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                  <text>C be El ut b or .
(The Organ of the Incorporated Society
OCTOBER

*

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11
12
13
14
15
15
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How
Use the Society
gººn
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To Musical Composers
The Reading Branch
Notices
Legal and General Life AssuranceSociety
GeneralNotes ...
*
º
*
The Perils
Deferred Royalty
British Writers and Journalists
North Bohemia
Inspection Libraries and the Sale
Books
Literature and Crime
tº
Contemporary Criticisms. VIII.
To-day
*
French Novelists
Correspondence
...

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Notices
Committee Notes
Dramatic Committee
....
...
Books published by Members the Society
Books published
America by Members
Literary, Dramatic and Musical Notes
Paris Notes
gº
Spanish Notes
Copyright Case
tº
ve
MagazineContents
tºtº
Warnings
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Producers
Books
Warnings
Dramatic Authors
Warnings
Musical Composers

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1, 1908.

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VoI.-X-WiffT-No-Fl.

Monthly.

of Authors.

...

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16
17
19
20
22
24
25
27
27

1.
2.

The Author.

Literature and the Pension List. By W. MORRIS COLLEs, Barrister-at-Law.
The History
the Société des Gens
Lettres. By
SQUIRE SPRIGGE.

1s.

or

(Out

.

3s.
18.

S.

print.)
of

by

In

S.

by

of

of

The Society

An

7.

Copyright Law Reform.

8.

of

G.

to

of

Publication.

an

the Society's
are examined,

in

papers

of

By
SQUIRE SPRIGGE.
this work, compiled from
offices, the various forms
agreements proposed
Publishers
carefully explained, with
Authors
and their meaning
account
various kinds
fraud which have been made possible
the different clauses therein.
By
Being additional facts collected
Addenda
the Above.
HERBERT THRING.
the office
the Society since the publication
the
Methods.
With comments
advice.
2s.

The Various Methods

the
to

Production.

the
3s.

at

The Cost

of

of

of

de

.

at

to

all

of

in

Published ten months
the year (August and September omitted), devoted especially
Literary, Dramatic, and Musical Property.
the protection and maintenance
Issued
non-members, 6d.,
Members gratis.
Price
5s. 6d. per annum, post free.
Back
numbers from 1892,
10s. 6d. per vol.
to to

-

The Annual Report for the current year.

6. 5. 4. 3.

t

PUBLICATIONS OF THE SOCIETY.

and

of

of

By WALTER BESANT
-

Austria,
Hungary, and Switzerland.
-

By

4.

its

its

Foundation.

Periodicals and

net.

Apply

Published

the different

Magazines

October, 1907, price

the Secretary, 39, Old Queen

Street, Storey's Gate, S.W.]

-

Members.

which

6d.
6d.

List

of

Authors.

[All prices

Giving the Terms

on

their Contributors.

deal with MSS. and Contributions.

to

12. Society

of

and Periodicals

By

11.

by

Forms

18.

Agreement issued
the Publishers' Association; with Comments.
HERBERT THRING, and Illustrative Examples
Sir WALTER BESANT.
2nd Edition.

10.

ERNST

by

in

Germany,

Action from
1s.

1888 1892),

The Contract
Publication
LUNGE, J.U.D.
2s. 6d.
G.

Record

of

A

Committee,

of

of

Authors.

of

9.

(Chairman

of

J.

of

of

Exposition
Lord Monkswell's Copyright Bill
1890.
With
1878, the Berne
Convention,
Extracts from the Report
the Commission
and the
By
American Copyright Bill.
M. LELY.
1s. 6d.

�ADVERTISEMENTS.

(I be šuciety of Autburg
Telegraphic

AUTORIDAD,

Address :

(ſmrurpurated).

Telephone No. : 374 Victoria.

LONDON.

PRESIDENT.
G-TECTER,G-TE

IMITETERIEEIDIETIEC

C - IMT

COUNCIL.
THE RIGHT HON. THE LORD CURZON

SIR ROBERT ANDERSON, K.C.B.
SIR. W.M. REYNELL ANSON, Bart., D.C.L.
THE RIGHT HON. THE LORD AVE
J. M. BARRIE.
[BURY, P.C.
A. W. A BECKETT.
ROBERT BATEMAN.
F. E. BEDDARD, F.R.S.
SIR HENRY BERGNE, K.C.B., K.C.M.G.
THE RIGHT HON. AUGUSTINE BIR
RELI, P.C.
MRS. E. NESBIT BLAND.
THE REV. PROF. BONNEY, F.R.S.
THE RIGHT HON. JAMES BRYok, P.C.
THE BIGHT HON. THE LORD BURGH
CLERE, P.C.
HALL CAIN E.
J. W. COMYINS CARR.
EGERTON CASTLE, F.S.A.
EDWARD CIODD.

OF KEDLESTON.
AUSTIN DOBSON.
SIR ARTHUR CONAN DOYLE.
A. W. DUBOURG.
DOUGLAS FRESH FIELD.
THE RIGHT
HON. M.R.S. ALFRED

FELKIN

FowlER).

(ELLEN

THORNEYCROFT

SIR. W. S. GILBERT.
EDMUND GOSSE, LL.D.
SYDNEY GRUNDY.
H. RIDER HAGGARD.
THOMAS HARDY.
MRs. HARRIson ( LUCAS MALET ).
ANTHONY HOPE HAWKINS,
E. W. HORN UNG.

MAURICE HEWLETT.
K. J.EROMF.
HENRY ARTHUR JONES.
J. SCOTT KELTIE, LL.D.
RUDYARD RIPLING.
SIR EDWIN RAY LANKESTER, F.R.S.
THE REV. W. J. LOFTIE, F.S.A.
JEROME.

W. MORRIS COLLES.
THE HON, JOHN COLLIER,
SIR. W. MARTIN CONWAY.
F. MARION CRAW FORD.

COIMIMITTEE

LADY

I,UGARD

(MISS

FLORA

SH Aw).

L.

SIDNEY LEE.
MRs. MAXWELL (M. E. BRADDON).
JUSTIN MCCA RTHY.
THE REV. C. H. MIDDLETON-WAKE.
SIR HENRY NORMAN, M.P.
SIR GILBERT PARKER, M.P.

J.

C. PARKINSON.

A. W. PIN ER().
ARTHUR RACKHAM.

OWEN SEAMAN.
G. BERNARD SHAW.
G. R. SIMS.
S. SQUIRE SPRIGGE.
FRANCIS STORR.
WILLIAM MOY THOMAS.
MRS. HUMPHRY WARD.

PERCY WHITE.
FIELD MARSHAL THE RIGHT HON,
THE WISCOUNT WolsFLEY, K. P.,
P.C., &amp;c.
SIDNEY WEBB.

OF MANAGEMENT.

Chairman DOUGLAS FRESHFIELD.
THE HON. MRS. ALFRED FELKIN
(ELLEN THORNEYCROFT Fow LER).
MAURICE HEWLETT.
SIDNEY LEE.
ARTHUR RACKHAM.

SIR HENRY BERGNE, K.C.B.,
K.C.M.G.
MRS. E. NESBIT BLAND.
J. W. COMYINS CARR.

G. BERNARD SHAW.
S. SQUIRE SPRIGGE.
FRAN (; IS STORR.

SIDNEY WEBB.

PENSION FUND COMMITTEE.
Chairman DOUGLAS FRESHFIELD.
ANSTEY GUTHRIE.
ANTHONY HOPE HAWKINS,

MORLEY ROBERTS.
M. H. SPIELMANN.

MRS,
MRS.

ALEC TWEEDIE,
HUMPHRY WARD.

SUB-COMMITTEES.

ART.
THE HON, JOHN COLLIER (Chairman).
SIR. W. MARTIN CONWAY.
M. H. SPIELMANN,

COPYRIGHT.

DRAMA.

A. W. A BECKETT.
SIR HENRY BERGNE, K.C.B., K.C.M.G.,
W. MORRIS COLLES.
ANTHONY HOPE HAWKINS.
SIR GILBERT PARKER, M.P.

HENRY ARTHUR JONES (Chairman).

WILLIAM

ARCHER.

E. NESBIT BLAND.
H. GRAN VILLE BARKER.
J. W. COMYNS CARR.
JEROME K. J.EROME.
W. J. LOCKE.
W. SOMERSET MAUGHAM.
CAPT. ROBERT MARSHALL.
MRS.

G. BERNARD

Solicitors

SHAW.

GoDKIN, 30, Pine Street, New York, U.S.A.
FIELD, ROSCOE &amp; Co., 36, Lincoln's Inn Fields, W.C.
Secretary G.
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W.
HERBERT THRING.
Counsel in the United

States LAWRENCE

Solicitor in England to La Société des Gemsde Lettres.

OFFICES

:

39, OLD

QUEEN

STREET, SI obey s GATE, S.W.

�C be El
(The Organ of

FOUNDED
WOL.

XIX.

TELEPHONE

No.

WICTORIA.
:

[PRICE

Fund. This fund is slowly
and it is hoped will, in time, cover the
needs of all the members of the Society.
A state
ment of the capital of this fund is inserted in The
Author every month and can be seen below.

LONDON.

º-e

increasing,

e

NOTICES.

º-º-º
OR the opinions expressed in papers that are
signed or initialled the authors alone are
responsible.
None of the papers or para
graphs must be taken as expressing the opinion
of the Committee
to be the case.

unless such is especially

stated

THE Editor begs to inform members of the
Authors Society and other readers of The Author
that the cases which are quoted in The Author are

cases that have come before the notice or to the

º-e

THE SOCIETY'S
e

Eliº

º-º-º

HE List of Members

of the Society of Authors,
published October, 1907, can now be obtained
at the offices of the Society at the price of
6d., post free 7#d.
It includes elections to July,
1907, and will be sold to members and associates
of the Society only.
A dozen blank pages have been added at the
end of the list for the convenience of those who
desire to add future elections as they are chronicled
from month to month in these pages.

e

XIX.

º-e

PENSION
e

FUND,
C-e

HE

FUNDS.

º-e

time to time members of the Society
desire to make donations to its funds in
recognition of work that has been done for
them.
The committee, acting on the suggestion
of one of these members, have decided to place
this permanent paragraph in The Author in order
that members may be cognisant of those funds to
which these contributions may be paid.
The funds suitable for this purpose are : (1) The
Capital Fund. This fund is kept in reserve in
case it is necessary for the Society to incur heavy
WOL.

G-e

LIST OF MEMBERS.

knowledge of the Secretary of the Society, and that
those members of the Society who desire to have
the names of the publishers concerned can obtain
them on application.

e

SIxPENCE.

(2) The Pension

AUTORIDAD,

e

1st, 1908.

expenditure, either in fighting a question of prin
ciple, or in assisting to obtain copyright reform,
or in dealing with any other matter closely
connected with the work of the Society.

:

TELEGRAPHIC ADDRESS

Monthly.)

of Authors.

BY SIR WALTER BESANT.
OCTOBER

374

.

the Incorporated Society

1.

NUMBER

or.

u tb

Trustees
of the Pension Fund of the
Society, after the secretary had placed before
them the present financial position of the
Fund, decided to invest £230 in the purchase of
Irish Land Act 2; per cent. Guaranteed Stock.
The amount purchased is £258, and is added to

the list printed below.
The investments are steadily increasing from
year to year, the amount varying between £200
and £250.
The Trustees also recommended to the com
mittee the possibility of granting another pension.
The committee of the Pension Fund have not
as yet held their meeting for 1908, but their work
will be chronicled in due course.

The following is

a statement

of the actual Stock.

�2

:

AUTHOR.

TISIE

The money value can be easily worked out at the
current price of the market
..4.1,000 0 0
Consols 23%............................
()
()
Local Loans ..............................
Victorian Government 3% Consoli
19 11
dated Inscribed Stock tºeººseº'ºeºeºeºº&amp;
9
3
War Loan .................................
London and North-Western 3% Deben
ture Stock eestºeºeº'ºgºtºeººseºeeººseºeº isateºatº

Egyptian
Government
Trust 4% Certificates
Cape of Good Hope 33% Inscribed

Stock ....................................
Glasgow and South-Western Railway
4% Preference Stock..................
New Zealand 33% Stock...........
Irish Land Act 23% Guaranteed Stock
iseeººseeºstºeº'ººº

Subscriptions.
1908.
7, Richardson, Mrs. Aubrey .
13, McPherson, Miss M. M. .
16, Douglas, Lieut.-Col. Hugh
e
Feb. 1, Shera, Miss B. M. .
Feb. 29, Brown, R. Grant
April 10, Fieldhouse, Arthur
May 22, Darbishire, Otto W.

Jan.
Jan.
Jan.

Donations,

Jan.
Jan.
Jan.
Jan.
Jan.
Jan.
Jan.
Jan.
Jan.

0

O

0

0

0

()

()

9
0

6
0

18

8

S.

A.

d.

5

0

1

()

5

0

5

()

5

0

10

6
6

Bond, R. Warwick

()

5

0

Bosanquet, Eustace F.
Brend, C. Cunninghame
Brinton, Selwyn
Brodhurst, Spencer
Brown, F. M.
Brown, R. Grant
Campbell,
Miss Mont

©
wº
Crellin, H. N.
g
e
May 20, Scoon, W. G.
May 26, Cromartie, The Countess of
June 3, Hardy, Harold
June 16, Roberts, Morley .
tº
July 16, Carolin, Mrs.
July 28, Atherton, Mrs. Gertrude
Aug. 21, Beckett, Arthur W.

()
()
0

17

10

5

0
()

I

()

10

6

10

0

à

()

()

()

()

()

10

()

5

()

5
10
1

I ()
10
5

2

()

1

5

9,

Abbott, The Rev. E. D.,
D.D
Allingham, W.
Armstrong, Miss F.
Ash, Miss Selby
Avery, H.
Barnett, P. A.
Barrie, J. M.
Bashford, Harry H.
Beeching, The Rev. H.

5

I
I

0.
0
0
()
6
().

() - 0

I

()

PENSION

FUND.

The following is the list of annual subscribers
amount of subscriptions

0

I

TO

to the Fund.
The total
is about £160.

().

1

covered by the Society) .
e
e
21, Saies, Mrs. .
24, Westrup, Miss Margaret
e
e
Feb. 10, Benett. W. .
*
Feb. 10, Wilson, G. F.
Feb. 26, Travers, Miss R. C.
March 5, Dutton, Miss Annie
March 5, Drummond, Hamilton.
March 11, Ackermann, A. S.
tº
March 20, Loraine, Lady
April 6, Plunkett, G. N., Count.

ANNUAL SUBSCRIBERS

I

1908.

Egbert, Henry
6, Skeat, The Rev. Prof. W. W.
*&gt;
*
7, Wood, Lawson
8, Bolton, Miss Anna .
8, Hyamson, Albert M.
13, Le Riche, P. J.
.
.
13, Williamson, Mrs. C. N.
13, Williamson, C. N.
20, Colquhoun, A. (amount I'é
1,

º-º-º

C.
Bedford, Miss Jessie
Benecke, Miss
Bertouch, The Baroness
de

10

Jan.
Jan.

April

0

The committee would be glad to receive infor
mation unofficially from any member of the society
of any author whose need is within the member's
Information, which should
personal knowledge.
be as full as possible, should be sent to the
secretary, 39, Old Queen Street, Storey's Gate, S.W.,
and will receive the prompt and careful attention of
the committee.

gomery
Carey, Miss R. N.
Caulfeild, Miss Sophia
Clough, Miss B. A.
Coleborn, Miss M.
Colquhoun, A.
Cox, Miss Roalfe
Cresswell, The Rev. H.
Crockett, S. R.
Crommelin, Miss May

Cuming, E. W. D.
Dale, Miss Nellie
Darbishire, Otto
Davy, Mrs. E. M.
Dixon, W. Scarth
Dobson, Austin
Douglas,
Lieut.-Col.
Hugh
Dunsany, The Lord

Durand, The Right Hon.
Sir Henry, G.C.M.G.,
etc.

Düring, Mrs. Stella
Dutton, Miss Annie
Ellis, Miss M. A.
Esmond, H. W.
Fabeck, W. A. de
Fenwick, Miss H.
Fieldhouse, Arthur
Forbes, Lady Helen
Forrest, G. W.
Forster, R. H.
Galsworthy, John
Gibbs, Miss E.
Gidley, Miss E. C.
Gilbert, Sir W. S.
Gilson, Captain Charles
Gonne, Captain C.
Gribble, F.
Gurney, Mrs.
Guthrie, A.
Haggard, Mrs. J.
Halford, F. W.
Hamilton, Mrs. G. W.
Harraden, Miss B.
Harris, Miss J.
Harrison, A.
Hawkes-Cornock, Mrs.
Hawkins, A. Hope
Heath, Miss H.
Heming, Lieut.-Col. D.
Hills, Mrs. C. H.
Hitchings, F. W. W.
Hollingsworth, Charles
James, Henry
Jenkins, Mrs. Hadow
Jerome, Jerome K.
Jones, W. Braunston Keene, H. G.
Kersey, W. H.
IXilmarnock, The Lord

�THE AUTHOR.

next considered, and the secretary reported that
he had written to the paper and hoped to obtain a
reply in the course of a month or
these
circumstances,
was adjourned
the matter
hoped that
October, when
answer will
case, however, immediate steps
forthcoming.
necessary during the vacation, the com
should
the chairman.
mittee delegated full powers
Another important matter was laid before the
question arising out
the
was
committee.
publisher
production
under
book
half profit arrange
formal agreement, but
last year the society
Since the autumn
ument.
satisfactory
negotiate
has been attempting
settlement between the author and the publisher,
unbusinesslike
the publishers'
but owing

to

no

of

on by

of a a

a

a

to

a

of

to

at.

a

by

in

be

of an it

to

dilatory methods
was found
and
conduct
bring the matter
impossible
The
issue.
the society's
the hands
case was then placed
reasonable and formal
the hope that
solicitors
agreement might
both
settled and approved
Again the settlement has been unreason
parties.
satisfactory issue arrived
ably delayed and
no

TY

to

º-º-º

HE last meeting of the committee before the
vacation was held on Monday, July 20th, at
39, Old Queen Street, Storey's Gate, S.W.
After the minutes of the previous meeting had been
read and signed there followed the election of
members.
Nine members and associates were
elected, bringing the total for the current year up
to 154, and there was one resignation, bringing
the resignations up to 56. These numbers are, on
The elections are still in
the whole, satisfactory.
advance of the number for the corresponding
period of last year.

in

comMITTEE NOTEs.

It

to

be

Seton-Karr, H. W.

An infringement of copyright of the work of one
of the members of the society in New Zealand was

In

Scott, G. Forrester
Seaman, Owen
Sedgwick, W.

that body did not anticipate that the appeal would
be successful they were unable to offer the desired
assistance.

so.

J.

Pryor, Francis
Punshon, E. R.
Reynolds, Mrs. F.
Rhys, Ernest
Mrs.
Richardson,
Aubrey
Roberts, Morley
Roe, Mrs. Harcourt
Rumble, Mrs.
Rumbold, The Right
Horace,
Sir
Hon.
P.C., etc.
Salmond, Mrs. W.
Salwey, Reginald

Rev. Canon

Thorburn, W. M.
Thurston, Mrs.
Todd, Margaret, M.D.
Toynbee, W.
Trevor, Captain P.
Tuckett, F. F.
Turner, G. F.
Wachell, H. A.
Wacher, Francis
Wernéde, R. E.
Voysey, The Rev. C.
Ward, Mrs. Humphry
Warden, Miss G.
Watt, A. P.
Weaver, Mrs. Baillie
Weston, Miss J. L.
White, Mrs. C.
Witherby, The Rev. C.
Wright, Fondi
Young, W. Wellington

form and substance ; and the secretary, from whom
the original suggestion came, was instructed to
It was
Work upon the book during the vacation.
decided, however, that the names of the publishers
should not be inserted with their agreements, and
that the proofs, when ready, should be submitted
The final draft
to the solicitors of the society.
for their
be laid before the committee
should
consideration.
The next question that arose was an appeal in
the German courts, and it was decided, after con
sideration of a letter from the society's lawyers in
Germany, that the society should guarantee part of
the expenses on behalf of the member concerned.
It may be remembered that in the last issue of
The Author, it was announced that the secretary
had been instructed to write to the Publishers
to enquire whether they would assist
Association
the Society financially in fighting the issue in the
above case, as it was of importance to publishers
The reply of the association was
and authors.
read to the effect that inasmuch as the council of

an

Prelooker,

Sinclair, Miss May
Skrine, Mrs. J. H.
Slaughter, Mrs.
Smith, Bertram
Smythe, A.
Spiers, Victor
Stanton, Miss H.
Stein, M. A.
Stevenson, Mrs. M.
Sutherland,
Her Grace
The Duchess of
Teignmouth-Shore, The

it

Pickthall, M.
Pinero, A. W.
Pollock, Miss E.
Portman, Lionel

Shipley, Miss M.
Simpson, W. J.

The appointment of a treasurer, consequent on
Mr. Storr's resignation, was the first matter brought
The committee decided to
forward for discussion.
ask Mr. Storr if he would not continue to act in
that capacity, and the Secretary was instructed to
The committee then discussed
Write to that effect.
the question of the production of a book dealing
With the clauses of publishers' agreements, their

In is

Owen, Charles
Pearson, Mrs. C.
Pendered, Miss

Sharp, Miss E.
Shaw, Mrs. Bernard
Shepherd, G. H.
Shera, Miss B. M.
Shiers-Mason,
Mrs.

be

Kitcat, Mrs.
Lambe, J. Laurence
Lincoln, C.
Longe, Miss J.
Malet, Lucas
Marchant,
The Rev.
James
Marriott, Charles
Mathieson, Miss
McPherson, Miss M. M.
Miniken, Miss Bertha
M. M.
Morrah, H. A.
Nicholls, F. C.

3

�TFIES A UTHOR,

sº- e . ---------

of the

Society

G. Bernard

Shaw.

-

The first business was to consider a report deal
ing with the present position of the dramatic
authors in the society, what the Society had done
from the foundation of the society and what the
dramatic committee hoped to carry through for
members in the future.
This report it was pro
posed to send round to those members of the
society who had written plays which had been
publicly performed.
The report was very care
fully considered, and various suggestions by different
members of the committee were submitted.
It was
decided to adjourn the consideration of the matter

meeting, which was to be held on
adjournment
would enable the
individual members to set out their proposals in
to the next

July 2nd.

This

writing. Mr. Shaw then read to the committee a
draft agreement, part of which had been taken from
a pamphlet prepared by the former dramatic com
mittee, but which contained additions and altera
tions of his own.
The next meeting of the committee was held on

July

2nd,

at

11

o'clock,

at the society's

offices.

After the minutes had been read the report
considered.
Various suggestions made by

Was

the
different members were accepted, and a Sub-Com
mittee, consisting of Mr. G. Bernard Shaw and the
secretary, was appointed to incorporate the altera
tions that had been accepted, and to re-model the
draft on that basis.
was decided to hold a
further meeting of the committee on August 3rd.
The secretary of the society during the month

It

of July took
the emendations and alterations
which had been accepted
the previous meeting,
at

in

as

It

and re-drafted the report
instructed.
was then
forwarded
Mr. Shaw and returned approved
Unfortunately, owing
final form.
the fact
August
quorum
that was impossible
obtain
3rd, the meeting was adjourned till September 3rd.
On that day there was
full gathering
the
opened
committee.
The proceedings
the
secretary explaining what Mr. Shaw and
had
done during the vacation, and the final report Was
to

on

a

a

he byof

e

committee

to

had had an official interview at the
Board of Trade, which he (Sir Henry) believed was
thoroughly satisfactory.
Owing to Mrs. E. Nesbit Bland's illness, she
was unable to attend the meeting to support a
resolution which stood in her name. The question,
accordingly,
was adjourned
till the committee
meeting in October.
.
The draft of a circular letter to be issued to non
members was considered and formally passed.
Some letters written by the secretary of the
Publishers Circle with reference to a dinner in the
autumn were formally laid before the committee
and the secretary was instructed to reply.
It was dedided to purchase some furniture for
the office.

new dramatic

of Authors elected by the new committee of
management met for the first time on Mon
day, June 29th, at the offices of the society.
The
names of the present committee will be found
printed with the other committees, but it may
be as well to mention that they are:
Mr. William Archer, Mrs. E. Nesbit Bland, Mr.
H. Granville Barker, Mr. J. W. Comyns Carr, Mr.
Jerome K. Jerome, Mr. Henry Arthur Jones
(Chairman), Mr. W. J. Locke, Capt. Robert.
Marshall, Mr. W. Somerset Maugham, and Mr.

all

the president

Sir Henry added that

HE

COMMITTEE.

to

of the Berne Convention.

DRAMATIC

it

In consequence, acting on the advice of the
Society's solicitors, it was decided to take counsel's
opinion. Counsel's opinion was read to the com
mittee, and they authorised the commencement of
proceedings against the publisher.
The secretary reported what had taken place in
two other cases that had been carried through by
the society, and stated that in one case the member
concerned expressed his satisfaction at the result ;
in the other case that the debt and costs had been
recovered.
In the latter case the secretary read to
the committee a letter thanking the Society for the
work it had undertaken.
The secretary then reported the work which the
dramatic sub-committee had already done since its
election, and added that a further meeting was to
be held in August.
He gave the list of the names
of those who had accepted nomination.
It was
hoped that the report of the dramatic sub-committee
would be settled in time to be laid before the
committee of management at their meeting in
October.
Mr. Freshfield, the chairman of the society, then
made a statement in regard to the visit of the
president of the Société des Gens de Lettres to
IIondon. He had come over to obtain the support
of English authors to the proposals which French
writers were going to press very strongly at the
meeting in Berlin in October.
Mr. Freshfield
stated that he had had the pleasure of introducing
the president to those who were very closely inte
copyright,
rested in the question of international
among others, Mr. Winston Churchill, President
of the Board of Trade.
Sir Henry Bergne stated
that he had had a long conversation with the
president of the French society, and had explained
to him fully the position of the Society of Authors
and of the Government in regard to the re-modelling

its

4

�THE AUTHOR,
be

of

in

to

be

to

of

of

in

of

to

its

be

in

of

in

to

in

by

by

up

of

3,

&amp;

6,

Road,

Staverton
ford.

Ox

.

Brasenose College, Ox
ford.
23, Clarendon
Street,

War wick Square,

S.W.
Furzehill,
Salcombe
R.S.O.,
T)evon.
32, Moring Road, Toot
ing Common, S.W.
Lyceum Club, 128, Pic
cadilly, W.
S.

Moore, Miss Leslie

Northrop, W. B.

Russell,

º,

Pleydell, Mrs. Maunsel

Swallow field Park,

Lady

College

Wilkinson, Norman, R.I.

2,

Reading.

Tucker, Miss Beryl

e
BOOKS

House,

C.I

º

Wychcombe

Jersey,
Studios,

Englands Lane, N.W.

PUBLISHED BY MEMBERS OF
THE SOCIETY.
t-sº-0

in

ART.

of

of

of

in

as

A

of

Monograph
MEDIAEVAL SINHALESE ART.
Sinhalese
surviving
Arts and Crafts, mainly
the Eighteenth
Century, together with an Account
the Structure
By
Society and
the Position
the Craftsmen.
of

to

of

of

of

to

at

is

Landa, Gertrude

in in

to

in

in

of

of

as

as

to

as

Jeffery, Reginald W.

.

in

to

on

of

to

in

by

to

In

(Holt
Co.)
White
hall Place, S.W.

F.

D.

.

of of

in

in

in

to

of

no

so

or

is

Elections,

Donegan, Lieut.-Colonel

by

of

of

in

of of

copyright

the three referred
dramatic
Germany.
The remaining
two related
fringements
which
occurred
New Zealand.
curious that they came
the office within
week
each other.
The Society has
previous case
had
this colony, though
fringements which have occurred
other colonies
have been dealt with
the secretary.
Sufficient
time has not yet elapsed
allow
answers from
the editors.
the event
failure
obtain

It

all

Of

of to

9f

July

J.

a

of

be

as

be

settled.
There were six cases for the collec
tion of accounts.
In four of these the accounts
have been rendered
the publishers and have
been forwarded to, and accepted by, the authors.
Two which have only recently come into the office
negotiation.
are still
the course
There have
infringement
copyright. Three
been five cases
these have been satisfactorily concluded.
One

a

be

be

to

on

be

to

to

e-º-e

of

to

in

to

of be on

to

by

in

of

of

be

to

in

in

big action has been taken
the Society
since the last meeting
the committee.

Holbach, Mrs.

Cases.
DURING the long vacation thirty-six cases have
been
the hands
the secretary.
Over
third
precise, thirteen
these to
number have
related
claims for money unpaid.
Seven
the
placed
thirteen had
the hands
the
society's solicitors for collection.
Five terminated
obtaining
successfully,
the Secretary succeeded
the sums due, which were sent
the authors;
but the last case, lying
the United States, has yet

of

had
abandoned owing
the fact *that the
liquidation.
defendants are
One
two county court cases, besides those men
tioned, have been sanctioned
the chairman, but
to

to

of

of

up

It

..º.
w--w

to

thirty-six cases twenty-one have
Vacation:
Out
been ended satisfactorily.
Of the cases
the solicitor's hands, four have
been settled, two are awaiting trial, and one has
or

at

to

be

of

in

report
Mr. Pinero's committee and the opinions
the members
the society, the result will
management,
laid before the committee
order
that they may sanction the course proposed
the
dramatic committee.
Mr. Shaw's draft agreement and the pamphlet
dramatic rights and property were ordered
type
set
circulated
the members
the committee before the next meeting,
order
prepare their
that the members might have time
criticisms.
was decided
hold the next meeting
the
Tuesday, October 6th, 1908.
committee

on

all

to

be

of

finally settled should be sent out to
those mem
bers
the society who were also dramatic authors,
send,
and that' they should
asked
their
earliest opportunity, their opinions
the secretary
order that they might
laid before the next
meeting
the dramatic committee.
No doubt
when this committee has been able
consider the

satisfactory explanations the matters will
referred
the committee.
Nine cases were for the return
MSS.
these eight have been successful,
though
two out
the eight
the MSS. have
not,
yet, been returned, though the agents have
|promised
return them
soon
they come
hand. The remaining case has had
aban.
proof
dºned Qying
the absence
the arrival
the MS.
the office
the paper.
There has
been one complicated case
accounts and money
due, which
negotiation, and
still
the course
tWO cases dealing with the settlement
disputes
agreements are
the same position.
The society, therefore, may
considered
have done useful work for
members during the

no

This was accepted with
a few verbal alterations.
The committee decided
that it should be forwarded to Mr. Pinero, who
was acting as chairman
of the proposed new
Dramatic Authors' Society, in order that his
committee might consider and report on it to
the dramatic committee of the Society of Authors.
The committee further decided that the report as

laid before the meeting.

5

�T.

S.

P.

By
2s.
A. n.

S.

4-

5.

×

74
×
.
5.

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73

5.

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By

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MILLs YoUNG,

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IN J.

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By W.

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J.

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H. WILLIAMSON,

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381
Macmillan. 4s.
CALESTINA. With an Interlude
Calisto and Melebea.
By
Early Novelists.)
WARNER ALLEN. (Library
pp.
Routledge.
5%. 345
6s.

FRANCIS

m.

INSECTIVOROUS

r.

SOCIOLOGY.
OF

of

COMMONSENSE
MUNICIPAL TRADING. By
BERNARD SHAW.
(The Fabian Socialist Series, No. 5.).
4%. 120 pp.
Fifield. 6d.

THE

n.

×

83

7#

6s.

m.

R.
C.

H

--

By
THE COMPLETE OARSMAN.
LEHMANN.
Xviii.
390 pp.
Methuen.
10s. 6d.

9
×

SPORT.

342 pp. STORIES FROM
HAVELL,
Retold by H.

L.

+

By BASIL TOzER.

Methuen.

How TO ATTRACT AND PROTECT WILD BIRDs. By
MARTIN HIESEMANN. Translated by EMMA.
BUCH
HEIM. With an Introduction by Her Grace the
pp. Witherby.
DUCHESS OF BEDFORD.
5%.
ls. 6d. m.

LITERARY,
STORIES FROM THE ILIAD. xxi.
THE ODYSSEY. xix.
235 pp.

*

7}

x

7}

63

x

--

304 pp.

n. of

9
×

-

n.

4-

of

of

A.

n.

XX.

of

HISTORY.

II.

By ALLAN FEA.
AND HIS WIVEs.
53.
320 pp. Methuen.
12s. 6d.
Full,
THE FLIGHT OF THE KING.
True and Parti
Escape
cular Account
the Miraculous
H.M.
King Charles II. after the Battle
By
Worcester.
ALLAN FEA. (Second and revised edition.)
53.
xxiii.
331 pp. Methuen.
7s. 6d.
JAMES

MISCELLANEOUS.
THE HORSE IN HISTORY.

7+
x

n.

1s.

(Cheap

By
DEATH AND ITSVERIFICATION.
BRINDLEY JAMES,
pp.
L.R.C.P.
3%.
Rebman.
1s.

5.

(Fifth edition.)

286 pp. Methuen.
5s.
By MAUD DIVER
CAPTAIN DESMOND, V.C.
reprint.) 7% x 5. 381 pp. Methuen.
7 x 4}.

CEIESTERTON.

MIEDICAL.

by

5.

68.

By E. V. LUCAS.

Harrap.
.

series.)

140 pp.
Hachette.
3s. 6d.
By
CONSIDERED.
pp.
4%. 296
Methuen.
5s.

4%.

ALL THINGS

H.

Bell.

the Ages
-

×

316 pp.

LISTENER's LURE.

through

NEW TRUTHS FOR OLD. By RoRB LAwsON.
99 pp.
The New Age Press.
2s. 6d.
LECTURES ON DANTE.
Delivered
to the Students
King's College. London.
By the late N.
Italian
PERINI, F.R.A.S. With
Preface by LUIGI RICCI.

73

73 × 5.

By SHEILA RAYE-SMITH.

x_5}.
( Told
2s. 6d. m. each.

8
×

THE TRAMPING METHODIST.

5.

7#
x

73

J.

×

J.

7

×

By A. CONAN DOYLE.
SHERLOCK
HOLMES.
403 pp.
(New edition.)
73 × 5. Smith, Elder. 3s. 6d. each.
PATsy. By H. DE WERE STACPooDE.
7# × 5. 319 pp.
.
|Unwin.
6s.
By GILBERT - WINTLE.
GOLD OF CATHAY.
7# × 5.
320 pp. Ward, Lock. 6s.
By WEATHERBY CHESNEY.
73 x 5.
THE CLAIMANT.
6s,
328 pp.
Chatto and Windus.
THE POWER OF A LIE. By JOHAN BOJER. Translated
from the Norwegian by JESSIE MUIR.
With an Intro
duction by HALL CAINE. 7 × 4%. 232 pp. Heinemann.
2s. 6d.
PIGSKIN AND PETTICOAT. By HELEN MATHERs. 83 × 53.
190 pp.
Hurst and Blackett.
6d.
THE VICTIM AND THE WOTERY. By W. CAINE. 73 × 4#te
pp.
Greening.
158
18. m.
By
THE CLIMAX.
CRANSTOUN
NEVILL.
73 × 5.
Long. 68.
380 pp.
ANTHONY
CUTHBERT. By RICHARD
BAGOT.
7# × 5.
379 pp.
Methuen.
68.
A WOMAN IN ARMOUR. By DAVID CHRISTIE MURRAY.
Long.
73 × 5. 318 pp.
68.
By G. SIDNEY PATERNOSTER.
THE ORPHAN-MONGER.
73 x 5. 318 pp.
Milne. 6s.
PUT YOURSELF IN HER PLACE. By MARIE CONNOR
LEIGHTON. 73 x 5. 347 pp. Ward, Lock.
6s.
MY LOST SELF. By A. W. MARCHMONT.
73 × 5.
352 pp. Cassell,
68.
By
THE FRIEND OF THE PEOPLE.
MARY C. ROWSELL.
(New edition.) 73 × 5. 440 pp. Simpkin, Marshall. 6s.
By
THE UTTERMOST FARTHING.
Mrs. BELLOC LOWNDES.
6; x 4%. 240 pp. Heinemann.
2s. 6d.
THE GREAT MIss DRIVER, By ANTHONY HoPE. 7# x 5.
373 pp. Methuen.
68.
A SPIRIT IN PRISON. By ROBERT HICHENS.
7} x 5.
.
450 pp.
Hutchinson.
68.
HILL RISE. By W. B. MAXWELL.
7# x 5.
348 pp.
Methuen.
6s.
By AGNES and EGERTON
WROTH.
CASTLE.
7% x 5.
Smith, Elder.
371 pp.
6s.
MIRAGE. By L. TEMPLE THURSTON.
7# x 5. 310 pp.
Methuen.
6s.
THE CONSCIENCE OF DR. HOLT. By AUSTIN CLARE.
7; x 5. 318 pp.
Long. 68.
DIANA MALLORY. By Mrs. HUMPHRY WARD.
Smith, Elder.
522 pp.
6s.
INTERPLAY. By BEATRICE HARRADEN.
73 × 5. 416 pp.
Methuen.
6s.
HOLY ORDERS.
By MARIE CORELLI.
Methuen.
6s.
THE HERITAGE. By SYDNEY C. GRIER. 74 x 5. 364 pp.
Blackwood.
68.

73

TFIES

5%.

�A UTHOR.

TFIES

8

THE DUKE's MOTTO.

THE RULES OF SPORT. With a Preface by T. A. COOK.
Being the International Code of Rules for all Competi
tions in the Olympic Games.
73 × 43,
181 pp.

MODERN MEDICINE
ITS THEORY AND PRACTISE.
Edited
II.,
by W. OSLER and
McCRAE.
vols.
Vols
Cloth, per vol.
and IV.
Lea and Febiger.
Leather $7
Half Mor. $7.50

By

1.50.

BOOKS PUBLISHED IN AMERICA
MEMBERS.

;

n.

In
6
B.

of

in

a

of

on

London inform us.
that the two hundred
and fifty guinea.
prize First Novel Competition
which they
organised
behalf
London publisher whose
name
not yet disclosed, had brought
over 150
August 31, the last day
MSS.
which
MSS. were eligible for the competition.
MSS.
began
arrive immediately
after the first.
year ago, but more than two
announcements
a

to

ordinary

byat

to

of

:

of

first novel who would not have been attracted
prize competition.

is,

The readers, who have been examining the MSS.
they came in, report that the general level
very high, and
their opinion there are
least
merit, and
distinguished
large
two
three
number with sufficient merit
ensure publication.
The adjudicators are Mr. Andrew Lang, Mr. W. L.
a at

of in

to

G.

the total number were received during
the last ten days
the inference being that the
unusually large prize and the names
the adjudi
try their hand
cators induced many authors

thirds

or

E.

F.

F.

A

E.

Literary Agency

on

m.

W.

FICTION.

HE

is
by

REFERENCE.

By EDGAR JEPSON,
FOUR
PHILANTHROPISTS.
Cupples and Leon Co. 750.
By MAX PEMBER
SIR RICHARD EsCOMBE
ROMANCE.
Harper.
TON.
$1.50.
THE BLUE PETER : SEA YARNs. By MORLEY ROBERTs,
Page.
$1.50.
MISTAKEN MARRIAGE. By
Mills Young.
John
Lane Co. $1.50.
WHITE ROSE OF WEARY LEAF. By VIoIET HUNT.
Brentano's,
$1.50.
By FREDERIC CARREL.
THE METHODS OF MR. AMES.
Mitchell Kennerley.
$1.50.
Doubleday,
THE BLOTTING Book. By
BENSON.
Page.
$1.
By ELIZABETH FREEMANTLE.
THE ONE AND
W.
Jacobs.
$1.50.
:

S.

J.

º-º-º

By

AND STATESMAN.
Co.
$3

THE

I.

A.

NOTES.

By LESLIE
DICTIONARY OF NATIONAL BIOGRAPHY.
STEPHEN AND SIDNEY LEE.
New edition in 22 vols.
Craik Drake, Drant Finan.
Wols.
and VI.
Mac
millan. $4.25
each. (In sets only.)

A

by

LITERARY, DRAMATIC, AND MUSICAL

a

OF

By W.

A.

m.

NATURE AND IN HISTORY.

Coolidge.
Dutton.
$2.50
MOROCCO. By
FINNEMORE.
Illustrations
FORREST,
Macmillan. 75c. m.

an

BOOKS

Jacobs

w

m.

W.

TOPOGRAPHY.

THE ALPS

as

BECKLES WILLSON.

W. PERCIVAI,
Publishing Co.

POETRY.

m.

$1,50

BY

m.

AS MAN, MONARCH,

HISTORY.

THE WORKS OF ALFRED LORD TENNYSON,
Edited by
(Eversley edition.)
HALLAM LORD TENNYSON.
IV.,
vols.
Wols.
and VI.
Macmillan. $1.50
each.
DEPARTMENTAL DITTIES
BALLADS
BARRACK ROOM
By
Doubleday,
Page.
BALLADS.
RUDYARD
KIPLING.

º-e

&amp;

III.,

I.,

m.

m.

$1.50.

BIOGRAPHY.
GEORGE

$6

H.

J.

WESTELL.

IN

ii.

×

A

º. -ºf *vºr
w-u

Jacobs

m.

NATURAL

By
NATURE RAMBLEs.
Dodge
105 Illustrations.

FIFTY-Two

By Lou ISA JEBB (Mrs.
318 pp.
Unwin.

By W. A. B.
THE ALPS IN NATURE AND HISTORY.
COOLIDGE.
9 × 53. Methuen.
7s.6d. n.
WASHED BY FOUR SEAS : AN ENGLISH OFFICER'S
TRAVELS IN THE NEAR EAST. By H. C. WOODS,
F.R.G.S. (formerly
of the Grenadier Guards.)
With
by Sir Martin Conway.
an introduction
9 × 53.
pp.
xvi. -- 316
Unwin. 7s.6d.
MONOGRAPH
OF MONDARIZ,
SPAIN. By RACHEL
CHALLICE.
11
15. 58 pp.
Bradbury, Agnew.

By HAYDN BROWN, M.D.

YEAR: BEING HIS COMMON PLACE BOOK
By
Longmans,
FOR 1898.
RIDER HAGGARD.
Green.
$1.50.
By
FAMOUS FRENCH SALONS.
FRANK HAMEL. Brentano's.
$3.50
By LIEUT.-CoI.
THE GOURMET's GUIDE TO EUROPE.
NEWNHAM-DAVIS. Brentano's.
$1.50
DECADENCE, THE HENRY SIDGWICK MEMORIAL LECTURE
DELIVERED AT NEWNHAM CoI,LEGE, JAN. 25, 1908.
By ARTHUR
Putnam,
BALFOUR.
506.

53.

10s. 6d. In.

7

m.

HER BOOK.

;

TRAVEL.

In

:

T.

:

BY THE ROMAN WALL. NoTES ON A SUMMER HOLIDAY.
By MARIA A. HoxER. 73 × 5%. 159 pp. Nutt. 2s 6d. n.
by A. HEATON
ISLE OF WIGHT.
Painted
COOPER.
Described by A. R. HoPE MONCRIEFF.
9 × 64. 176 pp.
Black. 78. 6d. in.

Co. $1
FARMER'S

&amp;

By KISH.
CREATION s DAWN.
With a Preface by
PROFESSOR: A. H. SAYCE.
73 × 5. 131 pp.
John
Long. 3s.6d.
PASTOR IN ECCLESIA : A PRACTICAL STUDY IN THE ART
of MONEY-RAISING. By THE REV. GILBERT MONKS,
7% × 5. 323 pp.
Elliot Stock. 58.
TOIPOGRAPHY.

BY DESERT WAYS TO BAGHDAD.
Rol,AND WILKINs).
9 ×

n.

MISCELLANEOUS.
THE WIFE

THEOLOGY.

e

III.

n.

1s. n.

A

Constable.

Harper.

HUNTLY McCARTHY.

MEDICAL.

1S. n.

THE TROUT WATERS OF ENGLAND. By W. M. GALLICHAN.
7 × 4%. 160 pp. Foulis. 2s. 6d. n.

J.

THE OLYMPIC GAMEs. By T. A. Cook, member of the
British Olympic Council. 74 × 5. 232 pp. Constable.

�THE AUTHOR,
of

of

a

is

&amp;

It

"

is

of

a

of

of

by by

of

R.

D. of

in

by

all

at

to

a

is

an

of

as

A.

;

N. ;

23 by

F.

by

by

;

byC.

T. on

by

by

on

J.

of

by

in

of

on

by

H.

by

;

by

L. an

published

have

My Shepherd,

by

Co.

is

The Lord

G.

A.

Crewsher

of

a

Mr. Henry Bristow has issued
revised edition
his Chess Miniatures
(Chess Amateur Office,

Stroud, Glos.).
included.

Thirty

problems and solutions are

an

at

of

it

to

of

of of

Mr. Harry Tighe has sold the Australian rights
Anglo-Australian novel
Mr. Rowlandson,
Sydney, N.S.W., who will publish
early
Sympathy.
date under the title
A Man
second edition
Miss Sophia Caulfeild's
book,
House Mottoes and Inscriptions,
was
published

July.

of

Copyright
second edition
The Law
Designs,
which includes the practice relating
proceedings
the Courts and
the Comptroller's
office the Patents and Designs Act, 1907, and the

to in

of is

to

a

is

by

to

a

A

is

Messrs.
Anthem,
Budgen.

in

in

of

a

of

is

by

by

R. Dummelow.

A

by

an

is

in

by

It

is

a
,

John

A

by

of

of

by

H.

J.

In My Lady's Garden"
the title
new
book
Mrs. Richmond, late garden editor
the
colour,
Queen.
has many illustrations, some
published
and
Mr. Fisher Unwin.
publish
Messrs. Hurst and Blackett are about
novel
Mrs. Fred Reynolds.
The title
study
Love's Magic,
and the book
temperament shadowed by pre-natal influences.

Rosa

We have received from Mr. John Ouseley the
following books: The Silver Queen,
William
Topical Epigrams,
Sylvester Walker ( Coo-ee");
Glenith,
W. Burton Baldry;
M.
Shadowed,
Abraham-Jewel
Barbara Glyn
and New Poems,
Leward.

in

in

November.
already passed through many editions
the original
Swedish, and has appeared
German, Dutch, and
Danish translations.
We have received A General View
Positivism
Auguste Comte,
translated from the French
Bridges.
This new edition has
introduc
published
tion
Frederic Harrison, and
Messrs. Routledge
their New Jniversal Library.

the Rev.

&amp; by

by

Prin

Messrs.
has

Hill,

of

its

mystic poem
published

It

on

by

is

Light

Karadja, which will
Regan Paul
the first

of be a

the

of

a

a

is

Towards

cess

the

of

of

to

a

thirty-four illustrations.
Mrs. Humphry Ward issues through Messrs.
Smith, Elder,
new novel,
Diana Mallory.
-strong political interest, and
The book has
young Imperialist
two-and-twenty.
theroine

Side

;

&amp;

to

a

her than

There are

in

in

be

to

P.

aid present
more complete picture
has hitherto been possible
draw.

Sunny

in

by

its

a in

of

is

''

to

it

its

The

Carey; The Novels
Henry James
volumes;
Commentary
and
the Holy Bible, edited

;

a

is

a

is

is

Napoleon's Enchantress (Messrs. Hutchinson
Co.).
These two volumes gather together the
newest material relating
the Empress, and with

the following: Caesar's Commentaries
the
Gallic War, translated into English
Rice
Holmes; Oxford Lectures
Poetry,
Bradley; Faust, freely adapted from Goethe
Stephen Phillips and
W. Comyns Carr
De
Libris,
Prose and Verse,
Austin Dobson
The Diva's Ruby,
Marion Crawford

a

*

at

books sold
auction during the season
[1907-8, and
provided with very full index, which
model of its kind.
The volume before us does
everyone concerned
production.
credit
Marama,
the name
new story
Mrs.
Woollaston-White, which will
published from
the St. Andrew's Press, Barnet, early
December.
Napoleonic literature
The latest contribution
Mr.
W. Sergeant's The Empress Josephine:
19,504

Biographical Studies. The forenote
the volume
says that
the articles are founded upon personal
touch with the subjects
dealt with either
conversation or letter.
The names
the index
include many famous ones
the Victorian era,
Tennyson,
Blackmore,
such
Lord
Macaulav, Friedrich von Bodenstedt, the friend
George Eliot, George Müller, Verestschagin, and
others.
There
also
extended article upon
Osborne and Queen Victoria.
As special corre
spondent, the author, Mr. James Baker, has had
describe many Royal events
which her Majesty
was present.
Messrs. Macmillan announce the early publication

an

of it

of

its

a

it

to to

be

to

in

of

its

specialised or technical meaning as constitute the
vocabulary of literature, both in
primary sense
subsidiary one
creation and
criticism.
We have tested the little book thoroughly, and
very comprehensive.
seems
The only one
give was Ursula-talk
our tests that
failed
term sufficiently rare
render the omission venial.
We have also received Part W., which concludes
Wol. XXII. of Book-Prices Current
from Mr.
Elliot Stock. This excellent publication chronicles

heights
power, and her fall from the summit;
and also how she regained her footing. The book
record
her secretary and friend, Austin Austin.
new book
the author
John Westacott"
announced
Messrs. Chapman and Hall for
Literary and
10, being
October
volume

of

We have received a Dictionary of Literary
Terms by Percival Vivian, published by Messrs.
Routledge in their Miniature Reference Library
at the price of one shilling.
The compiler defines
literary terms in the preface as such words of

Mr. Anthony Hope's bok The Great Miss
story
Driver
(Methuen
Co.)
modern
English life.
describes the rise
the heroine

by

Courtney, and Mr. Clement Shorter; and their
decision will be made known
at the earliest
possible date, together with the names of the
prize-winner and of the publisher
on whose
instructions the competition was organised.

9

�TISIES

10

A UITISIOR.

Acts, 1883 1888, compared ; the statu
and forms, and the International
rules
Convention ; with notes, and a full appendix of
Statutes, Forms, and Precedents, with illustrations,
has been published by Messrs. Sweet and Maxwell.
The authors are Lewis Edmunds, D.Sc., K.C.,
and Herbert Bentwich, LL.B.
Kish,
by
Dawn,
has been
Creation's
published by Mr. John Long.
In it the author
sets forth a new theory of the early chapters of
Professor Sayce has written the preface.
Genesis.
Pastor in
Mr. Elliot Stock has published
Ecclesia, by the Rev. Gilbert Monks. This book,
which is intended to form a supplement to The
Young Preacher's Guide, deals with the question
of what will be required of a clergyman who
wishes to conduct the business affairs of a church
Repealed

tory

successfully.
contributes

The Very Rev. the Dean of Durham

the preface.

A Treasury of English Literature, selected
and arranged by Kate M. Warren, has been issued
by Messrs. Constable in six volumes, at one shilling
It is also issued in one volume at seven
net each.
and-six net.
New
The New Age Press have published
Truths for Old, by Robb Lawson. In fourteen
essays, the author examines the real character of
certain common passions, sentiments and opinions,
self-sacrifice,
and the futility
such as woman,
of speech.
Mr. Walter M. Gallichan has published, through
Mr. T. N. Foulis, The Trout Waters of England.
It is a practical handbook written by a fisherman

who knows what fishermen wish to learn about the
Hints on
streams and lakes in any given locality.
the most suitable methods of fishing, the selection
of tackle and flies, are included, together with a
directory of hotels and apartments.
A fourth revised edition of Printing, by C. T.
Jacobi, has been issued by Messrs. George Bell.
The work is a practical treatise on the art of typo
graphy as applied more particularly to the printing
of books, and the present edition has been brought

up to date, more particularly in those sections
relating to composing machines, motive power, and
printing machinery.
My Giant is a little sixpenny book by Edward
Urwick, which has been published by Messrs.
Henry Drane. It concerns the doings and sayings
of a giant whom the author met in a Sussex village,
told in a series of humorous stories.
Mr. Basil Tozer has recently brought out through
The Horse in History, with
Messrs. Methuen
many illustrations, in which all the historic steeds
are lined up.
for August 28 contained
Golf Illustrated
an article on a golf resort in Donegal, entitled
Rosapenna, by Mrs. Maude C. Knight.

novel is called Betty Brent,
and has been published by Mr. Werner
The story concerns a young girl who is
Sent to a country house by her office to do work for
some fast society people. The book gives a descrip
tion of her adventures among the smart set.
L. Budgen is publishing with the Ritz Co.
Two Lullabies, and with Crewsher &amp; Co. Six
Pianoforte Pieces, in collaboration with the late

Rita's "autumn

Typist,
Laurie.

Mr. Robert Goldbeck (whose death was announced
in St. Louis last May), the American musician,
and other works were gaining
whose orchestral
Such high reputation in the cities of the West.
The Pinafore Picture
Messrs. Bell publish
Book, by W. S. Gilbert.
In this volume Sir W.
S. Gilbert has re-told the story of his play in the
In doing so he has
form of a story for children.
considerably amplified the details of the story, and
has kept in mind the youthful readers for whom
The illustrations in colour and in
he writes.
black-and-white are by Alice B. Woodward.
Raymond Jacbern's new books this season are :
a story for elder girls
The Attic Boarders,
(Chambers);
A Boy and a Secret, a story for
A Hard Bit of Road,
children (Chambers);
(Wells, Gardner and Barton).
publications
Among the forthcoming
of the
Fonts in
Oxford University Press we notice
by Francis Bond ;
English Churches,
Com
by Joseph Wright
Grammar,
parative Greek
series of Historical and Comparative
(Students'
Grammars); in the Oxford Library of Prose and
Poetry Selected Poems of William Barnes,
edited,
with a glossary and introduction, by
Selected Poems of John
Thomas Hardy, and
Clare, edited, with an introduction, by Arthur
Symons; and
An Alabama Student and other
biographical essays, by William Osler.
On July 8 last, at the Grammar School Hall,
Dedham, Essex, was presented for copyright pur
poses a new and original play in four acts, entitled
The Undercurrent, by Herbert Chorley, the
a novel which was
author of Cleeves' End,
published this spring.
by Hall Caine and Louis N. Parker,
Pete,

The Manx
dramatised from the former's novel
man, was staged at the Lyceum on August 29 with
Miss Hutin
Mr. Matheson Lang in the title-róle.
Britton, Miss Rita Tomkins, Mr. Eric Mayne and Mr.
Frederick Ross were among those included in the cast.
Mr. Jerome K. Jerome's new play The Passing
of the Third-Floor Back was produced at the St.
Mr. Forbes
James's Theatre on September 1.
a passer-by
Robertson is the third-floor back,
who seeks the good of all with whom he comes in
Miss Haidee Wright, Miss Gertrude
contact.
Elliott, Miss Kate Bishop, and Mr. Edward Sass
were in support.

�THE AUTHOR.

its

C.

by

in

of

in

to

be

of

a

of

of

at

he

in

in

he to in

in

of

It

in
a
or

of

of

a

up

of

up

be

will

is

by

to

of

of

Many readers
mere habits and customs.
the
Matin subscribed
that paper for the sake
M. Harduin's daily paragraph.
Aloyse Valérien,
Edouard Rod,
classed
the author among his études passionnelles.
He
novel

à

write

a

to

does not profess

thèse, and does

with regard
the com
plex problems which arise when touching
the
subject
his novel.
The story
well told and
on

to

not give his own opinion

so is

so

in

of

to

the psychology carefully observed,
that the book
holds the reader's interest from beginning
end.
One can scarcely help feeling surprised and dis
appointed
many
the lack
moral energy
the personages
who are thrown together.
Intense Selfishness
weak will predominates
each one
the characters.
M. Mazelaine alone
stands out somewhat
relief.
any rate
He
does not console himself with the dangerous and
fatality for condoning
extremely easy excuse
Weakness of character.

in

a

or

at

in

*

an

Hénard,
Robert
the Revolution,
is

of

La Rue Saint Honoré,
from its origin
the time

by

of

It

in

of

is
a

French newspaper world.
His recent death
universally
regretted, for his witty and
genial satire was greatly appreciated.
He took
any subject
the moment that pleased his fancy,
clever,
and
few concise lines showed
bantering
way the absurdities
many political
questions, party strifes, current events,
even
the

at

at

at

is

It

occurred

writer was born
1837
the Vosges.
He entered the
army and went
Africa for some time.
After
the war
1870
left France and took refuge
England, where for
Belgium, and afterwards
some time
was French professor
the Woolwich
Military College.
He wrote several studies
English life,
whole series
French novels, and
articles for many
the best French papers.
easy for any one else
will not
take the
place which M. Harduin had made for himself

of

E.

A.

of

by

by

be

Hector France

This well-known

of

at

an

It

8.

a

on

a

to

at

death

August.

in

5.

by

by

on

by

a

its

of

on

de

F.

as

is

A

new ballet
Lieut.-Colonel Newnham-Davis
produced
about
the Empire Theatre.
contains four scenes, and
entitled
Paris.
Mr. Henry Arthur Jones's new play for October
comedy
the Haymarket Theatre
his
lighter vain.
deals with the value
new year's

rTHE

by

by

as

as

a

of

Duke's Motto,
melodrama adapted from
the French
Paul Féval
Justin Huntly
1McCarthy, made
first appearance
the Lyric
September
chiefly concerns
Theatre
the romantic sword-and-cloak
adventures of one
Lagardère,
gentleman with
Henri
infinite
capacity for taking life.
With Mr. Lewis Waller,
George,
the redoubtable Henri, were Mr.
Thompson, Mr. Herbert Jarman, Miss
Mr. Alec
Walli Walli, and Miss Sybil Carlisle.
Mr. Martin Harvey opened his season
the
Adelphi
September 10, with the production,
before
The Corsican Brothers,
The Con
spiracy,
one-act play
Robert Barr and
Sidney Lewis-Ransom.

The

º-º-º

of

is
by

of

byin

3

a

by

of

J.

(Margaret).

at

at

PARIS NOTES.

is,

in

in

by

of

Amy Martin, and Miss Grace Leigh.
Stephen
His Majesty's Theatre gave Faust,
Phillips and
September
W. Comyns Carr,
The chief characters were sustained
Mr. Tree
(Mephistopheles), Mr. Henry Ainley (Faust), Miss
Filippi (Martha), and Miss Maude Löhr
Rosina

of

of

.

a-A~a

poses.

to

and an amateur house-breaker for intellectual pur
His wife Maggie (Miss Hilda Trevelyan),
whom, plus an education, he had accepted as an
however, the real politician,
alternative to prison,
her husband's guide, phrase-maker
and speech
writer
one. The complications are Lady Sybil
Lazenby
(Miss Lillah McCarthy) and Shand's
deficiency
However,
humour.
the play
rounded
the hero's laugh.
King
September
was also the first night
Cadonia,
musical play
two acts,
Frederick Lonsdale, with lyrics
Adrian Ross,
Sydney Jones.
and music
The play concerns
king, who falls among
the wanderings
King Alexis,
anarchists.
Mr. Bertram Wallis
and Mr. Huntley Wright
his heir presumptive,
Alasia, were supported
the Duke
Mr. George
Barrett, Mr. Pope Stamper, Miss Izabel Jay, Mme.

Alejandro
Maristany has translated
Henry Arthur Jones' plays,
The Hypo
crites
and
The Liars, into Spanish, and
will produce them
the Teatro Principal,
during the present season.
Barcelona,
The
répertoire
that theatre includes also
The
Hound
the Baskervilles,
Sir Arthur Conan
Doyle, and Mr. Hornung s Raffles.
Senor

Mr.

at

Wontner, Mr. Herbert Waring, Miss
Evelyn Millard, Miss Edith Latimer, and Miss
Augusta Haviland.
At the Duke of York's Theatre on September
3 appeared a comedy in four acts by J. M.
Barrie, entitled
What Every Woman Knows.
John Shand (Mr. Gerald du Maurier) is a
prominent politician risen from a railway porter

Arthur

resolutions from the point
view
the resultant
benefit.
The play provides good parts for
leading lady Miss Ethel Irving, Miss Margaret
Halstan, Mr. Robert Loraine and Mr.
M. Lowne.

"

J.

of

Idols, adapted from the novel of that name
Locke, by Roy Horniman, was first per
by W.
formed on September 2 at the Garrick Theatre.
The cast included Mr. Allan Aynesworth, Mr.

11

�et

by

by

;

;

de

a

y

on

by

on

et

on

;

;

; la by by

is

de

la

à

E.

by

of

by
by

M.

is

of

at

to

is

by

de

et

de

la

et

de
la

SPANISH NOTES.

º-º-º

on

by

I

to

of

by

a

it

in

a

an

in

of of

to

of

in

of

I

S

send these notes from the Hydropathic
Mondariz,
Galicia,
Establishment
the
Spain, they have some
north-west coast
news relating directly
that centre.
must begin
saying that Don Enrique Peinador has had the glory
discovering
archaeological treasure
Mondariz
great value
huge flat stone
the form
covered with hemispherical signs, something similar
to what
child makes before
has learnt
use
the pencil.

of

of

at

to

of

to

he

at

on

of

The Hydro has been honoured this week
note, for Major Martin Hume
two authors
stopped two days
Mondariz
his way
Oviedo, where
represent the Univer
went
sity
London
the tercentenary
fetes
the university
the capital
Asturias which
were celebrated from the 21st
the 30th of
to

of

de

in

du

a

In

C.

ALYS HALLARD.
Aloyse Valérien (Perrim).
La Rue Saint Honoré (Emile Paul).
Mémoires d une vieille fille (Calmann Lévy).
Jeunes Filles (Fasquelle).
Adolphe Monticelli (Plon).
Grandeur
Décadence
Rome'' (Plon).
Turquie (Bouville).
Paradoxes sur
Midhat Pacha (Stock).
Abdul Hamid intime" (Stock).
Amours charmantes
cruelles (Mercure
France).
Le Maitre
Terre (Perrin).
L'Oncle Bernac" (Juven).
* º- a
w-w-w

of

de la

de

by

in by

T. de

by

;

H.

R.

by

;

is

prize from the French Academy for his
received
Mensonge,
book
La Puissance
which has
English.
now been published
July 15, were articles
the Revue
Paris

the

adapted from Balzac's story.

le et

et

by

MM.

Davray
Terre,
Benson, translated
Wyzewa
L'Oncle Bernac,
Conan Doyle.
Carrière d'Artiste,
Mrs. Humphry Ward,
now appearing serially
the Revue
Paris.
M. Johan Bojer, the Norwegian novelist, has

by

by

,

rouge,

of

by

G.

charmantes

L Or,
Bernhardt
the first play

Israel,
produce
Madame Rejane
Henry Bernstein.
The Théâtre Antoine opens with La Repudiée,
three-act play
Mme. Dartigue, and L Auberge

la

et

by

is

on

la

of

:

by

Amours

Maurice Hewlett, translated
and Kosakiewicz
Le Maitre

by

of
as

of

of

is

;

"

of G.

:

recently

the Renaissance.

SéaSOI).

of

a

by

by

by

de

A

appeared
cruelles,

rehearsed

At the Théâtre Sarah
MM. Peter and Danceny,

to

be

being

Read, whom Barbey d Aurévilly styled
com
missionnaire du genre humain.
Among recent books are Mémoires d'une vieille
fille, by René Bazin, volume
short stories;

Jeunes Filles,
Victor Margueritte; Adolphe
Monticelli,
Camille Mauclair
Grandeur
Décadence
Rome
(Vol. VI., Auguste
Grand Empire),
Ferrero.
Turkey
whole series
books
now
Turquie,
appearing
Paradoxes sur
Afioun
Effendi;
Midhat Pacha, by Ali Haydar Midhat
Bey; Abdul Hamid intime,
Dorys.
English books have
Several translations

Favre,

of

is
a

of

on

in

of

of

a

it

is

is

an

by

he

of

to

of

of

of

on

It

de
by

L Esprit
Barbey d Aurevilly
has just
been published
Mlle. Read.
collection
extracts
various subjects taken from the
writings
the great French critic and novelist.
This volume enables the reader who knows
nothing
something
this author
see
the mind of the man whose conversations
gave Paul Bourget
one
the keenest intel
pleasures
experienced.
lectual
had
ever
There
excellent preface
Octave Uzanne,
doubly welcome coming,
and the little book
does,
few months
before the celebration
throughout France
Barbey d Aurévilly's cen
tenary.
This literary fête, which should have
taken place
November
this year,
now post
poned until May, 1909,
account
the death
François Coppée, who was President
the
Committee.
Every one who visited Coppée and was acquainted
glad
with his two cats will
hear that Mlle.
Jouise Read has adopted them, and that they will
have for their companion
the descendant
Démonette,
the famous cat which was Barbey
d Aurévilly's faithful companion.
The trio will
from
henceforth
make their home with Mlle.

de

at

in

of

as

so

in

a

it

of

description
have
taken from Caesar's Com
Scarcely any street
mentaries.
Paris has been
which,
celebrated
the Rue St. Honoré,
the present time, the residences
the President
and of the British Ambassador are situated.

L Angleterre
l'Armeč
Daniel Halévy,
Nietzsche
l'Empire allemand
and
Victor Bérard, on
I CEuvre d Edouard VII.
In recent numbers of La Revue hebdomadaire are
the following articles:
Le Mouvement des Idées,
Edouard Rod
Comment
nous élevaitil
cinquante ans,
the Marquis
Castellane
L Aviation,
Commandant
Paul Renard
force,
Le droit prime
Henri Welschinger,
the Institute
Le Réforme turque,
Gabriel Hanotaux,
the French Academy;
Leon
Tolstoi, jubilaire malgré lui,
Halperine
Kaminsky;
l'Exposition
La Marine française
Londres,
Charles
Roncière.
Paul Bourget's four-act play L Emigré
Colonel
;
anglaise

a

to

in

of of

go
all

interesting study for
who enjoy the historical
Paris. We
back
this book
the
Paris
the times before the Romans, and we also

side

by

THE AUTISIOR.

12

�THE AUTHOR.
September ; and the famous Pardo Bazan, who is
President of the Literature Section of the Athenaeum
of Madrid, and whose works place her on the
pinnacle of fame, motored to Mondariz to see

Bright and well
her friends the Peinadors.
looked the authoress, who must now be called
King
Bazan,
the Countess Emilia
Pardo
as
Alfonso XIII. has just bestowed this title on her
in recognition of her literary work.
It is notable that the great tenor Don Francisco
Viñas has just had the honour of receiving the Great
Cross of Agricultural Merit from the King, and,
indeed, in no triumph has the great tenor so appealed
to his country as in this of agriculture.
The fête
which celebrated the event in the rural town of
Moya was supported by the town and corporation
in full force.
The fact of Field-Marshal Don José Lopez
Dominguez
being decorated with the Order of
the Golden Fleece has been acclaimed with pleasure
by the friends
of the former Liberal Prime
Minister.
This great political leader always
advocated a true suffrage for Spain, and it is
noteworthy that the Official Journal of the Sessions
3, 1902, records the
of the Senate of November
plaint made by Señor Loygorri in the name of the
Liberal leader against the presentation of the inter
diction of Colonel Figuerola Ferretti's petition to
high quarters that the system of the appointment of
the Deputies by the Ministers should be exchanged
for that of their election by the people. Had a true
suffrage been thus introduced, the struggle for it
would not have been seen in Catalonia, and, with a
true solidarity in Spain, loyalty to the King would
have prevented any talk of separation.
Señor Cambo, the leader of the Catalonians
(says the excellent daily paper A.B.C.), has just
made an eloquent appeal in the Congress against
the stagnating influence of the overweening power,
which is supported officially, of the cacique " or
person of highest consideration in a place.
Ring Alfonso XIII. shows his appreciation of
Señor Don Domingo Sanllehey's services as Mayor
of Barcelona by not consenting to his retirement
from the office which the conduct and opinions of
his colleagues have made so untenable for him,
and by conferring on his wife, the lady who is
decorating, at her own expense, the whole of the

front façade of the Cathedral of the city with
sculptures, the Order of Maria Luisa.
It is said in Spain that Pius IX. (Juan Mastai
Ferretti), related
in cousinship
to
Colonel
Figuerola Ferretti, is to be canonized.
The
research necessary for the act reveals many literary
treasures; and the letter in which Ferretti, when
one of the Body of Noble Guards of the Pope,
broke off his engagement with a beautiful lady of
distinction by reason of his call to the Church is

13

a true work of art.
It will be from the thirty
volumed chronicle of Cardinal Bilio that most of
the details of the life of Pius IX. will be found.
The month of October will see a most interesting
Congress of Science in Saragossa.
There will be seven sections : Mathematical
Sciences, physio-chemical sciences, natural sciences,
sciences, medical
Social Sciences, philosophical
Sciences, and applied sciences. The King will be
present at either the opening or concluding session,
as he has accepted the honorary presidency;
and
Señor Sigismundo Moret will be the actual presi
dent. The Congress will have great popular interest,
inasmuch as there will be a series of conferences
in which not only new points and discoveries will
be discussed, but also those which it concerns
humanity in general to know.
Speaking of science reminds me that English
Scientists may soon expect to see a translation of
the notable work by Dr. Enrique Lluria called
La Vida Super-organica ( Super-organic Ilife).

Those to whom the Monograph of Mondariz
may be known may be interested to hear that the
bicarbonated water from the springs of this centre
have just gained the gold medal and cup at the
Exhibition at Carlsbad.
The Temporado, the
bright little paper of the Hydropathic Establish
ment, always contains excellent articles of scientific
and literary merit.
The Society for the Encouragement of Fine Arts
in Madrid, under the presidency of Don Edoardo
Dato, is a great success.
Much interest is taken
in the Society by the Señoras Dato, one of whom
is member of the Lyceum Club, the Marchioness
of Ivanrey, the Countess of Torres-Arias, the
Marchioness of Squilache y Ivanrey, etc.
The well-known writer Mariano de Cavia has
just received a great tribute to his talent by
an important
street being named after him in
Saragossa, whilst the house which saw his birth
has been marked by a stone signifying the fact.
As Galicia is awakening some interest in England
by the tours arranged by the Booth Steamship
Company, the book called
Across Galicia, by
the Hidalgo of Tor, forms a capital introduction
to the region.
RACHEL CHALLICE.
* ~4Aw
à
w-v

COPYRIGHT
MANSELL

HIS

v.

CASE.

THE WALLEY

PRINTING CO.

an appeal from the judgment
of
Eady,
Swinfen
who
had
awarded
the plaintiff £4.3 damages for
infringement
of his rights in certain pictures,

Mr.

was

Justice

�THE

A DITFIOR.
in

to

by

to

an

it

on

;

in

it

no

to

of

of

; is

is

no

to

to

by

in

As

It an

to is
a

of a

be

in

of

be

is

as

is

to

an

as

MAGAZINE

CONTENTS.

º-º-º

ALBANY.
By Desmond McCarthy.
By Desmond McCarthy.
Mirabeau.
By Lord St. Cyres.
Pascal's Provincial Letters.
Nietzsche.

:

Robert

S.

BOOKMAN.

The Bookman Gallery

Hichens.

The

By

Sevenpenny.

J.

BOOK MONTHLY.

M.

CONTEMPORARY.

Count Lyof Tolstoi.
Chamber

Drama.

By Edmund Gosse.
By G. W. Williams.
CORNHILL.
By Lady

A Commentary.
The Book on the Table:
Robert Cecil.
FORTNIGHTLY.
-

By Francis Gribble.
Tolstoy and the Tolstoyans.
By Frances
An Appreciation.
Mark Rutherford
:

Low.

NATIONAL.
Mr. Andrew Lang and

Burns.

By Thomas

NINETEENTEI CENTURY.

An Actor's Views

Barnes.

The Censorship

Robert

Plays and Play-writing.

Fiction.

By Bram Stoker.

By

H.

Bayne.

J.

v. be of

to

it in

an

owner

of

unpublished literary work.
giving judgment
the
Lord Justice Farwell,
had been argued for the
same effect, said that
the

HARDY.

e-º-e

on

is

an

in

in

of

of

is

of

or

is
a

it

It on is

it

established
the author's consent, and when
plain that
proprietary right,
that the right
the part
intention
motive
the element
wholly irrelevant.
cannot
the defendant
contended, since the case
Prince Albert
unpub
1849, that the owner
Strange,
any different position from
lished picture stands

HAROLD

of

an lie

to pay damages.
The pictures having been made to order on
behalf of the plaintiff without reserve and paid for
by him, the copyright belonged to the plaintiff
under the provisions of the Fine Arts Copyright
was not
Act ; but inasmuch as the registration
made until after the publication by the defendants,
the plaintiff was precluded by the statute from
suing for damages for infringement of his copyright.
The plaintiff based his claim, therefore, upon his
common law rights; and it was contended that, as
an author has the exclusive right of publication in
respect of a literary composition, the plaintiff was
entitled to recover damages for infringement of his
proprietary right in an unpublished artistic work.
The principle, in respect of authors, was estab
lished as far back as 1774 in the case of Donaldson
v. Becket, which was decided by the House of Lords.
This weighty authority, said the Master of
is, in my
the Rolls in delivering judgment,
It shows
opinion, decisive of the present appeal.
against any person who
that an action will
unpublished book without
prints and publishes

statutory and
which
that the copyright
has come into existence
arises upon publication
registered
the purchaser, who
and belongs
regarded, with
the copyright proprietor, can
the Fine Arts
the provisions
reference
unpublished
Copyright Act,
work.
to

.

have pro
this case appear
The arguments
ceeded upon the assumption that the pictures were
unpublished, until the unauthorised publication
publica
what amounts
the defendants.
precise
work,
there
artistic
tion "...of
clear, however, that publication
authority.
public exhibition
the work
not restricted
any decision upon the point,
and,
the absence
picture, which has
may
doubted whether
the artist's hands,
been sold and has passed out

-

.

plaintiff's rights.
The plaintiff registered his copyright in the
pictures under the Fine Arts Copyright Act, 1862,
after the publication of them by the defendants;
and the latter, on receiving a complaint from the
plaintiff, offered to stop publication and to deliver
up the copies in hand, but they denied any liability

all it

law and apart from any
at common
protection, the owner of an unpublished
picture can recover damages against a person who
has, innocently and in good faith, published copies
of the picture.
The plaintiff, an artist's colour printer and pub
lisher, was the owner of two pictures, suitable for
advertising purposes, which had been designed for
him by an artist in his employment, for which the
latter had been paid the sum of £43. Another
artist in the same employment had surreptitiously
made copies of the pictures, and, after leaving the
plaintiff s employ, had sold them under a false
name as original drawings to the defendants, who
published
them without any knowledge of the
whether,
statutory

was very hard upon them, because
defendants that
but
they had acted quite bond ſide
the matter
greater hardship
was
them than
Was
bear the
innocent party had
cases where
another, whose wrongful act
loss brought about
another innocent party.
had caused injury
Lord Justice Kennedy concurred, and the appeal
was dismissed with costs.
-

it

which belonged to him, and which had been
published without authority by the defendants.
The question raised in the Court of Appeal was

so

14

�TISIES
WARNINGS

A UſTEIOR,

TO THE PRODUCERS
OF BOOKS.

º-º-º

TERE

are a few standing rules to be observed in an
agreement.
There are four methods of dealing
with literary property

I.

Selling it Outright.
This is sometimes satisfactory, if a proper price can be
obtained.
But the transaction should be managed by a
competent agent, or with the advice of the Secretary of

the Society.

II. A Profit-Sharing Agreement (a bad form of
agreement).
In this case the following rules should be attended to :
(1.) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation.
(2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs, or by charging exchange advertise
ments.
Therefore keep control of the advertisements.
(3.) Not to allow a special charge for office expenses,
unless the same allowance is made to the author.
(4.) Not to give up American, Colonial, or Continental
rights.
(5.) Not to give up serial or translation rights.
(6.) Not to bind yourself for future work to any publisher.
As well bind yourself for the future to any one solicitor or
doctor |

III.

The Royalty System.
This is perhaps, with certain limitations, the best form
of agreement.
It is above all things necessary to know
what the proposed royalty means to both sides.
It is now
possible for an author to ascertain
approximately
the
truth.
From time to time very important figures connected
with royalties are published in The Author.
IV. A Commission Agreement.
The main points are :
(1.) Be careful to obtain a fair cost of production.
(2.) Keep control of the advertisements.
(3.) Keep control of the sale price of the book.

General.

All

other forms of agreement are combinations of the four
above mentioned.
Such combinations are generally disastrous to the author.
sign
any
agreement without competent advice from
Never
the Secretary of the Society.
Stamp all agreements with the Inland Revenue stamp.
Avoid agreements by letter if possible.
The main points which the Society has always demanded
from the outset are

:

(1.) That both sides shall know what an agreement

IIl 2,IDS.

(2.) The inspection of those account books which belong
to the author.
We are advised that this is a right, in the
nature of a common law right, which cannot be denied or
withheld.
(3.) Always avoid a transfer

e

WARNINGS

TO DRAMATIC
e

EVER

of copyright.

º-e

AUTHORS,

º-e

sign an agreement without submitting it to the
Secretary of the Society of Authors or some com
petent legal authority.
2. It is well to be extremely careful in negotiating for
the production of a play with anyone except an established
manager.

15

3. There are three forms of dramatic contract for plays
in three or more acts:
(4.) Sale outright of the performing right.
This
is unsatisfactory.
An author who enters into
such a contract should stipulate in the contract
for production of the piece by a certain date
and for proper publication
of his name on the
play-bills.
(b.). Sale of performing right or of a licence to
perform on the basis of percentages on
grOSS receipts.
vary between 5
Percentages
and 15 per cent.
An author should obtain a
percentage on the sliding scale of gross receipts
in preference to the American system.
Should
obtain a sum in advance of percentages.
A fixed
date on or before which the play should be
performed.

(c.) Sale of performing right or of a licence to
perform on the basis of royalties (i.e., fixed
nightly fees). This method should be always
avoided except in cases where the fees are
likely to be small or difficult to collect.
The
other safeguards set out under heading (b.) apply
also in this case.
4. Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible, and a sum
paid in advance of such fees in any event.
It is extremely
important that the amateur rights of one-act plays
be reserved.

should

5. Authors should remember that performing rights can
be limited, and are usually limited, by town, country, and
time.
This is most important.
6. Authors should not assign performing
rights, but
should grant a licence to perform.
The legal distinction is
of great importance.
7. Authors should remember that performing rights in a
play are distinct from literary copyright.
A manager
holding the performing right or licence to perform cannot
print the book of the words.
8. Never forget that United States rights may be exceed
ingly valuable.
They should never be included in English
agreements without the author obtaining
a substantial
consideration.
9. Agreements
for collaboration
should be carefully
drawn and executed before collaboration is commenced.
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract.
He should therefore guard himself all the more carefully in
the beginning.
11. An author must remember that the dramatic market
is exceedingly limited, and that for a novice the first object
is to obtain adequate publication.
As these warnings must necessarily be incomplete, on
account of the wide range of the subject of dramatic con
tracts, those authors desirous of further information

are referred to the Secretary of the Society.

e

WARNINGS

L

ITTLE

TO

º-e

MUSICAL

COMPOSERS,

º-º-º

can be added to the warnings given for the
assistance of producers of books and dramatic
authors.
It must, however, be pointed out that, as
a rule, the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property.
The musical composer has very often the two
rights to deal with performing right and copyright.
He

�A UTFIOR.

TRIES

should be especially careful therefore when entering into
an agreement, and should take into particular consideration
the warnings stated above.

TO

MUSICAL

COMPOSERS.

0-0-0

to stamp copies of music on
behalf of
members for the fee
6d. per 100
part
100. The members stamps are kept
the
Society's safe. The musical publishers communicate direct
With the Secretary, and the voucher
then forwarded
the members, who are thus saved much unnecessary trouble.

e

VERY

+

EMBERS will

of

it

of

of

in

greatly assist the Society
the
branch
its work by informing young writers
of its existence.
Their MSS. can be read and
The term
treated as a composition is treated by a coach.
fiction, but poetry
MSS. includes not only works
possible, under
and dramatic Works, and when
Special arrangement, technical and scientific works.
The
competence and experience.
Readers are writers
The
fee
one guinea.
-

is

e

º-e

NOTICES.

º-º-º

HE Editor

The Author begs
remind members
the Society that, although the paper
sent
them
charge, the cost
producing
free
would
very heavy charge
great
the resources
the Society
many members did not forward
the Secretary the modest
subscription
year.
58. 6d.
for the
Communications for The Author should be addressed
the Offices
the Society, 39, Old Queen Street, Storey's
Gate, S.W., and should reach the Editor not later than the
21st of each month.
literary work
any kind,
All persons engaged
not, are invited
whether members
the Society
communicate
the Editor any points connected with their
work which
would
advisable
the general interest
publish.
-

of

to

be
a

is

it

of

a

if

of

to

9. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society; so
do some publishers.
Members can make their own
deductions and act accordingly.
10. The subscription to the Society is £1 1s. per
annum, or £10 10s. for life membership.

to

of

or

in

of

of

to

in

be

to

it

to

be

to

of

LEGAL

of

to

AND

be

º-e

GENERAL LIFE ASSURANCE
SOCIETY.

{3}.

ENSIONS

or

of

e

0-49 6

at

The

notice
post,
and
he requests members
who do not
receive an
important communications
answer
within two days
write
him without delay.
All remittances should be
London, Chancery Lane,
crossed Union Bank
sent
by registered letter only.

any selected age,
commence
either with
without Life Assurance, can
obtained from this Society.
Full particulars can
obtained from the City
Branch Manager, Legal and General Life Assurance
Society, 158, Leadenhall Street, London, E.C.
be

This

-º-º-º

give
The Secretary
the Society begs
that all remittances are acknowledged by return

or

of the Society.

return articles which cannot be accepted.

to

7. No contract should be entered into with a literary
agent without the advice of the Secretary of the Society.
Members are strongly advised not to accept without careful
consideration
the contracts with publishers submitted to
them by literary agents, and are recommended to submit
them for interpretation and explanation to the Secretary

Communications and letters are invited by the
on all subjects connected with literature,
but on
Every effort will
no other subjects whatever.
made

Editor

to

confidential
documents to be read only by the Secretary,
who will keep the key of the safe. The Society now offers:
(1) To read and advise upon agreements and to give
advice concerning publishers.
(2) To stamp agreements
in readiness for a possible action upon them. (3) To keep
agreements.
(4) To enforce payments due according to
agreements.
Fuller particulars of the Society's work
can be obtained in the Prospectus.

be

6. The Committee have now arranged for the reception
of members' agreements and their preservation in a fire
proof safe. The agreements will, of course, be regarded as

to

5. Remember always that in belonging to the Society
you are fighting the battles of other writers, even if you
are reaping
no benefit to yourself, and that you are
advancing the best interests of your calling in promoting
the independence of the writer, the dramatist, the composer.

8. Many agents neglect to stamp agreements.
must be done within fourteen days of first execution.
Secretary will undertake it on behalf of members.

on

send

to

4. Before signing any agreement whatever,
the document to the Society for examination.

of

|

3. Send to the Office copies of past agreements and past
accounts, with a copy of the book represented.
The
Secretary will always be glad to have any agreements, new
or old, for inspection and note.
The information thus
obtained may prove in valuable.

BRANCH,

THE READING

TV

2. Remember that questions connected with copyright
and publishers' agreements do not fall within the experi
Therefore, do not scruple to use
ence of ordinary solicitors.
the Society.

º-e

is

member has a right to ask for and to receive
+
advice upon his agreements, his choice of a pub
lisher, or any dispute arising in the conduct of his
business or the administration
of his property.
The
Secretary of the Society is a solicitor, but if there is any
special reason the Secretary will refer the case to the
Further, the Committee, if they
Solicitors of the Society.
deem it desirable, will obtain counsel's opinion.
All this
any
without
cost to the member.
1.

to

º-0

of

e

is

HOW TO USE THE SOCIETY.

to

of

in

of

its

HE Society undertakes

or

16

�THE AUTFIOR.

to

by
a

in

or

of

all It of

to

for

a

is

a

on

in

an

on

of his

If or

of

at

to

to all

in

a

of

be of

a

v.

in

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a

of

or

of

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doof

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.
.
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of

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the

| a
*

of

of

it.

to

of

" says

see

is

an

is

a

an

a

no

by

use
the Authors Society's
publishers and others
name
order
obtain
their ends; and secondly, the extreme danger,

THOMSON.

Lounger"
that the
the
Red Letter had the slightest excuse
story to suit the character
for cutting
his
paper.'
any
not believe there
editor
standing
the United States who would
such
thing without consulting the writer
the story.
any radical cutting
do, the author
When there
give the editor permission
asked
change the character
story
but
suit the
periodical
unpardonable im
character
pertinence.
have known many stories and
changed
editors, but never with
essays
out the permission
the writers.
know
one
notable instance where an editor Worked over
manuscript with the author, who re-wrote
four
print. There are very
appeared
times before
few stories which are not improved
editorial
thing that
suggestion, but the sort
Rita"
complains
and that Mr. Shorter upholds, seems
me little less than
crime.
Who steals my
thief; who garbles my manuscript
purse
murderer
cannot
editor

is

to

is of

on

an

It

in

of

as

to

A

3.

in

:

First, the wrongful

different footing
work outright

Lounger
THE
Putnam's for September
Humphreys
devoted some space
the recent case
Thomson,
which Mr. Clement Shorter's views
Except
change
were strongly deprecated.
slip
grammar
word, for even
the spelling
the best writers are often the worst spellers,

to

of

an

to

a

of

copyright from author
transfer
publisher.
The secretary placed before the member
his strong objections
the proposed transfer.
commenting
The agent who was acting,
the
member's objections, stated that the transfer
copyright was satisfactory and necessary.
agent taking
almost impossible
conceive
this standpoint, but the fact
stated
true.
publisher placed before
agree
member
assignment
copyright, and
ment asking for
covering letter that the Society
stated
Again the secre
objection
Authors had
tary laid before the member the very strong position
which the committee has always taken
this
subject.
These three cases have prompted the following
remarks

HUMPHREYS

it,

an

to

he

to

as

of

-

to

to

2.

viding for

put
The matter
rather
where the publisher purchases
glven Sum.

to of

is

It

of

of

of

a

1.

ONCE
certain publishing house placed
impossible agreement before one
the society's
sign
members.
On the refusal
the member
the document, the publishing house informed him
that the agreement had the approval
the Society
hardly necessary
Authors.
state that
this was not the case, and the secretary remonstrated.
The publisher thereupon denied that
had put
forward this claim, but
the secretary held his
apologise,
letter the only thing left for him was
promise not
repeat the statement.
and
This
he did.
Not long ago one
the members
the
Society laid before the secretary
agreement pro

a

NAME.

SOCIETY's

a

WRONG FUL USE OF THE

to

by

In by
a
no

by

by

in

to

it

is

to in

or

in
to

an

be

to

be

do

as

in

be

their means (these have been chronicled month
The Author).
These may still
subscribers, and their wholehearted
looked upon
generosity cannot
ignored because they
not
happen
annual subscribers.

is

to

of

by

the fund (their names were printed with the first
contributors), that many year
year have
made donations, some large, some small, according

by month

of

a

to

in

of

of

to

all

UNDER the Correspondence we are publishing a
letter dealing with the question of the Pension
Fund, in which the writer states that 1,720 members
of the Society give nothing.
It may be true that
1,720 members are not annual subscribers, but it
should be stated, in
fairness
the generous
supporters
the fund, that many members
the
society
its early days made large donations

the committee cannot emphasise too strongly the
transfer dangers
dangers that may follow such
judgments delivered
Which have been increased
one
two cases recently decided
the Courts.
Again, therefore,
necessary
insist that
publishers licences
authors should merely grant
publish, limiting such licences
whatever way
country to Great Britain
they think well, either
edition,
or
time to five years or
one
two editions or
combination
two
three
the above.
case whatever should
copyright where the author
there
transfer
continuing interest
holds
his work.
None
the reliable publishing houses claim this now.
publish
convey
better not
than
future interest and control
others unless the
question
one
absolute necessity
the author
agent
sets but little value
work.
copyright the sooner
recommends this transfer
author places his affairs
other hands the
better.
or

FUND.

author transferring copyright
The legal advisers
the society and

is

THE PENSION

list

of

any event,
publisher.

º-Q-0

an

GENERAL NOTES.

17

�THE AUTHOR.
to

of

of

to

MARKET.

UNITED STATES MAGAZINE

in

on

in

of if

to

be

of

a

as

so

THE American magazine market has never been
Agents and
during the last year.
dull
authors on this side have found their efforts
stamps; while the native writers,
complete waste
believed, have either gone into
reports are
business Writing
not busi
for magazines
their capital.
ness or have been living
the Wew York Times places the
writer
the fact that the magazines
the frost
Source
have been recuperating after the panic and living
He declares that some
accumulated copy.
them have even been selling off superfluous hoards
quite absurd reductions,
refrigerated stuff.
and quotes the following letter, which has been
speculate
circulated among editors likely
in

of

of

to

in

at

-

bargains

to

to

on

be

I

of

of

to

up

of

I

a

a

to

a

of

My dear
As you probably know from your own
material,
great deal
experience, we editors accumulate
be unsuitable for our use.
while we find
Which after
good
looking over our accumulated material
find
verse. Some years ago we used much, but latterly
deal
rhyme.
give
impossible
much space
have found
the
some
am sending you proofs
For this reason
hand, thinking that you may
things we now have
buy some
interested, and that perhaps you might care
Of it.
it

is

on

to

to

of

by

in

or

do

to

to

to

a

is

of

of

in

of

in

to

a

to

it.

THE following case may be of interest to those
members of the society who have been requested by
of their
to accept settlement
their publishers
accounts by bills.
One of the members refused to accept a settle
ment by this method, partly because he desired, in
accordance with the terms of his agreement, to
have a prompt cash settlement, partly because he
did not care to accept the responsibility to his
bankers for the amount, and finally, because he
considered that when a publisher entered into an
agreement he ought to be ready to meet his obliga
The publisher refused, after three
tions under
cash settlement, and
make
four requests,
the society, and
the matter was referred
placed
Since the
its solicitors.
the hands
hand,
society s solicitors have taken the matter
although the publishers had previously ignored the
the secretary, the amount has been
letters
promptly paid. But and this the point
which
very uncalled
we complain the publisher wrote
have
the author, practically refusing
for letter
anything more
Con
his work.
with him
sidering that the author had courteously
the first
place, and then firmly
the society's
means
lawyers, requested the publisher merely
act up
anger seems
his agreement, the publisher's
hardly justified. Perhaps,
the whole, the author
well out of his hands.
or

In both events the contributor would be entitled
this
his full price, and the only apparent object
nothing.
happy idea would come
the review
We cannot compliment the editor
On his latest editorial method.

A

2

on

BILLS

PUBLISHERS

OR

of

CASH PAYMENT

In

18

FROM THE

be

in

of

so

is

; so

so

is

in

DICKENSIAN.

of

a

1,

on

by

S.

in

in

an

a

in

be

it

do

to

by

*

magazine for Dickens lovers
The Dickensian,
monthly record
the Dickens Fellowship,
and
interesting account
its August number
had
the United
the first and last Dickens banquet
Kilwin. The first banquet was
Mr.
States
1842, and among
February
Boston
held

of

on

so

he

it

if

do

is

its

in

to

of

to in

;

a

to

or

a

;

in ;

is

it

of

*-*

is

it

In

of
to

of

is

of

be

to

of

of

to

untrust
not
high
true,
Prices,
not average
but,
prompt
payment
the States, nor
steady, and
the other hand, the demand
the casual and
touch of lost Bohemia
there
unexpected arrival
the cheque that cheers.
is
a

to

to

or

to

up

in

be

or

be

It

Happily the English market

worthy.

in

to

;

of

is be

if

of

to

the notice raises several nice points.
premised that many,
may
excessive
alterations, would only
the author's
due either
the necessity
his art,
unskilfulness
date, owing
bringing the article
the lapse
the
time between its despatch and the receipt
highly improbable
proof.
the first case,
original
the article would have been accepted
the second, the blame would
and
form
Supposing,
entirely due
the editor.
the fault
bring his article up
then,
contributor refused
the
had been duly accepted,
date after
ground that
his honorarium would
did
docked, the editor would have either
him
repealing his notice,
stultify himself
self,

The only authors making money have been the
producers
first-class humour and those working
However, the end
under iron-clad contracts.
copy
predicted for October
hand
the stock
running low
and writers are sharpen
said
good
anticipation
ing their pens again,
time coming.

is

to

a

to

a

of

a

review has
well-known
WE understand that
proofs
attaching
notice
habit
many
its contributors, stating that
sent
alterations are made, the expense they entail will
The
be deducted from the author's honorarium.
appears
many
interpretation
the word
and nothing
the editor
the discretion
left
the distinction between printer's
said touching
Apart from this,
errors and author's corrections.
acquired

on as

CORRECTIONS.

�THE AUTHOR.

by

its

it

it,

an

a

to

is

of in

to

of

so

be

of
of a

is

to

it

to

to

of

is

so

if

be

;

to

so

a

to

a

as

of

in

of

is

of

to

is

is

is

to

In

of

he

it

to

a

of

no

of

by
as a

So

in

to

to

of

in

to in

a

it

in

it

an

In

of

a

do

of

all

to

in

it

is

to

of to

of

an

of

in

in

he

an

to

to L.

of

in

as

be

of

a

to

of

of

is

nately prevent lady authors from being invited.

to

to

be

is

to

As there seems
some confusion regarding
the exact nature of the Book Trade Dinner which
organising, we are asked
the Publishers' Circle
entirely
state that this
trade affair, though
many authors, including members
this society,
present
have accepted invitations
the
Application forms for
guests
their publishers.
publishers and
the tickets have been sent only
Courtney will propose the
booksellers.
Mr. W.
Literature,
toast
which Sir George Trevelyan
replying.
Mr. W. W. Jacobs will propose the
toast
The Trade.
The arrangements made,
and the limited number
tickets issued, unfortu
is

a

a

of

of

if

be

it

in

of

on

a

books. The power
sell the last few hundred copies,
exceptional cases, few thousand
copies,
Or,
always the test
good publisher. The ordinary
publisher knows well that
takes more trouble
sell the last few hundred copies than the first
thousand, and
thinks less
his publishing
reputation
than the financial return.
some
cases this proves the best asset.
What the author
wants, therefore,
some stimulus
induce the
publisher
push the book, and this
generally
only obtained
consideration
the financial
aspect.
monetary
soon
the publisher has
risk
the book so soon does his stimulus cease.
The same remarks will refer
the increased
royalty after the sale
agreed number
copies, for the more the publisher has paid
the
pro
royalties
author
addition
the cost
duction and advertising, the more necessary
that
should push the book
order
obtain
his own profit, for
authors know after the first
expenses
book have been covered, future
editions
not cost very much.
issue
the Academy, published during the vacation,
has
been clearly pointed out that the great advantage.
having
royalties
author
sum
advance
gives
lies
the stimulus
the publisher, and
regard
the same remark holds good
the
example quoted above.
to

on

in

of

;

he

THE BOOK TRADE DINNER.

of

on

to an

is

T

of of

is

at

a

to

a

be

on

he

on

in

no

on

leaned
his right was
(Horace)
arm, wrote one
the guests.
This
was his last public dinner
the United States.
which
Greeley s

rapidly,are content
events move
sell sufficient
bring them
copies
book
fair percentage
the capital expended, and then sell the book
remainder, without any thought
the author
and his interests.
This
the result of the modern
business, and occurs
methods
the case
all
in

in

he

to

in

an

of

an

no

a

in

at

he

a

What
different picture the famous author
presented when twenty-six years later
was the
honoured guest
dinner given
New York.
He
longer the bright, smooth-faced young man
was
elderly
with the long wavy locks, but had become
grey
man with streaks
both hair and beard.
arriving, and those gathered
He was
hour late
greet him grew nervous and apprehensive
his
Finally
non-appearance.
arrived, worn and
racked with pain.
What
wore
his right
foot
one noticed, but
his left seemed
stuffed carpet bag;
his left hand was stick,

no

it

is he

he

it

of

a

to

of

a

to

in

he

;

not
uncommon practice among pub
lishers
insure against loss
book
demanding from the author
certain number
copies free
royalty.
From the author's point
paying
view this method, though preferable
production
for the cost
hard cash,
bad
method, but
non-publication
from fear
tempted
accept
author may
then
should
dangers.
stated that
not without
There are two main points which should be
noticed
the case
deferred royalty.
The first
that the number
books free should not
large
production and
cover the whole cost
advertising
the second, that the royalty
the
considerably higher after the
author should
number mentioned has been sold than
the royalty
had been paid from the beginning.
large that
practically
the number
production and advertising, then
covers the cost
there
stimulus whatever
the publisher
push the book.
Most publishers nowadays, when
as

of

a

an

to

º-º-º

be

reply

applause that was loud
was greeted
burst
and long.
Mr. Dickens's reply
the toast was
grateful and eloquent recognition
the hearty
welcome which
had received, and concluded
with his first public reference
the United States
international copyright, which
said
believed was not far distant, firstly, because
justice secondly, because without
you never can
your Own.
have and keep
literature

19.

THE PERILS OF DEFERRED ROYALTY.

is,

rose

he

and when Dickens
by

!

T)ickens

to to

a

:

in

to

its

J.

If

present were Dr. Oliver Wendell Holmes,
R. Lowell, W. W. Storey, the famous sculptor;
G. Bancroft, the historian ; and R. H. Dana, the
author of
Ten Years before the Mast.
The
speaking was begun by Josiah Quincy, jun., in an
address of welcome to the guest, which was not
Dickens, but
only
eloquent
in
tribute
witty and appropriate quotations
abounded
from
Pickwick
and
Oliver Twist.
The
Health, Hap
speaker closed with the toast
Hearty Welcome
piness, and
Charles

those

- -

�A UTISIOR.

to the interesting and remarkable southern towns.
summer I received an invitation for a party

This

its

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6

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in

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in

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a

a

the year 1905 I gave an account in The
Author of an expedition made by EEglish
The tour then made was
writers to Bohemia.

It

N

6-e

it

e

of

I

NORTH BOHEMIA.

on

BRITISH WRITERS AND JOURNALISTS IN

it

º-e

of

e

of

If

in to

advertising, as well as put a certain profit into the
publisher's pocket, then the increased royalty will
merely act as a deterrent on the publisher's pushing
The result, therefore, may be summed
the book.
up as follows:
1. The number free of royalty must not exceed
the cost of production and advertisement.
2. The author should obtain a proportionately
higher royalty after the sale of the free copies.
he does not obtain the first the second is
3.
useless.

possesses
Scenery around
but also because
which the
most remarkable technical school,
taught.
jewellery and precious stones industry
was anxious our specialists should see this work;
arriving
but, alas
the town, we found the
were
but
School had just been burnt down
see the apprentices, who attended the
enabled
gain
school,
and thus
various workshops,
insight into the real outcome
the work.
very
Prague,
Later,
the Exhibition, we saw
remarkable artistic exhibit of the school's work.
more time for
the fire gave
This disaster
exploring
the romantic country around Turnov.
called the Bohemian Para
The whole district
dise, and
the most delightful paradise I..have
have found
ever visited, though more than once
paradise,
myself
the world.
various parts
the strange weird beauty
Our first glimpse
was when we had climbed the
the neighbourhood
Kopanina, and had the whole district
great Hill
with its natural rock fortresses, and its robber
knight castles, and all the forest, and meadow, and
We soon had
corn-land stretched beneath us.
scooped out,
fortresses,
these
one
closer view
castle, with chapel and rooms and watch
and into
towers;
was 1447, just the famous
date
period
wonderful
was
Bohemia's history.

in

cent. at least would have been a legitimate royalty
for the author to receive, at any rate until matters
had been equalised by continued sales.
One further point of no little importance must
if the publisher on
be taken into consideration:
large
free of royalty,
number
a
claims
hand
one
the
and in his generosity grants under the agreement
to the author a very high royalty, and if the number
so claimed will quite clear the cost of production,

the following
received us,
Bohemia)
sloth
a.m. (there
give
Turnau.
route for Turnov
we were
to-day the
the Bohemian and German spelling,
largely used, but
our maps
Bohemian word
given.
generally
had
word
the German
especially asked that this town should
included
the itinerary, not only for the strange wild
really

Prague

morning

in

Such contracts are bad

a a

was his desire.

M. Franz
frontier
the Bohemian
met
Borovsky, the learned director
the Art and
Prague, and some other friends,
Trades Museum
Prague itself warm welcome was received,
and
the city, but from the
not only from the officials
the station.
crowd
be visited before
But the northern towns were

of

apparently

If the
in principle, and should always be avoided.
publisher could find a sufficient number of authors
who stood outside the society, or ignored its advice,
he could run his business without any payment to
If in either
the author whose books he produced.
of these cases it had happened that the number
free of royalty had been exceeded, then 33% per

June, twenty-one members
So,
the end
Journalists
the British International Association
route for
Holland
the Hook
landed
Dresden and Prague.
either
the members were specialists,
Most
education,
upon engineering,
technical
writers
developments, chemistry, industrial and municipal
matters,
historical and topographical writers.
Each traveller had his especial aim, but the general
the scenery very frequently
interest and beauty
the
made the specialist forget his pet subject
was engulfed.
which
romance
Prague the travellers were
Before arriving

in

sold about 850 copies, and then broke up the type.
The other case was somewhat similar. Five hundred
copies of the book were to be free of royalty.
The
book was a small one, and the publisher printed
only 500 copies.
In both cases the number of
books to be sold free of royalty was sufficient to
cover the expenditure, as far as can possibly be
judged by ordinary standards, although the detailed
publisher's accounts were not to hand. There was
no reason, therefore, why the publisher should sell
in the one case more than 1,000 copies and in the
other more than 500, if he desired merely to satisfy
his business instincts, and from the result that

Jubilee Exhi
to visit Prague during the year of
explore some
bition, and
the northern towns
and rock fastnesses.

I

These remarks have been prompted by two cases

In One case
which have come before our notice.
the author agreed to forego his royalties on 1,250
copies, taking after that number a ridiculously
small royalty. The publisher produced 1,000 copies,

an

TRIES

20

�all

a

a

or

in
a

a

us

a

so

in

to

of

of

a

;

of

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in

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or

to 8

us

at of

;

as

in

by

us

of

at

a

as

in

inhabitants, and their intense cultivation of the soil.
The former was most forcibly illustrated on the
following day at Jicin, the little town that suffered
terribly in the war of '66, where, in the Wallenstein
Palace, the Triple Alliance was signed in 1813.
Our reception in this little town of 10,000

night we had retired
concert.
When late
rest, soft music from the choir beneath our windows,
told
the artistic courtesy
serenade.
But
a.m. again the automobiles awaited
really
Bela,
Weisswasser, and after
for run
extraordinary
reception
the tiny walled town,
we climbed old Bösig, 900 feet up, and spent
some hours
the grand old ruins and
the
chapel.
perfect,
The view from the great tower
forest, lakes, village and mountains
but we had
descend, and after
halt
the Countess of
Wallenstein's castle, that was full
art treasures,
we took the train into Prague.
Now the official reception was given
the
glorious old town hall
Dr. Gros, the learned
mayor, and we had our old friends, Dr. Maly, who
paradise, and Dr. Sum
helped
had
guides, with M. Borovsky
chief commander.
Well
was that
was autocratic, for our time was
he

I

leader, which ran
other districts
Indeed,
month's stay would not
Running swiftly, touching
exhaust
wonders.
fifty miles
hour sometimes, we soon reached
through
near Kost, but we walked
vale
tears, but
lovely one, and had
superb first view
Kost and its castle, the four corners
which
can be seen
once.
Here Field-Marshal Won
Waldkampf and his son met us, and showed
the
wonders
the place and the beauty around it,
and
the evening we ran into Mlada-Boleslav
Jungbunzlau.
stayed with Emil Treval,
Here
delightful,
the dramatic author, and again we had

in

I

Of course
knew all this district, as
had
described it in my books on Bohemia, but it was
pleasant to go over the ground with fellow-country
men who could understand, not only the natural
wonders, but the intellectual development of the

maker,

this paradise.

us

Wallenstein family.

she, too, was
citizeness
this little city.
The whole performance was equal
that
musical festival production, save that the choir
.
was less in numbers.
making everything
The Bohemians believe
themselves, and
the next morning we found
luxurious motor cars, with Mr. Clement, their
voice

so

along a romantic road our way was blocked by a
group of tiny children singing their songs and
bringing us roses. The schoolmaster in this remote
village was a most cultured man.
We drove on to the deep ravine, above which,
some 600 feet, gleams the castle of Gros Skal.
Up to this we climbed through a cleft in the
vast rock piers called the Mouse Hole, with space
for but one person at a time, and at the summit
lunch No. 2 awaited us.
After this we went for a
delightful walk through the forest amidst the
Rock Town" to Waldstein, the seat of the great

choicely served dinner, we had a concert that was
indeed a delight.
An orchestra, a men's choir, and
a women's choir gave examples of Slav music by
Dvorak, Bendl, Smetana.
The rendering by
Orchestra and singers was full of fire and tender
ness, tone and expression.
We learnt that
the
performers were engaged
professions
business
lady
the town.
Then came greater surprise,
soloist,
Miss Jarmila Wolfova, with
brilliant

it

We were under the shadow of the strange mighty
of Trosky, and up to its great ruin we
climbed a double castle on two peaks linked by a
massive wall.
As we descended from this height
castle

inhabitants was marked by intellectual and artistic
phases, towards
which some great cities might
strive.
In the town hall the speeches of the
mayor and Corporation were in three languages
English, French, and Czech. Many of the towns
folk described to us in English the historic build
ings of their home, and acted as guides in the wild
romantic labyrinth of the Prachov
Rock Town.
that lies above the '66 battlefield of Jicin.
We
returned to the town in the evening, and after a

in

the old castle of
welcome us; it was
town or village had
no maire it was the schoolmaster who greeted us.
Often also his children were drawn up with flags
to welcome us, and to sing their national air,
Where is my home.
The priest rarely took a
foremost position, although nearly all the inhabi
Dinners, lunches,
tants are of the Roman Church.
speeches, and impromptu welcomes met us every
where. Very often these greetings were in English,
even from mayors of towns of a thousand or so
inhabitants.
The next two days were spent in this romantic
paradise, and at Rovensko
the young maidens,
dressed in white, presented us with bouquets and
examples of the jewel stones found here, and then to
prove further that they were the angels
of this
paradise a choir sang their folk songs, and an
excellent orchestra played Dvorak and Smetana.
On the stage of the hall in which the lunch was
served by those same young girls, were busts of
their national heroes, for the hall is the local
theatre.
This gives a hint of their village and
small town life ; here the problem of the dullness
of village life has been solved by self-help and
culture.

21

of

I

amidst the exclamations, for
stranger wonders were to come.
At the little village below
Vranov the schoolmaster came to
noticeable everywhere that if the

a

I kept silence
knew greater and

walk amidst these great rocks, but

Crºſ"FIOR.

to of

TFIE A

�on

in

a

to

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us

up

us

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to

;

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;

to

be

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is

in
a

is

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of

is

F

over-crowding
the natural result
the
high state
civilisation we have reached
complaint
and
cause
common
all
professions, there
probably none
which
occurs
more acute form than
that
letters.
The beginner
the chief, but perhaps not the
things.
only, sufferer from this state
His
success
failure depends
circumstances which
great extent beyond his control.
are
He may
have lively imagination and considerable dramatic
ability and yet
unable
work within the
managers
narrow limits which many theatrical
high poetical
prescribe
may
man
instinct and yet
told again and again when
drug
offers his works that poetry
the
may even obtain
market
certain measure
success
the shape
favourable reviews and
;

us

of a

*w

OF BOOKS.

of

to

of

of

in

-º
wº

LIBRARIES AND THE SALE

its
of

a

of

a

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or

on

a

an

byto

so

INSPECTION

3

all us
in

of

at

w-

as

of

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of I
to

us

of

to

In

on

On

to

of

a

In

of

at

in

of

at by

JAMES BAKER.

a

of

or

to

on

on

in

at us
a

a

it

an

of

he

an

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to

us he

to

I

;

of

or

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A.

D. of

of

on

of

of

a

lunched and dined them, and again
the most friendly fashion upon our
calling
leaving Prague.
bid farewell
Another instance
our visit uniting all classes
and all races, occurred
our reception
Podie
King George.
brad, the historic birthplace
Here
knew my old friends, Dr. Boucek and Dr. Jelen,
would secure
warm welcome, and again we
were surprised
the intensity
the reception
mayor and officials and the whole town.
But
the castle
further surprise awaited us, for we
found Prince Hohenlohe, the son
the famous
Chancellor, with the Princess, awaiting
the
courtyard.
night
The Prince had travelled
a.m.,
from the Kiel Regatta, only arriving
and, with their Serene Highnesses
guides, we
passed through the halls
the castle and saw
treasures, notably the portrait
the Chancellor,
whose memoirs aroused such excitement; we looked
parterre
out
the old execution terrace, now
lovely flowers overlooking
the Elbe, and then
passed out into the gardens, where, under the
delightful dejeuner was awaiting us.
shady trees,
thanking our hosts, and
had the pleasure
calling my British friends' attention
the fact
King George,
that we were
the birthplace
Europe had
from whom nearly all the dynasties
descended, including our own King and Queen.
After
cordial reply, Prince Hohenlohe drove
the new baths, which are most tastefully
equipped.
Then the great glass works and other
genial
industries claimed us.
Afterwards came
dinner, with hearty health-drinking, and,
course,
Finally the whole population
an excellent concert.
fashion
received

so

inge

characteristic episodes were
the Sophie Island
and
the Petrin,
Strahov Hill, looking down
the glorious city.
The Praguers are impetuous
their adoration
Prague, and
the Sunday they led
out
the
remarkable Ethnographical Museum, that was
English, and still more
delight and
lesson
the Irish amongst
and from thence
through the park and gardens
the Nebozitek.
restaurant,
where, under the thick shade
the
trees,
lunch was laid.
From this position we
looked out over the mighty city and the great
Cathedral, and
the palaces, and the Moldau,
Ultava, flowing beneath the historic Carls Bridge.
inspiring scene, that brought ready
was
my lips, when
reply
words
had
the toast
given
the Lord Mayor,
Golden Prague
hundred towers.
this scene was poetical and
dramatic,
also was that upon the Sophie Island,
when Prague outdid itself
artistic effect.
But space says halt.
The expedition
British
journalists left Prague again
visit Carlstein, the
mighty jewelled castle, and Pilsen, where repre
King Lear
sentation
Czech proved
Bordil, who took the part
Lear,
great
journeyed home via Eger,
actor
and thence
save those who availed themselves
the Danube
Steamship Company s offer
sail down the Danube
Buda Pest, that historic stream that far excels
grandeur and beauty.
Rhine
Moselle

It

of

in

development,

invention, but here each man and
woman wrote
his
her own special interests.
As international journalists we know naught
dividing politics
religions, and therefore
was
great satisfaction
receive
intimation that
Bohemia, Count Coudenove, would
the Viceroy
receive some
our members, and we found him
my explaining the special
most cordial, and
them,
interests
some
invited our engineer
ing experts, Mr.
Louis,
the Times and the
Engineer, Mr. Paul Hasluck, and others
accom
pany him
expedition
the Moldau and
Elbe,
see the great irrigation and flood organis
ing works being carried out there.
genial
of

nuity, and

found the technical Schools

us

a

to

I

Personally,
record.
wonderful lesson

escorted
the station, loading
with bouquets
and flowers and mementoes
Podiebrad.
Prague, after this sortie, the two most

to

to

to

all

packed with engagements.
The Exhibition, which
to our specialists had great charms, was excellently
arranged, and work was lightened by music.
One
concert by the Philharmonic Orchestra, led by the
famous Nikisch, was a most perfect concord of
sweet sounds.
The Chamber of Commerce and
other committees took endless pains to help
their especial work, and there was much
see and

us

THE AUTHOR,

22

�TISIE AUTISIOR.
to

to

of

be

to

be

1.

in

by

of

a

2.

to

of

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in a as
to

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by

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or

3.

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to

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4.

or

if

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in

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It to

in

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in

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it of

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a

to

a

of

of

a

if

of

he in

of

to

fessional

he of

in

he

making his choice
would then know that
had
before him the best collection
books available
for his purpose
for although
would find the
same works
the British Museum,
could not
procure them without
previous
knowledge
probable that many,
their titles, etc.
seems

of

he

a

in

search
suitable literature for his pro
personal requirements would,
London, hasten
the inspection library, where
would probably find most
the more recent works
his special branch carefully arranged.
He

public

It

as

be

of

a

in

of

lie

their merits.
But the taste of the majority of the
reading public does not perhaps reach the highest
standard of literary judgment, and the conditions
under which books are offered for sale favour in
some measure the temporary survival of the less
fit. In literature we find many exceptions to the
Darwinian law, and the ghosts of mammoths and
ichthyausauri,
if they have a local habitation, may
rejoice together, for their fate is being avenged.
The natural remedy for the over-crowded state
of the book market would appear to
the
inspection libraries
establishment
combina
tion with bookselling department.
The purposes
briefly stated
such libraries may
follows:

;

titles of which alone it is acquainted 2 Publishers,
on the other hand, cannot produce Works that
booksellers would refuse to purchase, and that the
public would neglect from lack of knowledge of

in

it knows little or nothing of their contents.
Is it
surprising that it refuses to buy books with the

capital
building
rent
fair-sized house
the neighbourhood
the British Museum, with
frontage,
possible,
Oxford Street, and whilst
retaining the front part
shop, were
large part
provided with
have the rest,
shelves for the reception
the works
which
free copies might
obtained.
this plan were
meet, either
carried out and were
its present
any modified form, with
ready response
from authors and publishers, who would
alike
interested
the opening
new channel for the
disposal
their stocks,
seems reasonable
suppose that this collection
works would
short time become
most important one. That
being so, one may believe that any member
the
of in

this selection that the public
make its own choice.
The
volumes which are offered to it may be stamped
with the approbation of the publishers, the critics,
and the booksellers, but in a great many instances

in

It is from
It does not

or

imperfect.
chooses.

so

mand for the moment the attention of the public.
bookseller is not a free agent in this respect ;
he cannot afford to keep books which are not, so
to speak, in the eye of the public, and he naturally
selects for the many rather than for the few. It is
very much the same with the buyers for subscription
libraries, and in both cases the over-crowded state
of the market tends to make such a selection

The

the works contained
the library collec
the option and expense
the authors,
advertising
reduce the cost
minimum.
probable that ninety-nine out
every
hundred readers
books would get
much better
any work
idea
the value and suitability
they could have
their hands for ten
even
five minutes than they would from any number
any case, the knowledge
critical reviews, and
obtained would differ considerably from that
gleaned from the present sources
which
suppose then that certain
information.
Let
number of authors were
subscribe sufficient
lists

tively

of

If

six
ten lines written
the authors for use
any
the inspection library
branches.
(a) To enable the authors
insert somewhat
similar notes
the books
the shelves, together
with one
two pages
extracts from press cut
tings
selected
them.
(b) To post similar
postcards,
notes printed
the expense
the
authors,
anyone inquiring
the nature
any given work upon receipt
$d. stamp.
To advertise the library
the daily papers
time, and
otherwise from time
advertise

in

the publishers, the critics, and the booksellers.
Criticism in general is fair, it is even generous,
perhaps too generous, and on that account it is
frequently
misleading.
As for the booksellers,
they may have eyes as big as towers and yet be
blind to the qualities of many excellent works.
It
is not the intrinsic or literary, but the commercial,
value they will consider. The taste of the majority
is their criterion, a changing factor it may be, yet
always the dominant one. The booksellers cater
very little for minorities.
There may be many
works which would respond to the needs of a
limited, but not unimportant
though scattered,
portion of the public, and the sale of which would,
in course of time, fully justify their publica
tion, provided that they could be made accessible
to these readers during a sufficiently long period.
But there is no room for them on booksellers'
they happen to have found a place
shelves.
there they are soon ousted by more recent ones,
which though perhaps far inferior to them, com

inspect
(a) To enable the reading public
briefly all works which might
sent
the library
carefully
for that purpose, and which would
classified and arranged. (b) To collect from authors
enjoying the privilege
exposing their works sums
varying from 1s. 6d.
3s. per book per annum.
comprehensive classified cata
To prepare
logue containing short descriptive notes
about

a

to secure an adequate pecuniary reward for

or

fail

his efforts. Like the soldier in Hans Andersen's
fairy tale, the author has to deal with three kinds
of guardians before he can unlock the magic coffers :

of

yet

23

�M.

by

a

is

is

It

of

in

to

in

of

an

a

he

if

da

of

to

is

be

of

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on

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In

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he

or

in as

a

as

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it

it

.

"

in

as

so

of

as

a

in

of

is

it

distrustful

a

is

on

They have become

of

of

on

it
is

attack.
too often
official prudery which condemns the just and the
unjust alike.
Fifty years ago Flaubert underwent
arraignment
the score
Madame Bovary.
His advocate, M. Senard, maintained that the

as

means
agreed,

of

practicable
generally

of

in

no

;

of

be
a

in

any

Official purity,

is

In

of

et

in

to

has devised

as

(From the Nation, U.S.A., July, 1908.)
recent publication
M. Seghele's book,
Criminalité, has reopened
Littérature
France the discussion of the relation of
crime
literature.
The French have often singed
Every one feels that the
their wings
this flame.
printed word may
corruption
source
certain
that the public should
assume Some
responsibility
checking
the evil; but
one

HE

by

It

in

in

In

in

by

in

a

A

a

he

CRIME.

to

AND

e-º-º

to

of

he

of of

to

in

of

D. L.

LITERATURE

at

he

he

of

de

her through the neck and then stabbed the lover,
who fell dead beside her.
As more completely
mimic scene
the theatre, innocent children
were playing
the adjoining room.
Yet one
cannot think that this fruit-peddler's mind had
been debauched
D'Annunzio's Francesca
Rimini.
more plausible case
that
the
young man who drank poison and died
waltz
public theatre, after the fashion
music
the
heroes
Ford and Massinger.
This instinct for
the dramatic among criminals appears rather
fed than stimulated
literature.
M. Claretie
cites
the Temps the celebrated case
Charles
Iſemaire, who killed his prospective step-mother
Showing his hands red
the eve
her marriage.
Shakespearean phrase,
with blood,
exclaimed
Fine gloves for my father's wedding
crime,
far
literature presents crime
comparatively innocuous;
becomes dangerous
presents crime
duty,
self-realisation,
when
experience,
asthetic gratification.
letter published
the Public
June 26, the
writer reviles the Chicago authorities for their
treatment of Emma Goldman.
In her lectures at
Portland, Ore.,
says. that excellent woman
spoke
the revolutionary spirit
modern
drama,
dealing
very sympathetic and in
tellectual manner with Ibsen, Hauptmann, Shaw,
and Sudermann.
You might
well send police
the meetings
the trustees
the Chicago
University.
The Chicago authorities, however,
recognised Emma Goldman
perilous
link
between these dramatists and the bomb-throwers.
by

to

be

is

on

if

or

is

it

the cold-blooded
facetiousness
the Borgias.
specious mimicry
Life puzzles the observer with
literature.
New Rochelle
Italian trapped
Drawing his stiletto,
his unfaithful wife.
ran

of in

in of

be

to

of

or

in

it

it

to

of

it

of

at

of

of an

it

of

be

to

of

to

a to

in a

be

of

on

a

if

of

In

could offer the public the most varied collection
and the best arrangement
its stock.
the
long run these facilities would insure its prosperity,
and
the profits obtained exceeded
reasonable
return
the capital invested,
certain proportion
them might
set aside
the first place
establish branches, and subsequently
allow
diminution
the fees charged
authors for
exposing
their works.
The establishment
inspection libraries may therefore
said
authors, because
the interest
would afford all
equal opportunity
exposing their works and
advertising
them collectively
the cheapest
rates,
publishers because
would enable them
get rid
their remainders, and
the public
because
would
furnish
with unequalled
facilities for choosing and buying.
But authors
are more interested
this matter than publishers
bring
the public, and whether they endeavour
themselves more closely into touch with the latter,
by this
any other means,
found,
such can
required.
common action
their part that

in

an

to of

that members
the public should feel themselves
perfectly free
leave the library without buying,
enlarged supply,
for this freedom, coupled with
constitute one of the chief causes of the success of
large shops.
Like them, the inspection library

of

be

a

It as

or

of

be

the building should
reserved for
refreshments,
reading room, would require
would, however,
consideration.
essential

of

portion

defendant
was
man
severe
and august
character, actuated
the highest artistic pur
Only the other day, when
poses.
Georges
Lecomte was protesting before the Société des Gens
contemporary
Lettres against the indecency
literature,
declared that, had
been present
that celebrated trial,
would have done homage
not only
the conscience
the artist, but also
the nobility
the book.
The type
literature which
most cried out
upon
perhaps the least dangerous
this country
that dealing frankly with arson, highway robbery,
adultery, and murder.
may suggest the means,
but excepting
boy brigands, inspired
the penny
wrongdoing.
dreadful seldom
the motive
takes root only
minds already fertile
evil
impulses.
The letter accompanying the fatal gift
poisoned ale
Philadelphia ironically requested
that the brew be recommended
the victim's
family.
There was
this something suggestive

of

of

be

a

of

of

on to

be

it,

the majority,
of those inspecting
the
works in the library would place their orders in
the bookselling department connected with
and
that, without reckoning the income
derived
from the subscriptions
authors
the books
they would expose
large part
the rent
the
premises would thus
earned.
Whether any

to

perhaps

of

A UIT)SIOR,

TRIES

24

the

so-called

�THE AUTISIOR.
to

to

of

to

;

to

;

to

;

to

to

an

of

a

of

of

by

is

e.

of

or

of

of

of

he

or to

be

all

by

of
all

as

to M.

is

In

by

in
by

us

us

of

of

.
.
.

is

of

.
.
.

to

in

no

to

do

of

to

to

of

no

of

in

to

an

of

to

B.

of

P.

of

to

in

If

their enchanted ring was
beyond was delivered over

All within

to

world.
perfection

to

in

to

it

or

it

of

Sometimes invade
wainloads from Pisa.
subject and treatment there
but slight
difference
both schools are smitten with Nature,
and Nature's love,
run riot
the infrigues
animonies, daisies, and buttercups, and rave
the
rivulet proud, and the deep blushing stars.
We must
the defunct Della Crusca the justice
say that they kept their private irregularities
themselves, and sought for
reprobate popu
larity.
They talked nonsense without measure,
silliness,
were simple down
the lowest degree
green fields" enough
and babbled
make
summer, but they were not daring
men sicken
impurity; there was
enough
pestilent
boast
everything generous, true, and honour
hatred
able;
desperate licentiousness
their romance;
feeling, moralities,
no daring and friendlike insult
They were foolish and
and Christian principle.
profligate, but did not deliver themselves with the
steady devotedness
insensate and black
society.
ambition
the ruin
speak
Shelley and
We have now
Mr.
poem.
Here we must again revert
the Della
Crusca. One of the characteristics of those childish
persons was the restless interest which they sum
everything belonging
moned the public
take
their own triviality.
Mrs. Robinson's dog had
bad night's repose
was duly announced
the

point

to

at

in

of

to

on

of

an

as

The Della Crusca school has visited us
again, but with some slight change
localities.
Its verses now transpire from the retreats
Cockney dalliance
the London suburbs, some
fragments from Venice, and
times they visit

all

in

as

A

in

by

a in
he

The literature which makes asthetic gratification
the end
existence defeats its own end.
Pursued
ultimate goal,
leads sooner
later into
quagmires.
The aesthete wanders from home
the quest
new and strange beauties. His truant
feet stray from the classic
the romantic, and

SHELLEY's ADONAIS.

of

he ;

in

a of

in

of

is
a

as

he

;

to

no

he

by

a

of

is

all

somewhat different Criminal motive is that
furnished by the type of literature which presents
experience as an end in itself.
The man whose
attempts to crush all else
aim is self-realisation
into his own personality ; the man whose aim is
experience attempts to crush his personality into
desired, but variety, inten
else.
Not quality
sity, and strangeness.
experience
The hero
fundamentally
leads
histrionic life
his success
measures
the number
rôles
has played.
garment.
He lays his past aside like
He gives
pledges
the future.
He lives
the present
noment, like the epicurean but, unlike Epicurus,
delights
much
the sty
the wreathed
roses.
Sin and terror allure his imagination.
He
vivisectionist,
physical and spiritual, for the
quaint excitement
anguish.
good illustration
of this instinct
its most morbid form was fur
Cambridge, Mass., who
nished
the instructor
two years ago gave his wife arsenic, hoping, since
loved her,
see her soul depart from the body
the moment
death.
He had been preparing
insanity
thesis
German literature.

ON

of

A

REMARKS

;

men of

CRITICISMS. VIII.

º-º-º

to

business

Q-

CONTEMPORARY

.
.
.

great

the harmonious and living
Samothrace.

.
.
.

the

4

of to

of

Gioconda
the Victory

no

many

of

America.

La

.
.
.

creed

smile
majesty

to

injunction, human or divine.
It is the creed
of the lions of the Renaissance, the creed of
Napoleon,
the creed of red anarchy, and the

indecent.
Yet the price
illicit aesthetic pleasure
the loss
asthetic pleasure.
The unhappy
man,
Lecomte says, who little
little allows
himself
soiled with
that filth, becomes
finally insensible
vigorous
thought,
expressive portrait,
poetry.
the proud wing
Dulled and stupefied
the contemplation
incapable
feeling true
obscene images,
beauty,
understanding, for example, the look and

to

stress period, and as young as the latest novel of
the Jack London school.
It appeals powerfully to
the masculine spirit endowed with a rich animal
nature.
It furnishes a religion to the religiously
emancipated, and a sanction to the strong man
with vividly surviving instincts of the barbarian.
Under the guidance of the German madman whom
so many innocents have taken for a god, it would
bring back Nature red in tooth and claw.
It
teaches to use Tolstoy's words in summarising
a philosophical
work published a few years ago in
Chicago
that
all laws, commandments,
or
doctrines
as to not doing to another what you
do not wish done to you, have no inherent
authority whatever, but receive authority from
the club, the gallows, and the sword.
A man
truly free is under no obligation
to obey any

thence
the grotesque
from the moral
the
unconventional, and thence
the illicit from the
sound
the unsound, and thence
the insane
from the chaste
the unchaste, and thence
the

a

They have learned that a
peaccable anarchy.
certain kind of literature begets dynamite, and they
are not ashamed of panic when a fanatic, educated
to a sense of his duty, rushes out bomb in hand,
burning for martyrdom.
The literature which exalts self-realisation as an
ultimate end is older than the German storm and

25

�THE AUTHOR.
/

is

as

to

to
a

to

it

it

I

A In Is

I

so

to

be

to

of

of

on of

of

on

to

be

of

to

it

is in

a

of

of

as

is to

of

.
is .
.

of as in

is

it

of

So

of

to

In

of

of

a

or

a

of

as

of
a

of

of

a

of

of

is

is

of

is

of

it

in

;

in

in

of

.
.
.

is

to

a

great figure

in

becomes him,

a

Death makes,

to

to

of

to

as

so

.
.
.

Grief made the young Spring wild, and she threw down
Her kindling buds.
dear,
To Phoebus was not Hyacinth
both,
Nor
himself Narcissus,
Thou, Adonais; wan they stand, and sere,
Amid the drooping comrades
their youth,
tears, odour
sighing ruth.
With dew all turned

Kingly

a

in

this Lament,
but
rather curious operations.
thing, nothing, etc.
alternately
person,
He
Death, then
He
The coming bulk
Death feeds on the mute voice.
of

- so,

.;

i

x
2
.

$

the following manner:

to

.
.
.

a a

In

in

be 7

×

in

to

as
a

of

of

/

!

it
&gt;k

act

is is

to a

or

be a
to

of

-

of

it

is

to

.

a ..

it

it

as

as

of a

in

is
up

I

what blinds me

of

of

of

is
a

its

to

by

we

of

at

How comes this hair undone
Its wandering strings must
And yet tied
fast
x

no

he

all

to

to

as

in

;

in

remorse, natural affection, woman's
murder, and alternate melancholy and
Percy Bysshe
fear
the prospect
the grave,
only this frigid rant :
worked

Offences like these naturally come before
more
effective tribunal than that
criticism. We have
heard
mentioned
the only apology for the
predominant irreligion and nonsense
this person's
works, that his understanding
unsettled.
But
his preface there
none
the exuberance
insanity; there
folly and
great deal
great deal
bitterness, but nothing
the wilder
ness
his poetic fustian. The Bombastes Furioso
these stanzas cools into sneering
the preface
and his language against the death-dealing Quarterly
Review, which has made such havoc
the empire.
Cockaigne,
merely malignant, mean,- and
peewishly personal.
personages, ideal
The seasons and whole hosts
They
and otherwise, come
lament over Adonais.

as

in

of

to

is

of

glutton
the measure.
He
manner
colours, and flowers, and smells, and tastes, and
crowds his verse with scarlet, and blue, and yellow,
and green
extracts tears from everything, and
makes moss and mud hold regular conversations
with him.
A goosepye talks,
does more,
thinks, and has
peculiar sensibilities
smiles
and weeps, raves
the stars, and
listener
the western wind,
fond
the author himself.
On these principles
hundred
hundred
thousand verses might
made equal
the best
Adonais without taking the pen off the paper.
Percy Bysshe has figured
sentimentalist before,
and
can quote largely without putting him
praise.
the blush
What follows illustrates his
power over the language
passion.
the Cenci
Beatrice
condemned
die for parricide
situation that,
true poet, might awaken
thought.
noble
succession
distressful
The
mingling
horror

Branded and ensanguined brow,
Which was like Cain's,
CHRIST s.

a

in

a

eject every epithet that
thus
can con
glomerate
his piracy through the lexicon, and
they will.
throw them out
settle
He follows
his own rhymes, and shapes his subject
the close

he

of

he

if

in

sack; and even
from
the most fortuitous
flinging they will sometimes fall
pleasing though
useless forms. This art
the modern Della Crusca

as

to

a

he

of in

.
.
.

to

he

of all

of

byof

in

of

of

as

us

A

of

of

pure nonsense out
every three.
tences
ninety
more faithful calculation would bring
every hundred, or,
nine out
the present Con
only fifty-five stanzas, leaving about five
sists
readable lines
the entire.
Mr. Shelley and
his tribe have been panegyrised
their turn for
power
language, and the man
Tabletalk
great
swears
the gods
owns that
has
words,
command
which the most eloquent
effusions
the Five Courts are occasionally inferior.
every word
But any man may have the command
the vocabulary
will fling them like pebbles

Glue, and
much for the history
much
easier
rake together the vulgar vocabulary
paint the work
rottenness and reptilism than
ings
perhaps
the mind.
This raving
such
excess
madness ever raved, except
the
imagination
Cockney, determined
mad
possible and opulent
his recollections
the
shambles.
And
this dreary non
poetry
sense that
attached the name
Yet
this passage the whole lauding
his fellow
Cockneys has been lavished.
But Percy Bysshe
poetic reputation, and
feels his hopelessness
blasphemy.
therefore lifts himself
the stilts
He
the Only verseman
the day who has dared
Christian country
work out for himself the
character
direct Atheism
his present poem
(Adonais)
talks with impious folly
the
envious wrath of man or God l . Of
is

to

is

it

in

is lie

original arbiters of human fame.
Mr. P. B. Shelley having been the person
appointed by the Pisan Triumvirate to canonise
the name of poor Keats, nipt in the bud, as he
loudly tells us, has produced an Elegy, in which he
weeps after the manner of Moschus for Bion.
Locke says that the most dissolute liar cannot
Folly
every three sentences.
more than once
more engrossing; for we could prove, from the
present Elegy, that
possible
write two sen

The sunshine on the floor
black
The air
changed
vapours, such
the dead breathe
charnel pits
Poh
am choaked
There creeps
clinging black, contaminating mist,
About me 'tis substantial heavy, thick.
glues
cannot pluck
from me, for
My fingers and my limbs
one another,
And eats into my Sinews, and dissolves
My flesh
pollution, etc., etc.

a

the empire of Dulness and Demogorgon.
The
New School are here the humble imitators of those

in

26

Death keeps his pale court.

�TRIES

. .

A UTFIOR.

The shadow of white Death.
Death blushed to annihilation / " .
. this wild waste of words is entirely beyond

our comprehension.
Adonais has been published by the author in
Italy, the fitting soil for the poem, sent over to his
honoured correspondents throughout
the realm of
Cockaigne, with a delightful mysteriousness worthy
of the dignity of the subject and the writer.
(Weekly Entertainer,

1822.)

A
v-u
a

27

books is not convincing. The touch which makes
one realise their great charm is lacking.
Again, the description of Barrès's books leaves
us with an impression first, that his early work
is full of childish egoism, and his later writings
spoilt by the intrusion of politics; and secondly,
that this from an artistic point of view is
detrimental and tends to narrow the interest.
Surely this is not the impression the author
intended to convey.
If it is true, then, it seems a
mistake to select him as a typical French
when others with better claims have been
OWer.

writer

passed

-

It

French Novelists of To-day, by Winifred Stephens.
by John Lane.
6s. met.

it.

of

of

to

a do

it

is

to

to

º-e

CORRESPONDENCE.

º-º
PENSION

FUND.

G.

SIR,--I quite agree with Mr. W.
Scoon that
year
five shillings
reasonable sum for every
Fund, and
pay towards the Pension
member
should
made compulsory, except
cases where
very few
actual poverty exists, and these would
shilling
my first
number.
mentioned
letter because the payment was compulsory, but
hoped
great many members would
also added
give far more.
According
you
the list published
The
Author only 180 members give subscriptions and
donations.
Mr. Scoon's estimate
that we have
in be

in

I

in

by

is

*

Published

e

a

such as

is
a

authors

are not treated in the same
manner, and that so much space has been lavished
on Pierre de Coulevain of secondary rank.
The writer seems to be more in sympathy with
this quasi Frenchwoman,
whilst acknowledging
that her books have hardly the vogue in France
that they enjoy elsewhere.
After forty pages
devoted to setting forth the merits of her some
disjointed writings, it is disappointing
what
to find Loti disposed of in twenty, which deal
chiefly with his egoism and weakness. Some asser
tions at the very end might lead the reader to send
for a copy of Pécheurs d Islande,
but raise a
doubt whether his other masterpiece Mon Frère
Yves, were worth the trouble of perusing.
A few
extracts from these books would give a far clearer
idea of their power and mysterious charm than the
attempt to explain his conception of the Ocean.
Both Loti and Bourget are placed before us in
light, and the commendation of their
a repellent

a

that

Loti

is

is unfortunate

a

It

Bourget and

I

more.

to

in touch with English minds.
M. Anatole France has fared best. He stands
before us as a living man, not a lay figure.
His
work is summed up concisely, the extracts are well
chosen, and in the minds of those who have not
read his novels will excite interest and a desire for

d'élection
does not strike us so forcibly as the
fact that he was born a Swiss and began life as a
Calvinist. Parisian he certainly is not, though he
may have tried loyally to assimilate the atmosphere.
To sum up, this book shows insight and a certain
adroitness in cataloguing and describing the con
tents of the works in question.
For purposes of
reference it will be found most useful, but in other
respects it falls short of the demands made on
vague generalities
Towards the end
full
justice
and stock phrases which neither
the
Works under discussion nor arouse
desire to read
them and judge independently.
As
the writer had wearied
the task, the
criticism becomes tame and lacks suggestiveness.
unsatisfactory both
The result
those who are
conversant with French literature and
those who
seek for guidance.

to

on French novelists of the present
day should appeal alike to those who know
their works and to those who do not.
The former Jook for appreciative criticism, the
latter desire a stimulus to study.
To a limited extent these demands have been
fulfilled. Yet, on laying down the book it is
doubtful if either class will be much enlightened
as to the wonderful charm and delicacy of French
authors, or enriched by fresh insight into the
characters of men whose thoughts are not naturally

I

BOOK

should have so much space allotted to him.
It is
true he writes in French, but we are not convinced
by this book at any rate that he represents a
phase of French thought.
Even his own avowal Paris demeure ma ville

if

e-º-º

be

--

NoveLISTS OF T0-DAY."

in

FRENCH

is also open to question why Rod, a Swiss,
many of whose books deal with his native land,

�THE A traºrror.
of

a

I

is

it

bean

-

of

~

I

in

in

on

at

bybe of

to

In

at

at

of

to

be to

an

I

or

a

in

by

at

of

to

in

I

at

of

to

in

no

in

of

of

as

in

of

addition,
course,
These would include,
members, facilities
the entire use
the club
for Occasional meetings
the Authors Club
members
one of the rooms of the club.
would,
case, exceed
The subscription
£2 2s. per annum, without entrance fee.
any members
the Authors Club care
Communicate with me direct
address below
will
once place them
communication
with
the proper authorities, who would
doubt consent
general meeting being held
the premises
thought
formulate any decisions that might
advisable.
no

be

to

on

to

interest of the existing £5,000 another £150 at
least.
Mr. Scoon advocates a pension of £25
a year.
Could he not extend it to £26, ten
shillings a week, so as to place an unfortunate
author on a level with Giles and Hodge, should
the Old Age Bill pass 2 Could anyone desire
more ?
AUGUSTA HARCOURT ROE.

John Bickerdyke.

at

I

disperse.
allowed
the establishment
the present moment
another club
the lines modest though they
sketched out
the current month's Author
John Bickerdyke,
see great difficulties
the
preliminary organisation.
way
regret
prevented
my
that circumstances
general meeting
attendance
the extraordinary
might have made
the club recently held,
certain proposal.
am, however,
position
state that
willing
place
established West End club would
the advantages named below
the disposal
the
present members
the Authors Club
terms
more advantageous
than
those mentioned

I

the needs of those members whose incomes are
Might it not be possible eventually
very small.
to extend help in cases of great distress through
Sudden accident, or disease that must soon end
fatally, if it were the husband who was stricken
down; even though he should not have attained
the age of sixty 2 Should the number of members
fall off, the number of those needing pensions
suppose
would be reduced in direct proportion.
no actuary would give the average of life after
the age of sixty as more than fifteen years, there
fore, as time goes on there will always be pensions
falling in to increase the sum of £500 a year, the

CLUB.

member for some years
the
Authors Club, quite agree with John
Bickerdyke that
highly desirable that such
institution in many ways unique should not
existing

If

available for distribution (when once the reserve
of £5,000 had been reached) out of members
subscriptions surely a more than ample sum for

SIR,-As

AN AUTHORs'

a of

I

WANTED,

I

2,000 members, therefore 1,720 give nothing.
This
cannot be as it should be.
We are nothing if not
a brotherhood,
and why should we, to use Sir
Walter Besant's words, pass round the hat to
outsiders when we are capable of helping ourselves.
cannot see, however, why a reserve fund of more
than £5,000 should be required. Supposing the roll
of members to be kept up, £500 a year would be

a

28

Yours truly,
WARRINER, Mus.D.

J.

de

Crespigny

TRANSLATION

all

to

a

I

to

in

of

to

of

-

or

Yours faithfully,
THOROLD

DICKSON,

Barrister-at-law.

by

at

on

of of

is

of

to

in

in

in

in

as

WORK.

your space
request
few lines
order
warn authors against the dangers
undertaking translation work
attendant
publishers, unless payment
the request
cash
Payment
forms part
the consideration.
royalties
dangers and pitfalls. You are
full
already aware
my own bitter experience, which
any author who may
will gladly make known
guidance
need
advice.

I

in

it

be

it

K.

so

SIR,-May

be

as

of

a

so

at

of

of

;

Lodge,

Denmark Hill, S.E.

so.

K. S.
views on literary ethics as
announced to the world in the case of Humphreys
v. Thomson will not be endorsed by many of the
society, who will probably be more inclined to
adopt the views of the judge and jury, that literary
work should not be at the mercy of re-hash at
the hands of irresponsible
editors.
And now
that the case is not to proceed further it is
permitted for one to say
Fitzgerald must have
But the many lowers
squirmed
misquotation
hideous
fell from
the lips
the great littérateur during the progress
the case, unless the reporters have maligned
your
him and now that
has again appeared
gibbetted without mercy.
columns
should
Ah, take the cash
hand, and let the credit
go,
C.
S. was reported
have said, which
correctly interpret his attitude towards
does not
literary work
what Fitzgerald really wrote:
Ah, take the cash
hand, and waive the rest,
and does not give the same awful shock
lovers of
OMAR.

of

K. S.

F.

C.

SIR,- C.

�AD VERTISEMENTS.

TWO
IN THE
DARK."
By GEORGE
MAGNUS.
G.

THIRD

EDITION.

Not far behind the Dolly Dialogues.
Outlook.
Wholly charming. . . . Genuinely humorouswithout being either
mawkish or overdone. The episodes are natural, the conversations
witty, and the conclusionall that could be desired.
GlasgowHerald.
It has much of the airy humour and real craftsmanship of the
Birmingham.Post.
* Dolly Dialogues.
A welcome change to the heavy wares of most modern fiction
mongers. A pretty humour pervadesevery page,and the most every
day incidents in the lives of two budding litterateurs(male and female,
of course),keep effervescinginto the most delightful situations in a
Way which will act as a tonic to the blasé,
Scotsmam.

At all principal Bookstalls,

MRS. GILL,
(Established 1883.) 35,

1|- net.

Typewriting Office,

LUDGATE HILL,

E.C.

Authors' MSS. carefully copied from 1s, per 1,000
Duplicate copies third price. French and German
MSS. accurately copied ; or typewritten English trans
lations supplied.
References kindly permitted to Messrs.
A. P. Watt &amp; Son, Literary Agents, Hastings House,
Norfolk Street, Strand, W.C. Telephone 84.64 Central.
words.

SIRES

and SIFKES,

The West Kensington Typewriting

Offices,

(Established 1893)

223a, Hammersmith Road, LONDON, W.,
Authors' MSS. ; Translations; Duplicating; Plays and Actors' Parts ;
Legal, General and Commercial Documents. Private Rooms for
Dictation. Usual Terms. Refere
mees.

iii
VOLUMIES OF THE

MINIATURE

REFERENCE

LIBRARY

specialinterestic Huibors
each met.
1| -

Mondſ.

Dictionary of Literary Terms.-By

PERCIVAL

VIVIAN. 1,100 Terms and Phrases, from Abece
darian Hymn to Yellow Journalism and Zeugma.

Dictionary

of English

In Praise

Literature.-By M.

Biographical and Bibliographical.

McCROBEN.

of

Book-Lovers.

Books:

an

Encheirídion

for

Who in Fiction. By H. SWAN.
Noted Names (about 6,500) in Novels, Tales, Poetry,

Who's

and Drama.

Dictionary of English Synonyms.-By J. H.
EARQUHARSON.

Five

Words Frequently Misspelt.

Thºusand
y W. S. W. ANSON.

Complete List of the 41 Volumes now ready (post free),
including Dictionaries of English and Foreign Languages
Biography,
and Quotations, Nicknames and Pseudonyms,
Shakespeareana, The Bible, Mottoes, Mythology, Saints,
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GEORGE ROUTLEDGE &amp; SONS, LTD.,
68 =724, Carter Lane, E. C.

Bradbury), Agil

&amp; CO. £d.

'9

The Whitefriars Press,
LONDON &amp; TONBRIDGE,
Having largely increased their

PRINTING

and

BOOKBINDING

PLANT

(which is now one of the most complete in the British Isles), are prepared
to undertake, at short notice, the production of

Works of Fiction, Legal and Medical Text Books,
High-class Magazines, Newspapers, etc.
IE STRIM

(ATES FREE.

An IIIustrated Booklet descriptive of the Country Branch of the
Firm sent on receipt of a Post Card.
Telegrams:

Charivari,

London

; Charivari, Tonbridge.

Telephones:

28 Holborn ; 19 Tonbridge; 910S Central.

�iv

AD VERTISEMENTS.

AT

STRAND,
PLACING,

IS

fº**.
s' e:
ºr

LONDON, W.C.
PRICES,

HIGHEST

FoR

AUTHORS

IN

SHORT STORIES, ARTICLES

NOVELS,

RESIDING

*-º
b.
.
-----

-

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EVERY

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AND POEMS,
GLOBE.

A.

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by

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is

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us

is

us

-

Magazine

to

to

it

he

a

of
a

or

'phoning
special description, he knows that by Writing
When an Editor requires
M.S.
the
(1648 Gerrard)
can ensure getting
within two days. In this way we were able
sell several stories
the
published.
Red
before the first number was
By submitting only carefully selected work (unsuitable work
returned
once) we can guarantee
that our clients MISS. are READ. Editors frequently accept an MS. from
which they have previously returned
when submitted by the author himself.
Many well-known Editors are clients
this Agency a fact that speaks for itself.
Our New York Representative
PRIESTMAN.

-

I,

s

us

be

Among the English Periodicals accepting MSS. from
may
mentioned :-The Graphic, Red Magazine, Fry s
Magazine, The Field, Evening Standard, Quiver, Cassell's Magazine, Evening News, Ladies' Field, Bailey's Magazine,
Publications,
Car,
Review, Pictorial
Tillotson's
The
The Omlooker, Pictorial Comedy, London Opinion, Westminster
Magazine, Chums,
Yow and
Free Lance, Christian Herald, Ideas, Ally Sloper, Cassell s Newspaper Press, The
Nation, The Strand Magazine, London Magazine, The Idler, The Sketch, English Illustrated Magazine, Christian
World, County Gentleman and Land and Water, Grand Magazine, Home Chat, Lady's Companion,
Wide World
Bits, Lady's Realm,
Penny
Magazine,
Weekly Dispatch,
Boy's Own Paper,
The Royal, Sketchy
Good Words,
Tatler,
Daily
Mail,
Magazine,
Amswers, Madame, Daily Mirror, Novel Magazine,
Weekly,
Pearson's
The
Windsor
Fortnightly Review, Motoring
Illustrated, Pearson's Magazine, Girl s Realm, Home Notes, Red Letter,
Magazine,
I/lustrated Sporting and Dramatic News, The Young Man, Family Herald, Great Thoughts, Our Home, Country Life,
Manvchester Everving Chronicle,
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Tit-Bits, Puck, People's Friend, Weekly Welcome, World's Work, New London Journal, John Bull, Black and White,
Daily Ea:press, Brett's Publications, Lady s Pictorial, Fore's Sporting Sketches, etc., etc., etc.

MSS. submitted by GEORGE

G.

MAGNUS

WRITE FOR TERMS

AND UNIQUE

The Athenaeztyn.

ESTABLISHED]

Press,

RESPECTING

OTHER

CENT.

20

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THE sociFTY

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            <text>C be El ut b or .&#13;
(The Organ of the Incorporated Society of Authors. Monthly.&#13;
&#13;
} &lt; |&#13;
X}\} -&#13;
VoI.-X-WiffT-No-Fl. OCTOBER 1, 1908. [PRICE SIXPENCE.&#13;
C O N T E N T S.&#13;
PAGE PAGE&#13;
Notices ... tº e a &amp; &amp; &amp; tº tº g e &amp; © tº º ſº we &amp; © s sº e ... 1–3 How to Use the Society tº º e e tº gº g º º * * * tº ſº tº e e ºn 16&#13;
Committee Notes a e ∈ º e tº tº º º tº e J e gº º tº gº º e e ºs 3 To Musical Composers * &amp; &amp; tº e º tº º 4 g º ºn u º º tº e e 16&#13;
Dramatic Committee ... .... ... ... ... ... ... 4 The Reading Branch ... ... &amp; e º is &amp; tº $ tº $ tº ſº e ... 16&#13;
Books published by Members of the Society ... ... ... 5 Notices ... ... ... ... ... ... ... ... ... 16&#13;
Books published in America by Members ... s º º * * a # * * 8 || Legal and General Life Assurance Society ... * e e &amp; © ſº tº ſº e 16&#13;
Literary, Dramatic and Musical Notes ... e gº º e tº ºr gº º tº S General Notes ... tº § 3 * * * tº e ºs tº º º is º º we v º tº º º 17&#13;
Paris Notes e tº tº * * * * * * * * { © tº e &amp; º º tº tº º ... 11 The Perils of Deferred Royalty vº º º * * * * * * tº we g * * * 19&#13;
Spanish Notes ... ... ... tº º gº * * * * * * * * * * * 9 12 British Writers and Journalists in North Bohemia ... . . . 20&#13;
Copyright Case ..., tº º º tº º ve * &amp; © # * * &amp; # * * e : tº g tº 13 Inspection Libraries and the Sale of Books ... e e º * * * 22&#13;
Magazine Contents tº ſº º e s tº gº tº º tº ſº tº * g e tº e ºs tº e : ; 14 Literature and Crime ... &amp; s sº &amp; &amp; e tº g tº e - G * * * &amp; © º 24&#13;
Warnings to Producers of Books ... tº º º # tº º g º º • * * 15 Contemporary Criticisms.—VIII. ... tº $ tº * * * tº $ tº a ſº º 25&#13;
Warnings to Dramatic Authors * * * w tº º ſº tº tº • * * * * * 15 French Novelists of To-day ... tº º º * * * &amp; 8 º' tº º º ... 27&#13;
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PUBLICATIONS OF THE SOCIETY.&#13;
t&#13;
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papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
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&#13;
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## p. (#12) #################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
(I be šuciety of Autburg (ſmrurpurated).&#13;
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PRESIDENT.&#13;
G-TECTER,G-TE IMITETERIEEIDIETIEC&#13;
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THE RIGHT HON. THE LORD AVE-&#13;
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FowlER).&#13;
SIR. W. S. GILBERT.&#13;
EDMUND GOSSE, LL.D.&#13;
SYDNEY GRUNDY.&#13;
H. RIDER HAGGARD.&#13;
THOMAS HARDY.&#13;
MRs. HARRIson (“LUCAS MALET’’).&#13;
ANTHONY HOPE HAWKINS,&#13;
E. W. HORN UNG.&#13;
MAURICE HEWLETT.&#13;
JEROME. K. J.EROMF.&#13;
HENRY ARTHUR JONES.&#13;
J. SCOTT KELTIE, LL.D.&#13;
RUDYARD RIPLING.&#13;
SIR EDWIN RAY LANKESTER, F.R.S.&#13;
THE REV. W. J. LOFTIE, F.S.A.&#13;
C - IMT-&#13;
LADY I,UGARD (MISS FLORA L.&#13;
SH Aw).&#13;
SIDNEY LEE.&#13;
MRs. MAXWELL (M. E. BRADDON).&#13;
JUSTIN MCCA RTHY.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
SIR HENRY NORMAN, M.P.&#13;
SIR GILBERT PARKER, M.P.&#13;
J. C. PARKINSON.&#13;
A. W. PIN ER().&#13;
ARTHUR RACKHAM.&#13;
OWEN SEAMAN.&#13;
G. BERNARD SHAW.&#13;
G. R. SIMS.&#13;
S. SQUIRE SPRIGGE.&#13;
FRANCIS STORR.&#13;
WILLIAM MOY THOMAS.&#13;
MRS. HUMPHRY WARD.&#13;
PERCY WHITE.&#13;
FIELD MARSHAL THE RIGHT HON,&#13;
THE WISCOUNT WolsFLEY, K. P.,&#13;
P.C., &amp;c.&#13;
SIDNEY WEBB.&#13;
COIMIMITTEE OF MANAGEMENT.&#13;
K.C.M.G.&#13;
MRS. E. NESBIT BLAND.&#13;
J. W. COMYINS CARR.&#13;
SIR HENRY BERGNE, K.C.B.,&#13;
Chairman—DOUGLAS FRESHFIELD.&#13;
THE HON. MRS. ALFRED FELKIN&#13;
(ELLEN THORNEYCROFT Fow LER).&#13;
MAURICE HEWLETT.&#13;
SIDNEY LEE.&#13;
ARTHUR RACKHAM.&#13;
G. BERNARD SHAW.&#13;
S. SQUIRE SPRIGGE.&#13;
FRAN (; IS STORR.&#13;
SIDNEY WEBB.&#13;
PENSION FUND COMMITTEE.&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS,&#13;
ART.&#13;
THE HON, JOHN COLLIER (Chairman).&#13;
SIR. W. MARTIN CONWAY.&#13;
M. H. SPIELMANN,&#13;
Chairman—DOUGLAS FRESHFIELD.&#13;
MORLEY ROBERTS.&#13;
M. H. SPIELMANN.&#13;
SUB-COMMITTEES.&#13;
COPYRIGHT.&#13;
A. W. A BECKETT.&#13;
SIR HENRY BERGNE, K.C.B., K.C.M.G.,&#13;
W. MORRIS COLLES.&#13;
ANTHONY HOPE HAWKINS.&#13;
SIR GILBERT PARKER, M.P.&#13;
MRS, ALEC TWEEDIE,&#13;
MRS. HUMPHRY WARD.&#13;
DRAMA.&#13;
HENRY ARTHUR JONES (Chairman).&#13;
WILLIAM ARCHER.&#13;
MRS. E. NESBIT BLAND.&#13;
H. GRAN VILLE BARKER.&#13;
J. W. COMYNS CARR.&#13;
JEROME K. J.EROME.&#13;
W. J. LOCKE.&#13;
W. SOMERSET MAUGHAM.&#13;
CAPT. ROBERT MARSHALL.&#13;
G. BERNARD SHAW.&#13;
Counsel in the United States—LAWRENCE GoDKIN, 30, Pine Street, New York, U.S.A.&#13;
Solicitors—&#13;
FIELD, ROSCOE &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W.&#13;
Solicitor in England to La Société des Gems de Lettres.&#13;
Secretary—G. HERBERT THRING.&#13;
OFFICES : 39, OLD QUEEN STREET, SI obey’s GATE, S.W.&#13;
&#13;
&#13;
## p. 1 (#13) ###############################################&#13;
&#13;
C be El u t b or.&#13;
(The Organ of the Incorporated Society of Authors.&#13;
Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
WOL. XIX. —No. 1.&#13;
OCTOBER 1st, 1908.&#13;
[PRICE SIxPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 WICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
. AUTORIDAD, LONDON.&#13;
—e—º-e—&#13;
NOTICES.&#13;
—º-º-º-&#13;
OR the opinions expressed in papers that are&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE Editor begs to inform members of the&#13;
Authors’ Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
—e—º-e—&#13;
THE SOCIETY'S FUNDS.&#13;
—e—º-e—&#13;
Eliº time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are : (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
WOL. XIX.&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society. A state-&#13;
ment of the capital of this fund is inserted in The&#13;
Author every month and can be seen below.&#13;
—e—G-e—&#13;
LIST OF MEMBERS.&#13;
—º-º-º-&#13;
HE List of Members of the Society of Authors,&#13;
published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7#d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
—e—º-e—&#13;
PENSION FUND,&#13;
—e—“C-e-&#13;
HE Trustees of the Pension Fund of the&#13;
Society, after the secretary had placed before&#13;
them the present financial position of the&#13;
Fund, decided to invest £230 in the purchase of&#13;
Irish Land Act 2; per cent. Guaranteed Stock.&#13;
The amount purchased is £258, and is added to&#13;
the list printed below.&#13;
The investments are steadily increasing from&#13;
year to year, the amount varying between £200&#13;
and £250.&#13;
The Trustees also recommended to the com-&#13;
mittee the possibility of granting another pension.&#13;
The committee of the Pension Fund have not&#13;
as yet held their meeting for 1908, but their work&#13;
will be chronicled in due course.&#13;
The following is a statement of the actual Stock.&#13;
&#13;
&#13;
## p. 2 (#14) ###############################################&#13;
&#13;
2 TISIE AUTHOR.&#13;
The money value can be easily worked out at the&#13;
current price of the market :-&#13;
Consols 23%............................ ..4.1,000&#13;
Local Loans ..............................&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock&#13;
War Loan .................................&#13;
London and North-Western 3% Deben-&#13;
ture Stock&#13;
Egyptian Government&#13;
Trust 4% Certificates&#13;
tº e º ºs e º 'º e º e º e º º &amp;&#13;
e e s tº e º e º 'º gº tº e º ºs e º e e º ºs e º e º is at e º a tº&#13;
Cape of Good Hope 33% Inscribed&#13;
Stock ....................................&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock..................&#13;
New Zealand 33% Stock...........&#13;
Irish Land Act 23% Guaranteed Stock&#13;
is e e º ºs e e º s tº e º 'º º º&#13;
Subscriptions.&#13;
1908.&#13;
Jan. 7, Richardson, Mrs. Aubrey .&#13;
Jan. 13, McPherson, Miss M. M. .&#13;
Jan. 16, Douglas, Lieut.-Col. Hugh A.&#13;
Feb. 1, Shera, Miss B. M. . e&#13;
Feb. 29, Brown, R. Grant&#13;
April 10, Fieldhouse, Arthur&#13;
May 22, Darbishire, Otto W.&#13;
Donations, 1908.&#13;
Jan. 1, Egbert, Henry&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
7, Wood, Lawson * &gt; *&#13;
8, Bolton, Miss Anna .&#13;
8, Hyamson, Albert M.&#13;
13, Le Riche, P. J. . .&#13;
13, Williamson, Mrs. C. N.&#13;
13, Williamson, C. N.&#13;
Jan. 20, Colquhoun, A. (amount I'é-&#13;
covered by the Society) .&#13;
Jan. 21, Saies, Mrs. . e e&#13;
Jan. 24, Westrup, Miss Margaret&#13;
Feb. 10, Benett. W. . e e&#13;
Feb. 10, Wilson, G. F. *&#13;
Feb. 26, Travers, Miss R. C.&#13;
March 5, Dutton, Miss Annie&#13;
March 5, Drummond, Hamilton.&#13;
March 11, Ackermann, A. S.&#13;
March 20, Loraine, Lady tº&#13;
April 6, Plunkett, G. N., Count.&#13;
April 9, Crellin, H. N. © wº&#13;
May 20, Scoon, W. G. g e&#13;
May 26, Cromartie, The Countess of&#13;
June 3, Hardy, Harold&#13;
June 16, Roberts, Morley .&#13;
July 16, Carolin, Mrs. tº&#13;
July 28, Atherton, Mrs. Gertrude&#13;
Aug. 21, Beckett, Arthur W.&#13;
6, Skeat, The Rev. Prof. W. W.&#13;
2-&#13;
0 0&#13;
() ()&#13;
19 11&#13;
9 3&#13;
0 0&#13;
O 0&#13;
0 0&#13;
() ()&#13;
9 6&#13;
0 0&#13;
18 8&#13;
S. d.&#13;
5 0&#13;
1 ()&#13;
5 0&#13;
5 ()&#13;
5 0&#13;
10 6&#13;
10 6&#13;
1 0&#13;
I ().&#13;
5 ()&#13;
5 0&#13;
I ()&#13;
I ()&#13;
I ()&#13;
1 0&#13;
17 10&#13;
5 0&#13;
5 ()&#13;
I ()&#13;
10 6&#13;
10 0&#13;
à ()&#13;
() ()&#13;
() ()&#13;
10 ()&#13;
5 ()&#13;
5 0.&#13;
10 0&#13;
1 0&#13;
I () ()&#13;
10 6&#13;
5 ().&#13;
() - 0&#13;
I ()&#13;
The committee would be glad to receive infor-&#13;
mation unofficially from any member of the society&#13;
of any author whose need is within the member's&#13;
personal knowledge.&#13;
Information, which should&#13;
be as full as possible, should be sent to the&#13;
secretary, 39, Old Queen Street, Storey's Gate, S.W.,&#13;
and will receive the prompt and careful attention of&#13;
the committee.&#13;
—º-º-º-&#13;
ANNUAL SUBSCRIBERS TO PENSION FUND.&#13;
The following is the list of annual subscribers&#13;
to the Fund. The total amount of subscriptions&#13;
is about £160.&#13;
Abbott, The Rev. E. D.,&#13;
D.D&#13;
Allingham, W.&#13;
Armstrong, Miss F.&#13;
Ash, Miss Selby&#13;
Avery, H.&#13;
Barnett, P. A.&#13;
Barrie, J. M.&#13;
Bashford, Harry H.&#13;
Beeching, The Rev. H.&#13;
C.&#13;
Bedford, Miss Jessie&#13;
Benecke, Miss&#13;
Bertouch, The Baroness&#13;
de&#13;
Bond, R. Warwick&#13;
Bosanquet, Eustace F.&#13;
Brend, C. Cunninghame&#13;
Brinton, Selwyn&#13;
Brodhurst, Spencer&#13;
Brown, F. M.&#13;
Brown, R. Grant&#13;
Campbell, Miss Mont-&#13;
gomery&#13;
Carey, Miss R. N.&#13;
Caulfeild, Miss Sophia&#13;
Clough, Miss B. A.&#13;
Coleborn, Miss M.&#13;
Colquhoun, A.&#13;
Cox, Miss Roalfe&#13;
Cresswell, The Rev. H.&#13;
Crockett, S. R.&#13;
Crommelin, Miss May&#13;
Cuming, E. W. D.&#13;
Dale, Miss Nellie&#13;
Darbishire, Otto&#13;
Davy, Mrs. E. M.&#13;
Dixon, W. Scarth&#13;
Dobson, Austin&#13;
Douglas, Lieut.-Col.&#13;
Hugh&#13;
Dunsany, The Lord&#13;
Durand, The Right Hon.&#13;
Sir Henry, G.C.M.G.,&#13;
etc.&#13;
Düring, Mrs. Stella&#13;
Dutton, Miss Annie&#13;
Ellis, Miss M. A.&#13;
Esmond, H. W.&#13;
Fabeck, W. A. de&#13;
Fenwick, Miss H.&#13;
Fieldhouse, Arthur&#13;
Forbes, Lady Helen&#13;
Forrest, G. W.&#13;
Forster, R. H.&#13;
Galsworthy, John&#13;
Gibbs, Miss E.&#13;
Gidley, Miss E. C.&#13;
Gilbert, Sir W. S.&#13;
Gilson, Captain Charles&#13;
Gonne, Captain C.&#13;
Gribble, F.&#13;
Gurney, Mrs.&#13;
Guthrie, A.&#13;
Haggard, Mrs. J.&#13;
Halford, F. W.&#13;
Hamilton, Mrs. G. W.&#13;
Harraden, Miss B.&#13;
Harris, Miss J.&#13;
Harrison, A.&#13;
Hawkes-Cornock, Mrs.&#13;
Hawkins, A. Hope&#13;
Heath, Miss H.&#13;
Heming, Lieut.-Col. D.&#13;
Hills, Mrs. C. H.&#13;
Hitchings, F. W. W.&#13;
Hollingsworth, Charles&#13;
James, Henry&#13;
Jenkins, Mrs. Hadow&#13;
Jerome, Jerome K.&#13;
Jones, W. Braunston&#13;
Keene, H. G. -&#13;
Kersey, W. H.&#13;
IXilmarnock, The Lord&#13;
&#13;
&#13;
## p. 3 (#15) ###############################################&#13;
&#13;
THE AUTHOR. 3&#13;
Kitcat, Mrs.&#13;
Lambe, J. Laurence&#13;
Lincoln, C.&#13;
Longe, Miss J.&#13;
Malet, Lucas&#13;
Marchant, The&#13;
James&#13;
Marriott, Charles&#13;
Mathieson, Miss&#13;
McPherson, Miss M. M.&#13;
Miniken, Miss Bertha&#13;
M. M.&#13;
Morrah, H. A.&#13;
Nicholls, F. C.&#13;
Owen, Charles&#13;
Pearson, Mrs. C.&#13;
Pendered, Miss&#13;
Pickthall, M.&#13;
Pinero, A. W.&#13;
Pollock, Miss E.&#13;
Portman, Lionel&#13;
Prelooker, J.&#13;
Pryor, Francis&#13;
Punshon, E. R.&#13;
Reynolds, Mrs. F.&#13;
Rhys, Ernest&#13;
Richardson,&#13;
Aubrey&#13;
Roberts, Morley&#13;
Roe, Mrs. Harcourt&#13;
Rumble, Mrs.&#13;
Rumbold, The Right&#13;
Hon. Sir Horace,&#13;
P.C., etc.&#13;
Salmond, Mrs. W.&#13;
Salwey, Reginald&#13;
Scott, G. Forrester&#13;
Seaman, Owen&#13;
Sedgwick, W.&#13;
Seton-Karr, H. W.&#13;
Rev.&#13;
Mrs.&#13;
Sharp, Miss E.&#13;
Shaw, Mrs. Bernard&#13;
Shepherd, G. H.&#13;
Shera, Miss B. M.&#13;
Shiers-Mason, Mrs.&#13;
Shipley, Miss M.&#13;
Simpson, W. J.&#13;
Sinclair, Miss May&#13;
Skrine, Mrs. J. H.&#13;
Slaughter, Mrs.&#13;
Smith, Bertram&#13;
Smythe, A.&#13;
Spiers, Victor&#13;
Stanton, Miss H.&#13;
Stein, M. A.&#13;
Stevenson, Mrs. M.&#13;
Sutherland, Her Grace&#13;
The Duchess of&#13;
Teignmouth-Shore, The&#13;
Rev. Canon&#13;
Thorburn, W. M.&#13;
Thurston, Mrs.&#13;
Todd, Margaret, M.D.&#13;
Toynbee, W.&#13;
Trevor, Captain P.&#13;
Tuckett, F. F.&#13;
Turner, G. F.&#13;
Wachell, H. A.&#13;
Wacher, Francis&#13;
Wernéde, R. E.&#13;
Voysey, The Rev. C.&#13;
Ward, Mrs. Humphry&#13;
Warden, Miss G.&#13;
Watt, A. P.&#13;
Weaver, Mrs. Baillie&#13;
Weston, Miss J. L.&#13;
White, Mrs. C.&#13;
Witherby, The Rev. C.&#13;
Wright, Fondi&#13;
Young, W. Wellington&#13;
comMITTEE NOTEs.&#13;
—º-º-º-&#13;
TY HE last meeting of the committee before the&#13;
vacation was held on Monday, July 20th, at&#13;
39, Old Queen Street, Storey's Gate, S.W.&#13;
After the minutes of the previous meeting had been&#13;
read and signed there followed the election of&#13;
members.&#13;
Nine members and associates were&#13;
elected, bringing the total for the current year up&#13;
to 154, and there was one resignation, bringing&#13;
the resignations up to 56.&#13;
These numbers are, on&#13;
the whole, satisfactory. The elections are still in&#13;
advance of the number for the corresponding&#13;
period of last year.&#13;
The appointment of a treasurer, consequent on&#13;
Mr. Storr's resignation, was the first matter brought&#13;
forward for discussion. The committee decided to&#13;
ask Mr. Storr if he would not continue to act in&#13;
that capacity, and the Secretary was instructed to&#13;
Write to that effect. The committee then discussed&#13;
the question of the production of a book dealing&#13;
With the clauses of publishers' agreements, their&#13;
form and substance ; and the secretary, from whom&#13;
the original suggestion came, was instructed to&#13;
Work upon the book during the vacation. It was&#13;
decided, however, that the names of the publishers&#13;
should not be inserted with their agreements, and&#13;
that the proofs, when ready, should be submitted&#13;
to the solicitors of the society. The final draft&#13;
should be laid before the committee for their&#13;
consideration.&#13;
The next question that arose was an appeal in&#13;
the German courts, and it was decided, after con-&#13;
sideration of a letter from the society's lawyers in&#13;
Germany, that the society should guarantee part of&#13;
the expenses on behalf of the member concerned.&#13;
It may be remembered that in the last issue of&#13;
The Author, it was announced that the secretary&#13;
had been instructed to write to the Publishers’&#13;
Association to enquire whether they would assist&#13;
the Society financially in fighting the issue in the&#13;
above case, as it was of importance to publishers&#13;
and authors. The reply of the association was&#13;
read to the effect that inasmuch as the council of&#13;
that body did not anticipate that the appeal would&#13;
be successful they were unable to offer the desired&#13;
assistance.&#13;
An infringement of copyright of the work of one&#13;
of the members of the society in New Zealand was&#13;
next considered, and the secretary reported that&#13;
he had written to the paper and hoped to obtain a&#13;
reply in the course of a month or so. In these&#13;
circumstances, the matter was adjourned to&#13;
October, when it is hoped that an answer will&#13;
be forthcoming. In case, however, immediate steps&#13;
should be necessary during the vacation, the com-&#13;
mittee delegated full powers to the chairman.&#13;
Another important matter was laid before the&#13;
committee. It was a question arising out of the&#13;
production of a book by a publisher under no&#13;
formal agreement, but on a half profit arrange-&#13;
ument. Since the autumn of last year the society&#13;
has been attempting to negotiate a satisfactory&#13;
settlement between the author and the publisher,&#13;
but owing to the publishers' unbusinesslike&#13;
conduct and dilatory methods it was found&#13;
impossible to bring the matter to an issue. The&#13;
case was then placed in the hands of the society's&#13;
solicitors in the hope that a reasonable and formal&#13;
agreement might be settled and approved by both&#13;
parties. Again the settlement has been unreason-&#13;
ably delayed and no satisfactory issue arrived at.&#13;
&#13;
&#13;
## p. 4 (#16) ###############################################&#13;
&#13;
4 TFIES A UTHOR,&#13;
In consequence, acting on the advice of the&#13;
Society's solicitors, it was decided to take counsel's&#13;
opinion. Counsel's opinion was read to the com-&#13;
mittee, and they authorised the commencement of&#13;
proceedings against the publisher.&#13;
The secretary reported what had taken place in&#13;
two other cases that had been carried through by&#13;
the society, and stated that in one case the member&#13;
concerned expressed his satisfaction at the result ;&#13;
in the other case that the debt and costs had been&#13;
recovered. In the latter case the secretary read to&#13;
the committee a letter thanking the Society for the&#13;
work it had undertaken.&#13;
The secretary then reported the work which the&#13;
dramatic sub-committee had already done since its&#13;
election, and added that a further meeting was to&#13;
be held in August. He gave the list of the names&#13;
of those who had accepted nomination. It was&#13;
hoped that the report of the dramatic sub-committee&#13;
would be settled in time to be laid before the&#13;
committee of management at their meeting in&#13;
October.&#13;
Mr. Freshfield, the chairman of the society, then&#13;
made a statement in regard to the visit of the&#13;
president of the Société des Gens de Lettres to&#13;
IIondon. He had come over to obtain the support&#13;
of English authors to the proposals which French&#13;
writers were going to press very strongly at the&#13;
meeting in Berlin in October. Mr. Freshfield&#13;
stated that he had had the pleasure of introducing&#13;
the president to those who were very closely inte-&#13;
rested in the question of international copyright,&#13;
among others, Mr. Winston Churchill, President&#13;
of the Board of Trade. Sir Henry Bergne stated&#13;
that he had had a long conversation with the&#13;
president of the French society, and had explained&#13;
to him fully the position of the Society of Authors&#13;
and of the Government in regard to the re-modelling&#13;
of the Berne Convention. Sir Henry added that&#13;
the president had had an official interview at the&#13;
Board of Trade, which he (Sir Henry) believed was&#13;
thoroughly satisfactory.&#13;
Owing to Mrs. E. Nesbit Bland's illness, she&#13;
was unable to attend the meeting to support a&#13;
resolution which stood in her name. The question,&#13;
accordingly, was adjourned till the committee&#13;
meeting in October. .&#13;
The draft of a circular letter to be issued to non-&#13;
members was considered and formally passed.&#13;
Some letters written by the secretary of the&#13;
Publishers’ Circle with reference to a dinner in the&#13;
autumn were formally laid before the committee&#13;
and the secretary was instructed to reply.&#13;
It was dedided to purchase some furniture for&#13;
the office.&#13;
——— e —sº- e ––. ---------—&#13;
DRAMATIC COMMITTEE.&#13;
HE new dramatic committee of the Society&#13;
of Authors elected by the new committee of&#13;
management met for the first time on Mon-&#13;
day, June 29th, at the offices of the society. The&#13;
names of the present committee will be found&#13;
printed with the other committees, but it may&#13;
be as well to mention that they are:&#13;
Mr. William Archer, Mrs. E. Nesbit Bland, Mr.&#13;
H. Granville Barker, Mr. J. W. Comyns Carr, Mr.&#13;
Jerome K. Jerome, Mr. Henry Arthur Jones&#13;
(Chairman), Mr. W. J. Locke, Capt. Robert.&#13;
Marshall, Mr. W. Somerset Maugham, and Mr.&#13;
G. Bernard Shaw. -&#13;
The first business was to consider a report deal-&#13;
ing with the present position of the dramatic&#13;
authors in the society, what the Society had done&#13;
from the foundation of the society and what the&#13;
dramatic committee hoped to carry through for&#13;
members in the future. This report it was pro-&#13;
posed to send round to those members of the&#13;
society who had written plays which had been&#13;
publicly performed. The report was very care-&#13;
fully considered, and various suggestions by different&#13;
members of the committee were submitted. It was&#13;
decided to adjourn the consideration of the matter&#13;
to the next meeting, which was to be held on&#13;
July 2nd. This adjournment would enable the&#13;
individual members to set out their proposals in&#13;
writing. Mr. Shaw then read to the committee a&#13;
draft agreement, part of which had been taken from&#13;
a pamphlet prepared by the former dramatic com-&#13;
mittee, but which contained additions and altera-&#13;
tions of his own.&#13;
The next meeting of the committee was held on&#13;
July 2nd, at 11 o'clock, at the society's offices.&#13;
After the minutes had been read the report Was&#13;
considered. Various suggestions made by the&#13;
different members were accepted, and a Sub-Com-&#13;
mittee, consisting of Mr. G. Bernard Shaw and the&#13;
secretary, was appointed to incorporate the altera-&#13;
tions that had been accepted, and to re-model the&#13;
draft on that basis. It was decided to hold a&#13;
further meeting of the committee on August 3rd.&#13;
The secretary of the society during the month&#13;
of July took all the emendations and alterations&#13;
which had been accepted at the previous meeting,&#13;
and re-drafted the report as instructed. It was then&#13;
forwarded to Mr. Shaw and returned approved in&#13;
its final form. Unfortunately, owing to the fact&#13;
that it was impossible to obtain a quorum on August&#13;
3rd, the meeting was adjourned till September 3rd.&#13;
On that day there was a full gathering of the&#13;
committee. The proceedings opened by the&#13;
secretary explaining what Mr. Shaw and he had&#13;
done during the vacation, and the final report Was&#13;
&#13;
&#13;
## p. 5 (#17) ###############################################&#13;
&#13;
THE AUTHOR, 5&#13;
laid before the meeting. This was accepted with&#13;
a few verbal alterations. The committee decided&#13;
that it should be forwarded to Mr. Pinero, who&#13;
was acting as chairman of the proposed new&#13;
Dramatic Authors' Society, in order that his&#13;
committee might consider and report on it to&#13;
the dramatic committee of the Society of Authors.&#13;
The committee further decided that the report as&#13;
finally settled should be sent out to all those mem-&#13;
bers of the society who were also dramatic authors,&#13;
and that' they should be asked to send, at their&#13;
earliest opportunity, their opinions to the secretary&#13;
in order that they might be laid before the next&#13;
meeting of the dramatic committee. No doubt&#13;
when this committee has been able to consider the&#13;
report of Mr. Pinero's committee and the opinions&#13;
of the members of the society, the result will be&#13;
laid before the committee of management, in order&#13;
that they may sanction the course proposed by the&#13;
dramatic committee. -&#13;
Mr. Shaw's draft agreement and the pamphlet on&#13;
dramatic rights and property were ordered to be&#13;
set up in type to be circulated to the members of&#13;
the committee before the next meeting, in order&#13;
that the members might have time to prepare their&#13;
criticisms.&#13;
It was decided to hold the next meeting of the&#13;
committee on Tuesday, October 6th, 1908.&#13;
• ..º.&#13;
—w--w&#13;
Cases.&#13;
DURING the long vacation thirty-six cases have&#13;
been in the hands of the secretary. Over a third&#13;
of these—to be precise, thirteen in number—have&#13;
related to claims for money unpaid. Seven of the&#13;
thirteen had to be placed in the hands of the&#13;
society's solicitors for collection. Five terminated&#13;
successfully, as the Secretary succeeded in obtaining&#13;
the sums due, which were sent on to the authors;&#13;
but the last case, lying in the United States, has yet&#13;
to be settled. There were six cases for the collec-&#13;
tion of accounts. In four of these the accounts&#13;
have been rendered by the publishers and have&#13;
been forwarded to, and accepted by, the authors.&#13;
Two which have only recently come into the office&#13;
are still in the course of negotiation. There have&#13;
been five cases of infringement of copyright. Three&#13;
of these have been satisfactorily concluded. One&#13;
of the three referred to dramatic copyright in&#13;
Germany. The remaining two related to in-&#13;
fringements which occurred in New Zealand.&#13;
It is curious that they came to the office within&#13;
a week or so of each other. The Society has&#13;
had no previous case in this colony, though in-&#13;
fringements which have occurred in other colonies&#13;
have been dealt with by the secretary. Sufficient&#13;
time has not yet elapsed to allow of answers from&#13;
the editors. In the event of failure to obtain&#13;
satisfactory explanations the matters will be referred&#13;
to the committee. Nine cases were for the return&#13;
of MSS. Of these eight have been successful,&#13;
though in two out of the eight all the MSS. have&#13;
not, as yet, been returned, though the agents have&#13;
|promised to return them as soon as they come to&#13;
hand. The remaining case has had to be aban.&#13;
dºned Qying to the absence of proof of the arrival&#13;
9f the MS. at the office of the paper. There has&#13;
been one complicated case of accounts and money&#13;
due, which is still in the course of negotiation, and&#13;
tWO cases dealing with the settlement of disputes&#13;
on agreements are in the same position.&#13;
The society, therefore, may be considered to&#13;
have done useful work for its members during the&#13;
Vacation: Out of thirty-six cases twenty-one have&#13;
been ended satisfactorily.&#13;
Of the cases in the solicitor's hands, four have&#13;
been settled, two are awaiting trial, and one has&#13;
had to be abandoned owing to the fact that the&#13;
defendants are in liquidation. *&#13;
One or two county court cases, besides those men-&#13;
tioned, have been sanctioned by the chairman, but&#13;
no big action has been taken up by the Society&#13;
since the last meeting of the committee.&#13;
—e-º-e—&#13;
July Elections,&#13;
Donegan, Lieut.-Colonel (Holt &amp; Co.) 3, White-&#13;
J. D. F. hall Place, S.W.&#13;
Holbach, Mrs. 6, Staverton Road, Ox-&#13;
ford.&#13;
Jeffery, Reginald W. Brasenose College, Ox-&#13;
ford.&#13;
Landa, Gertrude . . 23, Clarendon Street,&#13;
War wick Square,&#13;
S.W.&#13;
Moore, Miss Leslie Furzehill, Salcombe&#13;
R.S.O., S. T)evon.&#13;
32, Moring Road, Toot-&#13;
ing Common, S.W.&#13;
Lyceum Club, 128, Pic-&#13;
cadilly, W. º,&#13;
Swallow field Park,&#13;
Reading.&#13;
College House, Jersey,&#13;
C.I&#13;
Northrop, W. B.&#13;
Pleydell, Mrs. Maunsel .&#13;
Russell, Lady&#13;
Tucker, Miss Beryl&#13;
2, Wychcombe Studios,&#13;
Englands Lane, N.W.&#13;
Wilkinson, Norman, R.I.&#13;
—e—º-&#13;
BOOKS PUBLISHED BY MEMBERS OF&#13;
THE SOCIETY.&#13;
—t-sº-0–&#13;
ART.&#13;
MEDIAEVAL SINHALESE ART. A Monograph of Sinhalese&#13;
Arts and Crafts, mainly as surviving in the Eighteenth&#13;
Century, together with an Account of the Structure of&#13;
Society and of the Position of the Craftsmen. By&#13;
&#13;
&#13;
## p. 6 (#18) ###############################################&#13;
&#13;
THE AUTHOR,&#13;
ANANDA. K. CooMARASWAMY, D.Sc., F.L.S., etc.&#13;
14 × 10%. 300 pp. Printed and sold by the Author,&#13;
at the Essex House Press, in the Norman Chapel at&#13;
Broad Campden, Glos. Ordinary Edition of 400 copies&#13;
only, £3 3s. n. Twenty-five copies (fifteen for sale), on&#13;
hand-made paper, plates on Jap. Vellum, É5 58. In.&#13;
THE AIMS OF INDIAN ART. By A. K. COOMARASWAMY.&#13;
93 × 7. 23 pp. The Essex House Press. 2s. 6d.&#13;
BIOGRAPHY.&#13;
SAINT THOMAS OF CANTERBURY. By ROBERT HUGH&#13;
BENSON. 63 × 4%. 173 pp. Macdonald and Evans. 2s. n.&#13;
THOMAS DoGGETT, DECEASED. By T. A. COOK and GUY&#13;
NICKALLS. 104 x 7. xii. -- 156 pp. Constable. 10s. 6d. n.&#13;
PESTALOzzI. An Account of his Life and Work. By&#13;
H. HOLMAN. 73 x 5. 322 pp. Longmans. 3s. n.&#13;
GREAT RALEGH. By HUGH DE SELINCOURT. 83 × 53.&#13;
310 pp. Methuen. 10s. 6d. n.&#13;
THE LIFE OF ToISTOY. First Fifty Years. By AYLMER&#13;
MAUDE. 9 × 53. 457 pp. Constable. 10s. 6d. n.&#13;
THE EMPRESS JOSEPHINE : NAPOLEON'S ENCEIANTRESS.&#13;
By PHILIP W. SERGEANT, B.A. Two vols. Hutchinson.&#13;
24s. In.&#13;
AN ALABAMA STUDENT. By WILLIAM OSLER, M.D.,&#13;
F.R.S. 9 × 53. 334 pp. Clarendon Press. 7s.6d. n.&#13;
RoussFAU AND THE WOMEN HE LOVED. By FRANCIS&#13;
GRIBBLE. 9 × 5%. xxi. -- 443 pp. Nash. 15s. n.&#13;
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Two GIRLS IN A SIEGE. By EDITH C. KENYon. 8 × 53.&#13;
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BOOKS OF REFERENCE.&#13;
DICTIONARY OF NATIONAL BIOGRAPHY. Edited by&#13;
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Finch—Gloucester. 93 × 6+. Smith Elder. 15s. n. each.&#13;
CLASSICS.&#13;
A HISTORY OF CLASSICAL SCHOLARSHIP. Vol. ii., from&#13;
the Revival of Learning to the end of the eighteenth&#13;
century in Italy, France, England, and the Netherlands.&#13;
Vol. III., the eighteenth century in Germany and the&#13;
nineteenth in Europe and the United States of America.&#13;
By JoBN EDWIN SANDYS, Litt.D., with chronological&#13;
tables, and with 62 portraits and other illustrations.&#13;
74 × 5}. xxx. + 498; xiv. -- 523 pp. Cambridge&#13;
|University Press. Vol. i., ed. 2, 10s. 6d. In. ; vols. ii. and&#13;
iii., each 8s. 6d. In.&#13;
- DRAMA.&#13;
THE BARRIER. By ALFRED SUTRO.&#13;
French. 2s. 6d. n.&#13;
WARP AND WOOF : A DRAMA IN THREE ACTS. By EDITH&#13;
LYTTELTON. 7# × 53. 128 pp. Unwin. 3s. 6d. n.&#13;
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Elkin Mathews. 43. 6d. n.&#13;
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PETE. By HALL CAINE and L. N. PARKER. 7 x 43.&#13;
164 pp. Collier. 6d. n.&#13;
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THE BRITISH TRADE BOOK. Covering the years 1880–&#13;
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10} x 63. xxxix. + 491 pp. Murray. 10s. 6d. n.&#13;
EDUCATIONAL.&#13;
A SHORT HISTORY OF NATIONAL EDUCATION IN GREAT&#13;
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84 × 5%. 32 pp. P. S. King. 3d.&#13;
ſhrIFT MANUAL, FOR THE USE OF TEACHERS IN&#13;
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BRABROOK, C.B. 83 × 53. 168 pp. P. S. King. 2s. n.&#13;
DIFFERENTIAL CALCULUS FOR BEGINNERs. By A.&#13;
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(Third edition.) Revised. 73 x 43. xxvii. 4- 299 pp.&#13;
Bell. 4s. 6d. .. -&#13;
FICTION.&#13;
LOVE AND THE POOR SUITOR. By PERCY WHITE.&#13;
73 × 5. 333 pp. Hutchinson. 6s.&#13;
HARDY ON THE HILL. By M. E. FRANCIS. 73 × 5.&#13;
328 pp. Methuen. 6s.&#13;
SERVITUDE. By IRENE OsgooD. 73 × 5. 398 pp.&#13;
Sisley's. 6s. .&#13;
A MISTAKEN MARRIAGE. By F. E. MILLs YoUNG, 74 × 5.&#13;
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GREEN AT GREY HOUSE. By R. S. WARREN BELL.&#13;
73 × 5. 317 pp. Chapman and Hall. 68. - -&#13;
THE SILVER QUEEN. By W. SYLVESTER WALKER&#13;
(“COO-EE"). 7% × 5. 338 pp. Ouseley. 6s. -&#13;
GOOD-BYE TO MARKET. A Collection of Stories. By R.&#13;
MURRAY. GILCHRIST. 73 x 5. 232 pp. Leek : Th&#13;
Moorlands Press. London : Simpkin, Marshall. -&#13;
AN EMPTY HERITAGE. By VIoDET. TwºFDALE. 73 × 5.&#13;
318 pp. J. Long. 68. .'&#13;
WORKERS IN DARKNESS. By J. B. HARRIS-BURLAND.&#13;
73 × 5. 323 pp. Greening. 6s.&#13;
A DEVONSHIRE LASS. By HENRY CHARLES MooRE.&#13;
73 × 5%. 248 pp. Robert Scott. 3s. 6d. -&#13;
LovE, THE HARVESTER. A Story of the Shires. By&#13;
MAX PEMBERTON. 7# x 5. 249 pp. Methuen. 68.&#13;
TOTTY : THE TRUTH ABOUT TEN MYSTERIOUs TERMs.&#13;
By BERTRAM SMITH, 73 × 5. 233 pp. Harper. 3s.6d.&#13;
THE SURPRISING HusBAND. By RICHARD MARSH.&#13;
7# × 5%. 325 pp. Methuen. 6s.&#13;
HEATHER O THE RIVERs. By W. H. THOMSON. 74 × 5.&#13;
312 pp. Greening. 6s.&#13;
SOPHY OF KRAVONIA. By ANTHONY HoPE. 64 × 4}.&#13;
363 pp. (New Pocket Series.) Arrowsmith. 2s. 6d. n.&#13;
THE BLOTTING Book. By E. F. BENSON. 63 × 44.&#13;
255 pp. Heinemann. 2s. 6d. -&#13;
THE WILD GEESE. By STANLEY WEYMAN, 74 × 5.&#13;
384 pp. Hodder and Stoughton. 6s. -&#13;
THE LEADING LADY. By A. EYRE. 73 × 53. 320 pp.&#13;
Ward, Lock. 63.&#13;
THE OLD ALLEGIANCE. By HUBERT WALEs. 7&#13;
318 pp. J. Long. 6s. ...&#13;
THE HIGH ADVENTURE. By HUGH DE SELINCOURT.&#13;
73 × 5. 295 pp. Lane. 6s.&#13;
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THE EASY GO LUCKIES ; OR, ONE WAY of LIVING. By&#13;
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68.&#13;
THE REVOLT of BEATRIx. By FRED WISHAw.&#13;
318 pp. J. Long. 68. - -&#13;
PROPULSION OF DOMENICA : A Novel. By HELENA&#13;
HEATH, 73 × 5. 243 pp. Ouseley. 3s.6d, -&#13;
THE RESULT or AN ACCIDENT. By BEATRICE WHITBY.&#13;
7# × 5. 309 pp. Methuen. 6s. -&#13;
ROSE CHAMPION'S PLATONIC.&#13;
#&#13;
× 5.&#13;
73 × 5.&#13;
By ADAM LILBURN.&#13;
7# × 5. 308 pp. Greening. 6s. -&#13;
BACHELOR BETTY. By WINIFRED JAMES. 127 pp.&#13;
THAT SWEET ENEMY. By KATHERINE TYNAN. 124 pp.&#13;
(Constable's Sixpenny Series.) 8% x 6. Constable.&#13;
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THE SUSPICIONS OF ERMENGARDE. By MAXWELL GRAY&#13;
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THE PRINCE's MARRIAGE. By W. H. WILLIAMSON,&#13;
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THE HOUND OF THE BASKERVILLES. 359 pp. ADVEN-&#13;
TURES OF GERARD. 374 pp. THE RETURN OF&#13;
&#13;
&#13;
## p. 7 (#19) ###############################################&#13;
&#13;
TFIES A UſTISIOR, 7&#13;
SHERLOCK HOLMES. 403 pp. By A. CONAN DOYLE.&#13;
(New edition.) 73 × 5. Smith, Elder. 3s. 6d. each.&#13;
PATsy. By H. DE WERE STACPooDE. 7# × 5. 319 pp.&#13;
|Unwin. 6s. .&#13;
GOLD OF CATHAY. By GILBERT WINTLE. 7# × 5.&#13;
320 pp. Ward, Lock. 6s. -&#13;
THE CLAIMANT. By WEATHERBY CHESNEY.&#13;
328 pp. Chatto and Windus. 6s,&#13;
THE POWER OF A LIE. By JOHAN BOJER. Translated&#13;
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duction by HALL CAINE. 7 × 4%. 232 pp. Heinemann.&#13;
2s. 6d.&#13;
PIGSKIN AND PETTICOAT. By HELEN MATHERs. 83 × 53.&#13;
190 pp. Hurst and Blackett. 6d.&#13;
THE VICTIM AND THE WOTERY. By W. CAINE. 73 × 4&#13;
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#&#13;
te&#13;
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ANTHONY CUTHBERT. By RICHARD BAGOT. 7# × 5.&#13;
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A WOMAN IN ARMOUR. By DAVID CHRISTIE MURRAY.&#13;
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THE ORPHAN-MONGER. By G. SIDNEY PATERNOSTER.&#13;
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PUT YOURSELF IN HER PLACE. By MARIE CONNOR&#13;
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THE GREAT MIss DRIVER, By ANTHONY HoPE. 7# x 5.&#13;
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A SPIRIT IN PRISON. By ROBERT HICHENS. 7} x 5.&#13;
450 pp. Hutchinson. 68. .&#13;
HILL RISE. By W. B. MAXWELL. 7# x 5. 348 pp.&#13;
Methuen. 6s.&#13;
WROTH. By AGNES and EGERTON CASTLE. 7% x 5.&#13;
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THE CONSCIENCE OF DR. HOLT.&#13;
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DIANA MALLORY. By Mrs. HUMPHRY WARD.&#13;
522 pp. Smith, Elder. 6s.&#13;
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THE HERITAGE. By SYDNEY C. GRIER. 74 x 5. 364 pp.&#13;
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THE TRAMPING METHODIST.&#13;
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LISTENER's LURE. By E. V. LUCAS.&#13;
7 x 4}. 286 pp. Methuen. 5s.&#13;
CAPTAIN DESMOND, V.C. By MAUD DIVER (Cheap&#13;
reprint.) 7% x 5. 381 pp. Methuen. 1s. n.&#13;
By AUSTIN CLARE.&#13;
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By MARIE CORELLI. 7# x 5. Methuen.&#13;
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(Fifth edition.)&#13;
7} x_5}. (“Told through the Ages” series.) Harrap.&#13;
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NEW TRUTHS FOR OLD. By RoRB LAwsON. 73 × 5.&#13;
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LECTURES ON DANTE. Delivered to the Students of&#13;
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DEATH AND ITSVERIFICATION. By J. BRINDLEY JAMES,&#13;
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DEMETER, AND OTHER POEMs. Annotated by ALFRED&#13;
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JAMES II. AND HIS WIVEs. By ALLAN FEA.&#13;
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THE FLIGHT OF THE KING. A. Full, True and Parti-&#13;
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Xviii. —H 390 pp. Methuen. 10s. 6d. m.&#13;
&#13;
&#13;
## p. 8 (#20) ###############################################&#13;
&#13;
8 TFIES A UTHOR.&#13;
THE OLYMPIC GAMEs. By T. A. Cook, member of the&#13;
British Olympic Council. 74 × 5. 232 pp. Constable.&#13;
1S. n.&#13;
THE RULES OF SPORT. With a Preface by T. A. COOK.&#13;
Being the International Code of Rules for all Competi-&#13;
tions in the Olympic Games. 73 × 43, 181 pp.&#13;
Constable. 1s. n.&#13;
THE TROUT WATERS OF ENGLAND. By W. M. GALLICHAN.&#13;
7 × 4%. 160 pp. Foulis. 2s. 6d. n.&#13;
THEOLOGY.&#13;
CREATION’s DAWN. By “KISH.” With a Preface by&#13;
PROFESSOR: A. H. SAYCE.&#13;
Long. 3s.6d.&#13;
PASTOR IN ECCLESIA : A PRACTICAL STUDY IN THE ART&#13;
of MONEY-RAISING. By THE REV. GILBERT MONKS,&#13;
7% × 5. 323 pp. Elliot Stock. 58.&#13;
TOIPOGRAPHY.&#13;
BY THE ROMAN WALL. NoTES ON A SUMMER HOLIDAY.&#13;
By MARIA A. HoxER. 73 × 5%. 159 pp. Nutt. 2s 6d. n.&#13;
ISLE OF WIGHT. Painted by A. HEATON COOPER.&#13;
Described by A. R. HoPE MONCRIEFF. 9 × 64. 176 pp.&#13;
Black. 78. 6d. in.&#13;
73 × 5. 131 pp. John&#13;
TRAVEL.&#13;
BY DESERT WAYS TO BAGHDAD. By Lou ISA JEBB (Mrs.&#13;
Rol,AND WILKINs). 9 × 53. 318 pp. Unwin.&#13;
10s. 6d. In.&#13;
THE ALPS IN NATURE AND HISTORY. By W. A. B.&#13;
COOLIDGE. 9 × 53. Methuen. 7s.6d. n.&#13;
WASHED BY FOUR SEAS : AN ENGLISH OFFICER'S&#13;
TRAVELS IN THE NEAR EAST. By H. C. WOODS,&#13;
F.R.G.S. (formerly of the Grenadier Guards.) With&#13;
an introduction by Sir Martin Conway. 9 × 53.&#13;
xvi. -- 316 pp. Unwin. 7s.6d. ii.&#13;
A MONOGRAPH OF MONDARIZ, SPAIN.&#13;
CHALLICE. 11 × 15.&#13;
By RACHEL&#13;
58 pp. Bradbury, Agnew.&#13;
…º.&#13;
—-ºf-&#13;
w-u-&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
—e—º-e—&#13;
BIOGRAPHY.&#13;
GEORGE III., AS MAN, MONARCH, AND STATESMAN. By&#13;
BECKLES WILLSON. Jacobs &amp; Co. $3 m.&#13;
BOOKS OF REFERENCE.&#13;
DICTIONARY OF NATIONAL BIOGRAPHY. By LESLIE&#13;
STEPHEN AND SIDNEY LEE. New edition in 22 vols.&#13;
Wols. W. and VI. Craik–Drake, Drant—Finan. Mac-&#13;
millan. $4.25 m. each. (In sets only.)&#13;
FICTION.&#13;
THE FOUR PHILANTHROPISTS.&#13;
Cupples and Leon Co. 750.&#13;
SIR RICHARD EsCOMBE : A ROMANCE. By MAX PEMBER-&#13;
*&#13;
vºr&#13;
By EDGAR JEPSON,&#13;
TON. Harper. $1.50.&#13;
THE “BLUE PETER ‘’: SEA YARNs. By MORLEY ROBERTs,&#13;
Page. $1.50.&#13;
A MISTAKEN MARRIAGE. By F. E. Mills Young. John&#13;
Lane Co. $1.50.&#13;
WHITE ROSE OF WEARY LEAF.&#13;
Brentano's, $1.50.&#13;
THE METHODS OF MR. AMES.&#13;
Mitchell Kennerley. $1.50.&#13;
By FREDERIC CARREL.&#13;
THE BLOTTING Book. By E. F. BENSON. Doubleday,&#13;
Page. $1.&#13;
THE ONE AND I. By ELIZABETH FREEMANTLE. G. W.&#13;
Jacobs. $1.50.&#13;
By VIoIET HUNT.&#13;
THE DUKE's MOTTO. By J. HUNTLY McCARTHY. Harper.&#13;
1.50.&#13;
MEDICAL.&#13;
MODERN MEDICINE : ITS THEORY AND PRACTISE. Edited&#13;
by W. OSLER and T. McCRAE. In 7 vols. Vols I., II.,&#13;
III. and IV. Lea and Febiger. Cloth, per vol. $6 n.&#13;
Leather $7 n. Half Mor. $7.50 m.&#13;
MISCELLANEOUS.&#13;
THE WIFE : HER BOOK. By HAYDN BROWN, M.D. Jacobs&#13;
&amp; Co. $1 n.&#13;
A FARMER'S YEAR: BEING HIS COMMON PLACE BOOK&#13;
FOR 1898. By H. RIDER HAGGARD. Longmans,&#13;
Green. $1.50.&#13;
FAMOUS FRENCH SALONS. By FRANK HAMEL. Brentano's.&#13;
$3.50 m.&#13;
THE GOURMET's GUIDE TO EUROPE. By LIEUT.-CoI.&#13;
NEWNHAM-DAVIS. Brentano's. $1.50 m.&#13;
DECADENCE, THE HENRY SIDGWICK MEMORIAL LECTURE&#13;
DELIVERED AT NEWNHAM CoI,LEGE, JAN. 25, 1908.&#13;
By ARTHUR J. BALFOUR. Putnam, 506. m.&#13;
NATURAL HISTORY.&#13;
FIFTY-Two NATURE RAMBLEs. By W. PERCIVAI,&#13;
WESTELL. 105 Illustrations. Dodge Publishing Co.&#13;
$1.50. w&#13;
POETRY.&#13;
THE WORKS OF ALFRED LORD TENNYSON, Edited by&#13;
HALLAM LORD TENNYSON. (Eversley edition.) In 6&#13;
vols. Wols. IV., W. and VI. Macmillan. $1.50 m. each.&#13;
DEPARTMENTAL DITTIES ; BALLADS ; BARRACK ROOM&#13;
BALLADS. By RUDYARD KIPLING. Doubleday, Page.&#13;
$1,50 m.&#13;
TOPOGRAPHY.&#13;
THE ALPS IN NATURE AND IN HISTORY. By W. A. B.&#13;
Coolidge. Dutton. $2.50 m.&#13;
MOROCCO. By J. FINNEMORE. Illustrations by A. S.&#13;
FORREST, Macmillan. 75c. m.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
—º-º-º-&#13;
HE Literary Agency of London inform us.&#13;
that the two hundred and fifty guinea.&#13;
prize First Novel Competition which they&#13;
organised on behalf of a London publisher whose&#13;
name is not yet disclosed, had brought in over 150&#13;
MSS. by August 31, the last day on which&#13;
MSS. were eligible for the competition. MSS.&#13;
began to arrive immediately after the first.&#13;
announcements a year ago, but more than two-&#13;
thirds of the total number were received during&#13;
the last ten days : the inference being that the&#13;
unusually large prize and the names of the adjudi-&#13;
cators induced many authors to try their hand at&#13;
a first novel who would not have been attracted by&#13;
an ordinary prize competition.&#13;
The readers, who have been examining the MSS.&#13;
as they came in, report that the general level is,&#13;
very high, and in their opinion there are at least&#13;
two or three of distinguished merit, and a large&#13;
number with sufficient merit to ensure publication.&#13;
The adjudicators are Mr. Andrew Lang, Mr. W. L.&#13;
&#13;
&#13;
## p. 9 (#21) ###############################################&#13;
&#13;
THE AUTHOR, 9&#13;
Courtney, and Mr. Clement Shorter; and their&#13;
decision will be made known at the earliest&#13;
possible date, together with the names of the&#13;
prize-winner and of the publisher on whose&#13;
instructions the competition was organised.&#13;
We have received a “Dictionary of Literary&#13;
Terms” by Percival Vivian, published by Messrs.&#13;
Routledge in their Miniature Reference Library&#13;
at the price of one shilling. The compiler defines&#13;
“literary terms” in the preface as “such words of&#13;
specialised or technical meaning as constitute the&#13;
vocabulary of literature, both in its primary sense&#13;
of creation and in its subsidiary one of criticism.”&#13;
We have tested the little book thoroughly, and it&#13;
seems to be very comprehensive. The only one of&#13;
our tests that it failed to give was “Ursula-talk”—&#13;
a term sufficiently rare to render the omission venial.&#13;
We have also received Part W., which concludes&#13;
Wol. XXII. of “Book-Prices Current * from Mr.&#13;
Elliot Stock. This excellent publication chronicles&#13;
19,504 books sold at auction during the season&#13;
[1907-8, and is provided with a very full index, which&#13;
is a model of its kind. The volume before us does&#13;
credit to everyone concerned in its production.&#13;
“Marama, '' is the name of a new story by Mrs.&#13;
Woollaston-White, which will be published from&#13;
the St. Andrew's Press, Barnet, early in December.&#13;
The latest contribution to Napoleonic literature&#13;
is Mr. P. W. Sergeant's “The Empress Josephine:&#13;
Napoleon's Enchantress” (Messrs. Hutchinson &amp;&#13;
Co.). These two volumes gather together the&#13;
newest material relating to the Empress, and with&#13;
its aid present a more complete picture of her than&#13;
it has hitherto been possible to draw. There are&#13;
thirty-four illustrations.&#13;
Mrs. Humphry Ward issues through Messrs.&#13;
Smith, Elder, a new novel, “Diana Mallory.”&#13;
The book has a -strong political interest, and its&#13;
theroine is a young Imperialist of two-and-twenty.&#13;
“Towards the Light” is a mystic poem by Prin-&#13;
cess Karadja, which will be published by Messrs.&#13;
Regan Paul on the first of November. It has&#13;
already passed through many editions in the original&#13;
Swedish, and has appeared in German, Dutch, and&#13;
Danish translations.&#13;
We have received “A General View of Positivism”&#13;
translated from the French of Auguste Comte, by&#13;
J. H. Bridges. This new edition has an introduc-&#13;
tion by Frederic Harrison, and is published by&#13;
Messrs. Routledge in their New Jniversal Library.&#13;
“In My Lady's Garden" is the title of a new&#13;
book by Mrs. Richmond, late garden editor of the&#13;
Queen. It has many illustrations, some in colour,&#13;
and is published by Mr. Fisher Unwin.&#13;
Messrs. Hurst and Blackett are about to publish&#13;
a novel by Mrs. Fred Reynolds. The title is&#13;
“Love's Magic,” and the book is a study of&#13;
, temperament shadowed by pre-natal influences.&#13;
Mr. Anthony Hope's bok “The Great Miss&#13;
Driver " (Methuen &amp; Co.) is a story of modern&#13;
English life. It describes the rise of the heroine&#13;
to heights of power, and her fall from the summit;&#13;
and also how she regained her footing. The book is&#13;
a record by her secretary and friend, Austin Austin.&#13;
A new book by the author of “John Westacott"&#13;
is announced by Messrs. Chapman and Hall for&#13;
October 10, being a volume of “Literary and&#13;
Biographical Studies.” The forenote of the volume&#13;
says that all the articles are founded upon personal&#13;
touch with the subjects dealt with either by&#13;
conversation or letter. The names in the index&#13;
include many famous ones of the Victorian era,&#13;
such as Tennyson, R. D. Blackmore, Lord&#13;
Macaulav, Friedrich von Bodenstedt, the friend of&#13;
George Eliot, George Müller, Verestschagin, and&#13;
others. There is also an extended article upon&#13;
Osborne and Queen Victoria. As a special corre-&#13;
spondent, the author, Mr. James Baker, has had to&#13;
describe many Royal events at which her Majesty&#13;
was present.&#13;
Messrs. Macmillan announce the early publication&#13;
of the following: “Caesar's Commentaries on the&#13;
Gallic War,” translated into English by T. Rice&#13;
Holmes; “Oxford Lectures on Poetry,” by A. C.&#13;
Bradley; “Faust,” freely adapted from Goethe by&#13;
Stephen Phillips and J. W. Comyns Carr ; “De&#13;
Libris,” Prose and Verse, by Austin Dobson ;&#13;
“The Diva's Ruby,” by F. Marion Crawford ;&#13;
“The Sunny Side of the Hill,” by Rosa N.&#13;
Carey; The Novels of Henry James in 23 volumes;&#13;
and a “Commentary on the Holy Bible,” edited by&#13;
the Rev. John R. Dummelow.&#13;
We have received from Mr. John Ouseley the&#13;
following books: “The Silver Queen,” by William&#13;
Sylvester Walker (“Coo-ee"); “Topical Epigrams,”&#13;
by W. Burton Baldry; “Glenith,” by M. H.&#13;
Abraham-Jewel ; “Shadowed,” by Barbara Glyn ;&#13;
and “New Poems,” by A. G. Leward.&#13;
Messrs. Crewsher &amp; Co. have published an&#13;
Anthem, “The Lord is My Shepherd,” by L.&#13;
Budgen.&#13;
Mr. Henry Bristow has issued a revised edition&#13;
of his “Chess Miniatures” (Chess Amateur Office,&#13;
Stroud, Glos.). Thirty problems and solutions are&#13;
included.&#13;
Mr. Harry Tighe has sold the Australian rights&#13;
of an Anglo-Australian novel to Mr. Rowlandson,&#13;
of Sydney, N.S.W., who will publish it at an early&#13;
date under the title of “A Man of Sympathy.”&#13;
A second edition of Miss Sophia Caulfeild's&#13;
book, “House Mottoes and Inscriptions,” was&#13;
published in July.&#13;
A second edition of “The Law of Copyright in&#13;
Designs,” which includes the practice relating to&#13;
proceedings in the Courts and in the Comptroller's&#13;
office ; the Patents and Designs Act, 1907, and the&#13;
&#13;
&#13;
## p. 10 (#22) ##############################################&#13;
&#13;
10&#13;
TISIES A UITISIOR.&#13;
Repealed Acts, 1883–1888, compared ; the statu-&#13;
tory rules and forms, and the International&#13;
Convention ; with notes, and a full appendix of&#13;
Statutes, Forms, and Precedents, with illustrations,&#13;
has been published by Messrs. Sweet and Maxwell.&#13;
The authors are Lewis Edmunds, D.Sc., K.C.,&#13;
and Herbert Bentwich, LL.B.&#13;
“Creation's Dawn,” by “Kish,” has been&#13;
published by Mr. John Long. In it the author&#13;
sets forth a new theory of the early chapters of&#13;
Genesis. Professor Sayce has written the preface.&#13;
Mr. Elliot Stock has published “Pastor in&#13;
Ecclesia,” by the Rev. Gilbert Monks. This book,&#13;
which is intended to form a supplement to “The&#13;
Young Preacher's Guide,” deals with the question&#13;
of what will be required of a clergyman who&#13;
wishes to conduct the business affairs of a church&#13;
successfully. The Very Rev. the Dean of Durham&#13;
contributes the preface.&#13;
“A Treasury of English Literature,” selected&#13;
and arranged by Kate M. Warren, has been issued&#13;
by Messrs. Constable in six volumes, at one shilling&#13;
net each. It is also issued in one volume at seven-&#13;
and-six net.&#13;
The New Age Press have published “New&#13;
Truths for Old,” by Robb Lawson. In fourteen&#13;
essays, the author examines the real character of&#13;
certain common passions, sentiments and opinions,&#13;
such as “woman,” “self-sacrifice,” and “the futility&#13;
of speech.”&#13;
Mr. Walter M. Gallichan has published, through&#13;
Mr. T. N. Foulis, “The Trout Waters of England.”&#13;
It is a practical handbook written by a fisherman&#13;
who knows what fishermen wish to learn about the&#13;
streams and lakes in any given locality. Hints on&#13;
the most suitable methods of fishing, the selection&#13;
of tackle and flies, are included, together with a&#13;
directory of hotels and apartments.&#13;
A fourth revised edition of “Printing,” by C. T.&#13;
Jacobi, has been issued by Messrs. George Bell.&#13;
The work is a practical treatise on the art of typo-&#13;
graphy as applied more particularly to the printing&#13;
of books, and the present edition has been brought&#13;
up to date, more particularly in those sections&#13;
relating to composing machines, motive power, and&#13;
printing machinery.&#13;
“My Giant” is a little sixpenny book by Edward&#13;
Urwick, which has been published by Messrs.&#13;
Henry Drane. It concerns the doings and sayings&#13;
of a giant whom the author met in a Sussex village,&#13;
told in a series of humorous stories.&#13;
Mr. Basil Tozer has recently brought out through&#13;
Messrs. Methuen “The Horse in History,” with&#13;
many illustrations, in which all the historic steeds&#13;
are lined up.&#13;
“Golf Illustrated ” for August 28 contained&#13;
an article on a golf resort in Donegal, entitled&#13;
“Rosapenna,” by Mrs. Maude C. Knight.&#13;
“Rita's "autumn novel is called “Betty Brent,&#13;
Typist,” and has been published by Mr. Werner&#13;
Laurie. The story concerns a young girl who is&#13;
Sent to a country house by her office to do work for&#13;
some fast society people. The book gives a descrip-&#13;
tion of her adventures among the “smart set.”&#13;
L. Budgen is publishing with the Ritz Co.&#13;
“Two Lullabies,” and with Crewsher &amp; Co. “Six&#13;
Pianoforte Pieces,” in collaboration with the late&#13;
Mr. Robert Goldbeck (whose death was announced&#13;
in St. Louis last May), the American musician,&#13;
whose orchestral and other works were gaining&#13;
Such high reputation in the cities of the West.&#13;
Messrs. Bell publish “The ‘Pinafore’ Picture&#13;
Book,” by W. S. Gilbert. In this volume Sir W.&#13;
S. Gilbert has re-told the story of his play in the&#13;
form of a story for children. In doing so he has&#13;
considerably amplified the details of the story, and&#13;
has kept in mind the youthful readers for whom&#13;
he writes. The illustrations in colour and in&#13;
black-and-white are by Alice B. Woodward.&#13;
Raymond Jacbern's new books this season are :&#13;
“The Attic Boarders,” a story for elder girls&#13;
(Chambers); “A Boy and a Secret,” a story for&#13;
children (Chambers); “A Hard Bit of Road,”&#13;
(Wells, Gardner and Barton). -&#13;
Among the forthcoming publications of the&#13;
Oxford University Press we notice “Fonts in&#13;
English Churches,” by Francis Bond ; “Com-&#13;
parative Greek Grammar,” by Joseph Wright&#13;
(Students' series of Historical and Comparative&#13;
Grammars); in the Oxford Library of Prose and&#13;
Poetry “Selected Poems of William Barnes,”&#13;
edited, with a glossary and introduction, by&#13;
Thomas Hardy, and “Selected Poems of John&#13;
Clare,” edited, with an introduction, by Arthur&#13;
Symons; and “An Alabama Student and other&#13;
biographical essays,” by William Osler.&#13;
On July 8 last, at the Grammar School Hall,&#13;
Dedham, Essex, was presented for copyright pur-&#13;
poses a new and original play in four acts, entitled&#13;
“The Undercurrent,” by Herbert Chorley, the&#13;
author of “Cleeves' End,” a novel which was&#13;
published this spring. -&#13;
“Pete,” by Hall Caine and Louis N. Parker,&#13;
dramatised from the former's novel “The Manx-&#13;
man,” was staged at the Lyceum on August 29 with&#13;
Mr. Matheson Lang in the title-róle. Miss Hutin&#13;
Britton, Miss Rita Tomkins, Mr. Eric Mayne and Mr.&#13;
Frederick Ross were among those included in the cast.&#13;
Mr. Jerome K. Jerome's new play “The Passing&#13;
of the Third-Floor Back” was produced at the St.&#13;
James's Theatre on September 1. Mr. Forbes&#13;
Robertson is the “third-floor back,” a passer-by&#13;
who seeks the good of all with whom he comes in&#13;
contact. Miss Haidee Wright, Miss Gertrude&#13;
Elliott, Miss Kate Bishop, and Mr. Edward Sass&#13;
were in support.&#13;
&#13;
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## p. 11 (#23) ##############################################&#13;
&#13;
THE AUTHOR. 11&#13;
“Idols,” adapted from the novel of that name&#13;
by W. J. Locke, by Roy Horniman, was first per-&#13;
formed on September 2 at the Garrick Theatre.&#13;
The cast included Mr. Allan Aynesworth, Mr.&#13;
Arthur Wontner, Mr. Herbert Waring, Miss&#13;
Evelyn Millard, Miss Edith Latimer, and Miss&#13;
Augusta Haviland.&#13;
At the Duke of York's Theatre on September&#13;
3 appeared a comedy in four acts by J. M.&#13;
Barrie, entitled “What Every Woman Knows.”&#13;
John Shand (Mr. Gerald du Maurier) is a&#13;
prominent politician—risen from a railway porter&#13;
and an amateur house-breaker for intellectual pur-&#13;
poses. His wife Maggie (Miss Hilda Trevelyan),&#13;
whom, plus an education, he had accepted as an&#13;
alternative to prison, is, however, the real politician,&#13;
her husband's guide, phrase-maker and speech-&#13;
writer in one. The complications are Lady Sybil&#13;
Lazenby (Miss Lillah McCarthy) and Shand's&#13;
deficiency in humour. However, the play is&#13;
rounded by the hero's laugh. -&#13;
September 3 was also the first night of “ King&#13;
of Cadonia,” a musical play in two acts, by&#13;
Frederick Lonsdale, with lyrics by Adrian Ross,&#13;
and music by Sydney Jones. The play concerns&#13;
the wanderings of a king, who falls among&#13;
anarchists. Mr. Bertram Wallis as King Alexis,&#13;
and Mr. Huntley Wright as his heir presumptive,&#13;
the Duke of Alasia, were supported by Mr. George&#13;
Barrett, Mr. Pope Stamper, Miss Izabel Jay, Mme.&#13;
Amy Martin, and Miss Grace Leigh. -&#13;
His Majesty's Theatre gave “Faust,” by Stephen&#13;
Phillips and J. W. Comyns Carr, on September 5.&#13;
The chief characters were sustained by Mr. Tree&#13;
(Mephistopheles), Mr. Henry Ainley (Faust), Miss&#13;
‘Rosina Filippi (Martha), and Miss Maude Löhr&#13;
(Margaret).&#13;
“The Duke's Motto,” a melodrama adapted from&#13;
the French of Paul Féval by Justin Huntly&#13;
1McCarthy, made its first appearance at the Lyric&#13;
Theatre on September 8. It chiefly concerns&#13;
the romantic sword-and-cloak adventures of one&#13;
Henri de Lagardère, a gentleman with an infinite&#13;
capacity for taking life. With Mr. Lewis Waller,&#13;
as the redoubtable Henri, were Mr. A. E. George,&#13;
Mr. Alec F. Thompson, Mr. Herbert Jarman, Miss&#13;
Walli Walli, and Miss Sybil Carlisle.&#13;
Mr. Martin Harvey opened his season at the&#13;
Adelphi on September 10, with the production,&#13;
before “The Corsican Brothers,” of “The Con-&#13;
spiracy,” a one-act play by Robert Barr and&#13;
Sidney Lewis-Ransom.&#13;
A new ballet by Lieut.-Colonel Newnham-Davis&#13;
is about to be produced at the Empire Theatre. It&#13;
contains four scenes, and is entitled “Paris.”&#13;
Mr. Henry Arthur Jones's new play for October&#13;
at the Haymarket Theatre is a comedy in his&#13;
lighter vain.&#13;
stands out somewhat in relief.&#13;
It deals with the value of new year's&#13;
resolutions from the point of view of the resultant&#13;
benefit. . The play provides good parts for its&#13;
leading lady Miss Ethel Irving, Miss Margaret&#13;
Halstan, Mr. Robert Loraine and Mr. C. M. Lowne.&#13;
Senor Alejandro Maristany has translated&#13;
Mr. Henry Arthur Jones' plays, “The Hypo-&#13;
crites " and “The Liars,” into Spanish, and&#13;
will produce them at the Teatro Principal, at&#13;
Barcelona, during the present season. The&#13;
répertoire at that theatre includes also “The&#13;
Hound of the Baskervilles,” by Sir Arthur Conan&#13;
Doyle, and Mr. Hornung’s “Raffles.”&#13;
a-A- a&#13;
~-&#13;
PARIS NOTES.&#13;
—º-º-º-&#13;
rTHE death of Hector France occurred in&#13;
August. This well-known writer was born&#13;
in 1837 in the Vosges. He entered the&#13;
army and went to Africa for some time. After&#13;
the war of 1870 he left France and took refuge in&#13;
Belgium, and afterwards in England, where for&#13;
some time he was French professor at the Woolwich&#13;
Military College. He wrote several studies of&#13;
English life, a whole series of French novels, and&#13;
articles for many of the best French papers.&#13;
It will not be easy for any one else to take the&#13;
place which M. Harduin had made for himself in&#13;
the French newspaper world. His recent death&#13;
will be universally regretted, for his witty and&#13;
genial satire was greatly appreciated. He took up&#13;
any subject of the moment that pleased his fancy,&#13;
and in a few concise lines showed up in a clever,&#13;
bantering way the absurdities of many political&#13;
questions, party strifes, current events, or even of&#13;
mere habits and customs. Many readers of the&#13;
Matin subscribed to that paper for the sake of&#13;
M. Harduin's daily paragraph.&#13;
“Aloyse Valérien,” by Edouard Rod, is classed&#13;
by the author among his études passionnelles. He&#13;
does not profess to write a novel à thèse, and does&#13;
not give his own opinion with regard to the com-&#13;
plex problems which arise when touching on the&#13;
subject of his novel. The story is well told and&#13;
the psychology carefully observed, so that the book&#13;
holds the reader's interest from beginning to end.&#13;
One can scarcely help feeling surprised and dis-&#13;
appointed at the lack of moral energy in so many&#13;
of the personages who are thrown together.&#13;
Intense Selfishness or a weak will predominates in&#13;
each one of the characters. M. Mazelaine alone&#13;
* He at any rate&#13;
does not console himself with the dangerous and&#13;
extremely easy excuse of fatality for condoning&#13;
Weakness of character.&#13;
“La Rue Saint Honoré,” by Robert Hénard,&#13;
from its origin to the time of the Revolution, is an&#13;
&#13;
&#13;
## p. 12 (#24) ##############################################&#13;
&#13;
12&#13;
THE AUTISIOR.&#13;
interesting study for all who enjoy the historical&#13;
side of Paris. We go back in this book to the&#13;
Paris of the times before the Romans, and we also&#13;
have a description of it taken from Caesar's Com-&#13;
mentaries. Scarcely any street in Paris has been&#13;
so celebrated as the Rue St. Honoré, in which, at&#13;
the present time, the residences of the President&#13;
and of the British Ambassador are situated.&#13;
“L’Esprit de Barbey d’Aurevilly” has just&#13;
been published by Mlle. Read. It is a collection&#13;
of extracts on various subjects taken from the&#13;
writings of the great French critic and novelist.&#13;
This volume enables the reader who knows&#13;
nothing of this author to see something of&#13;
the mind of the man whose conversations&#13;
gave Paul Bourget “one of the keenest intel-&#13;
lectual pleasures he had ever experienced.”&#13;
There is an excellent preface by Octave Uzanne,&#13;
and the little book is doubly welcome coming, as&#13;
it does, a few months before the celebration&#13;
throughout France of Barbey d’Aurévilly's cen-&#13;
tenary. This literary fête, which should have&#13;
taken place in November of this year, is now post-&#13;
poned until May, 1909, on account of the death of&#13;
François Coppée, who was President of the&#13;
Committee. -&#13;
Every one who visited Coppée and was acquainted&#13;
with his two cats will be glad to hear that Mlle.&#13;
Jouise Read has adopted them, and that they will&#13;
have for their companion the descendant of&#13;
Démonette, the famous cat which was Barbey&#13;
d’Aurévilly's faithful companion. The trio will&#13;
from henceforth make their home with Mlle.&#13;
Read, whom Barbey d’Aurévilly styled la com-&#13;
missionnaire du genre humain.&#13;
Among recent books are “Mémoires d'une vieille&#13;
fille,” by René Bazin, a volume of short stories;&#13;
“Jeunes Filles,” by Victor Margueritte; “Adolphe&#13;
Monticelli,” by Camille Mauclair ; “Grandeur et&#13;
Décadence de Rome " (Vol. VI., Auguste et le&#13;
Grand Empire), by G. Ferrero.&#13;
A whole series of books on Turkey is now&#13;
appearing : “Paradoxes sur la Turquie,” by Afioun-&#13;
Effendi; “Midhat Pacha,” by Ali Haydar Midhat&#13;
Bey; “Abdul Hamid intime,” by G. Dorys.&#13;
Several translations of English books have&#13;
appeared recently : “Amours charmantes et&#13;
cruelles,” by Maurice Hewlett, translated by MM.&#13;
Davray and Kosakiewicz ; “Le Maitre de la&#13;
Terre,” by R. H. Benson, translated by T. de&#13;
Wyzewa ; “L'Oncle Bernac,” by Conan Doyle.&#13;
“Carrière d'Artiste,” by Mrs. Humphry Ward,&#13;
is now appearing serially in the Revue de Paris.&#13;
M. Johan Bojer, the Norwegian novelist, has&#13;
received a prize from the French Academy for his&#13;
book “La Puissance du Mensonge,” which has&#13;
now been published in English.&#13;
In the Revue de Paris of July 15, were articles&#13;
by Colonel C. Favre, on “L’Angleterre et l'Armeč&#13;
anglaise ’’; by Daniel Halévy, on “Nietzsche et&#13;
l'Empire allemand ”; and by Victor Bérard, on&#13;
“I’CEuvre d’Edouard VII.”&#13;
In recent numbers of La Revue hebdomadaire are&#13;
the following articles: “Le Mouvement des Idées,”&#13;
by Edouard Rod ; “Comment on nous élevaitil y a&#13;
cinquante ans,” by the Marquis de Castellane ;&#13;
“L’Aviation,” by Commandant Paul Renard ;&#13;
“Le droit prime la force,” by Henri Welschinger,&#13;
of , the Institute ; “Le Réforme turque,” by&#13;
Gabriel Hanotaux, of the French Academy; “Leon&#13;
Tolstoi, jubilaire malgré lui,” by E. Halperine-&#13;
Kaminsky; “La Marine française à l'Exposition&#13;
de Londres,” by Charles de la Roncière.&#13;
Paul Bourget's four-act play “L’Emigré’’ is&#13;
being rehearsed at the Renaissance.&#13;
At the Théâtre Sarah Bernhardt “L’Or,” by&#13;
MM. Peter and Danceny, is the first play of the&#13;
SéaSOI).&#13;
Madame Rejane is to produce “Israel,” by M.&#13;
Henry Bernstein.&#13;
The Théâtre Antoine opens with “La Repudiée,”&#13;
a three-act play by Mme. Dartigue, and “L’Auberge&#13;
rouge,” adapted from Balzac's story.&#13;
ALYS HALLARD.&#13;
“Aloyse Valérien” (Perrim).&#13;
“La Rue Saint Honoré’’ (Emile Paul).&#13;
“Mémoires d’une vieille fille ” (Calmann Lévy).&#13;
“Jeunes Filles” (Fasquelle).&#13;
“Adolphe Monticelli” (Plon).&#13;
“Grandeur et Décadence de Rome'' (Plon).&#13;
“Paradoxes sur la Turquie” (Bouville).&#13;
“Midhat Pacha” (Stock).&#13;
“Abdul Hamid intime" (Stock). -&#13;
“Amours charmantes et cruelles” (Mercure de France).&#13;
“Le Maitre de la Terre” (Perrin).&#13;
“L'Oncle Bernac" (Juven).&#13;
*—º- a&#13;
w-w-w&#13;
SPANISH NOTES.&#13;
—º-º-º-&#13;
S I send these notes from the Hydropathic&#13;
Establishment of Mondariz, in Galicia, on the&#13;
north-west coast of Spain, they have some&#13;
news relating directly to that centre. I must begin by&#13;
saying that Don Enrique Peinador has had the glory&#13;
of discovering in Mondariz an archaeological treasure&#13;
of great value in the form of a huge flat stone&#13;
covered with hemispherical signs, something similar&#13;
to what a child makes before it has learnt to use&#13;
the pencil.&#13;
The Hydro has been honoured this week by&#13;
two authors of note, for Major Martin Hume&#13;
stopped two days at Mondariz on his way to&#13;
Oviedo, where he went to represent the Univer-&#13;
sity of London at the tercentenary fetes of&#13;
the university of the capital of Asturias which&#13;
were celebrated from the 21st to the 30th of&#13;
&#13;
&#13;
## p. 13 (#25) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
13&#13;
September ; and the famous Pardo Bazan, who is&#13;
President of the Literature Section of the Athenaeum&#13;
of Madrid, and whose works place her on the&#13;
pinnacle of fame, motored to Mondariz to see&#13;
her friends the Peinadors. Bright and well&#13;
looked the authoress, who must now be called&#13;
the Countess Emilia Pardo Bazan, as King&#13;
Alfonso XIII. has just bestowed this title on her&#13;
in recognition of her literary work.&#13;
It is notable that the great tenor Don Francisco&#13;
Viñas has just had the honour of receiving the Great&#13;
Cross of Agricultural Merit from the King, and,&#13;
indeed, in no triumph has the great tenor so appealed&#13;
to his country as in this of agriculture. The fête&#13;
which celebrated the event in the rural town of&#13;
Moya was supported by the town and corporation&#13;
in full force.&#13;
The fact of Field-Marshal Don José Lopez&#13;
Dominguez being decorated with the Order of&#13;
the Golden Fleece has been acclaimed with pleasure&#13;
by the friends of the former Liberal Prime&#13;
Minister. This great political leader always&#13;
advocated a true suffrage for Spain, and it is&#13;
noteworthy that the Official Journal of the Sessions&#13;
of the Senate of November 3, 1902, records the&#13;
plaint made by Señor Loygorri in the name of the&#13;
Liberal leader against the presentation of the inter-&#13;
diction of Colonel Figuerola Ferretti's petition to&#13;
high quarters that the system of the appointment of&#13;
the Deputies by the Ministers should be exchanged&#13;
for that of their election by the people. Had a true&#13;
suffrage been thus introduced, the struggle for it&#13;
would not have been seen in Catalonia, and, with a&#13;
true solidarity in Spain, loyalty to the King would&#13;
have prevented any talk of separation.&#13;
Señor Cambo, the leader of the Catalonians&#13;
(says the excellent daily paper A.B.C.), has just&#13;
made an eloquent appeal in the Congress against&#13;
the stagnating influence of the overweening power,&#13;
which is supported officially, of the “cacique " or&#13;
person of highest consideration in a place.&#13;
Ring Alfonso XIII. shows his appreciation of&#13;
Señor Don Domingo Sanllehey's services as Mayor&#13;
of Barcelona by not consenting to his retirement&#13;
from the office which the conduct and opinions of&#13;
his colleagues have made so untenable for him,&#13;
and by conferring on his wife, the lady who is&#13;
decorating, at her own expense, the whole of the&#13;
front façade of the Cathedral of the city with&#13;
sculptures, the Order of Maria Luisa.&#13;
It is said in Spain that Pius IX. (Juan Mastai-&#13;
Ferretti), related in cousinship to Colonel&#13;
Figuerola Ferretti, is to be canonized. The&#13;
research necessary for the act reveals many literary&#13;
treasures; and the letter in which Ferretti, when&#13;
one of the Body of Noble Guards of the Pope,&#13;
broke off his engagement with a beautiful lady of&#13;
distinction by reason of his call to the Church is&#13;
a true work of art. It will be from the thirty-&#13;
volumed chronicle of Cardinal Bilio that most of&#13;
the details of the life of Pius IX. will be found.&#13;
The month of October will see a most interesting&#13;
Congress of Science in Saragossa.&#13;
There will be seven sections : Mathematical&#13;
Sciences, physio-chemical sciences, natural sciences,&#13;
Social Sciences, philosophical sciences, medical&#13;
Sciences, and applied sciences. The King will be&#13;
present at either the opening or concluding session,&#13;
as he has accepted the honorary presidency; and&#13;
Señor Sigismundo Moret will be the actual presi-&#13;
dent. The Congress will have great popular interest,&#13;
inasmuch as there will be a series of conferences&#13;
in which not only new points and discoveries will&#13;
be discussed, but also those which it concerns&#13;
humanity in general to know.&#13;
Speaking of science reminds me that English&#13;
Scientists may soon expect to see a translation of&#13;
the notable work by Dr. Enrique Lluria called&#13;
“La Vida Super-organica ’’ (“Super-organic Ilife).”&#13;
Those to whom the “Monograph of Mondariz’”&#13;
may be known may be interested to hear that the&#13;
bicarbonated water from the springs of this centre&#13;
have just gained the gold medal and cup at the&#13;
Exhibition at Carlsbad. The Temporado, the&#13;
bright little paper of the Hydropathic Establish-&#13;
ment, always contains excellent articles of scientific&#13;
and literary merit.&#13;
The Society for the Encouragement of Fine Arts&#13;
in Madrid, under the presidency of Don Edoardo&#13;
Dato, is a great success. Much interest is taken&#13;
in the Society by the Señoras Dato, one of whom&#13;
is member of the Lyceum Club, the Marchioness&#13;
of Ivanrey, the Countess of Torres-Arias, the&#13;
Marchioness of Squilache y Ivanrey, etc.&#13;
The well-known writer Mariano de Cavia has&#13;
just received a great tribute to his talent by&#13;
an important street being named after him in&#13;
Saragossa, whilst the house which saw his birth&#13;
has been marked by a stone signifying the fact.&#13;
As Galicia is awakening some interest in England&#13;
by the tours arranged by the Booth Steamship&#13;
Company, the book called “Across Galicia,” by&#13;
the Hidalgo of Tor, forms a capital introduction&#13;
to the region.&#13;
RACHEL CHALLICE.&#13;
à&#13;
w&#13;
* ~4A-&#13;
w-v-&#13;
COPYRIGHT&#13;
CASE.&#13;
MANSELL v. THE WALLEY PRINTING CO.&#13;
HIS was an appeal from the judgment of&#13;
Mr. Justice Swinfen Eady, who had&#13;
awarded the plaintiff £4.3 damages for&#13;
infringement of his rights in certain pictures,&#13;
&#13;
&#13;
## p. 14 (#26) ##############################################&#13;
&#13;
14&#13;
THE A DITFIOR.&#13;
which belonged to him, and which had been&#13;
published without authority by the defendants.&#13;
The question raised in the Court of Appeal was&#13;
whether, at common law and apart from any&#13;
statutory protection, the owner of an unpublished&#13;
picture can recover damages against a person who&#13;
has, innocently and in good faith, published copies&#13;
of the picture. -&#13;
The plaintiff, an artist's colour printer and pub-&#13;
lisher, was the owner of two pictures, suitable for&#13;
advertising purposes, which had been designed for&#13;
him by an artist in his employment, for which the&#13;
latter had been paid the sum of £43. Another&#13;
artist in the same employment had surreptitiously&#13;
made copies of the pictures, and, after leaving the&#13;
plaintiff’s employ, had sold them under a false&#13;
name as original drawings to the defendants, who&#13;
published them without any knowledge of the&#13;
plaintiff's rights. . .&#13;
The plaintiff registered his copyright in the&#13;
pictures under the Fine Arts Copyright Act, 1862,&#13;
after the publication of them by the defendants;&#13;
and the latter, on receiving a complaint from the&#13;
plaintiff, offered to stop publication and to deliver&#13;
up the copies in hand, but they denied any liability&#13;
to pay damages.&#13;
The pictures having been made to order on&#13;
behalf of the plaintiff without reserve and paid for&#13;
by him, the copyright belonged to the plaintiff&#13;
under the provisions of the Fine Arts Copyright&#13;
Act ; but inasmuch as the registration was not&#13;
made until after the publication by the defendants,&#13;
the plaintiff was precluded by the statute from&#13;
suing for damages for infringement of his copyright.&#13;
The plaintiff based his claim, therefore, upon his&#13;
common law rights; and it was contended that, as&#13;
an author has the exclusive right of publication in&#13;
respect of a literary composition, the plaintiff was&#13;
entitled to recover damages for infringement of his&#13;
proprietary right in an unpublished artistic work.&#13;
The principle, in respect of authors, was estab-&#13;
lished as far back as 1774 in the case of Donaldson&#13;
v. Becket, which was decided by the House of Lords.&#13;
“This weighty authority,” said the Master of&#13;
the Rolls in delivering judgment, “is, in my&#13;
opinion, decisive of the present appeal. It shows&#13;
that an action will lie against any person who&#13;
prints and publishes an unpublished book without&#13;
the author's consent, and when it is established&#13;
that the right is a proprietary right, it is plain that&#13;
the element of motive or intention on the part of&#13;
the defendant is wholly irrelevant. It cannot be&#13;
contended, since the case of Prince Albert v.&#13;
Strange, in 1849, that the owner of an unpub-&#13;
lished picture stands in any different position from&#13;
the owner of an unpublished literary work.”&#13;
Lord Justice Farwell, in giving judgment to the&#13;
same effect, said that it had been argued for the&#13;
defendants that it was very hard upon them, because&#13;
they had acted quite bond ſide in the matter ; but&#13;
it Was no greater hardship on them than it was in&#13;
all cases where an innocent party had to bear the&#13;
loss brought about by another, whose wrongful act&#13;
had caused injury to another innocent party.&#13;
Lord Justice Kennedy concurred, and the appeal&#13;
was dismissed with costs. -&#13;
The arguments in this case appear to have pro-&#13;
ceeded upon the assumption that the pictures were&#13;
unpublished, until the unauthorised publication by&#13;
the defendants. As to what amounts to “publica-&#13;
tion "...of an artistic work, there is no precise&#13;
authority. It is clear, however, that publication is&#13;
not restricted to a public exhibition of the work ;&#13;
and, in the absence of any decision upon the point,&#13;
it may be doubted whether a picture, which has&#13;
been sold and has passed out of the artist's hands,&#13;
so that the copyright—“which is statutory and&#13;
arises upon publication ”—has come into existence&#13;
and belongs to the purchaser, who is registered as&#13;
the “copyright proprietor,” can be regarded, with&#13;
reference to the provisions of the Fine Arts&#13;
Copyright Act, as an unpublished work.&#13;
HAROLD HARDY.&#13;
—e-º-e—&#13;
MAGAZINE CONTENTS.&#13;
—º-º-º-&#13;
ALBANY.&#13;
Nietzsche. By Desmond McCarthy.&#13;
Mirabeau. By Desmond McCarthy.&#13;
Pascal's Provincial Letters. By Lord St. Cyres.&#13;
- BOOKMAN.&#13;
The Bookman Gallery : Robert S. Hichens.&#13;
BOOK MONTHLY.&#13;
The “Sevenpenny.” By J. M.&#13;
CONTEMPORARY.&#13;
By Edmund Gosse.&#13;
Count Lyof Tolstoi.&#13;
By G. W. Williams.&#13;
Chamber Drama.&#13;
CORNHILL.&#13;
The Book on the Table: “A Commentary.”&#13;
Robert Cecil.&#13;
By Lady&#13;
- FORTNIGHTLY.&#13;
Tolstoy and the Tolstoyans. By Francis Gribble.&#13;
Mark Rutherford : An Appreciation. By Frances Low.&#13;
NATIONAL.&#13;
Mr. Andrew Lang and Robert Burns.&#13;
Bayne.&#13;
By Thomas&#13;
NINETEENTEI CENTURY.&#13;
An Actor's Views on Plays and Play-writing. By J. H.&#13;
Barnes.&#13;
The Censorship of Fiction. By Bram Stoker.&#13;
&#13;
&#13;
## p. 15 (#27) ##############################################&#13;
&#13;
TISIES A UſTEIOR,&#13;
15&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
—º-º-º-&#13;
TERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property —&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to :&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,”&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor |&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IV. A Commission Agreement.&#13;
The main points are :—&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned. -&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
IIl€2,IDS.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
e—º-e&#13;
WARNINGS TO DRAMATIC AUTHORS,&#13;
e—º-e—&#13;
EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with anyone except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:—&#13;
(4.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
(b.). Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
grOSS receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (b.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction is&#13;
of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed-&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
—e—º-e—&#13;
WARNINGS TO MUSICAL COMPOSERS,&#13;
—º-º-º-&#13;
ITTLE can be added to the warnings given for the&#13;
L assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with—performing right and copyright. He&#13;
&#13;
&#13;
## p. 16 (#28) ##############################################&#13;
&#13;
16&#13;
TRIES A UTFIOR.&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
HOW TO USE THE SOCIETY.&#13;
—e—º-0—&#13;
1. VERY member has a right to ask for and to receive&#13;
+ advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor, but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion. All this&#13;
without any cost to the member.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Send to the Office copies of past agreements and past&#13;
accounts, with a copy of the book represented. The&#13;
Secretary will always be glad to have any agreements, new&#13;
or old, for inspection and note. The information thus&#13;
obtained may prove in valuable.&#13;
4. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
5. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee have now arranged for the reception&#13;
of members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers:&#13;
—(1) To read and advise upon agreements and to give&#13;
advice concerning publishers. (2) To stamp agreements&#13;
in readiness for a possible action upon them. (3) To keep&#13;
agreements. (4) To enforce payments due according to&#13;
agreements. Fuller particulars of the Society's work&#13;
can be obtained in the Prospectus.&#13;
7. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
This&#13;
The&#13;
8. Many agents neglect to stamp agreements.&#13;
must be done within fourteen days of first execution.&#13;
Secretary will undertake it on behalf of members.&#13;
9. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
10. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
treated as a composition is treated by a coach.&#13;
TO MUSICAL COMPOSERS.&#13;
–0-0-0–&#13;
HE Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or&#13;
part of 100. The members’ stamps are kept in the&#13;
Society's safe. The musical publishers communicate direct&#13;
With the Secretary, and the voucher is then forwarded to&#13;
the members, who are thus saved much unnecessary trouble.&#13;
—e—º-e—&#13;
THE READING BRANCH,&#13;
+&#13;
EMBERS will greatly assist the Society in the&#13;
- branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic Works, and when it is possible, under&#13;
Special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
—e—º-e—&#13;
NOTICES.&#13;
—º-º-º-&#13;
TV HE Editor of The Author begs to remind members of&#13;
| the Society that, although the paper is sent to them&#13;
free of charge, the cost of producing it would be a&#13;
very heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Secretary the modest&#13;
58. 6d. subscription for the year.&#13;
Communications for “The Author” should be addressed&#13;
to the Offices of the Society, 39, Old Queen Street, Storey's&#13;
Gate, S.W., and should reach the Editor not later than the&#13;
21st of each month. -&#13;
All persons engaged in literary work of any kind,&#13;
whether members of the Society or not, are invited to&#13;
communicate to the Editor any points connected with their&#13;
work which it would be advisable in the general interest to&#13;
publish. -&#13;
Communications and letters are invited by the&#13;
Editor on all subjects connected with literature, but on&#13;
no other subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
-º-º-º-&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post,&#13;
and he requests members who do not receive an&#13;
answer to important communications within two days to&#13;
write to him without delay. All remittances should be&#13;
crossed Union Bank of London, Chancery Lane, or be sent&#13;
by registered letter only.&#13;
—e—º-e—&#13;
LEGAL AND GENERAL LIFE ASSURANCE&#13;
SOCIETY.&#13;
{3}. —0-49–6–&#13;
ENSIONS to commence at any selected age,&#13;
either with or without Life Assurance, can&#13;
be obtained from this Society.&#13;
Full particulars can be obtained from the City&#13;
Branch Manager, Legal and General Life Assurance&#13;
Society, 158, Leadenhall Street, London, E.C.&#13;
&#13;
&#13;
## p. 17 (#29) ##############################################&#13;
&#13;
THE AUTFIOR.&#13;
17&#13;
GENERAL NOTES.&#13;
—º-Q-0–&#13;
THE PENSION FUND.&#13;
UNDER the Correspondence we are publishing a&#13;
letter dealing with the question of the Pension&#13;
Fund, in which the writer states that 1,720 members&#13;
of the Society give nothing. It may be true that&#13;
1,720 members are not annual subscribers, but it&#13;
should be stated, in all fairness to the generous&#13;
supporters of the fund, that many members of the&#13;
society in its early days made large donations to&#13;
the fund (their names were printed with the first&#13;
list of contributors), that many year by year have&#13;
made donations, some large, some small, according&#13;
to their means (these have been chronicled month&#13;
by month in The Author). These may still be&#13;
looked upon as subscribers, and their wholehearted&#13;
generosity cannot be ignored because they do not&#13;
happen to be annual subscribers.&#13;
WRONG FUL USE OF THE SOCIETY's NAME.&#13;
1. ONCE a certain publishing house placed an&#13;
impossible agreement before one of the society's&#13;
members. On the refusal of the member to sign&#13;
the document, the publishing house informed him&#13;
that the agreement had the approval of the Society&#13;
of Authors. It is hardly necessary to state that&#13;
this was not the case, and the secretary remonstrated.&#13;
The publisher thereupon denied that he had put&#13;
forward this claim, but as the secretary held his&#13;
letter the only thing left for him was to apologise,&#13;
and to promise not to repeat the statement. This&#13;
he did. -&#13;
2. Not long ago one of the members of the&#13;
Society laid before the secretary an agreement pro-&#13;
viding for a transfer of copyright from author to&#13;
publisher. The secretary placed before the member&#13;
his strong objections to the proposed transfer.&#13;
The agent who was acting, in commenting on the&#13;
member's objections, stated that the transfer of&#13;
copyright was satisfactory and necessary. It is&#13;
almost impossible to conceive of an agent taking&#13;
this standpoint, but the fact as stated is true.&#13;
3. A publisher placed before a member an agree-&#13;
ment asking for an assignment of copyright, and&#13;
stated in a covering letter that the Society of&#13;
Authors had no objection to it. Again the secre-&#13;
tary laid before the member the very strong position&#13;
which the committee has always taken up on this&#13;
subject.&#13;
These three cases have prompted the following&#13;
remarks :-&#13;
First, the wrongful use of the Authors’ Society's&#13;
name by publishers and others in order to obtain&#13;
their ends; and secondly, the extreme danger, in&#13;
any event, of an author transferring copyright to&#13;
a publisher. The legal advisers of the society and&#13;
the committee cannot emphasise too strongly the&#13;
dangers that may follow such a transfer–dangers&#13;
Which have been increased by judgments delivered&#13;
in one or two cases recently decided in the Courts.&#13;
Again, therefore, it is necessary to insist that&#13;
authors should merely grant to publishers licences&#13;
to publish, limiting such licences in whatever way&#13;
they think well, either by country—to Great Britain&#13;
—or by time—to five years——or by edition, to one&#13;
or two editions—or by a combination of two or&#13;
three of the above. In no case whatever should&#13;
there be a transfer of copyright where the author&#13;
holds a continuing interest in his work. None of&#13;
the reliable publishing houses claim this now. It&#13;
is better not to publish at all than to convey all&#13;
future interest and control to others unless the&#13;
question is one of absolute necessity or the author&#13;
sets but little value on his work. If an agent&#13;
recommends this transfer of copyright the sooner&#13;
an author places his affairs in other hands the&#13;
better.&#13;
The matter is put on rather a different footing&#13;
where the publisher purchases a work outright for&#13;
a glven Sum.&#13;
HUMPHREYS v. THOMSON.&#13;
THE “Lounger” in Putnam's for September&#13;
devoted some space to the recent case of Humphreys&#13;
v. Thomson, in which Mr. Clement Shorter's views&#13;
were strongly deprecated. “Except to change a&#13;
slip of grammar or the spelling of a word, for even&#13;
the best writers are often the worst spellers, I&#13;
cannot see "—says the “Lounger"—“that the&#13;
editor of the Red Letter had the slightest excuse&#13;
for cutting a story ‘to suit the character of his&#13;
paper.' I do not believe there is an editor of any&#13;
standing in the United States who would do such&#13;
a thing without consulting the writer of the story.&#13;
When there is any radical cutting to do, the author&#13;
is asked to do it, or to give the editor permission ;&#13;
but to change the character of a story to suit the&#13;
character of a periodical is an unpardonable im-&#13;
pertinence. . . . I have known many stories and&#13;
essays to be changed by editors, but never with-&#13;
out the permission of the writers. I know of one&#13;
notable instance where an editor Worked over a&#13;
manuscript with the author, who re-wrote it four&#13;
times before it appeared in print. There are very&#13;
few stories which are not improved by editorial&#13;
suggestion, but the sort of thing that “Rita"&#13;
complains of, and that Mr. Shorter upholds, seems&#13;
to me little less than a crime. . . . Who steals my&#13;
purse is a thief; who garbles my manuscript is a&#13;
murderer | *&#13;
&#13;
&#13;
## p. 18 (#30) ##############################################&#13;
&#13;
18 THE AUTHOR.&#13;
CASH PAYMENT OR PUBLISHERS’ BILLS 2&#13;
THE following case may be of interest to those&#13;
members of the society who have been requested by&#13;
their publishers to accept settlement of their&#13;
accounts by bills.&#13;
One of the members refused to accept a settle-&#13;
ment by this method, partly because he desired, in&#13;
accordance with the terms of his agreement, to&#13;
have a prompt cash settlement, partly because he&#13;
did not care to accept the responsibility to his&#13;
bankers for the amount, and finally, because he&#13;
considered that when a publisher entered into an&#13;
agreement he ought to be ready to meet his obliga-&#13;
tions under it. The publisher refused, after three&#13;
or four requests, to make a cash settlement, and&#13;
the matter was referred to the society, and&#13;
placed in the hands of its solicitors. Since the&#13;
society’s solicitors have taken the matter in hand,&#13;
although the publishers had previously ignored the&#13;
letters of the secretary, the amount has been&#13;
promptly paid. But—and this is the point of which&#13;
we complain—the publisher wrote a very uncalled-&#13;
for letter to the author, practically refusing to have&#13;
anything more to do with him or his work. Con-&#13;
sidering that the author had courteously in the first&#13;
place, and then firmly by means of the society's&#13;
lawyers, requested the publisher merely to act up&#13;
to his agreement, the publisher's anger seems&#13;
hardly justified. Perhaps, on the whole, the author&#13;
is well out of his hands.&#13;
CORRECTIONS.&#13;
WE understand that a well-known review has&#13;
acquired a habit of attaching a notice to proofs&#13;
sent to its contributors, stating that if “many&#13;
alterations” are made, the expense they entail will&#13;
be deducted from the author's honorarium. The&#13;
interpretation of the word “many ” appears to be&#13;
left to the discretion of the editor ; and nothing is&#13;
said touching the distinction between printer's&#13;
errors and author's corrections. Apart from this,&#13;
the notice raises several nice points.&#13;
It may be premised that many, or excessive&#13;
alterations, would only be due either to the author's&#13;
unskilfulness in his art, or to the necessity of&#13;
bringing the article up to date, owing to the lapse&#13;
of time between its despatch and the receipt of the&#13;
proof. In the first case, it is highly improbable&#13;
the article would have been accepted in its original&#13;
form ; and in the second, the blame would be&#13;
entirely due to the fault of the editor. Supposing,&#13;
then, a contributor refused to bring his article up&#13;
to date after it had been duly accepted, on the&#13;
ground that if he did so his honorarium would be&#13;
docked, the editor would have either to do it him-&#13;
self, or to stultify himself by repealing his notice,&#13;
In both events the contributor would be entitled to&#13;
his full price, and the only apparent object of this&#13;
happy idea would come to nothing.&#13;
We cannot compliment the editor of the review&#13;
On his latest editorial method.&#13;
UNITED STATES MAGAZINE MARKET.&#13;
THE American magazine market has never been&#13;
so dull as during the last year. Agents and&#13;
authors on this side have found their efforts a&#13;
complete waste of stamps; while the native writers,&#13;
if reports are to be believed, have either gone into&#13;
of business—Writing for magazines in not busi-&#13;
ness—or have been living on their capital.&#13;
A writer in the Wew York Times places the&#13;
Source of the frost in the fact that the magazines&#13;
have been recuperating after the panic and living&#13;
on accumulated copy. He declares that some of&#13;
them have even been selling off superfluous hoards&#13;
of “refrigerated stuff.” at quite absurd reductions,&#13;
and quotes the following letter, which has been&#13;
circulated among editors likely to speculate in&#13;
bargains — -&#13;
“My dear As you probably know from your own&#13;
experience, we editors accumulate a great deal of material,&#13;
Which after a while we find to be unsuitable for our use.&#13;
In looking over our accumulated material I find a good&#13;
deal of verse. Some years ago we used much, but latterly&#13;
have found it impossible to give up much space to rhyme.&#13;
For this reason I am sending you proofs of some of the&#13;
things we now have on hand, thinking that you may be&#13;
interested, and that perhaps you might care to buy some&#13;
Of it.”&#13;
The only authors making money have been the&#13;
producers of first-class humour and those working&#13;
under iron-clad contracts. However, the end is&#13;
predicted for October ; the stock of copy in hand&#13;
is said to be running low ; and writers are sharpen-&#13;
ing their pens again, in anticipation of a good&#13;
time coming.&#13;
Happily the English market is not so untrust-&#13;
worthy. Prices, it is true, do not average so high&#13;
as in the States, nor is payment so prompt ; but,&#13;
on the other hand, the demand is steady, and&#13;
there is a touch of lost Bohemia in the casual and&#13;
unexpected arrival of the cheque that cheers.&#13;
*-* *-&#13;
FROM THE DICKENSIAN.&#13;
The Dickensian, a magazine for Dickens lovers&#13;
and a monthly record of the Dickens Fellowship,&#13;
had in its August number an interesting account&#13;
of the first and last Dickens banquet in the United&#13;
States by Mr. S. Kilwin. The first banquet was&#13;
held in Boston on February 1, 1842, and among&#13;
&#13;
&#13;
## p. 19 (#31) ##############################################&#13;
&#13;
THE AUTHOR. - - 19.&#13;
those present were Dr. Oliver Wendell Holmes,&#13;
J. R. Lowell, W. W. Storey, the famous sculptor;&#13;
G. Bancroft, the historian ; and R. H. Dana, the&#13;
author of “Ten Years before the Mast.” “The&#13;
speaking was begun by Josiah Quincy, jun., in an&#13;
address of welcome to the guest, which was not&#13;
only eloquent in its tribute to Dickens, but&#13;
abounded in witty and appropriate quotations&#13;
from “Pickwick’ and “Oliver Twist.’ The&#13;
speaker closed with the toast : “Health, Hap-&#13;
piness, and a Hearty Welcome to Charles&#13;
T)ickens !’ and when Dickens rose to reply he&#13;
was greeted by a burst of applause that was loud&#13;
and long. Mr. Dickens's reply to the toast was a&#13;
grateful and eloquent recognition of the hearty&#13;
welcome which he had received, and concluded&#13;
with his first public reference in the United States&#13;
to an international copyright, which he said he&#13;
believed was not far distant, ‘firstly, because it is&#13;
justice ; secondly, because without it you never can&#13;
have and keep a literature of your Own.’”&#13;
“What a different picture the famous author&#13;
presented when twenty-six years later he was the&#13;
honoured guest at a dinner given in New York. He&#13;
was no longer the bright, smooth-faced young man&#13;
with the long wavy locks, but had become an elderly&#13;
man with streaks of grey in both hair and beard.”&#13;
He was an hour late in arriving, and those gathered&#13;
to greet him grew nervous and apprehensive at his&#13;
non-appearance. Finally he arrived, worn and&#13;
racked with pain. “What he wore on his right&#13;
foot no one noticed, but on his left seemed to be a&#13;
stuffed carpet bag; in his left hand was a stick,&#13;
on which he leaned ; his right was on (Horace)&#13;
Greeley’s arm,” wrote one of the guests. This&#13;
was his last public dinner in the United States.&#13;
THE BOOK TRADE DINNER.&#13;
As there seems to be some confusion regarding&#13;
the exact nature of the Book Trade Dinner which&#13;
the Publishers' Circle is organising, we are asked to&#13;
state that this is entirely a trade affair, though&#13;
many authors, including members of this society,&#13;
have accepted invitations to be present as the&#13;
guests of their publishers. Application forms for&#13;
the tickets have been sent only to publishers and&#13;
booksellers. Mr. W. L. Courtney will propose the&#13;
toast of “Literature,” to which Sir George Trevelyan&#13;
is replying. Mr. W. W. Jacobs will propose the&#13;
toast of “The Trade.” The arrangements made,&#13;
and the limited number of tickets issued, unfortu-&#13;
nately prevent lady authors from being invited.&#13;
THE PERILS OF DEFERRED ROYALTY.&#13;
—º-º-º-&#13;
T is not an uncommon practice among pub-&#13;
lishers to insure against loss on a book by&#13;
demanding from the author a certain number&#13;
of copies free of royalty. From the author's point&#13;
of view this method, though preferable to paying&#13;
for the cost of production in hard cash, is a bad&#13;
method, but if from fear of non-publication an&#13;
author may be tempted to accept it, then it should&#13;
be stated that it is not without its dangers.&#13;
There are two main points which should be&#13;
noticed in the case of a deferred royalty. The first&#13;
is, that the number of books free should not be so&#13;
large as to cover the whole cost of production and&#13;
advertising ; the second, that the royalty to the&#13;
author should be considerably higher after the&#13;
number mentioned has been sold than if the royalty&#13;
had been paid from the beginning.&#13;
If the number is so large that it practically&#13;
covers the cost of production and advertising, then&#13;
there is no stimulus whatever to the publisher to&#13;
push the book. Most publishers nowadays, when&#13;
events move so rapidly,are content to sell sufficient&#13;
copies of a book to bring them a fair percentage&#13;
on the capital expended, and then sell the book as&#13;
a remainder, without any thought of the author&#13;
and his interests. This is the result of the modern&#13;
methods of business, and occurs in the case of all&#13;
books. The power to sell the last few hundred copies,&#13;
Or, in exceptional cases, few thousand copies, is&#13;
always the test of a good publisher. The ordinary&#13;
publisher knows well that it takes more trouble to&#13;
sell the last few hundred copies than the first&#13;
thousand, and he thinks less of his publishing&#13;
reputation than the financial return. In some&#13;
cases this proves the best asset. What the author&#13;
wants, therefore, is some stimulus to induce the&#13;
publisher to push the book, and this is generally&#13;
only obtained by a consideration of the financial&#13;
aspect. So soon as the publisher has no monetary&#13;
risk in the book so soon does his stimulus cease.&#13;
The same remarks will refer to the increased&#13;
royalty after the sale of an agreed number of&#13;
copies, for the more the publisher has paid to the&#13;
author in royalties in addition to the cost of pro-&#13;
duction and advertising, the more necessary is it&#13;
that he should push the book in order to obtain&#13;
his own profit, for all authors know after the first&#13;
expenses of a book have been covered, future&#13;
editions do not cost very much. In an issue of&#13;
the Academy, published during the vacation, it has&#13;
been clearly pointed out that the great advantage.&#13;
to an author in having a sum in advance of royalties&#13;
lies in the stimulus it gives to the publisher, and&#13;
the same remark holds good in regard to the&#13;
example quoted above.&#13;
&#13;
&#13;
## p. 20 (#32) ##############################################&#13;
&#13;
20&#13;
TRIES A UTISIOR.&#13;
These remarks have been prompted by two cases&#13;
which have come before our notice. In One case&#13;
the author agreed to forego his royalties on 1,250&#13;
copies, taking after that number a ridiculously&#13;
small royalty. The publisher produced 1,000 copies,&#13;
sold about 850 copies, and then broke up the type.&#13;
The other case was somewhat similar. Five hundred&#13;
copies of the book were to be free of royalty. The&#13;
book was a small one, and the publisher printed&#13;
only 500 copies. In both cases the number of&#13;
books to be sold free of royalty was sufficient to&#13;
cover the expenditure, as far as can possibly be&#13;
judged by ordinary standards, although the detailed&#13;
publisher's accounts were not to hand. There was&#13;
no reason, therefore, why the publisher should sell&#13;
in the one case more than 1,000 copies and in the&#13;
other more than 500, if he desired merely to satisfy&#13;
his business instincts, and from the result that&#13;
apparently was his desire. Such contracts are bad&#13;
in principle, and should always be avoided. If the&#13;
publisher could find a sufficient number of authors&#13;
who stood outside the society, or ignored its advice,&#13;
he could run his business without any payment to&#13;
the author whose books he produced. If in either&#13;
of these cases it had happened that the number&#13;
free of royalty had been exceeded, then 33% per&#13;
cent. at least would have been a legitimate royalty&#13;
for the author to receive, at any rate until matters&#13;
had been equalised by continued sales.&#13;
One further point of no little importance must&#13;
be taken into consideration: if the publisher on&#13;
the one hand claims a large number free of royalty,&#13;
and in his generosity grants under the agreement&#13;
to the author a very high royalty, and if the number&#13;
so claimed will quite clear the cost of production,&#13;
advertising, as well as put a certain profit into the&#13;
publisher's pocket, then the increased royalty will&#13;
merely act as a deterrent on the publisher's pushing&#13;
the book. The result, therefore, may be summed&#13;
up as follows:—&#13;
1. The number free of royalty must not exceed&#13;
the cost of production and advertisement.&#13;
2. The author should obtain a proportionately&#13;
higher royalty after the sale of the free copies.&#13;
3. If he does not obtain the first the second is&#13;
useless.&#13;
—e—º-e—&#13;
BRITISH WRITERS AND JOURNALISTS IN&#13;
NORTH BOHEMIA.&#13;
—e—6-e-&#13;
N the year 1905 I gave an account in The&#13;
I Author of an expedition made by EEglish&#13;
writers to Bohemia. The tour then made was&#13;
to the interesting and remarkable southern towns.&#13;
This summer I received an invitation for a party&#13;
to visit Prague during the year of its Jubilee Exhi-&#13;
bition, and to explore some of the northern towns&#13;
and rock fastnesses.&#13;
So, at the end of June, twenty-one members of&#13;
the British International Association of Journalists&#13;
landed at the Hook of Holland en route for&#13;
Dresden and Prague.&#13;
Most of the members were specialists, either&#13;
writers upon engineering, education, technical&#13;
developments, chemistry, industrial and municipal&#13;
matters, or historical and topographical writers.&#13;
Each traveller had his especial aim, but the general&#13;
interest and beauty of the scenery very frequently&#13;
made the specialist forget his pet subject in the&#13;
romance in which he was engulfed.&#13;
Before arriving in Prague the travellers were&#13;
met at the Bohemian frontier by M. Franz&#13;
Borovsky, the learned director of the Art and&#13;
Trades Museum in Prague, and some other friends,&#13;
and at Prague itself a warm welcome was received,&#13;
not only from the officials of the city, but from the&#13;
crowd at the station.&#13;
But the northern towns were to be visited before&#13;
Prague really received us, so on the following&#13;
morning at 6 a.m. (there is no sloth in Bohemia)&#13;
we were en route for Turnov or Turnau. I give&#13;
the Bohemian and German spelling, as to-day the&#13;
Bohemian word is largely used, but on our maps&#13;
generally the German word is given. I had&#13;
especially asked that this town should be included&#13;
in the itinerary, not only for the strange wild&#13;
Scenery around it, but also because it possesses a&#13;
most remarkable technical school, in which the&#13;
jewellery and precious stones industry is taught.&#13;
I was anxious our specialists should see this work;&#13;
but, alas ! on arriving in the town, we found the&#13;
School had just been burnt down ; but we were&#13;
enabled to see the apprentices, who attended the&#13;
school, in various workshops, and thus to gain&#13;
an insight into the real outcome of the work.&#13;
Later, in Prague, at the Exhibition, we saw a very&#13;
remarkable artistic exhibit of the school's work.&#13;
This disaster of the fire gave us more time for&#13;
exploring the romantic country around Turnov.&#13;
The whole district is called the “Bohemian Para-&#13;
dise,” and it is the most delightful paradise I..have&#13;
ever visited, though more than once I have found&#13;
myself in paradise, in various parts of the world.&#13;
Our first glimpse of the strange weird beauty of&#13;
the neighbourhood was when we had climbed the&#13;
great Hill of Kopanina, and had the whole district&#13;
with its natural rock fortresses, and its robber&#13;
knight castles, and all the forest, and meadow, and&#13;
corn-land stretched beneath us. We soon had a&#13;
closer view of one of these fortresses, scooped out,&#13;
and into a castle, with chapel and rooms and watch&#13;
towers; a date on it was 1447, just the famous&#13;
period of Bohemia's history. It was a wonderful&#13;
&#13;
&#13;
## p. 21 (#33) ##############################################&#13;
&#13;
TFIE A Crºſ"FIOR.&#13;
21&#13;
walk amidst these great rocks, but I kept silence&#13;
amidst the exclamations, for I knew greater and&#13;
stranger wonders were to come.&#13;
At the little village below the old castle of&#13;
Vranov the schoolmaster came to welcome us; it was&#13;
noticeable everywhere that if the town or village had&#13;
no maire it was the schoolmaster who greeted us.&#13;
Often also his children were drawn up with flags&#13;
to welcome us, and to sing their national air,&#13;
“Where is my home.” The priest rarely took a&#13;
foremost position, although nearly all the inhabi-&#13;
tants are of the Roman Church. Dinners, lunches,&#13;
speeches, and impromptu welcomes met us every-&#13;
where. Very often these greetings were in English,&#13;
even from mayors of towns of a thousand or so&#13;
inhabitants.&#13;
The next two days were spent in this romantic&#13;
paradise, and at Rovensko the young maidens,&#13;
dressed in white, presented us with bouquets and&#13;
examples of the jewel stones found here, and then to&#13;
prove further that they were the “angels” of this&#13;
“paradise” a choir sang their folk songs, and an&#13;
excellent orchestra played Dvorak and Smetana.&#13;
On the stage of the hall in which the lunch was&#13;
served by those same young girls, were busts of&#13;
their national heroes, for the hall is the local&#13;
theatre. This gives a hint of their village and&#13;
small town life ; here the problem of the dullness&#13;
of village life has been solved by self-help and&#13;
culture.&#13;
We were under the shadow of the strange mighty&#13;
castle of Trosky, and up to its great ruin we&#13;
climbed—a double castle on two peaks linked by a&#13;
massive wall. As we descended from this height&#13;
along a romantic road our way was blocked by a&#13;
group of tiny children singing their songs and&#13;
bringing us roses. The schoolmaster in this remote&#13;
village was a most cultured man.&#13;
We drove on to the deep ravine, above which,&#13;
some 600 feet, gleams the castle of Gros Skal.&#13;
Up to this we climbed through a cleft in the&#13;
vast rock piers called the Mouse Hole, with space&#13;
for but one person at a time, and at the summit&#13;
lunch No. 2 awaited us. After this we went for a&#13;
delightful walk through the forest amidst the&#13;
“Rock Town" to Waldstein, the seat of the great&#13;
Wallenstein family.&#13;
Of course I knew all this district, as I had&#13;
described it in my books on Bohemia, but it was&#13;
pleasant to go over the ground with fellow-country-&#13;
men who could understand, not only the natural&#13;
wonders, but the intellectual development of the&#13;
inhabitants, and their intense cultivation of the soil.&#13;
The former was most forcibly illustrated on the&#13;
following day at Jicin, the little town that suffered&#13;
terribly in the war of '66, where, in the Wallenstein&#13;
Palace, the Triple Alliance was signed in 1813.&#13;
Our reception in this little town of 10,000&#13;
inhabitants was marked by intellectual and artistic&#13;
phases, towards which some great cities might&#13;
strive. In the town hall the speeches of the&#13;
mayor and Corporation were in three languages—&#13;
English, French, and Czech. Many of the towns-&#13;
folk described to us in English the historic build-&#13;
ings of their home, and acted as guides in the wild&#13;
romantic labyrinth of the Prachov “Rock Town.”&#13;
that lies above the '66 battlefield of Jicin. We&#13;
returned to the town in the evening, and after a&#13;
choicely served dinner, we had a concert that was&#13;
indeed a delight. An orchestra, a men's choir, and&#13;
a women's choir gave examples of Slav music by&#13;
Dvorak, Bendl, Smetana. The rendering by&#13;
Orchestra and singers was full of fire and tender-&#13;
ness, tone and expression. We learnt that all the&#13;
performers were engaged in business or professions&#13;
in the town. Then came a greater surprise, a lady&#13;
soloist, a Miss Jarmila Wolfova, with a brilliant&#13;
voice ; she, too, was a citizeness of this little city.&#13;
The whole performance was equal to that of a&#13;
musical festival production, save that the choir&#13;
was less in numbers. .&#13;
The Bohemians believe in making everything&#13;
themselves, and so the next morning we found&#13;
luxurious motor cars, with Mr. Clement, their&#13;
maker, as leader, which ran us to other districts of&#13;
this paradise. Indeed, a month's stay would not&#13;
exhaust its wonders. Running swiftly, touching&#13;
fifty miles an hour sometimes, we soon reached&#13;
near Kost, but we walked to it through a “vale of&#13;
tears,” but a lovely one, and had a superb first view&#13;
of Kost and its castle, the four corners of which&#13;
can be seen at once. Here Field-Marshal Won&#13;
Waldkampf and his son met us, and showed us the&#13;
wonders of the place and the beauty around it,&#13;
and in the evening we ran into Mlada-Boleslav or&#13;
Jungbunzlau. Here I stayed with “Emil Treval,”&#13;
the dramatic author, and again we had a delightful,&#13;
concert. When late at night we had retired to&#13;
rest, soft music from the choir beneath our windows,&#13;
told us of the artistic courtesy of a serenade.&#13;
But at 8 a.m. again the automobiles awaited us&#13;
for a run to Bela, or Weisswasser, and after a really&#13;
extraordinary reception in the tiny walled town,&#13;
we climbed old Bösig, 900 feet up, and spent&#13;
some hours in the grand old ruins and in the&#13;
chapel. The view from the great tower is perfect,&#13;
of forest, lakes, village and mountains ; but we had&#13;
to descend, and after a halt at the Countess of&#13;
Wallenstein's castle, that was full of art treasures,&#13;
we took the train into Prague.&#13;
Now the official reception was given us in the&#13;
glorious old town hall by Dr. Gros, the learned&#13;
mayor, and we had our old friends, Dr. Maly, who&#13;
had so helped us in “paradise,” and Dr. Sum as&#13;
guides, with M. Borovsky as chief commander.&#13;
Well it was that he was autocratic, for our time was&#13;
&#13;
&#13;
## p. 22 (#34) ##############################################&#13;
&#13;
22&#13;
THE AUTHOR,&#13;
packed with engagements. The Exhibition, which&#13;
to our specialists had great charms, was excellently&#13;
arranged, and work was lightened by music. One&#13;
concert by the Philharmonic Orchestra, led by the&#13;
famous Nikisch, was a most perfect concord of&#13;
sweet sounds. The Chamber of Commerce and&#13;
other committees took endless pains to help all to&#13;
their especial work, and there was much to see and&#13;
record. Personally, I found the technical Schools&#13;
a wonderful lesson to us in development, of inge-&#13;
nuity, and invention, but here each man and&#13;
woman wrote of his or her own special interests.&#13;
As international journalists we know naught of&#13;
dividing politics or religions, and therefore it was&#13;
a great satisfaction to receive an intimation that&#13;
the Viceroy of Bohemia, Count Coudenove, would&#13;
receive some of our members, and we found him&#13;
most cordial, and on my explaining the special&#13;
interests of some of them, he invited our engineer-&#13;
ing experts, Mr. D. A. Louis, of the Times and the&#13;
Engineer, Mr. Paul Hasluck, and others to accom-&#13;
pany him on an expedition on the Moldau and&#13;
Elbe, to see the great irrigation and flood organis-&#13;
ing works being carried out there. In a genial&#13;
fashion he lunched and dined them, and again&#13;
received us in the most friendly fashion upon our&#13;
calling to bid farewell on leaving Prague.&#13;
Another instance of our visit uniting all classes&#13;
and all races, occurred in our reception at Podie-&#13;
brad, the historic birthplace of King George. Here&#13;
I knew my old friends, Dr. Boucek and Dr. Jelen,&#13;
would secure us a warm welcome, and again we&#13;
were surprised at the intensity of the reception by&#13;
mayor and officials and the whole town. But at&#13;
the castle a further surprise awaited us, for we&#13;
found Prince Hohenlohe, the son of the famous&#13;
Chancellor, with the Princess, awaiting us in the&#13;
courtyard. The Prince had travelled all night&#13;
from the Kiel Regatta, only arriving at 3 a.m.,&#13;
and, with their Serene Highnesses as guides, we&#13;
passed through the halls of the castle and saw its&#13;
treasures, notably the portrait of the Chancellor,&#13;
whose memoirs aroused such excitement; we looked&#13;
out on the old execution terrace, now a parterre of&#13;
lovely flowers overlooking the Elbe, and then&#13;
passed out into the gardens, where, under the&#13;
shady trees, a delightful dejeuner was awaiting us.&#13;
I had the pleasure of thanking our hosts, and&#13;
of calling my British friends' attention to the fact&#13;
that we were in the birthplace of King George,&#13;
from whom nearly all the dynasties of Europe had&#13;
descended, including our own King and Queen.&#13;
After a cordial reply, Prince Hohenlohe drove us&#13;
to the new baths, which are most tastefully&#13;
equipped. Then the great glass works and other&#13;
industries claimed us. Afterwards came a genial&#13;
dinner, with hearty health-drinking, and, of course,&#13;
an excellent concert. Finally the whole population&#13;
hundred towers.”&#13;
escorted us to the station, loading us with bouquets&#13;
and flowers and mementoes of Podiebrad.&#13;
In Prague, after this sortie, the two most&#13;
characteristic episodes were on the Sophie Island&#13;
and on the Petrin, or Strahov Hill, looking down&#13;
On the glorious city.&#13;
The Praguers are impetuous in their adoration of&#13;
Prague, and on the Sunday they led us out to the&#13;
remarkable Ethnographical Museum, that was a&#13;
delight and a lesson to us English, and still more&#13;
so to the Irish amongst us ; and from thence up&#13;
through the park and gardens to the Nebozitek.&#13;
restaurant, where, under the thick shade of the&#13;
trees, a lunch was laid. From this position we&#13;
looked out over the mighty city and the great&#13;
Cathedral, and all the palaces, and the Moldau, or&#13;
Ultava, flowing beneath the historic Carls Bridge.&#13;
It was an inspiring scene, that brought ready&#13;
words to my lips, when I had to reply to the toast&#13;
given by the Lord Mayor, of “Golden Prague of a&#13;
If this scene was poetical and&#13;
dramatic, so also was that upon the Sophie Island,&#13;
when Prague outdid itself in artistic effect.&#13;
But space says halt. The expedition of British&#13;
journalists left Prague again to visit Carlstein, the&#13;
mighty jewelled castle, and Pilsen, where a repre-&#13;
sentation of “ King Lear” in Czech proved M.&#13;
Bordil, who took the part of Lear, to be a great&#13;
actor ; and thence we journeyed home via Eger,&#13;
save those who availed themselves of the Danube&#13;
Steamship Company’s offer to sail down the Danube&#13;
to Buda Pest, that historic stream that far excels&#13;
Rhine or Moselle in grandeur and beauty.&#13;
JAMES BAKER.&#13;
-º-&#13;
w -–wº-&#13;
*&#13;
w&#13;
INSPECTION LIBRARIES AND THE SALE&#13;
OF BOOKS.&#13;
—e-º-º-&#13;
F over-crowding is the natural result of the&#13;
high state of civilisation we have reached&#13;
and a cause of complaint common to all&#13;
professions, there is probably none in which it&#13;
occurs in a more acute form than in that of letters.&#13;
The beginner is the chief, but perhaps not the&#13;
only, sufferer from this state of things. His&#13;
success or failure depends on circumstances which&#13;
are to a great extent beyond his control. He may&#13;
have a lively imagination and considerable dramatic&#13;
ability and yet be unable to work within the&#13;
narrow limits which many theatrical managers&#13;
prescribe ; he may be a man of high poetical&#13;
instinct and yet be told again and again when he&#13;
offers his works that poetry is a drug on the&#13;
market ; or he may even obtain a certain measure&#13;
of success in the shape of favourable reviews and&#13;
&#13;
&#13;
## p. 23 (#35) ##############################################&#13;
&#13;
TISIE AUTISIOR.&#13;
23&#13;
yet fail to secure an adequate pecuniary reward for&#13;
his efforts. Like the soldier in Hans Andersen's&#13;
fairy tale, the author has to deal with three kinds&#13;
of guardians before he can unlock the magic coffers :&#13;
the publishers, the critics, and the booksellers.&#13;
Criticism in general is fair, it is even generous,&#13;
perhaps too generous, and on that account it is&#13;
frequently misleading. As for the booksellers,&#13;
they may have eyes as big as towers and yet be&#13;
blind to the qualities of many excellent works. It&#13;
is not the intrinsic or literary, but the commercial,&#13;
value they will consider. The taste of the majority&#13;
is their criterion, a changing factor it may be, yet&#13;
always the dominant one. The booksellers cater&#13;
very little for minorities. There may be many&#13;
works which would respond to the needs of a&#13;
limited, but not unimportant though scattered,&#13;
portion of the public, and the sale of which would,&#13;
in course of time, fully justify their publica-&#13;
tion, provided that they could be made accessible&#13;
to these readers during a sufficiently long period.&#13;
But there is no room for them on booksellers'&#13;
shelves. If they happen to have found a place&#13;
there they are soon ousted by more recent ones,&#13;
which though perhaps far inferior to them, com-&#13;
mand for the moment the attention of the public.&#13;
The bookseller is not a free agent in this respect ;&#13;
he cannot afford to keep books which are not, so&#13;
to speak, in the eye of the public, and he naturally&#13;
selects for the many rather than for the few. It is&#13;
very much the same with the buyers for subscription&#13;
libraries, and in both cases the over-crowded state&#13;
of the market tends to make such a selection&#13;
imperfect. It is from this selection that the public&#13;
chooses. It does not make its own choice. The&#13;
volumes which are offered to it may be stamped&#13;
with the approbation of the publishers, the critics,&#13;
and the booksellers, but in a great many instances&#13;
it knows little or nothing of their contents. Is it&#13;
surprising that it refuses to buy books with the&#13;
titles of which alone it is acquainted 2 Publishers,&#13;
on the other hand, cannot produce Works that&#13;
booksellers would refuse to purchase, and that the&#13;
public would neglect from lack of knowledge of&#13;
their merits. But the taste of the majority of the&#13;
reading public does not perhaps reach the highest&#13;
standard of literary judgment, and the conditions&#13;
under which books are offered for sale favour in&#13;
some measure the temporary survival of the less&#13;
fit. In literature we find many exceptions to the&#13;
Darwinian law, and the ghosts of mammoths and&#13;
ichthyausauri, if they have a local habitation, may&#13;
rejoice together, for their fate is being avenged.&#13;
The natural remedy for the over-crowded state&#13;
of the book market would appear to lie in the&#13;
establishment of inspection libraries in combina-&#13;
tion with a bookselling department. The purposes&#13;
of such libraries may be briefly stated as follows:–&#13;
1. (a) To enable the reading public to inspect&#13;
briefly all works which might be sent to the library&#13;
for that purpose, and which would be carefully&#13;
classified and arranged. (b) To collect from authors&#13;
enjoying the privilege of exposing their works sums&#13;
varying from 1s. 6d. to 3s. per book per annum.&#13;
2. To prepare a comprehensive classified cata-&#13;
logue containing short descriptive notes of about&#13;
six to ten lines written by the authors for use in&#13;
the inspection library or any of its branches.&#13;
3. (a) To enable the authors to insert somewhat&#13;
similar notes in the books on the shelves, together&#13;
with one or two pages of extracts from press cut-&#13;
tings to be selected by them. (b) To post similar&#13;
notes printed on postcards, at the expense of the&#13;
authors, to anyone inquiring as to the nature of&#13;
any given work upon receipt of a $d. stamp.&#13;
4. To advertise the library in the daily papers&#13;
or otherwise from time to time, and to advertise&#13;
lists of the works contained in the library collec-&#13;
tively at the option and expense of the authors, so&#13;
as to reduce the cost of advertising to a minimum.&#13;
It is probable that ninety-nine out of every&#13;
hundred readers of books would get a much better&#13;
idea of the value and suitability of any work if&#13;
they could have it in their hands for ten or even&#13;
five minutes than they would from any number&#13;
of critical reviews, and in any case, the knowledge&#13;
so obtained would differ considerably from that&#13;
which is to be gleaned from the present sources&#13;
of information. Let us suppose then that a certain&#13;
number of authors were to subscribe sufficient&#13;
capital to rent a fair-sized house or building in&#13;
the neighbourhood of the British Museum, with&#13;
a frontage, if possible, on Oxford Street, and whilst&#13;
retaining the front part of it as a shop, were to&#13;
have the rest, or a large part of it, provided with&#13;
shelves for the reception of all the works of which&#13;
free copies might be obtained. If this plan were&#13;
carried out and were to meet, either in its present&#13;
or in any modified form, with a ready response&#13;
from authors and publishers, who would be alike&#13;
interested in the opening of a new channel for the&#13;
disposal of their stocks, it seems reasonable to&#13;
suppose that this collection of works would in a&#13;
short time become a most important one. That&#13;
being so, one may believe that any member of the&#13;
public in search of suitable literature for his pro-&#13;
fessional or personal requirements would, if in&#13;
London, hasten to the inspection library, where he&#13;
would probably find most of the more recent works&#13;
of his special branch carefully arranged. He&#13;
would then know that in making his choice he had&#13;
before him the best collection of books available&#13;
for his purpose ; for although he would find the&#13;
same works in the British Museum, he could not&#13;
procure them without a previous knowledge of&#13;
their titles, etc. It seems probable that many,&#13;
&#13;
&#13;
## p. 24 (#36) ##############################################&#13;
&#13;
24&#13;
TRIES A UIT)SIOR,&#13;
perhaps the majority, of those inspecting the&#13;
works in the library would place their orders in&#13;
the bookselling department connected with it, and&#13;
that, without reckoning the income to be derived&#13;
from the subscriptions of authors on the books&#13;
they would expose a large part of the rent of the&#13;
premises would thus be earned. Whether any&#13;
portion of the building should be reserved for&#13;
refreshments, or as a reading room, would require&#13;
consideration. It would, however, be essential&#13;
that members of the public should feel themselves&#13;
perfectly free to leave the library without buying,&#13;
for this freedom, coupled with an enlarged supply,&#13;
constitute one of the chief causes of the success of&#13;
large shops. Like them, the inspection library&#13;
could offer the public the most varied collection&#13;
and the best arrangement of its stock. In the&#13;
long run these facilities would insure its prosperity,&#13;
and if the profits obtained exceeded a reasonable&#13;
return on the capital invested, a certain proportion&#13;
of them might be set aside in the first place to&#13;
establish branches, and subsequently to allow a&#13;
diminution of the fees charged to authors for&#13;
exposing their works. The establishment of&#13;
inspection libraries may therefore be said to be in&#13;
the interest of authors, because it would afford all&#13;
an equal opportunity of exposing their works and&#13;
of advertising them collectively at the cheapest&#13;
rates, of publishers because it would enable them&#13;
to get rid of their remainders, and of the public&#13;
because it would furnish it with unequalled&#13;
facilities for choosing and buying. But authors&#13;
are more interested in this matter than publishers&#13;
or the public, and whether they endeavour to bring&#13;
themselves more closely into touch with the latter,&#13;
by this or any other means, if such can be found,&#13;
it is common action on their part that is required.&#13;
D. L.&#13;
LITERATURE AND CRIME.&#13;
—e-º-º-&#13;
(From the Nation, U.S.A., July, 1908.)&#13;
HE recent publication of M. Seghele's book,&#13;
“Littérature et Criminalité,” has reopened&#13;
in France the discussion of the relation of&#13;
crime to literature. The French have often singed&#13;
their wings in this flame. Every one feels that the&#13;
printed word may be a source of corruption ; is&#13;
certain that the public should assume Some&#13;
responsibility in checking the evil; but no one&#13;
has devised any practicable means of attack.&#13;
Official purity, it is generally agreed, is too often&#13;
official prudery which condemns the just and the&#13;
unjust alike. Fifty years ago Flaubert underwent&#13;
arraignment on the score of “Madame Bovary.”&#13;
His advocate, M. Senard, maintained that the&#13;
who fell dead beside her.&#13;
defendant was a man of severe and august&#13;
character, actuated by the highest artistic pur-&#13;
poses. Only the other day, when M. Georges&#13;
Lecomte was protesting before the Société des Gens&#13;
de Lettres against the indecency of contemporary&#13;
literature, he declared that, had he been present at&#13;
that celebrated trial, he would have done homage&#13;
not only to the conscience of the artist, but also to&#13;
the nobility of the book.&#13;
The type of literature which is most cried out&#13;
upon in this country is perhaps the least dangerous&#13;
—that dealing frankly with arson, highway robbery,&#13;
adultery, and murder. It may suggest the means,&#13;
but—excepting boy brigands, inspired by the penny&#13;
dreadful—seldom the motive of wrongdoing. It&#13;
takes root only in minds already fertile in evil&#13;
impulses. The letter accompanying the fatal gift&#13;
of poisoned ale in Philadelphia ironically requested&#13;
that the brew be recommended to the victim's&#13;
family. There was in this something suggestive&#13;
of the cold-blooded facetiousness of the Borgias.&#13;
Life puzzles the observer with a specious mimicry&#13;
of literature. In New Rochelle an Italian trapped&#13;
his unfaithful wife. Drawing his stiletto, he ran&#13;
her through the neck and then stabbed the lover,&#13;
As if more completely&#13;
to mimic a scene in the theatre, innocent children&#13;
were playing in the adjoining room. Yet one&#13;
cannot think that this fruit-peddler's mind had&#13;
been debauched by D'Annunzio's “Francesca da&#13;
Rimini.” A more plausible case is that of the&#13;
young man who drank poison and died to waltz&#13;
music in a public theatre, after the fashion of the&#13;
heroes of Ford and Massinger. This instinct for&#13;
the dramatic among criminals appears rather to be&#13;
fed than stimulated by literature. M. Claretie&#13;
cites in the Temps the celebrated case of Charles&#13;
Iſemaire, who killed his prospective step-mother on&#13;
the eve of her marriage. Showing his hands red&#13;
with blood, he exclaimed in Shakespearean phrase,&#13;
“Fine gloves for my father's wedding . "&#13;
In so far as literature presents crime as crime, it&#13;
is comparatively innocuous; it becomes dangerous&#13;
when it presents crime as duty, as self-realisation,&#13;
as experience, or as asthetic gratification. In a&#13;
letter published in the Public of June 26, the&#13;
writer reviles the Chicago authorities for their&#13;
treatment of Emma Goldman. In her lectures at&#13;
Portland, Ore., he says. that excellent woman&#13;
spoke on the revolutionary spirit of modern&#13;
drama, “ dealing in a very sympathetic and in-&#13;
tellectual manner with Ibsen, Hauptmann, Shaw,&#13;
and Sudermann. You might as well send police&#13;
to the meetings of the trustees of the Chicago&#13;
University.” The Chicago authorities, however,&#13;
recognised Emma Goldman as a perilous link&#13;
between these dramatists and the bomb-throwers.&#13;
They have become distrustful of the so-called&#13;
&#13;
&#13;
## p. 25 (#37) ##############################################&#13;
&#13;
THE AUTISIOR.&#13;
25&#13;
“peaccable anarchy.” They have learned that a&#13;
certain kind of literature begets dynamite, and they&#13;
are not ashamed of panic when a fanatic, educated&#13;
to a sense of his duty, rushes out bomb in hand,&#13;
burning for martyrdom.&#13;
The literature which exalts self-realisation as an&#13;
ultimate end is older than the German storm and&#13;
stress period, and as young as the latest novel of&#13;
the Jack London school. It appeals powerfully to&#13;
the masculine spirit endowed with a rich animal&#13;
nature. It furnishes a religion to the religiously&#13;
emancipated, and a sanction to the strong man&#13;
with vividly surviving instincts of the barbarian.&#13;
Under the guidance of the German madman whom&#13;
so many innocents have taken for a god, it would&#13;
bring back Nature red in tooth and claw. It&#13;
teaches—to use Tolstoy's words in summarising&#13;
a philosophical work published a few years ago in&#13;
Chicago — that “all laws, commandments, or&#13;
doctrines as to not doing to another what you&#13;
do not wish done to you, have no inherent&#13;
authority whatever, but receive authority from&#13;
the club, the gallows, and the sword. A man&#13;
truly free is under no obligation to obey any&#13;
injunction, human or divine.” It is the creed&#13;
of the lions of the Renaissance, the creed of&#13;
Napoleon, the creed of red anarchy, and the&#13;
creed of many of the great business men of&#13;
America.&#13;
A somewhat different Criminal motive is that&#13;
furnished by the type of literature which presents&#13;
experience as an end in itself. The man whose&#13;
aim is self-realisation attempts to crush all else&#13;
into his own personality ; the man whose aim is&#13;
experience attempts to crush his personality into&#13;
all else. Not quality is desired, but variety, inten-&#13;
sity, and strangeness. The hero of experience&#13;
leads a fundamentally histrionic life ; his success&#13;
he measures by the number of rôles he has played.&#13;
He lays his past aside like a garment. He gives&#13;
no pledges to the future. He lives in the present&#13;
noment, like the epicurean ; but, unlike Epicurus,&#13;
he delights as much in the sty as in the wreathed&#13;
roses. Sin and terror allure his imagination. He&#13;
is a vivisectionist, physical and spiritual, for the&#13;
quaint excitement of anguish. A good illustration&#13;
of this instinct in its most morbid form was fur-&#13;
nished by the instructor at Cambridge, Mass., who&#13;
two years ago gave his wife arsenic, hoping, since&#13;
he loved her, to see her soul depart from the body&#13;
in the moment of death. He had been preparing&#13;
a thesis on insanity in German literature.&#13;
The literature which makes asthetic gratification&#13;
the end of existence defeats its own end. Pursued&#13;
as an ultimate goal, it leads sooner or later into&#13;
quagmires. The aesthete wanders from home in&#13;
the quest of new and strange beauties. His truant&#13;
feet stray from the classic to the romantic, and&#13;
thence to the grotesque ; from the moral to the&#13;
unconventional, and thence to the illicit ; from the&#13;
sound to the unsound, and thence to the insane ;&#13;
from the chaste to the unchaste, and thence to the&#13;
indecent. Yet the price of illicit aesthetic pleasure&#13;
is the loss of all asthetic pleasure. The unhappy&#13;
man, as M. Lecomte says, who little by little allows&#13;
himself to be soiled with all that filth, becomes&#13;
finally insensible to a vigorous thought, an&#13;
expressive portrait, or the proud wing of poetry.&#13;
Dulled and stupefied by the contemplation of&#13;
obscene images, he is incapable of feeling true&#13;
beauty, of understanding, for example, the look and&#13;
smile of La Gioconda or the harmonious and living&#13;
majesty of the Victory of Samothrace.&#13;
4—Q- e.&#13;
CONTEMPORARY CRITICISMS.—VIII.&#13;
—º-º-º-&#13;
REMARKS ON SHELLEY's ADONAIS.&#13;
. . . The Della Crusca school has visited us&#13;
again, but with some slight change of localities.&#13;
Its verses now transpire from the retreats of&#13;
Cockney dalliance in the London suburbs, some-&#13;
times they visit us by fragments from Venice, and&#13;
Sometimes invade us by wainloads from Pisa. In&#13;
point of subject and treatment there is but slight&#13;
difference ; both schools are smitten with “Nature,&#13;
and Nature's love,” run riot in the infrigues of&#13;
animonies, daisies, and buttercups, and rave to the&#13;
“rivulet proud, and the deep blushing stars.” . . .&#13;
We must do the defunct Della Crusca the justice&#13;
to say that they kept their private irregularities to&#13;
themselves, and sought for no reprobate popu-&#13;
larity. . . . They talked nonsense without measure,&#13;
were simple down to the lowest degree of silliness,&#13;
and “babbled of green fields" enough to make&#13;
men sicken of summer, but they were not daring&#13;
enough to boast of impurity; there was no pestilent&#13;
hatred of everything generous, true, and honour-&#13;
able; no desperate licentiousness in their romance;&#13;
no daring and friendlike insult to feeling, moralities,&#13;
and Christian principle. They were foolish and&#13;
profligate, but did not deliver themselves with the&#13;
steady devotedness of an insensate and black&#13;
ambition to the ruin of society.&#13;
We have now to speak of Mr. P. B. Shelley and&#13;
poem. Here we must again revert to the Della&#13;
Crusca. One of the characteristics of those childish&#13;
persons was the restless interest which they sum-&#13;
moned the public to take in everything belonging&#13;
to their own triviality. If Mrs. Robinson's dog had&#13;
a bad night's repose it was duly announced to the&#13;
world. . . . All within their enchanted ring was&#13;
perfection . . . all beyond was delivered over to&#13;
&#13;
&#13;
## p. 26 (#38) ##############################################&#13;
&#13;
26&#13;
THE AUTHOR.&#13;
the empire of Dulness and Demogorgon. The&#13;
New School are here the humble imitators of those&#13;
original arbiters of human fame.&#13;
Mr. P. B. Shelley having been the person&#13;
appointed by the Pisan Triumvirate to canonise&#13;
the name of poor Keats, “nipt in the bud,” as he&#13;
loudly tells us, has produced an Elegy, in which he&#13;
weeps “after the manner of Moschus for Bion.”&#13;
Locke says that the most dissolute liar cannot lie&#13;
more than once in every three sentences. Folly is&#13;
more engrossing; for we could prove, from the&#13;
present Elegy, that it is possible to write two sen-&#13;
tences of pure nonsense out of every three. A&#13;
more faithful calculation would bring us to ninety-&#13;
nine out of every hundred, or, as the present Con-&#13;
sists of only fifty-five stanzas, leaving about five&#13;
readable lines in the entire. . . . Mr. Shelley and&#13;
his tribe have been panegyrised in their turn for&#13;
power of language, and the man of “Tabletalk”&#13;
swears by all the gods he owns that he has a great&#13;
command of words, to which the most eloquent&#13;
effusions of the Five Courts are occasionally inferior.&#13;
But any man may have the command of every word&#13;
in the vocabulary if he will fling them like pebbles&#13;
from a sack; and even in the most fortuitous&#13;
flinging they will sometimes fall in pleasing though&#13;
useless forms. This art of the modern Della Crusca&#13;
is thus to eject every epithet that he can con-&#13;
glomerate in his piracy through the lexicon, and&#13;
throw them out to settle as they will. He follows&#13;
his own rhymes, and shapes his subject to the close&#13;
of the measure. He is a glutton of all manner of&#13;
colours, and flowers, and smells, and tastes, and&#13;
crowds his verse with scarlet, and blue, and yellow,&#13;
and green ; extracts tears from everything, and&#13;
makes moss and mud hold regular conversations&#13;
with him. “A goosepye talks,” it does more, it&#13;
thinks, and has its peculiar sensibilities . . . it smiles&#13;
and weeps, raves to the stars, and is a listener to&#13;
the western wind, as fond as the author himself.&#13;
On these principles a hundred or a hundred&#13;
thousand verses might be made equal to the best&#13;
in Adonais without taking the pen off the paper.&#13;
Percy Bysshe has figured as a sentimentalist before,&#13;
and we can quote largely without putting him to&#13;
the blush by praise. What follows illustrates his&#13;
power over the language of passion. In the Cenci&#13;
Beatrice is condemned to die for parricide . . . a&#13;
situation that, in a true poet, might awaken a&#13;
noble succession of distressful thought. The&#13;
mingling of remorse, natural affection, woman's&#13;
horror of murder, and alternate melancholy and&#13;
fear at the prospect of the grave, in Percy Bysshe&#13;
worked up only this frigid rant :—&#13;
“How comes this hair undone 7&#13;
Its wandering strings must be what blinds me so,&#13;
And yet I tied it fast ! / i -&#13;
x - &gt;k × $ x - 2 . ; .&#13;
The sunshine on the floor is black / The air&#13;
Is changed to vapours, such as the dead breathe&#13;
In charnel pits Poh I am choaked There creeps&#13;
A clinging black, contaminating mist,&#13;
About me—'tis substantial heavy, thick.&#13;
I cannot pluck it from me, for it glues&#13;
My fingers and my limbs to one another,&#13;
And eats into my Sinews, and dissolves&#13;
My flesh to a pollution,” etc., etc.&#13;
So much for the history of “Glue,” and so much&#13;
easier it is to rake together the vulgar vocabulary&#13;
of rottenness and reptilism than to paint the work-&#13;
ings of the mind. This raving is such as perhaps&#13;
no excess of madness ever raved, except in the&#13;
imagination of a Cockney, determined to be as mad&#13;
as possible and opulent in his recollections of the&#13;
shambles. . . . And it is to this dreary non-&#13;
sense that is to be attached the name of poetry&#13;
Yet on this passage the whole lauding of his fellow-&#13;
Cockneys has been lavished. But Percy Bysshe&#13;
feels his hopelessness of poetic reputation, and&#13;
therefore lifts himself on the stilts of blasphemy.&#13;
He is the Only verseman of the day who has dared&#13;
in a Christian country to work out for himself the&#13;
character of direct Atheism In his present poem&#13;
(Adonais) he talks with impious folly of “the&#13;
envious wrath of man or God l’”. Of a&#13;
“Branded and ensanguined brow,&#13;
Which was like Cain's, or CHRIST’s.”&#13;
Offences like these naturally come before a more&#13;
effective tribunal than that of criticism. We have&#13;
heard it mentioned as the only apology for the&#13;
predominant irreligion and nonsense of this person's&#13;
works, that his understanding is unsettled. But&#13;
in his preface there is none of the exuberance of&#13;
insanity; there is a great deal of folly and a&#13;
great deal of bitterness, but nothing of the wilder-&#13;
ness of his poetic fustian. The Bombastes Furioso&#13;
of these stanzas cools into sneering in the preface ;&#13;
and his language against the death-dealing Quarterly&#13;
Review, which has made such havoc in the empire.&#13;
of Cockaigne, is merely malignant, mean, and&#13;
peewishly personal. . . . - -&#13;
The seasons and a whole hosts of personages, ideal&#13;
and otherwise, come to lament over Adonais. They&#13;
act in the following manner:—&#13;
“Grief made the young Spring wild, and she threw down&#13;
Her kindling buds. . . .&#13;
To Phoebus was not Hyacinth so dear,&#13;
Nor to himself Narcissus, as to both,&#13;
Thou, Adonais; wan they stand, and sere,&#13;
Amid the drooping comrades of their youth,&#13;
With dew all turned to tears, odour to sighing ruth.”&#13;
Death makes, as becomes him, a great figure in&#13;
this “Lament,” but in rather curious operations.&#13;
He is alternately a person, a thing, nothing, etc.&#13;
He is “The coming bulk of Death,” then&#13;
“Death feeds on the mute voice.”&#13;
“Kingly Death keeps his pale court.”&#13;
&#13;
&#13;
## p. 27 (#39) ##############################################&#13;
&#13;
TRIES A UTFIOR. 27&#13;
“The shadow of white Death.”&#13;
“Death blushed to annihilation / " .&#13;
. . . this wild waste of words is entirely beyond&#13;
our comprehension.&#13;
Adonais has been published by the author in&#13;
Italy, the fitting soil for the poem, sent over to his&#13;
honoured correspondents throughout the realm of&#13;
Cockaigne, with a delightful mysteriousness worthy&#13;
of the dignity of the subject and the writer.&#13;
(Weekly Entertainer, 1822.)&#13;
a – A-&#13;
v-u-&#13;
FRENCH NoveLISTS OF T0-DAY."&#13;
—e-º-º-&#13;
-- BOOK on French novelists of the present&#13;
day should appeal alike to those who know&#13;
their works and to those who do not.&#13;
The former Jook for appreciative criticism, the&#13;
latter desire a stimulus to study.&#13;
To a limited extent these demands have been&#13;
fulfilled. Yet, on laying down the book it is&#13;
doubtful if either class will be much enlightened&#13;
as to the wonderful charm and delicacy of French&#13;
authors, or enriched by fresh insight into the&#13;
characters of men whose thoughts are not naturally&#13;
in touch with English minds.&#13;
M. Anatole France has fared best. He stands&#13;
before us as a living man, not a lay figure. His&#13;
work is summed up concisely, the extracts are well&#13;
chosen, and in the minds of those who have not&#13;
read his novels will excite interest and a desire for&#13;
more. It is unfortunate that authors such as&#13;
Bourget and Loti are not treated in the same&#13;
manner, and that so much space has been lavished&#13;
on Pierre de Coulevain of secondary rank.&#13;
The writer seems to be more in sympathy with&#13;
this quasi Frenchwoman, whilst acknowledging&#13;
that her books have hardly the vogue in France&#13;
that they enjoy elsewhere. After forty pages&#13;
devoted to setting forth the merits of her some-&#13;
what disjointed writings, it is disappointing&#13;
to find Loti disposed of in twenty, which deal&#13;
chiefly with his egoism and weakness. Some asser-&#13;
tions at the very end might lead the reader to send&#13;
for a copy of “Pécheurs d’Islande,” but raise a&#13;
doubt whether his other masterpiece “Mon Frère&#13;
Yves,” were worth the trouble of perusing. A few&#13;
extracts from these books would give a far clearer&#13;
idea of their power and mysterious charm than the&#13;
attempt to explain his conception of the Ocean.&#13;
Both Loti and Bourget are placed before us in&#13;
a repellent light, and the commendation of their&#13;
* “French Novelists of To-day,” by Winifred Stephens.&#13;
Published by John Lane. 6s. met.&#13;
books is not convincing. The touch which makes&#13;
one realise their great charm is lacking.&#13;
Again, the description of Barrès's books leaves&#13;
us with an impression first, that his early work&#13;
is full of childish egoism, and his later writings&#13;
spoilt by the intrusion of politics; and secondly,&#13;
that this from an artistic point of view is&#13;
detrimental and tends to narrow the interest.&#13;
Surely this is not the impression the author&#13;
intended to convey. If it is true, then, it seems a&#13;
mistake to select him as a typical French writer&#13;
when others with better claims have been passed&#13;
OWer. -&#13;
It is also open to question why Rod, a Swiss,&#13;
many of whose books deal with his native land,&#13;
should have so much space allotted to him. It is&#13;
true he writes in French, but we are not convinced&#13;
by this book at any rate—that he represents a&#13;
phase of French thought.&#13;
Even his own avowal “Paris demeure ma ville&#13;
d'élection ” does not strike us so forcibly as the&#13;
fact that he was born a Swiss and began life as a&#13;
Calvinist. Parisian he certainly is not, though he&#13;
may have tried loyally to assimilate the atmosphere.&#13;
To sum up, this book shows insight and a certain&#13;
adroitness in cataloguing and describing the con-&#13;
tents of the works in question. For purposes of&#13;
reference it will be found most useful, but in other&#13;
respects it falls short of the demands made on it.&#13;
Towards the end it is full of vague generalities&#13;
and stock phrases which neither do justice to the&#13;
Works under discussion nor arouse a desire to read&#13;
them and judge independently.&#13;
As if the writer had wearied of the task, the&#13;
criticism becomes tame and lacks suggestiveness.&#13;
The result is unsatisfactory both to those who are&#13;
conversant with French literature and to those who&#13;
seek for guidance.&#13;
—e—º-e—&#13;
CORRESPONDENCE.&#13;
——º-º-&#13;
PENSION FUND.&#13;
SIR,--I quite agree with Mr. W. G. Scoon that&#13;
five shillings a year is a reasonable sum for every&#13;
member to pay towards the Pension Fund, and&#13;
should be made compulsory, except in cases where&#13;
actual poverty exists, and these would be very few&#13;
in number. I mentioned a shilling in my first&#13;
letter because the payment was compulsory, but I&#13;
also added I hoped a great many members would&#13;
give far more.&#13;
According to the list published by you in The&#13;
Author only 180 members give subscriptions and&#13;
donations. Mr. Scoon's estimate is that we have&#13;
&#13;
&#13;
## p. 28 (#40) ##############################################&#13;
&#13;
28&#13;
THE A traºrror.&#13;
2,000 members, therefore 1,720 give nothing. This&#13;
cannot be as it should be. We are nothing if not&#13;
a brotherhood, and why should we, to use Sir&#13;
Walter Besant's words, pass round the hat to&#13;
outsiders when we are capable of helping ourselves.&#13;
I cannot see, however, why a reserve fund of more&#13;
than £5,000 should be required. Supposing the roll&#13;
of members to be kept up, £500 a year would be&#13;
available for distribution (when once the reserve&#13;
of £5,000 had been reached) out of members’&#13;
subscriptions—surely a more than ample sum for&#13;
the needs of those members whose incomes are&#13;
very small. Might it not be possible eventually&#13;
to extend help in cases of great distress through&#13;
Sudden accident, or disease that must soon end&#13;
fatally, if it were the husband who was stricken&#13;
down; even though he should not have attained&#13;
the age of sixty 2 Should the number of members&#13;
fall off, the number of those needing pensions&#13;
would be reduced in direct proportion. I suppose&#13;
no actuary would give the average of life after&#13;
the age of sixty as more than fifteen years, there-&#13;
fore, as time goes on there will always be pensions&#13;
falling in to increase the sum of £500 a year, the&#13;
interest of the existing £5,000—another £150 at&#13;
least. Mr. Scoon advocates a pension of £25&#13;
a year. Could he not extend it to £26, ten&#13;
shillings a week, so as to place an unfortunate&#13;
author on a level with Giles and Hodge, should&#13;
the Old Age Bill pass 2 Could anyone desire&#13;
more ?&#13;
AUGUSTA HARCOURT ROE.&#13;
“ C. K. S.”&#13;
SIR,-“C. K. S.’ ” views on literary ethics as&#13;
announced to the world in the case of Humphreys&#13;
v. Thomson will not be endorsed by many of the&#13;
society, who will probably be more inclined to&#13;
adopt the views of the judge and jury, that literary&#13;
work should not be at the mercy of re-hash at&#13;
the hands of irresponsible editors. And now&#13;
that the case is not to proceed further it is&#13;
permitted for one to say so.&#13;
But the many lowers of Fitzgerald must have&#13;
squirmed at so hideous a misquotation as fell from&#13;
the lips of the great littérateur during the progress&#13;
of the case, unless the reporters have maligned&#13;
him ; and now that it has again appeared in your&#13;
columns it should be gibbetted without mercy.&#13;
“Ah, take the cash in hand, and let the credit&#13;
go,” “C. K. S.” was reported to have said, which&#13;
does not so correctly interpret his attitude towards&#13;
literary work as what Fitzgerald really wrote:&#13;
“Ah, take the cash in hand, and waive the rest,”&#13;
and does not give the same awful shock to all&#13;
lovers of&#13;
OMAR.&#13;
WANTED, AN AUTHORs' CLUB.&#13;
SIR,-As a member for some years of the&#13;
existing Authors’ Club, I quite agree with “John&#13;
Bickerdyke’’ that it is highly desirable that such&#13;
an institution—in many ways unique—should not&#13;
be allowed to disperse. -&#13;
In the establishment at the present moment of&#13;
another club on the lines—modest though they be&#13;
—sketched out in the current month's Author by&#13;
“John Bickerdyke,” I see great difficulties in the&#13;
way of preliminary organisation. ~ -&#13;
I regret that circumstances prevented my&#13;
attendance at the extraordinary general meeting&#13;
of the club recently held, or I might have made&#13;
a certain proposal.&#13;
I am, however, in a position to state that an&#13;
established West End club would be willing to place&#13;
the advantages named below at the disposal of the&#13;
present members of the Authors’ Club at terms&#13;
more advantageous than those mentioned by&#13;
“John Bickerdyke.”&#13;
These would include, in addition, of course, to&#13;
the entire use of the club as members, facilities&#13;
for Occasional meetings of the Authors’ Club&#13;
members in one of the rooms of the club.&#13;
The subscription would, in no case, exceed&#13;
£2 2s. per annum, without entrance fee.&#13;
If any members of the Authors’ Club care to&#13;
Communicate with me direct at address below I&#13;
will at once place them in communication with&#13;
the proper authorities, who would no doubt consent&#13;
to a general meeting being held on the premises to&#13;
formulate any decisions that might be thought&#13;
advisable.&#13;
Yours truly,&#13;
J. WARRINER, Mus.D.&#13;
de Crespigny Lodge,&#13;
Denmark Hill, S.E.&#13;
TRANSLATION WORK.&#13;
SIR,-May I request a few lines of your space&#13;
in order to warn authors against the dangers&#13;
attendant on undertaking translation work at&#13;
the request of publishers, unless payment in cash&#13;
forms part of the consideration. Payment by&#13;
royalties is full of dangers and pitfalls. You are&#13;
already aware of my own bitter experience, which&#13;
I will gladly make known to any author who may&#13;
be in need of guidance or advice. -&#13;
Yours faithfully,&#13;
- F. THOROLD DICKSON,&#13;
Barrister-at-law.&#13;
&#13;
&#13;
## p. 28 (#41) ##############################################&#13;
&#13;
AD VERTISEMENTS. iii&#13;
“TWO IN THE DARK."&#13;
By GEORGE G. MAGNUS.&#13;
THIRD EDITION.&#13;
“Not far behind the ‘Dolly Dialogues.’ ”—Outlook.&#13;
“Wholly charming. . . . Genuinely humorous without being either&#13;
mawkish or overdone. The episodes are natural, the conversations&#13;
witty, and the conclusion all that could be desired.”—Glasgow Herald.&#13;
“It has much of the airy humour and real craftsmanship of the&#13;
* Dolly Dialogues.’”—Birmingham. Post.&#13;
“A welcome change to the heavy wares of most modern fiction&#13;
mongers. A pretty humour pervades every page, and the most every-&#13;
day incidents in the lives of two budding litterateurs (male and female,&#13;
of course), keep effervescing into the most delightful situations in a&#13;
Way which will act as a tonic to the blasé,”—Scotsmam.&#13;
At all principal Bookstalls, 1|- net.&#13;
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&#13;
&#13;
## p. 28 (#42) ##############################################&#13;
&#13;
iv AD VERTISEMENTS.&#13;
s º * - - ‘. . * * * -º&#13;
º º: • * - Fºº. - sº fº .&#13;
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By submitting only carefully selected work (unsuitable work is returned by us at once) we can guarantee&#13;
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Many well-known Editors are clients of this Agency—a fact that speaks for itself.&#13;
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s Among the English Periodicals accepting MSS. from us may be mentioned :-The Graphic, Red Magazine, Fry’s&#13;
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Magazine, Weekly Dispatch, The Royal, Sketchy Bits, Lady's Realm, Boy's Own Paper, Good Words, Penny&#13;
Magazine, Amswers, Madame, Daily Mirror, Novel Magazine, Pearson's Weekly, The Tatler, Daily Mail, Windsor&#13;
Magazine, Fortnightly Review, Motoring Illustrated, Pearson's Magazine, Girl’s Realm, Home Notes, Red Letter,&#13;
I/lustrated Sporting and Dramatic News, The Young Man, Family Herald, Great Thoughts, Our Home, Country Life,&#13;
Manvchester Everving Chronicle, The Regiment, Nimeteenth Century and After, The Throne, Macmillan's Magazine,&#13;
Investor's Chronicle, The Month, The World, The Bystander, The Captain, Pall Mall Magazine, Home Counties&#13;
Magazine, Vanity Fair, Naturalist's Quarterly Review, Woman, Hearth and Home, Home Words, Weekly Telegraph,&#13;
Tit-Bits, Puck, People's Friend, Weekly Welcome, World's Work, New London Journal, John Bull, Black and White,&#13;
Daily Ea:press, Brett's Publications, Lady’s Pictorial, Fore's Sporting Sketches, etc., etc., etc. -&#13;
MSS. submitted by GEORGE G. MAGNUS—“An expert in knowledge of the&#13;
Literary Market.”&#13;
WRITE FOR TERMS AND UNIQUE TESTIMONIALS.&#13;
ESTABLISHED] The Athenaeztyn. Press, Taztzztozz, - [XVIII. CENT.&#13;
BARNICOTT &amp; PEARCE&#13;
INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
AUTHORS' TYPEWRITING. “THE AUTHOR.”&#13;
Novel and Story Work ... 9d. per 1,000 words; 2 Copies, 1/-&#13;
General Copying tº tº ... 1 - 33 33 ,, . 1/3 SCALE FOI&amp; 4 D VERTIS EMENT'S.&#13;
Plays, ruled (a speciality) ... 1: " ... ." " "* | [ALLowANCE to MEMBERs of THE sociFTY 20 PER CENT)&#13;
Specimens and Price List on application. * - Front Page - - 34 0 0&#13;
MISS A. B. STEVENSON, Yew Tree Cottage, other Pages . . . . . . . . * 1: .&#13;
Half of a Page ... tº gº è tº tº º * tº 4 sº e ∈ tº e ſº tº º º&#13;
sutton, MACCLESFIELD. Quarter of a Page tº e &amp; is § 9 &amp; © tº tº e e tº ſº º ..., 0 15 0&#13;
Eighth of a Page a w tº tº e g ë tº 9 tº € $ e tº a ... . . ; 9 7, 9&#13;
TY PEWRITING OFFICES. Single Column Advertisements ... &amp; © tº tº e 8 per inch 0 ; §&#13;
(Established 1897.) Bills for Insertion tº º tº tº º e = { tº º ºs per 2,000 3&#13;
COVENTRY. — Please note Change of | Reduction of 20 per cent. made for a Series of Six and of 25 per cent. for&#13;
Address to “WESTLEIGH,” KING RICHARD - Twelve Imsertions. -&#13;
lf Ivºr, mºn u" wald House lilee Il Advertisements should reach the Office not later than the 20th for&#13;
gº º * º: * r *Nº fr; 3. Q: insertion in the following month's issue.&#13;
Victoria Hoad. TYPEWRITING of º All letters respecting Advertisements should be addressed to the&#13;
DESCRIPTION, from 9d, per 1,000 words. ADVERTISEMENT MANAGER, The Awthor Office, 39, Old Queen Street&#13;
References when required. Storey's Gate, S.W.&#13;
Printed by BRADBURy, AGNEw, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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