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521	https://historysoa.com/items/show/521	The Author, Vol. 23 Issue 01 (October 1912)	<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Author%3C%2Fem%3E%2C+Vol.+23+Issue+01+%28October+1912%29"><em>The Author</em>, Vol. 23 Issue 01 (October 1912)</a>											<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Publication">Publication</a>	1912-10-01-The-Author-23-1					1–32																		<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=89&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=23">23</a>											<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=76&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1912-10-01">1912-10-01</a>							1			19121001	Che Hutbor.<br /> <br /> (The Organ of the Incorporated Society of Authors.<br /> <br /> FOUNDED BY SIR<br /> <br /> Monthly.)<br /> <br /> WALTER BESANT.<br /> <br /> <br /> <br /> <br /> <br /> Vou. X XITII.—No. 1.<br /> <br /> OcToBER 1, 1912.<br /> <br /> [Prick SIXPENCE.<br /> <br /> <br /> <br /> <br /> <br /> TELEPHONE NUMBER:<br /> 374 VICTORIA.<br /> <br /> TELEGRAPHIC ADDRESS:<br /> AUTORIDAD, LONDON.<br /> <br /> —— sg eg<br /> NOTICES,<br /> <br /> eg<br /> <br /> Y OR the opinions expressed in papers that<br /> are signed or initialled the authors alone<br /> are responsible. None of the papers or<br /> paragraphs must be taken as expressing the<br /> opinion of the Committee unless such is<br /> especially stated to be the case.<br /> <br /> <br /> <br /> Tue Editor begs to inform members of the<br /> Authors’ Society and other readers of The<br /> Author that the cases which are quoted in The<br /> Author are cases that have come before the<br /> notice or to the knowledge of the Secretary of<br /> the Society, and that those members of the<br /> Society who desire to have the names of the<br /> publishers concerned can obtain them on<br /> application.<br /> <br /> <br /> <br /> ARTICLES AND CONTRIBUTIONS.<br /> <br /> Tue Editor of The Author begs to remind<br /> members of the Society that, although the<br /> paper is sent to them free of cost, its production<br /> would be a very heavy charge on the resources<br /> of the Society if a great many members did not<br /> forward to the Secretary the modest 5s. 6d.<br /> subscription for the year.<br /> <br /> Communications for The Author should be<br /> addressed to the offices of the Society, 39, Old<br /> Queen Street, Storey’s Gate, §.W., and should<br /> reach the Editor not later than the 21st of each<br /> month.<br /> <br /> Communications and letters are invited by<br /> the Editor on all literary matters treated from<br /> <br /> Von, XXII.<br /> <br /> the standpoint of art or business, but on no<br /> other subjects whatever. Every effort will be<br /> made to return articles which cannot be<br /> accepted.<br /> <br /> ADVERTISEMENTS. °<br /> <br /> As there seems to be an impression among<br /> readers of The Author that the Committee are<br /> personally responsible for the bona fides of the<br /> advertisers, the Committee desire it to be stated<br /> that this is not, and could not possibly be, the<br /> case. Although care is exercised that no<br /> undesirable advertisements be inserted, they<br /> do not accept, and never have accepted, any<br /> liability.<br /> <br /> Members should apply to the Secretary for<br /> advice if special information is desired.<br /> <br /> &lt;a<br /> <br /> THE SOCIETY’S FUNDS.<br /> <br /> oe<br /> <br /> ROM time to time members of the Society<br /> K desire to make donations to its funds in<br /> recognition of work that has been done<br /> for them. The Committee, acting on the<br /> suggestion of one of these members, have<br /> decided to place this permanent paragraph in<br /> The Author in order that members may be<br /> cognisant of those funds to which these con-<br /> tributions may be paid.<br /> <br /> The funds suitable for this purpose are:<br /> (1) The Capital Fund. This fund is kept in<br /> reserve in case it is necessary for the Society to<br /> incur heavy expenditure, either in fighting a<br /> question of principle, or in assisting to obtain<br /> copyright reform, or in dealing with any other<br /> matter closely connected with the work of the<br /> Society.<br /> <br /> (2) The Pension Fund; This fund is slowly<br /> increasing, and it is hoped will, in time, cover<br /> the needs of all the members of the Society.<br /> <br /> *2<br /> THE PENSION FUND.<br /> <br /> 1<br /> <br /> before the trustees of the Pension Fund<br /> <br /> the accounts for the year 1911, as settled<br /> bv the accountants, with a full statement of<br /> the result of the appeal made on behalf of<br /> the fund. After giving the matter full con-<br /> sideration, the trustees instructed the secretary<br /> to invest the sum of £500 in the purchase of<br /> Antofagasta and Bolivian Railway 5% Pre-<br /> ferred Ordinary Stock and Central Argentine<br /> Railway Ordinary Stock. The amounts pur-<br /> chased at the current prices were £237 in the<br /> former and £232 in the latter stock.<br /> <br /> The trustees desire to thank the members of<br /> the society for the generous support which they<br /> have given to the Pension Fund. The money<br /> now invested amounts to £4,454 6s.<br /> <br /> Later in the year, at a meeting of the Com-<br /> mittee of Management, a question concerning<br /> the funds of the society was brought up for dis-<br /> cussion, and it was suggested that it would be<br /> a good thing for the Pension Fund trustees, if<br /> they had power, to sell out the Fund’s holding of<br /> Consols and to invest in some more satisfactory<br /> security. The suggestion was placed before the<br /> trustees of the Pension Fund, and a meeting<br /> was called, when the chairman of the Committee<br /> of Management, the trustees, and Mr. Aylmer<br /> Maude, the member of the Committee of<br /> Management who had made the suggestion,<br /> were present. The figures were very closely<br /> considered, and it appeared clear that altera-<br /> tions in the investment of the funds could be<br /> carried out with advantage to the Fund’s<br /> income. It was decided by the trustees, with<br /> the approval of the Committee of Management,<br /> to sell out the holding of Consols. With the<br /> amount realised, were purchased—<br /> <br /> $2,000 (£400) Consolidated Gas and Elec-<br /> tric Company of Baltimore 44% Gold<br /> Bonds ;<br /> <br /> 30 Buenos Ayres Great Southern Railway<br /> 4°, Extension Shares, (1914) £8 paid ;<br /> £250 Edward Lloyd, Ltd., £1 5% Prefer-<br /> <br /> ence Shares.<br /> <br /> These amounts are fully set out and added<br /> in the nominal value to the Pension Fund<br /> investments, below.<br /> <br /> The trustees have also, in view of the option<br /> extended to them as holders of £232 Central<br /> Argentine Railway Ordinary Stock, subscribed<br /> for 3 Central Argentine Railway £10 Preference<br /> Shares, New Issue.<br /> <br /> The nominal value of the investments held<br /> on behalf of the Pension Fund now amounts<br /> <br /> i January, the secretary of the society laid<br /> <br /> THE AUTHOR.<br /> <br /> to £4,454 6s., details of which are fully set out<br /> in the following schedule :—<br /> Nominal Value.<br /> <br /> 8. ot.<br /> Local oans 2.2.5.3 .-.555,.- 500 0 0<br /> Victoria Government 3% Consoli-<br /> <br /> dated Inscribed Stock ........ 291 19 11<br /> London and North-Western 3%<br /> <br /> Debenture Stock -............ 250 0 0<br /> Egyptian Government Irrigation<br /> <br /> Trust 4% Certificates ........ 200 0 0<br /> Cape of Good Hope 34% Inscribed<br /> <br /> Stock 2. 5755 200 0 0<br /> Glasgow and South-Western Rail-<br /> <br /> way 4% Preference Stock .... 228 0 0<br /> New Zealand 34% Stock........ 247 9 6<br /> Irish Land 22% Guaranteed Stock 258 0 0<br /> Corporation of London 24%<br /> <br /> Stock, 1927—57.............. 4388 2 4<br /> Jamaica 83% Stock, 1919-49 132 18 6<br /> Mauritius 4% 1937 Stock ...... 120 12 1<br /> Dominion of Canada, C.P.R. 34%<br /> <br /> Land Grant Stock, 1988 ...... 198 3 8<br /> Antofagasta and Bolivian Railway<br /> <br /> 5%, Preferred Stock .......... 237 0 0<br /> Central Argentine Railway Or-<br /> <br /> dinary Stock .....:2....:.... 232 0 0<br /> $2,000 Consolidated Gas and<br /> <br /> Electric Company of Baltimore<br /> <br /> 44%, Gold Bonds ............ 400 0 0<br /> 250 Edward Lloyd, Ltd., £1 5%<br /> <br /> Preference Shares = .......... 250 0 0<br /> 80 Buenos Ayres Great Southern<br /> <br /> Railway 4% Extension Shares<br /> <br /> 1914 (£8 paid) .............. 240 0 0<br /> <br /> 8 Central Argentine Railway £10<br /> Preference Shares New Issue... 380 0 0O<br /> <br /> Total’ 7. £4,454 6 O<br /> <br /> <br /> <br /> PENSION FUND.<br /> <br /> ——<br /> <br /> Tue list printed below includes all fresh dona-<br /> tions and subscriptions (7.e., donations and<br /> subscriptions not hitherto acknowledged)<br /> received by, or promised to, the fund from<br /> April Ist, 1912.<br /> <br /> It does not include either donations given<br /> prior to April 1st, nor does it include sub-<br /> scriptions paid in compliance with promises<br /> made before it.<br /> <br /> The full list of annual subscribers to the fund<br /> appears in this issue.<br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> LEASE NERDS<br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> Subscriptions.<br /> <br /> 1912.<br /> <br /> April 6, Bland, J. O. P.<br /> <br /> April 6, Taylor, Mrs. Basil<br /> <br /> April 6, Forrester, J. Cliffe<br /> <br /> June 6, Probert, W. S.<br /> <br /> June 6, Wheelhouse, Miss M. V.<br /> <br /> June 6, Acland, Mrs. C. D. :<br /> <br /> June 6, Spurrell, Herbert (from<br /> 1912 to 1915).<br /> <br /> June 6, Spens, Archibald B.<br /> <br /> July 18, Liddle, S. :<br /> <br /> Aug. 7, ‘Joseph, L.<br /> <br /> Sept. 6, Garvice, Charles (in addi-<br /> tion to present sub-<br /> scription of £1 1s.)<br /> <br /> Donations.<br /> <br /> 1912.<br /> April 2, XX. Pen Club<br /> April 6, Taylor, Mrs. Basil :<br /> April 6, Cameron, Mrs. Charlotte .<br /> April 10, Kenny, Mrs. L. M. Stac-<br /> <br /> poole<br /> April 10, Robbins, Alfred F..<br /> April 10, Harris, Emma H.<br /> April 11, Ralli, €. Scaramanga<br /> April 11, Aitken, Robert.<br /> April 16, 7M YE (£1 per month,<br /> <br /> February, March, April)<br /> April 22, Prior, Mrs. Melton<br /> May 2, Baden- Powell, Miss Agnes<br /> May 25, Koebel, W. H. :<br /> May 28, Harland, Mrs. Henry<br /> May 28, Wood, Mrs. A. E. :<br /> June 4, Hornung, E. W.<br /> June 4, Ward, Dudley<br /> June 6, Worrall, Lechmere .<br /> June 13, Robbins, Miss Alice E.<br /> July 5, Hain, iM. ;<br /> Aug. 16, Shipley, R. H.<br /> <br /> —_—__—_+—— —____<br /> <br /> PENSION FUND.<br /> <br /> ooco SCOorfooon<br /> <br /> noo<br /> <br /> a wOoro<br /> <br /> coroonrooooown<br /> <br /> _ ee<br /> bt Or Or Or Or COMUeM Aue %<br /> <br /> bo or co<br /> <br /> bel CO OUD Or<br /> <br /> ecoooo<br /> <br /> oooco<br /> <br /> a<br /> ooo<br /> <br /> eoeoococo<br /> <br /> QOoecoececoocas<br /> <br /> ComPLete List or ANNUAL SUBSCRIBERS.<br /> <br /> A. L. M. ‘<br /> <br /> Abbott, The Rev. Edwin, D.D.<br /> Adams, Newton .<br /> <br /> Allen, Rey. Geo. W.<br /> <br /> Allen, Mrs. Grant .<br /> <br /> Anderson, Arthur<br /> <br /> Andrews, Miss C. C.<br /> Armstrong, Miss Frances<br /> Arnold, Mrs. J. O.<br /> <br /> Askew, Claud<br /> <br /> ecocoocrooocrH om<br /> <br /> —_ 2<br /> OOo Oe OO a<br /> <br /> eecocoececoo=<br /> <br /> B. e<br /> <br /> BC. .<br /> <br /> Bagnall, Miss L. T.<br /> Baldwin, Mrs. Alfred<br /> Balme, Mrs. :<br /> Barne, Miss M. C. .<br /> Barnett, PA, .<br /> Barrington, Mrs. Russell<br /> Bashford, H H. H.<br /> <br /> Beale, Mrs. W. Phipson<br /> Beeching, Canon . :<br /> Begbie, Harold<br /> <br /> Bell, Lady .<br /> <br /> Benecke, Miss Ida<br /> Benjamin, Lewis .<br /> Bennett, Arnold .<br /> Berkeley, Mrs. F. R.<br /> Bland, J.O. P..<br /> Bland, Mrs. E. Nesbit<br /> Bloundelle-Burton, John<br /> Bolton, Miss Anna<br /> Bond, R. Warwick<br /> Bosanquet, E. F. .<br /> Boughton, Rutland<br /> Bowen, Miss Marjorie<br /> Brandon, Miss D. .<br /> Breakell, Miss Mary<br /> Brend, Charles C. .<br /> Brinton, Selwyn<br /> Brodhurst, Spencer<br /> Broster, Miss D. K.<br /> Brown, R. Grant .<br /> Budgen, Miss :<br /> Bungey, E. Newton<br /> Burmester, Miss Frances G.<br /> Burne- Murdoch, W. G.<br /> Ck. .<br /> <br /> Caine, William<br /> Calderon, George .<br /> Cannan, Gilbert<br /> <br /> Capes, Bernard .<br /> Capes, Mrs. (Marian Hawtrey)<br /> Carlyle, Rev. A. J. ‘<br /> Carr, Miss M. E. . :<br /> Caulfield, Kathleen M. .<br /> Channon, Mrs. Francis .<br /> Chase, Mr. and Mrs. L. N.<br /> Chesterton, G. K. :<br /> Child, Harold H.<br /> Clifford, Lady :<br /> Clifton, Mrs. Talbot<br /> Clodd, Edward<br /> <br /> Clough, Miss B. A.<br /> Cohen, Mrs. Herbert<br /> Collier, Hon. John<br /> Colquhoun, A. R. .<br /> Cooke, W. B<br /> <br /> fat<br /> <br /> Soococorr cocoon<br /> <br /> ee SS OSS OH OSCH SSS OOS COOH OC OHS COCO mMHENE<br /> <br /> foal ek bee o<br /> SCH ENE AnNooOUmenpao:s<br /> <br /> _<br /> Oo = Or<br /> <br /> _<br /> Ot S Or Or Or Or Or Or OL OL! Or<br /> <br /> a m<br /> <br /> _<br /> <br /> _<br /> ASOAaonrnsdonean<br /> <br /> i<br /> =“ Oo ©<br /> <br /> 10<br /> <br /> oo<br /> <br /> PMR eee orem esocosoosese es Sé oe as oaacos coe eon oboe noc®<br /> Cotesworth, Miss Lillias E. (‘‘ Hester<br /> White’) . : .<br /> <br /> Coulton, G. G.<br /> <br /> Cox, Miss Marion Roalfe<br /> <br /> Cromartie, Countess of .<br /> <br /> Crommelin, Miss May<br /> <br /> Cross, Victoria :<br /> <br /> Curwen, Miss Maud<br /> <br /> Dale, Miss Nellie .<br /> <br /> Darbishire, Otto<br /> <br /> Darley, R. H.<br /> <br /> Daveen, Francis<br /> <br /> Davy, Mrs. E. M. .<br /> <br /> Dawson, W arrington<br /> <br /> De Morgan, Wm. .<br /> <br /> Desborough, The Right Hon. The<br /> Lord, P.C.<br /> <br /> Dixon, &quot;A. F.<br /> <br /> Dixon, W. Scarth |<br /> <br /> Dobson, Austin<br /> <br /> Drake, F. Maurice. ‘<br /> <br /> Dummelow, Rev. J. R..<br /> <br /> Dunsany, The Lord :<br /> <br /> Durand, The Right Hon. Sir Henry<br /> Mortimer .<br /> <br /> Durand, Ralph<br /> <br /> Diiring, Mrs.<br /> <br /> E. D. C.<br /> <br /> E. H.<br /> <br /> BEAK. .<br /> <br /> . M. C:<br /> <br /> ZS .<br /> <br /> Edgington, Miss May<br /> <br /> Ellis, Miss M. A.<br /> <br /> Esmond, HOV. |:<br /> <br /> Kyre-Matcham, Mrs.<br /> <br /> Fagan, J. B.<br /> <br /> Felkin, Alfred Laurence :<br /> <br /> Felkin, The Hon. Mrs. A. L. ‘(Ellen<br /> Thornycroft- -Fowler) .<br /> <br /> Fenn, Frederick<br /> <br /> Festing, Miss : :<br /> <br /> Field, The Rev. Claude .<br /> <br /> Fieldhouse, Arthur<br /> <br /> FitzGerald, Colin . :<br /> <br /> FitzGerald, Mrs. EK. A. .<br /> <br /> Fleming, Mrs. A. D. i<br /> <br /> Forbes, The Lady Ellen<br /> <br /> Forrest, G. W. : :<br /> <br /> Forrester, J. Cliffe<br /> <br /> Forster, R. H.<br /> <br /> Fox, A. D.<br /> <br /> Francis, René :<br /> <br /> Freshfield, Douglas<br /> <br /> Fuller, Sir Bamfylde ;<br /> <br /> Galsworthy, John : ‘<br /> <br /> Garnett, Edward . : 4<br /> <br /> &amp;<br /> <br /> wh<br /> <br /> cCcoonoceH mocoococoocoorooce<br /> <br /> mooenocooroqoocorcocre<br /> <br /> He SOM COHONENRFOSCOCOOCHF<br /> <br /> DH<br /> <br /> _ he<br /> SOHO Orr S OLOTO OH CLOT<br /> <br /> _<br /> <br /> Sr ov Ou Or OU<br /> <br /> _<br /> mM Oooo So OO ON Ot OCR ee<br /> <br /> _<br /> <br /> it<br /> oucoro<br /> <br /> _<br /> <br /> _<br /> He OOCOCOMUrFUNOOR&amp;<br /> <br /> S<br /> oo<br /> <br /> coooooocenocecoo<br /> <br /> coocoeooco<br /> <br /> ececooocoooocoeooooaonace]e ecocoocoocoocanoocoeoo<br /> <br /> THE AUTHOR.<br /> <br /> Garvice, Charles<br /> Gaunt, Mrs. Mary<br /> Gay, Mrs. Florence<br /> Geddes, Mrs.<br /> George, W. L. :<br /> Gidley, Miss E. C..<br /> Giles, Miss Edith J. F.<br /> Gilson, Captain Charles .<br /> Gilliat, Rev. Edward<br /> Glenconner, Lady ;<br /> Godfrey, Miss Elizabeth<br /> Gonne, Capt. C. :<br /> Gosse, Edmund<br /> Graham, Capt. Harry<br /> Graves, A. P. :<br /> Greig, James<br /> Gribble, Francis .<br /> Grier, Miss Julia M.<br /> Grogan, Walter E.<br /> Gurney, Mrs.<br /> Guthrie, ee<br /> H. A.<br /> Hep<br /> Haggard, Mrs.<br /> Hain, H. M..<br /> Halford, F. M.<br /> Hamilton, Henry .<br /> Hands, Mrs. Morris<br /> Hannay, Rev. Canon J. O.<br /> (Geo. A. Birmingham)<br /> Hargrave, Mrs. Basil (Parry ee<br /> Harraden, Miss Beatrice<br /> Harrison, Austin . :<br /> Harrison, Mrs. Darent .<br /> Haultain, Arnold .<br /> Hawkes-Cornock, Mrs. .<br /> Hawkins, Anthony Hee<br /> Heath, Miss KE. .<br /> Heath, Miss Helena<br /> Heath, Sidney ‘<br /> Hecht, Mrs. Arthur<br /> Hedgecock, F. A. . :<br /> Heming, Lieut.-Col. D. .<br /> Hepburn, Thomas ‘<br /> Hering, H. A.<br /> Hichens, Robert<br /> Hills, Mrs. Martha<br /> Hitchings, F.N.W. .<br /> Hollins, Miss Dorothea .<br /> Holme, Miss.<br /> Holmes, Miss Eleanor<br /> Hughes-Gibb, Mrs. :<br /> Hutchinson, Rev. H. N.<br /> Inkster, C. L.<br /> Inman, Rev. H. T.<br /> J. A. RB.<br /> J.K. J.<br /> <br /> COHFOCCONOMOOCOCOSCOOHHOONK COSCSCrHFSCOOONH<br /> <br /> mecormoooooowoorw SooooooorFONnNe<br /> <br /> n°?<br /> <br /> i<br /> <br /> _ =<br /> Ooo eH mo OUN &amp; SO Oro © OF Or Or<br /> <br /> ht<br /> owe ao an»nwmnooorcn<br /> <br /> a<br /> <br /> ie<br /> CUMMHKaAnNoeanrwNoowrandaanodorX aod &amp;<br /> <br /> ccooooooaocacoocoOoSeSoSoSSOOaASCS SOO<br /> <br /> ecooocooooocooooanooacooooooeceo<br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> J. L. W. ;<br /> <br /> Jackson, C. S.<br /> <br /> Jacomb, A. E.<br /> <br /> James, Henry<br /> <br /> James, Miss S. Boucher<br /> Jessup, A. E.<br /> <br /> Jones, Henry Arthur<br /> Jones, W. Braunston<br /> Keene, Mrs.<br /> <br /> Kelly, W. P.<br /> <br /> Kenny, Mrs. L. M. “Stacpoole .<br /> <br /> Kersey, William H.<br /> Kilmarnock, The Lord .<br /> Kipling, Rudyard<br /> Kitcat, Mrs.<br /> <br /> Knowles, Miss Margaret<br /> Lack, H. Lambert<br /> Lambe, J. Laurence<br /> Larden, Walter<br /> <br /> Larken, E. P.<br /> <br /> Laurence, Lionel .<br /> Laws, T.C. . :<br /> <br /> Lee, Rev. Albert .<br /> Letts, Miss W. M..<br /> Lewis, Rev. Arthur<br /> Lewis, T. C.<br /> <br /> Liddle, S. .<br /> <br /> Lion, Leon M. :<br /> Little, Mrs. Archibald<br /> Locke, W. J.<br /> <br /> Logan, The Rev. Robert<br /> Longe, Miss Julia .<br /> Lueas, E. V.<br /> M.M.B...<br /> Macdonald, Greville<br /> Mackenzie, Miss H. :<br /> Macnamara, Miss Margaret<br /> Maenaughton-Jones, Dr. H.<br /> Macpherson, J. F..<br /> Malcolm, Mrs. lan.<br /> “Malet, Lucas”? ...<br /> Mann, Mrs. Mary E.<br /> Maquarie, Arthur .<br /> Marchmont, A. W.<br /> Marks, Mrs. Mary<br /> Marriott, Charles .<br /> Martin, Miss Violet<br /> Masefield, John<br /> Matheson, Miss Annie<br /> McCormick, E. B.<br /> Meredith, Mark ;<br /> Middlemass, Miss Jean .<br /> Miniken, Miss Bertha M. M.<br /> Moffatt, Miss B. .<br /> Montgomery, Miss K. L.<br /> Montrésor, Miss F. F,<br /> Morton, Michael<br /> <br /> THE AUTHOR.<br /> <br /> tw<br /> %<br /> Q<br /> <br /> Palle<br /> moO Oe<br /> <br /> SOESSHSHSOSONNOSOHSCSOOSOOCOH OHH UMC OCOC OC ORHHENOOS<br /> <br /> MrOOCHOCoocoCcOoOHreHOoCoCSCONS<br /> <br /> bet bok pe<br /> SOM OM kK OSCoANO OC &amp; = =<br /> <br /> bt el<br /> <br /> pt ped<br /> ARMSOSONSOAMRAKHKNOAUAMNOMAMH OOo oT<br /> <br /> et _<br /> a)<br /> <br /> ee or or OS Or Or O<br /> <br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 6<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 6<br /> 6<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> 0<br /> <br /> Mulliken, Mrs.<br /> <br /> Narramore, William<br /> <br /> Nembhard, Miss M.<br /> <br /> Nicholls, F.C...<br /> <br /> Niven, Frederick .<br /> <br /> Northcote, Rev. H.<br /> <br /> O’Brien, The Rev. G. E.<br /> <br /> O’ Donnell, Miss Petronella<br /> <br /> Orezy, The Baroness<br /> <br /> Osgood, Mrs. Irene<br /> <br /> Owen, Charles<br /> <br /> P. :<br /> <br /> Pakington, Hon. Mary :<br /> <br /> Parr, Miss O. K. .<br /> <br /> Parry, Sir C. Hubert, Mus. Doc.<br /> <br /> Paul, H. M.<br /> <br /> Pearson, Mrs. Conny :<br /> <br /> Pendered, Miss Mary L.<br /> <br /> Pettigrew, W.F. . :<br /> <br /> Phillips-Wooley, Clive<br /> <br /> Phillpotts, Eden<br /> <br /> Phipson, Miss Emma<br /> <br /> Pickthall, M. W. .<br /> <br /> Pinero, Sir Arthur<br /> <br /> Plunkett, G. N., Count . : j<br /> <br /> Pollock, The Right Hon. Sir<br /> Frederick, P.C. : ‘ :<br /> <br /> Pope, Miss Jessie .<br /> <br /> Portman, Lionel<br /> <br /> Prelooker, J. .<br /> <br /> Prideaux, Miss S. T.<br /> <br /> Probert, W. S.<br /> <br /> Pryor, Francis.<br /> <br /> Purdon, Miss K. L.<br /> <br /> Rawlings, Burford<br /> <br /> Reynolds, Mrs. Baillie<br /> <br /> Reynolds, Mrs. Fred<br /> <br /> Rhys, Ernest :<br /> <br /> Richardson, Mrs. Aubrey<br /> <br /> Riley, Miss i osephine<br /> <br /> Rittenberg, Max<br /> <br /> Roberts, D. G.<br /> <br /> Roberts, Morley<br /> <br /> Roe, Mrs. Harcourt<br /> <br /> Romanes, Mrs.<br /> <br /> Ropes, A. R.<br /> <br /> Rorison, Miss E.<br /> <br /> Rossetti, Wm. M.<br /> <br /> Rumble, Mrs. ; :<br /> Rumbold, the Right Honble. Sir<br /> Horace, Bart., G.C.B., G.C.M.G.<br /> <br /> Russell, G. H. , ;<br /> <br /> Rutter, Frank<br /> <br /> S. F. F.<br /> <br /> S.M. .<br /> <br /> Sabatini, Rafael : .<br /> Saies, Mrs. . : : ; :<br /> <br /> —<br /> <br /> SCUSSSHSCONSOHSCSOOSCOHMOOCOOCCCONm<br /> <br /> SSSKSOSCSCOCOSCOSCCOOHMORHEHOHOE<br /> <br /> coocooccre<br /> <br /> —_<br /> SCH UNooananua?<br /> <br /> —<br /> <br /> _<br /> <br /> |<br /> WOSSTHAONOCOH Aan uo<br /> <br /> a he<br /> AOoIrtaonn»neHeareOoOnonm<br /> <br /> bot et ee<br /> AnaraKooed<br /> <br /> ra<br /> Or Or S Or Or Or<br /> <br /> or<br /> <br /> ooooooo SeSessoesooalraceooscoocococco SeEmooecoscoacscooacoscscoanacococos®<br /> o&gt;<br /> <br /> Salmond, Mrs. M. A. C.<br /> <br /> . Salter, Miss E. K. ; ; :<br /> Salwey, Reginald E. : : :<br /> <br /> anders, Miss E. K. : : :<br /> <br /> Scott, G. Forrester<br /> <br /> Scott, Mrs. C.<br /> <br /> Seaman, Owen.<br /> <br /> Sedgwick, Prof. A.<br /> <br /> Sedgwick, W. :<br /> <br /> Selincourt, Mrs. ‘Basil de<br /> Douglas Sedgwick)<br /> <br /> Sergeant, Miss “Constancia<br /> <br /> Seton- Karr, H. W.<br /> <br /> Shaw, Fred G. :<br /> <br /> Shaw, Mrs. Bernard<br /> <br /> Shepherd, George H.<br /> <br /> Shera, Miss B. M. :<br /> <br /> Sherwood, Miss A. Curtis<br /> <br /> Shipley, Miss Mary<br /> <br /> Simpson, W. J.<br /> <br /> Sinclair, Miss May<br /> <br /> Skrine, Mrs. J ohn H.<br /> <br /> Skrine, Rev. John H.<br /> <br /> Slaughter, Miss F.<br /> <br /> Smith, Bertram<br /> <br /> Smythe, Alfred<br /> <br /> Snell, Miss Olive<br /> <br /> Somers, John<br /> <br /> Somerville, E. (.<br /> <br /> Speed, Lancelot<br /> <br /> Sproston, Samuel, Junr.<br /> <br /> Stacey, Mrs. W. Sy aoe<br /> <br /> Stanton, Miss H. M. E.<br /> <br /> Stawell, Mrs. Rudolf<br /> <br /> Stayton, Frank .<br /> <br /> Stein, Sir M. Aurel<br /> <br /> Steveni, W. Barnes -<br /> <br /> Stewart, J. C. ] oe<br /> <br /> Stockley, Mrs.<br /> <br /> Stott, M. D.<br /> <br /> Sturt, Geo. .<br /> <br /> Sullivan, Herbert .<br /> <br /> Summers, J.<br /> <br /> Sutherland, Her Grace The Duchess of<br /> <br /> Sutro, Alfred<br /> <br /> Taylor, Mrs. Basil.<br /> <br /> Tearle, Christian .<br /> <br /> Teixeira de Mattos, Alex<br /> <br /> Thomson, Lieut.-Col. J.<br /> <br /> Thorn, Ismay :<br /> <br /> Thurston, E. Temple<br /> <br /> Todd, Margaret, M.D.<br /> <br /> Toynbee, Paget .<br /> <br /> Toynbee, William<br /> <br /> Travers, Miss Rosalind .<br /> <br /> Trench, Herbert<br /> <br /> Trevelyan, G. M. .<br /> <br /> (Anna<br /> <br /> Kee OOCCOCOM<br /> <br /> cocoeooocroscooomoronesceooowoosce<br /> <br /> —_<br /> <br /> COCCOFRMSOSCONOCONNOFOF<br /> <br /> ”<br /> <br /> _<br /> <br /> MONO OS ON GOLOT OT S OY CLOT OUT bt et et Or OT OT SOTO<br /> <br /> —<br /> bo Oe! Ole OS Or Or O OFS OL OTH © Or Or<br /> <br /> ie<br /> SKonrononan<br /> <br /> a<br /> eoouco<br /> <br /> cococoooooo<br /> <br /> cara<br /> <br /> THE AUTHOR.<br /> <br /> %<br /> <br /> _<br /> moO Oe<br /> <br /> Trevor, Major Philip. . :<br /> <br /> Truman, Miss Olivia M.. ‘ ‘<br /> <br /> Tuckett, F. F.<br /> <br /> Turner, G. F. :<br /> <br /> Turner, Reginald .<br /> <br /> Tuttiett, Miss M. G.<br /> <br /> Twycross, Miss M.<br /> <br /> Tyrrell, Miss Eleanor<br /> <br /> Underdown, Miss E.<br /> <br /> VS. :<br /> <br /> Vachell, H. A<br /> <br /> Vacher, Francis<br /> <br /> Vernéde, R. E.<br /> <br /> Von Holst, Gustav<br /> <br /> Voynich, Mrs. E. L. :<br /> <br /> Waldestein, Sir Charles .<br /> <br /> Walkley, S. ‘ ;<br /> <br /> Ward, Mrs. Humphry : ; &lt;1<br /> <br /> Ward, Rev. F. W. Orde<br /> <br /> Warden, Madame Gertrude<br /> <br /> Watt, A. P.. :<br /> <br /> Weaver, Mrs. Baillie :<br /> <br /> Wentworth, Patricia _<br /> Dillon)<br /> <br /> Weyman, Stanley J.<br /> <br /> Wheelhouse, Mrs. .<br /> <br /> Whishaw, Mrs. Bernhard<br /> <br /> Whiteing, Richard<br /> <br /> Wicks, Mark<br /> <br /> Willard, Mrs. :<br /> <br /> Williams, W. Wynne<br /> <br /> Wills, The Rev. Freeman<br /> <br /> Wilton, Margaret W. .<br /> <br /> Winchilsea and Nottingham,<br /> Countess of :<br /> <br /> Woods, Miss Mary A.<br /> <br /> Worsley, Miss Alice<br /> <br /> Wright, E. Fondi .<br /> <br /> Yolland, Miss E. .<br /> <br /> Young, Capt. Geo. F., CB.<br /> <br /> Young, Ernest. ‘<br /> <br /> Young, W. Wellington .<br /> <br /> COOCOHMHY OF OOoOm<br /> ~<br /> OM HO OUR OS Or OTS Ott et or<br /> <br /> CH OCOUCH ROOM<br /> <br /> _<br /> SO mH Or Or<br /> <br /> G F.<br /> <br /> onc<br /> <br /> Cereooocoocu<br /> —_<br /> Oo<br /> <br /> The<br /> <br /> eoecococor<br /> or Or SL OL OTTO<br /> <br /> a<br /> <br /> COMMITTEE NOTES.<br /> <br /> <br /> <br /> HE last meeting of the committee before the<br /> vacation took “place on Monday, July Ist, at<br /> the society’s offices. After the minutes<br /> <br /> of the previous meeting had been read and signed,<br /> twenty-four members ‘and associates were elected,<br /> bringing the elections for the current year up to<br /> 204. ‘The committee accepted, with regret, four<br /> resignations.<br /> <br /> The solicitors then reported upon the cases they<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR. 7<br /> <br /> had in hand, first dealing with matters that had<br /> been before the committee at their last meeting.<br /> These, the solicitors were able to state, were<br /> going forward in most cases satisfactorily. In the<br /> matter of fresh business, action was sanctioned<br /> for recovery of damages for wrongful dismissal of<br /> a member from the staff of a daily paper, and the<br /> solicitors were instructed to proceed. There were<br /> several small county court cases which had been<br /> placed in the solicitors’ hands during the month.<br /> In three of these, money had been recovered and<br /> forwarded to the authors. The others were pro-<br /> ceeding, and if no payment was made, summonses<br /> would be issued.<br /> <br /> The secretary then mentioned certain cases<br /> which had come before him during the month.<br /> One in America it was decided to place in the<br /> hands of the society’s American lawyers, failing<br /> payment by the American publisher. One was a<br /> complaint against a paper in Burma, and this the<br /> secretary was instructed to submit, when he had the<br /> necessary particulars, to the society’s solicitors in<br /> that country. In a third case, relating to the<br /> payment of the costs for settlement, by the society’s<br /> solicitors, of an agreemevt between an author and<br /> a publisher, the committee decided, after full con-<br /> sideration, that the bill must be settled by the<br /> member. Lastly, the secretary placed before the<br /> committee an offer received by a member from a<br /> publisher, and the committee instructed him to ask<br /> the member for permission to publish the suggested<br /> contract in the pages of Zhe Author, without<br /> mention of the member’s name.<br /> <br /> Owing to the passing of the new Copyright Act,<br /> the committee had under discussion the question<br /> of the collection of fees by the society for its<br /> members, on contracts, literary, dramatic and<br /> musical, the collection of fees under the compulsory<br /> licence clauses of the Act, as they affect mechanical<br /> reproduction of a composer’s works, being specially<br /> mentioned. It was decided to refer the matter to<br /> the Council, and notice was sent to the Council in<br /> due course, which body met early in July.<br /> <br /> The question of the election of members to the<br /> Council was considered, and four members were duly<br /> elected, subject to their consent.<br /> <br /> It was decided to increase the salary of one of<br /> ‘the clerks and also to pay the insurance premiums<br /> of all the clerks in the office.<br /> <br /> The chairman received from the committee<br /> ‘power to act in any matters of immediate import-<br /> ance that might come before the society during the<br /> vacation.<br /> <br /> It was decided also to purchase any files that<br /> might be required for the filing of the society’s<br /> correspondence which had grown so enormously<br /> recently.<br /> <br /> The committee expressed their thanks to Mrs.<br /> <br /> Wentworth-James for further<br /> society’s funds,<br /> <br /> donations to the<br /> aes<br /> Composers’ SuB-COMMITTEE.<br /> <br /> TuE last meeting before the vacation of the<br /> Composers’ Sub-Committee was held on Thursday,<br /> July 11th, at eleven o’clock, at the offices of the<br /> society.<br /> <br /> The minutes of the former meeting were con-<br /> firmed and signed.<br /> <br /> The secretary read a letter which he had<br /> received from a patent agent whom he had con-<br /> sulted on the matter of gramophone stamps and<br /> trade marks. In it the agent pointed out that he<br /> considered it useless to try and register the<br /> gramophone stamps under the Trade Marks Act.<br /> He suggested that the Composers’ Sub-Committee<br /> should rely on artistic copyright and that it would<br /> be as well for the society to keep a register of as<br /> many stamps as they could obtain from their<br /> members, and others, for the purpose of reference<br /> in order to prevent infringement. The committee<br /> instructed the secretary accordingly.<br /> <br /> Mr. Elkin, one of the directors of The Mechani-<br /> cai Copyright. Licences Co., Ltd., then attended the<br /> meeting in order to discuss with the Composers’ Sub-<br /> Committee some of the objections that had been<br /> raised to the form of contract for the collection<br /> of gramophone fees in the-hope that the sub-<br /> committee might, finally, be able to approve the<br /> agreement as put forward by Mr. Elkin’s company.<br /> The agreement was dealt with clause by clause, and<br /> after all the points had been fully discussed between<br /> the sub-committee and Mr. Elkin, he undertook to<br /> refer the matter to his directors, and then to refer<br /> the matter back to the sub-committee for further<br /> consideration. The sub-committee consider that<br /> the issues involved are of the greatest importance<br /> and, therefore, were pleased to welcome Mr, Elkin,<br /> as representing the Mechanical Copyright Licences<br /> Co., Ltd.<br /> <br /> ae<br /> <br /> CounciL MEETING.<br /> <br /> Tue second meeting of the Council for the<br /> present year was held at the rooms of the<br /> Society of Arts, 18, John Street, Adelphi, W.C.,<br /> on Friday, July 19th, at 5 o’clock.<br /> <br /> The Chairman put before the meeting the<br /> agenda which were contained in the circular<br /> convening the meeting, and ran as follows :—<br /> <br /> “Under the new Copyright Act certain com- |<br /> pulsory licence sections come into force under<br /> which fixed royalties are payable to authors<br /> and composers. The Committee of Manage-<br /> ment propose to meet the new conditions by<br /> extending the activities of the society so as to |<br /> 8 THE AUTHOR.<br /> <br /> include not only the collection of fees under<br /> these sections for the members involved, but<br /> the collection for all members of moneys under<br /> any contracts, literary, dramatic or musical,<br /> which they may have entered into. This<br /> collection will be made subject to the payment<br /> of a certain commission to the society on the<br /> sums collected. The meeting is called to<br /> discuss this extension of the society’s<br /> activities.”<br /> <br /> The Chairman explained briefly to the meet-<br /> ing what the society proposed to do. It was<br /> not proposed to act as agents for the placing of<br /> work in the ordinary sense, but merely to<br /> collect fees on a commission. He said that he<br /> had received a letter from one of the members<br /> of the Council stating that he considered the<br /> action which the society proposed was ultra<br /> vires. The matter was discussed by the mem-<br /> bers present, and it was decided to take<br /> counsel’s opinion. If counsel’s opinion on the<br /> technical point was in favour of the society,<br /> then it was unanimously agreed to organise a<br /> branch of the society to carry out the fresh<br /> activities proposed.<br /> <br /> Subsequently, counsel’s opinion was obtained,<br /> and from this it was clear that the society had<br /> full power to take up the matter.<br /> <br /> ether eoeipen$ care<br /> <br /> Cases,<br /> <br /> Forty-oNE cases have passed through the<br /> :ecretary’s hands, making roughly an average<br /> of fourteen cases a month, since the last issue<br /> of The Author, in July. The number is rather<br /> higher than usual, as during the Vacation the<br /> tendency is for the number of cases to decrease.<br /> Not a few of the claims have been for money<br /> due from magazines and periodicals. There<br /> are, unfortunately, far too many of these<br /> concerns which, lacking sound financial sup-<br /> port, soon get into arrears in the payment of<br /> their contributors. Knowing that they can<br /> always rely upon getting copy from fresh<br /> contributors, the managers of these publica-<br /> tions leave the author’s account till the very<br /> last moment, paying the printers’ bill first<br /> because of the control that an unpaid printer<br /> has over them. The unfortunate author, not<br /> being in the same strong position, and without<br /> knowledge, is kept waiting and sometimes is<br /> not paid until he has actually issued, through<br /> the society, a summons for what is due to him.<br /> <br /> There have been fourteen claims altogether,<br /> either against publisher, editor, or theatrical<br /> manager, for money due. In four of these the<br /> secretary’s application has been sufficient to<br /> <br /> bring the amounts owing. Four have been<br /> placed in the hands of the society’s solicitors<br /> (who have recovered in one case and are<br /> proceeding by legal process in the remaining<br /> three), and in the other six the secretary is<br /> still pursuing the delinquents, most of whom<br /> have promised payment.<br /> <br /> The secretary has handled nine claims for<br /> the return of MSS. wrongfully detained. In<br /> four of these the MSS. have been restored to<br /> their owners in response to the secretary’s<br /> applications. In one case the editor reported<br /> he could not trace the MSS. and as the author<br /> had no evidence of its arrival, the matter<br /> had to be dropped. Another case is against an<br /> actor touring in South Africa from whom, at<br /> the time of going to press, no answer has been<br /> received. In a third case the editor has<br /> promised to make a search, but has yet to<br /> report with what result, while in the fourth<br /> unsettled case, one of the MSS. has been<br /> returned, the agent—resident in America—<br /> having disclaimed all knowledge of the rest of<br /> the MSS. sent. The last case is being handled<br /> by the society’s solicitors and relates to the<br /> detention of a play by a member of the<br /> theatrical profession. Some difficulty is being<br /> experienced in getting into touch with the<br /> party at fault, but it is hoped that a satis-<br /> factory conclusion may yet be reached.<br /> <br /> In seven claims for accounts, the secretary<br /> has been successful in five. The remaining<br /> two have only come into the office recently,<br /> but there is no reason to anticipate that there<br /> will be any difficulty in obtaining the state-<br /> ments.<br /> <br /> Two requests have been made, on behalf of<br /> members, for fuller particulars of certain items<br /> in accounts rendered by publishers. In both<br /> eases the desired information has been fur-<br /> nished and the members have expressed them-<br /> selves satisfied.<br /> <br /> Two claims have arisen respecting appro-<br /> priation of title. These cases are not always<br /> easy to deal with, as priority in the use of a<br /> title does not always give the first user ex-<br /> clusive possession. Everything depends upon<br /> whether the duplication of title is likely to<br /> mislead the public into purchasing the second<br /> author’s book, or witnessing the second author’s<br /> play in mistake for the book or play of the<br /> first author. No hard-and-fast rule can be laid<br /> down in these matters. Each case must be<br /> governed by its particular circumstances.<br /> However, in the two cases under this head, the<br /> society has been successful on behalf of its<br /> members. The first, which was against a<br /> cinematograph company, was placed in the<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> THE AUTHOR. 9<br /> <br /> hands of the society’s solicitors, who persuaded<br /> the company to withdraw the film from circu-<br /> lation. The secretary was similarly successful<br /> in the second case. This case was against a<br /> theatrical manager who agreed to alter the<br /> title of his piece, when his attention was drawn<br /> to the fact that it was likely to conflict with<br /> the title given by the member concerned to a<br /> play which was still well before the public.<br /> <br /> Of two claims for infringement of copyright,<br /> one was settled by the offending newspaper<br /> compensating the author. The other, which<br /> is against an American pirate, has only just<br /> come into the office.<br /> <br /> Two cases arose in which the authors sought<br /> cancellations of their agreements with their<br /> publishers. In one the agreement has been<br /> eancelled. In the other, the secretary is<br /> waiting to hear from the publisher as to the<br /> terms on which he will deliver the balance of<br /> the stock to the author and cancel the contract.<br /> <br /> There were two claims for breach of agree-<br /> ment. One, against an actor, referred to the<br /> suppression of an author’s name from the play-<br /> bills and programmes of his play. Here,<br /> suitable compensation has been offered to, and<br /> accepted by, the author, and a draft apology<br /> for insertion in the papers has been drawn up.<br /> When this is signed by the actor the matter<br /> will be at an end. In the other case, a well-<br /> known firm of publishers broke their agree-<br /> ment by selling copies of a cheap edition of an<br /> author’s work in territory not covered by the<br /> licence granted them by the author. The firm<br /> have proved rather difficult to deal with in the<br /> matter, and the secretary has been forced, in<br /> consequence, to bring it to the notice of one<br /> of their directors who has promised, on his<br /> return from abroad, to communicate with the<br /> secretary.<br /> <br /> The last case referred to the division of<br /> gramophone fees between a composer and an<br /> author—both members of the society—under<br /> the Copyright Act, 1911. A division accept-<br /> able to both parties has been arranged.<br /> <br /> One case remains open from former months.<br /> The author has given the delinquent an exten-<br /> sion of credit, but proceedings will be taken if<br /> the amount is not, as has been promised, paid<br /> shortly.<br /> <br /> Souicrrors’ CasgEs.<br /> <br /> Nineteen cases have been placed in the hands<br /> of the society’s solicitors. The majority of<br /> them refer to the collection of money. Of<br /> these, numbering twelve, six have already been<br /> successful, the money having been obtained<br /> and forwarded to the authors. In two of the<br /> <br /> cases remaining, summonses have been issued<br /> but have not yet been returnable, in another<br /> an offer has been made for settlement, and in<br /> another the time for payment has been post-<br /> poned with the consent of the author. There<br /> have been two cases of infringement of copy-<br /> right—one in Sweden and the other in England.<br /> The former is in the course of a favourable<br /> settlement, as the penalties have practically<br /> been assessed, and it is only a question of how<br /> far the author is willing to accept the proffered<br /> terms. The other has only recently come into<br /> the office. In a case of piracy in Burma,<br /> considerable difficulty has arisen owing to legal<br /> technicalities, but it is hoped that the difficul-<br /> ties will be cleared away and the author enabled<br /> to establish his title. A question relating to<br /> the cancellation of an agreement and the<br /> rendering of accounts is being negotiated and<br /> is nearing a settlement. One case for the<br /> return of a MS. in the United States is still<br /> open, as it has only just been placed in the<br /> hands of the society’s lawyers in the United<br /> States. A question of account is being investi-<br /> gated, but as the defendant is away for his<br /> holiday it is difficult to get sufficient informa-<br /> tion. There is a serious allegation of over-<br /> charge of the cost of production on the account.<br /> It is possible, however, some explanation may<br /> be forthcoming. The last case refers to the<br /> purchase by a magazine of a story purporting<br /> to be the work of a well-known author who, in<br /> fact, had not written the story in question.<br /> It is hoped to bring the culprit to book. It is<br /> a most serious question of misrepresentation<br /> and must run very close to forgery.<br /> <br /> Of the cases in the solicitors’ hands before<br /> the last meeting a full report appears under the<br /> Committee Notes, but many of these which<br /> were then unsettled, have been satisfactorily<br /> terminated within the past three months.<br /> <br /> fag<br /> <br /> July Elections.<br /> Alford, Miss Daisy Oke Wayside, : Minehead,<br /> <br /> : Somerset.<br /> <br /> Baker, Arthur E., Tauntonand YewTree<br /> F.R.Hist.8., Secretary House, Winsford.<br /> and Librarian.<br /> <br /> Berkley, J., Major, R.F.A. Rooksbury Mill,<br /> Andover.<br /> <br /> 54, Parliament Street,<br /> S.W.<br /> <br /> Flint Cottage, Mt.<br /> Ephraim Lane,<br /> Streatham, S.W.<br /> <br /> Bolster, Reginald, c/o<br /> Messrs. Grindlay &amp; Co.<br /> <br /> Burgess, George (‘ Hmil<br /> Meene”’)<br /> 10<br /> <br /> 38th (K.G.0.) Cen-<br /> tral India Horse.<br /> <br /> 53, Telford Avenue,<br /> Streatham Hill,<br /> S.W.<br /> <br /> Daylesford. Newport,<br /> Isle of Wight.<br /> <br /> Sidgard.<br /> <br /> Cooke, Major 8. A. . :<br /> <br /> Dodwell, Samuel (Bernard<br /> Phelps)<br /> <br /> Eldridge, Robey Frank<br /> <br /> Fisher, Miss M. L. (Jlollina<br /> Joy).<br /> <br /> Fulton, Grenville. Authors’ Club, 2<br /> <br /> Whitehall Court,<br /> <br /> S.W.<br /> <br /> Clarence ‘Terrace,<br /> <br /> Leamington Spa.<br /> <br /> Portslade, Sussex.<br /> Adamson Road,<br /> <br /> S. Hampstead.<br /> <br /> St. Bride Foundation,<br /> Bride Lane, E.C.<br /> The Cottage, Bushey<br /> <br /> Heath, Herts.<br /> <br /> Hain, a, M., PhD. 2<br /> F.R.S.L.<br /> <br /> Hall, Leonard . ; :<br /> <br /> Jessop, George H. . a4<br /> <br /> Peddie, R. A. . ‘ :<br /> <br /> Perrin, Mrs. Ida : ;<br /> <br /> Philip, Alex. J. : . 8, Darnley ‘Terrace,<br /> Overcliffe, Graves-<br /> end.<br /> <br /> Shelley, Bertha ‘ Lyceum Club, 128,<br /> Piceadilly.<br /> <br /> Shipley, R. H. . : Charleville, | Cranes-<br /> water Park, South-<br /> sea.<br /> <br /> Slater, Catherine P. . Edinburgh.<br /> <br /> Stewart, Miss Edith Anne. Clarewood, Limps-<br /> <br /> field, Surrey.<br /> ———_+—_ &gt; +—___—_<br /> <br /> BOOKS PUBLISHED BY MEMBERS.<br /> <br /> SS on eee<br /> <br /> While every effort is made by the compilers to keep<br /> this list as accurate and exhaustive as possible, they have<br /> some difficulty in attaining this object owing to the fact<br /> that many of the books mentioned are not sent to the office<br /> by the members. In consequence, it is necessary to rely<br /> largely upon lists of books which appear in literary and<br /> other papers. It is hoped, however, that members will<br /> co-operate in the compiling of this list and, by sending<br /> particulars of their works, help to make it substantially<br /> accurate.<br /> <br /> AGRICULTURE.<br /> <br /> A Free Farmer tn A Free Starz. A Study of Rural<br /> Life and Industry and Agricultural Politics in an<br /> Agricultural Country. By ‘“ Home Countizs” (J. W.<br /> Robertson Scott). 84 x 5% 335 pp. Heinemann.<br /> 6s. n.<br /> <br /> ARCH AZOLOGY.<br /> <br /> Tur Form or THE AtrHapet. By. W.M. FLINDERS<br /> Perris (British School of Archeology in Egypt Studies<br /> Series, Vol. IIL). 124 x 10. 20 pp. Nine Plates.<br /> Macmillan and Quaritch. 5s. n.<br /> <br /> ARCHITECTURE.<br /> <br /> Tur CATHEDRALS OF ENGLAND AND WALES. Being a<br /> fourth edition of ‘“ English Cathedrals Illustrated.”<br /> By Francis Bonn. 8 X 5}. 493 pp. Batsford.<br /> 78, 6d. nD,<br /> <br /> THE AUTHOR.<br /> <br /> ART.<br /> VISVAKARMA EXAMPLES OF IxpriaAN ARCHITECTURE,<br /> ScuterurE, Parytrnc, Hanpicrarr. Chosen by<br /> Awnanpa K. CoomaraswaMy. PartI. 11 x 9. 79 pp.<br /> <br /> The Author, 39, Brookfield, West-hill, N., and Luzac<br /> 2s. 6d.<br /> <br /> Art and SwapesHt. By A. K. Coomaraswamy.<br /> _ Madras: Ganesh &amp; Co. Rs. 1.<br /> Inp1ran Drawrnes. Second Series. Chiefly Rajput.<br /> <br /> With 27 collotype plates and 16 text illustrations. By<br /> <br /> A. K. Coomaraswamy. Probsthain. 25s. n.<br /> Hercutes BraBazon Brapvazon. 1821-1906. His Art<br /> and Life. By C, Lewis Hinp. 114 x 9. 103 pp.<br /> Allen. 21s. n.<br /> BIOGRAPHY.<br /> Tue Fourrn GuneraTIoN Reminiscences. By JANET<br /> Ross. 8? x 53. 400 pp. Constable, 12s. 6d. n.<br /> Intimate Memorrs or Naproreon III. PERSONAL<br /> <br /> REMINISCENCES OF THE MAN AND THE EMPEROR. By<br /> the late Baron D’Amnis. Edited and translated by<br /> A. R. Atrrxson. With illustrations from the collection<br /> <br /> of A. M. Broadley. 9 x 6. Twovols. Stanley Paul.<br /> 248. n.<br /> <br /> A Yxrar anp A Day. By Outver Carist1an MALvery<br /> (Mrs. Archibald Mackirdy). 8} x 5}. 333 pp.<br /> Hutchinson. 6s.<br /> <br /> Grorce Borrow. The Man and his Books. By<br /> E. Tuomas. 9 xX 53. 333 pp. Chapman and Hall.<br /> <br /> 10s. 6d. n.<br /> <br /> Tue CumBERLAND Lerrers. Being the Correspondence<br /> of Richard Dennison Cumberland and George Cumber-<br /> land between the years 1771 and 1784. Edited by<br /> CLEMENTINA Back, and now printed for the first<br /> time. 9} x 6. 352 pp. Martin Secker. 16s. n.<br /> <br /> CarprinaL Dre RicneuiEev. By Eveanor C. PRIc#.<br /> 9 x 54. 306 pp. Methuen. 10s. 6d. n.<br /> <br /> Som Otp Love Storres. By T.P. O&#039;Connor. 6} X 4}.<br /> <br /> 376 pp. Nelson’s Shilling Library.<br /> <br /> BOOKS FOR THE YOUNG.<br /> <br /> Tur Farrtes AND THE Curistmas Camp. By Liitan<br /> <br /> Gask. ImIustrated by Witty Pocgany. 8% x 63.<br /> 261 pp. Harrap. 5s. n.<br /> DRAMA.<br /> <br /> MaAKESHIFTS AND REALITIES.<br /> 8} x 53. 39 pp.<br /> <br /> PRESERVING Mr. PANMURE.<br /> By Artuur W. PINRO.<br /> mann. Is. 6d. n.<br /> <br /> By GerrrrupE Rosiys.<br /> Werner Laurie. 6d.<br /> <br /> A Comic Play in Four Acts.<br /> 64 x 5. 296 pp. Heine-<br /> <br /> THe Hoty Gram. A Romantic Mystery Play. By<br /> Haxiuyt Earrron. 7 x 43. 67 pp. The Faith<br /> Press. 2s. 6d,<br /> <br /> EDUCATIONAL.<br /> <br /> Tue GIANT AND THE CATERPILLAR. And other Addresses<br /> <br /> to Young People. By Joun A. Haminron. 7} X 43.<br /> 256 pp. H. R. Allenson.<br /> FICTION.<br /> Tos Mummy. By Riccarpo Srernens. 7} x 5.<br /> <br /> 428 pp. Nash. 6s.<br /> <br /> Tur Rep BupeEer or Stortus. Edited by CHARLES<br /> Garvice. 8} X 61. 312 pp. Hodder and Stoughton,<br /> ls. n.<br /> <br /> Gay Lawness. By Heran Maruers (Cheap Edition).<br /> 8} x 5}. 153 pp. Stanley Paul. 6d.<br /> <br /> TALES OF THE OPEN Hazarv. By HaLLiwE Lb SUTCLIFFE.<br /> 7% x 5. 312 pp. Mills and Boon. 6s. :<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR. L1<br /> <br /> From THE ANGLE or SEVENTEEN. By EpEN PHILLrorTtTs,<br /> 74 x 5. 235 pp. Murray. 3s. 6d. n.<br /> <br /> Beira. By E. C. Boorn. 7? x 5. 364 pp. Arnold.<br /> 6s.<br /> <br /> . 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Marcumont.<br /> 74 x 5. 296 pp. Hodder and Stoughton. 6s.<br /> <br /> Kine Soromon’s Mines. By H. Riper Haaaarp.<br /> <br /> With Hight Illustrations in Colour. By A. C. Micwaxrt.<br /> <br /> 83 x 54. 333 pp. Cassell. 7s. 6d. n.<br /> <br /> Daisy THE Mixx. A Diversion by Mary L. PENpERED.<br /> veg iiae Edition.) 74 x 5. 269 pp. Ham-Smith.<br /> 3. n.<br /> <br /> Tue Cius or Queer Trapes. By G. K. Cuesterron.<br /> 7; X 43. 192 pp. Hodder and Stoughton. 1s. n.<br /> <br /> Satty Bisnop. By E. Tempte Tuurston. 7} x 5.<br /> <br /> 331 pp. Chapman and Hall.<br /> WHEN THE WAR Is O&#039;ER.<br /> Longmans &amp; Co.<br /> <br /> 28. n.<br /> By Masor F. M. Peacock.<br /> <br /> GARDENING.<br /> <br /> THe New Garpenina. A Guide to the most Recent<br /> Developments in the Culture of Flowers, Fruits, and<br /> Vegetables. By Warter P. Wricnt. 81 x 54. 400 pp.<br /> Grant Richards. 6s. n.<br /> <br /> HISTORY.<br /> Princess AitFRiIpA’s Cuarity. Part II. By Henry<br /> LANSDELL. 64 x 4. 96 pp. Burnside. 6d.<br /> CALENDAR OF StaTE Papers. Colonial Series. America<br /> and West Indies. Jan.-Dec.1., 1702. Preserved in<br /> the Record Office. Edited by C. Heapitam. 104 x 7.<br /> <br /> 843 pp. Wyman. 15s. n.<br /> In tHE Footsteps oF Ricuarp Ceur De Lion. By<br /> <br /> Mavupe M. Horsacn. 9 x 53. 357 pp. Stanley<br /> Paul. 16s. n.<br /> JUVENILE.<br /> Att Axsovur Sues. A Book for Boys. By Ligvr.<br /> TaPRELL Doruinc, R.N. 81 x 6. 371 pp. Cassell.<br /> <br /> 6s.<br /> Tommy Loss. By Water Emanven. Illustrated by<br /> Joun Hassaty. 10 x 7}. 53 pp. Chapman and Hall.<br /> <br /> 2s. 6d. n.<br /> LAW.<br /> <br /> INTERNATIONAL Law. A Treatise.<br /> Vol. II., War and Neutrality.<br /> 711 pp. Longmans. 21s. n.<br /> <br /> Tue Case or Oscar Sutater. By A. Conan Dovyte.<br /> 6 x 4. 99 pp. Hodder and Stoughton. 64.<br /> <br /> LITERARY.<br /> Tse British Museum Reapimne Room.<br /> <br /> By L. 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In English Verse.<br /> By Atrrep PrrcevaL Graves (“ Canwr Cilarné ’’).<br /> President of the Irish Literary Society, etc. 72 x 5.<br /> 170 pp. Longmans. 2s. 6d.<br /> <br /> Sones or Exme. Being Verses of African Sunshine,<br /> Shadow, and Black Man’s Twilight. By CvULLEN<br /> GourpsBury. 745. 144 pp. Fisher Unwin.<br /> <br /> 3s. 6d. n.<br /> Battaps or Burma. (Anecdotal and Analytical.) By<br /> “Voray.” Illustrated by T. Martin Jonas. 1k X<br /> <br /> 53. 116 pp. Thacker.<br /> <br /> PHILOSOPHY.<br /> <br /> THovcHTs on Untmate Propiems. Being a series of<br /> Short Studies on Theological and Metaphysical Subjects.<br /> By F. W. Franxuanp. Fifth and Revised Edition.<br /> 7% x 43. 133 pp. Nutt. 1s. Gd. n.<br /> <br /> THe Strarecy or Nature. By M. Bruce Wiis.<br /> 7 x 4}. 60 pp. Association of Standardized Know-<br /> <br /> ledge. 2s. 6d.<br /> POLITICAL.<br /> <br /> THe Lapy Next Door. 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Arranged by Dovenas<br /> SuaDEN. 7 x 44. 320 pp. Constable. 2s. 6d. n.<br /> <br /> SCIENCE.<br /> <br /> Axioms AND PRincipLes or THE SCIENCE oP<br /> ORGANIZATION. Second Edition. By M. Bruce<br /> Wittiams. 104 x 53. 24 pp. Association of<br /> Standardized Knowledge. 7s. 6d.<br /> <br /> THE BuitpiIneG or THE ALPs. By T.G. Bonny. 9 x 5h.<br /> 384 pp. Fisher Unwin. 12s. 6d. n.<br /> <br /> 7? xX 518<br /> <br /> In PRatsE oF<br /> <br /> 18<br /> <br /> SOCIOLOGY.<br /> <br /> Otp Towns anp New NEEps np THE Town EXTENSION<br /> Puan. Being the Warburton Lectures for 1912.<br /> (Illustrated.) Delivered by Pavun WatErHovusEe and<br /> Raymonp Unwin. 83 x 73. 62 pp. Manchester<br /> University Lectures, Nos. XIII. and XIV. Sherratt<br /> and Hughes. ls. n.<br /> <br /> Wuat THE WorKER Wants. The Daily Mail Inquiry.<br /> By H. G. Wetrs and others. 8} x 61. 161 pp.<br /> Hodder and Stoughton. 64.<br /> <br /> Tue Task or Soctan Hycrenr. By H. Havetock<br /> Euuts. 8} x 53. 414 pp. Constable. 8s. 6d. n.<br /> THE Ox~p Enerish Country SaurRE. By PP. #H,<br /> Drrcurietp, F.S.A. 9 x 5}. 347 pp. Methuen.<br /> <br /> 10s. 6d. n.<br /> <br /> THEOLOGY.<br /> <br /> Vittace SERMONS To SrmptE Sours. By the Rev.<br /> S. Bartne Gounp. 7} x 43. 150 pp. Skeffington.<br /> 2s. n.<br /> <br /> TRAVEL,<br /> <br /> Rome: THE CRADLE oF WESTERN CIVILIZATION, AS<br /> ILLusTRATED By Existing Monuments. By H. T.<br /> Inman. 63 x 41. 297 pp. Stanford. 4s. n.<br /> <br /> Tue PassEs OF THE PyrENEES. A Practical Guide to the<br /> Mountain Roads of the Franco-Spanish Frontier. By<br /> C. L. Frexston, F.R.G.S. 8} x 5}. 196 pp. Kegan<br /> Paul. 10s. 6d. n.<br /> <br /> THe Rest Srperta, ToGETHER WITH AN ACCOUNT OF A<br /> Dash TurovcH Mancuvrta. By J. Fostur FRASER.<br /> 7% xX 5. 179 pp. Cassell. Is. n.<br /> <br /> By Desert Ways To Bacupap. By Louisa Jesr. (Mrs.<br /> Roland Wilkins.) 6} x 41. 370 pp. Nelson. Is.<br /> <br /> My Paristan Year. A Woman’s Point of View. By<br /> MavuprE ANNESLEY. 8} x 5$. 293 pp. Mills and Boon.<br /> 10s. 6d. n.<br /> <br /> TuRoucH HoLuanp IN THE ViveTTE. By E. Kersie<br /> CHATTERTON. 8 x 6, 248 pp. Seeley Service.<br /> <br /> Lire 1n tHE Inpran Portce. By C. E. Govtpspury<br /> (Late Indian Police). 9 x 5}. 284 pp. Chapman and<br /> Hall. 7s. 6d. n.<br /> <br /> Nova Scotia. The Province that bas been Passed By.<br /> By Brecxies Wittson. Revised Edition, with Illus-<br /> trations. 8} x 5$. 258 pp. Constable.<br /> <br /> OS)<br /> <br /> BOOKS PUBLISHED IN AMERICA BY<br /> MEMBERS.<br /> <br /> —<br /> <br /> BIOGRAPHY.<br /> <br /> Tse FourtH Generation. By Janet Ross. 400 pp-<br /> New York: Scribners. $3.50 n.<br /> <br /> FICTION.<br /> AN Impertan Marriage. By Arraur W. Marcumont.<br /> 317 pp. New York: Dodge Publishing Co. 75 cents.<br /> Mary Pecuett. By M. A. Bentoc LownpEs. 324 pp.<br /> New York: Scribners. $1.30 n.<br /> <br /> EDUCATIONAL.<br /> Sweer, H: Anglo-Saxon Primer: with Grammar and<br /> Glossary. Eighth Edition. New York: Oxford Uni-<br /> versity. 8vo. 60 cents n.<br /> Anglo-Saxon Reader in Prose and Verse:<br /> Grammatical Introd., Notes and Glossary.<br /> <br /> with<br /> Eighth<br /> 14 THE AUTHOR.<br /> <br /> Edition Revised. New York: Oxford University.<br /> 8vo. $2.40 n.<br /> <br /> Elementarbuch des gesprochenen Englisch; gram-<br /> matik, texte und glossar, Third Edition. New York :<br /> Oxford University. Svo. 60 cents n.<br /> <br /> First Middle English Primer: with Grammar and<br /> <br /> Glossary. Second Edition. New York: Oxford<br /> University. S8vo. 50 cents n.<br /> First Steps in Ang&#039;o-Saxon. New York: Oxford<br /> <br /> Univers&#039;ty. 8vo. 75 cents n.<br /> <br /> History of English Sounds from the Earliest Period :<br /> with full Word Lists. New York: Oxford University.<br /> 8vo. $3.50 n.<br /> <br /> An Icelandic Primer: with Grammar, Notes, and<br /> Glossary. Second Edition. New York: Oxford<br /> University. 8vo. 90 cents n.<br /> <br /> Manual of Current Shorthand: Orthography and<br /> Phonetic. New York: Oxford University. $1.10 n.<br /> <br /> New English Grammar; Logical and Historical.<br /> In Two Parts. Part I. Introduction, Phonology and<br /> Accidence. Part II. Syntax. New York: Oxford<br /> University. 8vo. Part 1., $2.60. Part II., 90 cents.<br /> <br /> Old English Reading Primers. Two Vols. Vol. I.—<br /> Selected Homilies of Aelfric, Second Edition ; Vol. II.—<br /> Extracts from Alfred’s Orosius, Second Edition. New<br /> York: Oxford University. 8vo. Each 50 cents n.<br /> <br /> Primer of Historical English Grammar. New York :<br /> Oxford University. 8vo. 60 cents n.<br /> <br /> Primer of Spoken English. Third Edition Revised.<br /> New York: Oxford University. Svo. 90 cents n.<br /> <br /> A Second Anglo-Saxon Reader. New York: Oxford<br /> University. 8vo. $1.10 n.<br /> <br /> Second Middle English Primer : Extracts from Chaucer,<br /> with Grammar and Glossary. Second Edition. New<br /> York: Oxford University. 8vo. 50 cents n.<br /> <br /> Short Historical English Grammar. New York:<br /> Oxford University. 8vo. $1.10 n.<br /> The Student’s Dictionary of Anglo-Saxon.<br /> <br /> Oxford University. 4to. $2.90 n.<br /> <br /> REPRINTS.<br /> <br /> Srupres aND Appreciations. By Fiona MacweEop.<br /> Selected and Arranged by Mrs. WiitiaM SHARP.<br /> 424 pp. New York: Duffield. $1.50 n.<br /> <br /> SCIENTIFIC.<br /> <br /> New York :<br /> <br /> Borany; oR THE Moprrn Srupy or Puants. By<br /> Marre C. Stopes. 94 pp. New York: Dodge Pub-<br /> lishing Co. 20 cents n.<br /> <br /> ee<br /> <br /> LITERARY, DRAMATIC, AND MUSICAL<br /> <br /> NOTES.<br /> a<br /> = ELSH Poetry, Old and New in<br /> <br /> English Verse,” by Mr. A. P. Graves,<br /> : issued by Messrs. Longmans &amp; Co.,<br /> is the first attempt to present in English<br /> verse, as nearly as possible in the metres of<br /> the originals, a selection of Welsh poetry,<br /> old and new, fairly typical of the lyrical<br /> literature of the Principality. The anthology<br /> contains a foreword by the Bishop of St. Asaph,<br /> an introduction embodying the views of expert<br /> critics on the various periods and branches of<br /> <br /> Welsh poetry with which it deals, and bio-<br /> graphical and critical notes upon the poets<br /> treated of.<br /> <br /> J. Giberne Sieveking’s new books include a<br /> biographical work and a novel. The former<br /> is a Memoir of Sir Horace Mann, and deals<br /> with the later life of Charles Edward at<br /> Florence, where Mann was George II.’s Envoy.<br /> The title of the novel is “The Great<br /> Postponement.”<br /> <br /> M. Alexander Teixeira de Mattos has<br /> acquired the right of translation for the<br /> United Kingdom and America of all the<br /> entomological and other works of J. H. Fabre,<br /> the French naturalist, that have not been<br /> published in this country.<br /> <br /> Messrs. Hodder and Stoughton will publish<br /> this autumn a volume of travel sketches by<br /> Mrs. H. R. Curlewis (Miss Ethel Turner),<br /> entitled ‘Ports and Happy Havens,” the<br /> various sketches being of Colombo, the Red<br /> Sea, Italy, Switzerland, Germany, France,<br /> Holland and Belgium.<br /> <br /> Messrs. Ward, Lock &amp; Co. at the same time<br /> are bringing out a new edition, with an<br /> entirely new set of illustrations of the same<br /> author’s ‘‘ Seven Little Australians.’ This<br /> book is now in its sixteenth edition, and like<br /> the rest of Miss Turner’s books, has been<br /> translated into Dutch, Swedish, Danish and<br /> other foreign languages. The same firm will<br /> also issue a new edition of “ That Girl”<br /> which they have bought from Mr. Fisher<br /> Unwin, who published it for the author in<br /> 1908.<br /> <br /> Edith C. Kenyon’s new novel “ The Wooing<br /> of Mifanwy: A Welsh Love Story,” appears<br /> <br /> - this autumn by Messrs. Holden and Harding-<br /> <br /> ham. The atmosphere and environment is in<br /> the heart of rural Wales, where Miss Kenyon<br /> lived in her early womanhood.<br /> <br /> “Intimate Memoirs of Napoleon III.” is<br /> the title of a new work translated from the<br /> French of Baron d’Ambes by A. R. Allinson.<br /> This book is the private diary of a life-long<br /> and intimate friend of Louis Napoleon, whose<br /> identity is here thinly veiled under a somewhat<br /> obvious pseudonym. The Baron follows his<br /> hero from boyhood through the years of exile<br /> and adventure, as a conspirator in Italy, asa<br /> refugée in London, as President of the Republic<br /> of 48, finally as Emperor down to the disasters<br /> of 1870, the fatal day at Sedan and the death<br /> at Chislehurst.<br /> <br /> “Great is Discipline’? by O. C. Ironside<br /> is a novel which deals with a factory founded<br /> by a “ self-made ” man’s thrift almost wrecked<br /> by Trade Unionism, and re-established by<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR. 15<br /> <br /> science. The published price of the book is<br /> 6s. Copies may be obtained at 4s. 6d. net.<br /> from Mr. E. Dracup of 21, Millbrook Road,<br /> Bedford.<br /> <br /> Part III. of ‘“‘ Princess Alfrida’s Charity ”<br /> by the Rev. Henry Lansdell was published in<br /> July. The present, and concluding portion,<br /> contains biographical notes of Sir John Morden<br /> during his living at Wricklemarsh, his pur-<br /> chase of Church property, his treasurership of<br /> Bromley College; his mastership of his own<br /> College, with its first inhabitants; provision<br /> for the government of Morden College ; and<br /> how the administration of the Charity devolved<br /> into the hands of the first trustees. Messrs.<br /> Burnside, Limited, Booksellers, Blackheath<br /> publish the book.<br /> <br /> A cheap edition of Annabel Gray’s novel<br /> ““The Mystic Number Seven” is announced<br /> by Messrs. W. Stewart &amp; Co., 19, Newcastle<br /> Street, Farringdon Street, E.C. The novel,<br /> which was originally published some eight or<br /> nine years ago, is sensational in character.<br /> It will be published now at 6d. net. and will<br /> be followed by a complete edition of Miss<br /> Gray’s works at cheap prices.<br /> <br /> “Rome, The Cradle of Western Civilisation,<br /> as Illustrated by Existing Monuments,”’ is<br /> a book by Mr. H. T. Inman, published by<br /> Messrs. Edward Stanford. The author’s aim<br /> has been to enable English visitors to see the<br /> monuments of ancient and medieval Rome as<br /> a whole and from a point of view of personal<br /> interest to themselves. Some dozen or so<br /> plans, and an index enhance the usefulness<br /> of the volume.<br /> <br /> Her Majesty the Empress of Japan has been<br /> graciously pleased to accept a copy of * Four-<br /> teen Years of Diplomatic Life in Japan,” by<br /> the Baroness Albert d’Anethan, published by<br /> Messrs. Stanley Paul &amp; Co.<br /> <br /> ‘“* Edelweiss,’ by Rita, is the latest addition<br /> to these publishers’ “clear type” sixpenny<br /> novels.<br /> <br /> Messrs. Stanley Paul announce, also, that<br /> their Majesties, Queen Mary and Queen<br /> Alexandra have graciously promised to accept<br /> a copy of Mrs. Charlotte Cameron’s latest<br /> story, entitled “A Durbar Bride,” the only<br /> novel dealing with the historic event written<br /> from an eye-witness’ point of view. Mrs.<br /> Charlotte Cameron represented the ‘‘ Lady’s<br /> Pictorial” at the Durbar, and fully availed<br /> herself of the many opportunities afforded<br /> her for gathering interesting material for her<br /> new book.<br /> <br /> Mr. J. J. Haldane Burgess is preparing for<br /> publication a third edition of his volume of<br /> <br /> poems in the Shetlandic, entitled “ Rasmie’s<br /> Biiddie.”” A foreword in verse will occupy<br /> the opening pages of the new edition.<br /> <br /> Messrs. Methuen &amp; Co. announce the<br /> publication of a volume of poems by<br /> L. F. Wynne Ffoulkes, under the title of<br /> “Poems of Life and Form.” Variety of<br /> theme and mode of expression is the keynote<br /> of the poems which are dedicated to H.R.H.<br /> The Princess Frederica of Hanover.<br /> <br /> Miss Florence Bone’s autumn books are:<br /> “The Furrow on the Hill,” published by the<br /> Religious Tract Society, and “ Curiosity<br /> Kate,’ which is to be published in England<br /> by Messrs. Partridge, and in America by<br /> Messrs. Little, Brown &amp; Co., of Boston.<br /> <br /> Messrs. Smith Elder &amp; Co. will shortly<br /> bring out a book entitled ‘ Two Troubadours ”<br /> by Esme Stuart. Though the lively twins,<br /> ‘““Two Troubadours”’ chiefly fill up the<br /> canvas, many characters well-known to the<br /> public in ‘‘ Harum Scarum ” reappear.<br /> <br /> Mr. Norman Porritt, M.R.C.S. will publish<br /> during October with Mr. Evan Macleod,<br /> “The Ear; its hygiene and care,’ founded<br /> on thirty years of practice and the experience<br /> gained in the special eye and ear department,<br /> the author established at the Huddersfield<br /> Royal Infirmary, to which Institution he is<br /> now consulting surgeon. Without trespassing<br /> on the domains of the medical man, the book<br /> aims to be a practical guide for that large<br /> section of the lay public which suffers from<br /> deafness and other ear ailments.<br /> <br /> Messrs. John Long have just published a<br /> novel entitled ‘‘The Gate Openers” by<br /> K. L. Montgomery, author of “ The Cardinal’s<br /> Pawn.” The novel is based upon a dramatic<br /> chapter of English history, the Rebekah Riots<br /> in South Wales in 1843, and is the story of<br /> the crusade against the turnpike system.<br /> <br /> We have received from Mr. B. T. Batsford,<br /> prospectus of a work by Mr. Aymer Vallance,<br /> to be published shortly, for which subscribers’<br /> names are invited. The work constitutes an<br /> account of Oxford collegiate architecture<br /> lavishly illustrated. Mr. Vallance’s- book<br /> differs from those of previous writers who have<br /> devoted a large share of their attention to<br /> the history of the various colleges as institu-<br /> tions, whereas, the present work deals with<br /> them as monuments of beautiful architecture<br /> and storehouses of admirable craftmanship.<br /> Separate descriptions are given of the<br /> University Church, of the schools and the<br /> Bodleian, and then of each college in turn,<br /> but one of the special features of the book is<br /> the introduction, an analytical essay, in which<br /> 16 THE AUTHOR.<br /> <br /> the development of the college plan is traced<br /> and the most characteristic details of college<br /> architecture compared and summarised. The<br /> volume includes reproduction from water-<br /> colour and other drawings by the following<br /> artists and draughtsmen: J. Hoefnagel,<br /> M. Burghers, J. Malchair, E. Dayes, J. C.<br /> Nattes, J. Nash, H. O&#039;Neill and G. Hollis.<br /> The book will appear in the autumn at £4 4s,<br /> net., but up to October 8th orders will be<br /> accepted at the rate of £3 13s. 6d. net., and a<br /> list of subscribers’ names will be published<br /> in the work.<br /> <br /> “The River Rhymer,” a volume of verses,<br /> treating of the Thames, its places, people and<br /> life, from the source to the sea, by Mr. J.<br /> Ashby Sterry, will be published this month by<br /> Mr. W. J. Ham-Smith.<br /> <br /> Mrs. Fred Reynolds will shortly issue a<br /> new novel under the title of ‘“ Letters to a<br /> Prison.” The letters are written by a young<br /> wife, separated from her husband, and give<br /> the pageant of the year from a mountain<br /> village in Wales. A local love story is inter-<br /> woven in the plot which itself touches the<br /> deep things of life.<br /> <br /> The September number of ‘‘ The Librarian ”<br /> contains the first part of an article on a subject<br /> of great interest to librarians, namely, ‘‘ Biblio-<br /> graphy.” This is a subject not very much<br /> studied in this country, compared with America<br /> and Germany and one or two other countries<br /> where bibliography is regarded as of great<br /> national importance. Miss Margaret Reed’s<br /> article appears, as well as Mr. T. Edwin Cooper’s<br /> article on “‘ Library Architecture.”<br /> <br /> Messrs. Stanley Paul &amp; Co. announce<br /> for immediate issue a new novel by Miss<br /> Arabella Kenealy entitled ‘The Irresistible<br /> Mrs. Ferrers.” The irresistible Mrs. Ferrers<br /> is a fashionable beauty, whose ambition is to<br /> be known to history as the most beautiful and<br /> brilliant woman of her day who charmed all<br /> men and succumbed to none, and the story<br /> tells how she directs her life to this end. There<br /> are some original views in the book on the<br /> woman question.<br /> <br /> “The Three Anarchists” is the title of a<br /> new novel by Maud Stepney Rawson. The<br /> story is- written round the unsatisfied soul-<br /> starved young wife of an elderly, weak, cruel<br /> and penurious man, and the other principal<br /> character is a human stepson at inevitable<br /> enmity with so opposite a father. Both<br /> crave for the fulness of life, the woman<br /> intensely desirous of founding a real home<br /> and making real happiness; and the young<br /> man responding to her love and care with more<br /> <br /> ?<br /> <br /> than mere affection. Messrs. Stanley Paul<br /> &amp; Co, are the publishers.<br /> <br /> T e same publishers announce for immediate<br /> publication “The Thread of Proof,” a new<br /> story by Mr. Headon Hill. The principal<br /> theme of this volume is the abnormal astuteness<br /> of the conductor of a railway restaurant-car,<br /> whose power of observation and deduction<br /> enables him to solve the many absorbing<br /> ““ mysteries’ that come under his ken.<br /> <br /> Mr. Herbert Jenkins is publishing, either<br /> this month or in November, Mr. W. L. George’s<br /> new book “Woman and To-morrow.” It<br /> deals with the principles and aims of Feminism<br /> in the arts, the home, the labour market, ete.,<br /> with its reactions on woman’s political position<br /> and sex-relations. A French translation of<br /> Mr. George’s novel ‘A Bed of Roses” has<br /> been arranged for.<br /> <br /> Mr. C. E. Gouldsbury, author of “ Dulale,<br /> the Forest Guard,” a story of Indian life, has<br /> written his reminiscences of ‘‘ Life in the<br /> Indian Police’ which Messrs. Chapman and<br /> Hall are publishing. It will be illustrated by<br /> the author’s own photographs. Mr. Goulds-<br /> bury was eighteen years old when he joined<br /> the constabulary service, and for thirty years<br /> he hunted native criminals and suppressed<br /> murderous dacoits. In the intervals of duty<br /> he enjoyed big game shooting in the jungle,<br /> and there are tales in the volume, of both work<br /> and sport.<br /> <br /> Miss Annesley Kenealy’s forthcoming novel<br /> is to be published by Messrs. Stanley Paul<br /> &amp; Co. Miss Kenealy has recently placed a<br /> serial with Munsey and the National Press<br /> Agency and short stories with the Strand<br /> Magazine, ete.<br /> <br /> We have received a_ little book by<br /> W. E. Imeson relating to “ Illustrated Music-<br /> Titles and Their Delineators.” The book<br /> contains some interesting information which<br /> should be useful to collectors. There is also<br /> a dictionary of delineators at the end of the<br /> work, and nine illustrations.<br /> <br /> ‘The Giant and The Caterpillar ’ and other<br /> addresses to young people, by the Rev. John<br /> A. Hamilton, has just been published by<br /> Messrs. H. R. Allenson, Ltd. There are 62<br /> addresses in all in this volume which should<br /> prove very helpful to Sunday school workers<br /> and others engaged in the training of the young.<br /> <br /> Early in September Miss M. P. Willcocks<br /> published, with Messrs. Mills and Boon, a<br /> study of Devon village life, called ‘‘ The<br /> Wind among the Barley,” after the title of<br /> an old country dance. Cranfordian in style,<br /> it is yet uncranfordian in matter, since the<br /> <br /> <br /> <br /> E<br /> E<br /> :<br /> |<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR. i7<br /> <br /> actors of the<br /> Amazons.<br /> <br /> Mrs. Alec Tweedie, whose travel books are<br /> so well-known, has just written a personal<br /> one, entitled “‘ Thirteen Years of a Busy<br /> Woman’s Life,”’ which has just been published<br /> by Mr. Lane in England and the United States.<br /> It is hardly an autobiography, but rather<br /> chapters from the author’s life, with sketches<br /> of other well-known men and women.<br /> <br /> Mr. Bertram Mitford’s new book will be<br /> published shortly by Messrs. Ward, Lock &amp; Co.<br /> This is Mr. Mitford’s fortieth novel, and of<br /> this total, all but nine are entirely or mainly<br /> concerned with South Africa. It is entitled<br /> ** Seaford’s Snake,’’ and is not one of the nine<br /> exceptions.<br /> <br /> Messrs. Stanley Paul &amp; Co. announce for<br /> immediate issue ‘‘In Jesuit Land: The<br /> Jesuit Missions in Paraguay ” by W. H. Koebel.<br /> The story of the Jesuit missions in Paraguay<br /> forms one of the most fascinating chapters in<br /> the complex history of the River Plate Pro-<br /> vinces. Mr. Koebel has traced the work of<br /> the missions from their inception in the early<br /> days of Spanish South American colonisation<br /> and discovery down to the final expulsion of<br /> the Jesuits by Bucareli in the middle of the<br /> eighteenth century.<br /> <br /> The same publishers have added to their<br /> “Clear Type” Sixpenny Novel Series “ Justice<br /> of the King,” by Hamilton Drummond, and<br /> ‘Priscilla of the Good Intent,” by Halliwell<br /> Sutcliffe.<br /> <br /> Messrs. Macmillan &amp; Co. published on<br /> September 25th a new book by The Right<br /> Hon. James Bryce, entitled ‘“‘ South America<br /> Observations and Reflections.”” The volume<br /> is the product of a journey made by the author<br /> through this region, and records his impres-<br /> sions regarding scenery, social and economic<br /> phenomena, the people, and the prospects for<br /> the development of industry and commerce<br /> in Panama, Peru, Bolivia, Chili, Argentina,<br /> Uruguay, and Brazil. Mr. Bryce has also<br /> something to say about the relics of pre-<br /> historic civilisation, the native Indian popula-<br /> tion, and the conditions of political life in the<br /> republics.<br /> <br /> Mr. Maurice Hewlett’s new novel, “ Mrs.<br /> Lancelot: a Comedy of Assumptions,”<br /> published by Messrs. Macmillan &amp; Co. on<br /> September 17th, is concerned with love and<br /> politics, and high life in the days when the<br /> great Reform Bill was the burning question<br /> of the moment. Three men and one woman<br /> occupy the stage almost exclusively. They<br /> are Mrs. Lancelot and her husband, her<br /> <br /> story are not exclusively<br /> <br /> would-be lover, who was no less a personage<br /> than the Prime Minister himself, the famous<br /> Duke of Devizes, and Gervase Poore, a young<br /> and enthusiastic poet, who finally cuts the<br /> knot of a complex love entanglement.<br /> <br /> A re-issue, in a new and attractive binding,<br /> at 1s. net. of Mr. Clive Holland’s novels, ‘‘ My<br /> Japanese Wife,’’ ‘‘ Marcelle of the Latin<br /> Quarter” and “ An Egyptian Coquette,”’ will<br /> be published by Messrs. Lynwood &amp; Co., Ltd.<br /> immediately. Of ““ My Japanese Wife” over<br /> 417,000 copies have already been sold, and the<br /> demand continues. It has also been translated<br /> into several foreign languages.<br /> <br /> Messrs. Methuen &amp; Co. are to publish, on<br /> the 17th of this month, the late Mrs. Paget<br /> Toynbee’s edition of the ‘‘ Letters of Madame<br /> au Deffand to Horace Walpole.” This edition<br /> has been completed and seen through the<br /> press by Dr. Paget Toynbee. Since the<br /> publication of the Marquis de Sainte Auldires’<br /> editions of these letters in 1859 and 1877,<br /> Mrs. Toynbee had discovered a large number<br /> of letters, many of which have never hitherto<br /> been published. The whole of the newly<br /> discovered letters were transcribed by Mrs.<br /> Toynbee from the original manuscripts, and<br /> all the previously printed letters, or portions<br /> of letters were carefully collated by her<br /> with the originals. The text of the<br /> original has been reproduced as faithfully<br /> as possible. The work is produced in French,<br /> as it was judged not only that French<br /> letters with English notes, ete. would be an<br /> incongruity, but also that the work of a writer<br /> regarded in her own country as a second<br /> Sévigné should appeal to a large circle of<br /> readers in France.<br /> <br /> Mr. Edward Arnold will issue shortly<br /> ‘The Campaigns of a War Artist,’ being the<br /> work of the late Mr. Melton Prior, the well-<br /> known artist of the Illustrated London News.<br /> <br /> Madame Albanesi is engaged on a serial for<br /> the weekly edition of The Times. The story,<br /> which will commence running as a serial early<br /> in 1913 will appear later in book form with<br /> Messrs. Methuen &amp; Co. somewhere about June<br /> or July. Madame Albanesi has only just<br /> recently brought out a new novel, through<br /> Messrs. Methuen, entitled ‘‘ Olivia Mary,”<br /> which is the first new novel she has published<br /> since 1910, when ‘“‘ The Glad Heart ” appeared.<br /> A number of the same author’s books are<br /> being brought out at sevenpence, notably,<br /> ““ I know a Maiden ” and “‘ Love and Louisa ”’<br /> with Messrs. Everett, ‘‘ A Question of Quality ”<br /> with Messrs. Hurst and Blackett, and next<br /> year, ‘“‘Susannah and One Other” and<br /> 18 THE AUTHOR.<br /> <br /> “Capricious Caroline ’’ with Messrs. Hodder<br /> and Stoughton, while a sixpenny edition of<br /> “The Glad Heart ” is also on sale.<br /> <br /> The book and serial rights for Great Britain<br /> and the Colonies of Mr. Carlton Dawe’s new<br /> novel ‘The Crackswoman’” have been<br /> acquired by Messrs. Ward, Lock &amp; Co. ~<br /> <br /> The poems of Adam Lindsay Gordon the<br /> poet of Greater Britain and the best of all<br /> sporting poets have only to be known to meet<br /> with instant appreciation. Mr. Douglas Sladen<br /> has undertaken the editing, and in an edition<br /> published by Messrs. Constable &amp; Co. has<br /> arranged them according to subject prefixing<br /> a memoir giving all the latest facts that have<br /> come to light about this Scottish aristocrat,<br /> who became policeman, horse-breaker, squatter,<br /> member of Parliament, livery stable keeper,<br /> trainer, and the most famous steeplechase<br /> rider and poet Australia has known. Mr.<br /> Sladen’s edition costs but half-a-crown, though<br /> it is delightfully printed and delightfully illus-<br /> trated. Three of the illustrations are sketches<br /> drawn by Gordon of himself on horseback, and<br /> 34 pages of the poems are new.<br /> <br /> His Majesty the King has graciously accepted<br /> a copy of “* When the War is O’er,”’ by the late<br /> Major I’. M. Peacock. The book is published<br /> by Messrs. Longmans &amp; Co.<br /> <br /> Mrs. Archibald Little has been commissioned<br /> by Messrs. Hutchinson &amp; Co. to write the text<br /> on the customs of China for their standard<br /> work on the “‘ Customs of the World,” Part I.<br /> of which will be published this autumn. Mrs.<br /> Little is leaving in the Dunnottar Castle for a<br /> five months’ cruise to the Far East, and, there-<br /> fore, will not be available to speak at any<br /> meetings before next spring.<br /> <br /> Madame Sarah Grand’s new book, ‘* Adnani’s<br /> Orchard,” is to be published on the 15th of this<br /> month. It is a romance dealing with the<br /> social aspect of the land question.<br /> <br /> “The Silence Broken” is the title of a<br /> collection of short stories by Mrs. Baillie<br /> Reynolds, published by Messrs. Mills and Boon.<br /> A new novel by the same writer has just<br /> appeared through Messrs. Hodder and Stough-<br /> ton, entitled “A Makeshift Marriage.” The<br /> story appeared serially in the Daily News last<br /> month. Mrs. Baillie Reynolds has also written<br /> a new serial for the Lady’s World, which will<br /> commence next month, under the title of<br /> “A Doubtful Character,” and a serial for<br /> Messrs. Mowbray, entitled ‘‘ The Secret Stair.”<br /> She is now engaged upon anewnovel for Messrs.<br /> Hodder and Stoughton. Nearly all Mrs. Baillie<br /> Reynolds’ novels have been purchased for<br /> publication in Sweden, In addition to various<br /> <br /> short magazine stories, she wrote a complete<br /> novelette, entitled ‘“‘ The Swashbuckler,” for<br /> Messrs. Cassell’s new magazine of fiction.<br /> This story was also published in America,<br /> where most of Mrs. Baillie Reynolds’ writings<br /> appear.<br /> <br /> DRAMATIC.<br /> <br /> ** Rebecca of Sunnyhook Farm” by Kate<br /> Douglas Wiggin and Charlotte Thompson was<br /> produced at the Globe Theatre on Sep-<br /> tember 2nd. It is a simple picture of humble<br /> life in America, telling the story of a little<br /> girl from the day she comes to live with her<br /> aunts till her departure with the “ fairy prince”’<br /> of her fancy.<br /> <br /> Included in the caste are Edith Taliaferro,<br /> Marie L. Day and Mr. Archie Boyd.<br /> <br /> Mr. Louis N. Parker’s play ‘“‘ Drake ’’ was<br /> produced at His Majesty’s Theatre on Sep-<br /> tember 8rd. The play shows Drake at the<br /> outset of his career; on his return from his<br /> journey round the world; and at the time of<br /> the Armada. Various scenes from these three<br /> periods of the life of Drake are represented.<br /> Mr. Lynn Harding as Drake, and Miss Neilson-<br /> Terry as Queen Elizabeth are in the cast,<br /> which also includes Mr. Herbert Waring.<br /> <br /> On September 4th Mr. Graham Moffat’s<br /> new play, ‘“‘ The Scrape of the Pen” was pro-<br /> duced at the Comedy Theatre. Briefly, the<br /> story is this. A scapegrace son, prior to<br /> leaving home for Africa, has persuaded a<br /> girl to sign a marriage contract before witnesses,<br /> and has also left behind him another girl who<br /> subsequently bears him a child and dies.<br /> The first girl, hearing nothing of him for some<br /> years, and believing him to be dead, marries<br /> a farmer and adopts the motherless child.<br /> <br /> The scapegrace returns suddenly and claims<br /> his ‘‘ wife,” but finding he is responsible for<br /> a daughter, tears up the marriage contract<br /> and devotes himself to the child. Mr. and<br /> Mrs. Graham Moffat, Mr. Alfred Brydone and<br /> Mr. Norman McKeown are in the cast.<br /> <br /> Mr. H. V. Esmond’s new comedy “‘ A Young<br /> Man’s Fancy,” produced at the Criterion on<br /> September 7th, deals with a somewhat erratic<br /> youth, for whose heart are two competitors,<br /> one a rich and romantic American girl, and<br /> the other the scheming daughter of the<br /> proprietress of a Regent Street flower shop.<br /> The plot turns upon the endeavours of the<br /> young man’s aunt to separate her nephew<br /> from the flower-shop girl—endeavours soon<br /> rendered rather unnecessary by the marriage<br /> of the girl to another party. Miss Lottie<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR. 19<br /> <br /> Venne, Mr. Charles Maude and Mr. C. M.<br /> Lowne are in the cast.<br /> <br /> Mr. Granville Barker’s play, ‘‘ The Voysey<br /> Inheritance” was revived at the Kingsway<br /> Theatre last month. Mr. Barker’s production<br /> of “* The Winter’s Tale ” at the Savoy Theatre<br /> took place on September 21st. The decoration<br /> of the play was by Mr. Norman Wilkinson,<br /> the old music under the direction of Nellie<br /> Chapman and the morris and country dances<br /> taught by Mary Neal and Clive Carey. In<br /> the play were Mr. Henry Ainley, Mr. Leon<br /> Quartermaine, Miss Lillah McCarthy, Miss<br /> Esmé Beringer and Miss Enid Rose.<br /> <br /> Mr. Forbes Dawson’s drama, “‘ The Triumph<br /> of the Blind ” was produced on September 16th<br /> at the West London Theatre, and has now<br /> gone on a long provincial tour. Mr. Dawson’s<br /> sketch, ‘“ The Woman Makes the Home ’”’ will<br /> be produced at a London Music Hall this<br /> month, after which it will go on a tour of the<br /> combined Syndicate Halls. Negotiations are<br /> pending also over a three-act comedy by<br /> Mr. Forbes Dawson.<br /> <br /> “ The Girl in the Taxi’? by Frederick Fenn<br /> and Arthur Wimperis was produced at the<br /> Lyric Theatre on September 5th with music<br /> by Jean Gilbert.<br /> <br /> Oo<br /> <br /> PARIS NOTES.<br /> <br /> —— ++<br /> <br /> HE sudden death of Massenet was a great<br /> aa shock and cast a gloom over Paris, so<br /> universal a favourite was he. Rarely<br /> <br /> has any man been endowed with such charm.<br /> He was not only a melodist as a composer, but<br /> also in his daily life. Strangely enough his<br /> Memoirs were almost ready for publication.<br /> Only two or three months ago he read us a few<br /> chapters of them, and little did we think then<br /> that he would not see the publication of the<br /> volume. He had dated them 1848—1912.<br /> It was in 1848 that he made his début in the<br /> musical world, for it was then that his hands<br /> were first put on the piano. He delighted in<br /> telling the story of the acceptance of his first<br /> compositions, His volume, ‘‘ Mes Souvenirs,”<br /> is charming, full as it is of interesting reminis-<br /> cences, and told in the bright, witty way<br /> peculiar tohim. Massenet was a great worker,<br /> rising at four or five in the morning. Of late<br /> years he had gone out very little into society.<br /> He died at his home in the Rue de Vaugirard,<br /> <br /> and his funeral, at his request, was as simple as<br /> possible.<br /> <br /> Many novelists travel to distant countries in<br /> search of new material and what they term<br /> “local colour” for their forthcoming book.<br /> René Boylesve finds his material very near<br /> home, and his novels gain from the fact that<br /> the “ local colour” is genuine. As a result his<br /> pictures stand the test of time. ‘Le Bel<br /> Avenir”? was a wonderfully delicate, psycho-<br /> logical study. In that novel we were able to<br /> watch the effect of education and surroundings<br /> on three young Frenchmen. In a more recent<br /> book M. Boylesve gave us an account of ‘‘ La<br /> Jeune Fille bien élevée,’”’ and in his latest novel<br /> the girl about whom he had told us is ‘‘ Made-<br /> leine, jeune femme.’ In his preface, the<br /> author explains to us that, in the first of these<br /> two books, he merely wished to show the way<br /> in which a girl brought up in a French pro-<br /> vincial town was educated. He declines, as a<br /> novelist, to go into the question of the best<br /> way of educating girls. In his latest novel he<br /> merely shows us the result of Madeleine’s<br /> education. He maintains that the novelist<br /> simply holds out to us a magic mirror, in which<br /> life, too vast to be seen by most eyes, is reflected<br /> and as it were condensed. In conclusion,<br /> M. Boylesve very truly observes that most of<br /> the misunderstandings which lead to disorder<br /> every day are due to a lack of psychology.<br /> The story of Madeleine’s married life is told by<br /> herself, and starts from the moment she gets<br /> into the train on her honeymoon journey. We<br /> will not spoil the story by giving a résumé of it,<br /> as all those who know this author’s work will<br /> prefer to read the book itself.<br /> <br /> Another story which treats of a woman’s<br /> married life has recently appeared, under the<br /> title of ‘‘ Lettres d’une Divorcée.”” The author<br /> of this novel is Leona Faber. It is cleverly<br /> written in a clear, natural style, so natural<br /> indeed that it seems more like a diary contain-<br /> ing a story from real life than a work of imagina-<br /> tion, There is not a word too much in it, a<br /> rare quality in a woman’s novel, and yet in<br /> these few words the writer has made her<br /> characters very living.<br /> <br /> There is a dearth just now of really strong<br /> novels. Perhaps it is because everyone<br /> appears to be either reading or writing memoirs.<br /> <br /> M. Elie Halévy has now published the first<br /> volume of a work entitled “ Histoire du peuple<br /> anglais au dix-neuvieme siécle.’’ England, in<br /> 1815, is the subject of the first volume. The<br /> author treats in turn the political institutions,<br /> the social economy and the religion and culture<br /> of the English nation.<br /> <br /> ““La Colline Inspirée”’ is the title of the<br /> forthcoming novel by Maurice Barres. It will<br /> 20<br /> <br /> be published first as a serial in the Revue<br /> hebdomadaire.<br /> <br /> “Les Ravageurs”’ is the latest work by<br /> M. J. Fabre, the celebrated entomologist. In<br /> this volume we have an account of the various<br /> insects to be dreaded by the agriculturist, and<br /> not only does M. Fabre tell the ravages which<br /> may be made by the insects, but he shows how<br /> it is possible to fight against them. The<br /> volume will be welcomed by all who have read<br /> the preceding ones. :<br /> <br /> “* Etude raisonnée de ]’Aéroplane et descrip-<br /> tion critique des modéles actuels” is a work<br /> which will render great service to the science of<br /> aviation. It is written by M. Jules Bordeaux,<br /> a brother of M. Henry Bordeaux, the well-<br /> known novelist.<br /> <br /> The theatres are all opening their doors once<br /> more and announcing their programme for the<br /> Autumn season.<br /> <br /> “* Bagatelles,’ by Paul Hervieu, is the new<br /> play at the Comédie Frangaise. At the Odeon,<br /> M. Antoine announces a whole list of new<br /> writers, and the Athénée is rehearsing a play<br /> which it is hoped will have the same success as<br /> “Le Coeur dispose ”’ of last season.<br /> <br /> Atys HALLARD.<br /> <br /> <br /> <br /> “‘Mes Souvenirs” (Pierre Lafitte).<br /> <br /> ‘Madeleine, jeune femme” (Calmann Levy).<br /> “Lettres d’une Divorcce”’ (Ollendorff).<br /> <br /> “Les Ravageurs” (Delagrave).<br /> <br /> “Etude raisonnée de l Aeroplane” (Gauthier Villars).<br /> <br /> —_—_— + _—___.<br /> <br /> NEW LITERARY CONVENTION BETWEEN<br /> FRANCE AND RUSSIA.<br /> <br /> a<br /> <br /> ae the courtesy of the Foreign Office—<br /> which we desire to acknowledge in the<br /> fullest way—we were indebted for very<br /> <br /> early information that a copyright convention<br /> had been signed between France and Russia.<br /> The politeness shown us was accompanied by<br /> an intimation that, as the treaty was still un-<br /> published in either country at the date when<br /> the communication was made, the intelligence<br /> must be regarded as confidential. Having<br /> however, recently received an intimation that<br /> the convention has now been made officially<br /> public we are at liberty, first of all, to express<br /> our pleasure in being able to say that a first<br /> step has been taken towards drawing Russia<br /> <br /> THE AUTHOR.<br /> <br /> into the general concert of the Western Literary<br /> Conventions. We are still, it is true, very far<br /> from the much-to-be-desired consummation of<br /> finding Russia among the signatories of the<br /> Berne Convention ; but where the difficulties<br /> are so many, to have seen a beginning made is<br /> no small matter. It would be to ourselves a<br /> source of the highest satisfaction if steps could<br /> be taken that would lead to some agreement<br /> between Great Britain and Russia such as that<br /> which now exists between Russia and France.<br /> <br /> According to the terms of the new convention<br /> the authors belonging to either country will<br /> enjoy for their literary or artistic works,<br /> published in either country, or in any other<br /> country, or not yet published, the rights<br /> accorded, or to be accorded, in either country.<br /> The same rights are accorded to authors who<br /> are neither Frenchmen nor Russians, if they<br /> publish in either of the contracting countries.<br /> <br /> The expression “ literary or artistic works ”<br /> is in the new convention interpreted in the<br /> wide sense now generally used in copyright<br /> enactments.<br /> <br /> The literary author of either country enjoys<br /> in the other country an exclusive right of<br /> translation for ten years, dating from<br /> January 1 of the year of the publication of<br /> the original, on the condition that this right of<br /> translation is mentioned as reserved. The<br /> right lapses if the author does not make use of<br /> it within five years from the date of the publi-<br /> cation of the original.<br /> <br /> Authors of drama and of musical drama,<br /> published or not, have protection for the<br /> original during the whole duration of the copy-<br /> right of the original, and for translation during<br /> the period of their right of translation.<br /> <br /> In the case of musical works a statement, on<br /> every copy, of the reservation of rights is<br /> necessary. Photographs must bear the name<br /> of the publisher, and the date of publication,<br /> Literary and artistic works cannot be repro-<br /> duced for the cinematograph without the<br /> consent of the author.<br /> <br /> The new convention is to remain in force for<br /> five years.<br /> <br /> <br /> <br /> SCALE FOR ADVERTISEMENTS.<br /> <br /> ee<br /> {ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)<br /> Front Page sue os sae ee oe<br /> <br /> Other Pages, “4 5 ;<br /> Half of a Page .., 110 9<br /> Quarter of a Page 015 6<br /> Eighth of a Page ie asa or, ww 0 7 9<br /> Single Column Advertisements aay perinch 0 6 g<br /> Reduction of 20 per cent. made for a Series of Six and of 25 per cent, for<br /> <br /> Twelve Insertions,<br /> <br /> All letters respecting Advertisements should be addressed to J. F,<br /> Betyont &amp; Co., 29, Paternoster Square, London, E.C.<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> THE AUTHOR. 21<br /> <br /> HOW TO USE THE SOCIETY.<br /> <br /> a<br /> <br /> 1. VERY member has a right toask for and to receive<br /> advice upon his agreements, his choice of a pub-<br /> lisher, or any dispute arising in the conduct of his<br /> <br /> business or the administration of his property. The<br /> Secretary of the Society is a solicitor; but if there is any<br /> special reason the Secretary will refer the case to the<br /> Solicitors of the Society. Further, the Committee, if they<br /> deem it desirable, will obtain counsel’s opinion without<br /> any cost to the member. Moreover, where counsel&#039;s<br /> opinion is favourable, and the sanction of the Committee<br /> is obtained, action will be taken on behalf of the aggrieved<br /> member, and all costs borne by the Society.<br /> <br /> 2. Remember that questions connected with copyright<br /> and publishers’ agreements do not fall within the experi-<br /> ence of ordinarysolicitors, Therefore, do not scruple to use<br /> the Society.<br /> <br /> 3. Before signing any agreement whatever, send<br /> the document to the Society for examination,<br /> <br /> 4. Remember always that in belonging to the Society<br /> you are fighting the battles of other writers, even if you<br /> are reaping no direct benefit to yourself, and that you are<br /> advancing the best interests of your calling in promoting<br /> the independence of the writer, the dramatist, the composer.<br /> <br /> 5. The Committee have arranged for the reception of<br /> members’ agreements and their preservation in a fire-<br /> proof safe. The agreements will, of course, be regarded as<br /> confidential documents to be read only by the Secretary,<br /> who will keep the key of the safe. The Society now offers ;<br /> (1) To stamp agreements in readiness for a possible action<br /> upon them. (2) To keep agreements. (3) To enforce<br /> payments due according to agreements. Fuller particu-<br /> lars of the Society’s work can be obtained in the<br /> Prospectus.<br /> <br /> 6. No contract should be entered into with a literary<br /> agent without the advice of the Secretary of the Society.<br /> Members are strongly advised not to accept without careful<br /> consideration the contracts with publishers submitted to<br /> them by literary agents, and are recommended to submit<br /> <br /> them for interpretation and explanation to the Secretary<br /> of the Society.<br /> <br /> 7, Many agents neglect to stamp agreements. This<br /> must be done within fourteen days of first execution. The<br /> Secretary will undertake it on behalf of members,<br /> <br /> 8. Some agents endeavour to prevent authors from<br /> referring matters to the Secretary of the Society ; so<br /> do some publishers. Members can make their own<br /> deductions and act accordingly.<br /> <br /> 9. The subscription to the Society is £1 1s.<br /> <br /> er<br /> annum, or £10 10s. for life membership. .<br /> <br /> TO<br /> <br /> WARNINGS TO THE PRODUCERS<br /> OF BOOKS.<br /> <br /> <br /> <br /> ERE are a few standing rules to be observed in an<br /> agreement, There -are four methods of dealing<br /> with literary property :—<br /> <br /> I. Selling it Outright.<br /> This is sometimes satisfactory, if a proper price can be<br /> <br /> obtained, But the transaction should be managed by a<br /> competent agent, or with the advice of the Secretary of<br /> the Society.<br /> <br /> II. A Profit-Sharing Agreement (a bad form of<br /> agreement),<br /> <br /> In this case the following rules should be attended to:<br /> <br /> C1.) Not to sign any agreement in which the cost of pro-<br /> duction forms a part without the strictest investigation.<br /> <br /> (2.) Not to give the publisher the power of putting the<br /> profits into his own pocket by charging for advertisements<br /> in his own organs, or by charging exchange advertise-<br /> ments. Therefore keep control of the advertisements.<br /> <br /> (3.) Not to allow a special charge for “office expenses,’’<br /> unless the same allowance is made to the author.<br /> <br /> (4.) Not to give up American, Colonial, or Continental<br /> rights.<br /> <br /> (5.) Not to give up serial or translation rights,<br /> <br /> (6.) Not to bind yourself for future work to any publisher.<br /> As well bind yourself for the future to any one solicitor or<br /> doctor !<br /> <br /> III. The Royalty System.<br /> <br /> This is perhaps, with certain limitations, the best form<br /> of agreement. It is above all things necessary to know<br /> what the proposed royalty means to both sides. It is now<br /> possible for an author to ascertain approximately the<br /> truth. From time to time very important figures connected<br /> with royalties are published in Zhe Author.<br /> <br /> IY. A Commission Agreement.<br /> <br /> The main points are :—<br /> <br /> (1.) Be careful to obtain a fair cost of production,<br /> <br /> (2.) Keep control of the advertisements,<br /> <br /> (3.) Keep control of the sale price of the book. :<br /> <br /> General.<br /> <br /> All other forms of agreement are combinations of the four<br /> above mentioned.<br /> <br /> Such combinations are generally disastrous te the author,<br /> <br /> Never sign any agreement without competent advice from<br /> the Secretary of the Society.<br /> <br /> Stamp all agreements with the Inland Revenue stamp.<br /> <br /> Avoid agreements by letter if possible.<br /> <br /> The main points which the Society has always demanded<br /> from the outset are :—<br /> <br /> C1.) That both sides shall know what an agreement<br /> means.<br /> <br /> (2.) The inspection of those account books which belong<br /> tothe author. We are advised that this is a right, in the<br /> nature of a common law right, which cannot be denied or<br /> withheid.<br /> <br /> (3.) Always avoid a transfer of copyright.<br /> <br /> —_—___§_+—<br /> WARNINGS TO DRAMATIC AUTHORS.<br /> <br /> +<br /> <br /> EVER sign an agreement without submitting it to the<br /> N Secretary of the Society of Authors or some com-<br /> petent legal authority.<br /> <br /> 2. It is well to be extremely careful in negotiating for<br /> the production of a play with any one except an established<br /> manager.<br /> <br /> 3. There are three forms of dramatic contract for plays<br /> in three or more acts :-—<br /> <br /> (a.) Sale outright of the performing right. This<br /> is unsatisfactory. An author who enters into<br /> such a contract should stipulate in the contract<br /> for production of the piece by a certain date<br /> and for proper publication of his name on the<br /> play-bills,<br /> 99 THE AUTHOR.<br /> <br /> (b.) Sale of performing right or of a licence to<br /> perform on the basis of percentages on<br /> gross receipts. Percentages vary between 5<br /> and 15 per cent, An author should obtain a<br /> percentage on the sliding scale of gross receipts<br /> in preference to the American system, Should<br /> obtain a sum inadvance of percentages. A fixed<br /> date on or before which the play should be<br /> performed. :<br /> <br /> (c.) Sale of performing right or of a licence to<br /> perform on the basis of royalties (7.c., fixed<br /> nightly fees). This method should be always<br /> avoided except in cases where the fees are<br /> likely to be small or difficult to collect. The<br /> other safeguards set out under heading (8.) apply<br /> also in this case.<br /> <br /> 4, Plays in one act are often sold outright, but it is<br /> better to obtain a small nightly fee if possible, and a sum<br /> paid in advance of such fees in any event. It is extremely<br /> important that the amateur rights of one-act plays should<br /> be reserved.<br /> <br /> 5. Authors should remember that performing rights can<br /> be limited, and are usually limited, by town, country, and<br /> time. This is most important.<br /> <br /> 6. Authors should not assign performing rights, but<br /> should grant a licence to perform. The legal distinction<br /> is of great importance,<br /> <br /> 7. Authors should remember that performing rights in a<br /> play are distinct from literary copyright. A manager<br /> holding the performing right or licence to perform cannot<br /> print the book of the words,<br /> <br /> 8. Never forget that United States rights may be exceed-<br /> ingly valuable. They should never be included in English<br /> agreements without the author obtaining a substantial<br /> consideration.<br /> <br /> 9. Agreements for collaboration should be carefully<br /> drawn and executed before collaboration is commenced.<br /> <br /> 10. An author should remember that production of a play<br /> is highly speculative: that he runs a very great risk of<br /> delay and a breakdown in the fulfilment of his contract.<br /> He should therefore guard himself all the more carefully in<br /> the beginning.<br /> <br /> 11. An author must remember that the dramatic market<br /> is exceedingly limited, and that for a novice the first object<br /> is to obtain adequate publication.<br /> <br /> As these warnings must necessarily be incomplete, on<br /> account of the wide range of the subject of dramatic con-<br /> tracts, those authors desirous of further information<br /> are referred to the Secretary of the Society.<br /> <br /> ——__+—_—&gt;—_—_ —______<br /> <br /> REGISTRATION OF SCENARIOS AND<br /> ORIGINAL PLAYS.<br /> <br /> —-—&gt;<br /> <br /> By in aed typewritten in duplicate on foolscap paper<br /> forwarded to the offices of the Society, together with<br /> a registration fee of two shillings and sixpence, will<br /> <br /> be carefully compared by the Secretary or a qualified assis-<br /> tant. One copy will be stamped and returned to theauthor<br /> and the other filed in the register of the Society. Copies<br /> of the scenario thus filed may be obtained at any time by<br /> the author only at a small charge to cover cost of typing.<br /> <br /> Original Plays may also be filed subject to the same<br /> rules, with the exception that a play will be charged for<br /> at the price of 2s. 6d. per act.<br /> <br /> DRAMATIC AUTHORS AND AGENTS.<br /> <br /> Oe<br /> RAMATIC authors should seek the advice of the<br /> Society before putting plays into the hands of<br /> agents. As the law stands at present, an agent<br /> who has once had a play in his hands may acquire a<br /> perpetual claim to a percentage on the author&#039;s fees<br /> from it. As far as the placing of plays is concerned,<br /> it may be taken as a general rule that there are only<br /> very few agents who can do anything for an author<br /> that he cannot, under the guidance of the Society, do<br /> equally well or better for himself. The collection of fees<br /> is also a matter in which in many cases no intermediary is<br /> required. For certain purposes, such as the collection of<br /> fees on amateur performances, and in general the trans-<br /> action of frequent petty authorisations with different<br /> individuals, and also for the collection of fees in foreign<br /> countries, almost all dramatic authors employ agents; and<br /> in these ways the services of agents are real and valuable.<br /> But the Society warns authors against agents who profess<br /> to have influence with managers in the placing of plays, or<br /> who propose to act as principals by offering to purchase<br /> the author&#039;s rights. In any case, in the present state of<br /> the law, an agent should not be employed under any<br /> circumstances without an agreement approved of by the<br /> Society.<br /> <br /> <br /> <br /> ——_—___+—<br /> <br /> WARNINGS TO MUSICAL COMPOSERS.<br /> ag<br /> ITTLE can be added to the warnings given for the<br /> assistance of producers of books and dramatic<br /> authors. It must, however, be pointed out that, as<br /> a rule, the musical publisher demands from the musical<br /> composer a transfer of fuller rights and less liberal finan-<br /> cial terms than those obtained for literary and dramatic<br /> property. The musical composer has very often the two<br /> rights to deal with—performing right and copyright. He<br /> should be especially careful therefore when entering into<br /> an agreement, and should take into particular consideration<br /> the warnings stated above.<br /> Se<br /> <br /> STAMPING MUSIC.<br /> <br /> ae<br /> <br /> The Society undertakes to stamp copies of music on<br /> behalf of its members for the fee of 6d. per 100 or part<br /> of 100. The members’ stamps are kept in the Society&#039;s<br /> safe. The musical publishers communicate direct with the<br /> Secretary, and the voucher is then forwarded to the<br /> members, who are thus saved much unnecessary trouble.<br /> <br /> a a<br /> <br /> THE READING BRANCH.<br /> <br /> ———— +<br /> <br /> EMBERS will greatly assist the Svuciety in this<br /> branch of its work by informing young writers<br /> of its existence. Their MSS. can be read and<br /> treated as a composition is treated by a coach. The term<br /> MSS. includes not only works of fiction, but poetry<br /> and dramatic works, and when it is possible, under<br /> special arrangement, technical and scientific works, The<br /> Readers are writers of competence and expericnce. The<br /> <br /> fee is one guinea,<br /> o&gt;<br /> <br /> REMITTANCES.<br /> <br /> OEE<br /> <br /> The Secretary of the Society begs to give notice<br /> that all remittances are acknowledged by return of post.<br /> All remittances should be crossed Union of London and<br /> Smiths Bank, Chancery Lane, or be sent by registered<br /> letter only,<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> aU.<br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR. 23<br /> <br /> GENERAL NOTES.<br /> <br /> <br /> <br /> The Editor of “The Author” would be<br /> indebted to those Members who haye no<br /> further use for the July number, containing<br /> a supplement of the Board of Trade Regula-<br /> tions, if they would forward the same to the<br /> Office, as the issue is sold out.<br /> <br /> ELECTIONS TO THE COUNCIL.<br /> <br /> Miss Marie Coreu, The Rt. Hon. A. J.<br /> Balfour and Prof. Gilbert Murray have joined<br /> the Council of the Society of Authors.<br /> <br /> An AMENDED AGREEMENT.<br /> <br /> In the July number of The Author, under<br /> the heading of “A Dangerous Clause,”<br /> attention was directed to an agreement<br /> between publisher and author, in which<br /> Messrs. George Allen &amp; Co., Ltd., figured as<br /> publishers. The author concerned informs us<br /> that Messrs. Allen &amp; Co. have deleted the<br /> objectionable clause, to his gratification.<br /> <br /> EpirortaL MretTuops.<br /> <br /> A WELL-KNOWN writer, who is a member of<br /> the society, has forwarded to us the following<br /> letter which has been addressed to him.<br /> <br /> Tur GooLe ure To DarE—? Monthly Magazine.<br /> Head Office :<br /> 37, Kinesway, GOOLE,<br /> August 19th, 1912.<br /> Dear Mr. G.,—Having heard of your great talents in<br /> writing and having read many of your loving stories, we<br /> should be very thankful to you if you could let us have a<br /> nice story, no matter how short it is, for our magazine.<br /> <br /> Our publication is quite a new one, it is why we want<br /> <br /> as much as possible the help of great and_well-known<br /> writers to launch it, and afterwards support it.<br /> <br /> We must admit beforehand that we will not’ be able to<br /> ive you any remuneration for your kind service, as we<br /> ardly possess enough capital to get the magazine to<br /> <br /> print, but we and all our friends feel certain that our<br /> publication will be a success, but it would be a greater<br /> success still if we are able to print stories written by great<br /> authors. We ask you to send us an article as a sort of<br /> help to us.<br /> <br /> Hoping you will favour us with a few stories which will<br /> <br /> appear as one of the “clous”’ of the issue,<br /> We are, dear Mr. G.,<br /> Yours very respectfully,<br /> The Manager Secretary,<br /> G. C. De BAERDEMAECKER.<br /> <br /> <br /> <br /> p-p. E. W. TOowNEND<br /> G. C. de B.<br /> <br /> All correspondence should be sent :—<br /> Tue GooLe up To DaTE—?<br /> c/o G, C. DE BAERDEMAECKER,<br /> 37, Kingsway, Goole,<br /> Yorkshire.<br /> <br /> The letter hardly calls for any comment, but<br /> it affords one more illustration of the view,<br /> which still prevails in some quarters, that<br /> authors differ from most other people in that<br /> it is not necessary for them to be paid for their<br /> work. That the editor has hardly enough<br /> capital to get the magazine printed does not<br /> seem a sound reason for asking the author to<br /> provide it in the form of gratuitous contribu-<br /> tions. It is fairly certain that the printer has<br /> not been asked to print the magazine without<br /> payment; why, then, should the author be<br /> expected to fill its pages on these terms ?<br /> <br /> CoLONIAL PUBLICATION.<br /> <br /> On another page of this issue we publish,<br /> with the kind permission of The Publishers’<br /> Circular, an article on the Australian book<br /> trade.<br /> <br /> The question of Colonial publication is a<br /> matter of increasing importance, and notes<br /> have from time to time appeared in The Author<br /> dealing with the subject. One point seems<br /> quite clear—that English works do not get a fair<br /> circulation on the Colonial markets. One main<br /> reason for this is the fact that the American<br /> publisher is much more energetic and pushing<br /> than the English publisher. He has already<br /> practically secured the Canadian market for<br /> himself, is gradually securing the New Zealand<br /> and Australian markets, and, no doubt, will<br /> extend his activities further into the South<br /> African market if he is allowed to do so. The<br /> English author may benefit by this, if he cares<br /> to give his Colonial rights to be marketed under<br /> his American contract. Indeed, we know of<br /> one author who has done this and has found<br /> the result eminently satisfactory, securing to<br /> himself a larger Colonial circulation than he<br /> had obtained previously through his English<br /> publisher. But our patriotism revolts from<br /> such action. By another way, however, it is<br /> possible that the Colonial market may, at no<br /> distant date, open up a wider field for the<br /> English author, namely, by Colonial publishers<br /> endowed with energy and foresight, making<br /> contracts direct with the English authors.<br /> This is hinted at in the article which we<br /> publish, Robertsons, apparently, issuing one<br /> new American novel every week. Why should<br /> they not issue one new English novel every<br /> week? The English author, if he deals direct<br /> with a Colonial publisher, can obtain a larger<br /> royalty than if he deals through an English<br /> publisher, or even through an American pub-<br /> lisher, for the extra middleman is bound to take<br /> 24 THE AUTHOR.<br /> <br /> a share of the profits. This method of obtaining<br /> increased circulation and increased returns has<br /> been proved by certain authors who have dealt<br /> direct with Colonial publishers. There is this<br /> further argument, that if a Colonial publisher<br /> knows that he has the sole right for the Colony<br /> he can put much more push into the sale of the<br /> book than he would when his stock may meet<br /> with competition in the same market from<br /> other booksellers and publishers.<br /> <br /> In the first instance, we should like to see<br /> the English publisher obtaining the larger<br /> markets to which the English author is entitled.<br /> Failing this, we should like to see the Colonial<br /> publishers making direct contracts. Lastly,<br /> failing the two former methods, it may he<br /> necessary to advise English authors to place<br /> their Colonial rights with the American pub-<br /> lisher, but patriotism forbids the reeommenda-<br /> tion of the last till the two former methods<br /> have been tried and found wanting.<br /> <br /> <br /> <br /> CopyYRIGHT.<br /> <br /> As all members of the society ought to know,<br /> the new Copyright Bill came into force on<br /> July Ist. We have warned members from time<br /> to time of the great danger of transferring the<br /> copyright to a publisher or to an exploiter of copy-<br /> right property. We desire once again to affirm this<br /> statement, that in no circumstances should a<br /> dramatist, composer, or a writer of books get rid<br /> of his copyright, however tempting the offer may<br /> be that is made to him. Under the present Act<br /> copyright has a much wider significance than it<br /> had under the Act of 1842, and, therefore, what was<br /> wrong under the Act of 1842 becomes now an<br /> heinous crime.<br /> <br /> AUTHORS’ INSURANCE.<br /> <br /> WE have received from Vienna the Fortieth<br /> Annual Pension List (for 1911) of the Viennese<br /> Journalists’ and Authors’ Society (Concordia), and<br /> also the Fourteenth Annual Report for the same<br /> year of the Viennese Old Age and Sick Fund of the<br /> Viennese Journalists, erected in honour of the<br /> Jubilee of thie Emperor of Austria. The former<br /> document opens with the sentiment, “ Physical<br /> existence without financial solidity and security is<br /> not happiness but torment”; a sentiment with<br /> which too many authors will be ready to agree.<br /> The forty years’ history of the former society has<br /> been a record of long struggles with difficulties,<br /> happily, however, a successful struggle which en::bles<br /> the directors to declare the present state of the<br /> society satisfactory. The number of members at<br /> the end of last year was 339. As all make a<br /> <br /> voluntary insurance all are in some sort beneficiaries;<br /> but we must confess that the extremely complicated<br /> nature of the provisions for voluntary insurance<br /> and for pensions of different sorts render it difficult<br /> to understand what pensions are distributed, The<br /> report of the younger society is in this respect by<br /> far more lucid. Its members are 221, of whom 29<br /> receive old-age pensions amounting altogether to<br /> about £70. We congratulate both societies on<br /> their flourishing condition.<br /> <br /> OO<br /> <br /> AUSTRALIAN BOOK TRADE NOTES.<br /> <br /> —_— +<br /> <br /> (Reprinted by the kind permission of the<br /> “ Publishers’ Circular.’’)<br /> <br /> MELBOURNE, July Ist, 1912.<br /> T all times large buyers of books, the<br /> A Australian people are likely to excel<br /> themselves in this respect in the<br /> future, splendid general rains having fallen<br /> over this grateful continent during the weeks<br /> of June that must represent a cash value of<br /> goodness knows how many million pounds<br /> sterling.<br /> <br /> We have also the blessing of a low rate of<br /> postage for books throughout the Common-<br /> wealth, which should help greatly to spread<br /> the printed page; book postage within<br /> Australia is now 2d. per Ib. for imported books,<br /> and 1d. per Ib. for those printed and bound<br /> here.<br /> <br /> Many of the representatives of English and<br /> American publishers were in Melbourne during<br /> the past month, gathering in their “ journey ”<br /> orders, among them being Messrs. E. R.<br /> Bartholomew, Roger Macdonald, John Wyatt,<br /> J. Kettlewell, J. Ogle, A. Macgregor, William<br /> Steele, A. Gould, and John Morgan. Record<br /> orders are reported from Sydney, and doubtless<br /> the Melbourne ones will prove equally generous.<br /> <br /> The trade is now largely engaged in thinking<br /> and planning for Christmas, in taking stock,<br /> and in holding sales of surplus stock. As to<br /> bargains in books, the whole of the Australian<br /> book trade is really like a huge bargain counter,<br /> in that we sell many books at much less than<br /> their published price in England and America.<br /> Novels and travel books especially are thus<br /> cheapened here, the newest novel, at a dollar<br /> and a half in America or six shillings in Eng-<br /> land, being sold by us at three shillings and<br /> sixpence in cloth. Luckily the 25 per cent.<br /> discount does not obtain in this country.<br /> <br /> All net books are sold at an advance on<br /> published price, the 7d. net cloth selling for<br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> #<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR. 25<br /> <br /> 9d., the 1s. net for 1s. 3d., and sometimes for<br /> 1s. 6d., and the 2s. net for 2s. 6d.<br /> <br /> Fifteenpence has become a very popular<br /> price, with the growth of the great Is. net<br /> series, such as Everyman’s, Collins’ Pocket<br /> Classics, World Library, Home University, and<br /> so on.<br /> <br /> The Australian country-town bookseller is<br /> generally not a big factor in the distribution of<br /> literature, most of which is done from the big<br /> cities ; he is often not so much a bookseller as<br /> a seller of books and other things.<br /> <br /> Our people are so thinly spread over a vast<br /> territory that it is difficult to market one’s<br /> wares even in one’s own district ; but time will<br /> remedy this with the continual extension of<br /> railways and settlements, and the country<br /> bookseller will, as his town and district develop,<br /> become a substantial unit, and a tradesman of<br /> knowledge and pride, as in the old country.<br /> <br /> Owing to the lack of means of free communi-<br /> cation between the settlements and the outside<br /> world, an institution known as the Mechanics’<br /> Institute and Free Library has evolved. This<br /> is a combining of the residents of a settlement<br /> or township to form a centre and provide a<br /> building for general recreation and _ self-<br /> improvement purposes.<br /> <br /> These institutes, of which there are some<br /> hundreds in Victoria alone, receive substantial<br /> Government grants of money, which are mostly<br /> spent with the big city bookseller. About<br /> 90 per cent. of the purchases are of modern<br /> fiction, and very discriminating these “‘ back<br /> blocks ”’ people are—only the best sellers being<br /> found on their lists—and they get 15 per cent.<br /> discount off the ordinary selling prices. It<br /> may be a debatable question whether public<br /> money should be spent in the purchase of light<br /> reading, but it remains that the Mechanics’<br /> Institute is a factor to bear in mind when<br /> buying novels from the publisher.<br /> <br /> The American novel, about which the<br /> English publisher shows, or ought to show,<br /> some concern, is still a strong feature in the<br /> Australian bookseller’s stock.<br /> <br /> The public are not so much attracted by an<br /> author’s name as by the quality of the novel,<br /> although the fine cover designs and attractive<br /> jackets must help to draw attention to them.<br /> The American publishers do not bind up in<br /> a special cover for this market, like the Eng-<br /> lish Colonial library, and most of them prefer<br /> to let one distributing firm, like Robertson’s,<br /> deal with an important book for Australia and<br /> New Zealand.<br /> <br /> In this way Robertson’s issue at least one<br /> new American novel every week now.<br /> <br /> Melville and Mullen also handle occasional<br /> “sole agency ” novels for two or three English<br /> publishers.<br /> <br /> Cole’s Book Arcade, who have so far steered<br /> clear of sole rights to any extent, have pub-<br /> lished one or two books themselves lately,<br /> being possessed of a fine plant and premises<br /> for this purpose. One particularly, of much<br /> interest to early colonists, being ‘“‘ The Gold<br /> Rushes of the Fifties,’ by W. E. Adcock,<br /> narratives of the gold finds of the “ roaring<br /> fifties ’ that gave Victoria her great impetus in<br /> the race for wealth and population.<br /> <br /> Publishing in Australia will presently become<br /> a trade of importance when matters of tariff,<br /> copyright, and labour conditions are more<br /> definite than at present. Meanwhile we ‘have<br /> the N.S.W. Bookstall Co., Ltd., issuing a<br /> successful shilling series of humorous books<br /> and “ shockers ’’—some sixty odd titles—and<br /> Gordon and Gotch announcing the printing of<br /> sixpenny novels here.<br /> <br /> This subject of publishing in Australia will<br /> be dealt with further in a future letter.<br /> <br /> S. J. E.<br /> ++<br /> <br /> A MINOR NOVELIST.<br /> <br /> — ja<br /> <br /> WE have read with great interest the article<br /> in the September National Review, signed by<br /> ‘“* A Minor Novelist.”<br /> <br /> It is difficult to criticise the results of ‘“‘ A<br /> Minor Novelist’s”’ experience, as he has not<br /> given the names of the works he has published<br /> or the names of the publishers with whom he<br /> hasmade his agreements. In other words, he has<br /> given no idea as to the quality of his work or<br /> the quality of the publishers. No doubt it was<br /> impossible for him to do so. It seems clear, how-<br /> ever, that in many cases he has undersold the<br /> book market and has undersold, accordingly,<br /> the market of his fellow-workers. This may<br /> have arisen either from ignorance or from<br /> necessity. In any case the matter is very<br /> serious, as it is owing to these lapses that the<br /> minor novelist finds himself in the present<br /> position.<br /> <br /> If all authors of fiction undertook not to<br /> accept less than a certain amount, either the<br /> minor novelist would not exist, at any rate in<br /> the position stated in the article, or he would<br /> be able to get a living wage.<br /> <br /> We entirely disagree with the statement that<br /> it is a counsel of perfection for popular novelists<br /> to tell young authors that they should never<br /> part with the copyright. This amounts to<br /> 26<br /> <br /> saying that no publisher will ever alter his agree-<br /> ments. The daily experience at the office of<br /> the Society of Authors is absolutely the con-<br /> trary. Nowadays, very few authors writing on<br /> any subject sell their copyright, and even if a<br /> book is commissioned by the publisher and<br /> the writer is a specialist he takes care not to<br /> betray himself and his comrades. If they do<br /> so they do so through ignorance of their rights<br /> and powers ; and publishers, who naturally<br /> demand from an author not merely all they<br /> are entitled to but all they think they can get,<br /> will readily alter an agreement and concede an<br /> author the copyright when they find out that<br /> the author also knows something about his<br /> business. :<br /> <br /> We give to “ A Minor Novelist ” our sincerest<br /> sympathy, if his reason for selling both his<br /> serial rights and book rights below the market<br /> value was to him a matter of necessity, and we<br /> think, as he himself suggests, that it would be<br /> much better for him to drive a taxi-cab than to<br /> keep on underselling the literary market.<br /> <br /> Another fact he puts forward that shows a<br /> lack of power to drive a satisfactory bargain<br /> for one or both of the above reasons, is his<br /> acknowledgment that when he sells a serial he<br /> is generally required to confer upon the pur-<br /> chaser the right to make any alteration he<br /> pleases in the plot, incidents, or characters.<br /> This is a serious confession for any author to<br /> make who has any respect for his own work or<br /> his art. Many authors are willing to make<br /> alterations themselves to meet the objections<br /> of an editor or his staff, but to give an arbitrary<br /> power to another person to make such cor-<br /> rections seems to point to the fact that the<br /> author of the article is not really a minor<br /> novelist, but a scribbler of stories, to suit the<br /> taste of any chance comer.<br /> <br /> Since this note was penned we have read in<br /> the Globe a very sensible letter dealing with<br /> the points raised, and signed “ Another Minor<br /> Novelist.” It appears that he has written<br /> eight books and that they have brought him<br /> in an average of £200 per book, and best of<br /> all that he has never parted with his copyright.<br /> <br /> oe<br /> PUBLISHERS’ ROYALTY AGREEMENTS.<br /> a<br /> <br /> Tue Autuor Grants.<br /> <br /> i the June number of The Author we<br /> published the first part of an article<br /> <br /> entitled “ The Author Grants.” In that<br /> .article those clauses were dealt with in which<br /> the publisher asked the author to transfer his<br /> <br /> | work in book form in<br /> | between author and publisher) at the price of in<br /> | the English language.”<br /> <br /> THE AUTHOR.<br /> <br /> copyright. What was stated in that article<br /> must be repeated here, No AUTHOR SHOULD<br /> TRANSFER THE COPYRIGHT TO A PUBLISHER<br /> WHILE HE PRESERVES A CONTINUING INTEREST<br /> IN HIS WoRK. But in this article it might be<br /> added, NO AUTHOR SHOULD GRANT TO A PUB-<br /> LISHER THE EXCLUSIVE LICENCE TO PUBLISH<br /> HIS WORK DURING THE TERM OF COPYRIGHT<br /> WITHOUT LIMITATION, for this may lead to evils<br /> almost as serious as those which result when<br /> the author transfers his copyright.<br /> <br /> In the article referred to it was suggested<br /> that the first clause in all agreements should<br /> be “ What the Author grants ” and should run<br /> as follows :-—<br /> <br /> “‘ The author grants the publisher a licence to publish his<br /> format (or in format agreed<br /> <br /> The other limitations which this clause<br /> should contain are :—(1) limitation as to<br /> country (generally Great Britain, Ireland,<br /> the Colonies and the Dependencies thereof) ;<br /> (2) limitation as to edition (an edition 1,000,<br /> 2,000 or 8,000 copies); (8) limitation as to<br /> time for a period of 3, 5 or 7 years.<br /> <br /> Here, as in the former article, we set<br /> out from the publishers’ own agreements the<br /> clauses which they have asked the author to<br /> sign, in order that the author may easily recog-<br /> nise them, and may as easily gather from the<br /> following comments some of the disadvan-<br /> tages under which he will labour if he affixes<br /> his signature to them. They are as follows :—<br /> <br /> A. The publisher shall during the legal term of copyright<br /> have the exclusive right of producing and publishing the<br /> work in England and the colonies and the United States<br /> of America. The publisher shall have the entire control<br /> of the publication and sale and terms of sale of the book,<br /> and the author shall not during the continuance of this<br /> agreement (without the consent of the publisher) publish<br /> any abridgment translation or dramatised version of the<br /> work.<br /> <br /> During the continuance of this agreement the copy-<br /> right of the work shall be vested in the author who may be<br /> —S as the proprietor thereof accordingly.<br /> <br /> . The author hereby agrees to assign to the said<br /> &amp; Co. their successors and assigns, and the said &amp; Co.<br /> hereby agree to purchase the sole right of publication of<br /> the above work in the British Empire and elsewhere.<br /> <br /> The said &amp; Co. shall be at liberty to dispose of<br /> copies at special terms to America, and the author shall<br /> be entitled to receive per cent. of the price at which<br /> copies are sold in sheets to America.<br /> <br /> C. That the copyright of the said new novel shall remain<br /> the property of the author and that at the expiration of<br /> five years from the date on which the publisher first<br /> publish the said new novel or at the expiration of any<br /> subsequent period of five years thereafter this agreement<br /> may be terminated by either party on giving three months<br /> notice of intention to do so.<br /> <br /> That the publishers shall issue or cause to be issued a<br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> rt hake bree<br /> <br /> =<br /> ae<br /> <br /> is7<br /> ay<br /> <br /> <br /> <br /> THE AUTHOR. 27<br /> <br /> special edition of the said new novel for sale in the Colonies<br /> and Dependencies of Great Britain (with the exception<br /> of Canada) and they shall pay to the author on all copies<br /> of the said new novel sold in such special edition a royalty<br /> of 4d. a copy.<br /> <br /> That the United States rights, the Canadian rights, the<br /> rights of translation, dramatisation and the right to<br /> publish the said new novel in English on the Continent of<br /> Europe are reserved by the author.<br /> <br /> D. The author hereby agrees to assign to the publishers<br /> their successors and assigns and the publishers hereby<br /> agree to purchase the sole right of publication in volume<br /> form during the legal term of copyright of an original work<br /> entitled “ ” of which he is the author.<br /> <br /> Tf the above book ahall be included in the publisher’s<br /> Colonial Library, or any colonial edition arranged for by<br /> the publisher, the royalty shall be 3¢. per copy on all<br /> copies sold. The publisher shall have the right to arrange<br /> for publication of the said work in the United States of<br /> America and shall credit the author with per cent.<br /> of all profits accruing from such an arrangement. All<br /> profits arising from minor rights such as translations,<br /> continental editions, &amp;c., to be divided equally between the<br /> author and the publisher.<br /> <br /> Let us now take, for particular comment,<br /> the clauses printed above, in their order, stating,<br /> as we have already stated, that to grant to a<br /> publisher an exclusive licence to publish a work<br /> during the term of copyright without limita-<br /> tion, may lead to evils almost as serious as<br /> those which result from the transfer of copy-<br /> right. The evils resulting from the transfer of<br /> copyright have been set out in many numbers<br /> of The Author and in the reports. As far as<br /> literary and dramatic works are concerned the<br /> result attending this constant repetition has<br /> been, on the whole, successful. No dramatists<br /> transfer their copyright, and very few authors,<br /> except in the cases where the work has been<br /> commissioned. The musical composer, however,<br /> is not free of the shackles of the music pub-<br /> lisher who endeavours to bind him in every<br /> possible way, with the scantiest return.<br /> <br /> A. The publisher shall during the legal term of copyright<br /> have the exclusive right of producing and publishing the<br /> work in England the Colonies and the United States of<br /> America. The publisher shall have the entire control of<br /> the publication and sale and terms of sale of the book, and<br /> the author shall not during the continuance of this agree-<br /> ment (without the consent of the publisher) publish any<br /> abridgment translation or dramatised version of the work.<br /> <br /> During the continuance of this agreement the copyright<br /> of the work shall be vested in the author, who may be<br /> registered as the proprietor thereof accordingly.<br /> <br /> _ This article deals with the conveyance of the<br /> licence to publish, that is, the appointment of<br /> the publisher as agent to do certain things, as<br /> distinct from the conveyance of copyright, 7.e.,<br /> the transfer of property, which allows the<br /> publisher to act as principal.<br /> <br /> This is a step in the right direction, but an<br /> author must beware, for the grant of a licence<br /> to publish unconditioned by limitations of<br /> <br /> time, place, price, edition, etc., may prove as<br /> dangerous almost as the transfer of the copy-<br /> right.<br /> <br /> If a publisher is granted a licence to publish,<br /> he can only publish the work that an author<br /> submits to him; he cannot make even those<br /> alterations which, often so galling to an author<br /> who conveys the copyright, do not, however,<br /> damage his literary reputation.<br /> <br /> The clause then, as it stands, isolated from<br /> the rest of the agreement, is a dangerous clause,<br /> as it does not limit the publisher either in shape,<br /> price, time or edition,—it does not even limit<br /> the publisher to book form, though apparently<br /> it does not include all the countries of the<br /> Berne Convention. There is, however, one<br /> serious defect in the clause.<br /> <br /> “The author shall not during the continuance of this<br /> agreement (without the consent of the publisher) publish<br /> any abridgment, translation, or dramatised version.”<br /> <br /> What do these words mean? What would<br /> they mean if read to an_ unsophisticated<br /> author? They would read rather as a vagary<br /> of the publisher, and the author would think<br /> that the words, like the words in a lease, would<br /> mean that such consent would not be unreason-<br /> ably withheld.<br /> <br /> The author would indeed have some right to<br /> think so, when he reads another clause, not<br /> printed here, from the same agreement, which<br /> carefully apportions the division of profits on<br /> serial and other minor rights.<br /> <br /> There is something, no doubt, to be said in<br /> case of some books, scientific books, diction-<br /> aries, and others of a like kind, in favour of<br /> restricting the author from publishing an<br /> abridgment while the book of his original grant<br /> is selling, and the publisher might well desire<br /> to have a word in the matter. But this agree-<br /> ment cannot apply to translation rights, still<br /> less to the sale of a dramatic version.<br /> <br /> What then actually happens? The author,<br /> with some difficulty, arranges with a foreign<br /> author and publisher to translate and publish<br /> his book. He writes to the publisher and asks<br /> for his consent. The publisher replies that he<br /> eannot give his consent unless he receives<br /> 50 per cent. of the profits, there is nothing to<br /> prevent his asking 75 per cent. even. The<br /> author is bound to acquiesce or lose his market.<br /> <br /> An agent, it is true, takes 10 per cent. for<br /> finding a market, but here a publisher will ask<br /> 50 per cent. for doing nothing.<br /> <br /> The case is worse, however, when it comes<br /> to the sale of a dramatic version. It is<br /> important for an author who has dramatised<br /> his work to have control of the publication of<br /> 28 THE<br /> <br /> the words of his drama, and this could not<br /> interfere with the publication of his book,<br /> although the publisher might say that it would.<br /> This right to publish a dramatic version must<br /> not be confused with the right to perform,<br /> i.e., dramatic rights which are included in some<br /> publishers’ agreements. :<br /> <br /> An author may take infinite time, trouble<br /> and labour in converting his book into a drama,<br /> and in getting it accepted by a manager, and<br /> then be met by the same demand. This, too,<br /> when he expected merely a polite letter of<br /> sanction. An author cannot be urged too<br /> strongly not to sign any agreement in which<br /> these words are included.<br /> <br /> To Clause 2 an objection must be raised on<br /> the ground of bad draughstmanship.<br /> <br /> If the author has clearly never conveyed the<br /> copyright to the publisher the copyright is<br /> vested in him, and he is clearly entitled to be<br /> registered as proprietor. There is no need,<br /> therefore, to insert the clause, and anything<br /> that may raise an extra chance of a legal<br /> argument should be avoided.<br /> <br /> B. The author hereby agrees to assign to the said<br /> &amp; Co. their successors and assigns, and the said &amp; Co.<br /> hereby agree to purchase the sole right of publication of<br /> the above work in the British Empire and elsewhere.<br /> <br /> The said &amp; Co. shall be at liberty to dispose of<br /> copies at special terms to America, and the author shall<br /> be entitled to receive per cent. of the price at which<br /> copies are sold in sheets to America.<br /> <br /> It should be stated once for all that the<br /> agreement with a publisher should be personal<br /> to that publisher, even where the author is<br /> only conveying a licence to publish. It is a<br /> mistake, therefore, to allow the words “ their<br /> successors and assigns,’’ to come into a<br /> publication agreement. Many authors would<br /> be quite willing to allow certain publishers<br /> to have a licence to publish, but if anything<br /> happened to the firm they might strongly<br /> object to the agreement being sold in the<br /> open market to any chance purchaser. If,<br /> however, the author does grant a licence to the<br /> “ publishers, their successors and assigns,” he<br /> should see that his grant is strictly limited and<br /> that he is guarded against his work falling into<br /> the hands of another person antagonistic to<br /> his interests.<br /> <br /> There is one further point in the clause<br /> which should be mentioned, and that is, the<br /> wording. The author should not “ assign the<br /> right of publication,” but should merely<br /> ““ grant a licence to publish the work in book<br /> form.”<br /> <br /> These slight alterations mean a good deal<br /> from the legal point of view.<br /> <br /> AUTHOR.<br /> <br /> This clause is unlimited as to country and is<br /> not limited as to book form. It is wider than<br /> the one quoted just before and is dangerous.<br /> <br /> Clause 2 is not an unreasonable clause, as it<br /> gives the publisher liberty to deal with the<br /> American market, when the author has not<br /> acquired the American copyright.<br /> <br /> In fact, save in exceptional cases, this liberty<br /> is best left to the publisher. All the author<br /> has to see is that he gets a fair royalty.<br /> <br /> C. That the copyright of the said new novel shall<br /> remain the property of the author and that at the expira-<br /> tion of five years from the day on which the publisher first<br /> publish the said new novel or at the expiration of any<br /> subsequent period of five years thereafter this agreement<br /> may be terminated by either party on giving three months<br /> notice of intention to do so.<br /> <br /> That the publisher shall issue or cause to be issued a<br /> special edition of the said new novel for sale in the Colonies<br /> and Dependencies of Great Britain (with the exception of<br /> Canada) and they shall pay to the author on all copies<br /> of the said new novel sold in such special edition a royalty<br /> of 44. a copy.<br /> <br /> That the United States rights, the Canadian rights, the<br /> rights of translation, dramatisation and the right to publish<br /> the said new novel in English on the Continent of Europe<br /> are reserved to the author.<br /> <br /> A licence to publish limited as to time.<br /> <br /> This form of grant has a great many advan-<br /> tages and is certainly to be recommended to<br /> the writers of technical works, who must have<br /> power, from time to time, to reconsider their<br /> position and bring their works up to date.<br /> Three years is, in most cases, a good limit, and<br /> the publisher is not likely to suffer. If the<br /> author desires he can—should no alterations<br /> be necessary—allow the publisher to continue,<br /> or if alterations are necessary, give him the<br /> option of publishing the new edition.<br /> <br /> There is one point, however, against which<br /> the author must guard himself in dealing with<br /> time limitations, and that is, the possibility of<br /> the publisher over-printing towards the end of |<br /> the contract, so that when the time limit has<br /> expired there is a large stock on hand. It has<br /> been decided in the Courts that the publisher<br /> would have a right to continue dealing with<br /> this stock after the time limit has expired.<br /> <br /> Clause 2 is satisfactory, for the publisher<br /> actually undertakes to do certain things.<br /> <br /> In many agreements where the publisher<br /> obtains these rights he does not undertake, and<br /> cannot, therefore, be compelled to do anything<br /> with them at all. :<br /> <br /> This difficulty has already been emphasised<br /> frequently in those articles dealing with the<br /> conveyance of copyright.<br /> <br /> Clause 3 is essential where an unlimited<br /> licence to publish has been transferred to the<br /> publisher, but the words “ and all other rights<br /> <br /> <br /> <br /> <br />  <br /> <br /> ss<br /> &amp;<br /> <br /> <br /> <br /> <br /> <br /> \<br /> +<br /> 4<br /> 4<br /> og<br /> |<br /> <br /> THE AUTHOR. 29<br /> <br /> not included by this agreement,” should be<br /> added.<br /> <br /> It is always much better, however, and much<br /> clearer for the author to limit the publisher<br /> by granting him a licence to produce the work<br /> in book form at the price of only in<br /> Great Britain and Ireland, the Colonies and<br /> Dependencies thereof. Then such a clause as<br /> Clause 3 is surplusage and should not be<br /> inserted. When the publisher has been limited<br /> in a proper way it is always dangerous to<br /> insert a further clause reserving certain rights<br /> to the author unless the clause is very general,<br /> as some rights may be omitted inadvertently,<br /> and questions may arise as to whether they<br /> belong to author or publisher. The best plan,<br /> therefore, is carefully to limit the publisher as<br /> to the exact rights the author intends to convey<br /> and to insert no further clause as to what<br /> rights the author retains.<br /> <br /> D. The author hereby agrees to assign to the publishers<br /> their successors and assigns and the publishers hereby agree<br /> to purchase the sole right of publication in volume form<br /> during the legal term of copyright of an original work<br /> entitled “ ” of which he is the author.<br /> <br /> If the above shall be included in the publisher’s Colonial<br /> Library, or any colonial edition arranged for by the<br /> publisher the royalty shall be 3d. per copy on all copies sold.<br /> The publishes shall have the right to arrange for publica-<br /> tion of the said work in the United States of America and<br /> shall credit the author with per cent. of all profits<br /> accruing from such an arrangement. All profits arising<br /> from minor rights such as translations continental editions,<br /> ete., to be divided equally between the author and the<br /> publisher.<br /> <br /> On the subject of “their successors and<br /> assigns,” and “ sole right of publication,” we<br /> have already spoken.<br /> <br /> The sole right of publication in this clause<br /> is limited to volume form. So far this is<br /> satisfactory, but the limitation is not sufficient.<br /> There is no limit as to country. There is no<br /> limit as to price, there is no limit as to time,<br /> and there is no limit as to edition.<br /> <br /> In the next clause there is no undertaking<br /> on the part of the publisher to perform this<br /> part of his licence, but if he thinks it will suit<br /> him to market the book in the Colonies he<br /> undertakes to pay the author a fixed number<br /> of pence per copy. This might be satisfactory<br /> if he had bound himself to Colonial production.<br /> The question of the amount to be paid would<br /> of course be a matter of bargaining, and we<br /> hope to deal with Colonial sales and prices at<br /> greater length in another article.<br /> <br /> Sale on half profits to America when royalty<br /> is paid on British and Colonial sales should<br /> only be permitted when the publisher under-<br /> takes to charge only the cost of printing and<br /> paper against the profits on the American<br /> <br /> edition. This the best firms undertake to do,<br /> but examples have come to hand when a<br /> proportionate amount of the cost of composition<br /> has been charged against the profits. Why<br /> such a course is unfair and unjustifiable wiil<br /> be explained in a subsequent article. It is<br /> sufficient here to emphasise the fact that<br /> where profits are being shared on the American<br /> sales and there is a royalty agreement on the<br /> English sales, only the cost of printing and<br /> paper should be charged against the American<br /> edition.<br /> <br /> Under no circumstances should the latter<br /> part of the clause stand, but if through the<br /> publisher’s agency under an agreement signed<br /> by the author any of the minor rights are sold,<br /> then the author should pay the publisher the<br /> usual agency charge of 10 per cent.<br /> <br /> ———__4¢ 9<br /> <br /> THE PALACKY AND SOKOL COMMEMORA-<br /> TION AT PRAGUE.<br /> <br /> —+- &lt;&gt;<br /> By James Baker, F.R.G.S.<br /> <br /> HE unveiling of the national memorial to<br /> the memory of the famous historian,<br /> Francis Palacky, was linked by the<br /> <br /> Bohemians with their national festival of the<br /> Jubilee of the foundation of the Sokol move-<br /> ment, a movement for the physical and moral<br /> development of the Slav people, that has<br /> grown under splendid organisation to gigantic<br /> proportions.<br /> <br /> British writers and journalists were honoured<br /> on this occasion, by the City of Prague sending<br /> invitations to five members of the British<br /> International Association of Journalists, as<br /> guests of the City during the festivities, that<br /> lasted four days. The writers so honoured were<br /> all men who had written upon Bohemia, when<br /> on a former occasion as members of this<br /> Association they had visited the country ; and<br /> a right cordial welcome they received at the<br /> impressive ceremonies held in the Pantheon,<br /> and at the unveiling of the remarkable monu-<br /> ment by Sucharda.<br /> <br /> Francis Palacky is a writer who has done so<br /> much for his country as a historian, that it is<br /> strange his dramatic, forceful work is not more<br /> utilised in England by writers upon Central<br /> European life and polities, up to the year 1526 ;<br /> when, alas, his history closes.<br /> <br /> The scenes enacted in Prague, both in the<br /> Pantheon and before the monument to the<br /> memory of the patriot and historian, were full<br /> 30<br /> <br /> of intense significance. The whole of the Slav<br /> peoples were represented, and the addresses<br /> given by his Excellency, the President of the<br /> Bohemian Academy, and Professor Dr. Joseph<br /> Pekats were worthy and interesting culegies<br /> of Palacky’s work, and its outcome. What<br /> a tremendous influence the work has had, was<br /> evidenced by the demonstration at the unveil-<br /> ine of the monument, a gigantic and notable<br /> work of art. The Viceroy and Church<br /> dignitaries, Princes, nobles, and people listened<br /> to an oration from Dr. Kramai, the well-known<br /> Slav Parliamentarian. The writer of this<br /> article also spoke a word on the debt English<br /> writers owed to his work. Not only at this<br /> historical and literary festival were the British<br /> visitors honoured, but also at the imposing<br /> Sokol demonstrations, and at the banquets<br /> and concerts coincident with the festivals.<br /> On the great Letna Plain they witnessed from<br /> the Tribunes the astounding gymnastic and<br /> drill display simultaneously of 11,000 men and<br /> 6,000 women, organised by the Sokols or<br /> Faleons, who number now far over 100,000<br /> members, and they were present at the march<br /> past of over 20,000 of these splendidly drilled<br /> men before the old Town Hall of Prague and<br /> the Lord Mayor and Council. The links<br /> between England and Bohemia in bygone<br /> days have been many, and of world-wide<br /> influence, far more than the general reader can<br /> glean; for even Green and Bright and other<br /> historians omit to mention that Richard II.<br /> marriel Anne of Bohemia, an event of great<br /> <br /> importance to the world’s history. The<br /> British International Journalists who were<br /> invited learnt much during their stay. They<br /> <br /> included Mr. D. A. Louis, the scientifie writer<br /> of the Times, Mr. Walter Jerrold of the<br /> Telegraph, Mr. R. J. Kelly of the Freeman, and<br /> Mr. Rainbow of the Eastern Chronicle ; and the<br /> writer who has watched for over thirty years<br /> the wondrous developments in Bohemia that<br /> are now of such weight in Central European<br /> politics. Palacky’s famous saying: “If the<br /> Empire of Austria did not exist, we should be<br /> compelled to create it,” has to-day a wondrous<br /> significance.<br /> <br /> ee<br /> <br /> “TO PLEASE ONESELF.”<br /> <br /> <br /> <br /> By W. Haroip THomson.<br /> <br /> HE other day I beard a novelist—you would<br /> know his name quite well if I were to set<br /> it down here—bemoaning the fact that in<br /> <br /> the ten years during which he had been making<br /> <br /> THE AUTHOR.<br /> <br /> a really good income from writing he had not done<br /> anything for the sheer joy of pleasing himself.<br /> <br /> “T was making just enough to live on,” he said,<br /> “and getting pretty sick of things. I was writing<br /> essays of the style that are cal’ed graceful, and<br /> stories which editors usually dub ‘ pretty, but too<br /> slight,’ and I was getting them accepted here and<br /> there, and now and then. But J wanted to get on,<br /> I wanted to become known, and I wanted to make<br /> money. So I followed the advice of an old hand<br /> who had found that there was better fun than<br /> starving on art. He told me to stop dreaming;<br /> he told me to forget any hopes I had of being<br /> recognised asa stylist; he told me to stop framing<br /> phrases that had a tendency to make people think,<br /> and finally he told me to stop doing what I wanted,<br /> and to do instead what editors said their readers<br /> wanted. So I went in for that sort of thing.”<br /> <br /> He shrugged his shoulders at that point and<br /> ended : “ Well, I’ve done what I set out to do—<br /> I’ve made a name and I’ve made money. But I’ve<br /> made the name by stuff I’m ashamed of, and I know<br /> that I won the money hard because I starved the<br /> artistic side of me until it died.”<br /> <br /> I believe—and am sorry to believe—that the case<br /> of that writer is quite a common one. Or at least<br /> it is common as regards the starving of the artistic<br /> nature. Few writers, perhaps, gain a popularity or<br /> financial reward such as his, but a pitiful army in<br /> their efforts to do so learn the bitterness of crushing<br /> that desire which, in the first place, made them<br /> stretch out their hands for the pens—the desire to<br /> write of the sweetest things they know in the<br /> sweetest words at their command.<br /> <br /> To write something just to please oneself ! That<br /> is the craving I am sure that comes often and with<br /> an increasing pleading to every author dependent<br /> upon his work for a livelihood.<br /> <br /> There are those who du please themselyes—who<br /> give of their very best and reach just to that point<br /> where they please what might be called the literary<br /> gallery ; there are others—a small and to be envied<br /> band——who write to please themselves and at last<br /> gain a public of which they may be proud and a<br /> return with which they may be pleased. But the<br /> average writers, the middle-class in the penman’s<br /> world, the men and women who, if they can write<br /> what is in popular demand, must do so in sackcloth<br /> and with tears, as a rule, cannot afford to permit<br /> themselves the joy of doing what they term to be<br /> their best.<br /> <br /> Their best would perhaps some day meet with its<br /> reward, but they recognise that before that glad<br /> day has had time to dawn, their eyes would have<br /> been closed.<br /> <br /> It is the canker in the breast of the average pro-<br /> fessional author—the stifling of his inclination to<br /> sit down and express the best that is in him<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> without regard to popular taste. Perhaps “ the best<br /> that is in him” is not quite the right phrase. I<br /> do not mean that he may have some noble philo-<br /> sophy which he feels called to expound, nor indeed<br /> that he may have anything particularly serious to<br /> say at all. It would be more correct to say that he<br /> longs to set down with all the artistry in him his<br /> own thoughts upon the sweet or sad things which he<br /> sees or hears—anything which appeals to and moves<br /> the higher emotions.<br /> <br /> The insistent editorial demand for action in every<br /> paragraph, quite irrespective of the language in<br /> which that action is described, is what makes<br /> cynics of the more ambitious penmen. During<br /> their period of apprenticeship and when writing<br /> was so far a hobby merely, they had written<br /> what they wanted and had no doubt seen their<br /> essays, their graceful stretches, their short stories<br /> that were free from blood and detectives and<br /> ‘ther popular ingredients, in print from time to<br /> time.<br /> <br /> But at last, perhaps not for a lone time—because<br /> authors are creatures in whom hope dies hard—<br /> they were forced to recognise that where money-<br /> making by the pen is concerned it is the matter<br /> and not the manner that counts.<br /> <br /> It was forced upon them that writers much<br /> inferior to themselves in education having not the<br /> slightest pretension to culture; men and women<br /> whose outlook and whose language were both<br /> mawkish—were those who were making the big<br /> incomes, True, they were not admired by the<br /> book-reading public save in a few well-known<br /> instances, and could never hope to gain the praise<br /> of critics or fully educated people, but still they<br /> were doing something enviable, they were making<br /> good incomes wherewith to maintain themselves<br /> and those dependent on them. And the young<br /> writer seeing them, and perhaps being helped to<br /> his bitter decision by sheer need, reluctantly sets<br /> out to crush what is artistic in him; with much<br /> travail of soul he represses the inclination to set<br /> down anything which might be dubbed over-subtle<br /> and clever for the understanding of the mass ; he,<br /> in fact, far more than the actor, has to recognise<br /> the necessity of playing to the gallery.<br /> <br /> If he be a story-writer he will be told quite<br /> plainly and quite truthfully that what is wanted is<br /> a story—not fine writing ; psychological insight,<br /> deft portrayal of character counts but little if at<br /> all.<br /> <br /> There ‘are, of course, openings for imaginative<br /> articles written with cleverness and with style ; for<br /> Sketches where the writing is what tells, but the<br /> author who has a living to make gets to know very<br /> soon that the writing of such articles or sketches is<br /> ‘a huge gamble. The market is so very small—the<br /> pay’ so very poor. Practically nobody wants his<br /> <br /> <br /> <br /> 31<br /> <br /> literary cleverness—thousands want what editors<br /> and writers themselves pleasantly term ‘ muck.”<br /> <br /> I am not forgetting the exceptions who win<br /> through from the first with material of which they<br /> may well be proud—but the exceptions are, after all,<br /> of little moment to the rank and file.<br /> <br /> And so when the average author—travelled, per-<br /> haps, well read, cultured, possessing what is<br /> pathetically called a “soul ’’—sitg at night in his<br /> quiet study longing to express on paper and in<br /> language such as would please some kindred Spirit<br /> the thoughts that come to him, he knows the dread<br /> voice which whispers—* Forget.”<br /> <br /> “ Forget in your working hours at least your<br /> appreciation of the beautiful - forget the fascination<br /> of building a gracious picture with words; forget<br /> that there is in you the power to move minds and<br /> hearts like your own with finely-wrought sentences<br /> embodying high thoughts.<br /> <br /> “* Remember instead that if you are out for pay in<br /> this game of writing, you must either wait for long<br /> years before your work ‘ gets there,’ or you must<br /> learn to tickle the palates of your masters in the<br /> gallery. In one way it is, of course, just as clever to<br /> do that as to please the elect, but it is a cleverness<br /> which will bring you no joy—unless indeed the<br /> money is the only reward asked. And in that<br /> case the gallery is your proper audience, and you<br /> have no reason to talk either of your achievements<br /> or of what might have been,”<br /> <br /> PSUS REEy See cams<br /> <br /> BOOK-PRICES CURRENT.*<br /> <br /> —1—&gt;— +<br /> <br /> dee parts of the periodical lying before us<br /> <br /> are the first three numbers of the<br /> twenty-sixth volume containing records<br /> of the sales from October 5, 1911, to April 15,<br /> 1912. That the publication always maintains<br /> its high interest need not be said, but naturally<br /> other sales are thrown into the shade by the<br /> first section of the sale of the Huth Library<br /> (begun on November 15, 1911). Itis only from<br /> the pages of “ Book-Prices Current ” itself that<br /> it will be possible for any one to form any<br /> correct impression of the multitude of books cf<br /> extraordinary rarity and interest that were on<br /> this occasion offered for sale. The Shakes-<br /> periana were sold en bloc, but there remained<br /> a wealth of manuscripts, block-books, incuna-<br /> bula and rarities the mere titles of which (apart<br /> from the interesting bibliographics! particulars)<br /> form marvellous reading. To do the sale any<br /> <br /> <br /> <br /> * “Book-Prices ‘ Current.”<br /> Vol. XXVI.<br /> <br /> London: Elliot Stock.<br /> 32 THE AUTHOR.<br /> <br /> justice in a short notice is impossible ; its<br /> record is matter for slow and pondered perusal.<br /> A copy of “ The Mazarin Bible ” (No. 1300—<br /> the bibliographical notes deserve particular<br /> attention) sold for £5,800. To the student of<br /> English literature will be hardly less inte-<br /> resting No. 1124, a collection of 384 broadside<br /> ballads in black letter, chiefly belonging to the<br /> period of the Restoration, in excellent preserva-<br /> tion, which sold for £400, and seems to us to<br /> have been cheap at that price. A further<br /> instalment of the Amherst Library was sold on<br /> December 12, presenting among other rarities<br /> the second edition of Caxton’s “‘ Book of Good<br /> Manners,”’ prohably the only copy in existence.<br /> Authors should look at the prices fetched by<br /> modern autograph MSS. at the sale of the<br /> library of J. S. Burra, of Ashford, Kent,<br /> together with other properties (December<br /> 18—15, 1911). Sir Walter Besant’s “ Herr<br /> Paulus was sold for £2; Gissing’s ‘‘ Eve’s<br /> Ransom,” £11; Edna Lyall’s ‘‘ Donovan,” £50.<br /> Other autographs by modern writers are men-<br /> tioned. At the sale of the remaining portion<br /> of the library of Dr. Joseph Frank Payne several<br /> first and early editions of Milton’s works<br /> were sold; among them a first edition of<br /> “Paradise Lost’ for £40. How many fold<br /> does the price given for this single copy exceed<br /> the sum paid John Milton for the whole copy-<br /> right of a work out of which the publishers and<br /> booksellers of England have been ever since<br /> making profits? Particulars very interesting<br /> to authors will be found recorded in the sale<br /> (April 15, etc., 1912) of the library of Louisa<br /> Lady Ashburton. &lt;A considerable number of<br /> works by Carlyle, or relating to Carlyle, were<br /> sold, with autographs of his in them. The<br /> vastly enhanced value of the volumes in con-<br /> sequence of the autographs contained in them<br /> is deserving of remark. The numbers are 5007<br /> to 5024, and should be studied by any one who<br /> desires to form a just estimate of what auto-<br /> graphs in a book mean.<br /> <br /> ——_—_—\e—o— 2 —___—_<br /> <br /> LITERATURE AND LIFE.*<br /> <br /> —_-—~o + —<br /> <br /> Tat Mr. Watt has a public is sufficiently<br /> demonstrated by the number of works which<br /> he has published, and we entertain no doubt<br /> that his new book, ‘“‘ Literature and Life,” will<br /> be highly esteemed by those for whom it is<br /> <br /> <br /> <br /> * “Titerature and Life.” The Rev. Lauchlan Maclean<br /> Watt. London: A, &amp; C. Black, 1912, A volume of “The<br /> Guild Library.”<br /> <br /> intended. Every prolific author knows to<br /> whom he is addressing himself, and how he<br /> may best hold their attention. For that<br /> reason we are unwilling to lay stress upon<br /> certain features of the book which do not<br /> exactly commend themselves to our judgment,<br /> the somewhat lyric tone of a good deal of the<br /> prose, and the values assigned to some of the<br /> authors whose works are recommended. We<br /> hasten to add that the latter feature is one<br /> respecting which it is, after all, almost im-<br /> possible that two minds should think abso-<br /> lutely in agreement. Practically ‘“* Literature<br /> and Life *’ is one of the many books recom-<br /> mending other people what they should read.<br /> Of such works there seems to be no end; and<br /> seeing how many people, comparatively speak-<br /> ing, never read anything that they ought to<br /> read, all these books are books that will do good<br /> if thev produce any effect at all. In the present<br /> case the author goes a point farther and dwells<br /> not only upon what should be read but how it<br /> should be read, and this also is commendable.<br /> Authors are likely to find the chapters on<br /> “Style and Thought,” ‘*‘ Vocabulary,” and<br /> ‘“‘ The Writer and his Age,”’ the most suggestive,<br /> and we could imagine this part of the book<br /> proving valuable to writers who have not yet<br /> succeeded in saying things as they wish to say<br /> — The book is furnished with an excellent<br /> index.<br /> <br /> CORRESPONDENCE.<br /> <br /> ne<br /> CopyRIGHT BILL.<br /> <br /> Str, — Your readers will have been much<br /> interested by the supplement to the July issue of<br /> The Author. It is evident that the Board of Trade<br /> is anxious enough to accord fair play to authors,<br /> such as they have never had before ; and it will be<br /> their own fault if they do not take advantage of it.<br /> The paragraph that insists on stamps of royalty<br /> being affixed to the different copies of the book is<br /> of particular interest. It is a pity that the words<br /> “if not otherwise arranged” are not left out, as<br /> they leave a loophole to dishonest publishers, who<br /> are sure to take advantage of it if allowed to do so.<br /> <br /> The iniquitous rule of counting thirteen for<br /> twelve will now, I fancy, be abolished for ever.<br /> This is the author’s opportunity to get quit of<br /> their unjust trammels, and if they don’t join hands<br /> one and all, they will be greatly to blame for being<br /> robbed of their property with their eyes open.<br /> <br /> Iam, &amp;c.,<br /> JUSTITIA.	https://historysoa.com/files/original/5/521/1912-10-01-The-Author-23-1.pdf	publications, The Author