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332	https://historysoa.com/items/show/332	The Author, Vol. 11 Issue 02 (July 1900)	<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Author%3C%2Fem%3E%2C+Vol.+11+Issue+02+%28July+1900%29"><em>The Author</em>, Vol. 11 Issue 02 (July 1900)</a>			<a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015006979390" target="_blank" rel="noopener">https://babel.hathitrust.org/cgi/pt?id=mdp.39015006979390</a>								<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Publication">Publication</a>	1900-07-02-The-Author-11-2					17–40																		<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=89&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=11">11</a>											<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=76&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1900-07-02">1900-07-02</a>							2			19000702	The Author.<br /> (The Organ of the Incorporated Society of Authors. Monthly.)<br /> CONDUCTED BY WALTER BESANT.<br /> VOL. XI.—No. 2]<br /> JULY 2, 1900.<br /> [PRICE SIXPENCE.<br /> ...<br /> 17<br /> CONTENTS.<br /> PAGE<br /> PAGE<br /> Memoranda ...<br /> Notes from America ...<br /> ... ... ... 28<br /> The Incorporated Society of Authors-Scheme for Pension Fund 18 Annual Dinner of the Incorporated Society of Authors<br /> Literary Property-.<br /> Thirteen Years Ago ... ... ... ... ... ... ... ... 31<br /> 1. Trade Methods ...<br /> Correspondence -1. Auxiliary Literary Work. 2. Concerning<br /> 2. The Copyright Act and the Five Gratis Copies<br /> Books for Boys. 3. Royalties. 4. Author and Publisher. 5.<br /> 3. The Stamping of Agreements<br /> ** A Torn-out Page,&quot; &quot; by&quot; Dora Russell...<br /> 4. Copyright Secured by Publication and S<br /> 5. Altering without the Author&#039;s Consent...<br /> Book and Play Talk...<br /> Books and Reviews ... ...<br /> Paris Notes. By Darracotte Scott<br /> ... ... ... ... ... ... 35<br /> 27 Obituary ...<br /> Notes and News. By the Editor ...<br /> ... ...<br /> ... ... ... ...<br /> PUBLICATIONS OF THE SOCIETY.<br /> 1. The Annual Report. That for the past year can be had on application to the Secretary.<br /> 2. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary<br /> Property. Issued to all Members, 6s. 6d. per annum. Back numbers are offered at the<br /> following prices : Vol. I., 108. 6d. (Bound); Vols. II., III., and IV., 88. 6d, each (Bound);<br /> Vols. V. to VIII. (Unbound), 6s. 6d.<br /> 3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. Henry Glaisher,<br /> 95, Strand, W.C. 38.<br /> 4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE, late Secretary to<br /> the Society. 18.<br /> The Cost of Production. In this work specimens are given of the most important forms of type,<br /> size of page, &amp;c., with estimates showing what it costs to produce the more common kinds of<br /> books. Henry Glaisher, 95, Strand, W.C. 28. 6d. (Out of print at present.)<br /> 6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the<br /> papers in the Society&#039;s offices, the various forms of agreements proposed by Publishers to<br /> Authors are examined, and their meaning carefully explained, with an account of the various<br /> kinds of fraud which have been made possible by the different clauses in their agreements.<br /> Henry Glaisher, 95, Strand, W.C. 38.<br /> 7. Copyright Law Reform. An Exposition of Lord Monkswell&#039;s Copyright Bill of 1890. With<br /> Extracts from the Report of the Commission of 1878, and an Appendix containing the<br /> Berne Convention and the American Copyright Bill. By J. M. LELY. Eyre and Spottis-<br /> woode. Is. 6d.<br /> 8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT<br /> (Chairman of Committee, 1888—1892). 18.<br /> 9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST<br /> LUNGE, J.U.D. 28. 6d.<br /> 10. The Addenda to the &quot;Methods of Publishing.&quot; By G. HERBERT THRING. Being additional<br /> facts collected at the office of the Society since the publication of the “ Methods.&quot; With<br /> comments and advice. 28.<br /> 11. Forms of Agreement issued by the Publishers&#039; Association ; with Comments. By G. HERBERT<br /> THRING, and Illustrative Examples by Sir WALTER BESANT. IS.<br /> <br /> <br /> ## p. 16 (#38) ##############################################<br /> <br /> ADVERTISEMENTS.<br /> The Society of Authors (Incorporated).<br /> PRESIDENT.<br /> GEORGE MEREDITH.<br /> COUNCIL,<br /> SIR EDWIN ARNOLD, K.C.I.E., C.S.I. AUSTIN DOBSON.<br /> Sir Lewis MORRIS.<br /> J. M. BARRIE.<br /> A. CONAN DOYLE, M.D.<br /> HENRY NORMAN.<br /> A. W. À BECKETT.<br /> A. W. DUBOURG.<br /> Miss E. A. ORMEROD.<br /> ROBERT BATEMAN.<br /> Sir MICHAEL FOSTER, K.C.B., F.R.S. GILBERT PARKER.<br /> F. E. BEDDARD, F.R.S.<br /> D. W. FRESHFIELD.<br /> J. C. PARKINSON.<br /> SIR HENRY BERGNE, K.C.M.G.<br /> RICHARD GARNETT, C.B., LL.D. A. W. PINERO.<br /> SIR WALTER BESANT.<br /> EDMUND GOSSE.<br /> THE Right Hon. THE LORD PIR.<br /> AUGUSTINE BIRRELL, M.P.<br /> H. RIDER HAGGARD.<br /> BRIGHT, F.R.S.<br /> THE REV. PROF. BONNEY, F.R.S. THOMAS HARDY.<br /> Sir FREDERICK POLLOCK, Bart., LL.D.<br /> THE RIGHT HON. JAMES BRYCE, M.P. ANTHONY HOPE HAWKINS.<br /> WALTER HERRIES POLLOCK.<br /> THE RIGHT HON. THE LORD BURGH. JEROME K. JEROME.<br /> E. ROSE.<br /> CLERE.<br /> J. SCOTT KELTIE, LL.D.<br /> W. BAPTISTE SCOONES.<br /> HALL CAINE.<br /> RUDYARD KIPLING.<br /> Miss FLORA L. SHAW.<br /> EGERTON CASTLE, F.S.A.<br /> PROF. E. RAY LANKESTER, F.R.S. G. R. SIMS.<br /> P. W. CLAYDEN.<br /> THE RIGHT Hon. W. E. H. LECKY, S. SQUIRE SPRIGGE.<br /> EDWARD CLODD.<br /> M.P.<br /> J. J. STEVENSON.<br /> W. MORRIS COLLES.<br /> J. M. LELY.<br /> FRANCIS STORR.<br /> THE HON. JOHN COLLIER.<br /> THE REV. W. J. LOFTIE, F.S.A. WILLIAM MOY THOMAS.<br /> SIR W. MARTIN CONWAY.<br /> SIR A. C. MACKENZIE, Mus.Doc. MRS. HUMPHRY WARD.<br /> F. MARION CRAWFORD.<br /> PROF. J. M. D. MEIKLEJOHN.<br /> Miss CHARLOTTE M, YONGB.<br /> THE RIGHT Hon. THE LORD CURZON THE REV. C. H. MIDDLETON-WAKE.<br /> OF KEDLESTON.<br /> Hon. Counsel – E. M. UNDERDOWN, Q.C.<br /> COMMITTEE OF MANAGEMENT.<br /> Chairman-A. HOPE HAWKINS.<br /> A. W. À BECKETT.<br /> J. SCOTT KELTIE, LL.D.<br /> GILBERT PARKER.<br /> SIR WALTER BESANT.<br /> J. M. LELY.<br /> E. Rose.<br /> EGERTON CASTLE, F.S.A.<br /> HENRY NORMAN.<br /> FRANCIS STORR.<br /> D. W. FRESHFIELD.<br /> &#039;SUB-COMMITTEES.<br /> ART.<br /> Hon. John COLLIER (Chairman). I SIR W. Martin Conway.<br /> M. H. SPIELMANN<br /> COPYRIGHT.<br /> A. W. À BECKETT.<br /> A. HOPE HAWKINS.<br /> J. M. LELY.<br /> W. M. COLLES.<br /> GILBERT PARKER.<br /> DRAMA.<br /> HENRY ARTHUR JONES (Chairman). I F. C. BURNAND.<br /> A. W. PINERO.<br /> A. W. À BECKETT.<br /> SYDNEY GRUNDY.<br /> EDWARD ROSE.<br /> Solinitore_ FIELD, ROSCOE, and Co., Lincoln&#039;s Inn Fields.<br /> G. HERBERT THRING, 4, Portugal-street.<br /> Secretary-G. HERBERT THRING.<br /> OFFICES : 4, PORTUGAL STREET, LINCOLN&#039;S INN FIELDS, W.C.<br /> A. P. WATT &amp; SON,<br /> LITERARY AGENTS,<br /> Formerly of 2, PATERNOSTER SQUARE,<br /> Have now removed to<br /> HASTINGS HOUSE, NORFOLK STREET, STRAND,<br /> LONDON, W.C.<br /> THE KNIGHTS and KINGS of CHESS. By the Rev. MHE ART of CHESS. By JAMES MASON. Price 58.<br /> GA. MACDONNELL, B.A. Price 28. 6d. net.<br /> net, by post 58. 4d<br /> London: HORACE Cox, Windsor House, Bream&#039;s-buildings, E.C. London: HORACE Cox, Windsor House, Bream&#039;s-buildings, E.C.<br /> <br /> <br /> ## p. 17 (#39) ##############################################<br /> <br /> The Author.<br /> (The Organ of the Incorporated Society of Authors. Monthly.)<br /> CONDUCTED BY WALTER BESANT.<br /> Vol. XI.—No. 2.]<br /> JULY 2, 1900.<br /> [PRICE SIXPENCE.<br /> For the Opinions expressed in papers that are (6.) Not to bind yourself for future work to any publisher.<br /> signed or initialled the Authors alone are - As well bind yourself for the future to any one solicitor or<br /> doctor!<br /> responsible. None of the papers or para-<br /> graphs must be taken as expressing the<br /> III. THE ROYALTY SYSTEM.<br /> collective opinions of the Committee unless<br /> It is above all things necessary to know what the<br /> proposed royalty means to both sides. It is now possible<br /> they are officially signed by G. Herbert<br /> for an author to ascertain approximately and very nearly<br /> Thring, Sec.<br /> the truth. From time to time the very important figures<br /> connected with royalties are published in The Author.<br /> Readers can also work out the figures themselves from the<br /> “ Cost of Production.”<br /> M HE Secretary of the Society begs to give notice that all<br /> T remittances are acknowledged by return of post, and IV. A COMMISSION AGREEMENT.<br /> requests that all members not receiving an answer to The main points are :-<br /> important communications within two days will write to him (1.) Be careful to obtain a fair cost of production.<br /> without delay. All remittances should be crossed Union (2) Keep control of the advertisements.<br /> Bank of London, Chancery-lane, or be sent by registered (3.) Keep control of the sale price of the book.<br /> letter only.<br /> GENERAL.<br /> All other forms of agreement are combinations of the four<br /> Communications and letters are invited by the Editor on<br /> above mentioned.<br /> all subjects connected with literature, but on no other sub-<br /> Such combinations are generally disastrous to the author.<br /> jects whatever. Articles which cannot be accepted are<br /> Never sign any agreement without competent advice from<br /> returned if stamps for the purpose accompany the MSS.<br /> the Secretary of the Society.<br /> Stamp all agreements with the Inland Revenue stamp.<br /> Avoid agreements by letter if possible.<br /> The main points which the Society has always demanded<br /> GENERAL MEMORANDA.<br /> from the outset are :-<br /> (1.) That both sides shall know what an agreement<br /> means.<br /> UT ERE are a few standing rules to be observed in an<br /> (2.) The inspection of those account books which belong<br /> 1 agreement. There are four methods of dealing<br /> to the author. We are advised that this is a right, in the<br /> with literary property :-<br /> nature of a common law right, which cannot be denied or<br /> I. THAT OF SELLING IT OUTRIGHT.<br /> withheld.<br /> This is in some respects the most satisfactory, if a proper<br /> price can be obtained. But the transaction should be<br /> managed by a competent agent, or with the advice of the WARNINGS TO DRAMATIC AUTHORS.<br /> Secretary of the Society.<br /> II. A PROFIT-SHARING AGREEMENT (a bad form of 1. N EVER sign an agreement without submitting it to<br /> agreement).<br /> N the Secretary of the Society of Authors or some<br /> In this case the following rules should be attended to :<br /> competent legal authority.<br /> (1.) Not to sign any agreement in which the cost of pro.<br /> 2. It is well to be extremely careful in negotiating for<br /> duction forms a part without the strictest investigation.<br /> the production of a play with anyone except an established<br /> (2.) Not to give the publisher the power of putting the<br /> manager.<br /> profits into his own pocket by charging for advertisements 3. There are three forms of dramatic contract for PLAYS<br /> in his own organs : or by charging exchange advertise. IN THREE OR MORE ACTS :<br /> ments. Therefore keep control of the advertisements.<br /> (a.) SALE OUTRIGHT OF THE PERFORMING EIGHT.<br /> (3.) Not to allow a special charge for “ office expenses,&quot;<br /> This is unsatisfactory. An author who enters<br /> unless the same allowance is made to the author.&quot;<br /> into such a contract should stipulate in the con-<br /> (4.) Not to give up American, Colonial, or Continental<br /> tract for production of the piece by a certain date<br /> rights.<br /> and for proper publication of his name on the<br /> (5.) Not to give up serial or translation rights.<br /> play-bills.<br /> VOL. XI.<br /> D 2<br /> <br /> <br /> ## p. 18 (#40) ##############################################<br /> <br /> 18<br /> THE AUTHOR.<br /> Secretary will always be glad to have any agreements, now<br /> or old, for inspection and note. The information thus<br /> obtained may prove invaluable.<br /> 4. Before signing any agreement whatever, send the pro-<br /> posed document to the Society for examination.<br /> 5. Remember always that in belonging to the Society you<br /> are fighting the battles of other writers, even if you are<br /> reaping no benefit to yourself, and that you are advancing<br /> the best interests of literature in promoting the indepen.<br /> dence of the writer.<br /> 6. The Committee have now arranged for the reception of<br /> members&#039; agreements and their preservation in a fireproof<br /> safe. The agreements will, of course, be regarded as con-<br /> fidential documents to be read only by the Secretary, who<br /> will keep the key of the safe. The Society now offers :-(1)<br /> To read and advise apon agreements and publishers. (2) To<br /> stamp agreements in readiness for a possible action upon<br /> them. (3) To keep agreements. (4) To enforce payments<br /> due according to agreements.<br /> THE READING BRANCH.<br /> (6.) SALE OF PERFORMING RIGHT OR OF A LICENCE<br /> TO PERFORM ON THE BASIS OF PERCENTAGES<br /> on gross receipts. Percentages vary between<br /> 5 and 15 per cent. An author should obtain a<br /> percentage on the sliding scale of gross receipts<br /> in preference to the American system. Should<br /> obtain a sum in advance of percentages. A fixed<br /> date on or before which the play should be<br /> performed.<br /> (c.) SALE OF PERFORMING RIGHT OR OF A LICENCE<br /> TO PERFORM ON THE BASIS OF ROYALTIES (i.e.,<br /> fixed nightly fees). This method should be<br /> always avoided except in cases where the fees<br /> are likely to be small or difficult to collect. The<br /> other safeguards set out under heading (b.) apply<br /> also in this case.<br /> 4. PLAYS IN ONE ACT are often sold outright, but it is<br /> better to obtain a small nightly fee if possible, and a sum<br /> paid in advance of such fees in any event. It is extremely<br /> important that the amateur rights of one act plays should<br /> be reserved.<br /> 5. Authors should remember that performing rights can<br /> be limited, and are usually limited by town, country, and<br /> time. This is most important.<br /> 6. Authors should not assign performing rights, but<br /> should grant a licence to perform. The legal distinction is<br /> of great importance.<br /> 7. Authors should remember that performing rights in a<br /> play are distinct from literary copyright. A manager<br /> holding the performing right or licence to perform cannot<br /> print the book of the words.<br /> 8. Never forget that American rights may be exceedingly<br /> valuable. They should never be included in English<br /> agreements without the author obtaining a substantial<br /> consideration.<br /> 9. Agreements for collaboration should be carefully<br /> drawn and executed before collaboration is commenced.<br /> 10. An author should remember that production of a play<br /> is highly speculative: that he runs a very great risk of<br /> delay and a breakdown in the fulfilment of his contract.<br /> He should therefore guard himself all the more carefully in<br /> the beginning<br /> 11. An author must remember that the dramatic market<br /> is exceedingly limited, and that for a novice the first object<br /> is to obtain adequate publication<br /> As these warnings must necessarily be incomplete on<br /> account of the wide range of the sabject of dramatic con.<br /> tracts, those authors desirous of further information are<br /> referred to the Secretary of the Society.<br /> CEMBERS will greatly assist the Society in this<br /> branch of their work by informing young writers of<br /> its existence. Their MSS. can be read and treated<br /> as a composition is treated by a coach. The term MSS.<br /> includes not only works of fiction but poetry and dramatic<br /> works, and when it is possible, under special arrangement,<br /> technical and scientific works. The Readers are writers of<br /> competence and experience. The fee is one guinea.<br /> NOTICES.<br /> T HE Editor of The Author begs to remind members of the<br /> Society that, although the paper is sent to them free<br /> of charge, the cost of producing it would be a very<br /> heavy charge on the resources of the Society if a great<br /> many members did not forward to the Secretary the modest<br /> 68. 6d. subscription for the year.<br /> Communications for The Author should be addressed to<br /> the Offices of the Society, 4, Portugal-street, Lincoln&#039;s-inn<br /> Fields, W.C., and should reach the Editor not later than the<br /> 21st of each month.<br /> All persons engaged in literary work of any kind, whether<br /> members of the Society or not, are invited to communicate<br /> to the Editor any points connected with their work which<br /> it would be advisable in the general interest to publish.<br /> The present location of the Authors&#039; Club is at 3, White-<br /> hall-court, Charing Cross. Address the Secretary for<br /> information, rules of admission, &amp;c.<br /> HOW TO USE THE SOCIETY.<br /> 1. TA VERY member has a right to ask for and to receive<br /> advice upon his agreements, his choice of a pub.<br /> lisher, or any dispute arising in the conduct of his<br /> business or the administration of his property. If the<br /> advice sought is such as can be given best by a solici.<br /> tor, the member has a right to an opinion from the<br /> Society&#039;s solicitors. If the case is such that Counsel&#039;s<br /> opinion is desirable, the Committee will obtain for him<br /> Counsel&#039;s opinion. All this without any cost to the member.<br /> 2. Remember that questions connected with copyright<br /> and publisher&#039;s agreoments do not generally fall within the<br /> experience of ordinary solicitors. Therefore, do not scruple<br /> to ase the Society<br /> 3. Send to the Office copies of past agreements and past<br /> accounts with the loan of the books represented. The<br /> THE INCORPORATED SOCIETY OF AUTHORS.<br /> -SCHEME FOR PENSION FUND.<br /> 1. INHE fund is established for the purpose<br /> of providing pensions for authors in<br /> need of such assistance, and for no<br /> other purpose.<br /> 2. Contributions to the fund may be either by a<br /> single donation or by a donation spread over three<br /> or more years, or by an annual subscription.<br /> <br /> <br /> ## p. 19 (#41) ##############################################<br /> <br /> THE AUTHOR.<br /> 19<br /> 3. All donations and not less than two-thirds which such candidate is to be proposed, and the<br /> of the annual subscriptions (after deducting the nomination of each such candidate shall be sub-<br /> working expenses) shall be added to the capital scribed by at least three members of the Society.<br /> of the fund and invested. The remainder of the A list of the names of the candidates so nominated<br /> annual subscriptions with the income from invest. shall be sent to the members of the Society with<br /> ments shall be devoted to the payment of pensions the annual report of the managing committee, and<br /> or to the purchase of annuities to satisfy pensions those candidates obtaining the most votes at the<br /> already granted.<br /> general meeting shall be elected to serve on the<br /> 4. The granting of pensions shall be in the Pension Fund committee.<br /> discretion of a committee to be called the Pension 10. The secretary of the Society shall act as<br /> Fund Committee of the Incorporated Society of the secretary of the Pension Fund committee.<br /> Authors, and such committee shall consist of the 11. For the purpose of granting or refusing a<br /> chairman of the managing committee of the pension five members of the Pension Fund com-<br /> Society, and six other members of the Society, of mittee shall be a quorum, but for any other busi-<br /> whom three shall be elected by the managing ness three members shall be a quorum of such<br /> committee and three by the members of the committee.<br /> Society at the annual general meeting.<br /> 12. All receipts in respect of the Pension Fund<br /> 5. One of the members of the Pension Fund shall be forthwith paid into an account to be<br /> Committee elected by the managing committee of kept in the names of three trustees, who shall be<br /> the Society, and one of the members elected by members of the society and shall be called the<br /> the members of the Society shall retire at the Pension Fund trustees. The first Pension Fund<br /> annual general meeting in each year. As between trustees shall be nominated by the managing com-<br /> two or more members of the Pension Fund Com- mittee of the Society, and new trustees shall from<br /> mittee elected by the same body, the member who time to time be appointed with the approval of<br /> has been longest in office shall retire, and for this such managing committee.<br /> purpose the period of office of each member shall 13. All payments in respect of pensions or<br /> be computed from his last election. As between working expenses, and all investments of the<br /> two or more who have been in office an equal Pension Fund shall be made by the Pension<br /> length of time, the member to retire shall in Fund trustees with the approval of the Pension<br /> default of agreement between the members con- Fund committee. All cheques on the account of<br /> cerned be determined by ballot. A retiring the trustees shall be signed by two trustees and<br /> member of the committee shall be eligible for countersigned by the secretary, or in his absence<br /> re-election.<br /> by a member of the Pension Fund comunittee.<br /> 6. The Society at any general meeting at 14. The amount of any pension shall be not less<br /> which a member of the Pension Fund committee than £25 nor more than £100 per annum.<br /> retires as above-mentioned, shall fill up the 15. Membership of the Society of Authors<br /> vacancy by electing a member in his place, and shall not give any right to a pension, but pensions<br /> may fill up any other vacancy among members shall be granted to members of the Society only,<br /> appointed by the Society.<br /> and such members (if in other respects qualified<br /> 7. If at any general meeting of the Society at as hereby required) shall become eligible for pen-<br /> which the election of a member of the Pension sions as follows:-<br /> Fund committee ought to take place such (1) For pensions to be granted in the years<br /> member shall not be elected, the managing com-<br /> 1901 to 1905, members of the Society<br /> mittee may fill the vacancy by the election of a<br /> having become such not later than March 1,<br /> member of the Society not being a member of the<br /> 1901, and so continuing to the date of their<br /> managing committee.<br /> application.<br /> 8. Any casual vacancy occurring on the Pension<br /> For pensions to be granted in the years<br /> Fund committee may be filled by the managing<br /> 1906 to 1912, members of the Society<br /> committee of the Society, but any person so<br /> having become such not later than March 1,<br /> chosen to fill the place of a member appointed by<br /> 1902, and so continuing to the date of their<br /> the members of the Society shall hold office only<br /> application.<br /> until the next annual general meeting of the<br /> For jensions to be granted after the year<br /> Society.<br /> 1912, members of the Society who have<br /> 9. Any candidate for election to the Pension<br /> been such members for not less than ten<br /> Fund committee by the members of the society<br /> clear years before the date of their appli-<br /> (not being a retiring member of such committee)<br /> cation, and so that for this purpose such<br /> sball be nominated in writing to the secretary at<br /> ten years of membership need not be<br /> least three weeks prior to the general meeting at<br /> continuous.<br /> <br /> <br /> ## p. 20 (#42) ##############################################<br /> <br /> 20<br /> THE AUTHOR.<br /> Provided that any person who is otherwise quali. Pension Fund committee may cancel or suspend<br /> fied for a pension, but has ceased to be a member his pension.<br /> of the Society before the date of his application, 22. The granting of a pension shall not impose<br /> may in the discretion of the managing committee any personal liability whatever on any member of<br /> of the Society be re-elected a member without the Society or of the managing committee or of<br /> further payment, and thereupon shall become the Pension Fund committee or on the trustees,<br /> eligible for a pension.<br /> but every pension shall be deemed to be payable<br /> · 16. No pension shall be granted to any person only out of the income available for that purposé.<br /> under the age of sixty years, so long as suitable 23. If at any time hereafter the Pension Fund<br /> candidates of the age of sixty years or upwards should reach an amount sufficient in the judg-<br /> shall present themselves. Provided that a pension ment of the Pension Fund committee to meet all<br /> may be granted to a person of less age if and claims reasonably likely to be made upon it in<br /> while he shall in the opinion of the Pension Fund future, and if such committee shall pass a resolu-<br /> committee be totally incapacitated for work&#039; by tion to that effect and the managing committee of<br /> reason of illness or accident.<br /> the Society shall concur in such resolution, then<br /> 17. In granting or refusing pensions the the Pension Fund committee may either (a)<br /> Pension Fund committee shall consider not only cease to receive any further subscriptions to the<br /> the necessities of the applicant, but also the fund unless and until additional needs arise, or<br /> merit of his work; and, other matters being (6) apply the whole or any part of the annual<br /> equal, long and continuous membership of the subscriptions (although in excess of one-third of<br /> Society shall be considered a recommendation, such subscriptions) to the payment of pensions or<br /> 18. The application for a pension need not be the purchase of annuities for pensioners or the<br /> made by the applicant personally, but may be increase of any pensions or annuities already<br /> presented on his behalf by any two members of the granted or purchased, but the powers conferred<br /> Society. Provided that any person whose name by this clause shall not be exercised unless the<br /> is so presented shall, if requested by the Pension amount of the fund for the time being be not<br /> Fund committee, signify in writing his willingness less than £20,000.<br /> to accept a pension if granted, and if he shall 2 4. The Pension Fund committee shall have<br /> refuse so to do, his application shall not be enter power to make and from time to time vary bye-<br /> tained.<br /> laws for regulating applications for pensions and<br /> 19. All applications for pensions shall be for otherwise carrying out the purposes of this<br /> deemed contidential, but the names of the scheme.<br /> recipients of pensions and the amounts granted 25. Any of the provisions of this scheme may<br /> shall be stated in The Author.<br /> from time to time be varied by a resolution of<br /> 20. Except as otherwise provided in rule 16, all the trustees and the Pension Fund committee<br /> pensions shall be tenable during the life of the sitting together, but no such variation shall<br /> pensioner or until he shall become a bankrupt or take effect unless and until the same shall be<br /> shall alienate, charge, or incumber his pension or confirmed by a resolution of the managing com-<br /> some part thereof, but the Pension Fund com- mittee of the Society. Provided always that the<br /> mittee may at any time in their absolute discretion Pension Fund shall at all times hereafter be<br /> discontinue any pension for either of the following administered by the committee, consisting of<br /> reasons:<br /> members of the Incorporated Society of Authors.<br /> (a) If the pensioner&#039;s conduct shall, in the Settled on behalf of the Incorporated Society<br /> opinion of such conimittee, be such as of Authors by George Cave, Lincoln&#039;s-inn, May 31,<br /> would disqualify him from membership of<br /> 1900, and finally approved by the managing com-<br /> the Society.<br /> mittee of the Society at the meeting of the<br /> (6) If such committee shall be satisfied that<br /> committee on Monday, June 18, 1900.<br /> the pensioner is in receipt of an indepen-<br /> G. HERBERT THRING, Secretary.<br /> dent income sufficient for his support.<br /> 21. Any pensioner may at any time be required<br /> by the Pension Fund committee to make a statu-<br /> tory declaration stating that he has not alienated,<br /> charged, or incumbered his pension or any part<br /> thereof, and also (if required) stating that he is<br /> not in receipt of any independent income or<br /> specifying the amount of such income, and in the<br /> event of any pensioner refusing or neglecting on<br /> request to make such statutory dcclaration, the<br /> <br /> <br /> ## p. 21 (#43) ##############################################<br /> <br /> THE AUTHOR.<br /> 21<br /> LITERARY PROPERTY.<br /> rather thau at the lower percentages for the<br /> benefit of the author. This is business.<br /> I.-TRADE METHODS.<br /> Closely analogous to this case is the example<br /> TN these columns have been exposed month of the deferred royalty-a frequent method of<br /> after month the more flagrant tricks producing works of fiction. The difference, how-<br /> practised upon authors, chiefly by means of ever, is that in the latter case the agreement, to<br /> agreements the nature of which they do not the eye of the expert, is bad from the beginning.<br /> understand. Let us now consider how an agree- A publisher, through long experience, knows<br /> ment which seems fair may be rendered futile by the average sale. He knows the amount likely<br /> the methods of the publisher in handling the work to be taken on subscription of a book of this kind<br /> or in administering the author&#039;s property.<br /> brought out from his house.<br /> In many instances the publisher is only He assures the author that, owing to the risk<br /> anxious to turn over his money, making 15 or 20 of production, he cannot afford to pay a royalty<br /> per cent. on the transaction, and has no real on a number of copies, and accordingly gets x<br /> interest either in the property on which he is number of copies free. Owing to this fact, it is<br /> supposed to be conscientiously working or in the arranged to the author&#039;s satisfaction that a pro-<br /> desires of the public before whom he poses as a portionately higher royalty shall be paid on copies<br /> patron. It is perhaps not altogether bis fault, it sold above the fixed number. Alas! poor author,<br /> is his hereditary instinct. Curiously enough, he never gets his higher royalty ; the accounts<br /> this cause of anxiety is often disastrous to the come in, and he is disappointed. He does not<br /> author. .<br /> know the trade of infanticide, but the guilty<br /> An author undertakes the writing of a bio. party is sometimes discovered and his tricks<br /> graphy, and enters into an agreement with the divulged. The distribution of the type in the<br /> publisher to produce the book, subject to a certain first case shows the passive neglect of the infant<br /> royalty, the royalty to be raised after the sale of for want of proper care and nourishment; and in<br /> copies of the book.<br /> the second case the use of an active agent in its<br /> In making this kind of contract, the author, destruction. In the first example, the result is<br /> having full confidence in his agent, believes that brought about by bad judgment and carelessness;<br /> the book will be pushed for all it is worth, and in the second, by intentional bad faith.<br /> the business managed for his benefit. The T he next example is not one of frequent occur.<br /> publisher, however, before entering into the con rence, but is extremely interesting as the result-<br /> tract has made up his mind that the book will not namely, the turnover of the publisher&#039;s money<br /> sell above the number on which the smaller at a sound percentage, and the cessation of profits<br /> royalty is paid, and he bas also calculated that, to the author-is practically the same as in the<br /> selling up to that number, it will pay him a hand cases quoted above; the motive is different, and<br /> some return of 15 or 20 per cent on the capital it is not so much one of gain as of personal spite.<br /> expended.<br /> To obtain a satisfactory result, you must imagine,<br /> An edition is printed accordingly, but the on the one hand, an author whose head is swollen<br /> publisher&#039;s judgment is at fault. The edition to a size too large for his body; while, on the<br /> sells out within six months, and there is still a other side, you must have a publisher who is<br /> demand.<br /> rather anxious to obtain the work of the author,<br /> If the type is still standing it would barely pay as he kuows that the publication is a sound 20<br /> more than 5 or 10 per cent. to push the book to per cent. investment. After a considerable<br /> the sale of another 500 copies, taking into con amount of wrangling, in which the publisher&#039;s<br /> sideration the higher royalty and further adver- temper has been upset by the author&#039;s cupidity,<br /> tising. (Further advertising would be necessary, an agreement has been arrived at. The author<br /> as the book has been allowed to drop from the is to receive a sum down in advance of royalties.<br /> market for two or three weeks.)<br /> The author thinks the sum far too small, con-<br /> But the type is not standing. It has been sidering, in his opinion, the assured circulation of<br /> broken up, so that the infallibility of the pub. the book.<br /> lisher&#039;s judgment is necessarily confirmed, as it is The publisher, altogether put out, is glad to<br /> impossible for another edition to sell. He has get off with such a small advance, and is deter-<br /> made it impossible. It could not possibly pay him mined to show the author that, after all, the public<br /> to re-set the type and print, so that in spite of are not overwhelmed with a desire to read his<br /> mild remonstrances from the author the book deathless productions.<br /> dies, a victim of infanticide.<br /> Is it a paradox to kill a deathless production in<br /> The publisher proceeds to turn over his capital its infancy? Infanticide, at any rate, paradox or<br /> again at the higher percentage for his own benefit, not, supervenes. The book is produced, and<br /> <br /> <br /> ## p. 22 (#44) ##############################################<br /> <br /> 22<br /> THE AUTHOR.<br /> continues to sell until the sum advanced on complete his book on the same subject as the<br /> royalties is covered. By this time, too, the result of his life&#039;s work. His mind is at once<br /> publisher has earned his expected percentage on made up. He hurries to the office without<br /> his capital. At once the house is drawn and the delay, writes a letter to the Professor asking him<br /> infant&#039;s life is extinguished.<br /> if he may have the honour of publishing his<br /> The cause and effect can be clearly linked, as book.<br /> the number at which the sale stops is damning The unfortunate author falls into the trap, and<br /> evidence; but legal proof there is none. The in due course enters into a hard-and-fast agree-<br /> publisher in his letters is full of regret.<br /> ment, handing over to the publisher (according<br /> A desire to study the accounts closely will often to the equitable agreement drafted by their asso.<br /> produce a disastrous result, but a longing to see ciation) almost every right the author could<br /> the “Day Book” will infallibly bring about a possibly possess, and at the same time binds him-<br /> fatal ending.<br /> self not to abridge the work or produce any other<br /> The following example is also instructive. work which may interfere with the sale. The pub-<br /> The same lesson can be drawn from it as froin lisher takes care that no such clause should fetter<br /> all the others.<br /> his action, as that would be ruinous to its success.<br /> A publisher enters into a contract with a young The Professor goes to bed and thinks that he<br /> author for the publication of his first book on a has toiled for years, and thus at length obtained<br /> royalty basis, and in the agreement binds the the reward for his life&#039;s long labours. He wakes<br /> author for a second book on the same terms. in due course, but only to find his only child<br /> This is yery bad for the author, but he accepts, strangled at its birth. He weeps, and consults<br /> sometimes through ignorance, sometimes through the publisher, who informs him that for some<br /> nervousness, sometimes through indifference. unexplained reason the work has fallen flat, and<br /> The first book comes out, and has a remarkable will not sell.<br /> run for a first book. It certainly does not bring The Professor is unable, owing to the terms of<br /> the author much return financially, as he is only his agreement, however much he may desire it,<br /> being paid a small royalty after the sale of a fixed to publish elsewhere.<br /> number of copies, but it is a really profitable But the publisher&#039;s copyright book still sells<br /> investment for the publisher, as he sees a satis- briskly.<br /> factory return in the present and great possi. The commercial instinct is a wonderful pos-<br /> bilities in the future.<br /> session. The British Empire is founded on it.<br /> The second book is brought out in accordance<br /> G. H. T.<br /> with the agreement. The circulation is, however,<br /> small compared with that of the first book. The To the above remarks, based upon actual<br /> author is astonished and disappointed, but the experience, I append two cases, the first with the<br /> tradesman knows. The circulation is sufficiently naines.<br /> large to satisfy his mercantile spirit, and is kept In the year 1869-70, I, being then secretary of<br /> sufficiently small to enable him to gain a third the Palestine Exploration Fund, and therefore<br /> volume from the same pen on the same remune having my attention every day called to the<br /> rative terms, for “as the second book has gone subject, arranged with the late Professor Palmer<br /> so badly he with great regret is unable to make a to write a history of the city of Jerusalem from<br /> better offer.”<br /> the siege of Titus to modern times. He, for his<br /> The eyes of the expert, however, sees the share, contributed the history from Moslem<br /> inwardness of the mancuvre. The marks of the Historians : I, for my part, the history from the<br /> murderer&#039;s fingers are on the throat of the infant. Crusaders&#039; and Christian Chronicles. We devoted<br /> The last example is perhaps the saddest of all, much time and labour to the work: the thing<br /> as everyone knows the fondness of a parent for had never before been done: we hoped to produce<br /> the child of his old age, and the old Professor a standard book. We intrusted it to Bentley and<br /> who suffers is the victim of this cruel plot. Son on a half-profit system. An edition of a<br /> It happens in this wise. A publisher has an thousand copies was printed, and the book was<br /> excellent educational work on some special duly produced, making a very creditable appear-<br /> subject. He has bought the copyright for a ance. The edition was completely sold out; an<br /> small sum, and is pushing its sale to the utter account was rendered showing no profits; and we<br /> most; it is selling in larger numbers than then learned, to our mortification, that the type<br /> even B.&#039;s famous novel “Balderdash.” But had been distributed and no moulds had been<br /> he wakes up with the uncomfortable recollection made. I vainly urged upon the publishers the<br /> that at a dinner the night before he had heard production of a second edition. Many years<br /> Professor R— state that he was about to passed, I again pressed for the production of a<br /> <br /> <br /> ## p. 23 (#45) ##############################################<br /> <br /> THE AUTHOR.<br /> 23<br /> new edition. By this time Professor Palmer was<br /> dead. The firm undertook to bring out a new<br /> edition at last, subject to the condition that I<br /> should guarantee 300 copies. I did so, and placed<br /> the copies myself to prevent any possibility of<br /> mistake. The book I afterwards, on the disap-<br /> pearance of the firm, transferred to Messrs.<br /> Chatto and Windus. It has gone through three<br /> editions, I believe, since its revival.<br /> The second instance is of a three-volume novel<br /> Some years ago the author signed an agreement<br /> by which he was to receive a very large royalty-.<br /> think about 98. a copy-after 350 copies had been<br /> sold. The worthy publisher printed 350 and then<br /> distributed the type. This case has been already<br /> mentioned in an early number of The Author.<br /> W. B.<br /> II.—THE COPYRIGHT ACT AND THE Five<br /> GRATIS COPIES.<br /> It will have been seen from the correspond-<br /> ence of 1876 between the Royal Commissioners<br /> on the one hand and the authorities of the<br /> four privileged libraries of Oxford, Cambridge,<br /> Edinburgh and Dublin on the other, which we<br /> printed in the June Author, that Cambridge left<br /> oft<br /> the questions of the Commissioners unanswered,<br /> that Oxford, though otherwise fully answering,<br /> was silent as to the value of the privilege, only<br /> stating the desire of the University to retain it,<br /> “not merely in the interests of the University,<br /> but for the sake of the public,” and that Edin.<br /> burgh and Dublin agreed in putting the value<br /> at not less than £1500 a year. It will now be<br /> desirable to state shortly the history and present<br /> effect of the statutory privileges of the five<br /> libraries entitled to gratis copies — the British<br /> Museum, so entitled absolutely, and the libraries<br /> of Oxford, Cambridge, Dublin, and Edinburgh,<br /> so entitled on written demand only, to be made<br /> within a limited time.<br /> The first Act, that of 1662, directed the printer<br /> of every book to send one copy to the Royal<br /> Library and one copy to each of the Vice-<br /> Chancellors of Oxford and Cambridge Univer-<br /> sities for the use of the public libraries there;<br /> the second, that of 1709, which first gave statu-<br /> tory copyright, directed nine copies to be delivered<br /> at Stationers&#039; Hall for the use of the Royal<br /> Library, the Oxford and Cambridge Libraries, the<br /> library of Sion College in London, the libraries<br /> of the four Scotch Universities (of St. Andrews,<br /> Glasgow, Aberdeen and Edinburgh), and “the<br /> library commonly called the library belonging to<br /> the Faculty of Advocates at Edinburgh respec-<br /> tively.” In 1801, the Legislative Union with<br /> Ireland having just been accomplished, an amend<br /> VOL. XI.<br /> ing Copyright Act directed the delivery of two<br /> additional copies for the use of the libraries of<br /> Trinity College and of the King&#039;s Inns, Dublin,<br /> making eleven gratis copies in all.<br /> In 1814 two great changes were made. The<br /> British Museum, which had been founded in<br /> pursuance of Sir Hans Sloane&#039;s will so far back<br /> as 1759, first became entitled to a gratis copy,<br /> taking the place of the Royal Library; and the<br /> requirement of a demand on the part of all the<br /> privileged libraries first made its appearance,<br /> without any distinction, as at present, between<br /> the British Museum and the other libraries. The<br /> extensiveness of the privilege caused great dis.<br /> satisfaction amongst publishers, and in 1818 a<br /> Select Committee of the House of Commons<br /> resolved :-<br /> That it is desirable that so much of the Copyright Act as<br /> requires the gratuitous delivery of every work should be<br /> repealed except in so far as relates to the British Museum,<br /> and that a fixed allowance in lien thereof should be granted<br /> to such of the other libraries as may be thought expedient.<br /> This resolution was founded upon a great mass<br /> of evidence, Mr. Rees complaining of the<br /> £955 168. which eleven copies of his Encyclo-<br /> pædia might have been sold for, Mr. Baldwin<br /> averring that he had lost in his general business<br /> £1275 in four years, and so on.<br /> Nothing was done, however, until 1836. In<br /> that year, Mr. James Silk Buckingham, the<br /> founder and first editor of the Athenæum news-<br /> paper and a most voluminous writer, introduced<br /> in a very learned speech a Bill to take away the<br /> privilege from all the eleven libraries, and the<br /> Copyright Act, which was the result, took away<br /> the privilege from six of them—the libraries of<br /> Sion College, of the four Universities of Scotland,<br /> and of the King&#039;s Inns at Dublin.<br /> The Act of 1836 had a preamble that-<br /> The provisions of the said Act [of 1814 requiring<br /> gratuitous delivery of eleven copies] have in certain rospects<br /> operated to the injury of author and publishers, and have in<br /> some cases checked or prevented the publication of works<br /> of great utility and importance, and it is therefore expedient<br /> that the said Act should be amended.<br /> Parliament accordingly directed compensation<br /> to be made to the six deprived libraries out of<br /> the consolidated fund by annual payments to be<br /> ascertained “according to the value of the books<br /> which may have been actually received” by each<br /> such library upon an average of the three years<br /> ending June 30, 1836, it being also enacted<br /> that-<br /> The person of persons or body politio or corporate pro-<br /> prietors or managers of the library for the use whereof any<br /> Bach book would have been delivered, shall and they are<br /> hereby required to apply the annual compensation hereby<br /> authorised to be made in the purchase of books of literature,<br /> science and the arts, for the use of and to be kept and pre-<br /> served in such library : Provided always that it shall not<br /> <br /> <br /> ## p. 24 (#46) ##############################################<br /> <br /> 24<br /> THE AUTHOR.<br /> be lawful for the Treasury to direct the issue of any sum of Copies for four other Libraries if demanded.-<br /> money for such annual compensation until sufficient proof A similar copy, printed on the paper of which the<br /> shall have been adduced of the application of the money<br /> largest number of copies are printed for sale, must<br /> last issued to the purpose aforesaid.<br /> be delivered<br /> The words which we have italicised present not<br /> On demand thereof in writing left at the abode of the<br /> a few difficulties of construction. Clearly they<br /> pablisher thereof at any time within twelve months next<br /> impose some restriction upon the discretion of<br /> after the publication thereof under the hand of the officer of<br /> the library authorities. But what is it? The the Company of Stationers who shall from time to time be<br /> term “ books ” seems to exclude all newspapers<br /> appointed by the said company for the purposes of this Act,<br /> and magazines, and no books of mere reference,<br /> or ander the band of any other person thereto authorised<br /> by the authorities of the Bodleian Library, Oxford, the<br /> such as almanacs and directories, could be called<br /> Public Library, Cambridge, the Library of the Faculty of<br /> “ books of literature,” however useful they might Advocates, Edinburgh, the Library of Trinity College,<br /> be to the student. But it would be difficult to Dublin.<br /> exclude any novel whatever. Encyclopædias The copies are to be delivered-<br /> might be helped in by their scientific articles, but<br /> Within one month after demand made thereof in writing<br /> the point is a doubtful one.<br /> as aforesaid to the said officer of the said Company of<br /> The sums payable to the six various libraries Stationers for the time being, which copies the said officer<br /> were originally as follows: To the University of shall, and he is hereby required to receive at the ball of<br /> St. Andrews, £630; of Aberdeen, £320; of<br /> the said company for the use of the library, for which such<br /> Glasgow, £707; and of Edinburgh. £575; to<br /> demand sball be made within such twelve months as afore.<br /> said, and the said officer is hereby required to give a receipt<br /> King&#039;s Inns Library, Dublin, £433 6s. 8d.; and<br /> in writing for the same and within one month after any such<br /> to Sion College, £363 158. 2d. The two last book shall be so delivered to him as aforesaid to deliver the<br /> named sums are still annually paid ; the compen- same for the use of such library.<br /> sations to the four Scotch Universities became The publishers are authorised, if they prefer it,<br /> merged some ten years ago by virtue of the to deliver the demanded books free of expense at<br /> Universities (Scotland) Act 1889 in the much the libraries themselves to the librarians, and such<br /> larger grant of £42,000 for the general purposes delivery is made equivalent to a delivery to<br /> of the four Universities. This grant is divisible the officer of the Stationers&#039; Company. The<br /> amongst the four Scotch Universities in sbares, and<br /> penalty for not delivering books pursuant to<br /> for purposes as therein directed; the Act, how the Act is not more than £5 besides the value of<br /> ever, specially providing that “the University of the undelivered book, recoverable either sum-<br /> Aberdeen shall receive an annual sum of £320 marily before justices of the peace or by ordinary<br /> for the purchase of books for the library of the action at the suit of the librarian, who, if<br /> University.”<br /> successful, is entitled to all costs reasonably<br /> Lastly, we come to the Act of 1842, which incurred.<br /> contains the present law of the subject in five It will be seen therefore (1) that the British<br /> long and rather confused sections, the effect of Museum is entitled, without any demand, to a copy<br /> which is shortly as follows:-<br /> of every book published in the British dominions;<br /> British Museum Copy.—A printed copy of the (2) that the four other libraries are entitled, but<br /> whole of every book and of any subsequent on written demand only, to a copy of every book<br /> edition published with any additions or altera published in the United Kingdom ; (3) that the<br /> tions, printed on the best paper on which any demand may be made either by the Stationers&#039;<br /> copies are printed, must be delivered at the Company&#039;s officer or by an agent of the library<br /> British Museum, on behalf of the publisher authorities; (4) that by whomsoever the demand<br /> . Within one month after first publication, if the is made, the delivery must be made to the<br /> first publication be within the bills of mortality; Stationers&#039; Company&#039;s officer ; and (5) that it is<br /> Within three months, if the first publication for the Stationers&#039; Company&#039;s officer, and not any<br /> be in any other part of the United Kingdom; other demanding agent, to deliver the books to<br /> Within twelve months, if the first publication the four libraries, unless (6) the publishers<br /> be in any other part of the British dominions. deliver the copies free of expense to the libraries<br /> The italicised area—that of the “bills of direct.<br /> mortality”-is indeed a strange one in an Act<br /> so lively as the Copyright Act of 1842. The<br /> III.—THE STAMPING OF AGREEMENTS.<br /> “ bills&quot; themselves died some sixty years ago. A point of some little importance in the<br /> The City was always within them, and West stamping of authors&#039; agreements may interest<br /> minster soon became so, as also did Lambeth, you. A few days ago I sent an agreement, through<br /> Stepney, and other metropolitan parishes, but the local stamp office, to be stamped at Somerset<br /> St. Pancras and Marylebone were never included. House. It was an ordinary agreement to do<br /> <br /> <br /> ## p. 25 (#47) ##############################################<br /> <br /> THE AUTHOR.<br /> 25<br /> X.<br /> om<br /> A MEMBER.<br /> certain work for a publisher, which would result, Law Courts, justifying his claims, generally for<br /> in due course, in the production of a book, the the pecuniary benefit of his adviser or counsel.<br /> copyright in which was to belong to the pub. Voilà tout ! Yes! Wiser is the poor Grub-street<br /> lishers. I asked that it should be impressed tramp who, on achieving publication, spends his<br /> with the ordinary agreement stamp of sixpence. 78. 6d. on a suitable banquet—not forgetting to<br /> After three days came back a message requiring pour out a libation to the gods.<br /> an additional 198. 6d., being the amount of the<br /> J. S. LAURIE.<br /> ad valorem duty on the sum which the publishers<br /> were to pay me for my work. In other words, V.-ALTERING WITHOUT THE AUTHOR&#039;S CONSENT.<br /> the Inland Revenue claimed to treat the agree. I want to know what is (a) the law and (b) the<br /> ment as an assignment of copyright.<br /> custom of the trade (or profession) with regard<br /> Now, to this contention there are just two fatal to altering without consent of the author the<br /> objections: (1) that, by English law, it is im. signed articles in books of reference, guide-books,<br /> possible to assign a thing which is not in existence, &amp;c., in future editions.<br /> and as my MS. was not even begun, I had, of I am supposing the author has made over all<br /> course, no copyright to assign ; (2) that the copyright.<br /> statute expressly contemplates assignment of I imagine that the whole question turns upon<br /> copyright (by entry at Stationers&#039; Hall) without the contribution being signed. Does it not ?<br /> payment of stamp duty.<br /> Although the regulations of the Oxford office<br /> did not permit me to obtain the Somerset House<br /> letter for study, I managed to express my objec-<br /> PARIS NOTES.<br /> tions to its claim to such effect that I have now<br /> received an official intimation that the claim to<br /> 5, rue Chomel.<br /> ad valorem duty will not be pressed.<br /> MAURUS JOKAI, the celebrated<br /> Hungarian novelist, is now visiting<br /> Paris, accompanied by his young wife.<br /> IV.--COPYRIGHT SECURED BY PUBLICATION AND This is his first visit since 1867. He has been<br /> SALE.<br /> warmly welcomed by his compatriots and the<br /> In the daily Press of May 16 there is allu. brethren of his craft; and the Société des Gens<br /> sion without question to Sir E. M. Thompson&#039;s de Lettres has given a banquet in his honour.<br /> opinion that “ practically all published books Although M. Jokai numbers seventy-five years,<br /> are registered at Stationers&#039; Hall, and are thus well-counted, he is quite out of the running as<br /> copyright.” I venture to doubt if more than regards age beside the “ beaux vieillards ” who still<br /> 25 per cent. of published books are registered at hold honoured places in the ranks of Parisian<br /> all, and that for the simple reason that such regis- writers. M. E.Cormon-author of so many popular<br /> tration confers no copyright, or, in point of fact, plays, and father of the well-known painter-is<br /> similarly as letters patent, any privilege beyond in his ninety-second year. He is an assiduous<br /> being the essential preliminary to litigation. theatre-goer, and was lately in evidence at a dress<br /> Indeed, even this is permissible just before any rehearsal at the Théatre de la République, busily<br /> action is entered ; and in a recent threatened suit engaged in superintending the revival of “ Une<br /> I myself adopted this course successfully with refe. Cause Célèbre,&quot; the joint production of MM.<br /> rence to a production fifteen years old. Seven and Adolphe d&#039;Ennery and E. Cormon, success.<br /> sixpence per work on all published books would fully performed at the Ambigu theatre a quarter<br /> obviously yield a mine of vast wealth either to the of a century ago. (M. d&#039;Ennery died in 1899, aged<br /> Stationers&#039; Corporation or any other official eighty-eight years, possessed of a fortune which<br /> beneficiary, unconditionally on any material con- amounted in round figures to about £400,000.)<br /> sideration whatsoever. The hardship of the MM. Aurélian Scholl and Paul Meurice, likewise,<br /> invent is is infinitely worse, since pairate can see leave M. Jokai behind. The former resumes<br /> and study any existing specification and procure his pen at intervals in dilatory virtuoso fashion.<br /> another for himself by a slight alteration.<br /> His senior, M. Paul Meurice, still compares<br /> As I understand the matter after a life-long favourably in literary activity with a score of<br /> experience, and the production of more than 100 modern authors. He is an ardent disciple of<br /> genuine copyrights on which no fee has been paid, Victor Hugo, to boot; and recently presented<br /> I fancy I am entitled to affirm that the sale of to the National Library a collection of over a<br /> even a single volume across the counter con- thousand documents, photographs, &amp;c., connected<br /> stitutes publication. In case of dispute, why, the with the great French writer and his family. This<br /> owner must either succumb or fight it out in the collection will shortly be open to the public.<br /> <br /> <br /> ## p. 26 (#48) ##############################################<br /> <br /> 26<br /> THE AUTHOR.<br /> ing. Only once in his life did he take part in the<br /> latter sport, when he fired by mistake on a<br /> gendarme, and was summoned for the offence.<br /> AN EMINENT NONAGENARIAN.<br /> But the doyen of the French Academy and the<br /> “ beaux vieillards litteraires &quot; is M. Ernest<br /> Legouvé. His birth certificate is exbibited in the<br /> Paris Pavilion at the Exhibition. It is dated<br /> Monday, Feb. 16, 1807. M. Legouvé enjoys at<br /> the present moment the full possession of all his<br /> faculties. He is extremely keen on fencing, and<br /> attributes his robust health to his diurnal twenty<br /> or thirty minutes&#039; practice with the foils.<br /> “ The love of fencing,&quot; he asserts, “is not<br /> merely a taste-it is a passion. C&#039;est le jeu, avec<br /> le vice en moins et la santé en plus !&quot;<br /> The eminent nonagenarian estimates his supple-<br /> mentary achievements with unusual modesty.<br /> “Although my plays have been represented six-<br /> teen hundred times at the Comédie Française,”<br /> he says, “I am neither a great poet nor a great<br /> dramatist. But since I have applied my<br /> dramatic and poetical faculty to teaching the<br /> young, I have succeeded in writing lessons which<br /> were not tiresome. I have spoken to youth in a<br /> language which it has loved and understood.” This<br /> is, perhaps, the success which M. Legouvé values<br /> most highly. His latest work, issued a few<br /> months ago, contains the lectures delivered to the<br /> students at the Sèvres Normal School. At the<br /> period when this volume was compiled its<br /> author designed it for the closing memorial of<br /> his long literary career. Several stray bints,<br /> however, incline us to believe that M. Legouvé<br /> has now another work on hand, which will appear<br /> shortly.<br /> M. JULES VERNE.<br /> The plays and novels of M. Jules Verne are as<br /> popular as ever. Their author has advantageously<br /> renewed the contracts connected with his drama-<br /> tised versions of “Michel Strogoff” and “Le<br /> Tour du Monde.” He is at present engaged on a<br /> new volume for the Extraordinary Voyage series.<br /> If his wonderful fertility and health hold good<br /> for a few more years, he will undoubtedly attain<br /> what is generally asserted to be his grand<br /> desideratum—viz., the publication of his hundredth<br /> volume. M. Jules Verne is in his seventy-third<br /> year. He lives quietly at Amiens, and patronises<br /> a vegetarian régime. A slight limp, the result of<br /> an accident many years ago, gives him a hesitating<br /> gait, while his mild blue eyes and placid expression<br /> appear evidence of a nature wholly at variance<br /> with the wild adventurous types he delights in<br /> creating. He formerly possessed a small yacht,<br /> the Saint Michel, which never ventured itself in<br /> rougher waters than those of the English Channel<br /> and Mediterranean Sea. The author of “ Twenty<br /> Thousand Leagues under the Sea&quot; considers<br /> fishing a barbarous amusement and detests hunt.<br /> ACADEMY Prizes.<br /> The French Academy has a varded the sum of<br /> 5000 francs (prix Alfred Née) to&#039; M. Brieux for<br /> his last graphic drama entitled “La Robe<br /> Rouge.” The fortunate recipient is now engaged<br /> in writing a new play entitled “La Petite Amie,&quot;<br /> whose details have not yet been made public.<br /> Mme. Jean Bertheroy has been awarded 4000<br /> francs (prix d&#039;éloquence) for her essay on the<br /> French poet André Chenier (1762-1794), while<br /> M. Pierre de la Gorse has received 9000 francs<br /> (prix Gobert) for his “Histoire du Second<br /> Empire). A number of minor prizes have also<br /> been awarded.<br /> In order to encourage literary talent the Var<br /> Academy at Toulon has announced its intention of<br /> celebrating its centennial anniversary by a literary<br /> competition on six given subjects. The prizes<br /> will consist of valuable artistic objects, and the<br /> winners&#039; names and compositions will be inscribed<br /> in the Golden Book which the Academy will<br /> publish on that occasion. The manuscripts of the<br /> unsuccessful candidates will not be returned.<br /> This is certainly rather hard on the unsuccessful<br /> candidates.<br /> Rocks AHEAD FOR THE PUBLISHERS.<br /> In deciding a dispute between two publishers,<br /> the Civil Chamber recently gave some interesting<br /> information which completely upset the current<br /> illusion respecting the copyright of the title of a<br /> paper. It distinctly stated that the property of a<br /> journal&#039;s title could only lapse through non-<br /> usage; but that the popular belief that a non-<br /> usage of one vear was sufficient to annul such a<br /> copyright was an erroneous idea, based on no<br /> legal foundation. Whether editor and publisher<br /> would alike be held responsible for the infringe.<br /> ment of a similar copyright was not stated.<br /> The latter is walking softly since the Third<br /> Civil Chamber has abolished his immunity, and<br /> rendered him liable for the articles printed under<br /> his direction. The action brought by fifty-three<br /> merchants, manufacturers, &amp;c., against the pro.<br /> prietors and editors of the Antijuif has led to<br /> this commendable reform. “Granted,” said the<br /> judgment, “that ... if Article 43 of the<br /> law of July 29, 1881, enacts that the printer<br /> cannot be penally pursued as an accomplice (in<br /> virtue of Article 60 of the Penal Code referring<br /> to printed matter) except in the event, and under<br /> the conditions, foreseen by Article 6 of the law of<br /> June 7, 1848, relating to riotous assemblages;<br /> this law has only been framed from a penal point<br /> <br /> <br /> ## p. 27 (#49) ##############################################<br /> <br /> THE AUTHOR.<br /> 37<br /> of view, and is not intended to detract in any Poor “Caliban-Bergerat” cannot boast such<br /> manner from the principles laid down by the good fortune. The fourth and last volume of his<br /> Civil Law, which render each person responsible “Théâtre Complet d&#039;Emile Bergerat” has just<br /> for the prejudice caused by his fault, &amp;c.” been issued by Ollendorff. Rarely has a writer<br /> For which, and sundry other causes, the printing of equal merit been handicapped hy a more per-<br /> society known as the Société Paul Dupont has sistent run of ill-luck than that which has for<br /> been separately and jointly condemned with the years dogged the productions of the talented<br /> proprietors and editors of the Antijuif to pay author of “ Plus que Reine.&quot; His fierce defence<br /> damages amounting to twenty-eight thousand of the children of his brain make part of the<br /> francs for injurious matter printed in the columns dramatic history of the period. In the preface<br /> of the Antijuif. Wherefore the Israelites rejoice to the first volume of the “ Théâtre Complet,” M.<br /> and the Philistines mourn.<br /> Bergerat states that the publication of this work<br /> represents thirty-five years of struggle—“not<br /> CONTEMPORARY FEMINISM.<br /> without courage, perhaps &quot;—for theatrical life.<br /> The publication of the “Vierges Fortes &quot; series A little later he claims the glory of having<br /> -comprising two novels respectively entitled invented the following three words, viz., Tripa-<br /> “ Frédérique&quot; and“ Léa ”-of M. Marcel Prévost, touillage, Cabotinville, Soireux, which, he says,<br /> was quite a social event. The reason is obvious. have become national property, and sum up the<br /> Both works deal in a masterly style with the entire history of the theatrical customs of his<br /> burning question of contemporary Feminism, time. M. Rostand would probably entertain a<br /> which is the prominent topic of the day. France different opinion.<br /> DARRACOTTI Scott.<br /> -or rather Paris-is witnessing the tidal rise of<br /> the Feministic Era which England successfully<br /> encountered, developed, and utilised several<br /> decades ago. Everything worth reading on the<br /> NOTES AND NEWS.<br /> subject is eagerly perused. The “Femmes<br /> Nouvelles ” of Paul and Victor Margueritte have<br /> INHE annual dinner of the Women Writers was<br /> just attained their twentieth re-edition (chez<br /> held in the Criterion Restaurant on June 25.<br /> Plon). Nevertheless, M. Prévost still remains<br /> Mrs. Humphry Ward was president, and<br /> the undisputed leader and apostle of the move-<br /> among a large company were Mrs. Bishop, Mrs.<br /> ment.<br /> Hodgson Burnett, Miss Ellen Thorneycroft Fowler,<br /> A recent article from bis pen in the Figaro,<br /> Miss Beatrice Harraden, Dr. Margaret Todd, Mrs.<br /> anent the author&#039;s right of publishing “ Le Secret<br /> Clifford, Mrs. Campbell Praed, Miss Violet Hunt,<br /> sentimental à deux,&quot; has given rise to some<br /> and Miss Clo Graves. The meeting was most<br /> piquant controversy between him and M. Gabriele<br /> successful. In concluding an eloquent reference<br /> D&#039;Annunzio — whom his admirers here have<br /> to the late Miss Kingsley, Mrs. Humphry Ward<br /> surnamed “the Marcel Prévost of Italy.” The<br /> latter took umbrage at a supposed reflection<br /> Those true knights-errant of intelligence and pity, who<br /> (in an article which he confessed he had not<br /> thought no travail of mind and body too great to face if<br /> read) questioning the good taste of his having only they might come at the truth and tell it, who wandered,<br /> staged Madame Eleonora Duse, under the thin suffered, laaghed, and learned, who made a new wisdom of<br /> disguise of the Foscarina&#039;s name, as the heroine<br /> their fellows—it was of them that they might say in the<br /> of his new novel, “ Le Feu,” which work is now<br /> words of a true poet who was with them that night<br /> &quot;Out of danger, dreams, disasters,<br /> appearing in serial form in the Revue de Paris.<br /> They arise to be our masters.”<br /> No such reflection had ever been made—at least, Small and thin was the true band of them in every age.<br /> by M. Prévost. Matters were finally explained, One of its most honoured members assuredly was with them<br /> and the susceptible Italian declared himself satis-<br /> as she spoke, Mrs. Bishop; and of their inmost company<br /> fied. The celebrity of the personages concerned<br /> let them as women rejoice in it with pride that night was<br /> Mary Kingsley.<br /> has given undue notoriety to the incident.<br /> The members of the Authors&#039; Club held a<br /> A DRAMATIC CONTRAST.<br /> dinner on Monday, June 11, when Mr. E. F.<br /> The health of M. Edmond Rostand is reported Knight, the correspondent of the Morning Post<br /> to be completely re-established. According to who was wounded at Belmont, was the guest of<br /> the theatrical returns published at the end of the evening, and Mr. Bloundelle-Burton, an old<br /> May, the “ Aiglon” is making 11,000 francs friend of Mr. Knight, and the well-known author<br /> a day, and “ Cyrano de Bergerac&quot; 10,000 francs. of the “ Hispaniola Plate,&quot; was the chairman..<br /> Whereby the lucky dramatist daily pockets a Mr. Bloundelle-Burton made a very interesting<br /> royalty of 2500 francs—a princely revenue. speech with regard to Mr. Knight&#039;s career, and<br /> VOL. XI.<br /> said :<br /> <br /> <br /> ## p. 28 (#50) ##############################################<br /> <br /> 28<br /> THE AUTHOR.<br /> Mr. Knight in response gave a graphic description<br /> of the fighting powers of Tommy Atkins and his<br /> experiences during the battle of Belmont.<br /> Mr. Frankfort Moore proposed the health of<br /> the other guests, amongst whom was Mr. Charlton,<br /> one of the engineer officers of H.M.S. Powerful.<br /> Mr. Charlton gave a detailed account of the part<br /> that the crew of the Powerful had taken in the<br /> war from the time of their leaving Singapore.<br /> There were about thirty members present, Mr.<br /> Percy White, Mr. E. A. Morton, Mr. G. H.<br /> Thring, Mr. Douglas Sladen, and Mr. M. H.<br /> Spielmann being among the number.<br /> On Monday, June 18, the Authors&#039; Club held a<br /> dinner to Lord Strathcona. There was a large<br /> gathering. Mr. Robert Machray was in the chair.<br /> In answer to the toast of his health Lord Strath-<br /> cona gave some very interesting facts about his<br /> connection with the Hudson Bay Company, and<br /> that company&#039;s connection with the Empire, and<br /> he ended his speech with a statement regarding<br /> the enthusiasm of the Canadians in their action<br /> in the present war. He stated that all the<br /> Colonials were not so much fighting for the Mother<br /> Country as fighting for themselves as part of the<br /> Empire. His speech was enthusiastically received.<br /> and dreary as the mines of Potosi. Yet from either there is<br /> no return, and though little confident of finding content-<br /> ment-happiness is too proud a term-I must work, I<br /> believe, in those damp caverns till once the whole mind is<br /> recast or the lamp of life has ceased to burn within it.<br /> In the same collection was the following letter<br /> from the Countess of Blessington :-<br /> Since I first sent a book before the public I never,<br /> directly or indirectly, asked for a notice of a book of mine.<br /> I have hitherto been so fortunate as to have had my works<br /> kindly treated by the Press, but this kind treatment would<br /> have given me but little satisfaction had I owed it to any<br /> solicitations of mine.<br /> The following letter by Dr. Conan Doyle is taken<br /> from the columns of the Daily Telegraph, to whose<br /> veteran war correspondent in South Africa, Mr.<br /> Bennet Burleigh, the letter was addressed. “As<br /> I fear to spoil or transpose Dr. Conan Doyle&#039;s<br /> graphic depiction of the event,” says Mr.<br /> Burleigh, “I give it in his own words&quot;:<br /> Brandfort, Monday, May 7.<br /> My dear Barleigh, - ... and saw a little fight<br /> beyond the Vet River. We had a curious adventure on the<br /> way back, which might perhaps make a paragraph for a<br /> letter if ever the great events run short. Langman and I<br /> were riding back, and had reached the point where the<br /> engagement was the day before, when a mounted Kaffi,<br /> came across us, and told us that a wounded Englishman<br /> had been deserted or overlooked, and was out some two or<br /> three miles to the west on the veldt. We got him to guide<br /> us, and set off in search. At last, in the middle of a large<br /> clear space, we came across him, but he was dead. He was shot<br /> in the stomach and through one arm, and had apparently bled<br /> to death. He belonged to the New South Wales Mounted<br /> Infantry, and had the initials “N. M&#039;M.&quot; upon bis batand on a<br /> silk handkerchief in his pocket. Horse and rifle were gone. A<br /> carious detail was that his water-bottle lay beside him, and<br /> on it was balanced a red chess pawn. The other chessmen<br /> were in his haversack out of his reach. We laid the poor<br /> fellow across my saddle and led the horse back to the road,<br /> where we placed him under a telegraph post, and told the<br /> officer of the next convoy, who promised to have him<br /> decently buried.<br /> Close to Brandfort we saw mounted and armed Boers on<br /> a hill within half a mile of us. We were told that they<br /> were Boers, and did not believe it, but this morning we<br /> learn that they have been pursued. I suppose that they<br /> thought we were too small game, but as we were unarmed and<br /> apon tired horses, we were lucky to get past them.<br /> A. CONAN DOYLE.<br /> The President of the Argentine Republic has<br /> accepted the adhesion of the Kingdom of Italy to<br /> the Treaty of Montevideo-A South American<br /> Copyright Union. Signor F. Foa discusses, in<br /> an interesting article in the pages of our Italian<br /> contemporary I Dritti d&#039;Autore, the value to<br /> Italian authors of this new international agree<br /> ment. The advantages which it will confer do<br /> not appear to be very great.<br /> Lord Thring contributes an interesting article<br /> on “The Copyright Bills, 1900,&quot; to the Nine.<br /> teenth Century for June. The article is a plain<br /> statement of facts. At its conclusion the author<br /> remarks dryly, respecting the Bills, “Whatever<br /> may be their demerits, they claim to have<br /> reduced the law into an intelligible shape, in<br /> which it is capable of being criticised by the most<br /> unlearned of authors, and of being amended by<br /> the most inexperienced of legislators.”<br /> NOTES FROM AMERICA.<br /> A letter written by Carlyle from Edinburgh<br /> in 1821 was sold in London recently in the<br /> collection belonging to the late Chevalier de<br /> Chatelain. It was addressed to Dr. Allen, and<br /> contained the following revelation of the philo-<br /> sopher&#039;s mind-he was then only twenty-six :-<br /> Literature is like money, the appetite increases by<br /> gratification. The mines of literature, too, are unwholesome<br /> LOLLOWING the evidence of publishers that<br /> F there is an improving market for the<br /> better class of books, the New York<br /> Evening Post adds the testimony of the Hart-<br /> ford (Conn.) Public Library, as given in the<br /> president&#039;s annual report. From this it appears<br /> that there has been a large gain in more serious<br /> reading matter at the expense of tiction. As<br /> compared with two years ago, novels have fallen<br /> <br /> <br /> ## p. 29 (#51) ##############################################<br /> <br /> THE AUTHOR.<br /> 29<br /> off 7 per cent., while sociology has gained about<br /> 8 per cent., the fine arts and history 11 per cent.<br /> each, and biography 15 per cent.<br /> A complete edition of the works of Mr. Thomas<br /> Wentworth Higginson—who, at seventy-five, is<br /> still active with his pen-is being prepared by<br /> Messrs. Houghton, Mifflin and Co.<br /> A new serial by Mr. Hamlin Garland has just<br /> begun. It is a story of Western life, entitled<br /> “The Eagle&#039;s Heart,” and deals with adventurous<br /> life in cow towns and mining settlements.<br /> Commenting on the recent financial difficulties<br /> of Messrs. Appleton, the Sewanee Review for<br /> April (Longmans) says:<br /> Coming so soon after the Harper assignment, this notable<br /> event in the publishing world calls special attention to the<br /> fact that the pablisher of to-day does business on very<br /> different lines from his predecessor. Production must now<br /> be on a large scale if success is to be attained, and produc-<br /> tion on a large scale means a big smash if affairs go wrong.<br /> Local booksellers have long since gone to the wall; will<br /> publishers go, too, leaving a trust monarch of all it surveys ?<br /> We hope not.<br /> The people of Northampton (Mass.) and dis-<br /> tinguished guests from abroad have just erected a<br /> memorial to Jonathan Edwards, the American<br /> philosopher of the eighteenth century, and a<br /> For the eighteenth century, and, a<br /> proposal is made to issue a new edition of his<br /> works.<br /> &quot; Janice Meredith” has been dramatised, the<br /> rights of production going to Miss Mary Manner-<br /> ing. Mr. Daniel Frohman will present“ Richard<br /> Carvel ” in the coming season.<br /> Ogilvie, Stuart<br /> Skeat, The Rev. Professor<br /> Parker, Louis N.<br /> Smith, Dr. and Mrs. Barnett<br /> Pinero, Mrs.<br /> Sonnenschein, A.<br /> Prinsep, Val<br /> Thring, G. Herbert<br /> Scott, Clement<br /> Todd, Dr. Margaret<br /> Senior, W.<br /> Zangwill, I.<br /> Shaw, Bernard<br /> And many others.<br /> The Chairman gave the toast of the evening,<br /> and began his speech by an allusion to the losses<br /> that letters had suffered through the deaths of Mr.<br /> Ruskin, Dr. Martineau, Mr. R. D. Blackmore, and<br /> Mr. G. W. Steevens. Proceeding, Mr. Pinero said :<br /> This corporation of prominent literary men and<br /> women to-night, for the first time in its history-<br /> for the first time in the history of any modern<br /> literary association-extends a kindly hand to the<br /> poor hack-playwright. What is the reason, ladies<br /> and gentlemen, underlying this generous and<br /> gracious act on the part of the governing body of<br /> your Society? I cannot tell you. I can only<br /> indulge in surmise, in hypotheses. A vainer<br /> person than myself might suppose that your<br /> council is desirous of promoting a feeling of<br /> fraternity, of establishing something approach-<br /> ing a bond of equality between writers of books<br /> and writers of plays. (Cheers.) But I cannot<br /> think that; the assumption would be too arro.<br /> gant. At the furthest, I can only believe that<br /> certain members of your Council-grey-haired<br /> men, perhaps, anxious to be at peace with the<br /> world, even with playwrights; gentlemen of<br /> acknowledged literary eminence, but possessed of<br /> those normal feelings of compassion of which<br /> writers of scholarly English are not necessarily<br /> destitute—I can only believe that these gentlemen<br /> have been impelled by a simple good-natured<br /> impulse to bestow a passing pat-on-the-back upon<br /> a poor, distant relative. (Laughter.) It may be<br /> that I take too depressed a view of the whole<br /> affair. It may be that the novelist is not only<br /> gradually relaxing in his disdain for the drama,<br /> but is applying himself assiduously to the task<br /> of grasping the special conditions of dramatic<br /> writing. It may be that in doing this he has<br /> become possessed of the suspicion that these con-<br /> ditions are exceptionally arduous, that they are<br /> conditions requiring a wide and curious knowledge<br /> of life and of manners, a rapid but assured touch<br /> in the delineation of surface characteristics,<br /> an unerringly accurate ear in striking the deeper<br /> notes of pathos and of passion, and a wise<br /> economy of selection and a dexterity of composi.<br /> tion exacted by no other form of art. It may be,<br /> too, that from his own young experience he is<br /> beginning to perceive that while out of the<br /> theatre the despised playwright labours in cir.<br /> cumstances demanding the exercise of the closest<br /> application and the practice of the sternest self-<br /> denial, the writer of drama should bring to the<br /> ANNUAL DINNER OF THE INCORPORATED<br /> SOCIETY OF AUTHORS.<br /> [Owing to the fact that the original dinner report has been<br /> lost or mislaid, the present curtailed report has been<br /> inserted at the last moment.]<br /> THE annual dinner of the Society was held in<br /> the King&#039;s Hall of Holborn Restaurant on<br /> May 16, and was a large and highly suc-<br /> cessful gathering Mr. A. W. Pinero presided.<br /> Among the company were<br /> Archer, William<br /> Greville, Lady Violet<br /> Ball, Sir Robert<br /> Grundy, Sydney<br /> Beringer, Mrs. Oscar<br /> Hare, Mr. and Mrs. John<br /> Besant, Sir Walter<br /> Hawkins, Anthony Hope<br /> Blake, Dr. Sophia<br /> Hooking, Rev. Silas<br /> Browning, Oscar<br /> Hollingshead, John<br /> Castle, Egerton<br /> Hunt, Holman<br /> Charley, Sir W. J.<br /> Jacobs, W. W.<br /> Collier, The Hon. John and Lee, Sidney<br /> Mrs.<br /> Lennox, Lady William<br /> Colin Campbell, Lady<br /> Marshall, Capt. R.<br /> Courtney, W.L.<br /> Middlemass, Miss Jean<br /> Craigie, Mrs.<br /> Monkswell, Lord<br /> Fitoh, Sir Joshua<br /> Norma<br /> an, Mr. and Mrs.<br /> Grand, Mmo. Sarab<br /> Henry<br /> <br /> <br /> ## p. 30 (#52) ##############################################<br /> <br /> 30<br /> THE AUTHOR.<br /> rehearsal of his work evidence of his capacity for does she persist in calling herself Anthony<br /> gently influencing and gaining the sympathy and Hope ? &quot; (Laughter.) But what I was about to<br /> support of clever men and women of diverse but say is that, with writers of such high account<br /> peculiarly sensitive temperaments, without which devoting themselves in part to the theatre, it will<br /> capacity no dramatist ought to pass the stage be a matter of small wonder if the prevalent and<br /> door; possessing which capacity he might, in disparaging idea of contemporary drama, and of<br /> other and more fortunate walks of life, have led those who give their energies wholly to dramatic<br /> parties or won battles. And I am encouraged to writing, does not ultimately yield to a fairer, a<br /> think that there is something in all this, by more truthful, estimate. Only one danger do I<br /> the fact that the drama has lately received many apprehend from the invasion of the playhouse by<br /> notable contributions from authors enjoying the novelist-and I confess the contemplation of<br /> enviable reputations in other departments of litera- it chills me to the marrow—the possibility that<br /> ture. I will not attempt to furnish you with a the mere playwright may some day find his occu-<br /> complete roll of these authors; in such an endea- pation gone. Indeed, the rich imagination of<br /> vour the memory might prove treacherous, and Mr. Wells might form a conception of a time<br /> the omission of a single name would, perhaps, when the carefully preserved skeleton of the<br /> make one appear less ignorant than ungracious. dramatist who was not a novelist will be all<br /> But I cannot refrain from mentioning, especially, that is left to remind people of the old order<br /> two writers who have thus distinguished them of things. However, time alone can decide<br /> selves—who have, if I may say so, made them- whether or not events are to justify these<br /> selves indispensable to the modern stage. I fears, and, meanwhile, it is well, I suggest to you,<br /> speak of the gentleman who is incautiously that we should all dwell together in the most<br /> described in the list of your Council as Mr. perfect good-fellowship. It may be that the im-<br /> Hawkins, but who masks himself closely from provisatore, reciting his romances in the market<br /> the public under another title, and of that charm- place, with flashing eye and to the accompani.<br /> ing lady who, by her own perversity, obliges me ment of sweeping gesture, is a slightly more<br /> to be so ungallant as to allude to her as John imposing figure than the marionette man as we<br /> Oliver Hobbes. (Cheers.) I wonder whether espy him through the curtains of his booth<br /> any of you ladies and gentlemen are, like myself, lovingly assorting his little company of dolls.<br /> a little disturbed by the dark disguises of certain But each plays his part : each suffers or enjoys<br /> of our modern writers. (Laughter.) I confess I his share of defeat or of success; each, upon<br /> find it difficult to feel quite at ease with mysterious occasion, tightens his belt in answer to the<br /> figures in sombre draperies and slouch bats. One cravings of hunger, or releases a button after a<br /> is almost inclined, for example, in speaking of congratulatory feast; each knows what it is to<br /> Mr. Hobbes and of the creator of the delightful be waked from sleep by the sound of his own<br /> “ Prisoner of Zenda,” to drop into a whisper. sighing, or to shirk purposely the slumber that<br /> And the confusion in the public mind, too, pro- would suspend, even for a moment, the conscious.<br /> duced by the aliases of popular authors is ness of a rare prosperity. Let them, therefore<br /> positively lamentable. Only the other day, while the marionette man and the weaver of<br /> on a visit to a provincial town, I found myself tales — foregather at the end of their day&#039;s<br /> sitting beside a young lady who takes an eager, labour, as we do to-night, and, between their<br /> if somewhat uninformed, interest in current draughts of Falerno, console one another, and<br /> literature. “I wish you would explain to me,” stimulate one another, and so help one another,<br /> she said, “why many of our famous novelists until the hour comes when the friendship must<br /> appear to be so anxious to conceal their identity.&quot; perforce be broken, when the voice in the market<br /> I hazarded the conjecture that it is, in some place is hushed, or the booth is found empty. In<br /> instances perhaps, a precautionary measure on the this spirit, ladies and gentlemen, in the spirit<br /> part of those who may desire, in later years, the which this Society has done much, and will, I<br /> opportunity of living down their successes. “Tell venture to prophesy, do even more in the future,<br /> me,&quot; my companion went on, evidently far from to promote ; in the spirit expressed by<br /> satisfied, “tell me, have you ever met Mrs. the time-worn, but still eloquent, phrase-the<br /> Craigie ?” I said I had had that privilege. Brotherhood of Letters—I beg leave to submit<br /> “ And what is your opinion of her as an author?” the toast which it is my duty to propose. (Cheers.)<br /> was the next question. I had no hesitation in With this toast I have the privilege of associating<br /> replying, “ Assuredly one of the most brilliant the name of the gentleman of whom I have<br /> women writers any country has produced.” “I already tremulously made mention-Mr. Hawkins.<br /> agree with you,” said my fair friend, “I have And here you will, I am sure, appreciate the<br /> read every word she has written. But why- renewed difficulties of my position. But if I<br /> <br /> <br /> ## p. 31 (#53) ##############################################<br /> <br /> THE AUTHOR.<br /> 31<br /> cannot overcome these difficulties, I can, I think, he told them that that was why he wrote them-<br /> partially evade them; and with your permission (laughter)—and he therefore appreciated more the<br /> I do so in this wise, by associating with this attitude of a man like Lord Monkswell, who had<br /> toast the name of Mr. Hawkins and coupling probably not read his works, but had recognised,<br /> with the name of Mr. Hawkins that of his friend, in his attitude towards the law of copyright, that<br /> Mr. Hope. (Laughter.) Now, of Mr. Hawkins an author must live and have the means of feed.<br /> I can say little, except that he is a devoted and ing bis brain so that it could produce the splendid<br /> invaluable servant of this Society; and of Mr. visions that other people delighted to read about<br /> Hope you will require me to tell you nothing, for in his books. (Laughter.) He thought the<br /> is he not known to his brother and sister authors rights of authors should be as long-lived as<br /> as a good comrade, and to the wide world as a those of the original shareholders in the New<br /> writer of combined daintiness and power, and of River Company. After all, Shakespeare might<br /> apparently inexhaustible fertility ? Indeed, tbe without exaggeration be considered to have done<br /> worst I have ever heard of Mr. Anthony Hope- as much for the nation as one of those share.<br /> and if I have not heard it, I must have dreamed holders. (Laughter and cheers.)<br /> it-is that it may be remarked of him as a writer LORD MONKSWELL responded.<br /> that his profundity will never be remembered till Mr. HENRY Norman, in giving “ The Chair-<br /> we have succeeded in forgetting his vivacity. I man,” said the laughter caused by Mr. Pinero<br /> do not know how just a reflection you may consider was not as the crackling of thorns under the pot,<br /> this to be, but it is one that can be more easily but was always ornamented by a valuable idea.<br /> repelled by Mr. Hawkins, or apologised for by He had given to the world the solemnities as seen<br /> Mr. Hope, than dealt with by myself. I will no through the eyes of the humorist. He had held<br /> longer, therefore, stand between you and these up the mirror to life as it was, and consequently<br /> gentlemen. I give you“ The Society of Authors.” the absurd cbarge of indecency was made against<br /> Let us drink to its continued, its increasing, him. (Laughter.) The toast would be drunk<br /> usefulness and welfare. (Cheers.)<br /> with especial heartiness. (Cheers.)<br /> Mr. ANTHONY HOPE HAWKINS replied to the Mr. Pinero made a brief reply, and the com-<br /> toast. The Society of Authors, he said, was pany adjourned to tea and talk.<br /> making steady progress, but it wanted money.<br /> Every day it was asked to undertake important<br /> work which it could not undertake because of<br /> this deficiency. There was notably the case of<br /> THIRTEEN YEARS AGO.<br /> America. The relations of literary men with that<br /> country were becoming more and more intimate<br /> and important, and the Society felt it desirable to<br /> IN the year 1887, shortly after the foundation<br /> maintain in America a permanent staff to look<br /> 1 of the Society, an article appeared in Time,<br /> after the interests of British authors. (Hear,<br /> e a monthly magazine now extinct, on the<br /> hear.) Next year the Society would make a start<br /> Society of Authors. It is signed with the name<br /> with the Pension Fund. A man who had done<br /> of J. Neville Porter, a writer of whom I know<br /> good literary work would not under this scheme get<br /> nothing. His name is not in the list of Barristers<br /> charity from the Society, but his brothers would<br /> and Solicitors for this current year. He writes,<br /> offer him a testimonial in the shape of a good,<br /> however, with apparent knowledge of law, and was<br /> solid pension. (Cheers.)<br /> laudably desirous of presenting the facts of the<br /> Mr. BERNARD Shaw then proposed “The<br /> case as he understood them. So much has been<br /> Guests.&quot; He said he bad often been asked why<br /> done since that time that it is well to look<br /> he became an author, and had given many<br /> back and to consider arguments and statements<br /> reasons, most of them untrue—(laughter)-but<br /> advanced thirteen years ago.<br /> the real reason was because he had an unconquer.<br /> THE SALE OF A MS. OUTRIGHT.<br /> able aversion to honest work of any description. We find a publisher writing to say that he<br /> (Laughter.) He had had to work a good deal should take no notice at all of any opinion of the<br /> harder than people who had adopted honest Society as to the fair price. He understands by<br /> means, and he would therefore point out to those this time that the author would then go to some-<br /> who had not become authors, and therefore one else. Mr. Porter remarks, however, that<br /> wanted to—(laughter)—that, if they entered the authors are not the best judges of the value of<br /> profession on his grounds, they would probably MSS. He did not understand that the Society<br /> be disappointed. (Laughter.) When people intended to proceed with the advice and help of<br /> told him, with a slight air of unexpectedness, secretaries and solicitors always engaged upon the<br /> that they had read his books and admired them, subject of Literary Property, and with a perma-<br /> <br /> <br /> ## p. 32 (#54) ##############################################<br /> <br /> 32<br /> THE AUTHOR.<br /> nent committee also continually engaged upon inore than, as said above, a solicitor or a medical<br /> the subject; so that it may now be fairly ad. man.<br /> vanced that the Chairman and Secretary of the The author&#039;s risk, where there is risk, is his<br /> Society, not to speak of the Committee, have time and labour; the publisher&#039;s risk, where there<br /> between them a wider and firmer grasp of the is risk, is the money actually expended and the<br /> subject than any publisher or company of pub. proportionate cost of his establishment.<br /> lishers.<br /> Here is another reference to a leading case :<br /> Here, however, is a warning which should be<br /> A contract between an anthor and a publisher, that the<br /> looked into. We have always protested against<br /> latter should, at his own risk and expense, publish a work<br /> any alteration of an author&#039;s work without his belonging to the former upon payment of an equal division<br /> consent. Read this note from the article :-<br /> of the profits after all charges had been defrayed, may,<br /> It bas been decided in the case of Cox v. Cox (11 Hare,<br /> according to the dictum of Lord Justice Tarner in the case<br /> 118), that in the absence of a specific contract, reserving<br /> of Stevens v. Benning (6 D. M. G. 229), be considered in<br /> to the author a qualified copyright, the purchaser of a MS.<br /> the double light of a licence and a partnership-a licence for<br /> is entitled to alter and deal with it according to his<br /> the publication of the treatise, and then a joint adventure<br /> discretion. The consequence has been that several treatises<br /> between the author and publisher in the copies to be thus<br /> have been published in &amp; ridiculous manner, much to the<br /> published. A pablisher, therefore, on the half-profit<br /> prejudice of the writers. The remedy for this is, of course,<br /> Bystem, is bound to show the author his accounts and<br /> a matter for the agreement-form.<br /> vouchers in respect of the work published, or an action<br /> may be commenced to compel him to do so unless the pab.<br /> lisher satisfies the judge that there is some preliminary<br /> THE HALF-Profit System.<br /> question to be tried. It is not, therefore, necessary to bave<br /> It appears that Mr. E. Marston, according to &amp; stipulation in the agreement to this effect.<br /> this writer, had written to the papers, stating<br /> When there is no assignment of copyright in<br /> that he knew nothing of any secret profits.<br /> the agreement, and no stipulated time during<br /> It was stated, from knowledge, by those who which the publisher is entitled to publish a book,<br /> then represented the Society that there existed a<br /> can the author put an end to the contract ? On<br /> widespread system of secret profits, viz., by adding this point Mr. Porter is instructive :-<br /> to the cost of printing, paper, corrections, and<br /> If the author endeavour to put an end to the contract,<br /> binding; and further, by advertisements costing and to stop the publication of any subsequent edition by<br /> nothing to the publisher, such as advertisements the publisher, he must take action for this object previous<br /> in their own organs and by exchanges. It has to any expenso being incurred by the publisher on account<br /> been remarked repeatedly that in the agreement.<br /> of such new edition; otherwise the publisher is entitled to<br /> be repaid this cost, and to enjoy the benefit of all the profit<br /> forms put forward by the Publishers&#039; Association<br /> the hope of which induced him to incur this expense. But<br /> they claim the right of adding percentages, and when expense has not been incurred by the pablisher on a<br /> say nothing about the advertisements which cost subsequent edition, the author can lawfully terminate the<br /> nothing.<br /> joint undertaking, and prevent any further issue of his work<br /> Mr. Porter in this article falls into the trap<br /> by the publisher, even if the latter has stereotyped the<br /> book before the publication of the last published edition.<br /> set for him, and looks upon the publisher as an<br /> In deciding this question in 1838 in the case of Reade v.<br /> agent as well as a publisher. The publisher is Bentley (4 Kay &amp; J. 664-6), Vice-Chancellor Wood (after.<br /> entitled, Mr. Porter says, to a profit on every wards Lord Hatherley) pointed out the difficulties which<br /> thing, to cover incidental expenses, and the cost<br /> were connected with the subject, and the grounds on which<br /> of his establishment; in other words, to cover<br /> his judgment was based. He mentioned that, while on the<br /> one band it might be stated on bebalf of the publisher that<br /> his own work in the business. What claim has<br /> he had devoted the benefit of his talents and status as a<br /> he, after this, on the proceeds of the book ? And publisher to the undertaking, and bad incurred charges in<br /> why are not the author&#039;s “incidental expenses &quot; respect of bringing out the first edition in the hope that he<br /> and the cost of his establishment to be con. would be repaid the expense of the first by the sale of the<br /> sidered? And why are not the bookseller&#039;s inci.<br /> second and subsequent editions, and to hold the author at<br /> his own instance to be at liberty to put an end to the agree-<br /> dental expenses and the cost of his establishment<br /> ment after the first edition had been published, would be to<br /> to be considered ? And why do not solicitors, enable him, by an arbitrary and unreasonable exercise of<br /> medical men, and professional men of all kinds that power, to deprive the publisher of all his profits. On<br /> charge for their establishments ? The history the contrary, it might be contended, on behalf of the<br /> of the half-profit system is simply this : It meant,<br /> anthor, that unless he was empowered to terminate the<br /> contract, he might be under an obligation to the publisher<br /> at first, the honest deduction from proceeds of<br /> during the whole of the latter&#039;s life, while the publisher<br /> actual cost and money expended. The publisher would be under no reciprocal obligation to bim. The former<br /> then began to filch and to steal : he said he had could also prevent the author from publishing a single copy<br /> spent £20 when he had only spent £15, and so on.<br /> of the treatise so long as the publisher expressed his readi.<br /> ness to continue publishing. The author, however, would<br /> Then he began to rob on a system of adding so<br /> bave no reciprocal power, and could not compel the pab.<br /> much per cent.—saying nothing about it. Of<br /> lisher to publish more than a single edition of the book.<br /> course he has no right to any such profit any The latter, moreover, in the bona fide exercise of his discre.<br /> <br /> <br /> ## p. 33 (#55) ##############################################<br /> <br /> THE AUTHOR.<br /> 33<br /> tion as to the proper time and mode of publication, might twelve. Aboat £150 was spent by the plaintiffs in adver.<br /> decline indefinitely to publish, but without giving up his tising the book, and more than 40,000 copies of it were sold.<br /> agreement, while the author, at the same time, might be of As, however, Mrs. Cook became offended with the plaintiffs<br /> an opposite opinion, yet for months, and even years, might for describing the book as a companion work of their series,<br /> be kept in suspense, and probibited from publishing on his she gave them notice to put an end to the contract with<br /> own account, until the publisher thought that the time had them, and entered into an agreement for the issue of a<br /> arrived for the revival of the public interest in the book. revised edition of the book with Messrs. Routledge. It was<br /> Under such circumstances, this learned judge thought the firstly maintained by the plaintiffs that their agreement<br /> position of the author to be one of so great hardship and with Mrs. Cook amounted to a sale of the copyright; but,<br /> difficulty, that anless it was clearly proved to have been at the hearing of the case, they merely moved for an injunc.<br /> contemplated by both the contracting parties it should not tion to restrain the farther publication of the book as long<br /> be enforced.<br /> as any copies printed by them before the receipt of the<br /> notice were unsold. The injunction, however, was not<br /> On a royalty system we have advanced so much<br /> granted, and the plaintiffs&#039; bill of complaint was dismissed<br /> that Mr. Porter&#039;s remarks need not be quoted. with costs. The verbal agreement referred to was 28<br /> follows, according to the statement of Mr. Warne, mentioned<br /> THE COMMISSION SYSTEM.<br /> by the Master of the Rolls in his judgment, viz. : “I,&quot; said<br /> Mr. Warne, &quot;offered a royalty of a penny a copy on all<br /> On the commission system he says that profits copies sold, counting thirteen copies as twelve ; to which<br /> -i.e., secret profits-on the cost of production<br /> she replied, I have a speculative turn of mind, and will<br /> are reasonable. Surely when a man agrees<br /> take the penny.&#039; To this I consented.” This is all the con-<br /> versation that occurred, and is the evidence upon which the<br /> to act as agent for another man, and to sell<br /> agreement is based. It is to be hoped that this case will<br /> his wares for a fixed percentage, to take secretly be &amp; warning to authors and publishers against entering<br /> another kind of percentage is pure swindling and into a mere verbal arrangement for publication. It is oppor.<br /> cheating. Mr. Porter does not seem to under. tane to remark concerning this point that, if &amp; contract<br /> stand this. Very few people did thirteen years<br /> between an author and publisher is one that cannot be per.<br /> formed within a year after being made, no legal action is<br /> ago. His words, however, on vouchers show his<br /> maintainable upon it for its enforcement, unless the agree-<br /> desire to present the subject fairly :-<br /> ment, or some memorandum or note of such, is in writing,<br /> The commission publisher is under the same legal obliga-<br /> and signed by the person to be charged therewith. It is<br /> tion to show his accounts and vouchers on demand by the<br /> not necessary, however, for this purpose that the agreement<br /> author, as the half-profit system publisher is bound to show<br /> should be in one document. It may be collected from many<br /> them to his author, as the former publisher is the author&#039;s<br /> papers if they are clearly connected, and do not reqaire<br /> agent.<br /> parol testimony to maintain the connection, as such<br /> evidence is inadmissible for that object.<br /> On the subject of &quot;risk” he has been led<br /> The rest of the paper is devoted to speculation<br /> astray, as so many used to be, by a confusion of<br /> as to the future of the Society. The writer thinks<br /> thought. Those who wrote on one side used,<br /> that authors will rather go to their solicitors than<br /> and still use, the word “ risk” to signify danger<br /> to a committee of authors, still under the supposi-<br /> of loss; the publishers confused the minds of<br /> tion that the Committee will themselves attempt<br /> people by meaning chance of not making great<br /> lawyers&#039; work. He also thinks that publishers<br /> profits. There are hundreds of writers, taking all<br /> will refuse to treat with authors who send agree-<br /> the branches, whose books carry no kind of risk-<br /> ments to the Society, forgetting that if one<br /> i.e., they are quite certain to be sold up to a<br /> publisher puts his dignity before his business<br /> number which will pay all expenses and leave a another man will reverse the operation.<br /> reasonable margin. There are not many books<br /> which are certain to sell in large quantities. That<br /> THEN AND Now.<br /> is as true to-day, when the demand for books has The Society proposed at the outset to recom-<br /> so greatly increased, as it was thirteen years ago. mend authors to houses where they would be safe<br /> -or comparatively safe. It is objected that<br /> THE NEED FOR AGREEMENTS.<br /> experienced authors will not need the advice of<br /> the Society, and that inexperienced authors will<br /> As to the folly of not looking after agreements,<br /> find the publishers unwilling to publish in the<br /> Mr. Porter adduced a remarkable case :-<br /> mode recommended by the Society.<br /> A notewortby instance of this was stated in the case of<br /> Now, during the whole period of its existence,<br /> Warne v. Routledge, adjadicated upon by Sir George Jessel,<br /> Master of the Rolls, in Jane, 1874. In this instance, Mrs.<br /> the Society has steadily kept its members out of<br /> Milicent Cook wrote a book called “How to Dress on £15 certain publishers’ hands. . Authors experienced<br /> a Year as a Lady, by a Lady,&quot; and entered into a verbal and authors inexperienced use the Society for<br /> contract with Messrs. Warne and Co. that they should information and for advice : they come to the<br /> pablish the work anonymously, and incur all expenses<br /> Society when they are in difficulties. They get<br /> directly and indirectly connected therewith, and that each<br /> copy should be published at one shilling, and that the plain.<br /> a legal opinion for nothing, and that of a kind<br /> tiffs were to remunerate her by a royalty of one penny for which requires special knowledge which their own<br /> each copy sold. The copies were to be rookoned thirteen as solicitors could not give them.<br /> <br /> <br /> ## p. 34 (#56) ##############################################<br /> <br /> 34<br /> THE AUTHOR.<br /> boys.<br /> The failure of these forebodings is instructive Straightforward copying, duplicating, &amp;c., are<br /> and interesting.<br /> still fairly easy to obtain, but the ever increasing<br /> The writer acknowledges at the end of his paper army of &quot; pocket-money ” workers who can afford<br /> that the Society may have a great future before to undersell their work makes it increasingly<br /> it. Yet he does not understand the greatness of difficult for a copyist to earn a living wage.<br /> that future.<br /> Some of us have to earn our own living by our<br /> One point he advances which seems worth con. own unaided efforts, and some of us would gladly<br /> sidering, but is not. He thinks that the Society earn it by less mechanical means—by making our<br /> might point out methods of literary training for machines the handmaids of our intellect, and by<br /> the higher class of instructive literary work. The placing our capacities of mind at the service of<br /> only method of literary training for this higher those who write. A BOOK-LOVING TYPIST.<br /> class of work is a full mind. A writer in order<br /> to be instructive must be himself a scholar and a<br /> student in his subject. Toe rest can be learned<br /> II.-CONCERNING BOOKS FOR Boys.<br /> by any work on rhetoric which will point out the The piece which you print in your June number<br /> meaning of arrangement and order, attention to under this heading is useful, as a good example of<br /> the marshalling of facts and an endeavour to aim the prevalent opinion with regard to books for<br /> at the charm of style and language.<br /> ** Any trash will do,&quot; says the writer in the<br /> Guardian from whose article you have quoted,<br /> and this sentiment is apparently indorsed by<br /> CORRESPONDENCE.<br /> publishers and reviewers. The very manner in<br /> which the “ gift book” makes its annual appear-<br /> I.-AUXILIARY LITERARY WORK.<br /> ance on the market is sufficient to rank it as some.<br /> CAY I draw your attention to a branch of thing equal in value to Christmas crackers and<br /> auxiliary literary work, i.e., typewriting candied fruit.<br /> in combination with what, for want of The pay for this class of work is miserably<br /> a better term, I must call secretarial duties? The poor; the reason, I am told, being the large dis-<br /> question for the educated typist who aspires to be count which the publisher has to give to the book.<br /> something more than part of ber machine is, How seller, while the reviewing is altogether a farce,<br /> may such work be obtained ?<br /> the “ innocents&quot; being slaughtered in batches of<br /> It is depressing to read lists of historical, from thirty to forty in a single column. When<br /> biographical, and educational books, and to a longer“ notice&quot; is given, it is often worse<br /> realise that all of them have entailed a consider than none at all. I have been severely lectured<br /> able amount of auxiliary work-such as copying for “ preaching a sermon on horse-racing,&quot; when<br /> and arranging notes, epitomes of documents, and the book in question contained no mention what.<br /> sorting masses of information, in addition to the ever of this kind of sport-a clear proof that the<br /> more mechanical work of copying the finished “reviewer” had got the contents of several<br /> MSS.<br /> volumes mixed up in his head before setting to<br /> A busy author must often need the services of work.<br /> an efficient helper at some stage of the prepara- The assertion made by “R. F. C.” that boys<br /> tion of his works, and he must need one who has read a sto y of school life simply to enjoy the<br /> had experience and who is endued with a sense of discomfiture of a comic schoolmaster is a mis-<br /> literary form. There can be no doubt that chievous statement, the untruth of which I, or<br /> supply and demand both exist; but how may any writer of similar experience, can prove by<br /> they be brought into contact ? I have ceased to letters received from readers ; but when our books<br /> believe in advertisement as a means of procuring are bought as rubbish, sold as rubbish, and re-<br /> either permanent or temporary appointments; as viewed as rubbish, it is perhaps natural for anyone<br /> an instance, mine has appeared in The Author for to suppose that they are read and written in the<br /> three montbs without eliciting a single reply. same spirit.<br /> Perhaps this is not surprising, for the capacities It may, however, surprise “ R. F. C.” to learn<br /> of an advertiser are, after all, merely a matter of that there are men and women who regard the<br /> conjecture.<br /> weaving of stories calculated to influence the<br /> Is there any hope for the typist (and there impressionable mind of a child as a branch of the<br /> must be many of them) who has not the necessary literary calling as honourable as that of the sensa-<br /> capacity for original literary work, but who fortional novelist or newspaper hack.<br /> love of books would fain have a place in the To write successfully for the young is an art<br /> humbler rauks of literature ?<br /> requiring special gifts and methods; an art which,<br /> <br /> <br /> ## p. 35 (#57) ##############################################<br /> <br /> THE AUTHOR.<br /> 35<br /> though at present ignored, will in time receive character-study, and every word that Miss Dora<br /> due recognition and reward, but which is not Russell could give me. When nothing was<br /> likely to derive either assistance or encouragement forthcoming, and at the request, in writing, of<br /> from the penning of articles such as the one to the lady&#039;s sisters, I did the best I could. I looked<br /> which you have referred.<br /> day after day for improvement. There even<br /> A WRITER FOR Boys. came to be some hope; but, unbappily, it never<br /> arrived at fruition. May I, then, ask at what<br /> precise point should I have stopped supply, and<br /> III.—ROYALTIES.<br /> by announcing that the novel could not proceed<br /> When consulting the “ Tables of Royalties ” in ended all? It has been stated that sentiment of<br /> “ The Literary Year Book” for 1900, I was sur that sort should not have prevented the enlighten-<br /> prised to see that they only mention royalties ment of the public. But the syndicate was<br /> varying from 2 to 15 per cent. Was this writing its congratulations on an improvement<br /> curious table composed with the view of throwing which was being evidenced hy “the manner in<br /> dust into the eyes of inexperienced authors by which you and Colonel Craig are finishing the<br /> making them believe that 27 was a reasonable story.&quot;&#039; Whose part was it to announce that a<br /> royalty and 15 per cent. the utmost limit of work so satisfactorily proceeding-even in the<br /> generosity ? I notice that the book is the pro- opinion of the syndicate which had had a<br /> perty of a publisher, and perhaps that accounts monopoly of the authoress&#039;s work for years-had<br /> for the milk in the cocoanut. GLENFRUIN. now become one of unavoidable collaboration.<br /> Not mine, surely.<br /> The serial issue began on Oct. I, 1897, as “ A<br /> IV.-AUTHOR AND PUBLISHER.<br /> New and Exciting Story! By that Talented and<br /> With reference to “ A. Penn-Wyper&#039;s&quot; commu- Popular Authoress, Dora Russell.” Of this<br /> nication in the June number, I cannot suppose description I, of course, knew nothing, for I had<br /> there would be any difficulty in forming a joiut never been consulted about the publication of the<br /> committee to which a publisher and an author tale. I had not even heard of the issue having<br /> would be mutually willing to submit the question commenced until several weeks after the date<br /> of terms, in cases where the publisher was desirous given. When I at last asked for the names of<br /> to publish a work and the author was willing that the papers in which the novel was appearing, I<br /> he should do so. They could both state their got this somewhat curt answer from the syndi-<br /> respective cases in writing, and their willingness cate: “It is a rule of our office not to supply<br /> to abide by the decision given. It would secure to such information as you ask for.”<br /> both the effective representation of their interests. The question has been put: How far did I<br /> T. L.<br /> acquiesce in the issue of the novel under the<br /> name of the popular authoress? I answer: only<br /> V.—“A TORN-Out PAGE,” “BY” Dora RUSSELL. in so far as I did not take legal action to prevent<br /> It having become an item of general informa- it, or render myself liable to prosecution for<br /> tion, froin a review which appeared in Vanity calumnious publication. But forbidding the<br /> Fair of April 19, that the above novel could not issue by injunction would have been, first,<br /> have been the unassisted work of the popular impossible, in my circumstances; secondly, unfair<br /> novelist, I have had to assume all responsibility, to Dora Russell, who, after all, had actually<br /> moral and literary, for the fact that every word written some thirty-three thousand words of the<br /> on the concluding 239 pages was wholly mine. novel with her own hand; and thirdly, a stulti-<br /> The letter proposing the scheme to the syndicate fication of myself, who, to help her, had written<br /> was penned with her own hand. My undertaking the remainder. What I felt called upon to do<br /> the task had the warm approval in writing of her was to satisfy the syndicate with the work. As<br /> family. Every instalment as written by me was to duty to the public, that body had for weeks<br /> read aloud to the authoress in the presence of her been assured that the novel was “by” the popular<br /> sisters, except the concluding two.<br /> writer before I had even come to know that the<br /> When I wrote to the syndicate indorsing Miss clients of the syndicate “would acquire it.” And<br /> Dora Russell&#039;s statement of my willingness to “by” Miss Dora Russell the novel actually was,<br /> finish the novel as a help to her, I plainly made up to just about that time. Had I a right to<br /> my doing so conditional upon “the scheme being assume that the syndicate&#039;s clients would be<br /> announced to your readers as you” (the syndicate allowed to go on from that point, issuing the tale<br /> “ may deem fit.” Taking up the authoress&#039;s without the announcement which I had demanded?<br /> characters and incidents as I found them, I was As Vanity Fair says: “ Explanation of the<br /> absolutely resolved to use every plot, every facts should have been made, as could easily<br /> <br /> <br /> ## p. 36 (#58) ##############################################<br /> <br /> 36<br /> THE AUTHOR.<br /> have been done by a few words of preface, or by be true, I seem to have been badly treated. If<br /> Colonel Craig&#039;s name as joint author.” I hold their “ belief,&quot; on the contrary, be even mode-<br /> that I could not, by anticipation, charge the rately justified by the quality (such as it is) of<br /> syndicate with the intention of continuing to the writing, I must have produced a fairly suc-<br /> publish the novel from the point at which the cessful imitation (which should have been an-<br /> work came to be mine (i.e., from p. 110) without nounced as such) of a certain class of popular<br /> the announcement for which I had stipulated fiction, for which they have found a place.<br /> expressly from the first. Am I to suppose that Either way, I hope, Sir, that you will find some<br /> if I had received, and made use of, a letter of of the “ literary interest” so dear to T&#039;he Author<br /> thanks and commendation from the syndicate for in my statement of the matter.<br /> my part of the work I should have been chargeable<br /> R. MANIFOLD CRAIG.<br /> with condonation and “acquiescence” past all 3, Harcourt-buildings,<br /> pardon ?<br /> The Temple, E.C.<br /> I have come to know that the syndicate and a [Colonel Craig&#039;s case is not one in which any<br /> London publisher have announced their belief question of legal liability arises. It presents,<br /> that the authoress wrote every word of “A Torn. however, some features of literary interest, and<br /> out Page.” Very well. Let us courteously assume the Committee have thougbt it right to give<br /> that, after the fullest inquiry in every direction Colonel Craig this opportunity of stating his<br /> except mine, they considered they had adequate view. 7<br /> grounds for that belief. But I have at this<br /> moment in my possession most of the typewritten<br /> sheets, bearing proofs of being those from which<br /> BOOK AND PLAY TALK.<br /> my part of the work was set up. I allege that I<br /> typed them in my own residence, directly upon COLUMNS of book announcements are very<br /> my typewriter ; and that Miss Dora Russell I thin at present, as it is too early yet for the<br /> was never in my home, and never saw my type-<br /> autumn lists. One of the important books<br /> writer. Is the belief of the syndicate and the then will be the biography of Professor Huxley,<br /> publisher compatible with the veracity of that which his son is writing and which Messrs. Mac-<br /> allegation? These sheets came back to me in the millan will publish. Mr. P. A. Chalmers Mitchell<br /> ordinary course of proof-correction. I allege is carrying out a long-standing engagement with<br /> that they and their fellows constituted the only Messrs. Putnam for a book on Huxley, while Mr.<br /> “copy&quot; of the story which was in existence at Edward Clodd is writing a volume on the same<br /> the time of the serial publication. Can that subject for Messrs. Blackwood&#039;s “Modern English<br /> statement be refuted ? Again, I have it under Writers &quot; series. Another volume in this series<br /> the hand of the syndicate that there had been no will be on George Eliot, by Mr. Sidney Lee, whose<br /> &quot;copy&quot; from the authoress for months, and that services in connection with the now completed<br /> she was far over two years in arrears with her “ Dictionary of National Biography” have just<br /> work. Suddenly, directly upon the acceptance of been commemorated by a presentation of plate<br /> my categorical offer to “finish &quot; the novel, typo- made to him in the name of the contributors to<br /> script copy begins to flow in at the rate of that monumental work.<br /> - 15,000 to 20,000 words per week. Am I, in my<br /> Mr. Justin McCarthy is finishing his “ History<br /> courteous effort to believe in the belief of the<br /> of the Four Georges,” and contemplates writing a<br /> syndicate, to opine that that circumstance did not<br /> novel on Ireland as he knew it in his youth.<br /> strike them, or seem other than matter of course ?<br /> I am entirely content that my whole case shall be<br /> When Mr. B. L. Farjeon&#039;s new novel, “ The<br /> read in the light of the declared belief of the<br /> Mesmerists,” is published by Messrs. Hutchinson,<br /> syndicate and the publisher. Surely, they can<br /> the volume will be found to contain also a<br /> have no objection.<br /> dramatic version of the story. This is the first<br /> I hold a statement of the syndicate that their<br /> time, we believe, that the two have been com-<br /> clients “ bad perceived the distinction between”<br /> bined in one volume. The object is to safeguard<br /> the authoress&#039;s work and mine. I answer that<br /> the author against unauthorised stage versions of<br /> with another statement from the same gentlemen.<br /> his novel.<br /> They say I have deceived them-palming as The Hon. W. H. Lyttleton is writing on “Out-<br /> collaborated work matter which was entirely my Door Games” for Messrs. Dent&#039;s “ Haddon<br /> own. Now, I claim that all this is matter of Hall Library.&quot; His work will be in two volumes,<br /> literary interest; and surely the syndicate is at and in the first cricket and golf will be treated.<br /> liberty to decide which is their real opinion. But “Hunting,” by Mr. Otho Paget, is another pro-<br /> they cannot have it both ways. If what I allege spective volume in the series, but before either<br /> <br /> <br /> ## p. 37 (#59) ##############################################<br /> <br /> THE AUTHOR.<br /> 37<br /> of these there will be published “Our Forests and all times takes extreme pains in revising his<br /> and Woodlands,” by Dr. John Nisbet, who pleads writings, is re-writing part of “Evelyn Innes.”<br /> for more support from the State to enable land.<br /> Mr. William Le Queux calls his forthcoming<br /> owners to form plantations on poor lands and<br /> waste tracts.<br /> story “ An Eye for an Eye,” and the publishers<br /> of Anthony Trollope&#039;s works (which, by the way,<br /> An important scheme for the foundation of an<br /> continue to find a good sale) have formally per-<br /> international association of the principal scientific mitted the use of this title. On the subject of<br /> and literary academies of the world is reported by duplicate titles, Mrs. Roy Devereux has been<br /> the London correspondent of the Manchester writing in the Academy with reference to her<br /> Guardian. It provides for the division of the book, «Sidelights on South Africa,” having been<br /> association into two sections, “scientific ” and followed in a few months by one by Lady Sykes,<br /> “ literary” respectively, and is the outcome of a entitled “Sidelights on the War in South Africa.&quot;<br /> meeting of the representatives of the chief Euro. Mrs. Roy Devereux states that several cases have<br /> pean and American academies held at Wiesbaden been reported to her in which readers who asked<br /> in October last. “The Royal Society, which has for her book were supplied with that of Lady<br /> taken a leading part in the promotion of the Sykes.<br /> scheme, will naturally represent this country in<br /> Among the newer guide-books “ Paris in its<br /> the scientific section, and steps are being taken<br /> with a view to securing an adequate representa-<br /> Splendour,&quot; by Eustace A. Reynolds-Ball, must<br /> tion in the second section.”<br /> *be mentioned. It is a popular study of Paris<br /> past and present, historic and picturesque. It is<br /> Mr. Charles Neufeld, the “prisoner of the illustrated by sixty studies in photogravure, and<br /> Khalifa,” is writing a story of adventure for<br /> it contains 580 pages, in two volumes priced at<br /> boys, based on his experiences in Egypt.<br /> one guinea, and published by Dana Estes and Co.,<br /> Mr. Walter Winans is writing a book-an Boston.<br /> édition de luxe—on the art of revolver shooting, “The Mystic Number 7,” by Annabel Gray,<br /> which will be published by Messrs. Putnam. the publication of which was delayed on account<br /> Mr. Cutcliffe Hyne&#039;s letter to The Author of the war, is now at all the libraries and pub-<br /> suggesting to novelists to combine in producing a<br /> lished by Messrs. Simpkin, Marshall and Co.<br /> book which should be sold on behalf of the War Mr. Thomas Cobb bas in the press a novel<br /> Fund has come to fruition. The volume is entitled “ Severance,&quot; which will be published by<br /> entitled “ For Britain&#039;s Soldiers,&quot; and contains Mr. John Lane. He has also almost ready “ The<br /> stories by Mrs. Croker, Mr. W. L. Alden, Sir Bountiful Lady,&quot; to appear as one of Mr. Grant<br /> Walter Besant, Mr. Crockett, Mr. Hornung, Mr. . Richards&#039;s “ Dumpy Books for Children.” “The<br /> Hyne, Mr. Kipling, Mr. Mason, Mr. Moore, Mr. Dissemblers,&quot; from the same pen, will form a part<br /> Pemberton, Mr. Roberts, Mr. Ridge, Mr. Wells, of Lippincott&#039;s Magazine for September.<br /> Mr. White, and Mr. Wood. It will be published<br /> immediately by Messrs. Methuen, whose services<br /> H.R.H. The Prince of Wales has accepted a<br /> copy of the “Handbook to Christian and Eccle-<br /> also are given by way of a contribution to the<br /> siastical Rome”-third volume, “Monasticism, and<br /> same patriotic cause.<br /> Ecclesiastical Rome” (A. and C. Black), by<br /> Sir George Trevelyan is editing the diary of M. A. R. Tuker and Hope Malleson. Part 4<br /> Lord Macaulay.<br /> (Monasticism) contains an account of the order<br /> Mr. Maurice Hewlett&#039;s new novel is to be called of St. John of Jerusalem, of which H.R.H. is<br /> “ Richard Yea and Nay.”<br /> Grand Prior in England and of which the first-<br /> Sir Walter Besant&#039;s new novel is entitled named author is a member.<br /> “The Fourth Generation.” After appearing as a Among many articles and stories of special<br /> serial it has been partly rewritten and enlarged interest to be published in the August issue of<br /> for publication in book form in September or The Argosy, a short story is included from the<br /> October.<br /> pen of the late Mr. Stephen Crane.<br /> Mr. Neil Munro is writing a new novel, which The first thing which the author of “ To Have<br /> will be published by Messrs. Blackwood, but will and to Hold” ever wrote for publication is said<br /> not run serially.<br /> to have been a little account of a roadside meeting<br /> Mr. George Moore&#039;s new story will be called with Queen Victoria in the south of France.<br /> “Sister Teresa,&quot; and it will have a certain connec- Professor Owen Edwards has completed his<br /> tion with his last work, “Evelyn Innes.” The volume on Wales for “ The Story of the Nations&quot;<br /> chief subject is convent life. Mr. Moore, who at series.<br /> <br /> <br /> ## p. 38 (#60) ##############################################<br /> <br /> 38<br /> * THE AUTHOR.<br /> Mr. Herman Merivale has been granted a Civil<br /> List pension.<br /> “The Casino Girl,&quot; a comic opera, written by<br /> Mr. Harry B. Smith, and composed by Mr.<br /> Ludwig Englander, is the American “success&quot;<br /> which is now taking the place of “An American<br /> Beauty” at the Shaftesbury. The scene is laid<br /> in Egypt, and one of the characters represents<br /> the Khedive. The title róle is held by Miss<br /> Mabelle Gilman, a singer and dancer whom<br /> London sees for the first time.<br /> Miss Julia Neilson&#039;s season at the Haymarket<br /> will open on Aug. 30, when she and Mr. William<br /> Mollison will produce “Mistress Nell Gwynne,&quot;<br /> a new play by Paul Koster. The part of<br /> Charles II. will be taken by Mr. Fred Terry.<br /> A new play called “The Great Philanthropist,&quot;<br /> by Miss Gertrude Warden and the late Mr.<br /> Wilton Jones, will be produced at the Strand on<br /> July 16, by way of celebrating Mr. Sidney<br /> Alport&#039;s return from Australia. Miss Kate<br /> Rorke and Mr. Abingdon will be in the cast.<br /> The “ Pirates of Penzance&quot; is being revived<br /> at the Savoy.<br /> Mrs. Patrick Campbell will produce in the<br /> autumn an adaptation of Echegary&#039;s play, trans-<br /> lated by Mr. J. M. Graham, and adapted by Mr.<br /> Arthur Symons, entitled “Mariana.”<br /> Mr. Robert Marshall has written a play for<br /> Mr. Frederick Harrison and Mr. Cyril Maude.<br /> It will touch the events of the South African<br /> war.<br /> of one of the most remarkable figures of the day.”<br /> “ Interesting and historically important,” is the Daily<br /> Telegraph&#039;s opinion of the speeches. The Daily News says<br /> “ Vindex” is obviously an admirer of Mr. Rhodes, but &quot; the<br /> book should be equally welcome to those who do not and<br /> those who do share his admiration.”<br /> THE GENTLEMAN PENSIONER, by Albert Lee (Pearson,<br /> 68.), is a bistorical romance dealing with the rising of the<br /> Nortbern Lords in Elizabeth&#039;s days. The Spectator says :<br /> “Mr. Lee cleverly varies the adventures, and his story is<br /> something more than readable.” British Weekly describes<br /> it as “a powerful and abeorbing story, full of delicate<br /> writing, without weakness or a touch of affectation . . .<br /> a really excellent bit of historic fiction. Graphic says:<br /> “Mr. Lee has made the most of his study of bulldog<br /> tenacity and fidelity.” Scotsman describes the story as “ a<br /> very successful attempt to deal with an interesting episode<br /> in English history.&quot; The World: “Those who enjoy<br /> historical romance will find this an excellent specimen of<br /> the class to which it belongs.&quot;<br /> HISTORY OF EPIC POETRY, by John Clark (Oliver and<br /> Boyd, Edinburgh, 58.), is referred to by the Spectator as<br /> &quot;a very instructive volume, especially in respect of various<br /> poems wbich are often spoken of, but very seldom read. Mr.<br /> Clark has had the patience to deal with Valerius Flaccus<br /> and Statius, and, what is a far greater achievement, Silius<br /> Italicas himself.” “He limits his subject on his title-page<br /> to .post-Virgilian,&#039; bat he has something to say about both<br /> Homer and Virgil that is worth reading. The defence of<br /> Virgil, in particular, is distinctly able. The book, as a<br /> whole, is an addition of value to the literature of criticism.&quot;<br /> CHARLES HENRY PEARSON, Fellow of Oriel and Educa.<br /> tion Minister in Victoria : Memorials by Himself, his Wife,<br /> and his Friends, edited by William Stebbing (Longmans,<br /> 148.), “ one of the most interesting of recent biographies”<br /> (Literature), is a “deeply interesting work,&quot; says the<br /> Spectator; it “supplies a want, and we are grateful to Mrs.<br /> Pearson and to Mr. Stebbing for presenting us with a true<br /> portrait of Charles Henry Pearson.” The Daily Chronicle<br /> (Hon. Alfred Deakin) says the volume will leave the reader<br /> with “ a profound admiration” for the man it commemo.<br /> rates.<br /> A HISTORY OF GREECE, by Evelyn Abbott, M.A., LL.D.<br /> (Longmans, 108. 6d.). Part III. : From the Thirty Years&#039;<br /> Peace to the Fall of the Thirty at Athens, 445.403, B.C.<br /> “ The first volume of Dr. Abbott&#039;s History was published<br /> in 1888, and another volume is wanting to complete the<br /> purpose ; 80 that we have here,&quot; says the Spectator, “a<br /> leisurely, well-considered work, which has occupied the<br /> better part of two decades. The author&#039;s aim is to provide<br /> a history in moderate compass dealing with broad lines of<br /> development rather than minuto archeological questions.<br /> It is a book of a different class from Holm&#039;s brilliant work ;<br /> for one thing, it considers the great texts more in detail,<br /> giving four volumes to his two. .. It is free from<br /> the wordy platitudes of Curtius, and it is fairer and more<br /> scientific than the many volumes of Grote and Thirlwall.<br /> In certain ways it resembles Beloch&#039;s compendium, but it<br /> has many qualities of its own. It is extremely readable,<br /> and in the simple, anrhetorical style there is often a genuine<br /> enthusiasm and appreciation.”<br /> THINGS SEEN : IMPRESSIONS OF MEN, CITIES, AND<br /> Books, by G. W. Steevens, collected and edited by G. S.<br /> Street, with a memoir by W. E. Henley (Blackwood, 58.).<br /> “Quite apart from the tragic circumstances of Mr.<br /> Steevens&#039;s death,” says the Spectator, “the energy and<br /> versatility displayed in the aureum quinquennium which<br /> succeeded an exceptionally brilliant academic career, and<br /> BOOKS AND REVIEWS.<br /> (In these columns notes on books are given from reviews<br /> which carry weight, and are not, so far as can be learned,<br /> logrollers.)<br /> GRANT ALLEN, A Memoir, by Edward Clodd (Richards,<br /> 68.) is, says the Daily Chronicle, &quot;authoritative in many<br /> ways. It has the authority of a long and intimate friend.<br /> ship with its subject; it has, too, the authority of kinship<br /> in studies pursued in much the same spirit, and certainly to<br /> similar conclusions.” “Mr. Clodd does a real service to his<br /> friend&#039;s memory in publishing letters which show how the<br /> very makers of evolutionary sciences regarded Grant Allen.&quot;<br /> The book also contains some of Grant Allen&#039;s letters,<br /> though he was “not a great writer of letters,&quot; and two of the<br /> dearest of his friends “add greatly to the value” of the<br /> book by “vividly-written reminiscences : Miss Alice Bird<br /> and Professor York Powell.”<br /> CECIL RHODES, by Vindex (Chapman, 128. net), is &amp;<br /> collection of speeches made by Mr. Rhodes from 1881 to<br /> the present year. The Times says these give“ an extremely<br /> interesting view ” of the development of contemporary<br /> history in South Africa, with “characteristic bits of self-<br /> revelation which, when the speeches are read together as a<br /> whole, leave a tolerably vivid impression of the personality<br /> <br /> <br /> ## p. 39 (#61) ##############################################<br /> <br /> THE AUTHOR.<br /> 39<br /> the charm of his personality, the pablication of these stray<br /> papers, edited by two intimate friends, is entirely justified<br /> by their intrinsic merits.&quot;<br /> THE EVOLUTION OF THE ENGLISH NOVEL, by Professor<br /> Francis Hovey Stoddard (of New York University) (Mac-<br /> millan, 68.), is praised by the Daily Chronicle as “ not only<br /> well-written and well-informed, but also marked throughout<br /> by measured judgment, proportion, and a certain dignity of<br /> attitude and expression.” The Daily News calls it &quot;an<br /> interesting book on a pleasant sabject.”<br /> DRIFT, by Horatio F. Brown (Richards, 58. net), is a<br /> volume of poems. The Spectator says that &quot; what strikes<br /> the reader most in Mr. Brown&#039;s verse is his feeling for and<br /> power of transmitting the charm of natural scenery. His<br /> verse is full of rhythm and shows a nice and scholarly use<br /> of language, bat beyond this there is what we may term an<br /> hieracchic knowledge of invoking the genius loci, whether<br /> he is dealing with England, Switzerland, or Italy. ..<br /> The glimpses we get of hedgerows, of pine-clad mountain<br /> slopes, or of windy wastes of inland waters are generally<br /> incidental and unpremeditated.&#039;<br /> THE ART AND CRAFT OF GARDEN MAKING, by Thomas<br /> H. Mawson (Batsford, 218.), is not only “excellent to read and<br /> look at—the pictures with which it is embellished are without<br /> exception delightful—but it is,” says the Spectator, “full of<br /> practical suggestions for those who wish to lay out a<br /> beautiful garden.” “Just at first,&quot; says Literature, “ the<br /> beauty of the designs and the great charm of Mr. Chamber-<br /> lain&#039;s chapter-headings threaten to deflect the mind of the<br /> reader from the wise things in the text, but this is only at<br /> first.” The Times says “Mr. Mawson has plenty of ideas<br /> and a very pretty taste&quot;; and the Daily Chronicle is equally<br /> appreciative.<br /> VILLAGE NOTES, by Pamela Tennant (Heinemann, 6s.),<br /> bas, says the Daily Telegraph, &quot;all the charm of the quaint<br /> and primitive country she describes--South Wiltshire,<br /> with its patient, slow-witted, but intelligent rustics, and<br /> its rare provincialisms of speech.” “ It is pleasant,” says<br /> the Daily Chronicle, &quot; to those loving Nature, who yet do<br /> not write about her, to find her approached in such a manner<br /> as Mrs. Tennant&#039;s.”<br /> NATURE IN DOWNLAND, by W. H. Hadson (Longman,<br /> 108. 6d.), is described by Literature as &quot;a guidebook in the<br /> sense that it reveals to you not the most interesting spots<br /> and the exact turnings to take in reaching them, but the<br /> trae beauty of the Sussex Downs, and the charm of the<br /> human and of the wild life which inhabits them.”<br /> HIGHWAYS AND BYWAYS IN NORMANDY, by Percy<br /> Doarmer, with illustrations by Joseph Pennell (Macmillan,<br /> 68.), leads the Daily Chronicle to say : “If not too soon to<br /> think of summer holidays, here is a book to send the fancy<br /> toward a very pleasant land of travel.” Literature says it<br /> “ will take a high place” in Messrs. Macmillan&#039;s series of<br /> guide books, while the Spectator advises &quot;all travellers in<br /> Normandy, and especially all cyclists,” to read Mr.<br /> Dearmer&#039;s book before they leave England.<br /> TALKS WITH OLD ENGLISH CRICKETERS, by A. W.<br /> Pullin (&quot; Old Ebor&quot;) (Blackwood, 68.), “is crammed with<br /> matter of the greatest interest to all who take delight in<br /> the game and the lore of cricket.&quot; Among the veterans<br /> with whom the reader is able to talk familiarly are V. E.<br /> Walker and Richard Daft.<br /> TRAVELS IN ENGLAND, by Richard Le Gallienne<br /> (Richards, 68.), is “peripatetic prose,” in the language of<br /> the Daily Chronicle, which thanks the bicycle &quot; for having<br /> taken Mr. Le Gallienne on a roving tour through the green<br /> places of England, odorous with the memory of sweet<br /> names.” “Mr. Le Gallienne is peculiarly rich in suggestion,<br /> and as a &#039; Voyage autour de ma chambre&#039; may be more<br /> interesting than a journey to the moon, so are these<br /> desultory rides on a bicycle quite independent for their<br /> interest of the ground covered.”<br /> &quot;A PEEP INTO Punch,” by J. Holt Schooling (Newnes,<br /> 58.), is the “Story of Punch, with illustrations by Himself.&quot;<br /> * Altogether,” says the Spectator, “this is a delightfully<br /> amusing book by one who knows his subject.” The Daily<br /> Chronicle describes it as excellent for a lazy summer day.<br /> · THE HOUSING QUESTION, by Alfred Smith, late<br /> Chairman of the Housing Committee, L.C.C.(Swan Sonnen-<br /> schein). “Mr. Smith,” says the Guardian, “writes as<br /> an expert and with the authority of one. This little book<br /> contains an admirably clear statement of all the aspects of<br /> housing the poor so far as that question affects London ;<br /> and, though other towns suffer from the evils of overcrowding,<br /> London suffers from them to a degree and extent which no<br /> other city can approach. The second section sets out in an<br /> impressive form the vast dimensions which this evil has -<br /> attained in London.”<br /> LOVE AND MR. LEWISHAM, by H. G. Wells (Harper,<br /> 68.), will be considered by many, says the Daily Telegraph,<br /> “the most fascinating piece of work he has done.&quot; Mr.<br /> Wells portrays the life of the fifth-rate assistant master.<br /> “It is wonderfully well done,” says the Daily Chronicle.<br /> “The descriptive pages are charming, the dialogue real and<br /> bright.” “The element of irresponsible gaiety which<br /> animated “The Wheels of Chance,&#039;” says the Spectator, “ is<br /> here replaced by a more consistently serious outlook on the<br /> struggle for existence that goes on in the humbler ranks of<br /> the teaching profession.” “The bandful of vivid human<br /> figures belong,” says Literature, “ to a great extent, to the<br /> world of South Kensington students, and into that often<br /> purposeless and sordid background Mr. Wells weaves the<br /> poetry of life and the beauty of human love.&quot;<br /> JAN OXBER, by Orme Agnas (Ward, Look, and Co.,<br /> 38. 6d.), is a series of stories dealing with West of<br /> England villagers. Mr. Agous, says the Daily Telegraph,<br /> “has achieved a remarkable task in reproducing not only<br /> the superficial life of the west country village, but the actual<br /> workings of the rustic mind. Jan Oxber is a very striking<br /> oharacter, and his tragic story is told with unforced pathos<br /> and unexaggerated truth.” The Spectator describes it as<br /> Hvigorous,&quot; “ well told,” and “highly entertaining&quot;; and<br /> says that “the author is one of our ablest interpreters of<br /> rural manners.&quot;<br /> UNLEAVENED BREAD, by Robert Grant (Hutchinson, 68.),<br /> is a portrait of a type of American woman. “ Viewed in<br /> the light of a study of character, it would be difficult,” says<br /> the Spectator, &quot; to find a modern novel cleverer than · Un.<br /> leavened Bread.&#039;” The book is divided into three sections.<br /> one for each of Selma&#039;s matrimonial experiments, so that,<br /> says the Literary World, it is “ three moderately long stories<br /> rather than a novel. It is well written, and the characters<br /> succeed in making us accept them as reasonable human<br /> beings.”<br /> BLACK HEART AND WHITE HEART, and Other Stories,<br /> by H. Rider Haggard (Longmans, 68.), are stories of Zulus<br /> and Central Africa. The Daily Chronicle heads its notice<br /> of the yolume : “Mr. Haggard in his True Vein.” “Black<br /> Heart and White Heart,&quot; the tale from which the volume<br /> takes its name, is, says the Spectator, “quite in Mr. Hag.<br /> gard&#039;s most vigorous and effective manner.&quot;<br /> THE ACCUSED PRINCESS, by Allen Upward (Pearson,<br /> 68.), belongs, in the opinion of Literature, &quot;to the class con-<br /> ventionally known as &#039;readable.&#039;” . The author “makes a<br /> <br /> <br /> ## p. 40 (#62) ##############################################<br /> <br /> 40<br /> THE AUTHOR.<br /> new departure, and follows in the footsteps of Sherlock<br /> Holmes. His book relates the mystery of the ruby of<br /> Bharani, one of the sacred stones of India and the property<br /> of the British Crown. It tells how the gom was brought<br /> over to Europe to be sold, and how it disappeared and was<br /> subsequently recovered with the help of an English detec-<br /> tive.&quot; The Daily Chronicle finds the story “good and<br /> ingeniously worked-out.” “Mr. Upward&#039;s characters are<br /> quite alive, and the accused princess quite charming.&quot;<br /> THE CHICAMON STONE, by Clive Phillipps-Wolley (Smith,<br /> Elder, and Co., 68.), &quot; is much more than a story for boys,&quot;<br /> says the Spectator, “though by its wealth of incident and<br /> is wealth of incident and<br /> its crazy athleticism ... it will appeal with peculiar<br /> force to the javenile reader. Mr. Phillipps-Wolley is a<br /> poet as well as a sportsman; he has a keen sense of the<br /> picturesque and the sinster, a happy knack of translating<br /> his impressions into forcible and suggestive language, and a<br /> most artistic touch in the portraiture of villains, whether<br /> of the pale or red-skinned variety.” “It is a delightful<br /> book of stirring adventure,” says the Pilot, “one of the<br /> best we have read for some time. The scene is laid in<br /> Alaska; the Chicamon Stone is a specimen of gold, and the<br /> book tells of the efforts of several people to find the rock<br /> from which the specimen was taken, and so to become<br /> rich. There is no love-making, indeed, there is no woman<br /> in the book; the interest of the wild rough life is the only<br /> interest, but that is sufficient, for there is no want of peril<br /> and of thrilling escapes.”<br /> VOICES IN THE NIGHT, by Flora Annie Steel (Heine-<br /> mann, 68.). “ We cannot better summarise our impressions<br /> of this brilliant but unequal novel,” says the Spectator,<br /> &quot; than by saying we have been fascinated by the native or<br /> bazaar portion of the story and bored by the Anglo-Indian<br /> chapters.&quot;<br /> A LADY OF THE REGENCY, by Mrs. Stepney Rawson<br /> (Hutchinson, 68.), is described by the Pilot as &quot;a very fine<br /> historical picture by an excellent artist. Jane, the girl<br /> whose love affairs, after a bad start, come at last to a happy<br /> end, is the Lady of the Regency in question, but from first<br /> to last Caroline of Brunswick is the real heroine. From the<br /> moment the novel opens up with her playing &#039;blind man&#039;s<br /> buff&#039; in her house at Blackheath, or bidding her guests<br /> * bite off the head of the sugar Prince of Wales,&#039; her figure<br /> is thrown on the canvas with masterly art.&quot;<br /> his “Notes on Sport and Travel,” published a few<br /> months ago. The news of Miss Kingsley&#039;s death<br /> came as a great shock to her many friends in this<br /> country. She was about thirty-five years of age.<br /> MR. STEPHEN CRANE died at Baden-weiler,<br /> Baden, on June 5, aged thirty years. Of his<br /> work as author and war correspondent, the most<br /> distinguished is “ The Red Badge of Courage,”<br /> published four years ago. As a detailed study<br /> (in the form of romance) of the development of<br /> a raw recruit in the American Civil War under<br /> the fire of the enemy, it was remarkable in that<br /> the author had<br /> the author had not up to that time had any real<br /> experience of what he so realistically described.<br /> Next in importance comes his “ The Open Boat,&quot;<br /> a sketch of the wreck of a filibuster on the<br /> Florida coast. Mr. Crane also wrote verse. He<br /> was in the Cuban campaign as a correspondent,<br /> and before the illness which has cut him off he<br /> was writing some sketches of his Army experi-<br /> ences before Santiago. He was also to proceed<br /> to St. Helena on a commission for a London<br /> daily. A volume of short stories, which will<br /> probably be called “Wounds in Rain,&quot; and a<br /> novel of adventure are among his literary<br /> remains.<br /> The death-roll of the month also includes the<br /> Rev. J. M. RODWELL, the Orientalist, who trans-<br /> lated the Koran about forty years ago ; Mr. H. R.<br /> FRANCIS (89), author of &quot;Junius Revealed by his<br /> Surviving Grandson,” and an authority on the<br /> literature of angling; Mr. D. D. WELLS, the<br /> young American novelist, author of “Her Lady-<br /> ship&#039;s Leopard,” &amp;c.; and Dr. T. H. RAND (New<br /> Brunswick), whose“ Treasury of Canadian Verse”<br /> has lately been published by Messrs. Dent in this<br /> country.<br /> -<br /> OBITUARY.<br /> * THE AUTHOR.”<br /> SCALE FOR ADVERTISEMENTS.<br /> M HE death of Miss Mary KINGSLEY, the<br /> distinguished African traveller, was<br /> announced by a telegram from Cape Town<br /> on June 4. She was on her way to West Africa<br /> to study the fish fauna of the country. Daughter<br /> of Dr. George Kingsley and niece of Charles and<br /> Henry Kingsley, her name first gained prominence<br /> three years ago with the publication of “ Travels<br /> in West Africa, Congo Français, Corisco, and<br /> Cameroons.” Her second volume, “South<br /> African Studies,&quot; was published at the beginning<br /> of last year, and eight months ago she wrote a<br /> little volume on South Africa for the “Story of<br /> the Empire” series. 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