https://historysoa.com/files/original/5/333/1900-08-01-The-Author-11-3.pdf 594215024095b53fec336cff258db9e4 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Author Subject The topic of the resource The Author Description An account of the resource A digitised run of the Society of Authors' monthly periodical, The Author, 1890–1914, made available together for the first time. Currently users can browse issues and <a href="https://historysoa.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Index&collection=&type=&tags=&exhibit=&date_search_term=&submit_search=Search+For+Items&sort_field=Dublin+Core%2CTitle">indices</a> (not available for all volumes). Full text search for all issues, and other additional search functionality, will be added in 2022. Date A point or period of time associated with an event in the lifecycle of the resource 1890–1914 Identifier An unambiguous reference to the resource within a given context The-Author-Issues Publication Date The date of an event (in YYYY, YYYY-MM or YYYY-MM-DD format) 1900-08-01 Volume 11 Issue 3 Pages Page range in volume 41–60 Ngram Date Version of the date in YYYYMMDD format for use by the Ngram plugin 19000801 Ngram Text Version of the text with no HTML formatting for use by the Ngram plugin The Et utbor. (The Organ of the Incorporated Society of Authors. Monthly.) CONDUCTED BY WALTER BESANT. Vol. XI.—No. 3.] AUGUST 1, 1900. [PRICE SIXPENCE. 2 ... 53 CONTENTS. PAGE PAGE Memoranda ... ... ... ... ... ... ... ... ... 41 The Authors' Club ... ... ... ... ... ... ... ... 52 Literary Property Civil List Pensions ... 1. United States Circuit Court.-Southern District of New The Police as Censors York ... .. . ... ... ... ... ... ... 42 Bombay Society of Authors ... ... 54 2. Review or Return? ... Correspondence --1. Concerning English Authors ia the United 3. The Chambers of Commerce • States. 2. " Printers' Errors" 3. Long Retention of MSS. The Copyright Act and the Five Gratis Copies 1 ... 44 4. The Indian Government as Publishers. 5. The Hardships American Letter. By John Russell Davidson ... 46 of the Typist ... . ... ... ... ... ... ... 54 Paris Letter, By Darracotte Scott ... Book and Play Talk... Notes from the Bulletin of the Society of American Authors.” 51 | | Books and Reviews ... ... 48 PUBLICATIONS OF THE SOCIETY. 1. The Annual Report. That for the past year can be had on application to the Secretary. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary Property. Issued to all Members, 6s. 6d. per annum. Back numbers are offered at the following prices : Vol. I., 108. 6d. (Bound); Vols. II., III., and IV., 88. 6d. each (Bound); Vols. V. to VIII. (Unbound), 6s. 6d. 3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. Henry Glaisher, 95, Strand, W.C. 38. 4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE, late Secretary to the Society. 18. 5. The Cost of Production. In this work specimens are given of the most important forms of type, size of page, &c., with estimates showing what it costs to produce the more common kinds of books. Henry Glaisher, 95, Strand, W.C. 28. 6d. (Out of print at present.) 6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the papers in the Society's offices, the various forms of agreements proposed by Publishers to Authors are examined, and their meaning carefully explained, with an account of the various kinds of fraud which have been made possible by the different clauses in their agreements. Henry Glaisher, 95, Strand, W.C. 38. . 7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With Extracts from the Report of the Commission of 1878, and an Appendix containing the Berne Convention and the American Copyright Bill. By J. M. LELY. Eyre and Spottis- woode. 18. 6d. 8. The Society of Authors. A Record of its Action from its Foundation. By Walter BESANT (Chairman of Committee, 1888–1892). 18. 9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST LUNGE, J.U.D. 28. 6d. 10. The Addenda to the “Methods of Publishing." "By G. HERBERT THRING. Being additional facts collected at the office of the Society since the publication of the “ Methods," With comments and advice. 28. 11. Forms of Agreement issued by the Publishers' Association ; with Comments. By G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 18. ## p. 40 (#66) ############################################## ADVERTISEMENTS. The Society of Nuthors (Incorporated). PRESIDENT. GEORGE MEREDITH. COUNCIL. SIR EDWIN ARNOLD, K.C.I.E., C.S.I. AUSTIN DOBson. SIR LEWIS MORRIS. J. M. BARRIE. A. CONAN DOYLE, M.D. HENRY NORMAN. A. W. À BECKETT. A. W. DUBOURG. Miss E. A. ORMEROD. ROBERT BATEMAN. SIR MICHAEL FOSTER, K.C.B., F.R.S. GILBERT PARKER. F. E. BEDDARD, F.R.Ş. D. W. FRESHFIELD. J. C. PARKINSON. SIR HENRY BERGNE, K.C.M.G. RICHARD GARNETT, C.B., LL.D. A. W. PINERO. SIR WALTER BEBANT. EDMUND GOSSE. THE RIGHT Hon. THE LORD PIR- AUGUSTINE BIRRELL, M.P. H. RIDER HAGGARD. BRIGHT, F.R.S. THE REV. PROF. BONNEY, F.R.S. THOMAS HARDY. SIR FREDERICK POLLOCK, Bart., LL.D. THE RIGHT HON. JAMES BRYCE, M.P. ANTHONY HOPE HAWKINS. WALTER HERRIES POLLOCK. THE RIGHT Hon. THE LORD BURGH JEROME K. JEROME. E. ROSE. CLERE. J. SCOTT KELTIE, LL.D. W. BAPTISTE SCOONES. HALL CAINE. RUDYARD KIPLING. Miss FLORA L. SHAW. EGERTON CASTLE, F.S.A. PROF. E. RAY LANKESTER, F.R.S. G. R. SIMS. P. W. CLAYDEN. THE RIGHT HON. W. E. H. LECKY, S. SQUIRE SPRIGGE. EDWARD CLODD. M.P. J. J. STEVENSON. W. MORRIS COLLES. J. M. LELY. FRANCIS STORR. THE HON. JOHN COLLIER. . The Rev. W. J. LOFTIE, F.S.A. WILLIAM MOY THOMAS. SIR W. MARTIN CONWAY. SIR A. C. MACKENZIE, Mus.Doo. MRS. HUMPHRY WARD. F. MARION CRAWFORD. PROF. J. M. D. MEIKLEJOHN. Miss CHARLOTTE M. YONGB. THE Right Hon. THE LORD CURZON THE REV. C. H. MIDDLETON-WAKE. OF KEDLESTON. Hon. Counsel – E. M. UNDERDOWN, Q.C. COMMITTEE OF MANAGEMENT. Chairman-A. HOPE HAWKINS. A. W. À BECKETT. J. SCOTT KELTIE, LL.D. GILBERT PARKER. SIR WALTER BESANT. J. M. LELY. E. ROSE. EGERTON CASTLE, F.S.A. HENRY NORMAN. FRANCIS STORR. D. W. FRESHFIELD. 'SUB-COMMITTEES.' ART. Hon. John COLLIER (Chairman). I SIR W. MARTIN CONWAY. M. H. SPIELMANN COPYRIGHT. A. W. À BECKETT. A. HOPE HAWKINS. J. M. LELY. W. M. COLLES. GILBERT PARKER. DRAMA. HENRY ARTHUR JONES (Chairman). I F. C. BURNAND. A. W. PINERO. A. W. À BECKETT. SYDNEY GRUNDY. EDWARD ROSE. Solicitors FIELD, ROSCOE, and Co., Lincoln's Inn Fields. CG. HERBERT THRING, 4, Portugal-street. Secretary-G. HERBERT THRING. OFFICES : 4, PORTUGAL STREET, Lincoln's Inn FIELDS, W.C. A. P. WATT & SON, LITERARY AGENTS, Formerly of 2, PATERNOSTER SQUARE, Have now removed to HASTINGS HOUSE, NORFOLK STREET, STRAND, LONDON, W.C. THE KNIGHTS and KINGS of CHESS. By the Rev. 1 GA. MACDONNELL, B.A. Price 28. 6d. net. London: HORACE Cox, Windsor House, Bream's-buildings, E.C. THE ART of CHESS. By JAMES Mason. Price 5s. L net, by post 58. 4d London: HORACE Cox, Wirdsor House, Bream's-buildings, E.C. | ## p. 41 (#67) ############################################## The Author. (The Organ of the Incorporated Society of Authors. Monthly.) CONDUCTED BY WALTER BESANT. VOL. XI.—No. 3.] AUGUST 1, 1900. [PRICE SIXPENCE. For the Opinions expressed in papers that are signed or initialled the Authors alone are responsible. None of the papers or para- graphs must be taken as expressing the collective opinions of the Committee unless they are officially signed by G. Herbert Thring, Sec. M HE Secretary of the Society begs to give notice that all 1 remittances are acknowledged by return of post, and requests that all members not receiving an answer to important communications within two days will write to him without delay. All remittances should be crossed Union Bank of London, Chancery-lane, or be sent by registered letter only. (6.) Not to bind yourself for future work to any publisher. As well bind yourself for the future to any one solicitor or doctor! III. THE ROYALTY SYSTEM. It is above all things necessary to know what the proposed royalty means to both sides. It is now possible for an author to ascertain approximately and very nearly the truth. From time to time the very important figures connected with royalties are published in The Author. Readers can also work out the figures themselves from the “Cost of Production." IV. A COMMISSION AGREEMENT. The main points are :- (1.) Be careful to obtain a fair cost of production. (2.) Keep control of the advertisements. (3.) Keep control of the sale price of the book. GENERAL. All other forms of agreement are combinations of the four above mentioned. Such combinations are generally disastrous to the author. Never sign any agreement without competent advice from the Secretary of the Society. Stamp all agreements with the Inland Revenue stamp. Avoid agreements by letter if possible. The main points which the Society has always demanded from the outset are :- (1.) That both sides shall know what an agreement means. (2.) The inspection of those account books which belong to the author. We are advised that this is a right, in the nature of a common law right, which cannot be denied or withheld. Communications and letters are invited by the Editor on all subjects connected with literature, but on no other sub- joots whatever. Articles which cannot be accepted are returned if stamps for the purpose accompany the MSS. GENERAL MEMORANDA. WARNINGS TO DRAMATIC AUTHORS. TERE are a few standing rules to be observed in an agreement. There are four methods of dealing with literary property : 1. THAT OF SELLING IT OUTRIGHT. This is in some respects the most satisfactory, if a proper price can be obtained. Bat the transaction should be managed by a competent agent, or with the advice of the Secretary of the Society. II. A PROFIT-SHARING AGREEMENT (a bad form of agreement). In this case the following rules should be attended to: (1.) Not to sign any agreement in which the cost of pro- duction forms a part without the strictest investigation. (2.) Not to give the publisher the power of putting the e the onblisher the power of putting the profits into his own pocket by charging for advertisements in his own organs: or by charging exchange advertise. ments. Therefore keep control of the advertisements. (3.) Not to allow a special charge for “ office expenses," unless the same allowance is made to the author. (4.) Not to give up American, Colonial, or Continental (5.) Not to give up serial or translation rights. VOL. XI. 1. N EVER sign an agreement without submitting it to the Secretary of the Society of Authors or some competent legal authority. 2. It is well to be extremely careful in negotiating for the production of a play with anyone except an established manager. 3. There are three forms of dramatic contract for PLAYS IN THREE OR MORE ACTS :- (a.) SALE OUTRIGHT OF THE PERFORMING RIGHT. This is unsatisfactory. An author who enters into such a contract shoald stipulate in the con- tract for production of the piece by a certain date and for proper publication of his name on the play-bills. G 2 rights. ## p. 42 (#68) ############################################## 42 THE AUTHOR. Secretary will always be glad to have any agreements, new or old, for inspection and note. The infor nation thus obtained may prove invaluable. 4. Before signing any agreement whatever, send the pro- posed document to the Society for examination. 5. Remember always that in belonging to the Society you are fighting the battles of other writers, even if you are reaping no benefit to yourself, and that you are advancing the best interests of literature in promoting the indepen. dence of the writer. 6. The Committee have now arranged for the reception of members' agreements and their preservation in a fireproof safe. The agreements will, of course, be regarded as con- fidential documents to be read only by the Secretary, who will keep the key of the safe. The Society now offers :-(1) To read and advise upon agreements and publishers. (2) To stamp agreements in readiness for a possible action upon them. (3) To keep agreements. (4) To enforce payments due according to agreements. THE READING BRANCH. (6.) SALE OF PERFORMING RIGHT OR OF A LICENCE TO PERFORM ON THE BASIS OF PERCENTAGES on gross receipts. Peroentages vary between 5 and 15 per cent. An author should obtain & percentage on the sliding scale of gro88 receipts in preference to the American system. Should obtain a sum in advance of percentages. A fixed date on or before which the play should be performed. (c.) SALE OF PERFORMING RIGHT OR OF A LICENCE TO PERFORM ON THE BASIS OF ROYALTIES (i.e., fixed nightly fees). This method should be always avoided except in cases where the fees are likely to be small or difficult to collect. The other safeguards set out under heading (b.) apply also in this case. 4. PLAYS IN ONE ACT are often sold outright, but it is better to obtain a small nightly fee if possible, and a sum paid in advance of such fees in any event. It is extremely important that the amateur rights of one act plays should be reserved. 5. Authors should remember that performing rights can be limited, and are usually limited by town, country, and time. This is most important. 6. Authors should not assign performing rights, but sbould grant a licence to perform. The legal distinction is of great importance. 7. Authors should remember that performing rights in a play are distinct from literary copyright. A manager holding the performing right or licence to perform cannot print the book of the words. : 8. Never forget that American rights may be exceedingly valuable. They should never be included in English agreements without the author obtaining a substantial consideration. 9. Agreements for collaboration should be carefully drawn and executed before collaboration is commenced. 10. An author should remember that production of a play is highly speculative: that he runs a very great risk of delay and a breakdown in the fulfilment of his contract. He should therefore guard himself all the more carefully in the beginning. 11. An author must remember that the dramatic market is exceedingly limited, and that for a novice the first object is to obtain adequate publication. "As these warnings must necessarily be incomplete on acoount of the wide range of the subject of dramatic con. tracts, those authors desirous of further information are referred to the Secretary of the Society. M EMBERS will greatly assist the Society in this 1 branch of their work by informing young writers of its existence. Their MSS. can be read and treated as a composition is treated by a coach. The term MSS. includes not only works of fiction but poetry and dramatic works, and when it is possible, under special arrangement, technical and scientific works. The Readers are writers of competence and experience. The fee is one guinea. NOTICES. THE Editor of The Author begs to remind members of the 1 Society that, although the paper is sent to them free of charge, the cost of producing it would be a very heavy charge on the resources of the Society if a great many members did not forward to the Secretary the modest 68. 6d. subscription for the year. Communications for The Author should be addressed to the Offices of the Society, 4, Portugal-street, Lincoln's-inn Fields, W.C., and should reach the Editor not later than the 21st of each month. All persons engaged in literary work of any kind, whether members of the Society or not, are invited to communicate to the Editor any points connected with their work which it would be advisable in the general interest to publish. The present location of the Authors' Club is at 3, White- ball-court, Charing Cross. Address the Secretary for information, rules of admission, &c. HOW TO USE THE SOCIETY. · LITERARY PROPERTY. 1. HVERY member has a right to ask for and to receive advice upon his agreements, his choice of a pub. lisher, or any dispute arising in the conduct of his business or the administration of his property. If the advice bought is such as can be given best by a solici. tor, the member has a right to an opinion from the Society's solicitors. If the case is such that Counsel's opinion is desirable, the Committee will obtain for him Counsel's opinion. All this without any cost to the member. 2. Remember that questions connected with copyright and publisher's agreoments do not generally fall within the experience of ordinary solicitors. Therefore, do not scruple to use the Society. 3. Send to the Office copies of past agreements and past at accounts with the loan of the books represented. The I.-UNITED STATES CIRCUIT COURT.-SOUTHERN DISTRICT OF NEW YORK. M HE Chancellor, Masters, and Scholars of the University of Oxford. Complainant. v. - Wilmore-Andrews Publishing Company, Defendant. (In Equity). Rowland Cox for Complainant. Louis F. Doyle for Defendant. ## p. 43 (#69) ############################################## THE AUTHOR. 43 WHEELER, J. - The University of Oxford, right in any false manner to represent such a England, is a body corporate known by the name product as the work of the plaintiff. The use of and style by which this suit is brought. the name upon the defendant's Bibles had a Books appear to have been printed by it as tendency to so represent, and to confuse the early as the fifteenth century, and Letters Patent plaintiff's use of its name in its business. for printing books of all kinds, including Bibles, to That the plaintiff prints and publishes this have been granted to it by King Charles I. in the work in America as well as at the University seventeenth century. makes it none the less the plaintiff's product, and It has printed Bibles of many kinds prepared confers no right upon others to publish it in the by its officers and scholars with great care, which name of the plaintiff, or to use the plaintiff's are generally known as Oxford Bibles ; no other name in publishing it in America or elsewhere. Bibles are published at Oxford, and these are The evidence does not show acquiescence of the ordered, sold, and bought by that name. Among plaintiff in use by others amounting to an aban- the kinds is the “ Teachers Bible,” first published donment of right by the plaintiff, nor establish in 1876, which contains, besides the text, a Manual that the name has thereby or otherwise become of Helps to the study of the Bible full of reliable merely descriptive of the Bibles, instead of repre- information respecting the authors and books of senting their origin; nor that an “Oxford the Bible, and Palestine, a concordance, indices, Bible" is merely the “ Divinity Circuit.” tables, and maps. This with new editions has The case shows sufficient interference by the since been published and sold by that name con- defendant to furnish ground for commencing the tinuously in this country, and throughout the suit, and the ceasing of the interference by the world. defendant does not take away the right of the The defendant has printed and published a plaintiff to a decree, with costs. Sufficient reason Bible specified on the title page as an “Oxford does not, however, appear to warrant an account- Bible, the S. S. Teachers Edition," and on the ing. Rahtjen v. Holzapfel, U.S. Circuit Court back as a “Holy Bible, Oxford, S. S. Teachers of Appeals, Second Circuit, April 11, 1900. Edition.” Decree for a perpetual injunction, with costs. This suit is brought against this use of that name. The defendant denies any right of the plaintiff II.—REVIEW OR RETURN ? to the exclusive use of the word “ Oxford” upon The following interesting case has been placed Bibles, and alleges that this name as applied to before the Secretary of the Society of Authors :- Bibles is used to designate and describe a style of An author publishes a limited edition of a Bible otherwise known as the “ Divinity Circuit,” very expensive illustrated work. He sends out bound in soft flexible leather, with overlapping four copies for review to the editors of the best edges; that the plaintiff has lost any right it known papers. The edition will not stand the may have had to the use of this word by permit. distribution of a larger number of review copies. ting others to use it; that the Bible with which One of the papers, after a lapse of five or six the defendant is claimed to interfere was printed weeks, fails to review the book. The author in this country; and that the defendant has writes to the editor, and the editor states that the altogether 'ceased using it. buok was acknowledged in due course in his list • It is insisted for the defendant that the name of publications of the day. The author again of a place of origin cannot become a valid trade writes to the editor, and points out that the book mark of goods and products, and that “Oxford ” was sent in order that it might be reviewed, and here is merely the name of the city of the plaintiff, asks for the return of the copy if it is not the and could not be exclusively used to distinguish intention of the editor to review it. To this the plaintiff's Bibles. letter the editor replies that the discretion with But this word is a part of the plaintiff's name, regard to the review of the book must be left and as such has given name to the plaintiff's entirely in his hands, and that it would be impos- Bibles, and has come to be a means of showing sible for him as editor of the paper to return the their origin. The defendant has no connection book. with the place or name, and this use of the name This interesting question arises : In the by the defendant can be for no purpose but to case of a valuable limited edition would it be represent the defendant's Bibles as coming from possible to argue that the book sent was for the plaintiff. review, and that the reviewing of the book was The plaintiff has no copyright of this work, and part of the contract, so that if the book was not anyone would, of course, have a clear right to reviewed it could not become the property of the print and publish it, but no one would have a paper to which it was sent; or, on the other hand, ## p. 44 (#70) ############################################## 44 THE AUTHOR. “Where a licence has been granted under this section for any British possession, any copy of the book produced subject to such licence sball, if found in any other part of Her Majesty's dominions, be deemed a pirated copy, and be treated accordingly.' that the custom of sending out books for review as at present established is on the understanding that books so sent out take their chance, and that as they are sent out gratis on this understanding the editor is not bound to return them? The latter would appear to be the real legal position, but it is a further question as to what might happen if the author when sending out such a book stipulated in his letter that the book should be reviewed or the copy returned. THE COPYRIGHT ACT AND THE FIVE GRATIS COPIES. III. III.—THE CHAMBERS OF COMMERCE. The resolution printed below was unanimously passed at the meeting of the Chambers of Com- merce of the British Empire. The resolution is of considerable importance to authors, as any step that can facilitate the passing of Lord Monks- well's Bill nust necessarily have great weight with all those who are holders of literary pro- perty. One of the chief difficulties of the passing of the Bill, as has been pointed out on many previous occasions in The Author, is the colonial question. As at this meeting of the Chambers of Commerce there were important representatives of the publishing and printing trades of all the colonies, such a resolution, in that it has been supported by these representatives, will have con- siderable weight with the Colonial Office and those concerned in promoting the Bill. Fourth CONGRESS OF THE CHAMBERS OF COMMERCE OF THE BRITISH EMPIRE. [Copyright.] Moved by Mr. Geo. N. Morang ; seconded by Hon. Thomas Fergus of New Zealand : " Whereas the various Copyright Acts throughout the Empire are unnecessarily complicated and vexatious to certain dependencies, and whereas it is now contemplated to consolidate the same by a Bill now before the House of Lords. Resolved, therefore, that this Congress declares its approval of such measure, whereby the Colonies are em. powered to legislate for exclusive copyright, and earnestly trusts that it may speedily become law." Note.-The section of the Act referred to is as follows:- Sect. 34. “In the case of a legislature of any British possession, if the following circumstances occur, that is to say, if a book has been first lawfully published in any other part of Her Majesty's dominions, and it is proved to the satisfaction of an officer appointed by the Government of guch possession to receive such proofs that the owner of the copyright has lawfully granted either a licence to import for sale in such British possession or a licence to reproduce therein by any process an edition or editions of any such book designed for sale only in such British possession, it shall be lawful for the Legislature of such possession by Act or ordinance to provide for the prohibition of the impor- tation, except with the written consent of the licensee, into such possession of any copies of such book printed else- where, except under such licence as aforesaid, except that two copies may be specially imported for the bona fide ase of each of the public free libraries, of the aniversity and college libraries, and law libraries of any duly organised law institution cr society for the use of its members. TN the July Author we reviewed the various T statutes from 1662 to 1842 which regulated the business of sending a copy of every book published to the British Museum, whether demanded or not, and to Oxford, Cambridge, Edinburgh, and Dublin upon demand. It will now be desirable to say something upon the obligation of the British Museum authorities to require and preserve books, and, if we can, upon the obligation of the other authorities to preserve them, for clearly the other authorities are under no obligation to require any book whatever. For a very long time publishers have sent practically all their books to the British Museum. and the penalty for failure to send is heavy, but statutory obligation to require books or to enforce penalties there is none. Bearing this in mind, and bearing in mind also that the British Museum privilege has existed only since 1814, we think it is greatly to the credit of the authorities that the occasions on which a book published in the United Kingdom cannot be found in the British Museum library are rare indeed. Where exceptions occur, he does a public service who calls attention to them, as did recently Wirt Gerrare in a letter to Literature. As to the duty of the British Museum autho- rities to preserve books, that is much more implied than express, though there are express directions as to particular libraries. The Geor- gian statute, by which the museum was established in 1753, after reciting that- Sir Hans Sloane, having through the course of many years with great labours and expence gathered together whatever could be procured either in our own or foreign countries, did bequeath to certain trustees all his collec- tion, consisting of all his library of books, drawings, manu- scripts, prints, &c., &c., with short histories or accounts of them with proper references in catalogues by him made, containing thirty-eight volumes in folio and eight volumes in quarto, to be offered to Parliament for £20,000; the collection, which was worth much more, was bought for the £20,000; all arts and sciences have a connexion with each other; and the collection should be maintained not only for the inspection and entertainment of the learned and the curious, but for the general age and benefit of the public ;- and also reciting the bequest to the public of the Cottonian Library, and the building of a room ## p. 45 (#71) ############################################## THE AUTHOR. 45 under an Act of William III. “ in which, when built, all the manuscripts, written books, papers, parchments, records, and other memorials in the said library contained should be lodged and there kept to all posterity," the legacy of Mr. Arthur Edwards towards the expense of building, and the foundation of the Harleian Collection, enacted that in the cities of London or Westminster One general repository shall be provided for the reception not only of the collection of Sir Hans Sloane, but also of the Cottonian Library, and of the additions which have been or shall be made by virtue of the will of Arthur Edwards, and likewise of the Harleian Collection and of such other addi. tions to the Cottonian Library as with the approbation of the trustees shall be made, and of such other collections and libraries as with the like approbation shall be admitted into the said general repository, which several collections, additions, and library so received into the said general repository shall remain and be preserved therein for public use to all posterity. This enactment is a clear direction to the authorities to preserve libraries and collections bequeathed or given en bloc to the museum, but it could hardly be said to include the masses of single books which the law of copyright has thrown into it ever since 1814. However that of may be, the Act of 1878, which empowers the authorities to give away duplicates, and the recently rejected Bill by which it was proposed to empower the trustees to dispose of valueless printed matter, seem to show that “ once in the museum, always in the museum” is recognised as an implied rule,* and it may be assumed that the trustees have always recognised, still recognise, and will always recognise this rule. But what of the other four library authorities The publishers, as we have seen, have long treated them as equally entitled with the British Museum * The Bill as it came from the House of Lords had this clause : “ The trustees of the British Museum may, with the approval of the Treasury, make rules respecting the disposal by destruction or otherwise of printed matter deposited in the British Museum which is not of sufficient value to justify its preservation in the museum.” The Bill was dropped with the general approval of literary persons; but it may be that the intention of its framers never was to destroy anything that could possibly be called a book or pamphlet, but only blank forms, Christmas cards, wall-texts, and such like matter, whereas except for judicial decision, perhaps even newspapers are not deliverable ander the existing law. See Report of Copyright Commission, par. 166. The 3rd secticn of the British Museum Act 1878 pro- vides that, “The trustees of the British Museum may give away any duplicate works, objects, or specimens not required for the purposes of the museum. Provided always, that the power hereby conferred shall not extend to any daplicate works in the Royal Library of King George the Fourth, or in the Cracherode, Grenville, or Banksian Libraries, or to any objects presented to the Museum for age and preserva- tion therein." to gratis copies, and have, as a general rule, forwarded four copies either to the agent whom they share amongst them, or else to Stationers' Hall for the use of the four libraries, without waiting for any demand. In the rare cases in which the four copies are not sent, and apparently in all those rare cases, the publisher in default receives the following notice :- To Messrs. - Agency of the University Libraries, 96, Great Russell-street, London, W.C. I am desired by the Curators of the Bodleian Library, Oxford ; the University Library, Cambridge; the Advocates Library, Edinburgh; and the Library of Trinity College, Dublin, to ask you to be good enough to supply for the use of their libraries, four [the italios are not ours) copies of the undermentioned works, one for each library, in com- pliance with the provisions of the Copyright Act (5 & 6 Vict. cap. 45). Should any of the works applied for be outside the terms of the Act, or have already been delivered through another channel, you would confer on the libraries in question, and on myself, a great favoar by returning me this list, and notifying the reason of the exemption on the margin (the italics are not ours]. I should thus be able to avoid troubling you with repeated applications for unclaimable works.- Believe me, yours faithfully, G. W. ECCLES. It will be seen, on referring to the June Author, that Mr. Eccles acted for the University of Oxford so far back as 1876, and on referring to the list of British Museum officers in “ Whitaker's Almanac" that Mr. Eccles holds the position of an “ Assistant, ist class,” of the Museum ; but we understand that he is shortly about to retire from that position. So much for the seemingly very efficient mode of getting the four gratis copies into the four University libraries. How about their preserva- tion there? Unlike the British Museum Library authorities, the other library authorities are not even under any implied obligation to preserve them, and, unlike those authorities, they have no annual reminder in the Appropriation Act — under which the British Museum receives a hand. some grant, but the Universities receive nothing. IV. The following letter was sent to the Times by the chairman of the Committee, and appeared there on May 31. By an unfortunate oversight it was not published, as it should have been, in our July number :- To the Editor of the Times. Sir,-The letter recently addressed to you by Mr. John Murray, in reference to the question of “gratis copies," seems to the Committee of this Society to offer an opportunity of calling atten- tion to one or two points besides those with which Mr. Murray deals. It is material to point out ## p. 46 (#72) ############################################## 46 THE AUTHOR. that the tax is heavier than appears to have been of 1878 recommended the abolition of the privi. in the original contemplation of Parliament. lege, a fact which justifies the inquiry we now By the Act of 1842 a broad distinction is drawn suggest, although we do not wish to pre-judge between the British Museum and the four other the issue of it. Meanwhile it would seem to be privileged libraries. The former is to have a in the power of publishers themselves to raise copy of every book without demand. To the the question whether the existing law does not latter any book is to be delivered “on demand require a specific demand on the part of each thereof left at the place of abode of the pub- library for any book it may desire to have lisher . .” The section goes on to authorise delivered. the authorities of the four libraries to appoint an We have also to ask your indulgence to allow agent to receive the books demanded. We submit us to state that we find among our members, that the intention of Parliament plainly was that many of whom are engaged in research, strong dis- the University libraries, as distinguished from the approval of the proposal to allow the British British Museum, should make a specific demand Museum either to destroy or to scatter news- for any book they desired to receive, and that in papers. This question has been so fully dealt the absence of such demand the book should not with by Mr. Sidney Lee in your columns, that it be delivered to them. is enough to say that his objections, whether The Act contemplates an exercise of discretion, based on the danger of destruction or loss of according to which the libraries would ask for valuable matter, or on the hardship of compelling such books as would be of use to them and literary men engaged in research to follow their abstain from asking for the rest. dispersed materials from one place to another, The practice, however, is and has been for a appear far too serious to be disposed of by the long while back, quite different. Most publishers cry of “no room." There is no disposition send copies to the agent of the four libraries (they among authors to grumble at being obliged to all employ the same agent) without any demand. supply their books to the Museum. That they If any book is not sent, it is demanded as a are under this obligation does, however, seem to matter of course. By the claims of the libraries give them a right to e, pecial consideration when and the acquiescence of publishers, the libraries such a question as this is under discussion. are, under the existing practice, placed in the same ANTHONY HOPE HAWKINS. position as the British Museum, although they do not appear to be under any similar obligation to retain the books sent or to be subject to any statutory control in the use or disposal of the AMERICAN LETTER. property they thus acquire. It also appears obvious that they must acquire a vast number of New York City, July 10, 1900. books which can be of no value to them. TN these United States publishers are inclined We desire respectfully to suggest that before 1 to look askance upon the season of a Pre- the Copyright Bill now before Parliament takes - sidential campaign, and the commercially- final shape the following questions should be con- disposed author ordinarily shares this feeling of sidered :- suspicion. It is not a time for the launching of (1) Is the present system of a general demand new undertakings; the public mind is busied with of all books (if not sent without demand) on the “issues” and “ platforms,” and people would part of the University libraries in accordance with rather devour candidate So-and-so's last speech the intentions of Parliament ? or a denunciation of the legislative career of (2) When did the practice of a general candidate What's-his-name than read poetry or demand begin? Has it existed from the first, or romance. Once in every four years the country has it been of later growth; and, if so, under what is inundated with a prodigious flood of campaign circumstances did it first arise ? “ literature,” with which the enlightened voters (3) Are all the books received actually placed struggle madly, while current reading matter of in use in the libraries; or, if not, how are they all other descriptions glides by in an unnoticed and dealt with ? unimportant rivulet. Even the attention of the (4) Are any of the books disposed of by the scholar is diverted temporarily from literature to libraries; and, if so, after what lapse of time and the politics of the hour. in what manner ? An answer to these questions would, it appears POLITICS AND LITERATURE. to us, help to show how far the tax on authors The present campaign, however, which is to and publishers is justified by benefit to the public. terminate with the election of a President in It will be remembered that the Royal Commission November, promises to be less disturbing than ## p. 47 (#73) ############################################## THE AUTHOR. 47 usual. The publishing world seems to believe realised. It enlarges immeasurably the scope of confidently in the re-election of Mr. McKinley. the fiction writer. He has two publishers at Both of the present nominees of the two great hand, Mr. Frohman and the printer. He may parties were also the leaders in the struggle of play one against the other with a good deal of 1896-a fact which will probably tend to decrease advantage to himself and to his work. The serial the quantity of campaign literature of the per- publication of Mr. Zangwill's latest novel, for sonal and biographical type. And moreover, the example, has been arranged with careful reference issues, as well as the candidates, are familiar to to the time of the production of its dramatic the rank and file of the voters. Public interest version in the fall; the play will be produced on in newspaper politics will be discounted, and the the stage, it is said, before the concluding chapters output of political pamphlets and tracts should be of the story have been produced in type. Such comparatively meagre—which may be good news a scheme, and similar schemes which doubtless to British authors who look with longing eyes at will be planned, place the theatrical manager in the American literary market. direct and close business relations with the pub- The present tendency of our reading public, of lisher. It can be readily conjectured that the course, is all for China and the Orient. “East- author must profit from this expansion of his ward ho!” cries the American publisher, and audience. searches madly for a novel dealing with life under Nor can these developments be without their the mandarins. Our presses are grinding out curious effect upon the texture and character of reprints of the best books about China and the current fiction. The popular novelist must East which have been published recently in compose with the odour of grease, paint, and England, and the editors of our popular periodicals scene varnish in his literary nostrils. The unfor- are paying startling prices for articles of travel tunate critic, who is compelled to cope with our and adventure in the Yellow Empire. The present ordinary or extraordinary fiction of to-day, may crisis seems to have discovered our publishers imagine that he detects this already. Mr. very ill prepared, although there has been no Frohman and his syndicate are affecting the lack of signs of the imperial struggle, which book trade and the profession of author. It may could be read even in an unimperial democracy. be fanciful to look forward, along these lines, to At any rate, the disappearance of the Khaki hue an entrenchment of the favoured novelist's posi- of our current reading can hardly fail to be tion behind the protection of the theatrical gratifying managers, from which he would be able to dictate more equitable terms to the publishers—it may NEXT Season's THEATRES. be fanciful, but it is an enchanting picture. No little literary interest is excited by a survey of the work laid out for the coming season by BETTER DAYS IN THE Book TRADE. American theatrical managers. The plural is The financial entanglements in which two very used for reasons which are rhetorical rather than prominent American publishing houses struggled real. The theatrical manager of the United last year seem to have brought about a healthy States is Mr. Charles Frohman, the more or less reaction in the trade, which redounds somewhat intelligent head of a more or less unintelligent to the advantage of the author. It has induced syndicate in control of most of the actors, publishers to suspect that the writers of books actresses, playhouses, and playwrights in the are important factors in the production of them- country. The striking feature of Mr. Frohinan's a truism which was slighted in some long- prospectus is the importance assigned therein to established houses where the imprint of the dramatisations of popular books. Of all Mr. publisher was regarded as of far more signi. Frohman's “stars ' the two which have made ficance than the author's name on the title-page. the most money for him have been Miss Maude Of course, in estimating the success of the Adams and Mr. William Gillette. The former younger American publishers who have come to has played for three enormously successful years the front during the last decade, one must not in "The Little Minister,” while Mr. Gillette, in forget to credit them with that modern business Dr. Doyle's “Sherlock Holmes,” has made a push, and that sympathetic acquaintance with the record of two hundred packed houses in New temper of our people, which the older houses York, with the provinces uniried. “Red lacked. They are not burdened with complicated Pottage,” « Richard Carvel,” “ Janice Meredith,” business machinery, and with creaking and dusty are a few of the novels which Mr. Frohman pro- methods of reaching the outside world in any poses to exploit behind the footlights. direction. The relations of the newer publishers The significance of this sort of thing has been with their authors display the same freedom and noted, but one may doubt whether it is fully quickness in achieving direct results, and they do VOL. XI. 1 ## p. 48 (#74) ############################################## 48 THE AUTHOR. not keep writers “in stock," as it were, until the PARIS LETTER. unfortunate men of letters become parts of the business routine, like persons who add columns of m 5, rue Chomel. figures in the counting-room. All this is an M HE celebrated chirographist, Mme. de encouraging sign. It makes for an equitable Thèbes, has recently published au interest- co-operation between author and publisher upon - ing work entitled “L’Enigme de la main.” a practical and business-like basis, an excellent Mme. de Thèbes is no vulgar adventuress seeking substitute for the old-fashioned sentimental rela- renown or wealth. She is a widely known and tion, which was presumed once to exist and which highly respectable personage who enjoys a Euro- meant so little latterly, in many cases when actual pean reputation. Casts of the hands of her most property rights were concerned. interesting clientèle (including a large number of A curious and suggestive state of affairs in a representative men and women of the present publishing business was disclosed here recently. day) are to be seen in her small suite of rooms, It seems that it has been the custom of the firm, situated within stone-throw of the Arc de after a book was printed and published, to store Triomphe. The hand of her friend and master, the plates and carry them on to its inventory at Alexandre Dumas fils, here reposes in solitary the cost of manufacture. It made not a particle state under a glass case. The pointed fingers of difference that, for publishing purposes, the and huge hand of Dumas père, clasping the book was dead and gone, and the plates worth slender, narrow hand of the mother of his son, is nothing more than their value as old metal. also easily recognisable. It lies carelessly on a They stood on the list of assets as representing side-table, surrounded by scores of plaster and the sum expended in composition and casting; bronze models of the characteristic hands of this might be six or seven hundred dollars, modern celebrities. Among the latter the obsti- entirely fictitious. The older the house and the nate hand of M. Emile Zola; the impassive more antiquated the plates, then the less substan- hand of Mme. Christine Nilsson; the dominating, tial would such assets become. But on the house caressing band of Mme. Sarah Bernhardt; the ledgers they would represent capital, and moneys enigmatical hand of M. Edouard Drumont; and invested, and there would be no denying the fact the energetic hand of Coquelin imperiously attract that the plates were in existence and in a good attention. state of preservation. It is needless to expatiate Mme. de Thèbes is a woman of imposing figure, upon the borrowing value of such securities. penetrating glance, and stately presence. Hers is palmistry, pure and simple-no fatalistic craft AUTHORS Who Own THE PLATES. reducing the individual will to a valueless factor. That the author should himself own outright “God," so she asserts, “has placed in each of the plates of his books is a favourite theory our hands the road.map of our life. If He has among American writers. In practice it is a done this, it is that we may make use of the luxury which is not for the ordinary, but Mr. information thus given. This map warns us of Howells and others, I believe, have found it an the accidents which menace us ; of our con- effective and simple plan in their efforts towards stitutional weaknesses; and of the defects in our establishing a reasonable status of literary nature. We are thus put on our guard to property. struggle against our bad inclinations. This is so The last canvass of the best selling books in true that, if we struggle, the lines in our road- this country, elaborately prepared by the Book- map will change.” From which fact she argues man, testifies to the overgrown popularity of that that our first duty is to know ourselves, or rather, ingenious novel “ To Have and to Hold," which to know how to decipher the hieroglyphics traced heads the list. Next come two English stories, on our hands by a Divine agency. The study is “Sophia" by Weyman, and “Red Pottage.” The interesting, even though unaccompanied by the phases of life in Miss Cholmondeley's book are so blind credulity which will strain at a gnat to essentially and modernly English that the swallow a camel. American vogue of her story must be set down as a tribute to her art. After “Red Pottage" on the “LA FILLE DE GEORGE SAND.". Bookman's list appear in order : “ Unleavened Such is the title of a most entertaining little Bread," a new and promising American novel by booklet published by M. Georges d'Heylli for the Robert Grant, “Resurrection,” and “ The edification of a select coterie of friends. The Farringdons.” Our public's taste, if not dis author is the son-in-law of the venerable Mme. criminating, is at least encouragingly catholic to Bascans, proprietress of the school in which the the aspiring novelist abroad. wayward little Solange was brought up. Every John RUSSELL DAVIDSON. letter written by the illustrious mother was care- ## p. 49 (#75) ############################################## THE AUTHOR. 49 fully guarded by the old schoolmistress. It is “ Clotilde de Lusignan,” for the sum of 2000 amusing to note the logical, convincing manner in francs. This liberal remuneration is to be received which the celebrated novelist explains the method as follows: 500 francs in notes payable at a year's of education she desires to be adopted for her date ; 500 francs in notes (payable six months daughter, and the results to be obtained there- later) at the moment when twelve hundred copies from. A little later we find all these fine theories of the work in question shall have been sold. evaporating in thin air on being put to the test. The remaining 1000 francs are to be paid in notes, George Sand has, undoubtedly, written exquisite likewise dated six months hence--whenever sieur pages on maternal love; she might, and did, Grégoire Hubert shall be unable to produce on exercise a wide influence on her contemporaries the author's demand more than a hundred copies and on posterity ; nevertheless, she failed signally of this first edition ! in obtaining either reverence or obedience from her own daughter. Twenty-four hours of Solange's SHEARING THE SHorn. company invariably ended in a scene and the basty But the final article in this iniquitous treaty return of the offender to Mme. Bascans' charge, carries off the palm for munificence. It expressly usually accompanied by a note couched in some- states that: what the following terms: “In this sum (of 2000 francs) is included the “This morning Solange has been unbearable, cost of the advertisement of the said work, She cries because I will not arrange her curl. which M. Balzac binds and engages himself to papers, and resists when I attempt to do so. If have inserted in the journals below mentioned (or she arrive after ten o'clock, I beg you will punish in those which may replace them should they her. She has been incessantly urged to hasten be suppressed), viz., the Constitutionnel, the without its having any effect on her movements. Journal des Débats, the Courrier, the Miroir, the . . . Mme. Bascans will have the kindness to Quotidienne, and the theatrical papers. The explain to her the naughtiness of her conduct.” advertisements shall each occupy at least half a * The perusal of these letters," writes a French column in the body of the journal; and shall be critic, “ will be a consolation to those women who placed either beside the article ‘Paris,' or immedi- possess only a little good sense and not anyately after.” To reimburse him for this outlay, the author is entitled to six copies gratis of his A CRUEL CONTRACT. own work! On Aug. 18, 1900, the Lévy copyright of the Comment is superfluous. In 1848 the tax on novels of Honoré de Balzac expires, and this the serial novel (which led to its temporary immense work becomes public property. Some suppression) reduced Balzac to the last extremity. idea of its value may be gained from the fact that He continued to occupy the elegant hotel fur- in 1865 (after thirty years' continuous re-editing) nished by Mme. de Hanska ; but he indulged in M. Michel Lévy paid 80,000 francs to the great boiled beef only once a week, eking out the man's widow for the right of being sole remaining days with the meagre broth obtained publisher during a period of thirty-five years. in cooking the above delicacy. It was probably The petty remuneration originally doled out to at this epoch that he wrote: the author for the majority of these brilliant “Creditors know how to find us much better masterpieces of French literature is truly absurd. and more promptly than our friends. For the Generous and prodigal as the elder Dumas, no sake of a little sum they often come to a place man was ever more at the mercy of his pub. where others do not come for the sake of a great lishers. Instances of his colossal extravagance, affection.” on several occasions, are not lacking. They were, He died two years later, Aug. 18, 1850. however, counterbalanced by his extraordinary fertility. Yet it is not surprising that, despite AN IDEAL HISTORIAN. his brilliant reputation, this modern Shakespeare M. Frédéric Masson is an ideal historian. of French fiction died a poor and completely Dramatic as the English Froude (and thoroughly worn-out man at the comparatively early age of reliable), he is marvellously successful in his fifty-one years, when his business inability was conscientious resuscitation and portrayal of a as mercilessly exploited as is witnessed by the bygone epoch, and the men and women who Hubert contract, which document is now in the formed it. His third volume of “Napoléon et sa possession of the Vicomte de Lovenjoul. In this famille” has closely followed its predecessor. contract “M. Honoré Balzac" engages to supply The contrast between the first Napoleon and his (under the pseudonym of Lord R’Noone) a certain brother-that political Winkle Joseph, King of sieur Grégoire Hubert, libraire au Palais Royal, Spain-is pungently drawn. The latter possessed with four volumes for publication, entitled the overweening self-confidence, minus the genius, genius.” ## p. 50 (#76) ############################################## 50 THE AUTHOR. of the great Bonaparte. He passed his time in thoughtful, conscientious writer, and does his elaborating a series of military mancuvres which level best to be impartial. At least, that was the failed signally when put into execution. Imme- impression left on my mind after the basty diately one stratagem proved abortive, he set to perusal of a few pages of his new volume, includ- work to devise a second still more impracticable. ing the chapter entitled “Les Dessous de Joe “What alone saved Joseph from the consequences Chamberlain." of his extraordinary combinations," writes M. Masson," was that nobody obeyed him. Marshal MM. DE REGNIER AND LUCIEN MUHLFELD. Moncey received with extreme politeness the Contrary to general expectation, M. Henri de aide-de-camp who bore the royal commands, Regnier has this year undertaken the lecturing showed the absurdity of the movement ordered, tour in the United States. He appears to have and terminated by saying, “The Emperor, sir, had great success. A well-known critic has has not entrusted me with one of his finest asserted that, though this young writer occupies regiments to compromise thus his glory and a high position among the rising generation of safety. Return to the King. Inform him of authors, his success in the poetical medium is what I have said ; and tell him that, neverthe considerably hampered by his incorrigible predi. less, should he persist, I will give the example lection for making a word in the singular rhyme that I should give of the most implicit obedience." with a word in the plural, and by his indulgence Besinères invariably affirmed that he would obey in various minor idiosyncrasies of the same immediately; that his duty, inclination, and stamp. respect impelled him to do so; and, that said, he His talented compatriot, M. Lucien Muhlfeld, acted as he chose. As to Ney, he roundly replied, also possesses a marked individuality. A year “ This order undoubtedly comes from a man who ago he published his first novel, entitled “Le understands nothing of our trade. The Emperor Mauvais Desir"; and, at the present moment, has given me an army corps with which to conquer “La Carrière d'André Tourette" has consolidated and not to capitulate. Tell the King I have not his reputation as a novelist. It would be difficult come to Spain to play Dupont's rôle !” The to find a more complete and comprehensive study book may be obtained chez Ollendorff. of the career of an ordinary young man of bourgeois origin, or a more subtle and conscien- Two INTERESTING PUBLICATIONS. tious delineation of the multitudinous types of “Every year the tuberculose' kills in France characters to be met with to-day in the various 150,000 persons-a population equal to that of grades of society. Rouen and Nantes,” is the startling assertion imprinted beneath the title-head of a new paper, APROPOS OF FRENCH DRAMATISTS. Curre Antituberculeuse, which has just been M. Jean Richepin—first-rate gymnast, play- started, edited by MM. Sersiron and Dumarest. writer, and poet—is enjoying a well-earned The object of this publication is to awaken all holiday in Palma. M. Maurice Donnay is reposing classes to the necessity of taking strong measures in “a marvellous country” in the Villa Lysis to check the increasing tendency of the populace (Agay in the Var), which boasts a garden as full to consumption; also, to set forth the best means of blossoms as an opera star's box—minus the of preventing and counteracting contagion. The card pinned to each bouquet. He is meditating movement is being warmly supported. A com. a new “ scénario” beside the violet sea ; and has mittee has been formed, and large sums have recently requested a friend to announce that the already been subscribed to found popular right of performing his latest play, “L’Education sanatoriums wherein to isolate, and endeavour to d'un Prince," has been bought by Belgium, Italy, cure, the consumptive working-class adults of and America. M. Pierre Decourcelle is rejoicing Paris who are sufficiently affected to spread the in his new decoration, and in the revival at the contagion --but are still well enough to perform Ambigu Theatre of his “ Deux Gosses"_which wearily their daily task. The first list of dona- play formerly broke the standing record of five tions received (published by the Euvre Anti- hundred nights, having been performed 758 con- tuberculeuse) amounted to a total of 316,000 secutive times at the above theatre (1896-1898). francs. A good beginning! M. Georges Feydeau is still to be seen on the “L'A ugleterre et l’Imperialisme” is the title of grands boulevards. Elegant, sedate, and dignified, M. Victor Bérard's latest work, which is being the combined verdict of the German and English widely read. It is interesting as giving us a censors, who pilloried his “ Dame de chez Maxim" glimpse of the British character and policy seen as a production injurious to the morals of the through French spectacles. M. Bérard is un spectators, has in no wise disturbed his tran- doubtedly prejudiced. Nevertheless, he is a quility. At the present moment the triple revival ## p. 51 (#77) ############################################## THE AUTHOR. 51 of the offending play and two others of the same The early experience of Stevenson with the type, at the Nouveautés, Palais-Royal, and Bouffes Century is, however, only a typical case, and not theatres, are pecuniarily justifying their author's by any means unique. While it is no doubt true popularity with the respective managers of these that the great magazines do desire to discover establishments. M. Feydeau has been engaged unknown writers of promise, they none of them for some time past on a new play, of which only offer them unreservedly much consideration and a few unimportant details have yet leaked out. encouragement. M. Edmond Rostand is likewise reported to Again, most of the magazines are like Self have a new play on hand, dealing with the perse. Culture, practically made up for six months in cution of the early Christians under Nero. The advance, à fact that the literary aspirant does principal feminine röle is designed for Mme. not know, and not knowing is seriously handi. Sarah Bernhardt. capped. The editor of a great magazine is in A Dual DISAPPOINTMENT. part obliged to provide for future publication from the very fact of unnecessary absence from The reconstruction of the Comédie Française is home in Europe and elsewhere in search of attrac- proceediag but slowly. “Play in a barn as Molière did," was the advice of M. Victorien tions. This is editorially the case with the Ladies' Home Journal, and contributions during Sardou ; but bis suggestion was dismissed as proxy editorship must be left to the tender mercies impracticable. The revival of the magnificent of the one upon whom the real editor's mantle “ Patrie" of the latter author has been postponed has fallen, but whose power is small. owing to lack of suitable accommodation, deco- The Book Buver, the Bookman, and the Critic, ration, &c. M. Paladilhe, composer of the as organs of book publishers, all occupy special music which accompanies this famous drama, fields, and from their very nature as such made his debut at sixteen years with a Neapolitan organs are all surrounded by conditions that are song, entitled “ Mandolinata,” which instantly peculiar, and that do not count in favour of the became the success of the day. It brought fifty htnpty lite literary aspirant. They are alike erratic in francs to its author, and a million to its pub. puo various ways. They are hedged about against lisher. The music of the splendid lyrical poem the innocent or inexperienced writer as Job in being written by M. Victorien Sardou (in his prosperity was hedged about against the collaboration with M. Gheusi) for the Antique intique machinations of the Evil One. The necessity for Theatre of Orange in 1901, has been intrusted to ced to considering and booming the authors of books considering M. Camille Saint-Saëns. published by their respective firms, while not The productions of M. Henry Kistemaeckers entirely paramount, has more influence than appear doomed to misfortune, his rehearsals might be supposed by those who do not know. having again been interrupted. The success of In practice it will surely be found that thoughts M. Janvier's new play “Francine, ou le respect de of literary aspirants seldom if ever flit with l'innocence" (Athénée theatre) - which has cordiality across the editorial sun disks of any of obtained the unanimous approval of the entire these mediums. French Press—is responsible for the mishap. The Metropolitan Magazine has a staff that is This time M. Kistemaeckers appears to have expected to provide the material it uses. Some accepted his fate with resignation. journals also doing business on this plan hesitate DARRACOTTE Scott. not to reject a contribution offered, and then to work up the idea derived therefrom, through their own staff, to the detriment of the aspirant. NOTES FROM THE “BULLETIN OF THE It is not easy for an unknown aspirant to enter the editorial department of Frank Leslie's SOCIETY OF AMERICAN AUTHORS." Popular Monthly. If the coming guest is not welcomed, the departing one is cordially speeded. THE MAGAZINES AND THE ASPIRANT. The Art Amateur has a frosty temperature for THE Home Journal does not welcome the those unknown to the editor. Disappointed ones literary aspirant, and if he calls, the air of may weep if they choose outside the office doors. the editor is distrait in interview, The Art Interchange is far more considerate, but The Broadway Magazine cheerfully admits the editor of the Interchange is an expert on to the visiting aspirant that it is not very serious, reading character and literary ability by means and will have none of the manuscripts of those of handwriting and of physiognomy, so that he who are. can tell by reading your letter, offering a contri. The Century, Scribner's, and Harper's all do bution, or by looking at you carelessly if you call, sometimes open their doors to literary aspirants. whether your stuff is likely to be available, with- ## p. 52 (#78) ############################################## 52 THE AUTHOR. out the trouble of reading the material. Con that the photograph was inartistic and not a tributors must call for payments, unless otherwise proper subject for copyright. The judge gave arranged. this question, as one of fact, to the jury to deter- The editorial management of Ev'ry Month is mine, and they found for the defendants. Zulker, new. The editor is pleasant, but he is very limited Sweet, and Loeb, manufacturers of a household in his appropriations for contributions. The preparation, were the defendants. Jacob Schloss agreed cheque is, however, promptly sent subse- the photographer, the plaintiff; the suit being quent to publication. brought by the counsel for the Copyright The management of Success is ordinarily not League. very considerate of literary aspirants. Their un. A QUESTION OF COPYRIGHT. solicited offerings of manuscripts are very nume. Two famous books figure in court just now, rous, and their examinations are at times some- and upon them depends a question of copyright what slow, which is often a serious item to the of great interest to publishers, as well as to writer who depends upon the sale of his manu. writers and the reading public. One of these is scripts for income. Oliver Wendell Holmes's “ The Professor at the The Home Magazine will fastidiously consider Breakfast Table," the other Mrs. Harriet Beecher anything offered, especially if accompanied with Stowe's “ The Minister's Wooing.” illustrations, but its compensation rates are low. A suit has been brought by Houghton, Mifflin Munsey's says “Yes,” and means “ No.” As and Co. to enjoin R. H. White and Co. from is the case with others, a beautifully printed form selling the first-named work, and another to is used to reject manuscripts, that upon receipt enjoin Houghton and Dutton from disposing of consoles those whose funds grow low and whose the latter. The publishers assert that the sale of hearts grow sick waiting and hoping for long. these books by the respondents is a violation of delayed cheques almost as much as if the cheque copyright. itself had come. Some authors collect these The works involving the present suits were forms as others do postage stamps. published serially in the Atlantic Monthly in The Churchman has not time for anyone. 1858, and the publishers were apparently neglect- except it be a specialist. No literary aspirants ful in securing copyright. It now appears that a need apply. valid copyright was secured on the last issue of The Gentlewoman gets many of its features the year, December, 1859, and “The Minister's from Europe. It is well for the would-be con- Wooing” was published in book form and pro- tributor to remember this fact in doing business perly entered for copyright before the publication with the magazine. The editor is seldom at the in the Atlantic Monthly of the last thirteen office, and the rush and crush is thereby avoided chapters. by her. The respondents demurred from the bill. The There are many magazines, like the Impres. demurrer is based on three contentions, viz.: That sionist, the (new) Criterion, the Ledger Monthly: “The Professor at the Breakfast Table” was a few of the trade papers and others, that pay a printed serially in the magazine under a title cent per word or thereabouts, which is a good totally different from the recorded title of the average rate. magazine number in question ; that no notice of the copyright of the Atlantic Monthly was given Two COPYRIGHT Decisions. on the published copies containing the instalments A curious copyright decision was rendered by of the story in question, and that the copyrights the Supreme Court in the case of Bolles v. of said magazine number, even if valid, expired in " Outing.” The judges decreed that the statutory 1897. damage could only be collected on copies infring- ing the copyright actually found in the possession of the defendant at the time the action was THE AUTHORS' CLUB. announced, nothing being collectable on copies previously distributed and sold; a decision that M HE last dinner of the Authors' Club for the would, in most cases of copyright infringement, present season was held on July 2. Mr. make the law inoperative, as publishers do not Frankfort Moore took the chair, and Mr. keep more publications in their possession than Walter Macfarren was the guest of the evening. are actually necessary. The speeches were excellent. The Lyric Glee Another copyright decision of interest to Singers gave the club a delightful entertainment, publishers is that in the case of a poster made by singing Mr. Walter Macfarren's four part songs. the defendants from a copyrighted photograph of As a finish to the season the evening was most a chorus girl. The defendants' counsel claimed successful. The directors of the Authors' Club, ## p. 53 (#79) ############################################## THE AUTHOR. 53 and the Club, may congratulate themselves on the Monday night dinners during the past winter and spring, as they can reckon among the club guests some of the most distinguished people in England, among whom were the following: The Lord Chan- cellor, the Lord Mayor, the Commander-in-Chief, the Bishop of London, the French and American Ambassadors, the Swedish and Norwegian and Chinese Ministers, Sir George Trevelyan, Mr. Leslie Stephen, Mr. Bryce, General Sir Evelyn Wood, Sir Herbert Maxwell, Sir Walter Foster, Sir Donald Mackenzie Wallace, Sir Alma Tadema, the President of the Royal Academy (Sir E. Poynter), Lord Strathcona, Sir Robert Ball, Mr. E. F. Knight, and Mr. Alfred Austin. CIVIL LIST PENSIONS. of Margaret of Navarre.” Mr. Muir and Mr. Leycester prosecuted, and Mr. Biron defended. Inspector Arrow ransacked the premises in question and removed two cab loads, but he was unable to find more than two books upon which to base a prosecution. As to one of these, “ His Excellency Eugene Rougon," the grand jury threw out the bill. Mr. Biron ridiculed the idea that “ The Heptameron" was an obscene work. It was a classic historical work, he said, and was to be found in every library of note. It was a perfectly lawful publication, illustrative of the literatare and manners of the Middle Ages. The defendant had carried on a most respectable business both in Booksellers’-row and near Temple Bar, where the seizure was made, and he submitted that the prosecution was a most vindictive one on the part of the police, and wholly unjustifiable. The Common Sergeant, in summing up the case to the jury, said the only question for them was whether the work was of a lewd and lascivious character, manifestly calculated to corrupt public morals. They did not require the Vigilance Association or the police, or even critics of literary style and antiquarian research, to decide that question. A great deal depended on the time, place, and circumstances of the publication. It was a matter of common knowledge that in the writings of many respectable people, ecclesiastics, students, and others of past ages, there were passages the wholesale publication of which would not now be tolerated, yet which no one would wish to destroy or mutilate, inasmuch as in their proper place and properly used they were of great value to the student and the historian. The sole question for the jury was whether the book in the form in which it was published and advertised was calculated to corrupt public morals, and the jury must judge of the case as men of the world without leaning to a prurient morality on the one hand, or a prurient laxity on the other. The jury, after some deliberation, acquitted accused, and she was discharged. In the case of Charley Haines, otherwise Reid, committed from Tottenham on a charge of selling “ The Heptameron," Mr. Muir, after the verdict in the previous case, offered no evidence, and a verdict of not guilcy was returned. Mr. Purcell appeared for the accused, who was discharged. Mr. Muir, in justification of the action of the police, said that earlier in the year a man was prosecuted for selling the same work, and pleading guilty was sentenced. Observe that the inspector ransacked the premises—he was probably acting on information and was within his rights. He carried off “ two cab loads ” of books. That is to say he deprived a bookseller for a certain time, pending the return of the books, of his means of livelihood. He found, among the two cab loads, two on which to base a prosecution. The first was “ His Excellency Eugene Rougon.” The grand jury threw out the bill as regards this book. Other- wise the grand jury would have been an ass indeed. There remained the “Heptameron of Margaret of Navarre.” If this book is to be made the subject of a prosecution, Shakespeare, Ben Jonson, Butler's Hudibras, Burton's Anatomy, Dryden, Walt Whitman, the Cent Nouvelles Nou- velles, Boccaccio, and Heaven knows what besides, will have to vanish from the bookseller's shelves. The jury, happily, acquitted the accused. But what bookseller is safe? The next thing, perhaps, will be a raid upon the private library. NHE complete list of Pensions granted during the year ending June 20, 1900, and charged upon the Civil List, has been published. The whole amount at the disposal of the First Lord of the Treasury has been expended. The following is an analysis of the grants : Art (sculpture, painting, and singing) £300 Science (archæology, submarine tele- graphy, mathematics, hygiene, Antarctic exploration)........ Literature.................................... 550 Pensions which have nothing to do with either Literature, Science, or Art, and have no claims, therefore, upon this Fund ........................ 105 Cannot the Committee procure an amendment of the resolution so that it should include persons with claims depending on achievements in Litera- ture, Science, and Art only? This seems the only way of putting a definite stop either to the jobs which formerly disgraced the List or the little nibblings which are now allowed every year in favour of persons whose claims may be very strong, but are not literary, scientific, or artistic. 245 THE POLICE AS CENSORS. THE following case was published in the Newsagent and Booksellers' Review. PROSECUTION OR PERSECUTION ? Ridiculous Charges against Booksellers. At the Central Criminal Court, London, last week, Mabel Florence Thomson, manageress and secretary of a publishing company in Booksellers'.row, surrendered to her bail to answer an indictment charging ber with having pablished an alleged obscene libel, a book entitled “The Heptameron ## p. 54 (#80) ############################################## 54 THE AUTHOR. The mournful part of the business is that early in the present year a man was prosecuted at the instance of the police for selling the same book, and, pleading guilty, was fined. On the other hand, let us ask how it is that certain shops in some parts of the West End are allowed to flaunt in their windows every kind of picture and title which can possible invite prosecu- tion--and escape scot free, while these small dealers, who happen to have a classic in which are certain coarse passages, are harried and haled before magistrates, and have to look on while their stock-in-trade, proved to be perfectly innocent, is forcibly carried off in four-wheeled cabs. this city who is a living link between the events of the middle of this century and of its close this year. His experiences, therefore, must be of a particularly interesting kind, and those that he recounted before the Authors' Society, flavoured as they were with personal allusions, were well received. As Mr. Karkaria suggested at the gathering, these reminiscences of a very active and many-sided career would be not only pleasant but instructive and edifying reading if Mr. Kabraji were to put them on paper and publish them in a book. We wish the Authors' Society success, and hope it will fulfil its object of increasing friendship and intercourse among native writers.— Bombay Gazette, June 9. BOMBAY SOCIETY OF AUTHORS. CORRESPONDENCE. TT is an encouraging sign of the times that the Parsi authors and journalists of Bombay 1. — CONCERNING ENGLISH AUTHORS IN THE have formed a “ Society of Authors ” more UNITED STATES. or less on the model of the well-known association T HAVE long felt the helplessness of English established some years ago in London. That authors in the hands of American pub. society is the first of its kind in England, though lishers. How good soever our agreements in France “ La Société des Gens de Lettres ” has may be, we have no means of seeing them carried now existed for over sixty years, and has done out. The experience of others probably tallies much good to its members as well as the literary with my own, though I have seen no complaint profession in general. Our local society also bids in The Author or elsewhere. I would propose fair to be useful and successful as it is in that our society should have an agent or an enthusiastic and able hands. The veteran Parsi agency in New York, with full powers from author, Mr. K. R. Cama, who in the present year individual writers to examine—as far as existing finishes the Psalmist's limit of three score and laws permit - either the books of publishers ten, and who is as vigorous and enthusiastic in his or the price-lists, advertisements, and sales of literary schemes as ever, is the president, and each work, and forward half-yearly statements of Mr. K. N. Kabraji, the veteran Parsi journalist, the same to authors, who, of course, would be is the vice-president. The new society performed charged some fee. This is merely a rough and a very pleasing function the other day by sketchy idea that might be thought out in inviting a very select and cultured party of detail and improved and amplified by the authors and authoresses—for Parsi lady-writers collective mind of the Incorporated Authors, have also joined the society-and their friends to should they see the utility of such an agent or an afternoon party to meet their vice-president, agency Mr. Kabraji, before his departure for England It would be well, perhaps, to impart my to-day. The most interesting part of the pro- experience with regard to “ The Last Sentence," ceedings was the speech in which this veteran a novel published by Mr. Heinemann in 1893, journalist recounted his experiences of over forty after running in Great Thoughts. Accord- years in his profession. Mr. Kabraji commenced ing to my rule, I retained the copyright of this his connection with the native Press in the pre- novel, and empowered Messrs. Lovell and Co. to Mutiny days, and all the great landmarks of publish it in the United States for me on con. recent Indian history have passed under his eyes. dition of paying me a stipulated royalty. The He witnessed the Mutiny, heard the Queen's Pro novel sold well on both sides, and I received sub- clamation proclaimed with due pomp and cere- stantial cheques from America as well as England. mony in Nov. 1858, saw the preparations in But Messrs. Lovell and Co. became bankrupt, Bombay for the Abyssinian and Afgban Wars, and, without consulting me-as I believe, illegally was present at the Grand Durbar where the -transferred this rigbt or sub-let this right of Queen was proclaimed Empress of India, took publishing to firm after firm, all of which, as far part in the festivities of the Jubilee of the Queen, as I can ascertain, became bankrupt, but con- He is the only journalist, native or European, in tinued to publish my novel and to send me from ## p. 55 (#81) ############################################## THE AUTHOR. 55 time to time varying sums as royalty. But I exceptional, in which case it may serve as a warn- could not obtain regular statements of sales, and ing to others. MAXWELL GRAY. seldom knew in whose hands the book was. It2, Mount Ararat-road, Richmond, was pirated, I believe, by one firm, but I really do Surrey. July 12, 1900. not quite know what happened to this book, except that it was always selling, a fact I ascer- tained sometimes by indirect means. At last I II.—“ PRINTERS' ERRORS." received an intimation from the “ American It is distinctly amusing to find anyone com- Publishers' Corporation” to the effect that they plaining of the printer as a tyrant. With most had the book, and furnishing a sort of genealogy authors he is a scapegoat. Whenever some of the firms through which it had descended to unusually palpable blunder appears in type it is them from Messrs. Lovell and Co. (or Proteus invariably spoken of as a "printer's error.” In a and Co.). I think this was in 1897, when, I see. recent number of Truth, for instance, it was the £6 was received from them, presumably for 1896. demoniacal printer who compelled the editor to Then comes an entry in the autumn of 1898 of call Mr. Robert Lowe Lord Sherborne instead of 159. This was accompanied by an intimation Lord Sherbrooke. Perhaps, Sir, you will allow that the sale was so feeble they proposed printing me to say a word or two upon this harrowing no more copies. One would suppose this to be subject. the end of the history. Not at all. In May, In the first place, the printer has, and can 1900, I received a letter from the manager of the have, nothing whatever to do with it. The Publishers' Plate Renting Company, stating that man who prints, i.e., the pressman, never, as far “ between the receivership of the American Pub. as my experience goes, sets up type. I suppose, lishers' Corporation and the foreclosure sale of its therefore, that when Mr. Corbett says printer plates ... some publishing was done, and (see April number of The Author, p. 250) he any royalties earned were deposited in a trust means compositor ; that it is the compositor who company in this city. There are now on deposit presumes to alter his undeniably accurate spelling, royalties from the sale of your book amounting to and whose fault it is when a blunder defaces a about £60.” page. But I submit that this is putting the That is all I know (except that I claimed and saddle on the wrong horse. In any published received my cheque). It appears to me a singular matter, be it book or newspaper, a printer's error circumstance that whereas such sum as £6 for one (to use the expression in vogue) does not exist. year and 158. for another are all I appear to have It is an impossibility. The error is not that of received while the company was solvent, over £60 the compositor, but of the proof-reader. The result from the sales between Sept. 1898, and only place in which a printer's error can occur is in May, 1900, when the company was insolvent. I the first proof pulled; and if such error is over- am not informed of the sales or the percentage by looked, and appears in the published form, it is which my royalty came. It may be rightly the proof-reader, and not the compositor, who is calculated, or the trust company may be ignorant to blame. of my stipulated percentage. I do not impugn But who is to blame when blunders that exist the honesty or accuracy of the various firms which in the manuscript are perpetuated in the public have sold my book. I merely observe that the cation ? Here the question lies between the jump from 158. to £61 78. (the exact cheque) on publisher's reader and the author. Very often a book seven years old is remarkable. There was the reader is incompetent, and, failing to under- also a sudden decline from a cheque in three stand the author's meaning, ventures to correct figures to £2 on an earlier firm becoming solvent, his copy. A case once occurred in my own which is less remarkable. It is true that in 1898 experience. Being absent from Europe, I sent my novel, “ The House of Hidden Treasure," had home my copy in type, and of course could not a large sale in England and the United States, correct the proofs. In a certain passage I had and that may have sent up the American sale of used the expression “reification of a concept." “ The Last Sentence," though it had not that The reader had never heard of the word reifica- effect in England. But the point is that I, and I tion, and you may imagine my dismay when, on suppose all authors, except a few ubiquitous the publication of my book, I found that he had people, are helpless as a child in the matter; altered it to “ deification." Here he was wrong; and that an agent, who must be neither pub- and yet there certainly are cases in which a reader lisher nor author, to watch books in the might save the author from some of the gram- United States would be a great boon to English matica) atrocities that bring amateur authorship authors. into disrepute. A novelist or essayist who writes On the other hand, my experience may be "like he does,” “different to,” or “neither of ## p. 56 (#82) ############################################## 56 THE AUTHOR. them were,” splits his infinitives, and begins two far cry, and my publishers took what money was consecutive separate sentences with the word made by the sale of the book for themselves, then “but," is lucky if he finds a publisher ; but he (although the whole edition was entirely my pro- would be luckier still (and so would the public) perty) they disposed of the unsold copies to if the publisher's reader were benevolent enough another firm without informing me; and, on the to correct his English. F. H. B. Authors' Society interfering, it was found that the firm was bankrupt and had vanished without assets. III.-LONG RETENTION OF MSS. I had written two more books by this time; Perhaps one of the greatest grievances and one a work of 58opp. 4to. on some little-known discouragements the literary aspirant has to languages, and the other a history in two volumes, suffer from is the unreasonably long detention of 875pp. 4to. A highly-placed official of the his MSS. by publishers or editors. In fact, the Government of India saw the MS. of the first preliminary step to failure or renown resembles book and said, “ You will let us have this”; of the launching of Moses among the bulrushes, or course, publication by the Government of India the venturesome vulgar boys of Margate sands is a cachet for a work, so I agreed. The second who went to sea in a sieve. book was written at the request of the Govern- A play of mine was retained by a stage manager ment in my leisure time, but not in any way “by for over a year, and then he pretended he had lost order.” it. At length I bearded the lion in his den, I agreed because my experiences with private and simply seized it on the rack of his desk, and firms of publishers had not been pleasant or walked off triumphant. Recently an elaborate profitable, and if the Government of India tells work of 500 pages went the round of four pub- one of its servants that it wishes to publish his lishers in the short twinkling of fifteen months! books, he knows a great deal better than to The fifth grand lama delightedly appropriated it refuse. by return of post, politely offering me £50 in Both books were published by the Government return for five years' exile and hard labour. of India, and I received 30 copies of the first and Being but a Grub-street vagabond, I accepted; 42 copies of the second. I have not received any and then had the pleasure of correcting the proofs payment or other acknowledgment, and the of the mutilated and largely abridged “copy," Government have all the rights and the owner- which, although written in the same legible hand ship of the books. as enclosure, largely abounded in distinctly Now, have I been well treated or not, and how “ printer's errors.” My magnum opus having do the Government compare, as publishers, with honourably run the gauntlet of the critics, I hope some of those firms our Society has been so busy fully inquired about the sales by way of curiosity, safeguarding its members against ? TALAI. but received no answer. I have lost nearly half of my contributions to magazines, and enclosure represents the sting of a V.—THE HARDSHIPS OF THE TYPIST. recent experience. Your correspondent's remarks on the hardships- J. S. LAURIE. of the typist are just. Ninepence a thousand words is cruel pay, in face of the fact ihat the work is IV.—THE INDIAN GOVERNMENT AS PUBLISHERS. very uncertain. I give my experiences with publishers in the The lady who has typed my later novels (Miss hope of obtaining some expression of opinion E. Longworth, 310, Strand) assures me that some- regarding the position adopted by the Indian times for weeks at a stretch she has scarcely any. Government towards those of its unfortunate thing to do, and then is wearied by a sudden rush servants who happen to be authors. of work, much of which she has to put out and In 1887 I wrote, at the request of the head of pay for, as she cannot do it in the time given her. the local government under which I was then And authors are always in a hurry! serving, a small work containing special informil- She charges me is. a thousand words, and gives. tion which I alone possessed, and brought the a carbon copy in, which is, I think, as fair as MS. to England. The Secretary of State for anyone can desire. One cannot expect typewriting India gave me £100 and told me to bave the book to be done well for less, and any typist who makes published at my own expense ; both he and the a lower charge shows herself an enemy to the other Government of India promised to take a certain members of her profession. number of copies. One thing should be remembered—that the This was very satisfactory, and I hoped for a working of a typewriter is exhausting to most reasonable profit. I had returned to the East, a women. It causes a fearful backache in many ## p. 57 (#83) ############################################## THE AUTHOR. 57 cases, and, if persisted in too long every day, is Mr. Beckles Willson, whose history of the very injurious to health. Considering all this, I Hudson's Bay Company was published a few should be ashamed to pay another woman less months ago, is now writing a somewhat similar than I should care to work for myself. Is it not work on the East India Company. time that typists combined to protect themselves ? Mr. Anstey's new story, to be published in Ninepence a thousand words will soon sink to October by Messrs. Smith, Elder, and Co., is sixpence—and then ? Mary L. PENDERED. called “ The Brass Bottle.” be Mr. Ashton Ellis's life of Wagner will be in four volumes, the first of which Messrs. Kegan BOOK AND PLAY TALK. Paul hope to publish in the autumn. Mr. C. T. Hagberg Wright, the librarian of the MOLONEL SPENCER CHILDERS, of the London Library, is engaged upon a biography of Royal Engineers, has prepared the “Life Count Tolstoy. and Correspondence of Mr. Childers," Mr. Ferrar Fenton has in the press a sixth which will be published in one volume by Mr. edition of his “ St. Paul's Epistles in Modern Murray. Mr. Childers's political career lasted English,” with an “Introduction estimating that from 1860 to 1892, during which time he occupied Apostle's influence upon the Progress of Man. five Ministerial posts--First Lord, Chancellor of kind." The publishers are Messrs. Horace Mar. the Duchy, Secretary for War, Chancellor of the shall and Son. Exchequer, and Home Secretary. Mr. Aylmer Gowing's new novel, “A Spider's Lord Rosslyn is publishing through Messrs. Web,” will be the next work produced in Mr. Blackwood an account of his adventures during Burleigh's half-crown series. The plot is evolved the war in South Africa. The book will be called through the arts of a fair Russian Arachne, who “ Twice Captured.” spins her web about a young English attaché. A Mr. W. Basil Worsfold is writing “ The Story contrast to the dark shadow of deceit and crime of Egypt” for Messrs. Horace Marshall and Son's is found in an idyllic love story in England. little Story of the Empire Series. “The Story of A third edition of Mr. de V. Payen-Payne's Uganda," which also will appear this autumn, is by 1, is by “French Idioms and Proverbs " is shortly to be Brigadier-General Lugard, C.B., D.S.O. published by Mr. David Nutt. The first edition A new history of “The Venetian Republic” has of this work appeared in 1893, and the second in been written by Mr. W. Carew Hazlitt, and will 1897, and it is now accepted in all colleges and be published shortly. schools where French is seriously studied as a The Publishers' Circular makes the following competent guide to a very difficult subject. For statement (July 21):- those preparing for examinations, such as those As an indication of the success of the net system, the of the London, Victoria, or Welsh Universities, Booksellers' Association has sent a letter to the Publishers' the Society of Arts, the Oxford and Cambridge Association expressing the hope that the number of net locals, or the Civil Service Commissioners, this books may be increased. The publishers are now giving book is valuable. the matter their serious attention. A story of Afghan life by Miss Lillias Hamilton, The War Fund book, “For Britain's Soldiers," who was the Ameer's medical adviser, will be wi or will be which Mr. Cutcliffe Hyne has got together and published by Mr. Murray, under the title “A Messrs. Methuen are publishing gratuitously, will Vizier's Daughter : an Autobiography.” This be on sale for three months only, so as to induce publisher has also on his autumn list a novel by the charitable to buy copies in the pious hope that Lady Hely Hutchinson, entitled “Monica Grey," they may go to a premium afterwards. The con- and one by the Hon. Mrs. Walter Forbes, “A tributors are Messrs. Alden, Besan, Crockett, Gentleman.” Hornung, Hyne, Kipling, Mason, Moore, Pem- berton, Roberts, Ridge, Wells, White, Wood, and “ Footsteps of a Throne" is the title of Mr. Mrs. Croker. Max Pemberton's new book, which Messrs. Methuen will publish in this country. An early new comedy at Wyndham's Theatre will be “My Lady Dainty,” by the lady who A posthumous story by the late Mrs. Lynn wrote “ Young Mr. Jedburg” and “ An American Linton, entitled “ The Second Life of Theodora Citizen.” The new piece was produced success- Desanges,” will appear shortly. fully at Brighton a month ago. The scene is Mr. Egerton Castle's new novel for the autumn laid partly in Devonshire and partly in New is to be called “ The Sacred Orchard." York. ## p. 58 (#84) ############################################## 58 THE AUTHOR. At the Duke of York's a new comedy by Mr. Exhibition, and the other (which should be con- Henry Arthur Jones will be produced by Mr. sulted by all interested in the China crisis) with Charles Frohman in September. the most important recent English and French In view of the success which the German plays works on China ; it appeared in Literature of have met with in London this year, a syndicate ndirate July 21. July 21. (with Mr. Henry Oppenheim and the Earl of Mr. Cosmo Hamilton's new book is called Dysart among the guarantors) has been formed “Impudent Dialogues," and will be published by for the production of German pieces at the Mr. Arrowsmith next spring. The romantic play Comedy Theatre from the middle of October to in four acts founded on “ The Countess Tekla," the middle of April next. by Mr. Hamilton and Mr. Robert Barr, is to be The object of the National Drama Company, produced in London next Easter. Mr. Hamilton which has just been formed, is “to provide an is at present engaged on a society extravaganza organisation by which our great plays may be to be called “The Danger of Innocence,” which produced in frequent succession; and it has been will form the Christmas number of the World. thought advisable,” says the prospectus,“ to The editor of the Century Magazine has taken make Mr. F. R. Benson's Shakespearean and Old up the charge against the American stage, and Comedy company-which has long been engaged goes the length of saying that American drama- in this work as a private undertaking, and has a tists are not only incapable of appreciating what repertory of no less than twenty-three of Shake is intellectual, instructive, wholesome, or inspiring, speare's plays—the basis of the new organisa but addicted naturally to what is morbid, auda- tion.” The capital is £27,000 in ordinary and cious, or unclean. On this subject, and in view preference shares, and the board of directors of the recent discussion in Parliament of the includes Sir H. W. Lawrence, Sir John Scott, Mr. English stage, it is instructive to observe the Joseph Walton, Q.C., and Mr. Benson. point of view of another American, Judge Mr. Stephen Phillips has written for Mr. Beer- Fursman, as expressed in his summing-up in the bohm Tree a new play on the subject of Herod prosecution against the performance of “ Sapho" the Great. It will be called “The King of the in New York-a case which ended, as will be Jews," and will be presented at Her Majesty's remembered, in the acquittal of Miss Olga during the coming season. Mr. Tree intends also Nethersole and her colleagues. Addressing the to produce two Shakespearean plays—“ Julius jury on their duties, the judge said: Cæsar” and “ Othello." For the former he has Consider as to them only the fair arguments that in the secured Mr. Murray Carson for the part of Julius cold deliberation of honest minds ought to prevail. Where Cæsar, Mr. Beveridge as Casca, and Mr. Robert you sit there is no room for imagination. Where you sit there is no room for sympathy, for prejudice, or for Taber for the role of Cassius. vengeance. You are not here in the interests of any public Mr. Martin Harvey has taken the Lyceum newspaper. You are not here in the interests of the public Theatre for the autumn, and his programme will prosecution. You are not here in the interests of the defendants. You are here as sworn officers of the law to probably include, first, “ Romeo and Juliet," and determine what the truth is—what justice requires, what afterwards an adaptation by Mr. Charles Hannan fairness demands, under the evidence and the law in this of Mr. Marion Crawford's story, “A Cigarette case. The law requires you to presume that these defen. Maker's Romance." dants are innocent. Innocence is the garb with which the law clothes every accused person, and the prosecution is The familiar type of melodrama at the Adelphi required in law to overcome this presumption by evidence is at last to suffer an eclipse, Mr. George that leaves no reasonable doubt in a man's mind. ... Edwardes having secured the house as a home The statute does not make it an offence that the tenor, for the production of musical plays. the product, the outcome of a book or a play is not moral. The statute makes it an offence when it offends public On August 30 Miss Julia Neilson will re-open decency so as to become a public nuisance. Mere sag- the Haymarket Theatre with the new play by Mr. gestiveness—and I think it must be said in all fairness Paul Kester entitled "Sweet N L of 'Durga that there are things in this play, and it cannot be denied and has not been denied, that are to a certain extent sag. -otherwise Nell Gwyn. The play is in four gestive—but mere suggestiveness is not sufficient. It is acts, and besides Miss Neilson the cast includes not enough, in order to make a crime under this statute, Mr. Fred Terry, Mr. W. Mollison, Mr. Sydney that it may offend the modesty of young girls. This statute Brough, and Miss Constance Collier. means, when it declares a play to be an offence against public decency, that it shall be of such a character as to Two bibliographical articles of considerable offend in that manner the great mass of the people of all interest at the present juncture appeared in characters, of all estates, of all faiths, of all denominations, the course of July in Literature from the of all positions in society. pen of E. A. Reynolds-Ball. One (July 7) The only book ever done by President Lincoln dealt with the recent literature of the Paris is about to be published in America by Messrs. ## p. 59 (#85) ############################################## THE AUTHOR. 59 BOOKS AND REVIEWS. (In these columns notes on books are given from reviews which carry weight, and are not, so far as can be learned, logrollers.) McClure, Phillips, and Co., and will be a repro. duction in exact facsimile of a small scrap- hook compiled by Lincoln for use in the political campaign of 1858. This book was presented by the owner to his strongest supporter, Captain James N. Brown, who carried it with him in 1860 and in subsequent campaigns for use as a book of reference whenever Lincoln's opinions were called in question. Captain Brown died in 1868, and the book passed to his sons, by whose desire it is now being published. The clippings give. in Lincoln's own words, “the substance of all I have ever said about negro equality," and the book also contains notes in Lincoln's handwriting prefaced to the extracts from his speeches. It will be called “Abraham Lincoln : His Book.” Mr. Norman Hapgood is following his recent biography of Lincoln with a life of Washington. The source of the title, “Red Pottage," has been engaging the curiosity of American readers and reviewers. Some attributed the passage quoted by the author—" After the red pottage comes the exceeding bitter cry”—to the Bible, others thought it came from Omar Khayyam. At length, Messrs. Harper and Brothers, the American publishers of the book, sought to place the matter beyond doubt by asking Miss Chol. mondeley. Her reply was as follows:- Miss Cholmondeley, in answer to Messrs. Harpers' inquiry of May 23, regrets to say she does not know where the motto comes from—“After the red pottage,” &c. She remembers jotting it down in her note-book years ago, but when she turned to it she found to her surprise she had not added the author's name, which in nearly every other case she had been careful to do. She thinks it may be found in the sermons of the Rev. John Hamilton Thom. The curiosity of the American reading public in regard to another lady novelist, Miss Ellen Thorneycroft Fowler, has been answered in a singular fashion. Messrs. D. Appleton and Co. have issued a new edition of “ Concerning Isabel Carnaby," which presents a portrait and an elaborate biographical and critical study of the author. The late Mr. Harold Frederic's work, “The Damnation of Theron Ware,” which is known in England as “ Illumination,” is being dramatised in the United States. Mr. Walter H. Page, formerly editor of the Atlantic Monthly, is named as editor of a new illustrated magazine which Messrs. Doubleday, Page, and Co. hope to bring out in the autumn. It will be called “The World's Work," and will attempt to cover a field of its own. THE “OVERLAND" TO CHINA, by Archibald R. Colqu. houn (Harper, 168.), “ covers a vast area, for its backbone, so to speak, is a journey of 7000 miles to and through the Far East." Much of it is immediately concerned with the vital issue and localities of the present crisis, and the Daily Chronicle trusts it " will be very widely read. It is full of exact information set forth in most readable fashion, and it appears at a moment sensationally opportune." "The account of diplomatic life in Peking as it used to be is the best extant." CHINA, THE LONG-LIVED EMPIRE, by Eliza R. Scada- more (Macmillan, 8s. 6d. net), is “to be recommended,” says the Daily News, "as a lively and vivid account of Chinese life and character. With its sketches of scenes and persons where with the entire world is now concerned, it appears at an opportune moment. It contains a large namber of good illustrations." THE SOUTH AFRICAN CONSPIRACY; or, The Aims of Afrikanderdom, by Fred W. Bell (Heinemann, 58. net), deals with “a matter of great importance," says the Times, and "serves a useful purpose in bringing the known facts and the argument to be deduced from them within the reach of all who seek to be informed.” My DIOCESE DURING THE WAR, Extracts from the Diary of the Right Rev. Arthur Hamilton Baynes, D.D., Bishop of Natal (Bell, 68.), is described by the Daily Chronicle as “in large measure a chronicle of small things, of personal detail and hearsay in the rear of the fighting line, of hamanitarian and yet sensible views of the war and its consequences.” The author was at the front, says the Spectator, “and saw many things from a point of view somewhat different from that either of the soldier or of the war correspondent, and what he writes is in the best taste, simple, anaffected, and graphic, withont the least attempt at fine writing.” A HISTORY OF MODERN PHILOSOPHY, by Harald Höffding (Macmillan, 308.), is a translation from the German of a work wbich, says the Guardian, “undoubtedly stands in the front rank of histories of philosophy, not only on account of the eminence and learning of its author, bat even more from the lucidity of its plan and the consistency with which it is adhered to throughout. A history of philosophy should, the author tells us, throw light on what philosophy really is ; and the present book not only does this by distin. guishing the chief problems of the philosopher and tracing their rise and development, but also by making clear every- where the intimate relation of philosophy to political and social conditions and to scientific progress. Parts of the work are, indeed, almost as much a history of calture as of philosophy.” The Guardian adds, however, that the trans- lation needs a “very thorough revision.” Professor Höffding's work, says the Daily Chronicle, “is charac- terised by singular clearness, discrimination, and detach. ment of mind.” ROBERT BROWNING, by A. Waagh (Kegan Paul, 28. 6d. net), is a volume of the “ Westminster Biographies," " and is in every way an excellent piece of work,” says the Spectator. “The two personalities of Robert Browning and his wife are sympatbetically treated, and there is some admirable criticism of their literary work.” “It is," says the Daily Telegraph “at once a biography, concise, but omitting nothing material, and a scholarly critical apprecia- tion.” “Mr. Waugh's criticism,” says the Daily Chronicle, “ is justly appreciative, not fanatically eulogistic." ## p. 60 (#86) ############################################## 60 THE AUTHOR. NATURE IN DOWNLAND, by W. H. Hudson (Longmans, 108. 6d. net), is, among other things, full, says the Daily Chronicle, “ of amusing evidences of the rural intelligence as found in the county of Sussex.” “It is long since Mr. Hudson gave as a book. It is longer still since he gave us Bo good a book as this one, in which there are more than a few passages that recall the Naturalist in La Plata 'at his happiest.” The “Downland,” says the Daily News, is Spectator, the promise is redeemed “ with a measure of success rare in sequels. Though less prodigal of incident and description, the present volume is far superior to its predecessor in concentration and intensity. . . . At the close of “The School for Saints' it may be remembered that Robert Orange, the brilliant and many-sided idealist, had become engaged to the beautiful Mrs. Partieto. . . . The volume before as unfolds the tragic consequences of Sussex Downs. “Mr. Hudson shows us every detail of the landscape,” the features of the treeless downs, the abundant flowers, bird and beast, reptile and insect, “even the seldom-noticed snail, apon whose sculptured covering nature has indeed bestowed some of her very daintiest handi. work." BURMA, by Max and Bertha Ferrara (Low, 308.), describes “the modern Burmese as he lives and has his being from the cradle to the grave, with," says the Daily Telegraph, “ a painstaking elaborateness and exactitude.” The Daily Chronicle says the book contains "genuine masses of infor. mation," and a “beautiful and varied collection of photo graphs.” “Everyone,” says Literature, “who is so fortu. nate as to have read Mr. Fieiding's book, 'The Soul of a People,' should get ‘Burma. Although, from its size, weight, and price, it comes into the category of 'gift-books,' books which serve to decorate a table and never get read, * Burma' should prove the exception to this rule. Our authors' detailed account of the outward life of the Burmese -an account which rounds off and completes Mr. Fielding's story of their life-is well worth reading." A SON OF THE STATE, by W. Pett Ridge (Methaen, 38. 60.), " is vivid as well as engrossing,” says the Daily News, "and its robust manliness— quality that asserts itself on every page—is not certainly its least merit. And, apart from all other considerations, we can only advise those who are discontented with existing State institutions to read Mr. Pett Ridge's book and benefit by his cheerful optimiam.” He depicts for us, says the Daily Chronicle," the blatant, garish, open-air life of the City-road.” “All the early part of Mr. Bobbie's vagrant career is exceedingly gay, lively, and well told,” and “the book may be recommended to everyone as a pleasant summer drink.” LITTLE ANNA MARK, by S. R. Crockett (Smith, Elder and Co., 68.), is " a rattling rousing story of adventure and misadventure," says the Daily Telegraph, "related in the first person by a somewhat dull-witted Scottish youth.” The Daily News describes the hero of the book as “a picturesque villain whose crimes are of the medieval and semi-Satanic kind,” while" the good angel of the work is a big Englishman with the euphonious name of Umpbray Spurway.” The scene is laid partly in Scotland, partly on a pirate ship, and partly in mysterious tropical islands. The Chronicle confesses that “Little Anna Mark ” is “very much to our liking.” “Mr. Crockett carries us along from exciting incident to thrilling episode, and gives as scarce time to breathe." THE LADYSMITH TREASURY, edited by J. Eveleigh Nash (Sands, 68.), “has nothing to do with Ladysmith or the war,” remarks the Spectator, “ except that the profits of the book are to go to the relief of distress in the town. It con- tuids sixteen short stories and ketebes. Among the authors we see the names of Ian Maclaren, W. E. Norris, Morley Roberts, and F. Frankfort Moore. We recommend the book to ou readers, and can do so without scruple, not only because the object is patriotic, but because there is good literary work in it.” ROBERT ORANGE, by John Oliver Hobbes (Unwin, 68.), which the Daily Telegraph describes as a containing work “uniformly sober, restrained, literary," is the promised con- tinuation of “The School for Saints," and, says the adds: “It is rare in these democratic days to encounter & book in which the existence of the masses is barely hinted at; it is not unwelcome, after the tyranny of slum realism, to be for once in a way completely relieved from the con. templation of squalid emotions and underbred unhappiness.” AFRICAN NIGHTS' ENTERTAINMENTS, by A. J. Dawson (Heinemann, 68.), contains a dozen studies of Morocco which the Spectator says are “ very picturesque.” “The • West Coast' stories in the book are also striking," " and Mr. Dawson has seized the essential difference between Morocco and what we may call the East' with acute appreciation.” Mr. Dawson's book, says the Daily Chronicle, “does not hold a dull page, and the unmistakable earnest- ness aboat certain of the more dramatic stories robs them of any offence.” THE AUTOBIOGRAPHY OF A CHARWOMAN, as chronicled by Annie Wakeman (Macqueen, 6s.), “ if it really gives a trne account of its heroine's adventures," “ may be taken," says the Spectator, " as a striking example of the fact that happi- ness does not lie in outward circumstances.” “Through the various vicissitudes of her career Betty shows no sort of feeling of her life being intolerable, but bears her troubles as she does her babies, with a fine sense of the uselessness of a struggle against the inevitable. The cheerful patience of the poor is cleverly indicated, and readers who like this stamp of story will enjoy Miss Annie Wakeman's book." Miss Wakeman's charwoman, says the Daily Chronicle, " is magnificently real and altogether admirable.” STUDIES IN LOVE, by Maud Egerton King (Dent, 43. 60. net), consists of four stories, which in the opinion of the Daily News are " very charming,” After saying that the book is “very pretty reading,” the Spectator adds that it is “ one which irresistibly suggests a hammock and a hot mid. summer afternoon as the proper place and time for its perasal.” A MILLIONAIRE OF YESTERDAY, by E. Phillips Oppen. heim (Ward, Lock and Co., 68.) is said by the Daily News to be quite up to his usual level." "The story is romantic, and the African scenes are very vivid and picturesque.” Mr. Oppenheim takes for the theme of his novel the always engrossing topic of the quest and attain- ment of boundless wealth. Scarlett Trent, the hero, is an ex-Board-school boy who bas drifted to West Africa, and in partnership with a broken down and bibulous aristo- crat secured a valuable mining concession on the Congo. AN ILLUSTRATED HISTORICAL HANDBOOK TO THE PARISH OF CHELSEA, by Reginald Blunt (Lawley, 28. 6d. net.), is described by the Spectator as “an attractive hand- book," and by the Daily News as “an admirable little volume.” MEMORIES OF SOME OXFORD Pets, collected by Mrs. Wallace (B. H. Blackwell, Oxford, 38.), “is a delightful book," says the Spectator, “fittingly commended to tbe reader by Mr. Warde Fowler's admirable preface. Dogs, of course, occupy, so to speak, the front benches. It needs no Lex Roscia to secure that for them. Then come three cats, a brown owl, a chameleon, a jerboa, a mouse, a hen, and the rat-a Japanese rat, it must be understood. These creatures, some of whose histories are written for them and some written by themselves, furnish us with a feast of good things." : - ## p. 60 (#87) ############################################## ADVERTISEMENTS. T Y P E W RI TING (Authors' MSS.) Undertaken by highly educated women of Literary experience (Classical Tripos ; Higher Cambridge Local; thorough acquaintance with modern languages). Authors' References. Terms, 1s. 8d. per 1000 words; over 5000 words, 1s. S. R., 1, LINGARDS ROAD, LEWISHAM, S.E. TYPEWRITING COMPANY, DARLINGTON'S HANDBOOKS AUTHOR'S HAIR AUTHORS TYPEWRITING. THE VICTORIA 18, BOROUGH HIGH STREET, LONDON BRIDGE, S.E., Have adopted a NEW STYLE, very effective, and attracting attention. Authors' MSS. copied from 10d. to 18. 3d. per 1000 words. Kindly send for specimen. CAREFUL AND ACCURATE WORK GUARANTEED. 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Title A name given to the resource The Author, Vol. 11 Issue 03 (August 1900) Subject The topic of the resource The Author, Vol. 11 Issue 03 (August 1900) Source A related resource from which the described resource is derived <a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015006979390" target="_blank" rel="noopener">https://babel.hathitrust.org/cgi/pt?id=mdp.39015006979390</a> Type The nature or genre of the resource Publication Identifier An unambiguous reference to the resource within a given context 1900-08-01-The-Author-11-3 publications The Author