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443	https://historysoa.com/items/show/443	The Author, Vol. 03 Issue 05 (October 1892)	<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Author%3C%2Fem%3E%2C+Vol.+03+Issue+05+%28October+1892%29"><em>The Author</em>, Vol. 03 Issue 05 (October 1892)</a>											<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Publication">Publication</a>	1892-10-01-The-Author-3-5					149–184																		<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=89&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=3">3</a>											<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=76&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1892-10-01">1892-10-01</a>							5			18921001	Che Mutbor.<br /> <br /> (The Organ of the Incorporated Society of Authors. Monthly.)<br /> <br /> CONDUCTED BY WALTER BESANT.<br /> <br /> <br /> <br /> <br /> <br /> Vou. III.—No. 5.]<br /> <br /> OCTOBER 1, 1892. [PRicE SIXPENCE.<br /> <br /> <br /> <br /> <br /> <br /> CONTENTS.<br /> <br /> PAGE<br /> <br /> YW Warnings ake ae oye ee wo ase ae ae asc Lk<br /> <br /> “— Howto Usethe Society... is as oe oe a woo 152<br /> <br /> 1 The Authors’ Syndicate... cee cae ace A igs we» 152<br /> <br /> ”% Notices... ee ae oa a me can en ee eee ty<br /> <br /> oe “‘AtLast” ... sea a = ons ace as iy wee 154<br /> i) = Literary Property—<br /> <br /> 1.—Lee v. Gibbings. By Sir Frederick Pollock ... me =e 156<br /> <br /> 2.—A Publisher’s Bankruptcy... ... ne we moe we 156<br /> <br /> 3.—The Literary and Artistic Congress... Se ee ans LOT<br /> <br /> 4.—Godfrey v. Bradley ... ws ae es wee =a nee Oe,<br /> <br /> “) Our Critics—The Bookseller and the Globe Sew eee 1<br /> <br /> ‘tT The New Books we oes ae ae oe eae oe sw» 162<br /> <br /> ¥ Notes from Paris. By Robert Sherard ... ae ae eae on 168<br /> <br /> * Notes and News. By the Editor... aes a aus we we 165<br /> <br /> Feuilleton— PAGE<br /> 1.—My First Love ae eis ie é - 168<br /> 2.—‘&#039; What is the use? Said the goose ” He ste say 2109<br /> <br /> The Shelley Centenary. Address by Mr. Edmund Gosse ... wes 140)<br /> <br /> The Institute of Journalists. By James Baker ces mee sts LTD<br /> <br /> Correspondence—<br /> 1.—American Copyright os oes ose see ae aes he<br /> 2.—&#039;&#039; Cataloguing” oan oes ay cae ate one «. 173<br /> 3.—Books for Review ... 73<br /> 4.—The Shelley Memorial F ane was wa 174<br /> 5,—Literature asa Calling ... fe &lt;&lt; ae ree ux lit<br /> 6.—The Civil List = ies oe oe ae scnclts<br /> <br /> ‘At the Author’s Head” ... tte ae aS sas as wee LID<br /> <br /> From the Papers ae an 5 ess -- on oeaed<br /> <br /> New Books and New Editions... site es ee ee oe 416<br /> <br /> <br /> <br /> <br /> <br /> PUBLICATIONS OF THE SOCIETY.<br /> <br /> <br /> <br /> <br /> <br /> 1. The Annual Report. That for January 1892 can be had on application to the Secretary.<br /> <br /> Be 2.<br /> <br /> S 3.<br /> <br /> 1<br /> <br /> ‘8.<br /> <br /> <br /> <br /> The Author, A Monthly Journal devoted especially to the protection and maintenance of Literary<br /> <br /> Property. Issued to all Members.<br /> <br /> The Grievances of Authors. (The Leadenhall Press.) 2s. The Report of three Meetings on<br /> <br /> the general subject of Literature and its<br /> <br /> defence, held at Willis’s Rooms, March, 1887.<br /> <br /> Literature and the Pension List. By W. Morris Couxss, Barrister-at-Law. (Henry Glaisher,<br /> <br /> 95, Strand, W.C.) 3s.<br /> <br /> The History of the Societe des Gens de Lettres. By S. Squire Spricax, late Secretary to<br /> <br /> the Society. Is.<br /> <br /> The Cost of Production. In this work specimens are given of the most important forms of type,<br /> size of page, &amp;c., with estimates showing what it costs to produce the more common kinds of<br /> books. Henry Glaisher, 95, Strand, W.C. 2s. 6d.<br /> <br /> The Various Methods of Publication. By S.<br /> <br /> Squrre Spriear. In this work, compiled from the<br /> <br /> papers in the Society’s offices, the various kinds of agreements proposed by Publishers to<br /> Authors are examined, and their meaning carefully explained, with an account of the various<br /> kinds of fraud which have been made possible by the different clauses in their agreements<br /> <br /> Henry Glaisher, 95, Strand, W.C. 3s.<br /> <br /> Copyright Law Reform. An Exposition of Lord Monkswell’s Copyright Bill now before Parlia-<br /> ment. With Extracts from the Report of the Commission of 1878, and an Appendix<br /> containing the Berne Convention and the-American Copyright Bill. By J. M. Lury. Eyre<br /> <br /> and Spottiswoode. 1s. 6d.<br /> <br /> a<br /> ;<br /> <br /> pe<br /> <br /> <br />  <br /> <br /> ADVERTISEMENTS.<br /> <br /> <br /> <br /> THE<br /> <br /> LINOTYPE GOMMPOSING MACHINE.<br /> <br /> SPECIALLY ADAPTED FOR BOOKWORK.<br /> <br /> <br /> <br /> <br /> <br /> “A MIGHTY BUT PEACEFUL REVOLUTION.”<br /> <br /> OPINIONS OF VARIOUS NEWSPAPERS ON THE LINOTYPE.<br /> <br /> For full List of Experts’ Reports and Opinions apply to the Company’s Secretary for Pamphlet.<br /> <br /> “Tt will do away with type, and composition, and<br /> distribution, as now practised, will be known no more.”—<br /> Manchester Courier.<br /> <br /> “ Saves 70 per cent. in cost of composing, and from three-<br /> fourths to nine-tenths in time.’’—Shefield and Rotherham<br /> Independent.<br /> <br /> “Tt bids fair to revolutionise the present system,<br /> especially of newspaper production, for which it seems<br /> peculiarly well adapted. The instrument is one of the most<br /> beautiful and ingenious pieces of mechanism ever introduced<br /> in connection with the art of printing.” —Scotsman.<br /> <br /> “The absolute saving of distribution, which is reckoned<br /> <br /> as equivalent to one quarter of the cost of composition, is<br /> an important factor in the economy of this machine.<br /> With it comes emancipation from the frequent errors arising<br /> from faulty distribution. To pye matter is impossible.<br /> Unquestionably the most remarkable machine ever invented<br /> in the art of printing.”—The Printers’ Register.<br /> <br /> “Tt stands to reason that an invention that economises as<br /> well as expedites work, without aiming a blow at those who<br /> had previously done without it, must be a success.” —Echo.<br /> <br /> “The rapidity and accuracy of the process impressed Mr.<br /> Gladstone very powerfully, or, as he expressed it himself, it<br /> ‘ staggered’ him.”—Daily Chronicle.<br /> <br /> “ One of the most remarkable machines ever invented.’’—<br /> Engineer.<br /> <br /> “A steam-driven, type-composing and casting machine<br /> which really promises to bring about a revolution in the<br /> <br /> <br /> <br /> composing-rooms of newspaper and book printing offices.”<br /> —Home and Colonial Matt.<br /> <br /> * This remarkable invention promises to revolutionise all<br /> <br /> our ideas as to type-setting by machinery. It dispenses —<br /> <br /> with movable type, and substitutes matrices in which the<br /> letters are cast in solid lines.” —Leeds Mercury.<br /> <br /> * One of the most remarkable labour-saving Machines<br /> <br /> ever devised in an age remarkable for such inventions.” —<br /> <br /> —Western Mail (Cardiff).<br /> <br /> “The work never stops, line after line is added with<br /> astonishing smoothness and regularity.” —Newcastle Daily<br /> Chronicle.<br /> <br /> “Has come into existence to create amazement, where<br /> surprise hitherto found a home.<br /> <br /> “The Linotype, to be brief, is a machine which does away<br /> with the present expensive and slow method of type-setting.<br /> It performs all the work of a compositor antomatically, with<br /> greater precision and with far more rapidity. The most<br /> important feature of the patent, however, lies in the<br /> enormous saving it effects in the cost of setting, while a no<br /> less startling fact is that the labour of ‘ distributing,’ or the<br /> putting of the type back into cases, is dispensed with.’—<br /> Admiralty and Horse Guards Gazette.<br /> <br /> “ Printing without types. A marvellous machine that<br /> makes fresh types for every line. The advance of<br /> industrial science is so rapid that this machine must, sooner<br /> or later, come into extensive use.’’—Evening News and Post<br /> (London).<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> Pa<br /> <br /> <br /> <br /> THE ECONOMIC PRINTING &amp; PUBLISHING CO. LIMITED, ©.<br /> <br /> 39, BOUVERIE STREET, FLEET STREET, E.C.,<br /> <br /> Having acquired the monopoly of Linotype Machines in London (excepting Newspaper Offices), are<br /> in a position to quote decidedly advantageous Prices to Authors for the Composition of Books by<br /> <br /> Linotype, and also undertake the Printing, being well equipped with Printing Machinery by the<br /> best makers.<br /> <br /> <br /> <br /> <br />  <br /> <br /> Che<br /> <br /> Flutbor.<br /> <br /> (The Organ of the Incorporated Society of Authors.<br /> <br /> Monthly.)<br /> <br /> CONDUCTED BY WALTER BESANT.<br /> <br /> <br /> <br /> <br /> <br /> Vou. IIl.—No. 5.]<br /> <br /> OCTOBER 1, 1892.<br /> <br /> [PRicE SIXPENCE.<br /> <br /> <br /> <br /> <br /> <br /> \\ For the Opinions expressed in papers that are<br /> <br /> oo os<br /> <br /> [<br /> <br /> <br /> <br /> signed or initialled the Authors alone are<br /> responsible.<br /> <br /> WARNINGS.<br /> <br /> a<br /> <br /> Sprcian Warnine. — Readers are most<br /> URGENTLY warned not to neglect stamping their<br /> agreements immediately after signature. If this<br /> precaution is neglected for three weeks, a fine of<br /> £10 must be paid before the agreement can be<br /> used as a legal document. In almost every case<br /> brought to the secretary the agreement, or the<br /> letter which serves for one, is without the stamp.<br /> The author may be assured that the other party<br /> to the agreement never neglects this simple pre-<br /> caution. The stamp duty varies from 6d. up to<br /> ros. or more, according to the form of agreement.<br /> The Society, to save trouble, undertakes to get<br /> all the agreements of members stamped for them<br /> at no expense to themselves except the cost of the<br /> stamp.<br /> <br /> Reavers of the Author are earnestly desired to<br /> make the following warnings as widely known as<br /> possible. They are based on the experience of<br /> seven years’ work upon the dangers to which literary<br /> property is exposed :—<br /> <br /> (1.) Never sign any agreement of which the<br /> alleged cost of production forms an<br /> integral part, until you have proved the<br /> figures.<br /> <br /> (2.) Never enter into any correspondence with<br /> publishers, especially with those who<br /> advertise for MSS., who are not recom-<br /> mended by experienced friends or by this<br /> Society.<br /> <br /> VOL. III,<br /> <br /> (3.) Nuver, on any account whatever, bind<br /> yourself down for future work to any-<br /> one.<br /> <br /> (4.) Never accept any proposal of royalty<br /> until you have ascertained what the<br /> agreement, worked out on both a small<br /> and a large sale, will give to the author<br /> and what to the publisher.<br /> <br /> (5.) Never accept any pecuniary risk or respon-<br /> sibility whatever without advice.<br /> <br /> (6.) Nuver, when a MS. has been refused by<br /> respectable houses, pay others, whatever<br /> promises they may put forward, for the<br /> production of the work.<br /> <br /> (7.) Never sign away American rights. Keep<br /> them, Refuse to sign any agreement<br /> containing a clause which reserves them<br /> for the publisher. If the publisher<br /> insists, take away the MS. and offer it<br /> to another.<br /> <br /> (8.) Never sign any paper, either agreement<br /> or receipt, which gives away copyright,<br /> without advice.<br /> <br /> (9.) Keep control over the advertisements, if<br /> they affect your returns, by clause in the<br /> agreement. Reserve a veto. If you are<br /> yourself ignorant of the subject, make<br /> the Society your adviser.<br /> <br /> (10.) Never forget that publishing is a busi-<br /> ness, like any other business, totally un-<br /> connected with philanthropy, charity, or<br /> pure love of literature. You have to do<br /> with business men.<br /> <br /> Society’s Offices :—<br /> 4, Portuaat Srreet, Lincouy’s Inn Freups.<br /> <br /> <br /> <br /> ey<br /> <br /> <br /> <br /> mM 2<br /> <br /> <br />  <br /> <br /> HOW TO USE THE SOCIETY.<br /> <br /> <br /> <br /> 1. Every member has a right to advice upon<br /> his agreements, his choice of a publisher, or any<br /> dispute arising in the conduct of his business or<br /> the administration of his property. If the advice<br /> sought is such as can be given best by a solicitor,<br /> the member has a right to an opinion from the<br /> Society’s solicitors. If the case is such that<br /> counsel’s opinion is desirable, the Committee will<br /> obtain for him counsel’s opinion. All this with-<br /> out any cost to the member.<br /> <br /> 2. Remember that questions connected with<br /> copyright and publishers’ agreements are not<br /> generally within the experience of ordinary<br /> solicitors. Therefore, do not scruple to use the<br /> Society first—our solicitors are continually<br /> engaged upon such questions for us.<br /> <br /> 3. Send to the office copies of past agreements<br /> and past accounts with the loan of the books repre-<br /> sented. This is in order to ascertain what has<br /> been the nature of your agreements and the<br /> results to author and publisher respectively so<br /> far. The secretary will always be glad to have<br /> any agreements, new or old, for inspection and<br /> note. The information thus obtained may prove<br /> invaluable.<br /> <br /> 4. If the examination of your previous business<br /> transactions by the Secretary proves unfavour-<br /> able, you should take advice as toa change of<br /> publishers.<br /> <br /> 5. Before signing any agreement whatever,<br /> send the proposed form to the Society for<br /> examination.<br /> <br /> 6. The Society is acquainted with the methods,<br /> and—in the case of fraudulent houses—the tricks,<br /> of every publishing firm in the country.<br /> Remember that there are certain houses which live<br /> entirely by trickery.<br /> <br /> 7. The outward and visible signs of the<br /> fraudulent publisher are—(1) a virtuous and<br /> benevolent wish to have the unquestioned conduct<br /> of your business left entirely in his hands; (2) a<br /> virtuous, good man’s pain at being told that his<br /> <br /> accounts must be audited; (3) a virtuous indig- ~<br /> <br /> nation at being asked what his proposal gives<br /> him compared with what it gives the author;<br /> and (4) irrepressible irritation at any mention of<br /> the Society of Authors.<br /> <br /> 8. Remember always that in belonging to the<br /> Society you are fighting the battles of other<br /> writers, even if you are reaping no benefit to<br /> yourself, and that you are advancing the best<br /> interests of literature in promoting the inde-<br /> pendence of the writer.<br /> <br /> 152 THE AUTHOR.<br /> <br /> <br /> <br /> 9. Send to the Editor of the Author notes of —<br /> everything important to literature that you may<br /> hear or meet with.<br /> <br /> eee<br /> <br /> THE AUTHORS’ SYNDICATE.<br /> <br /> <br /> <br /> R. Colles desires to inform readers of the —<br /> Author—<br /> <br /> 1. That the Authors’ Syndicate is now in a<br /> <br /> position to take charge in whole or in part<br /> <br /> of the business of members of the Society, _<br /> <br /> With, when necessary, the assistance of 2<br /> <br /> the advisers of the Society, it will conclude<br /> agreements, collect royalties, examine and<br /> pass accounts, and, generally, relieve mem-<br /> bers of the trouble of managing business<br /> details. All accounts opened between<br /> <br /> the Syndicate and members are duly 4<br /> <br /> audited.<br /> 2. That the establishment expenses of the<br /> <br /> Authors’ Syndicate are defrayed entirely | ;<br /> out of the commission charged on rights<br /> <br /> placed through its intervention. This<br /> varies, and must vary, according to the<br /> nature of the services rendered, but the<br /> charges are reduced to the lowest —<br /> possible amount compatible with effi-<br /> ciency. Meanwhile members will please<br /> accept this intimation that they are not<br /> entitled to the services of the Syndicate<br /> gratis.<br /> <br /> 3. That he undertakes to work for none but<br /> members of the Society.<br /> <br /> 4. That his business is not to advise members<br /> of the Society, but to manage their affairs<br /> for them if they please to entrust them<br /> to him.<br /> <br /> 5. That when he has any work in hand he<br /> must have it entirely in his own hands;<br /> in other words, that authors must not<br /> ask him to place certain work, and then<br /> go about endeavouring to place it by<br /> themselves.<br /> <br /> 6. That when a MS. has been sent from pub-<br /> lisher to publisher, and from editor to<br /> editor, in vain, it is most likely impossible<br /> to place it.<br /> <br /> 7. That in the face of the present competition,<br /> authors will do well to moderate their<br /> expectations.<br /> <br /> There is an Honorary Advisory Committee<br /> <br /> whose services will be called upon in any case o<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> THE<br /> <br /> J} dispute or difficulty. It is perhaps necessary to<br /> state that the members of the Advisory<br /> -- Committee have no pecuniary interest whatever<br /> = in the Syndicate.<br /> <br /> To this it may be added, that where advice is<br /> », sought, the Secretary of the Society, and not the<br /> ‘© Syndicate, must be consulted.<br /> <br /> Pee<br /> <br /> NOTICES.<br /> <br /> <br /> <br /> 1 HE Editor of the Author begs to remind<br /> members of the society that, although the<br /> paper is sent to them free of charge, the<br /> <br /> » cost of producing it would be a very heavy<br /> <br /> , charge on the resources of the society if a great<br /> <br /> * many members did not forward to the secretary<br /> <br /> * the modest 6s. 6d. subscription for the year.<br /> <br /> | Perhaps this reminder may be of use. With<br /> <br /> ’ 800 members, besides the outside circulation of<br /> <br /> } the paper, the Author ought to prove a source<br /> <br /> , of revenue to the society.<br /> <br /> <br /> <br /> The Editor is always glad to receive short<br /> papers and communications on all subjects con-<br /> nected with literature from members and others.<br /> Nothing can do more good to the society than<br /> to make the Author complete, attractive, and<br /> interesting. Will those who are willing to aid<br /> in this work send their names and the special<br /> subjects on which they are willing to write ?<br /> <br /> ed<br /> <br /> All persons engaged in literary work of any<br /> kind, whether members of the Society or not,<br /> are invited to communicate to the Editor any<br /> points connected with their work which it would<br /> be advisable in the general interest to publish.<br /> <br /> <br /> <br /> Members and others who wish their MSS. read<br /> are requested not to send them to the Office with-<br /> out previously communicating with the Secretary.<br /> The utmost practicable despatch is aimed at, and<br /> MSS. are read in the order in which they are<br /> received. It must also be distinctly understood<br /> that the Society does not, under any circum-<br /> stances, undertake the publication of MSS.<br /> <br /> ———&lt; &gt;.<br /> <br /> The Authors’ Club is now opened in temporary<br /> premises, at 17, St. James’s Place, St. James’s<br /> Street. Address the Secretary for information,<br /> rules of admission, &amp;c.<br /> <br /> <br /> <br /> AUTHOR.<br /> <br /> 153<br /> <br /> Will members take the trouble to ascertain<br /> whether they have paid their subscriptions for<br /> the year? If they will do this, and remit the<br /> amount or a banker’s order, it will greatly assist<br /> the Secretary, and save him the trouble of<br /> <br /> sending out a reminder.<br /> <br /> ————<br /> <br /> Those who are elected members during the<br /> last three months of the year are advised that<br /> their subscriptions cover the whole of the follow-<br /> ing year.<br /> <br /> <br /> <br /> Members are most earnestly entreated to attend<br /> to the warning numbered (3). It is a most foolish<br /> and a most disastrous thing to bind yourself to<br /> anyone for a term of years. Let them ask them-<br /> selves if they would give a solicitor the collection<br /> of their rents for five years to come, whatever<br /> his conduct, whether he was honest or dishonest ?<br /> Of course they would not. Why then hesitate<br /> for a moment when they are asked to sign<br /> themselves into literary bondage for three or five<br /> years ?<br /> <br /> soa ——<br /> <br /> How, we are asked almost every day, is the<br /> young writer to make a beginning ? He should<br /> first get’ an opinion from one of the Society’s<br /> readers as to the merits and chances of his book.<br /> It may be that certain points would be suggested<br /> foralteration. It may be that he will find himself<br /> recommended to put his MS. in the fire. He<br /> should, if encouraged, offer his MS. to a list<br /> of houses or of magazines recommended by the<br /> Society. There is nothing else to be done. No<br /> one, we repeat, can possibly help him. If those<br /> houses all refuse him, it is not the least use trying<br /> others, and, if he is a wise man, he will refuse to<br /> pay for the production of his own work. If, how-<br /> ever, as too often happens, he is not a wise man,<br /> but believes that he has written a great thing, and<br /> is prepared to back his opinion to the extent of<br /> paying for his book, then let him place his work<br /> in the hands of the Society, and it shall be<br /> arranged for him without greater loss than the<br /> actual cost of production. At least he will not be<br /> deluded by false hopes and promises which can<br /> end in nothing.<br /> <br /> <br />  <br /> <br /> <br /> <br /> i<br /> :<br /> H<br /> H<br /> ql<br /> <br /> 154 THE<br /> <br /> AT LAST.<br /> <br /> Se<br /> <br /> <br /> <br /> ROM our point of view the heavy sentences<br /> passed during this week by the Common<br /> Serjeant upon Sir Gilbert Campbell and<br /> <br /> Messrs. Morgan, Tomkins, Steadman, Tolmie,<br /> and Clarke, has been most righteously deserved.<br /> For years the man Morgan, generally with the<br /> assistance of Tomkins, has been preying upon<br /> literary and artistic aspirants. Now flattering<br /> their vanity, now abusing their ignorance, and<br /> now appealing to their greed—from which the<br /> literary aspirant is by no means more free than<br /> other people. The method of swindling em-<br /> loyed was always the same. Whether as the<br /> Artists’ Alliance or the Authors’ Alliance, as the<br /> Charing Cross Publishing Company or the City<br /> of London Publishing Company, as Bevington<br /> and Co., or Longman and Co., or, lastly, as the<br /> International Society of Literature, Science, and<br /> Art, the broad plan remained the same. Im-<br /> mense advantages in money or prestige were<br /> offered to painters who could not sell their pic-<br /> tures, to authors who could not find publishers,<br /> to unknown musicians, and to provincial patrons<br /> of letters, if they would join some institution<br /> existing for the purpose of breaking down the<br /> barriers existing between them and the admiring<br /> notice of the world at large.<br /> <br /> The co-operative bodies asked for an entrance<br /> fee and a subscription; the publishing firm went<br /> a little further and asked for manuscripts and<br /> cheques. In no case was anything done in re-<br /> turn forthe payments. Fellowship of the various<br /> alliances brought neither notoriety nor remunera-<br /> tion, and cheques to Bevington and Co. or Long-<br /> ‘man and Co., although cashed by those enter-<br /> prising firms, never resulted in the issue of the<br /> manuscripts. Nor were the manuscripts returned.<br /> We say “at last,” for we have known of the<br /> fraudulent character of the deeds of Morgan and<br /> his companions for years, but have been powerless<br /> to do more in opposition to them than to warn<br /> those who applied to us for advice to beware of<br /> ‘the obvious and various traps. Now and again<br /> we had détails given to us of some particular<br /> piece of swindling perpetrated by Bevington and<br /> Co., or by The City of London Publishing Com-<br /> pany, but we were always strictly enjoined by the<br /> swindled parties to preserve their names a secret.<br /> As, also, it is our experience that this sort of<br /> rogue never has any money at all that. can be<br /> recovered from him, we could hardly recommend<br /> our members to prosecute, thereby to reveal<br /> themselves as dupes at the expense of their own<br /> purses. In 1890 there was started the Inter-<br /> national Society of Authors with Sir Gilbert<br /> <br /> AUTHOR.<br /> <br /> ‘Publication and’ Perforniance dof Fellows’ ‘and Members’<br /> <br /> <br /> <br /> Campbell for chairman and William James | |<br /> Morgan as curator. The country was flooded 4% |.<br /> with the following prospectus—we omit the<br /> names of the Assistant Secretaries and the<br /> “ Councillors” :—<br /> <br /> THE INTERNATIONAL SOCIETY of LITERATURE,<br /> SCIENCE, AND ART, in connection with THE ARTISTS’<br /> ALLIANCE.—Instituted a.p. 1889, under Act of Parlia-<br /> ment 17 &amp; 18 Vict. cap. 112—-ExEcuTIve Counciz:<br /> Curator, William James Morgan, Esq.; Chairman, Sir G.<br /> Campbell, Bart.; Secretary, William Nathan Stedman,<br /> Esq.; Assistant Secretaries, .... ; CouNcILLORS: Dayid<br /> Tolmie, Esq.,....C. M. Clarke, Esq.,....; CHrer<br /> OrricEs, 20, York Buildings, Adelphi, Strand, W.C.;<br /> Gallery and West End Offices, The Marlborough Gallery,<br /> 39, Great Marlborough Street, Regent Street, W., London.<br /> <br /> The object of this Society is to promote the advancement<br /> of Art, Literature, Science, and Music, and the advantage<br /> of its Fellows and Members.<br /> <br /> <br /> <br /> <br /> <br /> The means whereby this object is attainable are :—<br /> <br /> (a) The encouragement of Students and Professors of all<br /> ages and of both sexes in all branches of Art, Literature, § @<br /> Science, or Music (i) by purchasing from or publishing for || -<br /> Fellows and Members the best results of their geniusor = =<br /> their labour; (ii) by the distribution of Prizes; and (iii) by ey<br /> <br /> <br /> <br /> <br /> <br /> affording introductions for the purpose of making a market §9)&quot;<br /> for the sale of Fellows’ and Members’ Pictures and other Art rh<br /> productions, and for the sale, printing, and publication of tog<br /> their Literary and Scientific Works and Musical Com- “ro<br /> <br /> positions.<br /> <br /> (b) The publication of a Magazine devoted to the in-<br /> terests of Art, Literature, Science, and Music, to which<br /> Fellows and Members are invited to contribute. A copy of<br /> the Magazine will be forwarded regularly to each Fellow<br /> and Member, post free.<br /> <br /> <br /> <br /> (c) The enrolment, as Fellows or as Members of the odd<br /> Society, of ladies and gentlemen (in all parts of the world) (bls<br /> who follow for pleasure or for profit the pursuits of Art, ot<br /> Literature, Science, or Music as amateurs or professionals, ale<br /> and, as Honorary Fellows or as Honorary Members, all lig 3<br /> those who sympathise generally with the objects of the ont:<br /> Society.<br /> <br /> Arrangements have been made, upon advantageous térms, Ot<br /> for :—<br /> <br /> I.—The Exhibition and Sale of Pictures and other Works At<br /> of Art executed by Fellows and Members at the Marl- ecg<br /> <br /> borough Gallery, 39, Great Marlborough Street, Regent 38%<br /> Street, W.<br /> <br /> IIl—The Reading, Editing, Purchase, Sale, Printing, and<br /> Publication of Fellows’ and Members’ manuscript contribu-<br /> tions (prose or poetry) in Magazine, and-in Volume or Book<br /> form. oes<br /> <br /> IliIl.—The correction (where necessary), Purchase, Sale,<br /> <br /> <br /> <br /> Musical Compositions. ~ : : :<br /> IV.—The bestowal of Prizes and other rewards for such Aor<br /> <br /> £<br /> Inventions, Productions, and Improvements, as tend to the gilt<br /> employment of the masses, and the increase of trade; : abs<br /> and for meritorious works in all the various departments of 30 &amp;<br /> <br /> the Fine Arts, Literature, and Science.<br /> <br /> Fellows and Members of the Society are invited to make<br /> use of the Rooms of the Society, for the purposes of re-<br /> ceiving or writing letters, making appointments, &amp;c. They<br /> are at liberty to use the offices as a London address, and, if<br /> desired, letters received there for them will be forwarded on<br /> to them by post. It is designed, as soon as is practical, to<br /> largely extend the advantages in this direction, so as<br /> <br /> <br /> |<br /> oh<br /> |<br /> <br /> d<br /> <br /> st ash<br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> to afford Fellows and Members all the privileges of a first<br /> rate London Club.<br /> <br /> Each Fellow will be entitled to a Free Season Pass (trans-<br /> ferable) for himself (or herself) and four friends, admitting<br /> to all the Exhibitions or Bazaars held at the Marlborough<br /> Gallery, and each Member will be entitled to a similar Pass<br /> admitting himself (or herself) and two friends.<br /> <br /> A Register, open at all times to Art buyers, Publishers,<br /> and other employers of artistic, literary, scientific, musical,<br /> or educational labour is kept, and Fellows or Members<br /> desiring remunerative home or other occupation may have<br /> their requirements entered therein free of charge.<br /> <br /> Fellows and members are invited to contribute to the<br /> Journal of the Society, to attend the London and local<br /> conversaziones and soirées, to read papers and to join in the<br /> discussions. When mutually desired, introductions are<br /> given with the view that congenial acquaintanceships and<br /> friendships may be thus induced. Correspondents upon all<br /> subjects connected with literature, the arts, and the<br /> sciences are also introduced to each other in all parts of the<br /> world, who thus by letter interchange information peculiar<br /> to their own spheres.<br /> <br /> No entrance fee is required. The subscription dates<br /> from the time of payment. Ladies and gentlemen actively<br /> engaged in any one or more of the various branches of art,<br /> literature, science, or music are eligible for election as<br /> Fellows, and have diplomas granted to them with the right<br /> of appending the letters F.S.L. to their names. Certificates<br /> of membership (M.S.L.) are also issued.<br /> <br /> The annual subscription as an active or honorary member<br /> is one guinea. This subscription may be compounded for<br /> for a term of five years upon payment of three guineas, or<br /> for life upon payment of seven guineas. The annual sub-<br /> seription as a Fellow is two guineas. This subscription may<br /> be compounded for for a term of five years upon payment of<br /> seven guineas, or for life upon payment of fifteen guineas.<br /> Students under twenty-one years of age are admitted as<br /> Associate Members or Associate Fellows at half fees.<br /> <br /> Form or APPLICATION FOR HONORARY OR ACTIVE<br /> <br /> MEMBERSHIP OR FOR FELLOWSHIP.<br /> <br /> To the Executive Council.— Please enrol me an™<br /> of the International Society of Literature, Science, and Art,<br /> for which I enclose the sum of my + Sub-<br /> scription.<br /> * State here if Active or Honorary Member or Fellow.<br /> +State here if for yearly, for five years, or for life.<br /> <br /> Name in full*<br /> Address<br /> <br /> Ss<br /> <br /> Proposed by<br /> *If a lady, state whether Miss or Mrs.<br /> *.* Cheques and postal orders are to be made payable to<br /> the Curator, Mr. W. J. Morgan. Fellows and members,<br /> whether honorary or active, incur no pecuniary or other<br /> liability beyond the amount of their subscription.<br /> <br /> This precious document was headed by some<br /> hundred names extracted from the Peerage, the<br /> Army List, the “Clerical Directory,” and the lists<br /> of some of the obscurer learned societies, and the<br /> list was a fluctuating one. Many of the names<br /> were placed on the list of the Council of Fellows<br /> without their owners’ sanction, and when with-<br /> drawn were immediately replaced by others<br /> equally euphonious and obtained on equally easy<br /> terms. Many of these victims to their own<br /> importance haying found, from us or from the<br /> <br /> 155<br /> <br /> masterly exposure in Truth, that they were being<br /> used to bolster up a cruel system of theft,<br /> insisted that their names should be withdrawn<br /> from the various compromising documents, but<br /> in most cases they experienced great difficulty in<br /> getting their wishes attended to.<br /> <br /> We were able to warn our members against this<br /> society at once, not only because the nature of<br /> Sir Gilbert Campbell’s institution was revealed<br /> in its prospectus sufficiently to all who know,<br /> but because we were able to trace the connec-<br /> tion between the new swindle and the bye-gone<br /> games of Mr. Morgan as Bevington and Co. and<br /> others. From letters, prospectuses, and docu-<br /> ments in our possession, we knew from the first<br /> that the International Society of Literature,<br /> Science, and Art was deserving of the character<br /> that it has at last obtained, but, save warning all<br /> inquirers, and speaking plainly im the pages of<br /> the Author, we could do nothing. We could<br /> not prosecute, and could find no one willing to<br /> do so.<br /> <br /> Great publicity was, however, let in upon the<br /> character of the association by the case of<br /> Swindells v. Morgan, tried before Mr. Justice<br /> Grantham, in the Queen’s Bench Division, about<br /> a year ago. The society furnished information<br /> that proved invaluable to the plaintiff, and con-<br /> tributed towards the cost of the prosecution, and<br /> Mr. Swindells, the author, recovered five hundred<br /> pounds, which, as it appears, and as might have<br /> been expected, he never cot.<br /> <br /> At last the Public Prosecutor has interfered,<br /> and his interference, although to us it may have<br /> seemed a little unduly deferred, has been attended<br /> with signal success, and was conducted in a@<br /> manner that called for approval both from judge<br /> and public. William James Morgan, the curator,<br /> has received eight years’ penal servitude, and<br /> Tomkins has received five. Sir Gilbert Camp-<br /> bell is sentenced to eighteen months’ hard labour,<br /> and Steadman to fifteen. These people were not<br /> associated with Morgan in his earlier ventures.<br /> Tolmie will be imprisoned for six months, and<br /> Clarke for four.<br /> <br /> It only remains for us to say that our informa-<br /> tion in this important case was placed in the<br /> hands of the Treasury.<br /> <br /> — et 8<br /> <br /> <br />  <br /> <br /> <br /> <br /> 156 THE AUTHOR. -<br /> LITERARY PROPERTY. right matter. Assignors should look carefully | {jj<br /> to their agreements and receipts to see that they (+4).<br /> I do not commit themselves in haste to anything | «a:<br /> ; of this kind. Freperick Poniock, j<br /> <br /> Linn v. GrBpines. : [The statement in the article referred to, that | (a<br /> <br /> DO not agree with Mr. Justice Kekewich’s — the three publishers all abstained from disclaim. |. «<br /> opinion (which was not necessary to the ing the right to alter books as owners of the —/<br /> actual decision) that the author’s cause of copyright, was not advanced as a complaint, but | ji)<br /> <br /> action against an assignee of the copyright who<br /> publishes the work in a mutilated or garbled form<br /> must be libel or nothing. The right to reproduce<br /> a literary work is not the same thing as the right 11.<br /> <br /> as a significant fact.—Ep1ror. |<br /> <br /> <br /> <br /> <br /> <br /> to reproduce disjointed parts of it, or to mix<br /> other matter with it. Whether the omission,<br /> alteration, or addition complained of be such as<br /> substantially to disfigure the work must be a ques-<br /> tion of fact in each case. I can imagine cases<br /> in which the copyright-owner ought to have the<br /> power of alteration, though not without warning.<br /> It is common to sell the copyright of law books,<br /> reserving to the author the option of preparing<br /> new editions as required on specified terms.<br /> What if a new edition is demanded and the<br /> author is unwilling or unable to undertake it ?<br /> It may have become necessary to rewrite whole<br /> pages of the book to bring it into accordance<br /> with the existing state of the law; so that, if the<br /> copyright-owner may not touch the original text,<br /> the copyright will be worthless. I suppose that<br /> similar considerations are more or less applicable<br /> to text-books in other sciences. There is a<br /> further question, but too purely legal to discuss<br /> here, whether the cause of action allowed to be<br /> possible by Mr. Justice Kekewich is not really<br /> in the nature of slander of title rather than libel<br /> proper.<br /> <br /> The condition of literary property may be<br /> chaotic; but the fact that the point in Lee vy.<br /> Gibbings has never been raised before seems rather<br /> to be to the credit of both authors and publishers<br /> than to the discredit of the law.<br /> <br /> T cannot altogether follow the complaint made<br /> in the last number of the Author that the<br /> publishers. quoted by Mr. Lee did not express<br /> any opinion as to the right of the matter. If<br /> they had been called as witnesses, it would have<br /> been their business not to give an opinion upon<br /> the point of law before the court, but to answer<br /> questions of fact as to the practice and under-<br /> standing in the trade as known to them by<br /> experience. I do not see how they could be<br /> expected to go farther in giving voluntary<br /> opinions than they would or could have gone as<br /> witnesses in court.<br /> <br /> It may be that assignments of copyright<br /> drafted in the interest of the assignee will in<br /> future often contain words expressly giving the<br /> assignee the right to abridge or alter the copy-<br /> <br /> Tue BANKRUPTCY OF A PUBLISHER.<br /> <br /> Recent Far.ures. — Messrs. Trischler and<br /> Marsden, publishers and magazine proprietors,<br /> carrying on business at 18, New Bridge-street,<br /> E.C., against whom a receiving order was made<br /> on Aug. 22 last, have lodged with the Official<br /> Receiver a proposal for a scheme to be submitted<br /> to their creditors. They offer to pay a compo-<br /> sition of 7s. 6d. in the pound upon the unsecured<br /> debts (except one, which is deferred), by instal-<br /> ments extending over a period of fifteen months,<br /> from approval, with security, which is specified.<br /> From the observations of the Official Receiver<br /> (Mr. A. H. Wildy) it appears that the debtor<br /> Trischler has been in business since Oct. 1887, and<br /> in June 1889 he was joined by Marsden, who paid<br /> £5500 for a half-share in the business, and each<br /> partner contributed equally towards the joint capi-<br /> tal of £4422. On May 15 last a private meeting of<br /> creditors was held, at which a proposal was made<br /> to convert the business into a limited liability<br /> company under which debentures were to be<br /> issued to the creditors for the amount of their<br /> debts, but, owing to the opposition of one creditor<br /> the proposed scheme fell through. The insol-<br /> vency is attributable to inability to realise stock<br /> and manuscripts owing to the depressed state of<br /> the book trade, losses by bad debts, loss on<br /> trading caused by over-production, and loss on<br /> unprofitable publications. The liabilities, as<br /> shown by the joint statement of affairs, amount<br /> to £12,238, and the assets are estimated by the<br /> debtors at £2294, after payment of preferential<br /> claims. The Official Receiver reports that the<br /> terms of the proposal, subject to official confirma-<br /> tion of the value of the assets, and assuming that<br /> the creditors are satisfied with the guarantees<br /> offered, are calculated to benefit them. Trischler<br /> makes no proposal in respect of his separate<br /> estate, but Marsden offers tos. in the pound to<br /> his separate creditors, certain claims being with-<br /> drawn. The Official Receiver also reports in<br /> favour of the latter proposal. Times.<br /> <br /> The above is instructive as a comment on what<br /> has been argued inthe Author (see especially Mr.<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> Fairbairn’s paper in the September number) on<br /> the bankruptcy of a publisher. One can only<br /> urge upon our readers the necessity of a pro-<br /> tecting clause in case of bankruptcy.<br /> <br /> <br /> <br /> TET.<br /> Ture Lirprary aNnp ArTIsTIC CoNGRESS.<br /> <br /> Milan, Sept. 19.<br /> At to-day’s sitting of the Literary and Artistic<br /> Congress here it was decided that the alienation<br /> of a work of art did not carry with it the ght<br /> of reproduction. The congress further gave<br /> expression to its desire that the appending of<br /> forged signatures to works of art should be made<br /> a punishable offence, and claimed for architec-<br /> tural works the same protection as is offered to<br /> other works of art.<br /> Sept. 20.<br /> The International Literary and Artistic Con-<br /> gress to-day decided that the country in which a<br /> work is first published should be regarded as the<br /> country of origin. In the event, however, of a<br /> work being published simultaneously in more<br /> than one country, that country which grants the<br /> shortest period for the protection of the rights of<br /> authors is to be considered the country of origin.<br /> It was also resolved to accord protection to<br /> authors whose names are attached to their works.<br /> Paragraph 3 of the ninth article of the Berne<br /> Convention was annulled, and the use of per-<br /> forated cards for organettes was declared to be<br /> an act of piracy. Protection was afforded to<br /> Russian authors against the illegal translation of<br /> their works in Russia, and the right of reproduc-<br /> tion, including also that of translation, was<br /> reserved to the author for a period of ten to<br /> twenty years. It was further resolved that<br /> authors belonging to the countries of the union<br /> should enjoy the right of translation during the<br /> period of their protection in the country of origin,<br /> provided that they had exercised this right within<br /> a period of twenty years.<br /> Milan, Sept. 23.<br /> At its sitting to-day, the International Literary<br /> and Artistic Congress approved of the establish-<br /> ment at Berne of an International Statistical<br /> Bureau for the registration of the works of<br /> authors, together with the date of their publica-<br /> tion, and likewise sanctioned the arrangement<br /> arrived at for the settlement of the relations<br /> between authors and publishers.—feuter.<br /> <br /> The above paragraphs are from the Times.<br /> Have these resolutions of the Congress any other<br /> importance than an expression of opinion ?<br /> <br /> VOL. III.<br /> <br /> fides was not questioned in the least.<br /> <br /> THE AUTHOR. 157<br /> <br /> IV.<br /> GopFrrEy v. BRADLEY AND Co.<br /> rt<br /> <br /> It will be remembered that a note on this case<br /> was published in the August number of the<br /> Author. Mr. Godfrey, the plaintiff in this case,<br /> has written the letter which appears below. It<br /> will, therefore, be best to restate exactly the<br /> circumstances of the case.<br /> <br /> I was informed by our secretary, Mr. Thring,<br /> in the name of a well-known man of letters, that<br /> a case was shortly to be brought before the<br /> courts, of alleged plagiarism, and I was asked if<br /> I would read the two books in question, and, if<br /> invited, give evidence in court. This I declined to<br /> do, on the ground that I was already fully occupied.<br /> The secretary then informed me that he had been<br /> invited to do so in case of my refusal. We con-<br /> sidered the matter carefully, It appeared to me<br /> so important that a charge of plagiarism, so<br /> easily made, should be fairly considered, without<br /> <br /> bias on either side, that I thought if Mr. Thring<br /> was willing to take the trouble, it would be a very<br /> fit and proper thing for him, in his position, to<br /> undertake. Observe that there was no question<br /> of offending publisher in the matter; nothing<br /> was imputed against the publisher, whose bona<br /> It was<br /> simply a question between two novels—a question<br /> therefore affecting every novelist.<br /> <br /> Mr. Thring read both novels. He came to the<br /> conclusion that, although there were certain<br /> strong similarities of plot, the treatment was<br /> quite different. He thought that there was no<br /> plagiarism at all, but that there was probably a<br /> common origin to both novels. He was, there-<br /> upon, subpcenaed to give evidence.<br /> <br /> After he had been subpeenaed he received a<br /> letter from the plaintiff in the case, informing him<br /> that he was a member of the Society, and asking<br /> for his support. This was actually the very<br /> morning when the case came on.<br /> <br /> As regards my own action in the case, it is quite<br /> simple and would certainly be repeated, unless I<br /> knew that the plaintiff was a member. In that<br /> case I should certainly have called a committee<br /> together, and placed the responsibility of giving<br /> evidence against a member in their hands.<br /> <br /> It may be asked whether Mr. Thring exercised<br /> sufficient diligence in ascertaining if the plaintiff<br /> was a member. Now, let us consider:<br /> <br /> (1.) The plaintiff is not the writer of the book.<br /> He represents the author who is deceased. Is<br /> it reasonable to expect that the secretary should<br /> know all the works written by the relations of<br /> members ?<br /> <br /> (2.) The novel was written twenty years ago.<br /> <br /> N<br /> <br /> ft<br /> qy<br /> <br /> <br />  <br /> <br /> 158 THE AUTHOR.<br /> <br /> It does not appear to have gone into a second<br /> edition. Can we expect a man to remember any-<br /> thing about a novel which appeared twenty years<br /> ago, “and has never since been reprinted ?<br /> <br /> (3. ) But he might have observed the name of<br /> Godfrey on the list of members. What connection<br /> would that suggest? Mr. Godfrey is not a<br /> novelist. Should he have written to Mr.<br /> Godfrey to ask if he was in any way connected<br /> with the plaintiff? I think that could not<br /> reasonably be expected. If a member thinks so<br /> little of the Society as to bring an action on a<br /> point of literary property without consulting, or at<br /> least informing, the society, I think he has no<br /> reason to complain at any turn that might be<br /> taken.<br /> <br /> As regards Mr. Godfrey’s attempt to show that<br /> the society acted wilfulty against a member for<br /> an offending publisher, that, as the facts above<br /> quoted show, is quite ridiculous.<br /> <br /> Mr. Godfrey informs me by letter that he con-<br /> sulted Mr. Sprigge about the case four years ago.<br /> This has nothing to do with the point. He did<br /> not inform Mr. Thring, who could not be expected<br /> to know anything about a letter written four<br /> years ago.<br /> <br /> As regards the name of the gentleman who<br /> sent the case to Mr. Thring, that, of course, can<br /> only be published at his own request. The<br /> Secretary will not give up the names of any<br /> persons who place themselves in communication<br /> with him. Otherwise, the whole proceedings of<br /> every society or association or company in the<br /> world might be advertised in the papers.<br /> <br /> What I said about plagiarism is not what Mr.<br /> Godfrey tries to make out. I said, and I repeat,<br /> that there is no charge more easily brought than<br /> that of plagiarism, or more difficult to disprove.<br /> That has nothing to do with provedtheft. I have<br /> not yet read the two books in question, and I<br /> hope not to have to read them. Iam, therefore,<br /> notin the least concerned with the question of<br /> this particular charge of plagiarism, which mav or<br /> may not be true. Iam only concerned about the<br /> action of our secretary, the responsibility for<br /> which lies entirely upon myself. And I have<br /> only to repeat that wnder similar circumstances I<br /> should do exactly the same thing again in the<br /> interests of our members, and for the protection<br /> of those among us who are novelists. But members<br /> who may be contemplating similar actions, may<br /> be assured that if they will take the trouble to<br /> inform our secretary beforehand, I will willingly<br /> put the responsibility of the case upon the<br /> committee.<br /> <br /> Mr. Godfrey sneers at Mr. Thring’s legal<br /> knowledge. In this case, however, no legal know-<br /> ledge was required at all,<br /> <br /> I think I should add, that the abusive letter<br /> <br /> which follows would certainly not have appeared<br /> <br /> in the Author, if the person abused had been any<br /> <br /> other than myself. Water Busant.<br /> Chairman, Committee of Management.<br /> <br /> IL.<br /> Garrick Club, W.C., Aug. 22, 1892.<br /> <br /> Str,<br /> <br /> In last month’s issue of the Author you pub-<br /> lished a report of this case, with certain comments<br /> intended to explain away the extraordinary action<br /> of the Secretary of the Society of Authors, which,<br /> it now appears, was taken under your authority.<br /> When the members of the Society have read my<br /> statement of the facts I think they will agree<br /> with me that your explanation is—to use the<br /> mildest terms —an insufficient defence of a<br /> lamentable blunder.<br /> <br /> The following is a brief history of the matter.<br /> Some time ago I discovered’ that the London<br /> Journal was publishing a story which was a<br /> craftily disguised copy of a novel called ‘ Loyal,”<br /> written by my wife several years ago. I called<br /> the attention of the proprietors to this, and re-<br /> ceived in reply an off-hand refusal to discuss the<br /> matter. I then took legal action ; the case was<br /> tried, and I obtained a verdict, with damages.<br /> The judge, in commenting on the evidence, said<br /> (I quote from the newspaper reports): “ No one<br /> who found a succession of similar passages and<br /> the exact similarity of language, both in descrip-<br /> tion and in conversation, used as to corresponding<br /> characters in corresponding situations, could<br /> possibly doubt that the writer of ‘A Mad Mar-<br /> siage’ had before her the novel ‘ Loyal.’<br /> <br /> He was quite satisfied that the main plot of<br /> ‘Loyal’ had been incorporated into ‘A Mad<br /> Marriage.’ ”<br /> <br /> Now in this action, I, a member of the Society<br /> of Authors, representing a deceased author, was<br /> proceeding against a publisher who was making<br /> profits from stolen literary property. I was, in<br /> fact, doing exactly the work that the Society<br /> professes to do, and so certain did I feel of its<br /> sympathy and support that I wrote to the Secre-<br /> tary giving him notice of the trial, and sug-<br /> gesting that some representative should be<br /> present. My amazement may, therefore, be<br /> imagined when I found that the principal witness<br /> for the publisher and against me was our Secre-<br /> tary, who gave evidence which derived its sole<br /> weight from the fact that he described himself<br /> in his official capacity. What was the natural<br /> inference ? What impression was this likely to<br /> convey to the judge? That the Society, which<br /> was created to ioe authors from publishers,<br /> <br /> <br /> <br /> <br /> <br /> | reat<br /> tbe<br /> <br /> ans |<br /> <br /> <br />  <br /> <br /> <br /> <br /> THE<br /> <br /> considered this so scandalous an attempt to<br /> blackmail a publisher, that it felt bound to unite<br /> with the common enemy to defeat a dishonest<br /> member of its own body.<br /> <br /> Fortunately the evidence of this witness went<br /> so far as to defeat its mischievous intention. It<br /> was as follows: “The Secretary of the Incorpo-<br /> rated Society of Authors said there were some<br /> incidents which were similar in the two novels,<br /> put ‘A Mad Marriage’ was not, in his opinion,<br /> an infringement of the copyright in ‘ Loyal.’<br /> He did not think the substance of the plot<br /> of ‘Loyal’ had ;been incorporated in ‘A Mad<br /> Marriage.’”’<br /> <br /> The value of this testimony can be estimated<br /> by reference to the judge’s remarks, already<br /> quoted.<br /> <br /> These are the facts. What is your explana-<br /> tion? You say you authorised the Secretary of<br /> our Society to take part in this case because<br /> every novelist of distinction (in which IT assume<br /> you rightly include yourself) is from time to<br /> time accused of plagiarism. This is equivaient<br /> to saying that it is the duty of the Public<br /> Prosecutor to defend a receiver of stolen goods<br /> because unfounded charges of theft are occasion-<br /> ally made. I invite careful consideration of this<br /> argument. It at least proves that novelists of<br /> distinction may sometimes write amazing non-<br /> sense. Possibly your logic may be intended as a<br /> pleasantry. I cannot say. My sense of humour<br /> is, 1 fear, defective, since I failed to appreciate<br /> another comic utterance, contained in a letter<br /> you wrote to me, that “Thring’s own sym-<br /> pathies seem to have been with you, but as a<br /> lawyer he was against you.” From this I<br /> appear to have escaped two dangers, for Mr.<br /> Thring’s “sympathies”? seem to be as eccentric<br /> as his legal knowledge. But, as you add,<br /> “ Happily the judge ruled otherwise.” Happily<br /> indeed ; but is it not monstrous that the impar-<br /> tiality of a judge should be requisite to save<br /> me from the hostile vagaries of our paid Secre-<br /> tary ?<br /> <br /> Your main argument of justification I have<br /> already dealt with. Others you urge, but they<br /> are of so little weight that I will dispose of them<br /> ina group. You say that neither you nor Mr.<br /> Thring knew who were the parties to the action,<br /> that you did not know I was a member of the<br /> Society, and that Mr. Thring was compelled to<br /> give evidence on a subpena. To all of this I<br /> answer that before our Secretary mixed himself up<br /> in a literary action it was his duty to ascertain<br /> who were the parties to it, that a simple reference<br /> to the list of members would have given the other<br /> information, and that the omission of such pre-<br /> cautions was inexcusable. I will go further and<br /> <br /> VOL. III.<br /> <br /> AUTHOR.<br /> <br /> 199<br /> <br /> say that these points are of no importance, and<br /> that the Society exists to protect the literary pro-<br /> perty of authors under any and all circumstances<br /> where justice is on their side, whether they be<br /> living or dead, members or non-members, and<br /> that the action of the Society as represented by<br /> you and the Secretary in ranging itself on the side<br /> of a publisher in opposing such a claim was a<br /> serious mistake, calculated to lessen confidence in<br /> the administration ; for it is clear that members<br /> who imagine they are supporting an associa-<br /> tion for the defence of their literary rights may at<br /> any moment find they are maintaining an engine<br /> for their own destruction.<br /> <br /> Whether such a danger is or is not to continue<br /> is now the question. Had you frankly admitted<br /> that the action authorised by you was a regret-<br /> table mistake, and given me an assurance that<br /> care would be taken to prevent its repetition, di<br /> should have been satisfied ; but you add discour-<br /> tesy to injury in the tone of your comments, not<br /> the least offensive of which is the concluding one :<br /> “ Mr. Thring’s action was wholly prompted by a<br /> laudable desire to forward the interests of the<br /> Society and its members.” What does this mean ?<br /> How could it have been to the interests of the<br /> Society that its Secretary should oppose me unless<br /> mine was a dishonourable and improper action ?<br /> T ask you, if this action had been brought by you,<br /> against a publisher who was selling a piracy. of<br /> one of your novels, would you have authorised the<br /> Secretary to appear in his official capacity against<br /> you ‘in the interests of the Society?’ If not,<br /> in the name of reason, why not? IJ am as inca-<br /> pable of dishonest action in such a matter as you<br /> or any member of Society, and the discourtesy of<br /> your suggestion to the contrary (for your words<br /> bear no other meaning) compels me to persist in<br /> the course I have taken on the advice of several<br /> prominent members of the Council, to lay the<br /> whole matter before the members at the next<br /> general meeting, and leave them to express an<br /> opinion upon it.<br /> <br /> Grorare W. GODFREY.<br /> <br /> P.S.—One point I find I have overlooked. You<br /> say that the Secretary’s interference in this<br /> matter was authorised by you at the request of<br /> “4, well-known novelist, not concerned in the<br /> case.” Ihave already asked by letter to be fur-<br /> nished with the name of this gentleman, but with-<br /> out success. Tagain ask for this information,<br /> and invite the well-known novelist, who I believe<br /> to be a member of the Society, to explain his<br /> action in enlisting the services of a paid official<br /> of the Society against a brother member, and on<br /> behalf of a publisher (who is not amember), in an<br /> action “in which he was not concerned.”<br /> <br /> n 2<br /> <br /> <br />  <br /> <br /> i<br /> <br /> <br /> <br /> 160<br /> <br /> III,<br /> <br /> The following is an account of the part I took<br /> with regard to giving evidence in the case of<br /> Godfrey and Bradley.<br /> <br /> Mr. Bradley called here one afternoon with a<br /> letter of introduction from a well-known literary<br /> man to the chairman of the Society. In his<br /> absence I interviewed Mr. Bradley, and he stated<br /> that he wanted the chairman to read certain<br /> books involved in a case of infringement of<br /> copyright, and to give evidence as a technical<br /> witness. This, I said, I thought he would not do,<br /> and, after some further conversation, he asked<br /> me whether I would do so. To this I again<br /> demurred, but stated that, with the leave of the<br /> managing committee or of the chairman, I would<br /> ‘read the books and form the opinion. He there-<br /> upon told me the following story, so that I might<br /> put the facts before the managing committee or<br /> the chairman.<br /> <br /> In 1872 a novel was published; by Tinsley<br /> Brothers called “Loyal.” In 1874 a story was<br /> run through the London Journal entitled “A<br /> Mad Marriage,’ subsequently published by<br /> Tinsleys, which the then proprietor of the London<br /> Journal had bought from the authoress, an<br /> American. Since 1874 he had become proprietor<br /> vf the London Journal, and in 1889 ran “A<br /> Mad Marriage” again through his paper. He<br /> was now being sued by the executors of the<br /> authoress of ‘‘ Loyal” for infringement of copy-<br /> right.<br /> <br /> He then told me that the matter was of impor-<br /> tance as the case might come on any day, and he<br /> would be glad of my answer as soon as possibie.<br /> As it was impossible to call a committee meeting<br /> in the time, I put the facts as stated by Mr.<br /> Bradley before the chairman, and he told me that<br /> he thought it would be a fit and proper thing for<br /> me to accept the invitation to read the novels<br /> through, and if required give evidence on either<br /> side. Upon Mr. Bradley calling the next day<br /> I stated that it had been impossible to call a<br /> committee meeting, and that Mr. Besant had<br /> authorised me, in the absence of the com-<br /> mittee, to read the novels through and give<br /> evidence if necessary. Mr. Bradley thereupon<br /> brought me copies of the two books and I read<br /> them through carefully, and came to the con-<br /> clusion that “A Mad Marriage” was not such<br /> a substantial copy of ‘ Loyal” as to amount to an<br /> infringement of copyright, and that, although<br /> many of the scenes resembled each other, yet<br /> it was quite probable that they had been drawn<br /> from a common source. I have seen no reason<br /> since to alter that opinion. I was thereupon<br /> subpeenaed by Mr. Bradley as a witness in the<br /> <br /> THE AUTHOR.<br /> <br /> case. About a week later, on the morning of<br /> the day on which the case was heard, I received<br /> a letter from Mr. Godfrey, asking me whether I<br /> could not render his counsel some assistance with<br /> regard to the question of copyright in the action,<br /> as he was a member of the Society. This was<br /> the first notice I had received that the plaintiff<br /> was a member of the Suciety. I had only been<br /> told previously that the plaintiff was the exe-<br /> cutor of the deceased writer. It was impossible<br /> for me at this period not to attend as a witness,<br /> as that would have rendered me liable for con-<br /> tempt of court, a serious charge.<br /> <br /> I thereupon went down to the courts to try<br /> and see the plaintiff’s solicitor and counsel, to<br /> tell them what conclusion I had arrived at, and<br /> also to inform them of the fact that I had been<br /> subpeenaed as a witness for the other side. I<br /> was, however, unable to find them. Later on in the<br /> day I was called from my office to give evidence,<br /> which I accordingly did, stating my case as I<br /> have stated it above. I may further state that<br /> the question is not one of law, as Mr. Godfrey<br /> seems to think, but absolutely a question of<br /> fact, each case being decided on its own merits.<br /> I would add that had my opinion been on the<br /> side of the plaintiff I should have been equally<br /> willing to give evidence to that effect.<br /> <br /> Mr. Godfrey wrote to me subsequently very<br /> angrily on the matter, asking at the same time<br /> the name of the gentleman who had introduced<br /> Mr. Bradley to the office. To this request I did<br /> not accede, as it is impossible for me to give the<br /> names of any person corresponding with me,<br /> whether he is a member of the Society or other-<br /> wise. G. Herpert Turine.<br /> <br /> <br /> <br /> Bee.<br /> <br /> OUR CRITICS,<br /> <br /> <br /> <br /> GAIN the Society and its journal have<br /> received the wholesome administration<br /> of plain truth and candid criticism. This<br /> <br /> time from several quarters, of which the first is<br /> our friend the Bookseller: The -faithful critic<br /> has addressed himself to the “Notices’’ which<br /> are repeated every month. He is so determined<br /> to be faithful that he brings himself perilously<br /> near that Division of the High Court of Justice<br /> which takes the libel cases. For instance, if by<br /> calling the editor a “‘ very sharp man of business<br /> indeed,” he implies, as he seems to do, that the<br /> editor has any pecuniary interest in the success of<br /> the Society or its organ, he has only to repeat the<br /> suggestion in order to have an opportunity of<br /> proving his statement in that court.<br /> <br /> <br /> <br /> <br /> <br /> esi cee<br /> eee<br /> &gt; Fe ob<br /> <br /> <br /> <br /> ee eee<br /> <br /> Set<br /> ee oe ey<br /> <br /> =o<br /> ia<br /> <br /> Pe a gee<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> “Tn paragraph II.” of the notices, says the<br /> writer in the Bookseller, “ authors are solicited to<br /> contribute gratuitously to the ‘organ.’ The<br /> following is paragraph IT.<br /> <br /> The Editor is always glad to receive short papers and<br /> communications on all subjects connected with literature<br /> from members and others. Nothing can do more good to<br /> the society than to make the Author complete, attractive,<br /> and interesting. Will those who are willing to aid in this<br /> work send their names and the special subjects on which<br /> they are willing to write.<br /> <br /> Not a word about gratuitous contributions, you<br /> see, Whether the Author is written for nothing,<br /> and edited for nothing, by our own members, for<br /> ourselves, is a question that concerns ourselves<br /> alone.<br /> <br /> “Paragraph III,” says the writer in the<br /> Bookseller, “is a request for the sort of informa-<br /> tion which is sometimes called Literary Garbage.”<br /> Here is paragraph III. :<br /> <br /> All persons engaged in literary work of any kind, whether<br /> members of this Society or not, are invited to communicate<br /> to the Editor any points connected with their work<br /> which it would be advisable in the general interest to<br /> publish.<br /> <br /> If contributions by writers ov their own sub-<br /> jects are called “ Literary Garbage,” then the<br /> Bookseller regards literature from a new point of<br /> view. Perhaps the writer of the paper, by the<br /> word Garbage, means something not always<br /> saleable.<br /> <br /> However this may be, the tone of the communi-<br /> <br /> cation and the design of the writer are unqis-<br /> takeable. He means to misrepresent and to<br /> falsify the work of the society.<br /> . Bhe writer then copies out the advice given<br /> in our Notices to beginners, which he professes<br /> not to understand. It is, of course, perfectly<br /> simple and means exactly what it says. He then<br /> goes on to say that the members of the Council of<br /> the Society do not follow the advice of the Society.<br /> Quite so. The members of the Council are not<br /> beginners, and the advice is not given to them,<br /> but to beginners. Nor is the society a publishing<br /> firm.<br /> <br /> It is a melancholy thing to see such a paper as<br /> the Bookseller publishmg 80 spiteful and<br /> venomous a paper. The assumption, by the writer,<br /> is the stale device, renewed whenever the persons<br /> interested in misrepresenting the society can get<br /> the chance of implying or stating—either will do<br /> —that the society is conducted in hostility to<br /> publishers. Nothing, of course, can be farther<br /> from the truth. It is hostile, and will continue<br /> hostile, to those fraudulent persons who disgrace<br /> an honourable calling. ‘There is never a number<br /> of the Author in which it is not expressly stated<br /> that certain warnings are intended to guard<br /> authors—not against publishers— but against<br /> <br /> 161<br /> <br /> certain fraudulent publishers—those who cheat<br /> in one or other of the various ways we have<br /> detected and exposed.<br /> <br /> The position is as follows: The Society exists<br /> for the defence and maintenance of literary pro-<br /> erty. No one will probably object. to the aims<br /> of the Society. In the course of its work the<br /> Society has discovered the existence of certain<br /> frauds. The methods of these frauds it has<br /> proceeded, in the interests of those who hold or<br /> produce literary property, to expose. It exposes<br /> them regularly once a month in the pages of the<br /> Author. Can the Bookseller suggest any better<br /> way of exposing these frauds? For they must be<br /> exposed. And cannot the Bookseller understand<br /> that the best interests of those honourable men<br /> who follow the calling of which it is the organ<br /> are most truly served by making things uncom-<br /> fortable and difficult for the unworthy and the<br /> dishonest? As for the “ warnings,” there is not<br /> one which an honourable publisher can for a single<br /> moment consider as directed against himself. :<br /> <br /> The Globe, again, has a paragraph in which it<br /> enlarges and repeats the charges—if they can<br /> be called charges—of this indignant person.<br /> The writer of the paragraph, pretending to quote<br /> from the Bookseller, says: «Among his points,<br /> some of the most effective are that writers taught<br /> to fancy themselves sweated all round are never-<br /> theless invited to work for nothing in the Author ;<br /> that by asking for personalia about men of letters,<br /> and inserting leaderettes about fourth or fifth-rate<br /> authors, the journal encourages the collection of<br /> literary garbage; that there are men on the<br /> council of the Society who publish their own<br /> works in defiance of the very advice they are<br /> responsible for. Mr. Besant, therefore, will know<br /> that some of his blows have gone home to his foes,<br /> the publishers.”<br /> <br /> The words “ writers taught to fancy themselves<br /> sweated all round are nevertheless invited to<br /> work for nothing inthe 4 uthor,” refer to nothing<br /> at all in the Bookseller except the words “ authors<br /> are solicited to contribute gratuitously to the<br /> organ ”—already considered. The little enlarge-<br /> ment about the sweating is simply invented by the<br /> writer of the paragraph. The words “asking for<br /> personalia about men of letters and inserting<br /> leaderettes about fourth or fifth-rate authors”<br /> are also invented by the author of the paragraph.<br /> Nothing whatever 1s said in the Bookseller about<br /> “ Jeaderettes,’ and, im fact, there have been no<br /> “Jeaderettes” in the Author on fourth or fifth-<br /> rate authors. Nor, to repeat, has the Author<br /> ever asked for “ personalia ” about men of letters.<br /> What it asks for, month after month, may be<br /> seen by looking at the “Notices ’—i.e., it asks<br /> for “ communications on all subjects connected<br /> <br /> <br /> 162<br /> <br /> with literature,” and for “any points connected<br /> with their work which it would be advisable in<br /> the general interest to publish.” Lastly, the<br /> assertion about the Council has already been met.<br /> It is so stupid that one wonders how even the<br /> most hostile writer should repeat it. The last<br /> words about the “foes” show the spirit of the<br /> paragraph. It is, as has been stated above, the<br /> commonest way of attacking the Society to repre-<br /> sent it as hostile to all publishers. Everybody<br /> sees the stupid folly of such hostility, and declares<br /> against the stupid folly of the Society. That is<br /> to say, since the only foes of the Society are the<br /> dishonest persons spoken of above, the Globe<br /> charges the whole body of publishers with dis-<br /> honesty. It is the accusation of the Globe, not of<br /> the Society, or of the Author, or of the editor.<br /> Let it be remembered that whoever accuses the<br /> Society, or the editor of this paper, with hostility<br /> to publishers generally, charges the body of<br /> publishers generally with dishonesty. We do<br /> not quake, we never have made such a charge,<br /> and we never shall.<br /> <br /> —_— ree<br /> <br /> THE NEW BOOKS.<br /> <br /> HE Lists for the Publishing Season are not<br /> yet complete. Taking, however, the lists<br /> issued in the Atheneum of Sept. 17 and 24<br /> <br /> we find the following notes on the number of<br /> books announced as about to appear. The order<br /> is that in which the lists were published.<br /> <br /> The Clarendon Press _ ... will produce 51 works.<br /> <br /> Messrs. Macmillan and<br /> <br /> (Ol ee . 62. |.<br /> Mr. William Heinemann 3 300g<br /> Messrs. Hodder and<br /> <br /> Stoughton 1.0... =. 5 32<br /> Messrs. Williams and<br /> <br /> Norgate... . 6.)<br /> Messrs. Methuen = os 27<br /> Messrs. Warne and Co. ... 3 1S) 4s<br /> <br /> Messrs. Virtue and Co. ... 3<br /> <br /> Messrs. Skeffington and<br /> <br /> Son ne ‘5 1352;<br /> Messrs, James Clark and<br /> <br /> GOe. Ao = 145,<br /> Messrs. Sampson Low<br /> <br /> and Co.... eee Vado wee ” 52 »<br /> Mr. Fisher Unwin ... ... s 45<br /> The Cambridge University ‘<br /> <br /> PPORS i is 356s<br /> Mr. David Nutt 3 10,<br /> <br /> Messrs. Hutchinson and<br /> Co. ose oue aes wee oe) 25 ?<br /> <br /> THE AUTHOR.<br /> <br /> The 8.P.C.K. ... will produce 17 works,<br /> Messrs. Chambers ... 18<br /> <br /> Messrs. J. and T. Clark a 5a<br /> <br /> These lists do not contain the new books of<br /> Blackwood, Bentley, Black, Blackie, Chatto and<br /> Windus, Longman, Smithand Elder, Percival, the<br /> Religious Tract Society, and many others. But<br /> as eighteen publishers between them are going to<br /> produce next month 475 books of sufficient im-<br /> portance to be announced, and since there are at<br /> least five and twenty others not represented in<br /> the lists of these two weeks, it may be fairly<br /> estimated that the autumn output of fairly im-<br /> portant books amounts to more than a thousand.<br /> <br /> Next as to the authors of these books. Our<br /> President will produce a new volume of poems;<br /> George Meredith, another new volume of poems;<br /> J. Addington Symons, a Life of Michelangelo<br /> Buonarotti; Austin Dobson, a critical biography<br /> of Hogarth, illustrated; Mr. Charles Leland, a<br /> “ Book of the Hundred Riddles of the Fairy<br /> Bellavia;’’ Professor Seeley, the ‘ Growth of<br /> British Policy ;”” Mr. Lewis Morris, the “ Vision<br /> of Saints ;”’ Mr. George Saintsbury, a new edition<br /> of Florio’s Montaigne; Mrs. Thackeray Ritchie,<br /> “Records of Tennyson, Ruskin, and Browning ;””<br /> William Watson “The Dream of Man;” Stop-<br /> ford Brooke, a ‘‘ History of Early English Litera-<br /> ture;” Richard Garnett, a ‘“ Life of Heinrich<br /> Heine.” Among others novelists are represented<br /> by a smaller list than usual. Among them are<br /> Grant Allen, Mrs. Alexander, J. M. Barrie, Amelia<br /> Barr, William Black, Walter Besant, Frank<br /> Barrett, May Crommelin, Everett Hale, Sarah<br /> Doudney, Mrs. Clifford, H. C. Davidson, George<br /> Macdonald, Christie Murray, L. T. Meade,<br /> Mrs. Molesworth, Mrs. Oliphant, Mrs. Spender,<br /> and Frank Stockton.<br /> <br /> The list is not complete. We will return<br /> to the subject next month. We may note, how-<br /> ever, that the production of tooo books in a<br /> single month, though this is by far the most<br /> fruitful month in the year, proves what we are<br /> always proclaiming—the magnitude, the solidity,<br /> of literary property. Another point will not<br /> escape our readers: the rapid advance made by<br /> certain quite young firms. = ;<br /> <br /> <br /> <br /> <br /> <br /> as<br /> <br /> le<br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> NOTES FROM PARIS.<br /> <br /> Se<br /> <br /> Paris, Sept. 23, 1892.<br /> NEWSPAPER guerilla war, which, if<br /> limited as to the number of the combatants<br /> on either side, is bitter in the extreme, is<br /> <br /> A<br /> <br /> being waged at present in Paris apropos of the<br /> recent formation ofa committee for the erection of<br /> <br /> a memorial statue to Baudelaire. Rodin, one of<br /> ¢he most remarkable of contemporary sculptors has<br /> been commissioned to execute the statue, which is<br /> to be placed above the poet’s grave. Leconte de<br /> Lisle is president of the committee, which includes<br /> amongst its members most of the best known<br /> poets and littérateurs of France. Our poet Swin-<br /> burne, by the way, is also amember. Now, there<br /> are a certain number of people in the world of<br /> letters in Paris who abhor Baudelaire and all his<br /> works, and one of these, that distinguished critic<br /> Ferdinand Brunetitre, made the formation of the<br /> Baudelaire Committee the occasion for publishing<br /> a short but most bitter attack on the great poet<br /> inthe Revue des Deux Mondes. The article was<br /> remarkable for little but the venom of the attack,<br /> nothing fresh in the way of criticism was put for-<br /> ward, only the old cowplaints of Saint-Beuve,<br /> Scherer, and the rest. Baudelaire’s friends and<br /> admirers were not slow to reply to this attack on<br /> the dead master, and most of the literary papers<br /> contained replies to the Rerue des Deux Mondes<br /> article. The quarrel has now settled down into<br /> an exchange of personalities between M. Brune-<br /> tigre and Albert Delpit the novelist. Up to date<br /> of writing it is the latter who has the last word,<br /> and amongst other pleasant things that he<br /> has had to say about Brunetiére is that he is<br /> made up of equal proportions of spite and envy,<br /> that his lips curl up showing his canines, which<br /> is the true sign of the envious man, that Delpit<br /> was his friend for ten years, but can be so no<br /> longer at any price, that Brunetitre never took a<br /> degree at the University, and that he, Delpit,<br /> hopes that he may forget the friend as readily<br /> as he has already forgotten the man.<br /> <br /> I really consider that Brunetiére’s attack was<br /> uncalled for. If those of us who admire<br /> Baudelaire like to subscribe moneys to place a<br /> statue of him on his tomb, which is entirely a<br /> private affair, I do not see why this should be<br /> made the subject of unfavourable comment in the<br /> press. It is not as if the statue was to be put in<br /> a public place, which might be interpreted to<br /> mean that we wished to force the public to<br /> recognise as we recognise it the genius of the<br /> dead poet. And in any case it is always regret-<br /> <br /> 16<br /> <br /> able when the life and the work of a man who is<br /> dead are bitterly attacked. Baudelaire has, and<br /> always will have, a large number of admirers, just<br /> as he has, and will always have a number<br /> of readers who will turn with disgust from his<br /> pages. It is a mere question of what the reader<br /> understands by the word “ art.” Nobody denies<br /> his perfect mastery of the technique of his art<br /> nor his power of music. What Baudelaire’s<br /> detractors attack in his work is the unhealthy<br /> tone of his thoughts. In contradistinction to that<br /> coster with whom the great Chevalier has made<br /> us familiar, it’s “the things. he says’ and not<br /> “the nasty way he says it” that Baudelaire’s<br /> critics object to,<br /> <br /> ——— +&gt;<br /> <br /> <br /> <br /> Baudelaire’s private life has also been dragged<br /> into the discussion as if that had anything to do<br /> with his merits or demerits as a poet. We have<br /> been told for the thousandth time that Baudelaire<br /> was an immoral man. This may possibly be the<br /> case, although I have always heard from those<br /> who had the privilege of his acquaintance that he<br /> lived most soberly in his modest furnished<br /> lodgings in the Rue d’Amsterdam, and that the<br /> only thing that he indulged himself in was<br /> charcuterie in various forms. There was doubt-<br /> less much more talk than action in Baudelaire’s<br /> immorality. He may have wanted to horrify<br /> people, much like Byron, about himself, for his<br /> great joy, as he once told the Prefet de Police,<br /> was to ‘ ¢tonner les sots.”<br /> <br /> <br /> <br /> Amongst the many excellent things to be found<br /> in “ The Wrecker” the description of Bohemian<br /> life in the Latin Quarter in Paris is particularly<br /> well done. The days of “ La Vie de Bohéme ” are,<br /> by no means, as has been said over and over<br /> again, past, and Doppelgangers of every one of<br /> famous character in Murger’s book, not excepting<br /> Mimi Pinson, could be found to-day over and<br /> over again in the hotels meublés of that quarter.<br /> They dress a little less raggedly perhaps, and on<br /> the whole have more luxurious tastes, for Bohemia<br /> has marched with the times also, but there they<br /> are just the same. Here, for instance, 1s a scene<br /> which I witnessed a few days ago, and which<br /> might have come st raight out of the pages of<br /> “Vie de Bohéme.”’ I was walking down the<br /> Boulevard St. Michel with a young Breton<br /> gentleman, who has recently given up the study<br /> of medicine for the practice of literature. It was<br /> not to be wondered at that his clothes should not<br /> be of the best. At the corner of the Rue de<br /> Cluny we came upon another man of letters, who<br /> though rather shabby as to his hat and boots,<br /> <br /> <br /> 164.<br /> <br /> wore a magnificent cloth overcoat. I recognised<br /> the man as a very well-known poet and writer,<br /> who contributes occasionally some most brilliant<br /> essays to the press, and who at one time was<br /> considered to be the coming man of Paris. As<br /> soon as my friend saw him he left my side and<br /> crossed over to him and an animated dialogue<br /> ensued between the two. I did not hear what<br /> they said, but they seemed to be both much<br /> excited. In the end, in answer to a particularly<br /> vehement speech on the part of the young Breton,<br /> the other was seen to unbutton his overcoat, dis-<br /> closing therewith that he had nothing on between<br /> it and his shirt. My Breton friend presently<br /> joined me, and I asked him what the trouble was.<br /> “Oh! ce cochon,’’ he said, “he’s got my overcoat<br /> on. We lived together a few weeks ago, for we<br /> were collaborating. Just before we separated<br /> menage X. told me that as he had some business<br /> visits to pay, and, as his clothes were too shabby,<br /> he would be much obliged to me if I would lend<br /> him my overcoat to put on over them so as to<br /> hide their tattered condition. I did so, and<br /> haven’t seen him since until to-day. I wanted<br /> my coat back first, because I, too, am getting<br /> very rusty; and, secondly, because here’s the<br /> winter coming when it will be needed. Well,<br /> he opens it and shows me that he’s telling the<br /> truth when he says that he has nothing else to<br /> wear. He has sold his coat and waistcoat and<br /> couldn’t go out in his shirt-sleeves.”’<br /> <br /> <br /> <br /> I do not know how Bohemians of this class<br /> would ever be able to live at all were it not for<br /> the large amount of credit which is given by the<br /> hotel-keepers. and restaurateurs in the Latin<br /> Quarter. The credit system was created for the<br /> benefit of the students, but is useful to a<br /> number of men of letters, artists, and so forth.<br /> Many of these have little else to live upon than<br /> the credulity, or rather the faith, of the gargotte-<br /> keepers in themselves. They mean to pay as soon<br /> as the great picture or the great book, which is<br /> to make them famous and rich, shall have been<br /> painted or written. Sometimes the book is never<br /> written nor the picture painted, and then the<br /> creditors get left. I could mention several well-<br /> known names of writers here who have about as<br /> much order in their affairs as had Dick Swiveller.<br /> One very well-known man, whose entire belong-<br /> ings consist in his bed and its furniture—which<br /> are unseizable under distress warrant in France—<br /> got a sound thrashing the other day from a<br /> marchand de vins, who met him in Montmartre,<br /> and to whom he owed many weeks of board and<br /> lodging. If all his creditors were to go for him<br /> similarly, I am afraid France would lose a’ poet<br /> <br /> THE AUTHOR.<br /> <br /> whom many thousands of admirers consider to<br /> be the first poet in France, ;<br /> <br /> <br /> <br /> A certain journal has been pitching into me<br /> for defending Oscar Wilde against certain<br /> abominable attacks which were recently made<br /> against him, remarking that Oscar Wilde,<br /> least of all men, needs a sandwich man to<br /> puff him. If the many writers who cannot<br /> stomach the success which this remarkable<br /> poet has achieved would leave him alone, his<br /> friends and admirers would have no occasion<br /> to take up the cudgels on his behalf. “Que<br /> Messieurs les—what shall we say ?—commen-<br /> cent.”<br /> <br /> <br /> <br /> The vegetarians ought to get an interview with<br /> Mr. Xavier Marmier, who is the doyen d’age of<br /> the French Academy, and who believes and hopes<br /> to prolong his life—he is already eighty-eight<br /> years old—by a strict course of vegetarianism.<br /> For many months past he has not touched meat,<br /> and describes himself as having benefited wonder-<br /> fully by this régime. He suffers a good deal<br /> from rheumatism, but expects to be rid of this<br /> also by continuing to avoid meat, and says that<br /> his sufferings have notably diminished cf late.<br /> Marmier is a splendid old fellow, one of the most<br /> sympathetic of the Academicians. He is, how-<br /> ever, a decided literary antagonist of Emile Zola,<br /> whom he told never to hope for his vote for the<br /> Academy. “Zola tried to convince me,” he said,<br /> “that it is the novelist’s duty to describe life as<br /> he finds it, whether beautiful or ugly, but for all<br /> that there are passages in‘ Germinal,’ ‘]’Assom-<br /> moir’ and ‘ La Terre,’ which I shall never be able<br /> to admit. Altogether, I am afraid that Zola will<br /> have to wait for the disappearance of quite a<br /> number of the ‘old gang” amongst the<br /> Academicians, before the coveted laurel-leaf<br /> embroidery shall deck his coat.<br /> <br /> <br /> <br /> Iam very sorry to see, from a Scotch paper,<br /> that my poor friend, John E. Barlas, the poet,<br /> has at last been and gone and done it for himself,<br /> and having been “ remitted ”’ by the Crieff autho-<br /> rities, consequent on an insane assault he com-<br /> mitted in that town, to the sheriff of Perth, has<br /> now been remitted to a lunatic asylum. Poor<br /> Barlas was a most brilliant scholar, and in the<br /> thirteen volumes of poetry which he published,<br /> under the pseudonym of Evelyn Douglas, there<br /> was much work of really the highest order. He<br /> created several new metres, many of most musical<br /> effect. I never met an English poet yet who took<br /> his vocation so entirely au sérieuw. The late<br /> <br /> <br /> <br /> <br /> <br /> ors<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> THE AUTHOR. 165<br /> <br /> Doctor Hueffer, who read some articles of his<br /> about the Paris Salon, sad that they were the<br /> best pieces of art criticism which he had read for<br /> many years, but Barlas would stick to poetry in<br /> spite of my advice. Recently, however, he had<br /> taken to prose-writing for the reason that drives<br /> most of us unpractical poets to that, and was<br /> also trying his hand at fiction. I consider his<br /> unhappy end a decided loss to English letters.<br /> There was plenty of good stuff in John Evelyn<br /> Barlas.<br /> <br /> <br /> <br /> Se<br /> <br /> _ I met Dr. Blanche on the boulevards the other<br /> day, and asked him how De Maupassant went.<br /> The doctor threw his hands into the air in an un-<br /> equivocal gesture of despair. IT would have tried<br /> for more detail, only quailed under the eye of that<br /> mental juge d’instruction, the greatest mad<br /> doctor in Europe. I felt quite relieved when I<br /> had got round the corner of the Rue Scribe, and<br /> had not been asked by Blanche “to come along<br /> o’ me.” Itis pretty well known that De Maupas-<br /> sant is totally lost, and that the setting im of<br /> paralysis in its worst form is only a question of<br /> time.<br /> <br /> <br /> <br /> De Maupassant was the most truthful writer of<br /> the age. He was a thorough pessimist, and,<br /> come frankly, can one study human nature and.<br /> be otherwise ? It was grand training to read him,<br /> because the moral inoculation of pessimism is as<br /> necessary to a man as it is for him to be vacci-<br /> nated. If were a despot I should insist on<br /> having Schopenhauer, Hartmann, Leopardi, and<br /> De Maupassant included in the curriculum of<br /> my youthful studies. The man who has been so<br /> inoculated is prepared for all the filthy sorrows of<br /> life. Now JI, for instance, have, during the<br /> last months, been the victim of such treachery,<br /> cowardice, and vileness, that, but for my schooling,<br /> T should certainly have gone under, heart-broken.<br /> Well, nothing of the sort ; I was prepared for all<br /> these abominations, and to-day can enjoy my<br /> cigarette and my pernod aw sucre just as much as<br /> before. Your practical pessimist, taught to<br /> expect nothing but vileness from human nature,<br /> has more joy at one little act of kindness or of<br /> loyalty than a hundred optimists.<br /> <br /> <br /> <br /> I should like to commend to the notice of my<br /> readers a newspaper index which Mr. Edward<br /> Curtice, of Romeike and Curtice, proposes to<br /> publish daily, commencing on the new year. It is<br /> to be a large sheet, published at one penny, and<br /> will give the contents of all the publications of the<br /> day. This index will be invaluable to those who<br /> are interested in questions, and who want to know<br /> <br /> VOL. III.<br /> <br /> where to look in the periodical press for the<br /> latest utterances on the same.<br /> Rosert H. SHERARD.<br /> <br /> aes<br /> <br /> NOTES AND NEWS.<br /> <br /> Ss<br /> <br /> N looking at the September number of the<br /> Idler, I came across a paper by Grant Allen,<br /> to which I naturally turned. Presently, to<br /> <br /> my amazement, T found my own name mentioned<br /> in connection with one or two statements, which<br /> made me “‘sit-up.” In the first he speaks of the<br /> cost of production “so obnoxious to Mr. Walter<br /> Besant.” Why is the “cost of production ”<br /> obnoxious tome? The Society, through its officers,<br /> has, it is true, by dint of great trouble ascertained<br /> something like the real cost of producing the ordi-<br /> nary book. It has also published the results of<br /> this investigation ; and a very valuable work it is<br /> for the information and the protection of the<br /> author. Further, the Society has discovered that<br /> in many cases the author has been grossly over-<br /> charged as to the “cost of production.” But<br /> why is the cost of production obnoxious to me?<br /> <br /> The writer says, further, that he once paid a sum<br /> of money to get a book produced, and does not<br /> grumble—well! but how does that affect me—or<br /> anybody? Why, I ask again, is the cost of pro-<br /> duction obnoxious to me?<br /> <br /> —————<br /> <br /> Next, Grant Allen says, “Mr. W. B. will have<br /> it that there is no such thing as generosity in<br /> publishers.” Where have I said anything so<br /> silly? Next, I suppose, one will be accused of<br /> saying that publishers have no natural affections,<br /> no pity, no fear, no anything. He then goes on<br /> to say that he has been treated with great<br /> generosity by Messrs. Chatto and Windus, who<br /> brought out his first book. What I have said<br /> over and over again, and probably shall repeat it<br /> over and over again, is that it is just as degrading<br /> for a man of letters to ask—or to accept—“ geue-<br /> rosity,” from a publisher, as it would be for a<br /> barrister to ask “ generosity ” of a solicitor. It is<br /> not generosity that we want, but justice. The<br /> administration, and the acquisition, and the sale<br /> of literary property may be governed, and must<br /> be governed, as soon as people understand the<br /> subject, by the same principles as govern other<br /> forms of property. Those who desire the indepen-<br /> dence of literature will jom the men and women<br /> who are working their hardest to place literary<br /> property on a footing equitable both to the<br /> author and the publisher. But to stand, hat in<br /> hand, blessing the generosity of the man with<br /> <br /> oO<br /> <br /> <br /> 166<br /> <br /> the bag—when shall we agree that the spectacle<br /> is humiliating, and the attitude degrading ¥<br /> What, again, is generosity? A publisher knows<br /> certainly, that a minimum of so much will be<br /> realized by any book that he undertakes. In<br /> the case of a new author even, he can, in the<br /> case of a novel, pretty certainly arrive at such<br /> a minimum. If he is a just and an honour-<br /> able man, he will, if he buys the book, give<br /> for it a sum calculated, as he considers, justly.<br /> The book is then his own. If he afterwards<br /> chooses to give the author more in the case of<br /> a success, that is due to his sense of justice<br /> over and above the letter of the law. But<br /> the author has no ground of complaint in any ease.<br /> But what of generosity? Where is that? It<br /> will be agreed that there is such a thing as a fair<br /> division of profits, I suppose. If he gives the<br /> author more, he robs himself and degrades the<br /> author ; if less, he robs the author and degrades<br /> himself.<br /> <br /> <br /> <br /> Now, let us look at the case quoted by Grant<br /> Allen. Ido not read it a case of “ generosity”<br /> at all, but as a case of great clearness of judgment.<br /> I can speak of this firm with greater freedom,<br /> because no one has as yet ventured to charge me<br /> with hostility to Chatto and Windus, who have<br /> published books by me for fifteen years, and I<br /> hope will continue to do so to the end of the<br /> chapter. My reading of the case is this: Mr.<br /> Chatto, discovering in Grant Allen a highly<br /> promising writer, encouraged him to write a<br /> novel; he then read the novel, and saw that<br /> it would go; he then bought the novel at what<br /> he considered a just price. By so doig he<br /> rendered the author the greatest possible ser-<br /> vice, a service of which Grant Allen shows<br /> himself honourably sensible. -But that a pub-<br /> lisher should have the literary acumen to find<br /> out a good man and to launch him; and that he<br /> should in his business arrangements display a<br /> spirit of equity—this reading seems to me far<br /> more creditable, as well as the more likely to be<br /> true, than the old dream of “ generosity,” which<br /> can only mean giving the author more than is his<br /> just and rightful due. Not “ generosity,’ my<br /> friend Grant Allen. Let us ask for anything but<br /> that. Not generosity. The man with the bag<br /> loves the word; he loves to be thought the<br /> Patron of Literature; he calls himself, whenever<br /> he can, the Patron of Literature; well, let him<br /> be “generous” to those who love the bended<br /> knee and the arching back. We will go rather<br /> to the man who stands upright and face to face<br /> with us; before whom we stand upright; who<br /> agrees with us according to the right and the<br /> Justice of the case.<br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> Two great Americans have passed away, George<br /> William Curtis and the poet Whittier. Of the<br /> former, there has appeared in the New York<br /> Nation, a biographical paper which makes the<br /> English readers of that paper understand for the<br /> first time how great was the position occupied by<br /> this writer, and how extended was his influence. In<br /> this country, no man of letters would be allowed<br /> to occupy such a position, nor, I think, does any<br /> living man of letters aspire to such a position,<br /> That is to say, more than one leader in British<br /> politics is a man of letters; but he is a states-<br /> man first and a man of letters next. Mr. Glad-<br /> stone and Mr. Arthur Balfour are men of letters,<br /> but they are statesmen first. George William<br /> Curtis, like Lowell, was a man of letters first,<br /> and always, a man of letters before everything<br /> else. He lived by literature: at first he lectured<br /> until he was able to live by writing. He was<br /> also an orator: a finished and powerful speaker.<br /> He spoke on the anti-slavery side; he delivered<br /> eulogies upon Lowell and Bryant. He held<br /> numerous public offices. He was chairman in<br /> 1871 of the first Civil Service Commission ; he<br /> founded the Civil Service Reform Association—<br /> which has rescued 36,000 national offices from<br /> the old “spoil”? system ; he headed the Indepen-<br /> dent party, which refused to have Blaine for<br /> President; he was chairman of the Committee on<br /> Education—in this capacity he advocated the<br /> enlargement of women’s educational advantages ;<br /> he was Chancellor of the University of New<br /> York; he was President of the Metropolitan<br /> Museum; he was President of the National<br /> Conference of Unitarian Churches. The follow-<br /> ing is the conclusion of the Nation’s paper :<br /> <br /> In every personal relation he was a good man to know,<br /> a better man to love, as relative or friend. He was full of<br /> pleasant talk and golden memories of persons and events,<br /> nowhere more interesting and engaging than in some<br /> friendly circle ; everywhere, and especially in his own home,<br /> the least formidable of men, putting the most awkward at<br /> their ease. His most remarkable endowment was not any<br /> intellectual distinction, any imaginative force or originality<br /> of mind, but a character which united in itself the rarest<br /> gentleness and the sternest sense of duty and resolve to<br /> have it done. He was our Puritan cavalier. His gracious<br /> manners masked an iron will. He added nothing to our<br /> literature which did not make for kindness, charity, and<br /> peace; nothing to our politics which does not shame its<br /> ordinary levels and beckon it to higher things.<br /> <br /> These are very noble words. We who did not<br /> know Curtis personally may assume that they are<br /> well deserved. Are there many other American<br /> men of letters of whom such things could be<br /> written ? If so, then, indeed, that country should<br /> be proud of its authors. Let us ask, however,<br /> what such a man would be in our own country.<br /> Probably he would become an anonymous writer<br /> of leading articles. In his own circle of intimate<br /> <br /> <br /> <br /> E<br /> E<br /> f<br /> 5<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> friends he would be known as a man of singular<br /> gifts, exercising a great and unknown amount of<br /> influence; outside his own circle he would be<br /> utterly unknown. And our own countryman<br /> would voluntarily live in the shade. He would<br /> not be able to speak ; he would be a shy man; he<br /> would avoid an active part in the work of the<br /> day. It is not well done of the modern English<br /> littérateur. He should come out of his retreat<br /> and take his share in the speaking and the<br /> fighting.<br /> <br /> SS<br /> <br /> The following lines are quoted by the New<br /> York Critic. They are from Lowell’s £ ‘pistle to<br /> George Curtis:<br /> <br /> 1874.<br /> Curtis, whose Wit, with Fancy arm in arm,<br /> Masks half its muscle in its skill to charm,<br /> And who so gently can the Wrong expose<br /> As sometimes to make converts, never foes,<br /> Or only such as good men must expect,<br /> Knaves sore with conscience of their own defect,<br /> I come with mild remonstrance. Ere I start,<br /> A kindlier errand interrupts my heart,<br /> And‘ must utter, though it vex your ears,<br /> The love, the honour felt so many years.<br /> <br /> Curtis, skilled equally with voice and pen<br /> <br /> To stir the hearts or mould the minds of men,—<br /> That voice whose music, for I’ve heard you sing<br /> Sweet as Casella, can with passion ring,<br /> <br /> That pen whose rapid ease ne’er trips with haste,<br /> Nor scrapes nor sputters, pointed with good taste,<br /> First Steele’s, then Goldsmith’s, next it came to you,<br /> Whom Thackeray rated best of all our crew,—<br /> Had letters kept you, every wreath were yours ;<br /> Had the World tempted, all its chariest doors<br /> Had swung on flattened hinges to admit<br /> <br /> Such high-bred manners, such good-natured wit ;<br /> At courts, in senates, who so fit to serve ?<br /> <br /> And both invited, but you would not swerve,<br /> <br /> All meaner prizes waiving, that you might<br /> <br /> In civic duty spend your heat and light,<br /> <br /> Unpaid, untrammelled, with a sweet disdain<br /> Refusing posts men grovel to attain.<br /> <br /> Good Man all own you; what is left me, then,<br /> <br /> To heighten praise with but Good Citizen ?<br /> <br /> But why this praise to make you blush and stare,<br /> And give a backache to your Easy-Chair ?<br /> * * * * *<br /> PostTscRIPT, 1887.<br /> Curtis, so wrote I thirteen years ago,<br /> Tost it unfinished by, and left it so ;<br /> Found lately, I have pieced it out, or tried,<br /> Since time for callid juncture was denied.<br /> Some of the verses pleased me, it is true,<br /> And still were pertinent,—those honouring you.<br /> These now I offer: take them if you will,<br /> Like the old hand-grasp, when at Shady Hill<br /> We met, or Staten Island, in the days<br /> When life was its own spur, nor needed praise.<br /> x % * * *<br /> <br /> 167<br /> <br /> The death of Whittier removes one of the last<br /> surviving American writers of the old school.<br /> He, like Longfellow, Bryant, Lowell, Holmes,<br /> and a few others, was lmneally descended from<br /> Dryden, Pope, and Gold-mith. We must defer<br /> certain remarks on this poet for a month.<br /> <br /> <br /> <br /> The following is a list of “ favourite’ books<br /> drawn up by Benjamin Franklin in the year<br /> 1722, published in the New York Courant. It is<br /> reprinted in the New York Critic of August 20.<br /> “How many private libraries of the present<br /> day,” asks the Critic, “ have these books?” = =<br /> have, or have had, myself those marked with a<br /> star — rather more than half — and imine is a<br /> “ragged” library indeed.<br /> <br /> History of the Affairs of<br /> <br /> Europe,<br /> * The Tale of a Tub,<br /> Josephus Ant,<br /> History of France,<br /> Her. Moll’s Geography,<br /> British Apollo,<br /> Heylin’s Cosmography,<br /> Sandy’s Travels,<br /> * Du Bartas,<br /> <br /> Theory of the Earth,<br /> <br /> * Pliny’s Natural History,<br /> * Aristotle’s Politicks,<br /> * Roman History,<br /> * Athenian Oracle,<br /> Sum of Christian Theo-<br /> logy,<br /> Cotton Mather’s History of<br /> New England,<br /> Oldmixon’s History of<br /> American Colonies,<br /> Burnet’s History of the<br /> <br /> Reformation, * Hudibras,<br /> * Virgil, * The Spectator,<br /> * Milton, * The Turkish Spy,<br /> * The Guardian, Art of Speaking,<br /> Art of Thinking, The Lover,<br /> <br /> Bs<br /> <br /> Oldham’s Works,<br /> <br /> The Ladies’ Calling,<br /> <br /> Pacquett * Shakespeare’s Works,<br /> * St. Augustine’s Works.<br /> <br /> The Reader,<br /> <br /> Cowley’s Works,<br /> <br /> The Ladies’<br /> Broken Open,<br /> <br /> *<br /> <br /> ae<br /> <br /> <br /> <br /> Those who love their Rabelais must make a<br /> note that the new translation by Mr. WF.<br /> Smith, one of the Lecturers and Fellows of St.<br /> John’s College, Cambridge, is on the point of<br /> appearing. It will be in two volumes royal 8vo.,<br /> and will contain, as well as the Gargantua and<br /> Pantagruel, the minor writings, letters, &amp;e.<br /> There are also notes, appendices, &amp;c. Mr. W. F.<br /> Smith has long been known as a student of<br /> Rabelais. The edition is limited to 750, and is<br /> subscribed by Mr. A. P. Watt, 2, Paternoster-<br /> square, at 258. a Copy ; put, after a certain number<br /> are subscribed the price will be raised, so that<br /> those who wish to secure the work should make<br /> haste.<br /> <br /> <br /> <br /> Ladies of literary pursuits may like to know<br /> that the report of the Society for the Em-<br /> ployment of Women announces a new—and<br /> at present—remunerative field of industry for<br /> educated women. It is that of lecturing on<br /> domestic science. In many parts of the country<br /> <br /> <br /> 168 THE<br /> <br /> these lectures have been started, and at the<br /> present moment the demand is greater than the<br /> supply. The subjects of the lectures are samita-<br /> tion, personal and domestic hygiene, nursing,<br /> first aid to the injured, and artisan cookery with<br /> demonstrations. Instructions in these subjects<br /> can be obtained in London and other large centres.<br /> The qualities wanted, next to a knowledge of the<br /> subject, are especially the power of interesting an<br /> audience and of speaking. Perhaps it might<br /> prove more satisfa: tory in the long run to take up<br /> with lecturing than to crowd the ranks of candi-<br /> dates for the post of successful novelist.<br /> <br /> <br /> <br /> What has become of the guides to London?<br /> Has the scheme collapsed? We were to have<br /> had a service of lady guides, with a central<br /> office in communication with the great hotels, so<br /> that a guide could be obtained and one sent off at<br /> short notice. I fear the preliminary studies,<br /> without which it is impossible to become a trust-<br /> worthy guide, have proved tcoo much It seemed<br /> at one time a promising opening. Certainly,<br /> speaking as an amateur and occasional guide to<br /> London, it is very easy to interest a party. If<br /> this note should meet the eye of anyone who<br /> helped to start the Lady Guides Association, it<br /> would be taken as a kindness if he would send<br /> some particulars of the society and its history to<br /> the writer.<br /> <br /> Water Bzsanvt.<br /> <br /> ec<br /> <br /> FEUILLETON.<br /> <br /> <br /> <br /> i,<br /> My First Love.<br /> <br /> PYNHE children slept. A solitary evening loomed<br /> before me. Not the first by many a score<br /> and hundred. They had been laboriously<br /> <br /> filled in. Alisonand Macaulay aided and abetted<br /> <br /> me. Scott, Bulwer-Lytton, Charlotte Bronté<br /> helped ne with all their might. But to night<br /> reading palled. I looked around me wondering<br /> how I should get through the evening. Thus,<br /> with a sudden inspiration, I seized a pen, dashed<br /> into a story, and the world was transformed.<br /> <br /> The bursting of day in the tropics is not more<br /> <br /> gloom-dispelling. No longer were lonely even-<br /> <br /> ee a period of dread ; they were ardently longed<br /> or.<br /> Like secret conspirators my faithful quill and<br /> <br /> I plotted and wrote till midnight. Time dragged<br /> <br /> no longer. It flew. A year passed.<br /> <br /> oe is coming to-night to play chess,”<br /> <br /> <br /> <br /> AUTHOR.<br /> <br /> remarked a pleasant, clear-toned, voice at break.<br /> fast time. Its owner claims proprietorship over<br /> the house, goods and chattels, including myself.<br /> That cabalistic ceremony at St. George&#039;s,<br /> Hanover-square, has much to answer for. “ He<br /> has developed into a full-blown editor.”<br /> <br /> “B editor! Of what, the Meld or Sport-<br /> ing Chronicle?”<br /> <br /> “ Oh, no,” laughed the voice, muffled in toast.<br /> « A new weekly that H is starting, It is to<br /> outshine everything, and sell at sixpence.”’<br /> <br /> He came, elated to the skies and brimming<br /> over with talk of the new project. His beloved<br /> chess failed to quash it. Even current rumour<br /> on the subject of the famous tournament fell<br /> flat.<br /> <br /> “We have one story by ———”’ (he named a<br /> leading author of the day, on the council of the<br /> society). ‘‘ But we are at our wits end where to<br /> find another. H talks of advertising.”’<br /> <br /> My silly little heart gave a bound. In the<br /> supremest matter-of-fact tone I said ‘“‘I have one<br /> I could finish in a week or two, if you thought it<br /> would do.”<br /> <br /> “You! &lt;A story, a novel!” I don’t know<br /> which was the more astonished, B or my<br /> husband. Five-and-twenty years ago, the crowd<br /> of women writers was infinitely less dense than<br /> now.<br /> <br /> Half exultant, half reluctant, I drew the MS.<br /> from its hiding-place. After turning a few<br /> pages, ‘ By Jove, it will do,’ exclaimed B :<br /> clapping his hands gleefully. ‘I must show it<br /> H ; but Iam confident he will have it.” I<br /> don’t think terms were ever mentioned or thought<br /> of.<br /> <br /> It was a significant coincidence that on the<br /> day of publication I happened to be in the<br /> Strand. I looked in at the office, and purchased<br /> a couple of numbers. Next day B arrived,<br /> to bring me a copy and report progress.<br /> <br /> Progress! it was stagnation: failure the most<br /> pronounced.<br /> <br /> “Up to five o’clock we had only sold four<br /> copies. Then a lady came and bought two.<br /> That is the sum total so far.’ But H .<br /> persists in being hopeful. ‘These things take<br /> time,” he says, ‘“‘and that lady ——”<br /> <br /> What could my eyes have said? J spoke never<br /> a word.<br /> <br /> “Oh, don’t, don’t,” he broke out in a voice of<br /> absolute anguish. ‘‘ Don’t say you were the lady.<br /> ‘A lady with a white veil,’ the boy said. You<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> never wear a white veil, now, do you? Oh! it<br /> was balm of Gilead, her coming. H. sent<br /> for a bottle of fizz to drink it to her. ‘The lady<br /> <br /> in the white veil!’ Ah, don’t be so cruel as to<br /> say it was you. I daren’t tell H——,” followed<br /> <br /> <br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> THE<br /> <br /> by a long-drawn sigh ; mournful as midnight<br /> breeze on dark Helvellyn.<br /> <br /> It had been arranged, after H saw it,<br /> that I should retain the MS. in my possession.<br /> I was anxious to revise it, and they would send<br /> for the instalments week by week. Each number<br /> was to have one full-page coloured illustration.<br /> I was honoured with it, the first number.<br /> wretched thing! The third week arrived, but lo<br /> and behold! no messenger from the office. Natu-<br /> rally I concluded the whole thing had collapsed.<br /> But no! In course of time the number appeared,<br /> and, located at its usual post, my story ! Had the<br /> MS., in desperation, sprouted wings and flown to<br /> the office? If so, like a homing pigeon it had<br /> returned, for there it lay, still in its brown paper<br /> wrapper.<br /> <br /> In horror I gazed at the heading of the<br /> chapter: ‘ My hounds are of the true Spartan<br /> breed.” And a lurid light burst upon my<br /> bewildered faculties. Dominated by his strong<br /> sporting proclivities, B had interpolated a<br /> chapter after his own fancy. Greyhounds and<br /> “saplings’”’—whatever that may be? I thought<br /> they were young trees—the Ridgway Club;<br /> Waterloo Cup; Ashdown Park coursing meeting ;<br /> poachers and an ancestral ghost swarmed in the<br /> foreground of my quiet Warwickshire scene.<br /> <br /> Explanation and apology followed in due<br /> course. Irregularities in the office. “ No one to<br /> <br /> <br /> <br /> <br /> <br /> send.’ “Knew I shouldn&#039;t mind;”? and so<br /> forth.”<br /> Not mind! How to scatter sharp to the four<br /> <br /> winds of heaven all this wretched rabble of<br /> hounds, ghosts, pups, and poachers, I don’t<br /> see. But it must be done. It will utterly ruin<br /> the next chapter, beside giving me an infinity of<br /> trouble.<br /> <br /> A popular writer—Mr. Percy B. St. John—<br /> on an urgent occasion, summoned his victims to<br /> the river side, enticed them into a boat, and<br /> immediately swamped it. I could not do that,<br /> although I had a river handy. Mine would not<br /> in “the loomp,’ I imagine, be amenable to<br /> reason.<br /> <br /> Well: H showed considerable mettle, and<br /> dropped it. He ran the magazine to some-<br /> thing like a dozen numbers before he Jost heart,<br /> and succumbed to circumstances. Both tales, as<br /> far as I remember, were, by editorial request,<br /> expeditiously wound-up. I was paid so much per<br /> column. The cheque for the whole was for £15.<br /> <br /> Many a story, both long and short, has been<br /> published since then. But my first love, wooed in<br /> secret, while the children were asleep, remains<br /> in statu quo to this day; a ghastly memory—<br /> dog-encumbered.<br /> <br /> <br /> <br /> AUTHOR.<br /> <br /> 169<br /> <br /> 1,<br /> «* What&#039;s the use ?’<br /> Said the goose.”<br /> <br /> The Goose was old, and grey, and tough,<br /> when, by repeated disappointments, she was<br /> driven to make the above remark.<br /> <br /> Michaelmas after Michaelmas had passed over<br /> her head, and she ought to have been very<br /> thankful that she still possessed a head for<br /> another Michaelmas to pass over. It was more<br /> than many of her contemporaries could boast.<br /> <br /> She was a literary goose, be it known ; which,<br /> as everybody will admit, is the worst kind of<br /> goose possible. The most indigestible and giddy,<br /> if not dry and tough. She was born that way,<br /> poor thing, so let us not judge her too harshly.<br /> <br /> The great mistake of her life was, that she would<br /> lay nothing but literary eggs. It was foolish<br /> and obstinate of her to do. so; for all her best<br /> friends had told her, at least once a week, that the<br /> market was overstocked already, and the sooner<br /> she left off the better. Only a few, dear, foolish<br /> Ducks and Goslings of her acquaintance loved<br /> and admired them. This encouraged the old goose<br /> in her absurd practices, for the small circle of<br /> her relations and friends was all the world to her.<br /> <br /> One unlucky day (she had dreamed about<br /> stuffing and green apple-sauce the night before),<br /> she was introduced to a gander. Nota literary<br /> gander, though such he pretended to be, and he<br /> was wise, but he was wicked. Now he flattered<br /> this foolish goose, and told her her eggs were<br /> worth a lot of money. He could sell thousands<br /> of them, if she would only trust him ; and swore<br /> upon his honour (of which he had no more than<br /> Touchstone’s knight) as a gander and a gentle-<br /> man, that he would negotiate the matter success-<br /> fully, if she would give him enough green peas<br /> to provide him with dinners fora month. The<br /> goose, who was always afraid that the eggs would<br /> become stale, if not quickly sold, closed with the<br /> proposal at once, and, not without considerable<br /> difficulty, supplied him with the number of peas<br /> he required. The unprincipled gander, however,<br /> having eaten all the peas, dropped the basket of<br /> eggs and flew away, cackling hideously.<br /> <br /> Then our goose went home again, her vanity<br /> sorely wounded, for geese can be as vain as any<br /> other birds, great or small, of the feminine<br /> gender. But all her dear ducks and goslings<br /> came quacking and cackling round her, and<br /> loved and believed in her as fondly as ever. So<br /> she laid some more literary eggs (you see she<br /> was no fool, for experience did not make her<br /> wise); and then, as she gazed at them sadly,<br /> she asked the immortal question which rhymes<br /> so nicely with the name of her species.<br /> <br /> Can anyone answer her question ?<br /> <br /> <br /> THE<br /> THE SHELLEY CENTENARY.<br /> <br /> N R. EDMUND GOSSE, at the meeting of<br /> <br /> 170<br /> <br /> the Shelley Centenary, delivered the<br /> following address :<br /> <br /> “We meet to-day to celebrate the fact that,<br /> exactly one hundred years ago, there was born,<br /> in an old house in this parish, one of the greatest<br /> of the English poets, one of the most individual<br /> and remarkable of the poets of the world. This<br /> beautiful county of Sussex, with its blowing<br /> woodlands andits shining downs, was even then<br /> not unaccust:med to poetic honours. One<br /> hundred and thirty years before it had given<br /> birth to Otway, seventy years before, to Collins.<br /> But charming as these pathetic figures were and<br /> are, not Collis and not Otway can compare for<br /> a moment with that writer who is the main<br /> intellectual glory of Sussex, the ever-beloved and<br /> ethereally illustrious Percy Bysshe Shelley. It<br /> has appeared to me that you might, as a Sussex<br /> audience gathered in a Sussex town, like to be<br /> reminded, before we go any further, of the exact<br /> connection of our poet with the county—of the<br /> stake, as it is called, which his family held in<br /> Sussex—and of the period of his own residence<br /> in it. You willsee that, although his native<br /> province lost him early, she had a strong claim<br /> upon his interests and associations.<br /> <br /> “Into the particulars of this strange life I need<br /> not pass. You know them well. No life so<br /> brief as Shelley’s has occupied so much curiosity,<br /> and for my patt I think that even too minute<br /> inquiry has been made concerning some of its<br /> details. The Harriet problem leaves its trail<br /> across one petal of this rose; minuter insects, not<br /> quite so slimy, Jurk where there should be<br /> nothing but colour and odour. We may well, I<br /> think, be content to-day to take the large<br /> romance of Shelley’s life, and leave any sordid<br /> details to oblivion. He died before he was quite<br /> thirty years of age, and the busy piety of<br /> biographers has peeped into the record of almost<br /> every day of the last ten of those years. What<br /> seems to me most wonderful is that a creature so<br /> nervous, so passionate, sill-disciplined as Shelley<br /> was, should be-able to come out of such an<br /> unprecedented ordeal with his shining garments<br /> so little specked with mire. Let us, at all<br /> events, to-day, think of the man only as “the<br /> peregrine falcon” that his best and oldest friends<br /> describe him.<br /> <br /> “We may, at all events, while a grateful Iing-<br /> land is cherishing Shelley’s memory, and con-<br /> gratulating herself on his majestic legacy of song<br /> to her, reflect almost with amusement on the very<br /> different attitude of public opinion seventy and<br /> even fifty years ago. That he should have been<br /> <br /> AUTHOR.<br /> <br /> pursued by calumny and’ prejudice through his<br /> brief, misrepresented life, and even beyond the<br /> tomb, can surprise no thinking spirit. It was<br /> not the poet who was attacked, it was the reyo-<br /> lutionist, the enemy of kings and priests, the<br /> extravagant and paradoxical humanitarian. It ig<br /> not needful, in order to defend Shelley’s genius<br /> aright, to inveigh against those who, taught in<br /> the prim school of eighteenth century poetics, and<br /> repelled by political and social peculiarities which<br /> they but dimly understood, poured out their<br /> reprobation of his verses. Hven his reviewers,<br /> <br /> ‘perhaps, were not all of them ‘ beaten hounds’<br /> <br /> and ‘carrion kites;’ some, perhaps, were very<br /> respectable and rather narrow-minded English<br /> gentlemen, devoted to the poetry of Shenstone.<br /> The newer a thing is, in the true sense, the slower<br /> people are to accept it, avd the abuse of the<br /> Quarterly Review, rightly taken, was but a token<br /> of Shelley’s opulent originality.<br /> <br /> “To this unintelligent aversion there succeeded<br /> in the course of years an equally blind, although<br /> more amiable, admiration. Among a certain class<br /> of minds the reaction set in with absolute violence,<br /> and once more the centre of attention was not the<br /> poet and his poetry, but the faddist and his fads.<br /> Shelley was idealised, etherialised, and canonised.<br /> Expressions were used about his conduct and his<br /> opinions which would have been extravagant it<br /> employed to describe those of a virgin-martyr or<br /> of the founder of a religion. Vegetarians<br /> clustered around the eater of buns and raisins,<br /> revolutionists around the enemy of kings, social<br /> anarchists around the husband of Godwin’s<br /> daughter. Worse than all, those to whom the<br /> restraints of religion were hateful, marshalled<br /> themselves under the banner of the youth who<br /> had rashly styled himself an atheist, forgetful of<br /> the fact that all his best writings attest that,<br /> whatever name he might give himself, he, more<br /> than any other poet of the age, saw God in every-<br /> thing. This also was a phase, and passed away.<br /> The career of Shelley is no longer a battle-field<br /> for fanatics of one sort or the other; if they still<br /> skirmish a little in its obscurer corners, the main<br /> tract of itis not darkened with the smoke from<br /> their artillery. It lies, a fair open country of<br /> pure poetry, a province which comes as near to<br /> being fairy-land as any that literature provides<br /> for us.<br /> <br /> “ We cannot, however, think of this poet as of<br /> a writer of verses in the void. He is anything<br /> but the ‘idle singer of an empty day.’ Shelley<br /> was born amid extraordinary circumstances into<br /> an extraordinary age. On the very day, 100<br /> years ago, when the champagne was being drunk<br /> in the hall of Field-place in honour of the birth<br /> of a son and heir to Mr. Timothy Shelley, the<br /> <br /> <br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> thundercloud of revolution was breaking over<br /> Europe. Never before had there been felt within<br /> so short a space of time so general a crash of the<br /> political order of things. Here, in England, we<br /> were spectators of the wild and sundering stress,<br /> in which the other kingdoms of Europe were dis-<br /> tracted actors. The faces of Burke and of his<br /> friends wore ‘the expression of men who are<br /> going to defend themselves from murderers,’ and<br /> those murderers are called, during the infancy of<br /> Shelley, by many names, Mamelukes and Suliots,<br /> Poles and Swedes, besides the all-dreaded one of<br /> sans culottes. In the midst of this turmoil Shelley<br /> was born, and the air of revolution filled his veins<br /> with life.<br /> <br /> It is not for grey philosophers, or hermits wear-<br /> ing out the evening of life, to pass a definitive<br /> verdict on the poetry of Shelley. It is easy for<br /> critics of this temper to point out weak places in<br /> the radiant panoply, to say that this is incohe-<br /> rent, and that hysterical, and the other an ethe-<br /> real fallacy. Sympathy is needful, a recognition<br /> of the point of view, before we can begin to judge<br /> Shelley aright. We must throw ourselves back<br /> to what we were at twenty, and recollect how<br /> dazzling, how fresh, how full of colour, and<br /> melody, and odour, this poetry seemed to us—<br /> how like a May-day morning in a rich Italian<br /> garden, with a fountain, and with nightingales in<br /> the blossoming boughs of the orange trees, with<br /> the vision of a frosty Appennine beyond the belt<br /> of laurels, and clear auroral sky everywhere above<br /> our heads. We took him for what he seemed,<br /> ‘a pard-like spirit beautiful and swift, and we<br /> thought to criticise him as little as we thought<br /> to judge the murmur of the forest or the reflec-<br /> tions of the moonlight on the lake. He was<br /> exquisite, emancipated, young like ourselves, and<br /> yet as wise as a divinity. We followed him un-<br /> questioning, walking in step with his panthers,<br /> as the Bacchantes followed Dionysus out of<br /> India, intoxicated with enthusiasm.<br /> <br /> “Tf our sentiment is no longer so rhapsodical,<br /> shall we blame the poet? Hardly, I think. He<br /> has not grown older, it is we who are passing<br /> further and further from that happy eastern<br /> morning where the light is fresh, and the shadows<br /> plain and clearly defined. Over all our lives,<br /> over the lives of those of us who may be seeking<br /> to be least trammelled by the common-place, there<br /> creeps ever onward the stealthy tinge of conven-<br /> tionality, the admixture of the earthly. We<br /> cannot honestly wish it to be otherwise. It is<br /> the natural development, which turns kittens into<br /> cats, and blithe-hearted lads into earnest members<br /> of Parliament. If we try to resist this inevitable<br /> <br /> tendency, we merely become eccentric, a mockery<br /> to others, and a trouble to ourselves.<br /> <br /> Let us<br /> <br /> <br /> <br /> THE AUTHOR. 171<br /> <br /> accept our respectability with becoming airs of<br /> gravity ; it is another thing to deny that youth<br /> was sweet.- When I see an elderly professor<br /> proving that the genius of Shelley has been over-<br /> rated, I cannot restrain a melancholy smile.<br /> What would he, what would I, give for that<br /> exquisite ardour, by the light of which all other<br /> poetry than Shelley’s seemed dim ? You recol-<br /> lect our poet’s curious phrase that to go to him<br /> for common-sense was like going to a gin-palace<br /> for mutton chops. The speech was a rash one,<br /> and has done him harm. But it is true enough<br /> that those who are conscious of the grossness of<br /> life, and are over-materialised, must go to him<br /> for the elixir and ether which emancipate the<br /> senses.<br /> <br /> “Tf Lam right in thinking that you will all<br /> be with me in considering this beautiful passion<br /> of youth, this recapturing of the illusions, as the<br /> most notable of the gifts of Shelley’s poetry to<br /> us, you will also, 1 think, agree with me in<br /> placing only second to it the witchery which<br /> enables this writer, more than any other, to seize<br /> the most tumultuous and agitat ing of the<br /> emotions, and present them to us coloured by the<br /> analogy of natural beauty. Whether it be the<br /> petulance of a solitary human being, to whom<br /> the little downy owl is a friend, or the sorrows<br /> and desires of Prometheus, on whom the primal<br /> elements attend as slaves, Shelley is able to mould<br /> his verse to the expression of feeling, and to<br /> harmonise natural phenomena to the magnitude<br /> or the delicacy of his theme. No other poet has<br /> so wide a grasp as he in this respect, no one<br /> sweeps so broadly the full diapason of man in<br /> nature. Laying hold of the general life of the<br /> universe with a boldness that is unparalleled, he<br /> is equal to the most sensitive of the naturalists in .<br /> his exact observation of tender and humble<br /> forms.<br /> <br /> “And to the ardour of fiery youth and the<br /> imaginative sympathy of pantheism, he adds<br /> what we might hardly expect from so rapt and<br /> tempestuous a singer, the artist’s self-restraint.<br /> Shelley is none of those of whom we are some-<br /> times told in these days, whose mission is too<br /> serious to he transmitted with the-arts of<br /> language, who are too much occupied with the<br /> substance to care about the form. All that is<br /> best in his exquisite collection of verse cries out<br /> against this wretched heresy. With all his<br /> modernity, his revolutionary instinct, his disdain<br /> of the unessential, his poetry is of the highest<br /> and most classic technical perfection. No one,<br /> among the moderns, has gone further than he in<br /> the just attention to poetic form, and there is so<br /> severe a precision in his most vibrating choruses<br /> that we are taken by them into the company, not<br /> <br /> <br />  <br /> <br /> 172<br /> <br /> of the Ossians and the Walt Whitmans, not of<br /> those who feel, yet cannot control their feelings,<br /> but of those impeccable masters of style,<br /> <br /> who dwelt by the azure sea<br /> <br /> Of serene and golden Italy,<br /> Of Greece the mother of the free.<br /> <br /> « And now, most inadequately and tamely, yet<br /> I trust, with some sense of the greatness of my<br /> theme, I have endeavoured to recall to your<br /> minds certain of the cardinal qualities which<br /> animated the divine poet whom we celebrate<br /> to-day. I have no taste for those arrangements<br /> of our great writers which assign to them rank<br /> like schoolboys in a class, and I cannot venture<br /> to. suggest that Shelley stands above or below<br /> this or that brother immortal. But of this I am<br /> quite sure, that when the slender roll is called of<br /> those singers who make the poetry of England<br /> second only to that of Greece (if even of Greece),<br /> however few are named, Shelley must be among<br /> them. To-day, under the auspices of the greatest<br /> poet our language has produced since Shelley died,<br /> encouraged by universal public opimion and by<br /> dignitaries of all the professions, yes, even by<br /> prelates of our national Church, we are gathered<br /> here as a sign that the period of prejudice is over,<br /> that England is in sympathy at last with her<br /> beautiful wayward child, understands his great<br /> language, and is reconciled to his harmonious<br /> ministry. A century has gone by, and once more<br /> we acknowledge the truth of his own words:<br /> <br /> “The splendours of the firmament of time<br /> May be eclipsed, but are extinguished not ;<br /> Like stars to their appointed height they climb.”<br /> <br /> ee<br /> <br /> THE INSTITUTE OF JOURNALISTS.<br /> <br /> <br /> <br /> HE conference of the Institute of Journalists<br /> (which now numbers 3118 members) at<br /> Edinburgh this year proved to be a most<br /> <br /> interesting and enjoyable gathering. The impor-<br /> tant business of the meeting was the discussion<br /> and arrangement of the orphan fund scheme,<br /> the question of lineage, or the “usage” of news<br /> correspondence, which touches most closely the<br /> reporter, and the all important matter of estab-<br /> lishing an educational test to be applied to all<br /> wishing to enter the Institute, either as associates<br /> or members. This important step to prevent<br /> illiterate and incompetent men posing as<br /> journalists, created much discussion, and, incon-<br /> gruously enough, as the sitting was in the hall of<br /> their own university, the Edinburgh district<br /> moved that the time was not yet come for an<br /> <br /> THE AUTHOR.<br /> <br /> educational test to be imposed on those wishing to<br /> enter the Institute. Their principal reason for<br /> this motion appeared to be that in Scotland many<br /> men raised themselves from printers to journal-<br /> ists; but this was not considered by the con-<br /> ference to be a reason why such men should not<br /> also educate themselves, and a Mr. Duncan, of<br /> Aberdeen, stated that he had stepped from the<br /> composing room to the reporter’s desk, but he<br /> felt he would have been the better if some such<br /> examination had been forced upon him. A very<br /> large majority of the Conference were in favour<br /> of such a test, and, after a discussion as to<br /> whether it should not be more technical than<br /> the scheme submitted by the examination com-<br /> mittee, and as to the relative merits of Latin,<br /> French, and German, it was passed that in future<br /> all candidates must pass an examination, or pro-<br /> duce a recognised certificate, such as the Oxford<br /> or Cambridge examinations, before he would be<br /> elected a member of the Institute; Mr. Gilzcan<br /> Reid remarking that he hoped some day to see a<br /> school for journalists established. &#039;The members<br /> of the Conference were most interestingly enter-<br /> tained by the Lord Provost and Council of Edin-<br /> burgh, and at the annual dinner Lord Rosebery<br /> proposed the toast of the evening, ‘‘ The Institute<br /> of Journalists,” in what may be termed a most<br /> dramatic and humorous speech. Especially<br /> happy was he in comparing the work of a foreign<br /> secretary with that of a journalist. Both inter-<br /> viewed great personages, both received telegrams ;<br /> but the journalist received telegrams which in<br /> some way or other miscarried ere they reached<br /> the foreign secretary, as in the case of that<br /> telegram announcing the evacuation of Egypt.<br /> He likened the drawing together of all the<br /> journalists of the Empire to Imperial Federation,<br /> and he welcomed the fact that political speeches<br /> were being curtailed, and home and _ colonial<br /> topics more fully discussed. If Lord Rosebery<br /> held the audience intent, so also did Professor<br /> Masson, ina most earnest and powerful speech<br /> upon the power and danger of this huge and<br /> grand profession of journalism. With incisive<br /> phrases and energetic accents he urged journa-<br /> lists to intense accuracy and honourable fairness ;<br /> and he asserted that the Universities that were<br /> established to acquire knowledge must recognise<br /> the pro’ession of journalism, that disseminated<br /> knowledge. With apt literary allusion and quota-<br /> tion he emphasised his words, and charmed his<br /> audience, mostly members of that “‘ dangerous ”’<br /> profession. As a Glasgow editor was elected<br /> president of the institute for the coming year, it<br /> was a very fitting ending to the Conference that<br /> the members went to Glasgow, and were most<br /> hospitably entertained by the Lord Provost of<br /> <br /> <br /> <br /> <br /> dy<br /> <br /> vfs<br /> <br /> ple<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> «) that city, the whole proceedings ending with a<br /> | day’s run amidst the hills and firths of the Clyde<br /> <br /> upon the famous steamer “ Columba,” which was<br /> placed at the disposal of the institute by Mr.<br /> David McBrayne. This last day proved remark-<br /> ably fine, and the Kyles of Bute and Arran Hills<br /> stood out beneath the blue cloud-flecked sky in<br /> all their loveliness as the steamer, with its<br /> journalistic freight, steamed amidst them. On<br /> the following day those who write newspapers<br /> that Sir George Trevelyan, at the Glasgow dinner,<br /> asserted all men must read—dispersed to all<br /> parts of the empire, for some were present from<br /> Europe, the Cape and India, and from Treland<br /> and Scotland and England.<br /> James BakER.<br /> <br /> <br /> <br /> AS<br /> <br /> <br /> <br /> CORRESPONDENCE.<br /> <br /> &lt;&lt; S<br /> <br /> lie<br /> American COPYRIGHT.<br /> <br /> RIOR to the passing of the American Copy-<br /> right Bill I sent a short story to one of the<br /> London magazines. The editor accepted it,<br /> <br /> and forwarded me a cheque in payment, at the same<br /> time intimating that the copyright would remain<br /> my property. A few days after the appearance<br /> of the story in the magazine in question I re-<br /> ceived a second cheque from the editor for<br /> “American rights”—the only notice given me<br /> that my work had been used in the States. I<br /> was, naturally, very much edified to find that the<br /> story had seen the light both here and there, and<br /> the second cheque—which I had not anticipated<br /> receiving—was especially comforting.<br /> <br /> The 4th of July passed, and I sent the same<br /> magazine another paper, which was published<br /> in due course, and again a cheque for “ American<br /> rights”’ reached me. But the feeling of satis-<br /> faction with which the second cheque had filled<br /> me on the former occasion is now tempered by<br /> doubts as to the right of the editor to dispose of<br /> and republish my work in America without my<br /> permission. Whether in so doing he secured for<br /> me American copyright I do not quite know, but I<br /> observe that the date of the New York journal<br /> in which the story appeared—it was sent me by<br /> a friend who happened to see it—is four days<br /> ahead of the London magazine; the former being<br /> published on the 27th of the month, the latter on<br /> the 1st of the following month.<br /> <br /> The above details, it seems to me, bear on a<br /> point of the copyright question not hitherto dis-<br /> cussed in the Author. I would ask (1) whether<br /> an editor is privileged to republish in America<br /> <br /> <br /> <br /> #73<br /> <br /> a work the copyright of which is the property of<br /> the author; and (2) whether, under the circum-<br /> <br /> stances given, the dual publication secures<br /> American copyright. A. B:<br /> I:<br /> CATALOGUING.<br /> <br /> In my “green salad” days—before unfor-<br /> tunately the Society of Authors was at hand to<br /> give advice to the unsophisticated—I signed an<br /> agreement with a firm of some repute for several of<br /> my books on half share terms. Thinking at that<br /> time that the publishers were good kind peopl&gt;<br /> to bring out my lucubrations at all, nothing was<br /> inserted in the agreement about advertising.<br /> The books have had a steady sale ever since.<br /> When my first half-yearly account came in, my<br /> admiration for these good kind gentlemen was<br /> considerably damped when I found that, in addi-<br /> tion to charging 15 per cent. for publishing, each<br /> book was loaded with a charge of one guinea and<br /> a half for cataloguing. This went on for some<br /> time, until I became somewhat wiser in my gene-<br /> ration, and proceeded to kick at these impositions.<br /> Eventually I succeeded in getting half a guinea<br /> off each book; but I am sti&#039;l charged two guineas<br /> per annum on each for cataloguing. My object<br /> in writing is to ask if this charge can be legally<br /> sustained? Of necessity most tradesmen must<br /> have a list of the wares they have for sale, and<br /> why not books? I could, of course, object to<br /> their insertion, but should in this case greatly<br /> damage their sale. I need hardly say since these<br /> days my arrangements as to publishing have<br /> become very different, and, thanks to the Society<br /> and its mouthpiece the Author, anyone trying to<br /> “have me on toast” in a similar way will find<br /> they are “ barking up the wrong tree’”’ as our<br /> American friends very expressively put it.<br /> <br /> Tyomas CwMRAG JONES.<br /> <br /> ———&lt;—&lt;—<br /> <br /> TT.<br /> Booxs For REvIEW.<br /> <br /> “Frequently books are sent to papers for<br /> review, and no review ever appears. When this<br /> is the case, should not editors return the books?<br /> Perhaps no review is better than a bad one; but<br /> this is questionable. —<br /> <br /> Many persons are not influenced by a review,<br /> but would rather judge of a book for themselves,<br /> and, unless the name of the book, author, and<br /> publisher be brought to their notice in a review<br /> or advertisement, how can they possibly judge of<br /> the merits of a book ?<br /> <br /> But when several books are sent to publishers<br /> <br /> <br /> 174<br /> <br /> who neither acknowledge nor return them, it is a<br /> serious addition to the expenses of launching a<br /> book into the world.”<br /> <br /> [The question seems to resolve itself into this.<br /> Do we in sending a@ Lok for review rely on a<br /> tacit understanding that it will be reviewed—or<br /> do we send it on the chance that the editcr will<br /> see fit to give it a review ? |<br /> <br /> SS<br /> <br /> IV.<br /> Tur SHetLEY MErMoriAt.<br /> <br /> In the number of the Author for August there<br /> is a curiously worded sentence recommending, as<br /> a memorial to Shelley, ‘an institute something<br /> like the Shakespeare’s house at Stratford.” Which<br /> does the writer mean? Shakespeare’s house, his<br /> birthplace, or the small remains of the house he<br /> built, or the beautiful Memorial Theatre and<br /> Library, with the gardens by the side of the<br /> Avon, erected in the poet’s honour mainly by one<br /> of his fellow-townsmen, with the sympathy and<br /> collaboration of admirers throughout the English-<br /> speaking world. The cost of each of these three<br /> monuments would be easily ascertained, and I<br /> should be glad, if the last-named building be the one<br /> referred to, to furnish notes on what one man has<br /> done for the recovery of England’s greatest poet<br /> which might suggest in what manner another poct<br /> might be honoured. I may just add that during<br /> the thirteen years the Memorial Theatre has been<br /> opened twenty-four plays of Shakespeare’s have<br /> been produced in strict accordance with the<br /> original text; that the library contains an un-<br /> exampled collection of Shakespeare literature,<br /> including the precious folios and quartos; and<br /> that Mr. C. E. Flower has edited a most useful<br /> edition of Shakespeare’s plays, either for the stage<br /> or for reading aloud. HK. N. P.<br /> <br /> ——<br /> <br /> V.<br /> LirERATURE AS A CALLING.<br /> <br /> Mr. James Payn is displeased with Mr. Grant<br /> Allen’s pessimistic view of literature as a trade,<br /> and persists in recommending it as an agreeable<br /> and sufficiently lucrative calling. Mr. Payn*<br /> admits that upon the start he found much help<br /> and kindness, and, of course, his own talents did<br /> the rest. So genial a writer naturally remembers<br /> the kindness and the pleasures of success, and<br /> forgets the early pangs. But perhaps there are<br /> no black periods in his career to remember.<br /> <br /> Writing as a woman of some literary expe-<br /> riences, I am inclined to believe that no view of<br /> <br /> <br /> <br /> * Notes of the Week, Illustrated London News, Sept. 17.<br /> <br /> THE AUTHOR.<br /> <br /> literature as a pursuit can be too sombre and dis-<br /> couraging. It ought to be regarded solely as an<br /> affair for people of independent means, though<br /> those among my acquaintances rail as bitterly<br /> against editors and publishers as we poor<br /> wretches who live and eat, say, bread and roots<br /> by their good pleasure.<br /> <br /> I have published half a dozen books, of which<br /> one at least has reached a third edition (without<br /> lending any extra weight to my purse, alas!). I<br /> have had stories in good magazines and articles<br /> in good papers, and been permitted at odd times<br /> to try my hand upon every kind of journalism,<br /> from leading articles, provincial letters, and<br /> reviewing, to descriptive reporting and para-<br /> graphs. A wealthy newspaper proprietor en-<br /> gaged me to write about half of his newspaper,<br /> a leaderette, two columns of notes of the week,<br /> and usually a couple of miscellaneous articles, as<br /> well as the selection of several lots of cuttings. I<br /> received the magnificent pay of £1 a week. One<br /> year onlydid I make the colossal sum of of £130;<br /> every other I am thankful to get as far as<br /> £80. Will Mr. Payn contend that these results<br /> are satisfactory? ‘True, unlike Mr. Payn, I have<br /> never found help or any kindness from my literary<br /> superiors—rather the reverse. True also, I am of<br /> vagabond tastes, like foreign wanderings and a<br /> novel on a sofa rather than the desk. These may<br /> <br /> be impediments to success, but I have fully tested |<br /> <br /> the disadvantages of the choice of rash youth, the<br /> one thing to which I have shown a misguided<br /> <br /> fidelity. x<br /> <br /> VI.<br /> <br /> Tue Crvin List.<br /> <br /> On receiving my copy of the Author for<br /> September, I was much struck by an article headed<br /> “The Civil List,’ from which it appears to me<br /> <br /> that the writer has not studied his subject with<br /> <br /> sufficient impartiality. I am not myself aware<br /> for what precise class of individuals the benefits<br /> of the Civil List Pensions were originally designed,<br /> but if, as your correspondent infers, they were<br /> for those who have advanced the causes of litera-<br /> ture, science, and art, why, in the name of wonder,<br /> should consuls and their widows be excluded ?<br /> <br /> Why should a man be neither literary, scien-<br /> tific, nor artistic because he is a consul ?<br /> <br /> Further on in the same article we are told, with<br /> some bitterness, that ‘‘to be the widow of a<br /> consul is to be assessed at a pension of £120 a<br /> year, while to be the widow of the greatest<br /> historian of the day only entitles one to a pension<br /> of £100.” Then we hear of “a malign influ-<br /> ence ” at work to produce this dire result. Iam<br /> <br /> far from denying that there may be frequent<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> ani iy<br /> 10S<br /> <br /> fou<br /> <br /> eu<br /> <br /> eo<br /> <br /> <br />  <br /> <br /> <br /> <br /> Lah AUTHOR.<br /> <br /> mistakes in the granting of the pensions dis-<br /> cussed, or even that ‘a job” is never known in<br /> connection therewith; but surely the bestowers<br /> take some account of the pecuniary circumstances<br /> of the recipients? If “the greatest historian of<br /> the day” has left his widow £20 a year more<br /> than the unfortunate consul could leave to his,<br /> why should not the difference be adjusted in their<br /> respective grants ?<br /> <br /> But the sentence with which I quarrel the<br /> most is the following, evidently written satiri-<br /> cally :<br /> <br /> “Let the pension, which should have been hers<br /> (referring to a contemporary novelist), be given<br /> to the widows and daughters of men in the Civil<br /> Service who have nothing whatever to do with<br /> literature, science, or art.”<br /> <br /> Presumably, this scathing statement applies to<br /> consuls, yet without great searchings of memory<br /> it appears to me that the Consular Corps has<br /> other claims than its civil ones. What about<br /> Sir Richard Burton, or Mr. Palgrave, or Mr.<br /> Oswald Crauford as far as literature goes ? or say,<br /> Consul O&#039;Neill, long at Mozambique, a gold<br /> medallist of the Geographical Society, or Sir<br /> John Kirk, once one of Livingstone’s party ?<br /> Have not these done something for science ?<br /> <br /> My husband and J, ina very small way, have<br /> done something for natural history. That<br /> department of the South Kensington Museum<br /> has been at various times glad to accept various<br /> objects, osteological and otherwise, collected and<br /> prepared by us. It has algo shown its apprecia-<br /> tion of our efforts by asking us to continue them<br /> by collecting some specimens required. Once<br /> even, I wrote a story; it was not a pecuniary<br /> success; but, as the comforting Author has often<br /> assured us, that is no criterion of merit. Yet<br /> if I were unfortunately left a needy widow—<br /> consuls are not highly paid, their lives are expen-<br /> sive, and the contingency is not impossible—I<br /> should, according to your correspondent, have no<br /> claim on the pension fund because the Consular<br /> Corps has nothing to do with either literature,<br /> science, or art. A Consuu’s Wire.<br /> <br /> [Nobody, surely, objects to a pension being<br /> bestowed upon a consul’s wife or widow if the<br /> consul has literary, scientific, or artistic claims,<br /> If he has none, he has no claim to a fund which<br /> is granted for literature, science, and art,—<br /> Eprror. |<br /> <br /> ee es SIE<br /> <br /> <br /> <br /> eh<br /> “AT THE AUTHOR&#039;S HEAD.”<br /> <br /> <br /> <br /> M* EDMUND GOSSE joins the company<br /> / of novelists. His first work of fiction<br /> <br /> will be published immediately by Heine-<br /> mann. Let us hope that it will be the first of<br /> many.<br /> <br /> A new and cheaper edition of Mr. J. E. Gore’s<br /> “ Scenery of the Heavens” will be published<br /> immediately by Messrs. R. A. Sutton and Co.,<br /> 11, Ludgate-hill.<br /> <br /> Vols. IV. and V. of “The Poets and Poetry of<br /> the Century ”’ are the next to appear. The editor,<br /> Mr. Alfred H. Miles, is himself responsible for<br /> many of the articles, and among the other con-<br /> tributors are Dr. Garnett, Dr. Furnivall, Mr.<br /> Austin Dobson, Mr. A. H. Bullen, Mr. Joseph<br /> Knight, Dr. Japp, Mr. Ashcroft Noble, and Mr.<br /> Mackenzie Bell.<br /> <br /> Mr. Andrew W. Tuer, of the Leadenhall Press,<br /> is engaged on a little work on Horn-Books, and<br /> desires it to be known that he will be grateful<br /> for references to material and examples.<br /> <br /> The June, July, and August numbers of the<br /> Eastern and Western Review contain respec-<br /> tively a story, ‘The Painter’s Daughter,” a paper<br /> on quaint customs in rural Greece, and a tale<br /> translated from the Greek of Karkabitsas. By<br /> Mrs. E. M. Edmonds. Mrs. Edmonds has also<br /> in the press an original story called “The History<br /> of a Church Mouse.” Publishers, Messrs. Law-<br /> rence and Bullen.<br /> <br /> Here is a useful little book; not a literary little<br /> book: a useful book. It is called “The Best<br /> Thing to Do.” It is written by Mr. ©. J. L.<br /> Thompson, and it is published at the Record<br /> Press, 374, Strand, for one shilling, Those who<br /> read this book will have a great deal of practical<br /> evidence about common ailments, clothing, sea<br /> sickness, accidents, &amp;c. The Record Press is new<br /> to us. Its list contains works chiefly on Nursing,<br /> Hospital Work, &amp;c.<br /> <br /> A new edition of “ Steam Pumps and Pumping :<br /> a Handbook for Pump Users,’ by Mr. Powis<br /> Bale, A.M.L.C.S., has just been issued by Messrs.<br /> Crosby, Lockwood, and Son, Stationers’ Hall-<br /> court, E.C.<br /> <br /> The record of the Shelley Centenary Celebra-<br /> tion at Horsham is to be preserved in a permanent<br /> form. A pamphlet containing Mr. Edmund<br /> <br /> Gosse’s address, the speeches of Professor J.<br /> Nichol and Mr. Frederic Harrison, together with<br /> press and personal notices, has been compiled and<br /> edited by the Hon. Secs., Messrs. J. Stanley<br /> Little and J. J. Robinson, and will be issued<br /> shortly.<br /> 176<br /> <br /> “ An Order to View,” by “ Lohta Talsduan”<br /> (Simpkin, Marshall, Hamilton, Kent, and Co.),<br /> is described by the author as a “ record of pain-<br /> ful, personal experiences connected with the dis-<br /> posal of a country house.” Thatis his way of<br /> putting it. The volume is, in fact, a gossiping,<br /> pleasant, rambling talk about a great many<br /> things.<br /> <br /> Mr. Henry Neville’s new collection of stories<br /> “Tn the Tilt Yard of Life,’ is published by<br /> Ward and Downey. It consists of “ Barbara’s<br /> Confession,” ‘ Elizabeth’s Confession,” ‘The<br /> Best Friend,” ‘Golden Gates,’ ‘Silas Single-<br /> ton,” “A Jew in Moscow,” “ Gritty’s Glove,” &amp;e.<br /> The author does not tell us if the stories have<br /> already appeared elsewhere. If the reader is not<br /> familiar with them, he will do well to get the<br /> volume and read the book.<br /> <br /> Certain remarks were quoted in the August<br /> number of the Author as from the Salisbury and<br /> Winchester Times. It should have been from the<br /> Salisbury and Winchester Journal.<br /> <br /> A correspondent says: “I not only write my<br /> own books, but I print, illustrate, and bind them.<br /> I select the material and the type; I design the<br /> cover, and I give the book, on commission, to a<br /> firm which publishes many books in that way.”<br /> His last book is before me. Paper, printing, and<br /> binding are all good; the binding especially is<br /> excellent. By this plan, the author may pay a<br /> little more than a publisher would for production,<br /> but then, if the publisher sends in a false return,<br /> as is too often done, the author is no better for the<br /> saving. He pays a commission-fee, of course,<br /> but would a publisher let him off so easily in any<br /> other system? The weak point is the advertising.<br /> If any reader of these lines wishes to follow this<br /> example, the Society would be ready to advise him<br /> on this head.<br /> <br /> A correspondent writes @ propos of the verses,<br /> “The Lame Boy,” which appeared in the Author<br /> of September. I have just returned from Shet-<br /> land, where I met a rising young author, Mr.<br /> J. H. B. This young man has so far lost the<br /> use of his eyesight that he can no longer read,<br /> and can hardly see a few yards. He teaches<br /> navigation and other subjects in Lerwick ; is the<br /> author of two books, one in prose and one in<br /> verse, and is now writing a novel. His poems<br /> have gone into a second edition. He is in excel-<br /> lent spirits, and the loss of his eyesight does not<br /> seem to have had any effect upon him.”<br /> <br /> The third edition of Mr. J. B. Crozier’s book,<br /> “ Civilisation and Progress” will be ready on<br /> Noy. 1. Price 14s. Publishers, Messrs. Long-<br /> mans and Co.<br /> <br /> THE AUTHOR.<br /> <br /> In another column will be found a letter on the<br /> subject of books for review. A prospectus of a new<br /> paper to be called Pleasure, is lying on the table.<br /> In this, the editor promises to return press copies<br /> which are sent to him, and do not, for some<br /> reason or other, receive a review.<br /> <br /> Mr. Edmund Clarence Stedman has received<br /> from Columbia College, the degree of Doctor of<br /> Letters. The college deserves our warmest con-<br /> gratulations. It is said that Dr. Stedman’s<br /> lecture on the “ Nature and Elements of Poetry,”<br /> given at the Johns Hopkins, Philadelphia, and<br /> Chicago Universities was the last addition to his<br /> work and reputation which determined Columbia<br /> College. The lecture is to be issued in book<br /> form immediately by Messrs. Houghton, Miffiin,<br /> and Co. I hope there will be an English<br /> edition.<br /> <br /> Mr. Douglas Sladen has been correcting the<br /> proofs for his new book on Japan, which will<br /> appear very shortly.<br /> <br /> Mr. J. Stanley Little continues his articles on<br /> “ Aspects and Tendencies of Current Fiction ”<br /> in the Library Review, to the September number<br /> of which he also contributes a paper entitled<br /> “ Why Honour Shelley ?”’<br /> <br /> The Independent Theatre Society will give<br /> their next performance on Friday evening,<br /> Oct. 21, when a new stage version of Webster&#039;s<br /> tragedy, ‘The Duchess of Malfi,” will be pro-<br /> duced with a specially selected caste under the<br /> direction of Mr. William Poel, member of<br /> council New Shakespeare Society, and Mr. H. de<br /> Lange.<br /> <br /> Dr. G. C. Williamson, of the Mount, Guildford,<br /> has in preparation a monograph on John<br /> Russell, R.A., the famous crayon artist of the<br /> early part of this century. The Queen has<br /> granted him permission to photograph five<br /> pictures by Russell in her possession. The<br /> diploma picture by Russell in the Royal Academy<br /> will also be reproduced in the volume. Dr.<br /> Williamson invites owners of Russell’s pictures to<br /> communicate with him.<br /> <br /> Mr. Edward Stanford will shortly publish a<br /> second edition (considerably rewritten and much<br /> enlarged) of Mr. Reynold Ball’s ‘‘ Mediterranean<br /> Winter Resorts.” The new edition will contain<br /> special articles on the principal invalid stations<br /> by eminent medical authorities practising on the<br /> Continent.<br /> <br /> Mrs. Edith E. Cuthell’s yachting story, “ The<br /> Wee Widow’s Cruise in quiet Waters,” which has<br /> just finished running in the Lady’s Pictorial, is<br /> to be published immediately in New York by the<br /> Cassell Publishing Company.<br /> <br /> <br />  <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> THE AUTHOR.<br /> <br /> H.R.H. The Duchess of Connaught has been<br /> pleased to accept the dedication of Mrs. Edith E.<br /> Cuthell’s new children’s story “ Only a Guard-<br /> room Dog,’ to be published next month by<br /> Messrs. Methuen, illustrated by W. Parkinson.<br /> <br /> Messrs. Chatto and Windus will publish<br /> shortly a novel entitled “A Family Likeness,” by<br /> Mrs. B. M. Croker.<br /> <br /> ee<br /> <br /> FROM THE PAPERS.<br /> <br /> <br /> <br /> ? R. LAUDER BRUNTON has made a<br /> D discovery which ought to entitle him<br /> to the gratitude of all who live by<br /> intellectual labour. It is nothing less than<br /> the secret of how to have ideas at will. One<br /> night, after a long day’s work, this eminent<br /> physician was called upon to write an article<br /> immediately. He sat down with pen, ink, and<br /> paper before him, but not a single idea came into<br /> his head, not a single word could he write. Lying<br /> back, he then soliloquised, ‘‘ The brain is the<br /> same as it was yesterday, and it worked then;<br /> why will it not work to-day.” Then it occurred<br /> to him that the day before he was not so<br /> tired, and that probably the circulation was a<br /> little brisker than to-day. He next considered<br /> the various experiments on the connection<br /> between cerebral circulation and mental activity,<br /> and concluded that if the blood would not come<br /> to the brain the best thing would be to bring the<br /> brain down to the blood. It was at this moment<br /> that he was seized with the happy thought of<br /> laying his head “flat upon the table. At once<br /> his ideas began to flow and his pen to run across<br /> the paper.’ By and by Dr. Brunton{thought “I<br /> am getting on so well I may sit up now. But it<br /> would not do. “The moment,” he continues,<br /> “that I raised my head, my mind became an<br /> utter blank, so I put my head down again flat<br /> upon the table, and finished my article in that<br /> position.””—Leeds Mercury, July 30, 1892.<br /> <br /> <br /> <br /> It is a great satisfaction to feel that among the<br /> many young makers of verse in England there<br /> are a few real poets. Among these, and one of the<br /> youngest of them, is Mr. William Watson, who<br /> recently acquired an enviable prominence as a<br /> poet through a slender volume of excellent verse,<br /> entitled “‘ Wordsworth’s Grave, and other Poems.”<br /> The contents of that volume, with the addition of<br /> twenty or more new pieces, now reappear as<br /> “Poems by William Watson,” and they are fine<br /> enough to convince one that this poet is the fore-<br /> <br /> 7<br /> <br /> most among his contemporaries. He has imagina-<br /> tion; he is thoughtful; he has a gift of expression<br /> and a freshness of phrase which give a delightful<br /> charm to his work; he has style and, above all,<br /> a poet’s high regard for the rules governing<br /> his art.— New York Critic.<br /> <br /> ————+<br /> <br /> From an address to Oliver Wendell Holmes on<br /> his 83rd birthday :<br /> Last of a line, behold the veteran stand,<br /> The lance of wit still trembling in his hand,<br /> With locks all whitened now, but holding still<br /> A cheerful courage, an enduring will;<br /> Last of a race of bards,—too proud to climb<br /> Into the saddle of new-fashioned rhyme,<br /> Too wise to value art o’er lucid sense,<br /> Too brave to draw the curb on eloquence,<br /> Not always deep, perhaps, in flow of song,<br /> But full-voiced, limpid, tuneful, fluent, strong.<br /> A voice, gay, genial, grave,—still true to guide<br /> From erring ways kot youth’s impatient stride ;<br /> A humour keen, yet with no rankling smart,<br /> Its champagne sparkles bubbling from the heart ;<br /> A wit perennial and a fancy free,<br /> The bloom of spring on life’s long-wintered tree ;<br /> A heart as tender as a lover’s thought<br /> A falcon spirit, fearless, firmly wrought,<br /> Quick to detect, yet tardy to condemn,<br /> Well armed with pungent, pointed apothegm ;<br /> Shrewd Yankee mind with graft of learning’s fruit ;<br /> An ear fine-tuned as Blondel’s joyous lute ;<br /> As sly and quaint as Shandy in his style<br /> With something of the Frenchman in his smile.<br /> At four-score still a bright-eyed, kindly man,<br /> Part courtier-cavalier, part Puritan ;<br /> Reverend where’er the rose of culture grows,<br /> From austral summer to Alaskan snows ;<br /> A school-boy’s eye beneath his doctor’s hat,<br /> Our love-crowned poet, laureled Autocrat.<br /> CRAVEN LANGSTROTH BETTS.<br /> <br /> New York Critic.<br /> <br /> <br /> <br /> What Mr. Stedman did for Austin Dobson ten<br /> years ago is done for William Sharpe now by<br /> Thomas A. Janvier, whose introduction to<br /> “Flower o’ the Vine” is prose with the grace of<br /> poetry, happily conceived and felicitously appro-<br /> priate. ‘Flower o’ the Vine” contains the sub-<br /> stance of two recent volumes of Mr. Sharpe’s<br /> verse—“ Romantic Ballads and Poems of Phan-<br /> tasy” (London) and “ Sospiri di Roma ” (Rome)<br /> Poems of the North and of the South—the first<br /> exhibiting a fine power of imagination, the second<br /> rich in fancy and exquisite bits of description.<br /> Of each of these collections we have already had<br /> something to say. Let us now take a word from<br /> the genial host who speaks thus of his guest&#039;s<br /> credentials: “Here, joined, but not blended, is<br /> the poetry of the South and of the North. It is<br /> an inversion of that curious process by which the<br /> waters of the White and Blue rivers, whereof the<br /> <br /> <br /> 178<br /> <br /> Nile is made, flowing out from separate sources,<br /> journey on together in the same channel for a<br /> long while without mingling. In this case, the<br /> two streams of verse come from the same source<br /> —yet instantly are so distinct and separate that<br /> the most acutely critical of observers would not<br /> be likely to refer them to a common origin :<br /> His ballads are not mere masses of rhymes<br /> dexterously fitted together; they are poems with<br /> living souls I do hold to be remarkable<br /> this merging of two distinct patents of poetic<br /> nobility in a single fortunate heir.” “ Flower of<br /> the Vine”’ ought. to come into the hands of every<br /> lover of fine poetry.— New York Critic.<br /> <br /> &lt;S——<br /> <br /> A check has been put, by the decision of an<br /> American judge, upon the attempt to strain the<br /> interpretation of a clause in the McKinley Tariff<br /> Act in such a way as to prevent the importation<br /> duty free into the United States of old books that<br /> have been partially rebound within twenty years.<br /> The question is one of considerable importance.<br /> As book collectors know to their cost, there has<br /> long been a considerable demand for old books in<br /> this country to be exported to America. As it<br /> would be absurd to regard a copy of an old<br /> English book—say a first folio of Shakespeare, or<br /> the precious little volume contaiming Keats’s<br /> “ Tamia,’ and ‘‘ Hyperion”—as competing with<br /> any American industry. Congress wisely deter-<br /> mined that old books should be exempt, and it<br /> fixed the limit at twenty years. But, owing toa<br /> construction, which seems to turn partly on the<br /> absence of a comma, it was contended that the<br /> mere repair of the binding—and most old books<br /> in the original binding have been ‘backed ”’ or<br /> otherwise repaired — within that time would<br /> entail forfeiture of the privilege. Judge Putnam,<br /> however, of the Circuit Court of the United<br /> States for the district of Massachusetts, has<br /> decided that books that have been bound for<br /> twenty years are entitled to free entry in spite of<br /> -subsequent repairs. 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The Statutes of Practical Utility in the Civil<br /> and Criminal Administration of Justice passed 55 &amp;<br /> 56 Victoria (1892), alphabetically arranged, with notes<br /> thereon and a copious index. Vol. Iil., part I.<br /> Annual continuation of Chitty’s Statutes. Sweet and<br /> Maxwell. 12s.<br /> <br /> Wourzpure, Epwarp A. The Law Relating to Building<br /> Societies, with Appendices containing the Statutes.<br /> Treasury Regulations, Act of Sederunt, and Precedents<br /> of Rules and Assurances. Second edition. Stevens<br /> and Sons. 14s.<br /> <br /> <br />  <br /> <br /> <br /> <br /> F<br /> <br /> a |<br /> <br /> <br /> <br /> ADVERTISEMENTS.<br /> <br /> 183<br /> <br /> <br /> <br /> The Society of Authors (Fucorporated).<br /> <br /> <br /> <br /> <br /> <br /> PRESIDENT.<br /> <br /> Tue Riaut Hon. tar LORD TENNYSON, D.C.L.<br /> <br /> COUNCIL.<br /> <br /> Sie Epwin ARNOLD, K.C.LE., C.S.1. |<br /> ALFRED AUSTIN.<br /> <br /> J. M. BaRRIE. |<br /> A. W. A Beckett.<br /> <br /> RoBerRT BATEMAN.<br /> <br /> Sir Henry BEerGNE, K.C.M.G.<br /> WALTER BESANT.<br /> <br /> AustTIN DOBSON.<br /> AuvGuUSTINE BirRELL, M.P.<br /> <br /> A. W. DuBoURG.<br /> <br /> R. D. BLACKMORE. EpMUND GOSSE.<br /> Rev. Pror. Bonney, F.RB.S.<br /> Lord BRABOURNE.<br /> <br /> James Bryce, M.P.<br /> <br /> Haut CAINE.<br /> <br /> P. W. CLAYDEN.<br /> <br /> EpwaArp CLopDD.<br /> <br /> W. Morris Cougs.<br /> <br /> Hon. JOHN COLLIER.<br /> <br /> W. Martin Conway.<br /> <br /> F. Marion CRAWFORD.<br /> <br /> Tuomas Harpy.<br /> <br /> J. M. Ley.<br /> <br /> OswaLpD CRAWFURD, C.M.G. {<br /> THe Eart or DESART.<br /> <br /> J. Eric EricuHseEn, F.R.S.<br /> Pror. MicHaEu Foster, F.R.S.<br /> HERBERT GARDNER, M.P.<br /> RicHarp Garnett, LL.D.<br /> <br /> H. RipER HAGGARD.<br /> <br /> JEROME K. JEROME.<br /> RupDYARD KIPLING.<br /> Pror. E. Ray LAnKESTER, F.R.S.<br /> <br /> Rev. W. J. Lortiz, F.S.A.<br /> Pror. J. M. D. 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Compiled from Authentic Sources by<br /> <br /> GEORGE HENRY JENNINGS.<br /> CONTENTS :<br /> Part 1.—Rise and Progress of Parliamentary Institutions.<br /> <br /> Part IL—Personal Anecdotes: Sir Thomas More to John Morley.<br /> <br /> Part Ill.—Miscellaneous. 1. Election. 2. Privilege; Exclusion of<br /> Strangers; Publication of Debates. 3. Parliamentary<br /> Usages, &amp;c. 4. Varieties.<br /> <br /> AppEenpIx.—(A) Lists of the Parliaments of England and of the<br /> United Kingdom. (B) Speakers of the House of<br /> Commons. 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