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534	https://historysoa.com/items/show/534	The Author, Vol. 24 Issue 03 (December 1913)	<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Author%3C%2Fem%3E%2C+Vol.+24+Issue+03+%28December+1913%29"><em>The Author</em>, Vol. 24 Issue 03 (December 1913)</a>											<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Publication">Publication</a>	1913-12-01-The-Author-24-3					63–92																		<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=89&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=24">24</a>											<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=76&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1913-12-01">1913-12-01</a>							3			19131201	Che Butbor.<br /> <br /> (The Organ of the Incorporated Society of Authors.<br /> <br /> FOUNDED BY SIR<br /> <br /> Monthly.)<br /> <br /> WALTER BESANT.<br /> <br /> <br /> <br /> <br /> <br /> Vor. XXIV.—No. 3.<br /> <br /> DECEMBER 1, 1913.<br /> <br /> [PRIcE SIXPENCE.<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> TELEPHONE NUMBER:<br /> 874 VICTORIA.<br /> <br /> TELEGRAPHIC ADDRESS:<br /> AUTORIDAD, LONDON.<br /> <br /> ge<br /> <br /> NOTICES.<br /> <br /> 4<br /> <br /> | ae the opinions expressed in papers that<br /> are signed or initialled the authors alone<br /> are responsible. None of the papers or<br /> paragraphs must be taken as expressing the<br /> opinion of the Committee unless such is<br /> especially stated to be the case.<br /> <br /> Tue Editor begs to inform members of the<br /> Authors’ Society and other readers of The<br /> Author that the cases which are quoted in The<br /> Author are cases that have come before the<br /> notice or to the knowledge of the Secretary of<br /> the Society, and that those members of the<br /> Society who desire to have the names of the<br /> publishers concerned can obtain them on<br /> application.<br /> <br /> <br /> <br /> ARTICLES AND CONTRIBUTIONS.<br /> <br /> Tue Editor of The Author begs to remind<br /> members of the Society that, although the<br /> paper is sent to them free of cost, its production<br /> would be a very heavy charge on the resources<br /> of the Society if a great many members did not<br /> forward to the Secretary the modest 5s. 6d.<br /> subscription for the year.<br /> <br /> Communications for The Author should be<br /> addressed to the offices of the Society, 1, Cen-<br /> tral Buildings, Tothill Street, Westminster,<br /> S.W., and should reach the Editor not later<br /> than the 21st of each month.<br /> <br /> Communications and letters are invited by<br /> the Editor on all literary matters treated from<br /> <br /> Vou. XXIV.<br /> <br /> the standpoint of art or business, but on no<br /> other subjects whatever. Every effort will be.<br /> made to return articles which cannot be<br /> accepted.<br /> <br /> ADVERTISEMENTS.<br /> <br /> Messrs. Matthews’ Advertising Service,<br /> Staple Inn Buildings, High Holborn, W.C.,<br /> will act as agents for advertisements for<br /> “The Author.” All communications respect-<br /> ing advertisements should be addressed to<br /> them.<br /> <br /> As there seems to be an impression among<br /> readers of The Author that the Committee are<br /> personally responsible for the bona fides of the<br /> advertisers, the Committee desire it to be stated<br /> that this is not, and could not possibly be, the<br /> case. Although care is exercised that no<br /> undesirable advertisements be inserted, they<br /> do not accept, and never have accepted, any<br /> liability.<br /> <br /> Members should apply to the Secretary for<br /> advice if special information is desired.<br /> <br /> ——_—_——_——_+—_—___—_<br /> <br /> THE SOCIETY’S FUNDS.<br /> <br /> —— ++<br /> <br /> ROM time to time members of the Society<br /> desire to make donations to its funds in<br /> recognition of work that has been done<br /> <br /> for them. The Committee, acting on the<br /> suggestion of one of these members, have<br /> decided to place this permanent paragraph in<br /> The Author in order that members may be<br /> cognisant of those funds to which these con-<br /> tributions may be paid.<br /> <br /> The funds suitable for this purpose are:<br /> (1) The Capital Fund. This fund is kept in<br /> reserve in case it is necessary for the Society to<br /> incur heavy expenditure, either in fighting a<br /> question of principle, or in assisting to obtain<br /> copyright reform, or in dealing with any other<br /> <br /> “9<br />  <br /> <br /> 64<br /> <br /> matter closely connected with the work of the<br /> Society. . : 8<br /> <br /> (2) The Pension Fund. This fund is slowly<br /> increasing, and it is hoped will, in time, cover<br /> the needs of all the members of the Society.<br /> <br /> ————__+—&gt;—_+—___—_<br /> <br /> THE PENSION FUND.<br /> <br /> —<br /> <br /> N January, the secretary of the Society<br /> I laid before the trustees of the Pension<br /> Fund the accounts for the year 1912, as<br /> settled by the accountants. After giving the<br /> matter full consideration, the trustees in-<br /> structed the secretary to invest a sum of £300<br /> in the purchase of Buenos Ayres Great<br /> Southern Railway 4% Extension Shares, 1914,<br /> £16 fully paid. The number of shares pur-<br /> chased at the current price was twenty-five<br /> and the amount invested £296 1s. 1ld. The<br /> trustees are also purchasing three more Central<br /> Argentine Railway New Shares at par, on<br /> which as holders of the Ordinary Stock they<br /> have an option.<br /> <br /> The trustees desire to thank the members<br /> of the Society for the continued support which<br /> they have given to the Pension Fund.<br /> <br /> The nominal value of the investments held<br /> on behalf of the Pension Fund now amounts<br /> to £4,764 6s., details of which are fully set out<br /> in the following schedule :—<br /> <br /> Nominal Value.<br /> <br /> £8. dk:<br /> Bocsl Loans. 2.6.0.6 boss chien 500 0 0<br /> Victoria Government 3% Consoli-<br /> <br /> dated Inscribed Stock ........ 291 19 11<br /> London and North-Western 3%<br /> <br /> Debenture Stock ............ 250 0 0<br /> Egyptian Government Irrigation<br /> <br /> Trust 4% Certificates ........ 200 0 0<br /> Cape of Good Hope 34% Inscribed<br /> <br /> StOCk = 0.6, 200 0 0<br /> Glasgow and South-Western Rail-<br /> <br /> way 4% Preference Stock .... 228 0 0<br /> New Zealand 34% Stock ....... 247 9 6<br /> Irish Land 23% Guaranteed Stock 258 0 0<br /> Corporation of London 24%<br /> <br /> Stock, 1927—57 ..1......5.... 438 2 4<br /> Jamaica 34% Stock, 1919—49 .. 18218 6<br /> Mauritius 4% 1987 Stock ....... 120 12 1<br /> Dominion of Canada, C.P.R. 34%<br /> <br /> Land Grant Stock, 1988 ...... 198 3 8<br /> Antofagasta and Bolivian Railway<br /> <br /> 5% Preferred Stock .......... 237 0 0<br /> Central Argentine Railway Or-<br /> <br /> dinary Stock ,........ 0... -. 282 0 0<br /> <br /> THE AUTHOR.<br /> <br /> Nominal Value<br /> <br /> £ sd.<br /> $2,000 Consolidated Gas and<br /> Electric Company of Baltimore<br /> 44% Gold Bonds ........... 400 0 0<br /> 250 Edward Lloyd, Ltd., £1 5%<br /> Preference Shares .........+. 250 0 0<br /> 55 Buenos Ayres Great Southern<br /> Railway 4% Extension Shares,<br /> 1914 (fully paid) ............ 550 0 0<br /> <br /> 8 Central Argentine Railway £10<br /> Preference Shares, New Issue... 80 0 0<br /> <br /> PENSION FUND.<br /> <br /> +<br /> <br /> Tue list printed below includes all fresh dona-<br /> tions and subscriptions (i.e., donations and<br /> subscriptions not hitherto acknowledged)<br /> received by, or promised to, the fund from<br /> January 8, 1913.<br /> <br /> It does not include either donations given<br /> prior to January, nor does it include sub-<br /> scriptions paid in compliance with promises<br /> made before it.<br /> <br /> Subscriptions.<br /> <br /> 1913.<br /> <br /> April 8, Caulfield-Stoker, T. . ;<br /> June 12, Wimperis, Arthur . :<br /> June 16, Ballantyne, J. W.<br /> June 16, Thorold, Rupert<br /> Oct. 8, Rees, Miss Rosemary<br /> Oct. 8, Pearce, J. : ; :<br /> Oct. 9, Drummond, Miss Florence<br /> Oct. 9, Rumbold, Hugo<br /> Oct. 18, Knowles, Miss<br /> Oct. 20, Collison, Harry :<br /> Oct. 21, Buchanan, Miss Meriel<br /> Oct. 25, Baker, E. A. .<br /> Nov. 6, Bentley, E. C. :<br /> Nov. 6, Petersen, Miss Margaret<br /> Novy. 7, Lang, Mrs. John<br /> Nov. 19, Langferte, Raymond<br /> Nov. 24, Webb, W. Trego<br /> Nov. 24, Mackenzie, Compton<br /> <br /> OR et Or<br /> <br /> MOCO COOOHO OOO OHOHOM<br /> coceoococooscoosooooooOF®<br /> <br /> OM Or Or OL OT OLS Or OLS<br /> <br /> Donations.<br /> <br /> 19138.<br /> April 2, Daniel, E. H. .<br /> April 2, Hain, H.M. . : :<br /> April 7, Taylor, Miss Susette M. .<br /> April 7, Harding, Newman . .<br /> April 9, Strachey, Miss Amabel_ .<br /> April 10, Aspinall, Algernon .<br /> <br /> ecocoeooo<br /> <br /> Arana<br /> oooooom<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> DH<br /> <br /> RON OOOO OO ON DN &amp; et OO Or OTe ee<br /> <br /> April 15, Craig, Gordon : .<br /> April, Robbins, Miss Alice . .<br /> June 12, Peel, Mrs. . :<br /> June 13, Barlow, Miss Hilaré .<br /> June 13, Kynnersley, E. M. Sneyd.<br /> July 5, Williams, Robert . :<br /> July 11, Broadbent, D. R. . :<br /> July 22, Cameron, Mrs. Charlotte .<br /> Sept. 29, Peacock, Mrs. F. M. :<br /> Sept. 30, Healy, Wallis : :<br /> Oct. 7, Darwin, Sir Francis . :<br /> Oct. 9, Carroll, Sydney Wentworth<br /> Oct. 21, Troubetskoy, The Princess<br /> Oct. 27, Frankish, Harold :<br /> Oct. 30, Rossman, Miss . :<br /> Nov. 3, Holland, Theodore<br /> <br /> Nov. 3, Steane, Bruce ‘<br /> <br /> Nov. 3, Batty, Mrs. Braithwaite<br /> Nov. 10, Elvington, Miss Helen<br /> Noy. 10, Waterbury, Mrs.<br /> <br /> _<br /> <br /> -_<br /> <br /> MOSS SOSOSHOMNON HEH COCO Eh<br /> pat<br /> <br /> SmMASSSSCORSOARGCOCCOCOOOCCO®<br /> <br /> —— a<br /> <br /> ComPpLETE List or ANNUAL SUBSCRIBERS.<br /> <br /> Ir is the custom of the Committee of<br /> Management of the Society to publish, once a<br /> year, the full list of subscribers to the Pension<br /> Fund. Owing to an oversight, the list was<br /> not published in the October issue. As from<br /> time to time members of the Society complain<br /> that the list doesn’t contain the names of<br /> many well-known authors, the Committee<br /> desire to point out that when the Fund was<br /> started and since its foundation, there have<br /> been many liberal donations by well-known<br /> authors, which donations have been chronicled<br /> from time to time in these columns. It does<br /> not follow, therefore, that because an author’s<br /> name is not down as an annual subscriber,<br /> that he has not on previous occasions been a<br /> liberal donor.<br /> <br /> i}<br /> <br /> AMonocnononkKH aoe.<br /> <br /> Abbott, The Rev. E.<br /> <br /> Acland, Mrs. C. D.<br /> <br /> Allen, Mrs. Grant .<br /> <br /> Anderson, Arthur<br /> <br /> Andrews, Miss C. C.<br /> <br /> Annesley, Miss M.<br /> <br /> Anonymous .<br /> <br /> Anonymous<br /> <br /> Armstrong, Frances<br /> <br /> Arnold, Mrs. J. O.<br /> <br /> Askew, Claude<br /> <br /> Avery, Harold. ; . :<br /> Baden-Powell, Miss ; : &gt;<br /> Bagnall, Miss L. T. :<br /> <br /> _<br /> <br /> —<br /> <br /> —_<br /> ecaccoooaococo®<br /> <br /> ecoeoorSoorooerth<br /> <br /> Baker, E. A. :<br /> Baldwin, Mrs. Alfred _.<br /> Ballantyne, J. W.<br /> Banks, Mrs. M. M.<br /> Barne, Miss M. C.<br /> Barnett, P. A.<br /> <br /> Barrie, Sir J. M.<br /> Barrington, Mrs. R.<br /> Bashford, H. H.<br /> <br /> Beale, Lady . :<br /> Bedford, Miss Jessie<br /> Begbie, Harold _.<br /> <br /> Bell, Lady . .<br /> Benecke, Miss Ida<br /> Benjamin, Lewis .<br /> Bennett, Arnold .<br /> Berkeley, Mrs. F.R.<br /> Blaikley, Miss Editha L.<br /> Bland, J.O.P. . :<br /> Bland, Mrs. Nesbit<br /> Blow, Frederick<br /> <br /> Bolton, Miss Anna<br /> Bond, R. Warwick<br /> Bosanquet, E. F. .<br /> Bowen, Miss Marjorie<br /> Bradshaw, Percy...<br /> Brandon, Miss D. .<br /> Breakell, Miss Mary 5<br /> Brend, C. Cunningham .<br /> Brinton, Selwyn<br /> Brodhurst, Spencer<br /> Broster, Miss D. K.<br /> Brown, R. Grant .<br /> Buchanan, Miss Meriel .<br /> Buckley, Reginald<br /> Budgen, Miss ;<br /> Bungey, E. Newton<br /> Burmester, Miss F.<br /> Burton, J. B. :<br /> Caillard, Miss E. M.<br /> Caine, William<br /> Calderon, George .<br /> Cannan, Gilbert<br /> <br /> Capes, Bernard<br /> <br /> Capes, Mrs. . :<br /> Carlyle, ‘Rev. A. J.<br /> <br /> Carr, Miss M. E. . :<br /> Caulfield, Kathleen M. .<br /> Caulfield-Stoker, T.<br /> ‘Channon, Mrs. Frances .<br /> <br /> Chase, Mr. and Mrs. L. N. -<br /> <br /> Chesterton, G. K.<br /> Child, Harold H. .<br /> Clifford, Lady<br /> Clifton, Mrs.<br /> Clodd, Edward .<br /> Clough, Miss B. A.<br /> <br /> . —<br /> SMSMSSSSSSSSSSSSOHSSOHMSSSSSSSSSOS OOH SH SCOOC OO OmMHHN HOS O OOOO CO OHOHm<br /> <br /> bt<br /> <br /> —<br /> <br /> _ ht<br /> SCOTKM NOH OCOAAAANAonaan<br /> <br /> _<br /> Aonra1onn<br /> <br /> ee<br /> cooorocso<br /> <br /> o&gt;<br /> Or<br /> <br /> MoooeoresoesooooacooacsososooSoOAaSoSoOORaSASSOAS OOOO OOOO ONO SOC OSC CSO O®<br />  <br /> <br /> <br /> 66 THE AUTHOR.<br /> <br /> Q<br /> <br /> Q<br /> SS SSS SO SS SBS OO SB OS SOS SSS SSS SSS SSSOSOAMSS SS SSS SSS SSOSSSSSSO.S S*<br /> <br /> jul<br /> aooocooooooeocoooscooaoooooosoooscooeoeoe:<br /> <br /> Freshfield, Douglas<br /> Fuller, Sir Bamfylde<br /> Galsworthy, John<br /> Garvice, Charles<br /> <br /> Gay, Mrs. Florence<br /> Geddes, Mrs,<br /> <br /> George, W. L.<br /> <br /> Gibb, A. :<br /> <br /> Gibson, Frank ;<br /> Gidley, Miss.E. C..<br /> Giles, Miss Edith J. F.<br /> Gilliat, The Rev. E.<br /> Gilson, Capt. Charles<br /> Glenconner, Lady<br /> Gonne, Capt, C.<br /> Gosse, Edmund<br /> Graham, Capt. Harry<br /> Graves, A. P. :<br /> Greig, James<br /> <br /> Gribble, Francis<br /> Grier, Miss Julia M.<br /> Griffin, Miss V. C.<br /> Grogan, W. E.<br /> Guthrie, Anstey<br /> Haggard, Mrs.<br /> <br /> Hain, H. M.<br /> <br /> Halford, F. M.<br /> Hamilton, Henry .<br /> Hands, Mrs. Morris :<br /> Hannay, The Rey. Canon J. O.<br /> <br /> mos<br /> <br /> ooo eH oreo HH oo oro &amp; Oe Oe<br /> <br /> Cohen, Mrs. Herbert ;<br /> Collier, The Hon. John .<br /> Colquhoun, A. R.<br /> Cooke, W. B.<br /> Cooper, Miss Marjorie<br /> Cotesworth, Miss L. E.<br /> Coulton, G. G. :<br /> Cox, Miss M. Roalfe<br /> Cromartie, Countess of .<br /> Crommelin, Miss May<br /> Crozier, Dr. J. Beattie<br /> Cuming, E. D.<br /> Curwen, Miss Maud<br /> Dailley, R. H. ;<br /> Dale, Miss Nellie .<br /> Darbishire, Otto .<br /> Davy, Mrs. E. M..<br /> Dawson, Forbes<br /> Dawson, Warrington<br /> De Brath, Stanley<br /> De Morgan, William<br /> Desborough, The Lerd .<br /> Dillon, Mrs. .<br /> Dixon, A. F.<br /> Dixon, Miss H. M.<br /> Dixon, W. Scarth<br /> Dobson, Austin<br /> Drake, Maurice F.<br /> Drummond, Miss F. :<br /> Dummelow, Rev. J. R..<br /> Dunsany, The Lord Harland, Mrs.<br /> Durand, Ralph —. Harraden, Miss B.<br /> Durand, The Right Hon. Sir Henzy Harris, Miss Jessie<br /> <br /> Mortimer . Harrison, Austin .<br /> Diiring, Mrs. Harrison, Mrs. Darent .<br /> Edgington, Miss May Haultain, Arnold .<br /> Ellis, Miss M. A. Hawkes-Cornock, Mrs. . é<br /> Escott, T. H. S. Hawkins, A. Hope : j ia<br /> Esmond, H. Vv. . Heath, Miss E. : :<br /> Eyre-Matcham, Mrs. Heath, Miss H.<br /> Fagan, J. B. Heath, Sidney<br /> Felkin, A.L. Hecht, Mrs. Arthur<br /> Felkin, The Hon. Mrs. Hedgecock, FOAL :<br /> Fenwick, Miss Sik. Heming, Lieut.-Col. D. :<br /> Festing, Miss Henderson, R. W. Wright .<br /> Fiamingo, Carlo. . Henley, Mrs. Z<br /> Field, The Rev. Claude . Hepburn Thomas<br /> Fieldhouse, Arthur Hills, Mrs. M. :<br /> Fitzgerald, Colin . Hitchens, Robert .<br /> Fitzgerald, Mrs. E. A. Hitchings, F. W. .<br /> Fleming, Mrs. A. D. Hollins, Miss D.<br /> Forbes, Lady Helen Holme, Miss.<br /> <br /> ‘at<br /> So<br /> one ooNneooc:<br /> <br /> _<br /> <br /> —_<br /> Oe = ON OF oOo<br /> <br /> Meer OOC OCC OCC OF OOrHSCOCOCSOHOFSOmK<br /> fon<br /> <br /> — ee<br /> <br /> o<br /> OunNnouwraww1c OS 1S Ct<br /> <br /> cCoocooconow<br /> bo Gt Or Or OTN OUD Or et Rt eR Or Or<br /> COMNSCOCCOCOCOHHONOHOSOSOOSOHOCONH OMI<br /> fool<br /> <br /> Oo<br /> <br /> fml<br /> ood Ho<br /> <br /> _<br /> <br /> <br /> <br /> CSOmMeOMNMOoOUNorFonannadauH<br /> <br /> —<br /> <br /> oroooooowmoororossooooorewownecore<br /> _<br /> Oe WOOO O OW OO RY Orr Or © Or Or<br /> <br /> COMKCNH NH OOOO SCORMRFrOUMSoOOC oF<br /> cosoceosoacooaososeooscsessesce<br /> <br /> Forrest, Sir G. W. 2 Holmes, Miss E. -<br /> Forrester, J. Cliffe 5 Hood, Miss Agnes J acomb 1 :<br /> Forster, R. H. 1 Hughes-Gibb, “Mrs. ‘ e<br /> Fox, A. Dd. : 5 Hutchinson, Rev. H. N.<br /> <br /> Francis, René 10 Hutton, Edward . :<br /> <br /> <br />  <br /> <br /> <br /> <br /> HOC.<br /> <br /> Inkster, C. L<br /> Jackson, €.S:<br /> James, Henry<br /> James, Miss S. Boucher<br /> Jane, i. Cecil<br /> Jerome, Jerome K.<br /> Jessup, A. E.<br /> <br /> Jones, Henry Arthur<br /> Jones, W. Braunston<br /> Keene, Mrs.<br /> <br /> Kelly, W. P. :<br /> Kennaway, Miss E.<br /> <br /> Kenny, Mrs. L. M. Stacpoole .<br /> <br /> Kersey; W.H. . . :<br /> Kilmarnock, The Lord .<br /> Kupling, Rudyard<br /> Kitcat, Mrs.<br /> <br /> Lambe, J. Laurence<br /> Larden, Walter<br /> <br /> Larken, E. P.<br /> <br /> Laurance, Lionel .<br /> Laws, T. C. . :<br /> <br /> Lee, Rev. Albert .<br /> Letts, Miss W. M. :<br /> Lewis, The Rev. Arthur.<br /> Lewis, T. C. :<br /> Liddle, S<br /> <br /> Lincoln, C. .<br /> <br /> Lion, Leon M. :<br /> Little, Mrs. Archibald<br /> Locke, W. J.<br /> <br /> Longe, Miss Julia .<br /> Lueas, E. V.<br /> <br /> Macdonald, Greville<br /> Mackenzie, Miss H.<br /> Macnamara, Margaret<br /> Macnaughton-Jones, Dr. H.<br /> Macpherson, J. F.. ;<br /> MacRitchie, David<br /> Madison, Miss G. R.<br /> Malcolm, Mrs. Ian<br /> Malet, Lucas :<br /> Mann, Mrs. Mary E.<br /> Maquarie, Arthur .<br /> Marchmont, A. W.<br /> Markino, Yoshio<br /> <br /> Marks, Mrs. M.. .<br /> Marriott, Charles .<br /> Martin, Miss Violet<br /> Masefield, John E.<br /> Matheson, Miss Annie<br /> McCormick, E. B.<br /> Meredith, Mark<br /> Middlemas, Miss Jean<br /> Miller, Mrs. .<br /> <br /> Miniken, Miss B. M. M.<br /> <br /> THE AUTHOR.<br /> <br /> HOSCCOSHH OSHS OONSCOSSOOOHHONNOSSOOH OOOO OOCOHH UMS OCOO OO OHH MOHNOOH<br /> <br /> me<br /> <br /> _<br /> <br /> od bot bee<br /> <br /> bh<br /> <br /> ht<br /> <br /> _ ee low<br /> MOOSCNSCAMOAH TH SON SOLO OTH OOOO OTOH RK OOOUN OOOH HK OMEN OO<br /> <br /> pen<br /> ouaunnotroonr<br /> <br /> cocooscoossoooaesesosessesescosesssoescsesessooscosoosceososeosooacoesoosescsoosoeo®<br /> <br /> Moffat, ‘Miss B.<br /> Montgomery, Miss K. i<br /> Montresor, Miss F. F.<br /> Morton, Michael<br /> Mulliken, Mrs. :<br /> Murdock, W. G. Barn.<br /> M. W. :<br /> Narramore, William<br /> Nembhard, Miss M.<br /> Newton, Miss A. M.<br /> Nicholls, F. C.<br /> Niven, Frederick .<br /> Northeote, The Rev. H<br /> O’Brien, Rev. G. E. :<br /> O’Donnell, Miss Petronella<br /> Orezy, Baroness :<br /> Osgood, Irene<br /> Owen, Charles :<br /> Pakington, Hon. Mary .<br /> Parr, Miss O. K. . ‘<br /> Parry, Sir Hubert<br /> Paull, H. M.<br /> Pearce, John<br /> Pearson, Mrs. Conny<br /> Pendered, Miss M. L.<br /> Pettigrew, W. F. .<br /> Phillipps-Wolley, C.<br /> Phillpotts, Eden<br /> Phipson, Miss Emma<br /> Pickthall, M. W.<br /> Pinero, Sir Arthur<br /> Plunkett, G. N., Count .<br /> Pollock, Miss E. . :<br /> Pollock, The Right<br /> Frederick, P.C. . :<br /> Pope, Miss Jessie .<br /> Portman, Lionel<br /> Prelooker, ad:<br /> Prideaux, Miss S. T.<br /> Probert, W. S.<br /> Pryor, Francis<br /> Punshon, E. R.<br /> Rawlings, Burford<br /> Rees, Miss R. :<br /> Reynolds, Mrs. Baillie<br /> Reynolds, Mrs. Fred<br /> Rhys, Ernest :<br /> Richardson, Mrs. A.<br /> Riley, Miss Josephine<br /> Rittenberg, Max<br /> Roberts, D. G.<br /> Roberts, Morley<br /> Roe, Mrs. Harcourt<br /> Romanes, Mrs.<br /> Ropes, A. R.<br /> Rorison, Miss E.<br /> <br /> ‘Rossetti, W. M.<br /> <br /> _<br /> SeOMNocoKooneoocorooooreooceooooooroorroch<br /> <br /> Hon.<br /> <br /> Ceormrococooocoooooorw oe eH eH OH OHM<br /> <br /> a<br /> <br /> _ _<br /> HOSS OH SON O&amp;O &amp; Or Or Ot OS HH Ot OS &amp; OF Or OF OU OU Ot OU et Or ts<br /> <br /> —_ Lal<br /> <br /> —<br /> <br /> te<br /> <br /> 7<br /> oS<br /> <br /> _<br /> AoAanraoanrnawie ake Onc uae<br /> <br /> Sete<br /> aaEKtoce<br /> <br /> oD<br /> J<br /> <br /> eoococeocoooacecsooooooroo Sceooaecsoeseoooscsesesescosaceoosseesescoooe<br />  <br /> <br /> 68<br /> <br /> Rotherstein, A. D.<br /> Rumble, Mrs.<br /> <br /> Russell, G. H.<br /> <br /> Rutter, Frank<br /> <br /> Sabatini, Raphael<br /> <br /> Saies, Mrs. . :<br /> Salmond, Mrs. .<br /> Salter, Miss E. K.<br /> Salway, Reginald .<br /> Sanders, Miss E. K.<br /> Schwartz, Prof. E. H.<br /> Scott, G. Forrester<br /> Scott, Mrs. C.<br /> <br /> Seaman, Owen<br /> Sedgwick, Prof. A.<br /> Sedgwick, W. : 2<br /> Selincourt, Mrs. Basil de<br /> Sergeant, Miss Constance<br /> Seton-Karr, H. W.<br /> Sharp, Miss E.<br /> <br /> Shaw, Fred G.<br /> <br /> Shaw, Mrs. Bernard<br /> Shepherd, George H.<br /> Shera, Miss B. M.<br /> Sherwood, Miss A.<br /> Shiers-Mason, Mrs.<br /> Shipley, Miss Mary<br /> Simpson, Miss Gaynor .<br /> Simpson, W. J. .<br /> Sinclair, Miss Edith<br /> Sinclair, Miss May<br /> Skrine, Mrs. J. H..<br /> Skrine, Rev. J. H.<br /> Slaughter, Miss F.<br /> Smith, Bertram<br /> Smythe, A. .<br /> Snell, Miss Olive<br /> Somers, John : :<br /> Somerville, Miss E. Ck. .<br /> Speed, Lancelot<br /> <br /> Spens, A. B.<br /> <br /> Spiers, Victor :<br /> Sproston, Samuel, Junr.<br /> Spurrell, Herbert . ‘<br /> Stanton, Miss H. M. E. .<br /> Stawell, Mrs. R. :<br /> Stayton, Frank<br /> <br /> Stein, Sir M. Aurel<br /> Steveni, W. Barnes :<br /> Stewart, J. C. McDougal<br /> Stockley, Mrs. ‘ ‘<br /> Stott, M. D. :<br /> Sturt, Geo... ;<br /> Sullivan, Herbert .<br /> Summers, J. ‘ ‘<br /> Sutherland, The Duchess of<br /> Sutro, Alfred.<br /> <br /> THE AUTHOR.<br /> <br /> £<br /> <br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> <br /> 0<br /> 0<br /> 0<br /> 0<br /> 1<br /> 1<br /> 1<br /> 0<br /> 0<br /> 0<br /> i<br /> 0<br /> 3<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 2<br /> 0<br /> 1<br /> 0<br /> 5<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 1<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 1<br /> 0<br /> 1<br /> 0<br /> 2<br /> 2<br /> <br /> ~D<br /> <br /> f=<br /> or Or OF OF O OF OT OL OL OL GT OTT<br /> <br /> Or O &amp; Ore Or or Ore<br /> <br /> I —<br /> eH or or O Or Or OF 01 O OF OD ON SO Or Or Or Or<br /> <br /> _<br /> <br /> _<br /> DD Oe Oe SO Orr O OVS OV<br /> <br /> Q<br /> <br /> oo eee Seo esses ooaccoesssasoosoosssoosessonecs**<br /> <br /> Taylor, Mrs. Basil.<br /> Tearle, Christian . ;<br /> Teixeira-de-Mattos, Alex<br /> Tharp, Robt. C. . :<br /> Thomson, Lieut.-Col. J..<br /> Thurston, E. Temple<br /> Todd, Miss Margaret, M.D.<br /> Todhunter, Dr. J. :<br /> Toynbee, Paget<br /> Toynbee, William<br /> Travers, Miss Rosalind .<br /> Trench, Herbert<br /> Trevelyan, G. M. .<br /> Trevor, Major P. .<br /> Truman, Miss Olivia<br /> Tuckett, F. F. :<br /> Turner, G. F. é<br /> Turner, Reginald .<br /> Tuttiett, Miss M. G.<br /> Twycross, Miss M.<br /> Tyrrell, Miss Eleanor<br /> Underdown, Miss E.<br /> Vachell, H. A.<br /> <br /> Vacher, Francis<br /> Vernede, R. E.. .<br /> <br /> Von Holst, Gustav<br /> Voynich, Mrs. E.L. .<br /> Waldstein, Sir Charles .<br /> Walkley, T. . ; :<br /> Walshe, Douglas .<br /> Ward, Mrs. Humphry.<br /> <br /> Ward, The Rev. F. W. Orde .<br /> <br /> Warden, Miss Gertrude .<br /> Watt, A. P.. Z :<br /> Weaver, Mrs. Baillie<br /> Weston, Miss J. L.<br /> Westrup, Miss M. .<br /> Weyman, Stanley J.<br /> Wheelhouse, Mrs. . :<br /> Whishaw, Mrs. Bernhard<br /> Whiteing, Richard<br /> Willard, Mrs. ‘<br /> Williams, W. Wynn<br /> Wills, The Rev. Freeman<br /> Wilton, Margaret W.<br /> Wimperis,.Arthur<br /> <br /> Winchelsea, The Countess of .<br /> <br /> Woods, Miss Mary A..<br /> Worsley, Miss A. .<br /> Wright, E. Fondi .<br /> Wynne, Miss May<br /> Yolland, Miss E. .<br /> Young, Ernest<br /> <br /> OK<br /> <br /> HMOOH NOH OH HOH OOCOOOHOHHUSOON SH<br /> <br /> (oer oocooee cero osc oueceroeoso<br /> <br /> aw<br /> <br /> put<br /> Ce OnNwon oy,<br /> <br /> _<br /> <br /> a<br /> Me HOM OT HH OAH OM O OUMNH S<br /> <br /> _<br /> <br /> ~<br /> <br /> bt et<br /> NOAA TNOM AHH ODMAMOMMOH AMON<br /> <br /> <br /> <br /> &amp;<br /> <br /> a ee esc e seco o coe o ooo sooooosoosesoSSssoeeee**<br /> <br /> <br /> <br /> <br />  <br /> <br /> THE AUTHOR.<br /> <br /> COMMITTEE NOTES.<br /> <br /> aed<br /> <br /> HE Committee of Management held their<br /> November meeting on Monday, Novem-<br /> ber 8, at 1, Central Buildings, Tothill<br /> <br /> Street. After the reading of the minutes of the<br /> previous meeting, the committee proceeded<br /> with the election of members and associates.<br /> They are glad to record the election of thirty-<br /> eight members and associates. The full list<br /> appears elsewhere. The total elections for the<br /> year number 315. The committee accepted,<br /> with regret, three resignations.<br /> <br /> The solicitors reported on the cases passing<br /> <br /> through their hands during the month.<br /> <br /> In a ease of breach of agreement by a pub-<br /> <br /> lisher, the matter had been settled when the<br /> solicitors of the Society had given notice of an<br /> injunction. In the second case, against the<br /> proprietor of a magazine, the amount and costs<br /> paid into court had been accepted, and the<br /> matter was ended satisfactorily for the author.<br /> In two claims against a music publisher, the<br /> accounts had been delivered and the moneys<br /> paid. In a case against a magazine, an agreed<br /> sum had been paid and handed over to the<br /> author. There were two very small cases in<br /> which arrangements had been made for pay-<br /> ment by instalments. This statement will<br /> show that many of the cases open from the<br /> former month have now been closed. The<br /> solicitor reported on a serious question which<br /> had been mentioned at the former meeting,<br /> where a publisher had refused facilities for<br /> vouching his accounts. The publisher had<br /> 2 since withdrawn his objection, and the solicitor<br /> VE was instructed to see that the accounts were<br /> &#039;y duly vouched. Two cases were reported in<br /> ‘+ which no final decision had been arrived at.<br /> One related to the infringement of authors’<br /> rights in America, and the other dealt with<br /> the rights of publication in England. The<br /> solicitor explained that it was necessary to wait<br /> for fuller information before any practical<br /> decision could be come to, and the matters<br /> were accordingly adjourned to the next<br /> meeting.<br /> <br /> A dispute between a member of the Society<br /> and her publisher respecting the publication<br /> of a book was fully discussed by the committee.<br /> The solicitor explained the details. The<br /> committee regretted that it was impossible to<br /> take any further steps than those which had<br /> already been taken, and instructed the solicitor<br /> that the member concerned should be informed<br /> of this decision. The last case mentioned by<br /> the solicitors was a dispute between author and<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> 69<br /> <br /> publisher as to the fulfilment of a contract<br /> commissioned by the publisher. After full<br /> consideration of the evidence, the committee<br /> decided it was not possible to proceed further,<br /> as it appeared that the author had no ground<br /> of action.<br /> <br /> The secretary then reported one or two cases<br /> in his hands.<br /> <br /> He stated that an action for infringement of<br /> dramatic copyright in Winnipeg had_ been<br /> settled, and the author had offered to pay the<br /> Society’s expenses. The committee thanked<br /> the author for his generous acknowledgement<br /> of the Society’s work by the offer that he<br /> had made. A serious question of alleged<br /> infringement of dramatic copyright came<br /> before the committee, and after due considera-<br /> tion it was decided to give the member all<br /> possible assistance and to guarantee a sum<br /> towards counsel’s fees on certain conditions<br /> laid down by the committee. The next four<br /> eases related to complaints in America and<br /> Canada. In the first, against a dramatic<br /> agent, the secretary was empowered, if he did<br /> not receive satisfaction, to place the matter into<br /> the hands of the Society’s American lawyers.<br /> <br /> The second, against an American magazine<br /> for breach of an author’s rights, it was decided<br /> to place into the hands of the Society’s Ameri-<br /> can lawyers immediately. In the third case<br /> the secretary reported that a_ satisfactory<br /> arrangement had been made by the American<br /> publishers for the payment of the debt by<br /> instalments each month, which arrangement<br /> had been accepted by the author. In the<br /> fourth case—against a Canadian publisher—<br /> the secretary was instructed to place the matter<br /> in the hands of the Society’s lawyers in Toronto,<br /> <br /> A case against an English publisher con-<br /> cerning an agreement was discussed at full<br /> length, and the committee decided to instruct<br /> the Society’s lawyers to proceed, as it appeared<br /> to them that the agreement was wholly unfair<br /> and unreasonable. The secretary reported<br /> that, during the past month, on the authority<br /> of the chairman, an important case had been<br /> placed before counsel with reference to<br /> dramatic contracts, cinematograph rights, and<br /> international law. The committee confirmed<br /> the action taken. Another case, referring to<br /> the infringement of rights in Australia was<br /> deferred for further consideration.<br /> <br /> Counsel’s opinion bearing on a difficult<br /> question of mechanical rights in Germany was<br /> placed before the committee. As that opinion<br /> was in favour of the member, it was decided to<br /> accept counsel’s advice and to commence<br /> action.<br /> <br /> <br />  <br /> <br /> 70<br /> <br /> Lastly, the secretary was instructed to write<br /> to a publisher with reference to the alleged<br /> publication of an author’s books contrary to<br /> an existing agreement, and to ask for an exX-<br /> planation from the publisher.<br /> <br /> The committee then proceeded to consider<br /> the question of the appointment of their<br /> nominees for the committee election at the end<br /> of the year. The names will appear in The<br /> Author in accordance with the Articles of<br /> Association. :<br /> <br /> The secretary reported on the question of<br /> the appointment of nominees to mect the<br /> Societies of Composers with a view to obtaining<br /> their adhesion to the Society of Authors. At<br /> the suggestion of the Composers’ Sub-Com-<br /> mittee, Mr. Cecil Forsyth was elected a<br /> delegate, and Mr. Stanley Leathes was<br /> suggested as a second delegate to accompany<br /> Mr. Forsyth. Failing him, the secretary was<br /> instructed, in conjunction with the chairman,<br /> to choose some other member, and when the<br /> delegates had been finally settled to make<br /> arrangements to meet the Society of British<br /> Composers or any other Society acting for<br /> composers.<br /> <br /> The proposals put forward by the com-<br /> mittee in the matter of the banning of books<br /> by the libraries and referred back to that body<br /> next came forward for consideration. Mr.<br /> Maurice Hewlett kindly attended, and put<br /> before the committee one or two important<br /> points. The matter was then discussed at<br /> great length, and all the points raised by the<br /> Council were fully considered. The committee<br /> decided, after careful deliberation, to abandon<br /> the proposal which had been made to call a<br /> conference, as such proposals appeared con-<br /> trary to the desires and wishes of the Council<br /> of the Society.<br /> <br /> A draft circular respecting the Collection<br /> Bureau, which the committee propose to issue,<br /> was left for settlement between the chairman<br /> and the secretary. It will be sent to all<br /> members of the Society in due course.<br /> <br /> A royalty agreement was finally settled,<br /> subject to one small question which it was<br /> decided to refer to the solicitors of the Society.<br /> The agreement is now ready for those members<br /> who desire a copy. The question of the dinner<br /> guests was left to the chairman and ‘secretary.<br /> <br /> A proposition to bring the Society’s work to<br /> the notice of the younger members of the pro-<br /> fession was considered, and the secretary was<br /> instructed to make arrangements with a view<br /> to obtaining their names and addresses if<br /> <br /> ossible.<br /> <br /> The Publishers’ Association drew the atten-<br /> <br /> THER AUTHOR.<br /> <br /> tion of the committee to the Copyright Bill now<br /> before the Indian Legislative Council, with<br /> special reference to the Clause dealing with<br /> translation rights. It was decided to act with<br /> the Publishers’ Association, with a view to<br /> strengthening the rights of translators, and, if<br /> possible, to obtain for authors the same rights<br /> over their translation as are enjoyed under the<br /> Berne Convention.<br /> <br /> Certain letters from members were placed<br /> before the committee and the secretary was<br /> instructed to answer those that required<br /> answering.<br /> <br /> Two matters—loans to authors on contracts,<br /> and the International Gathering of Authors at<br /> San Francisco, 1915—were adjourned to the<br /> next meeting.<br /> <br /> The committee thanked Miss Annesley<br /> Kenealy for a donation of £1 1s. towards the<br /> Capital Fund of the Society.<br /> <br /> <br /> <br /> DRAMATIC SuB-COMMITTEE.<br /> <br /> A MEETING of the Dramatic Sub-Committee<br /> was held at the offices of the Society on Friday,<br /> November 21, at three o’clock.<br /> <br /> After reading the minutes certain dramatic<br /> cages were considered. In the first case the<br /> secretary reported the action the Committee<br /> of Management had taken on the sub-<br /> committee’s recommendation, and he was<br /> instructed to try to obtain further witnesses<br /> for the plaintiff. Consideration of the second<br /> case—an infringement of copyright—was<br /> adjourned as the report necessary to lay before<br /> the sub-committee had not been received by<br /> the secretary. The third case, which raised<br /> the question of cinematograph reproduction,<br /> was fully discussed, but the sub-committee<br /> considered that, at present, any action would<br /> be premature, as the member concerned had<br /> no clear evidence to lay before the sub-<br /> committee that action had been taken against;<br /> him. The sub-committee decided to re-<br /> consider the case should the member’s fears<br /> be realised that his rights were being challenged.<br /> <br /> The question of providing powers of attor-<br /> ney in favour of lawyers in foreign countries<br /> to assist the Society in stopping infringements,<br /> which had been raised at the former meeting,<br /> was discussed, and it was decided, with the<br /> approval of the Committee of Management, to<br /> obtain powers of attorney which could be sent<br /> out with a carefully worded covering letter<br /> conveying the information that the . powers<br /> were not to be acted upon until cabled<br /> instructions were given from the Society’s<br /> office.<br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> THE AUTHOR. 71<br /> <br /> The secretary placed before the sub-com-<br /> mittee an agreement which had been submitted<br /> to certain members of the Society, and it was<br /> decided, with the approval of the Committee<br /> of Management, that an article should be<br /> published in The Author on the terms of this<br /> agreement.<br /> <br /> The sub-committee regretted that the<br /> delegates from the Dramatic Clubs Association<br /> were unable to attend the meeting, but they<br /> discussed the resolutions that had been<br /> submitted to them, and the secretary was<br /> instructed to draft and to forward a reply.<br /> <br /> As the sub-committee understood from the<br /> Society of West End Managers that it was<br /> impossible to call a meeting at the present<br /> time, owing to the absence of Sir George<br /> Alexander, one of the delegates, the matter<br /> was adjourned pending the receipt of a further<br /> communication from the Society.<br /> <br /> The secretary was instructed to write to the<br /> members of the sub-committee in regard to<br /> <br /> the election of the sub-committee for 1914.<br /> <br /> The sub-committee decided to appoint their<br /> nominees at the December meeting to be held<br /> on the 19th of that month.<br /> <br /> ES OPES<br /> <br /> Composers’ Sup-CoMMITTEE.<br /> <br /> Tue November meeting of the Composers’<br /> Sub-Committee was held at the offices of the<br /> Society, 1, Central Buildings, Tothill Street,<br /> Westminster, S.W.<br /> <br /> After reading the minutes of the pre-<br /> vious meeting, the secretary reported that<br /> the Committee of Management had confirmed<br /> the appointment of Mr. Cecil Forsyth as a<br /> delegate to meet the Society of British Com-<br /> posers with a view to conferring with that<br /> Society as to the best means of drawing into<br /> the Society of Authors, Composers not members<br /> of any existing Societies. He reported also<br /> that the Committee of Management had<br /> appointed Mr. Stanley Leathes to act with Mr.<br /> Forsyth, and that Mr. Leathes had expressed<br /> his willingness to serve. It was decided that<br /> the two delegates should meet at the Society’s<br /> office in order to discuss the preliminary steps<br /> to be taken.<br /> <br /> The sub-committee then considered a para-<br /> graph to be inserted in the papers calling the<br /> attention of composers to the work the Society<br /> was willing to undertake on their behalf, and<br /> inviting them to join its ranks. Mr. Forsyth<br /> agreed to draft the paragraph according to the<br /> sub-committee’s wishes. It was decided that<br /> the paragraph, when drafted, should be sent to<br /> <br /> all the members of the sub-committee, and,<br /> when finally approved, inserted in the papers.<br /> <br /> Letters from the Ammre and _ the<br /> Société des Auteurs et Compositeurs, referring<br /> to the collection of mechanical instrument fees,<br /> were read. The consideration of the letter<br /> from the Ammre was adjourned. It was<br /> decided to accept the invitation contained in<br /> the letter from the Société des Auteurs et<br /> Compositeurs to send a representative to<br /> discuss the matter with the secretary of that<br /> Society, in the event of enquiries which the<br /> Society of Authors had already instituted<br /> producing no satisfactory result.<br /> <br /> The attention of the sub-committee having<br /> been called to the fact that stamps affixed to<br /> records under the Mechanical Instrument<br /> Clauses of the Copyright Act very often fell<br /> off the records when in the hands of the retailers,<br /> it was decided to collect all possible evidence<br /> on the matter, and to bring it to the notice of<br /> the Board of Trade.<br /> <br /> The prospectus of the Copyright Protection<br /> Society was considered by the sub-committee,<br /> The secretary was instructed to draft an article<br /> dealing with the Prospectus and to submit it to<br /> the members at their next meeting, when the<br /> article, as well as the position of composers in<br /> relation to that Society, would be re-discussed.<br /> <br /> A letter from Mr. J. B. McEwen was received<br /> by the sub-committee, in which Mr. McEwen<br /> regretted he was forced to resign owing to his<br /> inability to attend the meetings. The resigna-<br /> tion was accepted with regret.<br /> <br /> pep<br /> <br /> Cases.<br /> <br /> THE even roll of cases goes on from month<br /> to month. In spite of the monotony of the<br /> proceeding, they are chronicled in order that<br /> members may see the steady work the Society<br /> continues to perform on their behalf. To some,<br /> this chronicle may appear of little importance,<br /> but this is not so; all members should have<br /> an opportunity of seeing that the work is<br /> carefully and accurately attended to.<br /> <br /> The cases during the past month in the<br /> secretary’s hands number twenty-one, and<br /> there has been a considerable increase. in the<br /> number of those in foreign countries. We<br /> chronicle five claims for the return of MSS. ;<br /> one of these lies in the United States, another<br /> in South Africa. It has not, of course, been<br /> possible to complete these two within the<br /> month. In two other cases, the MSS. have<br /> been returned and forwarded to the authors.<br /> In the final case, as the Society could not<br />  <br /> <br /> responsible f<br /> <br /> all of which have<br /> Following this<br /> <br /> for money ;<br /> <br /> into the han<br /> <br /> on agreements.<br /> considerable amoun<br /> negotiations are being<br /> <br /> referring to t<br /> by degrees, as t<br /> <br /> on fixed dates.<br /> <br /> Bagley, Miss L. .<br /> Bentley, Edmund Cleri-<br /> <br /> ‘<br /> <br /> Bridges, Robert .<br /> Burdett, Osbert .<br /> <br /> Calthrop, Dion Clayton<br /> Carter, Huntly .<br /> <br /> THE AUTHOR.<br /> <br /> in the courtesy of a reply, formal notice<br /> es to the lier that he would be held<br /> or any wrongful use of the MSS.<br /> There have been three claims for accounts,<br /> been successfully dealt with.<br /> there have been six claims<br /> f these have been transferred<br /> ds of the Society’s solicitors ; one<br /> has been settled and the money has been<br /> forwarded to the author ;<br /> so far that a definite date has been fixed for<br /> payment, and the last ha<br /> to the office. :<br /> There have been two claims for accounts and<br /> money, one of these lies in the United States,<br /> the other has been satisfactorily ended.<br /> estions arising<br /> copyright are bei<br /> <br /> one has been settled<br /> <br /> s only recently come<br /> <br /> from infringements of<br /> <br /> ng dealt with. One in<br /> Austria is in course of negotiation. It is hoped<br /> that the remaining one in England will be<br /> settled shortly.<br /> <br /> There were three cases arising from disputes<br /> These involve necessarily a<br /> t of correspondence, and<br /> carried on in two cases,<br /> while the third has only recently come to hand.<br /> <br /> The cases from former months are being<br /> closed up. One with a literary agent<br /> he return of MSS. is being settled<br /> he agent has to call in the MSS.<br /> that have been sent out to editors. There will<br /> be no difficulty.<br /> <br /> There is a claim for money from the United<br /> States, and this is being settled by payments<br /> Two instalments have already<br /> <br /> A third case dealing with a dispute over an<br /> agreement is still in the course of negotiation.<br /> The remaining cases have been settled, save<br /> those which had to be transferred to the<br /> Society’s lawyers.<br /> <br /> —— 4 —<br /> <br /> November Elections.<br /> Bagenol, Miss Violet E. Benekerry, Carlow,<br /> <br /> Ireland.<br /> <br /> Rock Bank, Whaley<br /> Bridge.<br /> <br /> 28, Lymington Road<br /> N.W<br /> <br /> Chilswell, Oxford.<br /> <br /> Shotwick, Vernon<br /> Road, Bushey,<br /> Herts.<br /> <br /> 7, Oakwood Court,<br /> Kensington, W..:<br /> Waverton Street,<br /> <br /> Mayfair.<br /> <br /> Clarke, Madame Emilie<br /> <br /> Down, W. Oliphant<br /> <br /> Elrington, Helen<br /> <br /> Foy, Slieve.<br /> <br /> Garland, A. P.<br /> <br /> Grogan, Gerald<br /> <br /> Hadath, Gunby, M.A.<br /> <br /> -Hemmerde,<br /> <br /> Hendley, Mrs.<br /> (I. E. Dawson)<br /> <br /> Hill, Walter (Adelphos)<br /> <br /> Howell, T. Francis<br /> <br /> Lancaster, G. B.<br /> <br /> Lang, Mrs. John<br /> <br /> Lauzerte Raymond<br /> <br /> Lawson, Lucy S. .<br /> <br /> Lounsbery, G. Constant<br /> <br /> Lulham, P. Habberton<br /> <br /> Mackenzie, Compton<br /> Nellen, Amy E. .<br /> Norton, Robert Doug-<br /> Peterson, Miss Margaret<br /> Roberts, Helen C.<br /> Robertson, H. R.<br /> Russell, E. 8.<br /> <br /> Sarmento, Vicomte de<br /> <br /> Steane, Bruce<br /> <br /> <br /> <br /> 24, Biddulph Man-<br /> sions, Maida Vale,<br /> W.<br /> <br /> Elmcroft, Gilling-<br /> ham, Dorset.<br /> <br /> 6, Eaton Square<br /> Monkstown, Co,<br /> Dublin.<br /> <br /> 70, Danecroft Road<br /> Herne Hill,<br /> <br /> S.E.<br /> Toorvagh, St. An-<br /> drews, N.B.<br /> <br /> 12, Hallam Street,<br /> W.<br /> <br /> 4, Loudoun Road,<br /> N.W.<br /> <br /> Trafalgar House,<br /> Leeds.<br /> <br /> 22, Stafford Terrace,<br /> Kensington, W.<br /> C/o. Bank of New<br /> Zealand, London.<br /> 2, Salisbury Road,<br /> <br /> Edinburgh.<br /> <br /> 14, St. James’s Place,<br /> S.W.<br /> <br /> 254, Albion Road,<br /> Stoke Newington,<br /> N.<br /> <br /> 18, Rue Boissonade,<br /> Paris.<br /> <br /> 11, Prince Albert<br /> Street, Brigh-<br /> ton.<br /> <br /> La Caterola, Capri,<br /> Italy.<br /> <br /> 9, Clifton Road,<br /> Brighton.<br /> <br /> Argyll House, Chel-<br /> sea.<br /> <br /> 3, Markham Square,<br /> Chelsea, S.W.<br /> <br /> Tudor Lodge, Wor-<br /> thing, Sussex.<br /> <br /> 1, Steele’s Studios,<br /> N.W.<br /> <br /> Bryan’s Ground,<br /> Presteign, Rads.<br /> <br /> Lisbon.<br /> <br /> ‘Prospect House,”<br /> <br /> Sundridge, Seven- _<br /> <br /> oaks Kent.<br /> <br /> <br /> <br /> <br />  <br /> <br /> THE AUTHOR.<br /> <br /> Taylor, G. R. Stirling . 1, Pump Court,<br /> Temple, E.C.<br /> <br /> Spondon, Derby.<br /> <br /> Volta House, Wind-<br /> mill Hill, Hamp-<br /> stead, N.W.<br /> <br /> Minsmere, Dunwich,<br /> Suffolk.<br /> <br /> Topham, Miss Anne .,<br /> Wanklyn, William Mce-<br /> Connel.<br /> <br /> Webb, W. Trego.<br /> <br /> ee<br /> BOOKS PUBLISHED BY MEMBERS.<br /> <br /> <br /> <br /> While every effort is made by the compilers to keep<br /> this list as accurate and exhaustive as possible, they have<br /> some difficulty in attaining this object owing to the fact<br /> that many of the books mentioned are not sent to the office<br /> by the members. In consequence, it is necessary to rely<br /> largely upon lists of books which appear in literary and<br /> other papers. It is hoped, however, that members will<br /> co-operate in the compiling of this list, and, by sending<br /> particulars of their works, help to make it substantially<br /> accurate. .<br /> ART.<br /> <br /> Tue Art or Borricenii1. An Essay in Pictorial Criticism.<br /> By Laurence Bixyon. 144 x 104. 167 pp. Twenty-<br /> three Plates. Macmillan. £12 12s. n.<br /> <br /> Tue Arts anp Crarts or INDIA AND CEYLON. By<br /> Ananpa K. Coomaraswamy. 8 x 53. 252 pp. Foulis,<br /> 6s. n.<br /> <br /> BIOGRAPHY.<br /> <br /> Lapy Hester LucySrannorn. By ¥.Hamer. 9} x 6}<br /> 348 pp. Cassell. 15s. n.<br /> <br /> A Book or Ducuzsszs. By<br /> Auice E. Rossrys. Melrose.<br /> 10s. 6d. n.<br /> <br /> Tae Lire or Firorence Nicutincatz. By E. T. Coox.<br /> Two Vols. 9 x 53. xxxi.+507+ 510 pp. Mac-<br /> millan. 30s. n.<br /> <br /> Twenty-Five YEARS’ REMINISCENCES.<br /> Tynan (Mrs. H. A. Hinkson). 9 x 53. 355 pp.<br /> Smith, Elder. 10s. 6d. n.<br /> <br /> My. ReEcotuections aND REFLECTIONS. Written and<br /> Illustrated by Yosuto Marxrno. 73 x 5. 262 pp.<br /> Chatto and Windus. 6s. n.<br /> <br /> Tax Beavtirut Lapy Craven. The Original Memoirs of<br /> Elizabeth Baroness Craven, afterwards Margravine of<br /> Anspach and Bayreuth and Princess Berkeley of the<br /> Holy Roman Empire (1750—1828). Edited by A. M.<br /> Broapiey and Lewis Metvitte. Two Vols. 8} x 5h.<br /> exliii. + 141 + 306 pp. Lane. 25s. n.<br /> <br /> ANDREW Jamuson, LoRD ARDWALL. By J. Bucwan.<br /> 7% Xx 5. 155 pp. Blackwood. 38. 6d. n.<br /> <br /> Tau Story or THE NorTHuMBRIAN SAINTS. By Exiza-<br /> Birth W. Grierson. 8 x 6. 131 pp. Mowbray.<br /> 28. 6d. n.<br /> <br /> Gotpwin Smita. His Life and Opinions. By A. Havt-<br /> TAIN. 9 X 52. 304 pp. Werner Laurie. 18s. n.<br /> <br /> Ganrie, Harvey’s Marornaia. Collected and Edited<br /> by G. C. Moorr Smrru. 94 x 6. xvi. + 327 pp.<br /> Shakespeare Head Press. 16s. n.<br /> <br /> Curistins or DENMARK. Duchess of Milan and Lorraine,<br /> 1522—1590. By Juria Cartwricut (Mrs. Ady).<br /> 9 x 5}. 562 pp. Murray. 18s, n.<br /> <br /> BOOKS FOR THE YOUNG;<br /> <br /> Warty: A Wurtz Pupry. By Mrs. Ernest AMES.<br /> 8 x 8. Duckworth. 1s. n.<br /> <br /> Studies in Personality.<br /> 9 x 54. 339 pp.<br /> <br /> By KatHARINE<br /> <br /> 73<br /> <br /> Boy Kryes anp Grrt QuEENs. By H. E. Marswaup<br /> 83 x 53. 467 pp. Grafton. 5s. n.<br /> <br /> THE Bree Story AND Ts TEACHING FOR CHILDREN. By<br /> Baroness Frepa Dr Kwnoop. 82 x 64. 392 pp.<br /> Dent. 6s. n.<br /> <br /> THE WIND IN THE WILLows. By Kenneruo GRAHAME,<br /> Illustrated by G. P. Bransom. 72 X 6. 302 pp.<br /> Methuen. 7s. 6d. n.<br /> <br /> THE CAMPBELLS oF ARGYLL. By<br /> 144 pp. Nelson. Is.<br /> <br /> THe Great Arrsutp. A Tale of Adventure. By CapPrain<br /> F.S. Brereton. 73 x 5}. 360 pp. Blackie. 5s.<br /> SERGEANT Sixx. The Prairie Scout. By R. Leteuton.<br /> <br /> 7% xX 5. 239 pp. Jarrold. 2s. 6d.<br /> <br /> Masterman’s Mistake. By Tuomas Coss.<br /> 240 pp. Wells Gardner. 2s,<br /> <br /> Brrp Cay. By H. Dr Vere Sracpoors.<br /> <br /> 316 pp. Wells Gardner. 5s. n.<br /> <br /> Kine or Ranxeicu. A School Story. By Carrarn F. 8.<br /> BRERETON. 8} x 53. 416 pp. Partridge. 6s.<br /> <br /> Rover: Tur Story or a Doc. 96 pp. A Lrrrie<br /> Norman Map. 96 pp. Our Great ADVENTURE.<br /> 96 pp. Brave Mareer. 96 pp. &lt;A Srrrcn rm Tre.<br /> 96 pp. CERDIC THE Saxon. 96 pp. (The Children’s<br /> Hour.) Edited by Herserr Srranc. Frowde and<br /> Hodder and Stoughton. 1s. n. each.<br /> <br /> Princess Bapours. A Tale from the Arabian Nights.<br /> Retold by Laurence Housman. [Illustrated by E.<br /> Dutac. 10} x 74. 113 pp. Hodder and Stoughton.<br /> 10s. 6d. n.<br /> <br /> Derrick Ormn’s Scoot Days. By Epriru C. Kenyon.<br /> 8 x 54. 382 pp. R.T.S. 35. 6d.<br /> <br /> HEROES oF THE EvRopEAN Nations. By A. RB. Hopz<br /> Moncreirr. 7} x 5}. 194 pp. Blackie. 2s. 6d.<br /> <br /> Wir Hunter, TRAPPER, AND ScouT IN CAMP AND FIELD.<br /> Edited by A.H.Mimms. 8 x 53. 382pp. Holdenand<br /> Hardingham. 5s.<br /> <br /> Tue Story or AncELIna Wacks. By Mrs. CuayTon<br /> Patmer. Illustrated by Sypm Baruam. 8} x 63.<br /> 71 pp. Wells Gardner. 2s. 6d. n.<br /> <br /> My Boox anout THE Post OFFICE.<br /> Illustrated by T. Somerriexp.<br /> Blackie. 1s. 6d.<br /> <br /> STORIES FROM THE BILE.<br /> Wutson. Illustrated by A.<br /> Blackie. 3s. 6d.<br /> <br /> Buacxre’s Porputar Nursery Ruymas. Illustrated by<br /> JoHN Hassatt. 10} x 8. Blackie. 2s. 6d.<br /> <br /> Buackre’s YELLow Picture-Book or Nursery RuyMEs.<br /> Illustrated by Joun Hassan, 101 x 8. Blackie.<br /> ls. 6d.<br /> <br /> Just so Srorrms. For Little Children. By Rupyarp<br /> Kretine. With Illustrations by the Author and<br /> Coloured Plates by J. M. Gurmson. 94 x 7. 249 pp.<br /> Macmillan. 6s.<br /> <br /> Heimer anp Cowz. Stories of Monastic and Military<br /> Orders. By W.M.Lurts and M.F.S.Lerrs. 11 x 83.<br /> 121 pp. Wells Gardner. 5s. n.<br /> <br /> Hitpa’s Exprrtences. By May Batpwin. 7} x 54.<br /> 386 pp. Chambers. 5s.<br /> <br /> CHRISTINE, THE Hucurnot. By Enpitn ©. Kanyon.<br /> 8 x 54. 31lpp. R.T.S. 3s. 6d.<br /> <br /> Tue Daveuter or THE Manor. By Katuarine TYNAN.<br /> 7% x 5. 400 pp. Blackie. 6s.<br /> <br /> Cousins in Camp. A Lakeland Tale.<br /> Witson - Wirson. 7} X 5.<br /> 2s. 6d.<br /> <br /> Tom Kenyon, Scnootpoy. By M. Harpine KELLY.<br /> 7%} x 5. 320 pp. R.T.S. Is. 6d.<br /> <br /> Moruzr Goosz. The Old Nursery Rhymes.<br /> by A. Racxnam. 8} x 6.<br /> 68. n.<br /> <br /> Hitpa T. Sxanr,<br /> <br /> 7k Xx 5h.<br /> <br /> 8i x 5B.<br /> <br /> By Eprru Rorarrs.<br /> 103 x 73. 80 pp.<br /> <br /> Told by THropora Witson-<br /> A.. Dixon. 9 x 63.<br /> <br /> By TuHropora<br /> 256 pp. Blackie.<br /> <br /> Illustrated<br /> 160 pp. Heinemann.<br />  <br /> <br /> 74<br /> <br /> BOOKS OF REFERENCE.<br /> <br /> Diorronary oF National BroGRAPHY. Second Supple-<br /> ment Index and Epitome. Edited by Sre Sipyey Les.<br /> 93 x 63. 129 pp. Smith, Elder. 3s. 6d. n.<br /> <br /> DRAMA.<br /> <br /> TurJMoruer. A Play in Four Acts.<br /> ports. 6% x 5. 101 pp. Duckworth.<br /> Jur Pourticrans. A Comedy in Four Acts.<br /> G. Layton (‘‘ Stephen Andrew”). 72 X 43.<br /> Sidgwick and Jackson. ls. 6d. n.<br /> <br /> Tue Saapow. A Play in Three Acts. By Eprn PHILL-<br /> potts. 6} x 5. 93 pp. Duckworth. 1s. 6d. n.<br /> <br /> Tar Sua Power or Enctanp. A Play for a Village<br /> <br /> With a Chorus<br /> <br /> By EpEn PHILL-<br /> ls. 6d.<br /> <br /> By Frank<br /> 102 pp.<br /> <br /> Audience. By AMABEL STRACHEY. 1<br /> by Mr. Sr. Loz Srracwgy. 7 X 44. 83 pp. Curtis.<br /> 2s. 6d. n.<br /> <br /> Tar Master. 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By J. B. C. Kersnaw, F.LC. With an<br /> Introduction by Dr. J. A. Fuemine, F.R.S. 8} x 5}.<br /> xxiii. + 239 pp. Constable. 8s, 6d. n.<br /> <br /> FICTION.<br /> <br /> A CHANGED Man, THe Waitine SuprER and other Tales,<br /> concluding with the Romantic Adventures of a Milkmaid.<br /> ne Tuomas Harpy. 8} x 5}. 413 pp. Macmillan.<br /> <br /> 3.<br /> <br /> Tue IreusistrsLe InrrRupER. By W. Carne. 7} x 5.<br /> 324 pp. Lane. 6s.<br /> Tue Leacus or St. Louis. By D. WHITELaw. 7} x 5.<br /> <br /> 306 pp. Hodder and Stoughton. 6s.<br /> <br /> THE AUTHOR.<br /> <br /> Tyre THOUSANDTH Woman. By E. W. Hornune. 7% x 5.<br /> 207 pp. Nash. 3s. 6d. n.<br /> <br /> Footor Apri. By Justin Huntty McCarruy. 7} x 5.<br /> 448 pp. Hurst and Blackett. 6s.<br /> <br /> Aw IsLAND oF Epey. By Brerrram Mitrorp. 7§ xX 5.<br /> 318 pp. Ward, Lock. 6s.<br /> <br /> Tue Mrmorrs or SHERLOCK HOoLMEs.<br /> Doyun. (Cheap Reprint.) 6} x 44.<br /> Td. n.<br /> <br /> Crimson Litres. 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By Frances Hopeson Burnett. 7j x 5.<br /> 527 pp. Hodderand Stoughton. 6s.<br /> <br /> A HovsEnotp Sart. By Jerrarp SyRETtT. 7} X 4.<br /> <br /> 320 pp. (Popular Edition.) J. Long. Ils. n.<br /> <br /> Tur Happy-go-Lucky Morgans. By Epwarp THomas.<br /> 74 x 5. 299 pp. Duckworth. 6s.<br /> <br /> A Tarrer or ScarLet. Adventurous Episodes of the<br /> Commune in the Midi, 1871. By §. R. Crocker.<br /> 7k x 5. 316 pp. Hodder and Stoughton. 6s.<br /> <br /> Fortune&#039;s Frown. A Romance of the Spanish Fury.<br /> By JouN BuounDELLE-Burton. 7} X 5. 320 pp.<br /> Everett. 6s.<br /> <br /> Tur Mystery oF THE GREEN Car. AvaustT WEISSL.<br /> Translated by A. Turxerra pe Martos. 7% X 5.<br /> 379 pp. Nelson. 2s. n.<br /> <br /> Tm LOVERS OF MapEMOISELLE. A Romance of the Reign<br /> of Terror. By Crive Hoxtanp. 7} X 5. 344 pp.<br /> Hurst and Blackett. 6s.<br /> <br /> Tur Doc Star. By Coratre Sranton and HxatE<br /> Hosken. 73 x 5. 359 pp. Cassell. 6s.<br /> <br /> UnpER THE GREENWOOD TREE. A Rural Painting of the<br /> Dutch School. By THomas Harpy. Illustrated by<br /> Kerra Henperson. 8} x 6}. 271 pp. Chatto and<br /> Windus. 6s. n.<br /> <br /> Wen Wittiam Came. A Story of London under the<br /> Hohenzollerns. By H. H. Munro (“Sake”). 7} x 5.<br /> 322 pp. Lane. 6s.<br /> <br /> Tue Race or Castiepar. By Emity Lawrsss, Litt.D.,<br /> and SHaw F. Butuocx. 7} x 5. 346 pp. Murray.<br /> 6s.<br /> <br /> Tur WITNESS FOR THE DeFencr. By A. E. W. Mason.<br /> 7k x 5. 312 pp. Hodder and Stoughton. 6s.<br /> <br /> Rep Prarts. By CuHaRLoTre MANSFIELD. 7} X 43.<br /> 320 pp. Holden and Hardingham. 6s.<br /> <br /> Tar LorRD oF THE Harvest. By M. BerHamM-EDWARDS.<br /> With an Introduction by FREpERIC Harrison. 6 X 3}.<br /> xii, + 242 pp. (The World’s Classics.) Milford.<br /> 1s. n.<br /> <br /> Tur Great Gop Pan, and Tue Inmost Licut. By<br /> Artaur Macnen. 7} xX 5. 178 pp. (New Edition.)<br /> Grant Richards. ls. n.<br /> <br /> Tum Smuceters. By S. R. Crockert. 256 pp. Enro<br /> Bricutnyes. By H. Rimmer Haacarp. 324 Pp.<br /> (Sevenpenny Library.) 6} x 44. Hodder and Stoug!<br /> ton. i<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> THE Princess Vireinta. By C. N. and A. M. WILLraMson.<br /> 6} x 43. 219pp. (Cheap Reprint.) Methuen. 7d.n.<br /> <br /> Tue Unconscious Quxst. By E. Rerr-MarHeEson.<br /> Sidgwick and Jackson. 6s.<br /> <br /> Tur Hat Swop. By Mrs. C. 8. Pert. John Lane. 6s.<br /> <br /> Prince JoHN oF Streriitz. By Mason F. A. Symons.<br /> 320 pp. Lynwood &amp; Co. 6s.<br /> <br /> FOLKLORE.<br /> By G. A. Birminenam.<br /> 5s. n.<br /> <br /> GEOGRAPHY.<br /> <br /> History oF Groarapuy. By J. Scotr Kuri, LL.D.,<br /> and O. J. R. HowartH. 74 x 5. 154pp. (The History<br /> of Science Series.) Watts. 1s. n.<br /> <br /> IRISHMEN ALL.<br /> 225 pp. Foulis.<br /> <br /> 84 x 5}.<br /> <br /> HISTORY.<br /> <br /> Rome oF THE PitgRims AND Martyrs. A Study in<br /> the Martyrologies, Itineraries, Sylloge and other con-<br /> temporary Christian documents. By ETHEL Ross<br /> Barker, with 4 Maps. Demy 8vo. 12s. 6d. n.<br /> Methuen.<br /> <br /> Soutna America. By W. H. Koxrzset. With thirty-two<br /> full-page illustrations from photographs, &amp;c., and maps<br /> and plans in the text. (The Making of the Nations<br /> Series.) 84 x 53. 298 pp. Black. 7s. Gd. n.<br /> <br /> LITERARY.<br /> <br /> SPECULATIVE DiaLocovurs. By LascELLES ABERCROMBIE.<br /> 74 x 5. 203 pp. Martin Secker. 5s. n.<br /> <br /> Paris NIGHTS, AND OTHER IMPRESSIONS OF PLACES AND<br /> Prorte. By Arnotp Bennett. 94 x 6}. 384 pp.<br /> Hodder and Stoughton. 12s. n.<br /> <br /> In My Stupy. By AntHony Duant.<br /> Nisbet. 5s. n.<br /> <br /> Lucy BerreswortH. By Gzrorce Bourne.<br /> 280 pp. Duckworth. 6s.<br /> <br /> A Spark Divryz. A Book for Animal-lovers. By R. C.<br /> LeaMann. 61 pp. Romance. By Ernest Ruys.<br /> 6l pp. (Fellowship Books.) Batsford. 2s. 6d. n. each.<br /> <br /> A Wayrarinc Sout. By W. Raymonp. 7} x 5.<br /> 190 pp. Dent. 2s. 6d. n.<br /> <br /> Curio, A Muss, and other Essays, Literary and Pedestrian.<br /> By G. M. Trevetyan. 9 x 6. 200 pp. Longmans.<br /> 4s. 6d. n.<br /> <br /> Tue INFLUENCE oF THE Press. By R. A. Scort-JamEs.<br /> 8 x 54. 320pp. Partridge. 3s. 6d. n.<br /> <br /> A Booxman’s Lerrers. By W. Rogprrtson NIcoLL.<br /> 9 x 53. 438 pp. Hodder and Stoughton. 4s. 6d. n.<br /> Tnisn Lirerary AND MusicaLStupies. By A. P. GRAVES.<br /> <br /> 7% x 54. 240 pp. Elkin Mathews. 6s. n.<br /> <br /> Witu 4 Stick anp a Piper. By L. Harurnarorp Norra.<br /> 74 x 5. 233 pp. Everett. 3. 6d. n.<br /> <br /> Faturr anp Son. A Study of Two Temperaments. By<br /> Epmounp Gossz, C.B. (Booklover’s Edition, with new<br /> Illustrations.) 846. 311 pp. Heinemann. 7s. 6d. n.<br /> <br /> Brownine’s Heroes. By Erne, Conpurn Mayne.<br /> With Frontispiece and Decorations by MaxwELL ARM-<br /> <br /> _ FIELD. 8} x 54. 325pp. Chattoand Windus. 6s.n.<br /> <br /> Frencn Prormus. By Epmunp Gossz, C.B. 74x 5.<br /> 383 pp. Heinemann. 6s. n.<br /> <br /> THovuGHTS rRoM JERomE K, JEROME.<br /> From E. F. Benson. 64 pp. THovucuts rrom H. G.<br /> WeEtts. 64 pp. Selected by Exstm E. Morton. In<br /> envelopes. 44 x3. Harrap. 6d. n. each.<br /> <br /> Tue Hivarre Bettoc Catenpar. 139 pp. THE Marie<br /> CoRELLI CALENDAR. 103 pp. (Quotations from the<br /> works of each author for every day inthe year.) 62x 44.<br /> F. Palmer. 1s. n. each.<br /> <br /> 8 x 54. 246 pp.<br /> <br /> 7% x 5.<br /> <br /> 64 pp. THOUGHTS<br /> <br /> T5<br /> <br /> MEDICAL.<br /> <br /> HEALTH, STRENGTH, AND Hapriness. A Book of Practica<br /> Advice. By C. W. Satzrsy, M.D. (Second Edition.)<br /> 7% X 5}. xiv. +448 pp. Grant Richards. 2s. n.<br /> <br /> MILITARY.<br /> <br /> THe AUSTRIAN OFFICER aT WorK AND AT PLay. By<br /> DororHza GERARD (Mme. Longard de Longgarde).<br /> 74 X 53. 343 pp. Smith, Elder. 7s. 6d. n.<br /> <br /> Wak AND WoMAN FROM EXPERIENCE IN THE BALKANS AND<br /> ELSEWHERE. By Mrs. Sr. Cuarr Stopart, Founder of<br /> the Woman’s Convoy Corps. With a Preface by<br /> Viscount EsHer. 72 x 5. 239 pp. Bell. 3s. 6d. n.<br /> <br /> SigNaLLine. Morse Code, Semaphore, &amp;c. Written by<br /> an Officer of the Regular Army and edited by E. JoHN<br /> Sotano. (Imperial Army Series for Citizen Soldiers and<br /> Cadet Corps.) 54 x 4}. 173 pp. Murray. Ils. n.<br /> <br /> MISCELLANEOUS.<br /> <br /> THE Progress Boox. An Illustrated Register of Develop-<br /> ment from Birth till Coming of Age and after. By J. J.<br /> Prttey, Ph.D. (Revised and Enlarged Edition.)<br /> 8 x 63. 98 pp. The Leadenhall Press. Is. 6d.<br /> <br /> MUSIC.<br /> <br /> Tue Enerish Carot Boox. Collected and Edited by<br /> Martin SHaw. Words Edited by Percy DEARMER.<br /> 94 x 6. 75 pp. Mowbray. 1s. 6d. n.<br /> <br /> NATURAL HISTORY.<br /> <br /> WILD Lirr oN THE WinG. By M. D. Havintanp.<br /> 8i x 6. Black. 5s. n.<br /> <br /> Tue Courtsure or ANIMALS. By W. P. PyEcraFt.<br /> 8 x 54. 318 pp. Hutchinson. 6s. n.<br /> <br /> British Divine Ducks. By J. G. Mittars, F.Z.S.<br /> Vol. Il. 16x 12. 164 pp. Longmans.<br /> <br /> NAVAL.<br /> <br /> THE SaILoRs WHOM NELSON LED.<br /> by Themselves.<br /> 353 pp. Methuen.<br /> <br /> 244 pp.<br /> <br /> Their Doings Described<br /> By Epwarp Fraser. 7} X 5.<br /> 5s. n.<br /> <br /> PHILOSOPHY.<br /> <br /> Tue Beravtirut. An Introduction to Psychological<br /> Aisthetics. By Vernon Len. 63 x 43. 158 pp.<br /> (Cambridge Manuals of Science and Literature.) Cam-<br /> bridge University Press. Is. n.<br /> <br /> PHILOSOPHY OF THE PRacTicaAL: Economic and Ethic.<br /> Translated from the Italian ‘of Benedetto Groce by<br /> Dovetas AINSLIE. 9 x 53. xxxviil. +591 pp. Mac-<br /> <br /> millan. 12s. n.<br /> POETRY.<br /> <br /> APHRODITE, AND OTHER Porms. By JoHN HELSTON.<br /> 9 x 6. 206 pp. Heinemann. 5s. n.<br /> <br /> Hors anp Orner Verses. By JHAN ROBERTS.<br /> Mowbray. 1s. 6d. n.<br /> <br /> Aveuries. By Laurence Binyon.<br /> Heinemann. 3s. 6d. n.<br /> <br /> KNAvE of Hearts, 1894—1908.<br /> 84 x 53. 163 pp. Heinemann.<br /> <br /> POLITICAL.<br /> <br /> Tue Lanp Propuem. AnImpartialSurvey. By “H OME<br /> Countizs ”’ (J. W. Robertson Scott). 6} x 44. 264 pp.<br /> (Lhe Nation’s Library.) Collins Clear Type Press.<br /> <br /> 1s. n.<br /> REPRINTS.<br /> <br /> Se.ect Earty Enorisn Porms. Edited by Prorrssor I.<br /> Gotuancz. No. 1, Partencr. An Alliterative Version<br /> of Jonah by the Poet of Pearl. 8} x 7. Milford.<br /> 2s. 6d. n.<br /> <br /> 74 x 54.<br /> 74 x 43. 97 pp.<br /> <br /> By Artuur Symons.<br /> 5s. n.<br />  <br /> <br /> 76<br /> <br /> M. BALLANTYNE. With a<br /> <br /> Tun Corat Istanp. By R.<br /> 7 : Illustrated by 8. E. Scort.<br /> <br /> Preface by J. M. Barrie.<br /> 10 x 7h. x. +339. Nisbet. 10s. 6d. n.<br /> Tun UNCOMMERCIAL TRAVELLER. With an Introduction<br /> by W. Pert Ripe@z. viii. + 286 pp. AMERICAN Notes.<br /> With an Introduction by W. B. MAXWELL. X11. + 319 pp.<br /> 8x5}. MIlustrated by Charles Pears’s Character Studies.<br /> The Waverley Book Company. 2s. 6d. n. each volume.<br /> <br /> SOCIOLOGY.<br /> Tur Vocation of WOMAN. By Mrs. ARCHIBALD CoLQu-<br /> noun. 74x 5. 341 pp. Macmillan. 4s. 6d. n.<br /> Moprrn Woman anp How To Manacy Her. By W. M.<br /> GaLLIcHAN. 7} xX 4}. 126 pp. Werner Laurie. 1s. n.<br /> SPORT.<br /> <br /> Winter Sports IN SWITZERLAND. By E. F. BENSON.<br /> <br /> 10x 74. 206pp. Allen. 15s. n.<br /> Tue Bravrort Huntinc Diary. By H. Sruart<br /> With an Introduction by the DuKE OF<br /> <br /> Menzinrs. y<br /> Beaurorr. 8} x 13. 80 pp. Mills and Boon.<br /> 7s. 6d. n.<br /> <br /> THEOLOGICAL.<br /> <br /> Miscennanga Evanaetica. By E. A. Assort. 9 x 5}.<br /> <br /> 96 pp. Cambridge University Press. 2s. n.<br /> <br /> TOPOGRAPHY.<br /> Tan “ FLowsr or Guoster.” By E. Temple THURSTON.<br /> Illustrated by W. R. Daxtn. 8} x 6. 244 pp.<br /> Williams and Norgate. 3s. 6d. n.<br /> <br /> TRAVEL.<br /> <br /> TRAVELS IN THE PYRENEES, INCLUDING ANDORRA AND THE<br /> Coast FROM BARCELONA TO CARCASSONE. By V. C.<br /> Scorr O’Connor. Four Coloured Plates and 150<br /> Illustrations, witha Map. John Long. 10s. 6d. n.<br /> <br /> Camerxe 1x Crete. With Notes upon the Animal and<br /> Plant Life of the Island. By AuByN TREvoR-Batrye.<br /> 9x 5%. xxi. +308 pp. Witherby. 10s. 6d. n.<br /> <br /> Fammar Spanish Travets. By W. D. Howstts.<br /> 8i x 5}. 327 pp. Harper. $2.00 n.<br /> <br /> Tur Nzar East. Dalmatia, Greece, and<br /> By R. Hicuxuns. Illustrated by Jules Guérin.<br /> 268 pp. Hodder and Stoughton. 25s. n.<br /> <br /> Prepmont. By Esrenia Canztani and ELEANOR RHODE.<br /> With fifty reproductions of Pictures and many Drawings<br /> by Esretna Canzrani. 114 x 9. 204 pp. Chatto and<br /> Windus. 21s. n.<br /> <br /> A Winter in Invi. Light Impressions of its Cities,<br /> <br /> Constantinople.<br /> 10% x 7.<br /> <br /> Peoples and Customs. By A. B. SPENS. 72 x 5.<br /> 302 pp. Stanley Paul. 6s. n.<br /> eo<br /> LITERARY, DRAMATIC, AND MUSICAL<br /> NOTES.<br /> — + —<br /> <br /> N November 14 a new edition was pub-<br /> <br /> lished of Mr. Rudyard Kipling’s “‘ Just<br /> <br /> So Stories,” with twelve plates in<br /> <br /> colours by Mr. Joseph M. Gleeson, in addition<br /> <br /> to the author’s original black-and-white illus-<br /> <br /> trations. The publishers were Messrs.<br /> Macmillan &amp; Co.<br /> <br /> Mr. Edward Arnold is publishing a new and<br /> revised edition of Mr. Laurence Binyon’s<br /> “ Painting in the Far East,” in the preparation<br /> of which the author has been able to utilise a<br /> <br /> THE AUTHOR.<br /> <br /> <br /> <br /> <br /> <br /> variety of new sources of information, while<br /> a fuller and more representative selection of<br /> illustrations is now possible. Mr. Binyon has<br /> also brought out, through Messrs. Macmillan,<br /> a work entitled “‘ The Art of Botticelli: an<br /> Essay in Interpretation ’’—a quarto volume<br /> with twenty-three collotype reproductions in<br /> colour and, as frontispiece, an original etching<br /> by Mr. Muirhead Bone. Of “ The Art of<br /> Botticelli” only 275 copies are being issued,<br /> and the price is £12 12s. net.<br /> <br /> Mr. Douglas Ainslie’s “‘ Philosophy of the<br /> Practical: Economic and Ethic,” the forth-<br /> coming publication of which was announced<br /> in the October Author, appeared on November 4<br /> (Macmillan). It is the second part of his<br /> translation from the Italian philosopher,<br /> Benedetto Croce.<br /> <br /> M. Maurice Bourgeois’s ‘‘ John Millington<br /> Synge and the Irish Theatre ” was issued on<br /> October 29 by Messrs. Constable in Great<br /> Britain, and by the Macmillan Co. in_the<br /> United States. It has sixteen full-page illus-<br /> trations by John B. Yeats, R.H.A., Jack B.<br /> Yeats, James Paterson, R.S.A., John Currie,<br /> and others, and the price is 7s. 6d. net.<br /> <br /> “The Western Rebellion of 1549” is the<br /> title of an account of the insurrections in<br /> Devonshire and Cornwall in the reign of<br /> Edward VI., by Frances Rose-Troup,<br /> E.R. Hist. S. (Smith Elder, 14s. net).<br /> <br /> Mrs. A. M. W. Stirling’s ‘‘ Macdonald of the<br /> Isles ” was published on November 25 (John<br /> Murray, 12s. net).<br /> <br /> Mr. W. H. Koebel is the author of the history<br /> of South America in Messrs. Black’s “ Making<br /> of the Nations ”’ series.<br /> <br /> Lady Dunbar is bringing out a book called<br /> “The Chow-Chow,” dealing with that breed<br /> of dog from the point of view of one who has<br /> had long and intimate acquaintance with its<br /> habits (Pitman).<br /> <br /> Mr. and Mrs. Aylmer Maude edit a new<br /> edition of Tolstoy’s ‘“ Plays,’’ which contains<br /> for the first time all the six plays written<br /> by Tolstoy, including the posthumous ones<br /> (Constable, 5s. net).<br /> <br /> Mrs. Willoughby Hodgson’s ‘‘ Old English<br /> China,” with sixteen coloured plates and<br /> sixty-four half-tone illustrations from photo-<br /> graphs, is published by Messrs. G. Bell &amp; Sons<br /> at 25s. net.<br /> <br /> Her Majesty the Queen has been graciously<br /> pleased to accept a copy of Mrs. Charlotte<br /> Cameron’s travel-book ‘* A Woman’s Winter<br /> in Africa’ (Stanley Paul). .<br /> <br /> In connection with the new cinematograph<br /> film ‘“‘ Sixty Years a Queen,’’ which portrays<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> THE AUTHOR. 77<br /> <br /> the reign of Queen Victoria, Messrs. Stanley<br /> Paul &amp; Co. published on November 10 a<br /> volume consisting of an account of the Queen’s<br /> reign specially written by Miss May Wynne,<br /> illustrated with fifty-five photographs taken<br /> from the film. The price is 1s. net.<br /> <br /> The first number of Mackirdy’s Weekly is to<br /> be published on the third Saturday of the New<br /> Year, January 24. The moving spirit of this<br /> new weekly is Mrs. Mackirdy, née Olive<br /> Christian Malvery, author of ‘The Soul<br /> Market.”<br /> <br /> Mrs. Irene Osgood publishes, through the<br /> firm of John Richmond, ‘‘ Where Pharaoh<br /> Dreams,” with illustrations by W. Gordon<br /> Mein. The same firm has issued ‘“‘ The Irene<br /> Osgood Thought Book ” and ‘“ An Anthology<br /> of Verse of Butterflies, Birds, and other W inged<br /> Things,” compiled by Irene Osgood and<br /> Horace Wyndham.<br /> <br /> Mrs. Edghill’s “‘ Is it Well with the Child ? ”<br /> —a book for mothers and for speakers to<br /> mothers—is published, with an introduction<br /> by the Bishop of Edinburgh, by Messrs. Wells,<br /> Gardner, Darton &amp; Co.<br /> <br /> His Majesty the King has been graciously<br /> pleased to accept a copy of Mr. C. E.<br /> Gouldsbury’s new book, “ Tiger Land,” now<br /> in its second edition (Chapman &amp; Hall).<br /> <br /> Mr. Rafael Sabatini’s “Life of Cesare<br /> Borgia ”’ is one of the first volumes of Messrs.<br /> Stanley Paul’s new Essex Library, a series<br /> which is to include ‘‘ recently published works<br /> that have attracted special attention as dealing<br /> authoritatively with subjects of serious in-<br /> terest,” and is to be issued, with illustrations,<br /> at a price convenient to all purses.<br /> <br /> Major P. T. Godsal brings out his ‘‘ Woden’s,<br /> Grim’s, and Offa’s Dykes,” through Messrs.<br /> Harrison &amp; Sons. A map illustrating the<br /> conquest of the Dee valley accompanies the<br /> pamphlet.<br /> <br /> Mr. John B. C. Kershaw, F.I.C., is the author<br /> of a book on “ Electro-Thermal Methods of<br /> fron and Steel Production,” to which Professor<br /> Fleming, F.R.S., contributes an introduction<br /> (Constable, 8s. 6d. net).<br /> <br /> Messrs. Sidgwick and Jackson published last<br /> month a new novel called ‘* The Unconscious<br /> Quest,” by E. Reid Matheson. The scene of<br /> the story is laid in Egypt.<br /> <br /> The Burlington Magazine for October and<br /> November contains an article by Ethel Ross<br /> Barker, entitled ‘‘ The Symbolism of Certain<br /> Catacomb Frescoes.”’<br /> <br /> Miss Gladys Davidson has out a volume of<br /> original stories about birds, fully illustrated<br /> (David Nutt, 2s. 6d.).<br /> <br /> Mrs. C. Irwin Smart has a serial running in<br /> The Lady, entitled ‘The Long Lane.” She<br /> was the author of the “ Novel in a Nutshell ”<br /> in the Sketch of August 13.<br /> <br /> Mrs. Edith Wharton’s new novel is “The<br /> Custom of the Country,” of which Messrs.<br /> Macmillan are the publishers.<br /> <br /> The same firm has issued Mr. James<br /> Stephens’s new volume of fiction, “ Here are<br /> Ladies.”<br /> <br /> Wet Magic,” by E. Nesbit, author of “ The<br /> Treasure Seekers,” is published by Mr. Werner<br /> Laurie.<br /> <br /> H.M. the Queen has been graciously pleased<br /> to accept a copy of “ Weeds,”’ by Miss Olave<br /> Potter and Mr. Douglas Sladen.—A new 7s. 6d.<br /> edition is appearing of Mr. Sladen’s “‘ Oriental<br /> Cairo” (Hurst &amp; Blackett).<br /> <br /> Messrs. Alston Rivers publish Miss Leslie<br /> Moore’s “The Peacock Feather”; and<br /> Mrs. Steuart Erskine’s “The Ring of<br /> Necessity.”<br /> <br /> Messrs. Duckworth &amp; Co. have published<br /> “The Happy-Go-Lucky Morgans,” a story in<br /> the essay manner, by Mr. Edward Thomas ;<br /> and Mr. George Bourne’s volume of village<br /> studies, ‘‘ Lucy Bettesworth.”’<br /> <br /> Mabel King’s ‘‘ The People of Ebenezer,”<br /> thirteen stories reprinted from The United<br /> Methodist, is published by Messrs. Drummond<br /> of Stirling, price 1s. The same author will<br /> have two serials appearing shortly, “‘ A Modern<br /> Midas,” in The British Messenger, and “‘ The<br /> Work God Gave Her,” in Wings, the organ of<br /> the Woman’s Total Abstinence Society.<br /> <br /> Mr. Albert Dorrington’s novel, ‘‘ The Radium<br /> Terrors,” has just finished its serial publication<br /> in the well-known Spanish journal La Ilustra-<br /> cion Artistica. The illustrations were by A. C.<br /> Michael. Two books by the same author,<br /> “The Half-God” and ‘‘A South Sea Buc-<br /> caneer,” will appear in a German edition<br /> early in 1914,<br /> <br /> “The Tale of a Shipwreck, a Brownie, and<br /> a Baby; and other Stories ” is Miss Amy Hale<br /> Rankin’s book for children (Cornish Bros.,<br /> Birmingham, 1s. net, illustrated).<br /> <br /> Miss Caecilia Moore’s novel, ‘‘ The Shadow<br /> of the Dragon,” is published by Messrs.<br /> Chapman &amp; Hall.<br /> <br /> Miss Theodora Wilson-Wilson is publishing<br /> with Messrs. Blackie two books for children,<br /> one entitled ‘‘ Cousins in Camp ”’ (2s. 6d.), and<br /> the other a series of ‘‘ Stories from the Bible,”<br /> illustrated in colour by Arthur A. Dixon (8s. 6d.).<br /> She has also sold a children’s story to Messrs.<br /> Nelson &amp; Son for publication next year. In<br /> the spring The Christian Age will serialise<br />  <br /> <br /> <br /> <br /> 78<br /> <br /> one of her novels entitled “A Navvy from<br /> <br /> King’s.”<br /> <br /> Mrs. T. P. O’Connor’s story, “ Little Thank<br /> You,” has a novel feature in the end-papers,<br /> which take the form of music and reproduce<br /> Little Thank You’s lullaby, “ Captain Kidd,”<br /> written and composed by Mr. Frederick<br /> Norton, composer of “ Pinkie and the Fairies.”<br /> <br /> Charlotte Mansfield’s story, ‘The Girl<br /> and the Gods,” is to be reissued by Messrs.<br /> Greening &amp; Co. in their new Shilling Net<br /> series.<br /> <br /> The Westminster Review for November<br /> contained a poem by Mr. Alfred Smythe<br /> entitled “The Sentinel.’”” There was also a<br /> poem by Mr. Smythe, called ‘* A Yarn of the<br /> River,” in the Poetry Review.<br /> <br /> Mr. Erskine MacDonald is publishing at<br /> once in a shilling Christmas booklet, an<br /> “ Anthology of Little Poems,” compiled by<br /> E. Crosby-Heath, and including a_ critical<br /> essay.<br /> <br /> The same publisher has brought out “* Dreams<br /> of Arcady,” by Octavia Gregory, author of<br /> “The Garden Enclosed.”<br /> <br /> Mr. Erskine MacDonald further announces<br /> that he is publishing a poetic drama, “ The<br /> Master,” by Mr. W. G. Hole, with an intro-<br /> duction by Stephen Phillips, at 2s. 6d. net ;<br /> and Miss Maude Goldring’s new novel, ‘* The<br /> Wonder Year,”’ which deals with the effect of<br /> modern thought on country life.<br /> <br /> “ June ” is the title of the first poem, which<br /> gives its name to the book of verse by<br /> Miss Cicely Marshall, published by Arthur<br /> Stockwell.<br /> <br /> Jean Roberts, author of ‘‘ Musings on the<br /> Magnificat,’ etc, has out a new volume,<br /> entitled ‘‘ Hope: and Other Verses” (A. R.<br /> Mowbray, ls. 6d. net).<br /> <br /> ““Songs Satanic and Celestial,” by Mr.<br /> Lewis Spence, is published by Mr. Elkin<br /> Mathews at 1s. net (cloth, 1s. 6d. net).<br /> <br /> Mr. K. C. Spiers brings out in one volume<br /> his play, ‘‘ The Soul of a Doll,” and a number<br /> of poems, of which “ The Madness of Lancelot ”’<br /> and two of the lyrics appeared originally in the<br /> Fortnightly Review. Messrs. Chapman &amp; Hall<br /> publish the book at 2s. 6d. net.<br /> <br /> Miss Nora C. Usher issues, under the title<br /> of ‘‘ Swallow-Flights,”’ a collection of thirty-<br /> seven of her poems, some of which have<br /> appeared in The Queen, Chambers’s Journal,<br /> ete. The price is 1s., or 1s. 1}d., post<br /> free.<br /> <br /> _ “ Lone Age Epics,” by Mr. James Saunders,<br /> is published by Whitehead Bros., Wolver-<br /> hampton, at 2s. net.<br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> <br /> <br /> <br /> DRAMATIC.<br /> <br /> Mr. Bernard Shaw’s ‘‘ Great Catherine ’’ was<br /> produced at the Vaudeville Theatre for the<br /> first time on November 18.<br /> <br /> On November 21 Mr. Thomas Hardy’s ‘‘ The<br /> Three Wayfarers,” originally seen at Terry’s<br /> Theatre in 1898, was revived as a curtain-raiser<br /> before Mr. G. K. Chesterton’s ‘‘ Magic” at the<br /> Little Theatre.<br /> <br /> Sir J. M. Barrie’s “Quality Street” was<br /> revived at the Duke of York’s Theatre on<br /> November 25.<br /> <br /> It is announced that a new three-act play<br /> by Mr. Israel Zangwill, entitled «Plaster<br /> Saints,” will be produced at a West end<br /> theatre early in the New Year.<br /> <br /> Mr. Bernard Shaw’s ‘‘ Doctors’ Dilemma,”<br /> and Mr. John Galsworthy’s ‘Silver Box,” are<br /> among the plays which Mr. and Mrs. Granville<br /> Barker are to revive before the end of their<br /> repertory season just commencing at the<br /> St. James’s Theatre.<br /> <br /> M. Maurice Bourgeois’s French version of<br /> Synge’s ‘‘ Playboy of the Western World ”’ is<br /> being performed at the Théatre Antoine by<br /> M. Lugné-Poe’s Théatre Subventionné. The<br /> title of the play in French is “‘ Le Baladin du<br /> Monde Occidental.”<br /> <br /> Among the five one-act pieces produced by<br /> the Leverton Players at the Court Theatre, on<br /> the afternoon of November 21, was “‘ England<br /> Expects,” by Mr. F. Leonard A Gibbs, to<br /> which the Navy League has extended its<br /> patronage.<br /> <br /> ———__+——_+—___—_<br /> <br /> PARIS NOTES.<br /> <br /> +<br /> <br /> o HRETIENNE ” is the title of the new<br /> novel by Madame Adam (Juliette<br /> Lamber), whose salon has been the<br /> <br /> favourite rendezvous of the Parisian literary<br /> <br /> and political élite for very many years.<br /> <br /> Madame Adam’s own evolution has been<br /> <br /> shown by her recently published memoirs.<br /> <br /> Years ago she wrote her novel * Paienne,”’<br /> <br /> and this present volume is a fitting epilogue to<br /> <br /> the former novel.<br /> <br /> The key to ‘“‘ Le Roman Merveilleux ” by<br /> the late Pierre de Coulevain is given by the<br /> author in her preface. ‘“ The Wonderful<br /> Romance,” she says, “‘ is not one of those that<br /> the human brain produces. It is the romance<br /> which the Divine Powers are elaboratirig in the<br /> depths of the Infinite. It is the romance<br /> which we are all living, from morning to night<br /> <br /> <br />  <br /> <br /> THE AUTHOR.<br /> <br /> and from night to morning; the one in which<br /> we are the heroes and the martyrs. It is the<br /> romance of this earth of ours. . Thanks<br /> <br /> to my age, I now find myself on the boundary<br /> line of two worlds. My impressions on leav-<br /> ing the one world, and my intuitions with<br /> regard to the world beyond, may, thanks to<br /> their absolute sincerity, have some value. . . .”<br /> This author’s works have had phenomenal<br /> success in France, and have been translated<br /> into nine languages. “Sur la Branche”’<br /> <br /> i is now in its 179th edition. The present<br /> <br /> -y volume has been awaited with impatience<br /> <br /> |. for the last three years and was completed<br /> | just two months before the author’s death.<br /> <br /> : The book now published in volume form by<br /> ) Camille Piton, entitled ‘‘ Le Costume Civil en<br /> | France,” will be invaluable to artists. It<br /> » contains over 700 illustrations from authentic<br /> <br /> sources.<br /> ‘“‘ Napoléonette ” is quite a new departure<br /> ot for Gyp. It is a kind of historical novel, in<br /> <br /> *. which the author allows herself plenty of<br /> ~{- latitude as regards local colour, probability, etc.<br /> -| Napoléonette is a girl who has been brought<br /> up by her military father as a boy. She has<br /> accompanied her father everywhere and is<br /> quite at home on the battle-fields. Napoleon<br /> is her god-father and she is a devoted admirer<br /> of ‘‘ The Emperor.” Her father is killed and<br /> she is compelled to accept the hospitality of<br /> her aunt and uncle, who hold high office at the<br /> Tuileries Palace under Louis XVIII. The<br /> description of Napoléonette’s various escapades<br /> and of her friendship with the king is highly<br /> entertaining, but the dialogue is distinctly in<br /> twentieth century style.<br /> <br /> ‘Pour l’Empereur”’ (Pages d’histoire na-<br /> tionale) is the title of Frédéric Masson’s latest<br /> volume. The volume treats of events from<br /> 1796 to 1821.<br /> <br /> The second volume of “Souvenirs” by<br /> Ch. de Freycinet has just been published. It<br /> takes in the years 1878 to 1893, and treats,<br /> among other subjects, of the Resignation of<br /> Marshal MacMahon, of the death of Gambetta,<br /> Boulangism, the Egyptian question, etc.<br /> <br /> The first volume of these Souvenirs takes in<br /> the years from 1848 to 1898.<br /> <br /> “Henri Rochefort (1831-19138) ” by Camille<br /> Ducray gives some idea of the agitated life<br /> of the celebrated journalist and _ politician<br /> about whom so much has been written.<br /> Ernest La Jeunesse has written the preface.<br /> <br /> At the Variétés, Alfred Capus is having his<br /> customary success with his new play<br /> “L’ Institut de Beauté.” It is distinctly<br /> amusing, and, as usual with this author, the<br /> <br /> &gt;<br /> <br /> FD ets a ey gh br<br /> <br /> spate Nah la fa<br /> <br /> E<br /> <br /> <br /> <br /> <br /> &gt;<br /> <br /> <br /> <br /> 79<br /> <br /> piece is the result of shrewd observation and<br /> great knowledge of life.<br /> <br /> Mr. Philip Carr’s idea to start a_ Little<br /> English Theatre in Paris, bringing over English<br /> plays and English artistes once a month, is<br /> welcomed by the French as well as by the<br /> English and American colonies. Two meetings<br /> have been held and a large number of sub-<br /> scribers has been the result.<br /> <br /> <br /> <br /> “ Chrétienne.” (Plon.)<br /> <br /> “ Le Costume Civil en France.’’ (Flammarion.)<br /> <br /> “ Napoléonette.” (Calmann-Lévy.)}<br /> <br /> “ Pour ’Empereur.”’ (Ollendorff.)<br /> <br /> “Souvenirs.” (Delagrave. )<br /> <br /> “ Henri Rochefort (1831-1913).” (L’Edition Moderne.)<br /> <br /> —___—__+—&lt;&gt;—_—______<br /> <br /> CORELLI v. GRAY.<br /> <br /> —~&lt;—<br /> <br /> EFORE the Master of the Rolls, Lord<br /> Justice Swinfen Eady and _ Lord<br /> Justice Phillimore; this was an appeal<br /> <br /> by the defendant from an order by Mr.<br /> Justice Sargant, granting an injunction: re-<br /> straining him from performing a play called<br /> “The People’s King,” which the plaintiff<br /> claimed was an infringement of the copyright<br /> in her novel “‘ Temporal Power.”<br /> <br /> In his judgment given in the lower court<br /> Mr. Justice Sargant took the view that the<br /> similarities in the play and the book were not<br /> due to coincidence, but must be taken to have<br /> resulted from appropriation or copying by the<br /> defendant from the plaintiff.<br /> <br /> The Master of the Rolls in the course of his<br /> judgment expressed his concurrence with the<br /> judgment of Mr. Justice Sargant, stating that<br /> he thought they must approach the case on<br /> the footing that the defendant Gray had the<br /> plaintiff&#039;s book either under his eyes or in his<br /> memory when he wrote the sketch.<br /> <br /> Dealing with a possible suggestion that the<br /> matter alleged to have been taken from the<br /> plaintiff&#039;s book was not matter which could be<br /> held to be the subject of copyright, his Lordship<br /> stated that when, as in the present case, it<br /> appeared that not merely one or two stock<br /> incidents, but that a number of such incidents<br /> had been taken, it would be an unreasonable<br /> view of the law to say that the plaintiff was<br /> not entitled to succeed.<br /> <br /> The new copyright law gave protection not<br /> merely to the form of words in a novel but to<br /> the situations contained in it. In this case,<br /> however, his Lordship did not accept the view<br /> that the situations were stock situations :<br /> some of them were distinctly original.<br /> <br /> <br /> 80<br /> <br /> The Lord Justices delivered judgments to<br /> the same effect, and the appeal was dismissed<br /> with costs.<br /> <br /> ————“7——o—___—_<br /> <br /> UNITED STATES LAW.<br /> <br /> —-—~o—+<br /> <br /> N interesting matter touching the<br /> A validity of copyright in the United<br /> States is being at present heard in<br /> the courts of that country. We are informed<br /> that there is little probability of the case being<br /> decided before the expiration of seven or eight<br /> months, but as the facts must of necessity be<br /> of great interest to English as well as to<br /> American authors, it may be as well to put<br /> forward some details.<br /> <br /> Mr. Jack London entered into a contract<br /> with the Balboa Amusement Co., of Los<br /> Angeles, California, by which that company<br /> acquired the right to produce in moving<br /> pictures all of Mr. London’s past work and all<br /> his work up to and including 1915. In that<br /> contract there was a clause providing that the<br /> contract should be forfeited if the company<br /> took no steps to fulfil their part before a fixed<br /> date. This they failed to do, and Mr. London<br /> declared the contract forfeited. In spite of<br /> forfeiture, the company proceeded to produce<br /> in moving-picture form his novel entitled<br /> ““The Sea Wolf,” and Mr. London thereupon<br /> brought suit in Los Angeles against the<br /> company in the Federal Court of that district,<br /> for breach of contract and infringement of his<br /> copyright. His next step was to apply for a<br /> preliminary injunction. Upon the hearing of<br /> this application, the defence has been set up<br /> on the suggestion of the lawyers—copyright<br /> specialists—that Mr. London’s copyright is<br /> invalid, that his work, having appeared in<br /> magazine form, is thereby dedicated to the<br /> public so far as subsequent rights are concerned.<br /> This defence appears to be based upon the<br /> case of Dam v. Kirk La Shelle Company, which<br /> indirectly, apparently laid down the doctrine<br /> that, if an author sells his serial rights in his<br /> story to a magazine, reserving to himself all<br /> other rights, and the magazine copyrights the<br /> issues, that is, the magazine rights, then all<br /> other rights must be unprotected and aban-<br /> doned to the public. It is also claimed that the<br /> copyright notices in some of Mr. London’s<br /> books are insufficient, and misleading, and that,<br /> therefore, the books are not properly copy-<br /> righted. Mr. London’s preliminary application<br /> for an injunction was denied, after the court<br /> had heard the objections advanced against<br /> <br /> THE AUTHOR.<br /> <br /> his copyright on the ground that Mr. London<br /> has insufficiently established his ownership.<br /> The court, however, granted permission to<br /> Mr. London to renew his application after he<br /> had obtained more definite information about<br /> his copyrights. Ifthe theory is upheld that<br /> the publication in a magazine in America<br /> <br /> only covers the editor’s rights, the position — :<br /> <br /> is very serious, both to American and<br /> English authors, as it would leave those<br /> authors that publish in serial form absolutely<br /> unprotected, and book publishers would have<br /> no rights in their books whatsoever. It does<br /> not appear probable, after a careful reading of<br /> the Act, that this theory can be maintained.<br /> The second point of the defence, namely, the<br /> inadequacy of the copyright notices calls for<br /> special comment. It has always been the<br /> case when any technicalities are required under<br /> <br /> <br /> <br /> i”<br /> U<br /> <br /> <br /> <br /> a copyright law, that the first point at which — | ser<br /> <br /> the defendants strike is the technical defi- —<br /> We are glad to think that in the ©<br /> present English Act, technicalities have been ~<br /> abandoned, but the position is still very serious —<br /> in the United States, and we trust that Mr. —<br /> Jack London will not lose his copyrights owing _<br /> <br /> ciencies.<br /> <br /> to these deficiencies.<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> The former question is by far the most : i ah<br /> <br /> important. Technical difficulties can be over-<br /> <br /> come with care, but legal difficulties can only<br /> be overcome by an amendment to the Act. -<br /> We wait with anxiety to hear the final result<br /> If it should go against Mr. —<br /> <br /> of the action.<br /> London, the American Copyright Act migh<br /> almost, as far as the writers in magazines ar<br /> concerned, be torn up.<br /> <br /> 9<br /> <br /> MAGAZINE CONTENTS.<br /> <br /> te<br /> <br /> British REVIEW.<br /> <br /> Dramatists of To-day. I. H. Granville<br /> II. John Galsworthy. By Edward Storer.<br /> Leeds Musical Festival. By Sir Home Gordon, Bart.<br /> <br /> CoNTEMPORARY.<br /> <br /> Christina Rossetti. By George Lowther.<br /> Poetry in Drama. By William Poél. &#039;<br /> <br /> 6 a Child and Education in Shakespeare. By Hubert<br /> rd.<br /> <br /> Barker.<br /> <br /> EneuisH REVIEW.<br /> <br /> Art in America. By Aleister Crowley.<br /> Editorial Amenities. By The Editor.<br /> <br /> FoRTNIGHTLY.<br /> <br /> A Literary Cham and His Court. By T. H.-S. Escott.<br /> Trish Dramatists and Their Countrymen. By H. M.<br /> Walbrook.<br /> <br /> An Apostle of Melodrama. By George Paston.<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> Sees<br />  <br /> <br /> 3%<br /> on<br /> b<br /> <br /> Ba<br /> <br /> <br /> <br /> THE AUTHOR. 81<br /> <br /> HOW TO USE THE SOCIETY.<br /> <br /> —<br /> <br /> 1, VERY member has a right toask for and to receive<br /> advice upon his agreements, his choice of a pub-<br /> lisher, or any dispute arising in the conduct of his<br /> <br /> business or the administration of his property. The<br /> Secretary of the Society is a solicitor; but if there is any<br /> special reason the Secretary will refer the case to the<br /> Solicitors of the Society. Further, the Committee, if they<br /> deem it desirable, will obtain counsel&#039;s opinion without<br /> any cost to the member. Moreover, where counsel’s<br /> opinion is favourable, and the sanction of the Committee<br /> is obtained, action will be taken on behalf of the aggrieved<br /> member, and all costs borne by the Society.<br /> <br /> 2. Remember that questions connected with copyright<br /> and publishers’ agreements do not fall within the experi-<br /> ence of ordinary solicitors, Therefore, do not scruple to use<br /> the Society.<br /> <br /> 8. Before signing any agreement whatever, send<br /> the document to the Society for examination.<br /> <br /> 4, Remember always that in belonging to the Society<br /> you are fighting the battles of other writers, even if you<br /> are reaping no direct benefit to yourself, and that you are<br /> advancing the best interests of your calling in promoting<br /> the independence of the writer, the dramatist, the composer.<br /> <br /> 5. The Committee have arranged for the reception of<br /> members’ agreements and their preservation in a fire-<br /> proof safe. The agreements will, of course, be regarded as<br /> confidential documents to be read only by the Secretary,<br /> who will keep the key of the safe. The Society now offers:<br /> (1) To stamp agreements in readiness for a possible action<br /> upon them. (2) To keep agreements. (3) To enforce<br /> payments due according to agreements. Fuller particu-<br /> lars of the Society’s work can be obtained in the<br /> Prospectus.<br /> <br /> 6. No contract should be entered into with a literary<br /> agent without the advice of the Secretary of the Society.<br /> Members are strongly advised not to accept without careful<br /> consideration the contracts with publishers submitted to<br /> them by literary agents, and are recommended to submit<br /> them for interpretation and explanation to the Secretary<br /> of the Society.<br /> <br /> This<br /> The<br /> <br /> 7. Many agents neglect to stamp agreements.<br /> must be done within fourteen days of first execution.<br /> Secretary will undertake it on behalf of members.<br /> <br /> 8. Some agents endeavour to prevent authors from<br /> referring matters to the Secretary of the Society ; so<br /> do some publishers. Members can make their own<br /> deductions and act accordingly.<br /> <br /> 9. The subscription to the Society is £4 1s. per<br /> annum, or £10 10s. for life membership.<br /> <br /> 2<br /> <br /> WARNINGS TO THE PRODUCERS<br /> OF BOOKS.<br /> <br /> et<br /> <br /> ERE are a few standing rules to be observed in an<br /> agreement, There are four methods of dealing<br /> with literary property :—<br /> <br /> I. Selling it Outright.<br /> This is sometimes satisfactory, if a proper price can be<br /> <br /> obtained, But the transaction should be managed by a<br /> <br /> competent agent, or with the advice of the Secretary of<br /> the Society.<br /> <br /> Il. A Profit-Sharing Agreement (a bad form of<br /> agreement),<br /> <br /> In this case the following rules should be attended to:<br /> <br /> (1.) Not to sign any agreement in which the cost of pro-<br /> duction forms a part without the strictest investigation.<br /> <br /> (2.) Not to give the publisher the power of putting the<br /> profits into his own pocket by charging for advertisements<br /> in his own organs, or by charging exchange advertise-<br /> ments. Therefore keep control of the advertisements,<br /> <br /> (3.) Not to allow a special charge for “office expenses,”<br /> unless the same allowance is made to the author.<br /> <br /> (to Not to give up American, Colonial, or Continental<br /> rights.<br /> <br /> (5.) Not to give up serial or translation rights.<br /> <br /> (6.) Not to bind yourself for future work to any publisher.<br /> ae well bind yourself for the future to any one solicitor or<br /> <br /> octor |<br /> <br /> III. The Royalty System.<br /> <br /> This is perhaps, with certain limitations, the best form<br /> of agreement. It is above all things necessary to know<br /> what the proposed royalty means to both sides. It is now<br /> possible for an author to ascertain approximately the<br /> truth. From time to time very important figures connected<br /> with royalties are published in Zhe Author,<br /> <br /> IY. A Commission Agreement.<br /> <br /> The main points are :—<br /> <br /> (1.) Be careful to obtain a fair cost of production,<br /> (2.) Keep control of the advertisements.<br /> <br /> (3.) Keep control of the sale price of the book,<br /> <br /> General.<br /> <br /> All other forms of agreement are combinations of the four<br /> above mentioned.<br /> <br /> Such combinations are generally disastrous to the author,<br /> <br /> Never sign any agreement without competent advice from<br /> the Secretary of the Society.<br /> <br /> Stamp all agreements with the Inland Revenue stamp.<br /> <br /> Avoid agreements by letter if possible.<br /> <br /> The main points which the Society has always demanded<br /> from the outset are :—<br /> <br /> (1.) That both sides shall know what an agreement<br /> means.<br /> <br /> (2.) The inspection of those account books which belong<br /> to the author. We are advised that this is a right, in the<br /> nature of a common law right, which cannot be denied or<br /> withheld,<br /> <br /> (3.) Always avoid a transfer of copyright.<br /> <br /> —__—_t_&gt;e_—_<br /> <br /> WARNINGS TO DRAMATIC AUTHORS.<br /> <br /> 8<br /> <br /> EVER sign an agreement without submitting it to the<br /> N Secretary of the Society of Authors or some com-<br /> petent legal authority.<br /> <br /> 2. It is well to be extremely careful in negotiating for<br /> the production of a play with any one except an established<br /> manager.<br /> <br /> 3. There are three forms of dramatic contract for plays<br /> in three or more acts :—<br /> <br /> (a.) Sale outright of the performing right. This<br /> is unsatisfactory. An author who enters into<br /> such a contract should stipulate in the contract<br /> for production of the piece by a certain date<br /> and for proper publication of his name on the<br /> play-bills,<br />  <br /> <br /> 82<br /> <br /> (&gt;.) Sale of performing right or of a licence to<br /> perform on the basis of percentages on<br /> gross receipts. Percentages vary between 5<br /> and 15 per cent. An author should obtain a<br /> percentage on the sliding scale of gross receipts<br /> in preference to the American system. Should<br /> obtain a sum in advance of percentages. A fixed<br /> date on or before which the play should be<br /> performed. :<br /> <br /> (c.) Sale of performing right or of a licence to<br /> perform on the basis of royalties (‘.c., fixed<br /> nightly fees). This method should be always<br /> avoided except in cases where the fees are<br /> likely to be small or difficult to collect. The<br /> other safeguards set out under heading (6.) apply<br /> also in this case.<br /> <br /> 4. Plays in one act are often sold outright, but it is<br /> better to obtain a small nightly fee if possible, and a sum<br /> paid in advance of such fees in any event. It is extremely<br /> important that the amateur rights of one-act plays should<br /> be reserved.<br /> <br /> 5, Authors should remember that performing rights can<br /> be limited, and are usually limited, by town, country, and<br /> time. This is most important.<br /> <br /> 6. Authors should not assign performing rights, but<br /> should grant a licence to perform. The legal distinction<br /> is of great importance.<br /> <br /> 7. Authors should remember that performing rights in a<br /> play are distinct from literary copyright. A manager<br /> holding the performing right or licence to perform cannot<br /> print the book of the words.<br /> <br /> 8. Never forget that United States rights may be exceed-<br /> ingly valuable. ‘&#039;hey should never be included in English<br /> agreements without the author obtaining a substantial<br /> consideration.<br /> <br /> 9. Agreements for collaboration should be carefully<br /> drawn and executed before collaboration is commenced.<br /> <br /> 10. An author should-remember that production of a play<br /> is highly speculative: that he runs a very great risk of<br /> delay and a breakdown in the fulfilment of his contract.<br /> He should therefore guard himself all the more carefully in<br /> the beginning.<br /> <br /> 11. An author must remember that the dramatic market<br /> is exceedingly limited, and that for a novice the first object<br /> is to obtain adequate publication.<br /> <br /> As these warnings must necessarily be incomplete, on<br /> account of the wide range of the subject of dramatic con-<br /> tracts, those authors desirous of further information<br /> are referred to the Secretary of the Society.<br /> <br /> —_——$_-——e—__<br /> <br /> REGISTRATION OF SCENARIOS AND<br /> ORIGINAL PLAYS.<br /> <br /> eo<br /> <br /> ne typewritten in duplicate on foolscap paper<br /> forwarded to the offices of the Society, together with<br /> a registration fee of two shillings and sixpence, will<br /> <br /> be carefully compared by the Secretary or a qualified assis-<br /> tant. One copy will be stamped and returned to theauthor<br /> and the other filed in the register of the Society. Copies<br /> of the scenario thus filed may be obtained at any time by<br /> the author only at a small charge to cover cost of typing.<br /> <br /> Original Plays may also be filed subj<br /> ( ject to the same<br /> rules, with the exception that a pl ill<br /> at the price of 22. 6d. per act. Ve cee eee ie<br /> <br /> THE AUTHOR.<br /> <br /> DRAMATIC AUTHORS AND AGENTS.<br /> <br /> ee<br /> RAMATIC authors should seek the advice of the<br /> Society before putting plays into the hands of<br /> agents. As the law stands at present, an agent<br /> who has once had a play in his hands may acquire a<br /> perpetual claim to a percentage on the author’s fees<br /> from it. As far as the placing of plays is concerned,<br /> it may be taken as a general rule that there are only<br /> very few agents who can do anything for an author<br /> that he cannot, under the guidance of the Society, de<br /> equally well or better for himself. The collection of fees<br /> is also a matter in which in many cases no intermediary is<br /> required. For certain purposes, such as the collection of<br /> fees on amateur performances, and in general the trans-<br /> action of frequent petty authorisations with different<br /> individuals, and also for the collection of fees in foreign<br /> countries, almost all dramatic authors employ agents; and<br /> in these ways the services of agents are real and valuable.<br /> But the Society warns authors against agents who profess<br /> to have influence with managers in the placing of plays, or<br /> who propose to act as principals by offering to purchase<br /> the author&#039;s rights. In any case, in the present state of<br /> the law, an agent should not be employed under any<br /> circumstances without an agreement approved of by the<br /> Society.<br /> —————_+—~&gt;——_—__<br /> <br /> WARNINGS TO MUSICAL COMPOSERS.<br /> er Ss<br /> ITTLE can be added to the warnings given for the<br /> assistance of producers of books and dramatic<br /> authors. It must, however, be pointed out that, as<br /> a rule, the musical publisher demands from the musical<br /> composer a transfer of fuller rights and less liberal finan-<br /> cial terms than those obtained for literary and dramatic<br /> property. The musical composer has very often the twe<br /> tights to deal with—performing right and copyright. He<br /> should be especially careful therefore when entering into<br /> an agreement, and should take into particular consideration<br /> the warnings stated above.<br /> <br /> ae<br /> <br /> STAMPING MUSIC.<br /> <br /> <br /> <br /> The Society undertakes to stamp copies of music on<br /> behalf of its members for the fee of 6d. per 100 or part<br /> of 100. The members’ stamps are kept in the Society’s<br /> safe. The musical publishers communicate direct with the<br /> Secretary, and the voucher is then forwarded to the<br /> members, who are thus saved much unnecessary trouble,<br /> <br /> —<br /> THE READING BRANCH.<br /> <br /> a<br /> EMBERS will greatly assist the Society in this<br /> branch of its work by informing young writers<br /> of its existence. Their MSS. can be read and<br /> treated as a composition is treated by a coach, The term<br /> MSS. includes not only works of fiction, but poetry<br /> and dramatic works, and when it is possible, under<br /> special arrangement, technical and scientific works. The<br /> Readers are writers of competence and experience. The<br /> fee is one guinea,<br /> ——-—&gt;—<br /> <br /> REMITTANCES.<br /> <br /> —<br /> <br /> The Secretary of the Society begs to give notice<br /> that all remittances are acknowledged by return of post.<br /> All remittances should be crossed Taio of London and<br /> Smiths Bank, Chancery Lane, or be sent by registered<br /> letter only. .<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> Bt<br /> <br /> <br /> <br /> THE AUTHOR. 83<br /> <br /> COLLECTION BUREAU.<br /> <br /> + &lt;4<br /> <br /> HE Society undertakes to collect accounts and money<br /> due to authors, composers and dramatists.<br /> 1. Under contracts for the publication of their<br /> works.<br /> <br /> 2. Under contracts for the performance of their works<br /> and amateur fees.<br /> <br /> 3. Under the Compulsory Licence Clauses of the Copy-<br /> right Act, i.e., Clause 3, governing compulsory licences for<br /> books, and Clause 19, referring to mechanical instrument<br /> records.<br /> <br /> The Bureau is divided into three departments :—<br /> <br /> 1. Literary.<br /> 2. Dramatic.<br /> 3. Musical.<br /> <br /> The Society does not desire to make a profit from the<br /> collection of fees, but will charge a commission to cover<br /> expenses. If, owing to the amount passing through the<br /> office, the expenses are more than covered, the Committee<br /> of Management will discuss the possibility of reducing the<br /> commission.<br /> <br /> For full particulars of the terms of collection, application<br /> must be made to the Collection Bureau of the Society.<br /> <br /> AGENTS.<br /> <br /> Holland ; . A. REYDING.<br /> United Statesand Canada. WALTER C. JORDAN.<br /> Germany . Mrs PoeGson.<br /> <br /> The Bureau is in no sense a literary or dramatic<br /> agency for the placing of books or plays.<br /> <br /> GENERAL NOTES.<br /> <br /> <br /> <br /> PUBLISHERS’ AGENTS.<br /> <br /> Ir is the practice of certain agents to act<br /> both for publishers and authors. In many<br /> of these cases, there is no attempt at conceal-<br /> ment from the author. Indeed, the agents,<br /> not infrequently, boast that the author’s<br /> chances of a market are increased by the fact<br /> that the publisher is also a client of them.<br /> As agent of the publisher, the literary agent<br /> claims to have unique opportunities of placing<br /> the works of his authors. This is the excuse<br /> invariably made by the agent who is found in<br /> the service of two masters.<br /> <br /> Here is a possible example.<br /> <br /> The publisher comes to his agent and asks<br /> him, say, to find a writer to undertake<br /> work for a series which he, the publisher, is<br /> issuing. The agent has on his books an author<br /> who is quite capable of undertaking the work,<br /> but, in many cases, the author is given no<br /> opportunity, the agent preferring to use the<br /> offer in order to attract another writer—not on<br /> his books—to place his literary work in the<br /> agent’s hands. Having succeeded in drawing<br /> in the new writer, that writer, when the next<br /> <br /> opportunity “of placing the works of his<br /> authors ” occurs, is forgotten, while the agent<br /> goes in search of the fresh client.<br /> <br /> But the real objection to the agent acting<br /> for the publisher and the author is not merely<br /> that the author seldom gains anything by the<br /> process, but that it is impossible, however<br /> honest and straightforward the agent may be,<br /> for him to act fairly to both parties.<br /> <br /> If the agent does his duty to the author, his<br /> second principal, the publisher, must suffer.<br /> If the publisher’s interests are looked after,<br /> then the author suffers.<br /> <br /> In a recent case brought to the notice of the<br /> Society, a literary agent refused to take any<br /> payment from the author, stating that he, the<br /> agent, was paid by the publisher.<br /> <br /> If every literary agent acted in this way, we<br /> should not so much object to the position, so<br /> long as the agent made his position clear before<br /> attempting to advise the author; but we<br /> should still have to warn authors against the<br /> danger of treating with publishers’ agents—<br /> especially if the author were paying for the<br /> production of his book. In such a case it is<br /> almost inevitable that the publisher’s estimate<br /> would be increased by the amount which the<br /> agent would receive.<br /> <br /> UNITED STATES Dramatic RIGHTS.<br /> <br /> SomME time ago we printed in The Author<br /> instructions from the Library of Congress,<br /> Washington, as to the filing of copies for<br /> registration (1) when a dramatic work is for<br /> sale in the U.S.A.; (2) when it is not for sale.<br /> <br /> The registrar was kind enough when the<br /> notice was printed to forward a number of<br /> copies for the benefit of members of the<br /> Society, and whenever a requisition is made, a<br /> copy is handed out.<br /> <br /> Mr. Maquarie, a member of the Society, has<br /> drawn attention to the fact that it might be<br /> useful not only to have the forms of instructions<br /> from the registrar at this office, but also the<br /> actual forms under which various works are<br /> registered ; as he has received a number from<br /> Washington, he has kindly deposited them at<br /> the offices of the Society. The secretary has<br /> written to the registrar on the matter, and it<br /> is hoped that in future a good: supply will be<br /> ready to hand.<br /> <br /> _Piays AND THE Ricut TO TITLE.<br /> <br /> Wirth reference to this article which appeared!<br /> in last month’s Author, one of the members has,<br />  <br /> <br /> 84<br /> <br /> been kind enough to draw attention to the<br /> fact that in 1910, “The Stage Cyclopedia of<br /> Plays,” containing an alphabetical list of<br /> 50,000 play-titles, was published, and that in<br /> addition, every year “‘ The Stage Year Book ’<br /> publishes an alphabetical list of pieces pro-<br /> duced in all the principal foreign countries as<br /> well as in England and America. It would<br /> appear, therefore, that with a little research it<br /> would not be difficult for dramatists to avoid<br /> trespassing on the property of other dramatists<br /> as regards the question of title. We hope this<br /> information may be of use to members of the<br /> Society.<br /> ———_———1—&lt; &gt; —_—-<br /> <br /> THE DINNER.<br /> <br /> eo<br /> <br /> YHE annual dinner of the Society of<br /> Authors was held at the Criterion<br /> Restaurant on Thursday, November<br /> <br /> 27, Mr. H. Hesketh Prichard, the chairman,<br /> presiding over a gathering of about 250<br /> members and friends. The guest of the<br /> evening, Field-Marshal the Karl Roberts,<br /> V.C., K.G., ete., sat on the chairman’s right,<br /> and the others seated at the high table were<br /> Mrs. Humphry Ward, Mr. Anthony Hope<br /> Hawkins, Lady Elizabeth Hesketh Prichard,<br /> Miss Marie Corelli, Major Lewin, R.A., Mr.<br /> and Mrs. Reginald Smith, Mr. and Mrs. P. W.<br /> Everett, Sir George Forrest, K.C.1E., Sir<br /> Donald Mackenzie Wallace, K.C.V.O., Mr.<br /> W. W. Jacobs, Lady Florence Bourke, Mr.<br /> Ernest Davies, Mr. Thomas Marlowe, Sir James<br /> and Lady A. C. Wilson, General Wilson, C.B.,<br /> D.S.O., and Mrs. Wilson, Mr. A. Cherry<br /> Garrard, Mrs. Jopling Rowe, Mr. and Mrs.<br /> Temple Thurston, Major-General and Mrs.<br /> Saward, Mr. and Mrs. Charles Garvice, Mr.<br /> R. D. Blumenfeld, and the Rev. P. H.<br /> Ditchfield. At the seven lower tables Mr.<br /> E. W. Hornung, Mr. Francis Gribble, Dr. S.<br /> Squire Sprigge, Sir Arthur Conan Doyle, Sir<br /> Frederick Hewett, Mr. Phillips Oppenheim, and<br /> Mr. G. H. Thring presided.<br /> <br /> At the conclusion of the dinner the usual<br /> loyal toasts were given by the chairman, who<br /> then rose again to propose the health of ‘‘ The<br /> Society of Authors.” He drew attention to<br /> the fact that their numbers were increasing,<br /> and there were now 2,500 members and<br /> associates. Last year 345 had joined the<br /> Society, and this year, so far, 338, so that<br /> there were hopes of breaking the record. He<br /> would like to mention one or two points about<br /> their progress apart from numbers. Their<br /> <br /> THE AUTHOR.<br /> <br /> relations with publishers and editors were<br /> excellent. It was noteworthy that this year<br /> one publisher, having a dispute with an author,<br /> had offered to submit the case to the committee<br /> of the Society, which showed in what estima-<br /> tion he held the Society’s sense of fairness.<br /> Things had changed since the days of George<br /> Borrow. ‘‘ What, do you eat meat, sir?”<br /> asked the publisher then. ‘‘ Yes,” said the<br /> author. ‘‘ You should eat bread !’’ was the<br /> reply.<br /> <br /> There had been a round-table conference<br /> this year between the committee and_ the<br /> editors in connection with the question of the<br /> prompter payment for magazine articles, and<br /> most of the editors had agreed to a resolution<br /> that payment should be made on acceptance<br /> or within six months’ time.<br /> <br /> Then there was the matter of the library<br /> censorship. The committee had heard several<br /> schemes proposed, but none of them promised<br /> great success. He regretted that the sugges-<br /> tion of a round-table conference between<br /> delegates of the Publishers’ Association, the<br /> booksellers, the Library Association, and the<br /> Society, though brought up before the council,<br /> had been referred back for further considera-<br /> tion, and that therefore nothing had yet been<br /> done. A certain number of members wanted<br /> the question of the ban upon books to be taken<br /> up, but it was impossible for the Society to<br /> deal with individual cases. Its duty was to<br /> look at the question broadly, from the point<br /> of view of all its members. He, as chairman,<br /> had even been obliged to deny himself the<br /> pleasure of reading the censored books !<br /> <br /> He mentioned that letters of regret at<br /> inability to be present had been received from<br /> Mr. Rudyard Kipling, Sir Rider Haggard,<br /> Mr. Owen Seaman, Mr. Egerton Castle, Mr.<br /> Gathorne Hardy, and Mr. Sydney Holland ;<br /> and that Lord Roberts had, during the<br /> dinner, received a telegram from Yorkshiremen<br /> gathered at Skipton Town Hall that evening,<br /> wishing him all success in his great patriotic<br /> work. :<br /> <br /> In conclusion, the chairman congratulated<br /> the Society on the possession of one of the best<br /> —if not the best—of secretaries in the world.<br /> <br /> Sir Arthur Conan Doyle then proposed the<br /> health of “The Guests.” It was a pleasant<br /> duty, he said, when they had with them so<br /> numerous and distinguished a company, among<br /> them Mr. Cherry Garrard, who was with the<br /> lamented Captain Scott in the Antarctic, and<br /> Mr. Reginald Smith, the publisher, who came<br /> to show that the lion could lie down with the<br /> lamb. There was, however, one guest who,<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> THE AUTHOR.<br /> <br /> short of Royalty, must always take the first<br /> place in any gathering of their countrymen, the<br /> first, not only in rank and in distinction, but in<br /> the grateful love and veneration of Englishmen.<br /> The qualities of Earl Roberts were well known.<br /> He had given in youth the strength of his right<br /> arm to his country, in middle life the genius of<br /> his generalship, and in later years the matured<br /> wisdom of his whole life. Now that he had<br /> earned his rest, he had thrown it aside and<br /> embarked on a most difficult and arduous task<br /> for purely unselfish and patriotic motives—a<br /> campaign in which, whether they agreed with<br /> him or not, they must admit there had been a<br /> dignity and restraint and moderation of<br /> utterance which was an example for all time.<br /> Since, at the age of 19, he joined the Indian<br /> Army, his life might be looked on, if one could<br /> visualise it, as a sort of cinematograph proces-<br /> sion of British history. There was first the<br /> Indian Mutiny; then the Afghan War; and<br /> they all had seen his work in South Africa—<br /> work not only as a soldier, but as a statesman<br /> and diplomatist. Lord Roberts had had a<br /> great deal to do with the reconciliation of South<br /> Africa. The speaker himself well recalled how,<br /> when he was in Bloemfontein, they were not<br /> <br /> &#039;s . allowed to loot the villas of the Boers around<br /> <br /> them. Those houses would have made nice<br /> little cribs, and at the time they chafed at the<br /> prohibition, but as he looked back he saw how<br /> at every point of that great crisis Lord Roberts<br /> prevented just those things that would have<br /> left a rankling feeling which might have<br /> retarded the reconciliation of the two races.<br /> <br /> As an author, it might be said of Lord<br /> Roberts that his ‘‘ Forty-one Years in India ”’<br /> was an unique record. His style was that of<br /> aman of action. The book was an index of<br /> its writer’s thoughts, so infused throughout<br /> with gallantry, fine spirit, and patriotism<br /> that all who had sons must be glad that they<br /> could read such a book as that.<br /> <br /> Earl Roberts, rising to respond, said that he<br /> was highly honoured by being invited to<br /> become the guest of the Society, and it was a<br /> great pleasure to him to find himself weleomed<br /> by such a distinguished gathering of men and<br /> women. His own claim to be an author was<br /> very small, and he could not imagine himself<br /> being in the slightest degree representative of<br /> literature. He was nearly sixty years of age<br /> <br /> -when the idea entered his head that he might<br /> some day at his leisure write an account of his<br /> Indian experiences. The idea was suggested<br /> to him, while walking on the Maidan at Cal-<br /> eutta, by a friend to whom he had been talking<br /> of the Mutiny and the second Afghan War.<br /> <br /> 85<br /> <br /> He had never kept a regular diary, and he had<br /> no record of events except what he put down in<br /> letters to his father and mother in the Indian<br /> Mutiny, and later to his wife. He had not,<br /> therefore, at the time, responded to the invita-<br /> tion to write a book. But not long after that<br /> his service in India came to an end, and he had<br /> to bid farewell to a country in which he had<br /> spent forty-one most interesting and happy<br /> years. It was a sad parting, not only because<br /> of the innumerable friends he left behind, but<br /> because it looked as if his career as a soldier was<br /> coming to an end—a thought which was most<br /> distressing to any soldier. It was with a heavy<br /> heart that he left the land that he had learned<br /> to love so well. When he arrived in England<br /> he found himself unemployed for a considerable<br /> time, and as the days hung rather heavily on<br /> his hands he bethought himself of theidea which<br /> his friend in Calcutta had put before him.<br /> Looking over his letters he found that they<br /> were more numerous and more comprehensive<br /> than he had expected, and it seemed that the<br /> task of writing his life would, perhaps not be<br /> so formidable. His wife, who had been with<br /> him for thirty-three of his forty-one years in<br /> India, was blessed, like himself, with a good<br /> memory, and was able to help him. He there-<br /> fore set to work to produce the book to which<br /> he supposed he must attribute the honour they<br /> had paid him that evening. In spite of his<br /> small claim to that honour, he returned his<br /> sincere thanks, and was much touched by the<br /> way in which they had received him.<br /> <br /> He had not intended to say more; but the<br /> chairman had called upon him that evening as<br /> he was dressing for the dinner and had told<br /> him that he hoped he would not confine him-<br /> self in his speech to the returning of thanks.<br /> So, though he had previously not the slightest<br /> idea of talking—especially on a festive occa-<br /> sion like this—about a subject in which they<br /> knew him to be deeply interested, he would<br /> endeavour briefly to explain to them and<br /> place before them what he thought was the<br /> remedy for the danger in which this country<br /> stood. He hoped that those who were<br /> opposed to his views would not object to his<br /> expressing these now.<br /> <br /> It was difficult to begin and difficult to<br /> end. But they had as a starting-point the<br /> report of the deputation which waited on Mr.<br /> Asquith the day before. That clearly showed<br /> the opinion of those men who had spent four<br /> or five years working very hard to make the<br /> Territorial Force a success. It was greatly<br /> to their honour and credit though the majority<br /> of those men were not of the same political<br /> <br /> <br /> 86<br /> <br /> opinions as Lord Haldane and the Government.<br /> They had worked for it as if it had been their<br /> own child. He himself had even at_ times<br /> expostulated with them. He had said: “I<br /> can hardly conceive why you should take the<br /> trouble to support a Force with which you<br /> have nothing to do at the start. You have<br /> certainly carried out this duty in a manly<br /> manner, but are you quite right in supporting<br /> a Force which you yourselves know can never<br /> be of any use?” They had read what the<br /> deputation said before Mr. Asquith the day<br /> before—how they had pointed out that the<br /> Territorial Force which now existed was of no<br /> use. They asked that some more money<br /> might be given them. It was a very difficult<br /> thing indeed for men to forego their pleasure,<br /> to give up their time, and wear out their boots<br /> and clothes for the public good, although the<br /> numbers who came forward were comparatively<br /> few, and, as Mr. Asquith said, the burden was<br /> not equally borne. But the remedy which<br /> they proposed was not sufficient. More money<br /> would not do what was required. More money<br /> might possibly fill up the number of officers<br /> and men that Lord Haldane laid down, but<br /> it would not make them efficient. If they<br /> doubled or trebled the money that was given,<br /> and doubled or trebled the number of men who<br /> came forward, those men would not be of the<br /> slightest use in war unless they were trained<br /> as soldiers. He would tell all those among<br /> them who did not agree with what he was<br /> saying that, if they were patriots, if they loved<br /> their country and desired it to remain the<br /> great country that it was, and if they desired<br /> to maintain the integrity of that great country,<br /> they should not trust to men who were not<br /> trained to fight. Untrained men were no<br /> better than a body of schoolboys. Panic<br /> would spread among them on the shortest<br /> notice. They could not be trusted, no matter<br /> what their individual courage might be, to<br /> fight a trained enemy unless they too were<br /> trained. He could give them many instances<br /> of what could be done by a very few trained<br /> soldiers, men who believed in their own skill<br /> with their arms and who trusted their comrades<br /> alongside them, or even at great distances<br /> apart. Fighting in modern days was quite a<br /> different thing from what it was even in the<br /> days of the Crimean War, the Indian Mutiny,<br /> or the Peninsular War. The first battle he<br /> was in was under the walls of Delhi. At that<br /> time they were in close order, touching each<br /> other in fact. The non-commissioned officers<br /> and men were shoulder to shoulder, and the<br /> firing commenced, as at Waterloo, at forty or<br /> <br /> THE AUTHOR.<br /> <br /> fifty yards’ distance.~On the Heights of<br /> Abraham, Wolfe did not give the word until<br /> the French were within forty yards. Now<br /> they came within the fire-zone at 2,000 yards,<br /> and from that time until he came to close<br /> quarters every man was going along, not in<br /> close order, nor constantly advancing, but<br /> lying down to take cover, getting up again,<br /> and so on. The strain on each individual<br /> soldier, knowing every moment that he was<br /> being fired at, was enormous, and could only<br /> be borne by trained men. He would defy the<br /> whole of the Ministry and the Army council<br /> to assert that untrained could fight against<br /> trained men in modern times, and unless the<br /> country insisted on some system being devised<br /> by which the men, however few in numbers,<br /> could be properly trained, and by which, they<br /> could be made to have confidence in their<br /> comrades, and more particularly reliance on<br /> their officers, the Territorial Force might just<br /> as well be disbanded.<br /> <br /> One could always trust trained men, if only<br /> a few thousand in number, to hold their own<br /> against hundreds of thousands. He had him-<br /> self felt no anxiety lest defeat should occur in<br /> Afghanistan, because he knew that his men<br /> could be trusted. They never showed the<br /> least sign of alarm at the hordes around them.<br /> He remembered four or five days’ hard fighting<br /> among the hills once, when he could not see<br /> into the valley beyond the highest hill in front<br /> of them. He signalled to the officer in charge<br /> of the outpost on the height, asking for the<br /> number of the enemy in the valley, and the<br /> answer came back by signal—it was in the days<br /> long before the field telephone—* They are like<br /> Epsom on Derby Day!” He had with him<br /> only 6,000 or 7,000 men, but those few were<br /> perfectly willing to stand up against any num-<br /> ber, because they had been properly trained.<br /> This was the necessary point, which he wanted<br /> the country to realise. For defence we want<br /> trained men, who can be trusted to hold their<br /> own against any number.<br /> <br /> Mr. E. W. Hornung gave the toast of “‘ The<br /> Chairman.” He had accepted the task pro-<br /> posed to him by Mr. Thring, he said, with a<br /> certain indecent alacrity, because his old friend,<br /> Mr. Hesketh-Prichard, was a man who re-<br /> commended himself to them all in various and<br /> romantic ways. He recalled the first story he<br /> had read in Cornhill, years ago, over the signa-<br /> ture of E. and H. Heron, and how he had been<br /> told that it was from the pen of “‘ a young giant<br /> who writes in collaboration with his mother ”—<br /> a fact in itself sufficient to impress the heart.<br /> Then he had played on cricket fields terrorised<br /> <br /> <br /> <br /> <br /> <br /> <br /> os<br /> <br /> <br /> <br /> THE AUTHOR. 87<br /> <br /> by the prowess of a certain fast bowler—their<br /> chairman. Then again, there was a mighty<br /> hunter ; and it was in this capacity that Mr.<br /> Hesketh Prichard was most famous to-day. He<br /> wondered whether he would be able as chair-<br /> man of the Society, to add to his trophies of the<br /> hunt the scalp of one wicked publisher; but<br /> perhaps that would not be considered hand-<br /> some enough to figure among the antlers and<br /> heads.<br /> <br /> The chairman replied briefly, thanking<br /> Mr. Hornung for the kind way in which he had<br /> proposed his health. However long he lived,<br /> he said, no honour would ever befall him equal<br /> to that of sitting next to Lord Roberts that<br /> night.<br /> <br /> After the speeches had come to an end, the<br /> members and their guests moved to the adjoin-<br /> ing room for the conversazione, at which a num-<br /> ber of members of the Society were present who<br /> had not taken part in the dinner.<br /> <br /> ee<br /> <br /> THE NOBEL PRIZE.<br /> <br /> <br /> <br /> ABINDRANATH TAGORE, who has<br /> R lately been awarded the Nobel prize<br /> for literature, came to England in the<br /> summer of 1912, and, at Mr. William Rothen-<br /> stein’s suggestion, translated during the voyage<br /> some of his lyrics into English. During the<br /> summer he worked hard at these, and the<br /> result was the book which he called “‘Gitanjali”’<br /> (Song Offerings), of which a small edition was<br /> published by the India Society in November.<br /> This was received with a chorus of approval,<br /> and Messrs. Macmillan published a second<br /> edition last spring which has gone through<br /> several impressions. The ‘‘ Gardener,”’ a col-<br /> lection of love poems dating from an earlier<br /> period, appeared this autumn, as well as some<br /> lectures entitled ‘“‘ Sadhana,” which Mr. Tagore<br /> had delivered at the Caxton Hall. &lt;A book of<br /> child’s poems, ‘‘ The Crescent Moon,” with<br /> illustrations, has just appeared.<br /> <br /> Mr. Tagore comes of a literary and artistic<br /> family who have lived for generations in<br /> Calcutta. He has for many years been<br /> recognised as the foremost poet of Bengal,<br /> perhaps of India. His advice is eagerly<br /> sought and followed by many of his fellow-<br /> countrymen. He superintends, and himself<br /> largely supports, at Bolpur, in Bengal, a<br /> school which has made a name for itself<br /> as turning out boys of strong character.<br /> He has returned there now to his home at<br /> <br /> Shantiniketan (the abode of peace), a little<br /> tired after a most interesting year of foreign<br /> travel, and not altogether sorry to be at rest<br /> again.<br /> <br /> COPYRIGHT AND ‘‘THE LADY.”<br /> <br /> —+—&lt;—9<br /> <br /> ie the May issue of The Author in the<br /> <br /> current year an article was printed<br /> <br /> under the above title setting out a form<br /> of receipt issued from the office of The Lady.<br /> A special covering letter from the editor was<br /> sent with the receipt. The following is a<br /> reprint of the letter and the form of the<br /> receipt :—<br /> <br /> 39 and 40, BepForpD STREET,<br /> Srranp, W.C.<br /> March 13, 1913.<br /> <br /> Dear Mapam,—The manager has requested me to send<br /> you the enclosed for your signature. The idea, so I<br /> understand, is to save contributors the trouble of sending<br /> him a special form of acknowledgment on receipt of each<br /> cheque. Once the enclosed has been signed, the endorse-<br /> ment on the cheque will be the only receipt required by<br /> the manager.<br /> <br /> Yours truly,<br /> Tue Epiror.<br /> [ENCLOSURE]<br /> <br /> To the Proprietor of ‘‘ The Lady’’ Newspaper.<br /> <br /> In consideration of your publishing in your newspaper<br /> or purchasing any article or drawing written or made by<br /> me, I hereby assign and transfer to you the original and<br /> the copy therein and also agree to assign and transfer to<br /> you the original of and the copyright in all future articles<br /> and drawings written or made by me which may hereafter<br /> be purchased by you or published in your newspaper.<br /> <br /> Signature<br /> <br /> Date<br /> <br /> There is really no need to pass fresh<br /> comment. Those who know will only need to<br /> be reminded. Those who do not know can<br /> easily refer to the article.<br /> <br /> The proprietor of The Lady has now taken<br /> a fresh line, perhaps as a result of that<br /> article. It may be that many contributors<br /> <br /> reading the article altered the receipt and’<br /> <br /> cashed whatever cheque they may have<br /> received. But it is of the utmost importance<br /> to set before members and others the newer<br /> methods which the proprietary of The Lady<br /> has adopted. On the back of the cheques<br /> runs the following story :—<br /> <br /> Received from the Proprietors of The Lady newspaper<br /> the sum written on the face of this cheque in payment for<br /> my contributions or drawings and copyright thereof<br /> published in The Lady newspaper up to and including the<br /> <br /> issue dated ;<br /> Signature<br /> <br /> The signature is intended to be an indorsement of the<br /> cheque as well as a receipt for the amount.<br />  <br /> <br /> 88<br /> <br /> Under the Copyright Act, 1911, any assign-<br /> ment of copyright must be in writing. Whether<br /> the endorsement of the cheque amounts to<br /> such an assignment in writing the proprietors<br /> of The Lady must find out for themselves.<br /> But it is a fair deduction to make that they<br /> intend it to be so.<br /> <br /> On other occasions articles have appeared in<br /> The Author explaining this insidious method<br /> adopted by proprietors of magazines to obtain<br /> rights from authors.* Sometimes, where the<br /> contract has been completed before publication,<br /> these rights have never been conveyed.<br /> Sometimes they were never intended to be<br /> conveyed.<br /> <br /> What is the reason that editors and pro-<br /> prietors cannot deal in a more reasonable and<br /> businesslike spirit with their contributors ?<br /> <br /> Why cannot they say before they print the<br /> article (a stereotyped letter is all that is<br /> required): The editor accepts the article<br /> <br /> at the price of £ per thousand<br /> words, subject to the transfer of all the<br /> copyright ?<br /> <br /> Or why cannot they, if they desire to print<br /> the article, and have no time to communicate<br /> with the author, claim only that which it is in<br /> the mind of the author to give, and which is<br /> the only real value to themselves—the first<br /> serial use ?<br /> <br /> The answer is plain. No author when<br /> sending an article to a monthly or weekly paper<br /> intends to sell the copyright. Nor does the<br /> editor or proprietor desire to use the article<br /> except in one issue of the magazine. If in<br /> exceptional cases he should desire more, then<br /> he should state so before and not after pub-<br /> lication.<br /> <br /> It would seem, therefore, that he endeavours<br /> to obtain control of the copyright only in order<br /> that, sitting as a dog in the manger, he may<br /> obtain a return of part of the moneys from the<br /> author should the author desire to republish<br /> in other form.<br /> <br /> This position, from the author’s standpoint,<br /> is very serious, especially if he is a technical<br /> writer, or happens to have specialised in any<br /> subject.<br /> <br /> The position is unfair to the author and a<br /> great hardship, because, as a rule, the bankers<br /> have directions not to cash the cheque if the<br /> endorsement is altered.<br /> <br /> The author, in many cases, either being in<br /> need of the money or being unwilling to offend<br /> the editor signs the document.<br /> <br /> If all authors refused to sign these endorse-<br /> <br /> <br /> <br /> * June, 1913.<br /> <br /> THE AUTHOR.<br /> <br /> ments, however trivial the amount in dispute,<br /> the matter would be remedied almost immedi-<br /> ately, but in many cases, when the article is of<br /> ephemeral value, it is not worth the author’s<br /> while, and in other cases an author may not<br /> care to appear in a county court.<br /> <br /> The solution of the difficulty lies, however,<br /> to a great extent in the author’s hand. He<br /> must send a formal letter—keeping a copy—<br /> with his article stating exactly what he is<br /> willing to licence—generally first serial use in<br /> a ‘“‘mentioned” magazine. If, then, the article<br /> is published without further reference to the<br /> author it will be held to be published on the<br /> terms of his letter of which the editor has had<br /> notice. If, then, the cheque is sent with the<br /> endorsement referred to it would be as well<br /> to return the cheque at once and, if the editor<br /> disputes the position, to take immediate action<br /> by placing the case before the Committee of<br /> Management of the Society.<br /> <br /> ———————_1—-1+—_—_—_<br /> <br /> PENS, PAST AND PRESENT.<br /> <br /> oe<br /> (Reprinted by kind permission of the Family Herald.)<br /> <br /> HE earliest kind of pen known is that used by<br /> the ancients—a style of bone or metal, with<br /> which letters were sketched on a_ tablet<br /> <br /> covered with wax. When the use of coloured<br /> liquids was adopted, a reed took the place of the<br /> bodkin, giving place afterwards to the quill. Egypt<br /> was famous for the most beautiful reeds ; there were<br /> fine reeds to be obtained near Cnidus, in Caria, Asia<br /> Minor ; the marshes of Persia also furnished a good<br /> supply. They grew to the height of a man, and<br /> were filled with a pith which could be removed<br /> when dry, so as to allow of a point being cut. Had<br /> the old Greeks known of goose quills they might<br /> perhaps have dedicated the goose instead of the owl<br /> to Minerva. ‘There is indeed a portrait of Aristotle<br /> in a manuscript in the Vienna Library, showing<br /> him with a book and quill before him, but the<br /> manuscript was not written until 1457, and the<br /> writer drew largely on his imagination.<br /> <br /> But the use of the quill seems to date from not<br /> earlier than the sixth century. It is related that<br /> Theodoric, King of the Ostrogoths, could not learn<br /> to write four letters at the bottom of his edicts, so<br /> four letters were cut out for him in a plate of gold,<br /> which was laid on the paper, and he traced out the<br /> letters with a quill. The Emperor Justin used a<br /> plate of wood, but his case was so much worse that<br /> one of his secretaries had to guide his hand. The<br /> oldest certain account is, however, that of St. Isidore,<br /> who died A.D. 636, wherein he mentions reeds and<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> feathers.<br /> <br /> <br /> <br /> THE AUTHOR. 89<br /> <br /> In the same century St. Aldhelm, the<br /> English pioneer of Latin verse, wrote a small poem<br /> on a quill pen. The gospel manuscripts of the<br /> ninth century depict the evangelists with quills in<br /> their hands.<br /> <br /> When the Romans were in what is known to-day<br /> as the Netherlands they are said to have paid special<br /> attention to the catching of geese ; an old poet said<br /> that this was because they could not get Egyptian<br /> reeds and wanted to procure goose quills, but Pliny<br /> says that it was because they wanted to eat roast<br /> goose and lie on feather beds.<br /> <br /> REEDS AND QUILLS.<br /> <br /> Reeds and quills were both used in the eighth<br /> <br /> century in the French diplomatic documents, while<br /> the papal Acts and those of the synods were written<br /> with reeds until much later. The monks used<br /> reeds for text and initials, while they preferred<br /> quills for smaller writing. Johann Reuchlin, a<br /> great light in the Reformation and Renaissance,<br /> was so severely attacked and persecuted that he had<br /> to flee for safety, leaving all his writing materials<br /> behind him; a letter is extant in which he asks a<br /> friend, Porkheimer, to send him some good paper,<br /> pen-knives, and peacock feathers. His letter of<br /> acknowledgment says :—<br /> . “J asked you for peacock feathers for writing ;<br /> you have presented me with the choicest swan<br /> quills, and, that nothing might be wanting to your<br /> friendly offices, you sent also reeds from the Nile,<br /> or, a8 | rather think, from Cnidus—more easy for<br /> writing—and the most excellent paper-knives.”<br /> <br /> Reuchlin sent three of these reeds to Erasmus,<br /> who writes full of gratitude for such a desirable<br /> present, saying that such is the most acceptable<br /> gift possible, adding the request that if Reuchlin<br /> has any more he will send some to a mutual friend<br /> in England, with a hint that more would be welcome<br /> sent to himself.<br /> <br /> _ For some reason writing quills were very scarce<br /> in Vienna in 1433; Ambrosius Traversarius, a<br /> monk of Carmaldule, sent a bunch of quills to his<br /> brother from Vienna, saying :—<br /> <br /> _ “They are not the best, but such as I received<br /> im a present. Show the whole bunch to friend<br /> Nicholas that he may choose a quill ; for they are<br /> éven scarcer in this city than in Florence.”<br /> <br /> The feathers of various birds have been used for<br /> pens, but in this respect the goose has always been<br /> the main contributor to literature. The swan,<br /> crow, eagle, owl, hawk, turkey, and peacock have<br /> all supplied the pen market to some extent. Swan<br /> quills are better and more costly than goose quills,<br /> while those of the crow are more suitable for fine<br /> lines. The only useful feathers of the goose are the<br /> five on the outer part of the wing, and of these the<br /> Second and third are the best. Quills from the left<br /> <br /> wing are more suitable than those of the right wing,<br /> because they curve outwards and away from the<br /> writer.<br /> <br /> How QUILLS ARE PREPARED.<br /> <br /> Preference is always given to quills secured in<br /> the spring from living birds, but those taken from<br /> dead geese, especially if fattened, are comparatively<br /> worthless. The quills are greasy and covered with<br /> little pellicles of skin ; this is removed by heating<br /> them in a fine sand-bath to one hundred and thirty<br /> to one hundred and eighty degrees Fahrenheit.<br /> They are then scraped, and while they are still soft<br /> and hot can be stamped with designs and names.<br /> Care must be taken that they are finished hard and<br /> elastic.<br /> <br /> Joseph Bramab, the lock inventor, in 1809, made<br /> and patented a machine for manufacturing quill<br /> nibs ; the barrel of the quill was slit into three or<br /> four parts and then cut across into two, three, four,<br /> and even five lengths. The nibs were used in a<br /> holder something similar to the present holder.<br /> Dickens, it will be remembered, speaks of the time<br /> when quill feathers were cut and cut again by the<br /> writer ; Miss Squeers, in her anxiety to see the<br /> new usher of Dotheboys Hall, enters the schoolroom<br /> on the pretext of wanting her pen mended.<br /> <br /> Nine years after Bramah’s patent Charles Watt<br /> obtained a patent for gilding nibs, thereby antici-<br /> patiug the gold pen. But in 1822 a step further<br /> was made; Hawkins and Mordan patented the<br /> application of horn and tortoiseshell to the forma-<br /> tion of nibs, making the points durable by impress-<br /> ing them into small pieces of diamond and ruby ;<br /> another part of the process was lapping a small<br /> piece of thin sheet gold over the tip of the tortoise-<br /> shell, and there were other ways of hardening the<br /> point.<br /> <br /> Merauic PEns.<br /> <br /> Metallic pens appear to have been slightly known<br /> to the Romans, but it is certain that they were not<br /> in use, nor were they at all common until after the<br /> meeting of the British Association at Birmingham<br /> in 1839. A steel pen was made and sold in London<br /> in 1803, but it cost five shillings, and was not a<br /> success. Bryan Donkin brought out another<br /> metallic pen in 1808. Doctor Priestley had had a<br /> steel pen made at the end of the previous century<br /> by a manufacturer of split-rings, named Harrison,<br /> who was eventually associated with Sir Josiah<br /> Mason in the industry ; but it was not until after<br /> Perry’s invention in 1830 and Gillott’s in 1831<br /> that pen-making became a paying industry. —<br /> <br /> Pens were made of silver, zinc, German silver,<br /> aluminium, and aluminium bronze. Doctor<br /> Wollaston, the celebrated physicist, whose advice<br /> was so useful to Herschel, used the first gold<br /> iridium-tipped pe on record.<br />  <br /> <br /> 90<br /> <br /> Joseph Bramah again was in the forefront with<br /> his fountain-pen. He had several designs ; one<br /> was a tube of soft silver that could be pressed to<br /> allow a flow to the nib, and another was a tube<br /> with a piston sliding down the ink-barrel. John<br /> Scheffer, in 1819, made a pen with a button, which<br /> the writer pressed when he wanted more ink at the<br /> nib.’ The Americans were the pioneers of stylo-<br /> graphs, with iridium points, but Birmingham took<br /> and retains the lead for good ordinary pens.<br /> <br /> A few words on the actual making will not be<br /> out of place. The finest quality of cast steel in<br /> rolled sheets is used, this being the product of<br /> Swedish charcoal iron. The sheets are cut into<br /> strips and then tempered in a furnace before being<br /> pickled in weak sulphuric acid to remove the<br /> oxidised scale. The strips are again rolled, and<br /> then cut, stamped, and embossed by band fly-<br /> presses with the trade-mark and perforated. Until<br /> pow the embryo pen is flat; next follows the<br /> rounding into a semi-circular shape.<br /> <br /> After once more being heated the pens are<br /> plunged into oil and then polished by mixing with<br /> sand in rotating cylinders. Small emery-wheels<br /> then grind the point, and the slit from the perfora-<br /> tion to the tip is made ; on this depends the whole<br /> perfection of the pen, the desired flexibility being a<br /> sine quad non. ‘The surface of the pen is then<br /> coloured in a revolving cylinder over a charcoal<br /> fire, and finally varnished with a solution of shellac.<br /> And the result is—a pen at less than a farthing<br /> infinitely superior to one formerly sold at five<br /> shillings.<br /> <br /> A. Kirxuam HaMILton.<br /> <br /> <br /> <br /> &gt;&lt;<br /> <br /> <br /> <br /> THE REAL “MOTHER DAMNABLE.”<br /> <br /> <br /> <br /> N a case in the law-courts some months ago<br /> the allegation was made—though it was<br /> contradicted at the time and has since<br /> <br /> been strongly denied—that Roman Catholics,<br /> or at least members of the Jesuit order,<br /> sometimes speak of the Church of England as<br /> ‘¢ Qld Mother Damnable.”’ (A correspondent<br /> in the Observer claims that ‘‘ the epithet was<br /> first brought into prominence, if not actually<br /> invented, by one of the early Tractarian<br /> seceders to Rome, and a friend of Newman’s,<br /> namely, the Rev. John Pye, who married a<br /> daughter of Bishop Samuel Wilberforce ”’.)<br /> It would be curious if the name were ever<br /> used in this connection, for it once had very<br /> different, and by no means religious, associa-<br /> tions. Whether one is justified in speaking<br /> of a real Mother Damnable is perhaps open to<br /> <br /> THE AUTHOR.<br /> <br /> dispute ; but, at any rate, there is a traditional<br /> personage who bears the stigma of the title and<br /> lingers on as a faint memory in a far from<br /> romantic quarter of London as we now know it.<br /> <br /> Near the end of the eighteenth century that<br /> industrious combination of author, print-<br /> collector, and print-seller, James Caulfield,<br /> published his “ Portraits, Memoirs, and<br /> Characters of Remarkable Persons from the<br /> Reign of Edward the Third to the Revolution.”<br /> To this work we owe some details, of doubtful<br /> authenticity, concerning the career of ‘‘ Beau ”<br /> Feilding, for a brief while the second husband<br /> of Barbara Villiers, Duchess of Cleveland.<br /> Another of the memoirs deals with Mother<br /> Damunable.<br /> <br /> ‘“Of the shrew thus denominated,” says<br /> Caulfield, ‘‘ whose real name has not reached<br /> posterity, nothing farther is known than the<br /> following lines annexed to her portrait—<br /> ‘London, printed in the year 1676 ’—inform<br /> us. ... It is perhaps not unreasonable to<br /> conjecture that she might be the original<br /> Mother Red Cap and kept the public-house<br /> near Kentish Town, known for a century past<br /> by the sign of her head ; in rivalship of which<br /> a Mother Black Cap appeared nearly opposite :<br /> which ale-houses were, within these few years,<br /> almost the only dwellings on that spot, now<br /> covered with extensive piles of building.”<br /> <br /> We may for the present leave the lines<br /> quoted by Caulfield, while we follow the<br /> identification suggested by him. This is<br /> supported by a statement in a valuable and<br /> entertaining collection of reminiscences called<br /> ‘““A Book for a Rainy Day.’ The author,<br /> John Thomas Smith, up to his death in 1833,<br /> keeper of the prints and drawings in the British<br /> Museum, preserved in this much antiquarian<br /> information which might otherwise have been<br /> lost. Writing of the year 1778, he mentions<br /> the Mother Red Cap, “‘a house of no small<br /> terror to travellers in former times,’’ and adds :<br /> “Tt has been stated that Mother Red Cap was<br /> the ‘ Mother Damnable’ of Kentish Town in<br /> early days; and that it was at her house the<br /> notorious ‘Moll Cutpurse,’ the highway-<br /> woman of the time of Oliver Cromwell,<br /> dismounted and frequently lodged.”<br /> <br /> Those who go to Camden Town nowadays<br /> by the Underground Railway may see “ The<br /> Mother Red Cap” over against the station,<br /> at the corner of the Camden Road. There is<br /> nothing ancient, however, about the house<br /> to-day, except its name. It was rebuilt in the<br /> late eighteenth century, according to J. a:<br /> Smith. An old gentleman with whom the<br /> present writer is acquainted remembers it fifty<br /> <br /> <br /> <br /> <br /> <br /> <br /> She<br /> <br /> THE AUTHOR. 91<br /> <br /> years ago, when it was one of the most<br /> picturesque inns in the London neighbourhood,<br /> celebrated for its old ale and Welsh rarebits,<br /> with a parlour where every seat was conse-<br /> erated to a regular customer, and with a paved<br /> space in front which could accommodate thirty<br /> or forty coaches. Since then it has_ been<br /> rebuilt at least once, and it is now almost<br /> aggressively modern. In this respect it is at<br /> least in harmony with its surroundings ; for,<br /> where once highwaymen resorted, the chief<br /> danger to life at the present day arises from the<br /> unceasing streams of motor-omnibuses and<br /> trams which run in all directions. Of the<br /> ““Mother Black Cap” there is no _ trace,<br /> although two public-houses—the authorities<br /> have been prodigal with licences hereabouts—<br /> may be described as standing nearly opposite.<br /> It is a rather strange coincidence that a<br /> newspaper of 1776, mentioned in Besant’s<br /> Survey of London, states that the space facing<br /> the ‘“‘Mother Red Cap” was at one time<br /> designed for a second Tyburn. This is sugges-<br /> tive of the black cap, it must be admitted.<br /> <br /> Another of the community of witches is<br /> obviously the heroine of a pantomime produced<br /> at the Sans Pareil Theatre in the Strand in<br /> March, 1809—‘‘ Mother White Cap, or Hey<br /> up the Chimney !”’ But she was perhaps only<br /> a parody of her red and black sisters.<br /> <br /> There appears to be little local tradition of<br /> Mother Red Cap surviving in Camden Town,<br /> beyond that she was “‘ a witch-sort-of-thing.”’<br /> Mother Damnable’s portrait, reproduced by<br /> Caulfield, is an unpleasing representation of an<br /> old hag kneeling down by her grate, in a much<br /> soiled or patched skirt and shawl, stick in hand,<br /> with a spilt pot of ale and a clay pipe on the<br /> floor behind her, while on the wall hangs a<br /> scutcheon with a black and a white cat sus-<br /> pended by their tails. In the modern ‘‘ Mother<br /> Red Cap ”’ a picture presents the dame quite<br /> otherwise, as only of middle age, in a red dress<br /> and a red hat with peaked crown. Across it<br /> is pasted the legend, “Champagne, 6d. a<br /> glass’?! But it is red wine which stands in a<br /> decanter at her side, and a glass of it is in her<br /> hand.<br /> <br /> The story, though its origin is difficult to<br /> trace, is that Mother Red Cap, or Damnable,<br /> was a brickmaker’s daughter in Kentish Town,<br /> very wild in her girlhood—like Mary Frith,<br /> alias Moll Cutpurse, according to her earliest<br /> biographer, “‘a very tomrig or rumpscuttle,”’<br /> “delighting only in boys’ play and pastime,<br /> not minding or companying with the girls ””—<br /> who, when she grew up followed Marlborough’s<br /> army to the wars, and ended by becoming a<br /> <br /> witch, as well as an inn-keeper, and being<br /> carried off by the Devil.<br /> <br /> The verses saved from oblivion by Caulfield<br /> are plainly directed against an unpopular<br /> landlady and do not allude to any traffic with<br /> the Black Art. They run as follows :—<br /> <br /> *Y° have often seen (from Oxford tippling house)<br /> Th’ effigies of Shipton-faced Mother Louse,<br /> Whose petty pranks (though some they might excel)<br /> With this old trot’s ne’er galloped parallel.<br /> *Tis Mother Damnable! that monstrous thing,<br /> Unmatched by Mackbeth’s wayward women’s ring,<br /> For cursing, scolding, fuming, flinging fire<br /> I’th face of madam, lord, knight, cit, gent, squire :<br /> Who (when but ruffled into the least pet)<br /> Will cellar door-key into pocket get.<br /> Then no more ale: and now the fray begins !<br /> *Ware heads, wigs, hoods, scarfs, shoulders, sides, and<br /> <br /> shins !<br /> <br /> While these dried bones, in a Westphalian bag,<br /> (Through th’ wrinkled weasan of her shapeless crag)<br /> Sends forth such dismal shrieks and uncouth noise<br /> As fills the town with din, the streets with boys ;<br /> Which makes some think this fierce she-dragon fell<br /> Yan scarce be matched by any this side hell.<br /> So famed, both far and near, is the renown<br /> Of Mother Damnable, of Kentish Town.<br /> Wherefore this symbol of the cats we’ll give her,<br /> Because, so curst, a dog would not dwell with her.”<br /> <br /> “Mother Louse,” it may be noted, is<br /> described in another of Caulfield’s memoirs<br /> as the keeper of an ale-house near Oxford,<br /> called Louse Hall. She was ‘ well known to<br /> the gentlemen of that university, who called<br /> her Mother Louse, and a portrait of her was<br /> engraved from the life by David Loggan,<br /> engraver to the University and friend of<br /> Antony Wood. It represents her with a ruff,<br /> which she was said to be the last woman in<br /> England to wear. Oddly, the picture of<br /> Mother Red Cap in the modern house gives<br /> her a ruff about her neck.<br /> <br /> Probably there is no reason to doubt the<br /> existence, once upon a time, of these two<br /> shrewish landladies. George Savile, Marquess<br /> of Halifax, speaks, in his essay upon the choice<br /> of Parliament-men, of ‘“‘a wet popularity ”<br /> as a frail title to fame. An alehouse-keeper,<br /> on the other hand,<br /> <br /> *“ Who (when but ruffled into the least pet)<br /> Will cellar door-key into pocket get—<br /> Then no more ale,”<br /> <br /> was sure of a dry unpopularity, which,<br /> embalmed in verse, might last centuries when<br /> there was a collector about with Caulficld’s<br /> <br /> love for the quaint.<br /> Puitre W. SERGEANT.<br /> <br /> —_——_1—<br /> <br /> <br /> THE AUTHOR.<br /> <br /> MR. GOSSE’S ESSAYS.*<br /> eae<br /> <br /> HE second volume of Mr. Gosse’s<br /> <br /> collected essays will be welcomed<br /> <br /> alike by those who made the ac-<br /> quaintance of these particular essays when<br /> they first appeared, and by those to whom they<br /> are new. Few writers, past or present, can<br /> invest with so much charm the critical and<br /> anecdotal saunter round the shelves of a<br /> book-room as our author. Few, too, have such<br /> sane views of what a library should be—“ a<br /> small one, where the books are carefully<br /> selected and thoughtfully arranged in accord-<br /> ance with one central code of taste, and intended<br /> to be respectfully consulted at any moment by<br /> the master of their destinies.”’ If fortune made<br /> him possessor of one book of excessive value,<br /> Mr. Gosse tells us, he would hasten to part<br /> with it. This is true wisdom. The first<br /> quarto of ‘‘ Hamlet” may be left to the<br /> Transatlantic millionaire.<br /> <br /> The essays before us range over a vast<br /> period of literary history. From Camden’s<br /> ‘‘ Britannia,”’ early in the sixteenth century,<br /> they travel by degrees to Meredith’s “ Shaving<br /> of Shagpat.’? The first and the last, it will be<br /> seen, deal with well-known works. Perhaps<br /> the most pleasing, however, are those which<br /> take as their subject obscure or forgotten<br /> books — such as Wither’s ‘‘ Shepheards<br /> Hunting,” Lady Winchilsea’s “ Miscellany<br /> Poems,” Farquhar’s ‘“‘ Love and Business,”<br /> and that extraordinary panegyric on prize-<br /> fighting, “‘ The Fancy,” of which the author<br /> was Keats’s friend, John Hamilton Reynolds,<br /> disguised under the alias of Peter Corcoran.<br /> The last-named essay—for it takes its title<br /> from the title of .Reynold’s book—is an<br /> admirable example of the man of letters at the<br /> ring-side. With what gusto does Mr. Gosse<br /> quote Corcoran’s apology to his lady-love :—<br /> <br /> “‘ Forgive me, and never, oh never again,<br /> <br /> T’&#039;ll cultivate light blue or brown inebriety ;<br /> <br /> Tl give up all chance of a fracture or sprain,<br /> <br /> And part, worst of all, with Pierce Egan’s society.”<br /> and explain that ‘“‘ heavy brown with a dash<br /> of blue in it”? was the fancy phrase for stout<br /> mixed with gin !<br /> <br /> There may be those to whom it seems<br /> grotesque to turn the pen to discourse of such<br /> things as these. To them may be commended<br /> the lines from Samuel Daniel’s “* Musophilus,”<br /> which Mr. Gosse quotes as the motto of his<br /> book, beginning<br /> <br /> *O blessed Letters, that combine in one<br /> <br /> All ages past, and.make one live with all. . . .”<br /> <br /> * “Gossip in a Library,” by Edmund Gosse, C.B.<br /> London; William Heinemann.<br /> <br /> CORRESPONDENCE.<br /> <br /> —_-—&lt; 2 —<br /> “* ONLY.”<br /> <br /> Srr,—The irritating misuse of the word<br /> “only ’’ to which your correspondent “ Richard<br /> Free ” called attention in your last issue, is by<br /> no means confined to careless writers. Many<br /> who denounce the split infinitive have not yet<br /> had their grammatical consciousness awakened<br /> to this solecism. For example, I have culled<br /> the following three passages from the latest<br /> edition of “‘The King’s English,” the best<br /> book we have on the ill-treatment of English.<br /> <br /> ‘“ We shall now only make three general<br /> remarks before proceeding to details.”<br /> <br /> “The mistakes are nearly always on one<br /> side, the infinitive being the form that should<br /> only be used with caution.”<br /> <br /> “ For a person’s name can only require a<br /> defining cause to distinguish him from others<br /> of the same name.”<br /> <br /> The intended meanings are certainly not<br /> ‘only make,” “ only require,’ or ‘“ only be<br /> <br /> used,” as a moment’s analysis shows.<br /> This is perhaps the commonest error in both<br /> spoken and written English at the present day ;<br /> <br /> once perceived, it is undoubtedly one of the<br /> most irritating, and your correspondent<br /> deserves thanks for calling attention to it.<br /> I am,<br /> Your obedient servant,<br /> Ernest A. Baker.<br /> <br /> —1+——+—_<br /> <br /> New AND AMUSING TRICK OF THE<br /> LITERARY AGENT.<br /> <br /> Dear Sir,—The literary agent has found a<br /> new way of amusing his authors. He has a<br /> special cheque printed with a receipt upon the<br /> back which requires a penny stamp. He pays<br /> his author with one of these cheques and of<br /> course does not stamp his receipt. The author<br /> is abroad, or he has only embossed envelopes<br /> upon his desk, and the fun begins. Publishers<br /> are taking up this delightful little novelty.<br /> <br /> ‘The author finds on the back of the publisher’s<br /> <br /> cheque a printed receipt, in which he is invited<br /> to make over to the publisher all sorts of rights<br /> he never sold’ when the. bargain was made.<br /> Any alteration of the receipt invalidates the<br /> cheque. Letters, explanations, recriminations.<br /> What an infernal nuisance all this<br /> smartness is ! |<br /> <br /> X.	https://historysoa.com/files/original/5/534/1913-12-01-The-Author-24-3.pdf	publications, The Author