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Monthly

.)

.

Authors

(

.

PRICE SIXPENCE

1911

.

OCTOBER

.
1
.

No

Society

,

Incorporated

2

of

=

.

XXII

CONTENTS

::

.

PAGE

Registration
Scenariosand Original Plays
Dramatic Authors and Agents
Warnings Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
The late Jirs Thurston
The Foreign Reprints Act Again
Expired Copyrights
Few Words
Sorrows of
Freelance
Proposed Canadian Copyright Law
The ConciseOxford Dictionary
Japanese Poetry
Correspondence
..
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.. . .

's

Notices
The Society Funds
List of Members
The Pension Fund
CommitteeNotes
Books published by Members
Books published
America by Members
Literary Dramatic and Musical Notes
Paris Notes
Authors Agents Literary and Dramatic
Publishers Methods
Cinematograph Performances
Magazine Con ents
How
Use the Society
Warnings
the Producersof Books
Warnings
Dramatic Authors

of

=

.

VOL

-

( The Organ

the

The Author.

.

PUBLICATIONS OF THE SOCIETY
),

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By
with Comments
HERBERT THRING and Illustrative Examples
Sir WALTER BESANT
2nd Edition
Giving the Terms
Periodicals
and their contributors
which
different Magazines
and Periodicals deal with MSS and Contributions
Society
Authors
List
Members
Published October 1907 price

Forms
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Various Methods

MORRIS COLLES Barrister

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SQUIRE SPRIGGE
this work compiled from the
agreements proposed
offices the various forms
Publishers
carefully
explained
Authors
are
examined
and their meaning
with
account
the
various kinds
fraud which have been made possible
the different clauses therein
Being additional
Addenda
the Above
HERBERT THRING
facts
collected
the office
the Society since the publication
the
Methods
With comments and

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The History
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The Annual Report for the current year
The Author
Published ten months
the year Angust and September omitted devoted especially
Literary Dramatic
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the Society only
dozen blank pages have been added
the
those who
end
tbe list for the conrenience
they are chronicled
desire
add future elections
from month
month
these pages
of

by

the

THE

A

be

39
,

,

.,

of

of all

invited

it

,

of

.

.

and letters are

literary matters treated from
Editor
the
standpoint
no other
art
business but
subjects whatever
Every effort will
made
accepted
retorn articles which cannot

to

in

he

for

.

,

in

or

,

of

its

,

S
.
W

's

,

to

of

Communications
for The
Author
should
addressed
the Offices
the Society
Old
Storey
Queen Street
Gate
and should
reach the Editor not later than the 21st
each
month
Communications

LIST OF MEMBERS

6d

.

to

58
.

a

if

a

on

of

, ,

to

of

of

to

is

be

in

or

CONTRIBUTIONS

(
2
)

AND

.

ARTICLES

THE Editor
the Author begs
remind
members
the Society that although the paper
production would
sent
them
free
cost
very heavy charge
the resources
the
Society
great many members did not forward
subscription for
the Secretary the modest
the year

in to

,

of

.

of

it

.

on

the publishers
the names
application
them

is

to

,

have
the Society who desire
concerned can obtain
to

of

of

those members

of

of

or

in

'

of

to

of

The Editor begs
inforın members
the
Authors Society and other readers
the Author
that the cases which are quoted
The Author are
cases that have come before the notice
the
knowledge
the Society and that
the Secretary

on

of

.

its

of

time
time members
the Society
desire
make donations
funds
recognition
work that has been done
them
The Committee acting
the suggestion
place
one
these members
have decided
this permanent paragraph
The Author
order
cognisant
that members may
those funds
paid
which these contributions may
The funds suitable for this purpose are
The
Capital Fund
kept
This fund
reserve
necessary
case
the Society
incor heavy
expenditure either
fighting
question
prin
ciple
assisting
obtain copyright reform
dealing
any other matter
closely
with
connected with the work
the Society
slowly
The Pension
Fund
This fund
increasing and
hoped will
time cover the
needs
all the members
the Society
to

case

to

is

of
to

be the

THE

as

be

.

of

or

D

papers that are
the opinions expressed
signed
initialled
the anthors alone are
para
responsible
None
the papers
graphs must
expressing the opinion
taken
especially stated
the Committee unless such

if

OR

is

to

.

,

,

be is

.

NOTICES

to

it

,

is

.

),

AUTORIDAI LONDON

be

of

of

.

As

:

VICTORIA

ADDRESS

PRICE SIXPENCE

,

TELEGRAPHIC

1911

ADVERTISEMENTS

:

374

2ND

.

OCTOBER

[

No

NUMBER

I'

ELEPHONE

Monthly

Authors

SIR WALTER BESANT

.
1
.

—

.

.

XXII

Society

.

FOUNDED
VOL

Incorporated

,

the

Organ

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(

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referring
publisher
case
the bankruptcy
reported
which many members were involved
practically
closed
the contracts had either
been determined
settled
He reported the
carry out the committee
steps
had taken
in

In

.

be

.

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in

instructious
the cases chronicled
the last issue
The Author
one case further evidence was
required before action could
taken
another
reported that the defendant had been thrown
into bankruptcy
and two other cases bad been
finally
settled
and satisfactorily
One case
infringement
copyright started
the spring
tried before the
not
could
stated
the year
Long Vacation
and
another case proceedings
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meeting before the vacation was held
Monday July
the offices
the
society and the committee decided not
meet again until October unless business of such
vital importance
the society came
for con
negotiated
sideration
that
could not
the
chairman with the assistance
the secretary and
the society solicitors
The usual vacation powers
the
behalf
act
the chairman
were given
committee
the absence
the members
bringing the
Three elections were chronicled
total number
the year up
154
There were
two resignations bringing the total resignations
59
The solicitor
the society attended the meeting
and reported
the cases
had
hand
The first

,

3

19

£4
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MacEwan Miss
April
and Mrs Williamson
April
Shirley Arthur
April
and Mrs Hinkson
April
Toplis Miss Grace
May Walter John
May
An Old Member
June
Wrench Mrs Stanley
July
Ingram
July
Fell Smith Miss
Sept
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New Zealand
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Irish Land Act
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London
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£1 312

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Government
dated Inscribed Stock
London and North Western
ture Stock
Egyptian
Government
Trust
Certificates
Cape
Good Hope

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any

case

April
April

Coke Desmond
The XX Pen Club
Channon Mrs
Henry Miss Alice

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Local Loans

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Glasgow

April

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declare another pension
portant claim
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Consols

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year

March
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the trustees
the Pension
the society
after the secretary
placed
before
them
the financial
position
the fund decided
invest £250
the purchase
Consols
The amount purchased
the present price
£312 13s
This brings the invested funds
377 198
The trustees however have been unable
recom
any further pensions
the
mend the payment
present exhausted
income
their disposal
They desire
draw the attention
the members
of the society
this fact
the hope that
additional subscriptions and donations there will

5

he

February

Fund
had

Hardy Harold
Hutton
Wilson Albert
Ward Dudley

March
March

5 10 $
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THE PENSION FUND

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THE AUTHOR .

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winding

on is

of

.

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for

the accounts have been rendered and part
the
money has been
paid
but the balance
still
disputed
One has been placed with the solicitors
and two are still
the hands
the secretary
Of
the three claims for accounts one has been satis
factorily settled one has been placed with the
negotiation
solicitors and one
still
course
agreements
Of four disputes
two have been
negotiation
concluded
Two are still
course
Matters
this kind sometimes take long time
question
cancelling the agreement and

of

as

by

in

of to

paid

of .

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a

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to

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four have been brought
close the
having been rendered and the money
say
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accounts
accounts

up

or

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Sub Committee relating
the financial side
proposal for
dramatic agent
America
The
committee expressed sympathy with the efforts
promised
the dramatists
and
assist them
bearing some reasonable share
the cost
The date
the council meeting
the autumn

negli
but also that their loss due
Unless these facts can clearly be established
hardly worth while
take action when such
making copies can
great facilities
em
ployed
Authors
should always keep copies
their MSS
Of the seven ciaims for money and
the

gence

.

,

.

to

in

of

a

of

of

.

certain amendments
the Bill
The committee
decided
refer the matter
counsel Mr
MacGillivray with instructions
report
settle
be forwarded
the Canadian Government
from
the Society
Authors
question referred
Then followed discussion
Management
the Committee
the Dramatic

five have been settled
Thus four are
left unsettled two
the secretary
hands and
two
the solicitors hands
Of the seven claims
for the return
MSS one has been brought
satisfactory termination
placed
two have had
the hands
the solicitors and two owing
the claims being abroad
one
India and one
Australia
are still open
and two have only
recently come into the office
Members should
not forget that the legal position
the case
generally not very strong
the return
MSS
not only necessary
show
that the MSŠ
responsible party
have come into the hands

,

.

of

.

a

to

,

of

of

as of

,

by

of

to

desirable
The Canadian Copyright Bill was then discussed
and here the secretary reported the action taken
the Société des Gens
Lettres and the Société des
Auteurs Dramatiques and stated that
had
received letters from influential quarters
America
asking for the society
support
carry through

report that

in

in

,

in

to at

be be

were received from the committee that proceedings
should
taken
once and that the Swiss lawyer
urged
bring matters
prompt issue
should
The next business before the committee was the
consideration
the position
the Copyright Bill
The secretary reported the steps that had been taken
himself the chairman
the society and other
members
the committee
The committee was
informed
the meetings that had been held
and the negotiations that had been carried through
The secretary stated that
the clauses
the Bill
had been passed
Committee with the exception
the clauses dealing with the mechanical reproduc
tion
musical work which would
considered
immediately
He added that had been arranged
meeting
hold
the joint committee
that
the committee comprising representatives
the
Society
Authors the Publishers Association
and
the Copyright Association
after the Committee
stage
the Bill was
end and before the
Report stage
The joint committee would then
any was possible
decide what further action

of The Author there
placed into the hands
be divided as follows :
seven
claims for the
claims for accounts and
accounts
four disputes

return of MSS. ; seven
money ; three claims
agreements
copyright
one infringement
The average number
cases that come
the
office during any given month
from
fifteen
twenty
that the number that has come into the
during the last two months shows
society
diminution
Of the fourteen claims for money due authors
five have been
settled
and the cash has been
placed
forwarded
seven have had
the
hands
the solicitors
Of these we are glad

is

in

It

for the solicitors

cases

in

fresh

is

There were no

England , but the secretary reported that a case
which the society was conducting
Switzerland
had been delayed
settlement and instructions

Cases .
SINCE the last publication
have been thirty - six disputes
of the secretary . They may
fourteen claims for money ;

it

and costs ,
court .
There was one case of a very difficult nature .
which related to a publisher ' s accounts . The solicitor
put forward very fully the issues involved , and
after careful consideration the committee instructed
the solicitor to come to a reasonable compromise if
it were possible to do so , and indicated one or two
points which they considered should be an essential
part of any compromise reached .
sum

was settled and thefagenda for that meeting were
also discussed .
The date of the annual dinner was
left open , it being agreed that, as usual, some day
in the late autumn should be chosen .

.

been

it

commenced by the society some
closed by the payment of a small
without it being necessary to go into

had been

time ago had

is
a

which

�.

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BETHAM

ENTICEMENT
DOROTHEA
Stanley Paul
CHAUFFEUR
LOUIS TRACY
,

Sylvia

By

ALL

Hutchinson
THE CITY
320

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xx
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pp

–

Introduction
158.

John Murray

MORRISON

£55

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THE
PAINTERS
volumes
153

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OF
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THE WONDER
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148

ARCHÆOLOGY

OUT

An

THE BRITISH EMPIRE AND THE
By AGNES
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54
356 pp

5x
THE BRITISH TRADE
Fourth issue

keep
effort
made
the compilers
possible they have
this list
accurate and exhaustive
attaining this object owing
some difficulty
the fact
the cffice
that many
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· Vol. VII . Cavalier
University Press . 98. n .
Cambridge
PRINCIPLES OF BIOGRAPHY . The Leslie Stephen Lecture

.

.

A HISTORY OF BRITISH MAMMALS . By G. E . H . BARBETT
HAMILTON .
Part VII . 10 X 7. pp . 25– 72. Gurney
&amp; Jackson . 28. 6d . n .
ALPINE PLANTS OF EUROPE . Together with Culture
Hints . By H . S . THOMPSON , F . C. E . 81 X 51 . 287
pp . Routledge . 78. 6d . n .
TO THE
: A GUIDE
YOUNG
ORNITHOLOGIST
THE
BIRDS .
HAUNTS , HOMES . AND HABITS OF BRITISH
By PERCIVAL WESTALL , F . L . S.
71 X 5. 308 pp.
Methuen . 58.

By

JUVENILE .
THE BOOK OF THE Zoo . By W . S. BERRIDGE , F . Z. S .,
and W . P. WESTELL . With 8 coloured plates and 64
photographs . 78 X 54. 304 pp . ( The Recreation
Library .) Dent . 58.
By CAPTAIN F . S.
Tom STAPLETON , THE Boy Scout.
BRERETON . 74 X 5 , 287 pp . Blackie . 38. 6d .

LITERARY

NATURAL HISTORY

57 .

9 x

128. 6d . n.

.

6d
.
n
.

&amp; Hall

Chapman

78
,

352 pp .

By RALPH NEVILL .

PAST.

THE ROMANTIC

.

51

�THE AUTHOR .
THE WONDERFUL WEALD , AND THE QUEST OF THE
By ARTHUR BECKETT . Illustrated
CROCK OF GOLD .
by ERNEST MARILLIER , 9 x 51. 439 pp . Mills &amp;
Boon . 108. 6d .

OF ALLAH . By ROBERT HICHENS . 490 pp .
New York : Stokes . $ 1.50.
THE SILENT BARRIER . By Louis TRACY . 350 pp . New
York : Clode . $ 1.25.

Nova SCOTIA : THE PROVINCE THAT HAS BEEN PASSED .
By BECKLES WILLSON . 9 X 54 . 256 pp . Constable .

HISTORY .
By T. RICE
CÆSAR ' S CONQUEST OF GAUL .
HOLMES .
(Second edition , revised throughout and largely rewritten . )
872 pp . New York : Oxford University Press .
$7.75 n .

TRAVEL .

108. 6d . n.
" CHICOT " IN AMERICA . By KEBLE HOWARD (" Chicot ” .
Hutchinson .
of “ The Sketch ." ) 74 x 48 . 204 pp .
18. n.
in
THE LAND OF VEILED WOMEN . Some Wanderings
Algeria . By JOHN FOSTER FRASER. 72 x õ.
288 pp .
Cassell . 68.
TWEEDIE .
MEXICO AS I SAW IT . By MRS . ALEC
61 x 47. 480 pp . Nelson . 18. n.
By
FRANCES
RAMBLES AROUND FRENCH CHÂTEAUX .
GOSTLING . 73 x 5. 372 pp . Mills &amp; Boon . 68.
By
I . A. R. WYLIE .
IN THE BLACK FOREST .
RAMBLES
325 pp . Mills &amp; Boon , 68.
73 X 5.
HOME LIFE IN HOLLAND . By D. S. MELDRUM . 9 x 59 .
108. 6d. n.
375 pp . Methuen .
THE BELGIANS AT HOME . By CLIVE HOLLAND . With
16 Hlustrations in colour by DOUGLAS SNOWDON , and
10s. 6d . n.
Photographs . 9 X 51. 326 pp . Methuen .
9 X 5 . 307 pp .
THE DANUBE . By WALTER JERROLD .
Methuen . 103. 6d . n .

THE GARDEN

POETRY .

RECESSIONAL ; AND OTHER POEMs . By RUDYARD KIPLING .
62 pp . New York : Crowell. 35 cents .

MISCELLANEOUS .
A POOR MAN ' S HOUSE , By STEPHEN REYNOLDS . 320 pp .
New York : Macmillan . 50 cents n .
PATRIOTISM
: a Biological Study . By H . G . F . SPURRELL.
168 pp . New York : Macmillan . $ 1 n.
SOCIOLOGY.
APPLIED

SOCIOLOGY

BEATTIE

CROZIER .

$3 n.

TO PRACTICAL
320 pp . New

TRAVEL .
THE DANUBE . By WALTER JERROLD . With 30 illustra
tions by L . WEIRTER . 31.5 pp . New
York : Stokes .
$3.50 n .
A ROMAN PILGRIMAGE . By R . ELLIS ROBERTS . 274 pp .
New York : Stokes . $2.50 .

LITERARY , DRAMATIC , AND MUSICAL
NOTES .

BIOGRAPHY .

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psychological studies

new book

and Death

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Mrs Havelock Ellis
Wing
series
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the same author
Miss Emma Brooke has also
Magazine entitled
story
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the July issue
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Dutton
New York
366
By CONSTANCE ARMFIELD
GROWTH
LARGER
THE
Dutton
New York
382
Story
Soul By
the Evolution
THE SHADOW
Chicago
Revell
490
HAROLD BEGBIE
By
367
LOCKE
CLEMENTINA
THE GLOBY
New York
John Lane
VERE STACKPOOLE
CORAL
THE SHIP
Duffield
New York
311
FRANCES HODGSON BURNETT
THE SECRET GARDEN
Stokes
New Yörk
375

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376 pp

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MISS
ADVENTURES
Philadelphia
314

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FILLET

A

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OR
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A

FICTION
THE
PLUCKY GIRL
By MAY BALDWIN
NELL
McKay
cents

QUEEN
THE
SHEEHAN

256 pp

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OF

ECONOMICS
THE SCIENCE

usually receives purely emotional treatment
the Outside
the title
new novel
Miss
Curtis Sherwood
described
story and satire
modern
An attempt
having been made
suppress
published
unusual way post free for one shilling from the
address
Sherwood
Clifford
Hereford
shire
can
ordered through
bookseller from
the same address
Messrs Smith Elder
Co have accepted
new
novel
Miss Emma Brooke which will probably
published
the early spring
The Windsor
Magazine had
story
entitled
Thirteen
the
Clock
Miss Emma Brooke
the June issue
The same magazine has accepted
second story

“

OF

CLASSICAL ,
Lectures
Course
EPIC
THE GREEK
Second edition revised
delivered at Harvard University
New York
368
MURRAY
and enlarged
Oxford University Press

THE RISE

H . G . F . Spurrell has
written , and
Messrs . George Bell &amp; Sons have published ,
a “ Biological Study of Patriotism .”
Mr.
Spurrell 's
explain the
this work has been
patriotism and
furnish the
natural history
subject which
scientific analysis
reader with
aim

Macmillan .

TR.

M

,

325 and

AUSTIN .
$7.50 n .

ALFRED

It

MARQUISE : A STUDY OF
CENTURY
AN EIGHTEENTH
EMILIE DU CHATELET AND HER TIMES . By FRANK
HAMEL . New York : Pott . $3.50 n.
OF

York :

BY

BOOKS PUBLISHED IN AMERICA
MEMBERS .

AUTOBIOGRAPHY
TAE
308 pp . New York .

By J .
Longmans .

POLITICS.

They

are Cornish

�THE AUTHOR .

a

is

.

,

by

of

of

,

“

of

"

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is

,

as

,

is in

's

,

Maxwell Grey new novel which Mr John Long
August
called
Unconfessed
and
the scene
laid
was that
The Silence

published

pen wbich
Pendered
entitled
Men while the September Novel
Magazine also has
story from the same writer
Miss Pendered
addition
these
stories has
recently finished
novel
which she has given the
title
The Anklebiter
Mr Ditchfield Rector
Barkham
has com
pleted
essays entitled
volume
Out
the
Ivory Palaces which will
pullished shortly
“

,

. .

's

-

fresh

from Miss
The Happiest

story

,

,

on

of

.

-g

the rude human nature
day
farm labourer

to

,

of to

from

of

—

or

is
,

Benlowes
the soil

,

on

to

and

on

been

is due , this month , from the publishing
Mr. Ham -Smith . The author describes it
as “ A Diversion , " as it is somewhat different from
her usual work , being written rather in a spirit of
August contains
frolic . 7 . P . 's Magazine

house of

“

the editor has followed , in her work , has
include any writers
the county and the
anything that
county writers
course
anything edifying
worth preserving
The reader
may flit from the stained lass conceits
Quarles
which

Minx, "

for

Lucy and Beatrice Mary Gould , and edited and
arranged , with
additions and a “ Biographical
Index , ” by Miss C . Fell Smith .
The method

,

Country . It is a study of a man of curious complex
nature - half -cynic , half - dreamer — who marries a
beautiful inexperienced girl , who thinks they are
going to live an ideal life .
Messrs . Sampson
Low &amp; Co . are the publishers
of an “ Anthology of Essex ,” collected by Isabel

Face ,” “ St . David of the Dust,” “ The Lady in
Grey , " and other novels .
“ The Bees ” is the title of a new book recently
issued by Messrs . Chapman
&amp; Hall .
It is by
Miss M . Ellen Thonger , and describes the nursery
adventures
of a bunch
of triplets , and belongs
to the same category of books as “ Helen ' s
Babies . "
Miss Mary L . Pendered ' s new novel , “ Daisy the

to

been

's

have

of

entertainments

Five Georges ” as new matter ,
for performance during the local festivities and
celebrations of the new reign .
Derek Vane 's new novel, “ The Soul of a Man , ”
running serially in The Throne and
is now
“ The

be

village

."

, with

of

and

reissued

,

school

Valley .”
“ As Flows the River " is the title of Mrs. Fred
Reynolds' new book , of which Messrs. Chapman &amp;
Hall are the publishers . The scene of the story is
laid amongst the Welsh mountains in the neighbour
by
hood of Llanbedr , a locality already utilised
Mrs . Reynolds in . “ The Man with the Wooden

”,

the Durand -Rueil Galleries , Paris , in
next.
Her Majesty the Queen has graciously accepted
a copy of “ Pageants and Plays ," by Miss Grace
Toplis , under which title the old favourites for

shown in
November

Messrs . Cassell &amp; Co . have included
in
their
autumn
list another story by Helen
H . Watson ,
author of “ Peggy , D . O . ”
The present story is
called “ Peggy, S. G .," and while the former book
dealt with Peggy the “ distinguished orthor," this
one has to do with her school career - hence the
title “ Peggy the School Girl."
Messrs. Cassell
will also publish , in the early spring of next year , a
new novel by Mrs . Watson , entitled “ The Open

,

the Brevet and handsome gold insignia of “ Officier
de
L 'Instruction Publique
et des Beaux -Arts ,
having been awarded him . Mr. Dewhurst has
spending the summer in France , where he
been
painting. His work will be
has been busily

The Queen has graciously been pleased to accept
copy of Mrs. Charlotte Cameron ' s new novel ,
“ A Passion in Morocco . "
Her Majesty has also
promised to accept a work of travel , entitled “ A
Woman ' s Winter in South America , " from Mrs .
Cameron , which is about to appear .

to

Mr. Wynford Dewhurst has received a second
mark of distinction from the French Government,

of

a

of

quote

the July number

in

a

the dedication
of the volume , which
seems to explain the title : “ I dedicate this book
to
those
who , with me, are gazing
in delight
towards where on the horizon there shall be dawn .
Henceforth , together , humble thongh fearless , we
must praise , worship , and obey the beautiful
Future , which alone we may call God . "

We

“ Ashes of Honor ," ended
the All Story Magazine .

,

person responsible
for the article , and has no
knowledge of the writer .
A new
collection of poems , entitled
“ Before
Dawn , " by Mr. Harold Monro , author of “ Judas , "
was published by Messrs. Constable &amp; Co . in July .

in

E.

not the

is

a

A.

of

the name

known that she

",

under
be

, unimaginative ,

esteemed

.

writes

stubborn , hard ; but
upright ,
by his world
as exceptionally
just and sagacious .
Edith C . Kenyon 's historical tale , “ Two Girls in
a Siege , " a Welsh story of the siege of Chepstow , is
now being issued by the Religious Tract Society in
sixpenny edition .
their
Miss Kenyon ' s serial ,
ambitious

a

Authors — who

Jacomb , desires it to

Dean Maitland , ” in the Isle of Wight .
The main
interest is the effect of strong spiritual emotion
suddenly awakened by a missioner preaching in his
own kitchen - on a prosperous middle -aged farmer ,

“

stories , and will recall to Mrs . Ellis ' readers her
Neighbours ."
book , “ My
Cornish
Messrs .
Stanley , Paul &amp; Co . are the publishers .
The Anti -Socialist League have republished and
circulated an article from a Socialist paper , over
the signature of “ A . E . Jacomb. " Miss A .
Jacomb -Hood — a member
of
the Society
of

�.R
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.

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as

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recently
Verse

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issued

Mr

.

and

by

has

,

Prose

"

edition

:

second

De Libris

of

.

Co
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by

.

a

all

of

to

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to

it

of ,
&amp; be

Paul

Austin

Co
.

&amp;

.

.

.

an

,

Dobson with illustations by Hugh Thomson and
Kate Greenaway
The new issue has
addi
tional chapter
Messrs Macmillan
are the
publishers
Mr Martin Secker announces the publication

of

.

,

and

of

song

Queen

,

The

Webb

this

the humour
the Renaissance
and adapted
the clear and sparkling
the grand siècle
He was closely
touch
with Boileau Racine and Molière and his story
remark
students
must therefore appeal
able period
French literary history
The volume
published immediately
will
Messrs Stanley
possessed

period
style

.

, in

.

K

Stanley

copy

.

.C
by.

,

W

by

published

H A
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",

.

.

of

,

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to

in

is of

produced

Museum Street
was graciously accepted

He

.

a

in

of

la

chosen
Jean
Fontaine
biography
the subject
her latest volume
La Fontaine has unique place
French litera
ture
He stands between the old and the new

of

Frank Hamel has

.

-

and

he

-

of

of

to

.

“

the corsairs

.

the characteristics
descended

A

,

in

“

, of

bride

a

of

”

by

a

of

.

“

her lightly
The Buhl Cabinet
consists
cynical old French
number
letters collected
marquis
from women whose marriage
had proved
incompatibility
through
failure
tastes
temperament
Stories from Algiers are
subtle
study
day who retains many
the Algerine

“

on

,

“

.”

of

”

on

conventional

is to

in

's

of

to
a

In

of

of

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he

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to

of

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by

and

,

.

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by

,

'

's

is

It

."
“

and his pretty

“

10
,

volume form

Irene Osgood
latest volume
Blood
and Other Stories
includes
Blood Moon
The Bubl Cabinet
and
Stories from Algiers
The titular story tells
devoted wife who
surprised her husband and his paramour discussing

Mrs

Moon

of

to

a

to

is

.

of

.

,

in

,

“

's

September
Vagabond

tells
their life
the New Forest
which
time
introduced the Genius the woman artist
his mate
The second edition
this book has
just appeared
Gallant Wales
the fifth song Miss
Everest
bas

&amp;

",

It

.

is

,

be

,

Sons published
Boggs new story

City
the author first novel since she won
the Daily Mail Prize Novel Competition
1907
Vaga
Richard
Carr
for
The Return
City
opens
bond
the honeymoon
the
vagabond

In

“

”

.

of by

on

“

of

"

a

,

Stanley

“

of

,

“

's

“

's

.

of

,

an

in

to

by

”,

Co

&amp;

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P
.

G

Putnam

Miss Winifred

20

Messrs

Paul

“

,

.

de by

in

.

'

A

be at

immediately

them

a

-

.,

on

of

,

.

of

of

on

G

published

time Miss Wyllarde has decided

collection

number
hitherto unpublished poems
Wyllarde has entitled the book simply
Miss
Verses
The volume wbich has photogravure
frontispiece
also published
Messrs Stanley

is of

.

Co

.

,
"

«

a

Frederick Niven
volume short stories which
he has published through Mr Martin Secker
None
the stories has been published previously
all
them having been rejected
editors mainly
the ground that they would not appeal
the
public
The author has therefore put them before
the public
volume form
the hope that the
proved erroneous
editors view may
new novel
Harold Avery the author
Every Dog his Day
Week
the Sea
entitled

will
Paul

of

he

&amp;

of

”

“

of

.

.

to

&amp;

for

in

is

A

Association
the agricultural and
commercial
problems
sugar beet growing and beet sugar
manufacture
the writer
rural subjects who
guerre
uses the nom
Home Counties
has
been published from the Field office
extends
more than 400 pages and contains
hundred
illustrations
The aim
the author
discuss
impartial spirit
difficult subject
Above Your Heads
the title given by Mr

time

from

publish
adding

as

a

,

"

At

.

of

.

in

,

of

of as “

",

a

Archæological
work

of

A

. ; ,

, of
of

“

on

of

a

literary connection since the foundation
that
1889
Miss Edna Lyall book
Derrick
Vaughan and Mr Ditchfield
English Villages
were the two first books published
that house
He
also editing the Journal
the British
firm

was also accepted
the
Wales
new
humorous
novel entitled
Hodson
Voyage
from
the pen
Mr
Koebel
appears from
Stanley Paul
Messrs
Of
recent years Mr Koebel has been better known
taking up fiction
writer
books
travel but
again
has returned
his first love
Mr Koebel
has not however abandoned the writing
works
engaged
travel and
the present time
passing the proofs
new book dealing with up
country life
New Zealand which
has entitled
the Maoriland Bush
based
his own
personal experiences and observations and includes
intimate descriptions
the humours and tragedies
the fascinating country
the back blocks
response
desire expressed by many readers
Miss Doll Wyllarde
novels for the complete
poems from which she had quoted
her stories
copy

another
Prince

he

.

&amp;

Co

. ,

,

“

,

"

of

a

for

Messrs . Mills &amp; Boon . He has also written ,
History
private circulation
the Dawson
Family
Yorkshire
Berkshire and America
compiled from family papers letters and documents
being the publishers
Messrs George Allen
For the same firm
has long been engaged upon
large work
England
the Counties
review
their history and records
This will
appear this autumn
two volumes
the same
time his Memorials
Old Gloucestershire
will
appear
one
the volumes
the
Memorial
Series
which thirty volumes have been published
under his editorship
Mr Ditchfield has also
undertaken
write two more books for Messrs
Methuen
who have been his principal pub
many years and with whom he has had
lishers

by

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by

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on

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Paul Reboux and
René Blum have
therefore issued
manifesto from which we quote
few extracts
Our friends
not borrow our
pictures
our cushions and our knick knacks but
they
ask
our books
We have not the
courage
refuse
lend them and our volumes
disappear and
not return
our shelves
Every borrower may
considered
one buyer
less whilst every would
borrower
whom
we
buyer gained
refuse our books may
French writer commenting
this movement
says
Public libraries should
course
be
encouraged
those who cannot buy but well to
people who only read books bought
others
should be discouraged
One
the objects
fight against
help everyone
the League
sponging friends
the tyranny
A

is

.”

,

at

by

its

is

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on

,

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In

Bathsheba

Miss Hilda

them

do
-

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In

,

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, ",

order
become possessed
the piece were Miss Eille Norwood
Dick and Mr Thomas Holding

league has been founded
France
entitled The League against the lending
books
One
the chief causes
the recent crisis
the
undoubtedly
book trade
the ease with which
people
obtain books
read without paying
for

NEW

of

,

by

,

", de

le

"

as at
“

the Imperial Theatre
Moscow which
known
théâtre
Molière Russe
Hope
The
Cecil Raleigh and Henry
Drury Lane Theatre
Hamilton was produced
last month
their latest sporting drama the
impecunious peer and
authors find their hero
the play takes
title from
horse which
representing the only chance
saving the peer
house from ruin
called
The Hope
the
caste are Mr Cyril Keightley Mr Lyston Lyle
Miss Fanny Brough and Miss Madge Fabian
Mr Hail Caine new play
The Quality
Mercy
was produced
the Theatre Royal Man
September 4th
chester
The play has for
intrigue similar
central theme
that recorded
Scripture
whereby King David disposed
in

-

.

”,

.

at

,
“

by

’s

in

Theatres
Madame Lydia Yavoiska
translated
into
Russian
Prince
Vladimir Bariatinsky and accepted for production
been

Uriah

PARIS NOTES

,

.

.

,

,

.

Kingsway

has

.

of .

25

,

,

on

,

”
a

"

E

Temple
four acts
Wales
the Prince
July
The caste
includes Mr
Dennis Eadie Mr Holman
Clark
Miss Agnes
Thomas and Miss Daisy Markham
Mr John Pollock play Rosamond which was
produced
London last season
the Royalty and
at in

play
was produced

caste

Lyall

.

of

.

. .

,

.

,

.

Sally Bishop

Thurston
Theatre

were Mr Gerald
Maurier Mr
Miss
and
Maude
Millett
Miss
Swete
Henrietta Watson
was
Man and Superman
Mr Bernard Shaw
Septem
short run
the Criterion for
revived
ber
the caste were Miss Pauline Chase Mr
Robert Lorraine Mr Guy Standing Miss Florence
Haydon and Miss Agnes Thomas

the

28

,

is

in

a

is

- )

*

»

.

(
of in of

29

1805
and
the play
The period
the neighbourhood
Pomander Walk
comedy
which the
the centre
Chiswick
The
dramatist introduces many character studies
caste included Mr Cyril Maude Mr Norman
Forbes Miss Winifred Emery and Mr Frederick
Volpe

June

,

on

,

in

,

”

,

Pomander

at

.

's

N

comedy
Louis
Parker
three acts
Walk
was staged
the Playhouse

.

“

to

.

DRAMATIC

Mr

by

to

.

's

inst

12th

Mr. Henry Arthur Jones ' new
“ The Ogre ,"
play , was produced at the St. James' Theatre on
the 11th . “ The Ogre ” is the head of a house
hold , and is given this nickname by his wife and
children , who are in open rebellion against him .
The dramatist describes the method by which the
The caste
his household .
“ tamed ”
husband
E.
A.
Sir George Alexander , Mr.
included
Valentine, Miss Kate
Matthewe, Mr. Sydney
Cutler , and Miss Gladys Cooper .
Mr. Alfred Sutro ' s new comedy , " The Perplexed
Husband , ” was produced at Wyndham 's Theatre ,
The play opens with the return
on September 12 .
of a tea merchant from a visit to Russia , and the
first
shows the nature
the reception given
him
his wife
This lady has apparently
during her
Doll House
Ibsen
been reading
perplexed
husband
absence
and the husband
the best way
meet the situation which has
owing
arisen
the effect
the Norwegian
dramatist
the relations between the pair
,

on

.

.

&amp;

's

of

Michael Barrington 's new book dealing with
Grahame of Claverhouse , Viscount Dundee . In
this work -- the result of long study of the con flicting elements of Restoration and Revolution
politics — the author shows the intrigues of 1688
The book contains also a vivid
in a new light .
picture of the Highland campaign . New military
maps , an itinerary of the Highland campaign , and
a copious bibliography are added to the volume.
copies is
The ordinary edition of nine hundred
There is also an edition de
issued at £1 108 . net .
copies , numbered
fifty
to
luxe, strictly limited
The price of the copies
and signed by the author.
in this edition is £3 38 .
“ Nine English Consorts of Foreign Princes ” is
the title
Miss Ida Woodward
new book which
the
Methuen
Co are publishing
Messrs

to

10

�THE AUTHOR .

Salon
Carré
was thronged
with
visitors , and
certainly
never have any nails attracted more
attention than those upon which the favourite
picture had hung so many years . The doors of
the Museum and many of the rooms were guarded
by policemen , and very strict measures are being
taken in order to prevent the repetition of a similar
theft .

A great lover of books adds : “ I quite approve
this wise initiative , and I would add that, in order
not to be impolite , when it is a lady who wants to
borrow a book , a man has only to reply that . it
shall be sent to her the following day .' He can
then buy her a volume without giving up his own
copy .
Tactful people will soon take the hint , and
this will teach them the way to the book shops ." We
may add that the office of this new League is at
42 , Rue de Clichy , Paris , the annual subscription

In recent numbers of La Revue hebdomadaire
by Jean -Louis Vaudoyer “ Théophile
Gautier " ; by Péladan , on · La Joconde et le Saint
Jean , " and by Dr. Gustave Le Bon on “ L 'Evolution
are articles

three francs , and that each member receives a little
engraving on parchment to place on his bookshelf .
This little card is intended as a polite method of
explaining that books cannot be lent .

.

M

an

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volume
literary and
The
first question
whether
necessary
dramatic agents are essential
separate the two for their duties are the same yet
take
dramatists
The majority
different
the dramatic agent first would declare that
no doubt that
There
useless
dramatic agent
near
persevering
individual who lives
is

.

the

subject
possible

.

.

to

theft

AGENTS LITERARY
DRAMATIC

more than round the out
skirts
short paper and
state
few
without
the author
not always obvious
facts
many cases giving examples
reasons
write
fully
small
this subject would necessitate

so

of

.

to

La

the

,

of

after

HE

a

of to
to

be

to

is

it

of

in

opening

Bloud

by

of

in

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31

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of

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in

be

to

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first day

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of an

de on

a

of

of

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of

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in

is

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to of

is

in

of

-

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M

Monprofit
Boulevard des Italiens
Joconde from the
The disappearanee
necessary
institute
Louvre Museum has made
this celebrated picture gallery
various reforms
the

asquelle
Ville inconnue
Douceur
vivre
Calmann Lévy
Humour
Humoristes
Fischbacher
Italie contemporaine enquêtes sociales

AUTHORS

in

by ,

a

,

the
commemoration
astronomer
Astronomical Society
the French
Foundation
his
twenty five years ago and the publication
first book fifty years ago
The artist Zeitlin has been commissioned
presented
him
design the souvenir which
three hundred pounds have already been
Over
are received
subscribed and further subscriptions

On

“

“

de

,

“

,

a

of

of

a

l'

“

Contre
alcoolisme
the title
book
Joseph Reinach
which he shows the terrible
France
ravages made
alcoholism
Camille
English
work
the
admirers
his Jubilee
take part
Flammarion may like
presented
the
souvenir
Fête when

by

and
the

ALYS HALLARD

."

,

.

It

is

a

of

as

.

,

.

H

.

by

M An .

Noailles
extremely instructive book has been written
Joly
result
mission with
which the author was entrusted for the Académie
Italie
entitled
Morales
des Sciences
enquêtes sociales
The volume
contemporaine
great amount
reliable information
contains
Italy
life
about the social conditions

great

,

onet

is

.

of of

is

,

- a

a

,

-

'
de s

-

of

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In

"

et

by

“

Mme

their

Abel Deval announces for his
adaptation
Mr Pickwick
theatre
The outdoor theatres have had
brilliant season
account
the exceptional summer
Camille
open
Sainte Croix has obtained permission
his Shakespeare Theatre
the
Cloud Woods
probable that
but
account
the delay
obtaining this
will now wait for next season

.

.

”

to

be

,
"

of

“

's

,

.

in A

of

In

de

,

Armstrong

is

It

is

open
The
theatres
are beginning
doors for the winter season
At the Comédie Française
Cher Maître
Le Goût
vice
have been given
Jimmy
mysterieux
Renaissance

on

,

in

of 's

of

”,

is

. , d'

'

d

La

“

of of

a

of

of

”
).

,

“ Sonia et ses amis ” (
Emile
une etrangère avec préface
by Paul Adam
Berr
Ville inconnue
one
the most remarkable
this author books
story
the French
Africa and
the influence
the climate and surroundings
certain
officers
very dramatic episode
the French army
the
arrival two officers
an aeroplane
Tinayre
Marcelle
new novel
La Douceur
many
vivre
the qualities
her
Maison
Péché are
found
Some
her descriptions
too are very fine
Humour
Humoristes
the title
clever
book
Paul Stapfer
this volume we find
Henry Fielding another
important
study
study
Jean Paul Frederick Richter
Anatole
portrait
France
work
and
well drawn

cahiers

by

latine du Socialisme . ”
In the Revue de Paris are “ Lettres de Danemark
Allemagne
Francois Coppée and
article
by Lieutenant Colonel Picard
Sedan
Maurice Muret writes
Antonio Fogazaro
son Oeuvre
and Barbe Doukhorskoy gives
chapter
Souvenirs

les

Among recent books are

petits

11

�as

.

so

an

or

of ;

of

is

,

is

It

is

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's

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it

be

an

.

,

.

,

,

of

'

'

,

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is

of

he

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,

to

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,

on

if

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as

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;

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a

an

an

,

he

be

.

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to

is

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to

in

in

a

, , ,
.

to

,

If

goto

of

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to

.

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it

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in

,

or

is

of

's

of

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he to

to

to

of

,

,

in

,
if

of be

to

at

;

,

be

,

in

to

.

is

be

,

,

is

.

of .

be

he

to

is

is

,

's -

of ,

.

a

of

of

.

be

to

he

is

to

in

in
a

be

to

on

,

be

on

.

be

.

, .

to

.

is

if

In

.

in
a

of be

,

at

any
terminate the contract
time
he
dis
position
satisfied with the agent and must
moneys
obtain control
the collection

of

-

no

is

a

.

's

a

a

is

to

,

of

to

In

some

should
very often

success
one author
the detriment
another
handling
may
author whose work
The first point
the contract between the author
and the agent
Here again the agent must be
carefully watched
permitted
He must only
draw his agency charges
contracts actually com
any
pleted
him
He must not
allowed
agency fees
circumstances
claim
introduc
position
tions merely
The author must
by

be

,

as
a

to

be

of

.

an

is

as

.

,

Though
again

carefully watched
He
publisher
under the thumb
He not infre
principal himself and has the
quently
deals
pitting one
power
the very woeful power
against another
giving thereby
author
work

exceedingly

to

in

certain

be

,

it

is

.

is

.

is

To

he

.

in

an

to

is

another article

Next
the literary agent
authors his work
essential

as

,

, ,

.

's

is

is

it

,
to

cases and

agent
circumstances
essential
will
well
consider first the position
the agent and the
dramatist
The dramatist should
careful not
principal
deal with any agent who buys work
marketing his own work He should
careful
agent pure and simple and one
that the agent
quite independent
managers and syndi
who
cates
Next
the agent
remuneration
Sometimes the fees from
successful play reach
very high figure
such
case there
reason

or

dealt with

in

so

do or

,

,

a

is

it

If

agreed

a

is

an

,

is

to

of

authority
that
certain

some independent

is

-

of

at

is

of

to

or

to

.

to

market his

takes

,

. ,

of

he

,

a

on

,

and even enables
author
dramatist
own work who could not
other
even
those authors who employ
wise
Indeed
agents will find the society help essential
begin with
there
the contract with the agent
which
most serious and important matter and
very often
necessary that the
continue
work
the agent and the contracts
advises
the author
make should be carefully gone over by
own work

step

—

is
to a

to

of

he

To

.

is

useful
place their own literary
those who undertake
and dramatic work the Society
Authors
essen
tial because the knowledge
the disposal
the
society
contracts and prices which prevail
any dramatist
useful
author who markets his

This
where the Society of
use
No doubt however after
useful
made the agent can
collecting fees
After he has collected the full sum
expect for his work
placing the
entitled
play the agent might perhaps
allowed
small
percentage for collecting the subsequent fees
but
necessary
the author ought
all times
able
moneys himself
insist upon the collection
subject
the claim
the agent
his commission
any still unpaid and
be free
terminate the
agreement
case for any reason
dissatisfied
doing business
with the agent method
case the agent has broken any part
his contract
This
matter
the greatest importance
rising dramatists but space will not permit
necessary the subject must
into further details
every

Authors would
the contract

's

to

of

a

,
if

,

;

,

so

,

agent

full per
He will be

take

to

that the contract between the dramatist and the
good contract for the dramatist
but
many cases the agent
unfortunately
chief wish
get the contract off his hands and with this
give the author
end
view
sometimes inclined
bad advice
therefore
author employs
agent
cannot
too careful about watching

manager

,

.

a

.

;

of

own wares

,

can

be free

the contract lasts

any one play reach
paid
his fees
£500
These are hard statements
facts
indeed
already stated
the paper
full
these
quite possible that
statements
author
accept them without fuller
dramatist may refuse
evidence without some reason being forthcoming
stating nothing
The writer
which
not
fully cognisant and could
most cases from the
authors and dramatists points
view
show that
the deductions made are irrefutable
The agent
perhaps would traverse them
agent
Of course
should
business
see

is

,

on

.

to

.

a

is

,

do his

and has time market them
without the assistance
the agent
literary
however
loathes the business side
heavy output that
work has such
cannot spare
the time and hates the trouble then the literary
If, he

market

amply

he

,

to

be

-

to is

of

,

To

or ?

managers
influence
bear
the
agent may no doubt be useful
So far for the dramatic agent
The literary
agent comes next
There are many more reasons
why the author should employ
literary agent than
the dramatist
dramatic agent
The markets are
enormously wide
there are many rights
be
which
marketed
and there are many markets
ignorant but again
man
the author
sound man
business
and does not object

long

to

is

to

.

,

six of
,

,

be all

of

aid

It ,

.

a

or

to

or

,

up

by

of

no personal

an agent should

centage

if

is

a

by

by

;

by

.

to

,

is

exceedingly limited the competition
exceedingly
strong
place
The only way
dramatic piece
persisteni personal pressure
obtaining per
personal
sonal introductions and
the
things
influence wherever possible and above
keeping
good heart
easy
would
quote five
six cases
dramatists now well known
who had
wait for
seven
ten years before
they could get their work accepted
This process
forcing the strongholds
the managers
not
always pleasant but then how many roads
suc
living
cess are
dramatists who happen
abroad
some distance from London who can get

why

be

.

-

to

to as

is

is

own does not need one. In any case , the dramatic
necessary
agent not
dramatists as the lite
rary agent
the author
The dramatic market

his

THE AUTHOR .

12

�THE AUTHOR

his

.

is

an

. of , 's ,

at

be

to

,
a

,

in

of

.

.

, ,

to

to

to

asking
The agent therefore may
behalf
the publisher for
smaller rate
asking
pay
than
behalf
the author
The effect upon the author
rates cannot
such
circumstances
fail
disastrous
agent sometimes allows
Other rights which
rights
sign away are dramatic
author
To

,

. of

,

of

,

to

,

An is

he

an

to

.

it

six

price

on

in

's ,

of

,

of

a

It

of

.

in

to

a

himself as to the skill of the translator , and
competence for the work undertaken
agent who
An author who employs
also
employed
publisher may find that the agent
endeavouring
sell his work
different prices
keep the author
the publisher has no reason

's

a

If

.

(

.

in

),

be

,

It

gives the agent
great deal
place
trouble
work
America
takes longer and the agent
like all men
business
out
make money
quickly
agent ought
give
and
make
obtaining the American
good
months
attempts
market for
author before
obtain

effective veto over the translation of his work which
from satisfying
is made , and has prevented him

,

the

be

with

an

work

to

agent ' s

to

the

is

these examples

publisher is referred to only , and not the position
of the author working for himself . The agent
constantly tells the author that English books will
not sell in America , and that it is no use to try to
copyright .
This statement
obtain
American
again , is inaccurate . No market is better for the
author than the American market
book
touches the American market and all good literature
England
should
universal
for one copy sold
Again the agent
four would be sold
America
point
advises the author from his the agent
view
and not from the point
view
the author

by

all

a

trouble , but at one stroke has secured for himself
commission
on four books that are not written
books which might not even have been placed
through his agency in the ordinary course of affairs .
In one word , the agent benefits at the expense
of the author , and thus sares himself trouble rather
than advantages the best interests of the author.
The next point is the question of the United
States market .
It must be remembered that in

more for the book if he is allowed
this wider control. This statement proves utterly
false in practice .
The really serious matter is this ,
that it is not the publishers ' business to carry his .
labours beyond the publication of the work
in
book form ; that he cannot , therefore , have the
same power to market these minor rights that the
agent has , and , in consequence , is bound sometimes
himself to place these rights in the hands of an
agent , sometimes in the hands of the same agent
who made the contract which gave them to the
publisher .
It is exceedingly dangerous for an
author to employ an agent who is also acting as
agent for the sale of works or rights controlled by
a publisher .
Moreover, in allowing the publisher
to have translation rights in his control , the agent
exercising
any
has prevented the author from
can do so much

he of

to them is enormous ;
there is one clear fact , and that is , that if the
agent can make one contract serve for four books
he has not only saved himself a good deal of

and the danger of yielding

but

,

if

them , sometimes as high a fee as 50
per cent . of whatever
sum the rights realise .
Thus the author has to pay 50 per cent . to the
publisher , and then another 10 per cent . of what .
remains to the agent .
The position is , on the face
of it, absurd . Why does the agent do it ? Because
it saves him trouble ; and he tempts the author
with the words of the publisher , who asserts that he

handling

to

better for the author if he has control of
all his future work ; that the publisher cannot
advertise one book to the same extent as he could
he has the promise of three others ; that it takes
away from the author an immense amount of worry
if he knows that his contracts for the next four
All these statements are false ,
books are clear .
so much

.up

.

The first point relates to the practice of binding
the author to the publisher for future books . It
has been a growing custom of agents to pass
contracts of this kind , and the agent puts forward
the usual temptation which the publisher
has
whispered into his ear , that the publisher will do

as is

them

with an American house .
There is one further point in regard to markets
in which the agent is very strongly to blame , and
that is , in allowing the publisher to handle all the
minor rights . These are serial rights , translation
rights , Continental rights , etc . Not only does he
allow the publisher to handle these rights , which
it is his business as agent to handle , but he
allows the publisher to charge the author for

on

This naturally leads one to consider some of the
contracts which agents do advise authors to sign
with publishers - contracts which cannot be con sidered fair to the authors , though they may save
the agent a great deal of trouble . And this ,
apparently , is his only reason
for recommending

13

the British market . If then he has failed he
should still not give up trying , but should attempt
at the same time to market the work in England .
What happens now is, that as a rule , acting on the
agent 's advice , the author lets the American rights
go to the English
publisher who sells sheets to
America , and this , from the financial point of view
proves a better bargain
for the English publisher
than to allow the agent to place the American rights

an

order to do so he must forbid the agent , in any
circumstances , to put in the contract with the
publisher a clause giving him , the agent , the right
to collect the moneys under the contract and to
give a receipt in full discharge , a constant and
most reprehensible practice .

.

�THE AUTHOR .

or

to

at

so

,

.

of

be

,

.

do

.

,

;

if

a

of

,

an

so

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he

he

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to

on

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it

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on

to

an

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in on

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is

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to

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is

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to

2,

term
mis statement
week before made radical

,

.

-

a

,

mildest

only

a

,

is

to

use the

has perhaps
,

He

to

to

,

making

,

in

, ,

In

.

”

no

into his

by

in

“

of

to

alterations
the knowledge
the secretary
one
his
unalterable
contracts
fact the
practice
one house grew quite notorious the
proprietor benefiting
forcing unfortunate authors

The authors
doubt had
other writers
renown publish
ing with the same house and naturally drew the
deduction from the publisher
statement that these
authors were publishing under
similar agreement
Another phrase frequently
the mouths
publishers
These agreements have been settled
King
Counsel and approved
the Publishers

,

of

,

curious that such

a

is

It

Association

'

by

“

is
,

in

of .

a

's

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of

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contracts

seen the names

."

,

,

to

.

as

as

. 's

as

some

happen
this house never varies
As bound
society with
this kind
000 members cases
are constantly brought
the secretary who
able
once
show
the author that the publisher

of

of

a

a

he

if

,

he

,

if

objecting

author

very stiff clauses
his agreement not infrequently
my printed agreement from which
says
This

's

.

.

,

to

,

an

,

If, is

, .
for

to

the author
publisher

A

, by
in

,

,

an be

to

be

't

,

in

he

a

to

;

in

;

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,

to

:

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as

as

,

up

,

of

of

to

be

.

in

;

in

.

,

an

to

If To

to

able without restriction
collect
royalties
agreement with
when criticising
publisher he pointed out that the clause he proposed
inserting dealing with his own position was
bad
gave the reasons
clause
the author and
clear and concise then the author would have no
complain
signed the agreement
reason
But
the agent never draws the author attention
the
clause and never gives the reasons
Never employ
principal
agent who deals
agent
well

ments

:

,

are

often strangely neglected
There are not merely first serial rights
rights
but second serial rights
the colonies
America
and
the provincial papers
Indeed
any real value ought
the real literary agent
and
communication
have
enormous field
knowledge and
possible
ubiquitous
far
preferably don
agent
sum
use
employ one
very careful
you are bound
your contract with him
Never give him too wide
control never give him uncontrovertible authority
any circumstances allow
collect moneys never
your publishing agreement
him
insert
clause

denied that
had made this wrongful use
the
society
name and was only brought
conviction
being confronted with his own handwriting
publishing
There
another method employed
houses which
while
not damaging
the
reputation
equally with the one
the society
injurious
already mentioned
the business settle

in
a

to

at

to

both

.

to

commission

years ago the society was forced
complain because
publisher had
more
than one occasion submitted
authors
agreement which
form
stated had received
the approval
the society
this means
signature which
certainly
obtained the author
would not have obtained had the agreement been
referred
the secretary
When
the society remonstrated the publisher

at

on

,

he

,

it

in

If

he

,

an

he

,

if

pay

COME

by

a

.
an

to

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of

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to

it

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),

if

an

in
a

,
I

ask

If

.

have

Serial rights

a

an

is

.

is

as

an
him

(

In

to to

be

,

. -

will

agents

an

PUBLISHERS METHODS

,

,

an

is

. ,

to

It

editor and
he desires stories from certain
mentioning names perhaps not even
authors
gets
his books
offer
will try
draw
the author into his hands and even
times from
drawing
another agent
does not succeed
may mean that
the author away from the agent

by which

by

to

an

a

of

of

to

on

a

as

as

.

,

to

an

It

.

,

may act the author who
rejected does not have
agent naïvely remarked
fair run
addition
large income but
author who brought
determined
cut down his charges
such
offer came
me
should naturally give
the
author who paid the highest agency fees
This
may
point
business from the agent
view
exceedingly dangerous from the author
Or
again the agent may sometimes
round

agents

't

as

's

to

be

It '
s

.

in as

few

a

frequently happens that
not
agent for
editor will write
serial story
certain length
The agent sitting
his judgment
seat will act
the proud arbiter
which
his
very
clients shall have the order
This position
dangerous for however straightforwardly the agent

the author

,

an

to

is

,

is

is .

position
This then
the agent
between
may
author and publisher
worth while
position with
make
remarks
the agent
the editor

he an

as

try

to

is

.

he

as

;

to to to

coin money

and never employ an agent who also acts for a
publisher . Be careful that the agent is permitted
only to collect moneys on contracts made by him
during the continuance
the agency
Never allow
the agent
have
indefinite contract
that
may
moneys
some future date
able
claim
contract that you yourself have made
some
other agent has made for you merely because he has
Finally against
introduced you
the principal
thickly round
all these difficulties which cluster
the employment
the agent
author may guard
becoming
himself
member
the society
employ
agent but
you
Don
watch him
to

such assignment would seem so absurd that
it would hardly be worth while to mention it were
it not the fact that such cases have occurred .
Naturally , the publisher will
get
many
rights
merely
legitimate
can
That
business
but that the agent should allow
author
concede these rights
criminal for he
there
protect the author and not
assist the publisher

allow

on
a

14

statement

�THE AUTHOR .

to

on

to

.

if

's by

of

fee

up

.

of

of

4

3

is

It

.

.

50

,

is

,

be

of

be

.

of

as

to

to

at

to

.

it

as

.

is

is

,
or

,

of .

,

he
,

on

to

no

,

.

,

a

,

a

is

a of
a
to

in

—

is

it

,

6

.

of

an

in

on

5

-

be

in

as

is

so

.

's

pleasant
run
to

,

a

no

is
,

.

an on

It

of

,

it

,

is

,

of

. it
of

' ,

as

a

of

is

,

a

in

doubt

enables the publisher
other people money

unsatisfactory clause although
great number
publishers agreements
saving
Publishers
assert that arbitration
money
This
not usually the case
the arbitra

Clause
appears

is

, ,

)

or

of

to

of

to

to as

be

few comments
detail the faults

his business

is

of

of

or

be

to

be

,

pass

explain

eighteen months
arrangement which
in
7
a

.

to

up

,

.

on

If

or

,

.7
-

it

well

to

to

by

,

in of

be

,

to 6
.
-

and

if

,

or

to

be

be

5

.
of -

be

to

(

,

may

these clauses

difficulty
matter
draft clauses
position and the same house has
meet such
occasion altered its unalterable agreement giving
the author this essential control
nothing further need be said save
On clause
royalty
that
no circumstances
the basis
publisher
remuneration should
author allow
the owner
the copyright
only necessary
point out
clause
January
that
the book were published
not
an unfavourable month for book publication
the
author would
out
his money for over twelve
months
This
indeed
not
bad
some
agreement where
posssible for the
forms
author
be kept out
his money for nearly

.
to of

,

of if

,

.

to

so

to

,

of

of

or

,

.

in

,

on

Perhaps

date from time
time
the
the disposal
the writers develops
only one person who should have control
There
over these alterations
That person
the author
Under the clause
stands he would be bound
have the book revised by another hand
revise
the publisher demanded such revision
even
though
the writer might deem
the process
wholly unnecessary

.

of

.

of

or

of

In

4
.
-

ofin an

to

up

to

to

,

to

, 3
.
to —

to

.

of

,

per

,

or

,

,

of

of

,

in
for

of In

of

Clause
the event
the publisher realising profits
rights
rights
production
from the sale
translation
plates
from claims
serial rights
other countries
copyright fifty
infringement
cent
the net
amount
such profits remaining
after deducting all
expenses relating thereto
Clause
The author agrees
revise the first and
necessary
edit and revise every subsequent edition
supply any new matter
the work and from time
time
keep the work
that may be needful
date
Clause
the event
the author neglecting
revise
edition after due notice shall have been given
him
by reason
do
the author being unable
the event
revising and preparing
death
otherwise the expense
each such future edition for press shall
borne
the
author and shall
deducted from the royalties payable
him
During the continuance
Clause
this agreement the
copyright
the work shall
vested
the publisher who
may
registered as the proprietor thereof accordingly
Clause
The publisher
shall make
the account
annually
December 31st and deliver the same
the
pay
author within two months thereafter and
the balance
due
the author
March 31st
any difference shall arise between the
Clause
publisher
touching
author and the
the meaning
this
agreement
the rights
liabilities
the parties there
under the same shall
referred
the arbitration
two
persons one
named by each party
their umpire
accordance with the provisions
the Arbitration
Act
1889

brought

knowledge

to

or

of

of

,

,

.

2 of
.
-

,

of

of

.

, of

in

of

-

1
.

- of

Clause
The publisher shall during the legal term
producing and pub
copyright have the exclusive right
lishing the work
the English language throughout the
world
The publisher shall have the entire control
the
publication and sale and terms
the sale
the book and
neither the author nor the publisher shall during the con
tinuance
this agreement without the consent
the other
publish any abridgment extract translation
dramatised
version
the work

the author and
contracts made without consul
equally
tation with the author
absurd
absurd that for mere agency business the publisher
per cent
should
allowed
Clauses
and
the
are both dangerous from the standpoint
writer
technical books
The great majority
technical books dealing with modern science require

Asbe

is

It

to

.

to

of

.

,

view

's

,

The

.

of

point

if

agreements
from
the author
only
were extremely bad
print some
necessary
the clauses
show
how bad they were
character

It

.

on

.

to

a certain
The agree
The books
technical

from

-

agreements

two

to

one week

of
a

In

publisher were offered
authors
very similar lines
ments were
be published were important books

further limitations , limitations to a certain
number of editions or to certain
countries . If
such a licence had been granted , then the publisher
might have been , under clause 2 , allowed an agency
for the sale
the rights mentioned
under
contracts signed and approved
the anthor
through
introduction
the publisher
obtained
That the publisher
should
have the exclusive
place these rights without reference
licence
even

to

instructions of his client ; and if the client is the
Publishers ' Association , the agreements will be
settled wholly in favour of the publishers .
This ,
indeed , was the case .
The members of the society
are referred to “ Forms of Agreement issued by the
Publishers ' Association , with Comments , ” published
from
the society ' s offices. In this pamphlet the
whole question is fully dealt with .
It is necessary , as these incidents recur , that
they should be recorded , and as the secretary
of the society has recently received further evidence ,
the following facts are laid before the members .

inherent in them .
Then the publisher ' s reply to
the author's remonstrance can be discussed .
The first clause practically
transfers
to the
publisher the copyright , and this position is further
confirmed by clause 5 .
As under clauses 1 and 5
the publisher holds the copyright it was , perhaps ,
unnecessary for him to insert clause 2. It cannot
be too often repeated in these columns that the
publishers should have a licence to produce the
work in book form only at a fixed price only in
the English language .
The clause might receive

to

should not repel rather than compel .
The author ,
however , does not always grasp the fact that a King 's
Counsel will settle an agreement according to the

15

�THE AUTHOR .

16

tor 's fees have to be paid
has also been claimed
way
settling disputes
some and unsatisfactory

,

as well as the other costs .
that it is an expeditious
Generally
cumber
The only real advantage
the publisher
that
which
that publicity

The Still
depicted -

The Greatest Fire

.”
to

an

of

,

an

of

.

,

,

of

a

in

of

,

a

in
a

a

be

,

of

it

he

a

of . , of ,

he

.

to

CONTENTS

.

.

BOOKMAN
By Walter Jerrold
Barry
By
William

.

“

's

." .

and

,

be

still authors may

.

,

be

,

is

position
untenable
but
probably will
deceived

Harriet Beecher Stowe
Napoleon
Fournier

Dr
.

's

.

an

,

to

.

,
if

.

is

of

a

,

to

,

to

to

thought
portion

MAGAZINE

a

,

it

.

.

to

,

might
held that
play
cinematograph
exhibition
where there was payment was within
Upon the facts
this case however
the statute
opinion that the defendants did not
was
place
represent the piece
dramatic
entertainment
HAROLD HARDY
Sone day
copying

.

it

.”

to

all

,

A

in 's

a

-

to

is

of

“

of

to

to

to

,

to

,

of

:

a

the

contracts from this very house been brought
the
society been criticised
and altered
suit the
author requirements and
make such
state
ment
the face
this fact
not only unfair
the author but
serious matter for the reputation
the house
Besides
the agreement had given
satisfaction
all parties there surely would be no
The publisher
for
arbitration clause
need
of

a

in

by

.

.

,

in

no

of

which we quote

letter from

agreement
The form
one which we always
give
and which experience has proved
satisfaction
concerned
would be
statement
more extraordinary
imagine
impossible
Over and over again have
lise

on

a

in

it

no

be

of

,

to

,

,

ment received
following extract

,

a

it

,

. of

to

to

to

view

at

—

by
all

Alarm

On

's

of

is

by

.

a

to

as

of

an

“

ever

-

is

so he

it

is

is

's

. .

of

—

—

Scenes
our offices
Evidence was given
witness
who bad
pur
attended the performance
with
view
chasing the films and
gained
and this
was contended
behalf
infringe
the plaintiff that there had been
shuns by arbitration
warning
necessary
ment
their dramatic rights
the fire scenes
other authors
Some
the clauses might have been passed
the play
yield gracefully some
was virged that there could
for the defendants
author who wished
copyright protection
advantage
the publisher
but the majority
mere scene and
cinematograph was not
that the representation
author should
the clauses quoted are such that
anyan infringement of dramatic rights
enter into any contract
allow them
publisher
circumstances between himself and the
Mr Justice Channell said that
was not neces
sary
exclusive
decide whether the plaintiff had
the secretary the author wrote
On the advice
portion
drawing the attention
the play
the right
the representation
the publisher
against anyone who might
exhibit the films
his astonish
difficulties above mentioned and

It

By

.

of

Expression

.

A

:

.

Book MONTHLY
Literary
New Mode
Wanted
Adam Gowans Whyte

.

.

. .
G
.

.

E

.

)

.

.

, .

.

L

.

By

.

Renascence

K

.

Celtic

.

Arthur Hill

J.

Agnostic Spiritualist

By

NATIONAL
an

of

an

The Creed

the

.
)
06 0

,

F
.

addressed

J.

All letters respectingAdvertisements should
BELMONT
Paternoster Square, London

per cent for
to

,
E be
.C

of

a

,

110

per inch

per centmade for Series Sixand
TwelveInsertions.

Co
.,
29
,

£4

0 0
0 0

.. ..
. .
..
.

..
.

of
of of a
a a

PER CENT
.. .
. .
3

OF THE SOCIETY

.. .
. .
0O0
6 7 15

MEMBERS

20

TO

(

of
20

in of

.

an

,

,

:

Reduction

&amp;

.

“

an ”

In

of

in

it

,

a

'

.

in

”

at in

ALLOWANCE

Front Page
Other Pages
Page
Half
Page
Quarter
Eighth
Page
Single Column Advertisements

of
25

“

SCALE FOR ADVERTISEMENTS

,

a

,

connected with
dramatic piece entitled
The
Still Alarm
which had been originally performed
England
the United States and subsequently
the Princess
Theatre
1904 the plaintiff
produced
new version with two
fire
scenes
respect
added and
was
these scenes that
injunction was asked for
The defendants who are manufacturers
cine
matograph
films issued
advertisement
the
following terms

.

of

to

(

of

FORTNIGHTLY
Some Aspects
Moutgomery

.

of

to

to

of

of

,

as
a

an

of

",

to

as

,

ENGLISH REVIEW
Wagner
Apel
Letters
his Schoolfellow
Words Thomas Hardy By Vernon Lee
The Handling

.

to

,

of

to

“
a

be of in

this case
the meaning
seems
dramatic entertainment
likely
appeal
the subject
stay
execution was granted and the Judge appears
have given special importance
the question
payment
injunction
The plaintiff claimed damages and
restrain
the representation
certain
scenes
decision
place

S
.
C

.

COMPANY

of

POLYSCOPE

.

.

SELIG

.

THE

v

.

Literary Genius

GLENVILLE

CONTEMPORARY
By Count
Japan
de Soissons
By
De Montmorency

J.

The Pictorial Art

of

PERFORMANCES

.

CINEMATOGRAPH

�THE AUTHOR .
HOW

TO

USE

obtained . But the transaction
should be managed by a
competent agent, or with the advice of the Secretary
of
the Society ,

THE SOCIETY .

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher, or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Further , the Committee , if they
Solicitors of the Society .
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member . Moreover , where counsel ' s
,
opinion is favourable and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .
N

VERY

2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .
3. Before signing any agreement whatever ,
the document to the Society for examination .

send

4. Remember always that in belonging to the Society
you are fighting the battles of other writers , even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .
5. The Committee
have arranged for the reception of
members ' agreements and their preservation
in a fire .
proof safe. The agreements will , of course , be regarded as
confidential documents to be read only by the Secretary ,
who will keep the key of the safe .
The Society now offers :
( 1) To stamp agreements in readiness for a possible action
upon them .
(3) To enforce
( 2) To keep agreements .
payments due according to agreements . Fuller particu .
lars of the Society ' s work can be obtained
in the

Prospectus .

6. No contract should be entered into with a literary
agent withont the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful
consideration
the contracts with publishers submitted to
them by literary agents , and are recommended to submit
them for interpretation
and explanation
to the Secretary
of the Society .
7. Many agents neglect to stamp agreements .
This
must be done within fourteen days of first execution . The
Secretary will undertake it on behalf of members .
8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; 80
do some publishers . Members can make their own
deductions and act accordingly .
9. The subscription to the Society
annum , or £10 108. for life membership

.

is

£1

18.

are a few standing rules to be observed in an
agreement . There are four methods of dealing
with literary property

This is sometimes satisfactory

:

,

if a proper

IY .
The
(1.)
( 2.)
( 3.)

price can

Agreement .

A Commission

:

main points are
Be careful to obtain a fair cost of production
Keep control of the advertisements .
Keep control of the sale price of the book .

be

,

General.

All other formsof agreement are combinations of the four
above mentioned .
Such combinations are generally disastrous to the author .
Never sign any agreement without competent advice from
the Secretary of the Society .
Stamp all agreements with the Inland Revenue stamp .
A void agreements by letter if possible .
The main points which the Society has always demanded
from the outset are
(1. ) That both sides shall know what an agreement
means .
( 2.) The inspection of those account books which belong
to the author . We are advised that this is a right , in the
nature of a common law right , which cannot be denied or
withheld .

:

(3. ) Always avoid a transfer

WARNINGS

TO

of copyright .

DRAMATIC

AUTHORS .

sign an agreement without submitting it to the
Secretary of the Society of Authors or some com
petent legal authority .
2. It is well to be extremely careful in negotiating
for
the production of a play with any one except an established
manager .
3. There are three forms of dramatic contract for plays
in three or more acts
(a.) Sale outright of the performing right . This
is unsatisfactory .
An author who enters into
such a contract should stipulate in the contract
for production of the piece by a certain date
and for proper publication
of his name on the
play - bills .

EVER

:

UTERE

it Outright .

III . The Royalty System ,
This is perhaps , with certain limitations , the best form
of agreement . It is above all things necessary to know
what the proposed royalty means to both sides . It is now
possible
approximately the
for an author to ascertain
truth . From time to time very important figures connected
with royalties are published in The Author .

N

TO THE PRODUCERS
OF BOOKS.

1. Selling

II

. A Profit - Sharing Agreement (a bad form of
agreement ).
In this case the following rules should be attended to :
( 1. ) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation ,
( 2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs , or by charging exchange advertise
ments . Therefore keep control of the advertisements .
(3 .) Not to allow a special charge for “ office expenses , "
unless the same allowance is made to the author.
(4.) Not to give up American , Colonial, or Continental
rights .
rights .
(5.) Not to give up serial or translation
(6.) Not to bind yourself for future work to any publisher .
As well bind yourself for the future to any one solicitor or
doctor !

per

WARNINGS

H

17

�THE AUTHOR .

STAMPING

or

Society

this

. be

a .

is

,

of

it

,

of

. .

,

,

.

is

as of
a

one guinea

.

fee

is

,

the

.

to

REMITTANCES

.

of

to

of
by

by

be

,

be

or

,

give potice
the Society hegs
post
are acknowledged
return
All remittances should
crossed Univn
London and
Chancery
registered
Smiths
Bank
Lane
sent
letter only

.

.

the same
charged for

The Secretary
that all remittances

of

.

be

filed subject
play will

to

of

to

.

.

6d

23
.

of

a be

at
a

Plays may also
with the exception that
per act
the price
,

at

at

be

in

of

.

of

Original

rules

's

to

.

.

assist

in

greatly

BRANCH

its work by informing young writers
existence
Their MSS
can
read and
composition
treated
treated by
coach
The term
only
MSS includes not
works
fiction
but poetry
possible
and dramatic works and when
under
special arrangement
technical and scientific works
The
competence and experience
Readers are writers
The

or
a

a

byof

to

,

of in

typewritten
duplicate
foolscap paper
the offices
forwarded
the Society together with
registration fee
two shillings and sixpence will
qualified assis
be carefully compared
the Secretary
tant One copy will be stamped and returned
the author
register
Society
Copies
and the other filed
the
the
may
any time by
the scenario thus filed
obtained
typing
the author only
small charge
cover cost

.

in

is

EMBERS will

,

.

, on

QCENARIOS

6d

of

'

THE READING
branch

REGISTRATION OF SCENARIOS AND
ORIGINAL PLAYS

MUSIC .

The Society undertakes to stamp copies of music on
per 100
part
behalf of
members for the fee
100
The members stamps are kept
the Society
safe
The musical publishers communicate direct with the
Secretary
and
the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

M

11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

can be added to the warnings given for the
assistance of producers
of books and
dramatic
authors .
It must , however , be pointed out that , as
,
publisher
&amp; rule the musical
demands from the musical
composer a transfer of fuller rights and less liberal finan .
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
he warnings stated above .

ITTLE

T
L

of

.

MUSICAL COMPOSERS .

TO

its

the beginning

WARNINGS

its

drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract ,
He should therefore guard himself all the more carefully in

authors should seek the advice of the
Society before putting plays into
the hands of
agents .
As the law stands at present , an agent
play
may
acquire
who has once had a
in his hands
a
perpetual claim to a percentage on the author ' s fees
placing
plays
from it. As far as the
of
is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action of frequent petty authorisations
with
different
individuals , and also for the collection
of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights . In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the

.

7. Authors should remember that performing rights in a
play are distinct from literary copyright. A manager
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining
a substantial
consideration ,
should
be carefully
for collaboration
9. Agreements

AGENTS .

AND

RAMATIC

,

5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time . This is most important .
rights , but
6. Authors
should not assign performing
should grant a licence to perform . The legal distinction
is of great importance .

AUTHORS

,

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should
be reserved .

DRAMATIC

of

( 6.) Sale of performing right or of a licence to
perform
on the basis
of percentages on
vary between
Percentages
gross receipts .
5
An author should obtain a
and 15 per cent.
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
right or of a licence to
(c. ) Sale of performing
perform
on the basis of royalties (i .e., fixed
nightly
fees) . This method should be always
except in cases where the fees are
avoided
likely to be small or difficult to collect . The
other safeguards set out under heading (6. ) apply
also in this case.

.

18

�THE AUTHOR .
GENERAL NOTES .

NETT

.

so

in

to

its

so

as

be it

, it

do

,

of

a

of

,

at

,

as

be

a

of

.

of

to

in

,

in

of

.

.

2s
.

8d

"

“

.

to

If

.

in

a

is

of ”

,

of

be

be
,

of

on

be to

be

It

on 5s
.

.

on
a

.

3s
.

2d

58
.

a

.

.

58

"

“

at

“

of
of

—

It

,

so

is

on

.

,

,

,

of

,

,

un

;

in

in

be

a

to a

he

in

, If

an

.

”

a
“

to

”

a
“

.

-

of

to

the author

COPYRIGHT

LAW

.
in

to

is

.

be

as

,

a

It

.

,

20

on

Copyright Law came into
The new Russian
force
March
1911
marks
consider
able advance upon the previous legislation
but
might
far from being such
wished
Copy
The following particulars are interesting
right
accorded
all books published
is

It

RUSSIAN

.

THE NEW

is

.

to

is
a

it

be

It

.

to

to

as

of

is

.

subject
nett published price without
getting some quid pro quo
the publisher wants
make such
alteration
should make
corresponding
increase
the royalty payable

is

is

to

of

up

and bestirred
themselves
not for
remedy the evil
advise them
how
part
their own business
find the cause
and the remedy
But
clear fact that unless
something
done speedily and with judgment the
Colonial market will
lost both for English books
and magazines

.

that the books

outright but apart from anything

,

,

.

It

,

no

,

.
in

It

,
-

is

so

to

.

,

it

an

to ,

,

on

to

of

to

of

a to as

in

of

,

.
to

,

of

of

,

.

to

glad
we shall
their account though
little sorry for the earlier writers
may even

this

the series are being purchased
this particular
case which may possibly render our comment
necessary we would add for the general
informa
tion
writers
that they should never
when
making their agreements
permit any alteration

sular Report that the American
magazines are
also pushing the English
magazines
out
the
market
owing
This
doubt again
some
fault
the English distribution
really time
that publishers
editors and magazine proprietors
is us
a
to

be

-

is

,

at

,

on
a

it

,

;

it to

THE COLONIAL MARKETS
complained
from
time
time
the
poor sales
English
books
authors
the
Colonies and have pointed out that this
appa
rently
due
the supineness
the English
publisher and
the activity
the American book
agent
The latter
one occasion went
far
induce
Australian bookseller
allow him
may be taken for
decorate his window
and
certainty that he did not decorate the window with
English books
We now regret
see from
the American
Con

We have

woke

on

,

;

of

,

.

its

to

or

in

,

of

a

,

its

without interest
While we
not for one moment
question the justification
price
the alteration
suggest that the author should share
we
the
increased returns which will accrue
the pub
consequence
lisher
the change
forty
As the alteration extends over
series
books that increase cannot
dismissed as insignifi
subject
cant Whereas
5s
book the returns
the publisher would probably average about
per copy
the
nett book they would come
something like
per copy
out
will
clear from this that
fair royalty
book
might
subject
issued
rather poor
one
may
issued
nett
course that part
production
the increased cost
due
demand for better terms
the part
the writers
produced
the books yet
the series

,

.

its

of

its

of

;

confusing

tation
we notice that over forty volumes
far
have been issued
the lower price and
seems
us that
consideration
the matter
affects the payment
the writers may not

do

to

as

of a

so

it

an

,

be

supplement
issued
The
that members
the Society may have
opportunity
studying
terms
During
passage through
the Commons the
opposition
Bill met with considerable amount
wholly unexpected quarters
from
indeed
from
many whom one might have thought would have
actively supported
principles
Apart from various details there are two main
points which will make the passing
the Bill the
greatest benefit
authors
the first that
will
join
enable Great Britain
the Berlin Conven
tion
the second that
will bring into uniformity
copyright which
present
the law
scattered
through
twenty
more
different
enactments
making
highly complicated and
interpretation

,

will

at

it

,

of

House of Commons .
One or two small amend
ments , however , may be necessary .
The Bill was ordered to be printed on the 18th of
August
becomes
the present year and when

increase in the cost of production of the series, the
publishers had found it necessary to change the price
of the volumes from 58 . “ subject to discount,” to 5s.
nett . As it is conceivable that some may retort that
this alteration in price is a matter entirely between
the publisher and the bookselling trade , we think
it desirable , in the interest of authors , to point out
importance
the writers employed
the manu
We do
with the less hesi
facture of the series

to

to say more about the matter until the Bill has
become law , but there does not appear to be any
vital reason why the Bill should meet with any
violent opposition , and be altered to any large
extent from the form in which it emerged from the

.

congratulate
We
the Government
on
having carried the Copyright Bill through the
It would be inadvisable
House of Commons .

Books .

DISCOUNT

AND

recently
LOOKING
down the literary column
of a contemporary , we noticed an interesting
announcement respecting a popular series inaugu
publishing
rated by a well-known
house .
The
announcement was to the effect that, owing to an

to

THE COPYRIGHT BILL .
may

law
Author

19

�THE AUTHOR .

.

it to so

a

"

“

to

,

no

. it

in

of

,

its

in

,

of

to “

on

at

is

it

.

to

“

', .

of

's

,

on

a

.

.

in

at

,

COMPULSORY

an

1847
Act was
under the short title
the Colonial Copyright Act 1847
more
frequently known however
the Foreign
passed

,

,

as

,

,

Reprints Act

to

passing

:

.,

5
&amp;
6

of

,

in

the

By section
the Act
Vict
which
Act covered all the Colonies the importation into
of

a

,

.

The circumstances that led
this Act were
follows
17 as

of

,

a

Thurston joined the Society
her greatest success that which

up

.

.
L
.

B

.

M

LICENCE

.

UNDER

of

1

.

.

THURSTON

Mrs
of

REPRINTS ACT AGAIN

.

of

By

TN

Katherine Cecil Thurston
the Society
loyal member and
Authors loses
firm

.

,

an

a

on a

,

an

ofof

it

in

-

at

to to

,

be

,

"
a

of

,
a

if

.

a

it

.

us

to

an

of

-

THE LATE MRS

1

in

on

.
to

of

FOREIGN

ROYALTIES

friend
the full flush

,

a

.

a

of

to

of

so

As

“

.

a a

be

THE

,

ARTISTIC

The International Literary and Artistic Asso
sequence
consequence
announce that
epidemic
must
Rome reports
be without foundation
be admitted which appear
have taken place this
the congress which was
postponed and held
Rome
autumn will
the Easter week
1912

TN

is

,

.

of

,

of

.

to

,
so

.

to

a

,

”

,

AND

ASSOCIATION
ciation ask
reports

,

a

,

is

it

I

It

LITERARY

INTERNATIONAL

or

of

to

,

,

it

, to

an

back
for Mrs Thurstou did not begin
write
England
till she came
and
record
that
throughout girlhood spent entirely
home she
publication
never wrote
line with
view
may
doubted
even
her closest friends
knew much
Mrs Thurston
methods
work
however
curious fact that
The Circle
book which was much
her first long novel and
by the critics though
praised and commented
gave no promise of the immense success of its
short story
immediate successor was founded
early imaginative effort
which was
which

,

on

an

to

is

be

to

to

in

,

.

,

of

to

to

.
G
.

.

,

is

ineligible

knew was that which her readers liked the least
refer
The Fly
theWheel
close and
way
very powerful study
phase
Irish country
interesting
town society
This story was
throw

It

.
are

,

or

in

a

a

,
.

.

a

is

.

a

is

he

of

,

in

,

or

of

is

or
, ,
if

;

to

fact

is

,

an

-

in

of

,
.

COMMITTEE

that The Author does not
appear
August
September we
only now
Lady
position
the election
chronicle
Ritchie and Mr
Bernard Shaw
the Academic
Committee
join the Com
Lady Ritchie
the first lady
congratulated
mittee which may
election
sure
which
meet with general approval and
put
may also serve
the discontent felt
end
had been
and expressed
some quarters where
assumed quite erroneously that the women were
in

to

of

.

of

as as

of

ACADEMIC

the

.

of

of

.

of
to

as as

of

THE

Owing

discuss herself and her work which
Even
often typical
the literary temperament
her books and
her intimates she seldom spoke
stranger
would certainly have been possible for
have been acquainted with her for considerable
And yet
time without discovering that she wrote
great
clear that her work must have meant
The Circle
her stories from
deal her Each
showed marks
conscientious care and
onward
she once told the present writer that when engaged
absorbed her
new book she found that
everything
the exclusion
else
This
doubt
the Irish home she
work
was why she preferred
loved
well than when living her ordinary life
London
often happens the one
her
novels which most closely reflected the life she
desire

foreign author

three months imprisonment

,

in

of

.

of

a

of

,

In

of

These translations enjoy the full
copyright but the translator cannot forbid
term
Except
stipula
other translations
the case
the contrary
author who has sold the
tions
copyright
his work may publish another edition
print
any case
the work
out
soon
tive years have elapsed since the date
soon
preparing
complete
the first edition
his works three years after that date
edition
punished with
minimum
Piratical publication

followed the publication
of “ John Chilcot , M . P .,"
and she very early showed herself one of those
writers — it is pleasant to think there are many
such — who take a generous interest in the work of
those less fortunate and less successful than them
selves
singularly
agreeable
Mrs Thurston possessed
and gentle personality
Her dark glowing beauty
was
the type one associates with Irishwomen
She
and her voice was low and exquisitely clear
the very natural
the exuberance
had none

. .

is

a

,

.

If

for

Russia , independently of the nationality of the
copyright is for
author .
The
duration
of
any restrictions ).
life and fifty years ( without
Transformations
of novels into dramas , and vice
versâ , without the author 's consent are forbidden .
five
The exclusive right of translation exists
years only
translation
made within that
copyright
limit the translation has
ten years
the case
simultaneous publication
several
languages all the works enjoy equally the full term
copyright
all foreign
Russian translations
the
works may be published without the consent

on

20

�THE AUTHOR .

,

,

,

an

for

,

.

of

,

a

a

and

.

,

on

to

a

.

'

,

so

,

to

,

of

in

to

I

in

of

am

to

's

, to

of

of

by

am

,
I

,

CHAMBERS
281h July 1911
SIR
directed
the Lords Commissioners
His
your letter
acknowledge the receipt
Majesty Treasury
payment made
you
the 18th instant respecting
copyright
account
the Colonies
reply
express their Lordships
regret that
every case the
has not been found possible
trace
respect
far
which payment was madle but
books
they have been able
discover them the details are as

follows

,

.

.

of

) )

Unknown
Unknown

The Christian

Eternal City
Prodigal Son
Eternal City
Prodigal Son

1903
1906
1908

8

The Christian
10

,

to

The Christian

1897
1898
1900
1901
1904
1905

( (

,
Jamaica

to

to

transmit
the House

of

I

to

a

of am

of

these payments
further explanation
the Order
Return
the enclosed copy

of

are

In

copyright

.

a

,

,

,

.”

a

of

to

is

of

and owners

Foreign
the Act has proved complete failure
copyright works have been largely introduced

of

Duty Collected

:

is

it

authors

it

of ,
in

sat

as

,

far

British

Bermuda

,

.

in

at

to

it

,

in

So

concerned
reprints

Work

in

,

to

of

the standpoint

Title

Copy

inoperative

the author
the papers and figures were given
show
how
operation
ineffective
was
impossible
The reference
these figures
quote
find
the moment but
sufficient
from
the Report
the Royal Copyright Com
mission
which
1878
from

Date and Place
of Entry

delusion
this Act
was pointed out

to

“

These

of

The Law

measures were next
and the whole thing little better than
From
time
time the absurdity
"

so

,

“

the author

of

right

of

the words

be

collection

the different Colonies
that the
might
carried out properly
but
of

authorities

.

to

to

of

.

,

so

,

all

,

of

paid

TREASURY

in

.

A

of

's

to

to
a

of

.

to

to

,

,

a

adopted the Actin fact
the important Colonies
with the exception
Australia
did
Under
English books were bound
the Act the publishers
catalogues
forward
the Custom
House

percentage

Colonies involved
and the
copy
the Act
with

:

-

,

in as

of

be

, by

of

be

paid
royalty
the author
This really
grant
amounted
other words
the right
buy the author
sell and the right
books under
large number
compulsory licence
Colonies

is in abeyance .
The absurdity of the whole situation has again
become prominent, and has been brought to the
notice of The Author by Mr. Hall Caine , who
recently
received a payment of 8s . 10d . as an
amount due to him for royalties collected under
this Act .
explanation
and
Mr. Hall Caine wrote
received from the Treasury the following reply
setting out the
statement printed below
with

Act

of

is

,

,

in

to

,

,

,

in

,

by

in

The complaint was partly , no doubt , genuine ,
but to a great extent , especially as far as Canada
was concerned , was put forward as a political move .
The author has always been the slave of the
public , and as such is liable to be robbed of his
property , first by one constriction
and limitation
and then by another ; so in this case , with a show of
justice the Foreign Reprints Act which
still
many Colonies was passed enabling the
force
suspend the prohibi
Crown
Order
Council
tion against importation into the English Colonies
of English copyright works under certain conditions
one
the conditions being that certain Customs
duties should
collected
the Government
the Colony adopting the Act which duties should

In

circulating libraries , which did not exist .

It will be seen from this quotation that if the
Canada is left out, there is
from
contribution
nothing from the other colonies , and
practically
eren the sum received from Canada is absurdly small ,
taking into consideration the number and popularity
The Act is still in force in most
of the authors .
of the Colonies ; but as Capada refused to collect
the duties some twelve or thirteen years ago , as far
as that Colony is concerned the Foreign Reprints

it

Colonies complained that they were unable to get
English books .
Canada was the chief complainant , as she saw
the United States with their piratical trade flooded
English
to
works which she was unable
with
obtain ; but the complaint was strong also in the
other Colonies , because those who did read wanted
to buy books , as they could not borrow them from

into the colonies , and notably American reprints into the
of Canadla ; but no return , or returns of an
Dominion
absurdly small amount , have been made to the authors and
owners .
It appears from official reports that during the
ten years ending in 1876, the amount received from the
whole of the nineteen colonies which bave taken advantage
of the Act was only £1, 155 133. 2 d., of which £1,084 13s. 2 d .
was received
from Canada ; and that of these colonies
seven paid nothing whatever to the authors , while six now
and then paid small sums amounting to a few shillings .

as

the Colonies of books unlawfully printed was for bidden , without
the consent of the copyright
owner. Ar
Owing to three causes , firstly , the rapacity of the
pirates , who had no authors' royalties to pay
there was no United States Copyright Act in those
days , and International copyright was difficult and
involved ; secondly , owing to the lack of enter
prise in the Colonial book trade ; and thirdly , owing
publishers , the
to the supineness of the English

21

�THE AUTHOR .
:

.,
in

's

to

to of

be

to

,

be

11

&amp;

10

of

of

.

at

is

-

it

.

,

to

—

.

in

of

of

in

a

, of

in

,

,

is

It

.

in

of

to

,

,

a

.

as

of

's

.

in

is
a

,

in

in

to

is

;

in

,

be .

to

to

of

,

be

on

's

an

It

of ,

be

as

a

in

a

in

in

.

is

,

of

it

,

in

so

in

to

as

.

all

,

,

to

's

to

on

the

-

a

to

made clear

Even with
the protection which the Board
rights
guard
Trade may invent
the author
will
almost impossible
follow the number
placed
different reproductions
the market
be

.
or

48

to

on

be

on

.

.

a

of

be

us

of

to

to

,
it

in

It

.

“

15

on

88

,

to

,

,

of

is

in

to it
a
to

in of

,

Mír

may

ni

,

as

,

,

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of

in

,

to

To

.
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,

us

,

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on

,

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it

,

,

In

.

the society that

is

of

,

a

of

, to

,

of ,

,

of

to

of

,

of

of

to

to to

•

to

July 29th
this letter
Caine replied
He stated that he had forwarded all the papers

the other by the author but
Government and
the royalties that
much the collection
not
makes the compulsory licence impossible but the
compulsory
fact that the licence
What has
proved such
distinct misfortune
the past
slightly different circumstances will most prob
ably prove
distinct misfortune
the future and
may
that the author will obtain
little
his
true and just returns under the clauses
the Bill
present under discussion
he was able
who
under the Foreign Reprints Act

it

-g

time
such works
receiving the duties imposed transmits
The Colony
them
the Treasury and that Department
distributes
specified
them
the respective copyright holders
the
Customs list
Until 1881 was the practice
the Treasury
distribute
thesc sums however small but
that year
was decided
they
retain small sums until
accumulated
minimum
of £1 reduced
1903
108.
view however
the numerous small amounts due
the various copyright holders and
the time winich had
elapsed since these sums were collected
was decided this
year
pay over sums amounting
the aggregate
over

at
at

,

of

Good Hope
and
these Colonies becoming

of it of

on

,

in
be

Cape

.

to

Canada
effective

The Ordinance
the Colony fixes the amount
the
protection and the title
this protection depends upon
registration
the work the name
the holder and the
period
the copyright with the Commissioners
Customs
list supplemented from
the Colonial ports
who issue

to

the unfortunate author who was
freely
true that the
consequence
robbed
the
compulsory licences
which there are two
present Bill refer
Great Britain and Ireland
only but
possible that they may cover
good
many
But this fact gives
well
the Colonies
little hope that the compulsory licence will be
point
less dangerous from the author
view than
the past
was
All who have studied the Copyright Bill know that
compulsory licence twenty five years after
there
compulsory and
the author
death
and there
the unfortunate composers
unlimited licence
reproduced by
who care
allow their works
mechanical instruments
argued that the two
course
will
the
that
the least parallel
stances are not
be collected by the
one case the royalty
it

.

Grenada

The Ordinances
Natal ceased
self overning

time

the benefit

is

,

.

,

Vincent

Trinidad

obvious that the Governments
the
Colonies were hopelessly incapable
carrying out the Act
satisfactory manner for
was

separate

it

is by ,

,

,
as

-

:.

.

and

.

.

St

Good Hope and

. .

Natal

,

St
.
. St

.

of .

Canada
Cape

copyright properu
property
necessary however
with this idea
and
length Mr Hall
that we have set out
before
the com
consider the application
Caine case
pulsory licence
the present copyright legislation
is

in
in

,
or

or
in

in

by

.
.

British Guiana

the passing

obtained from

the new Copyright Law will be that this absurd
repealed
Ordinance
Victoria will
along with numerous other Statutes dealing with

's

to

an

as

,

so

Newfoundland
Lucia
Christopher
Nevis

collected
very
sinister

of

, of

.

.
c
.
95 in
)
to

in

.

11

( to
10
&amp;

be

of

beor

,

, .

Mauritius

10d

casts

One satisfaction

co

,

, to

of

36
),

of

of

an

,

,

to

to

.

Jamaica

nine books
light
the
licensing clauses
the Government new Copyright
Bill showing that the receipts
the descendants
authors during the years
free licensing
will
hardly sufficient
probably
pay their washing
bills
years

eleven

Itn

42

. of
.c

40

, (
of 39

of
in of

in

in

Antigua
Bahamas
Barbados
Bermuda

at

I

to

amounting

COLONIES

.

THE

It

IN

COPYRIGHT

Under Section
the Customs Laws Consolidation Act
copyright
foreign reprints
1876
and
Vict
works
which notice has been given
the Commissioners
Customs that the copyright subsists are prohibited from
being imported into the United Kingdom
Section 152
the same Act also prohibits importation
reprints
such works into the British Possessions abroad
but adds that this does not prevent Her Majesty from
exercising certain
powers vested
her under the Act
the colonies
amending the law relating
the protection
suspend
British Copyright Works
Vict
certain cases such prohibition
These powers were that should the Legislative Authorities
any British possession
disposed
make provision for
for
protecting the rights
that Possession
British authors
such
for that purpose
Act
Ordinance
and pass
Ordinance should
submitted
for approval
Her
Majesty and provided that reasonable protection
thus
secured
the British author
Order
Council should
long
the Ordinance remained
be issued declaring that
force the prohibition against importing selling letting
possessing such
out
hire exposing for sale
hire
regards
foreign reprints
that
should be suspended
Colony
the following Colonies
Authorities
The Legislative
duly passed the necessary protective Ordinances which have
been confirmed
Orders
Council

,

its

working and ended
comments on the Act and
his letter with the following words
afraid the statement you are good enough
per cent
send me representing
duties
“

.

T
.
L
.

HEATH

general body of British Authors what the small
payments represent . ”
He passed some drastic

am

,

Commons , dated the 25th of August , 1857, and of a memo randum prepared in this Department , which my Lords
trust will be of use to you .
I am , Sir ,
Your obedient Servant

�THE AUTHOR .

to

at “

of

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,

in

of

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a

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us

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, six
-s

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so

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of ,

by

or

of

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to

is

a

few

system

of

thriving

years has

finance

which

on

to of to

in

”

-

is

.

“

a

is

.

on

in
a

to

's

a

all
,

course

the

built many palatial

offices

then

,

Why

it,

,

in
it

,

living

with

is

in

if

,

"

of

with the majority

,

in

as

,

“

,

to

be

of

.

well

,

it

,

,

to

.

of

,

.

from

book that takes much time and infinite pains are
your
publisher
object
while
use the
year and
same working capital thrice
earn
buoyant profit
each
turnover
You
are
godsend
your
stricken
but your work
publisher
You know the kuock out
small
ready
go
editions while your publisher
a

,
to

of

a

,

to

no

,

at

of

,

to

far

fares very

outlay
about £30
not more than
The author gets about
much under
good
agreement
and upon that he cannot
live during five
six months
work
his needs
publishing
citizen are opposed
the finance
Royalties
The opposition too
fundamental
£115

of

in

a

?

,

in

.

,

to

obedience
the belief that British homes are alms
houses filled with paupers
And newspapers
too
are trading with the property
dead authors
ring
the hope that they may
able
the
ordinary publishers
Meantime you will note

profit

.

,
of

-

of

of

a

of

in

I

If

.

'

?

connexion
the book market
where classic authors beg pleadingly for pence and
danger
ha pence
the classics are not now
our own work what else are they
One trader
dead copyrights saved
fortune
royalties
pay he knew
£500 000
He had
which classics had the greatest vogue and
was
large
easy
boom
them
into the market
reprints and
wheedling prices till the
little
copyright books seemed not only high
retail cost
by comparison but wrongful also Many publishers
do the same thing now and each tries
undercut
cheapness
the dwindling
standard

of

so

an

he

.

in

,

to

.

by

of

this

after a week without anything to eat . Oh ! In
the battle
the books
the war
the classic
against their humble successors
dead
knock
outs
are not
the the least enjoyable
least
those
who know how they act and how they
lapse with
are financed
allow copyrights
out paying royalities
the State
not only
giving
subsidise
the simple great ones gone
them unfair advantages
market competition
besides that
which
bad enough
endows
publishers with
fruitful capital
vast property
excellent books freed from royalities and from
the need
much advertising
and
this penalises
the daily efforts made by ourselves
living with royalties
author
earn
good and the
little editions the royalties must
price rationally high
else
will starve even
profitable interest
when his publisher banks
capital
trifle
not
all bad trade when
hilling novel
publisher prints and sells
edition
thousand copies gaining thereby

If

,

.

is

,

be

it

a

of

in

with skill
hand
think
with the frenzied competition

copy is greater than that in the large
classics ; and yet these reprints
royalities , while to -day ' s own
are exempt from
books cannot be , as authors somehow fail to live
without food and shelter , though many have had
experience in the school of long hunger . I can
recall a time when stale dry bread was delicious
the cost per

reprints of popular

a

to

,

,

old

a

of

in

a

may
awed into imitation and unfreedom
great things
accumulated riches
Goethe counted himself lucky that
inherited
array
weak German literature believing that
classic authors equal
the English would have
cooled his own ardour and hindered that growth
character which comes from thinking freely and
acting independently
And who has not observed
Italy how the deification
the old masters has
enfeebled modern art among
race
men wonder
fully equipped
nature with quick perception and
and

by

And another point is this , that when new copy
right books appear at a reasonable price they are
published more often than not in little editions , so

a

CRUSADER .

as

BY

THEN a type of society becomes ordered and
V
intricate , it retains a great deal of work
from
the past and produces many new
things in a traditional manner ; then market
rivalries between old products and modern efforts
bring in their train many evils of their own . To
speak figuratively , the young harvests have to
grow in fields already occupied by corn which time
has left unreaped and unharmed . Yet they are
expected not only to strike root under the shadow ing protection of the
push
corn
but
their
way upwards
without being stifled
till they
ripen
the sunshine
free air
Children are
lifelong competition with their parents
spared
but the generations are not for they inherit much
living genius that the present
ever the past also

a

WORDS ON EXPIRED
COPYRIGHTS .

FEW

A

Already there are copyright novels at
sevenpence the copy , not reprints , but first editions ,
yet not two writers in a hundred can hope to earn
bread by royalties on that price , being in constant
competition both with lending libraries and with
reprints of Dickens, of Scott , of Thackeray , and of
many other perennialists . Besides , however low
prices may be , the public is soon tired of their
repetition
and begins to think that they are
expensive .

writers .

a

when any pirate who cares to may begin manu
facturing with little or no fear of detection , and
with still less fear of conviction .

23

that the

State

favours

the

�THE AUTHOR .

for

.

a

of

;

of

a

to

all

.

it

be

-

,

at

us
a all

-

"

-

“

to

in

.

of

,

to

in

up

,

no

.

,

is

'
of to .s in

a

in

,

,

,

;

,

So

.

.

a

;

a

to

as

is

to

an

of

,

a

as

on

a

of

?

, of

to
a

,

be

a

of

,

it

is

a

of

!

as

?

.

it

;

as

to

is is

in

he

,

is

,

-

in

,

of

copy
his work everywhere
Yet this great Englishman
and
copyright
their generous

no

many others had

of at it

by

is

in to

.

of

in it
?

,

it

to

valued
and each
Chaucer himself

.

.
a

in

.

on

a

by

since

,

to

fewof

a

to

of

is

,

,

of

?

her laws

all

,

in

no

is

by

-

-

short lived copyrights granted

by.

of

to

to

to

a

's

a

Why does she not enrich her
her self interest
Exchequer
charging
royalty
her classics
buy the
And why does she not forbid publishers

he

a

.

's

in
a

of

of

is
a

of

.

of

point
And there
another
vital interest
Since Great Britain
from
the first claims every
authoi property allowing him only the use
years why
for
small term
she not logical

family neither lessens the land nor makes
barren
Mother Earth and true genins are equally stable
property
and equally bountiful
the distinction
between them
that genius merits the greater
protection since the permanent worlds built
belong for
time
the rare workers who are
once new and antique and the contemporaries
example
all the ages
For
Chaucer
more
day than
marketable
far
was
his own
time
lives
all countries where poetry

,

,

to

up

the requests
other nations
the extension
protection
the period
life and fifty years and
the domain
blessed compromise
this certainly
right
grant
illogic
For the State has
many forms
perpetuity
ownership
property
very
and
limited ownership
others
Logic and justice demand that all property
civilised nation should enjoy under the law the
same protection and the same privileges

,

. in

to

,

to

is

It

fructiſying value
nation
life and trade Lord
Alversione hopes that Great Britain will support

'

.

in
a

in

to

,

1,

on

,

a

to

principle
the following
that the property
copyright and literary work belongs
the author
pleasant
note that Lord Alverstone gladly
admits that books and copyrights are property
and that this property belongs
those who call
them
into literary presence and give them

of s

,
to

thoughts

produce

took
from those cloistral
books were manuscripts and
few
copies circulated among the religious
mainly
nunneries and monasteries
then Shakespeare
they belonged
own works were never his own
England from the first
farthing
and not
royalty has yet been claimed by the Exchequer
from the publishers and theatre managers who have
property
traded with Shakesperian
How com
pletely different
this from the legal protection
granted from age
family
age
such
the
Cecils whose landed estates have passed from heir
heir gathering
increase
value from the
progress
nation
Could anyone break through
hedge
legal
theirs without incurring
risk
punishment
And why
that land which
nature provides
mother for the nursing
all
living creatures should
property
handed
family than are any
more real and more native
imagination
fruitful works
Had Shakespeare
England would have lost inestim
died
child
great
able
riches
whereas the extinction
a

a

of

be

to

,

?

English

expect

fitted

ages when

as

in

If

of

,

,

.

He would

girdle around the world each generation
The Lord Chief Justice
November
1909
expressed
the hope that Great Britain and her
Colonies would do all
their power
draw the
civilised nations together
common accession
new

that the printing press

,

of

in

an

.

,

of

or

cheap

put

He could not
diminutive flurried

seas

all things

invaluable
this connection
think
the difference between Shakespeare and the great
Elizabethan landowners
The dramatist from the
inheriting the laisser faire
copyright
first had

for

,

to

be

it
,

to

.

the
petty

national ownership
wealth

;

of

of

if

a

,

,

si

which she has gemmed
like anything meagre

right while
koock out the author cannot
landowners and other property holders can bequeath
and entail their estates without any regard
for that poverty born ideal which sets before
To

of

.

,

do

.

it if if

support
very few votes would
given
their
present
tyranny
over the new breadwinners
overwhelming
literature
Milton would lead
opposition
seconded by the rich common
Shakespeare
sense of Latimer and
Johnson
would he not say
oke aſter many invitations
England ought ever
that the mind
repetitions
piece with the many
herself with

is not to her advantage nor to that of authors
that rich tradesmen should be able to force the
weak hand of poverty ? Many publishers bunger
for copyrights , and needy authors become the
victims of that appetite , being unsupported by their
self-made legatee , the State .
These anomalies , too , are in keeping with many
others .
It is said , for instance , that properties of
authorship are such inestimable gifts to mankind
that the State is justified in claiming them
her
people
This sounds like principle
Socialism
applies
property
the many forms
having more than
temporary and personal value

It

Why hand
to the injury of authors ?
over to him all expired copyrights in order that he
may issue them in reprints so cheap that they dis credit the rational value of new productions ?
It
can no longer be said with any semblance of truth
that the people need such cheap reprints , for the
poorest of the poor can well afford to read borrowed
books in these days of free libraries. Besides , the
first duty of a State is to cherish within each gene ration the hopeful courage that acts well , and the
higher aspirations that quicken and enlarge the
singing birds
mind
You cannot have aviaries
you
honey
not feed them nor hives full
you smother the bees
And we may depend upon
into the House
that
we could suininon
parliament
Commons
the simple great ones
Tennyson and Browning
gone from Chaucer
of

publisher

to

24

�THE AUTHOR

it

,

an

of

."

“

.

no

of

by

,

is

so

to

in

of

.

—

of

.

.

an

it

In

of

a

. , .

in

it

:

to

at aof

.

its

,

of

be
“

by

of

to

of

at

, ." of

of

.

to

it

a

of

to

.

of

in

—

-

to

a

its to

to

;

a

by

he

to

.

,

to

.

,

no

,

A

on

as

,

's

its

,

or

.

of

,

.

.

,

.

be of

to

,

a

.

it

.

a

in

or

,

9

us

of

—

,

as of

of

,

to

,

,

in

,

.

in

,

a

-

,

of

of

encouragement

an

;

,

in

as
a

to

a

,

to

,

,

,

to

,

as

a

as

potential profits than
budding talent
the main
deal with authors
favourites
with the reading

eye rather upon

publishers desire
already established
public
Speculative risk must beyond dispute play
part
the launching
unfamiliar names upon
the book market
the quality
their wares apart
Although then such
have suffered
the

a

a

,

“

or

of

.

a

on

",

in

,

.
an

philanthropic

in

in

in as

to

,

of

as

1

If

portraiture
Casting

to

fact that the sorrows

poignant
the full
the present
ever they were
the past no
writer
eminence has testified with greater force
than the late George Gissing whose novel
The
every man
New Grub Street
woman who com
templates embarking
literary career should
study closely and ponder deeply
the experience
the present writer whose
first attempts
that direction were taken twenty
five years ago may be accepted
corroboration
the
masterpiece
book should stand
faithful

Grub Street are

to

of

o

T

the plain unvarnished

is

do

by

in

"

.

of

as
a

to

it

it

.

A

FREELANCE

.

's

an

”

a

,

at

-

in

In

“

"

.

to an
a

in

.

of

,

.

,

a be

as

,

'

, -

to s

,

in an

to

-

a

a

to

to

as

,

,
or
,
if

a

, ,

of

by

in

as

to

a

to

at

we

up
,

To

be

as

old

of

SORROWS OF

in

The following
incident may serve
illustrate
Having completed
this point
short story during
the month
March 1893 the writer submitted
respectable weekly which
the following July
present purposes we will call
The Flagstone
During
interval
was promptly returned
four years the manuscript thenceforward
fulfilled
destiny
rolling stone gathering
moss
Then the writer impelled
one
those curious
impulses
which errant human nature
liable
presented
for the second time
the journal
previously
which had dealt with
uncere
monious fashion
The sands
the year 1897 rau
out
did those
1898
and the story neither
came back nor appeared
The year 1899 repeated
the process
its predecessors Respectful enquiries
elicited curtnotes
evasive tendency Eventually
affairs were brought
climax
After
interview
with the editor early
1900
the story made
his subscribers
belated bow
June
that
year
was paid for
For four years
had been
post
tossed about from pillar
for three
had
languished
sort
backwater without either
rhyme
reason
account for
fate
manuscript
Nor was this the only instance
receiving the honour
acceptation
the hands
one whom
had
first proved
unsuitable
Editorial antics
this kind are preferable
however
those sometimes performed
men
not only unbusinesslike but also unscrupulous
not
stronger term
use
their dealings with
obscure wielders
the pen
Take the case
booklet
twelve chapters posted
certain social
weekly
with
view
serial publication
on
Neglect
September
1891
the precaution
register the parcel may have been responsible for
complete disappearance
not but the simple fact
quitting the author
remains that upon
hands
though
the MS vanished into space
con
juring trick
lawyer
whose services were
requisitioned
the quest attached
blame
the
postal authorities
Though lost
the author
believed the labour expended upon his MS would
as

,
of

to

of

.

be

's

:

between the
and the new
fact the
would enter for all time into the people
endowed
infinitely fairer
education
This would
each
passing generation
harassed writers
books
who bid
the public fancy for their livelihood
sum
hare seen that copyrights should
protected
the least for life and fifty years and
that those which survive that period should
published with all other classics by the State
part
the national education
left free
all
speculators
royalty
should pay
fixed
the
Exchequer partly that the nation may benefit
setting
whole
time limit
author owner
ship
his own work and partly
order
check
possible the wrongful advantages now
far
given
publishers and newspapers
their pitting
books against the new
then

It for in

old

in no

be

old

.

of as

,

be

"

living authors would
outs
that now
harm
pass away because the classics would
welcomed
apart from trade speculations and the enrichment
competition
tradesmen
There would

rejection at their hands ,may or may .
view
that : “ Barabbas
comprehend their
can
disinclination
as business men to purchase goods
manufactured by untried makers .
The case against cditors is no whit more cheerful .
periodicals
which only first class matter
glance
serted
author signature will suffice
Popnlar
journals may and
here and there
copy
use
sent
outside contributors
but
they commonly make this concession
such
irregular and seemingly unaccountable manner that
the freelance who relies upon them
source
income will speedily perceive his conditiou
desperate

not endorse Lord Byron 's
was a - publisher ,” still we

its

-

“

”

to “

do ,

-

to

at

,

If

the State had her own printing works and
non copyright books
the public
their
rings
pet cost per copy many
knock
and
issued

25

of chronic

pangs

,

.

-

of of

by

all

property , and even now there is not the sinallest
chance that full justice will be done to authors and
artists, because no political party can win votes by
asking the public to sanction fair copyright laws .
Indeed , the man in the street is quite indignant
that anthors should want to bequeath to their
copies
families the right to demand royalties on
their work issued
tradesmen for the purpose
money getting

.

�It would be
spirit
cultivate
like altruistic
survey with equanimity the loss
story
order
monthly magazine
similarly
dealt with

:

—

22

a

!

,

by

—

-

be

!

,

as

us

,

16 in

for

' ,

of

as

of

he

of

, as

in

,

, ,

of

”

,

,

to

of

to

of

.

I

”,

contributors
he wrote
The
“

of

.

“

.

are

many struggling but talented

With some
the complaints
periodicals
entirely sympathise

as
a

,

a

a

by

to

,

an

,

“

on

helping hand
beginners

lent

.

?

Read

brain and pen alone
career treated
such
Nobody wants him
Every

of

,

.

-

no

of

-

so

!

.

him

in

November
Chambers
Journal and later
the Cornhill Magazine
occupied
elevated position
the world
letters
although
and
not infallible
his rejection
undoubtedly
John Inglesant
would show
editor

of

a

,

,

in

to

he

.

.

be

an

.

to

of

W

.

,

COPYRIGHT

LAW

of

.

of

a

,

be

to

,

on
a

to

.

is
in
a

,

"

.

”,

is

It

"

.'

is

to

,

is

at

in

be

,

in

,

as it
to a is

, ,
of

is
a

It

.

of

in

.

of

,

at ,

,

de
- -

,

of

,

,

by

,
so

of

In

.

a

in

.

,

of

to

known
facturing

to of

-

.

its

by

to

off

,

,

is

no

,

.

.

he

,

a

to

“

.

In

of

of

,

he

by

due season
with the pen
the same port and
another argosy
twenty
For period
another and yet another
this enterprise
three years he persevered
spatching cargoes
this that and the other kind
deeming them likely
suit their market until

right
well
the maxim that might
publishers
that the American manu
the behest and
clause was inserted
the Typographical Union which
insistence
the
the strongest labour union
well known
Its primary inclusion and sub
United States
Copyright Act
sequent retention
the American
were distinctly against the expressed wishes
good thing
course
American publishers
for American printers and paper makers and
either trade
those engaged
looked upon
protection much better
very beneficent mode
of

.

's
in

to to

by toilers

the

of

,

.

R

president

or

-

,

of

of

,

a

.

WISE

Macmillan Company

to

“

of

.

at

as

be

at

FRANK

Canada has given
the Press
statement correcting some
misconceptions already made and putting forward
afraid have escaped the
some points which
his
number
the Hon Mr Fisher and
notice
put
doubt while wishing
associates who
dignified basis would
Canadian copyright
bring hardship and pecuniary loss
the last ones
their publishers
Canadian authors
either
The manufacturing
clause
the present
good example
says Mr Wise
American Bill

I

it

be

M

a

“

.

,

to a

in

to

"

",

a

CANADIAN

,

31
,

)

as

,

PROPOSED

etc

of

SMITA

.

of

HERBERT

personal experience
the people
entire accord with the above
his early
one
forwarded
the year 1884
attempts
them under the belief its nature was
His con
meet their requirements
kind
return
swift
fidence was rudely shaken
paper
accompanied
that familiar slip
dreaded

them

(

”

of

is

so

,

as

Shareholders
this for them

accepted
marked
the offices and verify

The writer
implied are

he sent

as

.

,

“

uplift

.

to

let

us

"

“

selves

.”

of

is

,

no

.

of

back
nor handed back
peep into this mystery
MSS
Now
returning
Long years after
the sender unreal
The Sorrows
Satan
from which
novel our
quotation
borrowed
was first published
August
recently
well
1907
precise
known journal dealing with the affairs
extensive publishing business made the subjoined
Will
strictures upon its management
credited
asked the investigator
that manu
scripts submitted
for consideration
the firm
huge volume and
were solemnly entered
solemnly returned
their senders often
then
pages
this
Scores
without being looked
single
turned over without finding
volume may
contribution
should call

its

in

you say

,

all
,

his

so

,

exaggeration

be

;

derided
unread

him

.”

back

.

to

His efforts

,

tion and conrtesy
the editorial ranks since such
men
and Thackeray and Dickens ceased

.

solid truth
We have seen how MSS
simply kept indefinitely and neither
flung

be

may

News

London

This gentleman

there can
smoke without fire
can be no exaggeration where there
no

-

there
nucleus

Illustrated

1895

on

the

length
time their manuscripts are retained and
rejected the smallness
after
the remuneration
payment are genuine grounds
and the delay
grievance
And there has been
marked
deterioration as regards honesty taste discrimina

as

But

live

by

to

-

of

or

.

Lest these animadversions
should
taken
prejudiced
any degree overstated let
refer
commentary made
the late James Payn

to

,

up

on

's

to a

of

of

,

is

at

"

Whoever seeks
the beginning
sort
social pariah
body despises
manuscripts are flung
Wild words gross

on

of

,

to

no

-

,

in

the air
Were these tribulations exceptional
before answering the question

,

-

It

on

, .

,

it

of

bursting

up

of

on

a

of

a

by

18

October
1900
could have been used advan
tageously later
but the custodian
whose tender
mercies
had been committed denied cognisance
duplicate
the little stranger
and there was
By these and kindred devices fully one half
the
manuscripts despatched
their doleful journeys
from the beginning onwards have
the present
astray
moment gone hopelessly and irretrievably
fifty per cent
man merchandise proving
many soap bubbles
greater value
him than

a

,

in

a

to

to

least forty had been shipped
and
refused
the
precision somewhat
last
them turning
with
reminiscent
clockwork
December
1907
Yet consignments
condemned
shall we say
without the formality
examination
this par
ticular very particular house have been accepted
not altogether with reluctance by its rivals
of

in all probability benefit - somebody .
necessary

off

THE AUTHOR .

26

�THE AUTHOR .

of

in

of

,

of

no

is

,

at

."

,

;

in

or

on

or

to

in
soof , a

of

in

is

,

to

is

a

.

it

is

,

is

in

or so

.

of

of

so

is

.

-

its

,

in

is

is

,

it

in

clear and the price

,

is

.

a

be

hesi
not

moderate

JAPANESE

of

in

“

no

,

Basil

Hall

Chamberlain

.

of

1911

.

.

:

",

Poetry
John Murray

Japanese

by

.”

.

W

London

of , :

of

or

of

to

be

a

,

.*

his

1

.*

Clarendon

POETRY

preface Professor Chamberlain
confesses
years his taste respecting
that
the course
translations has changed
He has gone over
the camp
the literalists
and cares for
prose
poetry unless they
versions whether
scrupulously exact
We are entirely
the
*
"

the

.

”,

adapted
by

,

F
.
G
.

Dictionary
published

by
H

.”

.

recommended without
length

Although 900 pages
volume
The type

.

an

purchase can

tation
bulky

“
a

up

“

,

to

of

.

-

*
"
Press

Fowler

what

check

claim

TN

reviewing
are two distinct ways
dictionary
We are not leading
the
self evident and commonplace retort
Yes
the right way and the wrong way
The Concise Oxford

difficult

.

It

.

OXFORD DICTIONARY

HERE

Fowler and

becomes

Following out the principle
self erident
for common words
current use we
everything that
adapters
find the Dictionary

."

no

,

5

on of

in

CONCISE

a

its

:.
of

“

censured
apparently
looking

,

by

be

to

a

of

THE

procedure
This line
once rouses interest
and the checking the accuracy
this statement
afforded infinite pleasure
true that words
common use are
often overlooked
and their meaning
distorted
misapplied
severely
When suddenly
misuser

.

of

.

of

by

be

to at in

be is as

It

,

be

of

to

repressed almost
extinction
means
whole
sale piracy which
same conditions
would
possible
Canada
the terms
the Copyright
present outlined
Bill
copyright
hoped that this matter
given very careful consideration
will
and that
blindly persuaded that benefit will
no person will
any Canadian industry
accrue
the inclusion
manufacturing clause
will not mean
printing
per cent over the present
increase
amount now done
the principle that
full
pitcher can hold
more

space
One
these peculiarities
the large amount
given
the common words that
one goes through the
day without using scores
hundreds
times often dis
posed
line
two
the ground that they are plain
and simple and that every one knows all about them by
the light
nature
but
fact entangled with other
many alliances
words
during their
and antipathies
perpetual knocking about the world that the idiomatic use
them
far from easy

.

he

,

of

by

of

number
the American Review
Reviews
shows how American literature was stunted and

perusal
great source
lish ; and this makes
pleasure
The adapters themselves say
their
preface

Its

.

to

of

In

an

in

.

,

.

to

to

by

a

of

a

in to

by

,

a

,

be
,

or
,
if

,

,

in

a

only
served by books imported
must
from
the United States and the
limited market making separate Canadian edition
unprofitable neither paper makers nor printers can
possibly have anything
holding out for
gain
manufacturing
the new Canadian Bill
clause
As matter
fact Canada has much more
lose
following the bad example
gain
than
our
neighbours
admirable article
the south
by Mr Brander Matthews published
the June

is

of

,

is
,

therefore that there
Canada now best
preferably from England

a good one : first , the adapta
English
made from
the Great Oxford
Dictionary ; and , secondly , it is connected with the
names of the two Fowlers.
Are these reasons in
We have no
sufficient ?
the proof good and
in giving an affirmative answer .
hesitation
The Dictionary is a Dictionary of Current Eng

Dictionary should be

tion

It

is

financially

edition

There is the method of getting a learned
lexico
grapher to go carefully through the book and of
obtaining
a learned treatise from his pen .
This
present circumstances will not allow here
method
or elsewhere ; and there is the modern method of
choosing a certain number of words , looking them
out , checking
them
and seeing
that they are
correct , and leaving the rest to luck .
It is this
latter method that we acknowledge without shame.
There are two principal reasons why this

of

being

Canadian

Our contention
limited market

.

possibility

a

make

to

demand

a

,

of in

is

the printers in fact than would be protection by
tariff , since under the later arrangement importa
tion of foreign printed books could only be avoided
by keeping the prices of the home-made books
down to that of the foreign printed books plus
duty . Under the form of protection by copyright
foreign
the public is prohibited from importing
printed books at any price .
At the time this manufacturing clause was made
operative in the United States , they had a popula .
tion of some seventy millions , which made a market
of sufficient size to make profitable the setting up
and printing of an addition for consumption in the
United States .
Indeed , this would have been
possible , though , of course , to a lesser extent , with
population
With
of , say , twenty
millons .
a
Canada ' s population , however , of a possible eight
millions , to be shown by the new census , printing
utterly out
Canada for Canadian consumption
nothing like enough
the question since there

27

�THE AUTHOR .

.

,

,

, .

be

as

of of of

.

of

“
A

,

to

. .

.

'S

to

to

as

,

be

.

up

'

,

,

if

be

an

I

it

a

be

to

in

of

for

a

,

”

it “
by

to

it

of

to

not

,

Yours faithfully

,

ALGERNON

WARREN

.

like

.

by

,

to

.

of

to

.

.

of ,

,

be

or

.

be

in

.”

,

at

-

be

“

to

of

its

in

to

.

its

to

assurance company could
got
specify
would undertake
cover
this
way the controllers
organs would
unincluded
expedient
the most part find
the sake
prestige
getting
follow suit
similar public
form
cover
Otherwise they might lay them
suspicion
selves open
instability
When new
developments are organised people often have
come into line
adopting them
wbether they
once

what publications
for

in

to A

.

be

,

"

- to

be

“

of

of

—

is

to

he

is

a

,

all

,

is

or

",

enable the authors
know where
when the prize winning stories will
published
An author may
quite willing
sanction the
appearance
his work
one
the three magazines
and yet object strongly
appearance
either
the remaining two
Still stronger may
his
objection
appearance elsewhere

my previous suggestion that
Following
SIR
scheme for insuring contributors payments should
contemplated
add that
seems patent that

it

,

it

In

by.

-

“

Competitor

INSURANCE

to

of

"

is

.

,
if so
,

, ,

,

be

PEARSON
MAGAZINE
THE ROYAL MAGAZINE
THE NOVEL MAGAZINE

at
.

to

is

is

“

; ,

",

“

of

authors this criticism
any case
difficult

new

somewhat
curious
imagine that
anyone would pay £50 for
story
did not intend
publish
But may we allay any fears
this
assuring all those who read these lines
direction
that prize winning stories and those purchased
published
our ordinary rates will
nothing
There
continues
Would
to

is

"

.
Yours faithfully
The Editors

remarks
said
the fate
the successful stories
nothing
there
indicate whether they are
published though
this
hinted
As the stated object
the competition was

discover

as

of

,

to

,

is

in

as

of

in

.

be

be

,

-

,

“
A

endure

to

us

Nothing

he

raises

easier

1

,
”

in

of

,

to

. if

glad

-

your

Contributor
refers
our

to

As

correspondent
Would
your issue
July
obviously
£260 Story Competition
we shall
you will allow
deal with the points he

—

SIR

COMPETITIONS

.

PRIZE

,
of

,

be

to

,

,

a

in

I

.

CORRESPONDENCE

in

of

an

,

for

Your correspondent

for

'

.

a

in

a

of

,

in

.

as

be

up

is s

.

so

no

by

,

is

the originals , in Roman character . This is how poetry
ought to be translated ; and while the former part
of the work contains much that is neat in form and
pleasing
in substance , we have no hesitation
in
saying tbat the new translations represent the most
valuable part of the book . The terseness of Japanese
Epigram
remarkable and
means always
avoids obscurity
All the difficulties are here
admirably elucidated that Professor Chamberlain
regarded
book must
one which no one who
taking
Japanese seriously can neglect
As these
adding that
are however few we have pleasure
every one with
poetical value
true sense
will find
this volume great deal that will give
delight

this were not expected to compete .
proceeds next to deal with
the question of rights .
There again no diffi
culty will arise . While we shall , in the ordinary
way , expect to retain all rights in prize -winning
stories , we shall meet , in a reasonable spirit , authors
may desire to
republish
who
their
stories
subsequently .
“ No date is mentioned by which a decision may
be expected ,” complains " A Would -be Competitor ."
Since some thousands
of stories have been
entered
the competition each
which
case
rejection requires
individual letter
careful
criticism
was obviously impossible whilst the
competition was still running
announce
the
published
date when the result would
The
feature
the competition was that those actually
responsible
the editorial conduct
the three
magazines
should read the stories
and
the
number
these people
limited and they have
their ordinary work
addition
the competition
certain delay has been inevitable
Stories have
rapidly
possible however and
been dealt with
the full result
the competition will
announced
the November numbers
the three magazines
might add
conclusion that the terms
the
competition
have met with the approval
the
competitors
This being
the discontent
Competitor
Would
harder
understand
with

satisfied

it ,

are a reissue of the metri .
caltranslations published more than thirty years ago .
Part IV . contains a valuable essay on the Japanese
Poetical Epigram , and a number of absolutely literal
translations of Japanese Epigrams accompanied by

of

II., and III. of the volume

To this we need only repls that the prize
winning stories will not appear elsewhere. Every
story will be published within the next few months
in one or other of the Magazines, and authors not

of

same opinion , and yet conscious that , in the case of
poetry at least , the people are not a few who prefer
a metrical version .
Those on either side will be
able to find what they prefer in this new and much
enlarged edition of
Japanese Poetry ."
Parts I.,

of

.

28

�ADVERTISEMENTS .

TYPEWRITING .
HUBBRT WALES , ESQ . , of Hindhond , Surrey , writes

AUTHORS

:
you ments

“ I have just completes the rovision of my novel . . . which
typed, and I should like to thank you for the admirable way the
work was done. Considering that tho manuscript was sent to you
without baving been corrected oreven read, and that my handwriting,
I am told , is not always particularly legible, it is obvious that it
required perception as well as care, something more than simple
mechanical accuracy, to produce such a resulta result which , in
conjunction with your moderate charges, seemsto me to be the best
of answers to the criticisms which have recently been directed upon
the work of typists in the columns of The Author."

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STONEHOUSE

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You know the " Book Monthly " by name - you
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OF AUTHORS

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            <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.- No. 1.&#13;
=&#13;
OCTOBER 2, 1911.&#13;
(PRICE SIXPENCE.&#13;
=&#13;
CONTENTS.&#13;
PAGE&#13;
: :&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund ...&#13;
Committee Notes ....&#13;
Books published by Members,&#13;
Books published in America by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ... ... ...&#13;
Authors' Agents, Literary and Dramatic&#13;
Publishers' Methods&#13;
Cinematograph Performances&#13;
Magazine Con ents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books&#13;
Warnings to Dramatic Authors...&#13;
...&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents ...&#13;
Warnings to Musical Composers&#13;
Stamping Music ..&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
The late Jirs, Thurston&#13;
The Foreign Reprints Act Again&#13;
A Few Words on Expired Copyrights&#13;
Sorrows of a Freelance ...&#13;
Proposed Canadian Copyright Law ...&#13;
The Concise Oxford Dictionary...&#13;
Japanese Poetry&#13;
Correspondence&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. ls.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 5s. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods." With comments and&#13;
advice. 2s.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 2s. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association ; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 1s.&#13;
[All prices not. Apply to the Secretary, 39, ou Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. (#394) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Tolegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL&#13;
SIB ROBERT ANDERSON, K.C.B. | The Right Hon. THE LORD CORZON | JUSTIN MCCABTHY,&#13;
SIBWM.REYNELL ANSON, Bart., D.C.L. | OF KEDLESTON, P.C.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
AVEBURY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR GILBERT PARKER, M.P.&#13;
J. M. BARRIE.&#13;
DOUGLAS FRESHFIELD.&#13;
SIR ARTHUR PINERO,&#13;
SIR ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
THE RIGHT Hon. SIR HORACE&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
F. E. BEDDARD, F.R.S.&#13;
H, RIDER HAGGARD,&#13;
ARTHUR RACKHAM.&#13;
MRS. BELLOC-LOWNDES.&#13;
MRS. HARRISON (" LUCAS MALET'). OWEN SEAMAN.&#13;
THE RIGHT HON. AUGUSTINE BIE ANTHONY HOPE HAWKINS.&#13;
G. BERNARD SHAW.&#13;
RELL, P.C.&#13;
E. W. HORNUNG.&#13;
G. R. SIMs.&#13;
MRS. E. NESBIT BLAND,&#13;
MAURICE HEWLETT.&#13;
S. SQUIRE SPRIGGE, M.D.&#13;
THE REV. PROF. BONNEY, F.R.S.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
THE RIGHT HON, JAMES BRYCE, P.C. HENRY JAMES.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
- THE RIGHT HON. THE LORD BURGH JEROME K. JEROME.&#13;
Mus. Doc.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mrs. HUMPHRY WARD,&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
H. G. WELLS.&#13;
EGERTON CASTLE, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.B.8. PERCY WHITE.&#13;
EDWARD CLODD.&#13;
LADY LUGARD (Miss FLOBA" L. FIELD-MARSHAL THE RIGHT HON.&#13;
W, MORRIS COLLES.&#13;
Shaw).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
THE HON, JOHN COLLIER.&#13;
MRS. MAXWELL (M. E. BRADDON). P.C., &amp;c.&#13;
SIR W. MARTIN CONWAY.&#13;
AYLMER MAUDE.&#13;
COMMITTEE OF MANAGEMENT,&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
SIR ALFRED BATEMAN, K.C.M.G. MAURICE HEWLETT,&#13;
G. BERNARD SHAW.&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR,&#13;
MRS. E. NESBIT BLAND.&#13;
AYLMER MAUDE.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
ARTHUR RACKHAM&#13;
RUDOLPH BESIER.&#13;
H. GRANVILLE BARKER.&#13;
C. HADDON CHAMBERS.&#13;
ANSTEY GUTHRIE.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-R. C. CARTON.&#13;
| Miss CICELY HAMILTON.&#13;
| CECIL RALEIGH,&#13;
CAPT. BASIL HOOD,&#13;
G. BERNARD SHAW.&#13;
JEROME K. JEROME.&#13;
MISS E. M. SYMONDS.&#13;
JUSTIN HUNTLY MCCARTHY.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
1 MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
| M. H. SPIELMANN.&#13;
| Mrs. HUMPHRY WARD&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS.&#13;
H. A. HINKSON.&#13;
E. J. MACGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR CHARLES VILLIERS STANFORD, I HERBERT SOLLIVAN.&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
1 M. H. SPIELMANN.&#13;
The Hon. JOHN COLLIER.&#13;
SIR W. MARTIN CONWAY.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN.&#13;
FIELD, Roscoe &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W. ſ Soucitors.&#13;
Solicitor in England to&#13;
La Société dos Gens de Lettres.&#13;
Legal Representatire in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39 OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
&#13;
&#13;
## p. (#395) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
- PLAYS&#13;
MR. FORBES DAWSON&#13;
Special Announcement to Authors!&#13;
Many would be competitors in&#13;
Messrs. Hodder &amp; Stoughton's&#13;
new £1,000 Novel Competition&#13;
are prevented from entering simply&#13;
because they cannot at once spare&#13;
the money to have their MS. typed.&#13;
REMARKABLE OFFER!&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' experience in every&#13;
class of character, play, and theatre.&#13;
Master of Stage Craft &amp; Play Construction.&#13;
Author of plays produced in Great Britain&#13;
and America. Adapter of several novels to the&#13;
stage.&#13;
GIVES PRACTICAL ADVICE UPON PLAYS.&#13;
ADAPTS STORIES TO THE STAGE.&#13;
— NO THEORIES.&#13;
No charge for reading and giving a practical&#13;
opinion on a play.&#13;
Knows the best people in the dramatic world,&#13;
and has gained the necessary experience for this&#13;
class of work on the stage itself, in association&#13;
with the best dramatists, producers, actors, and&#13;
stage managers of his time.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
If you will send your MS. and&#13;
P.O. for 10/-, together with a&#13;
promise to pay the balance (at&#13;
the rate of 1/- per 1,000 words,&#13;
carbon duplicate 3d. per 1,000) in&#13;
monthly instalments of £1, I will&#13;
undertake to return you a per-&#13;
fectly correct type-written copy.&#13;
Absolute secrecy guaranteed.&#13;
One of my numerous testimonials for Members of the Society of&#13;
“I am especially pleased with your work.”&#13;
Authors-&#13;
C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Road, St. Albans, Herts.&#13;
SAVE YOUR NUMBERS carefully&#13;
until the Volume is complete&#13;
.. BY USING ..&#13;
G. P. PUTNAM'S SONS.&#13;
By MRS. BARCLAY,&#13;
Author of "The Rosary” (300th Thousand).&#13;
" THE AUTHOR"&#13;
MECHANICAL BINDER&#13;
THE&#13;
FOLLOWING OF THE STAR.&#13;
6-&#13;
Send for "The Throne of popularity" Circular concerning&#13;
Mrs. Barclay's stories.&#13;
By MISS WINIFRED BOGGS,&#13;
Author of “ The Return of Richard Carr."&#13;
VAGABOND CITY.&#13;
(Symons' Patent).&#13;
Price 2/8 net.&#13;
This useful invention enables subscribers to bind up.&#13;
number by number, the numbers of The Author as they are&#13;
published, and at the completion of the volume can be taken&#13;
off and sent to the bookbinder-leaving the Mechanical Binder&#13;
free for the next volume. Whether containing one number or&#13;
a complete volume it has the appearance of, and handles the&#13;
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A FEW PRESS OPINIONS.&#13;
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By MISS EVELYN ST. LEGER.&#13;
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&#13;
&#13;
## p. (#396) ################################################&#13;
&#13;
iy&#13;
ADVERTISEMENTS.&#13;
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NEW SIX SHILLING NOVELS NOW READY.&#13;
RUFÊLËS&#13;
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A PASSION IN MOROCCO ... Charlotte Cameron. THE CITY OF ENTICEMENT... Dorothea Gerard.&#13;
THE IMPERISHABLE WING ... Mrs. Havelock Ellis. MARRIED WHEN SUITED ... Mrs. Henry Dudeney.&#13;
A PRISONER IN PARADISE ... H. L. Vahey.&#13;
CLIVE LORIMER'S MARRIAGE E. Everett-Green.&#13;
WHEN SATAN TOOK FLESH ... A. J. Anderson. BECAUSE OF A KISS... ... Lady Constance.&#13;
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.&#13;
St. John Trevor.&#13;
THE DESIRE OF LIFE&#13;
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To Authors and Journalists.&#13;
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&#13;
&#13;
## p. 1 (#397) ##############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.—No. 1.&#13;
OCTOBER 2ND, 1911.&#13;
[PRICE SIXPENCE.&#13;
I'ELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAI), LONDON.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
adrertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no uudesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
D OR the opinions expressed in papers that are&#13;
signed or initialled the anthors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
The Editor begs to inforın members of the&#13;
Authors' Society and other readers of the Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
TROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may he cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are: (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incor heavy&#13;
expenditure, either in fighting a question of prin;&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
LIST OF MEMBERS.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of the Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 58. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
retorn articles which cannot be accepted.&#13;
VOL XXII.&#13;
THE List of Members of the Society of Anthors,&#13;
1 published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
end of tbe list for the conrenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
&#13;
&#13;
## p. 2 (#398) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
5 .esܚܢ ܗܘ ܙ ܝ ܝܕܕܙܘ ܝܙ seܟ ܗܘ ܕ&#13;
NOOCNO&#13;
THE PENSION FUND.&#13;
£ $. d.&#13;
March 9, Hardy, Harold .&#13;
0 10 0&#13;
March 9, Hutton, E. .&#13;
0&#13;
.&#13;
5 0&#13;
N February 1, the trustees of the Pension&#13;
March 10, Wilson, Albert .&#13;
0 5 0&#13;
Fund of the society—after the secretary&#13;
March 16, Ward, Dudley.&#13;
6&#13;
had&#13;
0 10&#13;
placed before them the financial&#13;
March 30, Coke, Desmond .&#13;
position of the fund-decided to invest £250 in&#13;
April 1, The XX Pen Club&#13;
0 1 9&#13;
the purchase of Consols.&#13;
April 6, Channon, Mrs. E. M.&#13;
The amount purchased at the present price is&#13;
April 7, Henry, Miss Alice&#13;
£312 13s. 4d.&#13;
April 10, Ralli, Scaramanga&#13;
2&#13;
This brings the invested funds to £4,377 198. 4d.&#13;
2 0&#13;
April 11, Robins, Miss Alice&#13;
1 1&#13;
The trustees, however, have been unable to recom-&#13;
April 20, MacEwan, Miss.&#13;
0 10 0&#13;
mend the payment of any further pensions, as the&#13;
April 20, C. N. and Mrs. Williamson .&#13;
income at their disposal is at present exhausted.&#13;
They desire to draw the attention of the members&#13;
April 21, Shirley, Arthur,&#13;
1 1 0&#13;
April 22, H. A. and Mrs. Hinkson 1 0 0&#13;
of the society to this fact, in the hope that by&#13;
April 24, Toplis, Miss Grace&#13;
0 10 0&#13;
additional subscriptions and donations there will&#13;
May, Walter John&#13;
;&#13;
be sufficient funds in hand in the course of the&#13;
.&#13;
. : . 2 2 0&#13;
May 19, An Old Member.&#13;
.&#13;
1&#13;
. 0&#13;
year to declare another pension in case any im.&#13;
0&#13;
I&#13;
June 2, Wrench, Mrs. Stanley&#13;
portant claim is forthcoming.&#13;
July 3, Ingram, J. H.&#13;
:&#13;
..&#13;
: : 0 5 0&#13;
Consols 21%.......... ............ £1,312 13 4 July 13, Fell-Smith, Miss C.&#13;
• . 0 5 0&#13;
Local Loans ..................&#13;
500 0 0 Sept. 18, Peacock, Mrs. F. M. .&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ............... 291 19 11&#13;
London and North-Western 3% Deben-&#13;
ture Stock ............;&#13;
250 0 0&#13;
Egyptian Government Irrigation&#13;
COMMITTEE NOTES.&#13;
Trust 4% Certificates ..... 200 0 0&#13;
Cape of Good Hope 3 % Inscribed&#13;
M HE last meeting before the vacation was held&#13;
Stock ............................. 200 0 0&#13;
Glasgow and South-Western Railway&#13;
I on Monday, July 3, at the offices of the&#13;
4% Preference Stock..................&#13;
society, and the committee decided not to&#13;
228 0 0&#13;
meet again until October unless business of such&#13;
New Zealand 31% Stock......... 247 96&#13;
Irish Land Act 23% Guaranteed Stock&#13;
vital importance to the society came up for con-&#13;
258 0 0&#13;
Corporation of London 21% Stock,&#13;
sideration that it could not be negotiated by the&#13;
chairman with the assistance of the secretary and&#13;
1927-57 .............................. 438 2 4&#13;
the society's solicitors. The usual vacation powers&#13;
Jamaica 34% Stock, 1919-49 ......... 132 18 6&#13;
Mauritius 4% 1937 Stock...............&#13;
were given to the chairman to act on behalf of the&#13;
120 121&#13;
committee in the absence of the members.&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Granı Stock, 1938...&#13;
Three elections were chronicled, bringing the&#13;
198 3 8&#13;
total number for the year up to 154. There were&#13;
Total.&#13;
two resignations, bringing the total resignations&#13;
... £4,377 19 4&#13;
to 59.&#13;
The solicitor of the society attended the meeting&#13;
Subscriptions.&#13;
and reported on the cases he had in hand. The first&#13;
1911.&#13;
£ &amp; d. case, referring to the bankruptcy of a publisher in&#13;
March 9, Boughton, Rutland . . 0 5 0 which many members were involved, he reported to&#13;
March 10, Somers, John .&#13;
5 0 be practically closed, as the contracts had either&#13;
April 6, Rawlings, Burford&#13;
10 6 been determined or re-settled. He reported the&#13;
April 11, Wicks, Mark .&#13;
5 0 steps he had taken to carry out the committee's&#13;
June 15, Fitzgerald, Colin&#13;
0 5 0 instructious in the cases chronicled in the last issue&#13;
June 15, Fleming, Mrs. A. . . 2 0 0 of The Author. In one case further evidence was&#13;
June 15, Sabatini, Rafael . .&#13;
5 0 required before action could be taken. In another&#13;
June 16, Hamilton, Henry .&#13;
. 1 1 0 he reported that the defendant had been thrown&#13;
into bankruptcy, and two other cases bad been&#13;
Donations.&#13;
settled finally and satisfactorily. One case of&#13;
1911.&#13;
infringement of copyright, started in the spring of&#13;
March 3, Gibbs, F. L. A. .&#13;
. ( 10 0 the year, he stated could not be tried before the&#13;
March 6, Haultain, Arnold.&#13;
. 1 1 0 Long Vacation, and in another case, proceedings&#13;
..&#13;
. .&#13;
.&#13;
....&#13;
. .&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 3 (#399) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
which had been commenced by the society some was settled and thefagenda for that meeting were&#13;
time ago had been closed by the payment of a small also discussed. The date of the annual dinner was&#13;
sum and costs, without it being necessary to go into left open, it being agreed that, as usual, some day&#13;
court.&#13;
in the late autumn should be chosen.&#13;
There was one case of a very difficult nature.&#13;
which related to a publisher's accounts. The solicitor&#13;
put forward very fully the issues involved, and&#13;
after careful consideration the committee instructed&#13;
Cases.&#13;
the solicitor to come to a reasonable compromise if SINCE the last publication of The Author there&#13;
it were possible to do so, and indicated one or two have been thirty-six disputes placed into the hands&#13;
points which they considered should be an essential of the secretary. They may be divided as follows :&#13;
part of any compromise reached.&#13;
fourteen claims for money ; seven claims for the&#13;
There were no fresh cases for the solicitors in return of MSS. ; seven claims for accounts and&#13;
England, but the secretary reported that a case money ; three claims for accounts ; four disputes&#13;
which the society was conducting in Switzerland on agreements ; one infringement of copyright.&#13;
had been delayed in settlement, and instructions The average number of cases that come to the&#13;
were received from the committee that proceedings office during any given month is from fifteen to&#13;
should be taken at once, and that the Swiss lawyer twenty, so that the number that has come into the&#13;
should be urged to bring matters to a prompt issue. society during the last two months shows no&#13;
The next business before the committee was the diminution.&#13;
consideration of the position of the Copyright Bill. Of the fourteen claims for money due to authors,&#13;
The secretary reported the steps that had been taken five have been settled, and the cash has been&#13;
by himself, the chairman of the society, and other forwarded ; seven have had to be placed in the&#13;
members of the committee. The committee was hands of the solicitors. Of these we are glad to&#13;
informed as to the meetings that had been held, report that five have been settled. Thus four are&#13;
and the negotiations that had been carried through. left unsettled, two in the secretary's hands, and&#13;
The secretary stated that all the clauses of the Bill two in the solicitors' hands. Of the seven claims&#13;
had been passed in Committee with the exception for the return of MSS., one has been brought to a&#13;
of the clauses dealing with the mechanical reproduc- satisfactory termination, two have had to be placed&#13;
tion of musical work, which would be considered in the hands of the solicitors, and two, owing to&#13;
immediately. He added that it had been arranged the claims being abroad—one in India, and one in&#13;
to hold a meeting of the joint committee—that is, Australia—are still open, and two have only&#13;
the committee comprising representatives of the recently come into the office. Members should&#13;
Society of Authors, the Publishers Association, and not forget that the legal position in the case of&#13;
the Copyright Association-after the Committee the return of MSS. is generally not very strong.&#13;
stage of the Bill was at an end and before the It is not only necessary to show that the MSŠ.&#13;
Report stage. The joint committee would then have come into the hands of a responsible party&#13;
decide what further action, if any, was possible or in the office, but also that their loss is due to negli-&#13;
desirable.&#13;
gence. Unless these facts can clearly be established,&#13;
The Canadian Copyright Bill was then discussed, it is hardly worth while to take action, when such&#13;
and here the secretary reported the action taken by great facilities for making copies can be em-&#13;
the Société des Gens de Lettres and the Société des ployed. Authors should always keep copies of&#13;
Auteurs Dramatiques, and stated that he had their MSS. Of the seven ciaims for money and&#13;
received letters from influential quarters in America accounts, four have been brought to a close, the&#13;
asking for the society's support to carry through accounts having been rendered and the money&#13;
certain amendments on the Bill. The committee paid. One has been partly settled, that is to say,&#13;
decided to refer the matter to counsel (Mr. E. J. the accounts have been rendered, and part of the&#13;
MacGillivray) with instructions to settle a report money has been paid : but the balance is still&#13;
to be forwarded to the Canadian Government as disputed. One has been placed with the solicitors,&#13;
from the Society of Authors.&#13;
and two are still in the hands of the secretary. Of&#13;
Then followed discussion of a question referred the three claims for accounts, one has been satis-&#13;
to the Committee of Management by the Dramatic factorily settled, one has been placed with the&#13;
Sub-Committee relating to the financial side of a solicitors, and one is still in course of negotiation.&#13;
proposal for a dramatic agent in America. The Of four disputes on agreements, two have been&#13;
committee expressed sympathy with the efforts of concluded. Two are still in course of negotiation.&#13;
the dramatists, and promised to assist them by Matters of this kind sometimes take a long time if&#13;
bearing some reasonable share of the cost.&#13;
it is a question of cancelling the agreement and&#13;
The date of the council meeting for the autumn winding up the whole matter.&#13;
&#13;
&#13;
## p. 4 (#400) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
As the case of infringement of copyright has&#13;
occurred in India, it will take some time before an&#13;
answer can be obtained.&#13;
There are two cases still remaining over from&#13;
July. These are both cases of account and should&#13;
be settled shortly. The delay has arisen owing to&#13;
the transfer of the publishers' business.&#13;
In addition to the matters placed with the&#13;
London lawyers referred to above, there are other&#13;
nogo&#13;
cases which have had to be placed direct in their&#13;
hich have had to be placed direct in their&#13;
hands, besides two cases which have had to be&#13;
referred to the United States lawyers, and one&#13;
important issue to the lawyers in Germany.&#13;
Very little can be done during the long vacation&#13;
in the Courts, so that there is but little progress&#13;
to report on the matters in the hands of the Society&#13;
in which legal action has to be taken.&#13;
July Elections.&#13;
Haddon, John, M.A., M.D. (Edin.), Denholm,&#13;
Hawick, Sot-&#13;
land.&#13;
Kennion, Major R. L.&#13;
Varty Smith, J. C. . . Nandana, Penrith,&#13;
Cumberland.&#13;
. Nonetan&#13;
Cumberla&#13;
THE KALEVSKI MEMOIRS, 1869–1899. By ASHMORE&#13;
WINGATE. 77 x 43. 149 pp. Glasgow : Vicoll.&#13;
18. 6d. n.&#13;
AN IMPERIAL VICTIM, MARIE LOUISE, ARCHDTCHESS&#13;
OF AUSTRIA, EMPRESS OF THE FRENCH, DUCHESS OF&#13;
Parma. By EDITH E. CUTHELL. Two volumes.&#13;
9 x 51. 400 + 392 pp. Stanley Paul. 248. n.&#13;
DRAMA.&#13;
MARIAMNE. By F. STURGE MOORE. 83 x 51. 75 pp.&#13;
Duckworth. 28. n.&#13;
DESIDERIO. A Play in Three Acts. By MAURICE BARIXG.&#13;
D&#13;
7} x 5. 104 pp. Oxford: Blackwell ; London :&#13;
Simpkin Marshall.' 18. n.&#13;
THE LITTLE DREAM. An Allegory in Six Scenes. By&#13;
JOHN GALSWORTHY. 61 x 5. 38 pp. Duckworth.&#13;
18. 1.&#13;
THE MASTER OF MRS. CHILVERS. An Improbable&#13;
Comedy. By JEROME K. JEROME. 78 x 57. * 167 pp.&#13;
Fisher Unwin. 28. 6d. n.&#13;
THE SALE OF SAINT THOMAS. By LASCELLES ABER-&#13;
CROMBIE. 74 x 5. 29 pp. The Author : Ryton,&#13;
Dymock, Gloucester.&#13;
THE PASSING OF BALDUR; A WINTER'S MYSTERY. In&#13;
two parts. Part I. Odin the Watcher. 31 pp. (68. n.).&#13;
Part II, Forlorn Gods. 24 pp. (6d. n.). The Dweller&#13;
in the Body. 34 pp. (1s. n.). Dawn; a Folk Miracle&#13;
Play. 234 pp. (1x, n.). By HOPE REA (Garden City&#13;
Folk Plays).* 73 x 43. Theosophical Publishing Society.&#13;
ECONOMICS.&#13;
HISTORY OF MONEY IN THE BRITISH EMPIRE AND THE&#13;
UNITED STATES. By AGNES F. DODD. 8 X 54. 356 pp.&#13;
Longmans. 5x. n.&#13;
THE BRITISH TRADE BOOKS. By J. HOLT SCHOOLING.&#13;
(Fourth issue.) 10 x 67. 582 pp. Murray. 108. 6d. n.&#13;
FICTION&#13;
THE WONDER OF LOVE. By E. MARIA ALBANESI. 8} x 5.&#13;
148 pp. Stanley Paul. 6d.&#13;
WHITE ABBEY. By EFFIE ADELAIDE ROWLANDS.&#13;
8 X 58. 158 pp. Stanley Paul. 6d.&#13;
INTERPLAY. By BEATRICE HARRADEN. 61 x 1&#13;
463 pp. Nelson. 7d. n.&#13;
THE LONE ADVENTURE. By HALLIWELL SUTCLIFFE.&#13;
7. X 5. 445 pp. Fisher Unwin. 68.&#13;
INTELLECTUAL MARIE. By HARRY TIGHE. 8 x 51.&#13;
319 pp. John Long. 6s.&#13;
THE BEACON. By EDEN PHILLPOTTS. 73 x 5383 pp.&#13;
Fisher Unwin. 68.&#13;
THE INNOCENCE OF FATHER BROWN. By G. K.&#13;
CA ESTERTON. 73 x 5. 336 pp. Cassell. 6s.&#13;
LOVE IN&#13;
I&#13;
A LITTLE Town. By J. E. BUCKROSE.&#13;
78 x 5. 326 pp. Mills &amp; Boon. 6s.&#13;
ENTER CHARMIAN. By HAROLD VALLINGS. 71 x 3.&#13;
334 pp. Smith Elder. 6s.&#13;
HILARY ONSLOW. By HORACE WYNDHAM. 74 x 3.&#13;
323 pp. Grant Richards. 68.&#13;
TAE QUEEN'S FILLET. By the Rev. P. A. CAXOX&#13;
SHEEHAN, D.D. 73 x 51.376 pp. Longmans. 68.&#13;
A&#13;
a&#13;
CATHEDRAL COURTSHIP. By KATE DOUGLAS&#13;
WIGGIN. 7 x 43. 96 pp. Gay &amp; Hancock. 18. n.&#13;
THE LITTLE MINISTER. By J. M. BARRIE. 71 X 5.&#13;
340 pp. Cassell. ls. n.&#13;
A STORM-RENT SKY. By M. BETHAM EDWARDS.&#13;
8 X 51. 126 pp. Collins. 6d. n.&#13;
THE DAWN OF ALL. By R. H. BENSON. 7} x 5. 339 pp.&#13;
Hutchinson. 6s.&#13;
THE CITY OF ENTICEMENT, By DOROTHEA GERARD.&#13;
8 x 5. 320 pp. Stanley Paul. 68.&#13;
Sylvia's CHAUFFEUR. By LOUIS TRACY. 73 X 5.&#13;
320 pp. Ward, Lock, 6s.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
ARCHÆOLOGY.&#13;
OUT OF THE IVORY PALACES. By P. H. DITCHFIELD.&#13;
73 X 5. 308 pp. Mills &amp; Boon. 6s.&#13;
ART.&#13;
THE PAINTERS OF JAPAN. By A. MORRISON. Two&#13;
volumes. 153–127 pp. Jack. £55 n.&#13;
IDEALS OF INDIAN ART. By E. B. HAVELL. Royal&#13;
octavo. 188 pp. Introduction. xx. pp. 33 Full-page&#13;
Plates. John Murray. 158. n.&#13;
BIOGRAPHY.&#13;
THE DIARY OF DR. JOHN WILLIAM POLIDORI, 1816. Re.&#13;
lating to Byron, Shelley, &amp;c. Edited by W. M. ROSSETTI.&#13;
73 X 5. 228 pp. Elkin Matthews. 48. 6d. n.&#13;
THE LIFE OF OSCAR WILDE. By R. H. SHERARD. 9 x 57.&#13;
403 pp. (New Edition). Werner Laurie.&#13;
AN EARLY VICTORIAN HEROINE : The Story of Harriette&#13;
McDougall. By M. BRAMSTON, S.T.L. 71 x 5. 95 pp.&#13;
S.P.C.K. 1s. 6d.&#13;
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&#13;
THE AUTHOR.&#13;
THE SHADOW OF A DWARF. By HOPE PROTHERO.&#13;
74 x 5. 328 pp. Century Press. 68.&#13;
THE REFUGEES. By A. CONAN DOYLE. 61 x 44.&#13;
383 pp. Nelsons. 7d. n.&#13;
THE GLORY OF CLEMENTINA WING. By W. J. LOCKE.&#13;
7 x 5. 375 pp. Lane. 6s.&#13;
THE SUMMER BOOK. By MAX PEMBERTON. 78 X 5.&#13;
306 pp. Mills &amp; Boon. 6s.&#13;
THE ARREST OF ARSÈNE LUPIN. By MAURICE&#13;
LEBLANC. Translated by ALEXANDER TEIXEIRA DE&#13;
MATTOS. 71 X 5. 277 pp. Nash. 28. n.&#13;
DESTINY. By ALICE and CLAUD ASKEW. 8 x 5.&#13;
328 pp. Hurst &amp; Blackett. 68.&#13;
NIGEL FERRARD. By MRS. BAILLIE REYNOLDS. (New&#13;
and Revised Edition.) 77 x 5. 380 pp. Mills &amp; Boon.&#13;
68.&#13;
VIRGINIA PERFECT. By PEGGY WEBLING. 63 x 47.&#13;
221 pp. (Cheap edition.) Metbuen. 18. n.&#13;
THE GARDEN OF MYSTERY. By RICHARD MARSH.&#13;
316 pp. John Long. 6d. n.&#13;
MASTER CHRISTOPHER. By MRS. HENRY DE LA PASTURE&#13;
(LADY CLIFFORD). 7 X 5. 393 pp, Smith Elder.&#13;
68.&#13;
IN SEARCH OF EGERIA. By W. L. COURTNEY. 78 x 5.&#13;
330 pp. Chapman &amp; Hall. 6s.&#13;
OUR LADY OF THE LEOPARDS. By ALBERT DORRING-&#13;
Tox. 73 x 5. 314 pp. Mills &amp; Boon. 6s.&#13;
THE SHADOW OF LOVE. By MARCELLE TINAYRE.&#13;
Translated by A. ALLINSON. 71 x 5. 310 pp. Lane.&#13;
68.&#13;
A GIRL WITH A HEART. By EFFIE ADELAIDE Row&#13;
LANDS. 7 x 5. 304 pp. Ward, Lock. 68.&#13;
THE ROMANCE OF A FRENCH PARSONAGE. By M.&#13;
BETHAM-EDWARDS. (Cheap Reprint.) 67 x 4. 270 pp.&#13;
Collins Clear Type Press. 3 d. n.&#13;
MRS. MAXON PROTESTS. By ANTHONY HOPE. 74 x 5.&#13;
351 pp. Methuen. 68.&#13;
THE NOTORIOUS Miss LISLE. By MRS. BAILLIE&#13;
REYNOLDS. 78 X 5. 308 pp. Hodder &amp; Stoughton,&#13;
6x,&#13;
THE YEAR'S ROUND. By MAUD RAWSON. 74 x 5.&#13;
401 pp. Mills &amp; Boon. 6s.&#13;
LOVE'S PRIVILEGE. By STELLA M. DÜRING. 74 x 5.&#13;
376 pp. Cassell. 6s.&#13;
ARDNAREE. The Story of an English Girl in Connaught.&#13;
Told by herself and edited by RANDAL MCDONNEL.&#13;
7* 5. Dublin : Gill.&#13;
THE IMPERISHABLE WING. By MRS. HAVELOOK ELLIS.&#13;
7 x 5. 283 pp. Stanley Paul. 68.&#13;
Fox FARM. By WARWICK DEEPING. 7{ x 5. 403 pp.&#13;
Cassell. 68.&#13;
Hodson's VOYAGE. By W. H. KOEBEL. 73 x 5. 310 pp.&#13;
Stanley Paul. 6s.&#13;
THE BEES. By M. ELLEN THONGER. 7{ x 5. 312 pp.&#13;
Chapman &amp; Hall. 68.&#13;
ROSE OF THE WORLD. By AGNES and EGERTON CASTLE.&#13;
61 x 47. 380 pp. Nelson. 7d. n.&#13;
LALAGE'S LOVERS, By GEORGE A. BIRMINGHAM. 73 x 5.&#13;
305 pp. Methuen. 6s.&#13;
THERE WAS A WIDOW. By MARY E. MANN. 74 x 5.&#13;
309 pp. Methuen. 68.&#13;
THE UNOFFICIAL HONEYMOON. By DOLF WYLLARDE.&#13;
73 X 5. 312 pp. Methuen. 68.&#13;
THE RAJAH, By F. E. PENNY. 74 x 5. 398 pp.&#13;
Chatto &amp; Windus. 68.&#13;
PETER AND JANE; OR, THE MISSING HEIR. By S.&#13;
MACNAUGHTAN. 73 X 5. 310 pp. Methuen. 68.&#13;
ALL AWRY. By MAUDE ANNESLEY. 78 X 5. 368 pp.&#13;
Mills &amp; Boon. 68.&#13;
THE MILLER OF OLD CHURCH. By ELLEN GLASGOW.&#13;
73 x . 432 pp. Murray. 68.&#13;
THE HOUSE OF CHANCE. By GERTIE DE S. WENTWORTH&#13;
JAMES. 73 5. 313 pp. Everett. 6s.&#13;
BERTRAND OF BRITTANY. By WARWICK DEEPING,&#13;
74 X 5. 370 pp. Cassell. 18. n.&#13;
A LONELY LITTLE LADY. By DOLF WYLLARDE.&#13;
61 x 47. 207 pp. Hutchinson. 7d. n.&#13;
MR. INGLESIDE." By E. V. LUCAS. 63 41. 316 pp.&#13;
(New Edition.) Methuen. 58.&#13;
THE COUNTRY OF THE BLIND, AND OTHER STORIES.&#13;
By H. G. WELLS. 78 X 5. 574 pp. Nelson. 28. n.&#13;
ANTHEA'S GUEST. By MRS. ALFRED SIDGWICK. 71 x 5.&#13;
313 pp. Methuen. 68.&#13;
THE Cost. By L. G. MOBERLY. 74 x 5. 325 pp.&#13;
Mills &amp; Boon.' 68.&#13;
A BLOOD-MOON; THE BUHL CABINET, AND STORIES&#13;
FROM ALGIERS. By IRENE OSGOOD. 71 X 41. 254 pp.&#13;
Everett. 28, n.&#13;
THE RIGHT OF WAY. By SIR GILBERT PARKER.&#13;
54 X 41. 378 pp. Nelson. 78. n.&#13;
A BAVARIAN VILLAGE PLAYER. By FRANCES G.&#13;
BURMESTER. Greening &amp; Co. 68.&#13;
RED Eve. By H. RIDER HAGGARD. 78 x 5. 296 pp.&#13;
Hodder &amp; Stoughton. 68.&#13;
ABOVE YOUR HEADS. By FREDERICK NITEN. 73 x 5.&#13;
299 pp. Martin Secker. 68.&#13;
No MAN'S LAND. By L. J. VANCE. 73 x 51. 309 pp.&#13;
Grant Richards. 68.&#13;
THE LOST IPHIGENIA. By AGNES and EGERTON&#13;
CASTLE. 78 X 5. 316 pp. Smith Elder. 68.&#13;
THE WOMAN WINs. By R. MACHRAY, 75 X 5. 347 pp.&#13;
Chatto &amp; Windus. 68.&#13;
IN DIFFERENT Keys. By I. A. R. WYLIE. 74 x 5.&#13;
320 pp. Mills &amp; Boon. 68.&#13;
A PASSION IN MOROCCO. By MRS. CHARLOTTE CAMERON.&#13;
84 x 51. 126 pp. Stanley Paul. 6d.&#13;
THE SILENT HOUSE. By LOUIS TRACY. 7 X 5. 320&#13;
pp. Nash. 28.&#13;
THE LADY OF THE HUNDRED DRESSES. By S. R.&#13;
CROCKETT. 73 X 5. 307 pp. Nash. 28.&#13;
UNCONFESSED. Ry MAXWELL GRAY. 74 x 5. 352 pp.&#13;
John Long. 68.&#13;
LIFE EVERLASTING: A REALITY OF ROMANCE. By&#13;
MARIE CORELLI. Methuen &amp; Co. 68.&#13;
HETTY : THE STORY OF AN ULSTER FAMILY. By SHAN&#13;
F. BULLOCK. 73 X 41. 322 pp. Werner Laurie. 68.&#13;
THE YOKE OF SILENCE. By Amy McLAREN. 73 x 5.&#13;
306 pp. Mills &amp; Boon. 58.&#13;
HILDA LESSWAYS. By ARNOLD BENNETT. 74 x 5.&#13;
408 pp. Methuen. 68.&#13;
DORMANT. By E. NESBIT. 73 x 5. 312 pp. Methuen. 6s.&#13;
MY BEAUTIFUL NEIGHBOUR. By ARABELLA KENEALY.&#13;
7 * 5. 352 pp. John Long. 6s.&#13;
THE EMOTIONS OF MARTHA. By CONSTANCE SMEDLEY&#13;
(Mrs. Maxwell Armfield). 8 x 57, 317 pp. Religious&#13;
Tract Society. 68.&#13;
THE APPLE OF HAPPINESS. By ETHEL TURNER (Mrs.&#13;
H. R. Curlewis). 73 5. 275 pp. Hodder &amp; Stoughton.&#13;
38. 6d.&#13;
VAGABOND CITY. By WINIFRED BOGGS. 74 x 5.&#13;
392 pp. Putnam. 68.&#13;
THE BRIDE OF DUTTON MARKET. By MARIE C.&#13;
LEIGHTON. 74 x 5. 320 pp. Ward, Lock. 68.&#13;
HISTORY.&#13;
BRITAIN'S RECORD. WHAT SHE HAS DONE FOR THE&#13;
WORLD. By E. KEBLE CHATTERTON. 9 X 54. 301 pp.&#13;
Sidgwick &amp; Jackson. 78. 6d. n.&#13;
A HISTORY OF ENGLAND. By C. R. L. FLETCHER and&#13;
RUDYARD KIPLING. Pictures by R. H. FORD. 10 x 74.&#13;
256 pp. Oxford: Clarendon Press ; London : Frowde.&#13;
78. 6d. n.&#13;
CÆSAR'S CONQUEST OF GAUL. By T. RICE HOLMES.&#13;
(Second edition. Revised and Largely Rewritten.)&#13;
9 x 51. 872 pp. Oxford : Clarendon Press; London :&#13;
Frowde. 248. n.&#13;
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&#13;
THE AUTHOR.&#13;
THE ROMANTIC PAST. By RALPH NEVILL. 9 x 57.&#13;
352 pp. Chapman &amp; Hall. 128. 6d. n.&#13;
JUVENILE.&#13;
THE BOOK OF THE Zoo. By W. S. BERRIDGE, F.Z.S.,&#13;
and W. P. WESTELL. With 8 coloured plates and 64&#13;
photographs. 78 X 54. 304 pp. (The Recreation&#13;
Library.) Dent. 58.&#13;
Tom STAPLETON, THE Boy Scout. By CAPTAIN F. S.&#13;
BRERETON. 74 X 5, 287 pp. Blackie. 38. 6d.&#13;
LITERARY.&#13;
VARSITY TYPES. Scenes and Characters from Under-&#13;
graduate Life. By F. RUTTER. Second Edition (with&#13;
new Preface). 73 x 5. Cambridge: Heffer; London,&#13;
Simpkin, Marshall. 38. n.&#13;
THE CAMBRIDGE HISTORY OF ENGLISH LITERATURE.&#13;
Edited by A. W. WARD, Litt.D., and A. R. WALLER.&#13;
· Vol. VII. Cavalier and Puritan. 91 x 61. 553 pp.&#13;
Cambridge University Press. 98. n.&#13;
PRINCIPLES OF BIOGRAPHY. The Leslie Stephen Lecture&#13;
delivered in the Senate House, Cambridge, February&#13;
13th, 1911. By SIR SIDNEY LEE, Hon. D.Litt.&#13;
7} x 5. 54 pp. Cambridge University Press.&#13;
18. 6d, n.&#13;
SAMUEL RICHARDSON. By SHEILA KAYE-SMITH.&#13;
7 x 48.368 pp. (The Regent Library.) H. Daniel.&#13;
28. 60. n.&#13;
EAST AND WEST. By DAVID ALEC WILSON. 78 X 5.&#13;
306 pp. Methuen. 68.&#13;
EIGHTEENTH CENTURY VIGNETTES. By AUSTIN DOB.&#13;
son. 64 X 4. 381 pp. Nelson. 18. n.&#13;
BETWEEN TWO WORLDS. By A. E. LLOYD MAUNSELL.&#13;
7} 5. 141 pp. Moring. 58. n.&#13;
OLD LAMPS FOR NEW. By E. V. LUCAS. 64 x 41.&#13;
258 pp. Methuen. 58.&#13;
MEDICAL.&#13;
REFRACTION AND VISUAL ACUITY. By KENNETH&#13;
SCOTT. 77 x . 191 pp. Rebman. 68. n.&#13;
NATIONAL HEALTH AND MEDICAL RESEARCH. By&#13;
CHARLES REINHARDT, M.D.7 x 41. 29 pp. London&#13;
Publishing Co. Cloth, 6d. ; Paper, 2d.&#13;
NATURAL HISTORY&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H. BARBETT&#13;
HAMILTON. Part VII. 10 X 7. pp. 25–72. Gurney&#13;
&amp; Jackson. 28. 6d. n.&#13;
ALPINE PLANTS OF EUROPE. Together with Culture&#13;
Hints. By H. S. THOMPSON, F.C.E. 81 X 51. 287&#13;
pp. Routledge. 78. 6d. n.&#13;
THE YOUNG ORNITHOLOGIST: A GUIDE TO THE&#13;
HAUNTS, HOMES. AND HABITS OF BRITISH BIRDS.&#13;
By PERCIVAL WESTALL, F.L.S. 71 X 5. 308 pp.&#13;
Methuen. 58.&#13;
ORIENTAL.&#13;
THE FLIGHT OF THE DRAGON. By LAURENCE BINYOX.&#13;
63 X 43. 112 pp. Murray. 28. 1.&#13;
POETRY.&#13;
THE CRUCIBLES ON TIME; AND OTHER POEMS. By&#13;
DARRELL FIGGIS. 71 X 5. 115 pp. Dent. 38. 6d. n.&#13;
PLUTO AND PROSERPINE. By JOHN SUMMERS STANLEY.&#13;
Panl. 28. n.&#13;
DREAMS AND GABLES. Sonnets. By E. HERRICK,&#13;
London: J. R. Allenson. 18. n.&#13;
BEFORE DAWN. (Poetry and Impressions.) By HAROLD&#13;
MONRO. 74 X 51. 144 pp. Constable. 58. n.&#13;
THE CALL OF THE Past. A Political Jingle. By A. H.&#13;
COCHRAN. 73 x 43. 64 pp. Simpkin, Marshall.&#13;
18. n.&#13;
VERSES. By DOLF WYLLARDE. 6 x 41. 114 pp.&#13;
Stanley Paul. 18. 6d. n. ; 2s.6d, n. (cloth).&#13;
THE BALLAD OF THE WHITE HORSE. By G. K.&#13;
CHESTERTON. 7 x 41. 182 pp. Methuen. 58.&#13;
REPRINTS&#13;
THE FOOTPATH WAY. An Anthology for Walkers, with an&#13;
Introduction. By HILAIRE BELLOC. 7 X 41. 240 pp.&#13;
Sedgwick &amp; Jackson. 28. 6d. n.&#13;
LETTERS FROM HELL. Given in English by JULIE&#13;
SUTTER. With a Preface by G. MacDONALD, LL.D.&#13;
7 x 41. 348 pp. Macmillan's Shilling Library.&#13;
SCIENCE.&#13;
THE TIDES AND KINDRED PHENOMENA IN THE SOLAR&#13;
SYSTEM. By SIR GEORGE HOWARD DARWIN. (Third&#13;
Edition.) 78 X 5. 437 pp. Murray. 78. 6d. n.&#13;
SCIENTIFIC PAPERS. By SIR GEORGE HOWARD DARWIN,&#13;
K.C.B., F.R.S. Vol. IV.(and last). Periodic Orbits and&#13;
Miscellaneous Papers. 104 x 69. 592 pp. Cambridge&#13;
University Press. 158. n.&#13;
SOCIOLOGY,&#13;
THE PREVENTION OF DESTITUTION. BY SIDNEY and&#13;
BEATRICE WEBB. 8} x 51. 348 pp. Longmans. 68. n.&#13;
AT THE WORKS. A Study of a Manufacturing Town, By&#13;
LADY BELL. 64 x 41 376 pp. Nelson. 18. n.&#13;
SOCIOLOGY APPLIED TO PRACTICAL POLITICS. By&#13;
• JOHN BEATTIE CROZIER. 9 x 53.320 pp. Longmans.&#13;
MILITARY&#13;
THE MILITARY LAW EXAMINER. By LIEUT.-COL. S. C.&#13;
PRATT. (Eighth Edition.) 71 X 5. 306 pp. Gale &amp;&#13;
Polden. Às. 6d. 1..&#13;
9s. n.&#13;
MISCELLANEOUS.&#13;
THE EYE WITNESS. Edited by HILAIRE BELLOC. 6d.&#13;
THE PROGRESS Book. An Illustrated Register of the&#13;
· Development of a Child from Birth till Coming of Age.&#13;
By J. J. PILLEY, PH.D. 8 x 62. 63 pp. Leadenhall&#13;
Press.&#13;
PATRIOTISM: A BIOLOGICAL STUDY. By H. G. F. SPUR.&#13;
RELL, M.A. 168 pp. George Bell &amp; Sons. 28. 6d. n.&#13;
BLACKPOOL TO-DAY. By ARTHUR LAYCOCK. 10 x 71.&#13;
48 pp. John Heywood. 3d.&#13;
AN ANTHOLOGY OF Essex. Collected by ISABEL LUCY&#13;
and BEATRICE MARY GOULD. Edited and arranged,&#13;
with additions and a Biographical Index, by&#13;
CHARLOTTE FELL SMITH. London: Sampson, Low &amp;&#13;
Co. 58. n.&#13;
WHAT A LIFE! By E. V. L. and G. M. 77 x 41.&#13;
126 pp. Methuen. Is. n.&#13;
BRITISH RURAL LIFE AND LABOUR, By F. G. HEATH.&#13;
84 x 58. 318 pp. P. S. King.&#13;
SPORT.&#13;
ANGLING FOR COARSE Fish. By JOHN BICKER'YKE.&#13;
7x 5. 140 pp. (Third edition.) Upcott Gill. 18&#13;
TOPOGRAPHY,&#13;
HIGHWAYS AND HEDGES. Painted by R. BENGER&#13;
. Described by H. A. MORRAH. 9 x 61. 144 pp. Black&#13;
78. 6d. n.&#13;
A BOOK OF THE WYE. By EDWARD HUTTON. 9 x 51&#13;
292 pp. Methuen. 78, 6d. n.&#13;
MUSIC.&#13;
MORE MASTERINGERS. Studies in the Art of Music. By&#13;
FILSON YOUNG. 8 X 51. 286 pp. Grant Richards.&#13;
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&#13;
THE AUTHOR.&#13;
THE WONDERFUL WEALD, AND THE QUEST OF THE THE GARDEN OF ALLAH. By ROBERT HICHENS. 490 pp.&#13;
CROCK OF GOLD. By ARTHUR BECKETT. Illustrated New York : Stokes. $1.50.&#13;
by ERNEST MARILLIER, 9 x 51. 439 pp. Mills &amp; THE SILENT BARRIER. By Louis TRACY. 350 pp. New&#13;
Boon. 108. 6d.&#13;
York : Clode. $1.25.&#13;
TRAVEL.&#13;
HISTORY.&#13;
Nova SCOTIA: THE PROVINCE THAT HAS BEEN PASSED.&#13;
CÆSAR'S CONQUEST OF GAUL. By T. RICE HOLMES.&#13;
By BECKLES WILLSON. 9 X 54. 256 pp. Constable.&#13;
(Second edition, revised throughout and largely rewritten.)&#13;
108. 6d. n.&#13;
"CHICOT " IN AMERICA. By KEBLE HOWARD (" Chicot”.&#13;
872 pp. New York: Oxford University Press. $7.75 n.&#13;
of “The Sketch.") 74 x 48. 204 pp. Hutchinson.&#13;
POETRY.&#13;
18. n.&#13;
RECESSIONAL ; AND OTHER POEMs. By RUDYARD KIPLING.&#13;
THE LAND OF VEILED WOMEN. Some Wanderings in&#13;
Algeria. By JOHN FOSTER FRASER. 72 x õ. 288 pp.&#13;
62 pp. New York : Crowell. 35 cents.&#13;
Cassell. 68.&#13;
MISCELLANEOUS.&#13;
MEXICO AS I SAW IT. By MRS. ALEC TWEEDIE.&#13;
A POOR MAN'S HOUSE, By STEPHEN REYNOLDS. 320 pp.&#13;
61 x 47. 480 pp. Nelson. 18. n.&#13;
New York : Macmillan. 50 cents n.&#13;
RAMBLES AROUND FRENCH CHÂTEAUX. By FRANCES&#13;
PATRIOTISM : a Biological Study. By H. G. F. SPURRELL.&#13;
GOSTLING. 73 x 5. 372 pp. Mills &amp; Boon. 68.&#13;
RAMBLES IN THE BLACK FOREST. By I. A. R. WYLIE.&#13;
168 pp. New York : Macmillan. $1 n.&#13;
73 X 5. 325 pp. Mills &amp; Boon, 68.&#13;
SOCIOLOGY.&#13;
HOME LIFE IN HOLLAND. By D. S. MELDRUM. 9 x 59.&#13;
SOCIOLOGY APPLIED TO PRACTICAL POLITICS. By J.&#13;
375 pp. Methuen. 108. 6d. n.&#13;
THE BELGIANS AT HOME. By CLIVE HOLLAND. With&#13;
BEATTIE CROZIER. 320 pp. New York : Longmans.&#13;
$3 n.&#13;
16 Hlustrations in colour by DOUGLAS SNOWDON, and&#13;
TRAVEL.&#13;
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THE DANUBE. By WALTER JERROLD. 9 X 5. 307 pp. THE DANUBE. By WALTER JERROLD. With 30 illustra-&#13;
Methuen. 103. 6d. n.&#13;
tions by L. WEIRTER. 31.5 pp. New York: Stokes.&#13;
$3.50 n.&#13;
A ROMAN PILGRIMAGE. By R. ELLIS ROBERTS. 274 pp.&#13;
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EMILIE DU CHATELET AND HER TIMES. By FRANK&#13;
HAMEL. New York : Pott. $3.50 n.&#13;
TR. H. G. F. Spurrell has written, and&#13;
TAE AUTOBIOGRAPHY OF ALFRED AUSTIN. 325 and M Messrs. George Bell &amp; Sons have published,&#13;
308 pp. New York. Macmillan. $7.50 n.&#13;
a “ Biological Study of Patriotism.” Mr.&#13;
CLASSICAL,&#13;
Spurrell's aim, in this work, has been to explain the&#13;
THE RISE OF THE GREEK EPIC : A Course of Lectures natural history of patriotism, and to furnish the&#13;
delivered at Harvard University. Second edition, revised reader with a scientific analysis of a subject which&#13;
and enlarged by G. G. A. MURRAY. 368 pp. New York:&#13;
usually receives purely emotional treatment.&#13;
Oxford University Press. $1.50 n.&#13;
“To the Outside " is the title of a new novel by&#13;
ECONOMICS.&#13;
Miss A. Curtis Sherwood. It is described as a&#13;
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suppress it having been made, it is published in an&#13;
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NELL.” By MAY BALDWIN. 314 pp. Philadelphia :&#13;
shire; or can be ordered through a bookseller from&#13;
McKay. 75 cents.&#13;
the same address.&#13;
THE QUEEN'S FILLET. By the Rev. Canon P. A. Messrs. Smith, Elder &amp; Co. have accepted a new&#13;
SHEEHAN, D.D. 376 pp. New York: Longmans.&#13;
novel by Miss Emma Brooke, which will probably&#13;
$1.35 n.&#13;
OPTE BOWEN be published in the early spring. The Windsor&#13;
DEFENDER O&#13;
366 pp. New York : Dutton. $1.35 n.&#13;
Magazine had a story, entitled “Thirteen o' the&#13;
THE LARGER GROWTH. By CONSTANCE ARMFIELD. Clock," by Miss Emma Brooke, in the June issue.&#13;
382 pp. New York : Dutton. $1.35 n.&#13;
The same magazine has accepted a second story by&#13;
THE SHADOW: A Story of the Evolution of a Soul. By&#13;
HAROLD BEGBIE. 490 pp. Chicago : Revell. $1.25 n.&#13;
the same author. Miss Emma Brooke has also a&#13;
THE GLOBY OF CLEMENTINA. By W.J. LOCKE. 367 pp. story in the July issue of Nash's Magazine, entitled&#13;
New York : John Lane. $1.30 n.&#13;
“ The Offer."&#13;
THE SHIP OF CORAL. By H. de VERE STACKPOOLE.&#13;
Mrs. Havelock Ellis' new book, “ The Imperish-&#13;
311 pp. New York : Duffield. $1.20 n.&#13;
Farable Wing," is a series of psychological studies in&#13;
THE SECRET GARDEN. By FRANCES HODGSON BURNETT.&#13;
375 pp. New Yörk : F. A. Stokes. $1.35 n.&#13;
Love and Passion and Death. They are Cornish&#13;
F THE FAITH.&#13;
&#13;
&#13;
## p. 8 (#404) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
stories, and will recall to Mrs. Ellis' readers her Dean Maitland,” in the Isle of Wight. The main&#13;
book, “ My Cornish Neighbours." Messrs. interest is the effect of strong spiritual emotion-&#13;
Stanley, Paul &amp; Co. are the publishers.&#13;
suddenly awakened by a missioner preaching in his&#13;
The Anti-Socialist League have republished and own kitchen-on a prosperous middle-aged farmer,&#13;
circulated an article from a Socialist paper, over ambitious, unimaginative, stubborn, hard ; but&#13;
the signature of “A. E. Jacomb." Miss A. esteemed by his world as exceptionally upright,&#13;
Jacomb-Hood—a member of the Society of just and sagacious.&#13;
Authors—who writes under the name of A. E. Edith C. Kenyon's historical tale, “ Two Girls in&#13;
Jacomb, desires it to be known that she is not the a Siege," a Welsh story of the siege of Chepstow, is&#13;
person responsible for the article, and has no now being issued by the Religious Tract Society in&#13;
knowledge of the writer.&#13;
their sixpenny edition. Miss Kenyon's serial,&#13;
A new collection of poems, entitled “Before “ Ashes of Honor," ended in the July number of&#13;
Dawn," by Mr. Harold Monro, author of “Judas," the All Story Magazine.&#13;
was published by Messrs. Constable &amp; Co. in July. The Queen has graciously been pleased to accept&#13;
We quote the dedication of the volume, which a copy of Mrs. Charlotte Cameron's new novel,&#13;
seems to explain the title: “I dedicate this book “A Passion in Morocco." Her Majesty has also&#13;
to those who, with me, are gazing in delight promised to accept a work of travel, entitled “A&#13;
towards where on the horizon there shall be dawn. Woman's Winter in South America," from Mrs.&#13;
Henceforth, together, humble thongh fearless, we Cameron, which is about to appear.&#13;
must praise, worship, and obey the beautiful Messrs. Cassell &amp; Co. have included in their&#13;
Future, which alone we may call God."&#13;
autumn list another story by Helen H. Watson,&#13;
Mr. Wynford Dewhurst has received a second author of “Peggy, D.O.” The present story is&#13;
mark of distinction from the French Government, called “Peggy, S.G.," and while the former book&#13;
the Brevet and handsome gold insignia of “ Officier dealt with Peggy the “distinguished orthor," this&#13;
de L'Instruction Publique et des Beaux-Arts, one has to do with her school career-hence the&#13;
having been awarded him. Mr. Dewhurst has title “Peggy the School Girl." Messrs. Cassell&#13;
been spending the summer in France, where he will also publish, in the early spring of next year, a&#13;
has been busily painting. His work will be new novel by Mrs. Watson, entitled “ The Open&#13;
shown in the Durand-Rueil Galleries, Paris, in Valley.”&#13;
November next.&#13;
“As Flows the River" is the title of Mrs. Fred&#13;
Her Majesty the Queen has graciously accepted Reynolds' new book, of which Messrs. Chapman &amp;&#13;
a copy of “Pageants and Plays," by Miss Grace Hall are the publishers. The scene of the story is&#13;
Toplis, under which title the old favourites for laid amongst the Welsh mountains in the neighbour-&#13;
school and village entertainments have been hood of Llanbedr, a locality already utilised by&#13;
reissued, with “ The Five Georges” as new matter, Mrs. Reynolds in .“ The Man with the Wooden&#13;
for performance during the local festivities and Face,” “St. David of the Dust,” “The Lady in&#13;
celebrations of the new reign.&#13;
Grey," and other novels.&#13;
Derek Vane's new novel, “ The Soul of a Man,” “The Bees” is the title of a new book recently&#13;
is now running serially in The Throne and issued by Messrs. Chapman &amp; Hall. It is by&#13;
Country. It is a study of a man of curious complex Miss M. Ellen Thonger, and describes the nursery&#13;
nature-half-cynic, half-dreamer—who marries a adventures of a bunch of triplets, and belongs&#13;
beautiful inexperienced girl, who thinks they are to the same category of books as “ Helen's&#13;
going to live an ideal life.&#13;
Babies."&#13;
Messrs. Sampson Low &amp; Co. are the publishers Miss Mary L. Pendered's new novel, “ Daisy the&#13;
of an “ Anthology of Essex,” collected by Isabel Minx," is due, this month, from the publishing&#13;
Lucy and Beatrice Mary Gould, and edited and house of Mr. Ham-Smith. The author describes it&#13;
arranged, with additions and a “ Biographical as “ A Diversion," as it is somewhat different from&#13;
Index,” by Miss C. Fell Smith. The method her usual work, being written rather in a spirit of&#13;
which the editor has followed, in her work, has frolic. 7. P.'s Magazine for August contains a&#13;
been to include any writers on the county, and the story from Miss Pendered's pen, wbich is entitled&#13;
county writers on anything—that is, of course, on “ The Happiest of Men,” while the September Novel&#13;
anything edifying or worth preserving. The reader Magazine also has a story from the same writer.&#13;
may flit from the stained-glass conceits of Quarles Miss Pendered, in addition to these stories, has&#13;
and Benlowes to the rude human nature, fresh recently finished a novel, to which she has given the&#13;
from the soil, of to-day's farm labourer.&#13;
title “ The Anklebiter."&#13;
Maxwell Grey's new novel, which Mr. John Long Mr. Ditchfield, Rector of Barkham, has com-&#13;
published in August, is called “Unconfessed," and pleted a volume of essays entitled “Out of the&#13;
the scene is laid, as was that of “The Silence of Ivory Palaces," which will be pullished shortly by&#13;
&#13;
&#13;
## p. 9 (#405) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
Messrs. Mills &amp; Boon. He has also written, for another copy was also accepted by H.R.H. the&#13;
private circulation, a “ History of the Dawson Prince of Wales.&#13;
Family" of Yorkshire, Berkshire, and America, A new humorous novel, entitled “ Hodson's&#13;
compiled from family papers, letters and documents; Voyage," from the pen of Mr. W. H. Koebel,&#13;
Messrs. George Allen &amp; Co. being the publishers. appears from Messrs. Stanley Paul &amp; Co. Of&#13;
For the same firm he has long been engaged upon recent years Mr. Koebel has been better known as&#13;
a large work on the “Counties of England," a &amp; writer of books of travel, but in taking up fiction&#13;
review of their history and records. This will again he has returned to his first love. Mr. Koebel,&#13;
appear this autumn, in two volumes. At the same has not, however, abandoned the writing of works&#13;
time his “Memorials of Old Gloucestershire” will of travel, and he is engaged at the present time in&#13;
appear as one of the volumes of the “ Memorial passing the proofs of a new book dealing with up-&#13;
Series," of which thirty volumes have been published country life in New Zealand, which he has entitled&#13;
under his editorship. Mr. Ditchfield has also “ In the Maoriland Bush." It is based on his own&#13;
undertaken to write two more books for Messrs. personal experiences and observations, and includes&#13;
Methuen &amp; Co., who have been his principal pub- intimate descriptions of the humours and tragedies&#13;
lishers for many years, and with whom he has had of the fascinating country of the “ back blocks."&#13;
a literary connection since the foundation of that In response to a desire expressed by many readers&#13;
firm in 1889. Miss Edna Lyall's book, “ Derrick of Miss Doll Wyllarde's novels, for the complete&#13;
Vaughan," and Mr. Ditchfield's “ English Villages” poems from which she had quoted in her stories&#13;
were the two first books published by that house. from time to time, Miss Wyllarde has decided to&#13;
He is also editing the Journal of the British publish a collection of them in volume form, and is&#13;
Archæological Association.&#13;
adding a number of hitherto unpublished poems.&#13;
A work on the agricultural and commercial Miss Wyllarde has entitled the book simply&#13;
problems of sugar beet growing and beet sugar “ Verses.” The volume, wbich has a photogravure&#13;
manufacture, by the writer on rural subjects who frontispiece, is also published by Messrs. Stanley&#13;
uses the nom de guerre of “Home Counties," has Paul &amp; Co.&#13;
been published from the Field office. It extends to Mrs. Irene Osgood's latest volume, “ A Blood&#13;
more than 400 pages, and contains a hundred Moon; and Other Stories," includes“ A Blood Moon,"&#13;
illustrations. The aim of the author is to discuss “ The Bubl Cabinet” and “ Stories from Algiers."&#13;
a difficult subject in an impartial spirit.&#13;
The titular story tells of a devoted wife who&#13;
« Above Your Heads" is the title given by Mr. surprised her husband and his paramour discussing&#13;
Frederick Niven to a volume of short stories, which her lightly. “The Buhl Cabinet” consists of a&#13;
he has published through Mr. Martin Secker. number of letters collected by a cynical old French&#13;
None of the stories has been published previously, marquis, from women whose marriage had proved&#13;
all of them having been rejected by editors mainly a failure through incompatibility of tastes or&#13;
on the ground that they would not appeal to the temperament. “Stories from Algiers " are a subtle&#13;
public. The author has, therefore, put them before study of the Algerine of to-day who retains many&#13;
the public in volume form, in the hope that the of the characteristics of the corsairs from whom he&#13;
editors' view may be proved erroneous.&#13;
is descended.&#13;
A new novel by Harold Avery, the author of “A Frank Hamel has chosen Jean de la Fontaine&#13;
Week at the Sea,” entitled “Every Dog his Day," as the subject of her latest volume of biography.&#13;
will be published immediately by Messrs. Stanley La Fontaine has a unique place in French litera-&#13;
Paul &amp; Co,&#13;
ture. He stands between the old and the new.&#13;
G. P. Putnam's Sons published on September He possessed the humour of the Renaissance&#13;
20, Miss Winifred Boggs' new story, “Vagabond period, and adapted it to the clear and sparkling&#13;
City." It is the author's first novel since she won style of the grand siècle. He was closely in touch&#13;
the Daily Mail Prize Novel Competition in 1907, with Boileau, Racine, and Molière, and his story&#13;
for “The Return of Richard Carr.” “Vaga- must therefore appeal to all students of a remark-&#13;
bond City” opens on the honeymoon of the able period of French literary history. The volume&#13;
vagabond and his pretty conventional bride, and will be published immediately by Messrs. Stanley&#13;
tells of their life in the New Forest, to which in Paul &amp; Co.&#13;
time is introduced the Genius, the woman artist, A second edition has recently been issued of&#13;
his mate. The second edition of this book has “De Libris : Prose and Verse," by Mr. Austin&#13;
just appeared.&#13;
Dobson, with illustations by Hugh Thomson and&#13;
“Gallant Wales," the fifth song Miss K. Everest Kate Greenaway. The new issue has an addi-&#13;
bas produced, is published by Stanley Webb, tional chapter. Messrs. Macmillan &amp; Co. are the&#13;
10, Museum Street, W.C. A copy of this song publishers.&#13;
was graciously accepted by H.M. The Queen, and Mr. Martin Secker announces the publication of&#13;
G&#13;
&#13;
&#13;
## p. 10 (#406) #############################################&#13;
&#13;
10&#13;
THE AUTHOR.&#13;
Michael Barrington's new book dealing with “ The Ogre," Mr. Henry Arthur Jones' new&#13;
Grahame of Claverhouse, Viscount Dundee. In play, was produced at the St. James' Theatre on&#13;
this work--the result of long study of the con- the 11th. “The Ogre” is the head of a house-&#13;
flicting elements of Restoration and Revolution hold, and is given this nickname by his wife and&#13;
politics—the author shows the intrigues of 1688 children, who are in open rebellion against him.&#13;
in a new light. The book contains also a vivid The dramatist describes the method by which the&#13;
picture of the Highland campaign. New military husband “tamed” his household. The caste&#13;
maps, an itinerary of the Highland campaign, and included Sir George Alexander, Mr. A. E.&#13;
a copious bibliography are added to the volume. Matthewe, Mr. Sydney Valentine, Miss Kate&#13;
The ordinary edition of nine hundred copies is Cutler, and Miss Gladys Cooper.&#13;
issued at £1 108. net. There is also an edition de Mr. Alfred Sutro's new comedy, "The Perplexed&#13;
luxe, strictly limited to fifty copies, numbered Husband,” was produced at Wyndham's Theatre,&#13;
and signed by the author. The price of the copies on September 12. The play opens with the return&#13;
in this edition is £3 38.&#13;
of a tea merchant from a visit to Russia, and the&#13;
“Nine English Consorts of Foreign Princes” is first act shows the nature of the reception given&#13;
the title of Miss Ida Woodward's new book which to him by his wife. This lady has, apparently,&#13;
Messrs. Methuen &amp; Co. are publishing on the been reading Ibsen's “Doll's House ” during her&#13;
12th inst.&#13;
husband's absence, and the husband is perplexed as&#13;
to the best way to meet the situation which has&#13;
DRAMATIC.&#13;
arisen owing to the effect of the Norwegian&#13;
Mr. Louis N. Parker's comedy, in three acts, dramatist on the relations between the pair. In&#13;
“ Pomander Walk,” was staged at the Playhouse on the caste were Mr. Gerald du Maurier, Mr. E.&#13;
June 29. The period of the play is 1805, and Lyall-Swete, Miss Maude Millett, and Miss&#13;
* Pomander Walk » (in the neighbourhood of Henrietta Watson.&#13;
Chiswick) is the centre of a comedy in which the Mr. Bernard Shaw's “ Man and Superman" was&#13;
dramatist-introduces many character studies. The revived at the Criterion for a short run on Septem-&#13;
caste included Mr. Cyril Maude, Mr. Norman ber 28. In the caste were Miss Pauline Chase, Mr.&#13;
Forbes, Miss Winifred Emery and Mr. Frederick Robert Lorraine, Mr. Guy Standing, Miss Florence&#13;
Volpe.&#13;
Haydon, and Miss Agnes Thomas.&#13;
"Sally Bishop,” a play in four acts, by E. Temple&#13;
Thurston, was produced at the Prince of Wales&#13;
Theatre on July 25. The caste includes Mr.&#13;
PARIS NOTES.&#13;
Dennis Eadie, Mr. Holman Clark, Miss Agnes&#13;
Thomas, and Miss Daisy Markham.&#13;
Mr. John Pollock’s play, “ Rosamond,” which was NEW league has been founded in France&#13;
produced in London last season at the Royalty and&#13;
entitled The League against the lending of&#13;
Kingsway Theatres, by Madame Lydia Yavoiska, books.&#13;
has been translated into Russian by Prince One of the chief causes of the recent crisis in the&#13;
Vladimir Bariatinsky, and accepted for production book trade is undoubtedly the ease with which&#13;
at the Imperial Theatre at Moscow, which is known people obtain books to read without paying for&#13;
as “ le théâtre de Molière Russe.”&#13;
them.&#13;
"The Hope," by Cecil Raleigh and Henry M. Paul Reboux and M. René Blum have&#13;
Hamilton, was produced at Drury Lane Theatre therefore issued a manifesto, from which we quote&#13;
last month. In their latest sporting drama, the a few extracts : “Our friends do not borrow our&#13;
authors find their hero in an impecunious peer, and pictures, our cushions and our knick-knacks, but&#13;
the play takes its title from a horse which, they do ask for our books. We have not the&#13;
representing the only chance of saving the peer's courage to refuse to lend them, and our volumes&#13;
house from ruin, is called “The Hope.” In the disappear and do not return to our shelves. ...&#13;
caste are Mr. Cyril Keightley, Mr. Lyston Lyle, Every borrower may be considered as one buyer&#13;
Miss Fanny Brough, and Miss Madge Fabian. less, whilst every would-be borrower to whom we&#13;
Mr. Hail Caine's new play, “The Quality of refuse our books may be a buyer gained."&#13;
Mercy," was produced at the Theatre Royal, Man- A French writer commenting on this movement&#13;
chester, on September 4th. The play has for its says: “Public libraries should, of course, be&#13;
central theme an intrigue similar to that recorded encouraged for those who cannot buy, but well-to-&#13;
in Scripture, whereby King David disposed of do-people who only read books bought by others&#13;
Uriah in order to become possessed of Bathsheba. should be discouraged. ... One of the objects&#13;
In the piece were Miss Eille Norwood, Miss Hilda of the League is to help everyone to fight against&#13;
Dick, and Mr. Thomas Holding.&#13;
the tyranny of sponging friends."&#13;
&#13;
&#13;
## p. 11 (#407) #############################################&#13;
&#13;
THE AUTHOR.&#13;
11&#13;
A great lover of books adds: “I quite approve Salon Carré was thronged with visitors, and&#13;
this wise initiative, and I would add that, in order certainly never have any nails attracted more&#13;
not to be impolite, when it is a lady who wants to attention than those upon which the favourite&#13;
borrow a book, a man has only to reply that .it picture had hung so many years. The doors of&#13;
shall be sent to her the following day.' He can the Museum and many of the rooms were guarded&#13;
then buy her a volume without giving up his own by policemen, and very strict measures are being&#13;
copy. Tactful people will soon take the hint, and taken in order to prevent the repetition of a similar&#13;
this will teach them the way to the book shops." We theft.&#13;
may add that the office of this new League is at In recent numbers of La Revue hebdomadaire&#13;
42, Rue de Clichy, Paris, the annual subscription are articles by Jean-Louis Vaudoyer “ Théophile&#13;
three francs, and that each member receives a little Gautier"; by Péladan, on · La Joconde et le Saint&#13;
engraving on parchment to place on his bookshelf. Jean," and by Dr. Gustave Le Bon on “L'Evolution&#13;
This little card is intended as a polite method of latine du Socialisme.”&#13;
explaining that books cannot be lent.&#13;
In the Revue de Paris are“ Lettres de Danemark&#13;
Among recent books are “ Sonia et ses amis” (les et d'Allemagne," by Francois Coppée, and an article&#13;
petits cahiers d'une etrangère, avec préface d'Emile on “Sedan” by Lieutenant-Colonel Picard. M.&#13;
Berr”). “La Ville inconnue,” by Paul Adam, is one Maurice Muret writes on “Antonio Fogazaro et&#13;
of the most remarkable of this author's books. It is son Oeuvre.” and Barbe Doukhorskoy gives a&#13;
a story of the French in Africa, and of the influence chapter of his “ Souvenirs."&#13;
of the climate and surroundings on certain officers The theatres are beginning to open their&#13;
of the French army. A very dramatic episode is the doors for the winter season.&#13;
arrival of two officers in an aeroplane.&#13;
At the Comédie Française, “ Cher Maître," and&#13;
In Marcelle Tinayre's new novel, “La Douceur “Le Goût du vice” have been given. At the&#13;
de vivre," many of the qualities of her “ Maison de Renaissance, “Le mysterieux Jimmy,” by M.&#13;
Péché” are to be found. Some of her descriptions, Armstrong. M. Abel Deval announces for his&#13;
too, are very fine.&#13;
theatre an adaptation of “Mr. Pickwick."&#13;
“ Humour et Humoristes " is the title of a clever The outdoor theatres have had a brilliant season&#13;
book by Paul Stapfer. In this volume we find an on account of the exceptional summer. M. Camille&#13;
important study of Henry Fielding, another of de Sainte Croix has obtained permission to open&#13;
Jean-Paul-Frederick Richter, a study of Anatole his Shakespeare Theatre in the St. Cloud Woods,&#13;
France's work, and a well-drawn portrait of but it is probable that, on account of the delay in&#13;
Mme. de Noailles.&#13;
obtaining this, he will now wait for next season.&#13;
An extremely instructive book has been written&#13;
ALYS HALLARD.&#13;
by M. H. Joly, as a result of a mission with&#13;
which the author was entrusted for the Académie&#13;
“ La Ville inconnue” (Fasquelle).&#13;
des Sciences Morales. It is entitled “L'Italie “ La Douceur de vivre” (Calmann Lévy).&#13;
contemporaine, enquêtes sociales." The volume * Humour et Humoristes ” (Fischbacher).&#13;
contains a great amount of reliable information “L'Italie contemporaine enquêtes sociales " (Bloud).&#13;
about the social conditions of life in Italy.&#13;
“Contre l'alcoolisme” is the title of a book by&#13;
Joseph Reinach, in which he shows the terrible AUTHORS' AGENTS, LITERARY AND&#13;
ravages made by alcoholism in France.&#13;
DRAMATIC.&#13;
English admirers of the work of Camille&#13;
Flammarion may like to take part in his Jubilee&#13;
Fête, when a souvenir is to be presented to the M HE subject is a very wide one. It is barely&#13;
great astronomer in commemoration of the&#13;
possible to go more than round the out-&#13;
Foundation of the French Astronomical Society&#13;
skirts in a short paper, and to state a few&#13;
twenty-five years ago, and the publication of his facts—not always obvious to the author—without in&#13;
first book fifty years ago.&#13;
many cases giving examples or reasons ; to write&#13;
The artist Zeitlin has been commissioned to fully on this subject would necessitate a small&#13;
design the souvenir which is to be presented to him. volume.&#13;
Over three hundred pounds have already been The first question is whether literary and&#13;
subscribed, and further subscriptions are received dramatic agents are essential. It is necessary to&#13;
by M. Monprofit, 31, Boulevard des Italiens. separate the two, for their duties are the same, yet&#13;
The disappearanee of La Joconde from the so different. The majority of dramatists—to take&#13;
Louvre Museum has made it necessary to institute the dramatic agent first-would declare that a&#13;
various reforms in this celebrated picture gallery. dramatic agent is useless. There is no doubt that&#13;
On the first day of opening after the theft, the a persevering individual who lives in or near&#13;
&#13;
&#13;
## p. 12 (#408) #############################################&#13;
&#13;
12&#13;
THE AUTHOR.&#13;
own does not need one. In any case, the dramatic why an agent should be free to take his full per-&#13;
agent is not as necessary to dramatists as the lite- centage so long as the contract lasts. He will be&#13;
rary agent is to the author. The dramatic market amply paid if his fees on any one play reach&#13;
is exceedingly limited, the competition is exceedingly £500. These are hard statements of facts ; indeed,&#13;
strong. The only way to place a dramatic piece is as already stated, the paper is full of these&#13;
by persisteni personal pressure ; by obtaining per- statements. It is quite possible that an author or&#13;
sonal introductions and by the aid of personal dramatist may refuse to accept them without fuller&#13;
influence wherever possible, and, above all things, evidence, without some reason being forthcoming.&#13;
by keeping up a good heart. It would be easy to The writer is stating nothing of which he is not&#13;
quote five or six cases of dramatists now well known fully cognisant, and could in most cases, from the&#13;
who had to wait for six, seven, or ten years before authors' and dramatists' points of view, show that&#13;
they could get their work accepted. This process the deductions made are irrefutable. The agent,&#13;
of forcing the strongholds of the managers is not perhaps, would traverse them.&#13;
always pleasant, but then how many roads to suc- Of course, it should be an agent's business to see&#13;
cess are? To dramatists who happen to be living that the contract between the dramatist and the&#13;
abroad or some distance from London, who can get manager is a good contract for the dramatist ; but,&#13;
no personal influence to bear on managers, the unfortunately, in many cases the agent's chief wish&#13;
agent may no doubt be useful.&#13;
is to get the contract off his hands, and with this&#13;
So far for the dramatic agent. The literary end in view is sometimes inclined to give the author&#13;
agent comes next. There are many more reasons bad advice. If, therefore, an author employs an&#13;
why the author should employ a literary agent than agent he cannot be too careful about watching&#13;
the dramatist a dramatic agent. The markets are every step he takes. This is where the Society of&#13;
enormously wide; there are many rights to be Authors would be of use. No doubt, however, after&#13;
marketed, and there are many markets of which the contract is made the agent can be useful in&#13;
the author is ignorant; but, again, if a man is a collecting fees. After he has collected the full sum&#13;
sound man of business and does not object to he is entitled to expect for his work in placing the&#13;
market his own wares, and has time to market them, play, the agent might, perhaps, be allowed a small&#13;
he can do so without the assistance of the agent. percentage for collecting the subsequent fees; but&#13;
If, however, he loathes the business side of literary the author ought at all times to be able, if necessary,&#13;
work, has such a heavy output that he cannot spare to insist upon the collection of moneys himself,&#13;
the time and hates the trouble, then the literary subject to the claim of the agent to his commission,&#13;
agent is useful.&#13;
if any is still unpaid, and to be free to terminate the&#13;
To those who undertake to place their own literary agreement in case, for any reason, he is dissatisfied&#13;
and dramatic work the Society of Authors is essen- with the agent's method of doing business, or in&#13;
tial, because the knowledge at the disposal of the case the agent has broken any part of his contract.&#13;
society on contracts and prices which prevail is This is a matter of the greatest importance to&#13;
useful to any dramatist or author who markets his rising dramatists, but space will not permit to go&#13;
own work, and even enables an author or dramatist into further details. If necessary, the subject must&#13;
to market his own work who could not do so other be dealt with in another article.&#13;
wise. Indeed, even those authors who employ Next, the literary agent. Though to some&#13;
agents will find the society's help essential. To authors his work is essential, again it should be&#13;
begin with, there is the contract with the agent, exceedingly carefully watched. He is very often&#13;
which is a most serious and important matter, and, under the thumb of a publisher. He not infre-&#13;
to continue, it is very often necessary that the quently deals as principal himself, and has the&#13;
work of the agent and the contracts he advises power—the very woeful power-of pitting one&#13;
the author to make should be carefully gone over by author's work against another's, giving thereby&#13;
some independent authority.&#13;
success to one author to the detriment of another&#13;
If it is agreed that in certain cases and in certain author whose work he may be handling.&#13;
circumstances an agent is essential, it will be well The first point is the contract between the author&#13;
to consider first the position of the agent and the and the agent. Here again the agent must be&#13;
dramatist. The dramatist should be careful not to carefully watched. He must only be permitted to&#13;
deal with any agent who buys work as a principal, draw his agency charges on contracts actually com-&#13;
or is marketing his own work. He should be careful pleted by him. He must not be allowed, in any&#13;
that the agent is an agent pure and simple, and one circumstances, to claim agency fees on introduc-&#13;
who is quite independent of managers and syndi- tions merely. The author must be in a position to&#13;
cates. Next, as to the agent's remuneration. terminate the contract at any time if he is dis-&#13;
Sometimes the fees from a successful play reach a satisfied with the agent, and must be in a position&#13;
very high figure. In such a case there is no reason to obtain control of the collection of moneys. In&#13;
&#13;
&#13;
## p. 13 (#409) #############################################&#13;
&#13;
THE AUTHOR.&#13;
13&#13;
order to do so he must forbid the agent, in any the British market. If then he has failed he&#13;
circumstances, to put in the contract with the should still not give up trying, but should attempt&#13;
publisher a clause giving him, the agent, the right at the same time to market the work in England.&#13;
to collect the moneys under the contract and to What happens now is, that as a rule, acting on the&#13;
give a receipt in full discharge, a constant and agent's advice, the author lets the American rights&#13;
most reprehensible practice.&#13;
go to the English publisher who sells sheets to&#13;
This naturally leads one to consider some of the America, and this, from the financial point of view&#13;
contracts which agents do advise authors to sign proves a better bargain for the English publisher&#13;
with publishers-contracts which cannot be con- than to allow the agent to place the American rights&#13;
sidered fair to the authors, though they may save with an American house.&#13;
the agent a great deal of trouble. And this, There is one further point in regard to markets&#13;
apparently, is his only reason for recommending in which the agent is very strongly to blame, and&#13;
them.&#13;
that is, in allowing the publisher to handle all the&#13;
The first point relates to the practice of binding minor rights. These are serial rights, translation&#13;
the author to the publisher for future books. It rights, Continental rights, etc. Not only does he&#13;
has been a growing custom of agents to pass allow the publisher to handle these rights, which&#13;
contracts of this kind, and the agent puts forward it is his business as agent to handle, but he&#13;
the usual temptation which the publisher has allows the publisher to charge the author for&#13;
whispered into his ear, that the publisher will do handling them, sometimes as high a fee as 50&#13;
so much better for the author if he has control of per cent. of whatever sum the rights realise.&#13;
all his future work ; that the publisher cannot Thus the author has to pay 50 per cent. to the&#13;
advertise one book to the same extent as he could publisher, and then another 10 per cent. of what.&#13;
if he has the promise of three others; that it takes remains to the agent. The position is, on the face&#13;
away from the author an immense amount of worry of it, absurd. Why does the agent do it? Because&#13;
if he knows that his contracts for the next four it saves him trouble; and he tempts the author&#13;
books are clear. All these statements are false, with the words of the publisher, who asserts that he&#13;
and the danger of yielding to them is enormous; can do so much more for the book if he is allowed&#13;
but there is one clear fact, and that is, that if the this wider control. This statement proves utterly&#13;
agent can make one contract serve for four books false in practice. The really serious matter is this,&#13;
he has not only saved himself a good deal of that it is not the publishers' business to carry his.&#13;
trouble, but at one stroke has secured for himself labours beyond the publication of the work in&#13;
commission on four books that are not written book form ; that he cannot, therefore, have the&#13;
books which might not even have been placed same power to market these minor rights that the&#13;
through his agency in the ordinary course of affairs. agent has, and, in consequence, is bound sometimes&#13;
In one word, the agent benefits at the expense himself to place these rights in the hands of an&#13;
of the author, and thus sares himself trouble rather agent, sometimes in the hands of the same agent&#13;
than advantages the best interests of the author. who made the contract which gave them to the&#13;
The next point is the question of the United publisher. It is exceedingly dangerous for an&#13;
States market. It must be remembered that in author to employ an agent who is also acting as&#13;
all these examples the agent's work with the agent for the sale of works or rights controlled by&#13;
publisher is referred to only, and not the position a publisher. Moreover, in allowing the publisher&#13;
of the author working for himself. The agent to have translation rights in his control, the agent&#13;
constantly tells the author that English books will has prevented the author from exercising any&#13;
not sell in America, and that it is no use to try to effective veto over the translation of his work which&#13;
obtain American copyright. This statement is made, and has prevented him from satisfying&#13;
again, is inaccurate. No market is better for the himself as to the skill of the translator, and his&#13;
author than the American market. If a book competence for the work undertaken.&#13;
touches the American market (and all good literature An author who employs an agent who is also&#13;
should be universal), for one copy sold in England employed by a publisher may find that the agent&#13;
four would be sold in America. Again, the agent is endeavouring to sell his work at different prices,&#13;
advises the author from his, the agent's, point of as the publisher has no reason to keep the author's&#13;
view, and not from the point of view of the author. price up. The agent, therefore, may be asking,&#13;
It gives the agent a great deal of trouble to place on behalf of the publisher, for a smaller rate of&#13;
work in America. It takes longer, and the agent, pay than he is asking on behalf of the author.&#13;
like all men of business, is out to make money, The effect upon the author's rates cannot, in such&#13;
and to make it quickly. An agent ought to give circumstances, fail to be disastrous.&#13;
a good six months to obtaining the American Other rights which an agent sometimes allows&#13;
market for an author before he attempts to obtain an author to sign away are dramatic rights. To&#13;
&#13;
&#13;
## p. 14 (#410) #############################################&#13;
&#13;
14&#13;
THE AUTHOR.&#13;
allow such assignment would seem so absurd that and never employ an agent who also acts for a&#13;
it would hardly be worth while to mention it were publisher. Be careful that the agent is permitted&#13;
it not the fact that such cases have occurred. only to collect moneys on contracts made by him&#13;
Naturally, the publisher will try to get as many during the continuance of the agency. Never allow&#13;
rights as he can. That is merely legitimate the agent to have an indefinite contract, so that at&#13;
business ; but that the agent should allow an author some future date he may be able to claim moneys&#13;
to concede these rights is criminal, for he is there on a contract that you yourself have made or some&#13;
to protect the author and not to assist the publisher other agent has made for you, merely because he has&#13;
to coin money.&#13;
introduced you to the principal. Finally, against&#13;
This then is the agent's position as between all these difficulties which cluster so thickly round&#13;
author and publisher. It may be worth while to the employment of the agent, an author may guard&#13;
make a few remarks as to the agent's position with himself by becoming a member of the society.&#13;
the editor. It not in frequently happens that an Don't employ an agent; but if you do, watch him.&#13;
editor will write to an agent for a serial story of a&#13;
certain length. The agent, sitting on his judgment&#13;
seat, will act as the proud arbiter as to which of his&#13;
clients shall have the order. This position is very&#13;
PUBLISHERS' METHODS.&#13;
dangerous, for, however straightforwardly the agent&#13;
may act, the author who is rejected does not have a&#13;
fair run. In addition (as an agent naïvely remarked COME years ago the society was forced to&#13;
to an author who brought him in a large income but D complain because a publisher had, on more&#13;
determined to cut down his charges), “if such an than one occasion, submitted to authors a&#13;
offer came to me, I should naturally give it to the form of agreement which he stated had received&#13;
author who paid the highest agency fees.” This the approval of the society. By this means he&#13;
may be business from the agent's point of view. obtained the author's signature, which he certainly&#13;
It is exceedingly dangerous from the author's. Or would not have obtained had the agreement been&#13;
again, the agent may sometimes go round to an referred to the secretary.&#13;
editor and ask if he desires stories from certain When the society remonstrated the publisher&#13;
authors-mentioning names, perhaps, not even on denied that he had made this wrongful use of the&#13;
his books. If he gets an offer he will try to draw society's name, and was only brought to conviction&#13;
the author into his hands and even, at times, from on being confronted with his own handwriting.&#13;
another agent. If he does not succeed in drawing There is another method employed by publishing&#13;
the author away from the agent, it may mean that houses which, while it is not damaging to the&#13;
the author will have to pay commission to both reputation of the society, is equally with the one&#13;
agents.&#13;
already mentioned injurious to the business settle-&#13;
Serial rights are often strangely neglected by ments of the author.&#13;
agents. There are not merely first serial rights, A publisher, on an author objecting to some&#13;
but second serial rights ; rights in the colonies, in very stiff clauses in his agreement, not infrequently&#13;
America, and in the provincial papers. Indeed, says: “ This is my printed agreement from which&#13;
the real literary agent to be of any real value ought this house never varies.” As is bound to happen&#13;
to have an enormous field of communication and in a society with 2,000 members, cases of this kind&#13;
knowledge, and, as far as possible, to be ubiquitous. are constantly brought to the secretary, who is able&#13;
To sum up: preferably, don't use an agent. at once to show to the author that the publisher is&#13;
If you are bound to employ one, be very careful of making, to use the mildest term, a mis-statement.&#13;
your contract with him. Never give him too wide He has, perhaps, only a week before, made radical&#13;
a control; never give him uncontrovertible authority alterations to the knowledge of the secretary, in&#13;
to collect moneys; never, in any circumstances, allow one of his “unalterable” contracts. In fact, the&#13;
him to insert a clause in your publishing agreement practice in one house grew quite notorious, the&#13;
by which he is able, without restriction, to collect proprietor benefiting by forcing unfortunate authors&#13;
royalties. If, when criticising an agreement with a into his contracts. The authors no doubt had&#13;
publisher, he pointed out that the clause he proposed seen the names of other writers of renown publish-&#13;
inserting dealing with his own position was a bad ing with the same house, and, naturally, drew the&#13;
clause for the author, and if he gave the reasons, deduction from the publisher's statement that these&#13;
clear and concise, then the author would have no authors were publishing under a similar agreement.&#13;
reason to complain if he signed the agreement. But Another phrase frequently in the mouths of&#13;
the agent never draws the author's attention to the publishers is, “ These agreements have been settled&#13;
clause and never gives the reasons. Never employ by King's Counsel and approved by the Publishers'&#13;
an agent who deals as principal as well as agent, Association." It is curious that such a statement&#13;
&#13;
&#13;
## p. 15 (#411) #############################################&#13;
&#13;
THE AUTHOR.&#13;
15&#13;
should not repel rather than compel. The author, inherent in them. Then the publisher's reply to&#13;
however, does not always grasp the fact that a King's the author's remonstrance can be discussed.&#13;
Counsel will settle an agreement according to the The first clause practically transfers to the&#13;
instructions of his client; and if the client is the publisher the copyright, and this position is further&#13;
Publishers' Association, the agreements will be confirmed by clause 5. As under clauses 1 and 5&#13;
settled wholly in favour of the publishers. This, the publisher holds the copyright it was, perhaps,&#13;
indeed, was the case. The members of the society unnecessary for him to insert clause 2. It cannot&#13;
are referred to “Forms of Agreement issued by the be too often repeated in these columns that the&#13;
Publishers' Association, with Comments,” published publishers should have a licence to produce the&#13;
from the society's offices. In this pamphlet the work in book form only at a fixed price only in&#13;
whole question is fully dealt with.&#13;
the English language. The clause might receive&#13;
It is necessary, as these incidents recur, that even further limitations, limitations to a certain&#13;
they should be recorded, and as the secretary number of editions or to certain countries. If&#13;
of the society has recently received further evidence, such a licence had been granted, then the publisher&#13;
the following facts are laid before the members. might have been, under clause 2, allowed an agency&#13;
In one week two agreements from a certain fee for the sale of the rights mentioned under&#13;
publisher were offered to authors. The agree- contracts signed and approved by the anthor if&#13;
ments were on very similar lines. The books to obtained through the publisher's introduction.&#13;
be published were important books of a technical That the publisher should have the exclusive&#13;
character. The agreements, from the author's licence to place these rights without reference to&#13;
point of view, were extremely bad. It is only the author, and on contracts made without consul-&#13;
necessary to print some of the clauses to show tation with the author, is absurd. It is equally&#13;
how bad they were.&#13;
absurd that for mere agency business the publisher&#13;
Clause 1.- The publisher shall during the legal term of&#13;
should be allowed 50 per cent. Clauses 3 and 4&#13;
copyright have the exclusive right of producing and pub- are both dangerous from the standpoint of the&#13;
lishing the work in the English language throughout the writer of technical books. The great majority of&#13;
world. The publisher shall have the entire control of the technical books dealing with modern science require&#13;
publication and sale and terms of the sale of the book, and&#13;
neither the author nor the publisher shall during the con-&#13;
to be brought up to date from time to time as the&#13;
tinuance of this agreement without the consent of the other&#13;
knowledge at the disposal of the writers develops.&#13;
publish any abridgment, extract, translation, or dramatised There is only one person who should have control&#13;
version of the work.&#13;
over these alterations. That person is the author.&#13;
Clause 2.-In the event of the publisher realising profits&#13;
Under the clause as it stands he would be bound&#13;
from the sale of rights of translation, rights of production&#13;
in other countries, serial rights, or plates, or from claims to revise, or have the book revised by another hand&#13;
for infringement of copyright, fifty per cent. of the net if the publisher demanded such revision, even&#13;
amount of such profits remaining after deducting all though he, the writer, might deem the process&#13;
expenses relating thereto.&#13;
wholly unnecessary.&#13;
Clause 3.—The author agrees to revise the first, and, if&#13;
necessary, to edit and revise every subsequent edition of It is a matter of no difficulty to draft clauses&#13;
the work, and from time to time to supply any new matter to meet such a position, and the same house has on&#13;
that may be needful to keep the work up to date.&#13;
occasion altered its unalterable agreement, giving&#13;
Clause 4.-In the event of the author neglecting to revise&#13;
the author this essential control.&#13;
an edition after due notice shall have been given to him, or&#13;
in the event of the author being unable to do so by reason On clause 5 nothing further need be said, save&#13;
of death or otherwise, the expense of revising and preparing that in no circumstances on the basis of a royalty&#13;
each such future edition for press shall be borne by the remuneration should an author allow a publisher&#13;
author, and shall be deducted from the royalties payable to&#13;
to be the owner of the copyright.&#13;
him.&#13;
Clause 5.-During the continuance of this agreement the As to clause 6, it is only necessary to point out&#13;
copyright of the work shall be vested in the publisher, who that if the book were published in January—not&#13;
may be registered as the proprietor thereof accordingly. an unfavourable month for book publication-the&#13;
Clause 6.-The publisher shall make up the account&#13;
annually to December 31st, and deliver the same to the&#13;
author would be out of his money for over twelve&#13;
author within two months thereafter, and pay the balance&#13;
months. This, indeed, is not so bad as in some&#13;
due to the author on March 31st.&#13;
forms of agreement, where it is posssible for the&#13;
Clause 7.-If any difference shall arise between the author to be kept out of his money for nearly&#13;
author and the publisher touching the meaning of this&#13;
agreement, or the rights or liabilities of the parties there-&#13;
eighteen months. It is, no doubt, a pleasant&#13;
under, the same shall be referred to the arbitration of two arrangement which enables the publisher to run&#13;
persons (one to be named by each party) or their umpire, his business on other people's money.&#13;
in accordance with the provisions of the Arbitration Act, Clause 7 is an unsatisfactory clause, although it&#13;
1889,&#13;
appears in a great number of publishers' agreements.&#13;
Perhaps it may be as well to pass a few comments Publishers assert that arbitration is a saving of&#13;
on these clauses, and to explain in detail the faults money. This is not usually the case, as the arbitra-&#13;
&#13;
&#13;
## p. 16 (#412) #############################################&#13;
&#13;
16&#13;
THE AUTHOR.&#13;
tor's fees have to be paid, as well as the other costs. “The Still Alarm—The Greatest Fire Scenes&#13;
It has also been claimed that it is an expeditious ever depicted-On view to all at our offices.”&#13;
way of settling disputes. Generally it is cumber- Evidence was given by a witness, who bad&#13;
some and unsatisfactory. The only real advantage attended the performance with a view to pur-&#13;
gained—and this is the publisher's—is that he chasing the films, and it was contended on behalf&#13;
shuns by arbitration that publicity which is so of the plaintiff's that there had been an infringe-&#13;
necessary as a warning to other authors.&#13;
ment of their dramatic rights in the fire scenes of&#13;
Some of the clauses might have been passed by the play.&#13;
an author who wished to yield gracefully some for the defendants it was virged that there could&#13;
advantage to the publisher, but the majority of be no copyright protection in a mere scene, and&#13;
the clauses quoted are such that no author should that the representation by cinematograph was not&#13;
allow them to enter into any contract, in anyan infringement of dramatic rights.&#13;
circumstances, between himself and the publisher. Mr. Justice Channell said that it was not neces-&#13;
On the advice of the secretary the author wrote sary to decide whether the plaintiff had an exclusive&#13;
drawing the attention of the publisher to the right to the representation of a portion of the play&#13;
difficulties above mentioned, and, to his astonish- against anyone who might exhibit the films.&#13;
ment, received a letter from which we quote the Sone day, he thought, it might be held that a&#13;
following extract:-&#13;
copying of a portion of a play in a cinematograph&#13;
“ The form of agreement is one which we always exhibition, where there was payment, was within&#13;
lise, and which experience has proved to give the statute. Upon the facts of this case, however,&#13;
satisfaction to all concerned.”&#13;
he was of opinion that the defendants did not&#13;
A more extraordinary statement it would be represent the piece in a place of dramatic&#13;
impossible to imagine. Over and over again have entertainment.&#13;
contracts from this very house been brought to the&#13;
HAROLD HARDY.&#13;
society, been criticised, and altered to suit the&#13;
author's requirements, and to make such a state-&#13;
ment in the face of this fact is not only unfair to&#13;
the author, but a serious matter for the reputation&#13;
MAGAZINE CONTENTS.&#13;
of the house. Besides, if the agreement had given&#13;
satisfaction to all parties, there surely would be no&#13;
BOOKMAN.&#13;
need for an arbitration clause. The publisher's&#13;
position is untenable, but still authors may be, and&#13;
Harriet Beecher Stowe. By Walter Jerrold.&#13;
Fournier's “ Napoleon." By Dr. William Barry.&#13;
probably will be, deceived.&#13;
Book MONTHLY.&#13;
Wanted: A New Mode of Literary Expression. By&#13;
Adam Gowans Whyte.&#13;
CINEMATOGRAPH PERFORMANCES.&#13;
CONTEMPORARY.&#13;
The Pictorial Art of Japan. By Count S. C. de Soissons.&#13;
Literary Genius. By J. E. G. De Montmorency.&#13;
GLENVILLE v. SELIG POLYSCOPE COMPANY.&#13;
ENGLISH REVIEW.&#13;
THE decision in this case, as to the meaning of Letters of Wagner to his Schoolfellow, Apel.&#13;
“a place of dramatic entertainment," seems The Handling of Words (Thomas Hardy). By Vernon Lee.&#13;
likely to be the subject of an appeal, as a&#13;
FORTNIGHTLY.&#13;
stay of execution was granted, and the Judge appears&#13;
Some Aspects of the Celtic Renascence. By K. L.&#13;
to have given special importance to the question of Moutgomery.&#13;
payment.&#13;
NATIONAL&#13;
The plaintiff claimed damages and an injunction The Creed of an Agnostic Spiritualist. By J. Arthur Hill.&#13;
to restrain the representation of certain scenes&#13;
connected with a dramatic piece, entitled “The&#13;
SCALE FOR ADVERTISEMENTS.&#13;
Still Alarm,” which had been originally performed&#13;
in the United States and subsequently in England&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
at the Princess' Theatre. In 1904 the plaintiff&#13;
Front Page&#13;
... ..£4 0 0&#13;
Other Pages&#13;
... ... 3 0 0&#13;
produced a new version with two “fire scenes”.&#13;
Quarter of a Page&#13;
...&#13;
added, and it was in respect of these scenes that an&#13;
... 0 15 0&#13;
Eighth of a Page&#13;
... O 7 6&#13;
injunction was asked for.&#13;
Single Column Advertisements&#13;
per inch 0 6 0&#13;
The defendants, who are manufacturers of cine Reduction of 20 per cent, made for a Series of Six and of 25 per cent, for&#13;
Twelve Insertions.&#13;
matograph films, issued an advertisement in the&#13;
following terms :&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C&#13;
Half of a Page ...&#13;
110&#13;
&#13;
&#13;
## p. 17 (#413) #############################################&#13;
&#13;
THE AUTHOR.&#13;
17&#13;
HOW TO USE THE SOCIETY.&#13;
N VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu.&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent withont the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society ; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society,&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation,&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System,&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
A void agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
UTERE are a few standing rules to be observed in an&#13;
H agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 18 (#414) #############################################&#13;
&#13;
18&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract,&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
L assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
&amp; rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
he warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
QCENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society hegs to give potice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Univn of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 19 (#415) #############################################&#13;
&#13;
THE AUTHOR.&#13;
19&#13;
GENERAL NOTES.&#13;
NETT AND DISCOUNT Books.&#13;
LOOKING recently down the literary column&#13;
THE COPYRIGHT BILL.&#13;
of a contemporary, we noticed an interesting&#13;
We may congratulate the Government on announcement respecting a popular series inaugu-&#13;
having carried the Copyright Bill through the rated by a well-known publishing house. The&#13;
House of Commons. It would be inadvisable announcement was to the effect that, owing to an&#13;
to say more about the matter until the Bill has increase in the cost of production of the series, the&#13;
become law, but there does not appear to be any publishers had found it necessary to change the price&#13;
vital reason why the Bill should meet with any of the volumes from 58.“ subject to discount,” to 5s.&#13;
violent opposition, and be altered to any large nett. As it is conceivable that some may retort that&#13;
extent from the form in which it emerged from the this alteration in price is a matter entirely between&#13;
House of Commons. One or two small amend the publisher and the bookselling trade, we think&#13;
ments, however, may be necessary.&#13;
it desirable, in the interest of authors, to point out&#13;
The Bill was ordered to be printed on the 18th of its importance to the writers employed in the manu-&#13;
August of the present year, and when it becomes facture of the series. We do so with the less hesi-&#13;
law it will be issued as a supplement to The tation, as we notice that over forty volumes so far&#13;
Author, so that members of the Society may have have been issued at the lower price, and it seems&#13;
an opportunity of studying its terms.&#13;
to us that a consideration of the matter, as it&#13;
During its passage through the Commons, the affects the payment of the writers, may not be&#13;
Bill met with a considerable amount of opposition without interest. While we do not for one moment&#13;
from wholly unexpected quarters ; indeed, from question the justification of the alteration in price,&#13;
many whom one might have thought would have we do suggest that the author should share in the&#13;
actively supported its principles.&#13;
increased returns which will accrue to the pub-&#13;
Apart from various details, there are two main lisher in consequence of the change.&#13;
points which will make the passing of the Bill the As the alteration extends over a series of forty&#13;
greatest benefit to authors; the first, that it will books, that increase cannot be dismissed as insignifi-&#13;
enable Great Britain to join the Berlin Conven- cant. Whereas on a 5s. “subject" book the returns&#13;
tion; the second, that it will bring into uniformity to the publisher would probably average about 2s. 8d.&#13;
the law of copyright which, at present, is scattered per copy, on the 58. nett book they would come&#13;
through twenty or more different enactments, out at something like 3s. 2d. per copy. It will be&#13;
making its interpretation highly complicated and clear from this that a fair royalty on a 5s. book&#13;
confusing&#13;
issued “subject" might be rather poor on one&#13;
issued at 58. nett. It may be, of course, that part&#13;
of the “increased cost of production” is due to a&#13;
THE COLONIAL MARKETS.&#13;
demand for better terms on the part of the writers&#13;
We have complained, from time to time, of the of the books yet to be produced in the series. If&#13;
poor sales of books of English authors in the this is so, we shall be glad on their account—though&#13;
Colonies, and have pointed out that this is appa- a little sorry for the earlier writers. It may even&#13;
rently due to the supineness of the English be that the books in the series are being purchased&#13;
publisher and to the activity of the American book outright; but apart from anything in this particular&#13;
agent. The latter, on one occasion, went so far as case which may possibly render our comment un-&#13;
to induce an Australian bookseller to allow him to necessary, we would add, for the general informa-&#13;
decorate his window, and it may be taken for a tion of writers, that they should never, when&#13;
certainty that he did not decorate the window with making their agreements, permit any alteration&#13;
English books.&#13;
of a “subject” to a “nett” published price without&#13;
We now regret to see from the American Con- getting some quid pro quo. If the publisher wants&#13;
sular Report that the American magazines are to make such an alteration, he should make a&#13;
also pushing the English magazines out of the corresponding increase in the royalty payable to&#13;
market. This, no doubt again, is owing to some the author.&#13;
fault in the English distribution. It is really time&#13;
that publishers, editors, and magazine proprietors&#13;
woke up and bestirred themselves. It is not for&#13;
THE NEW RUSSIAN COPYRIGHT LAW.&#13;
us to advise them as to how to remedy the evil. It The new Russian Copyright Law came into&#13;
is a part of their own business to find the cause force on March 20, 1911. It marks a consider-&#13;
and the remedy. But it is a clear fact that unless able advance upon the previous legislation, but&#13;
something is done speedily and with judgment the is far from being such as might be wished.&#13;
Colonial market will be lost both for English books The following particulars are interesting. Copy-&#13;
and magazines.&#13;
right is accorded to all books published in&#13;
&#13;
&#13;
## p. 20 (#416) #############################################&#13;
&#13;
20&#13;
THE AUTHOR.&#13;
Russia, independently of the nationality of the followed the publication of “ John Chilcot, M.P.,"&#13;
author. The duration of copyright is for and she very early showed herself one of those&#13;
life and fifty years (without any restrictions). writers—it is pleasant to think there are many&#13;
Transformations of novels into dramas, and vice such—who take a generous interest in the work of&#13;
versâ, without the author's consent are forbidden. those less fortunate and less successful than them-&#13;
The exclusive right of translation exists for five selves.&#13;
years only. If a translation is made within that Mrs. Thurston possessed a singularly agreeable&#13;
limit, the translation has a copyright of ten years. and gentle personality. Her dark, glowing beauty&#13;
In the case of simultaneous publication in several was of the type one associates with Irishwomen,&#13;
languages, all the works enjoy equally the full term and her voice was low and exquisitely clear. She&#13;
of copyright. Russian translations of all foreign had none of the exuberance, or the very natural&#13;
works may be published without the consent of the desire to discuss herself and her work, which is so&#13;
foreign author. These translations enjoy the full often typical of the literary temperament. Even to&#13;
term of copyright, but the translator cannot forbid her intimates she seldom spoke of her books, and it&#13;
other translations. Except in the case of stipula- would certainly have been possible for a stranger&#13;
tions to the contrary, an author who has sold the to have been acquainted with her for a considerable&#13;
copyright of his work may publish another edition time without discovering that she wrote. And yet&#13;
as soon as the work is out of print, or, in any case, it is clear that her work must have meant a great&#13;
as soon as tive years have elapsed since the date of .deal to her. Each of her stories, from “ The Circle"&#13;
the first edition ; or, if he is preparing a complete onward, showed marks of conscientious care, and&#13;
edition of his works, three years after that date. she once told the present writer that when engaged&#13;
Piratical publication is punished with a minimum on a new book she found that it absorbed her to&#13;
of three months imprisonment.&#13;
the exclusion of everything else. This no doubt&#13;
was why she preferred to work in the Irish home she&#13;
THE ACADEMIC COMMITTEE.&#13;
loved so well than when living her ordinary life in&#13;
Owing to the fact that The Author does not&#13;
London. As so often happens, the one of her&#13;
appear in August or September, we are only now&#13;
novels which most closely reflected the life she&#13;
knew was that which her readers liked the least-&#13;
in a position to chronicle the election of Lady&#13;
Ritchie and Mr. G. Bernard Shaw to the Academic&#13;
I refer to “The Fly on the Wheel," a close, and in its&#13;
Committee.&#13;
way, a very powerful study of a phase of Irish country&#13;
town society. This story was an interesting “throw&#13;
Lady Ritchie is the first lady to join the Com-&#13;
mittee, which may be congratulated on an election&#13;
back,” for Mrs. Thurstou did not begin to write&#13;
till she came to England, and it is on record that&#13;
which is sure to meet with general approval, and&#13;
throughout a girlhood spent entirely at home she&#13;
may also serve to put an end to the discontent felt&#13;
never wrote a line with a view to publication.&#13;
and expressed in some quarters, where it had been&#13;
It may be doubted if even her closest friends&#13;
assumed, quite erroneously, that the women were&#13;
knew much of Mrs. Thurston's methods of work.&#13;
ineligible.&#13;
It is, however, a curious fact that “The Circle,''&#13;
her first long novel, and a book which was much&#13;
INTERNATIONAL LITERARY AND ARTISTIC praised and commented on by the critics, though&#13;
ASSOCIATION.&#13;
it gave no promise of the immense success of its&#13;
The International Literary and Artistic Asso- immediate successor, was founded on a short story&#13;
ciation ask us to announce that in consequence of&#13;
sequence of&#13;
which&#13;
which was an early imaginative effort.&#13;
reports of an epidemic at Rome-reports it must&#13;
be admitted which appear to be without foundation&#13;
-the congress, which was to have taken place this&#13;
autumn, will be postponed, and held at Rome in&#13;
THE FOREIGN REPRINTS ACT AGAIN.&#13;
the Easter week of 1912.&#13;
ROYALTIES UNDER COMPULSORY LICENCE.&#13;
THE LATE MRS. THURSTON.&#13;
TN 1847 an Act was passed under the short title&#13;
1 of the Colonial Copyright Act, 1847, more&#13;
frequently known, however, as the Foreign&#13;
By M. B. L.&#13;
Reprints Act.&#13;
TN Katherine Cecil Thurston, the Society of The circumstances that led up to the passing&#13;
1 Authors loses a loyal member and a firm this Act were as follows:&#13;
friend. Mrs. Thurston joined the Society in By section 17 of the Act of 5 &amp; 6 Vict., which&#13;
the full flush of her greatest success, that which Act covered all the Colonies, the importation into&#13;
&#13;
&#13;
## p. 21 (#417) #############################################&#13;
&#13;
THE AUTHOR.&#13;
21&#13;
the Colonies of books unlawfully printed was for- into the colonies, and notably American reprints into the&#13;
bidden, without the consent of the copyright&#13;
Dominion of Canadla ; but no return, or returns of an&#13;
absurdly small amount, have been made to the authors and&#13;
owner. Ar&#13;
owners. It appears from official reports that during the&#13;
Owing to three causes, firstly, the rapacity of the ten years ending in 1876, the amount received from the&#13;
pirates, who had no authors' royalties to pay whole of the nineteen colonies which bave taken advantage&#13;
there was no United States Copyright Act in those&#13;
of the Act was only £1,155 133. 2 d., of which £1,084 13s. 2 d.&#13;
days, and International copyright was difficult and&#13;
was received from Canada ; and that of these colonies&#13;
seven paid nothing whatever to the authors, while six now&#13;
involved ; secondly, owing to the lack of enter-&#13;
and then paid small sums amounting to a few shillings.&#13;
prise in the Colonial book trade ; and thirdly, owing&#13;
to the supineness of the English publishers, the It will be seen from this quotation that if the&#13;
Colonies complained that they were unable to get contribution from Canada is left out, there is&#13;
English books.&#13;
practically nothing from the other colonies, and&#13;
Canada was the chief complainant, as she saw eren the sum received from Canada is absurdly small,&#13;
the United States with their piratical trade flooded taking into consideration the number and popularity&#13;
with English works which she was unable to of the authors. The Act is still in force in most&#13;
obtain ; but the complaint was strong also in the of the Colonies ; but as Capada refused to collect&#13;
other Colonies, because those who did read wanted the duties some twelve or thirteen years ago, as far&#13;
to buy books, as they could not borrow them from as that Colony is concerned the Foreign Reprints&#13;
circulating libraries, which did not exist.&#13;
Act is in abeyance.&#13;
The complaint was partly, no doubt, genuine, The absurdity of the whole situation has again&#13;
but to a great extent, especially as far as Canada become prominent, and has been brought to the&#13;
was concerned, was put forward as a political move. notice of The Author by Mr. Hall Caine, who&#13;
The author has always been the slave of the recently received a payment of 8s. 10d. as an&#13;
public, and as such is liable to be robbed of his amount due to him for royalties collected under&#13;
property, first by one constriction and limitation this Act.&#13;
and then by another ; so in this case, with a show of Mr. Hall Caine wrote for an explanation, and&#13;
justice, the Foreign Reprints Act, which is still in received from the Treasury the following reply,&#13;
force in many Colonies, was passed, enabling the with a statement, printed below, setting out the&#13;
Crown, by Order in Council, to suspend the prohibi- Colonies involved and the percentage paid, and&#13;
tion against importation into the English Colonies with a copy of the Act.&#13;
of English copyright works under certain conditions,&#13;
TREASURY CHAMBERS,&#13;
one of the conditions being that certain Customs&#13;
281h July, 1911.&#13;
duties should be collected by the Government of SIR, I am directed by the Lords Commissioners of His&#13;
the Colony adopting the Act, which duties should Majesty's Treasury to acknowledge the receipt of your letter&#13;
be paid as royalty to the author. This really&#13;
of the 18th instant, respecting a payment made to you on&#13;
account of copyright in the Colonies.&#13;
amounted, in other words, to a grant of the right to In reply I am to express their Lordships' regret that&#13;
sell and the right to buy the author's books under it has not been found possible to trace in every case the&#13;
a compulsory licence. A large number of Colonies books in respect of which payment was madle, but, so far&#13;
adopted the Actin fact, all the important Colonies,&#13;
as they have been able to discover them, the details are as&#13;
follows :-&#13;
with the exception of Australia, did so. Under&#13;
the Act the publishers of English books were bound&#13;
to forward catalogues to the Custom House&#13;
Date and Place&#13;
Title of Work. Duty Collected.&#13;
authorities of the different Colonies, so that the of Entry.&#13;
collection might be carried out properly, but, in&#13;
the words of the author of “The Law of Copy-&#13;
right" “ These measures were next to inoperative, Bermuda, 1897&#13;
The Christian&#13;
and the whole thing little better than a delusion.”&#13;
1898 (Unknown)&#13;
From time to time the absurdity of this Act,&#13;
(Unknown)&#13;
The Christian&#13;
from the standpoint of the author, was pointed out&#13;
1904 Eternal City&#13;
in the papers, and figures were given to show how&#13;
1905 Prodigal Son&#13;
ineffective it was in operation.&#13;
Jamaica, 1903&#13;
Eternal City&#13;
The reference to these figures it is impossible to&#13;
1906 Prodigal Son&#13;
1908 The Christian&#13;
find at the moment, but it is sufficient to quote&#13;
from the Report of the Royal Copyright Com-&#13;
8 10&#13;
mission, which sat in 1878:-&#13;
So far as British authors and owners of copyright are&#13;
concerned, the Act has proved a complete failure. Foreign In further explanation of these payments I am to transmit&#13;
reprints of copyright works have been largely introduced the enclosed copy of a Return to the Order of the House of&#13;
1900&#13;
1901&#13;
&#13;
&#13;
## p. 22 (#418) #############################################&#13;
&#13;
THE AUTHOR.&#13;
Commons, dated the 25th of August, 1857, and of a memo- general body of British Authors what the small&#13;
randum prepared in this Department, which my Lords&#13;
payments represent.” He passed some drastic&#13;
trust will be of use to you.&#13;
I am, Sir,&#13;
comments on the Act and its working, and ended&#13;
Your obedient Servant,&#13;
his letter with the following words :&#13;
T. L. HEATH. “I am afraid the statement you are good enough&#13;
to send me, representing duties at 15 per cent.,&#13;
COPYRIGHT IN THE COLONIES.&#13;
amounting to 88. 10d. collected on nine books in&#13;
Under Section 42 of the Customs Laws Consolidation Act, eleven years, casts a very sinister light on the&#13;
1876 (39 and 40 Vict. c. 36), foreign reprints of copyright&#13;
licensing clauses of the Government's new Copyright&#13;
works, of which notice has been given to the Commissioners&#13;
of Customs that the copyright subsists, are prohibited from&#13;
Bill, showing that the receipts to the descendants&#13;
being imported into the United Kingdom.&#13;
of authors during the years of free licensing will&#13;
Section 152 of the same Act also prohibits importation of probably be hardly sufficient to pay their washing&#13;
reprints of such works into the British Possessions abroad, bills."&#13;
but adds that this does not prevent Her Majesty from&#13;
exercising certain powers vested in her under the Act&#13;
One satisfaction to be obtained from the passing&#13;
amending the law relating to the protection in the colonies of the new Copyright Law will be that this absurd&#13;
of British Copyright Works (10 &amp; 11 Vict. c. 95) to suspend Ordinance of 10 &amp; 11 Victoria will be repealed,&#13;
in certain cases such prohibition.&#13;
along with numerous other Statutes dealing with&#13;
These powers were that should the Legislative Authorities&#13;
in any British possession be disposed to make provision for&#13;
for&#13;
co&#13;
copyright property.&#13;
n properu&#13;
protecting the rights of British authors in that Possession It is necessary, however--and it is with this idea&#13;
and pass an Act or Ordinance for that purpose, such before us that we have set out at length Mr. Hall&#13;
Ordinance should be submitted for approval by Her&#13;
Caine's case—to consider the application of the com-&#13;
Majesty, and, provided that reasonable protection is thus&#13;
secured to the British author, an Order in Council should&#13;
pulsory licence in the present copyright legislation.&#13;
be issued declaring that so long as the Ordinance remained It was obvious that the Governments of the&#13;
in force the prohibition against importing, selling, letting separate Colonies were hopelessly incapable of&#13;
out to hire, exposing for sale or hire, or possessing such carrying out the Act in a satisfactory manner for&#13;
foreign reprints should be suspended as regards that&#13;
the benefit of the unfortunate author, who was, in&#13;
Colony.&#13;
The Legislative Authorities in the following Colonies consequence, freely robbed. It is true that the&#13;
duly passed the necessary protective Ordinances, which have compulsory licences, of which there are two in the&#13;
been confirmed by Orders in Council :--&#13;
present Bill, refer to Great Britain and Ireland&#13;
Antigua.&#13;
Jamaica.&#13;
only, but it is possible that they may cover a good&#13;
Bahamas,&#13;
Mauritius.&#13;
many of the Colonies as well. But this fact gives&#13;
Barbados.&#13;
Newfoundland.&#13;
Bermuda.&#13;
St. Lucia,&#13;
us little hope that the compulsory licence will be&#13;
British Guiana.&#13;
St. Christopher and less dangerous from the author's point of view than&#13;
Canada.&#13;
Nevis,&#13;
it was in the past.&#13;
Cape of Good Hope and St. Vincent.&#13;
All who have studied the Copyright Bill know that&#13;
Natal.&#13;
Trinidad.&#13;
Grenada.&#13;
there is a compulsory licence twenty-five years after&#13;
the author's death, and there is a compulsory and&#13;
The Ordinances in Canada, Cape of Good Hope, and&#13;
Natal ceased to be effective on these Colonies becoming&#13;
an unlimited licence on the unfortunate composers&#13;
self-governing.&#13;
who care to allow their works to be reproduced by&#13;
The Ordinance of the Colony fixes the amount of the mechanical instruments.&#13;
protection, and the title to this protection depends upon&#13;
It will, of course, be argued that the two in-&#13;
registration of the work, the name of the holder, and the&#13;
period of the copyright, with the Commissioners of Customs,&#13;
stances are not in the least parallel ; that in the&#13;
who issue to the Colonial ports a list, supplemented from one case the royalty is to be collected by the&#13;
time to time, of such works.&#13;
Government and in the other by the author, but it&#13;
• The Colony, on receiving the duties imposed, transmits&#13;
is not so much the collection of the royalties that&#13;
them to the Treasury, and that Department distributes&#13;
them to the respective copyright holders as specified in the&#13;
makes the compulsory licence impossible, but the&#13;
Customs list.&#13;
fact that the licence is compulsory. What has&#13;
Until 1881 it was the practice of the Treasury to distribute proved such a distinct misfortune in the past in&#13;
thesc sums, however small, but in that year it was decided&#13;
slightly different circumstances will most prob-&#13;
to retain small sums until they accumulated to a minimum&#13;
of £1, reduced in 1903 to 108.&#13;
ably prove a distinct misfortune in the future, and&#13;
In view, however, of the numerous small amounts due to it may be that the author will obtain as little of his&#13;
the various copyright holders, and to the time winich had true and just returns under the clauses in the Bill&#13;
elapsed since these sums were collected, it was decided this at ni&#13;
at present under discussion as he was able to&#13;
year to pay over sums amounting in the aggregate to 48. or who&#13;
under the Foreign Reprints Act.&#13;
over.&#13;
Even with all the protection which the Board&#13;
To this letter Mír. Caine replied on July 29th of Trade may invent to guard the author's rights,&#13;
He stated that he had forwarded all the papers it will be almost impossible to follow the number&#13;
to the society that “ It may be made clear to the of different reproductions placed on the market,&#13;
&#13;
&#13;
## p. 23 (#419) #############################################&#13;
&#13;
THE AUTHOR.&#13;
23&#13;
when any pirate who cares to may begin manu writers. Already there are copyright novels at&#13;
facturing with little or no fear of detection, and sevenpence the copy, not reprints, but first editions,&#13;
with still less fear of conviction.&#13;
yet not two writers in a hundred can hope to earn&#13;
bread by royalties on that price, being in constant&#13;
competition both with lending libraries and with&#13;
reprints of Dickens, of Scott, of Thackeray, and of&#13;
A FEW WORDS ON EXPIRED many other perennialists. Besides, however low&#13;
COPYRIGHTS.&#13;
prices may be, the public is soon tired of their&#13;
repetition and begins to think that they are&#13;
expensive.&#13;
BY CRUSADER.&#13;
And another point is this, that when new copy-&#13;
THEN a type of society becomes ordered and right books appear at a reasonable price they are&#13;
V intricate, it retains a great deal of work published more often than not in little editions, so&#13;
from the past and produces many new the cost per copy is greater than that in the large&#13;
things in a traditional manner; then market reprints of popular classics ; and yet these reprints&#13;
rivalries between old products and modern efforts are exempt from royalities, while to-day's own&#13;
bring in their train many evils of their own. To books cannot be, as authors somehow fail to live&#13;
speak figuratively, the young harvests have to without food and shelter, though many have had&#13;
grow in fields already occupied by corn which time experience in the school of long hunger. I can&#13;
has left unreaped and unharmed. Yet they are recall a time when stale dry bread was delicious&#13;
expected not only to strike root under the shadow- after a week without anything to eat. Oh! In&#13;
ing protection of the old corn, but to push their the battle of the books, in the war of the classic&#13;
way upwards without being stifled, till they dead against their humble successors, “knock-&#13;
ripen in the sunshine of a free air. Children are outs" are not in the the least enjoyable, at least to&#13;
spared a lifelong competition with their parents, those of us who know how they act and how they&#13;
but the generations are not, for they inherit so much are financed. To allow copyrights to lapse, with-&#13;
living genius that the present is ever the past also, out paying royalities to the State, is not only to&#13;
and it may be awed into imitation and unfreedom subsidise “the simple great ones gone,” giving&#13;
by accumulated riches in great things.&#13;
them unfair advantages in market competition ;&#13;
Goethe counted himself lucky that he inherited besides that, which is bad enough, it endows&#13;
a weak German literature, believing that an array publishers with a fruitful capital—a vast property&#13;
of classic authors equal to the English would have of excellent books freed from royalities and from&#13;
cooled his own ardour and hindered that growth of the need of much advertising ; and all this penalises&#13;
character which comes from thinking freely and the daily efforts made by ourselves.&#13;
acting independently. And who has not observed If an author is to earn a living with royalties on&#13;
in Italy how the deification of the old masters has little editions, the royalties must be good and the&#13;
enfeebled modern art among a race of men wonder- price rationally high, or else be will starve even&#13;
fully equipped by nature with quick perception and when his publisher banks a profitable interest on a&#13;
with skill of hand ? I think of this in connexion trifle of capital. It is not at all bad trade when a&#13;
with the frenzied competition in the book market, publisher prints and sells a six-shilling novel in an&#13;
where classic authors beg pleadingly for pence and edition of a thousand copies, gaining thereby a&#13;
ha'pence. If the classics are not now a danger to profit of about £30, on an outlay of not more than&#13;
our own work, what else are they ?&#13;
£115. The author gets about as much under&#13;
One trader in dead copyrights saved a fortune of a good agreement, and upon that he cannot&#13;
£500,000. He had no royalties to pay, he knew live during five or six months of work, so his needs&#13;
which classics had the greatest vogue, and it was as a citizen are opposed by the finance of publishing.&#13;
easy to boom them into the market in large The opposition, too, is fundamental. Royalties on&#13;
reprints and at little, wheedling prices, till the a book that takes much time and infinite pains are&#13;
retail cost of copyright books seemed not only high your all, while a publisher's object is to use the&#13;
by comparison, but wrongful also. Many publishers same working capital thrice in a year and to earn&#13;
do the same thing now, and each tries to undercut a buoyant profit on each turnover. You are&#13;
the dwindling standard of cheapness, as if in stricken, but your work is a godsend to your&#13;
obedience to the belief that British homes are alms publisher. You know the “kuock-out” of small&#13;
houses filled with paupers.And newspapers, too, editions, while your publisher is ready to go on&#13;
are trading with the property of dead authors in with a thriving system of finance which in the&#13;
the hope that they may be able to “ring" the course of a few years has built many palatial&#13;
ordinary publishers. Meantime, you will note, it offices.&#13;
fares very far from well with the majority of living Why is it, then, that the State favours the&#13;
&#13;
&#13;
## p. 24 (#420) #############################################&#13;
&#13;
24&#13;
THE AUTHOR.&#13;
publisher to the injury of authors ? Why hand is not to her advantage nor to that of authors&#13;
over to him all expired copyrights in order that he that rich tradesmen should be able to force the&#13;
may issue them in reprints so cheap that they dis- weak hand of poverty ? Many publishers bunger&#13;
credit the rational value of new productions? It for copyrights, and needy authors become the&#13;
can no longer be said with any semblance of truth victims of that appetite, being unsupported by their&#13;
that the people need such cheap reprints, for the self-made legatee, the State.&#13;
poorest of the poor can well afford to read borrowed These anomalies, too, are in keeping with many&#13;
books in these days of free libraries. Besides, the others. It is said, for instance, that properties of&#13;
first duty of a State is to cherish within each gene- authorship are such inestimable gifts to mankind&#13;
ration the hopeful courage that acts well, and the that the State is justified in claiming them for her&#13;
higher aspirations that quicken and enlarge the people. This sounds like a principle of Socialism ;&#13;
mind. You cannot have aviaries of singing birds it applies to all the many forms of property&#13;
if you do not feed them, nor hives full of honey having more than a temporary and personal value.&#13;
if you smother the bees. And we may depend upon To“koock-out" the author cannot be right while&#13;
it that if we could suininon into the House of landowners and other property-holders can bequeath&#13;
Commons a parliament of the simple great ones and entail their estates, without any regard at all&#13;
gone, from Chaucer to Tennyson and Browning, for that poverty-born ideal which sets before us a&#13;
very few votes would be given in support of their national ownership in all things fitted to produce&#13;
present tyranny over the new breadwinners in wealth.&#13;
literature. Milton would lead an overwhelming It is invaluable, in this connection, to think of&#13;
opposition to it, seconded by the rich common the difference between Shakespeare and the great&#13;
sense of Latimer and Johnson. If Shakespeare Elizabethan landowners. The dramatist from the&#13;
si oke, aſter many invitations, would he not say first had no copyright, inheriting the laisser faire&#13;
that the mind of England ought ever to be of a that the printing press took up from those cloistral&#13;
piece with the many repetitions of herself with ages when books were manuscripts, and in a few&#13;
which she has gemmed the seas? He could not copies circulated among the religious, mainly in&#13;
like anything meagre, petty, diminutive, flurried, nunneries and monasteries. So, then, Shakespeare's.&#13;
or cheap. He would expect English thoughts to own works were never his own ; they belonged to&#13;
put a new girdle around the world each generation. England from the first; and not a farthing of&#13;
The Lord Chief Justice, on November 1, 1909, royalty has yet been claimed by the Exchequer&#13;
expressed the hope that Great Britain and her from the publishers and theatre managers who have&#13;
Colonies would do all in their power to draw the traded with Shakesperian property. How com-&#13;
civilised nations together in a common accession pletely different is this from the legal protection&#13;
to the following principle, that the property in granted from age to age to such a family as the&#13;
copyright and literary work belongs to the author. Cecils, whose landed estates have passed from heir&#13;
It is pleasant to note that Lord Alverstone gladly to heir, gathering an increase of value from the&#13;
admits that books and copyrights are property, nation's progress! Could anyone break through a&#13;
and that this property belongs to those who call hedge of theirs without incurring a risk of legal&#13;
them up into literary presence and give them a punishment ? And why is it that land, which&#13;
fructiſying value in a nation's life and trade. Lord nature provides as a mother for the nursing of all&#13;
Alversione hopes that Great Britain will support living creatures, should be handed on as property&#13;
the requests of other nations to the extension of more real and more native to a family than are any&#13;
the period of protection to life and fifty years, and fruitful works of imagination ? Had Shakespeare&#13;
this certainly is a blessed compromise in the domain died as a child, England would have lost inestim-&#13;
of illogic. For the State has no right to grant able riches, whereas the extinction of a great&#13;
perpetuity of ownership to many forms of property family neither lessens the land nor makes it barren.&#13;
and a very limited ownership to a few others. Mother Earth and true genins are equally stable&#13;
Logic and justice demand that all property in a and equally bountiful as property ; the distinction&#13;
civilised nation should enjoy under the law the between them is that genius merits the greater&#13;
same protection and the same privileges.&#13;
protection since the permanent worlds built by it&#13;
And there is another point of vital interest. belong for all time to the rare workers who are at&#13;
Since Great Britain from the first claims every once new and antique, and the contemporaries of&#13;
authoi's property, allowing him only the use of it all the ages. For example, Chaucer is more&#13;
for a small term of years, why is she not logical in marketable by far to-day than he was in his own&#13;
her self-interest ? Why does she not enrich her time, for he lives in all countries where poetry is&#13;
Exchequer by charging a royalty on her classics ? valued ; and each copy of his work everywhere is&#13;
And why does she not forbid publishers to buy the Chaucer himself. Yet this great Englishman, and&#13;
short-lived copyrights granted by her laws, since it many others, had no copyright in their generous&#13;
&#13;
&#13;
## p. 25 (#421) #############################################&#13;
&#13;
THE AUTHOR.&#13;
25&#13;
property, and even now there is not the sinallest pangs of chronic rejection at their hands, may or may.&#13;
chance that full justice will be done to authors and not endorse Lord Byron's view that : “ Barabbas&#13;
artists, because no political party can win votes by was a-publisher,” still we can comprehend their&#13;
asking the public to sanction fair copyright laws. disinclination as business men to purchase goods&#13;
Indeed, the man in the street is quite indignant manufactured by untried makers.&#13;
that anthors should want to bequeath to their The case against cditors is no whit more cheerful.&#13;
families the right to demand royalties on all copies In periodicals in which only first-class matter is in-&#13;
of their work issued by tradesmen for the purpose serted, a glance at an author's signature will suffice.&#13;
of money-getting.&#13;
“Popnlar” journals may and do here and there&#13;
If the State had her own printing works, and use "copy" sent in by outside contributors ; but&#13;
issued non-copyright books to the public at their they commonly make this concession in such an&#13;
pet cost per copy, many “rings” and “knock- irregular and seemingly unaccountable manner, that&#13;
outs" that now do harm to living authors would the freelance who relies upon them as a source of&#13;
pass away, because the classics would be welcomed income will speedily perceive his conditiou to be&#13;
as apart from trade speculations and the enrichment desperate.&#13;
of tradesmen. There would be no competition The following incident may serve to illustrate&#13;
then between the old and the new : in fact, the old this point. Having completed a short story during&#13;
would enter for all time into the people's endowed the month of March, 1893, the writer submitted it&#13;
education. This would be infinitely fairer to each in the following July to a respectable weekly, which,&#13;
passing generation of harassed writers of books, for present purposes, we will call “The Flagstone."&#13;
who bid to the public fancy for their livelihood. It was promptly returned. During an interval of&#13;
To sum up, we hare seen that copyrights should four years the manuscript thenceforward fulfilled&#13;
be protected at the least for life and fifty years, and its destiny as a rolling stone gathering no moss.&#13;
that those which survive that period should be Then the writer, impelled by one of those curious&#13;
published with all other classics by the State, as a impulses to which errant human nature is liable,&#13;
part of the national education, or, if left free to all presented it for the second time to the journal&#13;
speculators, should pay a fixed royalty to the which had dealt with it previously in so uncere-&#13;
Exchequer, partly that the nation may benefit as a monious a fashion. The sands of the year 1897 rau&#13;
whole by setting a time-limit to an author's owner- out, as did those of 1898—and the story neither&#13;
ship in his own work, and partly in order to check, came back nor appeared. The year 1899 repeated&#13;
as far as possible, the wrongful advantages now the process of its predecessors. Respectful enquiries&#13;
given to publishers and newspapers in their pitting elicited curtnotes of an evasive tendency. Eventually&#13;
of old books against the new.&#13;
affairs were brought to a climax. After an interview&#13;
with the editor early in 1900, the story made a&#13;
belated bow to his subscribers. In June of that&#13;
SORROWS OF A FREELANCE.&#13;
year it was paid for. For four years it had been&#13;
tossed about from pillar to post: for three it had&#13;
T o the plain unvarnished fact that the sorrows languished in a sort of backwater, without either&#13;
1 of Grub Street are to the full as poignant in rhyme or reason to account for its fate.&#13;
the present as ever they were in the past no Nor was this the only instance of a manuscript&#13;
writer of eminence has testified with greater force receiving the honour of acceptation at the hands of&#13;
than the late George Gissing, whose novel, “ The one to whom it had at first proved to be “unsuitable."&#13;
New Grub Street," every man or woman who com Editorial antics of this kind are preferable,&#13;
templates embarking on a literary career should however, to those sometimes performed by men&#13;
study closely and ponder deeply.&#13;
not only unbusinesslike but also unscrupulous-not&#13;
If the experience of the present writer, whose to use a stronger term—in their dealings with&#13;
first attempts in that direction were taken twenty- obscure wielders of the pen. Take the case of a&#13;
five years ago, may be accepted as corroboration, the booklet in twelve chapters posted to a certain social&#13;
book should stand as a masterpiece of faithful weekly with a view to serial publication on&#13;
portraiture.&#13;
September 9, 1891. Neglect of the precaution to&#13;
Casting an eye rather upon potential profits than register the parcel may have been responsible for its&#13;
philanthropic encouragement of budding talent, complete disappearance, or not; but the simple fact&#13;
publishers desire, in the main, to deal with authors remains that upon its quitting the author's hands&#13;
already established favourites with the reading the MS. vanished into space, as though by a con-&#13;
public. Speculative risk must, beyond dispute, play juring trick. A lawyer, whose services were&#13;
a part in the launching of unfamiliar names upon requisitioned on the quest, attached no blame to the&#13;
the book market—the quality of their wares apart. postal authorities. Though lost to the author, he&#13;
Although, then, such of us as have suffered the believed the labour expended upon his MS. would&#13;
&#13;
&#13;
## p. 26 (#422) #############################################&#13;
&#13;
26&#13;
THE AUTHOR.&#13;
in all probability benefit- somebody. It would be least forty had been shipped off and—refused : the&#13;
necessary to cultivate a like altruistic spirit, in last of them turning up with a precision somewhat&#13;
order to survey with equanimity the loss of a story reminiscent of clockwork on December 22, 1907 !&#13;
similarly dealt with by a monthly magazine on Yet consignments condemned — shall we say&#13;
October 18, 1900. It could have been used advan- without the formality of examination-by this par-&#13;
tageously later on, but the custodian to whose tender ticular, very particular, house, have been accepted&#13;
mercies it had been committed denied cognisance not altogether with reluctance by its rivals!&#13;
of the little stranger-and there was no duplicate. Lest these animadversions should be taken as&#13;
By these and kindred devices fully one-half of the prejudiced or in any degree overstated, let us refer&#13;
manuscripts despatched on their doleful journeys to a commentary made by the late James Payn in&#13;
from the beginning onwards have, up to the present the Illustrated London News for November 16,&#13;
moment, gone hopelessly and irretrievably astray- 1895. This gentleman, as editor of Chambers'&#13;
fifty per cent of a man's merchandise proving of no Journal, and later on, of the Cornhill Magazine,&#13;
greater value to him than so many soap-bubbles occupied an elevated position in the world of letters,&#13;
bursting in the air !&#13;
and although not infallible, as his rejection of&#13;
Were these tribulations exceptional ? Read on “John Inglesant” would show, he undoubtedly&#13;
before answering the question.&#13;
lent a helping hand to many struggling, but talented,&#13;
" Whoever seeks to live by brain and pen alone beginners.&#13;
is, at the beginning of such a career, treated as a “With some of the complaints of contributors to&#13;
sort of social pariah. Nobody wants him. Every periodicals I entirely sympathise,” he wrote. “The&#13;
body despises him. His efforts are derided ; his length of time their manuscripts are retained and,&#13;
manuscripts are flung back to him unread.” after all, rejected, the smallness of the remuneration&#13;
Wild words--gross exaggeration, you say. and the delay in its payment are genuine grounds&#13;
But as there can be no smoke without fire, so of grievance.” And there has been a marked&#13;
there can be no exaggeration where there is no deterioration as regards honesty, taste, discrimina-&#13;
nucleus of solid truth. We have seen how MSS. tion and conrtesy in the editorial ranks since such&#13;
may be simply kept indefinitely, and neither “flung men as he and Thackeray and Dickens ceased to&#13;
back" nor handed back.&#13;
uplift them.&#13;
Now let us peep into this mystery of MSS.&#13;
HERBERT W. SMITA.&#13;
returning to the sender unreal. Long years after&#13;
“ The Sorrows of Satan” (from which novel our&#13;
quotation is borrowed) was first published, to be PROPOSED CANADIAN COPYRIGHT LAW.&#13;
precise, so recently as August 31, 1907, a well-&#13;
known journal dealing with the affairs of an&#13;
extensive publishing business made the subjoined M R. FRANK WISE, president of the&#13;
strictures upon its management. “ Will it be I Macmillan Company of Canada, has given&#13;
credited," asked the investigator, “ that manu-&#13;
to the Press a statement correcting some&#13;
scripts submitted to the firm for consideration misconceptions already made, and putting forward&#13;
were solemnly entered in a huge volume, and some points which he is afraid have escaped the&#13;
then as solemnly returned to their senders often notice of the Hon. Mr. Fisher and a number of his&#13;
without being looked at. Scores of pages of this associates, who, no doubt, while wishing to put&#13;
volume may be turned over without finding a single Canadian copyright on a dignified basis, would be&#13;
contribution marked as accepted. Shareholders the last ones to bring hardship and pecuniary loss&#13;
should call at the offices and verify this for them- either to Canadian authors or their publishers.&#13;
selves," etc.&#13;
“The manufacturing clause in the present&#13;
The writer's personal experience of the people American Bill,” says Mr. Wise," is a good example&#13;
implied are in entire accord with the above. In of the maxim that might is right.'" It is well&#13;
the year 1884, he forwarded one of his early known to publishers that the American manu-&#13;
attempts to them under the belief its nature was facturing clause was inserted at the behest and&#13;
of a kind to meet their requirements. His con- insistence of the Typographical Union, which is&#13;
fidence was rudely shaken by its swift return, well known to be the strongest labour union in the&#13;
accompanied by that familiar slip of paper so United States. Its primary inclusion and sub-&#13;
dreaded by toilers with the pen. In due season sequent retention in the American Copyright Act&#13;
he sent off another argosy to the same port, and were distinctly against the expressed wishes of&#13;
another, and yet another. For a period of twenty- American publishers. It is a good thing, of course,&#13;
three years he persevered in this enterprise, de- for American printers and paper makers, and it is&#13;
spatching cargoes of this, that, and the other kind, looked upon by those engaged in either trade as a&#13;
deeming them likely to suit their market, until, at very beneficent mode of protection, much better to&#13;
&#13;
&#13;
## p. 27 (#423) #############################################&#13;
&#13;
THE AUTHOR.&#13;
27&#13;
the printers in fact than would be protection by There is the method of getting a learned lexico-&#13;
tariff, since under the later arrangement importa grapher to go carefully through the book and of&#13;
tion of foreign printed books could only be avoided obtaining a learned treatise from his pen. This&#13;
by keeping the prices of the home-made books method present circumstances will not allow here&#13;
down to that of the foreign printed books plus or elsewhere; and there is the modern method of&#13;
duty. Under the form of protection by copyright choosing a certain number of words, looking them&#13;
the public is prohibited from importing foreign out, checking them and seeing that they are&#13;
printed books at any price.&#13;
correct, and leaving the rest to luck. It is this&#13;
At the time this manufacturing clause was made latter method that we acknowledge without shame.&#13;
operative in the United States, they had a popula. There are two principal reasons why this&#13;
tion of some seventy millions, which made a market Dictionary should be a good one : first, the adapta-&#13;
of sufficient size to make profitable the setting up tion is made from the Great Oxford English&#13;
and printing of an addition for consumption in the Dictionary; and, secondly, it is connected with the&#13;
United States. Indeed, this would have been names of the two Fowlers. Are these reasons in&#13;
possible, though, of course, to a lesser extent, with the proof good and sufficient? We have no&#13;
a population of, say, twenty millons. With hesitation in giving an affirmative answer.&#13;
Canada's population, however, of a possible eight The Dictionary is a Dictionary of Current Eng-&#13;
millions, to be shown by the new census, printing lish ; and this makes its perusal a great source of&#13;
in Canada for Canadian consumption is utterly out pleasure. The adapters themselves say in their&#13;
of the question, since there is nothing like enough preface :-&#13;
demand to make a Canadian edition financially a&#13;
“One of these peculiarities is the large amount of space&#13;
possibility. Our contention is, therefore, that there&#13;
given to the common words that no one goes through the&#13;
being only a limited market in Canada, now best day without using scores or hundreds of times, often dis-&#13;
served by books imported preferably from England, posed of in a line or two on the ground that they are plain&#13;
or, if must be, from the United States, and the&#13;
and simple, and that every one knows all about them by&#13;
limited market making a separate Canadian edition&#13;
the light of nature; but, in fact, entangled with other&#13;
words in so many alliances and antipathies during their&#13;
unprofitable, neither paper makers nor printers can perpetual knocking about the world that the idiomatic use&#13;
possibly have anything to gain by holding out for of them is far from easy."&#13;
a manufacturing clause in the new Canadian Bill.&#13;
As a matter of fact Canada has much more to lose&#13;
This line of procedure at once rouses interest,&#13;
and the checking the accuracy of this statement&#13;
than to gain by following the bad example of our&#13;
afforded infinite pleasure.&#13;
neighbours to the south. In an admirable article&#13;
It is so true that words in common use are so&#13;
by Mr. Brander Matthews, published in the June&#13;
often overlooked, and their meaning is distorted or&#13;
number of the American Review of Reviews, he&#13;
shows how American literature was stunted and&#13;
misapplied. When suddenly a misuser is severely&#13;
repressed almost to extinction by means of whole-&#13;
censured it becomes difficult to check what is&#13;
sale piracy, which same conditions would be&#13;
apparently self-erident. Following out the principle&#13;
of looking for common words in current use, we&#13;
possible in Canada by the terms of the Copyright&#13;
Bill as at present outlined.&#13;
find the Dictionary is everything that its adapters&#13;
claim.&#13;
It is to be hoped that this matter of copyright&#13;
Its purchase can be recommended without hesi-&#13;
will be given very careful consideration, and that&#13;
no person will be blindly persuaded that benefit will&#13;
tation. Although 900 pages in length, it is not&#13;
accrue to any Canadian industry by the inclusion&#13;
a bulky volume. The type is clear, and the price&#13;
of a manufacturing clause. It will not mean an&#13;
moderate.&#13;
increase in printing of 5 per cent. over the present&#13;
amount now done, on the principle that “a full&#13;
pitcher can hold no more."&#13;
JAPANESE POETRY.*&#13;
THE CONCISE OXFORD DICTIONARY.*&#13;
HERE are two distinct ways of reviewing a&#13;
dictionary. We are not leading up to the&#13;
self-evident and commonplace retort, “ Yes,&#13;
the right way and the wrong way.”&#13;
TN his preface Professor Chamberlain confesses&#13;
1 that in the course of years his taste respecting&#13;
translations has changed : “He has gone over&#13;
to the camp of the literalists, and cares for no&#13;
versions whether of prose or of poetry, unless they&#13;
be scrupulously exact.” We are entirely of the&#13;
* " The Concise Oxford Dictionary,” adapted by H. W.&#13;
Fowler and F. G. Fowler, published by the Clarendon&#13;
Press.&#13;
Chamberlain.&#13;
*" Japanese Poetry," by Basil Hall&#13;
London : John Murray. 1911.&#13;
&#13;
&#13;
## p. 28 (#424) #############################################&#13;
&#13;
28&#13;
. THE AUTHOR.&#13;
same opinion, and yet conscious that, in the case of To this we need only repls that the prize-&#13;
poetry at least, the people are not a few who prefer winning stories will not appear elsewhere. Every&#13;
a metrical version. Those on either side will be story will be published within the next few months&#13;
able to find what they prefer in this new and much in one or other of the Magazines, and authors not&#13;
enlarged edition of Japanese Poetry." Parts I., satisfied with this were not expected to compete.&#13;
II., and III. of the volume are a reissue of the metri. Your correspondent proceeds next to deal with&#13;
caltranslations published more than thirty years ago. the question of rights. There again no diffi-&#13;
Part IV. contains a valuable essay on the Japanese culty will arise. While we shall, in the ordinary&#13;
Poetical Epigram, and a number of absolutely literal way, expect to retain all rights in prize-winning&#13;
translations of Japanese Epigrams accompanied by stories, we shall meet, in a reasonable spirit, authors&#13;
the originals, in Roman character. This is how poetry who may desire to republish their stories&#13;
ought to be translated ; and while the former part subsequently.&#13;
of the work contains much that is neat in form and “No date is mentioned by which a decision may&#13;
pleasing in substance, we have no hesitation in be expected,” complains "A Would-be Competitor."&#13;
saying tbat the new translations represent the most Since some thousands of stories have been&#13;
valuable part of the book. The terseness of Japanese entered for the competition, each of which, in case&#13;
Epigram is remarkable, and by no means always of rejection, requires an individual letter of careful&#13;
avoids obscurity. All the difficulties are here so criticism, it was obviously impossible, whilst the&#13;
admirably elucidated that Professor Chamberlain's competition was still running, to announce the&#13;
book must be regarded as one which no one who is date when the result would be published. The&#13;
taking up Japanese seriously can neglect. As these feature of the competition was that those actually&#13;
are however few, we have pleasure in adding that responsible for the editorial conduct of the three&#13;
every one with a true sense of poetical value magazines should read the stories, and as the&#13;
will find in this volume a great deal that will give number of these people is limited, and they have&#13;
delight.&#13;
their ordinary work in addition to the competition,&#13;
a certain delay has been inevitable. Stories have&#13;
been dealt with as rapidly as possible, however, and&#13;
the full result of the competition will be announced&#13;
CORRESPONDENCE.&#13;
in the November numbers of the three magazines.&#13;
I might add in conclusion that the terms of the&#13;
competition have met with the approval of the&#13;
PRIZE COMPETITIONS.&#13;
competitors. This being so, the discontent of “A&#13;
Would-be Competitor " is, if harder to understand,&#13;
SIR,—As your correspondent, “A Would-be&#13;
easier to endure.&#13;
Contributor,” in your issue of July 1, obviously&#13;
Yours faithfully,&#13;
refers to our £260 Story Competition, we shall be&#13;
The Editors,&#13;
glad if you will allow us to deal with the points he&#13;
PEARSON'S MAGAZINE.&#13;
raises.&#13;
“Nothing," he remarks, “is said as to the fate&#13;
THE ROYAL MAGAZINE.&#13;
THE NOVEL MAGAZINE.&#13;
of the successful stories ; there is nothing to&#13;
indicate whether they are to be published, though&#13;
this is hinted at."&#13;
As the stated object of the competition was to&#13;
INSURANCE.&#13;
discover new authors, this criticism is somewhat SIR,—Following up my previous suggestion that&#13;
curious. In any case it is difficult to imagine that a scheme for insuring contributors' payments should&#13;
anyone would pay £50 for a story he did not intend be contemplated, I add that it seems patent that if&#13;
to publish. But may we allay any fears in this once an assurance company could be got to specify&#13;
direction by assuring all those who read these lines what publications it would undertake to cover in this&#13;
that prize-winning stories, and those purchased at way, the controllers of “unincluded” organs would&#13;
our ordinary rates, will all be published.&#13;
for the most part find it expedient, for the sake of&#13;
“There is nothing," continues “A Would-be prestige, to follow suit by getting a similar public&#13;
Competitor," “ to enable the authors to know where form of cover. Otherwise they might lay them.&#13;
or when the prize-winning stories will be published. selves open to suspicion of instability. When new&#13;
An author may be quite willing to sanction the developments are organised, people often have to&#13;
appearance of his work in one of the three magazines, come into line by adopting them, wbether they&#13;
and yet object strongly to its appearance in either like it or not.&#13;
of the remaining two. Still stronger may be his&#13;
Yours faithfully,&#13;
objection to its appearance elsewhere.”&#13;
ALGERNON WARREN.&#13;
&#13;
&#13;
## p. 28 (#425) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
HUBBRT WALES, ESQ., of Hindhond, Surrey, writes :-&#13;
“I have just completes the rovision of my novel ... which you&#13;
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TYPEWRITING. AUTHORS wishing to make arrange-&#13;
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EWART RICKETTS&#13;
May be relied on to provide neat and&#13;
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EXPERT TYPEWRITING.&#13;
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MRS. MASON,&#13;
Easthorpe Rectory, KELVEDON, Essex.&#13;
The Book Monthly is published on the first of each inonth by&#13;
Simpkin, Marshall &amp; Co., Ltd., Stationers' Hall Court, London.&#13;
It costs Sixpence, and it can be ordered from any Bookseller, Book.&#13;
stall, or Newsagent. The Publishers will send it, post free, for a&#13;
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6d., or a specimen back number for nothing.&#13;
--A well-known MAGAZINE&#13;
AUINUKO. EDITOR and PUBLISHER'S&#13;
READER offers to advise and assist AUTHORS. Success&#13;
secured.-EDITOR, c.o. Rudin's, 199, Strand, W.C.&#13;
&#13;
&#13;
## p. 28 (#426) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
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INDIFFERENT COPY TYPED WELL stands a better&#13;
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corrections. French and German typewriting undertaken, Translations-French, German, Spanish, Italian, etc.&#13;
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MISSES CONQUEST &amp; BUCHANAN,&#13;
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10, VINUDD RUD, LIDWOUDI, WIDDUUDUA1 been done.'-</text>
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