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                  <text>The Author.
( The Organ of the Incorporated

VOL

.

XXII . — No . 7 .

APRIL

Society

of

.

Authors

Monthly .)

1, 1912 .

( PRICE

SIXPENOE .

CONTENTS.
PAGE
173
173
173
174
175
179
181
184
186
187
185
189

Notices
The Society's Funds
List of Members . ..
ThePensionFund
CommitteeNotes ...
Bookspublished by Members ...
Literary, Dramatic andMusical Notes
Paris Notes...
UnitedStates Copyright
A Music Publisher ' s Agreement
MagazineContents
How to Use the Society ...
Warningsto the Producers of Books...
Warningsto Dramatic Authors

early

in

April .

in advance

the other side .

on

GIRL

THE MOUNTAIN
By

Illustrated

by

J.

PAYNE

DUNCAN

ERSKINE .

GLEASON .

PAGE
190
190
190
190
190
190
191
192
193
194
197
199
199

..
.
..
.

i

Five Large Editions required to fill orders

K

Ready

Registration of Scenariosand Original Plays
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music
The Reading Branch
:
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:
General Notes
Meeting
:
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A Prize Competition
United StatesNotes
The Copyright Progress of Four Years
The Copyright Law
Correspondence

8vo.

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When , just abont two years ago, Mr . Stuart - Young published “ The Seductive Coast , " rhymes dealing with life in
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lacking
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“ exceptional daring " of the author ' s outlook on the moral and social conditions of life in Nigeria . The Birmingham
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women , of their loves and their tragedies , or of the stranger folk among whom his lot is cast on the Niger Bank .
the author always shows himself possessed of the best qualities of the story -teller ." The Oxford Times found in the
book " a subtle witchery which haunts the mind , " while Reynoldsacknowledged that here at last was someone who
“ appreciates the tragedy and pathos of native Africa ."

This
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new book is strangely appealing - it will be read by thousands of exiles ,
and appreciated by thousands of their relatives in the Old Country . -

LONDON : LYNWOOD

&amp;

Co ., Paternoster

Row , Publishers .

�.
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Members
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Authors
published October 1907 can now
obtained
the offices
the Society
the price
July
post free 71d
includes elections
associates
members
and
and
will
sold
1907
the Society only
dozen blank pages have been added
the

of

of

by

are

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be

.

of

or

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XXII

HE

of

39
,

,

.,

.

.

VOL

LIST OF MEMBERS

S
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,

's

,

to

of

The
Author
should
addressed
the Offices
the Society
Old
Storey
Queen Street
Gate
and should
reach the Editor not later than the 21st
each
month
Communications
and letters
invited
the
the
from
all literary matters treated
Editor
standpoint
other
art
business but
Every effort will
subjects whatever
made
accepted
retorn articles which cannot

be

for

.

.

6d

58
.

in

or

(2
)

increasing

of

on

a

if

or

.
to

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its

of

very heavy charge
the resources
the
great many members did not forward
subscription
the Secretary the modest
a

be

of

an

of

be

to

.

of

of

to

be

to

of

in

,

of

of

CONTRIBUTIONS

THE Editor
The Author begs
remind
members
the Society that although the paper
production would
sent
them
free
cost
is

to

.

of

to

or

in

of

of

,

of

of

to

'

on

application

the year
Communications

FUNDS

time
time members
the Society
desire
make donations
its funds
recognition
work that has been done for
acting on the suggestion
them
The Committee
place
one
these members
have decided
this permanent paragraph
The Author
order
that members may be cognisant
those funds
paid
which these contributions may
The funds suitable for this purpose are
The
Capital Fund
kept
This fund
reserve
necessary for the Society
case
incur heavy
prin
expenditure either
fighting
question
ciple
assisting
obtain copyright reform
dealing
any other matter
closely
with
connected with the work
the Society
slowly
The Pension
Fund
This fund

nae

those members
the Society who desire
have
the publishers concerned can obtain
the names

to

,

to

is

stated

THE Editor begs
inform
members
the
Authors Society and other readers
The Author
that the cases which are quoted
The Author are
cases that have come before the notice
the
knowledge
the Secretary
the Society and that

Society

,

be is

if

THE SOCIETY

'S

especially

DROM

AND

stated

the case
undesirable
not accept and

or

is

unless such

.

to of

as

.

of

or

in

papers that are
the opinions expressed
signed
initialled
the authors alone are
para
responsible
None
the papers
expressing the opinion
graphs must be taken

ARTICLES

desire

not possibly

could

,

.

DoR

be

the Committee

not and

care
exercised that
advertisements
inserted they
any liability
never have accepted
Members should apply
the Secretary for advice
special information
desired

NOTICES

them

to

,

Although

the Committee
be the case

.)

.

of

advertisers
that this

LONDON

is

,

AUTORIDAD

it

of

As

.

impression
among
seems
The Author that the Committee are
responsible
for the bona fides
the

there

readers
personally

.

ADDRESS

PRICE SIXPENCE

ADVERTISEMENTS

VICTORIA

374
TELEGRAPHIC

1912

:

NUMBER

:

TELEPHONE

APRIL

BESANT
[

No

Monthly

Authors

WALTER

BY SIR

.
7
.

XXII

.—

.

VOL

Society

.

FOUNDED

Incorporated

.

The Organ of

1,

(

the

The Author .

�THE AUTHOR .
of

end of tbe list
the convenience
those who
desire
add future elections
they are chronicled
from month
month
these pages

FUND

.

in

to

to

as

PENSION

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for

174

(

i.
.e,

all

The list printed below includes
fresh dona
tions and
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donations
and
subscriptions not hitherto acknowledged
)

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He would
glad therefore
those members who
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these orders recognising them
from their description
would write
the secretary
the matter
Bankers Order
10s drawn
the London
County and Westminster Bank
Maidstone
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Provincial Bank
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19

.

1912

(

:

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is

given

sub
scriptions paid
made
before
apnual subscribers
The full list
the fund
appeared
the November issue
The Author
The secretary would like
state that
has

of

of

include either donations
nor does
include
compliance with promises

.

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in

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4d

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January the secretary
the society
laid
before the trustees
the Pension Fund the
accounts for the year 1911
settled
the
accountants with
full statement
the result
the appeal recently made
behalf
the Fund
After giving the matter
full consideration
the
trustees instructed the secretary
invest the sum
£500
the purchase
Antofagasta
and
Bolivian Railway
Ordinary
Preferred
Stock
and Central Argentine Railway Ordinary Stock
The amounts purchased
the present prices are
£237
the former and £232
the latter stock
The trustees desire
thank the members
the
society for the generous support
which they have
given
the Pension Fund and have much pleasure
informing the Pension Fund Committee that
there
further sum available for the payment
another pension
case any application
should
made
The money
now
invested
amounts
fully set out
846 198
and
the list

on

TN

It .

1912

received

January

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THE PENSION FUND

�THE AUTHOR .

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NOTES

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meeting
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The
the 4th
the society
the offices
reporting
committee have much pleasure
elections
32 elections which brings the total
for the current year
100
This number
considerably
excess
the number for the corre
sponding period
1911
The issue
the first
applications for subscriptions
arrears brought
resignations
usual
number
but though the
number was considerable
was hardly above the
average
percentage was
former years and
owing
lower
the increase
numbers
the
society
report
the legal cases
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Donations

1912

175

�THB AUTHOR .

.

their previous meeting

The
considered , and the treaty was finally settled .
secretary was instructed to write to the secretary
of the Dramatists ' Club Sub - Committee , with a full
statement of what had taken place and with the
complete copy .
The next question before the sub -committee was

the date of the Annual Conference of Dramatists .
The sub - committee decided that it would be best
to defer the selection of the date until the mandate

being

able

,

in

,

be .

's

consult

As

which they had received at the last Conference to
deal with the Managerial Treaty had been carried
through , and the sub - committee were in a position
to report to the Conference on this and other
matters.
the registration
of
A small point touching
scenarios was also considered , and the sub - com
mittee decided that one copy of a scenario would
suffice for purposes of registration , although the
stampa
always
society would
to
be willing
duplicate copy if the member so desired .
The sub - committee then discussed a suggestion
of one of the members , that a schedule of prices
the society
office for reference
should
sent
settled notice will
soon
the schedule
order that they
dramatists who are members
may have the advantage when settling agreements
,

at of

of

on

,

of

's

to

tioned , but the committee decided that it would be
inexpedient to take action in the matter at the
present time unless a specific charge could be made
The committee authorised the affixing of the
society
transfers dealing with the
seal
certain
purchase
account
the Capital Fund
stock
the society which purchase had been authorised

The ordinary monthly meeting of the Dramatic
- Committee was held on Friday , March 15,
at 3 o ' clock . After the ruinutes of the former
meeting had been read and signed , the alterations
and amendments to the Managerial Treaty sug
gested at the joint meeting of the sub -committee
Sub - Committee , were
and the Dramatists ' Club
Sub

is

points which had been raised in committee .
of the
A proposal in regard to the conduct
business of authors by literary agents was men -

II.

,

Copyright Sub -Committee was referred back to the
for re - consideration of one or two

sub -committee

were then referred back in order to be discussed at
the next meeting of the Dramatic Sub - Committee ,
and it is hoped that a final settlement will be come
to at that meeting .

to

had been raised , namely , the collection of gramo
phone fees .
A Music Publishing Agreement which had been
by the
laid before the Committee of Management

On Thursday , March
7, the
Dramatic
Sub
Committee met a sub - committee of the Dramatists '
Club and discussed
with the latter the proposed
alterations in the Managerial Treaty .
The two
through the treaty clause by
committees went
very
clause , and came to agreement , with
few
alterations and reservations .
The points reserved

at

March issue of The Author .
The committee undertook to watch carefully the
rights of composers in regard to the question that

.

I.

lie

summer .
A letter from the Premier of Canada was
also read , as well as one from a Canadian correspon dent of the society , the last making a statement as
to the action in respect of copyright legislation
which was being taken in the Dominion .
The secretary reported what had been done , at
the suggestion of the Composers ' Sub - Committee ,
and with the sanction of the chairman of the Com mittee of Management , respecting an organisation
which had originally called itself the Society of
British Authors , Composers and Music Publishers .
in the
A full statement of the position appeared

SUB - COMMITTEE

DRAMATIC

as

of

Canadian copyright .
A
Sir Gilbert Parker to the
chairman expressing among other things his regret
that he had been obliged to return to England , but
stating that he hoped to put forward the views of
the society when he visited Canada again in the
discussed
the question
was read
from

letter

The secretary reported that Lady Loraine , Mr.
Thomas F . Dunhill and Mr. Raymond Needham
had joined
the society as life members , and that
Mr. Gordon Craig had made a donation of £1 18.
to the Capital Account .

to

a clause in the publisher 's agreement , the publisher
the committee
bad submitted
a proposal which
decided
to advise the author to accept .
The
solicitors were instructed to write to the member
to that effect .
The secretary then placed before the committee
correspondence which had passed between himself
and a member , following a decision of the com
The
mittee
made at their previous meeting .
the secretary ' s letters ,
committee , while approving
decided that no further action could be taken . The
verification of accounts between one of the members
and a publisher extending over a series of years was
next considered , and the committee advised the
member to ask the publisher , in the first instance ,
for further details , and next to allow an accountant
to be appointed to investigate
the books .
If the
publisher 's answer was not satisfactory , the matter
was to be referred again to the committee .
After the cases had been considered , the committee

of

176

the

schedule

and receive

�THE AUTHOR .

to

for

2. Not to employ any agents or agencies without careful
enquiry into their financial position and stability .
enquir
3. Not to enter into any contract
sheet publication
which contains any conditions whatsoever with regard
their rights
mechanical reproduction

.

of

by

all

be

to

at an

,

.

of

-o

it

.

, of

to

of

co

a

of

.

to

be

'

in

.

it

,

to

-

.II
at

of

.

9

on

.

,

in

he

in

to

,

,

of

,

of

.

of

of

of of

T

,

of

a

to

.

of

of

a

be

of
.

,

.

question was accordingly adjourned
The next matter before the sub committee was

-

'

.

is

with the rules
issued under the Act
1911
by the Board
Trade dealing with the collection
gramophone fees and that they could not advise
composers until these rules were before them
The

of to

's

of

,

and French societies and he read
letter from the secretary
the company pointing
out the advantages
the company and its methods
lengthy discussion the sub
business
After
committee came
the conclusion that they were
bound
defer action until they were acquainted
to

no

he

,

of

,
.

with the German

of

of

of of

of

to
,

, or

to to

or

of

a

A

of

be ,

of

7
(c
)

of

“

-

: 19
,

of ,

or

,

,

in

is

of

,

on

it

a

to

.

of

of

of

,

of

The position
the society which originally called
Society
Authors Composers
itself the British
and Music Publishers and the action that had been
regard
taken
this society were reported
had been
The secretary also reported that
communication with the secretary of the Mechanical
Copyright Licenses Company which was working

to

SECOND meeting was held
the offices
the
After the
Society
March
Authors
reading
the minutes
the previous meeting
gramophone fees was discussed
the question

,

an

to

in

of
by

it .
"

is
,

It a

of

to

it

's

in

,

to

.
.

to

of

, In

.

be

in
a

a

to :

Parliament

.

in

as

to

of

,

of

- .

of

,

:

it

of ),

of
a

a

by

-

'

to

.

,

of
,

to

is

,

.

of

to

(

of

to

,

to

,

of

to

in

in

,

as

or

,
in

of

It

.

1

.

invitation from
Bechstein Hall
They decided
however
view
the line the publishers had
adopt
dealing with the composers
chosen
property that
would
inadvisable
attend
Mr Arthur Somervell was elected
member
ption
the sub committee under the power
Management
given by the Committee
and
was
Sidney Jones
join
decided
ask Mr
The
resignation
one
the members already elected
was laid before the sub committee
and
was
decided
ask
the member
reconsider his
decision
to

,
of

a

in

Sub Committee

Society
The Incorporated
Authors and the Society
British Composers desire
direct the attention
all the
composers
their powers and
the United Kingdom
regard
their
rights
the mechanical reproduction
1911 which
defined by the Copyright Act
works
authorise
declares that the composer has the sole right
any mechanical reproduction
prohibit the making
mechanical
Nomatter what assignment
his compositions
rights the composer may have made before the passing
assignment and confers
the Act the Act annuls such
solely upon the composer all royalties derived from such
this
make the latter part
order
mechanical rights
the
sub section
statement quite clear section
quoted
Notwithstanding any
Act should
full
assignment made before the passing
the
this Act
copyright
musical work any rights conferred by this
authorising the making
respect
the making
Act
which the work may
means
contrivances
mechanically performed shall belong
the author
his
legal personal representatives and not
the assignee and
and for the
the royalties aforesaid shall be payable
benefit
the author
the work
his legal personal
representatives
From this
obvious that the music publisher has
locus standi whatever
the matter and
has no more
right
royalties
decide upon
division
the composer
than upon
division of any other of his private property
composers
certain that agencies for the collection
royalties
for
reasonable consideration
will come into
strongly impressed upon all
existence
therefore
composers
exclusively
property
part with the
which
Not
theirs by Act

fees

The sub committee considered
attend meeting
the publishers
called for the Tuesday following

,

by

to

to

,

of

of

.

of

,

Composers

from

Vanifesto

Rights

AND GRAMOPHONE

their

-

,

.

in

-

of

it

to

to

.

,

it

of
on

COMPOSERS

instruments and
was decided
obtain
the
information available
this point for the sub
committee agreed
that
must depend upon the
form
these rules and how far they might secure
rights what advice should
given
the composer
composers about appointing
agents
collect

to

on -

of

was

24

of

'

-

Sub Com
held
February
Saturday
As The Author had
already gone
Press before the meeting was held
was too late
chronicle
the March issue
Sir Charles Villiers Stanford was unanimously
elected chairman
the sub committee
and after
his election the committee proceeded
consider
certain
circulars
which
had
been
issued
the formation
music publishing firms referring
the British Society
Authors Composers and
Music Publishers
After
careful study
the
objects and rules
society
the proposed
which
reference was made
the last issue
The Author
the committee decided subject
the approval
Management
the Committee
issue manifesto
the situation and after careful consideration
draft which had been prepared
the chairman the
manifesto assumed the following form

Authors

.

of

the Composers

to

first meeting
the Society

The
mittee

,

,

-

of

be

of

A

.

-

to

SUB COMMITTEE

'

COMPOSERS

in

The Society
hearty
British Composers
accord
with
the action
the sub committee
joined
allowed their names
the manifesto
further question arose
the probable rules
and regulations
the Board
Trade for the
collection
fees for the reproduction
mechanical
of

.

a

to

advice from the secretary . Such advice and infor dienasol of any member
mation is already at the disposal of any member
who desires it , but the sub - committee considered it
desirable
have
schedule authoritatively fixed

177

�THE AUTHOR

the

in

is for

it

it

is
a no .

is

he is

..
,

of

'

,

of

is

of

.

in
a

a

to

..

to

to

,

,

,

of
a

.

.

of

in

in

a

of

to

to

,

as

.

of

in

a

.

.

be

it

so

a

the

.

,

Belsize Lane

+

.

.

Hampstead

Elystan
Ralph Hamon

,

63
,

.

.

Balliol
ford

College

,

Bellairs

M

Beardsley

Gardens

.

,

Bainbrigge Miss Marion

Bedford

S

.

,

Hugh

.

,
N
.W
.

,

Arthur

Elections

.

of

,

settled

Arnold

,

to

.

to

of

to

satisfactorily

Anderson

,

It

.

of

is

in

,

is

.

One was

March

, ,

,

in

,

or

accounts

,

to

.

It

.

is
a

,

,

it

of

in

to

in

:.
.

of
of

in
in

placed

of

to

,

,

,

to

of

;

of

on

of

.

the past month

there have been fifteen
The
the secretary
secretary
the
The
the
the hands
hands
month varies but little
number from month
membership
On the
spite
the large increase
show
good sign
tends
whole perhaps
that either the authors dramatists and composers
the publishers editors and dramatic producers
does not
their contracts
are more careful
necessarily show that the contracts made are better
though there
considerable evidence
contracts
spite
the attention the
the case
that this
the
time
committee have drawn from time
strange contracts which some publishers issue
the rendering
the cases referred
Three
cases

as

,

.

in

,

.
a

,

.

Cases
DURING

as

,

of
in

;

is

is

to

as
a

,

the solicitors
have been settled
Of the two the
the settlement
the secretary one refers
hands
case
accounts and the other refers
copyright
infringement
one
the colonies
long time open
letters
The latter has been
long time going backwards and
necessarily take
forwards but
far
must
stated with recret
the
that
no answer has been obtained

.

per

a

or

.

it

per

£20

of

£20

Of the cases left over from former monthis there
are only two still outstanding
the hands
the
secretary
The others have either been placed with
or

to

by

by

Crozier

's

's

Beattie

in

.

in

.

,

pension

Crommelin

J.

and

Dr
.

,

annum
annum

The last claim
deals with the settlement
contract
behalf
one
the members who
negotiations
lives
distant colony
are being
carried through satisfactorily

.

of

,

of

a

of

at

(

)

of

increase Miss

the MSS

of

,

15

,

of on

of

THE Pension Fund Committee
the society met
February
Thursday
and after the minutes
they
the previous meeting had been signed
the
the secretary the report
received from
the fund
out the position
trustees setting
The secretary reported that £300 had been invested
by the trustees the investments appear
another
the disposal
£40 was
sum
and that
column
the committee for pensions
the committee decided
After consideration

,

of

in

of

In

to

in

a

to

be

a

COMMITTEE

.

FUND

be

,

as

.

's

as

to

in

.

MSS
There were three claims for the return
have all been settled
has been frequently
pointed out that
sometimes difficult
sub
legal claim
stantiate
cases where MSS bave
publishers
been forwarded
editors and others
general rule they are very anxious
but
make what efforts they can
search for and return
These

PENSION

to

.
of

I'

brought
hoped will
satisfactory
and
conclusion and the last one
the claim
foreign country will necessarily be prolonged

It

in

,

,
a

to

.

on

be in

, .

of

a a

A

to

,

.

the chair
Several names were mentioned
and the secretary
arrange the details
was instructed
letter from
music publisher together with
his contract with
member
the society was laid
before the committee for their consideration and
the secretary was instructed
make
note
The Author
the matter

the

bankruptcy there
As
usual
cases
money for the unfortunate author whether
paper
contributor
claimant for royalties
the assets being all swept away by the claim
the
debenture holders
Of the four remaining cases
placed
one had
the solicitors hands and
bas since been settled
one has only recently come
negotiation
into the office
one
the course

;

in

of

a

as

any feeling
rather than that there should
bias
might arise were
composer
such
musical

to

placed

,

,

be

a

to

at

.

-

to

instructed
call
The sub committee decided
special chairman
preside
ask
the meeting

to

at

Association
secretary was

forwarded

hands
and the third has
only just come into the office
many
here have been
nine claims
money
the hands
the secretary and
satisfactory
report that
three
the cases the
money has been paid and forwarded
the author
concerned
two
the remaining cases
was
impossible
obtain satisfaction
the company
against which the claims were made
bankrupt

,

a

'

members
the Music Publishers
subsequent meeting
which the
to

It

.

in

,

to

if
of

, in

tary and others reported how these rights were dealt
England
with
other countries and
was
possible
decided
discuss
the matter with

were rendered
and
The second case had
the society
solicitors

author

is

-

a

,

.

,

of

copyright and other matters dealing
widened term
Again
with this special right under the new Act
very lengthy discussion
there was
and the secre

accounts

.

is

to

,

of

('

of

rights .
the question
of performing
Since the
opyright Act this point has
passing
the new
increasing importance owing
been
one
the

it

178

Ox

�THE AUTHOR .
,

Birkhead

.

Alice

.

,

20

Kingdom

Road

,

179

BOOKS PUBLISHED

. Hampstead ,
N. W .
41, Porchester Square ,
W

Chater

, Arthur

Common

Curwen

,

.

.

.

las
Thomas

.

.

G

, Maud .

Denham

,

Arnold

.

.

.

.

Holland , Bryan T .
Ivimey , John .

.

.

.

.

5,

Mrs .

Mabel

“

, Martin J .

.

Mildred , Sister Mary , O .S. B .

“

Richings

, Emily

,

Troly - Curten

Ladies

.

.
.
.

Mary Gertrude

Mary ,

.

Co. Clare , Ireland :

, Play
, Sussex .
The Knoll , Sandling ,
Maidstone .

Playden Cottage
den

*

John

Douglas .

.

Millwall E .
Campden House
Court , Kensington ,

42 ,

Harley Street ,

W.

Manor House ,
Martinstown

1,
2

,

,

Dorchester .

Albert , Place ,

Kensington ,

W

.

Mansions ,
Westminster S. W .
Carlisle

13,

Place ,
Kensington ,

Eden

S. W .

Anna

“

Wood norton , May
field

Wyman , Bernard

Wynn Williams,

House ,

Co. Clare .
Caherush
House
Miltown - Malbay ,

66 ,

.

.

W . Lloyd

Trevanwyn

."

, Sussex .

Winnington

Northwich

.

BIOGRAPHY .

BOOKS OF REFERENCE .
THE PUBLIC Schools YEAR BOOK , 1912. Edited by H .
F . W . DEANE and W . A . Evans.
71
5.
709 pp .
The Year Book Press .

W.

.

, Marthe

,

Athæneum

Club .
Ennistymon

S.

Walker ,
Lynn .”

Devizes

Lanarkshire

Agnes

, Arthur

Steegmann

Wilts .

."

Savill , Agnes F ., M . D .
Shortt , Miss L . M .
Somervell

,

Springhill .

Frank

Mrs .

A . D . Pickering

.

The Haven

.

Marshall, Archibald .

Pickering .

Arundel Mansions ,

Fulham

Lascelles , Mrs . K . “ Pellen
Hawker ."
.
Macnamara , Francis .
McHugh

Hall Road , N . W .
Lawton Street ,
Newcastle -on - Tyne.
Alfrick , Worcester .
5,

1,

WHILE every effort is made by the compilers to keep
this list as accurate and exhaustive as possible , they have
some difficulty in attaining this object owing to the fact
that many of the books mentioned are not sent to the office
by the members . In consequence , it is necessary to rely
largely upon lists of books which appear in literary and
other papers . It is hoped , however , that members will
co- operate in the compiling of this list and , by sending
particulars of their works , help to make it substantially
accurate .
NAPOLEON : Our
Last Great Man . By ELYSTAN M .
BEARDSLEY . (Revised Re -issue . ) 71 x 41
184 pp .
Digby Long . 38. 6d . n .
THE COMEDY OF CATHERINE THE GREAT . By FRANCIS
GRIBBLE . 9 x 51. 336 pp . Eveleigh Nash . 158. n .
By ALLAN FEA .
THE REAL CAPTAIN CLEVELAND .
9 x 51. 256 pp . Martin Secker .
88. 6d . n .

Australia .

.
.

King ."

,

Perth , West

.
.

,

Ter

Whitehouse

race , Corstorphine

Midlothian .
Workington , Camber
land .
Perth Public Library ,

German , Edward
Gregson , Mrs . Ada

Kingsland

W.

,

8

BY MEMBERS .

Hall ,

38. 6d . n .

BOOKS FOR

THE

YOUNG .

ENGLISH
CHURCH HISTORY FOR CHILDREN , VOL .
. , A. D. 1500 - -- 1911. By MARY E . SHIPLEY . 73 x 5.
286 pp . Methuen . 28. 6d . n .

AN

III

DRAMA .
CHAUCER REDIVIVUS : A Playlet for the Open Air or Hall .
By W . S. DURRANT . 78 X 44. 32 pp . Allen . 6d . n.
THE SECRET WOMAN .
A Play in Five Acts. By EDEN
PHILLPOTTS . 64 X 5. 90 pp . Duckworth . 28.
THE NEXT RELIGION . By ISRAEL
ZANGWILL . A Play
in Three Acts. 81 x 51. 104 pp . Heinemann . 28. 6d . n .
IRISH PLAYS . By
AND OTHER
SHAKESPEARE ' S END
CONAL O' RIORDAN (Norreys Connell ) . 73 x 5 . 167 pp .
Swift . 38. 60 , n.
By ELLA
THE BROWNIES AND OTHER SHORT PLAYS .
ERSKINE . 87 X 51 . 36 pp . Truslove &amp; Hanson
2s. 6d . n.

FICTION .

By GILBERT CANNAN . 77 x 5.
BROTHER .
301 pp . Heinemann . 68.
THE BODY OF HIS DESIRE : A Romance of the Soul. By
MRS . CAMPBELL PRAED , 8 x õ. 344 pp . Cassell . 6s.
THE VICTORIES OF OLIVIA AND OTHER STORIES . By
EVELYN SHARP . 73 x 5
328 pp . Macmillan . 6s.
TWINKLE . By ARTHUR H . HOLMES . 7 * 5 . 313 pp .
Duckworth . 68.
THE GUESTS OF HERCULES . By C. N . and A . M .
WILLIAMSON , 78 x 5. 461 pp . Methuen . 68.
THE MATADOR OF THE Five TOWAS , AND OTHER STORIES .
By ARNOLD BENNETT . 73 x 51. 325 pp .
Methuen .
68.
THE RED MAN ' S SECRET. By F . FRANKFORT Moore ,
78 X 5. 336 pp . Hutchinson . 6s .
THE RIVER OF UNREST . By BERTRAM MITFORD . 7 x
5.
304 pp . Ward Lock . 68.
GRIM JUSTICE : Toe Study of a Conscience . By Rita .
78 x 5. 430 pp . Eveleigh Nash . 68 .
THE UNHOLY ESTATE . By DJUGLAS SLADEN . 78 X 43 .
435 pp . Stanley Paul . 6s.
THE TRAGIC PRINCE . By R . K . WEEKES and A . R .
WEEKES . 73 x 5. 350 pp . Melrose . 68.
MEMORY CORNER . By TOM GALLON . 78 x 5. 352 pp .
John Long . 6s.
LITTLE

�.

.
.pp. .6s

ppto

.

5

.

.

.

.

74
x
4

.

.

.

A

.

J.

.pp

.

.

.

63 .
,
n

18
.

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J.

.pp

J.

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pp

.

18
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n

54

W ON

.

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74

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OF

6d
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x

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African

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West

STUART Young

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Kola Nuts

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6d
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AND THEIR ALLIES
Cambridge University Press
150
STUDY
PLANTS
BOTANY
THE MODERN
Jack
MARIE STOPES Ph
104
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THE PAST
EVOLUTION
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Daniel
242
Herbert
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POLITICAL

HOME RULE
Selected from the speeches
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Arthur
James
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ASPECTS
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EARTHWORMS

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9

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and
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BIRDS
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Witherby
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MATHEWS
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SWALLOW

NATURAL HISTORY

Verse

JUVENILE
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HISTORY

By CLARE
OF QUEEN
VICTORIA
Eveleigh Nash
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OF

&amp; .

By CHARLES GARVICE
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By

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6x
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By.

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X
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&amp;

pp
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By

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OF

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NOTES .
announces ,
with “ The War God , " by Mr.
Israel Zangwill , produced at His Majesty 's
Theatre , the same author ' s prohibited play, “ The
Next Religion ” ; also the first volume of “ The
Selected Writings of William Sharp ,” edited by his
fiya
in
a series to be completed
wife Mrs Sham

M

R

. WILLIAM HEINEMANN
uniform

volumes , uniform
with
“ The Works of
Fiona
the late
Macleod , " the pseudonyni under which
William Sharp was so well known .
Mr. John Galsworthy has published with the same
house his first book of poetry , entitled “ Wild Oats :
Moods , Songs , and Doggerels . " Uniform with this
volume will be “ The Lure of the Sea , ” by J . E .
Patterson , the novelist , and author of the auto
biography “ My Vagabondage , " published in the
autumn of last year .
Mr. Hamilton Hartz has set to music the verses
by Riccardo Stephens , “ Sleep and Death ," which
lately appeared in the Westminster Gazette .
Mr. Eveleigh Nash will publish Riccardo

Stephen s forthcoming novel “ The Mummy, " and
his one - act tragedy , “ The Right to Kill,” is to
be played by the Oncomers at the Little Theatre , in
June .
“ The
British West Indies : their History ,
Resources , and Progress ," by Algernon E . Aspinall,
by Messrs . Sir Isaac
was published
last month
Pitman &amp; Sons , Ltd . The author gives a connected
narrative dealing with the history , resources , and
the recent rapid progress of the West
Indian
colonies , of interest to the general reader as well as
tourist , settler , and capitalist .
to the intending
Chapters are also devoted to such live questions as

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Albert Dorringt
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have been purchased
City New York
Doubleday
Page
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appeared serially
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Terrors
Munsey
Pall Mall Magazine and with Frank
York
New
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March
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much
expressing
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Benson lertured before the Royal
Society
Literature last month
Realism
English
Fiction
the course
bis lecture

to

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and

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Paris

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Granville Baker
new book
travel
Holiday
Portugal
published
Stanley Paul
by Messrs
this volume
Co
described with pen pencil and brush the scenic
Portugal
charm
claims
winter resort
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since
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history
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classical times
Metropolitan
Magazine will
The New
York
Antique
shortly publish
series
articles
Furniture
from the pen
Mr Armiger Barclay
ections
Mr and Mrs Armiger Barclay book
Letiers from Fleet Street will shorıly appear
Comædisa
the leading literary and theatrical daily

fund
1790
amounted
£162 882
chairman
mentioned
that Mr
Owen
Seaman
would preside
the Annual Dinner
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The Woman
Hunter
Mr Arthur Dillon forthcoming volume deals
with early incidents
the mythical story
the
House
Tantalus
The pri sint revival
inte
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the Greek drama should make the subject

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Messrs Stanley Paul
sixpenny
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Rudyard
Sims

Commonwealth
and its people
Messrs
John
Ouseley are the publishers
Literary Fund
The annual meeting
the
was held last month Sir Alfred Bateman presiding
moving the adoption
the report
Alfred
stated
that
far from decreasing
the claims
the fund were rather
the increase
The receipts
authors even from novels were very poor
instanced the case
the author whose agreement
appeared
the last issue and added that from
very miser
financial point of view literature was
able profession
until the suprrior rauks were
During the year £2 125 had been voted
reached
grants
applicants
while
the total
grants since the foundation
sum
distributed

In

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of

in

,

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T
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remains the best reference book for the
guidance
selecting titles
authors who
their
publications
title
are anxious
avoid using
By
already
consulting
taken
the English
they may
Catalogue
unintentional
often avoid
appropriation
and the rather disagreeable conse
quences which sometimes result
Messrs Sampson
Low
are the publishers
What Lay Bepeath
Coo
Australian mining story
which the bush life
presented
pictures
the reader
well
the

of

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Alfred

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the reader
Messrs
John Ouseley Limited have issued
second edition
The Bothers
Married Life
Sadler
We have received the English Catalogue
Books
1911
This publication
now
75th year
gives under author and title the size
issue
publication
price month
books
and publisher
issued
the United Kingdom during 1911
complete list
published
the absence
titles

of

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w

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Kipling Sir

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those of trade with Canada and Federation .
A
map and twenty fire full page plate illustrations
are added
Among the spring books
come from Messrs
Sidelights
Smith Elder
Arabic Spam
her History and Art
Mrs Bernhard Whishaw
This book
the fruit
some nine years residence
Spain
and study
Mrs Whishaw
now
Spain
the forthcoming edition
the Guide
appear
for Herr Baedeker
1913
Tom Gallon
new novel entitled
The scene
Memory Corner
found
Old Hamp
Memory
stead
Into
little house
Corner
boy with
comes
marvellous tenor voice exploited
by
unscrupulous foreigner
The rise
the young
singer his triumphs and the quaint tragedy
his
the book
love story form the theme
by
entitled
Violet
Tweedale
new
novel
published by Mr John Llong
Austin
Career
young Guardsman
deals with the life
who
early
entaliglement with
his career gets into
young peeress and the story describes the Bohemian
als
lite
the pair
Paris
Messrs Kegan Paul
announce the public
cation
little anthology entitled The Friendly
Dog
Parsons who contributes also
short
original introduction
The poems included are
arranged chronologically
complete poems only being

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The next production
Theatre due
this month
The Kangaroo
Vachell
Milestones
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Knoblaugh now running
the Royalty Theatre
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's

.

,

at

of

.

for

Charles
Sugden

“

,

of

in

“

of

.

,

at

Herbert Waring
Kipps was produced
The dramatic version
the Vaudeville Theatre
March
The play
opens
the emporium
familiar
the readers
the book and traces
did the book the progress
Kipps following his sudden acquisition
wealth
Mr Wells and Mr Rudolf Besier are responsible
the play which includes
cast Mr Frederick

.

.

.

,

is

,

of ”

. .

on

26

”

“

of

.

at

.

H

on

.

W

.
A

Mr

The Widow
publisher

with neither time nor eyes for
however
dissuade her from
During his
goes abroad
grass
absence
has made the acquaintance
widow
whose presence
London
his return
jealousy with results entirely
kindles the widow
satisfactory
The cast
included Mr
Tilford

leaves the widow
himself
Unable
the undertaking

Co

,

be

,

19

, .

S
.W

,

.

Circus
Particulars can
obtained
the Hon Secretary
Overstrand Mansions
Battersea Park
The condensed version
The Geisha
was
produced
February
the Palace Theatre
Risque
Mr
the author
this version
The composer Mr Sidney Jones conducted the
orchestra
the occasion
compressed
version
The
Adventure
Lady Ursula
February
was also played
The
performance
Mr Anthony Hope comedy took
place
Two scenes
the Hippodrome Manchester
were taken and the cast included Miss Evelyn

March

prepare the biography
her late husband
man
some public importance and many private
failings
engrossed
does
she become
the
work that she persuades herself that her husband
possessed
the virtues which she ascribes
him
the record
his career
John Tilford who
contemplates marriage with the widow disapproves
recognising that
the idea
the biography

&amp;

",

on

at

)

by

“

be of

19

, (

,

18

,

at by

Piccadilly

from

Manchester

Lady Marrable has been persuaded

”,

.

Theatre

first production
The Next Religion
given
Israel Zangwill will
the New Players
Thursday
two private performances matinées
and Friday April
and
the Pavilion Theatre
The

Millard and

of

by

in a

,
or
,

to

,

“

in

theatre
and
assumes
addresses himself
reasonable intelligence
indeed but
hoped that
narrow clique

“

DRAMA

do of be

fill

a

is

in a

, ,

.

untheatrical

audience
means
students
the drama and more especially those
who desire
take part
the marked revival
dramatic literature
both sides
the Atlantic
will find profit
handbook
the lack
which
has hitherto
been
felt and regretted
Messrs
Chapman and Hall are the publishers
The Perfect
Widow
three act comedy
Gilbert Cannan
was produced
the Gaiety
of to

in

.”

,

,

is

Co
. .

,

to

M

by

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all

in

or

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.

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,

of

“

.

commission
Australia
Mathews
work which Messrs Witherby
are issuing
quarterly parts
Volume
has already appeared
forming parts from October 1910
October 1911
five numbers

Birds

the

throughout that the playright

to

on

on
a

is

at

“

a

of

,

be

.

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H

of

writing

a

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“

Sherard has just finished
new book
published
reminiscences
which will
the
spring under the title Adventures
Journalist
present engaged
novel which he
He

Robert

and

an

of

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”

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”

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16

March

,

in M

by

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.

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“

,

Poetry
among other subjects
Messi
Jarrolds
are the publishers
Woman
Deacon entitled
Renée
An article
and Love appeared
the Lady
Pictorial for

effect
other words
what
what
avoid
the endeavour
interest and
move
audience assembled
theatre
This
not then
book
criticism
but
discussion
and practical suggestion
The plays mentioned
are not criticised
for their own sake but for the
sake
the light they throw upon questions
method and expediency
The author has
belief
dramatic

of

,

a

of

,

is

“

“

",

a

. .
H
.
J.

by

"

“

.

,

at

&amp; Co . , a book

or

, through

Messrs .
entitled “ New
Light on Consumption .” The book contains a
historical résumé, and deals with the problem of
consumption the attempts
reform
and State
sanatoria
Absolute Rot
the title
collection
reprinted from
articles
the Rer
Swallow
Church magazine
The articles deal with
Peace
Temperance
Disestablishment
Science

Simpkin , Marshall

,

to cross her doorstep .
has published

Mr. Arthur Lovell

no an

man

Volpé , Mr. Leonard Calvert , Mr. 0 . B . Clarences
and Miss Christine Silver .
Although
the dramatic
movement of the past
twenty years has produced , both in England and
America , many valuable books of criticism , there
does not as yet exist in the Eoglish language any
recognised handbook
of practical craftsmanship .
“ Play- making ,” by William
Archer , is an attempt
to
this gap
While fully admitting that
rules
prescriptions cau supply the place
talent the
author believes that inexperienced talent can
greatly assisted
study
the principles

it

Francis Channon ) . It tells of two young girls who
to live in a lonely part of Derbyshire with a
cousin
who , owing to a disappointment in early
youth , leads the life of a miser , and will allow no

go

183

�THE AUTHOR .

184

PARIS NOTES .

in the

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sixteen

History
the invitation
give the lecture
Club
London
she
May
the chase
the London Lyceum Club
taking over her own huntsmen
sound the fanfares
Histoire
Prusse Vol
Des Origines
par
mort
Grand Electeur
1688
Albert
Waddington
the various
The author dwells
influences which have contributed
the formation
He speaks
the geographical situation
Prussia
the country
State religion and
the policy
bouillet and

,

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as

be

to

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is

in

but

the fanfares
France
this little volume the
Before the publication
Duchess
Uzès who
President
the Lyceum
gave
Club
France
lecture there
the
chase
which
had such
success
enlivened
was by the fanfares
blown by her gamekeepers
repeat
that she was obliged
several times
the rooms were too small for the audience
Since
then the Duchess has given another causerie
Ram

,

.

to

,

,

in

of

a

as

.

at

de

.

is

it

Forest

hunting horns best known

of

or

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of

in

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a

a

of

in

of

to

M

,

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,

of

remembered that she
master
the hounds
portrait
She also gives
Du Fouilloux the great
authority
all matters connected with the chase
since the sixteenth century some twenty four photo
gravures
hunting scenes taken
the Rambouillet

,

”,

to of

of

of

.

,

,

“

of

a

,

is

is

it

,

or

the eternal theme
the faithless husband
pleasure
wife
indeed
meet with
realising that there are other
capable
novelist
worthy
interests
life and other situations just
consideration
the intrigues and jealousies
the hundreds of individuals
who marry
haste
repent
leisure
possible for human
Chateaubriant also finds
affections
intense elsewhere
Paris
That
refreshing
too
There
breath
fresh air
through
the book
odour
forest
trees the
babbling brooks and yet
spite
murmur
predominant
this
the human interest that
one
the ever recurring tragedies
The story
family life
the modern version
the prodigal
son and
this particular case we have the beart
give
broken mother and the heroic father
added pathos
the episode
Chateaubriant

will

du

's

. -

at

is

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to

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Weary

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at

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a

or us

another have been famous
their time
by Alphonse
des Lourdines
Chateau
great literary success for the
briant
not only
refreshing book for the public
author
also

by

; -

;

;

s

;

.'

.

;

(

in

aimantes
contains sketches
which the author has
give
endeavoured with
few strokes
the pen
women
who for one reason
lifelike portrait

“

;

de ;

; de

;

;

,

Adélaïde
Marceline Desbordes
and Mérimée
celebrated Inconnue
Charles Foley has published thirty three volumes
plays His intensely
novels and short stories and
dramatic little tragedy
Heard
the Telephone
has been translated into various languages and given
many countries
Foley
also
one
the
greatest authorities
all matters relating
the
history
the Vendée
the time
the French
special study
Revolution
has made
this
period and
this part
France
His short
touching
stories sometimes inspired
dramatic
episodes brought
his notice whilst studying the
archives
that epoch are masterpieces
literature
The present volume
Femmes aimées Femmes

(

; of

;

La Grande

Joséphe
Mademoiselle
Rose Launay
Marie
Pompadour Princess Amelia
Saxony
Madame
Germaine Necker
Princesse
Lamballe
Mes
daughters
dames
Louis XV
Comtesse de Balbi
Mademoiselle Lange
Pauline Bonaparte
Madame

the favourite theme
many writers
dear

on

this book the chief interest centres
the question
paternal instinct
The father believes that
sees
his son all his own faults
little later
makes the discovery that
friend
his
the father
this son
The curious phase
the case
that
the years
come this man feels deep paternal
affection for his wife
son
affection which
would probably never have felt for
child
own
The young man has inherited
the lovable
qualities
his own father
The problem which the
author evidently lays before
whether the
kinship must necessarily ensure affection
Buisson ardent
Romain Rolland
certainly the most powerful
the series
volumes
this
author relating
the history
Jean
Christophe
Weary
life among
his
fellow
creatures exasperated
their hostility and having
many things
goes away
quiet
lost faith
village and there like Moses before the
mountain
burning bush
the bush
which
burns without
being consumed he comes
himself once more
La Chasse
Courre
the Duchess
Uzès
née Mortemart
little volume that will
read
hunting
with interest by all lovers
contains
portrait
the author
her hunting attire for

on

:

of

of

;

;

l'

Châteaumorand

Sweden

;

)

;

(
of

Marie Stuart
Diana
Orme Christine

de ;

of

Milan
Marion

is another novel
ménage
trois

“

in us

.

,

of

.

.

M

a

of

-

|

of of of

aimées , Femmes aimantes ,” by
Charles Foley , is the title of a volume con taining a series of historical studies of
twenty two famous women
Each study gives
picture
the epoch
the surroundings
which the woman
whose history we are reading
Foley has chosen for his subjects
moved
Queen Bathilde
the seventh century
Valentine

EMMES

D

is to be congratulated , not only on the fact that he
been awarded the Goncourt Academy prize , but
because he has begun his career with a wider
vision than so many of our present - jay novelists .
“ L 'Inquiète
Paternité ," by Jean Schlumberger ,

has

the

�THE AUTHOR

,

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introduces

verse
MM Andre Dumas and Sébastien Charles
tendency
Leconte
shows that there
search
for dramatic effects
the history
the past
certainly nothing
There
common between the
Esther we know
Racine and this modern concep
tion
her
the Renaissance the three act play
MM
garde
Alfred Capus and Pierre Veber
was

At

by

is

”,
to

is

of

.

M –

by

l'

-

de

a

It

of

.

on

“

Callet

Le Roman

Boutroux gave one
the
temps
most remarkable lectures
Pascal
présent
published
which will probably
early number
Foi Vie
the Comédie Française
Le Ménage
Donnay
Molière
five act play by Maurice
extremely interesting and curious
verse
The
staging
the Versailles
excellent and the fête
opportunity
realising
Park gives the public
something
the magnificence
Court life
those
days
the Odéon
Esther
four act play also
”

of

.

.

“

.

M

diplomatic
any foreign Power
touches
Hanotaux
and policy
the entente cordiale Turkish affairs and
the
questions concerning Bosnia and Morocco
Aiguillon une grande dame de
La Duchesse
cour
Louis XIV
the subject
extremely
interesting book by MM Paul
Estrée

arrangements

Les Annales

.
E
.

in

,

a

,

is

,

,

as
a

hitherto

for the University
Quite recently

M

.

.”

by

contains

équilibre
La Politique
1907
1911
the title
volume published
Gabriel
Hanotaux
an account
the various impor
tant events which have taken place affecting the
international situation during the last four years
Hanotaux
shows that France ought not

influenced

.

,

of

be

to

a

.

,

M

of

of

,

in

,

”,

of

's

and

the
unpub

by

to

,

of

“

of

centenary

This

Nearly everyone appears
Paris this season
be
lecturing
every possible
and impossible subject
Among the most interesting and varied
these
lectures outside the Sorbonne and College
France
are those organised
the Société des Conférences
the review entitled Foi
Vie and also the lectures
organised
Sarcey
Mme Brisson the daughter

,

most

reality

the day

same
review Jules
other
Lemaitre
continues his studies
Chateaubriand
containing
and Louis Barthou gives
article
some extremely interesting letters from Lamartine
Alphonse Daudet and other literary celebrities
George Brandès the well known critic has been
spending some months
Paris and
the request
give
lecture
of his friends he consented
the Vaude
Paul Leyssac
Hans Andersen
ville Theatre recited several
the fairy tales
We are told that
the most admirable manner
George Brandès and this talented young actor are
repeat the lecture and recitations
London this
season
we would strongly recommend
opportunity
present
those who have
the day
Lectures are certainly the order

”,

. -

is

-

,

.

,

's ,

of

“

the works Weber Berlioz and Wagner
volume has been published
memento
lished matter

short sketch which

the questions
the
numbers

to

.

-

M

",

is

,

,

of

The whole volume

would find English authors who agree with him
certain
his criticisms among others Elizabeth
Barrett Browning
one
the finest
her poems
and
Buried
Crowned
entitled
Théophile Gantier
study
La Musique

writer

It

.

,

to

many

,

,

.

in , It

.

.

of

to

of

is

of

-

"

,

the Bellerophon

interesting but with regard
the harsh judgment
England action we can only say that
Masson

A

skit

.

of

by

M

,

"

of

,
a

of

his

to

country

Frédéric Mas
Autour de Sainte Hélène by
son
the title
the latest volume which this well
Napoleon
known writer devotes
the last days
infinitely sad and
The story
these last days
tragic and the author very naturally cannot resist
England with the treacherous hospi
reproaching

,

and finishes with
In

,

.

in

”

la

M

.

,

is is
a "

his duty

“

M

,

in

de

by

us

a

Jacques Tissier marsouin
Pierre Rey
very simple story but full
deep feeling
just the history
brave young colonial soldier
his hardships and struggles and his simple belief

Roz

recent numbers
most charming and witty article
Contes Gascons
Fernand Laudet entitled
These stories form
literature entirely apart and
are full
shrewd observation and
keen sense
humour
Laudet gives
several specimens
.

to in

of

he

of

,

us

of

is

present situation

and

somewhat surprised
find certain names omitted
which should certainly
included
volume
dealing with contemporary English novels
one
its
La Revue hebdomadaire publishes

on

is

an

of

.

,

.
,

to

' .

“
L

religieuse
Orientation
France actuelle
the title
book
Paul Sabatier
which
very clearly his view
the author gives
the

tality

Meredith
Thomas Hardy Mrs Humphry Ward
always interesting
and other English writers
note the impressions
the foreign critic
We are

by

of

at

of .

is in

in

all

,

-

to

future

185

M

the volume closes with the
Grand Electeur .
* La Séparation des Eglises et de l' Etat ,” by
Julien de Narfon , is a book which should be read
by
persons who are interested
the religious
evolution
France
As the question
Church
present
one
intense interest
and State
England the perusal
this book cannot fail
extremely
prove instructive
The author
broad minded man endowed with the courage
his opinions
With perfect impartiality
evokes
past history
relates the events
recent date
analyses the immediate consequences and endeavours
point out
the probable consequences
the

of the

a

Thirty Years ' War , and

death

.

�THE AUTHOR .
,

its

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of

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of

,

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as

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bable that when the
Compagnie Française
tour

du

French
season
over the
Théâtre Shakespeare will

.

ALYS HALLARD

.

on

by is

dances

great
the fairies
You Like
was quite
success and these matinées are
continued
May
until the end
the month
Camille
poet who has
Sainte Croix
dramatist and
thrown himself heart and soul into this revival
the Shakespeare theatre with the result that
probable that these plays have never been given
with such artistic perfection
such
attention
very pro
detail and such absolute ensemble

,

-

of

,

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Femmes aimées femmes aimantes
Tallandier
des Lourdines
Bernard Grasset
Le Buisson ardent
Ollendorff
Chasse
Courre
La Poétique
Histoire
Prusse
Plon
Séparation des Eglises
Etat
Plon
Jacques Tissier marsouin
Plon
Autour
Sainte Hélène
Ollendorff
Musique
Fasquelle
La Politique de équilibre
1907 1911
Plon

* * * " “ “ “ “ " “
*
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slow

have been issued
the
under the United
States
Act
copyright
protection
granted

which
the United States
works
authors who are
subjects
citizens
the countries named
July
Belgium
1891
France Great Britain
and her possessions and Switzerland
Stat

of

of

in

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his

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in in

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RELATIONS

DROCLAMATIONS

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INTERNATIONAL

in

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'(

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It is

to

nothing unpleasant and wbich
which there
nevertheless
never dull
the Athénée
Camille
Sainte Croix
continuing every Thursday
his series
Shake
speare plays admirably staged
He seems
have
putting life into the plays
found the secret
Shakespeare
perhaps
and
that
giving them with
ensemble
such
one rarely
sees
The actors are all young and enthusiastic

of

COPYRIGHT

,

of

,

.

,

, .

ambitious and who sets out
life
arrivist
firmly believing himself
prepared
one
He
take advantage
all possible occasions for
climbing the ladder
fortune but
reckons
without
host and his host
this case
own heart
He falls
love with the daughter
the house
which he
the paid secretary
The
characters
this play are all well drawn and each
The author
distinct psychological study
one
congratulated
having written
play

there

STATES

a

of

.

.

At

de

UNITED

in

a

as in

a

,

of

supposed
world
Just
he has arrived
friend
whispers abroad the story
his delinquency
the
marry
past
The confidence
the girl
his salvation and the play ends satisfactorily for
the public
the Athénée
Le aur dispose
Francis
play which seems likely
Croisset
have
long run
poor man who
the story

is

Mme

and

is

all

,

for

,

to

of

Bernstein has had tbe success which this author
pieces usually
win
Bernstein
has always
something
say when
writes
the story
man whose past has not been blameless but
making for himself position
the
who succeeds

and

Vidal for the musical adaptations
Hugard also
the Opéra for the

Jane

on

,

a

"

In

.

to

,

to

.

in

-

as

of

as

"

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by

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in

is

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of

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on

of

ou

.

“

III

du

by

l'

,

At

take place
Royale
the
Comédie
Jean
irrésistible vocation
fils Mondoucet
three
act play
Sacha Guitry
the delight
the
public
spite
The son
an ironmonger who
his bourgeois father insists
the prejudices
going
initiates his fond
the stage and later
parents into the habits and customs
theatrical
extremely amusing
life
Les Visiteurs nocturnes
Tristan Bernard
full
humour
the well known short stories
this writer
The nocturnal visitors
this case are
drug the lady
thieves who take the precaution
whose house they are about
rob
the morn
ing when the maid finds the victim
about
and
call
the police
that the victim asks
any
that the nocturnal visitors shall be found
suffering
she does from insomnia she
cost
only anxious
find
out how she can obtain more
their drug
Henry
At the Gymnase
Assaut

'

Night s Dream " was exquisitely
“ The Midsnmmer
staged , M . Simas , of the Opéra , being responsible
for the scenery
and
harmonious colouring

a

a

as

. ,

to

received with applause .
The plays of Alfred Capas
are sure to end happily , so that if things appear to
be going wrong for a time , there is never any need
despair
we are sure that
reconciliation will

go

186

and

posses

�THE AUTHOR .

now

to

he

its

,

of

in

.

in

,

to

to

for

.

to

on

,

,

.

it

.

a

.

:

,

19

,

se

,

to of

7
(
C
)

,

of

s

;

all '

agreement

at

music publisher

in

is

,

in

's

in

,

be

to

,

of

a
an

is

it

We have called the above
agreement but
not really
,

comes into force
1911 when
The agreement however goes further and asks
that the royalties which accrue
the composer
gramophone records and similar mechanical repro
Ban
ductions should be shared between composer and
publisher
fortunate that the agreement was made
before the Act was passed
for under
clause
spite
the document which has been
the Act
signed the rights
the gramophone royalties are
property
the composer
for
tion
sub
section
contains
the following proviso
Notwithstanding any assignment made before
the passing
the Copyright
Act any rights

It

to

as

in
in

to

of

12
in ), ,. of

a

of ,

,

to

to

I

of

in

on

."

be

."

to or

(
13 he

on

on

;

.

,

,

*

publisher

of

of

I

,

in of

'
it

46

paid
Two Pounds
the sum
hereby agree
assign
the
my rights and interest
present
whole
future
contingent
my
song
and
the words and music
entitled
being understood that receive
royalty
same
Great
Britain
per copy
all sold
the same
Great Britain
copies
Ireland and the Colonies
count
also five per cent
the marked price
all copies sold
the United States
200 copies
both countries
free
for novelty purposes
gramophone
Any royalties obtained
the sale
records
similar mechanical reproductions
all
equally divided between composer and
countries
consideration
day

me this

“

TN

28
.

of

,

it

.

as

,

;

,

is

,

it

so it
is

AGREEMENT

'S

A

PUBLISHER

MUSIC

is

,

and

It

.

.

,

Luxemburg

extra

business
has
far
almost destroyed
ralue
the case
comic opera and
those pieces which are performed
theatres
As
wrong for the author
transfer his copyright
wrong
the composer
transfer his
performing right
worse
the present time
owing
than
has ever been
the added rights
that the composer will acquire under the Act

England

Belgium

of

,

methods
concerned
the composer save

,

(e
)

unsuccessful

Germany

.

— –

,

1911

,

June
Norway

1910

8

14

December

UNDER

with

But
not sufficient
the music publisher
ask
the copyright
also asks
the per
right and through his successful
forming
for

PROCLAMATION

SECTION

1

PRESIDENTIAL

and study

at

Sweden

should
consideration

it

.

-L

1911

.

26

May

–

, 29
,

Rica , Cuba , Denmark , France , Germany , Great
Britain and her possessions , Italy , Mexico , the
Netherlands and possessions , Norway , Portugal ,
Spain , and Switzerland .
uxemburg
June
1910

Report which was laid before the General Meeting
on March 21 , they have dealt very fully with the
matter . We do not desire to repeat these warnings ,
so recently made , but suggest that if any member
has read the report carelessly , or failed to read it at

to as or

between the United States and the following
countries : Guatemala , Salvador, Costa Rica , Hon duras , and Nicaragua . ) (Stat . L . , vol. 35, pt . 2 ,
pp . 1934 - 1946 . )
Angust 11, 1908 – Japan . ( Treaty of May 19 ,
1908, for prott ction in China . )
(Stat. L . , vol. 35 ,
pt. 2, pp . 2044 - 2046 .)
August 11 , 1908 - Japan . ( Treaty of May 19 ,
1908 , for protection in Korea . )
(Stat . L ., vol . 35 ,
pt. 2, pp . 2041 - 2043 .)
April 9, 1910 — Austria , Belgium , Chile , Costa
as

has come when
attention
be drawn to them once again .
should
The composer should never transfer the copyright
to the publisher when he , the composer , maintains
a continuing interest in the sales .
This point has
been brought forward over and over again , and in
the book -publishing world we are glad to think that
the publishers are , save in exceptional cases , content
with a licence to publish in book form . The
music publishers should be content with a licence
to publish in song form .
So strong do the committee
feel about this
assignment of the copyright , or even about an
unlimited grant of the licence to publish during
the whole term of copyright , that in the Annual

it

April 9, 1908 - Convention between the United
States and or her powers on literary and artistic
copyrights , signed at the City of Mexico , January 27 ,
1902 .
(This treaty is effective from July 1, 1908 ,

ordinary documents , but the time

for

2255 .)

to

.

is

p

trouble to retain a copy , he never gets a copy signed
by the publisher , which he ought to receive in all
transactions of this kind .
It is some time since the
pages of The Author have commented on these extra

he for

( Treaty of November 10 ,
1905 . )
(Stat. L ., vol. 34 , pt . 3, pp . 2890 - 2891. )
September 20 , 1907 - Austria .
( But not
in Hungary .) (Stat . L . , vol . 35 , pt . 2,
cluding

.

go

vol . 34 ,

.

L .,

( Stat .

is

.

— Norway

pt . 3, pp . 3111 -3112 .)
May 11 , 1906 – Japan

song , the

a

,

. 2208 , 2213 .)
July 1 , 1905

in

he

pp

by the composer of all his rights
consideration for such assignment
being , as stated , the payment of two guineas , and
a royalty per copy on every copy of the song sold .
According to the custom in vogue , the composer
signs , this document and if he does not take the
is an assignment

it

all

November
17 , 1903 — Cuba .
(Stat . L ., vol . 33 ,
pt . 2 , p . 2324 . )
January 13, 1904 — China . ( Treaty of October 8 ,
1903, Article XI. )
( Stat . L ., vol. 33, pt . 2 ,

187

�THE AUTHOR .
'

of

be

.

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re

a

of

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to

as

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in

by

you
in ."

to

at .

is

is
in

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re

on

to

or

fit
,

he

he to

of

of

,

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it

,

in

to

his an

.

to

to

,

,

to

to

.

.
.

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.

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P
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0
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to
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Co
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29
,

of

of

ALLOWANCE
MEMBERS OF THE SOCIETY
PER CENT
Front Page
24
Pages
Other
Hall of Page
Page
Quarter
Eighth
Page
Single Column Advertisements
per inch
per cent. made for Series Sixand
percent
Reduction
Twelve Insertions.
All letters respecting Advertisements should be addressed
BELMONT
Paternoster Square, London
&amp;

is

.,
etc
.

Étc ,

,

SCALE FOR DUVERTISENENTS

to to

be

. , to
.

fit
,

,

,
if

us

.

.

to

A A

, .

.

.

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: V
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of

.

of

A

:
of

.

.

.

By
A

Nature

.

To

.

to

at

By Lewis Melville

CONTEMPORARY
Poetry
Graves

ENGLISH REVIEW
By Frederic Harrison
Among My Books
By
The Theatre
the Future
Ivanof
English Poetry
Poetry and Rhythm
New Study
By Henry Newbolt
By Walter Sickert
Critical Calendar
By Henry Hardinge
Word
the Hammerstein Opera
By
The Censorship Scandal

—

“
us .
.
.
"

to

it

Ritchie

.

Celtic

,

of

:

.

on

Lady Thackeray

.

to

on he

,

of

is

.

to

BOOKMAN

by

so

do

no

to

at

be

he

,

,

placing this reply before
with the view
composers who are members of the Society

is

CONTENTS

BLACKWOODS
George Borrow

Musings Without Method

reply

you raise regarding
DEAR SIR
The questions
the
Agreement for
are quite unnecessary
song
copyright
and under
the
the
You assign
liberty
make any other
our agreement we are not
arrangement
consulting
you
without
you only assign
the right
On the other hand
song
able
publish the
for voice and piano you would
and this we
make any other arrangement you thought
could not agree
we may mention that our agreement
conclusion
never questioned
We are Yours faithfully
In

on

to

in

if

,

,

a

of

he

received the following

It

to

of

to

of

It

is

it
is

no

of

MAGAZINE

which would arise from the signing
the difficulties
the publisher
document namely that
such
made any other arrangement with regard
the
liberty
under his
song
would
undertaking
the
agreement and there was
publisher
pay the composer anything
such
arrangement
fresh
This warning alarmed the
composer and
wrote
the publisher enquiring
this letter
the matter were
what his views

those

,

to

.

,

in

,

,

.

)

to

of

to

is

it

(

a

of

agreement
this kind
never
transfer
copyright
never
transfer his performing right
and
above all
retain absolute control over his
gramophone rights
of

he

off

( 3 ) that if the work went
the market
would
cancel the agreement and return the licence
publish for
understood that the composer would
only grant
publish
licence
the composer
before the
The composer laid the document
secretary
The secretary
Authors
the Society
pointed out some
addition
remonstrated and

contained
the last sentence
the letter
only necessary
suggest that the sooner the
composers
compel alteration
the better
The
composer should be warned never
sign

,

clauses : ( 1) that he would put the work on the
in the usual form
on or before a certain
date ; ( 2) that he would push the work through the
ordinary
trade channels and advertise
it ;
and

market

music publishers

The only excuse for this letter must
the
ignorance
the publisher
his legal position
impossible
publisher
think that
the
standing
the firm who put forward the agree
ment and wrote the letter
under consideration
would wilfully have deceived the composer
Suffice
say that the statement made
the publisher
absolutely incorrect
The firm states
our
agreement we are not
liberty
make any other
arrangement
the song without consulting
Not only
there nothing expressly stating this
nothing that would
the agreement but there
impliedly convey this statement under the terms
the contract
The conveyance
the copyright and
the performing rights allow
the publisher
make
any other arrangement
thinks
and
way bound
pay the author any royalty
any
arrangement
further consideration
the
only bound by the agreement
pay the composer
royalty
With
all copies
the song sold
regard
the dictatorial and absurd statement
is

and not to the assignee . ”
At the beginning it was stated that this was not
really an agreement , and perhaps it would be as
well to elucidate this point further .
The composer assigns all his rights to the pub lisher for a small consideration and a continuing
royalty . What does the publisher undertake
to
Absolutely nothing . He does not undertake
do ?
to produce the work by a certain date ; he does not
undertake to keep the work on the market , and he
does not undertake
to advertise the work .
No
doubt an implied contract to publish is carried in
the assignment , otherwise the consideration would
be of no avail .
But it is quite clear that the
implied contract could easily be met by what would
really amount to a bogus publication .
Now , in order that a composer may be treated
fairly , even the most exacting of publishers would ,
without hesitation , assent to a few small plain

Authors that the whole subject
agreements has been
opened

,

conferred by the Act in respect of making , or
authorising the making of contrivances by means
of which the work may be mechanically performed
belong to the author, or his legal representatives ,

a

188

�THE AUTHOR .
But the transaction should
obtained
competent agent
with the advice
Society
the

of

(a

-

of

:

to

be

,

in

to

of

a

.

up

",

.

or

,

,

up

is

to

"

a

.

of

,

or

to

to

to

or .

to

.

or

.

to

to

to

an

is

It to

,

.

is

.

It

,

is

.

in

.

,

of

.

of

.

of of

a

to

:

A

of

.

of

an

:

.

if

.

,

to

.

or

be

.

of

copyright

AUTHORS

.

DRAMATIC

ofan

EVER

transfer

TO

a

,

. of
a

.

is
a

,
in

of

.

(
.1
)

(3
.)

so

to

it

or

an

in

of

of

.

on

by
a in

.

. of

of

a

is

-

if
a

.

for

-

:-

(
a
).

an
be

to

a

,

is

1
.

it

Selling
Outright
This
sometimes satisfactory

:

or

.

3

in

be

proper prive can

observed
are
few standing rules
agreement
There are four methods of dealing
with literary property
.

I

(

TERE

of to
a
be

is

It

,

THE PRODUCERS
BOOKS

in

OF

.

WARNINGS

TO

.

2

.

N

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established
manager
There are three forms
dramatic contract for plays
three
more acts
Sale outright
the performing right
This
unsatisfactory
An author who enters into
stipulate
such
contract should
the contract
for production
the piece
certain date
proper publication
and
his name
the
play bills

IV

of

;

.

18

per

.

is

to

.

,

or

£1

Always avoid

WARNINGS

.

. to

of

.

8

The subscription
the Society
annum
£10 108 for life membership
9
.

to

.

.

IY
.

.

of

.

of

on

All other forms agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary of the Society
Stamp all agreements with the Inland Revenue stam
possible
Avoid agreements by letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld

to

prevent authors from
Some agents endeavour
the Secretary
the Society
do some publishers
Members can make their own
deductions and act accordingly

referring matters

).

(1 '
In
.)

(
2
.)

in

(3
).

(4
.)

!

.

to

be

it

This
The

General

(2
.)

.

to

to

to

,

.

of

(3 2
( (1
). .) ).

:

a

of

to

of

consideration
the contracts with publishers submitted
them by literary agents and are recommended
submit
them for interpretation
and explanation
the Secretary
the Society
7
.

(5
.)

.

.
of

,

a

in

To

a

(3
)

. .

to

's

.

6
.

literary
No contract should be entered into with
agent without the advice
the Secretary
the Society
accept without careful
Members are strongly advised not

agents neglect
stamp agreements
done within fourteen days
first execution
secretary will undertake
behalf
members

Commission Agreement

The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the book
the sale price

Prospectus

Many

form

The Royalty System
perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
approximately the
possible for
author
ascertain
truth
From time
time very important figures connected
with royalties are published
The Author

,

of

in

To

(2
)

.

(
1
)

To

.

to

be

.

,

'

in

.

5

The Committee have arranged for the reception
agreements and their preservation
members
fire
proof safe
The agreements will
course be regarded as
by
only
Secretary
confidential documents
read
the
who will keep the key of the safe
The Society now offers
stamp agreements
possible
readiness for
action
npon them
keep agreements
enforce
payments due according
agreements
Fuller particu
york can be obtained
the
lars of the Society

miast

III

.

if

,

in

!f
,

,

of

.

of to of in

Remember
that
the Society
you are fighting the battles
you
other writers even
yourse
are reaping no direct benefit
and that you are
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the composer
4

belonging

bad

give
serial
translation rights
any publisher
bind yourself for future work
any one solicitor
As well bind yourself for the future
doctor

Not

Not

to

always

rights

of

for examination

Agreement

this case the following rules should
attended
pro
sign any agreement
which the cost
Not
duction forms part without the strictest investigation
putting the
give the publisher the power
Not
profits into his own pocket by charging for advertisements
by charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
special charge for office expenses
Not
allow
unless the same allowance
made
the author
give
Not
American Colonial
Continental
to to

to

send

,

.

3

any agreement whatever

the Society

, to .

to

signing

Before

the document

Profit Sharing

agreement

(6
.)

.

,

do

.

.

of

'

2
.

all

by

1

II
.

VERY

T

A

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub
lisher , or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society . Further , the Committee , if they
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member .
Moreover , where counsel ' s
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and
costs borne
the Society
Remember that questions connected with copyright
and publishers agreements do not fall within the experi
ordinary solicitors
ence
Therefore
not scruple
use
the Society
1.

of

.

,

managed

the Secretary

by
of a

be

.

or

USE THE SOCIETY

TO

.

HOW

189

�THE AUTHOR .

MUSIC .
.

or

6d

The Society undertakes to stamp copies of music on
behalf of
per 100
part
members for the fee
100
The members stamps are kept
the Society
safe
The musical publishers communicate direct with the
Secretary
and
the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

's

to

.

THE READING

BRANCH

.

is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

STAMPING

in

the beginning .
11. An author inust remember that the dramatic market
is exceedingly limited , and that for a novice the first object

ITTLE

can be added to the warnings given for the
assistance of producers
of books and
dramatic
authors .
It must , however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property .
The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .
T

of

is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .
He shoul , therefore guard himself all the more carefully in

COMPOSERS .

is

9. Agreements
for collaboration
should be carefully
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play

MUSICAL

TO

'

consideration .

WARNINGS

its

7. Authors should remember that performing rights in a
play are distinct from literary copyright. A manager
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights inay be exceed .
ingly valuable . They should never be included in English
agreements without the author
obtaining
a substantial

authors should seek the advice of the
Society before putting plays into
the hands of
agents .
As the law stands at present , an agent
play
may
acquire a
who has once had a
in his hands
perpetual
claim to a percentage on the author 's fees
from it . As far as the placing
of plays is concerned,
it may be taken as a general rule that there are only
very few agents who
can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action
of frequent petty authorisations
with
different
individuals, and also for the collection of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable.
But the Society warns authors against agents who profes
to have influence with managers in the placing of plays, or
by offering to purchase
who propose to act as principals
the author ' s rights .
In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society ,

.

rights can
5 . Authors should remember that performing
be limited , and are usually limited , by town , country , and
time. This is most important .
performing
rights , but
6. Authors
should not assign
should grant a licence to perform . The legal distinction
is of great importance .

AGENTS .

AND

RAMATIC

,

be reserved .

AUTHORS

,

4 . Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one - act plays should

DRAMATIC

of

(6.) Sale of performing right or of a licence to
perform
on the basis
of percentages on
gross receipts .
Percentages
vary between
5
and 15 per cent .
An author should obtain
a
sliding
percentage on the
scale of gross receipts
system
. Should
in preference to the American
obtain a sum in advance of percentages . A fixed
play
date on or before which the
should be
performed .
performing
right
( 0.) Sale of
or of a licence to
perform
on the basis of royalties (i .e. , fixed
nightly fees ). This methou should be always
except in cases where
avoided
the fees are
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply
also in this case.

.

190

CEMBERS will

in

a

,

is

,

of

it

,

.

of

.

,

.

to

REMITTANCES

.

of

by

to

of
by

be

,

be

or

,

the same
charged for

give notice
the Society begs
post
are acknowledged
return
All remittances should
crossed Union
London and
Chancery
Smiths Bank
Lane
registered
sent
letter only
.

.

of

to

filed subject
play will

The Secretary
that all remittances

of

.

at

.

.

2s
.

of

at

,

rules with the exception that
the price
6d per act

be

Plays may also

a be

a

to

at

Original

.

,

or
a

of

of

in

.

be

be

a

byof

to

o

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
two shillings and sixpence will
carefully compared
qualified assis
the Secretary
stamped and returned
tant
One copy will
the author
and the other filed
the register
Copies
the Society
the scenario Thus filed may be obtained
any time by
the author only
small charge
typing
cover cost

is

, on

OCENARIOS

. be

.

.

is

,

.

of

AND

its

SCENARIOS

PLAYS

asof
a

REGISTRATION
OF
ORIGINAL

greatly assist the Society
this
its work by informing young writers
existence
Their MSS can
read and
composition
treated
treated by
coach
The term
MSS includes not only works
fiction
but poetry
and dramatic works and when
possible under
special arrangement
technical and scientific works The
competence and experience
Readers are writers
The
fee
one guinea
branch

�THE AUTHOR .

'

in an s

on

an

a

to

's

,

on

.

's

,

to

1

to

by

on

,
is it

of
,

if

.

.

.

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on

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for

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."

in

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to

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is

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on

in

, ('

,

to

is

the Australian Act
impossible
what the coming

.

appeared

referring

FEES

an

issue

Author
article
the claim which had been put
of

last

to

the

.

GRAMOPHONE

In

,

our correspondent
commissioned from

as

are

many cases
which work

is

in

,

,

.

agreement
Now there
points out

he

,

,

:

as

in

of

as

,

('

of

to

with and
not based
anada
concerned
present moment
say
the
legislation will be

As far

as

.)

In is ,

,

(

,

's

a

all the literary work that he desires
market during the continuancy
the

mistake also
state that this Act has become
the model for recent British and coming Canadian
opyright Law which
legislation
the British
coming into force
1912 has really had nothing
do

us
a

of

.

in

of

to

as1

of

bearing
perhaps

communication
which
contract
little further elucidation
The reader
page 163
last month
Author
the agreement the author appoints his
period for the
given
sole agent during
the

to

sale

bring

's

in

,

,

,

a

on

referred
clause

as

as by be

.

of
it

an
by

to

,

'

on in

many

1905

is
a

.

published

has

copyright law which was binding
passed
only
Australia
and did not make Australia
Imperial legislation Imperial copy
independent
right still running
the Australian Colonies

to

CORRESPONDENT who

require

on

us

to

to be

he

an

-

an

COPYRIGHT

States
United
the
article taken from
Weekly and printed
another page
Publishers
follows
the author states
1905 asserted copyright indepen
Australia
com
dence from the mother country and passed
plete code which was not disallowed
the Crown
recent
fact become the model
and wbich has
British and coming Canadian legislation
This statement
little misleading
Australia
In

ex

to

,

,

.

.

AGREEMENT

AGENCY

books and has therefore read with interest the
literary agency agreement published
last month
sent

if

,

,

as

be

It

.

to

of

is

as

in

to

to

to

AUSTRALIAN

he

on

to

,

.

A

THE LITERARY

kindly
Author
two points

if

a

to

,

's

,

,

, -

is

to

a

to

an

is

he or

,

if

it

,

,

,

, , .

a

in

,

.

he

no

.

,

to

,

to

to

at

as

is

,

or

a

,

on

's
as

is

.fee

,

to

as

is

,

to

to

to

,

to

be

agency fees
untenable and there
The position
our correspondent remarks authors should
fore
agent
any way with
deal
be warned never
principal
This advice we
act
known
who
are very glad
confirm

,

,

in

to an .

an

or

,

,

If

sell for
sum down
infrequently
happens
not
have money and has faith
desires
the agent
he will possibly accept the offer and the agent will
then proceed
sell
the editor the publisher
price which
the manager
the enhanced
already knows
agent
can
obtain
But
desires
be perfectly bona fide and desires some
principal and sometimes as agent
times
act
only
the danger
still very great because
pub
offering work
natural law that when he
managers he would desire
lishers editors
sell
might
that which belonged
himself
which
capital already
get the return
able
profit
pended with
than
sell the
rather
which he would obtain merely his
author work

of to

,

to

be

in

on

is

'

on

.

,

in

willing

's

of

to

us

a

of

.

on

that the author
the author

.

.

to

to

as

position and urges
such
warn
The columns
The Author have already
different occasions drawn attention
the matter
and some remarks
the point will
found
agents
the article
authors
the October
number
There
the danger from the bonâ fide
agent and the danger from the fraudulent agent
The fraudulent agent would get
offer from
manager and then
going
editor publisher
the author would pretend
him that he had some
difficulty
placing his work
He would suggest
that he should buy the rights whatever they are
authors

“

A

in to

danger

a

of

the society has drawn our attention
the fact that there are still some agents who
addition
their agency work not infrequently
principals
act
He draws attention
the

a

AS PRINCIPALS .

AGENTS
MEMBER

the author .
In these cases it is hardly fair that
the author should be bound to pay an agent 's fee
or that the agent should
claim
his
such
commission does not arise through
the agent
introduction
but cases have occurred
where
place all his literary work
author undertaking
the agent hands during
fixed period has received
agent
claim for commission from
articles
paper and other literary
that were supplied
work where the work was specially ordered and
such
order was not obtained through the agent
introduction
will
well therefore
the
author should specifically except this work from
the agreement with the agent stating that
commission work
obtained outside
the agent
pay the
introduction
should not
bound
agent
This brings
the second point
which has reference
the note
clause
the
special markets
reservation by the author
Our
correspondent thinks that
should
made quite
writing for
clear that where
author lives
daily papers and
journalism
well
writing books and magazine articles that
should
except the journalistic market and that the agent
should not be entitled
claim commission
this
work
This
doubt was the idea
those who
they advised the
drafted
the agreement when
author
reserve certain markets but perhaps
advantage
will be
the point
members
put little more clearly before them
fee

GENERAL NOTES .

191

The

�THE AUTHOR .
of

.

by

.

In

.

.

In

to

he the

to

in

, of a
a

,

as

,

it

a

of

,

of

in

Dr
. of

to

be

of

.

to

to

,

of

of

of

to

'

to

of

as

he

.

-

.

's

,

-

's

,

of

,

,

in

a

to

of

,

of

,

.

,

.

as
a

to

in

had been transferred from the hands
the secretary
himself solicitor into the hands
the solicitors
the society and
these large proportion had ended
successfully the sum recovered for one member
matter where performing rights were concerned
amounting
£500
The Pension
Fund invest

,

by

,

,

of

of

to

.

,
-

to

of

,

.
S
.
to

.

from infringement
The contentious work
the
society during the year
heavy and
described
successful
Of the cases which had passed through
the secretary
hands alone two thirds had been
successfully carried through
and the total dealt
with might easily have been doubled by reckoning
disputes which had not been seriously maintained
Forty two cases
after the society
intervention
a

to

,

to

p
.m
.,

.

,
of

and passage
the Copyright Act and
the number
and variety
the questions which during that
arising
period were continually
for consideration
owing
changes affecting the interests
authors
being introduced unexpectedly into the Bill and
the necessity for safeguarding authors interests

a

in

,

18 21
,

,

of

,

45

,

,

,

,

Street
members being presenta somewhat smaller attend
ance than usual being no doubt due
three causes
the improbability that any controversial topic would
arise for discussion the fact that the place of meet
ing was less centrally situated than that
which
the society has been accustomed and the inclemency
of the weather
The chairman
the Committee
Management Dr
Squire Sprigge presided
asking
and opened the business
the meeting
the members present
consider
the first place
the second and third items
the agenda leaving
Accordingly
the discussion
the report
follow
Mr Owen Seaman was declared duly elected

of

,

of

.

he

a

a

by

.

, of
at on
4
.

of

Annual General Meeting
the society
Thursday March
the
the Society
Arts
John
Adelphi
forty
some thirty

was held
rooms

desired

and several

,

.

THE

,

to

87

to

of

is

.

It

of

of

as
a

,

,

.

,

'

,

in

a

so

,

ANNUAL MEETING

THE

practically

the

the
such
for
definite purpose
had joined
single subject and had
receipt
advice upon
pointed
upon having
these
Ten
then retired
insurance the
them that upon the principle
out
expected thus
society could not reasonably
consideration
give
assistance
full measure
single premium
had voluntarily rejoined
Sprigge next referred
the very heavy work done
the Copyright Committee during the introduction

of

no

.”

protected

England have
doubt
Musical publishers
long
time been taking the composers rights
for
considering
that they have got into the habit
course
matter
these rights their own
time however that composers should assert their
authority
and publishers understand their position

,

thing
complaint
the nature
all other cases the reason had been
economy
the guinea subscription
of

of

of

or

of

be

may

causes

,

be

to

or to

at

all

he

on

to

-

of

is
by
or

to

be

composition

all

of to

in

an

of

.
.
.

“

composer hereby reserves
himself the
Said
reproduce
cause
exclusive right and licence
composition
reproduced
mechanical musical
said
may make use
instruments and agrees that whenever
times attach
such licence he and his sub licensees will
said
every copy
such mechanical reproduction
copyright required
which may
composition the notice
any copyright statute under which said
required

resignations
167
amounted
inquiry
He had ascertained
other similar
with the figures
normal proportion having
bodies that this was
regard
the nature
the society and the COL
membership
ditions
but
order
ascertain
whether there might be any removable cause for
the resignations
had written personally
reply
last 150 members who had resigned
had received only one letter that put forward any
from

amounting
and comparison

to

to

.

by

,

is

,

America

the new
made

to a

although

from

see

agreement

an

.

!

the following extract
American publisher that
similar compulsory licence exists
that which will come into force under
Copyright Law the same demand
not
the American publisher

We are glad

from

history of the society , and the income for the year
from subscriptions was actually the largest that
members for the past year
The loss
accrued
had

the gramophone

to

a

publishers

by certain

forward

fees of composers .

in

192

A

for

in

.

to

.

in

to

of

*
A

,

to

in

,
"

,

in

to

.

,

in

in

of

He up

of

.

F

be

of

.

G

.

to

tions and discussion upon any points
the report
which members might desire
call attention
the
Wilson rose
ask whether
Mr
interests
authors the names
the parties might
published
not
the summaries
cases taken
the society which appear
The Author
suggested
that this would give more reality
the
reports
question and referred
the article
Remarkable Agreement
The Author
March
by

of
of

In

.

The number
elections during
only once been exceeded
the
in

.

of to in

.

in

,

's

, to

,

,

conditions shown
the past year had

in by

to

.

in

,

regard
with
the appointment
scrutineers
count the votes under the society
no names having been proposed the
constitution
chairman informed the meeting that the committee
commenting upon
would appoint
due course
the report which was already
the hands
members
Dr Sprigge referred
the satisfactory
to

Secondly

.

to

in

.

,

by

.

,

Mr

no

of

in

of

placement
special
the Pension Fund Committee
1911 had amounted
£250
Morley Roberts
resigned
Mr Seaman appeal during the same year had been handsomely
having been duly proposed
responded
the committee and
and had brought
£500 more
having been
inviting ques
other
candidate
nominated
investment
1912 He concluded

member

�THE AUTHOR .
in

an

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in

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.

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in

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for

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.

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no

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or

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in

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beall

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“

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it

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that

of of

said

The decision announced
the editor shall
final
binding upon
parties
any time until the date for
Plays may
sent
duly announced but
closing the competition which will
which will not be before June 30th 1912
the earliest
The winner
the £100 prize will retain one half interest
the copyright
his play
the winning play
the opinion
the editor
produced under the
the Era
sufficient merit
will
auspices
the Era and will
known
the Era Play
the author name appearing
not
she wishes
every performance
the programme

's

to ,

approval

those

,

it

,

,

of

,

in

.

,

M

.

H

.

.

thanking

himself
thanks
he associated with their vote
Thring whose continuous
their secretary Mr
labours
behalf
the society he knew were
on

not

,
if

it

at

to

of

;

Sprigge
expression

a

to he

,

,

to

.

,

a

the case
clear statement
essential
the result
satisfactory and there should
sins
omission
the table
The editor should throw his cards
good
then
the contract
the contract
bad
the author knows the best
the worst and
he
right
complain
sends
his MS
has
subsequently
example
The following may
cited
omission
error
purchase the copyright
proprietor desires
MS for £200 and states this bare fact The
ordinary
that there was
author would think
publish
but really there
implied contract
nothing
would have been much
the kind
state that the
better therefore for the proprietor
before
successful MS will be published by him
certain date
This preamble brings
the Prize Competition
published
the Era for the benefit
dramatic
material for
far
which
authors the terms
follows
our purpose are

in

to

of

,

of

to it

of

it

.

A

.

Dr

present for their

appreciated

This should

the legal position

If

to

as

a

to

.

.

to

in

There was however the fact
modern conditions
obtain accurate statistics
was difficult
that
was
the same time
work and that
for such
buy
uncertain whether members would
when
written
the chairman was proposed
thanks
vote
by Mr Anthony Hope Hawkins and having been
by Mr
seconded
Paull
was
carried
unanimously

any price

he

in

it

to

”

.

“

of

.

F

.

G

.

Wilson inquired whether the reissue
The Cost
Production
was likely
take
place before long
The chairman said that this was
matter
consult the committee
which he would prefer
He was not sorry
before replying definitely
print
have the fact that the book was out
brought
He had himself taken
his attention
and
preparing
part
the first edition
apply
the figures had ceased
feared some
of

.
.

it

its

engaged

.

it

to

,

in

a

no of

in

,

it

him

The chairman said that the subject was not new
but
had always been considered desirable
recovering money for
that the society
members
position
should occupy
disinterested indepen
suggestion that
dence
the matter with
had
gain by the disputes
any financial advantage

of

behalf .

Mr

,

entitled to the advice which

in

society and becoming

he could obtain nowhere else .
Mr. H . M . Paull asked whether the society might
not find it advantageous to charge members a per
centage upon the sums obtained by it on their

paper
Again some editors who were clear about what
giving no
they wanted were wholly unreasonable
undertaking that the work should
published and
they
publication
addition
time limit
publish any story sent up
often claimed the right
them
connection with the competition even
though
should not gain the prize again without
making
giving any time limit for publication

,

the purchase of a number of The Author for 6d .
cave a person outside the society all the information
about an individual or a particular matter that he
required , he might be tempted to content himself
with buying The Author instead of joining the

no

if

which

months ago
article appeared
The
strong
Author
Prize Competitions
and
complaint was raised against the method
which these competitions were conducted
was
clearly shown how indefinite was the statement
terms most cases and that the editor must have
the case
the legal requirements
been ignorant
Though
turned out that
most cases the
editor wanted the whole copyright yet generally
he did not make this clear Indeed the editor who
prize
gave
the best
asserted merely that
short story would not necessarily have had the
publish
his own
right
even for one insertion

to

that the proposition
The chairman replied
to a considerable
had his sympathy
advanced
There was always , however . a certain
extent .
element of danger in giving names when criticising
in the manner in which it was necessary to criticise
the fact that
in The Author , and there was also

to

COME

.

sivoid also .

.

PRIZE COMPETITION

A

on

in which
the name of the publisher was given ,
asking if it would not be advantageous to dot the
" i' s " and cross the “ t 's ” in other articles of the
same class .
The result would be that members
would know what editors and publishers to avoid ,
and editors and publishers would know what to

193

�THE AUTHOR .

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who may have sent
the MSS
withdraw
they not care
accept the revised rules

of

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it

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–

on

, of

'S

NEW YEAR
card issued
one
the great
publishing firms
New York bore
Fewer and
For 1912
laudable sentiment
might perbaps
assumed from
Better Books
this that the year 1911 was remarkable for the great

1

,

In

.

in

,

in

a

.

in

As matter
the United States
books
1911 was considerably
fact the figure reached
the latter year
1910
lower than that
799 new editions appeared
671 new books and
output
of

.

-

of
be or

by

of

a

a

, of

of

on

STATES NOTES

.

UNITED

-c

do

,

he

, of

to

of

,

even

as

.

. - of

of

to

to

;

in

the terms
they are against the author
have them indefinite but tempting
may
possible before the competi
We hope
tion closes for the rules and conditions
more
definitely stated and
opportunity given
those
clear
than

no

is

is

.

It

to

,

of

.

of

,

to

is

to

be

,

be

.

all

himself the right

with that interest under the conditions laid down
most extra
the terms
the last paragraph
ordinary provision appears whereby not only does
arranging
bimself the right
the cditor reserve
play
winning
production
but
also
the
for the
any play submitted whether the winning play
Surely this statement cannot possibly
not
In

how
much

be

on

,

is on

an

is

it

it

,

as

making
market He reserves
though the author retains
half
arrangements
anything
could not
the copyright
interest

.

arrange

show

an

a

is

be

royalties
£100 will not
advance
what
ever subsequent arrangement
made but will be
£100 clear and distinct practically amounting
£100 payment for the half
the copyright
does not state who
be the owner
this balf
though
not an unreasonable deduction
make
that will belong
the proprietor
the Era
might however
some bidden actor manager
This point
concerned
the public statement
far
undertaking
There
made clear
should
this half opyright
whatever that the proprietor
place the play
the
will use any endeavour

in

,

that the winner will obtain
£100
The natural deduction from this
that the

,

in
a

,

. .

prize

We see

definitely what
does want
We think enoughi has been said
terribly indefinite
these points are
better
these competitions
have

to

of

is

"

“

a

as

.

of

-

in

,

of

is

right

they want

deadlock
clearly put forth
should
either the exact
terms for production
that the proprietor
should have the first refusal for say one month
during which terms should
arranged
these
proposals are displeasing
the owner
the other
any rate let him state
half
the copyright

it

.

in

for

.

This point

the next paragraph states that the
winner
the prize will retain one half interest
the
copyright his play
copyright under
The word
regards
play covers much more than
the new Act
under the present Act where the right
drama
divided into two parts copyright and performing

supposing

.

to

.

of

,

Copyright Act

the editor

with

terms but the editor considers the terms
unreasonable
there then would appear

of

,

,

a

or .

.

of

,

in
a

in

be

is

it

new

importance

arrange
the winner
the prize does not want
suppose the authors
any
terms with the editor
the MSS sent
arrange terms
not want

in

.

be

-

is

,

as
to

up

in it

It

under the

to himself

to

as

by

be

it

will

reserve

,

.

is

is

where
of

or

the editor

condition further states
but should the editor
produce
play he will first
any
decide
such
arrange terms with the author
We feel quite certain that the editor
the Era
everything that
desired
fair reasonable
and just when this paragraph was drafted but
impossible
paragraph more likely
conceive
frequent disputes than this one
Supposing
lead

,

-

to

:

to

is

of

It

when the decision will
made
be announced surely an important
knowledge
competition
piece
this kind
Competitors might send
their MSS and find that
year
they are held
more during
for perhaps
impossible for them
which time
would
take
any action
placing them
the matter
seems the very earliest date for closing the
competition
June 30th
1912
From
this we
take
that all the plays that are sent
will come

ment whatever

Does

the dramatist would be unable to make any
play himself
play
author who sends
prize receives no consideration what
and gets
The
ever for the right which the editor acquires

of

-

-

is
,

to

be

,

as

,

as

of

We have taken the liberty of omitting some non
essential parts
the conditions that
non essen
tial
far
the deductions desired
drawn are
concerned though not non essential from the point
competing
the dramatist
who
The main
points
which we desire
draw attention are
follows
first stated that the decision announced
the
editor shall
final and binding upon all parties
quite reasonable and fair but there
This
no state

intentional .

the exclusive right , or what does this paragraph
mean ?
If he intends to reserve to himself the
exclusive right , then any person who sends in a
play may find himself in this difficult position
that, if the editor who holds the right for arrang
ing a production does not desire to use this right,

It

The editor will not be responsible for the safety of any
manuscripts
submitted , so that copies must be kept by the
author. Every effort will be madle , however , to return all
manuscripts .
for the pro The editor reserves the right of arranging
duction of any play submitted , whether the winning play
or not ; but should he decide to produce any such play , he
will first arrange terms with the author .

11
,

194

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and Molly Elliot Seawell
The Jugglers
which have quickly made their mark
With
preserve the chronological order
out attempting
the early fictional output
1912 must
dealt with
the names occur
the mind
Riders
the Purple Sage
Zane Grey deals with the Western
Toby
Plains and Salt Lake City
Credo
Kentucky novel
Harris
The Guardian
Bartlett
concerned
with the lumbermani
and the great forests
The Heart
city and the
the other hand the background
city Boston
Humour varied
character
the
Danny
feature
Own Story
Don Marquis
compare
they
whom
Mark
Twain
Knight
Ramsey Benson
Denim
and
band

all

to

a

.

a

,

-

,

on

is

if,
be

to

of

its

affairs has
satisfactions alike
the commerci
ally successful and
the commercially unsuccessful

Certainly
wonderfully
The Healer
has had
good reception from the Press
still awaits the
getting among the Big Six
distinction
About
the same time were published Theodore Dreiser
original and very powerful
Jennie Gerhardt
may
story
noted
Julia Magruder
Her Hus

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be

of

1911 but too late
mentioned
the
January number
Among these
The Author
The Healer
Robert Herrick
author whose
England
work
well known
Of Mr Herrick
New
York critic has said that
comes nearer
being
real novelist than any other American

lished

of

's

a

,

”

",

"

on

of

leading place
less
them may very likely
grievance over their non appearance
feel
But
only legitimate
against
that grievance
the
American reading public
whose demand for
mental sustenance the lists are founded
would
interesting
side
side with the consensus
public opinion thus revealed
consensus
critical
produced
opinion could
not
unknown
occurrence
find
best seller being
roasted
literary review
the columps
Such
division
represented by this state
cash and credit

come
the
change
indications
the detriment
the

of

“

.
S
.

H

,
"

.”

,

“

of

”,

Prodigal Judge
Harold
Bell Wright
The
Winning
Barbara Worth
and
Harrison
long lead over the
Queed
These four had
next five
which
were Gene Stratton
Porter
Margaret Deland
The Harvester
The Iron
Mary Johnston
Long Roll
Woman
The
Molly Make Believe
Eleanor Hallowell Abbott
Barclay
and Florence
The Rosary
the
non fiction
class Arnold Bennett
How
Live
Day
Hours
and Price Collier
The
West
the East
were easily first
one
course not even among the compilers
guide
these lists pretends that they furnish
the necessarily best books
the year
Authors
place
whose names and works
not get even

in

.
in

“

's '
s

"

”,

's

in

It

of

of in

to

.

it

to

for

wait a few years more before stating which are the
novels that will live among those of last year . At
present there is still too much of the glamour of
the “ best - seller ” about some of them to allow us
to judge dispassionately .
In themeantime it may
be conceded that if the motto for 1912 is really to
be “ Fewer and Better Books, " in fiction we may
anticipate a good time coming
I wrote at some length in the last issue of these
“ Notes ” on the subject of best - sellers .
It is, how ever , so prominent a feature in connection with the
sale of books in America
that perhaps I may be
alluding
pardoned
again
The literary
papers
January
devoted some space
the
collating
the monthly lists
successful works
appears that the four novels most
demand
the States during the past year were Jeffry Farnol
Vaughan Kester
The Broad Highway
The

much

,

“

to 1911 .

1910

0

from

Was the falling -off in numbers compensated for by
an improvement in quality ? The critics say “ Yes ” ;
at least as far as fiction was concerned .
The year
1911 has already been called an annus mirabilis of
the American novel . Perhaps it would be better to

.

production

past and

authors with the
circulations
1911
For
instance
Queed
still going strong
are
The
Broad Highway
and Mr Farnol
later American
again
success
The Money Moon
The
helping the sale
Rosary
which
Mrs Barclay
other two novels
The Following
the Star
and
The Mistress
Shenstone
The Winning
appear
Barbara Worth
announced
dramatic
form
New York theatre next fall
One feature
early 1912 however
the rise
new star
say
new
the United States that
All
who
the American literary periodicals will know
Birmingham
that this refers
Mr
who has
hope
been
discovered
let
his great advan
tage
British authors certainly bare little
com
plain
when they
catch the eye
the American
public
That this
can be seen from
the fact
that both
the fiction and
the non fiction
classes
last year the list was beaded by
Briton
may
And
addition
mentioned
that
Barrie
Peter and Wendy
was the best seller
among juvenile books
December
Such record
very nearly what the sporting journalist calls
the triple crown
for Great Britain
The early months
this year have been prolific
fiction
but not very notable
other respects
given first place
Novels may therefore
our
catalogue
which must include some works pub

, ,

output of 8,530 new books and 2 ,384 new
editions — total , 10 , 914 —was chronicled ) , in the
United States there was a very distinct decrease in

F

unlike

a record

leave the recently
actually present there are
public farour
1912
of

1911 there were 10 ,440 new
editions — total , 11, 123 . So
what was the case in England (where
In

new

(

- total , 13 ,470 .
and 783

books
that ,

195

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speaks
the Sixties
both the Indian campaigns
that State and
the Civil War
Professor
University makes the
Paxon
Wisconsin
entitling his book
latter war his subject
indeed
simply
The Civil War
by Matthew
represented
Travel books
are
Negro Explorer
Henson
the North
Pole
Peary and
with
foreword
introduction
by Ernest Thompson Seton
Booker Washington

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The Arctic Prairies
Charles Sheldon
The
Wilderness
the Upper
Yukon
and
the
oddly named
The Man Who Likes Mexico
which Wallace Gillpatrick gives his narrative
years wanderings
Where Half the World

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President Theodore Roosevelt
Realizable Ideals
which were the Earl Lectures last year
the Pacific
Theological Seminary
Berkeley
California
and
Reginald Wright Kauff
The Way
Peace
Bondage
man
author
The House
Daughters
Ishmael
the book
called
England
believe

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America
Moses Coit Tyler author and Cornell
University professor comes from the pen
Jessie
Tyler Austen while the Life and Labors
Bishop
Hare Apostle
the Sioux
Howe
Ralph
Two more volumes
the
Journals
Waldo Emerson have appeared bringing the story
way
down
the year 1841
contrast one
may read Mrs
Recollections
Burton Harrison

biography

the

books
Lieutenant General Nelson
Miles
having written
Serving the Republic
ncluding
recollections
the Civil War and Brigadier General
Funston
Memories
Two Wars
Cuban and
Philippine Experiences
Another author from the

duced

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Story

has appeared
fancy

with

lisher
and
The Relations
the United States
and Spain
The Spanish American
War
with
two volumes
which Rear Admiral Chadwick
concludes
notable work
Two distinguished military men have also pro

.

“
A

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as

England

Life

The

Carl Hovey

particularly

and

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treated
American Japanese
by
Kawakami who has written
Relations
according
Bookto Banish the Japan War Jingo
the preliminary paragraph sent out
the pub

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Problem

its restriction
President
Batler
Columbia University asks
his countrymen the
Why should we Change our Form
question
Government
The foreign affairs
the United

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Peirpont Morgan

Immigration

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Capital and Labour
the relations
Professors
The
Jett Lauck deal with
Jenks and

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Biographical works have not been very numerous
late but there have been several produced which
make their appeal
both sides
the Atlantic
put Robert
Among such may assuredly
Ocean
by Katharine
Louis Stevenson
California
Osbourne
Robert
Lee Man and Soldier
Page
Thomas Nelson
and the
Life
Bret

Days

States with special reference

the United

"

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of

of

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of

to

of

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Unofficial

authors
Social Forces
by
callel
Simons may

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History

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American
history

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as

Emerson Hough and
Five
George Randolph Chester

by

Unconventional Narrative

which the author prefers
remain anonymous but
has suffered
made public that she
the
widow
American diplomat
Social and political questions have engaged the

“

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is 's

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Passed

book of recollections is
and Society : an

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of

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(

which
the author still
remains anonymous has already been heard
England
Betty Moore
The writer
Journal
Carey hitherto better known
Mabel
the
social than
the literary world
Hers may
problem novel being concerned with mother
called
hood among the pleasure oving rich
injustice
the risk
those mentioned
give the names
must suffice
seven more novels
worthy
note among those that have recently
appeared
The Maid
the Whispering Hills
by Virgie
Douglas
Roe
Tante
Annie
Sidgwick
The Wrong Woman
Charles
Adjustment
Marguerite
Stewart
The
Bryant already
very big seller
Chain
by Carolyn Wells
Evidence
John Rawn
“

He who

Another

“ Intimacies

A

”

“

of

”

;

“

, .

,

as

be

a

,

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of

.

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and Other
twelve tales entitled
collection
Stories while with
The Man who could not Love
which gives
title
the book
Richard Harding
Davis gives us four other short stories

entitled

“

",

of by

”,

“

is

M

-

a

.

“

Mary
Her Weight
Gold
Mann
There
Mary
was Widow
Wilkins Freeman
The
Butterfly House
Meredith
Nicholson
Hoosier
Chronicle
Gouverneur
Morris has

Grave and Gay .”

to

),

it

ofe

as
“

.

so

frankly sensational piece
Ingram
Eleanor
involving motors
might
guessed
work
Cyrus Townsend Brady has two new books
The
Courage
the
and
Secret Service
Challice
famous
William
Gillette
latter
novelisation
play
Another novel derived from the stage
Bought and Paid for
Arthur Hornblow being
George Broadhurst
responsible for the version
drama George Barr McCutcheon
new story

.

in

.”

Smiling

.

Up

Comes

-

He

“

Marion Hill , treats of the American
Stage (as a classic
which
has been hailed
not
flippantly
The Chorus Lady
but none the
amusingly
less
From
the Car Behind

“

Sherman 's

Charles

“ Georgette ,” by

L

196

�THE AUTHOR .
of in
in

.

An

,

.

-

on to

of

,

on

.

of

.

",

so

,

to

-

.

.

to

to
a

,

ill

a

,

at

it to

on

,

of

-

he

a

be

to

,

.

as to

in to

is

he

,

an of

,

an

12

,

,

's ,

of

,

to

.

's

,

in

.

.

,

,

,

a

in

a

to

of

's

. of

he

of

,

,

by

,

kind

of

,

–

,

in

in

in

M

past four years
have been
1911
1908
copyright
more marked
the progress
legislation than any period since copyright
legislation
began
Earlier
the twentieth
century important steps were taken
several
Germany passed
countries
1901 the two laws

.

an of

of

is

,

it

permission

HE

.

."

“

“

of

stated

Publishers Weekly

'

the

in

to

of

,
at

which

OF

.

from

.)

(R

eprinted

)

to

,

19

in

”
—

the remainder

FOUR

of

,

of

.

to

he

at

up

do

to

.

,

THE COPYRIGHT PROGRESS
YEARS
U
.
S
.

's

is

.

-

in

,

in

to

of

.

17

to

by

,
I

of

in

,

,

his

Life

he

7

-

,

in

be

to

in

,

.

a

'
of s

so

of

to
“

“

.”

"

in

by

,

no

and
much did the son follow
the father
footsteps
giren
that
was
the task
the
He
the Cyclopedia
second edition
revision
much
contributed
other works
similar
character but also made
name for himself
writing for the Nation
journalism
and
the
Erening
Post among other papers
PHILIP WALSH

?

As

in
a

in in

he

(

his

94 at On
,

”,

as

be
a

to

.

It

a

is

.

-

to

to of

usual
must conclude with the melancholy
subject
the losses
literature caused
death
during the past few
months
On December
Percival Pollard succumbed
neuritis
the brain
hospital
Baltimore
his forty second year
Probably Pollard
brilliant work
but little known
England and his journalistic career was matured
Chicago and New
York
Yet England
had
something
with the making
the man for
was educated
Eastbourne
the age
fifteen when
came
America
Besides one play
many novels came from
written
collaboration
sufficiently wide
pen
but they were not
appear among
appeal
ever
best sellers
December
John Bigelow breathed his last
home
New
York
the advanced age
leaving unfinished his
Retrospections
Active

to

of

“

in

.” ,

I

, I

,

-

by ,

that literature

actuated
clearer motive than ever
before
has turned from
the vain effort
creating beauty
and devoted itself
the effort
ascertaining life
What say the romanticists
this

in

,
J.
B
.

to

on

of

no

"

.

it,

I

; , - of

of

to

in

“

as

.

,

I

“

living wage
the
which
essential
authors
very poor
well
other men and
died
circumstances
On February
the death was
recorded
New
York
Louis Heilprin
Hungarian
birth but
American by more
century
young
than half
residence
The
Heilprin
father who brought him
the States
was one
the editors
the American Cyclopedia

art which
believed myself fighting seemed
figbt did
losing
bate my breath
For all his
seventy five years
Howells avowed himself
day

,

an

to

.

-

do

I

.

,

. -

's

at

,

2

to

on

,

.

of , of

some notable words
attention has been called
American literature
the speech
the guest
the evening
There has been
hour
our lite
rary past
have lived
Mr Howells said
when
had the least fear for our literary future
literary
nor even when the good fight for reality

Mr

;

it

of

in

the present work
Sherry
Details
the gathering
Restaurant
New York
March
celebrate the seventy fifth
birthday
William
Dean
Howells
have reached
England long ago
But
not know that special

laudator temporis acti but declared

he

-

to

22
,

-

of

”

in

”

continued
write however until within
com
paratively short time before her death though
health compelled her
last
retire
sana
Early
turium
the new year another victim
literature died
Peterson who from being
factory hand rose
philosophical
writer
subjects
He was entirely self educated until
managed
gain
the sympathy
the late
James
who enabled him
Professor William
receive some university training
But the kindness
James and other patrons could not help him

— is

is

us

he

,

“

.

.

E

,

"

at

. by
C
.
L
.
.

Y
. is
W

of

The Education
Women
China
Margaret
Burton general secretary
the
Chicago University
The writer
Chess Tales and Chess Miscellapies
Willard
though
Fiske who knew the great Paul Morphy
does not tell
much that
new about him

“

hitherto

in

of

have been

of

by

of -

-

no

December
the person
Mrs Margaret
writing very
Horton
Potter Black
She began
by which she
early
life
The Social Lion
being
ingenuously
first
attracted
attention
daring that her family purchased every copy
from
circulation
Mrs Potter Black
remove

of

is

to

of its

by

. ,

W

.

F

,

am

I

,

the heads which

in

to

,

,

”

be

,

of

. .

“

at

to

by

”,

Taussig
Economics
the Harvard
professor explains itself
title
For the grouping together
the last two books
justifica
which
about
mention there
tion except that neither
them falls conveniently
discussed

of

.

-

a

,

-

.

,

.

,

of
by

is

",

is

It

of

, .

W

by

Mr

, .

be produced under the supervision of
son
Bigelow was for three years resident
Europe
namely during his tenure
the post
United
States Minister
France
1864
But
was
essentially
American
and one versed
all the
public life
phases
America while the books
which
will
remembered all made their
primary appeal
his own fellow countrymen
intensely
hard working
novelist
who ultimately
attempts
succumbed
the results
her
relieve the strain
her nerves passed away

to the
philo
course
sophical work
written
Professor
John
Elof Boodlin
Kansas
Human Efficiency
midway
placed
Horatio
Dresser might
philosophy
between
and economics
the author
endeavouring
get
the study
industrial con
Principles
psycbology
ditions
ria
The

under any

his

will

Introduction

an

to

Reality :
Knowledge

and

of

“ Truth
Theory

197

�Copyright

,

,

of

,

in

of

,

of

. a

;

is

or

,

in

.

by

no

,

to of

are

"

are

,

by

-

of

in

,

,

,

its

by

or

”

.

,

,

,

-s

to

is

,

. ,
,

-

in

,

.

in

,

,

all

,

the

.

in

.

80 to

,

of

,

of

; ,

as

,

,

,

on

as

as

,

,

in

a

of

be

to

are

.

.

in

it

be

to

to

,

;

"

in

“

so

.

to a

is

.

Australian

.

on

See General Note

its in in

In

.

a

.

its

,

, in

in

,

right Union and the Pan American Union
the same basis that
more comprehen
sive world union
almost sure
come about
The
nited States Canada and Australia will then
out
the cold
the only great nations
other words the nations which should have
progress are not yet responsive
the leadership
other nations

nearly

of led in be

while Portugal

family
only second
the International Copyright
nion
will
some years before amendments
can
secured
the present American code which
join the general
will permit the United States
family
nations though
will
included
the
The International Copy
Pan American brauch
that

to

,

the Berlin convention

in -

its

a

,

in

be

of

.

to

its ,

be

a of

its

a

, ,

.

in

of

to
*

rence

together

,

,
-

a

in

sive
code
All three Scandinavian
countries
adopted amendatory acts within the four years
1911 passed
new domestic code
and Russia
the first result
which was
first international
treaty with France and the final
relation through
outcome
which will probably
adherence
the Berlin convention
Holland began the discussion
law which
rescinding
passed
will probably
1912
panufacturing
clause and making possible adhe

mately
bind
importance

,

and

It

-

im

of

,

copyright

also

British

The International Copyright Union with
Great Britain and Holland
the Berlin convention and the probable adhe
rence
Russia will presently include all the great
European nations besides such powers
Japan
Liberia
and
this side
the Atlantic Haiti
while the Pan American Union brought together
the Buenos Aires conference all Latin American
countries
save
Bolivia
well
the United
States and its Buenos Aires convention will ulti
proposed accession

of

of

in

in

scope

of

the

Continental

introduces
restrictions
law
Nevertheless
distinctively
these codes are
betterments that
comparison
the restrictive features seem small
code

on

,

an

.

an

in

.

,

an

broadening

British

of

-

In
to
.

or

.

of

,

,

,

,

,

in

in

,

portance

China took its first step toward national copyright
while
1911 Turkey adopted
new and comprehen

The

hitherto foreign

,

,

in

. ,

it

in

,

,

a

Within January indeed
international copy
right treaty between the Cnited States and Hungary
has been signed Brazil has passed
international
copyright measure and progress has been made
towards relations with Mexico
the protection
mechanical music reproduction
coprright
years were also fruitful
These
the Orient
advance
other countries notably
Japan
amendatory act
1910 passed

codes

,

-

,

in

,

so

,

,

,

in

.

its

memorable

under discussion
the period only less
than its predecessors
now

Canadian

Oriental and South American countries that
say the non English
folk
have been more liberal
than we
their advance
For while all these four
codes except the British embody manufacturing
restrictions Holland and other countries are freeing
their authors and foreign authors also from such
infringement of rights
intellectual property

be .

-

of

In

.

,

of

-

,

,

by

copyright code
thus making the fifth year
passed

to in

in

,

a

a

on

in

a

,

of

copyright throughout South
future
basis for
Finally
America
1911 the new British code
comprehensiveness
was passed
second only
the American
code and superseding all previous
provisions
laws except
few specified minor acts
Within the year 1912 Canada will possibly have

proposed

and

to

-

in

,

, by

.

of

on

,

all

South

in

its

in

*

.

a

In

.

compre
1909 thorouglily
previous legislation
and
the whole
far reaching improvement
1910
the
Pan
American
Union adopted the
closely patterning
Buenos Aires convention
that
Berlin which though
far
has been ratified
only
the United States will probably form the
American
code
hepsive superseding

new

nations bound together

America
Bolivia
new copyright law Argentina
legislation and
1910 also passed comprehensive
neighbor Paraguay
example was followed
1911
The United States added substantially
help
international relations
the new
pro
code
until now twenty five powers
treaty countries
claimed
five
which
reciprocal relation with respect
also
mechanical
having practically
followed the American
music
precedent
the code
1909
This
means
includes all copyright legislation
for
several
other countries laws of more
less importance
have been passed
but surely this
remarkable
record for the short space
four years
Throughout this legislation the trend has been
distinctively
though
forward
the legislation
English peaking countries there have been retro
gressive steps despite the general advance formu
lated
the respective American British Australian
adopted

1909

'

its

in

,

,

1908
the Berlin convention put inter
tance
national relationships throughout the International
Copyright Union
new and more liberal basis
discarding
except those
all formalities
the
country
origin and adopting life and fifty years
as the international standard term
1909 the
long campaign
the United States resulted
the

1911 joined the family

by that document

L

present copyright

remarkable publishing
existing
law while Austria
1907 amended
copyright law
Australia
1905 asserted copy
right independence from the mother country and
passed
complete
code which was not disallowed
by the Crown and which has
fact become the
model for recent British and coming Canadian
legislation
But 1908 1909 1910 and 1911 were
leading event
each marked
first impor

t'

of

its

which are the foundation
system
and
1907

of

THE AUTHOR .

198

�THE AUTHOR .

which

for

is

.

on

,

is

.)

,

.

of

to

or

in

('

be

an

.

of

,

—

to

in

,

a

to

,

20

,
I

a

,

at

a

.

,

10

.

a

of

for

I

by

,
it I

,

it

,

,

,
I for

I

in

to

to

let

I

"

I

,

as

in

I

.”

A

I

on

.

.

to

,

,

to

to

had not beard
wrote
felt sure that
was
oversight that they had not
me know about
response
the story
had sent
October
their
request
That
was sorry
bother them but
had many applications for stories and being under
my publishers
contract
two long books
left
me
little time for stories
knew that they would
understand my difficulty

.

;

of

be on

to

on

be

to

,

to

On December
polite letter saying that

to

no

- is

of

by
of

of

,

be

as

,

is

October
story

as

.

he of

:

,

as

,

of
in

your
returning

interest

application
answer
sent
The Bystander
manu
script
the same time asking for speedy decision
had several orders for stories and Messrs Mills
my short
Boon
were publishing
book
stories this spring

On

an

,

in

.
, G
.
S
.

,

of

to

but the substance
the book
the result
some study and
incon
explanation
siderable knowledge and the methods
may
easily understood
are such
the layman
indeed
some concrete examples
delicate legal
difficulties such
the one
Limitations
Term
Copyright are highly
commended
But the author seems have lost some conciseness
his desire
clear
certain points
law
distinctly difficult
book
write
for
be too
diffuse tends only
confuse the lay mind whereas
evidently

OURTESY

SIR
The following may
readers apropos
the long delay
accepting manuscripts

so

.

of

in

,

a

is

of

's

,

,

,

in

many others

EDITORIAL

THE

&amp;

order the dis
some sort
provisions
the Act
This procedure
was hardly wise for
the new Copyright Act
1911
there
definite order laid down
the
sequence
the sections and Mr
Robertson
spite
book
its wider scope really narrows
itself down
the Act
1911
He may have
gained
some points
has undoubtedly
lost
mnent

orderly

a

rearranged

of

in ,

to

.

of

,

CORRESPONDENCE

.

or

,

on

to

,
”

,

,

on

;

is

.

the dates

the Copyright Act 1911 comes into operation
pass comment beyond the
there
little
which
imperial and
Act itself
indeed
the chapters
international copyright are not satisfactory
exhaustive
when
the importance and the width
the subject with which they deal are considered
The author has according
his own state

.)

“

on

stated

on

is

this book

as

in

;

of

to

;

is

of

in

as

,

of it

,

law

the writer had said " a work ” instead of " a book ”
he might have been nearer the mark , but even then
other matters would have to be considered , as ,
instance the consideration paid
The work
not
satisfactory
The treatise
French Copyright Law
ppendix
interesting
but again insufficient
any material use and
the
Forms
ppendix
are inadequate and misleading
C

a

Copyright
Treatise on French
Law , by Maurice
Thery ) , published by Messrs . Waterlow &amp; Sons ,
The first
these two books
the more ambitious
does not pretend
deal merely with the new law
copyright
1911 but with the general law
but
still
the author mentions
the preface that
the

,

the Copyright Act , 1911 , ” by Henry Hurrell (with

.

Mr. Oldfield 's and Mr. MacGillivray 's
books on the Copyright Law have been pro duced and passed in review two other books
have been placed on the market . " The Law of
Copyright ," by G . S. Robertson , published by the
Oxford University Press , and “ Copyright Law and
D

A

CINCE

of

LAW .

be

THE COPYRIGHT

to be too concise tends to inaccuracy .
The Appen
dices contain ( 1) the Fine Arts Copyright Act ,
1862 ; the Canada Copyright Act , 1875 ; the
Musical Copyright Acts , 1902 and 1906 , and the
Copyright Act , 1911 ; (2 ) the Berlin Convention ,
1908 ;
the Berne Convention , 1886 ; and the
Additional Act of Paris and Interpretative Declara
tion , 1896 , collated with the Berlin
Convention ,
1908 ; Countries
which have ratified the Berlin
Convention , 1908 ; ( 3 ) The United States Copyright
Act , 1909 ; Rules and Regulations for the Registra
tion of Claims to Copyright in the United States ;
Proclamation by the President of the United States .
It seems hardly necessary to publish the Berlin
Convention , 1908 , in the original French and in
translated form , and then to publish the translated
form again collated with the Berne Convention .
Mr. Hurrell ' s book fails owing to the fact that it
attempts too much in too little space . Many state
ments are made authoritatively in a few words which
need much ampler treatment : to take one instance :
persons
“ When an author agrees to give certain
the sole power of printing and publishing a book for
If
all time, that is parting with the copyright . "

to

the business of
reason to congratulate
of the past four years ,
that before the present

(A

The friends of authors

(A

' rights and of a firm basis
publishing
have abundant
themselves on this progress
and they may live in hopes
generation has passed away ,
Anierica and the other English - speaking countries
will be ready to achieve the final step toward world
union . More than sixty years ago a Philadelpbian
publisher , Philip H . Nicklin , prophesied in his
little book on copyright " a world -wide republic of
letters , " and this American
dream
will yet be
fulfilled by help of America .
for

199

�of

if

,

.

,

,
if

for

,

,

it

';

a

to

on

for

,

to

.

is to

of of

in

do

in to
?

do

.

no

,

is

is

of

it

of by

of

is

is

,

'

?

to

of

to

.

it

on

to

of

it

,

no

,

of

to

of .

,

If to

.

It

in

;

or

,

.

be A do by

in

,

.

an

be

it

if

,

it

.

A

?

a

on !

LIST

.

be

A

BLACK

of

in

to

a

:

and pubhishers

,

to

, –,

it

possible
publish
Would
not
The
magazines
from time
time
black list
etc

.

,

Yours

.]

-

,

.
on

a

be of

,

[

by

This matter has been considered frequently
the Committee but there are very strong reasons
against the publication
such
list
Moreover
application
information can always
obtained
the Secretary
Ed

.

,

his

services elsewhere

SIR
Author

to

. .

offer

!

to

asked

his

,

,
if

to

by

;

do

be

to

soon

It

!

as

is

It

a

be
a

. .

'

in

or

or

“

,

, .

do

his”

in

,

,

to

of

a

to

crude taste and should
immortal
discovered
scoop
not
Would
for the publisher
worth while
risk something
such
chance
NOVELIST

what

'

-

;

,

, .

.

is

of

of

I

he will

; ,

to

weeded out before the rest are sent
the
They are the books that are unconven
tional unsensational and artistic
the books that
uneducated
would not please the great mass
readers
say that book may not
This
not
work
art and yet please the larger public
Such
thing may happen occasionally we know
But the
chances are all against the artistic work and
favour
mediocrity
not however agree with
Tamel
that
indulges
either publisher
sorter
own
prejudices
taste
the matter
Both are ani
mated solely
business principles
The publisher
engages the reader
pick out for him novels that
will sell well and presumably
the
reader
neglects
this and merely consults
own taste
judges

,

,

on

be

,

of

.

is

it

a

is

,

a

to

,

will

man
woman
letters
aid them
their trade
humbug they might become public benefactors
finding out new talent
They might moreover
better for themselves than they are doing now
judiciously
advertised prize novel can always
pay even
made
does not positively cater for
to

."

's

of

very high character
that our work
regretfully returned because
not likely
prove
popular financial success
The initiated
are therefore perfectly aware what kind
books
is us

ing

but

'

,

to

is

“

, 's

of

or

,

a

of

We know exactly what that means
We know that
publisher
the first duty
reader
discover
not genius
works
art but the
best seller
We are familiar with the publisher letter inform

quality who are
time for those writers
honoured with this mission
maintain their dignity
and the dignity
the office they are invited
only
fulfil they should accept
conditior that
they may choose what they think best from all the
may take more time but
novels sent
detracting from
would certainly add
instead
their reputations
the publishers could get

a

,

the judges

.

to

were sent

"

suitable

. on

,

,

he

—

a

,

an

to

his

All

.

of

“

considered

of

as

.

to

,

in

.

COMPETITIONS

be

NOVEL

was glad to see “ Tamel ' s ” letter about prize
competitions and wish it could meet the eye of the
dear , deluded , ordinary public .
I wrote å briefer
one on the same lines to a daily paper some time
ago , but it did not appear .
Mr. Andrew Melrose gave the case away last year
system
when he explained
interviewer
most businesslike and reasonable system
from his
point
view
the competing novels
said
were read first by his readers and only those they

I

a of

of

‘

on

go

it

in

'

are

is

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' .

“

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of

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in
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of to

no comment !

Yours Truly ,
“ MAUD ANNESLEY ."

“

It

. .

“ A B ”

.

I make

The italics are mine .

course does not know the difference between
best novel and
best seller
believes and
will continue
believe that the two are identical
and that these competitions are
the encourage
genins
they
ment
But the chosen judges
literary ideals ought
are faithful
rebel and
protest
choosing the
them
insist
novel they think best out
the whole number sent
and this not only
the interests
literature
but
their own interests for the sake
their own
reputations
Surely they must often
blush
see
sponsors
themselves advertised
the common
place fiction that
the result
these prize com
petitions
true they excuse themselves
declaring that most
the work they receive
poor quality
and this
true enough
doubt
But why does
not occur
them that they
not
Why
they allow
receive the best work sent
only such
themselves
have foisted upon them
novels
the publishers readers think will sell

of

Yours Faithfully ,
“ The Editor ,

-

“ December 11th , 1911 .
you
MADAM , - I note that
have very
little time to write stories . We , for our part , have
very little time to read them , and are not under any
special obligation to do so. In view of the tone of
your letter , I therefore return herewith the story
entitled “ The Mediator ,' in the hope that you will
be successful in placing it elsewhere .
“ DEAR

“

it

to

be

“ TALLIS HOUSE ,
“ WHITEFRIARS ,

“

Nor
think
will help matters
writers
compete for the fact will certainly
talent decline
My opinion
not
advertised
that the
guardians
our self respect
this concern
judges
the
called
and
rests with them
spoofing
whether
not publishers shall
the innocent public with their fiction
best
competitions
novel
That innocent public

I

following

the

or

received

so

:

, '

I

On
December
12
letter , and the MS.

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THE AUTHOR .

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HERBERT CÆSAR

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JACOBS

Maybank Road

Client says and then send
trial order

satisfied

,

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TESTIMONIALS

-

MISS
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KNOWN AUTHORS

WELL

3d

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Postage

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000 words
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December 4th 1911
Dear Sir
thank you for your prompt and most
have
and
excellent
satisfactory
the typing
work
extremely pleased with
ARNOLD
Signed
MRS
Sheffield

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Read

copied accurately
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Paper and

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Duplicates

every description

9d

York

Terms

W

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Charing Cross Road London

Typewritten
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on

BOOKS

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AUTHORS

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and

.

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Books sent
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AUTHORS

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Authors
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Stanhopo
its entirety by
has been adopted
indsor Magazine and
Sprigg late Editor
Cassell and the
Women
the Society
for some years Hon Literary Adviser
Trafalgar Buildings Charing Cross London
Journalists
Every facility for placing Literary Work
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LONDON

JOHN

NOTICE

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THE WEINER

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Established 1893
ROAD
HAMMERSMITH

/

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,

1
2 copies
9d 1 000 words
&amp; Story work
Plays , ruled and covered , 1/- 1,000 words ; 2 copies , 1/ 4 .
(French and Spaoish typed .)
past twelveyears
Opinions selectedfromletters receivedduring
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NESBIT
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MRS
pleased
beautiful work
you
must be treasuretrove
think
MRS TOM GODFREY
you
You
good fortune
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all authors who have the knowledge
French
certainly evincean intimate
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MRS HINKSON KATHARINE TYNAN
anything approachingyour intelligence carefulnessand promptitude
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RICHARD PRYCE Esq
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" I have
way the
typed, and I should like to thank you for the admirable
manuscript was sent to you
work was done. Considering that the
my
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handwriting,
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without liaving beencorrected or evenread
legible, it is obvious that it
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such a result- a result which , in
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conjunction with your moderate
recently been directed upon
of answers to the criticisms which have
."
of
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typists
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WALES , ESQ ., of Hindhead
HUBERT completed
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TYPEWRITING :.

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ADVERTISEMENTS .
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Telephone No 5537Westminster
Chesterton
Baron de Worms
Canon Swallow Hilaire Belloc Esq
and Others
Many Testimonials of which the following
specimen Many
thanks
the excellentwork and the promptness with which
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,
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VICTORIA STREET
Recommended by Mr
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extent of some hundreds of thousands of words
have nothing
but praise for the accuracy speed and neatness with which she
FRANK SAVILE
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LYNWOOD

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            <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.—No. 7.&#13;
APRIL 1, 1912.&#13;
(PRICE SIXPENOE.&#13;
CONTENTS.&#13;
PAGE&#13;
173&#13;
173&#13;
173&#13;
174&#13;
175&#13;
179&#13;
181&#13;
184&#13;
186&#13;
187&#13;
185&#13;
189&#13;
PAGE&#13;
190&#13;
190&#13;
190&#13;
190&#13;
190&#13;
190&#13;
191&#13;
&#13;
:&#13;
.&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
The Annual Meeting&#13;
A Prize Competition&#13;
United States Notes&#13;
The Copyright Progress of Four Years&#13;
The Copyright Law&#13;
Correspondence&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes ...&#13;
Books published by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes...&#13;
United States Copyright&#13;
A Music Publisher's Agreement&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books...&#13;
Warnings to Dramatic Authors&#13;
:&#13;
.&#13;
192&#13;
i&#13;
:&#13;
.&#13;
193&#13;
.&#13;
194&#13;
.&#13;
.&#13;
197&#13;
199&#13;
199&#13;
K Five Large Editions required to fill orders in advance on the other side.&#13;
Ready early in April.&#13;
THE MOUNTAIN GIRL&#13;
By PAYNE ERSKINE.&#13;
Illustrated by J. DUNCAN GLEASON.&#13;
Crown 8vo. 6s.&#13;
This new novel bids fair to create an unusual amount of interest. Those who have read the&#13;
advance sheets predict for it an immense success. It is the kind of novel that the public&#13;
appreciate, because it is essentially true to life and pictures one of the sweetest and&#13;
purest heroines ever portrayed.&#13;
BUY THESE FROM YOUR BOOKSELLER or BORROW FROM THE LIBRARY.&#13;
A novel that is having an immense sale eighteen months' after publication.&#13;
THE BROAD HIGHWAY. By JEFFERY FARNOL.&#13;
Over One Million Readers already. Crown 8vo. 6s.&#13;
The sweetest story ever told by the Author of “The Broad Highway.”&#13;
THE MONEY MOON. By JEFFERY FARNOL.&#13;
Third Impression. Crown 8vo. 6s.&#13;
*** Also an Edition de Luxe in specially designed cover printed in colours and gold, fully illustrated with over 50&#13;
Illustrations, nearly half of which are full-page in colours by ARTHUR T. KELLER. Royal 8vo. 155. net.&#13;
Also Crown 8vo, 6s. each.&#13;
Ramona&#13;
By HELEN HUNT JACKSON. | The Pharaoh and the Priest&#13;
By ALEXANDER GLOVATSKI. 6s, net.&#13;
The Human Compass By BART KENNEDY.&#13;
The Innocent Murderers&#13;
Under Western Skies By FRANCIS SINCLAIR. I&#13;
By W. JOHNSON and P. WEST.&#13;
Desmond Rourke, Irishman By JOHN HASLETTE.&#13;
In the Shadow of Pa-Menkh By DORA LANGLOIS.&#13;
Dunleary: The Humours of a Munster Town&#13;
Lemuel of the Left Hand By ALFRED CLARK.&#13;
By EDMUND DOWNEY.&#13;
By&#13;
Hu&#13;
London : SAMPSON LOW, MARSTON &amp; CO., Ltd.&#13;
&#13;
&#13;
## p. 172 (#612) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : “ AUTORIDAD, LONDON.”&#13;
Telophone No. : 314 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O..M.&#13;
COUNCIL&#13;
BIR ROBERT ANDERSON, K.C.B. THE RIGHT Hon. THE EARL CURZON, JOSTIN MCCARTHY.&#13;
BIB WM.REYNELL ANSON, Bart., D.C.L. G.C.S.L.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
• AVEBURY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIB GILBERT PARKEK, M.P.&#13;
J. M. BARRIE.&#13;
DOUGLAS FRESHFIELD,&#13;
SIR ARTHUR PINERO.&#13;
SIR ALFKKD BATEMAN, K.C.M.G. EDMOND GOBSE, LL.D.&#13;
THE RIGHT HON. SIB BORAOE&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
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COMMITTEE OF MANAGEMENT.&#13;
Chairman - Dr. S. SQUIRE SPRIGGE.&#13;
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Solicitor in England to&#13;
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CONTENTS : – Authors' Directory; Literary&#13;
Agents; Typists, etc.; Booksellers; Proof-correcting;&#13;
Law and Letters [containing new Copyright Act&#13;
(1911)]; British, American, Canadian, and Indian&#13;
Periodicals (with a classified index and full&#13;
particulars for contributors) ; Royalty Tables ;&#13;
Publishers (British and Foreign); Classified List .of&#13;
Publishers' Requirements; Literary Societies and&#13;
Clubs; A classified list of cheap reprints (93&#13;
different series).&#13;
Opinions of Authors: _"Many thanks for the help which the&#13;
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authors, and this year is better than ever."-"I have found The&#13;
Literary Year Book a very valuable book of reference."-"I&#13;
take this opportunity of telling you how great a help the book is&#13;
to me as an author and as a working journalist."&#13;
“A work with a wide reputation and one justly earned."-&#13;
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Authors are invited to send their names&#13;
and partioulars of their publications to&#13;
the Editor for insertion in the next issue,&#13;
Address : The Editor,&#13;
c/o GEORGE ROUTLEDGE &amp; SONS, Ltd.,&#13;
68, Carter Lane, London, E.C.&#13;
Hamilton&#13;
...&#13;
...&#13;
...&#13;
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...&#13;
...&#13;
...&#13;
..&#13;
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...2/-net&#13;
The Battle of Souls. Second Edition. By Hugh&#13;
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&#13;
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ADVERTISEMENTS.&#13;
PUBLICATIONS OF THE&#13;
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By Ernst LUNGE, J.U.D. Price 28. 6d. net.&#13;
3. Literature and the Pension List.&#13;
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Price 38. net.&#13;
10. Forms of Agreement issued by the&#13;
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ments.&#13;
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Examples by Sir WALTER BESANT. 2nd&#13;
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12. Society of Authors.&#13;
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By S. SQUIRE SPRIGGE. lu this work,&#13;
compiled from the papers in the Society's&#13;
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proposed by Publishers to Authors are&#13;
examined, and their meaning carefully&#13;
explained, with an account of the various&#13;
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Price 38. net.&#13;
13. International Copyright Convention&#13;
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ditional facts collected at the office of&#13;
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Price 28. net.&#13;
Literary Agency Agreement. 3d. net.&#13;
[All prices nat.&#13;
Apply to the Sacretary, 39, Old Queen Street, Slorey's Gate, S. W.]&#13;
&#13;
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## p. 172 (#615) ############################################&#13;
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ADVERTISEMENTS.&#13;
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The Daily Telegraph recognised that here "was no lover of sensationalism. Whether telling of white men and&#13;
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LONDON : LYNWOOD &amp; Co., Paternoster Row, Publishers.&#13;
&#13;
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## p. 173 (#617) ############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.—No. 7.&#13;
APRIL 1, 1912.&#13;
[PRICE SIXPENCE.&#13;
nae&#13;
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DROM time to time members of the Society&#13;
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A dozen blank pages have been added at the&#13;
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&#13;
&#13;
## p. 174 (#618) ############################################&#13;
&#13;
174&#13;
THE AUTHOR.&#13;
end of tbe list for the convenience of those who&#13;
PENSION FUND.&#13;
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He would be glad, therefore, if those members who&#13;
and Central Argentine Railway Ordinary Stock.&#13;
The amounts purchased at the present prices are&#13;
may have sent in these orders, recognising them&#13;
from their description, would write to the secretary&#13;
£237 in the former and £232 in the latter stock.&#13;
on the matter.&#13;
The trustees desire to thank the members of the&#13;
Bankers' Order for 10s. drawn on the London,&#13;
society for the generous support which they have County and Westminster Bank, Maidstone.&#13;
given to the Pension Fund, and have much pleasure&#13;
Bankers' Order for 10s. drawn on the National&#13;
in informing the Pension Fund Committee that&#13;
Provincial Bank of England, Baker Street, W.&#13;
there is a further sum available for the payment of&#13;
Bankers' Order for 5s. drawn on the London,&#13;
another pension in case any application should be&#13;
made.&#13;
County and Westminster Bank, Kensington, W.&#13;
The money now invested amounts to&#13;
£4,846 198. 4d., and is fully set out in the list&#13;
Subscriptions.&#13;
below :&#13;
1912.&#13;
£ $. d.&#13;
Consols 21°c&#13;
.£1,312 13 4 Jan. 1, Worsley, Miss Alice . .' 0 5 0&#13;
Local Loans.........&#13;
500 ( 0 Jan. 2, Sturt, George . . . . ( 5 0&#13;
Victorian Government 3° ' Consoli-&#13;
Jan. 2, Wicks, Mark (in addition t&#13;
dated Inscribed Stock.......... 291 19 11&#13;
present subscription).&#13;
( 5&#13;
London and North-Western 39%&#13;
Jan. 3, Northcote, The Rev. H..&#13;
Debenture Stock ..........&#13;
230 0 (). Jan. 3, Worsley, Miss Alice . .&#13;
Egyptian Government Irrigation&#13;
Jan. 3, Phipson, Miss E. (in addition&#13;
Trust 4% Certificates .....&#13;
200 0 0&#13;
to present subscription) . () 5 0&#13;
Cape of Good Hope 31°. Inscribed&#13;
Jan. 3, Hedgcock, F. A. .&#13;
Stock .......................&#13;
200 0 0&#13;
Jan. :), Matcham, Mrs. Eyre&#13;
Glasgow and South-Western Railway&#13;
Jan. 8, Stayton, Frank .&#13;
: 0 5 0&#13;
10%. Preference Stock .&#13;
228 0 0 Jan. 8, Canziani, Miss Estella . . 0 5 0&#13;
New Zealand 31° Stock ..&#13;
247 9 6 Jan. 10, Ropes, A. R.. .&#13;
1 1&#13;
Irish Land Act 21% Guaranteed&#13;
Jan. 12, Francis, René .&#13;
0 10 0&#13;
Stock ........&#13;
2.38 0 0 Jan. 15, Pollock, Miss Edith (in addi-&#13;
Corporation of London 21. Stock,&#13;
tion to present subscription) 05 0&#13;
1927-57 ..........&#13;
438 24 Jan. 27, Hutchinson, the Rev. H. N. . 1 1 0&#13;
Jamaica 31° Stock, 1919-19 ...... 132 18 6 Feb. 7, L. M. F., per month during&#13;
Mauritius 1°! 1937 Stock .&#13;
120 121&#13;
1912&#13;
: :&#13;
Try&#13;
. 1 0 0&#13;
Dominion of Canada C.P.R. 3!?!&#13;
Feb. 7, Letts, Miss W.M..&#13;
. 0 5 0&#13;
Land Grant Stock, 1938............. 198 3 8 Feb. 8, Cooke, W. Bourne . . . 1 1 0&#13;
Antofagasta and Bolivian Railway&#13;
Feb. 8, Annesler, Miss Maude&#13;
.&#13;
.&#13;
. ( 10 6&#13;
5% Preferred Stock ............... 237 () () Feb. 9, O'Donnell, Miss Petronella : 0) 5 0&#13;
Central Argentine Railway Ordinary&#13;
March 6, Curwen, Miss Maud . : 0&#13;
Stock ..&#13;
232 ( 0) March 6, Anderson, Arthur . . 1 1 0&#13;
— March 15, George, W. L. (in addition&#13;
Total ....................£4,846 19 4&#13;
to present subscription). ( 10 O&#13;
༌ ༤་&#13;
......&#13;
་ེ&#13;
་ ༌&#13;
༤་ ལ་ ༌&#13;
......&#13;
....&#13;
&#13;
&#13;
## p. 175 (#619) ############################################&#13;
&#13;
THE AUTHOR.&#13;
175&#13;
erro&#13;
...........................&#13;
er or&#13;
Donations.&#13;
1912.&#13;
Jan. 2, Risque, W. H. .&#13;
Jan. 2, Dart, Miss Edith.&#13;
Jan. 3, “K."&#13;
Jan. 3, Church, Sir Arthur.&#13;
Jan. 3, Durrant, W. Scott .&#13;
Jan. 3, Tighe, Henry .&#13;
Jan. 3, Grant, Lady Sybil .&#13;
Jan. 4, Smith, Bertram&#13;
Jan. 4, Buckrose, J. E.&#13;
Jan. 4, Lathbury, Miss Eva&#13;
Jan. 5, Wilson, Dr. Albert .&#13;
Jan. 5, Craven, A. Scott .&#13;
Jan. 6, Blundell, Miss Alice&#13;
Jan. 6, Garbutt, W. H.&#13;
Jan. 6, Serjeant, Miss Constance&#13;
Jan. 9, Chamberlayne, Miss Effie&#13;
Jan. 9, Hamel, Frank&#13;
Jan. 10, Allen, W. Bird .&#13;
Jan. 10, Crellin, H. X. .&#13;
Jan. 10, Smith, Herbert W.&#13;
•&#13;
Jan. 12, Randall, F. J.&#13;
Jan. 13, P. H. and M. K..&#13;
Jan. 15, Clark, Henry W...&#13;
Jan. 17, Rankin, Mrs. F. M.&#13;
Jan. 18, Paternoster, Sidney&#13;
Jan. 20, M'Ewan, Miss Madge.&#13;
Jan. 2:2, Kave-Smith. Miss Sheila .&#13;
Jan. 22, Mackenzie, Miss J. .&#13;
Jan. 22, Reiss, Miss Erna . .&#13;
.Jan. 22, Grisewood, R. Norman . .&#13;
Jan. 23, Machen, Arthur.&#13;
.Jan. 24, Williamson, C. N. and Mrs.(&#13;
Jan. 26, Way, Miss Beatrice&#13;
Jan, 30, Saies, Mrs. Florence H.. :&#13;
Jan. 30, Weyman, Stanley (in addition&#13;
to subscription).&#13;
Jan. 30, S. F. G. . .&#13;
Feb. 3, Douglas, James A. .&#13;
Feb. 6, Parker, Mrs. Nella .&#13;
Feb. 6, Allen, Mrs. James 1.&#13;
Feb. 10, Whibley, C. . .&#13;
Feb. 12, Loraine, Lady&#13;
.&#13;
Feb. 12, Ainslie, Miss K. .&#13;
Feb. 12, King, A. R.. .&#13;
Feb. 13, Ayre, Miss G. B. .&#13;
Feb. 14, Gibson, Miss L. S.&#13;
Feb. 15, Henley, Mrs. E. W. .&#13;
Feb. 15, Westall, W. Percival . .&#13;
Feb. 17, Raplmel, Mrs. .&#13;
Feb. 19, Cabourn, John . .&#13;
Feb. 19, Gibbs, F. L. A. .&#13;
.&#13;
Feb. 21, Hinkson, H. A., and Mrs. .&#13;
Feb. 24, Hamilton, Cosmo&#13;
Feb. 27, Plowman, Miss Mary . .&#13;
Feb. 28, Aspinall, A. E. .&#13;
.&#13;
March 2, Montisole, Max. .&#13;
£ s. d.&#13;
£ s. d. March 9, Pickering, Mrs. Frank . 0 10 0&#13;
0 10 0 March 15, Trevanwyn, John . . 1 1 0&#13;
0 10 6 March 16, O'Higgins, H. J. . . 1 1 0&#13;
10 0 March 18, Wallis-Healy, F. C. . . () 3 0&#13;
1 1 0 March 18, Schwarz, Prof. Ernest . 0 5 0&#13;
5 0 March 19, Wallace, Sir Donald Mac-&#13;
( 10 0&#13;
kenzie, K.C.V.O. . . 5 5 0&#13;
0 March 21, Wharton, Leonard . () 5&#13;
20 0 0&#13;
1 1 0&#13;
0 5 0&#13;
0 10 0&#13;
COMMITTEE NOTES.&#13;
0 10 0&#13;
0 10 0&#13;
M HE March meeting of the committee was held&#13;
0 5 0&#13;
at the offices of the society on the 4th. The&#13;
0 5 0&#13;
committee have much pleasure in reporting&#13;
1 1 0 32 elections, which brings the total of elections&#13;
1 1 0 for the current year up to 100. This number is&#13;
0 5 o considerably in excess of the number for the corre-&#13;
2 2 O sponding period of 1911. The issue of the first&#13;
1 0 applications for subscriptions in arrears brought as&#13;
2 2 0 usual a number of resignations, but though the&#13;
0 5 0 number was considerable, it was hardly above the&#13;
0 5 0 average of former years, and in percentage was&#13;
1 1 0 lower, owing to the increase in numbers of the&#13;
( 5 ( society.&#13;
() 10 0 The solicitors made a report on the legal cases&#13;
0 5 0 handled during the month. In one case, where the&#13;
committee had sanctioned the issue of a writ for the&#13;
0 5 0) return of a MS., the publisher had handed over the&#13;
1 1 0 MS., and the matter had been settled. In another&#13;
5 j ( case, involving a long dispute on accounts delivered&#13;
0 5 0 by a publisher, a settlement had been arranged and&#13;
( 8 6 a form of agreement dealing with the issues had&#13;
been drafted and was only awaiting execution.&#13;
1 1 0 A question arising out of the infringement of an&#13;
1 1 0 author's dramatic rights had been settled. The&#13;
1 0 0 defendant had abandoned the production and with-&#13;
0 10 0 drawn the piece. A claim of a member, considered&#13;
1 1 0 at the previous meeting, for a quantum meruit&#13;
0 10 6 for work done against a newspaper had been satisfied.&#13;
5 0 0 The stipulated amount had been paid. Payment&#13;
5 () had also been made under a judgment obtained by the&#13;
() society in another newspaper case. There was also&#13;
a claiin by a member against a publisher for accounts&#13;
0 5 () which had not been rendered for some time, and for&#13;
1 1 0 payment of the sum due under those accounts. As&#13;
0 5 0 the publisher had neglected to answer the secretary's&#13;
0 5 0) letters, the matter had been transferred to the&#13;
( j ( solicitors, whose negotiations with the firm had&#13;
0 10 0 produced a promise of speedy settlement. The&#13;
1 1 0 Solicitors bad been forced to issue a writ in another&#13;
1 1 0 matter of accounts referred to them, as the defen-&#13;
26 dant had refused to produce a proper statement. In&#13;
( 10 ( a case in which the society had threatened a pub-&#13;
() 10 ( lisher with the appointment of an arbitrator, under&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
·&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 176 (#620) ############################################&#13;
&#13;
176&#13;
THB AUTHOR.&#13;
II.&#13;
a clause in the publisher's agreement, the publisher The secretary reported that Lady Loraine, Mr.&#13;
bad submitted a proposal which the committee Thomas F. Dunhill and Mr. Raymond Needham&#13;
decided to advise the author to accept. The had joined the society as life members, and that&#13;
solicitors were instructed to write to the member Mr. Gordon Craig had made a donation of £1 18.&#13;
to that effect.&#13;
to the Capital Account.&#13;
The secretary then placed before the committee&#13;
correspondence which had passed between himself&#13;
and a member, following a decision of the com-&#13;
mittee made at their previous meeting. The&#13;
DRAMATIC SUB-COMMITTEE.&#13;
committee, while approving the secretary's letters,&#13;
decided that no further action could be taken. The&#13;
I.&#13;
verification of accounts between one of the members On Thursday, March 7, the Dramatic Sub-&#13;
and a publisher extending over a series of years was Committee met a sub-committee of the Dramatists'&#13;
next considered, and the committee advised the Club and discussed with the latter the proposed&#13;
member to ask the publisher, in the first instance, alterations in the Managerial Treaty. The two&#13;
for further details, and next to allow an accountant committees went through the treaty clause by&#13;
to be appointed to investigate the books. If the clause, and came to agreement, with very few&#13;
publisher's answer was not satisfactory, the matter alterations and reservations. The points reserved&#13;
was to be referred again to the committee.&#13;
were then referred back in order to be discussed at&#13;
After the cases had been considered, the committee the next meeting of the Dramatic Sub-Committee,&#13;
discussed the question of Canadian copyright. A and it is hoped that a final settlement will be come&#13;
letter was read from Sir Gilbert Parker to the to at that meeting.&#13;
chairman expressing among other things his regret&#13;
that he had been obliged to return to England, but&#13;
stating that he hoped to put forward the views of The ordinary monthly meeting of the Dramatic&#13;
the society when he visited Canada again in the Sub-Committee was held on Friday, March 15,&#13;
summer. A letter from the Premier of Canada was at 3 o'clock. After the ruinutes of the former&#13;
also read, as well as one from a Canadian correspon- meeting had been read and signed, the alterations&#13;
dent of the society, the last making a statement as and amendments to the Managerial Treaty sug-&#13;
to the action in respect of copyright legislation gested at the joint meeting of the sub-committee&#13;
which was being taken in the Dominion.&#13;
and the Dramatists' Club Sub-Committee, were&#13;
The secretary reported what had been done, at considered, and the treaty was finally settled. The&#13;
the suggestion of the Composers' Sub-Committee, secretary was instructed to write to the secretary&#13;
and with the sanction of the chairman of the Com- of the Dramatists' Club Sub-Committee, with a full&#13;
mittee of Management, respecting an organisation statement of what had taken place and with the&#13;
which had originally called itself the Society of complete copy.&#13;
British Authors, Composers and Music Publishers. The next question before the sub-committee was&#13;
A full statement of the position appeared in the the date of the Annual Conference of Dramatists.&#13;
March issue of The Author.&#13;
The sub-committee decided that it would be best&#13;
The committee undertook to watch carefully the to defer the selection of the date until the mandate&#13;
rights of composers in regard to the question that which they had received at the last Conference to&#13;
had been raised, namely, the collection of gramo deal with the Managerial Treaty had been carried&#13;
phone fees.&#13;
through, and the sub-committee were in a position&#13;
A Music Publishing Agreement which had been to report to the Conference on this and other&#13;
laid before the Committee of Management by the matters.&#13;
Copyright Sub-Committee was referred back to the A small point touching the registration of&#13;
sub-committee for re-consideration of one or two scenarios was also considered, and the sub-com-&#13;
points which had been raised in committee.&#13;
mittee decided that one copy of a scenario would&#13;
A proposal in regard to the conduct of the suffice for purposes of registration, although the&#13;
business of authors by literary agents was men- society would always be willing to stampa&#13;
tioned, but the committee decided that it would be duplicate copy if the member so desired.&#13;
inexpedient to take action in the matter at the The sub-committee then discussed a suggestion&#13;
present time unless a specific charge could be made of one of the members, that a schedule of prices&#13;
The committee authorised the affixing of the should lie at the society's office for reference. As&#13;
society's seal to certain transfers dealing with the soon as the schedule is settled, notice will be sent&#13;
purchase of stock on account of the Capital Fund of to dramatists who are members, in order that they&#13;
the society, which purchase had been authorised at may have the advantage, when settling agreements,&#13;
their previous meeting.&#13;
of being able to consult the schedule and receive&#13;
&#13;
&#13;
## p. 177 (#621) ############################################&#13;
&#13;
THE AUTHOR.&#13;
177&#13;
advice from the secretary. Such advice and infor- 2. Not to employ any agents or agencies without careful&#13;
mation is already at the disposal of any member&#13;
dienasol of any member enquiry into their financial position and stability.&#13;
enquir&#13;
who desires it, but the sub-committee considered it&#13;
3. Not to enter into any contract for sheet publication&#13;
which contains any conditions whatsoever with regard to&#13;
desirable to have a schedule authoritatively fixed. their rights of mechanical reproduction.&#13;
The Society of British Composers, in hearty&#13;
accord with the action of the sub-committee,&#13;
COMPOSERS' SUB-COMMITTEE.&#13;
allowed their names to be joined in the manifesto.&#13;
A further question arose as to the probable rules&#13;
and regulations of the Board of Trade for the&#13;
The first meeting of the Composers' Sub-Com- collection of fees for the reproduction by mechanical&#13;
mittee of the Society of Authors was held on instruments, and it was decided to obtain all the&#13;
Saturday, February 24. As The Author had information available on this point, for the sub-&#13;
already gone to Press before the meeting was held committee agreed that it must depend upon the&#13;
it was too late to chronicle it in the March issue. form of these rules and how far they might secure&#13;
Sir Charles Villiers Stanford was unanimously the composer's rights what advice should be given&#13;
elected chairman of the sub-committee, and after to composers about appointing agents to collect&#13;
his election the committee proceeded to consider their fees.&#13;
certain circulars which had been issued by The sub-committee considered an invitation from&#13;
music publishing firms referring to the formation the publishers to attend a meeting at Bechstein Hall&#13;
of the British Society of Authors, Composers, and called for the Tuesday following. They decided,&#13;
Music Publishers. After a careful study of the however, in view of the line the publishers had&#13;
objects and rules of the proposed society (to which chosen to adopt in dealing with the composers'&#13;
reference was made in the last issue of The Author), property, that it would be inadvisable to attend.&#13;
the committee decided, subject to the approval of Mr. Arthur Somervell was elected a member of&#13;
the Committee of Management, to issue a manifesto the sub-committee under the power of co-option&#13;
on the situation, and after careful consideration of a given by the Committee of Management, and it was&#13;
draft which had been prepared by the chairman, the decided to ask Mr. Sidney Jones to join. The&#13;
manifesto assumed the following form :-&#13;
resignation of one of the members already elected&#13;
COMPOSERS AND GRAMOPHONE Rights.&#13;
was laid before the sub-committee, and it was&#13;
decided to ask the member to reconsider his&#13;
Vanifesto from Composers' Sub-Committee.&#13;
decision.&#13;
The Incorporated Society of Authors and the Society of&#13;
British Composers desire to direct the attention of all the&#13;
composers in the United Kingdom to their powers and&#13;
rights in regard to the mechanical reproduction of their&#13;
works, as defined by the Copyright Act of 1911, which&#13;
A SECOND meeting was held at the offices of the&#13;
declares that the composer has the sole right to authorise&#13;
or prohibit the making of any mechanical reproduction of Society of Authors on March 9. After the&#13;
his compositions. No matter what assignment of mechanical reading of the minutes of the previous meeting&#13;
rights the composer may have made before the passing of the question of gramophone fees was discussed.&#13;
the Act, the Act annuls such an assignment, and confers&#13;
The position of the society, which originally called&#13;
T&#13;
solely upon the composer all royalties derived from such&#13;
mechanical rights. In order to make the latter part of this itself the British Society of Authors, Composers&#13;
statement quite clear, section 19, sub-section 7 (c) of the and Music Publishers, and the action that had been&#13;
Act should be quoted in full : “ Notwithstanding any taken in regard to this society were reported.&#13;
assignment made before the passing of this Act of the&#13;
The secretary also reported that he had been in&#13;
copyright in a musical work, any rights conferred by this&#13;
Act, in respect of the making, or authorising the making,&#13;
communication with the secretary of the Mechanical&#13;
of contrivances by means of which the work may be Copyright Licenses Company, which was working&#13;
mechanically performed, shall belong to the author or his with the German and French societies, and he read&#13;
legal personal representatives and not to the assignee, and&#13;
a letter from the secretary of the company pointing&#13;
the royalties aforesaid shall be payable to, and for the&#13;
benefit of, the author of the work or his legal personal&#13;
out the advantages of the company and its methods&#13;
representatives."&#13;
of business. After a lengthy discussion the sub-&#13;
From this it is obvious that the music publisher has no committee came to the conclusion that they were&#13;
locus standi whatever in the matter, and he has no more bound to defer action until they were acquainted&#13;
right to decide upon a division of the composer's royalties&#13;
than upon a division of any other of his private property.&#13;
with the rules to be issued under the Act of 1911&#13;
It is certain that agencies for the collection of composers' by the Board of Trade dealing with the collection&#13;
royalties, for a reasonable consideration, will come into of gramophone fees, and that they could not advise&#13;
existence. It is, therefore, strongly impressed upon all composers until these rules were before them. The&#13;
composers :&#13;
1. Not to part with the property which is exclusively question was accordingly adjourned.&#13;
.theirs by Act of Parliament.&#13;
The next matter before the sub-committee was&#13;
II.&#13;
&#13;
&#13;
## p. 178 (#622) ############################################&#13;
&#13;
178&#13;
THE AUTHOR.&#13;
the question of performing rights. Since the accounts were rendered and forwarded to the&#13;
passing of the new ('opyright Act this point has author. The second case had to be placed in the&#13;
been one of increasing importance, owing to the hands of the society's solicitors, and the third has&#13;
widened term of copyright and other matters dealing only just come into the office.&#13;
with this special right under the new Act. Again, I'here have been as many as nine claims for&#13;
there was a very lengthy discussion, and the secre- money in the hands of the secretary, and it is&#13;
tary and others reported how these rights were dealt satisfactory to report that in three of the cases the&#13;
with in other countries and in England. It was money has been paid and forwarded to the author&#13;
decided, if possible, to discuss the matter with concerned. In two of the remaining cases it was&#13;
members of the Music Publishers' Association at impossible to obtain satisfaction, as the company&#13;
a subsequent meeting which the secretary was against which the claims were made is bankrupt.&#13;
instructed to call. The sub-committee decided to As is usual in cases of bankruptcy, there is no&#13;
ask a special chairman to preside at the meeting, money for the unfortunate author, whether he is a&#13;
rather than that there should be any feeling of bias contributor to a paper or a claimant for royalties..&#13;
such as might arise were a musical composer in the assets being all swept away by the claim of the&#13;
the chair.&#13;
debenture holders. Of the four remaining cases,&#13;
Several names were mentioned, and the secretary one had to be placed in the solicitors' hands and&#13;
was instructed to arrange the details.&#13;
bas since been settled ; one has only recently come&#13;
A letter from a music publisher, together with into the office ; one is in the course of negotiation,&#13;
his contract with a member of the society, was laid and it is hoped will be brought to a satisfactory&#13;
before the committee for their consideration, and conclusion, and the last one, as the claim is in a&#13;
the secretary was instructed to make a note in foreign country, will necessarily be prolonged.&#13;
The Author on the matter.&#13;
There were three claims for the return of MSS..&#13;
These have all been settled. It has been frequently&#13;
pointed out that it is sometimes difficult to sub-&#13;
PENSION FUND COMMITTEE.&#13;
stantiate a legal claim in cases where MSS, bave&#13;
been forwarded to publishers, editors, and others,&#13;
THE Pension Fund Committee of the society met&#13;
but, as a general rule, they are very anxious to&#13;
on Thursday, February 15, and after the minutes&#13;
make what efforts they can to search for and return&#13;
of the previous meeting had been signed, they&#13;
the MSS.&#13;
received from the secretary the report of the&#13;
The last claim deals with the settlement of a&#13;
trustees setting out the position of the fund.&#13;
contract on behalf of one of the members who&#13;
The secretary reported that £300 had been invested&#13;
lives in a distant colony ; negotiations are being&#13;
by the trustees (the investments appear in another&#13;
carried through satisfactorily.&#13;
column) and that a sum of £40 was at the disposal&#13;
Of the cases left over from former monthis there.&#13;
of the committee for pensions.&#13;
are only two still outstanding in the hands of the&#13;
After consideration, the committee decided to&#13;
secretary. The others have either been placed with&#13;
increase Miss Crommelin's pension by £20 per&#13;
the solicitors or have been settled. Of the two in the&#13;
annum, and Dr. J. Beattie Crozier's by £20 per&#13;
hands of the secretary one refers to the settlement&#13;
annum.&#13;
of accounts, and the other refers to a case of&#13;
infringement of copyright in one of the colonies.&#13;
Cases.&#13;
The latter has been a long time open, as letters&#13;
necessarily take a long time going backwards and&#13;
DURING the past month there have been fifteen forwards, but so far it must be stated with recret.&#13;
cases placed in the hands of the secretary.&#13;
in the hands of the secretary:. The&#13;
The&#13;
that no answer has been obtained.&#13;
the&#13;
number from month to month varies but little in&#13;
spite of the large increase in membership. On the&#13;
whole, perhaps, it is a good sign. It tends to show&#13;
that either the authors, dramatists and composers,&#13;
March Elections.&#13;
or the publishers, editors and dramatic producers,&#13;
are more careful in their contracts. It does not Anderson, Arthur . . +Belsize Lane,&#13;
necessarily show that the contracts made are better&#13;
Hampstead, N.W.&#13;
contracts, though there is considerable evidence Arnold, Hugh . . . 63, Bedford Gardens,&#13;
that this is the case in spite of the attention the&#13;
committee have drawn from time to time to the Bainbrigge, Miss Marion S.&#13;
strange contracts which some publishers issue. Beardsley, Elystan M.&#13;
Three of the cases referred to the rendering of Bellairs, Ralph Hamon Balliol College, Ox-&#13;
accounts. One was satisfactorily settled, the&#13;
ford.&#13;
&#13;
&#13;
## p. 179 (#623) ############################################&#13;
&#13;
THE AUTHOR.&#13;
179&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
las&#13;
Birkhead, Alice . . 20, Kingdom Road,&#13;
W. Hampstead,&#13;
N.W.&#13;
Chater, Arthur G. . . 41, Porchester Square,&#13;
W.&#13;
Common, Thomas . . 8, Whitehouse Ter-&#13;
race, Corstorphine,&#13;
Midlothian.&#13;
Curwen, Maud . . . Workington, Camber-&#13;
land.&#13;
Denham, Arnold . . Perth Public Library,&#13;
Perth, West&#13;
Australia.&#13;
German, Edward . . 5, Hall Road, N.W.&#13;
Gregson, Mrs. Ada . . 5, Lawton Street,&#13;
Newcastle-on-Tyne.&#13;
Holland, Bryan T. . . Alfrick, Worcester.&#13;
Ivimey, John . . . 1, Arundel Mansions,&#13;
Fulham.&#13;
Kingsland, Mrs. “Mabel The Haven, Devizes,&#13;
King."&#13;
Wilts.&#13;
Lascelles, Mrs. K. “Pellen Ladies Athæneum&#13;
Hawker."&#13;
Club.&#13;
Macnamara, Francis . . Ennistymon House,&#13;
Co. Clare.&#13;
McHugh, Martin J. . Caherush House&#13;
Miltown - Malbay,&#13;
Co. Clare, Ireland:&#13;
Marshall, Archibald . . Playden Cottage, Play-&#13;
den, Sussex.&#13;
Mildred, Sister Mary, O.S.B. The Knoll, Sandling,&#13;
Maidstone.&#13;
Pickering. Mrs. Frank Springhill. Douglas.&#13;
“ A. D. Pickering."&#13;
Lanarkshire.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the office&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
BIOGRAPHY.&#13;
NAPOLEON : Our Last Great Man. By ELYSTAN M.&#13;
BEARDSLEY. (Revised Re-issue.) 71 x 41 184 pp.&#13;
Digby Long. 38. 6d. n.&#13;
THE COMEDY OF CATHERINE THE GREAT. By FRANCIS&#13;
GRIBBLE. 9 x 51. 336 pp. Eveleigh Nash. 158. n.&#13;
THE REAL CAPTAIN CLEVELAND. By ALLAN FEA.&#13;
9 x 51. 256 pp. Martin Secker. 88. 6d. n.&#13;
BOOKS OF REFERENCE.&#13;
THE PUBLIC Schools YEAR BOOK, 1912. Edited by H.&#13;
F. W. DEANE and W. A. Evans. 71 5. 709 pp.&#13;
The Year Book Press. 38. 6d. n.&#13;
BOOKS FOR THE YOUNG.&#13;
AN ENGLISH CHURCH HISTORY FOR CHILDREN, VOL.&#13;
III., A.D. 1500---1911. By MARY E. SHIPLEY. 73 x 5.&#13;
286 pp. Methuen. 28. 6d. n.&#13;
DRAMA.&#13;
CHAUCER REDIVIVUS : A Playlet for the Open Air or Hall.&#13;
By W. S. DURRANT. 78 X 44. 32 pp. Allen. 6d. n.&#13;
THE SECRET WOMAN. A Play in Five Acts. By EDEN&#13;
PHILLPOTTS. 64 X 5. 90 pp. Duckworth. 28.&#13;
THE NEXT RELIGION. By ISRAEL ZANGWILL. A Play&#13;
in Three Acts. 81 x 51. 104 pp. Heinemann. 28. 6d. n.&#13;
SHAKESPEARE'S END AND OTHER IRISH PLAYS. By&#13;
CONAL O'RIORDAN (Norreys Connell). 73 x 5. 167 pp.&#13;
Swift. 38. 60, n.&#13;
THE BROWNIES AND OTHER SHORT PLAYS. By ELLA&#13;
ERSKINE. 87 X 51. 36 pp. Truslove &amp; Hanson&#13;
2s. 6d. n.&#13;
FICTION.&#13;
LITTLE BROTHER. By GILBERT CANNAN. 77 x 5.&#13;
301 pp. Heinemann. 68.&#13;
THE BODY OF HIS DESIRE: A Romance of the Soul. By&#13;
MRS. CAMPBELL PRAED, 8 x õ. 344 pp. Cassell. 6s.&#13;
THE VICTORIES OF OLIVIA AND OTHER STORIES. By&#13;
EVELYN SHARP. 73 x 5 328 pp. Macmillan. 6s.&#13;
TWINKLE. By ARTHUR H. HOLMES. 7 * 5. 313 pp.&#13;
Duckworth. 68.&#13;
THE GUESTS OF HERCULES. By C. N. and A. M.&#13;
WILLIAMSON, 78 x 5. 461 pp. Methuen. 68.&#13;
THE MATADOR OF THE Five TOWAS, AND OTHER STORIES.&#13;
By ARNOLD BENNETT. 73 x 51. 325 pp. Methuen.&#13;
68.&#13;
THE RED MAN'S SECRET. By F. FRANKFORT Moore,&#13;
78 X 5. 336 pp. Hutchinson. 6s.&#13;
THE RIVER OF UNREST. By BERTRAM MITFORD. 7 x&#13;
5. 304 pp. Ward Lock. 68.&#13;
GRIM JUSTICE: Toe Study of a Conscience. By Rita.&#13;
78 x 5. 430 pp. Eveleigh Nash. 68.&#13;
THE UNHOLY ESTATE. By DJUGLAS SLADEN. 78 X 43.&#13;
435 pp. Stanley Paul. 6s.&#13;
THE TRAGIC PRINCE. By R. K. WEEKES and A. R.&#13;
WEEKES. 73 x 5. 350 pp. Melrose. 68.&#13;
MEMORY CORNER. By TOM GALLON. 78 x 5. 352 pp.&#13;
John Long. 6s.&#13;
Millwall E.&#13;
Richings, Emily Agnes. 42, Campden House&#13;
Court, Kensington,&#13;
W.&#13;
Savill, Agnes F., M.D. . 66, Harley Street, W.&#13;
Shortt, Miss L. M. . Manor House,&#13;
Martinstown,&#13;
Dorchester.&#13;
Somervell, Arthur . . 1, Albert, Place,&#13;
Kensington, W.&#13;
Steegmann, Mary Gertrude 2, Carlisle Mansions,&#13;
Westminster S.W.&#13;
Troly-Curten, Marthe . 13, Eden Place,&#13;
S. Kensington,&#13;
S.W.&#13;
Walker, Mary, “Anna Wood norton, May-&#13;
Lynn.”&#13;
field, Sussex.&#13;
Wyman, Bernard . . Winnington Hall,&#13;
Northwich.&#13;
Wynn Williams, W. Lloyd&#13;
* John Trevanwyn."&#13;
&#13;
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## p. 180 (#624) ############################################&#13;
&#13;
180&#13;
THE AUTHOR.&#13;
FOR THE QUEEN. By E. PHILLIPS OPPENHEIM. 78 x 5.&#13;
320 pp. Ward Lock. 68.&#13;
THE RUBY HEART OF KISHGAR. By ARTHUR W.&#13;
MARCHMONT. 71 x 5. 296 pp. Hodder &amp; Stoughton.&#13;
POMANDER WALK. By LOUIS N. PARKER. 78 X 5.&#13;
267 pp. Lane. 68.&#13;
LADY MOLLY OF SCOTLAND YARD. By the BARONESS&#13;
ORCZY. 74 x 5. 344 pp. Cassell. 18.&#13;
A MAN FROM THE NORTH. Reprint. By ARNOLD&#13;
BENNETT. 73 x 5. 264 pp. Methuen. 68.&#13;
THE CHILD OF THE DAWN. By A. C. BENSON. 87 x 51.&#13;
314 pp. Smith, Elder &amp; Co. 78. 6d. n.&#13;
COMMONERS' RIGHTS. By CONSTANCE SMEDLEY (MRS.&#13;
MAXWELL ARMFIELD). 74 x 5. 416 pp. Chatto &amp;&#13;
Windus. 68.&#13;
THE HOUSE ON THE MALL. By EDGAR JEPSON. 78 X&#13;
4. 314 pp. Hutchinson. 68.&#13;
VIOLET FORSTER'S LOVER. By RICHARD MARSH. 73 x&#13;
5. 342 pp. Cassell. 68.&#13;
A LADDER OF SWORDS. By SIR GILBERT PARKER.&#13;
252 pp. 61 x 41. Everett. 7d. n.&#13;
A CHORD ONCE STRUCK. By JOHN SOMERS. Murray and&#13;
Evenden. 6s.&#13;
THE HOUSE OF ROBERSHAYE. By EMMA BROOKE.&#13;
74 X 5. 370 pp. Smith, Elder &amp; Co. 68.&#13;
THE FOREST ON THE HILL. By EDEN PHILLPOTTS.&#13;
74 x 5, 370 pp. Murray. 68.&#13;
MANALIVE. By G. K. CHESTERTON 71 X 5. 383 pp.&#13;
Nelson. 28. n.&#13;
JOSEPH IN JEOPARDY. By FRANK DANBY. 73 x 5.&#13;
391 pp. Methuen. 68.&#13;
PAUL'S PARAGON. By W. E. NORRIS. 78 x 5. 375 pp.&#13;
Constable. 68.&#13;
THE QUEST OF GLORY. By MARJORIE BOWEN. 78 x 5&#13;
311 pp. Methuen. 68.&#13;
THE MALABAR MAGICIAN. By F. E. PENNY. 73 X 41.&#13;
344 pp. Chatto &amp; Windus. 68.&#13;
THE MAN WHO STROKED Cats, and Other Stories. By&#13;
MORLEY ROBERTS. 75 X 5. 286 pp. Nash. 68.&#13;
THE TRIANGLE. By MARIE CONNOR LEIGHTON. 71 x 5.&#13;
315 pp. Ward, Lock. 6x.&#13;
LOVE IN A SNARE. By CHARLES GARVICE. 73 x 5.&#13;
363 pp. Hodder &amp; Stoughton. 68.&#13;
THE PATH OF VIRTUE. A Romance of the Musical&#13;
Comedy Stage. By GERTRUDE WARDEN. 78 X õ.&#13;
311 pp. White. 68.&#13;
THE OLD WIVES' TALE. By ARNOLD BENNETT. A New&#13;
Edition, with a Preface. 73 X 5. 612 pp. Hodder &amp;&#13;
Stoughton. 68.&#13;
ELEANOR. By MRS. HUMPHRY WARD. 64 x 47. 475 pp.&#13;
Cheap Edition. Nelson, 7d. 11.&#13;
AUSTIN'S CAREER. BY VIOLET TWEEDALE. 78 x 5.&#13;
352 pp. John Long. 6x.&#13;
BRAZENHEAD THE GREAT. By MAURICE HEWLETT.&#13;
:7} x 5. 333 pp. Smith Elder. 38. 6d.&#13;
MARK TILLOTSON. By J. BAKER. Popular Edition.&#13;
73 X 5. 536 pp. Chapman &amp; Hall. 28. n.&#13;
LITERARY.&#13;
THE PERFECT GENTLEMAN. A Guide to Social Aspi-&#13;
rants. By HARRY GRAHAM. 78 X 5. 300 pp. Arnold. 6s.&#13;
THE BOOK OF SIMPLE DELIGHTS. By WALTER RAY.&#13;
MOND. Illustrated by H. COLE. 74 x 5. 288 pp.&#13;
Dent. 38. 6d. n.&#13;
ROYAL SOCIETY OF LITERATURE : THE ACADEMIC&#13;
COMMITTEE : COMMEMORATIVE ADDRESS ON SIR&#13;
ALFRED COMYN LYALL. By G. W. PROTHERO. And&#13;
on EDWARD HENRY PEMBER. By W. J. COURTHORPE.&#13;
8} x 51. 54 pp. Frowde. 18. n.&#13;
MEDICAL&#13;
NEW LIGHT ON CONSUMPTION. By A. LOVELL. 74 x 4.&#13;
140 pp. J. W. Williams.&#13;
MISCELLANEOUS.&#13;
ABSOLUTE Rot. By HENRY J. SWALLOW. 122 pp.&#13;
Jarrold. 18. 63, n.&#13;
NATURAL HISTORY.&#13;
THE MIGRATION OF BIRDS. By T. A. COWARD. 61 x&#13;
41. 137 pp. Cambridge University Press. 18. n.&#13;
BIRDS OF AUSTRALIA. By G. M. MATHEWS. Witherby&#13;
&amp; Co., 326, High Holborn, W.C.&#13;
ORIENTAL.&#13;
A MANUAL OF THE KASHMIRI LANGUAGE, comprising&#13;
Grammar, Phrase-Book, and Vocabularies. By G. A.&#13;
GRIERSON, C.I.E. Two Volumes. 63 X 41. 160 +&#13;
211 pp. Oxford: Clarendon Press, London : Frowde.&#13;
128. n.&#13;
POETRY.&#13;
The Hill OF VISION. By J. STEPHENS. 7 5. 131 pp.&#13;
Dublin : Maunsel. 38. 6d. n.&#13;
THE LAMP OF ENGLAND, AND OTHER VERSES, By&#13;
R. R. G. 81 x 54 125 pp. Foyle's Printing Works,&#13;
172, Askew Road, W. 38. 6d.&#13;
A CALABASH OF Kola Nuts. West African Rhymes.&#13;
By O. DAZI AKO (J. M. STUART-Young). 7 X 41.&#13;
126 pp. Lynwood. 28. 6d. n.&#13;
POLITICAL.&#13;
ASPECTS OF HOME RULE. Selected from the speeches&#13;
of The Right Hon. Arthur James Balfour, M.P.&#13;
74 x 5. 256 pp. Routledge. 28. 6d. n.&#13;
THINGS THAT MATTER. Papers upon subjects which&#13;
are, or ought to be, under discussion. By L. G. CHIOZZA&#13;
MONEY, M.P. 9 x 54. 299 pp. Methuen. 58. n.&#13;
HISTORY.&#13;
THE EARLY COURT OF QUEEN VICTORIA. By CLARE&#13;
JERROLD. 9 X 54. 392 pp. Eveleigh Nash. 158. n.&#13;
REPRINTS.&#13;
THE WHITE WALLET. Filled by PAMELA GLENCOXXER.&#13;
8 X 54. 415 pp. Fisher Unwin. 58. n.&#13;
MISCELLANEOUS PROSE. By CHARLES and MARY LAMB.&#13;
Edited by E. V. Lucas. 68 x 41. 570 pp. Methuen. 58.&#13;
IN PRAISE OF OXFORD. An Anthology in Prose and&#13;
Verse. By T. SECCOMBE and H. SPENCER SCOTT.&#13;
Vol. II. Life and Manners. 9 X 5. pp. 333-794.&#13;
Constable. 68.&#13;
POEMS. By WILLIAM SHARP. Selected and arranged by&#13;
MRS. WILLIAM SHARP. 73 x 51. 323 pp. Heinemann.&#13;
5x, n.&#13;
SCIENCE&#13;
EARTHWORMS AND THEIR ALLIES. By F, E, BEDDARD.&#13;
64 x 44. 150 pp. Cambridge University Press. ls. 1.&#13;
BOTANY, OR THE MODERN STUDY OF PLANTS. By&#13;
MARIE STOPES, Ph.D. 61 x 41. 94 pp. Jack. 6d. n.&#13;
EVOLUTION IN THE PAST. By H. R. KNIPE, 104 x 71.&#13;
242 pp. Herbert &amp; Daniel. 128. 6d. n.&#13;
JUVENILE.&#13;
A CHILD OF SURPRISES. By MABEL ESCOMBE, S.P.C.K.&#13;
18. n.&#13;
LAW.&#13;
THE COPYRIGHT Act, 1911. Annotated. With Appendix&#13;
containing the Revised Convention of Berne. By E. J.&#13;
MACGILLIVRAY, LL.B. 9 x 54. 201 pp. Stevens &amp;&#13;
Sons. 58. n.&#13;
&#13;
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## p. 181 (#625) ############################################&#13;
&#13;
THE AUTHOR.&#13;
181&#13;
SOCIOLOGY.&#13;
CHANGE IN THE VILLAGE. By GEORGE BOURNE. 74 x 5.&#13;
309 pp. Duckworth. 58. D.&#13;
THE INFLUENCE OF CHRISTIANITY UPON SOCIAL AND&#13;
POLITICAL IDEAS. By A. J. CARLYLE, D.LITT. 71. X 5.&#13;
129 pp. Mowbray. 28. n.&#13;
IN THE HAND OF THE POTTER : A Study of Christianity&#13;
in Action. By HAROLD BEGBIE. (Popular Edition.)&#13;
71 x 41. 191 pp. Hodder &amp; Stoughton. 18. n.&#13;
SPORT.&#13;
THE MYSTERY OF GOLF. By ARNOLD HAULTAIN.&#13;
Second Edition. Revised and Enlarged. 78 x 54&#13;
249 pp. New York : The Macmillan Co. 2s. 60, n.&#13;
THE HUNTING YEAR. By W. S. Dixon. 7 * 57. 212 pp.&#13;
Ham-Smith. 68. n.&#13;
MISCELLANEOUS.&#13;
THE PROBLEM OF RACE REGENERATION. By H.&#13;
HAVELOCK ELLIS. 67 pp. New York: Moffat, Yard.&#13;
50 cents n.&#13;
THE METHODS OF RACE REGENERATION. By C. W.&#13;
SALEEBY, 64 pp. New York : Moffat, Yard. 50 cents n.&#13;
MUSIC.&#13;
MUSIC AND NATIONALISM. By CECIL FORSYTH. 359 pp.&#13;
New York : Macmillan. $2 n.&#13;
POEMS.&#13;
EMBLEMS OF LOVE DESIGNED IN SEVERAL DISCOURSES,&#13;
By LASCELLES ABERCROMBIE. 213 pp. New York :&#13;
John Lane Co. $1.50 n.&#13;
TRAVEL.&#13;
THE RUSSIAN PEOPLE. With four maps. By the Hon.&#13;
MAURICE BARING. 366 pp. New York: Doran. $3.50 n.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
THEOLOGY.&#13;
The VISITATION OF THE SICK : Some Practical Reflections&#13;
for the Use of the Clergy and others engaged in Parochial&#13;
Visitation. By the Rev. THEODORE JOHNSON (Introduc-&#13;
tion by the BISHOP OF CHICHESTER). 63 X 44. 134 pp.&#13;
Allen. 18. 60, n.&#13;
SHORT LENTEN READINGS. By E. G. ROMANES. 54 X&#13;
39. 44 pp. Churchman's Penny Library, Mowbray.&#13;
CHRISTIANITY AND THE SOCIAL ORDER. By R. J. CAMP-&#13;
BELL. New and Cheaper Edition. 78 X 5. 283 pp.&#13;
Chapman &amp; Hall. 28. n.&#13;
THOUGHTS ON ULTIMATE PROBLEMS. By F. W. FRANK-&#13;
LAND. Fifth and Revised Edition. 7 X 41. 133 pp.&#13;
Nutt. 18. 6d. n.&#13;
TRAVEL.&#13;
THE BRITISH WEST INDIES : Their History, Resources,&#13;
and Progress. By A. E. ASPINALL. 84 x 59. 435 pp.&#13;
Sir Isaac Pitman. 18. 6d. n.&#13;
OLD TOURAINE. The Life and History of the Chateaux of&#13;
the Loire. By T. A. Cook, F.S.A. Sixth Edition.&#13;
(With new Preface.) Two vols. 78 X 5. 287 + 279 pp.&#13;
Rivington. 168. n.&#13;
FINLAND : The Land of a Thousand Lakes. By. E. YOUNG.&#13;
9 x 51. 313 pp. Chapman &amp; Hall. 78. 6d. n.&#13;
A WINTER HOLIDAY IN PORTUGAL. Ey CAPTAIN B.&#13;
GRANVILLE BAKER. 9 X 51. 324 pp. Stanley Paul.&#13;
128. 6d. n.&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
M R. WILLIAM HEINEMANN announces,&#13;
uniform with “ The War God," by Mr.&#13;
Israel Zangwill, produced at His Majesty's&#13;
Theatre, the same author's prohibited play, “The&#13;
Next Religion”; also the first volume of “ The&#13;
Selected Writings of William Sharp,” edited by his&#13;
wife Mrs Sham a series to be completed in fiya&#13;
volumes, uniform with “The Works of Fiona&#13;
Macleod," the pseudonyni under which the late&#13;
William Sharp was so well known.&#13;
Mr. John Galsworthy has published with the same&#13;
house his first book of poetry, entitled “Wild Oats :&#13;
Moods, Songs, and Doggerels." Uniform with this&#13;
volume will be “ The Lure of the Sea,” by J. E.&#13;
Patterson, the novelist, and author of the auto-&#13;
biography “My Vagabondage," published in the&#13;
autumn of last year.&#13;
Mr. Hamilton Hartz has set to music the verses&#13;
by Riccardo Stephens, “Sleep and Death," which&#13;
lately appeared in the Westminster Gazette.&#13;
Mr. Eveleigh Nash will publish Riccardo&#13;
Stephen's forthcoming novel “ The Mummy," and&#13;
his one-act tragedy, “The Right to Kill,” is to&#13;
be played by the Oncomers at the Little Theatre, in&#13;
June.&#13;
“ The British West Indies : their History,&#13;
Resources, and Progress," by Algernon E. Aspinall,&#13;
was published last month by Messrs. Sir Isaac&#13;
Pitman &amp; Sons, Ltd. The author gives a connected&#13;
narrative dealing with the history, resources, and&#13;
the recent rapid progress of the West Indian&#13;
colonies, of interest to the general reader as well as&#13;
to the intending tourist, settler, and capitalist.&#13;
Chapters are also devoted to such live questions as&#13;
BIOGRAPHY.&#13;
AN IMPERIAL VICTIM : MARIE LOUISE, ARCHDUCHESS&#13;
OF AUSTRIA, EMPRESS OF THE FRENCH, DUCHESS OF&#13;
KARMA. With 34 illustrations, including two photo-&#13;
gravure frontispieces. In two volumes. By MRS. EDITH&#13;
E. CUTHELL. 393 pp. New York : Brentanos. $6 n.&#13;
FICTION.&#13;
PARADISE FARM. By KATHARINE TYNAX. 272 pp. New&#13;
York : Duffield. $1.20 n.&#13;
THE TOLL BAR. By MRS. J. E. BUCKROSE. 363 pp.&#13;
New York : Putnam. $1.35 n.&#13;
THE LIGHT THAT LURES. By PERCY J. BREBNER.&#13;
319 pp. New York : H. K. Fly Co. $1.50.&#13;
THE GREAT GAY ROAD. By Tom GALLON.&#13;
POLLYHOOLY. By EDGAR JEPSON. 344 pp. Indianapolis :&#13;
Bobbs-Merrill. $1.25 1.&#13;
THE HOUSE OF ROBERSHAYE. By EMMA BROOKE. New&#13;
York : Duffield.&#13;
&#13;
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## p. 182 (#626) ############################################&#13;
&#13;
182&#13;
THE AUTHOR.&#13;
als&#13;
those of trade with Canada and Federation. A the romanticist, he must not "chuckle in anticipa-&#13;
map and twenty-fire full-page plate illustrations tion of results," and the issue must seem to be as&#13;
are added.&#13;
murh a surprise to him when it arrives as it was to&#13;
Among the spring books to come from Messrs. the reader.&#13;
Smith Elder &amp; Co. is “ Arabic Spam : Sidelights on Messrs. John Ouseley, Limited, have issued a&#13;
her History and Art," by Mrs. Bernhard Whishaw, second edition of “The Bothers of Married Life,"&#13;
This book is the fruit of some nine years' residence by S. H. Sadler.&#13;
and study in Spain. Mrs. Whishaw is now at w.rk We have received the English Catalogue of Books&#13;
on the forthcoming edition of the “Guide to Spain” for 1911. This publication is now in its 75th year&#13;
for Herr Baedeker, to appear in 1913.&#13;
of issue. It gives, under author and title, the size,&#13;
The scene of Tom Gallon's new novel, entitled price, month of publication, and publisher of books&#13;
“Memory Corner,” is to be found in Old Hamp- issued in the United Kingdom during 1911. In&#13;
stead. Into a little house in Memory Corner the absence of a complete list of titles of published&#13;
comes a boy with a marvellous tenor voice, exploited works, it remains the best reference book for the&#13;
by an unscrupulous foreigner. The rise of the young guidance of authors who, in selecting titles for their&#13;
singer, his triumphs, and the quaint tragedy of his publications, are anxious to avoid using a title&#13;
love story form the theme of the book.&#13;
already taken. By consulting the English&#13;
A new novel by Violet Tweedale, entitled Catalogue, they may often avoid unintentional&#13;
“ Austin's Career,” is published by Mr. John Llong. appropriation, and the rather disagreeable conse-&#13;
It deals with the life of a young Guardsman, who quences which sometimes result. Messrs. Sampson&#13;
early in his career gets into an entaliglement with a Low &amp; Co., are the publishers.&#13;
young peeress, and the story describes the Bohemian “What Lay Bepeath,” by “Coo-ee,” is an&#13;
lite led by the pair in Paris.&#13;
Australian mining story, in which the bush life is&#13;
Messrs Kegan Paul &amp; Co. announce the public presented to the reader, as well as pictures of the&#13;
cation of a little anthology entitled "The Friendly Commonwealth and its people. Messrs. John&#13;
Dog,” by J. Parsons, who contributes also a short Ouseley are the publishers.&#13;
original introduction. The poems included are The annual meeting of the R..ya! Literary Fund&#13;
arranged chronologically, complete poems only being was held last month, Sir Alfred Bateman presiding.&#13;
included. Poems from Alfred Cochrane, Rudyard In moving the adoption of the report, Sir Alfred&#13;
Kipling, Sir A. T. Quiller-Cou h, George R. Sims, stated that so far from decreasing, the claims ou&#13;
William Watson, among others, are included. the fund were rather on the increase. The receipts&#13;
Messrs. Stanley Paul &amp; Co. have added to their of authors, even from novels, were very poor. He&#13;
“Clear Type ” sixpenny series “The Apple of instanced the case of the author whose agreement&#13;
Eden,” by E, Temple Thurston. The same pub- appeared in the last issue, and added that, from a&#13;
lisliers announce the publication of a second edi ion financial point of view, literature was a very miser-&#13;
of Miss Arabella Kenealy's new novel - The Woman able profession, until the suprrior rauks were&#13;
Hunter."&#13;
reached. During the year £2,125 had been voted&#13;
Mr. Arthur Dillon’s forthcoming volume deals in grants to 38 applicants, while the total&#13;
with early incidents in the mythical story of the sum distributed in grants since the foundation&#13;
House of Tantalus. The pri sint revival of inte of the fund in 1790 amounted to £162,882.&#13;
rest in the Greek drama should make the subject The chairman mentioned that Mr. Owen&#13;
appeal to the public, since a knowledge of their Seaman would preside at the Annual Dinner on&#13;
earlier history is assumed in so many of the May 16.&#13;
tragedies of classical times.&#13;
Captain Granville Baker's new book of travel,&#13;
The New York Metropolitan Magazine will “A Winter Holiday in Portugal," is published&#13;
shortly publish a series of articles on “ Antique by Messrs. Stanley Paul &amp; Co. In this volume&#13;
Furniture," from the pen of Mr. Armiger Barclay. is described with pen, pencil and brush the scenic&#13;
Se ections of Mr. and Mrs. Armiger Barclay's book, charm of Portugal, its claims as a winter resort,&#13;
“Letiers from Fleet Street,” will shorıly appear in and its manifold attractions.&#13;
Comædisa, the leading literary and theatrical daily Mr. Eveleigh Nash will shortly publish “ The&#13;
of Paris.&#13;
Radium Terrors," a novel by Albert Dorringt n.&#13;
Professor A. C. Benson lertured before the Royal The American rights have been purchased by&#13;
Society of Literature last month on “Realism in Doubleday Page, of Garden City, New York.&#13;
English Fiction.” In the course of bis lecture, “The Radium Terrors ” appeared serially in the&#13;
Professor Benson remarked that Realism was not Pall Mall Magazine, and with Frank A. Munsey,&#13;
so much a new ideal, but a new method of viewing New York.&#13;
and expressing life. The realist must allow things Messrs. Hutchinson &amp; Co. published in March a&#13;
to appear before their significance appeared ; unlike new novel, “Stoneladies," by E. M. Channon (Mrs.&#13;
&#13;
&#13;
## p. 183 (#627) ############################################&#13;
&#13;
THE AUTHOR.&#13;
183&#13;
Francis Channon). It tells of two young girls who Volpé, Mr. Leonard Calvert, Mr. 0. B. Clarences&#13;
go to live in a lonely part of Derbyshire with a and Miss Christine Silver.&#13;
cousin who, owing to a disappointment in early Although the dramatic movement of the past&#13;
youth, leads the life of a miser, and will allow no twenty years has produced, both in England and&#13;
man to cross her doorstep.&#13;
America, many valuable books of criticism, there&#13;
Mr. Arthur Lovell has published, through Messrs. does not as yet exist in the Eoglish language any&#13;
Simpkin, Marshall &amp; Co., a book entitled “ New recognised handbook of practical craftsmanship.&#13;
Light on Consumption.” The book contains a “Play-making,” by William Archer, is an attempt&#13;
historical résumé, and deals with the problem of to fill this gap. While fully admitting that no rules&#13;
consumption, the attempts at reform, and State or prescriptions cau supply the place of talent, the&#13;
sanatoria.&#13;
author believes that inexperienced talent can be&#13;
“ Absolute Rot" is the title of a collection of greatly assisted by a study of the principles of&#13;
articles by the Rer. H. J. Swallow, reprinted from dramatic effect, or, in other words, of what to do&#13;
a Church magazine. The articles deal with“ Peace," and what to avoid in the endeavour to interest and&#13;
“ Temperance," “ Disestablishment,” “ Science,” move an audience assembled in a theatre. This is&#13;
“ Poetry,” among other subjects. Messi's. Jarrolds not, then, a book of criticism, but of discussion&#13;
are the publishers.&#13;
and practical suggestion. The plays mentioned in&#13;
An article by Renée M. Deacon, entitled “Woman it are not criticised for their own sake, but for the&#13;
and Love," appeared in the Lady's Pictorial for sake of the light they throw upon questions of&#13;
March 16.&#13;
method and expediency. The author has no belief&#13;
Robert H. Sherard has just finished a new book in the “untheatrical theatre," and assumes&#13;
of reminiscences, which will be published in the throughout that the playright addresses himself to&#13;
spring under the title “ Adventures of a Journalist.” an audience of reasonable intelligence, indeed, but by&#13;
He is at present engaged on a novel which he is no means to a narrow clique. It is hoped that all&#13;
writing on commission.&#13;
students of the drama, and more especially those&#13;
“Birds of Australia," by G. M. Mathews, is a who desire to take part in the marked revival of&#13;
work which Messrs. Witherby &amp; Co. are issuing in dramatic literature on both sides of the Atlantic,&#13;
quarterly parts. Volume I. has already appeared, will find profit in a handbook, the lack of which&#13;
forming parts from October, 1910, to October, 1911, has hitherto been felt and regretted. Messrs.&#13;
or five numbers in all.&#13;
Chapman and Hall are the publishers.&#13;
“The Perfect Widow," a three-act comedy by&#13;
DRAMA.&#13;
Gilbert Cannan, was produced at the Gaiety&#13;
Theatre, Manchester, on March 18. The Widow&#13;
The first production of “The Next Religion," (Lady Marrable) has been persuaded by a publisher&#13;
by Israel Zangwill, will be given by the New Players to prepare the biography of her late husband, a&#13;
at two private performances (matinées) on Thursday man of some public importance and many private&#13;
and Friday, April 18 and 19, at the Pavilion Theatre, failings. So engrossed does she become in the&#13;
Piccadilly Circus. Particulars can be obtained work that she persuades herself that her husband&#13;
from the Hon. Secretary, 19, Overstrand Mansions, possessed all the virtues which she ascribes to him&#13;
Battersea Park, S.W.&#13;
in the record of his career. John Tilford, who&#13;
The condensed version of “The Geisha” was contemplates marriage with the widow, disapproves&#13;
produced at the Palace Theatre on February 26. of the idea of the biography, recognising that it&#13;
Mr. W. H. Risque is the author of this version. leaves the widow with neither time nor eyes for&#13;
The composer, Mr. Sidney Jones, conducted the himself. Unable, however, to dissuade her from&#13;
orchestra on the occasion.&#13;
the undertaking, he goes abroad. During his&#13;
A compressed version of “The Adventure of absence he has made the acquaintance of a “grass&#13;
Lady Ursula ” was also played in February. The widow," whose presence in London on his return&#13;
performance of Mr. Anthony Hope's comedy took kindles the widow's jealousy, with results entirely&#13;
place at the Hippodrome, Manchester. Two scenes satisfactory to Tilford. The cast included Mr.&#13;
were taken, and the cast included Miss Evelyn Charles Sugden, Viss Darraglı, and Mrs. Charles&#13;
Millard and Mr. Herbert Waring.&#13;
Sugden.&#13;
The dramatic version of “Kipps " was produced The next production at Wyndham's Theatre, due&#13;
at the Vaudeville Theatre on March 6. The play early this month, is “ The Kangaroo," by H. A.&#13;
opens in the emporium familiar to the readers of Vachell.&#13;
the book, and traces, as did the book, the progress “Milestones,” by Arnold Bennett and Edward&#13;
of Kipps following his sudden acquisition of wealth. Knoblaugh, now running at the Royalty Theatre,&#13;
Mr. Wells and Mr. Rudolf Besier are responsible has been issued in book form by Messrs. Methuen&#13;
for the play, which includes in its cast Mr. Frederick &amp; Co.&#13;
&#13;
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## p. 184 (#628) ############################################&#13;
&#13;
184&#13;
THE AUTHOR.&#13;
PARIS NOTES.&#13;
is to be congratulated, not only on the fact that he&#13;
has been awarded the Goncourt Academy prize, but&#13;
because he has begun his career with a wider&#13;
D EMMES aimées, Femmes aimantes,” by vision than so many of our present-jay novelists.&#13;
| Charles Foley, is the title of a volume con- “L'Inquiète Paternité," by Jean Schlumberger,&#13;
taining a series of historical studies of is another novel on the favourite theme of the&#13;
twenty-two famous women. Each study gives us ménage à trois, so dear to many writers, but in&#13;
a picture of the epoch, of the surroundings in this book the chief interest centres in the question&#13;
which the woman whose history we are reading of paternal instinct. The father believes that he&#13;
moved. M. Foley has chosen for his subjects: sees in his son all his own faults. A little later, he&#13;
Queen Bathilde (of the seventh century); Valentine makes the discovery that a friend of his is the father&#13;
of Milan; Marie Stuart ; Diana of Châteaumorand; of this son. The curious phase of the case is that,&#13;
Marion de l'Orme ; Christine of Sweden ; La Grande in the years to come, this man feels deep paternal&#13;
Mademoiselle ; Rose Launay; Marie Joséphe of affection for his wife's son, an affection which he&#13;
Saxony ; Madame de Pompadour ; Princess Amelia ; would probably never have felt for a child of his&#13;
Germaine Necker; Princesse de Lamballe ; Mes- own. The young man has inherited the lovable&#13;
dames, Louis XV.'s daughters ; Comtesse de Balbi ; qualities of his own father. The problem which the&#13;
Mademoiselle Lange; Pauline Bonaparte ; Madame author evidently lays before us is whether the tie of&#13;
Adélaïde ; Marceline Desbordes, and Mérimée's kinship must necessarily ensure affection ?&#13;
celebrated Inconnue.&#13;
“Le Buisson ardent,” by Romain Rolland, is&#13;
Charles Foley has published thirty-three volumes certainly the most powerful of the series of volumes&#13;
(novels and short stories) and six plays. His intensely by this author relating the history of Jean&#13;
dramatic little tragedy, “ Heard at the Telephone,” Christophe. Weary of life among his fellow&#13;
has been translated into various languages and given creatures, exasperated by their hostility, and having&#13;
in many countries. M. Foley is also one of the lost faith in many things, he goes away to a quiet&#13;
greatest authorities on all matters relating to the mountain village, and there, like Moses before the&#13;
history of the Vendée, at the time of the French burning bush, the bush which burns without&#13;
Revolution, as he has made a special study of this being consumed, he comes to himself once more.&#13;
period and of this part of France. His short “ La Chasse à Courre,” by the Duchess d'Uzès&#13;
stories, sometimes inspired by touching or dramatic (née Mortemart), is a little volume that will be read&#13;
episodes brought to his notice whilst studying the with interest by all lovers of hunting. It contains a&#13;
archives of that epoch, are masterpieces of literature. portrait of the author, in her hunting attire, for it&#13;
The present volume, “ Femmes aimées, Femmes will be remembered that she is master of the hounds.&#13;
aimantes,"contains sketches, in which the author has She also gives a portrait of Du Fouilloux, the great&#13;
endeavoured, with a few strokes of the pen, to give authority on all matters connected with the chase&#13;
us a lifelike portrait of women who, for one reason since the sixteenth century, some twenty-four photo-&#13;
or another, have been famous in their time.&#13;
gravures of hunting scenes taken in the Rambouillet&#13;
“M. des Lourdines,” by Alphonse de Chateau- Forest, and the music for sixteen of the fanfares for&#13;
briant, is not only a great literary success for the hunting horns best known in France.&#13;
author ; it is also a refreshing book for the public. Before the publication of this little volume, the&#13;
Weary of the eternal theme of the faithless husband Duchess d'Uzès, who is President of the Lyceum&#13;
or wife, it is indeed a pleasure to meet with a Club of France, gave a lecture there on the&#13;
novelist capable of realising that there are other chase, which had such success, enlivened as it&#13;
interests in life and other situations just as worthy was by the fanfares, blown by her gamekeepers,&#13;
of consideration as the intrigues and jealousies of that she was obliged to repeat it several times, as&#13;
the hundreds of individuals who marry in haste the rooms were too small for the audience. Since&#13;
to repent at leisure.&#13;
then the Duchess has given another causerie on Ram-&#13;
M.de Chateaubriant also finds it possible for human bouillet and its History. At the invitation of the&#13;
affections to be as intense elsewhere as in Paris. That, Lyceum Club of London, she is to give the lecture&#13;
too, is refreshing. There is a breath of fresh air on the chase at the London Lyceum Club in May,&#13;
through the book, an odour of forest trees, the taking over her own huntsmen to sound the fanfares.&#13;
murmur of babbling brooks, and yet, in spite of all “Histoire de Prusse, Vol. I., Des Origines à la&#13;
this, it is the human interest that is predominant. mort du Grand Electeur, 1688," par M. Albert&#13;
The story is one of the ever-recurring tragedies of Waddington. The author dwells on the various&#13;
family life, it is the modern version of the prodigal influences which have contributed to the formation&#13;
son, and in this particular case we have the beart- of Prussia. He speaks of the geographical situation&#13;
broken mother and the heroic father to give an of the country, of its State religion, and of the policy&#13;
added pathos to the episode. M. de Chateaubriant of the Hohenzollerns. We have an account of the&#13;
&#13;
&#13;
## p. 185 (#629) ############################################&#13;
&#13;
THE AUTHOR.&#13;
185&#13;
Thirty Years' War, and the volume closes with the&#13;
death of the Grand Electeur.&#13;
* La Séparation des Eglises et de l'Etat,” by&#13;
Julien de Narfon, is a book which should be read&#13;
by all persons who are interested in the religious&#13;
evolution in France. As the question of Church&#13;
and State is one of intense interest at present in&#13;
England, the perusal of this book cannot fail to&#13;
prove instructive. The author is an extremely&#13;
broad-minded man, endowed with the courage of&#13;
his opinions. With perfect impartiality he evokes&#13;
past history, relates the events of recent date,&#13;
analyses the immediate consequences, and endeavours&#13;
to point out to us the probable consequences in the&#13;
future.&#13;
“L'Orientation religieuse de la France actuelle”&#13;
is the title of a book by M. Paul Sabatier, in which&#13;
the author gives us very clearly his view of the&#13;
present situation.&#13;
" Jacques Tissier, marsouin," by M. Pierre Rey,&#13;
is a very simple story, but full of deep feeling. It&#13;
is just the history of a brave young colonial soldier,&#13;
his hardships and struggles and his simple belief in&#13;
his duty to his country.&#13;
" Autour de Sainte-Hélène," by M. Frédéric Mas-&#13;
son, is the title of the latest volume which this well-&#13;
known writer devotes to the last days of Napoleon.&#13;
The story of these last days is infinitely sad and&#13;
tragic, and the author, very naturally, cannot resist&#13;
reproaching England with the treacherous hospi-&#13;
tality of the Bellerophon. The whole volume is most&#13;
interesting, but, with regard to the harsh judgment&#13;
of England's action, we can only say that M. Masson&#13;
would find English authors who agree with him in&#13;
certain of his criticisms, among others Elizabeth&#13;
Barrett Browning, in one of the finest of her poems,&#13;
entitled “ Crowned and Buried.”&#13;
“La Musique,” by Théophile Gantier, is a study&#13;
of the works of Weber, Berlioz, and Wagner. This&#13;
volume has been published as a memento of the&#13;
writer's centenary and contains hitherto unpub-&#13;
lished matter.&#13;
“La Politique de l'équilibre-1907–1911,” is&#13;
the title of a volume published by M. Gabriel&#13;
Hanotaux. It is an account of the various impor-&#13;
tant events which have taken place affecting the&#13;
international situation during the last four years.&#13;
M. Hanotaux shows that France ought not to be&#13;
influenced by any foreign Power in its diplomatic&#13;
arrangements and policy. M. Hanotaux touches&#13;
on the entente cordiale, Turkish affairs, and on the&#13;
questions concerning Bosnia and Morocco.&#13;
“ La Duchesse d’Aiguillon, une grande dame de&#13;
la cour de Louis XIV.," is the subject of an&#13;
extremely interesting book by MM. Paul d'Estrée&#13;
and A. Callet.&#13;
“Le Roman anglais contemporain,” by M. Firmin&#13;
Roz, introduces to the French public George&#13;
Meredith, Thomas Hardy, Mrs. Humphry Ward,&#13;
and other English writers. It is always interesting&#13;
to note the impressions of the foreign critic. We are&#13;
somewhat surprised to find certain names omitted&#13;
which should certainly be included in a volume&#13;
dealing with contemporary English novels.&#13;
La Revue hebdomadaire publishes in one of its&#13;
recent numbers a most charming and witty article&#13;
by M. Fernand Laudet, entitled “ Contes Gascons.”'&#13;
These stories form a literature entirely apart and&#13;
are full of shrewd observation and a keen sense of&#13;
humour. M. Laudet gives us several specimens&#13;
and finishes with a short sketch which is, in reality,&#13;
a skit on many of the questions of the day.&#13;
In other numbers of the same review Jules&#13;
Lemaitre continues his studies of Chateaubriand,&#13;
and Louis Barthou gives an article containing&#13;
some extremely interesting letters from Lamartine,&#13;
Alphonse Daudet, and other literary celebrities.&#13;
George Brandès, the well-known critic, has been&#13;
spending some months in Paris, and, at the request&#13;
of his friends, he consented to give a lecture on&#13;
Hans Andersen. M. Paul Leyssac, of the Vaude-&#13;
ville Theatre, recited several of the fairy tales in&#13;
the most admirable manner. We are told that&#13;
George Brandès and this talented young actor are&#13;
to repeat the lecture and recitations in London this&#13;
season. If so, we would strongly recommend all&#13;
those who have an opportunity to be present.&#13;
Lectures are certainly the order of the day in&#13;
Paris this season. Nearly everyone appears to be&#13;
lecturing on every possible (and impossible) subject.&#13;
Among the most interesting and varied of these&#13;
lectures, outside the Sorbonne and College of France,&#13;
are those organised by the Société des Conférences,&#13;
the review entitled Foi et Vie, and also the lectures&#13;
organised by Mme. Brisson, the daughter of Sarcey,&#13;
for the University of Les Annales.&#13;
Quite recently M. E. Boutroux gave one of the&#13;
most remarkable lectures on “Pascal et le temps&#13;
présent,” which will probably be published in a'r&#13;
early number of Foi et Vie.&#13;
At the Comédie Française, “Le Ménage de&#13;
Molière,” a five-act play by Maurice Donnay, in&#13;
verse, is extremely interesting and curious. The&#13;
staging is excellent, and the fête in the Versailles&#13;
Park gives the public an opportunity of realising&#13;
something of the magnificence of Court life in those&#13;
days.&#13;
At the Odéon, “ Esther,” a four-act play, also in&#13;
verse, by MM. Andre Dumas and Sébastien-Charles&#13;
Leconte, shows that there is a tendency to search&#13;
for dramatic effects in the history of the past.&#13;
There is certainly nothing in common between the&#13;
Esther we know of Racine and this modern concep-&#13;
tion of her.&#13;
At the Renaissance the three-act play by MM.&#13;
Alfred Capus and Pierre Veber, “En garde,” was&#13;
&#13;
&#13;
## p. 186 (#630) ############################################&#13;
&#13;
186&#13;
THE AUTHOR.&#13;
received with applause. The plays of Alfred Capas “The Midsnmmer Night's Dream" was exquisitely&#13;
are sure to end happily, so that if things appear to staged, M. Simas, of the Opéra, being responsible&#13;
be going wrong for a time, there is never any need for the scenery and its harmonious colouring,&#13;
to despair, as we are sure that a reconciliation will M. Vidal for the musical adaptations, and Mme.&#13;
take place.&#13;
Jane Hugard, also of the Opéra, for the dances of&#13;
At the Comédie Royale, “ Jean III. ou the fairies. “As You Like It” was quite as great&#13;
l'irrésistible vocation du fils Mondoucet," a three- a success, and these matinées are to be continued&#13;
act play by Sacha Guitry, is the delight of the until the end of the month of May. M. Camille de&#13;
public. The son of an ironmonger, who, in spite Sainte Croix is a dramatist and a poet who has&#13;
of the prejudices of his bourgeois father, insists on thrown himself heart and soul into this revival of&#13;
going on the stage, and, later on, initiates his fond the Shakespeare theatre, with the result that it is&#13;
parents into the habits and customs of theatrical probable that these plays have never been given&#13;
life, is extremely amusing.&#13;
with such artistic perfection, such attention to&#13;
" Les Visiteurs nocturnes,” by Tristan Bernard, is detail, and such absolute ensemble. It is very pro-&#13;
as full of humour as the well-known short stories by bable that when the French season is over the&#13;
this writer. The nocturnal visitors in this case are Compagnie Française du Théâtre Shakespeare will&#13;
thieves, who take the precaution to drug the lady go on tour.&#13;
whose house they are about to rob. In the morn-&#13;
ALYS HALLARD.&#13;
ing, when the maid finds the victim and is about&#13;
to call for the police, all that the victim asks is&#13;
“Femmes aimées, femmes aimantes" (Tallandier).&#13;
" M. des Lourdines” (Bernard Grasset).&#13;
that the nocturnal visitors shall be found at any&#13;
“Le Buisson ardent" (Ollendorff).&#13;
cost, as, suffering as she does from insomnia, she is “La Chasse à Courre" (La Poétique).&#13;
only anxious to find out how she can obtain more&#13;
“Histoire de Prusse" (Plon).&#13;
of their drug.&#13;
“ La Séparation des Eglises et de l'Etat" (Plon).&#13;
" Jacques Tissier, marsouin" (Plon).&#13;
At the Gymnase, “ L'Assaut," by M. Henry&#13;
* Autour de Sainte-Hélène" (Ollendorff).&#13;
Bernstein, has had tbe success which this author's ** La Musique" (Fasquelle).&#13;
pieces usually win. M. Bernstein has always * La Politique de l'équilibre-1907-1911" (Plon). ·&#13;
something to say when he writes. It is the story&#13;
of a man whose past has not been blameless, but&#13;
who succeeds in making for himself a position in the UNITED STATES COPYRIGHT.&#13;
world. Just as he has arrived, a supposed friend&#13;
whispers abroad the story of his delinquency in the&#13;
INTERNATIONAL RELATIONS.&#13;
past. The confidence of the girl he is to marry is DROCLAMATIONS have been issued by the&#13;
his salvation, and the play ends satisfactorily for P President, under the United States Act&#13;
the public.&#13;
by which copyright protection is granted&#13;
At the Athénée, “ Le ('aur dispose," by Francis in the United States to works of authors who are&#13;
de Croisset, is a play which seems likely to have a citizens or subjects of the countries named :&#13;
long run. It is the story of a poor man who is July 1, 1891-Belgium, France, Great Britain&#13;
ambitious, and who sets out in life as an arrivist, and her possessions, and Switzerland. (Stat. L.,&#13;
firmly believing himself to be one. He is prepared vol. 27, pp. 981, 982.)&#13;
to take advantage of all possible occasions for April 15, 1892-Germany. (Stat. L., vol. 27,&#13;
climbing the ladder of fortune, but he reckons pp. 1021, 1022.)&#13;
without his host, and his host in this case is his October 31, 1892—Italy. (Stat. L., vol. 27,&#13;
own heart. He falls in love with the daughter of p. 1043.)&#13;
the house, in which he is the paid secretary. The May 8, 1893— Denmark. (Stat. L., vol. 28,&#13;
characters in this play are all well drawn, and each p. 1219.)&#13;
one is a distinct psychological study. The author July 20, 1893— Portugal. (Stat. L., vol. 28,&#13;
is to be congratulated on having written a play p. 1222.)&#13;
in which there is nothing unpleasant and wbich, July 10, 1895—Spain. (Stat. L., vol. 29,&#13;
nevertheless, is never dull.&#13;
p. 871.)&#13;
At the Athénée, M. Camille de Sainte Croix is February 27, 1896–Mexico. (Stat. L., vol. 29,&#13;
continuing, every Thursday, his series of Shake- p. 877.)&#13;
speare plays, admirably staged. He seems to have May 25, 1896-Chile. (Stat. L., vol. 29,&#13;
found the secret of putting life into the plays p. 880.)&#13;
of Shakespeare, and perhaps it is that he is October 19, 1899—Costa Rica. (Stat. L., rol.&#13;
giving them with an ensemble such as one rarely 31, pp. 1955, 1956.)&#13;
sees. The actors are all young and enthusiastic, November 20, 1899-Netherlands and posses-&#13;
and there is not a slow moment in any scene. sions. (Stat. L., vol. 3), p. 1961.)&#13;
&#13;
&#13;
## p. 187 (#631) ############################################&#13;
&#13;
THE AUTHOR.&#13;
187&#13;
November 17, 1903—Cuba. (Stat. L., vol. 33, it is an assignment by the composer of all his rights&#13;
pt. 2, p. 2324.)&#13;
in a song, the consideration for such assignment&#13;
January 13, 1904—China. (Treaty of October 8, being, as stated, the payment of two guineas, and&#13;
1903, Article XI.) (Stat. L., vol. 33, pt. 2, a royalty per copy on every copy of the song sold.&#13;
pp. 2208, 2213.)&#13;
According to the custom in vogue, the composer&#13;
July 1, 1905—Norway. (Stat. L., vol. 34, signs, this document and if he does not take the&#13;
pt. 3, pp. 3111-3112.)&#13;
trouble to retain a copy, he never gets a copy signed&#13;
May 11, 1906–Japan. (Treaty of November 10, by the publisher, which he ought to receive in all&#13;
1905.) (Stat. L., vol. 34, pt. 3, pp. 2890-2891.) transactions of this kind. It is some time since the&#13;
September 20, 1907-Austria. (But not in- pages of The Author have commented on these extra-&#13;
cluding Hungary.) (Stat. L., vol. 35, pt. 2, ordinary documents, but the time has come when&#13;
p. 2255.)&#13;
attention should be drawn to them once again.&#13;
April 9, 1908-Convention between the United The composer should never transfer the copyright&#13;
States and or her powers on literary and artistic to the publisher when he, the composer, maintains&#13;
copyrights, signed at the City of Mexico, January 27, a continuing interest in the sales. This point has&#13;
1902. (This treaty is effective from July 1, 1908, been brought forward over and over again, and in&#13;
as between the United States and the following the book-publishing world we are glad to think that&#13;
countries : Guatemala, Salvador, Costa Rica, Hon- the publishers are, save in exceptional cases, content&#13;
duras, and Nicaragua.) (Stat. L., vol. 35, pt. 2, with a licence to publish in book form. The&#13;
pp. 1934-1946.)&#13;
music publishers should be content with a licence&#13;
Angust 11, 1908–Japan. (Treaty of May 19, to publish in song form.&#13;
1908, for prott ction in China.) (Stat. L., vol. 35, So strong do the committee feel about this&#13;
pt. 2, pp. 2044-2046.)&#13;
assignment of the copyright, or even about an&#13;
August 11, 1908-Japan. (Treaty of May 19, unlimited grant of the licence to publish during&#13;
1908, for protection in Korea.) (Stat. L., vol. 35, the whole term of copyright, that in the Annual&#13;
pt. 2, pp. 2041-2043.)&#13;
Report which was laid before the General Meeting&#13;
April 9, 1910—Austria, Belgium, Chile, Costa on March 21, they have dealt very fully with the&#13;
Rica, Cuba, Denmark, France, Germany, Great matter. We do not desire to repeat these warnings,&#13;
Britain and her possessions, Italy, Mexico, the so recently made, but suggest that if any member&#13;
Netherlands and possessions, Norway, Portugal, has read the report carelessly, or failed to read it at&#13;
Spain, and Switzerland.&#13;
all, he should now go and study it with extra&#13;
June 29, 1910--Luxemburg.&#13;
consideration.&#13;
May 26, 1911–Sweden.&#13;
But it is not sufficient for the music publisher to&#13;
ask for the copyright ; he also asks for the per-&#13;
PRESIDENTIAL PROCLAMATION UNDER&#13;
forming right, and through his successful, or&#13;
SECTION 1 (e).&#13;
unsuccessful, methods of business he has, as far as&#13;
England is concerned, almost destroyed its ralue to&#13;
December 8, 1910–Germany.&#13;
the composer, save in the case of comic opera and&#13;
June 14, 1911—Belgium, Luxemburg, and&#13;
those pieces which are performed in theatres. As&#13;
Norway.&#13;
it is wrong for the author to transfer his copyright,&#13;
so it is wrong for the composer to transfer his&#13;
performing right. It is worse at the present time&#13;
A MUSIC PUBLISHER'S AGREEMENT.&#13;
than it has ever been, owing to the added rights&#13;
that the composer will acquire under the Act of&#13;
46 TN consideration of the sum of Two Pounds 28. paid to 1911 when it comes into force.&#13;
me this day, I hereby agree to assign to&#13;
the The agreement, however, goes further and asks&#13;
whole of my rights and interest, present, future&#13;
that the royalties which accrue to the composer on&#13;
and contingent in the words and music of my song entitled&#13;
'it being understood that I receive a royalty of Ban&#13;
gramophone records and similar mechanical repro-&#13;
per copy on all sold of the same in Great Britain,&#13;
he same in Great Britain. ductions should be shared between composer and&#13;
Ireland, and the Colonies (13 copies to count as 12), publisher.&#13;
also five per cent. on the marked price of all copies sold in It is fortunate that the agreement was made&#13;
the United States ; 200 copies in both countries to be free before the Act was passed. for under a clause in&#13;
for novelty purposes."&#13;
* Any royalties obtained on the sale of gramophone the Act, in spite of the document which has been&#13;
records, or similar mechanical reproductions, in all signed, the rights to the gramophone royalties are&#13;
countries to be equally divided between composer and the composer's property, for se, tion 19, sub-&#13;
publisher."&#13;
section 7 (C) contains the following proviso :-&#13;
We have called the above a music publisher's “ Notwithstanding any assignment made before&#13;
agreement, but it is not really an agreement at all; the passing of the Copyright Act, any rights&#13;
&#13;
&#13;
## p. 188 (#632) ############################################&#13;
&#13;
188&#13;
THE AUTHOR.&#13;
conferred by the Act in respect of making, or&#13;
authorising the making of contrivances by means&#13;
of which the work may be mechanically performed&#13;
belong to the author, or his legal representatives,&#13;
and not to the assignee.”&#13;
At the beginning it was stated that this was not&#13;
really an agreement, and perhaps it would be as&#13;
well to elucidate this point further.&#13;
The composer assigns all his rights to the pub-&#13;
lisher for a small consideration and a continuing&#13;
royalty. What does the publisher undertake to&#13;
do ? Absolutely nothing. He does not undertake&#13;
to produce the work by a certain date ; he does not&#13;
undertake to keep the work on the market, and he&#13;
does not undertake to advertise the work. No&#13;
doubt an implied contract to publish is carried in&#13;
the assignment, otherwise the consideration would&#13;
be of no avail. But it is quite clear that the&#13;
implied contract could easily be met by what would&#13;
really amount to a bogus publication.&#13;
Now, in order that a composer may be treated&#13;
fairly, even the most exacting of publishers would,&#13;
without hesitation, assent to a few small plain&#13;
clauses : (1) that he would put the work on the&#13;
market in the usual form on or before a certain&#13;
date ; (2) that he would push the work through the&#13;
ordinary trade channels and advertise it; and&#13;
(3) that if the work went off the market he would&#13;
cancel the agreement and return the licence to&#13;
publish (for it is understood that the composer would&#13;
only grant a licence to publish) to the composer.&#13;
The composer laid the document before the&#13;
secretary of the Society of Authors. The secretary&#13;
remonstrated, and, in addition, pointed out some of&#13;
the difficulties which would arise from the signing&#13;
of such a document, namely, that if the publisher&#13;
made any other arrangement with regard to the&#13;
song he would be at liberty to do so under his&#13;
agreement, and there was no undertaking by the&#13;
publisher to pay the composer anything on such&#13;
fresh arrangement. This warning alarmed the&#13;
composer, and he wrote to the publisher enquiring&#13;
what his views on the matter were. To this letter&#13;
he received the following reply :-&#13;
DEAR SIR,—The questions you raise regarding the&#13;
Agreement for “..."are quite unnecessary.&#13;
You assign to us the copyright of the song, and under&#13;
our agreement we are not at liberty to make any other&#13;
arrangement of it without consulting you.&#13;
On the other hand, if you only assign us the right to&#13;
publish the song for voice and piano, you would be able to&#13;
make any other arrangement you thought fit, and this we&#13;
could not agree to.&#13;
In conclusion, we may mention that our agreement is&#13;
never questioned.&#13;
We are, Yours faithfully,&#13;
Étc., etc.&#13;
It is with the view of placing this reply before&#13;
those composers who are members of the Society of&#13;
Authors that the whole subject of music publishers'&#13;
agreements has been re-opened.&#13;
The only excuse for this letter must be the&#13;
ignorance of the publisher as to his legal position.&#13;
It is impossible to think that a publisher of the&#13;
standing of the firm who put forward the agree-&#13;
ment and wrote the letter under consideration&#13;
would wilfully have deceived the composer. Suffice&#13;
it to say that the statement made by the publisher&#13;
is absolutely incorrect. The firm states in our&#13;
agreement we are not at liberty to make any other&#13;
arrangement of the song, without consulting you."&#13;
Not only is there nothing expressly stating this in&#13;
the agreement, but there is nothing that would&#13;
impliedly convey this statement under the terms of&#13;
the contract. The conveyance of the copyright and&#13;
the performing rights allow the publisher to make&#13;
any other arrangement he thinks fit, and he is in&#13;
no way bound to pay the author any royalty or any&#13;
further consideration on the re-arrangement. He&#13;
is only bound by the agreement to pay the composer&#13;
a royalty on all copies of the song sold. With&#13;
regard to the dictatorial and absurd statement&#13;
contained in the last sentence in the letter, it is&#13;
only necessary to suggest that the sooner the&#13;
composers compel alteration the better. The&#13;
composer should be warned never to sign an&#13;
agreement of this kind, never to transfer his&#13;
copyright, never to transfer his performing right,&#13;
and, above all, to retain absolute control over his&#13;
gramophone rights.&#13;
MAGAZINE CONTENTS.&#13;
BLACKWOODS.&#13;
Musings Without Method : George Borrow.&#13;
BOOKMAN.&#13;
Lady Thackeray Ritchie. By Lewis Melville.&#13;
CONTEMPORARY.&#13;
Celtic Nature Poetry. By A. P. Graves.&#13;
ENGLISH REVIEW.&#13;
Among My Books. By Frederic Harrison.&#13;
The Theatre of the Future. By V. Ivanof.&#13;
A New Study of English Poetry : Poetry and Rhythm.&#13;
By Henry Newbolt.&#13;
A Critical Calendar. By Walter Sickert.&#13;
A Word on the Hammerstein Opera. By Henry Hardinge.&#13;
The Censorship Scandal. By S. 0.&#13;
SCALE FOR DUVERTISENENTS.&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 90 PER CENT.)&#13;
Front Page&#13;
...24 0&#13;
Other Pages&#13;
Hall of a Page ...&#13;
10 0&#13;
Quarter of a Page&#13;
... O 15 0&#13;
Eighth of a Page&#13;
Single Column Advertisements&#13;
... per inch 0 6 0&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent for&#13;
Twelve Insertions.&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
&#13;
&#13;
## p. 189 (#633) ############################################&#13;
&#13;
THE AUTHOR.&#13;
189&#13;
HOW TO USE THE SOCIETY.&#13;
1. T VERY member has a right to ask for and to receive&#13;
1 advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourse!f, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
npon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's york can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
miast be done within fourteen days of first execution. The&#13;
secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
'In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation,&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for "office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stam&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
IV Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager,&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
(TERE are a few standing rules to be observed in an&#13;
I agreement. There are four methods of dealing&#13;
with literary property :--&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper prive can be&#13;
&#13;
&#13;
## p. 190 (#634) ############################################&#13;
&#13;
190&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(0.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This methou should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights inay be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He shoul, therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author inust remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profes&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society,&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
CEMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
OCENARIOS, typewritten in duplicate on foolscap paper&#13;
o forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario Thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 2s.6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 191 (#635) ############################################&#13;
&#13;
THE AUTHOR.&#13;
191&#13;
GENERAL NOTES.&#13;
the author. In these cases it is hardly fair that&#13;
the author should be bound to pay an agent's fee&#13;
AGENTS AS PRINCIPALS.&#13;
or that the agent should claim his fee if such&#13;
commission does not arise through the agent's&#13;
A MEMBER of the society has drawn our attention introduction, but cases have occurred where an&#13;
to the fact that there are still some agents who author undertaking to place all his literary work in&#13;
in addition to their agency work not infrequently the agent's hands during a fixed period has received&#13;
act as principals. He draws attention to the a claim for commission from an agent on articles&#13;
danger of such a position and urges us to warn that were supplied to a paper and other literary&#13;
authors. The columns of The Author have already work, where the work was specially ordered, and&#13;
on different occasions drawn attention to the matter, such order was not obtained through the agent's&#13;
and some remarks on the point will be found in introduction. It will be as well, therefore, if the&#13;
the article on authors' agents in the October author should specifically except this work from&#13;
number. There is the danger from the bonâ fide the agreement with the agent, stating that on&#13;
agent and the danger from the fraudulent agent. commission work obtained outside the agent's.&#13;
The fraudulent agent would get an offer from an introduction he should not be bound to pay the&#13;
editor, publisher, or manager and then, going to agent's fee. This brings us to the second point&#13;
the author, would pretend to him that he had some which has reference to the note to clause 1 on the&#13;
difficulty in placing his work. He would suggest reservation by the author of special markets. Our&#13;
that he should buy the rights, whatever they are, correspondent thinks that it should be made quite&#13;
that the author is willing to sell for a sum down. clear that where an author lives by writing for&#13;
If the author, as not infrequently happens, daily papers and by journalism, as well as by&#13;
desires to have money and has faith in the agent, writing books and magazine articles, that he should&#13;
he will possibly accept the offer, and the agent will except the journalistic market and that the agent&#13;
then proceed to sell to the editor, the publisher, or should not be entitled to claim commission on this&#13;
the manager at the enhanced price which he work. This, no doubt, was the idea of those who&#13;
already knows he can obtain. But if an agent drafted the agreement when they advised the&#13;
desires to be perfectly bona fide and desires some- author to reserve certain markets, but, perhaps, it&#13;
times to act as principal and sometimes as agent, will be of advantage to members if the point is&#13;
the danger is still very great, because it is only a put a little more clearly before them.&#13;
natural law that when he is offering work to pub-&#13;
lishers, editors, or managers he would desire to sell&#13;
that which belonged to himself on which he might&#13;
AUSTRALIAN COPYRIGHT.&#13;
be able to get the return of capital already ex- In an article taken from the United States.&#13;
pended with a profit, rather than to sell the Publishers' Weekly, and printed on another page..&#13;
author's work, on which he would obtain merely his the author states as follows :&#13;
agency fees. The position is untenable, and there- “ Australia in 1905 asserted copyright indepen-&#13;
fore, as our correspondent remarks, authors should dence from the mother country and passed a com-&#13;
be warned never to deal in any way with an agent plete code which was not disallowed by the Crown,&#13;
who is known to act as principal. This advice we and wbich has in fact become the model for recent&#13;
are very glad to confirm.&#13;
British and coming Canadian legislation."&#13;
This statement is a little misleading. Australia&#13;
in 1905 passed a copyright law which was binding&#13;
THE LITERARY AGENCY AGREEMENT. on Australia only, and did not make Australia&#13;
A CORRESPONDENT who has published many&#13;
independent of Imperial legislation, Imperial copy-&#13;
right still running in the Australian Colonies.&#13;
books and has, therefore, read with interest the&#13;
It&#13;
is a mistake also to state that this Act has become&#13;
literary agency agreement published in last month's&#13;
Author, kindly sent us a communication bearing&#13;
the model for recent British and coming Canadian&#13;
on two points in the contract, which, perhaps,&#13;
legislation, as the British ('opyright Law, which is&#13;
require a little further elucidation. (The reader is&#13;
coming into force in 1912, has really had nothing&#13;
referred to page 163 of last month's Author.) In&#13;
to do with and is not based on the Australian Act.&#13;
clause 1 of the agreement the author appoints his&#13;
As far as ('anada is concerned, it is impossible at&#13;
as sole agent during a given period for the the present moment to say what the coming&#13;
sale of all the literary work that he desires to legislation will be.&#13;
bring to market during the continuancy of the&#13;
agreement.&#13;
GRAMOPHONE FEES.&#13;
Now, there are many cases, as our correspondent In the last issue of The Author an article&#13;
points out, in which work is commissioned from appeared referring to the claim which had been put&#13;
&#13;
&#13;
## p. 192 (#636) ############################################&#13;
&#13;
192&#13;
THE AUTHOR.&#13;
forward by certain publishers to the gramophone history of the society, and the income for the year&#13;
fees of composers.&#13;
from subscriptions was actually the largest that had&#13;
! . We are glad to see from the following extract accrued. The loss of members for the past year&#13;
from an agreement of an American publisher that from all causes amounted to 167, resignations&#13;
although a similar compulsory licence exists in amounting to 87. He had ascertained by inquiry&#13;
America, to that which will come into force under and comparison with the figures of other similar&#13;
the new Copyright Law, the same demand is not bodies that this was a normal proportion, having&#13;
made by the American publisher.&#13;
regard to the nature of the society and the COL-&#13;
“ Said . . . composer hereby reserves to himself the&#13;
ditions of membership, but in order to ascertain&#13;
exclusive right and licence to reproduce or cause to be whether there might be any removable cause for&#13;
reproduced said composition on mechanical musical the resignations, he had written personally to the&#13;
instruments and agrees that whenever he may make use of&#13;
last 150 members who had resigned. In reply he&#13;
such licence he and his sub-licensees will at all times attach&#13;
had received only one letter that put forward any.&#13;
to every copy of such mechanical reproduction of said&#13;
composition the notice of copyright required or which may&#13;
thing in the nature of a complaint. In practically&#13;
be required by any copyright statute under which said all other cases the reason had been the desired&#13;
composition is or may be protected.”&#13;
economy of the guinea subscription, and several&#13;
Musical publishers in England have, no doubt, had joined for a definite purpose, such as the&#13;
for so long a time been taking the composers' rights receipt of advice upon a single subject and had&#13;
that they have got into the habit of considering then retired. Ten of these, upon having it pointed&#13;
these rights their own, as a matter of course. It is out to them that upon the principle of insurance the&#13;
time, however, that composers should assert their society could not reasonably be expected thus to&#13;
authority, and publishers understand their position. give a full measure of assistance in consideration of&#13;
a single premium, had voluntarily rejoined. Dr.&#13;
Sprigge next referred to the very heavy work done&#13;
by the Copyright Committee during the introduction&#13;
THE ANNUAL MEETING.&#13;
and passage of the Copyright Act, and to the number&#13;
and variety of the questions which during that&#13;
period were continually arising for consideration&#13;
THE Annual General Meeting of the society owing to changes affecting the interests of authors&#13;
was held on Thursday, March 21, in the being introduced unexpectedly into the Bill and&#13;
rooms of the Society of Arts, 18, John to the necessity for safeguarding authors' interests&#13;
Street, Adelphi, at 4.45 p.m., some thirty to forty from infringement. The contentious work of the&#13;
members being presenta somewhat smaller attend society during the year he described as heavy and&#13;
ance than usual, being, no doubt, due to three causes, successful. Of the cases which had passed through&#13;
the improbability that any controversial topic would the secretary's hands alone two-thirds had been&#13;
arise for discussion, the fact that the place of meet- successfully carried through, and the total dealt&#13;
ing was less centrally situated than that to which with might easily have been doubled by reckoning&#13;
the society has been accustomed, and the inclemency disputes which had not been seriously maintained&#13;
of the weather. The chairman of the Committee after the society's intervention. Forty-two cases&#13;
of Management, Dr. S. Squire Sprigge, presided, had been transferred from the hands of the secretary,&#13;
and opened the business of the meeting by asking himself a solicitor, into the hands of the solicitors to&#13;
the members present to consider in the first place the society, and of these a large proportion had ended&#13;
the second and third items of the agenda, leaving successfully, the sum recovered for one member, in&#13;
the discussion of the report to follow. Accordingly a matter where performing rights were concerned,&#13;
Mr. Owen Seaman was declared duly elected as a amounting to £500. The Pension Fund invest-&#13;
member of the Pension Fund Committee in placement in 1911 had amounted to £250. A special&#13;
of Mr. Morley Roberts, resigned, Mr. Seaman appeal during the same year had been handsomely&#13;
having been duly proposed by the committee, and responded to and had brought in £500 more for&#13;
no other candidate having been nominated. investment in 1912. He concluded by inviting ques-&#13;
Secondly, with regard to the appointment of tions and discussion upon any points in the report to&#13;
scrutineers to count the votes under the society's which members might desire to call attention.&#13;
constitution, no names having been proposed, the Mr. G. F. Wilson rose to ask whether in the&#13;
chairman informed the meeting that the committee interests of authors the names of the parties might&#13;
would appoint in due course. In commenting upon not be published in the summaries of cases taken up&#13;
the report which was already in the hands of by the society, which appear in The Author. He&#13;
members, Dr. Sprigge referred to the satisfactory suggested that this would give more reality to the&#13;
conditions shown. The number of elections during reports in question, and referred to the article, * A&#13;
the past year had only once been exceeded in the Remarkable Agreement," in The Author of March&#13;
&#13;
&#13;
## p. 193 (#637) ############################################&#13;
&#13;
THE AUTHOR.&#13;
193&#13;
A PRIZE COMPETITION.&#13;
in which the name of the publisher was given,&#13;
asking if it would not be advantageous to dot the&#13;
"i's " and cross the “t's ” in other articles of the&#13;
same class. The result would be that members&#13;
would know what editors and publishers to avoid,&#13;
and editors and publishers would know what to&#13;
si void also.&#13;
The chairman replied that the proposition&#13;
advanced had his sympathy to a considerable&#13;
extent. There was always, however. a certain&#13;
element of danger in giving names when criticising&#13;
in the manner in which it was necessary to criticise&#13;
in The Author, and there was also the fact that&#13;
if the purchase of a number of The Author for 6d.&#13;
cave a person outside the society all the information&#13;
about an individual or a particular matter that he&#13;
required, he might be tempted to content himself&#13;
with buying The Author instead of joining the&#13;
society and becoming entitled to the advice which&#13;
he could obtain nowhere else.&#13;
Mr. H.M. Paull asked whether the society might&#13;
not find it advantageous to charge members a per-&#13;
centage upon the sums obtained by it on their&#13;
behalf.&#13;
The chairman said that the subject was not new&#13;
to him, but it had always been considered desirable&#13;
that the society in recovering money for its members&#13;
should occupy a position of disinterested indepen-&#13;
dence in the matter, with no suggestion that it had&#13;
any financial advantage to gain by the disputes in&#13;
which it engaged.&#13;
Mr. G. F. Wilson inquired whether the reissue&#13;
of “The Cost of Production ” was likely to take&#13;
place before long.&#13;
The chairman said that this was a matter as to&#13;
which he would prefer to consult the committee&#13;
before replying definitely. He was not sorry to&#13;
have the fact that the book was out of print&#13;
brought to his attention. He had himself taken&#13;
part in preparing the first edition of it, and he&#13;
feared some of the figures had ceased to apply to&#13;
modern conditions. There was, however, the fact&#13;
that it was difficult to obtain accurate statistics&#13;
for such a work, and that at the same time it was&#13;
uncertain whether members would buy it when&#13;
written.&#13;
A vote of thanks to the chairman was proposed&#13;
by Mr. Anthony Hope Hawkins, and, having been&#13;
seconded by Mr. H. M. Paull, was carried&#13;
unanimously; Dr. Sprigge, in thanking those&#13;
present for their expression of approval, said that&#13;
he associated with their vote of thanks to himself,&#13;
their secretary, Mr. G. H. Thring, whose continuous&#13;
labours on behalf of the society he knew were&#13;
appreciated by it.&#13;
COME months ago an article appeared in The&#13;
Author on Prize Competitions, and a strong&#13;
complaint was raised against the method in&#13;
which these competitions were conducted. It was&#13;
clearly shown how indefinite was the statement of&#13;
terms in most cases, and that the editor must have&#13;
been ignorant of the legal requirements of the case.&#13;
Though it turned out that in most cases the&#13;
editor wanted the whole copyright, yet generally&#13;
he did not make this clear. Indeed, the editor, who&#13;
asserted merely that he gave a prize for the best&#13;
short story, would not necessarily have had the&#13;
right to publish it even for one insertion in his own&#13;
paper..&#13;
Again, some editors, who were clear about what&#13;
they wanted, were wholly unreasonable in giving no&#13;
undertaking that the work should be published and&#13;
no time limit for publication. In addition, they&#13;
often claimed the right to publish any story sent up&#13;
to them in connection with the competition, even&#13;
though it should not gain the prize, again without&#13;
giving any time limit for publication or making&#13;
any price.&#13;
This should not be the case; . A clear statement&#13;
of the legal position is essential if the result is to be&#13;
satisfactory, and there should be no sins of omission.&#13;
The editor should throw his cards on the table ;&#13;
then, if the contract is good, or if the contract is bad,&#13;
the author knows the best or the worst, and if he&#13;
sends up his MS. he has no right to complain&#13;
subsequently.&#13;
The following may be cited as an example of an&#13;
error of omission.&#13;
proprietor desires to purchase the copyright of&#13;
a MS. for £200 and states this bare fact. The&#13;
ordinary author would think that there was an&#13;
implied contract to publish, but really there is&#13;
nothing of the kind. It would have been much&#13;
better, therefore, for the proprietor to state that the&#13;
successful MS. will be published by him on or before&#13;
a certain date.&#13;
This preamble brings us to the Prize Competition&#13;
published in the Era for the benefit of dramatic&#13;
authors, the terms of which, so far as material for&#13;
our purpose, are as follows :-&#13;
The decision announced by the editor shall be final an&#13;
binding upon all parties.&#13;
Plays may be sent in at any time until the date for&#13;
closing the competition, which will be duly announced, but&#13;
which will not be before June 30th, 1912, at the earliest.&#13;
The winner of the £100 prize will retain one-half interest&#13;
in the copyright of his play.&#13;
If the winning play be, in the opinion of the editor of&#13;
the Era, of sufficient merit, it will be produced under the&#13;
auspices of the Era, and will be known as “ the Era Play,"&#13;
the author's name appearing or not, as he or she wishes, on&#13;
the programme of every performance.&#13;
&#13;
&#13;
## p. 194 (#638) ############################################&#13;
&#13;
194&#13;
THE AUTHOR.&#13;
The editor will not be responsible for the safety of any intentional. Does the editor reserve to himself&#13;
manuscripts submitted, so that copies must be kept by the&#13;
author. Every effort will be madle, however, to return all&#13;
the exclusive right, or what does this paragraph&#13;
manuscripts.&#13;
mean? If he intends to reserve to himself the&#13;
The editor reserves the right of arranging for the pro- exclusive right, then any person who sends in a&#13;
duction of any play submitted, whether the winning play play may find himself in this difficult position&#13;
or not; but should he decide to produce any such play, he&#13;
that, if the editor who holds the right for arrang-&#13;
will first arrange terms with the author.&#13;
ing a production does not desire to use this right,&#13;
We have taken the liberty of omitting some non the dramatist would be unable to make any use of&#13;
essential parts of the conditions, that is, non-essen- his play himself. An author who sends in a play&#13;
tial as far as the deductions desired to be drawn are and gets no prize receives no consideration what-&#13;
concerned, though not non-essential from the point ever for the right which the editor acquires. The&#13;
of the dramatist who is competing. The main condition further states, “but should the editor&#13;
points to which we desire to draw attention are as decide to produce any such play, he will first&#13;
follows :-&#13;
arrange terms with the author."&#13;
It is first stated that the decision announced by the We feel quite certain that the editor of the Era&#13;
editor shall be final and binding upon all parties. desired to do everything that is fair, reasonable&#13;
This is quite reasonable and fair, but there is no state- and just when this paragraph was drafted, but it is&#13;
ment whatever as to when the decision will be made, impossible to conceive a paragraph more likely to&#13;
or where it will be announced, surely an important lead to frequent disputes than this one. Supposing&#13;
piece of knowledge in a competition of this kind. the winner of the prize does not want to arrange&#13;
Competitors might send in their MSS. and find that terms with the editor, or suppose the authors of any&#13;
they are held up for perhaps a year or more, during of the MSS, sent in do not want to arrange terms&#13;
which time it would be impossible for them to take with the editor, or supposing they want to arrange&#13;
any action in the matter of placing them.&#13;
terms, but the editor considers the terms are&#13;
It seems the very earliest date for closing the unreasonable, there then would appear to be a&#13;
competition is June 30th, 1912. From this we deadlock.&#13;
take it that all the plays that are sent in will come It should be clearly put forth, (1) either the exact&#13;
under the new Copyright Act. This point is of terms for production, or (2) that the proprietor&#13;
importance, for the next paragraph states that the should have the first refusal for, say one month,&#13;
winner of the prize will retain one-half interest in the during which terms should be arranged. If these&#13;
copyright of his play. The word “copyright" under proposals are displeasing to the owner of the other&#13;
the new Act as regards a play covers much more than half of the copyright, at any rate let him state&#13;
under the present Act, where the right in a drama definitely what he does want.&#13;
is divided into two parts, copyright and performing We think enoughi has been said to show how&#13;
right. We see that the winner will obtain a £100 terribly indefinite all these points are. It is much&#13;
prize. The natural deduction from this is that the better in these competitions to have the terms&#13;
£100 will not be an advance on royalties on what clear, even though they are against the author,&#13;
ever subsequent arrangement is made, but will be than to have them indefinite but tempting.&#13;
£100 clear and distinct, practically amounting to We hope it may be possible before the competi-&#13;
£100 payment for the half of the copyright. It tion closes for the rules and conditions to be more&#13;
does not state who is to be the owner of this balf, definitely stated, and an opportunity given to those&#13;
though it is not an unreasonable deduction to make who may have sent in the MSS. to withdraw should&#13;
that it will belong to the proprietor of the Era. It they not care to accept the revised rules.&#13;
might, however, be some bidden actor-manager as&#13;
far as the public statement is concerned. This point&#13;
should be made clear. There is no undertaking&#13;
whatever that the proprietor of this half-copyright&#13;
UNITED STATES NOTES.&#13;
will use any endeavour to place the play on the&#13;
market. He reserves to himself the right of making&#13;
all arrangements ; though the author retains a half NEW YEAR'S card issued by one of the great&#13;
interest in the copyright, he could not do anything&#13;
publishing firms of New York bore on it the&#13;
with that interest under the conditions laid down.&#13;
laudable sentiment, “ For 1912– Fewer and&#13;
In the last paragraph of the terms a most extra- Better Books.” It might perbaps be assumed from&#13;
ordinary provision appears, whereby not only does this that the year 1911 was remarkable for the great&#13;
the cditor reserve to bimself the right of arranging output of books in the United States. As a matter&#13;
for the production of the winning play, but also of of fact, the figure reached in 1911 was considerably&#13;
any play submitted, whether the winning play or lower than that in 1910. In the latter year&#13;
not. Surely this statement cannot possibly be 11,671 new books and 1,799 new editions appeared&#13;
&#13;
&#13;
## p. 195 (#639) ############################################&#13;
&#13;
THE AUTHOR.&#13;
195&#13;
-total, 13,470. In 1911 there were 10,440 new&#13;
books and 783 new editions—total, 11,123. So&#13;
that, unlike what was the case in England (where&#13;
a record output of 8,530 new books and 2,384 new&#13;
editions—total, 10,914—was chronicled), in the&#13;
United States there was a very distinct decrease in&#13;
production from 1910 to 1911.&#13;
Was the falling-off in numbers compensated for by&#13;
an improvement in quality ? The critics say“Yes”;&#13;
at least as far as fiction was concerned. The year&#13;
1911 has already been called an annus mirabilis of&#13;
the American novel. Perhaps it would be better to&#13;
wait a few years more before stating which are the&#13;
novels that will live among those of last year. At&#13;
present there is still too much of the glamour of&#13;
the “ best-seller ” about some of them to allow us&#13;
to judge dispassionately. In the meantime it may&#13;
be conceded that if the motto for 1912 is really to&#13;
be “ Fewer and Better Books," in fiction we may&#13;
anticipate a good time coming&#13;
I wrote at some length in the last issue of these&#13;
“Notes” on the subject of best-sellers. It is, how-&#13;
ever, so prominent a feature in connection with the&#13;
sale of books in America that perhaps I may be&#13;
pardoned for alluding to it again. The literary&#13;
papers devoted some space in January to the&#13;
collating of the monthly lists of successful works.&#13;
It appears that the four novels most in demand in&#13;
the States during the past year were Jeffry Farnol's&#13;
" The Broad Highway,” Vaughan Kester's “ The&#13;
Prodigal Judge,” Harold Bell Wright's “The&#13;
Winning of Barbara Worth," and H. S. Harrison's&#13;
“Queed.” These four had a long lead over the&#13;
next five, which were Gene Stratton Porter's&#13;
"The Harvester,” Margaret Deland's “ The Iron&#13;
Woman," Mary Johnston's “The Long Roll,”&#13;
Eleanor Hallowell Abbott's “ Molly Make-Believe,"&#13;
and Florence L. Barclay's “The Rosary.” In the&#13;
non-fiction class Arnold Bennett's “ How to Live&#13;
on 24 Hours a Day” and Price Collier's “ The&#13;
West in the East " were easily first.&#13;
No one, of course, not even among the compilers&#13;
of these lists, pretends that they furnish a guide to&#13;
the necessarily best books of the year. Authors&#13;
whose names and works do not get even a place,&#13;
much less a leading place, on them, may very likely&#13;
feel a grievance over their non-appearance. But&#13;
that grievance is only legitimate against the&#13;
American reading public, on whose demand for&#13;
mental sustenance the lists are founded. It would&#13;
be interesting if, side by side with the consensus of&#13;
public opinion thus revealed, a consensus of critical&#13;
opinion could be produced. It is not an unknown&#13;
occurrence to find a best-seller being “roasted” in&#13;
the columps of a literary review. Such a division&#13;
of cash and credit as is represented by this state of&#13;
affairs has its satisfactions, alike to the commerci.&#13;
ally successful and to the commercially unsuccessful.&#13;
To leave the recently past and come to the&#13;
actually present, there are no indications of a change&#13;
of public farour in 1912 to the detriment of the&#13;
authors with the big circulations in 1911. For&#13;
instance, “Queed” is still going strong, so are“ The&#13;
Broad Highway” and Mr. Farnol's later American&#13;
success, “The Money Moon.” So again is “ The&#13;
Rosary,” which is helping the sale of Mrs. Barclay's&#13;
other two novels, “ The Following of the Star" and&#13;
“The Mistress of Shenstone." “ The Winning of&#13;
Barbara Worth" is announced to appear in dramatic&#13;
form at a New York theatre next fall. One feature&#13;
of early 1912, however, is the rise of a new star&#13;
- new in the United States, that is to say. All&#13;
who see the American literary periodicals will know&#13;
that this refers to Mr. G. A. Birmingham, who has&#13;
been “discovered," let us hope to his great advan-&#13;
tage. British authors certainly bare little to com-&#13;
plain of when they do catch the eye of the American&#13;
public. That this is so can be seen from the fact&#13;
that both in the fiction and in the non-fiction&#13;
classes last year the list was beaded by a Briton.&#13;
And in addition it may be mentioned that J. M.&#13;
Barrie's “ Peter and Wendy" was the best-seller&#13;
among juvenile books in December! Such a record&#13;
is very nearly what the sporting journalist calls&#13;
“the triple crown” for Great Britain.&#13;
The early months of this year have been prolific&#13;
in fiction, but not very notable in other respects.&#13;
Novels may, therefore, be given first place in our&#13;
catalogue-which must include some works pub-&#13;
lished in 1911, but too late to be mentioned in the&#13;
January number of The Author. Among these is&#13;
“The Healer," by Robert Herrick, an author whose&#13;
work is well known in England. Of Mr. Herrick&#13;
a New York critic has said that he “comes nearer&#13;
being a real novelist than any other American.”&#13;
Certainly “The Healer” has had a wonderfully&#13;
good reception from the Press, if it still awaits the&#13;
distinction of getting among the Big Six. About&#13;
the same time were published Theodore Dreiser's&#13;
“Jennie Gerhardt” (an original and very powerful&#13;
story, it may be noted), Julia Magruder's ** Her Hus-&#13;
band," and Molly Elliot Seawell's "The Jugglers,"&#13;
all of which have quickly made their mark. With-&#13;
out attempting to preserve the chronological order,&#13;
the early fictional output of 1912 must be dealt with&#13;
as the names occur to the mind. In “ Riders of&#13;
the Purple Sage,” Zane Grey deals with the Western&#13;
Plains and Salt Lake City. “Toby," by Credo&#13;
Harris, is a Kentucky novel. “ The Guardian," by&#13;
F. 0. Bartlett, is concerned with the lumbermani&#13;
and the great forests. In “The Heart of U's,” on&#13;
the other hand, the background is a city; and the&#13;
city Boston. Humour, varied in character, is the&#13;
feature of “ Danny's Own Story," by Don Marquis&#13;
(whom they compare to Mark Twain); of “A&#13;
Knight in Denim,” by Ramsey Benson ; and of&#13;
&#13;
&#13;
## p. 196 (#640) ############################################&#13;
&#13;
196&#13;
THE AUTHOR.&#13;
Charles Sherman's “He Comes Up Smiling.” Grave and Gay.” Another book of recollections is&#13;
“Georgette,” by Marion Hill, treats of the American entitled “Intimacies of Court and Society: an&#13;
Stage (as a classic ofe which it has been hailed), not Unconventional Narrative of Unofficial Days," of&#13;
so flippantly as “The Chorus Lady,” but none the which the author prefers to remain anonymous, but&#13;
less amusingly. “From the Car Behind," by has suffered it to be made public that she is the&#13;
Eleanor M. Ingram, is a frankly sensational piece of widow of an American diplomat.&#13;
work--involving motors, as might be guessed.&#13;
Social and political questions have engaged the&#13;
Cyrus Townsend Brady has two new books, “ The attention of a few authors. “ Social Forces in&#13;
Challice of Courage” and “ Secret Service”; the American History,” by A. M. Simons, may be callel&#13;
latter a novelisation of William Gillette's famous a history of the United States with special reference&#13;
play. Another novel derived from the stage is to the relations of Capital and Labour. Professors&#13;
“ Bought and Paid for," Arthur Hornblow being J. W. Jenks and W. Jett Lauck deal with “The&#13;
responsible for the version of George Broadhurst's Immigration Problem,” and particularly with the&#13;
drama. George Barr McCutcheon's new story is subject of its restriction. President N. M. Batler,&#13;
“ Her Weight in Gold”; Mary E. Mann's “There of Columbia University, asks of his countrymen the&#13;
was a Widow"; Mary E. Wilkins Freeman's “ The question “Why should we Change our Form of&#13;
Butterfly House”; Meredith Nicholson's “A Government?" The foreign affairs of the United&#13;
Hoosier Chronicle.” Gouverneur Morris has a States are treated of in “ American-Japanese&#13;
collection of twelve tales, entitled “It, and Other Relations,” by K. K. Kawakami—who has written&#13;
Stories,” while with “The Man who could not Love” “ A Bookto Banish the Japan War Jingo,” according&#13;
(which gives its title to the book), Richard Harding to the preliminary paragraph sent out by the pub-&#13;
Davis gives us four other short stories.&#13;
lisher ; and in “ The Relations of the United States&#13;
“He who Passed,” of which the author still and Spain : The Spanish-American War," with&#13;
remains anonymous, has already been heard of in two volumes on which Rear-Admiral Chadwick&#13;
England. The writer of “ Betty Moore's Journal” concludes a notable work.&#13;
is Mabel D. Carey, hitherto better known in the Two distinguished military men have also pro-&#13;
social than in the literary world. Hers may be duced books—Lieutenant-General Nelson Miles&#13;
called a problem novel, being concerned with mother having written “Serving the Republic" (including&#13;
hood among the pleasure-loving rich.&#13;
recollections of the Civil War), and Brigadier-General&#13;
At the risk of injustice to those mentioned, it Funston “Memories of Two Wars : Cuban and&#13;
must suffice to give the names of seven more novels Philippine Experiences.” Another author from the&#13;
as worthy of note among those that have recently same State as General Funston is S. J. Crawford,&#13;
appeared :—“ The Maid of the Whispering Hills," War Governor of Kansas, who in his “ Kansas in&#13;
by Virgie E. Roe ; “Tante," by Annie Douglas the Sixties " speaks of both the Indian campaigns&#13;
Sidgwick ; “ The Wrong Woman," by Charles D. in that State and of the Civil War. Professor F.&#13;
Stewart; “ The Adjustment," by Marguerite L. Paxon, of Wisconsin University, makes the&#13;
Bryant-already a very big seller ; “A Chain of latter war his subject-indeed entitling his book&#13;
Evidence,” by Carolyn Wells ; “ John Rawn," by simply “ The Civil War.”&#13;
Emerson Hough; and “ Five Thousand an Hour," Travel books are represented by Matthew&#13;
by George Randolph Chester.&#13;
Henson's “ A Negro Explorer at the North Pole,"&#13;
Biographical works have not been very numerous with a foreword by Peary and an introduction by&#13;
of late, but there have been several produced which Booker Washington ; by Ernest Thompson Seton's&#13;
make their appeal on both sides of the Atlantic “ The Arctic Prairies"; by Charles Sheldon's “The&#13;
Ocean. Among such may assuredly be put “ Robert Wilderness of the Upper Yukon"; and by the&#13;
Louis Stevenson in California," by Katharine D. oddly-named “ The Man Who Likes Mexico," in&#13;
Osbourne; “Robert E. Lee : Man and Soldier," by which Wallace Gillpatrick gives his narrative of&#13;
Thomas Nelson Page ; and the “Life of Bret six years' wanderings. “Where Half the World is&#13;
Harte," by H. C. Merwin. “ The Life Story of Waking Up," by C. H. Poe, deals, as might no&#13;
J. Peirpont Morgan,” by Carl Hovey, has appeared doubt be guessed, with India and the Far East,&#13;
in England as well as in America, I fancy. A where the author has put in a year's travelling.&#13;
biography of Moses Coit Tyler, author and Cornell The two chief books of essays have been ex-&#13;
University professor, comes from the pen of Jessie President Theodore Roosevelt's “Realizable Ideals,"&#13;
Tyler Austen, while the “Life and Labors of Bishop which were the Earl Lectures last year at the Pacific&#13;
Hare, Apostle to the Sioux,” is by M. A. D. Howe. Theological Seminary, Berkeley, California ; and&#13;
Two more volumes of the “ Journals of Ralph - The Way of Peace," by Reginald Wright Kauff-&#13;
Waldo Emerson” have appeared, bringing the story man, author of “ The House of Bondage "-or&#13;
down to the year 1841. By way of contrast one “ Daughters of Ishmael," as the book is called in&#13;
may read Mrs. Burton Harrison's “ Recollections England, I believe.&#13;
&#13;
&#13;
## p. 197 (#641) ############################################&#13;
&#13;
THE AUTHOR.&#13;
197&#13;
“ Truth and Reality : an Introduction to the will be produced under the supervision of his son.&#13;
Theory of Knowledge," is, of course, a philo- Mr. Bigelow was for three years resident in Europe,&#13;
sophical work. It is written by Professor John namely, during his tenure of the post of United&#13;
Elof Boodlin, of Kansas. - Human Efficiency,” States Minister to France in 1864-7. But he was&#13;
by Horatio W. Dresser, might be placed midway essentially an American, and one versed in all the&#13;
between philosophy and economics, the author phases of public life in America, while the books&#13;
endeavouring to get at the study of industrial con- by which he will be remembered all made their&#13;
ditions ria psycbology. “The Principles of primary appeal to his own fellow-countrymen. An&#13;
Economics,” by F. W. Taussig, the Harvard intensely hard-working novelist, who ultimately&#13;
professor, explains itself by its title.&#13;
succumbed to the results of her attempts to&#13;
For the grouping together of the last two books relieve the strain on her nerves, passed away on&#13;
which I am about to mention there is no justifica- December 22, in the person of Mrs. Margaret&#13;
tion, except that neither of them falls conveniently Horton Potter-Black. She began writing very&#13;
under any of the heads which have been hitherto early in life ; “ The Social Lion," by which she&#13;
discussed. " The Education of Women in China” first attracted attention, being so ingenuously&#13;
is by Margaret E. Burton, general secretary of the daring that her family purchased every copy to&#13;
Y.W.C.L. at Chicago University. The writer of remove it from circulation. Mrs. Potter-Black&#13;
“Chess Tales and Chess Miscellapies” is Willard continued to write, however, until within a com-&#13;
Fiske, who knew the great Paul Morphy—though paratively short time before her death, though ill-&#13;
he does not tell us much that is new about him in health compelled her at last to retire to a sana-&#13;
the present work.&#13;
turium. Early in the new year another victim to&#13;
Details of the gathering at Sherry's Restaurant, literature died, J. B. Peterson, who from being it&#13;
New York, on March 2, to celebrate the seventy-fifth factory-hand rose to be a writer on philosophical&#13;
birthday of William Dean Howells, have reached subjects. He was entirely self-educated until he&#13;
England long ago. But I do not know that special managed to gain the sympathy of the late&#13;
attention has been called to some notable words on Professor William James, who enabled him to&#13;
American literature in the speech of the guest of receive some university training. But the kindness&#13;
the evening. “There has been no hour of our lite- of James and other patrons could not help him to&#13;
rary past, as I have lived it," Mr. Howells said, the “living wage,” which is essential to authors as&#13;
“when I had the least fear for our literary future; well as to other men, and he died in very poor&#13;
nor even when the good fight for reality in literary circumstances. On February 12 the death was&#13;
art, which I believed myself fighting, seemed to be a recorded, in New York, of Louis Heilprin, an&#13;
losing figbt, did I bate my breath.” For all his Hungarian by birth, but an American by more&#13;
seventy-five years Mr. Howells avowed himself no than half a century's residence. The young&#13;
laudator temporis acti, but declared that literature Heilprin's father, who brought him to the States,&#13;
to-day is actuated by a clearer motive than ever was one of the editors of the American Cyclopedia,&#13;
before. It has turned from “the vain effort of and so much did the son follow in the father's&#13;
creating beauty" and devoted itself to “ the effort footsteps that he was giren the task of the&#13;
of ascertaining life.” What say the romanticists revision of the Cyclopedia's second edition. He&#13;
to this ?&#13;
contributed much to other works of a similar&#13;
As usual, I must conclude with the melancholy character, but also made a name for himself in&#13;
subject of the losses to literature caused by death journalism, writing for the Nation, and the&#13;
during the past few months. On December 17 Erening Post, among other papers.&#13;
Percival Pollard succumbed to neuritis of the brain&#13;
PHILIP WALSH.&#13;
in a hospital in Baltimore, in his forty-second year.&#13;
Probably Pollard's brilliant work is but little known&#13;
in England, and his journalistic career was matured&#13;
THE COPYRIGHT PROGRESS OF FOUR&#13;
in Chicago and New York. Yet England had&#13;
something to do with the making of the man, for&#13;
YEARS.&#13;
he was educated at Eastbourne up to the age of&#13;
fifteen, when he came to America. Besides one play (Reprinted from the U.S. Publishers' Weekly, by kind&#13;
(written in collaboration) many novels came from&#13;
permission.)&#13;
his pen, but they were not of sufficiently wide M HE past four years, 1908–1911, have been&#13;
appeal ever to appear among “best sellers." more marked in the progress of copyright&#13;
On December 19, John Bigelow breathed his last&#13;
legislation than any period since copyright&#13;
at his home in New York, at the advanced age of legislation began. Earlier in the twentieth&#13;
94, leaving unfinished his “ Retrospections of an century important steps were taken in several&#13;
Active Life”—the remainder of which, it is stated, countries. Germany passed in 1901 the two laws&#13;
&#13;
&#13;
## p. 198 (#642) ############################################&#13;
&#13;
198&#13;
THE AUTHOR.&#13;
which are the foundation of its present copyright&#13;
system, and in 1907 its remarkable publishing&#13;
law, while Austria in 1907 amended its existing&#13;
copyright law. *Australia in 1905 asserted copy-&#13;
right independence from the mother country and&#13;
passed a complete code which was not disallowed&#13;
by the Crown and which has in fact become the&#13;
model for recent British and coming Canadian&#13;
legislation. But 1908, 1909, 1910 and 1911 were&#13;
each marked by a leading event of first impor-&#13;
tance. In 1908, the Berlin convention put inter-&#13;
national relationships throughout the International&#13;
Copyright Union on a new and more liberal basis,&#13;
discarding all formalities except those in the&#13;
country of origin and adopting life and fifty years&#13;
as the international standard term. In 1909, the&#13;
long campaign in the United States resulted in the&#13;
new American code of 1909, thorouglily compre-&#13;
hepsive, superseding all previous legislation, and&#13;
on the whole a far-reaching improvement. In&#13;
1910, the Pan American Union adopted the&#13;
Buenos Aires convention, closely patterning that&#13;
of Berlin, which, though so far it has been ratified&#13;
only by the United States, will probably form the&#13;
future basis for copyright throughout South&#13;
America. Finally, in 1911, the new British code&#13;
was passed, second only in comprehensiveness to&#13;
the American code, and superseding all previous&#13;
laws except a few specified minor acts or provisions.&#13;
Within the year 1912 Canada will possibly have&#13;
passed its copyright code, now under discussion,&#13;
thus making the fifth year of the period only less&#13;
memorable than its predecessors.&#13;
Within January, indeed, an international copy.&#13;
right treaty between the Cnited States and Hungary&#13;
has been signed, Brazil has passed an international&#13;
copyright measure, and progress has been made&#13;
towards relations with Mexico in the protection of&#13;
mechanical music reproduction.&#13;
These years were also fruitful in coprright&#13;
advance in other countries, notably in the Orient&#13;
Japan in 1910 passed an amendatory act of im-&#13;
portance, broadening the scope of copyright, and&#13;
China took its first step toward national copyright,&#13;
while in 1911 Turkey adopted a new and comprehen-&#13;
sive code. All three Scandinavian countries&#13;
adopted amendatory acts within the four years,&#13;
and Russia in 1911 passed a new domestic code,&#13;
the first result of which was its first international&#13;
relation through a treaty with France, and the final&#13;
outcome of which will probably be its adherence to&#13;
the Berlin convention.&#13;
Holland began the discussion of a law which&#13;
will probably be passed in 1912, rescinding its&#13;
panufacturing clause and making possible adhe-&#13;
rence to the Berlin convention, while Portugal in&#13;
1911 joined the family of nations bound together&#13;
by that document. In South America, Bolivia in&#13;
1909 adopted a new copyright law, Argentina in&#13;
1910 also passed comprehensive legislation, and its&#13;
example was followed by its neighbor, Paraguay,&#13;
in 1911. The United States added substantially&#13;
to its international relations, by help of the new&#13;
code, until now twenty-five powers are "pro-&#13;
claimed ” or treaty countries, five of which are&#13;
also in reciprocal relation with respect to mechanical&#13;
music, having practically followed the American&#13;
precedent in the code of 1909. This by no means&#13;
includes all copyright legislation, for in several&#13;
other countries laws of more or less importance&#13;
have been passed ; but surely this is a remarkable&#13;
record for the short space of four years.&#13;
Throughout this legislation, the trend has been&#13;
distinctively forward, though in the legislation of&#13;
English-speaking countries there have been retro-&#13;
gressive steps despite the general advance formu-&#13;
lated in the respective American, British, Australian&#13;
and proposed Canadian codes. Continental,&#13;
Oriental and South American countries, that is to&#13;
say the non-English folk, have been more liberal&#13;
than we in their advance. For while all these four&#13;
codes, except the British, embody manufacturing&#13;
restrictions, Holland and other countries are freeing&#13;
their authors, and foreign authors also, from such&#13;
infringement of rights in intellectual property.&#13;
The British code also introduces restrictions&#13;
hitherto foreign to British law. Nevertheless, all&#13;
these codes are 80 distinctively betterments that&#13;
the restrictive features seem small in comparison.&#13;
The International Copyright Union, with the&#13;
proposed accession of Great Britain and Holland&#13;
to the Berlin convention, and the probable adhe-&#13;
rence of Russia, will presently include all the great&#13;
European nations, besides such powers as Japan,&#13;
Liberia, and on this side of the Atlantic, Haiti;&#13;
while the Pan American Union brought together&#13;
in the Buenos Aires conference all Latin American&#13;
countries, save Bolivia, as well as the United&#13;
States, and its Buenos Aires convention will ulti-&#13;
mately bind together a family only second in&#13;
importance to that of the International Copyright&#13;
L'nion. It will be some years before amendments&#13;
can be secured to the present American code which&#13;
will permit the United States to join the general&#13;
family of nations, though it will be included in the&#13;
Pan American brauch. The International Copy.&#13;
right Union and the Pan American Union are so&#13;
nearly on the same basis that a more comprehen-&#13;
sive world union is almost sure to come about. The&#13;
t'nited States, Canada and Australia will then be&#13;
the only great nations “out in the cold"; in&#13;
other words, the nations which should have led&#13;
progress are not yet responsive to the leadership of&#13;
other nations.&#13;
* See General Note on Australian Copyright.&#13;
&#13;
&#13;
## p. 199 (#643) ############################################&#13;
&#13;
THE AUTHOR.&#13;
199&#13;
The friends of authors' rights and of a firm basis to be too concise tends to inaccuracy. The Appen-&#13;
for the business of publishing have abundant dices contain (1) the Fine Arts Copyright Act,&#13;
reason to congratulate themselves on this progress 1862 ; the Canada Copyright Act, 1875 ; the&#13;
of the past four years, and they may live in hopes Musical Copyright Acts, 1902 and 1906, and the&#13;
that before the present generation has passed away, Copyright Act, 1911; (2) the Berlin Convention,&#13;
Anierica and the other English-speaking countries 1908 ; the Berne Convention, 1886 ; and the&#13;
will be ready to achieve the final step toward world Additional Act of Paris and Interpretative Declara-&#13;
union. More than sixty years ago a Philadelpbian tion, 1896, collated with the Berlin Convention,&#13;
publisher, Philip H. Nicklin, prophesied in his 1908; Countries which have ratified the Berlin&#13;
little book on copyright " a world-wide republic of Convention, 1908 ; (3) The United States Copyright&#13;
letters," and this American dream will yet be Act, 1909 ; Rules and Regulations for the Registra-&#13;
fulfilled by help of America.&#13;
tion of Claims to Copyright in the United States ;&#13;
Proclamation by the President of the United States.&#13;
It seems hardly necessary to publish the Berlin&#13;
Convention, 1908, in the original French and in&#13;
THE COPYRIGHT LAW.&#13;
translated form, and then to publish the translated&#13;
form again collated with the Berne Convention.&#13;
Mr. Hurrell's book fails owing to the fact that it&#13;
CINCE Mr. Oldfield's and Mr. MacGillivray's attempts too much in too little space. Many state-&#13;
D books on the Copyright Law have been pro- ments are made authoritatively in a few words which&#13;
duced and passed in review two other books need much ampler treatment: to take one instance :&#13;
have been placed on the market. " The Law of “When an author agrees to give certain persons&#13;
Copyright," by G. S. Robertson, published by the the sole power of printing and publishing a book for&#13;
Oxford University Press, and “ Copyright Law and all time, that is parting with the copyright." If&#13;
the Copyright Act, 1911,” by Henry Hurrell (with a the writer had said "a work” instead of " a book”&#13;
Treatise on French Copyright Law, by Maurice he might have been nearer the mark, but even then&#13;
Thery), published by Messrs. Waterlow &amp; Sons, other matters would have to be considered, as, for&#13;
The first of these two books is the more ambitious; instance, the consideration paid. The work is not&#13;
it does not pretend to deal merely with the new law satisfactory. The treatise on French Copyright Law&#13;
of 1911, but with the general law of copyright; but (Appendix A.) is interesting, but again insufficient&#13;
still, as the author mentions in the preface that “ the to be of any material use, and the Forms&#13;
law in this book is stated as on the dates on which (Appendix C.) are inadequate and misleading.&#13;
the Copyright Act, 1911, comes into operation,”&#13;
there is little on which to pass comment beyond the&#13;
Act itself ; indeed, the chapters on imperial and&#13;
international copyright are not satisfactory or&#13;
exhaustive, when the importance and the width&#13;
CORRESPONDENCE.&#13;
of the subject with which they deal are considered.&#13;
The author has, according to his own state-&#13;
THE EDITORIAL ('OURTESY.&#13;
mnent, rearranged in some sort of order the dis-&#13;
orderly provisions of the Act. This procedure SIR,—The following may be of interest to your&#13;
was hardly wise, for in the new Copyright Act, readers apropos of the long delay in returning or&#13;
1911, there is a definite order laid down in the accepting manuscripts.&#13;
sequence of the sections, and Mr. G. S. Robertson's On October 20, in answer to an application&#13;
book, in spite of its wider scope, really narrows for a story, I sent to The Bystander a manu-&#13;
itself down to the Act of 1911. He may have script, at the same time asking for a speedy decision,&#13;
gained some points : he has undoubtedly lost as I had several orders for stories, and Messrs. Mills&#13;
many others, but the substance of the book is &amp; Boon were publishing a book of my short&#13;
evidently the result of some study and no incon- stories this spring.&#13;
siderable knowledge, and the methods of explanation On December 10, as I had not beard, I wrote&#13;
are such as may be easily understood by the layman; a polite letter saying that " I felt sure that it was by&#13;
indeed, some concrete examples of delicate legal an oversight that they had not let me know about&#13;
difficulties, such as the one on Limitations on Term the story I had sent in October in response to their&#13;
of Copyright, are highly to be commended.&#13;
request. That I was sorry to bother them, but I&#13;
But the author seems to have lost some conciseness had many applications for stories, and being under&#13;
in his desire to be clear on certain points. A law contract to my publishers for two long books, it left&#13;
book is distinctly difficult to write, for to be too me so little time for stories, I knew that they would&#13;
diffuse tends only to confuse the lay mind, whereas understand my difficulty.”&#13;
&#13;
&#13;
## p. 200 (#644) ############################################&#13;
&#13;
200&#13;
THE AUTHOR.&#13;
On December 12 I received the following&#13;
letter, and the MS. :-&#13;
“TALLIS HOUSE,&#13;
“WHITEFRIARS,&#13;
“ December 11th, 1911.&#13;
“ DEAR MADAM,-I note that you have very&#13;
little time to write stories. We, for our part, have&#13;
very little time to read them, and are not under any&#13;
special obligation to do so. In view of the tone of&#13;
your letter, I therefore return herewith the story&#13;
entitled “The Mediator,' in the hope that you will&#13;
be successful in placing it elsewhere.&#13;
“ Yours Faithfully,&#13;
“The Editor,&#13;
“ A.B.”&#13;
“ The italics are mine. I make no comment !&#13;
“Yours Truly,&#13;
“ MAUD ANNESLEY."&#13;
NOVEL COMPETITIONS.&#13;
I was glad to see “ Tamel's” letter about prize&#13;
competitions and wish it could meet the eye of the&#13;
dear, deluded, ordinary public. I wrote å briefer&#13;
one on the same lines to a daily paper some time&#13;
ago, but it did not appear.&#13;
Mr. Andrew Melrose gave the case away last year&#13;
when he explained his system to an interviewer, a&#13;
most businesslike and reasonable system—from his&#13;
point of view. All the competing novels, he said,&#13;
were read first by his readers, and only those they&#13;
considered “suitable" were sent on to the judges.&#13;
We know exactly what that means. We know that&#13;
the first duty of a publisher's reader is to discover,&#13;
not genius, or works of art, but the “best seller."&#13;
We are familiar with the publisher's letter inform&#13;
ing us that our work is of a very high character,&#13;
but is regretfully returned because it is not likely&#13;
to prove a popular, financial success. The initiated&#13;
are, therefore, perfectly aware what kind of books&#13;
will be weeded out before the rest are sent on to the&#13;
judges. They are the books that are unconven-&#13;
tional, unsensational, and artistic; the books that&#13;
would not please the great mass of uneducated&#13;
readers.&#13;
This is not to say that a book may not be a work&#13;
of art and yet please the larger public. Such a&#13;
thing may happen, occasionally, we know. But the&#13;
chances are all against the artistic work and in favour&#13;
of mediocrity.&#13;
I do not, however, agree with “Tamel” that&#13;
either publisher or sorter' indulges his own&#13;
prejudices or taste in the matter. Both are ani-&#13;
mated solely by business principles. The publisher&#13;
engages the reader to pick out for him novels that&#13;
will sell well; and, presumably, if the reader&#13;
neglects to do this and merely consults his own taste,&#13;
he will soon be asked to offer his services elsewhere!&#13;
Nor do I think it will help matters if writers of&#13;
talent decline to compete, for the fact will certainly&#13;
not be advertised. My opinion is that the&#13;
guardians of our 'self respect' in this concern are&#13;
the so-called “judges,' and it rests with them&#13;
whether or not publishers shall go on ‘spoofing&#13;
the innocent public with their fiction of best&#13;
novel' competitions. That innocent public, of&#13;
course, does not know the difference between a&#13;
best novel' and a best seller'; it believes, and&#13;
will continue to believe, that the two are identical,&#13;
and that these competitions are for the encourage-&#13;
ment of genins. But the chosen judges, if they&#13;
are faithful to literary ideals, ought to rebel and&#13;
protest. It is for them to insist on choosing the&#13;
novel they think best out of the whole number sent&#13;
in, and this not only in the interests of literature&#13;
but in their own interests, for the sake of their own&#13;
reputations. Surely they must often blush to see&#13;
themselves advertised as sponsors of the common-&#13;
place fiction that is the result of these prize com-&#13;
petitions ! It is true they excuse themselves by&#13;
declaring that most of the work they receive is of&#13;
poor quality, and this is true enough, no doubt.&#13;
But why does it not occur to them that they do not&#13;
receive the best work sent in? Why do they allow&#13;
themselves to have foisted upon them only such&#13;
novels as the publishers' readers think will sell ?&#13;
It is time for those writers of quality who are&#13;
honoured with this mission to maintain their dignity&#13;
and the dignity of the office they are invited to&#13;
fulfil; they should accept it only on conditior. that&#13;
they may choose what they think best from all the&#13;
novels sent in. It may take more time, but it&#13;
would certainly add to, instead of detracting from,&#13;
their reputations. If the publishers could get no&#13;
man or woman of letters to aid them in their trade&#13;
humbug, they might become public benefactors by&#13;
finding out new talent. They might, moreover, do&#13;
better for themselves than they are doing now. A&#13;
judiciously advertised prize novel can always be&#13;
made to pay, even if it does not positively cater for&#13;
crude taste ; and should an immortal be discovered,&#13;
what a 'scoop' for the publisher ! Would it not&#13;
be worth while to risk something on such a chance ?&#13;
A NOVELIST.&#13;
A BLACK LIST.&#13;
SIR,–Would it not be possible to publish in The&#13;
Author, from time to time, a black list of magazines&#13;
and pubhishers :&#13;
Yours, etc.&#13;
[This matter has been considered frequently by&#13;
the Committee, but there are very strong reasons&#13;
against the publication of such a list. Moreover,&#13;
information can always be obtained on application&#13;
to the Secretary.-Ed.]&#13;
&#13;
&#13;
## p. 200 (#645) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
TYPEWRITING. Literary &amp; Dramatic Typewriting.&#13;
HUBERT WALES, ESQ., of Hindhead, Surrey, writes :-&#13;
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work was done. Considering that the manuscript was sent to you&#13;
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required perception as well as care, something niore then simple&#13;
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conjunction with your moderate charges, seems to me to be the best&#13;
of answers to the criticisms which have recently been directed upon&#13;
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Novels &amp; Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Plays, ruled and covered, 1/- 1,000 words; 2 copies, 1/4.&#13;
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Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
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MRS. TOM GODFREY: “I think you must be a treasure trove to&#13;
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MRS. HINKSON (KATHARINE TYNAN): “I have never met with&#13;
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York Villa, Maybank Road, s. Woodford, Essex.&#13;
&#13;
&#13;
## p. 200 (#646) ############################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
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and typewritten translations supplied. Testimonials Please write before sending MSS.&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
POST FREE ON APPLICATION.&#13;
W.C.&#13;
Neatness and accuracy, with&#13;
promptness; 7d. per 1,000;&#13;
TYPEWRITING.&#13;
over 20,000, od. Plays ruled&#13;
and bound, 8d. Cheap duplicating.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
words; in duplicate, 1/-. Plays and General TYPEWRITING.—Auth&#13;
&#13;
&#13;
typed at 10d. per 1,000&#13;
Copying. List and specimen of work on appli words (carbon copy free). -&#13;
EXCELSIOR TYPEWRITING OFFICES,&#13;
cation.&#13;
Tel.: Bank 82.&#13;
20, Bucklersbury, E.C.&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
TYPEWRITING &amp; SECRETARIAL WORK.&#13;
extent of some hundreds of thousands of words. I have nothing&#13;
MISSES CONQUEST &amp; BUCHANAN,&#13;
64, VICTORIA STREET, S.W. Telephone : No. 5537 Westminster.&#13;
MISS M. R. HORNE,&#13;
and Others.&#13;
New Address :-&#13;
15. WIMPOLE ROAD, YIEWSLEY, MIDDLESEX. thanks for the excellent work and the promptness with which it has&#13;
been done."&#13;
Authors' MSS. carefully&#13;
"Miss M. R. HORNE has typed for me literary matter to tbo&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.-FRANK SAVILE."&#13;
Recommended by Mr. G. K. Chesterton, Baron de Worms.&#13;
Miss Gertrude Tuckwell, Canon Swallow, Hilaire Belloc, Esq.,&#13;
Many Testimonials, of which the following is a specimen : "Many&#13;
Printed by BBADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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