BY&#13;
WALTER BESANT.&#13;
Published for the Society Be&#13;
ALEXANDER P. WATT, 2, PATERNOSTER SQUARE,&#13;
LONDON, E.C.&#13;
-&#13;
1890.&#13;
&#13;
&#13;
## p. 58 (#82) ##############################################&#13;
&#13;
Berton, Sept 1yh1878 anse Mersands of letters.&#13;
Men. Marie, Todd &amp; Co.&#13;
Jene t it as of our one&#13;
..... und and I hohe ou une&#13;
I have seus me of your&#13;
do the beat you can for it&#13;
frius, to have a point meuded . Though I have in the mean&#13;
rough Meu Hoshu, leurs : Trier bought another of qui&#13;
It. of Mencity.&#13;
Ton may like to know that shake - Corrugated mached C.&#13;
Thave and this yeu constantly&#13;
I do not know whether :&#13;
formure than twenty years,&#13;
que caus hin this testimonial&#13;
hine the days of a book of min&#13;
hot'I jul as if the fun when&#13;
called "The Automath of the&#13;
Breakfast talle "1857-8 mutie&#13;
. has cancied out to much of&#13;
muy thought and brought back&#13;
last Friday without repair and&#13;
always with herfect satisfaction To much in banin farms in&#13;
ehun was enlitted to this&#13;
I have written with in halfa&#13;
- Certificat of hinnata tecnica&#13;
dozen or more volumes, a&#13;
lange number of Ennys de&#13;
Mira Wordleli Hermes&#13;
ILLUSTRATED Price List will be sent, free and post paid, on application to MABIE, TODD &amp; BARD, 93, CHEAPSIDE, LONDON.&#13;
&#13;
&#13;
## p. 59 (#83) ##############################################&#13;
&#13;
(The Organ of the Incorporated Society of Authors. Monthly)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. I.—No. 3.]&#13;
JULY 15, 1890.&#13;
[Price Sixpence.&#13;
CONTENTS.&#13;
News and Notes ...&#13;
"The Literary Handmaid of the Church"&#13;
The German Society of Au-hors&#13;
A Hard Case, No. Ill&#13;
La Federation du Livre&#13;
Unauthorized Publication of Sermons—&#13;
I. Note by W. Morris Colles&#13;
II. Note by F. P&#13;
III. IV. Letters reprinted from the Times by the Bishop&#13;
Peterborough {by permission)&#13;
The Inauthorated Corpses&#13;
Leaflet No. III.—On Paying for Publication&#13;
of&#13;
Questions, Cases, and Answers&#13;
A Personal Experience&#13;
Chestnut Bells Encore. By Charles G. Leland&#13;
The Queen's English. By Oswald Crawfurd ...&#13;
The Memorial to the First Lord of the Treasury&#13;
The Pensions of the Year&#13;
A New Guide to Books&#13;
Mr. Bainton on Himself&#13;
At Work&#13;
New Books and New Editions&#13;
Advertisements&#13;
PAGE&#13;
... 7«&#13;
... 78&#13;
... 79&#13;
... 79&#13;
... 80&#13;
... 82&#13;
... 8a&#13;
83&#13;
... 84&#13;
... 85&#13;
... 86&#13;
NEWS AND NOTES.&#13;
TH F. Council of the Society has been strength-&#13;
ened by the accession of the following&#13;
names: — Lord Brabourne, Sir Henry&#13;
Bergne, K.C.M.G., Messrs. Alfred Austin, R. D.&#13;
Blackmore, James Bryce, W. Martin Conway, P. W.&#13;
Clayden, Oswald Crawfurd, Marion Crawford, Eric&#13;
Erichsen, G. R. Sims, and Edmund Yates. Of&#13;
these gentlemen Mr. W. Martin Conway joins the&#13;
Committee of Management.&#13;
The Third Annual Dinner of the Society was&#13;
held on Tuesday, July 8th. The Chair was taken&#13;
by Prof. Jebb. There were 200 present on the&#13;
occasion. A full report will be presented with the&#13;
next number.&#13;
A lady who wishes to be anonymous has offered&#13;
to present to the Committee the sum of ^30&#13;
annually for three years, to be expended in such a&#13;
manner as may appear to be for the best interests&#13;
of Literature. This offer of pecuniary assistance&#13;
is a new thing of this year. It shows that the&#13;
work of the Society is being understood and ap-&#13;
preciated. Another sign of advancing opinion is&#13;
that on the foundation of The Author a good many&#13;
members came forward to give it a start. It isastound-&#13;
ing how much may be effected even in such a Society&#13;
as ours by means of the little cheque. We have never&#13;
yet gone begging, but . Meantime, there would&#13;
be no pecuniary anxieties if we had two thousand&#13;
members instead of six hundred, and if everybody&#13;
would remember the modest annual obligation.&#13;
Amid the general mingled chorus of denunci-&#13;
ation, exasperation, disappointment, satire, and dis-&#13;
gust, caused by the loss of the International Copy-&#13;
right Bill, there has hitherto been lacking—what it&#13;
specially behoves The Author to supply—some&#13;
recognition of the noble efforts made by the leading&#13;
men, the men of culture, in the Eastern States.&#13;
These men have never rested, and are still active,&#13;
in advocating by every means in their power the&#13;
passage of the Bill. They include all the authors&#13;
of America, all the honourable publishers, and a&#13;
great number of editors. The opponents of the Bill&#13;
are the ignorant Western farmers, who know nothing&#13;
about literature, literary property, authors' rights,&#13;
or anything else except their own local interests.&#13;
The education of these men is a slow process; they&#13;
take a great deal of time to grasp new ideas; the&#13;
existence of authors is not suspected by them ; the&#13;
existence of authors' rights is absolutely unknown&#13;
to them. But they are gradually being educated.&#13;
Let us consider our own case before we throw&#13;
stones at the Americans. It is now five years since&#13;
vol. 1.&#13;
E&#13;
&#13;
&#13;
## p. 60 (#84) ##############################################&#13;
&#13;
6o&#13;
THE AUTHOR.&#13;
this Society began its endeavours to educate the&#13;
British world into the perception of the fact that&#13;
there is such a thing as literary property and that&#13;
it is a very real thing. We are not Western farmers.&#13;
Yet we have not learned to grasp this one central&#13;
fact any more than these honest members of Con-&#13;
gress. Still the old ideas cling; still those who talk&#13;
of literary property as if it was a real thing, like&#13;
turnips, are regarded as madmen. Still the leading&#13;
articles talk of the dangers and uncertainties of&#13;
publishing. Still the old belief remains, that authors&#13;
must take whatever their employers choose to bring&#13;
them; still that old Bogey, "Risk," is trotted out to&#13;
frighten us; still men continue to talk about the&#13;
"generosity " of their publishers—as if writers were&#13;
beggars, humbly holding out their hands for doles,&#13;
instead of honest men demanding their just share&#13;
in the proceeds of the work of their hand and brain.&#13;
These ideas will slowly pass away. But meantime&#13;
since they linger in this country, and are every day&#13;
traded upon for their own purposes by interested&#13;
persons, we cannot be surprised at an equal ignorance&#13;
among the narrow-minded and half educated people&#13;
who form the greater part of Congress.&#13;
Consider, again, a special case, recent and&#13;
treated further on in these columns. There is a&#13;
certain great Society called the Society for Promot-&#13;
ing Christian Knowledge. Its President is the Arch-&#13;
bishop of Canterbury: its Vice-Presidents are&#13;
other Archbishops and Bishops: its Publication&#13;
Committee are all clergymen.&#13;
Now, not one of these illustrious men seems as&#13;
yet to have grasped the simple truth that an author&#13;
may be sweated as well as a needlewoman; and&#13;
that in the purchase of literary property there are&#13;
elementary laws of morality based on the Eighth&#13;
Commandment. Not one, so far as I know, up to&#13;
the present moment of writing, when their Society&#13;
has been called upon to compare its methods of&#13;
publishing with these simple principles of truth and&#13;
equity, and has, so far, by its silence, refused to do&#13;
so, has boldly declared that he will no longer pre-&#13;
side—or vicariously preside—over a great Corpora-&#13;
tion, which, unless certain ugly allegations can be&#13;
explained, seems to be little better than a Society&#13;
of Sweaters for the greater glory of Christ.&#13;
With this illustration before them can the authors&#13;
of Great Britain expect from an ignorant Western&#13;
farmer a keener thirst for righteousness than they&#13;
have found at home among the Societies of the&#13;
Anglican Church?&#13;
As for what is said on International Copyright&#13;
by newspapers in the Eastern States, read the&#13;
enclosed from the New York Evening Post. It&#13;
refers to the pirated edition of the "Encyclopaedia&#13;
Britannica."&#13;
"A certain man went from Edinburgh to America&#13;
and fell among thieves, which stripped him of his&#13;
sheets, and electrotyped him, and departed, leaving&#13;
him half dead. And a certain Doctor of Divinity&#13;
passed by on the other side; and when he saw him&#13;
he went over, and came where he was, and said&#13;
unto him: 'How is it with thee, my friend?'&#13;
And he answered him: 'I am in sore distress,&#13;
for that I have been robbed of nearly all that I&#13;
possess.' And the Doctor of Divinity spake and&#13;
said: 'My heart is heavy for thee, my friend; but&#13;
hast thou yet anything left?' And he answered&#13;
him again, saying: 'Yea, the half of what I had is&#13;
left me; but I am in fear least my enemy return&#13;
and carry off the rest!' 'Nay,' said the man of&#13;
God, 'but if others are to have a cast at thee, I&#13;
may as well come in for my share; but, for that I&#13;
have great compassion on thee, I will leave thee&#13;
a portion of what these wicked men have spared.'&#13;
And, so saying, he took what pleased him of the&#13;
man's goods, and having preyed upon him, gave&#13;
him his blessing and went and prayed in the&#13;
temple. Likewise a certain Pharisee, who was&#13;
also a haberdasher and a man of letters, passed&#13;
that way, voyaging from Washington by way of&#13;
Philadelphia; and he came and looked on the man&#13;
and saw that he was helpless, and heard his groans.&#13;
And he also inquired of him what ailed him; and&#13;
when he had heard his story he beat his breast and&#13;
cried aloud: 'This is flat burglary, to take all that&#13;
thou hast, and to leave next to nothing for me!&#13;
Verily, I must protect myself against such wicked-&#13;
ness, and must circumvent the doers thereof; since&#13;
it is expected of me that when circumventing is to&#13;
be done, I shall be there!' And with that he&#13;
seized on the balance of the man's stock, and&#13;
blessed him in the name of his peculiar god, and&#13;
went his way. But a certain Government having&#13;
on his breast a breastplate whereon was writ in&#13;
letters of gold, 'In God We Trust,' came where&#13;
the man was, and when he saw him, he had com-&#13;
passion on him, and went to him, and opened his&#13;
wounds, and rubbed into them salt and vinegar,&#13;
and set him on a wild ass of the desert, and put a&#13;
bunch of nettles under the tail of the beast, and&#13;
cried unto the man: 'Away with thee, thou&#13;
foreigner! What rights hast thou that I need&#13;
respect? I care not twopence for thee or thy&#13;
wrongs; and if ever thou darest come again, I will&#13;
repay thee!"'&#13;
In another place will be found a letter from Mr.&#13;
Bainton on the subject of what he is pleased to call&#13;
a " stab in the dark." Everybody else thinks that&#13;
it has been a stab in the open. But never mind,&#13;
&#13;
&#13;
## p. 61 (#85) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
61&#13;
The point and moral of the correspondence to the&#13;
readers of The Author should be that in future they&#13;
should not allow themselves so easily to be drawn.&#13;
Why should authors alone, of all professions, be&#13;
asked to explain their methods? Why should they,&#13;
when they are asked, be so ready to reply? For&#13;
my own part, I fell into the trap, like my neighbours,&#13;
but fortunately wriggled out again and did not&#13;
explain my methods. In future, let us behave with&#13;
greater reticence. Now what would be thought&#13;
if some enterprising gentleman were to write to&#13;
all the barristers in practice in the following&#13;
terms ?—&#13;
Dear Sir,&#13;
I must speak at last. There comes a time when&#13;
silence is culpable. I have long" considered you&#13;
the most eloquent orator as well as the most accom-&#13;
plished and learned lawyer that at present adorns&#13;
the Outer or the Inner Bar. I read nothing at&#13;
all but your speeches; my wife reads nothing at all&#13;
but your speeches. She takes them after early&#13;
dinner, with a nap; moreover, I have for a long&#13;
time given my mother-in-law, who lives with us,&#13;
and is now in declining spirits, nothing at all to&#13;
read but your speeches; my children learn your&#13;
speeches by heart. My youngest—Teeny Wheeny,&#13;
three—is now learning her alphabet out of your&#13;
speeches. They are, in fact, deeply alphabetic. I&#13;
am going to give a little lecture—just a little lecture&#13;
—to one or two young people. I wish to call my&#13;
lecture the "Art of Demosthenes, or the Ciceronian&#13;
Bag of Tricks." I desire above all things to&#13;
strengthen it by a description of your own Bag of&#13;
Tricks, oratorical and legal. Will you therefore&#13;
kindly tell me where you picked up your method of&#13;
oratory, and how you manage to seem to know so&#13;
much law?&#13;
I remain, Sir,&#13;
Your obedient admirer and respectful&#13;
worshipper,&#13;
Theophilus Swipe.&#13;
Now who would expect a barrister to answer&#13;
this letter, or to take the least notice of the writer?&#13;
Vet the authors, when they receive a similar letter,&#13;
reply all together en masse, without, apparently, any&#13;
exception.&#13;
There was, I learn, an exception. It was an&#13;
American man of letters, and one of great distinction.&#13;
He positively did not reply. It is not generally&#13;
known that a certain fable of ^isop referring to a&#13;
fox and a crow and a piece of cheese, was written&#13;
for authors, who have so far failed to observe the&#13;
moral. The following is a close translation of the&#13;
fable in its first form.&#13;
Amid the leaves—the leaves of bay—■&#13;
The leaves they use for crowns—&#13;
The author sat, the livelong day,&#13;
Above the common clowns;&#13;
Well skilled was he the crafty rhyme&#13;
And artful plot to mix;&#13;
And in his hand he held, meantime,&#13;
His precious Bag of Tricks.&#13;
"Oh! Master, Master, greatest, first—"&#13;
He heard, and blushed to hear—&#13;
"All other bards with envy burst—&#13;
I've seen 'em—that I swear.&#13;
Day in, day out, the week about,&#13;
Thy great works through and through,&#13;
I read and read—I do, indeed;&#13;
So do my children too.&#13;
"Tell me, sweet author, whom I love—&#13;
Ah !head so fitly crowned!&#13;
Thy place so rightly set above,&#13;
The bay leaves circling round!—&#13;
Tell me, sweet author, if thou wilt,&#13;
Oh! condescend to tell-&#13;
How are thy tales romantic built?&#13;
How canst thou rhyme so well?&#13;
"Thy art, thy secret, and thy craft,&#13;
Confide—confide to me."&#13;
The author smiled—the author laughed;&#13;
Yet never a word said he.&#13;
"Oh! by the crown of glory grand&#13;
That on thy pale brow sticks"&#13;
That crown to feel, he raised his hand&#13;
And dropped his Bag of Tricks!&#13;
There is no moral to this fable in the original.&#13;
But La Fontaine's will do—&#13;
"Mon bon Monsieur,&#13;
Apprens que tout flaneur&#13;
Vit aux depens de celui qui lecoute.'&#13;
The Daily News, which has always been on the&#13;
alert to watch any step in the movement for&#13;
International Copyright, reportsadecision which may&#13;
lead to very valuable results. It was delivered on&#13;
June 25th, by Judge Shipman, of the United&#13;
States Circuit Court. Three suits were begun some&#13;
time ago by Messrs. A. and C. Black, cf Edinburgh,&#13;
and the Scribners, their American agents, against an&#13;
American firm which had published a pirated&#13;
edition of the "Encyclopaedia Britannica" from&#13;
photographic plates, charging infringement of the&#13;
American copyright laws because the republication&#13;
contained articles written by Americans and copy-&#13;
righted in this country by them. The defendants&#13;
entered demurrers based on the general ground&#13;
VOL. I.&#13;
E 2&#13;
&#13;
&#13;
## p. 62 (#86) ##############################################&#13;
&#13;
62&#13;
THE A UTHOR.&#13;
that the publishers of the "Encyclopaedia Britan-&#13;
nica," in employing American authors to treat of&#13;
American topics and then publishing their articles&#13;
under copyright, thereby laid a trap for the American&#13;
public and American publishers, and therefore a&#13;
court of equity could not interfere to protect such&#13;
a fraud. Judge Shipman overruled the demurrers,&#13;
and declared that the assignments in no way&#13;
permitted other parties to infringe authors'&#13;
copyrights. This decision has been hailed with&#13;
delight by the advocates of International Copyright,&#13;
who regard it as the most serious check the piratical&#13;
publishers have yet had. There are three photo-&#13;
graphic editions of the "Encyclopaedia Britannica"&#13;
now selling at about a seventh of the price of the&#13;
authorized edition. The decision is likely to alarm&#13;
the publishers, since, if sustained in further&#13;
judgments, Messrs. A. and C. Black will bring suits&#13;
against them for heavy damages.&#13;
"I have never yet had any disagreement with&#13;
my publisher," said a well-known man of letters&#13;
the other day. "Therefore, I have not joined the&#13;
Society." The remark and the inference alike&#13;
illustrate a common disposition to look on the&#13;
Society as one which exists for the purpose of patch-&#13;
ing up or even of creating quarrels and grievances&#13;
with publishers. That is not the case, of course,&#13;
only one is well-nigh tired of repeating the fact.&#13;
It suits certain persons who regard us with natural&#13;
hostility to keep this delusion alive. The Society&#13;
has no quarrel with publishers as such, and never&#13;
has had any. It maintains continually that the&#13;
services which publishers render to Literature are&#13;
solid, and must be substantially paid for. The&#13;
Society exists, however, mainly for the purpose of&#13;
maintaining the rights, the sacredness, and the&#13;
reality of Literary Property. Therefore it fights&#13;
the battle of all authors, and should be supported&#13;
by all who approve of its principles.&#13;
Briefly, they are these :—&#13;
(1) Literary property is created by the author,&#13;
and belongs at the outset to him.&#13;
(2) Literary property must be held as sacred as&#13;
any other kind of property.&#13;
(3) Literary property is ruled by the demand for&#13;
a book just as colliery property means the&#13;
sale of the output. And as the value of a&#13;
colliery depends first on the output in tons&#13;
and their price, so the value of a book can&#13;
only be estimated with reference to the&#13;
number of copies sold.&#13;
(4) The author must not part with his property&#13;
without due consideration, nor without&#13;
understanding exactly what possibilities, as&#13;
well as what certainties, he gives and what&#13;
he receives.&#13;
(5) What the author is entitled to, is, after pay-&#13;
ment of the cost of production and the&#13;
publisher's agency and labour, all the remain-&#13;
ing proceeds. This proportion of the returns&#13;
is the property which he has to sell for a&#13;
lump sum down, or to receive year by year.&#13;
(6) The publisher has to be remunerated for his&#13;
agency and labour out of the returns of the&#13;
book in a certain proportion, which should&#13;
be a fixed proportion recognised by both&#13;
contracting parties and understood by both.&#13;
These principles have long been recognized by&#13;
the French after a good fight, carried on by the&#13;
Socie'te des Gens de Lettres, an association of&#13;
which ours is a successor and an imitator. But how,&#13;
it may be asked, if publishers will not agree to the&#13;
adoption, once for all, of an equitable arrange-&#13;
ment? It is the task of the Society to create&#13;
such a consensus of opinion on the subject as&#13;
will cause all houses which desire to maintain a&#13;
good name to fall in with the Society's views. It&#13;
will also cause all authors of ability and reputa-&#13;
tion to insist upon equitable agreements. How, it&#13;
may be asked again, about the unfortunate begin-&#13;
ners and those who have no name? The scheme&#13;
to be put forward by the Society will cover their&#13;
case as well. But they must, first of all, be protected.&#13;
And for this reason our pages are full of stories of&#13;
the scoundrels who deceive and rob the literary&#13;
beginner. Consider. Is there to be no protection&#13;
for the weak? Is a pickpocket to get off with&#13;
impunity because he has only stolen a girl's purse?&#13;
The Council of this Society does not hold that&#13;
opinion.&#13;
There are many who still maintain that sharks&#13;
and thieves should be free to do as they please—&#13;
devour and destroy—rob and lie with impunity,&#13;
because ignorant and young literary aspirants&#13;
ought to take care of themselves, and because&#13;
most of their work is rubbish. In no branch of&#13;
the industrial community should thieves be per-&#13;
mitted to exist. And even if good quality of work&#13;
were to be the condition of protection, we should&#13;
have to protect a whole hundred because one of&#13;
them—an unknown one—may have in him the gift&#13;
of authorship. As a curious illustration of the&#13;
growing change in opinion on this subject, it may&#13;
be mentioned that in one of the most popular penny-&#13;
papers of the day, a paper which circulates by&#13;
the hundred thousand, there lately appeared an&#13;
article on " Bogus Publishers," written by one who&#13;
knows the gentry and has served under them.&#13;
The article might have been written in this office,&#13;
&#13;
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## p. 63 (#87) ##############################################&#13;
&#13;
THE A UTHOR.&#13;
63&#13;
so true it is, and so complete in its details. Was it&#13;
conscience or was it revenge which forced this ex-&#13;
perienced person to reveal the secrets?&#13;
"We have taken your new MS. on the old terms,"&#13;
said a certain small publisher recently. "Of course,&#13;
however, you will not join the Society of Authors.&#13;
In fact, we put a black mark against the name of&#13;
every member of that Society." The writer of that&#13;
work is a member. If this remark has been made to&#13;
anybody else, let me hasten to point out that if this&#13;
publisher were to put all the black marks he has got&#13;
against all the names of all the authors, no harm&#13;
whatever would be done because in such a case&#13;
we should immediately find other publishers who&#13;
would do the work of production and distribution&#13;
quite as well, and in this case perhaps much better.&#13;
Fortunately the public cares nothing who publishes&#13;
a book; it is concerned solely with the contents.&#13;
Plenty of men—hundreds and thousands of men—&#13;
are willing and anxious to step into any trade by&#13;
which they can make money. But to the marker in&#13;
black—the black marker—we would point out very&#13;
seriously that the Society itself can do a great deal&#13;
more harm to a publisher than he can do to any&#13;
individual member. We are now, he should under-&#13;
stand, by no means a small, harmless, or a feeble&#13;
body.&#13;
One does not like even the appearance of boast-&#13;
fulness, but the following little fact illustrates some-&#13;
thing approaching to power. There is a certain firm&#13;
in this city of which it is sufficient to say that all the&#13;
worst things ever alleged against the publishing&#13;
trade maybe brought together, and, with the greatest&#13;
truth, alleged against this particular firm. We have&#13;
for a long time kept work out of their hands, and&#13;
we intend to go on doing so until they mend their&#13;
ways. It was reckoned the other day, by one who&#13;
has had the chief conduct of this business, that in&#13;
the space of eighteen months or two years over&#13;
,£2,000 worth of work has been kept from these&#13;
people, and that without reckoning on the chance&#13;
of a big success among the authors kept from them.&#13;
Now as writers learn more and more to distrust their&#13;
own ignorance and to seek advice of those who&#13;
know as to whom they should trust, this branch of&#13;
our business will naturally increase and multiply.&#13;
My statement in last month's Author that there&#13;
are fifty men and women who make a thousand a&#13;
year by writing novels has been questioned. I&#13;
have, therefore, taken the trouble to draw up a&#13;
list, which, however, must not, for obvious reasons,&#13;
be published. I find that I can enumerate almost&#13;
off-hand more than fifty—Americans and English&#13;
—who are called novelists by the world, and make&#13;
over a thousand a year by writing, though the whole&#13;
income may be sometimes derived from other kinds&#13;
of literary work. I know the facts partly from ex-&#13;
perience acquired in the offices of the Society,&#13;
partly from information. A note in the St. James's&#13;
Gazette asks whether these works are worth the&#13;
money. This question denotes some confusion of&#13;
ideas. For what is the actual worth of a book?&#13;
You cannot measure it at all by money. A suc-&#13;
cessful novelist is one who holds the attention,&#13;
commands interest, awakens emotions, amuses or&#13;
terrifies, calls up tears or laughter, and brings&#13;
brightness into millions of dull lives. This great&#13;
power is not to be valued by money at all. If the&#13;
St. James's critic asks whether the books really&#13;
produce by their sale all this money, that is a very&#13;
different question. They really do—and a very&#13;
great deal more.&#13;
Here is an interesting little proposal. A&#13;
"Graduate of Oxford," modestly hiding his philan-&#13;
thropic name, has conceived a theory that there are&#13;
many poets, as yet unrecognized, who would like&#13;
their "best" verses—only their best, mind—to be&#13;
published. He invites them, therefore, to send&#13;
him two or three short poems not exceeding in all&#13;
120 lines. With their best verses is to be forwarded&#13;
a guinea. In return the contributor will receive two&#13;
copies of a handsome volume in which—oh! Joy&#13;
and Glory!—his own best verses will appear. It&#13;
will be like bringing out the best china, or wearing&#13;
the best clothes, or sleeping in the best bed room, all&#13;
these things being among the innocent pleasures of&#13;
our ancestors. "These," will say the glorified bard,&#13;
"are my best verses; others I have, second best,&#13;
for home consumption, and even third best, for&#13;
washing day, but these are my best."&#13;
If the poet is to be made happy, what shall be&#13;
said of the benevolent Graduate? His handsome&#13;
volume contains, we will suppose, 20 sheets, or&#13;
320 pages, with, at the rate of three pages apiece,&#13;
107 contributors. He must print 214 copies at&#13;
least. The cost of the volume will be about ,£35.&#13;
Grateful to their Graduate, the poets will contribute&#13;
^107. Net profit to the Graduate (besides&#13;
gratitude, warmth of heart, and glow of virtue)&#13;
^72. Who will say that he is overpaid?&#13;
The Society does not, as a rule, work for people&#13;
whojare not members, but there are occasions on&#13;
which it is necessary to break this rule. One such&#13;
occurred the other day when a young writer&#13;
sent up a grievous case. He had been writing&#13;
steadily for a certain firm, until their obligations&#13;
amounted to a considerable sum. He therefore&#13;
&#13;
&#13;
## p. 64 (#88) ##############################################&#13;
&#13;
64&#13;
THE AUTHOR.&#13;
wrote for a cheque. He received no answer. He&#13;
wrote again—and again. There was still no answer.&#13;
He wrote therefore to the Society. The firm were&#13;
informed that if they preferred legal proceedings to&#13;
paying their just debts, they could have them.&#13;
They preferred, however, paying the author in full,&#13;
with the statement that they had not received more&#13;
than one letter of application. Now the firm will&#13;
probably never take any more work from the young&#13;
man. But this is the very best thing that could&#13;
possibly happen to him. He will now try to get&#13;
employed by some firm which does pay.&#13;
I give, after these notes, a brief resume of a&#13;
pamphlet addressed to the Publication Committee&#13;
of the Society for Promoting Christian Knowledge.&#13;
I have received other instances of their treatment&#13;
of authors, even more flagrant than those quoted&#13;
in the pamphlet. No answer has been vouch-&#13;
safed to this pamphlet either by the Archbishop of&#13;
Canterbury, the President of the Society, or by the&#13;
Publication Committee. As this worthy body&#13;
will not meet till October, further action in the&#13;
matter is deferred until then, when I hope to&#13;
parade a few more facts to delight the world with&#13;
the "Christian" methods of dealing with other&#13;
people's property.&#13;
—*&#13;
Among the " warnings " which we publish every&#13;
month in Tlie Author, and every year in the&#13;
"Annual Report," is one which cautions writers&#13;
against signing any agreement, in which the alleged&#13;
cost of production forms an integral part, without&#13;
consulting the Society. A little circumstance&#13;
which happened a year or two ago, and was related&#13;
to me the other day by a very well known man of&#13;
letters, illustrates the necessity for this warning.&#13;
It is what mathematicians call an extreme case—&#13;
that is to say, we have never at the Society come&#13;
across one quite so "extreme." Here it is :—A&#13;
person had produced a MS. on a certain subject&#13;
which she—it was a lady—wished to publish. She&#13;
accordingly took it to a man whom she believed&#13;
honest, and asked him if he would produce it. He&#13;
agreed to do so if she would pay the whole cost of&#13;
production. He sent an estimate of this. It&#13;
amounted, according to his showing, to £120 for&#13;
so many copies. She showed the estimate to a&#13;
friend, who submitted the MS. to a printer. He&#13;
offered to print and bind as many copies for the&#13;
sum of ^16—of course it was a very short manuscript.&#13;
This was done and the work published. We have&#13;
often seen the "cost of production" set down at&#13;
double. But to multiply the actual cost by seven&#13;
and a half shows an amount of enterprise which we&#13;
could not previously expect.&#13;
Waltlr Besant.&#13;
"THE LITERARY HANDMAID OF&#13;
THE CHURCH."&#13;
THIS pamphlet appeared in the third week&#13;
of June. A copy has been sent to the&#13;
President and all the Vice-Presidents of the&#13;
Society for the Promotion of Christian Knowledge.&#13;
The following is an abridgment of its contents :—&#13;
"The Publication Committee of the Society for the Promo-&#13;
tion of Christian Knowledge, in their Report for last year,&#13;
announce that they will 'gladly receive any suggestion'&#13;
which may enable them to make * the venerable Society&#13;
the most efficient literary handmaid of the Church of Eng-&#13;
land throughout the world.'&#13;
"A Publication Committee has to do with Literary Property.&#13;
It is therefore desirable first of all to lay down certain pre-&#13;
liminary observations on the nature of Literary Property.&#13;
"(I.) First of all, it is very real property; it has its fluctua-&#13;
tions, like corn, wine, and any other property; but it is a&#13;
species of property which enables a few hundreds to live in&#13;
great comfort, plenty, and luxury, and a great many thousands&#13;
to live simply and carefully.&#13;
"(2.) Literary property is subject to the laws w hich protect&#13;
all property. The simplest and the most comprehensive of&#13;
all these laws is the Eighth Commandment, ' Thou shalt not&#13;
steal.'&#13;
"Applied to literature and addressed to Publishers, Publish-&#13;
ing Societies, and Publication Committees, this Command-&#13;
ment is thus to be interpreted: 'Thou shalt not cheat the&#13;
author while buying his work from him; thou shalt not pay&#13;
the workmen a price which will reserve for thyself the principal&#13;
profit ; thou shalt remember that the work is his—his the&#13;
design of it, his the invention, the fancy, the imagination,&#13;
the learning, the brain, and the hand of it. It is not thine&#13;
at all. If it becomes thine it must be by an equitable agree-&#13;
ment, which shall give thee only a fair reward for labour&#13;
done, and leave to him all the rest.' In no other way can&#13;
this Commandment be read and interpreted by a conscien-&#13;
tious Publication Committee.&#13;
"(3-) What is the value of a book? Clearly it is the price&#13;
which it will fetch in the market. That is say, it depends&#13;
upon the number of copies which the public will buy. An&#13;
author, therefore, can claim his reward solely with reference&#13;
to that number, and a publisher, can, equitably, make his&#13;
offer of remuneration only with reference to that number.&#13;
"(4.) The publisher is an agent ; he must be paid for his&#13;
agency in managing, distributing, and collecting, out of the&#13;
proceeds of the lxx&gt;k. For his trouble he is entitled to a&#13;
reasonable percentage on the proceeds.&#13;
"For example, if a publisher gives an author £yi for a book&#13;
out of which he makes a nett profit of £100, knowing, or&#13;
reasonably expecting, that he is going to make that, or some&#13;
similar amount, he may be a successful trader, but he must&#13;
lie classed as a sweater and a robber in the eyes of honour-&#13;
able men, and especially of a Society which exists for the&#13;
Promotion of Christian Knowledge. For if Christian Know-&#13;
ledge be not promoted on Christian principles, then were it&#13;
better not to be promoted at all. The author may never&#13;
know that he has been robbed. But the fact remains. The&#13;
Eighth Commandment still hangs upon the wall."&#13;
The pamphlet then goes on to speak of the four&#13;
kinds of publishers.&#13;
"First, the upright, or perfect publisher. He, sensitive and&#13;
lender of conscience, will not take from an author one penny&#13;
more than is his own just due. lie has settled with his&#13;
conscience what he should lie paid for what he has done, and&#13;
&#13;
&#13;
## p. 65 (#89) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
65&#13;
he will lake no more. If he pays an author a sum of money&#13;
down, it is considered by this person only as an advance on&#13;
what may become due to him afterwards if his work succeeds.&#13;
He will not publish bad work, or work that will not succeed.&#13;
To have that publisher's name at the foot of a title-page is a&#13;
hallmark of excellence. To be in his hands is to rest easy in&#13;
the assurance that he will do the best for the book and be&#13;
honest, that is, just, with the author.&#13;
"Where is that publisher to be found? Surely, we should&#13;
look for him first in the Society for Promoting Christian&#13;
Knowledge. It is a Society whose President is the&#13;
Primate of all England ; whose Vice-Presidents are all the&#13;
Archbishops and Bishops; whose General Literature Com-&#13;
mittee contains nine clergymen out of twelve members; and&#13;
whose three Secretaries are also Clergymen.&#13;
"There, if anywhere, should we expect to find the upright&#13;
publisher.&#13;
"The second kind of publisher is he who belongs to a house&#13;
well established and desirous to be considered as honourable.&#13;
The distinction, let us remember, between the 'honourable'&#13;
houses and those which are not honourable is well known and&#13;
perfectly understood by all who have studied the business of&#13;
publishing. Now when we divide publishing houses into&#13;
those which are honourable and those which are dishonour-&#13;
able, there cannot, surely, be a doubt or a question on which&#13;
side we ought to place the Literature Department of the&#13;
Society for Promoting Christian Knowledge—the 'Literary&#13;
Handmaid of the Church.' The gentlemen who form the&#13;
Publication Committee shall themselves, if they please,&#13;
when they have inquired into the conduct of their own&#13;
business, answer that question, each in turn, after the manner&#13;
of the House of Lords, every man his hand on his heart—&#13;
'Upon my Honour.'&#13;
"The third class is that of the knavish publisher. These&#13;
gentry, of whom there are many, are those who rob and&#13;
cheat the ignorant author in every account that they produce,&#13;
who chea-t and lie in their statements of the cost of produc-&#13;
tion, of t he sums spent in advertising, in the moneys they&#13;
have received, and, in fact, in every way that can suggest&#13;
itself to the ingenuity of man.&#13;
"The fourth class is that of the sweating publisher.&#13;
"The Select Committee of the House of Lords, on the&#13;
sweating system, of which the Archbishop of Canterbury,&#13;
President of the Society for Promoting Christian Know-&#13;
ledge, was a member, reports that the first evil of the&#13;
sweating system is 'A rate of wages inadequate to the&#13;
necessities of the workers or disproportionate to the work&#13;
done.' Let us accept this definition, and apply it to this&#13;
class of publishers.&#13;
"The sweating publisher, then, is one who grinds down the&#13;
faces of his unfortunate authors, who offers a miserable sum&#13;
for work which is going to bring him in a hundredfold&#13;
profit—who scruples not to toss an author a ten-pound&#13;
note for his labour, and without a pang of shame or&#13;
remorse makes ^50 or .£100 or £$oo profit for himself;&#13;
who knows no law but the cruel law of supply and demand,&#13;
and recognises no other right in an unfortunate author&#13;
but his right to receive meekly the highest sum that he can&#13;
obtain.&#13;
"There are many of these people abroad. They deal&#13;
largely with the productions of women. The sweater, it is&#13;
well known, works more comfortably by means of women.&#13;
They are helpless, they are ignorant of business, they are&#13;
yielding; if they cannot be frightened they can be cajoled.&#13;
And literary women, again, are timid about their own work,&#13;
not knowing what amount of stability they have achieved&#13;
or what is the extent of their popularity. Therefore the&#13;
sweater can do what he pleases with them. If they venture&#13;
gently to remonstrate, he bullies them; if they weep and&#13;
entreat, he threatens. He enjoys making them feel that he&#13;
is their master; he is never so happy as when he has them&#13;
at his feet, humiliated and submissive. The sweater is always&#13;
a bully as well as a sweater.&#13;
"He has got all kinds of excuses for his sweating. His first&#13;
excuse—in fact, the words are seldom out of his mouth—is&#13;
that there is perfect freedom of contract between himself&#13;
and his authors. 'It is take it or leave it. Here is a sum&#13;
of money, there is the MS.' That is all. There is no other&#13;
consideration.&#13;
"Freedom of contract! It is freedom of contract w hen the&#13;
wretched seamstress toils all day long—a day of sixteen&#13;
hours—for 11 hi.—or less. She is free to take it or to leave it.&#13;
It is freedom of contract when the poor woman who writes&#13;
for her bread submits a manuscript which has cost her weeks&#13;
and months of labour; yes, and that of a kind which requires,&#13;
before it can be produced, a pure heart, a lofty soul, a brain&#13;
rich with knowledge and a-glow with ideas, fancies, and a&#13;
imaginings, and a trained hand. Such a woman is a most&#13;
precious gift and blessing to the generation in which she&#13;
lives and works. She may lie a most potent force in the&#13;
advancement of humanity. But she is also a most sensitive,&#13;
and delicate instrument. And she has to deal with a sweater!&#13;
She goes to him trembling, because she knows what to expect.&#13;
He will toss her j£\0, £20, ^30, £$o, whatever it may be.&#13;
And out of her book he will make to himself a profit of ten,&#13;
twenty, fiftyfold.&#13;
"Freedom of contract! No greater mockery, no greater&#13;
cruelty than to speak of such a woman driven to such&#13;
necessities, as free to choose—free to accept or to reject.&#13;
She is not free, she is the slave of the sweater."&#13;
After these preliminary considerations, the&#13;
pamphlet quotes three several cases and describes&#13;
the treatment received by the author in each, and&#13;
the sums received.&#13;
In the first of these cases the Society bought,&#13;
outright, the copyright of a small biographical&#13;
work for the stupendous sum of £12! There was&#13;
also a promise, as affirmed by the author, of future&#13;
payment should the book prove "a success."&#13;
\Vhat constitutes a success? The book is now in&#13;
its seventh thousand—perhaps by this time in its&#13;
eighth or ninth. The Secretary, while denying the&#13;
promise, owns in his letters to a profit of about six&#13;
times that of the author! This he states without&#13;
a word of shame. Just as if it was a right and&#13;
proper thing, a thing in accordance with the highest&#13;
Christian ethics, that the Society should make this&#13;
enormous proportion of profit!&#13;
In a second case, the author, a lady, wrote ten&#13;
books for the Society. She received, on an average,&#13;
£50 a-piece for them. They were historical books&#13;
and works of fiction. Taking one of the books as&#13;
an example, it is shown that if 6,000 copies have&#13;
been sold this just and generous Society has made&#13;
a profit of about ^330 to the author's £50, i.e.,&#13;
£Z2&gt; 5s- &gt; so that taking the whole ten books the&#13;
profits of this Christian Society seem to stand at&#13;
the figures of ,£2,739 10 ^4rS—tne actual sum—&#13;
given to the author.&#13;
Who are the authors who write for this Society?&#13;
"I turn next to the list of authors. Setting aside the&#13;
clergymen who have written religious books and still keeping&#13;
to the department of belles lettres and fiction, I find among&#13;
the writers hardly one single name of those who at present&#13;
&#13;
&#13;
## p. 66 (#90) ##############################################&#13;
&#13;
66&#13;
THE AUTHOR.&#13;
stand in the first rank, of those in the second rank'half a&#13;
dozen. The rest are wholly unknown and obscure. Why is&#13;
this? Why does not this venerable Society, with its enormous&#13;
prestige, its immense clientele, its unparalleled power of selling&#13;
books, command the services of the best writers? Have all&#13;
the authors of Great Britain and Ireland abandoned the&#13;
Kaith of their Fathers? No bruit or rumour of so deplorable&#13;
an apostacy has reached my ears. How, then, can we&#13;
account for their absence?&#13;
"Is not the reason proclaimed—shouted aloud—by the facts&#13;
quoted above? Does the needlewoman continue in her&#13;
bondage when she has found a door of escape? Does she&#13;
return to her old employer unless she is compelled by famine?&#13;
"Let us, however, consider another imaginary scene. I see&#13;
before me a Society which has a department devoted to the&#13;
publication of books of all kinds; it defends, in the first in-&#13;
stance, the tenets and doctrines of the Christian religion, and&#13;
in the second place those of the Church of England. Besides&#13;
these books it publishes, on terms and methods prepared&#13;
with the most scrupulous attention to justice and righteous&#13;
dealing, a vast mass of general literature. It is an honour to&#13;
write for the Society ; it is a voucher of the value of the work,&#13;
only to have the name of the Society on the title-page; no&#13;
books have so wide a circulation. Hither come the historians,&#13;
the scholars, the poets, the essayists, the novelists, the writers&#13;
on science, art, music, everything. All the best men&#13;
come to this Society. Its corpus of literature contains all&#13;
that is best and noblest of the work of each generation.&#13;
Those who are authors by profession long to get into the lists&#13;
of the Society. If a clergyman of the Church writes such a&#13;
lxx&gt;k as Farrar's ' Life of Christ,' it is to the Society that&#13;
he goes with it quite naturally, and as if it was the only thing&#13;
to do. If another writes such a book as Green's ' History&#13;
of the People,' it is to the Society that he offers it. If a&#13;
novelist has a finished work, it is to the Society that he takes&#13;
it. This Society leads all other publishers, and is an example&#13;
for them; fair and honourable dealing is rendered necessary&#13;
to all by the bright and shining example of the 'Literary&#13;
Handmaid of the Church.' Nor is the money received the&#13;
only thing. This Society, while it continues to defend the&#13;
Church, regards literature from a broad and comprehensive&#13;
point of view. The Church is better served by those who&#13;
write for men, than by those who write for girls."&#13;
This "Reply" to the invitation of the Publica-&#13;
tion Committee of the S.P.C.K. has created&#13;
a certain amount of interest, as was to be ex-&#13;
pected from the nature of the subject and the&#13;
position of the venerable Society concerned. The&#13;
principles laid down in the pamphlet as to the&#13;
Ethics of Publishing are simple, and will probably&#13;
command general acceptance by all but persons&#13;
interested in keeping up the old fictions.&#13;
Among other letters received upon the subject is&#13;
one from a Bishop which so remarkably and so&#13;
fully (though in small space) illustrates a common&#13;
attitude of mind that I venture to quote from it.&#13;
His Lordship writes as follows :—&#13;
(i) "I do not find any reason to suppose that&#13;
the publishing department of the S.P.C.K..&#13;
act otherwise than other publishers."&#13;
One is sorry, indeed, that the Bishop thinks&#13;
so badly of other publishers. The pamphlet&#13;
shows some of the prices given by the S.P.C.K.&#13;
and some of the profits made out of the unfortu-&#13;
nate authors. Now, the good Bishop would boil&#13;
with indignation were he to read or hear of&#13;
sweaters in other trades. Yet he can find no tear,&#13;
no sympathy, for the sufferings of the man or woman&#13;
who writes and is sweated.&#13;
(2) "Nor am I convinced that there is any&#13;
injustice in a publisher who has purchased&#13;
an author's copyright making a larger&#13;
profit on the particular work than he seems&#13;
to have paid for. All publishers risk losses&#13;
by books that do not pay, and take their&#13;
chance of profit or loss. The author will&#13;
not share the loss. He has made his own&#13;
bargain and receives the money. I do not&#13;
see that he is entitled to claim a share in&#13;
the gain unless indeed that is part of the&#13;
bargain."&#13;
The Bishop has here confused two or more&#13;
points of importance which should have been kept&#13;
separate. Let us divide the word.&#13;
a. No risk need ever be incurred by the S.P.C.K.&#13;
Let us repeat this over and over again, be-&#13;
cause of all the Bogies, Spectres, and Ghosts&#13;
ever raised by interested persons this is the&#13;
hardest to lay. No Risk. No Risk at&#13;
ALL NEED BE INCURRED BY THE S.P.C.K.&#13;
In the old days, in fact down to very recent&#13;
times, the business of publishing was specu-&#13;
lative and risky. It is so no longer. That&#13;
is to say, the area of the reading public is so&#13;
vast; the book trade is so enormous; the&#13;
demand is so varied; the knowledge of&#13;
markets and the demand is so much in-&#13;
creased, that no publisher who knows his&#13;
business need ever undertake a risk. In&#13;
other words, having regard (i) to the&#13;
literary worth of a MS. (ii) to the subject;&#13;
(iii) to the name of the author; (iv) to his&#13;
own machinery—the publisher who knows&#13;
his business knows very well before he&#13;
consents to publish a book that he can&#13;
"plant" such a minimum number of copies&#13;
as will repay the cost of production, in-&#13;
cluding a certain profit for himself.&#13;
p. In the case of the S.P.C.K. their machinery&#13;
for the disposal of books is unrivalled.&#13;
They have shops and agents all over the&#13;
country; they have an immense number of&#13;
subscribers; and they have the invaluable&#13;
reputation of publishing only books that&#13;
are doctrinally "sound." Another reason&#13;
why the S.P.C.K. need never actually pub-&#13;
lish a book which results in a loss.&#13;
7. "The author will not share the loss."&#13;
First, there is, as I have said above, no&#13;
loss except such as is caused by an error of&#13;
judgment.&#13;
&#13;
&#13;
## p. 67 (#91) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
67&#13;
Next, apply this principle to other&#13;
branches of production. A man makes a&#13;
beautiful desk. He takes it to a shopkeeper&#13;
who sells desks. The shopkeeper says, "My&#13;
friend, this is an admirable desk. It should&#13;
be worth three pounds to you. But as I&#13;
was a fool yesterday, and bought a desk&#13;
which is too bad for me to sell again, I&#13;
can only give you thirty shillings. You&#13;
must share in the loss."&#13;
The Lord Bishop's ears shall not be&#13;
shocked by hearing the reply of that&#13;
cabinet-maker.&#13;
i. The principles laid down by this Society are&#13;
few and simple. For our part we contend&#13;
that they are based upon a commandment&#13;
which is read in the Churches every Sunday&#13;
once and sometimes in the week.&#13;
It is contended by the defenders of the Society&#13;
that they give away their books largely. Perhaps&#13;
they do—but perhaps their gifts are not so very&#13;
large. In one of the cases quoted the Secretary&#13;
did not claim to have given any away: he only&#13;
owned that the profits made by the Society&#13;
amounted to something like six times the sum paid&#13;
to the author. Now to repeat the Archbishop's&#13;
own definition, "The first evil of the sweating&#13;
system is a rate of wages inadequate to the neces-&#13;
sities of the workers or disproportionate to the&#13;
work done." Six times the author's profit! Six&#13;
times! My Lord Archbishop, late of the Com-&#13;
mittee on the Sweating System, will you produce&#13;
that sweating cabinet-maker, that sweating shoe-&#13;
maker, that sweating shirt-maker who sweats his&#13;
workmen to the tune of a profit six times the men's&#13;
wage? And there are other cases behind even&#13;
worse than those quoted in the pamphlet which&#13;
shall be produced in good time.&#13;
It remains to be said that as yet no reply at all&#13;
to this pamphlet has been issued by the Publication&#13;
Committee, nor has any answer been received by&#13;
the author from the President of the Society.&#13;
*&#13;
THE GERMAN SOCIETY OF&#13;
AUTHORS.&#13;
AS at present constituted the Deutsche Schrift-&#13;
steller Verbund originated from a fusion of&#13;
the old Schriftsteller Verbund (founded in&#13;
1878) and the former Schriftsteller Verein, a fusion&#13;
which took place some three years ago, and it&#13;
comprises now about 700 literary men and women&#13;
of Germany, Austria, and German Switzerland.&#13;
Its objects are :—&#13;
{a.) To look after the members' interests as to&#13;
their calling in general.&#13;
(6.) To support them in case of need and in old&#13;
age, as well as to provide for those they may&#13;
leave behind.&#13;
The constitution of the Society under the&#13;
Presidency of Herr Robert Schweichel in Berlin,&#13;
is similar to that of the English Society of Authors,&#13;
but it is at the same time sub-divided into branch&#13;
societies at Berlin, Breslau, Hamburg, Leipsic,&#13;
Frankfort-on-Maine, Munich, Stuttgart, Vienna,&#13;
Prague, and Gratz.&#13;
Rather important factors in the working order of&#13;
the General Society are :—&#13;
(a.) The "literary bureau," a kind of agency&#13;
established with a view to placing literary&#13;
work of the members, to providing situa-&#13;
tions (in editorial offices, &amp;c), and to find&#13;
out pirated reprints.&#13;
(d.) The "Syndikat," under a lawyer, to give&#13;
advice gratis on all questions regarding&#13;
their literary interests.&#13;
(c.) Courts of Arbitration, settling any disputes&#13;
between the members who, it must be&#13;
remembered, consist of editors as well as&#13;
contributors, and even as regards publishers,&#13;
I should think he would be a rash man&#13;
who would not readily submit to it.&#13;
The official organ of the Society is the "Deutsche&#13;
Presse," which comes out weekly.&#13;
All this may look satisfactory enough, but I am&#13;
afraid I must add that all is not yet in such perfect&#13;
working order as it might be, and I feel sure, one&#13;
day—will be.&#13;
As a special feature of our Society, however, I&#13;
should like to mention also the facilities for social&#13;
intercourse afforded thereby, and which by drawing&#13;
kindred—or may be sometimes even the reverse—&#13;
spirits of the same calling together, constitute&#13;
perhaps the greatest advantages cf all. There are&#13;
not only frequent meetings all through the year ot&#13;
the members of the different branch societies—some&#13;
having even special "Vergniigungs" Committees&#13;
for arranging entertainments, excursions, &amp;c.—but&#13;
once a year a particular place is chosen, to which&#13;
a goodly number of the members always flock from&#13;
all sides for several days' fete, and of course for the&#13;
transaction of some important business of the&#13;
Society. The place chosen for this summer is&#13;
Breslau, and if you, or any of your members, should&#13;
like to have any further information on the&#13;
"Schriftsteller Tag" of this summer, I should be&#13;
happy to give it as soon as the programme is out.&#13;
If any of the members of your Society should be&#13;
anywhere near Breslau at the time and care to be&#13;
present at the gathering, I feel sure they would be&#13;
heartily welcomed by my friends in Germany.&#13;
Wilhelm F. Brand.&#13;
&#13;
&#13;
## p. 68 (#92) ##############################################&#13;
&#13;
68&#13;
THE AUTHOR.&#13;
A HARD CASE.&#13;
No. III.&#13;
THIS was certainly a hard case, but it was&#13;
also one where the author's negligence&#13;
largely contributed to his own mishaps.&#13;
For this was a publishing transaction undertaken&#13;
without any agreement at all.&#13;
The publisher approached the author with&#13;
regard to the production of a technical work.&#13;
According to his proposal the author was not only&#13;
to contribute to the work, but was also to obtain&#13;
and edit the other material necessary, and to pay&#13;
towards the cost of production of the first edition&#13;
^150; it being understood that all other monies&#13;
necessary for the issue should be found by the&#13;
publisher. Any profits that might result were to&#13;
be equally divided between the author and the&#13;
publisher. These terms, however, were never&#13;
embodied in any agreement.&#13;
It is easy to see what they might mean.&#13;
When the cost of production is left entirely in&#13;
the publisher's hands, he can make it as high as he&#13;
likes. He can make it as low as he likes. He can&#13;
advertise to what extent he chooses. He need not&#13;
even advertise at all. He can receive money for&#13;
advertisements to be inserted in the work—it was&#13;
an annual of the nature of an almanac, appealing to&#13;
a very large body of scientific men, and especially&#13;
likely to be used as a medium of advertisement by&#13;
many tradesmen—and he can settle the scale at&#13;
which such advertisement shall be charged for.&#13;
He can print as many, or as few copies as he chooses.&#13;
He can, in fact, if he pleases, put off the author's&#13;
chance of a share of profits indefinitely, because it&#13;
is in his power so to manage matters that there&#13;
shall never seem to be any profit to share. He&#13;
can, almost without fear of detection, add what&#13;
sums he likes to the various items of the cost of&#13;
production; he can receive from tradesmen and&#13;
from advertisers whatever commission they may&#13;
choose to give him: he can, in fact, so arrange&#13;
a system of secret profits for himself, that he shall&#13;
receive at least six times as much as the author,&#13;
even should he allow the author ever to receive&#13;
anything at all. Of course he would always and&#13;
in all cases do such things at the risk of a law-suit&#13;
or a criminal prosecution, and, if the author had&#13;
provided himself with an agreement, having in it&#13;
a clause giving him the right to demand an audit&#13;
of the account, with the examination of the actual&#13;
charges incurred by the publisher, it is clear that&#13;
the publisher—though as unjust as the steward of&#13;
Scripture—would not be able to render "cooked"&#13;
accounts.&#13;
Whether or no some such "cooking" took place&#13;
in the case before us, cannot be certainly stated,&#13;
but the publisher asserted that the first three annual&#13;
editions only just covered the expenses, so that&#13;
there were no profits to divide, while it came to&#13;
the author's ears that considerable profits had really&#13;
been made. He then directed his solicitors to&#13;
apply for a statement of accounts.&#13;
Then a strange thing happened. The publishers&#13;
wrote repudiating the author's claim on the grounds&#13;
that they had nothing to do with the matter at all!&#13;
They were, they said, only issuing the annual on&#13;
commission for another gentleman—naming one of&#13;
their own employes, whose Christian name was par-&#13;
tially, andsurname entirely identical with those of the&#13;
head of the firm—and that to him all application for&#13;
redress must be made. They reminded the author&#13;
that all the correspondence concerning the business&#13;
had been transacted between himself and this&#13;
gentleman, who had, it appeared, represented him-&#13;
self as the firm.&#13;
Shortly afterwards the publishers went into bank-&#13;
ruptcy. The trustees then communicated with the&#13;
author, telling him that the accounts of his publish-&#13;
ing transaction with the bankrupts were open to&#13;
his inspection, but refusing to recognise his claim"&#13;
against the estate upon the grounds alleged by the&#13;
bankrupts.&#13;
Considerable profits were then found to have&#13;
been obtained upon the first three editions. The&#13;
employe^ whom the publishers declare to be their&#13;
client, and responsible to the author for the author's&#13;
share of profits, then wrote and denied his liability.&#13;
He asserted that the book was issued by the firm,&#13;
and not hy himself, and that it was ridiculous for&#13;
the firm to attempt to set up such a plea. He&#13;
promised to give the author every assistance in his&#13;
power, and, further, said that the accounts opened&#13;
for inspection did not reveal the true state of the&#13;
case, but that the profits were really larger than&#13;
they were there made to appear.&#13;
There was nothing to be done. The offenders&#13;
were bankrupt, and the author had no agreement&#13;
whereby to substantiate his claim.&#13;
The want of a proper agreement has often, to&#13;
our knowledge, been the source of great loss to an&#13;
author in various ways, but this is the only case&#13;
that has come before us in which the author was&#13;
not able to prove with whom he had made a con-&#13;
tract, having no written contract at all to show.&#13;
This book, treated with such a contemptuous&#13;
want of formality, seems to have been a fairly&#13;
valuable property. Would tlie author have allmved&#13;
a pig-stye of his to be hired of him without knowing&#13;
who his tenant actually was, and without taking the&#13;
trouble to record on paper the terms of the trans-&#13;
action?&#13;
&#13;
&#13;
## p. 69 (#93) ##############################################&#13;
&#13;
THE A UTHOR.&#13;
69&#13;
It remains to be stated that the author, who&#13;
only came to the Society when he thought it might&#13;
help him, retired when he found that nothing could&#13;
be done for him. This was, in fact, a Hard Case&#13;
for the Society. There have been many such, of&#13;
writers who keep aloof till they are in trouble, then&#13;
get proposed and elected, pay the first year's sub-&#13;
scription, sometimes entail upon the Society legal&#13;
expenses amounting to many years' subscription,&#13;
and then resign.&#13;
*&#13;
LA FEDERATION DU LIVRE.&#13;
To the Editor of'The Author.&#13;
I have read the " Literary Handmaid" with much&#13;
interest; the correspondence in the Guardian I&#13;
had seen at the time. I hope the Authors' Society&#13;
will keep up the discussion, and give an eye also&#13;
toother Religious Societies, which I do not imagine&#13;
to behave much better to their authors than the&#13;
S.P.C.K. This question of the duty of charitable&#13;
or religious institutions, as employers of labour, is&#13;
not new ; it must be thirty years or more since the&#13;
Bookbinders' Union appealed to the dignitaries at&#13;
the head of the Bible Society not to cheapen Bibles&#13;
to such a point as to make them hateful to the&#13;
starving folders and sewers. But in those days&#13;
good people were afraid of labour questions and&#13;
the operatives got no satisfaction.&#13;
Has it occurred to you that in this matter the&#13;
author, the printer, the binder—and even the ink&#13;
and paper-makers—are more or less in the same&#13;
boat? The unprincipled publisher, who grows&#13;
rich by grinding the faces of poor authors, also&#13;
has his binding and printing done cheap by the&#13;
houses which the Workmen's Unions call "unfair."&#13;
And these employers of cheap labour undersell&#13;
liberal publishers, and make it more difficult for&#13;
them to deal fairly by all grades of book pro-&#13;
ducers.&#13;
Now as authors—I won't say are—but are sup-&#13;
posed by an indulgent public to be—a superior&#13;
race of intellectual beings, would it not be appro-&#13;
priate for them to take the initiative in organizing&#13;
the industry with which they are connected dc fond&#13;
en cortbic, in a reasonable and righteous manner?&#13;
Should we not have a better position, as regards&#13;
the public, when trying to convince the " Literary&#13;
Handmaid " that the labourer is worthy of his hire,&#13;
if we spoke on behalf of all those who get their&#13;
living by assisting in the manufacture of books as&#13;
well as in the interests of the writers? Is it even&#13;
fair for the author to take a high moral ground and&#13;
lecture the publisher on his duties unless he him-&#13;
self is careful not to have any share in the profits&#13;
of iniquity?&#13;
But unless there is some concert and co-opera-&#13;
tion between authors and operatives, through their&#13;
respective organizations, how can the most scrupu-&#13;
lous writer be secure against a partnership in the&#13;
very evils, perhaps denounced in his book? At&#13;
present there is nothing to prevent authors who,&#13;
by position or principles ought to be most secure&#13;
against such dangers, from falling a victim to them.&#13;
There must be something rotten in the state of the&#13;
book trade when it is possible for the works of a&#13;
great and honourable writer to be printed at—what&#13;
the mass of workmen call—an "unfair " house : or&#13;
when the journal of a certain most illustrious&#13;
Authoress (who does not depend for maintenance&#13;
on her pen) narrowly escapes causing a strike&#13;
among the women sewing it. (The book referred&#13;
to was on extra thick paper, and the firm of binders&#13;
employed by the publisher refused to pay extra on&#13;
this account; the sore fingers produced by the&#13;
hard work required in a short time are still well&#13;
remembered in the trade.)&#13;
On the other hand, supposing the printing trade&#13;
to be hampered by any unreasonable or ignorant&#13;
prejudices among the operatives, who could medi-&#13;
ate with more effect than writers, who have an&#13;
interest in cheap printing, controlled by the con-&#13;
scientious desire to secure fair wages throughout&#13;
the trade?&#13;
Some slight approach has been made in Paris&#13;
towards recognizing this natural solidarity among&#13;
all workers in the book industry. I do not know&#13;
whether the Soci^ti; des Gens de Lettres is in any&#13;
relation with the Federation du Livre, which last&#13;
year had between 5,000 and 6,000 members in&#13;
Paris, including, besides ordinary compositors and&#13;
bookbinders, highly-paid lithographers and various&#13;
classes which have not yet learnt to act together&#13;
in England.&#13;
In the printing trade the State is not a better&#13;
employer than the Church, and while State, Church,&#13;
and competing private publishers continue to en-&#13;
force the "Law of elevenpence ha'penny," what&#13;
avails it for one eloquent author to lift up his voice&#13;
against it?&#13;
No doubt some people will say, authors have&#13;
enough to do to fight their own battles without&#13;
troubling about the operatives, who can take care&#13;
of themselves.&#13;
But it is often easier to do a big thing than a&#13;
small one. Suppose there are six sets of work-&#13;
men employed in turning out a book, including&#13;
the humble functionary who writes it. Each of&#13;
the six has to do with an employer or entrepreneur,&#13;
with an interest in keeping down his wages; and&#13;
all six, author included, are more often defeated&#13;
A&#13;
&#13;
&#13;
## p. 70 (#94) ##############################################&#13;
&#13;
70&#13;
THE AUTHOR.&#13;
thrm victorious in their bargains with this opponent.&#13;
But let the six interests be allied, and they are&#13;
stronger than any one adversary; and as a disin-&#13;
terested alliance is only possible in a good cause,&#13;
there is nothing to be feared from a rival federation&#13;
of sweaters.&#13;
If you object that the plea for extended organi-&#13;
zation comes with a bad grace from a scribbler&#13;
who has not joined the Society, I plead guilty and&#13;
am willing to amend, but the fact is, I have been&#13;
waiting for an occasion to ask your views on this&#13;
point first, as one feels now-a-days that any or-&#13;
ganization partaking of the character of a Trade&#13;
Union is particularly bound to recognize the rights&#13;
and interests interwoven with its own, and to sus-&#13;
tain rather than endanger their just claims.&#13;
Edith J. Simcox. *&#13;
UNAUTHORIZED PUBLICATION&#13;
OF SERMONS.&#13;
I.&#13;
SIR FREDERICK POLLOCK in your June&#13;
number criticises my note on "Copyright in&#13;
Lectures " which you published in May. I&#13;
hope you will permit me, as the writer of the note,&#13;
to point out that the common law only gives protec-&#13;
tion to lecturers so long as their lectures are not&#13;
published by being publicly delivered. This protec-&#13;
tion is afforded by the Courts in a practical way&#13;
by issuing an injunction against infringers. But&#13;
directly there is publication (as when a clergyman&#13;
preaches a sermon in church or a public lecture&#13;
open to all without condition is delivered) the&#13;
common law protection is at an end, and the&#13;
lecturer is left to such protection as the statute gives&#13;
him. I am glad of an opportunity to make this&#13;
distinction clear, although as my note only referred&#13;
to public lectures I did not before allude to the&#13;
common law rights in unpublished lectures.&#13;
Sir Frederick Pollock cites the case of "Caird&#13;
v. Sime" (12 App. Ca. 326) but it was there held&#13;
by the Lord Chancellor and Lord Watson (Lord&#13;
Fitzgerald dissenting) that Professor Caird's lec-&#13;
tures to the students of Glasgow University were&#13;
not public but private, and that, therefore, he was&#13;
entitled to a "perpetual interdict" against their&#13;
publication. Moreover, Lord Watson in his&#13;
judgment remarks :—" On the other hand I do not&#13;
doubt that a lecturer who addresses himself to the&#13;
public generally without distinction of persons or&#13;
selection or restriction of his hearers has, as the&#13;
Lord President observes in this case, abandoned&#13;
his ideas and words to the use of the public at&#13;
large." The preamble of the Statute 5 and 6,&#13;
Will. IV, c. 65, runs:—"Whereas printers, &amp;c,&#13;
have frequently taken the liberty of printing and&#13;
publishing lectures delivered upon divers subjects&#13;
without the consent of the authors, &amp;c, to the&#13;
great detriment of such authors, &amp;c." This, I&#13;
suppose, was true. As Lord Watson puts it in&#13;
"Caird v. Sime," the purpose of the Act is to&#13;
secure their right of property to the authors of such&#13;
lectures, notwithstanding their having been pub-&#13;
lished by delivery. Nor are all University, &amp;c,&#13;
lectures private, for, as Lord Watson was careful to&#13;
add, "there may be lectures delivered within the&#13;
walls of such institutions which do by their delivery&#13;
become public property just as there may be others&#13;
which do not." It was pointed out by the Copy-&#13;
right Commissioners, 1878, that these are denied&#13;
statutory protection. It was, as Lord P'itzgerald&#13;
observes in his dissenting judgment in the same&#13;
case, thought desirable by the House of Commons&#13;
of the day that these lectures should remain public&#13;
property, and that their authors should be denied&#13;
statutory copyright.&#13;
My authority for the statement that " a lecturer&#13;
is powerless to prevent unauthorized re-delivery," is&#13;
in the Report of the Copyright Commission, 1878,&#13;
pp. xvi, xvii. "The present Act of Parliament," the&#13;
Report runs, "which gives copyright in lectures,&#13;
seems only to contemplate one kind of copyright,&#13;
namely, that of printed publication, whereas it is&#13;
obvious that for their entire protection lectures&#13;
require copyright of two kinds, the one to protect&#13;
them from printed publication by unauthorised&#13;
persons, the other to protect them from re-delivery."&#13;
The Report goes on to suggest that an author's&#13;
copyright should extend to prevent re-delivery. If&#13;
the Commissioners are right, I am correct in stat-&#13;
ing that "there is no such thing as" performing&#13;
right "in a species of literary production in which&#13;
this may be really valuable."&#13;
Sir Frederick Pollock further remarks:—"There-&#13;
fore, a person acting on the commentator's opinion&#13;
that sermons 'seem to be clearly public property,'&#13;
would be more likely to make practical acquaint-&#13;
ance with the nature and operation of an injunction&#13;
than to make his fortune by unlicensed reprints of&#13;
pulpit eloquence." But I contend that it is a fact&#13;
that the piracy of pulpit eloquence is a systematic,&#13;
and, perhaps, a profitable trade. Lord Eldon, in&#13;
Abernethy v. Hutchinson [3 L. J. (Ch.) 214], distin-&#13;
guished the case of a clergyman as one in which&#13;
there was no remedy by injunction, and Copinger&#13;
remarks (Lmv of Copyright, p. 35), "it would appear&#13;
that sermons by Clergy of the Established Church,&#13;
&#13;
&#13;
## p. 71 (#95) ##############################################&#13;
&#13;
THE A UTHOR.&#13;
7i&#13;
in endowed places of public worship, are deemed&#13;
public property." The Bishop of Peterborough,&#13;
to whose case I referred, in complaining of the&#13;
unlicensed publication of his sermons by the Editor&#13;
of the Contemporary Pulpit, remarked (Times, June&#13;
14th, 1888):—"I am aware that for this kind of&#13;
literary assassination an unhappy preacher has no&#13;
redress; he is completely at the mercy of penny-&#13;
a-liners and enterprising editors who make 'per-&#13;
nicious nonsense ' of his discourses, and then vend&#13;
them for their own gain." A story is told of the&#13;
late Canon Henry Melvill to the effect that, on&#13;
one occasion, he paused in the middle of a sermon,&#13;
and exclaimed, pointing an indignant finger at a&#13;
reporter, "There is a thief. He is stealing my&#13;
property." Sir Frederick Pollock writes with&#13;
authority, but it is more than singular that an&#13;
injunction was never sought by any injured and&#13;
outraged preacher; and I venture to think that&#13;
the explanation is to be found in the fact that&#13;
sermons, like public lectures, are, in Lord Eldon's&#13;
phrase, "communicated urbi et orbi by the mere&#13;
act of delivery."&#13;
W. Morris Collet&#13;
II.&#13;
The point is certainly unsettled. I have little&#13;
doubt that a generation or two ago Mr. Colles's&#13;
opinion was the commonly received one. But, in&#13;
addition to disclaiming any pretension of writing&#13;
with authority myself (which would be superfluous&#13;
if I were writing for lawyers only), I may point&#13;
out that there is no real authority on the other&#13;
side. The opinion of the Copyright Commissioners&#13;
could not be referred to in a Court of Justice, and&#13;
the dicta in Caird v. Sime are extra-judicial, not&#13;
being at all necessary to the decision. It may be&#13;
a long time before we get a legislative declaration,&#13;
and meanwhile case-law can be improved only by&#13;
those who have the courage to dispute current&#13;
opinions. Many opinions quite as current as this,&#13;
and having more show of authority, have been&#13;
over-ruled in our own time. There would be a&#13;
fair chance, to the best of my judgment, of inducing&#13;
the Court of Appeal to throw on the unauthorized&#13;
reproducer the burden of proving an unlimited&#13;
dedication to the public. I do not know why&#13;
authors should acquiesce more than other men in&#13;
that view of a doubtful point which is least favour-&#13;
able to themselves, and I only wish the Bishop of&#13;
Peterborough had been advised to stand in the&#13;
breach. At all events the author who publishes a&#13;
revised text of his discourse has the protection of&#13;
ordinary literary copyright for his additions and&#13;
corrections. F. P.&#13;
III.&#13;
[Reprinted from The Times, June 14th, 1888. By permission&#13;
of the Bishop of Peterborough.]&#13;
To the Editor of The Times.&#13;
Sir,&#13;
I have just received a copy of a publication&#13;
purporting to be a series of sermons on the Church&#13;
Catechism by the Bishop of Peterborough, re-&#13;
printed, apparently, from the Contemporary Pulpit.&#13;
I ask your permission to state that this publication&#13;
has been made without my consent or knowledge;&#13;
and that (with the exception of the first sermon of&#13;
the series, which was partially corrected by me) I&#13;
am in no way responsible for its contents.&#13;
The facts of the case are interesting as an illus-&#13;
tration of what preachers, who, like myself, do not&#13;
use manuscript, have to suffer at the hands of re-&#13;
porters and editors of religious periodicals. I have&#13;
preached lately a series of short sermons in Peter-&#13;
borough Cathedral on the Church Catechism.&#13;
These were reported in the local newspapers; and&#13;
the editor, I think, of the Contemporary Pulpit, or,&#13;
if not, some other editor, sent me shortly after a&#13;
proof of the first of these for correction, with a&#13;
view to publication in his magazine. I found it,&#13;
as might have been expected, both imperfect and&#13;
inaccurate. I could not afford the time, even if I&#13;
had the ability, to reproduce the sermon from&#13;
memory. I was obliged, therefore, to content&#13;
myself with rendering into English a good many&#13;
sentences which were certainly not printed in that&#13;
language, and with erasing one or two amazing&#13;
doctrinal statements which were the reporter's and&#13;
not mine.&#13;
The remaining sermons were published in the&#13;
Contemporary Pulpit without any revision or cor-&#13;
rection from me, and are now republished in a&#13;
permanent form for the profit of the publisher or&#13;
editor, with the heading "Magee Extra; price&#13;
sixpence.&#13;
I am aware that for this kind of literary assassina-&#13;
tion an unhappy preacher has no legal redress; he&#13;
is completely at the mercy of penny-a-liners and&#13;
enterprising editors, who make "pernicious non-&#13;
sense" of his discourses and then vend them for&#13;
their own gain. I do not grudge them their gains,&#13;
though, if I might be allowed the choice, I would&#13;
gladly pay them what they might think their&#13;
venture worth on condition that they would forego&#13;
it. But what I do complain of is that, because I&#13;
will not, and indeed cannot, reproduce for them&#13;
my sermons, I must submit to the publication&#13;
and circulation of all the bad English and worse&#13;
theology which they think fit to give to the public&#13;
as mine. I complain, too, of the further annoyance&#13;
of having to answer numerous letters from per-&#13;
&#13;
&#13;
## p. 72 (#96) ##############################################&#13;
&#13;
72&#13;
THE AUTHOR.&#13;
plexed, and occasionally angry, correspondents,&#13;
who ask, "Did you really say this?" "Can it be&#13;
possible that you said that ?"and of having to write&#13;
to each one an assurance that I never said "this"&#13;
or "that," and an explanation—sometimes a long&#13;
one—as to what I really did say.&#13;
I know that these complaints of mine will fall—&#13;
so far as enterprising editors are concerned—upon&#13;
deaf ears. Preachers are their natural prey and&#13;
diet. But, as a matter of common honesty, I think&#13;
it only due to any intending purchaser of this&#13;
particular "Magee Extra "to apprise him that, if&#13;
he expends upon it the sum of sixpence, he will get&#13;
for his money a good deal more of the "Extra"&#13;
than of the " Magee."&#13;
I am, Sir,&#13;
Faithfully yours,&#13;
W. C. Peterborough.&#13;
Palace, Peterborough, June nth.&#13;
—»&#13;
IV.&#13;
[Reprinted from The Times, June 25th, 1888. By permission&#13;
of the Bishop of Peterborough.]&#13;
To the Editor of The Times.&#13;
Sir,&#13;
The editor of the Contemporary Pulpit alleges&#13;
that "misunderstanding has been caused" by my&#13;
not having "communicated with him" on the&#13;
subject of his " Magee Extra," about which I lately&#13;
wrote to you. I confess that I see no reason why&#13;
I should have communicated with him on the&#13;
matter. The injury of which I complained—&#13;
namely, the publication of a volume of sermons as&#13;
mine without my consent or knowledge and with-&#13;
out any correction or revision from me—was done&#13;
and could not be undone by means of any com-&#13;
munication of mine to the doer of it. It seems to&#13;
me that it would be as reasonable to expect me to&#13;
"communicate " with a person who had assaulted&#13;
me in the street in order to prevent any misunder-&#13;
standing that might arise from my giving him into&#13;
custody. Might I suggest to the editor of the&#13;
Contemporary Pulpit that previous communication,&#13;
in either of these cases, from the intending assailant&#13;
to his intended victim, would be the more reason-&#13;
able course of the two? It would prevent some&#13;
pain to one of the parties concerned, and a good&#13;
deal of trouble to both.&#13;
I hasten, however, to correct, as far as possible&#13;
to make amends for these "misunderstandings"&#13;
that I have caused. I was "mistaken," it appears,&#13;
in thinking "that my sermons were reprinted from&#13;
the Contemporary Pulpit." That periodical, it&#13;
seems, is none of your "penny dailies," nor six-&#13;
penny weeklies even. It is nothing less—so please&#13;
you—than a quarterly, which "publishes every&#13;
quarter full reflexes of the best preaching of the&#13;
day"—obtained in my case, at least, by printing off&#13;
a bundle of uncorrected newspaper cuttings—&#13;
edited with no greater pains or cost than is implied&#13;
in the use of the scissors and the paste pot. I&#13;
admit and apologise for my ignorance as to the&#13;
rank and dignity of this youngest of the "quarterlies."&#13;
Possibly, however, some of the editor's elder breth-&#13;
ren may think that, under the circumstances, and&#13;
for the credit of the family, some apology is due to&#13;
them from him. I was also wrong, I am told, in&#13;
believing that the editor was guilty of the weakness&#13;
of allowing me to revise the proof of even one of&#13;
my sermons. As a matter of fact, I did not assert&#13;
this. I gave him the benefit of the doubt, and&#13;
said that this was done either by him or " by some&#13;
other editor." I admit, however, my mistake in&#13;
crediting him with even this small amount of fair-&#13;
ness and courtesy, and I apologize accordingly.&#13;
Having now, I trust, sufficiently explained my&#13;
"mistake," I proceed briefly to comment on the&#13;
remainder of the editor's letter. He is evidently a&#13;
person who, in conducting his business, is in the&#13;
habit of "supposing" a good deal. For (1) he&#13;
"supposed " (he does not say why) that I revised&#13;
all the reports of my sermons for the newspapers in&#13;
which they appeared." (2) He " supposed" that&#13;
the necessarily hurried and rough correction of&#13;
reporters' errors and mistakes of the Press, which&#13;
alone is possible in such a case, was really equiva-&#13;
lent to the careful revision and to the supply of&#13;
omitted passages which a preacher might not un-&#13;
reasonably desire to make in a re-publication in a&#13;
permanent form of newspaper reports of bis sermons.&#13;
(3) He "supposed" that I had no "intention of&#13;
publishing these sermons myself." For, as he&#13;
assures us that it is his rule in such a case never to&#13;
publish, and as he certainly never said a word to&#13;
me on the subject, he must have either taken for&#13;
granted that I had no such intention, or he must&#13;
(4) have "supposed" that it was my business to&#13;
notify such intention to every religious editor in&#13;
the country, and that failing such notification they&#13;
were free to publish the sermons on their own&#13;
account.&#13;
In the next place, I observe that this editor&#13;
measures out his civilities to preachers in the&#13;
same way that railway servants are sometimes&#13;
accused of measuring theirs to railway passengers&#13;
—namely, according to their rank. To a "more&#13;
eminent preacher" than myself, it seems, "any&#13;
terms " for the right to publish his sermons revised&#13;
and corrected by himself." To second class&#13;
preachers like myself he offers no terms whatever,&#13;
&#13;
&#13;
## p. 73 (#97) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
73&#13;
and no opportunity for revision or correction. He&#13;
roundly claims the right to republish our sermons&#13;
as a literary speculation, uncorrected and unrevised,&#13;
when and how he pleases, unless, indeed, we in-&#13;
form him beforehand of our intention to publish&#13;
them for ourselves. How he treats third-class&#13;
preachers I hardly dare to imagine. It may be&#13;
that he does not publish their sermons in any&#13;
shape. If so, I should be infinitely obliged to him&#13;
if he would henceforth put me in the third class.&#13;
Probably, however, if we had the opportunity of&#13;
interviewing the eminent preacher above referred&#13;
to, he would tell us that, having been offered the&#13;
uncomfortable alternative either of devoting much&#13;
valuable time and pains to revising and correcting&#13;
his sermons for another man's profit, or of allowing&#13;
them to go forth unrevised, he chose, as the least&#13;
of two evils, the latter course. So should I, were&#13;
I given the choice, of which, however, it appears I&#13;
am not worthy.&#13;
The editor adds that "it is impossible for him&#13;
to yield to any further claim of mine." Let me&#13;
assure him that I made and make no claim upon&#13;
him whatsoever. I fully anticipated, as I said in&#13;
my former letter, that any claim of mine on him,&#13;
either for justice or mercy, would "fall on deaf&#13;
ears." Preachers are, as I said, "the natural prey&#13;
and diet of religious editors;" and I have never&#13;
heard that the carnivorous animals are much&#13;
affected by the sufferings of the creatures upon&#13;
which they dine.&#13;
All that I claimed was the right to disclaim all&#13;
responsibility for the "bald, disjointed trash,"&#13;
which he has published as mine, and to warn in-&#13;
tending purchasers of it as to what they would get&#13;
for their money.&#13;
One word more on the general subject. I make&#13;
no complaint of reporters. They do their best,&#13;
often under very difficult circumstances, and it is&#13;
no discredit to a country reporter if he is not as&#13;
deft and practised as one of the staff of The Times,&#13;
nor so well skilled in divinity as to qualify him for&#13;
detecting doctrinal misstatements in his reports,&#13;
which nevertheless may be distressing to a preacher.&#13;
Nor do I in the least complain of the editors of&#13;
local newspapers for publishing such reports. I&#13;
am not so absurd as to expect that editors of&#13;
newspapers should send me, even if it were always&#13;
possible to do so, the proofs of my sermons or&#13;
speeches, and still less that they should find space,&#13;
to the exclusion of other matter, for sermons in&#13;
extenso. I am quite content in this respect to&#13;
share "neighbours' fare," and to suffer, as every&#13;
public speaker must, the passing annoyance of&#13;
some misquotation, which I can correct, if I care&#13;
to do so, in the next day's paper, or the suppression&#13;
of what I might wish had been published, but&#13;
which the editor, probably quite rightly, thought&#13;
might not interest his readers. I know that all&#13;
such reports will, in a day or two, find decent in-&#13;
terment and oblivion in the common grave of&#13;
speeches and sermons, the back files of old news-&#13;
papers.&#13;
But it is quite another matter when some re-&#13;
ligious editor exhumes the mangled corpse, labels&#13;
it as mine, and displays it in an exhibition, "ad-&#13;
mission sixpence," in order that he may turn what&#13;
I suppose he calls an honest penny at my expense.&#13;
To protest against this may appear to the editor a&#13;
"claim " so outrageous that he "declines to com-&#13;
ment on it." To me it appears a perfectly just and&#13;
reasonable protest against a practice which I had&#13;
rather not describe by its proper name.&#13;
I am, Sir,&#13;
Yours faithfully,&#13;
W. C. Peterborough.&#13;
The Palace, Peterborough, June 22nd.&#13;
*&#13;
THE INAUTHORATED CORPSES.&#13;
TWO Congresses, fifteen Legislatures, one&#13;
House of Commons, and several hundred&#13;
newspapers had sat upon the question of&#13;
International Copyright for years; and nothing&#13;
beyond pirated editions were ever hatched of it.&#13;
As the honourable member for Lower Idaho&#13;
pointed out in Congress: "If we can hike down&#13;
the fruit of the centuries from the moss-gnarled&#13;
trunks of an effete civilization over the sea, why in&#13;
Paradise should we pay a dollar for a book when we&#13;
can hook it for a dime? Let the good work go on."&#13;
In England every vestryman knew that there were&#13;
no votes to be obtained from authors, and no one&#13;
could quite understand what it was the gang&#13;
wanted, or why they should actually own what&#13;
they had " made out of their heads, y' know," and&#13;
the situation crystallued itself into a round game&#13;
of grab. The American publishers began by giving&#13;
an English author ten pounds for advance-sheets&#13;
of a book which they brought out for fifty cents.&#13;
Then the Sad Sea Wave Library would undercut&#13;
the first firm, and produce a thirty cent edition;&#13;
and last of all the "Bowery Bloodsucker Serials"&#13;
would set a muzzy German to abridge and adapt&#13;
the book and would issue the mutilated fragments&#13;
for a dime or ten cents. When a man had taken&#13;
some trouble over his book and put perhaps one&#13;
or two ideas into it, and was feeling happy, his&#13;
friends would post him American variorum edi-&#13;
tions of that book to make him happier. Later&#13;
&#13;
&#13;
## p. 74 (#98) ##############################################&#13;
&#13;
74&#13;
THE A UTHOR.&#13;
on the American publisher discovered that it was&#13;
not worth while to pay the author for advance-&#13;
sheets at all. The syndicates established an agency&#13;
for appropriation, and their agents moved among&#13;
the English printing-houses and turned the handle&#13;
of a printing press four or five times more than&#13;
was necessary, and went away with the advance-&#13;
sheets. That was called Enterprise, and it made&#13;
both the British and American reading public&#13;
laugh.&#13;
Then the authors borrowed some writing-paper&#13;
and wrote a petition to Parliament asking that the&#13;
fight might be made if not a fair, at least a free one.&#13;
They respectfully prayed that all the laws were on&#13;
one side, but, they said, if the matter of copyrights&#13;
were "left to be fought out by such instruments as&#13;
your petitioners' resources allow they would ever&#13;
pray, &amp;c." Parliament being then extremely busy&#13;
with a new scheme for Local Self-Government&#13;
in Cornwall (which county had discovered that it&#13;
was Phoenician and not British), said, "Let it be&#13;
law as it is desired," and it was law.&#13;
Three days after it came into effect, the London&#13;
representative of the great "publishing" firm of&#13;
Fibbs and Glew met an author-man by appoint-&#13;
ment in the former's rooms.&#13;
"How is the Legend of the Spotted Death getting&#13;
on ?" said the representative, with a grin.&#13;
"Gone to press," said the author. "What are&#13;
you going to do about it?"&#13;
"Nothing much. One of our men photoed&#13;
the MS. page by page in the office, with a button-&#13;
hole camera. I've mailed the enlarged films to&#13;
America, and I guess we've got the drop on your&#13;
English lirm this time."&#13;
"But I'm going to knock the thing about in proof&#13;
a great deal," said the author. "There's more bad&#13;
work in the last chapter than I care to think of."&#13;
"'Can't help that," said the representative.&#13;
"We must be first in the market if you wrote a&#13;
revised edition of the alphabet with twenty-six&#13;
misprints. However, we've dealt with you from&#13;
way back. Here's a tenner. Take it or leave it."&#13;
He turned to his desk to get the money. When&#13;
he faced round he was looking directly down the&#13;
barrel of a '440 Derringer. His hands stiffened&#13;
above his head, the bank note in the right fist.&#13;
"Who has the drop now?" said the author.&#13;
"It's a fair fight at last—with such resources as we&#13;
can command. Keep your hands up, please."&#13;
"Don't be an ass," said the representative.&#13;
"This isn't a theatre."&#13;
"Quite right. It's a court of law. Understand,&#13;
I'm not in the least angry with you. You had a&#13;
perfect right to steal my work, which is about all&#13;
the property I have or ever shall have. You were&#13;
entitled to insult me with the sort of 'tip' his&#13;
uncle gives to a boy going to Eton, as well as to&#13;
make hay of my sentences to suit your con-&#13;
venience. There was no law, and so you reverted&#13;
to the primitive man. Quite right. Now you're&#13;
going to learn the law just as a horse-thief in Idaho&#13;
learns it—through fear of death and physical pain."&#13;
He took the bank note from the uplifted hand.&#13;
"Lie down on the hearth-rug with your hands&#13;
behind you. I'm going to take all the money I&#13;
can find in the office. Drop!"&#13;
The representative obeyed, and the author made&#13;
investigations which repaid him for two years'&#13;
sales of unauthorized editions.&#13;
"Now it's not safe," he concluded, "to leave you&#13;
with a fighting hand. I should be within my right&#13;
if I killed you as your countrymen kill horse-thieves.&#13;
And let us be moral. Why do they kill horse-&#13;
thieves?"&#13;
"Because," said the representative, his face on&#13;
the hearth-rug, "the assumption is that when you&#13;
steal a horse you dismount a man, and the man&#13;
may die in the wilderness."&#13;
"Exactly. How do you know where I wish to&#13;
ride on these my books, and why do you try to&#13;
dismount me before I dismount myself?"&#13;
"There was no law," said the representative.&#13;
"The law has come now. It's primitive for the&#13;
nineteenth century, but I think it will work. Hold&#13;
your right hand over the fender-rim; I don't want&#13;
to spoil your carpet. There! Through the right&#13;
wrist. That will cripple you for life. If you can&#13;
shoot me with your left next time we meet, well and&#13;
good. Then you can go on stealing without fear.&#13;
Let me tie your hand up. We must all learn the&#13;
Law with pain and sorrow. Good bye!"&#13;
The author departed while the representative lay&#13;
fainting with his head in the fender. He came of&#13;
a nation eminently just at heart, so he brought&#13;
neither a civil nor a criminal suit against the&#13;
author, but went to the very best doctor and the&#13;
best gunmaker in all London, and made arrange-&#13;
ments to bring out an edition as soon as possible&#13;
of that author—in boards—limited to one copy.&#13;
&#13;
&#13;
&#13;
## p. 75 (#99) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
75&#13;
LEAFLET No. III.&#13;
On Paying for Publication.&#13;
THOSE who pay for the publication of their&#13;
works are young poets, travellers, novelists,&#13;
essayists, and clergymen who bring out&#13;
their sermons. The number of poets who at the&#13;
present moment can dispense with the ceremony of&#13;
pre-payment for publication is certainly small,&#13;
probably not more than eight or nine. And there&#13;
appears no indication of an immediate increase in&#13;
their number. The handsome illustrated books of&#13;
travel appear also, for the most part, and judging&#13;
from the agreements sent to this Society, to be&#13;
largely paid for by the author, who is asked to&#13;
"guarantee," that is, to take and pay for, at a&#13;
certain price, so many copies. The greater number,&#13;
however, of those who pay for the production of&#13;
their books are novelists. Now in the year 1889&#13;
lhere were 828 new novels published and 353 new&#13;
editions of novels. (Let us here remark that both&#13;
writing and publishing of novels ought to be in a&#13;
healthy condition since so many new editions are&#13;
called for.) Out of the 828 new works of fiction&#13;
at least one-half are children's books or goody books,&#13;
of which the output is enormous. Of the remaining&#13;
half between two and three hundred are three volume&#13;
novels; the rest are either six shilling one volume&#13;
novels, or shilling stories. In any case at least&#13;
two-thirds, and perhaps three-fourths, of this long&#13;
list of novels are books paid for by the author.&#13;
The following is the invariable process. The&#13;
author has written the book—perhaps with im-&#13;
mense pains and trouble; perhaps he has " dashed"&#13;
it off at odd moments when there was nothing else&#13;
to do. In any case the MS. is at last ready. The&#13;
writer of it now begins to send it round. He&#13;
looks at the advertised lists of books. He selects&#13;
a firm: if he is wise, he begins with a big house:&#13;
and he sends off his manuscript. He then waits&#13;
with a beating heart for a reply. Presently he&#13;
receives a polite answer declining the work. He&#13;
tries another publisher with the same result. And&#13;
a third —being rejected again. At this point he&#13;
generally commits a fatal error. For, if he were a&#13;
wise man, he would argue that (1), these firms all&#13;
vol.. 1.&#13;
ardently desire to publish good work which they&#13;
can sell; that (2), the fact of their refusal to pub-&#13;
lish his work shows that it lacks at least com-&#13;
mercial value, if not literary merit; and that (3),&#13;
he should now revise it and submit it to some third&#13;
person, say one of the readers for this Society, for&#13;
an independent opinion as to the cause of these&#13;
repeated failures. But he does not take this line at&#13;
all. He says, "Perhaps, if a great house will not&#13;
take my MS., a smaller house will." Now, there&#13;
are small houses of various kinds. Most of them&#13;
mainly live by bringing out books which are paid&#13;
for by the authors. Some of them do this work,&#13;
which can hardly be called the highest class of&#13;
publishing, honourably and honestly. Others, to&#13;
put it mildly, do not. He goes to one of these&#13;
and he pays for production.&#13;
Whether the author pays a large sum or a small&#13;
sum need not here be considered. The question&#13;
is, why he pays anything at all.&#13;
Consider. There are many authors and many&#13;
publishers. But there is only one public. It is&#13;
true that there are many branches of the public.&#13;
One branch, for instance, likes sporting books, and&#13;
another likes religious books; some like love&#13;
stories and others like murders. Still only one&#13;
public, wherever the author goes—for all publishers&#13;
alike.&#13;
Let him ask this question then. If this public&#13;
should refuse to buy this MS. if published—say&#13;
—by Longman or Bentley, of what other pub-&#13;
lisher would they buy it? and for what reason ? .&#13;
In other words:—If a MS. is offered to all the&#13;
respectable houses in vain, it is refused because&#13;
all the respectable houses are agreed in thinking&#13;
that the public will have none of it. Where, then,&#13;
is that other public which will demand it when it&#13;
is published elsewhere?&#13;
In this Society, cases by the score—by the&#13;
hundred—have been examined in which the author&#13;
has had to pay for the production. Nay, in look-&#13;
ing down the lists of new books advertised in the&#13;
papers, we are able to name the books which are&#13;
paid for because we know the houses which publish&#13;
in this way. Seldom, indeed, does a case come&#13;
before us in which the writer gets any of his money&#13;
back. Never does he get any kuIo* at all. He&#13;
1&#13;
&#13;
&#13;
## p. 76 (#100) #############################################&#13;
&#13;
76&#13;
THE A UTHOR.&#13;
gets contemptuous reviews, his friends snigger at&#13;
his failure, he writhes under the shame and pain&#13;
of the plain truth : and when his accounts come&#13;
in there prove to have been no sales.&#13;
Only yesterday I read a letter from a young lady.&#13;
She had paid ^50, being deluded by glowing&#13;
hopes, but not actual promises, of large profits&#13;
to divide. The sales amounted to £1 2s. gd.&#13;
Sometimes, however, there are absolutely no sales&#13;
at all.&#13;
Literary vanity is, of course, at the bottom of&#13;
this folly. All the writer asks for is to be in print,&#13;
only to be printed; if he can obtain this, as he&#13;
always can on such terms, he will pay anything&#13;
and sign anything. No rebuffs, no reader's&#13;
opinions, no rejections can persuade him that his&#13;
MS. is worthless, and that, whatever he pays, he&#13;
will meet with nothing but disappointment, vexa-&#13;
tion and shame. He is quite sure that his work is&#13;
brilliant and certain to succeed.&#13;
There are instances on record of books, after-&#13;
wards successful, having been refused by one pub-&#13;
lisher after the other. The famous and leading&#13;
case of Vanity Fair is one. These instances do&#13;
mightily comfort the rejected author. He feels&#13;
himself a possible Thackeray // only he can get&#13;
printed. Mistakes, he says, have occurred before&#13;
now. Readers are fallible. Mistakes may occur&#13;
again. And perhaps the reader is also himself a&#13;
novelist. We all know that jealousy is a common as&#13;
well as a hateful vice. Or perhaps the reader knows&#13;
some private enemy of the author and bears a grudge.&#13;
What more likely than that the jealous reader&#13;
should wish to smother a dangerous rival? Or&#13;
perhaps the perfidious reader has not even taken&#13;
the trouble to look at his work. Anyhow, since&#13;
the best firms are so foolish as to refuse to make&#13;
money by his work, some other shall have the&#13;
chance. He will get it printed even though he&#13;
has to pay for it. And so the output of worthless&#13;
books is increased by one more, and the reviewers&#13;
grow more and more savage over the swelling&#13;
flood of rubbish, and the noble art of fiction is&#13;
degraded and insulted. Will not the readers of&#13;
this paper join in dissuading, by all means in&#13;
their power, their friends from paying for produc-&#13;
tion? Editor.&#13;
QUESTIONS, CASES, AND&#13;
ANSWERS.&#13;
"Some years ago I wrote a biographical paper&#13;
for a magazine. It was accepted and published.&#13;
When I wrote for payment I had no reply. I&#13;
wrote another paper also on an historical subject for&#13;
a weekly newspaper. The editor returned it, ask-&#13;
ing me to enlarge it. This I did, and he printed&#13;
it. But he never paid me.&#13;
"I recently sent an article of a similar character,&#13;
on which I had expended a considerable amount&#13;
of trouble and time, to a monthly magazine. The&#13;
editor has now lost it. I have kept no copy, and&#13;
must write it again. Is there no redress?&#13;
"A publisher lately signed an agreement in which&#13;
he covenanted to bring out a written work in a&#13;
certain series at a certain price. He has printed&#13;
the work and now refuses to bring it out, alleging&#13;
that he believes it would be a failure. He offers&#13;
the author the printed sheets for the price of set-&#13;
ting up the work. What should the author do?" ♦&#13;
If such a thing should now occur of an editor&#13;
accepting a MS., publishing it in his paper, and&#13;
refusing payment, the author has only to bring the&#13;
case before the Society and he will get redress.&#13;
But the Society cannot take up old cases.&#13;
As for losing a MS. most editors find it necessary&#13;
to warn authors that they will not be responsible&#13;
for losing MSS. If contributors could see the piles&#13;
of MSS. offered to every editor they would not be&#13;
surprised at this stipulation.&#13;
The third question is one for a lawyer to con-&#13;
sider. The proposer of the case should sent up&#13;
all the agreements and letters to the Secretary.&#13;
"When an author has paid for the publication of&#13;
a book is it fair on the part of the publisher to sell&#13;
the remainder of the edition as waste paper without&#13;
consulting the author, without giving him the choice&#13;
of buying up the remaining copies, which he would&#13;
assuredly in many cases be glad to do at a price&#13;
even above that of waste paper?&#13;
"If the publisher is entiiled to do this can the&#13;
poor author lay no claim to a share in the proceeds&#13;
of this melancholy transaction?"&#13;
The reply to the last question is that the agreement&#13;
generally contains a clause giving the publisher&#13;
such power. It is for the author before signing&#13;
the agreement to make a stipulation that he shall&#13;
first be consulted If he has paid for the publi-&#13;
cation all the copies should be his own, and the&#13;
remainder of the stock should be sent to him as&#13;
soon as the sale is finished.&#13;
&#13;
&#13;
## p. 77 (#101) #############################################&#13;
&#13;
THE A UTHOR.&#13;
77&#13;
Up to the present, authors have always felt that&#13;
to have an MS. published in a magazine was to&#13;
ensure payment according to the scale of the maga-&#13;
zine. This prop appears about to be knocked from&#13;
under them. An enterprising publisher has now&#13;
hit upon the ingenious plan of getting work into&#13;
his magazine for nothing. His method and the&#13;
generosity of his soul are shown in a letter addressed&#13;
to an author. He says that he has been in con-&#13;
sultation with the editor of the Magazine&#13;
since he received the writer's MS. The Editor is&#13;
willing to insert this story as a serial, if it is illus-&#13;
trated. This the Firm would be willing to do at&#13;
their expense, "if you are willing to make over the&#13;
story to us free of charge." Should the Firm, in&#13;
the future, think to bring out the work as a volume,&#13;
they should perhaps be able to offer some small&#13;
sum. The pages of the magazine, he says, are full&#13;
for twelve months to come, but the Firm will retain&#13;
the MS. and insert it after that period if the writer&#13;
wishes. "It would have the effect of placing your&#13;
name before the public at all events."&#13;
He goes on to say, "The Firm feel that the&#13;
publication is such a speculation, that considering&#13;
that a great deal of money will have to be spent&#13;
upon illustration and advertising before its publica-&#13;
tion, no payment can be offered to the author until&#13;
the work appears in book form." The letter con-&#13;
dudes with these words: "We have really only&#13;
made the offer to insert the story in the magazine&#13;
so as to try and give you some encouragement to&#13;
continue writing."&#13;
Observe upon this:—i. The publisher, con-&#13;
sidering the vast sums he spends on illustrating and&#13;
advertising his magazine, cannot pay for the work&#13;
at all. The same reasons apply to all other con-&#13;
tributions. Therefore, we suppose, he has a good&#13;
reason for paying nobody. 2. The author is to give&#13;
him the copyright of the work. If he chooses, he&#13;
is to give her " some small sum," whether it succeeds&#13;
or not. Even if it turns out to be a great success,&#13;
he is not bound to give the author anything.&#13;
3. This noble offer is wholly disvnteresttd and&#13;
prompted by nothing but a disposition to help a&#13;
struggling author! Generous, large-hearted, whole-&#13;
souled Patron of Letters! One other observation&#13;
presents itself. How enviable is the lot of the&#13;
editor of such a magazine!&#13;
"In your last number, quoting Mr. Rider Hag-&#13;
gard's letter to Messrs. Rand, McNally &amp; Co., you&#13;
very justly denounce what you call a 'new terror&#13;
to literary men.' But this piratical liberty of&#13;
mutilating as well as stealing literary property is by&#13;
no means new. It must be some fifteen years ago&#13;
that I picked up by chance on an American book-&#13;
vor. 1.&#13;
stall a little book of my own, which, without my&#13;
knowledge, had been fitted for theft by the altera-&#13;
tion of phrases likely to wound transatlantic sus-&#13;
ceptibilities. I fancy such a process of judicious&#13;
editing of stolen matter is far from uncommon.&#13;
Has no enterprising American firm thought of&#13;
bringing out a revised edition of the Bible, with&#13;
desirable omissions—for instance, of the eighih&#13;
commandment! We can sympathize with Mr.&#13;
Rider Haggard; but he must not expect from all&#13;
robbers the courtesy of a Claude Duval."&#13;
A. R. H. M.&#13;
"Do warn," a lady writes, "all young authors of&#13;
the folly of doing all or nearly all their work for&#13;
one editor. Editors die, or, as in my case, take&#13;
up another paper or magazine, and the faithful old&#13;
contributor finds her position changed.&#13;
"Ten years ago I did an immense amount of&#13;
work for a certain paper, which we will call the&#13;
Strand Circus—essays, stories, &amp;c. It was then&#13;
edited by the eldest son of the proprietor, and I&#13;
was given to understand that it would be worth my&#13;
while to work away at the Strand Circus, to study-&#13;
its interests, and not go roving here and there&#13;
with MSS. Therefore I declined offers of work from&#13;
other papers, and never sought new openings. All&#13;
went well for many years. Then the father died;&#13;
his son had to take over other work, and a new&#13;
editor was appointed." The sequel may be guessed.&#13;
The warning, however, is serious. Let no young&#13;
author be contented with one magazine or journal.&#13;
In every fresh opening he should find another&#13;
pillar of support, and another body of readers and&#13;
friends.&#13;
♦&#13;
Bad authors create bad publishers. This fact, once&#13;
fully apprehended, should be an inceniive to the&#13;
production of good work. But perhaps the state-&#13;
ment wants explanation. A correspondent fur-&#13;
nishes an illustration.&#13;
"A lady once wrote to me 'as a successful&#13;
author'—I had at that time published one in-&#13;
different novel, which had been gently reviewed—&#13;
asking my advice under the following conditions.&#13;
She had published three novels at her own expense,&#13;
not one of which had attracted any attention.&#13;
What did I think she had better do now? The&#13;
style of her stationery, as well as this confession,&#13;
pointed to her being wealthy, while the literary&#13;
style of her letter proved that she had no idea of&#13;
writing at all.&#13;
"This experience directed me in certain inquiries,&#13;
and I discovered how- the idiotic three volume&#13;
novels which are found in circulating libraries at&#13;
F 2&#13;
&#13;
&#13;
## p. 78 (#102) #############################################&#13;
&#13;
7«&#13;
THE A UTHOR.&#13;
seaside places get beyond the MS. stage. They&#13;
are written by well-to do women who are ready to&#13;
pay £200 to get a novel published.&#13;
"Does not the existence of 'authors' of this&#13;
kind account in some measure for the existence of&#13;
low class publishers? May we not go even further&#13;
and call this fact a justification of their existence?&#13;
Honourable publishers refuse books which .ire&#13;
foregone failures; they will not allow their names&#13;
to appear on the title-page of such rubbish. Where,&#13;
then, are the poor rich things to go with their MSS.&#13;
and their money, save to such a friendly gentleman,&#13;
who will kindly take £200 for publishing a book&#13;
which costs less than £100 to produce?"&#13;
My correspondent is a little too hasty. It is not&#13;
only the rich woman but the poor woman as well&#13;
who is responsible for the existence of these persons.&#13;
It is any one, man or woman, who believes that a&#13;
MS., refused by those who only publish books&#13;
certain to be in demand, will be accepted by the&#13;
public when they are issued by those who publish&#13;
any rubbish brought to them. In another part of&#13;
this number we deal with the question of paying for&#13;
publishing at greater length.&#13;
"I think," says a correspondent, "that you do&#13;
not realise that small authors really get a great&#13;
advantage in selling their copyright. In this way&#13;
we get the money at once, without waiting for a&#13;
year, and we have no risk or anxiety as to whether&#13;
the book will sell or not." Well, if there is any&#13;
risk or anxiety on that score the publisher will not&#13;
buy the MS. at all. At the same time there are&#13;
very few writers who would not rather take a lump&#13;
sum down than the same or a little more spread&#13;
over a term of years. The hardship is that the&#13;
lump sum down is too often such a very little lump&#13;
indeed. One fair and honest way would be for the&#13;
publisher to buy an edition of so many copies, a&#13;
new arrangement to be made when these were&#13;
gone.&#13;
*&#13;
A PERSONAL EXPERIENCE.&#13;
MY remarks arise out of one made by Mr.&#13;
Max Miiller :—" Find a respectable pub-&#13;
lisher and stick to him." It has been&#13;
the ambition of my literary life to do so, but I shall&#13;
have to postpone it, I fancy, to another and a better&#13;
world! I began full of hope ten years ago, deter-&#13;
mined to give the public the best work of which I&#13;
was capable as a novel writer. I loved the work&#13;
and spared no pains to make it good. I sent what&#13;
I had written to a firm of leading publishers, who&#13;
accepted my novel. Terms—half profits. I&#13;
accepted the offer with joy, thinking myself fortu-&#13;
nate th:it I had not been asked to take any risks.&#13;
My book was well launched and excellently re-&#13;
viewed by all but the Athenceum, Academy, and the&#13;
Saturday Revieiv. The Athenceitm called it "a&#13;
wealth of nonsense," whereupon I asked the&#13;
editor—when I told him it had been accepted on&#13;
its merits by the firm in question, who, he admitted,&#13;
would not have accepted "a wealth of nonsense "—&#13;
how he permitted such an unjust criticism in the&#13;
pages of a journal supposed to guide literary&#13;
opinion. The Academy critic cast odium on his&#13;
paper by uttering an opinion on the book and the&#13;
writing which a subsequent critic in the same paper&#13;
emphatically contradicted. He spoke of the book&#13;
as "beneath criticism," while my next critic&#13;
in the same referred to it as a book of " distinct&#13;
merit." The Saturday Review danced upon it.&#13;
The result of this handling by the three leading&#13;
papers then, was, that the short three months'&#13;
existence enjoyed by a three volume novel, by an&#13;
unknown author, was insufficient to sell the number&#13;
of copies published, and my publishers, while&#13;
admitting that I had written a good book, found&#13;
me a non-financial success, and bade me go else-&#13;
where. The consequence of their decision was&#13;
that other firms fought shy of my next book, which&#13;
took three years in finding a publisher and was&#13;
refused by twelve, one of whom took twelve months&#13;
to consider it, and finally refused it "regretting—"!&#13;
It was published at length and favourably reviewed.&#13;
But all this came too late. The three years lost in&#13;
finding a publisher made me practically once more a&#13;
beginner after the lapse of five years between my&#13;
first and second book. I lost heart after this, and&#13;
tried no more "leading firms," since I found it was&#13;
not good work they wanted so much as quick&#13;
financial returns.&#13;
Last year, ten years after my first work appeared,&#13;
I went casually and as a stranger into a first class&#13;
library in a fashionable watering place. I asked for&#13;
a small shilling story I had just brought out—not&#13;
by a leading firm. Of course it had never been&#13;
heard of, so I humbly said, "It is by the author of and "naming my books. "Oh," ex-&#13;
claimed the librarian, brightening up, "I know&#13;
those books well, they are among the best read in&#13;
our library." This after ten years!&#13;
Moral:—Would it not be well for leading firms&#13;
to be a little more patient with the slow sales of an&#13;
unknown author's work ripening into "profits." My&#13;
difficulty has been not so much in not being able&#13;
to find a publisher I could stick to, but in finding&#13;
one who would stick to me. I think I have proved&#13;
that the adhesive properties are not lacking in&#13;
&#13;
&#13;
## p. 79 (#103) #############################################&#13;
&#13;
THE AUTHOR.&#13;
79&#13;
consequence of bad work, or work that is short-&#13;
lived. Where is the remedy for such a case as&#13;
mine?&#13;
Editor's Note.—Perhaps the author is wrong,&#13;
and the three leading literary papers were right.&#13;
That is to say, they were probably right when they&#13;
condemned the book from a literary point of view,&#13;
and in regard to style or artistic construction. In&#13;
such matters these papers do not often go wrong.&#13;
But there are readers in plenty who regard neither&#13;
style nor artistic construction. For them the&#13;
story—that is the leading situation—is everything.&#13;
And the leading firms do publish many books every&#13;
year the sale of which is necessarily slow.&#13;
*&#13;
CHESTNUT BELLS ENCORE.&#13;
APROPOS of Chestnut Bells. We often see the&#13;
hand-bell in grotesque sculptures of the&#13;
middle ages used in a manner which clearly&#13;
indicates that it is intended to impose silence, oras an&#13;
intimation that what one person is saying is not&#13;
believed in, or is ridiculed by another. Thus on the&#13;
grand portal of St. Stephen's Church, Vienna, there&#13;
is a sp;rited stone-picture of a rollicking witch and a&#13;
reprobate priest (perhaps a sorcerer), engaged in&#13;
a tussle, he holding her by one leg, while she with&#13;
the right hand pulls his head back by the capote,&#13;
and with the other rings a bell in his ear—as if to&#13;
silence his love-making, and say, "Yes, I have&#13;
heard all that before—enough—shut up!"&#13;
A copy of this will appear as a vignette in my&#13;
work on gypsy sorcery now in the press. On more&#13;
than one bas-relief of the fourteenth century, we&#13;
see a goat dressed as a monk, and in one instance,&#13;
a sow, ringing a small bell. The allusion here is&#13;
to telling coarse tales, since in modern German&#13;
phrase doing this is called ringing the Sauglocke,&#13;
or sow-bell, and I possess an outrageous little old&#13;
work bearing that name, with the picture of a bell&#13;
on the cover depicted in a manner "which could&#13;
convey little joy to either moralist or Christian."&#13;
The Lumpenglock, or blackguard's bell, is a term&#13;
applied in Germany to the bells in steeples, rung&#13;
at eleven o'clock p.m., as a signal to close all the&#13;
beer-houses. So we are told of that veteran rois-&#13;
terer, the Herr von Rodenstein, that when he died—&#13;
"The blackguard's l&gt;ell in the old Town Hall,&#13;
Began of itself to ring."&#13;
A man who is always telling coarse and rude tales&#13;
—or a Zotenreisser—is commonly said to be contin-&#13;
ually ringing the sow-bell. And I think it very probable&#13;
that at a time when symbolism entered into every-&#13;
thing, there was something of all this implied by the&#13;
bells on the cap of the professional jester or fool.&#13;
There was mockery in their sound, as in the words&#13;
of their wearer, and both were like the ring of the&#13;
chestnut bell, and the tinkling of brass pots of&#13;
yore—all synonyms for vain repetition and idle&#13;
chatter.&#13;
It may be here observed that the primary object&#13;
of church bells was not so much to call the faithful&#13;
together to worship, as to drive away and avert&#13;
evil influences, especially devils, concerning all&#13;
which there is a deeply learned chapter in Southey's&#13;
Doctor. The primitive Christian church bell was&#13;
very truly what Mr. William Sikes called a " tinkler,"&#13;
since it was precisely of the shape, material, and&#13;
make of the same which, in America especially, is&#13;
hung to the necks of cows. Their object is to&#13;
keep the cows from straying afield too far—that of&#13;
the chestnut bell to recall men from wandering in&#13;
discourse.&#13;
When I was a schoolboy, I once invested my&#13;
last cent in the purchase of a black letter Latin&#13;
folio—the " Moralization of the entire Bible," by&#13;
Petrus Berchorius, all of which I perused faithfully&#13;
and admiringly many times. By the way, my copy&#13;
had belonged to Melancthon. It just occurs to&#13;
me that the spirit of the old monk Pierre Bercheur&#13;
is living again in these disquisitions on the true&#13;
inwardness of the chestnut bell, and the esoteric&#13;
mysteries of the Sauglocke. "Oh, good old man—&#13;
even from the grave thy spirit" comes over thy&#13;
disciple, into the year eighteen hundred and ninety,&#13;
prompting him to find preaching in pebbles and&#13;
sermons in grains of sand ; of which "making great&#13;
amount of small things," all that can be said is that&#13;
it is better than making no account of or be-littling&#13;
great ones, which is the vice of our day.&#13;
Chari.es G. Leland.&#13;
*&#13;
THE QUEEN'S ENGLISH.&#13;
'"T^ HE enrolment into a single company of&#13;
I so numerous and influential a body of&#13;
English writers as composes the Society&#13;
of Authors, may perhaps be profitably utilized in a&#13;
manner which, if it be a little outside the scope&#13;
of its foundation, would interest and benefit every&#13;
reader and writer of the English language.&#13;
There has never yet existed in this country any&#13;
academic body, any authoritative company of edu-&#13;
cated Englishmen qualified to pronounce judgment&#13;
upon moot points connected with the writing of&#13;
English. It has been questioned whether the&#13;
formal institution of such an Academy would be&#13;
&#13;
&#13;
## p. 80 (#104) #############################################&#13;
&#13;
8o&#13;
THE AUTHOR.&#13;
for the lasting benefit of literature, and I doubt&#13;
myself if the ex cathedra pronouncements of an&#13;
official Board of Letters would ever carry much&#13;
weight with Englishmen. We are too impatient of&#13;
law and precedent; but in a humble way some nse-&#13;
ful work might surely be done. An expression of&#13;
the consensus of opinion of so influential a body&#13;
as our Society, can never be without influence and&#13;
effect, and a resolution of the doubts and uncer-&#13;
tainties that exist on manypoints in syntax, spelling,&#13;
prosody, and phraseology would be welcomed by&#13;
every educated man and woman in the land inside&#13;
and outside of our own circle. I venture to sug-&#13;
gest therefore that the Society of Authors should&#13;
from time to time hold an inquest upon some one&#13;
or other of the aforesaid moot points, and that their&#13;
deliberation should issue in the shape of verdicts&#13;
to be arrived at by unanimity, or by a large&#13;
majority of votes; the verdicts to be published to&#13;
the world at large in the columns of The Author.&#13;
There is another and perhaps a still greater service&#13;
which our Society and its new organ might confer&#13;
upon English letters, and that is by their sanction of&#13;
the admission of useful provincial words into general&#13;
usage. Many an admirable English word has no&#13;
circulation beyond a limited district, many a word&#13;
expressing ideas that can only be rendered else-&#13;
where by a clumsy paraphrase. More competent&#13;
persons than myself could cite many local words,&#13;
which, if they were made general, would enrich the&#13;
language. I will give but one example at present.&#13;
In parts of the West and of the North of England&#13;
backword signifies a refusal to comply with a&#13;
pomise made or to fulfil some intention declared.&#13;
The following telegram was recently offered at a&#13;
London Post Office: "Dine with me on Saturday.&#13;
A sends me a backword." The telegraph clerk&#13;
refused "backword" as a single word, properly&#13;
observing that it was in no dictionary, and the&#13;
recipient of the message—a cockney—had no&#13;
notion of its meaning. Now surely such a word&#13;
deserves to pass into circulation, to enjoy the&#13;
approval, to be stamped with the mint mark of&#13;
some academic body, and to become at once&#13;
current coin of full weight and value in the realm&#13;
of English literature.&#13;
Oswald Crawfurd.&#13;
&#13;
THE CIVIL LIST.&#13;
I.&#13;
The following is the Memorial which it was&#13;
proposed to submit to Mr. W. H. Smith :—&#13;
"This Memorial Sheweth as follows:—&#13;
"(a) It was enacted by section 5 of 1 Vict., c. 2.&#13;
That your Memorialists respectfully submit that&#13;
further Legislation is urgently needed on the&#13;
grounds and for the following purposes :—&#13;
"(b) Section 6 of 1 Vict., c. 2, declared that it&#13;
is the bounden duty of the responsible advisers of&#13;
the Crown to recommend to her Majesty, for grants&#13;
of pensions of the Civil List, such persons only as&#13;
have just claims on the Royal beneficence, or who&#13;
by their personal services to the Crown by the&#13;
performance of duties to the public, or by their&#13;
useful discoveries in science or attainments in&#13;
literature and the arts, have merited the gracious&#13;
consideration of their Sovereign and the gratitude&#13;
of their country.&#13;
"(c) The Select Committee appointed in 1837&#13;
to inquire into the then existing pensions, classed&#13;
them under the following heads:—(i)Army; (2)&#13;
Navy; (3) Diplomatic; (4) Judicial and Legal; (5)&#13;
Political; (6) Civil and Revenue; (7) Colonial;&#13;
(8) Services to Royal Family and in Household;&#13;
(9) Rewards for Literary and Scientific Attain-&#13;
ments; (10) Royal Bounty and Charity; (11)&#13;
Compensation for Forfeited Estates; (12) Mis-&#13;
cellaneous.&#13;
"The said Select Committee also reported as&#13;
follows :—The operation of the Superannuation&#13;
Acts, the system of retired allowances, the military&#13;
and naval pensions for good services, the pensions&#13;
granted by 57 Geo. iii, c. 65, for pensions holding&#13;
high political offices, and the pensions for the&#13;
diplomatic and consular services, have to a great&#13;
extent superseded one of the original purposes of&#13;
the Pension List. These Acts have also substi-&#13;
tuted a strictly-defined and regulated system of&#13;
reward for a system which depended on the&#13;
arbitrary selection of the Crown or the recommen-&#13;
dation of the existing Government exposed to the&#13;
bias of party or personal consideration.&#13;
"(d) The said regulated system of reward has&#13;
since the passing of 1 Vict., c. 2, been confirmed,&#13;
amended, and extended by the following statutes:&#13;
The Superannuation Act, 1859 ; The Naval and&#13;
Marine Pay and Pensions Act, 1865 ; The Colonial&#13;
Governors' Pensions Act, 1865; The Superannua-&#13;
tion Act, 1866; The Diplomatic Salaries Act,&#13;
1869; The Political Offices Pensions Act, 1869;&#13;
The Colonial Governors' Pensions Act, 1872;&#13;
&#13;
&#13;
## p. 81 (#105) #############################################&#13;
&#13;
THE AUTHOR.&#13;
81&#13;
The Superannuation Act, 1876; The Pensions&#13;
and Yeomanry Pay Act, 1884; The Pensions&#13;
(Colonial Service) Act, 1887.&#13;
"(e) Notwithstanding the said Statutes, and the&#13;
Report of the said Select Committee, pensions on&#13;
the Civil List have been granted for services per-&#13;
formed in the (1) Army; (2) Navy; (3) Diplo-&#13;
matic Service; (4) Civil and Revenue Services;&#13;
and (5) Colonial Service.&#13;
"(J) It appears from the 'Returns of all Per-&#13;
sons now in receipt of Pensions charged on the&#13;
Civil List' (1889), that of the ,£25,221 13*. 4*/.&#13;
(the total annual charge of the pensions payable at&#13;
the date of the said Return) £8,625 was payable&#13;
at the date of the said Return in the following&#13;
proportions for services in the (1) Army (.£2,710);&#13;
(2) Navy (£1,335) j (3) Diplomatic Service&#13;
(£9°°); (4) Civil Service and Revenue (£3,455) J&#13;
(5) Colonial Service (.£225).&#13;
"And your Memorialists respectfully submit&#13;
that further Legislation is urgently needed for the&#13;
following purposes :—&#13;
"(a) The restriction of the grant of pensions on&#13;
tie Civil List within ascertained limits.&#13;
"(b) The allocation of pensions amounting to&#13;
ru t less than £800 in each year to those who by&#13;
th.iir useful discoveries in Science or attainments&#13;
in Literature and the Arts have merited the gra-&#13;
cious consideration of their Sovereign and the&#13;
gratitude of their country, or their widows and&#13;
children.&#13;
"(c) The increase of the Royal Bounty Fund&#13;
and the Civil List Pension Fund so that her&#13;
Majesty may be enabled to relieve distress and&#13;
reward merit in a manner worthy of the dignity of&#13;
the Crown."&#13;
The Memorial speaks for itself and requires&#13;
little further elucidation here. It places on record&#13;
the following facts :—(1) That notwithstanding the&#13;
wording of the Civil List Act, and notwithstanding&#13;
the Report of the Select Committee, pensions on&#13;
the Civil List have been improperly granted; (2)&#13;
That of the £25,221 13*. ^d. (the total annual&#13;
charge of the pensions payable in May, 1889),&#13;
.£8,625 was paid to the classes of persons not&#13;
contemplated by the Act or the Report of the&#13;
Committee.&#13;
Mr. VV. H. Smith remarks in his letter to Mr.&#13;
S. S. Sprigge, which we published last month, " that&#13;
the figures in the Memorial, accepting them as&#13;
fairly correct, show that the practical administration&#13;
of the Fund is almost identical with the distribu-&#13;
tion proposed by the Societies, namely, one-third&#13;
to services rendered to the Sovereign, and two-&#13;
thirds to the representatives of Science, Literature,&#13;
and Art" From this it appears that the First&#13;
Lord of the Treasury defends the grant of pensions&#13;
on the "Civil List" for services performed in the&#13;
Army, Navy, Diplomatic, Civil and Revenue, and&#13;
Colonial Services on the grounds that these are&#13;
"services to the Sovereign." The Act, however,&#13;
only empowers the grant of pensions for " personal&#13;
services to the Crown," and it is, we imagine,&#13;
merely idle to pretend that this expression was&#13;
ever intended to have any such meaning as that&#13;
which it is now sought to give it. It was no&#13;
doubt one of the original purposes of the Pension&#13;
List to reward all these classes of public servants,&#13;
but as the Report of the Select Committee (cited&#13;
in the Memorial) points out, various statutes have&#13;
been passed "substituting a strictly-defined and&#13;
regulated system of reward " in all these cases fcr&#13;
a system which depended on the caprice of the&#13;
Crown and of Her Majesty's advisers. It was&#13;
clearly not the intention of the Act or the desire of&#13;
the Committee-—and it is necessary to remember&#13;
that it was a Select Committee of Inquiry into this&#13;
very question appointed in deference to a loudly&#13;
expressed public opinion—that any pensions for&#13;
these services should in future be charged on the&#13;
Civil List. We think, then, that we have fully&#13;
established the irregularity of all these pensions,&#13;
and we regret that the First Lord of the Treasury,&#13;
who admits that he enjoys "that discretion which&#13;
must in such cases finally rest with some one res-&#13;
ponsible minister," has attempted to evade the&#13;
conclusion.&#13;
Mr. W. H. Smith further remarks that" to make&#13;
such changes as the Memorial suggests would&#13;
necessitate a new Act of Parliament." This we&#13;
are not prepared to deny. The Memorial prays&#13;
for " further legislation " for certain specified pur-&#13;
poses. We feel some diffidence in making any&#13;
rejoinder to Mr. Smith's expression of opinion that&#13;
there has not been "any such expression of dis-&#13;
satisfaction either in the House or outside of it as&#13;
would justify the proposal." But we think it due&#13;
to ourselves to say that the Incorporated Society&#13;
of Authors and the Institute of Journalists do&#13;
not stand alone in objecting to the present&#13;
administration of the Civil List Pension Fund.&#13;
The press has almost without distinction or&#13;
exception condemned the existing system in no&#13;
measured terms, and we are not aware that a single&#13;
voice has been raised in its defence. If the Fund&#13;
were administered strictly within its proper limits,&#13;
it would, it is universally admitted, be impossible&#13;
to satisfy the just claimants. Restrictions, it&#13;
appears, already exist. It will be seen from the&#13;
correspondence published in the current report of&#13;
the Executive Committee that literary pensions&#13;
can only be granted to the writers of "historical&#13;
novels and technical and useful books," owing&#13;
&#13;
&#13;
## p. 82 (#106) #############################################&#13;
&#13;
82&#13;
THE AUTHOR.&#13;
to the unexpected existence of certain regulations,&#13;
or, as Mr. Smith denned them in the House of&#13;
Commons, "notes on practice." The Society has&#13;
already placed on record a protest against the&#13;
"permanent exclusion of any class of Literary,&#13;
Scientific, or Artistic production from the just&#13;
claims on the Royal beneficence contemplated by&#13;
section 6 of i Vict., c. 2." The Society has already&#13;
demanded that "the regulations, if any, under&#13;
which the Civil List Pension Fund is administered&#13;
should be communicated to the public." The&#13;
case for reform is now complete. It cannot be&#13;
left to private secretaries to draw up rules which&#13;
vary the meaning and affect the application of an&#13;
Act of Parliament. It is high time that genuine&#13;
regulations were framed, if necessary by statute,&#13;
which should restrict the grant of pensions not upon&#13;
an artificial theory but in accordance with public&#13;
opinion. Mr. Smith "fears that Parliament would&#13;
be very unlikely to agree to an increase of the sum&#13;
annually set apart for the Pension List." We, on&#13;
the other hand, believe that if the necessity were&#13;
shown to exist, the popular representatives would&#13;
ungrudgingly support such a use of public money.&#13;
And there is only too little doubt as to the urgent&#13;
character of the necessity. It is the unanimous&#13;
testimony of every First Lord of the Treasury that&#13;
he is year by year deluged with applications for&#13;
pensions which he is unable to grant. Many of&#13;
those cases which now, perhaps, "lie forgotten in&#13;
the cupboards of the Treasury," were, we do not&#13;
doubt, sad and saddening, although no whisper&#13;
of them reached the unofficial world. There are&#13;
moreover, few years that pass by without the&#13;
country being startled by the announcement that a&#13;
pension has been refused to some distinguished&#13;
man of letters or his surviving widow and children.&#13;
We do not doubt, we repeat, that the public&#13;
would support even an increase of the Pension&#13;
List, but be that as it may, it cannot be denied&#13;
that the country at large would welcome a re-&#13;
form in the administration of the Pension Fund,&#13;
which would ensure it being devoted to the pur-&#13;
poses for which it was founded.&#13;
II,&#13;
The Pensions of the Year.&#13;
The Civil List Pensions granted during the last&#13;
twelve months have now been published. They&#13;
are as follows:—William Muggins, LL.D., a pension&#13;
of ^150 (very good). Ellen S. Scott, widow of&#13;
(General H. Scott, R,E., a pension of j£iqo (very&#13;
bad). The widow of a soldier does not fall within&#13;
the limits of the grant. Bessie Hatch (widow of&#13;
Rev. Edwin Hatch, a pension of £100 (very good).&#13;
Ellen Isabella Tupper, daughter of Martin Tupper,&#13;
a pension of ^75 (very good). Rosamond Bur-&#13;
nard, daughter of Gen. Sir H. W. Burnard, a pension&#13;
°f £lS- 1"ne daughter of a soldier has no business&#13;
in the list at all, unless that soldier was also dis-&#13;
tinguished for service, art or literature. Henrietta&#13;
Elizabeth Wood, widow of the late J. T. Wood, a&#13;
pension of £,!$■ Augusta Theresa Motteram,&#13;
widow of the late Judge Motteram, a pension 0^75.&#13;
l&gt;ady Wilde, a pension of ^70. Pensions of ^50&#13;
each to Mrs. Caroline Blanchard, Mr. John&#13;
Absolon, Rev. E. Cobham Brewer, Dr. William&#13;
Spark, Mrs. Kate Livingstone, Miss Catherine&#13;
Shilleto, Mrs. Jane Eleanor Wood (widow of Rev.&#13;
J. G. Wood). Pensions of ^25 each have been&#13;
granted to the Misses Eliza and Mary Maquire,&#13;
daughters of the late Dr. Thomas Maquire, of&#13;
Trinity College, Dublin, and of £20 each to the&#13;
four unmarried daughters of the late Rev. M. J.&#13;
Berkeley, F.R.S. General verdict. On the whole,&#13;
a great improvement on many recent lists.&#13;
*&#13;
A NEW GUIDE TO BOOKS.&#13;
AGUIDE to Books should be found in any&#13;
review. That is to say, the reader should&#13;
be able to depend upon the review which&#13;
he reads regularly to guide him in the ordering of&#13;
books from the library. And, no doubt, the&#13;
reader of the Saturday Review, for instance, would&#13;
find no difficulty in understanding what is promis-&#13;
ing in the way of new literature. But one can&#13;
very well understand that there may arise cases in&#13;
which the most perfect review may fail to inform&#13;
the reader as to the best books on special subjects.&#13;
For instance, the Saturday Review may be acknow-&#13;
ledged by its best friends to be weak in the&#13;
Department of Surgery, or of Pure Mathematics,&#13;
or of Electricity. Therefore, a certain compilation&#13;
which will first appear in the autumn may prove of&#13;
great use to specialists, if not to the general reader.&#13;
The object of the editors is to "place at the&#13;
service of the reader the opinions of those who&#13;
may be trusted to give sound advice upon the&#13;
books which are of value in each department of&#13;
knowledge." A great many people—specialists-&#13;
have promised to assist. Among them—members&#13;
of the Society—we find the names of William&#13;
Archer, Courthope Bowen, James Bryce, John&#13;
Earle, Richard Gamett, J, W. Hales, E. Ray&#13;
Lankester, J. Norman Lockyer, Erikr Magnusson,&#13;
Max Miiller, Sir Frederick Pollock, Burden San-&#13;
derson, J. R. Seeley, Sir Henry Thompson, Andrew&#13;
Tuer, and Sir Charles Wilson,&#13;
&#13;
&#13;
## p. 83 (#107) #############################################&#13;
&#13;
THE AUTHOR. 83&#13;
MR. BAINTON ON HIMSELF.&#13;
To the Editor of The Author.&#13;
Sir,&#13;
I deeply regret I should have been the cause of so serious&#13;
an amount of feeling and annoyance as the correspondence&#13;
in your paper reveals—a correspondence which comes upon&#13;
me as a most painful surprise. I must ask your corres-&#13;
pondents to believe me when I say that my fault or folly,&#13;
whichever it may be, was wholly unintentional ; and that how-&#13;
ever carelessly I may appear to have acted in certain instances,&#13;
I have had no other than the purest purpose in view, and have&#13;
been moved by no mean or dishonourable motive. Un-&#13;
fortunately the book in question was quite an after-thought.&#13;
When preparing my address I had no idea of so extended a&#13;
compilation. I simply desired my lecture to be issued in&#13;
pamphlet form, shoul 1 it stem likely to answer the purpose&#13;
for which it was designed. My fault has been in changing&#13;
the form of publication without first acquainting all my&#13;
generous correspondents of what I purposed doing. But I&#13;
acted under the impression that this was not necessary after&#13;
having solicited their consent to use their words in print.&#13;
That in this I committed a serious over-ight I now learn to&#13;
my bitter cost, and I deeply regret it should have happ ned.&#13;
But that I have been guilty of the unfairness, the wilful&#13;
discourtesy, and other outrageous sins which some of your&#13;
correspondents—and especially yourself—are anxious to fasten&#13;
upon me, I most earnestly and indignantly deny.&#13;
After the first portion of the address was given here in the&#13;
Old Grammar School, to a united meeting of the Young&#13;
Men's Associations of the City, and largely reproduced in&#13;
the columns of our local papers, I was repeatedly urged to&#13;
return to the subject, and put the matter I had already&#13;
spoken into print. Through lack of time long delays inter-&#13;
vened before I could make any attempt to compile a&#13;
promised second part of the same address, or before I could&#13;
do anything towards remoulding what I had roughly sketched&#13;
out. When I did the contributions with which I had to&#13;
deal were so many, and the interest attaching to them so&#13;
great, that my MS. quickly exceeded the limits of an ordinary&#13;
pamphlet. It was then, and not till then, the idea of the&#13;
book occurred to me. Had I for a moment conceived that&#13;
in this I was exceeding the bounds of a strict courtesy and&#13;
integrity, I should most certainly have communicated again&#13;
with the authors who had generously sent me the items of&#13;
their experience. Indeed the book would have been at once&#13;
abandoned had I known it would have given pain to any. I&#13;
had no interest to serve by concealment, and nothing what-&#13;
ever to lead me to act in the spirit Mr. Hall Caine insinuates.&#13;
Some of your correspondents, and several critics outside&#13;
the columns of The Author, have Hung the ungenial sneer at&#13;
my supposed sordid desire for gain. The imputation is most&#13;
unjust, and does not speak well for the spirit of those by&#13;
whom it is made. I have not received one penny from the&#13;
book. When towards the close of last year I finished the&#13;
MS. and submitted it to the publishers, I did not stipulate&#13;
for any payment, I did not ask for any terms on my own&#13;
behalf, but gladly accepted their suggestions, with the&#13;
assurance I should be only too pleased and grateful if the&#13;
book repaid them the cost of production, and proved of some&#13;
real in erest and value to its readers. Should anything ever&#13;
come to me from its sale it will be hea tily at the disposal of&#13;
those who made the book possible. I prepared the book&#13;
with a good motive, and it was not the motive of personal&#13;
gain.&#13;
I notice in many of the letters you have reproduced your cor-&#13;
respondents speak of their communications to me as private.&#13;
They quite overlook the fact that I wrote to them upon a&#13;
matter for a pitblic and not a private purpose. Letters sent&#13;
expressly for use in illustrating a lecture can hardly be&#13;
regarded as ordinary private correspondence. A lecture is&#13;
not usually private ami confidential. It is liable to be&#13;
reported and reproduced in print, with or without the&#13;
lecturer's consent ; and as a matter of fact the lecture in&#13;
question, which Mr. Hall Caine angrily infers was never&#13;
given, was in great part printed in the columns of a local&#13;
paper,* portions of the same appearing three successive&#13;
weeks, with Ion*; extracts from the most interesting and&#13;
useful letters, Mr. Hall Caine's not excepted. The com-&#13;
munications were not sent to me as private, or for a private&#13;
purpose ; they were not requested for any private aim, else&#13;
they would have been treated strictly as such. A few of the&#13;
most helpful letters I received and retain, were not used at&#13;
all, because the writers expressly objected to their contents&#13;
being made public.&#13;
You mention several persons and say they were all ignorant&#13;
that I intended to print their remarks. That is not correct.&#13;
I wrote to almost every person you name, to almost every&#13;
correspondent in your columns, asking permission to use&#13;
their words in print. Only in two instances am I uncertain&#13;
of having done so. To Mr. Allen, then in Italy, I wrote&#13;
twice, to make sure he should receive my request, and neither&#13;
letter was returned. Several like Mr. Allen did not reply.&#13;
Was I wrong in assuming that such silence meant either&#13;
indirierence or consent? If Mrs. Parr, Mr. Gilbe rt, and&#13;
others had the opportunity to refuse and did not, where is&#13;
the breach of faith of which they speak? Surely if they had&#13;
felt so serious an objection to the use of their words they&#13;
would at least have given expression to it. But though&#13;
opportunity was afforded they did nothing of the kind; they&#13;
left me, therefore, free to act as I thought best, and I inter-&#13;
preted silence as consent. The majoiity did reply, and gave&#13;
the consent I asked. How then can they have been ignorant&#13;
of my intention to print their remarks? One of the most&#13;
eminent of your correspondents assures you I acted in his&#13;
case with perfect frankness and consistency throughout. In&#13;
no instance have I sought to be less open and (rank. Why&#13;
should I i What had I to gain by such concealment with&#13;
one person more than another? Whatever you or others&#13;
may affirm to the ontrary I am at least guiltless of any&#13;
intention to deceive.&#13;
Memory does not serve some of your correspondents with&#13;
any great fidelity. Miss Yonge mvy perhaps recall her&#13;
assurance that I could make the use I asked of what she had&#13;
written, when I remind her that such consent was given upon&#13;
condition that no mention should be made of a statement&#13;
concerning a recent writer. I was careful to respect her&#13;
wish. Mr. Blackmore too was asked and consented to the&#13;
use of his letter in print ; and only a few weeks since, May&#13;
3rd, 1890, wrote in acknowledgment of acopyof his printed&#13;
letter, "Am glad to hear of the appearance of your book,&#13;
which I hope to procure at the first opportunity. With all&#13;
good wishes for its success, &amp;c." Yet this gentleman&#13;
"'objects to the use Mr. Bainton has made of the reply&#13;
procured through the good will due to a clergyman, and lor&#13;
clerical purposes." Mrs. Kennard also joins in the protest&#13;
that she did not know, though her letter was printed with&#13;
her consent ; while writing on May 5th, 1890, she says,&#13;
"My poor remarks scarcely deserved such prominence as&#13;
you have been g'&gt;od en ugh to give them. Thanking you&#13;
for the compliment you have paid me, &amp;c." To Mr. Rider&#13;
Hagyaid I owe a special word of explanation and apology.&#13;
The proof he requested when consenting to mv use of his&#13;
letter would have been submi'ted, but for a statement I saw&#13;
at the time that he was travelling in the Erst. I trust he&#13;
will accept the expression of my sincere regret that for this&#13;
reason his desire was not complied with.&#13;
* Coventry Times.&#13;
&#13;
&#13;
## p. 84 (#108) #############################################&#13;
&#13;
«4&#13;
THE AUTHOR.&#13;
Permit me to add in conclusion that only this week have I&#13;
learned, and that quite casually, of this painful corres-&#13;
pondence. No copy of The Author was sent me, and no&#13;
intimation was given that you were endeavouring so seriously&#13;
to injure my good name. Is it fair dealing to stab a man in&#13;
the dark? Is it fair dealing to seek to destroy a man's&#13;
reputation without a word of warning, and without so much&#13;
as a hint of the course of action you have taken? Is this the&#13;
spirit in which the Society of Authors is conducted? If so&#13;
it is the spirit of a ruthless cruel'y. I do not for a moment&#13;
doubt that your purpose is just and your motive pure; but&#13;
surely before seeking fataby to injure the reputation and&#13;
character of another, you might at least have had sufficient&#13;
considerate feeling to give him a chance to vindicate himself&#13;
and explain his conduct in the same issue of the journal in&#13;
which you have printed your hard and harsh judgment. You&#13;
have not done so, and I now claim the right that my letter&#13;
shall appear in the following number of the paper, the&#13;
columns of which have been used to do me so grievous a&#13;
wrong.&#13;
Gf.orgf. Bainton.&#13;
Coventry, /tine 26/h, 1890.&#13;
P. S.—When writing the above letter more than a week&#13;
since, I could discover scarcely any of the replies I had re-&#13;
ceived frc-m authors giving me permission to use their&#13;
communications in print. 1 can now put my hands upon&#13;
several, and I may even yet find others. Unfortunately I&#13;
did not conceive the matter would ever be called in question,&#13;
and, therefore, never thought it necessary to preserve them.&#13;
But it would have been strange had I been so punctilious&#13;
about the consent of some, and so careless about that of others&#13;
of my correspondents. An impartial judge would surely&#13;
admit the strong probability that what was done in so many&#13;
cases was haidly neglected in the bulk cf the others. When&#13;
I have used no more than a sentence or two I did not trouble&#13;
the writers with a note of request ; but if I missed any others&#13;
the omission was purely accidental. My complaint of the&#13;
lady who opened this painful controversy is, that she printed&#13;
two of my letters, and said not a word about the letter in&#13;
which I responded to and thanked her for her communica-&#13;
tion. It was in that I asked her to do me the kindness to&#13;
consent to the use of her letter.&#13;
Much has been made of the fact that I used in many cases&#13;
the same form of request. After writing to the first author I&#13;
retained a rough copy of the letter sent, and used it whenever&#13;
its terms made it possible, or altered it as the circumstances&#13;
of the case rt quired. This was done to save unnecessary&#13;
trouble, and I cannot think in doing so I did wrong. I spoke&#13;
in some of those letters of the author's books as having given&#13;
me very special pleasure and help. After twenty-five years&#13;
constant reading, a man may well have very many pleasant&#13;
companions amongst the authors of the day—it would be&#13;
strange if he had not. In my own case I think the book&#13;
itself will sufficiently show I hardly deserve the suspicious&#13;
comments you have made. It is easy for a critic to indicate&#13;
a special point in the speech or conduct of another, and then&#13;
draw from it a general adverse conclusion.&#13;
At first I only purposed securing the aid of a few favourite&#13;
authors, and wrote to that end. The words, which I fain&#13;
hope were not often used, to which you so seriously and&#13;
justly object, formed part of the draft of the earliest commu-&#13;
nication sent out, and were not written with any attempt to&#13;
mislead.&#13;
All the correspondence I hold relating to the matter in&#13;
question is freely open to the inspection of anyone concerned&#13;
in it.&#13;
George Bainton.&#13;
July 5th, 1890.&#13;
To the Editor of The AUTHOR.&#13;
Sir,&#13;
Mr. Bainton has only himself to thank for our change of&#13;
tone towards him.&#13;
Many may have wished him success—as I did—through&#13;
misconception of his purpose. W ho could foretell from a&#13;
page of his book what the nature of the volume was to be?&#13;
It proves to be a piece of patchwork, collected from fifty&#13;
quarters; and the patches, though not exactly pilfered, were&#13;
procured for a very different use.&#13;
If Mr. Bainton had said at first—" I am writing to all the&#13;
English authors I have heard of, to ask them how they do&#13;
their work; I shall use their replies for my own pupils first,&#13;
and then (if I see my way) make a book out of them "—how&#13;
many answers would he have got?&#13;
Later on, when he had obtained replies (by writing to&#13;
scores of authors, as if to each exclusively and for a benevolent&#13;
purpose), in fairness he should have explained to each the&#13;
character of his forthcoming volume, instead of describing it&#13;
as a mere expansion of his lecture. In that case, how many&#13;
would have allowed him to pour on the literary world&#13;
(instead of his Coventry class) their off-handed replies?&#13;
Faithfully yours,&#13;
R. D. Blackmore.&#13;
[Mr. Bainton's letter only shows the justice of those who&#13;
complained of his conduct. He asked certain questions,&#13;
the answers to be used for a lecture. That he admits. He&#13;
then used them for a book. That he also admits. If a man&#13;
prints a communication for one purpose which was intended&#13;
for another it is not enough ;o write for permission—he must&#13;
also obtain permission. A letter is a private document,&#13;
unless the contrary is stipulated expressly. As for the spirit&#13;
in which this Society is conducted, it is one of continued&#13;
hostility to all who invade or attack the rights of authors.&#13;
Having printed Mr. Bainton's reply, we can now leave the&#13;
matter as between Mr. Bainton and his correspondents and&#13;
between him and The Author to be judged by our readers.&#13;
—Editor.]&#13;
*&#13;
AT WORK.&#13;
This column is reserved entirely for Members of the Society,&#13;
who are invited to keep the Editor acquainted with their&#13;
work and engagements.&#13;
&#13;
R. J. NORMAN LOCKYER, F.R.S., is editing&#13;
Am£dee Guillemin's work, "The Heavens."&#13;
Mr. J. E. Gore, F.R.A.S., has presented to the Royal&#13;
Irish Academy a "Catalogue of binary Stars for which&#13;
orbits have been computed." The Catalogue, which will be&#13;
published by the Academy, contains the elements of all the&#13;
orbits hitherto calculated, the magnitudes and colours of the&#13;
components, spectra, "hypothetical," and measured parellax,&#13;
the relative brightness of each compared with a standard star,&#13;
and data for computing the velocity in the line of sight, for&#13;
use in the spectroscopic method of measuring the star's&#13;
distance from the earth. The Catalogue is followed by a&#13;
series of notes giving further details and the most recent&#13;
measures of position of the component stars.&#13;
There has been a change in the Editorship of the&#13;
Publishers' Circular"; Mr. J. A. Steuart is the new Editor.&#13;
Mr. Steuart has in the press a work of Criticism and a&#13;
novel, both of which will be published in the autumn by-&#13;
Messrs. Sampson Low, Marston &amp; Co.&#13;
&#13;
&#13;
## p. 85 (#109) #############################################&#13;
&#13;
THE A UTHOR&#13;
85&#13;
Mr. Charles Leland is now preparing a work on "Gypsy&#13;
Sorcery and Fortune Telling." There will be an Edition de&#13;
Luxe. 150 copies only, and all numbered. The publisher,&#13;
Mr. Fisher Unwin, receives names of intending subscribers.&#13;
Mrs. Cashel Hoey has this year written the summer&#13;
number for Household Words. It is a complete story called&#13;
"His Match and More."&#13;
In last month's "At Work," two mistakes were left&#13;
uncorrected. The name of William Westall appeared as&#13;
"William Werlah," and Mr. Watt wis announced as the agent&#13;
for The Author under Ithe heading of Mr. W. F. Smith's&#13;
new version of "Rabelais." The author should not be in&#13;
italics. It refers to the translation of "Rabelais," not the&#13;
Journal.&#13;
Mr. E. M. Edmonds will contribute an English edition of&#13;
the "Autobiography of Koloko Kenes," with an historical&#13;
introduction on the Klephts for Mr. Fisher Unwin's "Adven-&#13;
ture Series." His biography of Klugas, the Protomartyr of&#13;
Greece (Longman), has already shown his knowledge of&#13;
kindred subjects.&#13;
Mr. Oscar Wilde's story, " The Picture of Dorrin Grey,"&#13;
which constituted the July number of LippincotCs Magazine,&#13;
will shortly be issued as a one volume novel by Messrs.&#13;
Ward and Lock.&#13;
Mr. Robert Louis Stevenson will shortly issue, through&#13;
Messrs. Chatto and Windus, "Father Damien: an open&#13;
letter to the Kev. Dr. Ande."&#13;
A second edition is ready of Mr. Eustace A. R. Ball's&#13;
"Mediterranean Winter Resorts." It is a handbook to the&#13;
principal health and pleasure resorts on the shores of the&#13;
Mediterranean (London, L. Upcott Gill, 170, Strand; and&#13;
Paris, The Galignani Library, 224, Rue de Rivoli).&#13;
The article on "Alexandria," in Nos. 9 and 10 of Cassell's&#13;
"Picturesque Mediterranean," is by Mr. Eustace A. R. Ball,&#13;
who is also the author, under the pseudonym of Evelyn&#13;
Ballantyne, of the article called "The Pit and Its Critic."&#13;
Rev. James J. Hillock has issued the third edition of his&#13;
"Hard Battles for Life and Usefulness" (Houlston and&#13;
Sons). Crown 8vo. 3*. 6d.&#13;
Miss Frances Armstrong begins a story for the young&#13;
called "Changed Lots; or, Nobody Cares," in the July-&#13;
Number of Newbery House Magazine.&#13;
Miss BIyth's new story is entitled " Adolphus Etherton ; or,&#13;
the Boy who was Always Amused."&#13;
Mr. Edric Vredenburg has recently completed a new story&#13;
which will be published in the Weekly Times and Echo,&#13;
beginning January 3rd of next year.&#13;
Mrs. Elizabeth Harcourt Mitchell's book on Palestine,&#13;
called " Forty Days in Holy Land," is in the press, and will&#13;
be published by Messrs. Kegan Paul &amp; Co.&#13;
A new edition of Mr. Justin McCarthy's " History of the&#13;
Four Georges" is being issued by the same publishers.&#13;
Volumes I and II are now ready.&#13;
Esme Stuart commences a new serial tale in the July&#13;
number of the Newbery House Magazine.&#13;
It is now stated that Mr. Christie Murray is not lost at all.&#13;
He has sailed for Samoa vid Sydney with the intention of&#13;
joining Mr. Robert Louis Stevenson.&#13;
The author of "Thoth" (Blackwood), and of " Toxar"&#13;
(Longman) is Professor Nicholson of Edinburgh, a member of&#13;
this Society.&#13;
NEW BOOKS AND NEW EDITIONS.&#13;
Aubyn, St. Alan. A Fellow of Trinity. Chatto and&#13;
Windus. 3 vols. Crown 8vo. (Shortly.)&#13;
Author ok "Thoth." Toxar, a romance. 1 vol. 6s.&#13;
Longmans.&#13;
BESANT, W. H., D.Sc, F.R.S. Notes on Roulettes and&#13;
Glissettes. Second Edition, enlarged. Messrs. Bell.&#13;
8vo. 5/.&#13;
Collins, M. The Blossom and Fruit: A True Story of a&#13;
Black Magician. Crown 8vo. 2s.&#13;
Conway, H. Martin. Climber's Guide to Central Alps.&#13;
I vol. 10s. T. Fisher Unwin.&#13;
Conway, W. M. Climbers' Guide to the Central Pennine&#13;
Alps. i8mo. lew.&#13;
Crommelin, May. Midge. Trischler and Co. 6s.&#13;
Dowden, Professor. The Poetry of John Donne. Chap-&#13;
man and Hall.&#13;
Farrar, F. W. The Passion Play at Oberammergau,&#13;
1890. W. Heinemann. 4to. 2s. 6d.&#13;
James, C. T. C. The New Faith. 3 vols. 31*. 6d.&#13;
Ward and Downey.&#13;
"John Strange Winter." Dinna Forget. Trischler&#13;
and Co. Paper, is. ; cloth boards, Is. 6d.&#13;
Kennard, Mrs. G. Matron or Maid: A Novel. Crown&#13;
8vo. 2s. td.&#13;
Lange, F., Ph. D. Elementary German Reader: A Gra-&#13;
duated Collection of Readings in Prose and Poetry.&#13;
With English Note and a Vocabulary. Messrs. Bell.&#13;
8vo. is. 6d.&#13;
Linton, E. L\ nn. Sowing the Wind: A Novel. Crown&#13;
8vo. 3s. 6d.&#13;
Murray (C), and Herman (H.). Wild Darrie. i2ino. 2s.&#13;
Murray (D. Christie) and Herman (Henry). Paul&#13;
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Powell, F. York, M. A. History of England, Part I,&#13;
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Robinson, F. W. The Keeper of the Keys. Hurst and&#13;
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Symonds, John Addingto.n. Essays, Speculative and&#13;
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Warden, Florence. St. Cuthbert's Tower. Popular&#13;
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Westall, William. Strange Crimes. I vol. 6s. Ward&#13;
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&#13;
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## p. 86 (#110) #############################################&#13;
&#13;
86&#13;
AD VER TISEMENTS.&#13;
THE LITERARY HAJYDJHAID OF THE&#13;
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J3 -V -%KT AIiTBB 3B E S A T.&#13;
HENRY GLAISHER, 95, STRAND. Price ONE SHILLING.&#13;
NOW READY.&#13;
This pamphlet is a reply to the invitation issued by the Publication Committee of the Society for&#13;
the Promotion of Christian Knowledge in their Report of last year, for any suggestions, which they "will&#13;
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The suggestions offered in these pages contain, first, some of the elementary principles which guide&#13;
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THE METHODS OF PUBLICATION.&#13;
BY S. S. SPRIGGE, B.A.&#13;
READY IN OCTOBER.&#13;
This book, compiled mainly from documents in the office of the Society of Authors, is intended to&#13;
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different frauds which arise out of these methods form a necessary part of the book. Nothing is advanced&#13;
which has not been proved by the experience of the Society.&#13;
&#13;
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## p. 87 (#111) #############################################&#13;
&#13;
87&#13;
NEW BOOKS.&#13;
RABELAIS.&#13;
A New Translation. liy W. F. Smith, M.A., Fellow&#13;
and Lecturer of Saint John's College, Cambridge.&#13;
Issued to Subscribers in a limited Edition of 750&#13;
copies, all numbered, of which 500 copies are for&#13;
this country and 250 for America. In two hand-&#13;
some 8vo vols. Price 2$s the set. The aim of&#13;
the al&gt;ove translation has l&gt;een to render more&#13;
accessible, to explain and illustrate a book which&#13;
has exercised a wide influence on the French&#13;
language as well as on European literature.&#13;
A system of marginal reference has been&#13;
introduced. Great attention has been paid&#13;
to the historical aspect of the book, and&#13;
points bearing on the political and religious&#13;
affairs of the times have been carefully&#13;
noticed. As the work must be presented as&#13;
a whole, and as certain passages and parts&#13;
can no longer l&gt;e presented in English, these&#13;
have been left in the original old French, where&#13;
they can lie read by such as desire it. The work&#13;
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of the translators, Urquhart, and Motteux, a map of&#13;
the environs of Chinon, the part of France where&#13;
Ra!&gt;elais was brought up, notes on the language and&#13;
style, and on other points. It will be, in fact, an entirely&#13;
new and complete presentation of the great French master.&#13;
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A HOOK NECESSARY TO EVERY AUTHOR.&#13;
SLANG AND ITS ANALOGUES — Past and&#13;
Present. By John S. Fakmkk, Author of "Americanisms—Old&#13;
and New," &amp;c. A new and absolutely unique -Slang Dictionary,&#13;
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America, each copy being numbered and signed, to Subscribers&#13;
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Sotes and Queries says—" For the first time in a dictionary the subject&#13;
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His book commends itself warmly to our readers, and its progress cannot be&#13;
otherwise th.ui inUTi-^ttnif. As it is issued in a limited edition it can scarcely&#13;
fail of becoming a prized possession."&#13;
Prospectus and all information to be hadfrom the Publisher,&#13;
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bound in vellum, £2 2s,&#13;
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PALESTINE UNDER THE MOSLEMS. liy&#13;
GUY LE Strange, With Map, and numerous Plans and Drawings&#13;
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and travellers of the middle ages, available to the English reader."&#13;
".... is written throughout with a sort of luting care which&#13;
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Saturday Review,&#13;
Third Edition, now ready.&#13;
THE BIBLE AND MODERN DISCOVERIES.&#13;
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Coloured Map and numerous Illustrations, demy 8vo, 16*.&#13;
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&#13;
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&#13;
&#13;
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## p. 88 (#114) #############################################&#13;
&#13;
The Society of Authors (Jncorporated).&#13;
PRESIDENT.&#13;
The Right IIon. The LORD TENNYSON, D.C.L.&#13;
Sir Edwin Arnold, K.C.S.I.&#13;
ALFRED AUSTIN.&#13;
ROBERT BATEMAN.&#13;
Sir HenRY BERGNE.&#13;
WALTER BESANT,&#13;
R. D. BLACKMORE.&#13;
REV. Prof. BONNEY, F.R.S.&#13;
LORD BRABOURNE.&#13;
JAMES BRYCE.&#13;
P. W. CLAYDEN.&#13;
J. Comen's CARR.&#13;
EDWARD Clodd.&#13;
W. MARTIN CONWAY.&#13;
MARION CRAWFORD.&#13;
OSWALD CRAWFURD.&#13;
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ERIC ERICHSEN, F.R.S.&#13;
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II. RIDER HaggarD.&#13;
THOMAS HARDY.&#13;
PROF. E. RAY LANKESTER, F.R.S.:&#13;
Rev. W. J. LOFTIÉ, F.S.A.&#13;
GEORGE Meredith.&#13;
HERMAN C. MERIVALE. .&#13;
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EDMUND YATES.&#13;
-&#13;
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3631">
              <text>The Author, Vol. 01 Issue 03 (July 1890)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3632">
              <text>&lt;em&gt;The Author&lt;/em&gt;, Vol. 01 Issue 03 (July 1890)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="48">
          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
          <elementTextContainer>
            <elementText elementTextId="3633">
              <text>&lt;a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015031017927&amp;amp;view=1up&amp;amp;seq=20" target="_blank" rel="noopener"&gt;https://babel.hathitrust.org/cgi/pt?id=mdp.39015031017927&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3634">
              <text>Publication</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
          <elementTextContainer>
            <elementText elementTextId="3635">
              <text>1890-07-15-The-Author-1-3</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
  <tagContainer>
    <tag tagId="66">
      <name>publications</name>
    </tag>
    <tag tagId="4">
      <name>The Author</name>
    </tag>
  </tagContainer>
</item>
