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            <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
VOL. XI.—No. 2]&#13;
JULY 2, 1900.&#13;
[PRICE SIXPENCE.&#13;
...&#13;
17&#13;
CONTENTS.&#13;
PAGE&#13;
PAGE&#13;
Memoranda ...&#13;
Notes from America ...&#13;
... ... ... 28&#13;
The Incorporated Society of Authors-Scheme for Pension Fund 18 Annual Dinner of the Incorporated Society of Authors&#13;
Literary Property-.&#13;
Thirteen Years Ago ... ... ... ... ... ... ... ... 31&#13;
1. Trade Methods ...&#13;
Correspondence -1. Auxiliary Literary Work. 2. Concerning&#13;
2. The Copyright Act and the Five Gratis Copies&#13;
Books for Boys. 3. Royalties. 4. Author and Publisher. 5.&#13;
3. The Stamping of Agreements&#13;
** A Torn-out Page," " by" Dora Russell...&#13;
4. Copyright Secured by Publication and S&#13;
5. Altering without the Author's Consent...&#13;
Book and Play Talk...&#13;
Books and Reviews ... ...&#13;
Paris Notes. By Darracotte Scott&#13;
... ... ... ... ... ... 35&#13;
27 Obituary ...&#13;
Notes and News. By the Editor ...&#13;
... ...&#13;
... ... ... ...&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report. That for the past year can be had on application to the Secretary.&#13;
2. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary&#13;
Property. Issued to all Members, 6s. 6d. per annum. Back numbers are offered at the&#13;
following prices : Vol. I., 108. 6d. (Bound); Vols. II., III., and IV., 88. 6d, each (Bound);&#13;
Vols. V. to VIII. (Unbound), 6s. 6d.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. Henry Glaisher,&#13;
95, Strand, W.C. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE, late Secretary to&#13;
the Society. 18.&#13;
The Cost of Production. In this work specimens are given of the most important forms of type,&#13;
size of page, &amp;c., with estimates showing what it costs to produce the more common kinds of&#13;
books. Henry Glaisher, 95, Strand, W.C. 28. 6d. (Out of print at present.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the various&#13;
kinds of fraud which have been made possible by the different clauses in their agreements.&#13;
Henry Glaisher, 95, Strand, W.C. 38.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, and an Appendix containing the&#13;
Berne Convention and the American Copyright Bill. By J. M. LELY. Eyre and Spottis-&#13;
woode. Is. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888—1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. The Addenda to the "Methods of Publishing." By G. HERBERT THRING. Being additional&#13;
facts collected at the office of the Society since the publication of the “ Methods." With&#13;
comments and advice. 28.&#13;
11. Forms of Agreement issued by the Publishers' Association ; with Comments. By G. HERBERT&#13;
THRING, and Illustrative Examples by Sir WALTER BESANT. IS.&#13;
&#13;
&#13;
## p. 16 (#38) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
PRESIDENT.&#13;
GEORGE MEREDITH.&#13;
COUNCIL,&#13;
SIR EDWIN ARNOLD, K.C.I.E., C.S.I. AUSTIN DOBSON.&#13;
Sir Lewis MORRIS.&#13;
J. M. BARRIE.&#13;
A. CONAN DOYLE, M.D.&#13;
HENRY NORMAN.&#13;
A. W. À BECKETT.&#13;
A. W. DUBOURG.&#13;
Miss E. A. ORMEROD.&#13;
ROBERT BATEMAN.&#13;
Sir MICHAEL FOSTER, K.C.B., F.R.S. GILBERT PARKER.&#13;
F. E. BEDDARD, F.R.S.&#13;
D. W. FRESHFIELD.&#13;
J. C. PARKINSON.&#13;
SIR HENRY BERGNE, K.C.M.G.&#13;
RICHARD GARNETT, C.B., LL.D. A. W. PINERO.&#13;
SIR WALTER BESANT.&#13;
EDMUND GOSSE.&#13;
THE Right Hon. THE LORD PIR.&#13;
AUGUSTINE BIRRELL, M.P.&#13;
H. RIDER HAGGARD.&#13;
BRIGHT, F.R.S.&#13;
THE REV. PROF. BONNEY, F.R.S. THOMAS HARDY.&#13;
Sir FREDERICK POLLOCK, Bart., LL.D.&#13;
THE RIGHT HON. JAMES BRYCE, M.P. ANTHONY HOPE HAWKINS.&#13;
WALTER HERRIES POLLOCK.&#13;
THE RIGHT HON. THE LORD BURGH. JEROME K. JEROME.&#13;
E. ROSE.&#13;
CLERE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
W. BAPTISTE SCOONES.&#13;
HALL CAINE.&#13;
RUDYARD KIPLING.&#13;
Miss FLORA L. SHAW.&#13;
EGERTON CASTLE, F.S.A.&#13;
PROF. E. RAY LANKESTER, F.R.S. G. R. SIMS.&#13;
P. W. CLAYDEN.&#13;
THE RIGHT Hon. W. E. H. LECKY, S. SQUIRE SPRIGGE.&#13;
EDWARD CLODD.&#13;
M.P.&#13;
J. J. STEVENSON.&#13;
W. MORRIS COLLES.&#13;
J. M. LELY.&#13;
FRANCIS STORR.&#13;
THE HON. JOHN COLLIER.&#13;
THE REV. W. J. LOFTIE, F.S.A. WILLIAM MOY THOMAS.&#13;
SIR W. MARTIN CONWAY.&#13;
SIR A. C. MACKENZIE, Mus.Doc. MRS. HUMPHRY WARD.&#13;
F. MARION CRAWFORD.&#13;
PROF. J. M. D. MEIKLEJOHN.&#13;
Miss CHARLOTTE M, YONGB.&#13;
THE RIGHT Hon. THE LORD CURZON THE REV. C. H. MIDDLETON-WAKE.&#13;
OF KEDLESTON.&#13;
Hon. Counsel – E. M. UNDERDOWN, Q.C.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-A. HOPE HAWKINS.&#13;
A. W. À BECKETT.&#13;
J. SCOTT KELTIE, LL.D.&#13;
GILBERT PARKER.&#13;
SIR WALTER BESANT.&#13;
J. M. LELY.&#13;
E. Rose.&#13;
EGERTON CASTLE, F.S.A.&#13;
HENRY NORMAN.&#13;
FRANCIS STORR.&#13;
D. W. FRESHFIELD.&#13;
'SUB-COMMITTEES.&#13;
ART.&#13;
Hon. John COLLIER (Chairman). I SIR W. Martin Conway.&#13;
M. H. SPIELMANN&#13;
COPYRIGHT.&#13;
A. W. À BECKETT.&#13;
A. HOPE HAWKINS.&#13;
J. M. LELY.&#13;
W. M. COLLES.&#13;
GILBERT PARKER.&#13;
DRAMA.&#13;
HENRY ARTHUR JONES (Chairman). I F. C. BURNAND.&#13;
A. W. PINERO.&#13;
A. W. À BECKETT.&#13;
SYDNEY GRUNDY.&#13;
EDWARD ROSE.&#13;
Solinitore_ FIELD, ROSCOE, and Co., Lincoln's Inn Fields.&#13;
G. HERBERT THRING, 4, Portugal-street.&#13;
Secretary-G. HERBERT THRING.&#13;
OFFICES : 4, PORTUGAL STREET, LINCOLN'S INN FIELDS, W.C.&#13;
A. P. WATT &amp; SON,&#13;
LITERARY AGENTS,&#13;
Formerly of 2, PATERNOSTER SQUARE,&#13;
Have now removed to&#13;
HASTINGS HOUSE, NORFOLK STREET, STRAND,&#13;
LONDON, W.C.&#13;
THE KNIGHTS and KINGS of CHESS. By the Rev. MHE ART of CHESS. By JAMES MASON. Price 58.&#13;
GA. MACDONNELL, B.A. Price 28. 6d. net.&#13;
net, by post 58. 4d&#13;
London: HORACE Cox, Windsor House, Bream's-buildings, E.C. London: HORACE Cox, Windsor House, Bream's-buildings, E.C.&#13;
&#13;
&#13;
## p. 17 (#39) ##############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. XI.—No. 2.]&#13;
JULY 2, 1900.&#13;
[PRICE SIXPENCE.&#13;
For the Opinions expressed in papers that are (6.) Not to bind yourself for future work to any publisher.&#13;
signed or initialled the Authors alone are - As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the&#13;
III. THE ROYALTY SYSTEM.&#13;
collective opinions of the Committee unless&#13;
It is above all things necessary to know what the&#13;
proposed royalty means to both sides. It is now possible&#13;
they are officially signed by G. Herbert&#13;
for an author to ascertain approximately and very nearly&#13;
Thring, Sec.&#13;
the truth. From time to time the very important figures&#13;
connected with royalties are published in The Author.&#13;
Readers can also work out the figures themselves from the&#13;
“ Cost of Production.”&#13;
M HE Secretary of the Society begs to give notice that all&#13;
T remittances are acknowledged by return of post, and IV. A COMMISSION AGREEMENT.&#13;
requests that all members not receiving an answer to The main points are :-&#13;
important communications within two days will write to him (1.) Be careful to obtain a fair cost of production.&#13;
without delay. All remittances should be crossed Union (2) Keep control of the advertisements.&#13;
Bank of London, Chancery-lane, or be sent by registered (3.) Keep control of the sale price of the book.&#13;
letter only.&#13;
GENERAL.&#13;
All other forms of agreement are combinations of the four&#13;
Communications and letters are invited by the Editor on&#13;
above mentioned.&#13;
all subjects connected with literature, but on no other sub-&#13;
Such combinations are generally disastrous to the author.&#13;
jects whatever. Articles which cannot be accepted are&#13;
Never sign any agreement without competent advice from&#13;
returned if stamps for the purpose accompany the MSS.&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
GENERAL MEMORANDA.&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
UT ERE are a few standing rules to be observed in an&#13;
(2.) The inspection of those account books which belong&#13;
1 agreement. There are four methods of dealing&#13;
to the author. We are advised that this is a right, in the&#13;
with literary property :-&#13;
nature of a common law right, which cannot be denied or&#13;
I. THAT OF SELLING IT OUTRIGHT.&#13;
withheld.&#13;
This is in some respects the most satisfactory, if a proper&#13;
price can be obtained. But the transaction should be&#13;
managed by a competent agent, or with the advice of the WARNINGS TO DRAMATIC AUTHORS.&#13;
Secretary of the Society.&#13;
II. A PROFIT-SHARING AGREEMENT (a bad form of 1. N EVER sign an agreement without submitting it to&#13;
agreement).&#13;
N the Secretary of the Society of Authors or some&#13;
In this case the following rules should be attended to :&#13;
competent legal authority.&#13;
(1.) Not to sign any agreement in which the cost of pro.&#13;
2. It is well to be extremely careful in negotiating for&#13;
duction forms a part without the strictest investigation.&#13;
the production of a play with anyone except an established&#13;
(2.) Not to give the publisher the power of putting the&#13;
manager.&#13;
profits into his own pocket by charging for advertisements 3. There are three forms of dramatic contract for PLAYS&#13;
in his own organs : or by charging exchange advertise. IN THREE OR MORE ACTS :&#13;
ments. Therefore keep control of the advertisements.&#13;
(a.) SALE OUTRIGHT OF THE PERFORMING EIGHT.&#13;
(3.) Not to allow a special charge for “ office expenses,"&#13;
This is unsatisfactory. An author who enters&#13;
unless the same allowance is made to the author."&#13;
into such a contract should stipulate in the con-&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
tract for production of the piece by a certain date&#13;
rights.&#13;
and for proper publication of his name on the&#13;
(5.) Not to give up serial or translation rights.&#13;
play-bills.&#13;
VOL. XI.&#13;
D 2&#13;
&#13;
&#13;
## p. 18 (#40) ##############################################&#13;
&#13;
18&#13;
THE AUTHOR.&#13;
Secretary will always be glad to have any agreements, now&#13;
or old, for inspection and note. The information thus&#13;
obtained may prove invaluable.&#13;
4. Before signing any agreement whatever, send the pro-&#13;
posed document to the Society for examination.&#13;
5. Remember always that in belonging to the Society you&#13;
are fighting the battles of other writers, even if you are&#13;
reaping no benefit to yourself, and that you are advancing&#13;
the best interests of literature in promoting the indepen.&#13;
dence of the writer.&#13;
6. The Committee have now arranged for the reception of&#13;
members' agreements and their preservation in a fireproof&#13;
safe. The agreements will, of course, be regarded as con-&#13;
fidential documents to be read only by the Secretary, who&#13;
will keep the key of the safe. The Society now offers :-(1)&#13;
To read and advise apon agreements and publishers. (2) To&#13;
stamp agreements in readiness for a possible action upon&#13;
them. (3) To keep agreements. (4) To enforce payments&#13;
due according to agreements.&#13;
THE READING BRANCH.&#13;
(6.) SALE OF PERFORMING RIGHT OR OF A LICENCE&#13;
TO PERFORM ON THE BASIS OF PERCENTAGES&#13;
on gross receipts. Percentages vary between&#13;
5 and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) SALE OF PERFORMING RIGHT OR OF A LICENCE&#13;
TO PERFORM ON THE BASIS OF ROYALTIES (i.e.,&#13;
fixed nightly fees). This method should be&#13;
always avoided except in cases where the fees&#13;
are likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (b.) apply&#13;
also in this case.&#13;
4. PLAYS IN ONE ACT are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction is&#13;
of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that American rights may be exceedingly&#13;
valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative: that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication&#13;
As these warnings must necessarily be incomplete on&#13;
account of the wide range of the sabject of dramatic con.&#13;
tracts, those authors desirous of further information are&#13;
referred to the Secretary of the Society.&#13;
CEMBERS will greatly assist the Society in this&#13;
branch of their work by informing young writers of&#13;
its existence. Their MSS. can be read and treated&#13;
as a composition is treated by a coach. The term MSS.&#13;
includes not only works of fiction but poetry and dramatic&#13;
works, and when it is possible, under special arrangement,&#13;
technical and scientific works. The Readers are writers of&#13;
competence and experience. The fee is one guinea.&#13;
NOTICES.&#13;
T HE Editor of The Author begs to remind members of the&#13;
Society that, although the paper is sent to them free&#13;
of charge, the cost of producing it would be a very&#13;
heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Secretary the modest&#13;
68. 6d. subscription for the year.&#13;
Communications for The Author should be addressed to&#13;
the Offices of the Society, 4, Portugal-street, Lincoln's-inn&#13;
Fields, W.C., and should reach the Editor not later than the&#13;
21st of each month.&#13;
All persons engaged in literary work of any kind, whether&#13;
members of the Society or not, are invited to communicate&#13;
to the Editor any points connected with their work which&#13;
it would be advisable in the general interest to publish.&#13;
The present location of the Authors' Club is at 3, White-&#13;
hall-court, Charing Cross. Address the Secretary for&#13;
information, rules of admission, &amp;c.&#13;
HOW TO USE THE SOCIETY.&#13;
1. TA VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. If the&#13;
advice sought is such as can be given best by a solici.&#13;
tor, the member has a right to an opinion from the&#13;
Society's solicitors. If the case is such that Counsel's&#13;
opinion is desirable, the Committee will obtain for him&#13;
Counsel's opinion. All this without any cost to the member.&#13;
2. Remember that questions connected with copyright&#13;
and publisher's agreoments do not generally fall within the&#13;
experience of ordinary solicitors. Therefore, do not scruple&#13;
to ase the Society&#13;
3. Send to the Office copies of past agreements and past&#13;
accounts with the loan of the books represented. The&#13;
THE INCORPORATED SOCIETY OF AUTHORS.&#13;
-SCHEME FOR PENSION FUND.&#13;
1. INHE fund is established for the purpose&#13;
of providing pensions for authors in&#13;
need of such assistance, and for no&#13;
other purpose.&#13;
2. Contributions to the fund may be either by a&#13;
single donation or by a donation spread over three&#13;
or more years, or by an annual subscription.&#13;
&#13;
&#13;
## p. 19 (#41) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
19&#13;
3. All donations and not less than two-thirds which such candidate is to be proposed, and the&#13;
of the annual subscriptions (after deducting the nomination of each such candidate shall be sub-&#13;
working expenses) shall be added to the capital scribed by at least three members of the Society.&#13;
of the fund and invested. The remainder of the A list of the names of the candidates so nominated&#13;
annual subscriptions with the income from invest. shall be sent to the members of the Society with&#13;
ments shall be devoted to the payment of pensions the annual report of the managing committee, and&#13;
or to the purchase of annuities to satisfy pensions those candidates obtaining the most votes at the&#13;
already granted.&#13;
general meeting shall be elected to serve on the&#13;
4. The granting of pensions shall be in the Pension Fund committee.&#13;
discretion of a committee to be called the Pension 10. The secretary of the Society shall act as&#13;
Fund Committee of the Incorporated Society of the secretary of the Pension Fund committee.&#13;
Authors, and such committee shall consist of the 11. For the purpose of granting or refusing a&#13;
chairman of the managing committee of the pension five members of the Pension Fund com-&#13;
Society, and six other members of the Society, of mittee shall be a quorum, but for any other busi-&#13;
whom three shall be elected by the managing ness three members shall be a quorum of such&#13;
committee and three by the members of the committee.&#13;
Society at the annual general meeting.&#13;
12. All receipts in respect of the Pension Fund&#13;
5. One of the members of the Pension Fund shall be forthwith paid into an account to be&#13;
Committee elected by the managing committee of kept in the names of three trustees, who shall be&#13;
the Society, and one of the members elected by members of the society and shall be called the&#13;
the members of the Society shall retire at the Pension Fund trustees. The first Pension Fund&#13;
annual general meeting in each year. As between trustees shall be nominated by the managing com-&#13;
two or more members of the Pension Fund Com- mittee of the Society, and new trustees shall from&#13;
mittee elected by the same body, the member who time to time be appointed with the approval of&#13;
has been longest in office shall retire, and for this such managing committee.&#13;
purpose the period of office of each member shall 13. All payments in respect of pensions or&#13;
be computed from his last election. As between working expenses, and all investments of the&#13;
two or more who have been in office an equal Pension Fund shall be made by the Pension&#13;
length of time, the member to retire shall in Fund trustees with the approval of the Pension&#13;
default of agreement between the members con- Fund committee. All cheques on the account of&#13;
cerned be determined by ballot. A retiring the trustees shall be signed by two trustees and&#13;
member of the committee shall be eligible for countersigned by the secretary, or in his absence&#13;
re-election.&#13;
by a member of the Pension Fund comunittee.&#13;
6. The Society at any general meeting at 14. The amount of any pension shall be not less&#13;
which a member of the Pension Fund committee than £25 nor more than £100 per annum.&#13;
retires as above-mentioned, shall fill up the 15. Membership of the Society of Authors&#13;
vacancy by electing a member in his place, and shall not give any right to a pension, but pensions&#13;
may fill up any other vacancy among members shall be granted to members of the Society only,&#13;
appointed by the Society.&#13;
and such members (if in other respects qualified&#13;
7. If at any general meeting of the Society at as hereby required) shall become eligible for pen-&#13;
which the election of a member of the Pension sions as follows:-&#13;
Fund committee ought to take place such (1) For pensions to be granted in the years&#13;
member shall not be elected, the managing com-&#13;
1901 to 1905, members of the Society&#13;
mittee may fill the vacancy by the election of a&#13;
having become such not later than March 1,&#13;
member of the Society not being a member of the&#13;
1901, and so continuing to the date of their&#13;
managing committee.&#13;
application.&#13;
8. Any casual vacancy occurring on the Pension&#13;
For pensions to be granted in the years&#13;
Fund committee may be filled by the managing&#13;
1906 to 1912, members of the Society&#13;
committee of the Society, but any person so&#13;
having become such not later than March 1,&#13;
chosen to fill the place of a member appointed by&#13;
1902, and so continuing to the date of their&#13;
the members of the Society shall hold office only&#13;
application.&#13;
until the next annual general meeting of the&#13;
For jensions to be granted after the year&#13;
Society.&#13;
1912, members of the Society who have&#13;
9. Any candidate for election to the Pension&#13;
been such members for not less than ten&#13;
Fund committee by the members of the society&#13;
clear years before the date of their appli-&#13;
(not being a retiring member of such committee)&#13;
cation, and so that for this purpose such&#13;
sball be nominated in writing to the secretary at&#13;
ten years of membership need not be&#13;
least three weeks prior to the general meeting at&#13;
continuous.&#13;
&#13;
&#13;
## p. 20 (#42) ##############################################&#13;
&#13;
20&#13;
THE AUTHOR.&#13;
Provided that any person who is otherwise quali. Pension Fund committee may cancel or suspend&#13;
fied for a pension, but has ceased to be a member his pension.&#13;
of the Society before the date of his application, 22. The granting of a pension shall not impose&#13;
may in the discretion of the managing committee any personal liability whatever on any member of&#13;
of the Society be re-elected a member without the Society or of the managing committee or of&#13;
further payment, and thereupon shall become the Pension Fund committee or on the trustees,&#13;
eligible for a pension.&#13;
but every pension shall be deemed to be payable&#13;
· 16. No pension shall be granted to any person only out of the income available for that purposé.&#13;
under the age of sixty years, so long as suitable 23. If at any time hereafter the Pension Fund&#13;
candidates of the age of sixty years or upwards should reach an amount sufficient in the judg-&#13;
shall present themselves. Provided that a pension ment of the Pension Fund committee to meet all&#13;
may be granted to a person of less age if and claims reasonably likely to be made upon it in&#13;
while he shall in the opinion of the Pension Fund future, and if such committee shall pass a resolu-&#13;
committee be totally incapacitated for work' by tion to that effect and the managing committee of&#13;
reason of illness or accident.&#13;
the Society shall concur in such resolution, then&#13;
17. In granting or refusing pensions the the Pension Fund committee may either (a)&#13;
Pension Fund committee shall consider not only cease to receive any further subscriptions to the&#13;
the necessities of the applicant, but also the fund unless and until additional needs arise, or&#13;
merit of his work; and, other matters being (6) apply the whole or any part of the annual&#13;
equal, long and continuous membership of the subscriptions (although in excess of one-third of&#13;
Society shall be considered a recommendation, such subscriptions) to the payment of pensions or&#13;
18. The application for a pension need not be the purchase of annuities for pensioners or the&#13;
made by the applicant personally, but may be increase of any pensions or annuities already&#13;
presented on his behalf by any two members of the granted or purchased, but the powers conferred&#13;
Society. Provided that any person whose name by this clause shall not be exercised unless the&#13;
is so presented shall, if requested by the Pension amount of the fund for the time being be not&#13;
Fund committee, signify in writing his willingness less than £20,000.&#13;
to accept a pension if granted, and if he shall 2 4. The Pension Fund committee shall have&#13;
refuse so to do, his application shall not be enter power to make and from time to time vary bye-&#13;
tained.&#13;
laws for regulating applications for pensions and&#13;
19. All applications for pensions shall be for otherwise carrying out the purposes of this&#13;
deemed contidential, but the names of the scheme.&#13;
recipients of pensions and the amounts granted 25. Any of the provisions of this scheme may&#13;
shall be stated in The Author.&#13;
from time to time be varied by a resolution of&#13;
20. Except as otherwise provided in rule 16, all the trustees and the Pension Fund committee&#13;
pensions shall be tenable during the life of the sitting together, but no such variation shall&#13;
pensioner or until he shall become a bankrupt or take effect unless and until the same shall be&#13;
shall alienate, charge, or incumber his pension or confirmed by a resolution of the managing com-&#13;
some part thereof, but the Pension Fund com- mittee of the Society. Provided always that the&#13;
mittee may at any time in their absolute discretion Pension Fund shall at all times hereafter be&#13;
discontinue any pension for either of the following administered by the committee, consisting of&#13;
reasons:&#13;
members of the Incorporated Society of Authors.&#13;
(a) If the pensioner's conduct shall, in the Settled on behalf of the Incorporated Society&#13;
opinion of such conimittee, be such as of Authors by George Cave, Lincoln's-inn, May 31,&#13;
would disqualify him from membership of&#13;
1900, and finally approved by the managing com-&#13;
the Society.&#13;
mittee of the Society at the meeting of the&#13;
(6) If such committee shall be satisfied that&#13;
committee on Monday, June 18, 1900.&#13;
the pensioner is in receipt of an indepen-&#13;
G. HERBERT THRING, Secretary.&#13;
dent income sufficient for his support.&#13;
21. Any pensioner may at any time be required&#13;
by the Pension Fund committee to make a statu-&#13;
tory declaration stating that he has not alienated,&#13;
charged, or incumbered his pension or any part&#13;
thereof, and also (if required) stating that he is&#13;
not in receipt of any independent income or&#13;
specifying the amount of such income, and in the&#13;
event of any pensioner refusing or neglecting on&#13;
request to make such statutory dcclaration, the&#13;
&#13;
&#13;
## p. 21 (#43) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
21&#13;
LITERARY PROPERTY.&#13;
rather thau at the lower percentages for the&#13;
benefit of the author. This is business.&#13;
I.-TRADE METHODS.&#13;
Closely analogous to this case is the example&#13;
TN these columns have been exposed month of the deferred royalty-a frequent method of&#13;
after month the more flagrant tricks producing works of fiction. The difference, how-&#13;
practised upon authors, chiefly by means of ever, is that in the latter case the agreement, to&#13;
agreements the nature of which they do not the eye of the expert, is bad from the beginning.&#13;
understand. Let us now consider how an agree- A publisher, through long experience, knows&#13;
ment which seems fair may be rendered futile by the average sale. He knows the amount likely&#13;
the methods of the publisher in handling the work to be taken on subscription of a book of this kind&#13;
or in administering the author's property.&#13;
brought out from his house.&#13;
In many instances the publisher is only He assures the author that, owing to the risk&#13;
anxious to turn over his money, making 15 or 20 of production, he cannot afford to pay a royalty&#13;
per cent. on the transaction, and has no real on a number of copies, and accordingly gets x&#13;
interest either in the property on which he is number of copies free. Owing to this fact, it is&#13;
supposed to be conscientiously working or in the arranged to the author's satisfaction that a pro-&#13;
desires of the public before whom he poses as a portionately higher royalty shall be paid on copies&#13;
patron. It is perhaps not altogether bis fault, it sold above the fixed number. Alas! poor author,&#13;
is his hereditary instinct. Curiously enough, he never gets his higher royalty ; the accounts&#13;
this cause of anxiety is often disastrous to the come in, and he is disappointed. He does not&#13;
author. .&#13;
know the trade of infanticide, but the guilty&#13;
An author undertakes the writing of a bio. party is sometimes discovered and his tricks&#13;
graphy, and enters into an agreement with the divulged. The distribution of the type in the&#13;
publisher to produce the book, subject to a certain first case shows the passive neglect of the infant&#13;
royalty, the royalty to be raised after the sale of for want of proper care and nourishment; and in&#13;
copies of the book.&#13;
the second case the use of an active agent in its&#13;
In making this kind of contract, the author, destruction. In the first example, the result is&#13;
having full confidence in his agent, believes that brought about by bad judgment and carelessness;&#13;
the book will be pushed for all it is worth, and in the second, by intentional bad faith.&#13;
the business managed for his benefit. The T he next example is not one of frequent occur.&#13;
publisher, however, before entering into the con rence, but is extremely interesting as the result-&#13;
tract has made up his mind that the book will not namely, the turnover of the publisher's money&#13;
sell above the number on which the smaller at a sound percentage, and the cessation of profits&#13;
royalty is paid, and he bas also calculated that, to the author-is practically the same as in the&#13;
selling up to that number, it will pay him a hand cases quoted above; the motive is different, and&#13;
some return of 15 or 20 per cent on the capital it is not so much one of gain as of personal spite.&#13;
expended.&#13;
To obtain a satisfactory result, you must imagine,&#13;
An edition is printed accordingly, but the on the one hand, an author whose head is swollen&#13;
publisher's judgment is at fault. The edition to a size too large for his body; while, on the&#13;
sells out within six months, and there is still a other side, you must have a publisher who is&#13;
demand.&#13;
rather anxious to obtain the work of the author,&#13;
If the type is still standing it would barely pay as he kuows that the publication is a sound 20&#13;
more than 5 or 10 per cent. to push the book to per cent. investment. After a considerable&#13;
the sale of another 500 copies, taking into con amount of wrangling, in which the publisher's&#13;
sideration the higher royalty and further adver- temper has been upset by the author's cupidity,&#13;
tising. (Further advertising would be necessary, an agreement has been arrived at. The author&#13;
as the book has been allowed to drop from the is to receive a sum down in advance of royalties.&#13;
market for two or three weeks.)&#13;
The author thinks the sum far too small, con-&#13;
But the type is not standing. It has been sidering, in his opinion, the assured circulation of&#13;
broken up, so that the infallibility of the pub. the book.&#13;
lisher's judgment is necessarily confirmed, as it is The publisher, altogether put out, is glad to&#13;
impossible for another edition to sell. He has get off with such a small advance, and is deter-&#13;
made it impossible. It could not possibly pay him mined to show the author that, after all, the public&#13;
to re-set the type and print, so that in spite of are not overwhelmed with a desire to read his&#13;
mild remonstrances from the author the book deathless productions.&#13;
dies, a victim of infanticide.&#13;
Is it a paradox to kill a deathless production in&#13;
The publisher proceeds to turn over his capital its infancy? Infanticide, at any rate, paradox or&#13;
again at the higher percentage for his own benefit, not, supervenes. The book is produced, and&#13;
&#13;
&#13;
## p. 22 (#44) ##############################################&#13;
&#13;
22&#13;
THE AUTHOR.&#13;
continues to sell until the sum advanced on complete his book on the same subject as the&#13;
royalties is covered. By this time, too, the result of his life's work. His mind is at once&#13;
publisher has earned his expected percentage on made up. He hurries to the office without&#13;
his capital. At once the house is drawn and the delay, writes a letter to the Professor asking him&#13;
infant's life is extinguished.&#13;
if he may have the honour of publishing his&#13;
The cause and effect can be clearly linked, as book.&#13;
the number at which the sale stops is damning The unfortunate author falls into the trap, and&#13;
evidence; but legal proof there is none. The in due course enters into a hard-and-fast agree-&#13;
publisher in his letters is full of regret.&#13;
ment, handing over to the publisher (according&#13;
A desire to study the accounts closely will often to the equitable agreement drafted by their asso.&#13;
produce a disastrous result, but a longing to see ciation) almost every right the author could&#13;
the “Day Book” will infallibly bring about a possibly possess, and at the same time binds him-&#13;
fatal ending.&#13;
self not to abridge the work or produce any other&#13;
The following example is also instructive. work which may interfere with the sale. The pub-&#13;
The same lesson can be drawn from it as froin lisher takes care that no such clause should fetter&#13;
all the others.&#13;
his action, as that would be ruinous to its success.&#13;
A publisher enters into a contract with a young The Professor goes to bed and thinks that he&#13;
author for the publication of his first book on a has toiled for years, and thus at length obtained&#13;
royalty basis, and in the agreement binds the the reward for his life's long labours. He wakes&#13;
author for a second book on the same terms. in due course, but only to find his only child&#13;
This is yery bad for the author, but he accepts, strangled at its birth. He weeps, and consults&#13;
sometimes through ignorance, sometimes through the publisher, who informs him that for some&#13;
nervousness, sometimes through indifference. unexplained reason the work has fallen flat, and&#13;
The first book comes out, and has a remarkable will not sell.&#13;
run for a first book. It certainly does not bring The Professor is unable, owing to the terms of&#13;
the author much return financially, as he is only his agreement, however much he may desire it,&#13;
being paid a small royalty after the sale of a fixed to publish elsewhere.&#13;
number of copies, but it is a really profitable But the publisher's copyright book still sells&#13;
investment for the publisher, as he sees a satis- briskly.&#13;
factory return in the present and great possi. The commercial instinct is a wonderful pos-&#13;
bilities in the future.&#13;
session. The British Empire is founded on it.&#13;
The second book is brought out in accordance&#13;
G. H. T.&#13;
with the agreement. The circulation is, however,&#13;
small compared with that of the first book. The To the above remarks, based upon actual&#13;
author is astonished and disappointed, but the experience, I append two cases, the first with the&#13;
tradesman knows. The circulation is sufficiently naines.&#13;
large to satisfy his mercantile spirit, and is kept In the year 1869-70, I, being then secretary of&#13;
sufficiently small to enable him to gain a third the Palestine Exploration Fund, and therefore&#13;
volume from the same pen on the same remune having my attention every day called to the&#13;
rative terms, for “as the second book has gone subject, arranged with the late Professor Palmer&#13;
so badly he with great regret is unable to make a to write a history of the city of Jerusalem from&#13;
better offer.”&#13;
the siege of Titus to modern times. He, for his&#13;
The eyes of the expert, however, sees the share, contributed the history from Moslem&#13;
inwardness of the mancuvre. The marks of the Historians : I, for my part, the history from the&#13;
murderer's fingers are on the throat of the infant. Crusaders' and Christian Chronicles. We devoted&#13;
The last example is perhaps the saddest of all, much time and labour to the work: the thing&#13;
as everyone knows the fondness of a parent for had never before been done: we hoped to produce&#13;
the child of his old age, and the old Professor a standard book. We intrusted it to Bentley and&#13;
who suffers is the victim of this cruel plot. Son on a half-profit system. An edition of a&#13;
It happens in this wise. A publisher has an thousand copies was printed, and the book was&#13;
excellent educational work on some special duly produced, making a very creditable appear-&#13;
subject. He has bought the copyright for a ance. The edition was completely sold out; an&#13;
small sum, and is pushing its sale to the utter account was rendered showing no profits; and we&#13;
most; it is selling in larger numbers than then learned, to our mortification, that the type&#13;
even B.'s famous novel “Balderdash.” But had been distributed and no moulds had been&#13;
he wakes up with the uncomfortable recollection made. I vainly urged upon the publishers the&#13;
that at a dinner the night before he had heard production of a second edition. Many years&#13;
Professor R— state that he was about to passed, I again pressed for the production of a&#13;
&#13;
&#13;
## p. 23 (#45) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
23&#13;
new edition. By this time Professor Palmer was&#13;
dead. The firm undertook to bring out a new&#13;
edition at last, subject to the condition that I&#13;
should guarantee 300 copies. I did so, and placed&#13;
the copies myself to prevent any possibility of&#13;
mistake. The book I afterwards, on the disap-&#13;
pearance of the firm, transferred to Messrs.&#13;
Chatto and Windus. It has gone through three&#13;
editions, I believe, since its revival.&#13;
The second instance is of a three-volume novel&#13;
Some years ago the author signed an agreement&#13;
by which he was to receive a very large royalty-.&#13;
think about 98. a copy-after 350 copies had been&#13;
sold. The worthy publisher printed 350 and then&#13;
distributed the type. This case has been already&#13;
mentioned in an early number of The Author.&#13;
W. B.&#13;
II.—THE COPYRIGHT ACT AND THE Five&#13;
GRATIS COPIES.&#13;
It will have been seen from the correspond-&#13;
ence of 1876 between the Royal Commissioners&#13;
on the one hand and the authorities of the&#13;
four privileged libraries of Oxford, Cambridge,&#13;
Edinburgh and Dublin on the other, which we&#13;
printed in the June Author, that Cambridge left&#13;
oft&#13;
the questions of the Commissioners unanswered,&#13;
that Oxford, though otherwise fully answering,&#13;
was silent as to the value of the privilege, only&#13;
stating the desire of the University to retain it,&#13;
“not merely in the interests of the University,&#13;
but for the sake of the public,” and that Edin.&#13;
burgh and Dublin agreed in putting the value&#13;
at not less than £1500 a year. It will now be&#13;
desirable to state shortly the history and present&#13;
effect of the statutory privileges of the five&#13;
libraries entitled to gratis copies — the British&#13;
Museum, so entitled absolutely, and the libraries&#13;
of Oxford, Cambridge, Dublin, and Edinburgh,&#13;
so entitled on written demand only, to be made&#13;
within a limited time.&#13;
The first Act, that of 1662, directed the printer&#13;
of every book to send one copy to the Royal&#13;
Library and one copy to each of the Vice-&#13;
Chancellors of Oxford and Cambridge Univer-&#13;
sities for the use of the public libraries there;&#13;
the second, that of 1709, which first gave statu-&#13;
tory copyright, directed nine copies to be delivered&#13;
at Stationers' Hall for the use of the Royal&#13;
Library, the Oxford and Cambridge Libraries, the&#13;
library of Sion College in London, the libraries&#13;
of the four Scotch Universities (of St. Andrews,&#13;
Glasgow, Aberdeen and Edinburgh), and “the&#13;
library commonly called the library belonging to&#13;
the Faculty of Advocates at Edinburgh respec-&#13;
tively.” In 1801, the Legislative Union with&#13;
Ireland having just been accomplished, an amend&#13;
VOL. XI.&#13;
ing Copyright Act directed the delivery of two&#13;
additional copies for the use of the libraries of&#13;
Trinity College and of the King's Inns, Dublin,&#13;
making eleven gratis copies in all.&#13;
In 1814 two great changes were made. The&#13;
British Museum, which had been founded in&#13;
pursuance of Sir Hans Sloane's will so far back&#13;
as 1759, first became entitled to a gratis copy,&#13;
taking the place of the Royal Library; and the&#13;
requirement of a demand on the part of all the&#13;
privileged libraries first made its appearance,&#13;
without any distinction, as at present, between&#13;
the British Museum and the other libraries. The&#13;
extensiveness of the privilege caused great dis.&#13;
satisfaction amongst publishers, and in 1818 a&#13;
Select Committee of the House of Commons&#13;
resolved :-&#13;
That it is desirable that so much of the Copyright Act as&#13;
requires the gratuitous delivery of every work should be&#13;
repealed except in so far as relates to the British Museum,&#13;
and that a fixed allowance in lien thereof should be granted&#13;
to such of the other libraries as may be thought expedient.&#13;
This resolution was founded upon a great mass&#13;
of evidence, Mr. Rees complaining of the&#13;
£955 168. which eleven copies of his Encyclo-&#13;
pædia might have been sold for, Mr. Baldwin&#13;
averring that he had lost in his general business&#13;
£1275 in four years, and so on.&#13;
Nothing was done, however, until 1836. In&#13;
that year, Mr. James Silk Buckingham, the&#13;
founder and first editor of the Athenæum news-&#13;
paper and a most voluminous writer, introduced&#13;
in a very learned speech a Bill to take away the&#13;
privilege from all the eleven libraries, and the&#13;
Copyright Act, which was the result, took away&#13;
the privilege from six of them—the libraries of&#13;
Sion College, of the four Universities of Scotland,&#13;
and of the King's Inns at Dublin.&#13;
The Act of 1836 had a preamble that-&#13;
The provisions of the said Act [of 1814 requiring&#13;
gratuitous delivery of eleven copies] have in certain rospects&#13;
operated to the injury of author and publishers, and have in&#13;
some cases checked or prevented the publication of works&#13;
of great utility and importance, and it is therefore expedient&#13;
that the said Act should be amended.&#13;
Parliament accordingly directed compensation&#13;
to be made to the six deprived libraries out of&#13;
the consolidated fund by annual payments to be&#13;
ascertained “according to the value of the books&#13;
which may have been actually received” by each&#13;
such library upon an average of the three years&#13;
ending June 30, 1836, it being also enacted&#13;
that-&#13;
The person of persons or body politio or corporate pro-&#13;
prietors or managers of the library for the use whereof any&#13;
Bach book would have been delivered, shall and they are&#13;
hereby required to apply the annual compensation hereby&#13;
authorised to be made in the purchase of books of literature,&#13;
science and the arts, for the use of and to be kept and pre-&#13;
served in such library : Provided always that it shall not&#13;
&#13;
&#13;
## p. 24 (#46) ##############################################&#13;
&#13;
24&#13;
THE AUTHOR.&#13;
be lawful for the Treasury to direct the issue of any sum of Copies for four other Libraries if demanded.-&#13;
money for such annual compensation until sufficient proof A similar copy, printed on the paper of which the&#13;
shall have been adduced of the application of the money&#13;
largest number of copies are printed for sale, must&#13;
last issued to the purpose aforesaid.&#13;
be delivered&#13;
The words which we have italicised present not&#13;
On demand thereof in writing left at the abode of the&#13;
a few difficulties of construction. Clearly they&#13;
pablisher thereof at any time within twelve months next&#13;
impose some restriction upon the discretion of&#13;
after the publication thereof under the hand of the officer of&#13;
the library authorities. But what is it? The the Company of Stationers who shall from time to time be&#13;
term “ books ” seems to exclude all newspapers&#13;
appointed by the said company for the purposes of this Act,&#13;
and magazines, and no books of mere reference,&#13;
or ander the band of any other person thereto authorised&#13;
by the authorities of the Bodleian Library, Oxford, the&#13;
such as almanacs and directories, could be called&#13;
Public Library, Cambridge, the Library of the Faculty of&#13;
“ books of literature,” however useful they might Advocates, Edinburgh, the Library of Trinity College,&#13;
be to the student. But it would be difficult to Dublin.&#13;
exclude any novel whatever. Encyclopædias The copies are to be delivered-&#13;
might be helped in by their scientific articles, but&#13;
Within one month after demand made thereof in writing&#13;
the point is a doubtful one.&#13;
as aforesaid to the said officer of the said Company of&#13;
The sums payable to the six various libraries Stationers for the time being, which copies the said officer&#13;
were originally as follows: To the University of shall, and he is hereby required to receive at the ball of&#13;
St. Andrews, £630; of Aberdeen, £320; of&#13;
the said company for the use of the library, for which such&#13;
Glasgow, £707; and of Edinburgh. £575; to&#13;
demand sball be made within such twelve months as afore.&#13;
said, and the said officer is hereby required to give a receipt&#13;
King's Inns Library, Dublin, £433 6s. 8d.; and&#13;
in writing for the same and within one month after any such&#13;
to Sion College, £363 158. 2d. The two last book shall be so delivered to him as aforesaid to deliver the&#13;
named sums are still annually paid ; the compen- same for the use of such library.&#13;
sations to the four Scotch Universities became The publishers are authorised, if they prefer it,&#13;
merged some ten years ago by virtue of the to deliver the demanded books free of expense at&#13;
Universities (Scotland) Act 1889 in the much the libraries themselves to the librarians, and such&#13;
larger grant of £42,000 for the general purposes delivery is made equivalent to a delivery to&#13;
of the four Universities. This grant is divisible the officer of the Stationers' Company. The&#13;
amongst the four Scotch Universities in sbares, and&#13;
penalty for not delivering books pursuant to&#13;
for purposes as therein directed; the Act, how the Act is not more than £5 besides the value of&#13;
ever, specially providing that “the University of the undelivered book, recoverable either sum-&#13;
Aberdeen shall receive an annual sum of £320 marily before justices of the peace or by ordinary&#13;
for the purchase of books for the library of the action at the suit of the librarian, who, if&#13;
University.”&#13;
successful, is entitled to all costs reasonably&#13;
Lastly, we come to the Act of 1842, which incurred.&#13;
contains the present law of the subject in five It will be seen therefore (1) that the British&#13;
long and rather confused sections, the effect of Museum is entitled, without any demand, to a copy&#13;
which is shortly as follows:-&#13;
of every book published in the British dominions;&#13;
British Museum Copy.—A printed copy of the (2) that the four other libraries are entitled, but&#13;
whole of every book and of any subsequent on written demand only, to a copy of every book&#13;
edition published with any additions or altera published in the United Kingdom ; (3) that the&#13;
tions, printed on the best paper on which any demand may be made either by the Stationers'&#13;
copies are printed, must be delivered at the Company's officer or by an agent of the library&#13;
British Museum, on behalf of the publisher authorities; (4) that by whomsoever the demand&#13;
. Within one month after first publication, if the is made, the delivery must be made to the&#13;
first publication be within the bills of mortality; Stationers' Company's officer ; and (5) that it is&#13;
Within three months, if the first publication for the Stationers' Company's officer, and not any&#13;
be in any other part of the United Kingdom; other demanding agent, to deliver the books to&#13;
Within twelve months, if the first publication the four libraries, unless (6) the publishers&#13;
be in any other part of the British dominions. deliver the copies free of expense to the libraries&#13;
The italicised area—that of the “bills of direct.&#13;
mortality”-is indeed a strange one in an Act&#13;
so lively as the Copyright Act of 1842. The&#13;
III.—THE STAMPING OF AGREEMENTS.&#13;
“ bills" themselves died some sixty years ago. A point of some little importance in the&#13;
The City was always within them, and West stamping of authors' agreements may interest&#13;
minster soon became so, as also did Lambeth, you. A few days ago I sent an agreement, through&#13;
Stepney, and other metropolitan parishes, but the local stamp office, to be stamped at Somerset&#13;
St. Pancras and Marylebone were never included. House. It was an ordinary agreement to do&#13;
&#13;
&#13;
## p. 25 (#47) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
25&#13;
X.&#13;
om&#13;
A MEMBER.&#13;
certain work for a publisher, which would result, Law Courts, justifying his claims, generally for&#13;
in due course, in the production of a book, the the pecuniary benefit of his adviser or counsel.&#13;
copyright in which was to belong to the pub. Voilà tout ! Yes! Wiser is the poor Grub-street&#13;
lishers. I asked that it should be impressed tramp who, on achieving publication, spends his&#13;
with the ordinary agreement stamp of sixpence. 78. 6d. on a suitable banquet—not forgetting to&#13;
After three days came back a message requiring pour out a libation to the gods.&#13;
an additional 198. 6d., being the amount of the&#13;
J. S. LAURIE.&#13;
ad valorem duty on the sum which the publishers&#13;
were to pay me for my work. In other words, V.-ALTERING WITHOUT THE AUTHOR'S CONSENT.&#13;
the Inland Revenue claimed to treat the agree. I want to know what is (a) the law and (b) the&#13;
ment as an assignment of copyright.&#13;
custom of the trade (or profession) with regard&#13;
Now, to this contention there are just two fatal to altering without consent of the author the&#13;
objections: (1) that, by English law, it is im. signed articles in books of reference, guide-books,&#13;
possible to assign a thing which is not in existence, &amp;c., in future editions.&#13;
and as my MS. was not even begun, I had, of I am supposing the author has made over all&#13;
course, no copyright to assign ; (2) that the copyright.&#13;
statute expressly contemplates assignment of I imagine that the whole question turns upon&#13;
copyright (by entry at Stationers' Hall) without the contribution being signed. Does it not ?&#13;
payment of stamp duty.&#13;
Although the regulations of the Oxford office&#13;
did not permit me to obtain the Somerset House&#13;
letter for study, I managed to express my objec-&#13;
PARIS NOTES.&#13;
tions to its claim to such effect that I have now&#13;
received an official intimation that the claim to&#13;
5, rue Chomel.&#13;
ad valorem duty will not be pressed.&#13;
MAURUS JOKAI, the celebrated&#13;
Hungarian novelist, is now visiting&#13;
Paris, accompanied by his young wife.&#13;
IV.--COPYRIGHT SECURED BY PUBLICATION AND This is his first visit since 1867. He has been&#13;
SALE.&#13;
warmly welcomed by his compatriots and the&#13;
In the daily Press of May 16 there is allu. brethren of his craft; and the Société des Gens&#13;
sion without question to Sir E. M. Thompson's de Lettres has given a banquet in his honour.&#13;
opinion that “ practically all published books Although M. Jokai numbers seventy-five years,&#13;
are registered at Stationers' Hall, and are thus well-counted, he is quite out of the running as&#13;
copyright.” I venture to doubt if more than regards age beside the “ beaux vieillards ” who still&#13;
25 per cent. of published books are registered at hold honoured places in the ranks of Parisian&#13;
all, and that for the simple reason that such regis- writers. M. E.Cormon-author of so many popular&#13;
tration confers no copyright, or, in point of fact, plays, and father of the well-known painter-is&#13;
similarly as letters patent, any privilege beyond in his ninety-second year. He is an assiduous&#13;
being the essential preliminary to litigation. theatre-goer, and was lately in evidence at a dress&#13;
Indeed, even this is permissible just before any rehearsal at the Théatre de la République, busily&#13;
action is entered ; and in a recent threatened suit engaged in superintending the revival of “ Une&#13;
I myself adopted this course successfully with refe. Cause Célèbre," the joint production of MM.&#13;
rence to a production fifteen years old. Seven and Adolphe d'Ennery and E. Cormon, success.&#13;
sixpence per work on all published books would fully performed at the Ambigu theatre a quarter&#13;
obviously yield a mine of vast wealth either to the of a century ago. (M. d'Ennery died in 1899, aged&#13;
Stationers' Corporation or any other official eighty-eight years, possessed of a fortune which&#13;
beneficiary, unconditionally on any material con- amounted in round figures to about £400,000.)&#13;
sideration whatsoever. The hardship of the MM. Aurélian Scholl and Paul Meurice, likewise,&#13;
invent is is infinitely worse, since pairate can see leave M. Jokai behind. The former resumes&#13;
and study any existing specification and procure his pen at intervals in dilatory virtuoso fashion.&#13;
another for himself by a slight alteration.&#13;
His senior, M. Paul Meurice, still compares&#13;
As I understand the matter after a life-long favourably in literary activity with a score of&#13;
experience, and the production of more than 100 modern authors. He is an ardent disciple of&#13;
genuine copyrights on which no fee has been paid, Victor Hugo, to boot; and recently presented&#13;
I fancy I am entitled to affirm that the sale of to the National Library a collection of over a&#13;
even a single volume across the counter con- thousand documents, photographs, &amp;c., connected&#13;
stitutes publication. In case of dispute, why, the with the great French writer and his family. This&#13;
owner must either succumb or fight it out in the collection will shortly be open to the public.&#13;
&#13;
&#13;
## p. 26 (#48) ##############################################&#13;
&#13;
26&#13;
THE AUTHOR.&#13;
ing. Only once in his life did he take part in the&#13;
latter sport, when he fired by mistake on a&#13;
gendarme, and was summoned for the offence.&#13;
AN EMINENT NONAGENARIAN.&#13;
But the doyen of the French Academy and the&#13;
“ beaux vieillards litteraires " is M. Ernest&#13;
Legouvé. His birth certificate is exbibited in the&#13;
Paris Pavilion at the Exhibition. It is dated&#13;
Monday, Feb. 16, 1807. M. Legouvé enjoys at&#13;
the present moment the full possession of all his&#13;
faculties. He is extremely keen on fencing, and&#13;
attributes his robust health to his diurnal twenty&#13;
or thirty minutes' practice with the foils.&#13;
“ The love of fencing," he asserts, “is not&#13;
merely a taste-it is a passion. C'est le jeu, avec&#13;
le vice en moins et la santé en plus !"&#13;
The eminent nonagenarian estimates his supple-&#13;
mentary achievements with unusual modesty.&#13;
“Although my plays have been represented six-&#13;
teen hundred times at the Comédie Française,”&#13;
he says, “I am neither a great poet nor a great&#13;
dramatist. But since I have applied my&#13;
dramatic and poetical faculty to teaching the&#13;
young, I have succeeded in writing lessons which&#13;
were not tiresome. I have spoken to youth in a&#13;
language which it has loved and understood.” This&#13;
is, perhaps, the success which M. Legouvé values&#13;
most highly. His latest work, issued a few&#13;
months ago, contains the lectures delivered to the&#13;
students at the Sèvres Normal School. At the&#13;
period when this volume was compiled its&#13;
author designed it for the closing memorial of&#13;
his long literary career. Several stray bints,&#13;
however, incline us to believe that M. Legouvé&#13;
has now another work on hand, which will appear&#13;
shortly.&#13;
M. JULES VERNE.&#13;
The plays and novels of M. Jules Verne are as&#13;
popular as ever. Their author has advantageously&#13;
renewed the contracts connected with his drama-&#13;
tised versions of “Michel Strogoff” and “Le&#13;
Tour du Monde.” He is at present engaged on a&#13;
new volume for the Extraordinary Voyage series.&#13;
If his wonderful fertility and health hold good&#13;
for a few more years, he will undoubtedly attain&#13;
what is generally asserted to be his grand&#13;
desideratum—viz., the publication of his hundredth&#13;
volume. M. Jules Verne is in his seventy-third&#13;
year. He lives quietly at Amiens, and patronises&#13;
a vegetarian régime. A slight limp, the result of&#13;
an accident many years ago, gives him a hesitating&#13;
gait, while his mild blue eyes and placid expression&#13;
appear evidence of a nature wholly at variance&#13;
with the wild adventurous types he delights in&#13;
creating. He formerly possessed a small yacht,&#13;
the Saint Michel, which never ventured itself in&#13;
rougher waters than those of the English Channel&#13;
and Mediterranean Sea. The author of “ Twenty&#13;
Thousand Leagues under the Sea" considers&#13;
fishing a barbarous amusement and detests hunt.&#13;
ACADEMY Prizes.&#13;
The French Academy has a varded the sum of&#13;
5000 francs (prix Alfred Née) to' M. Brieux for&#13;
his last graphic drama entitled “La Robe&#13;
Rouge.” The fortunate recipient is now engaged&#13;
in writing a new play entitled “La Petite Amie,"&#13;
whose details have not yet been made public.&#13;
Mme. Jean Bertheroy has been awarded 4000&#13;
francs (prix d'éloquence) for her essay on the&#13;
French poet André Chenier (1762-1794), while&#13;
M. Pierre de la Gorse has received 9000 francs&#13;
(prix Gobert) for his “Histoire du Second&#13;
Empire). A number of minor prizes have also&#13;
been awarded.&#13;
In order to encourage literary talent the Var&#13;
Academy at Toulon has announced its intention of&#13;
celebrating its centennial anniversary by a literary&#13;
competition on six given subjects. The prizes&#13;
will consist of valuable artistic objects, and the&#13;
winners' names and compositions will be inscribed&#13;
in the Golden Book which the Academy will&#13;
publish on that occasion. The manuscripts of the&#13;
unsuccessful candidates will not be returned.&#13;
This is certainly rather hard on the unsuccessful&#13;
candidates.&#13;
Rocks AHEAD FOR THE PUBLISHERS.&#13;
In deciding a dispute between two publishers,&#13;
the Civil Chamber recently gave some interesting&#13;
information which completely upset the current&#13;
illusion respecting the copyright of the title of a&#13;
paper. It distinctly stated that the property of a&#13;
journal's title could only lapse through non-&#13;
usage; but that the popular belief that a non-&#13;
usage of one vear was sufficient to annul such a&#13;
copyright was an erroneous idea, based on no&#13;
legal foundation. Whether editor and publisher&#13;
would alike be held responsible for the infringe.&#13;
ment of a similar copyright was not stated.&#13;
The latter is walking softly since the Third&#13;
Civil Chamber has abolished his immunity, and&#13;
rendered him liable for the articles printed under&#13;
his direction. The action brought by fifty-three&#13;
merchants, manufacturers, &amp;c., against the pro.&#13;
prietors and editors of the Antijuif has led to&#13;
this commendable reform. “Granted,” said the&#13;
judgment, “that ... if Article 43 of the&#13;
law of July 29, 1881, enacts that the printer&#13;
cannot be penally pursued as an accomplice (in&#13;
virtue of Article 60 of the Penal Code referring&#13;
to printed matter) except in the event, and under&#13;
the conditions, foreseen by Article 6 of the law of&#13;
June 7, 1848, relating to riotous assemblages;&#13;
this law has only been framed from a penal point&#13;
&#13;
&#13;
## p. 27 (#49) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
37&#13;
of view, and is not intended to detract in any Poor “Caliban-Bergerat” cannot boast such&#13;
manner from the principles laid down by the good fortune. The fourth and last volume of his&#13;
Civil Law, which render each person responsible “Théâtre Complet d'Emile Bergerat” has just&#13;
for the prejudice caused by his fault, &amp;c.” been issued by Ollendorff. Rarely has a writer&#13;
For which, and sundry other causes, the printing of equal merit been handicapped hy a more per-&#13;
society known as the Société Paul Dupont has sistent run of ill-luck than that which has for&#13;
been separately and jointly condemned with the years dogged the productions of the talented&#13;
proprietors and editors of the Antijuif to pay author of “ Plus que Reine." His fierce defence&#13;
damages amounting to twenty-eight thousand of the children of his brain make part of the&#13;
francs for injurious matter printed in the columns dramatic history of the period. In the preface&#13;
of the Antijuif. Wherefore the Israelites rejoice to the first volume of the “ Théâtre Complet,” M.&#13;
and the Philistines mourn.&#13;
Bergerat states that the publication of this work&#13;
represents thirty-five years of struggle—“not&#13;
CONTEMPORARY FEMINISM.&#13;
without courage, perhaps "—for theatrical life.&#13;
The publication of the “Vierges Fortes " series A little later he claims the glory of having&#13;
-comprising two novels respectively entitled invented the following three words, viz., Tripa-&#13;
“ Frédérique" and“ Léa ”-of M. Marcel Prévost, touillage, Cabotinville, Soireux, which, he says,&#13;
was quite a social event. The reason is obvious. have become national property, and sum up the&#13;
Both works deal in a masterly style with the entire history of the theatrical customs of his&#13;
burning question of contemporary Feminism, time. M. Rostand would probably entertain a&#13;
which is the prominent topic of the day. France different opinion.&#13;
DARRACOTTI Scott.&#13;
-or rather Paris-is witnessing the tidal rise of&#13;
the Feministic Era which England successfully&#13;
encountered, developed, and utilised several&#13;
decades ago. Everything worth reading on the&#13;
NOTES AND NEWS.&#13;
subject is eagerly perused. The “Femmes&#13;
Nouvelles ” of Paul and Victor Margueritte have&#13;
INHE annual dinner of the Women Writers was&#13;
just attained their twentieth re-edition (chez&#13;
held in the Criterion Restaurant on June 25.&#13;
Plon). Nevertheless, M. Prévost still remains&#13;
Mrs. Humphry Ward was president, and&#13;
the undisputed leader and apostle of the move-&#13;
among a large company were Mrs. Bishop, Mrs.&#13;
ment.&#13;
Hodgson Burnett, Miss Ellen Thorneycroft Fowler,&#13;
A recent article from bis pen in the Figaro,&#13;
Miss Beatrice Harraden, Dr. Margaret Todd, Mrs.&#13;
anent the author's right of publishing “ Le Secret&#13;
Clifford, Mrs. Campbell Praed, Miss Violet Hunt,&#13;
sentimental à deux," has given rise to some&#13;
and Miss Clo Graves. The meeting was most&#13;
piquant controversy between him and M. Gabriele&#13;
successful. In concluding an eloquent reference&#13;
D'Annunzio — whom his admirers here have&#13;
to the late Miss Kingsley, Mrs. Humphry Ward&#13;
surnamed “the Marcel Prévost of Italy.” The&#13;
latter took umbrage at a supposed reflection&#13;
Those true knights-errant of intelligence and pity, who&#13;
(in an article which he confessed he had not&#13;
thought no travail of mind and body too great to face if&#13;
read) questioning the good taste of his having only they might come at the truth and tell it, who wandered,&#13;
staged Madame Eleonora Duse, under the thin suffered, laaghed, and learned, who made a new wisdom of&#13;
disguise of the Foscarina's name, as the heroine&#13;
their fellows—it was of them that they might say in the&#13;
of his new novel, “ Le Feu,” which work is now&#13;
words of a true poet who was with them that night&#13;
"Out of danger, dreams, disasters,&#13;
appearing in serial form in the Revue de Paris.&#13;
They arise to be our masters.”&#13;
No such reflection had ever been made—at least, Small and thin was the true band of them in every age.&#13;
by M. Prévost. Matters were finally explained, One of its most honoured members assuredly was with them&#13;
and the susceptible Italian declared himself satis-&#13;
as she spoke, Mrs. Bishop; and of their inmost company&#13;
fied. The celebrity of the personages concerned&#13;
let them as women rejoice in it with pride that night was&#13;
Mary Kingsley.&#13;
has given undue notoriety to the incident.&#13;
The members of the Authors' Club held a&#13;
A DRAMATIC CONTRAST.&#13;
dinner on Monday, June 11, when Mr. E. F.&#13;
The health of M. Edmond Rostand is reported Knight, the correspondent of the Morning Post&#13;
to be completely re-established. According to who was wounded at Belmont, was the guest of&#13;
the theatrical returns published at the end of the evening, and Mr. Bloundelle-Burton, an old&#13;
May, the “ Aiglon” is making 11,000 francs friend of Mr. Knight, and the well-known author&#13;
a day, and “ Cyrano de Bergerac" 10,000 francs. of the “ Hispaniola Plate," was the chairman..&#13;
Whereby the lucky dramatist daily pockets a Mr. Bloundelle-Burton made a very interesting&#13;
royalty of 2500 francs—a princely revenue. speech with regard to Mr. Knight's career, and&#13;
VOL. XI.&#13;
said :&#13;
&#13;
&#13;
## p. 28 (#50) ##############################################&#13;
&#13;
28&#13;
THE AUTHOR.&#13;
Mr. Knight in response gave a graphic description&#13;
of the fighting powers of Tommy Atkins and his&#13;
experiences during the battle of Belmont.&#13;
Mr. Frankfort Moore proposed the health of&#13;
the other guests, amongst whom was Mr. Charlton,&#13;
one of the engineer officers of H.M.S. Powerful.&#13;
Mr. Charlton gave a detailed account of the part&#13;
that the crew of the Powerful had taken in the&#13;
war from the time of their leaving Singapore.&#13;
There were about thirty members present, Mr.&#13;
Percy White, Mr. E. A. Morton, Mr. G. H.&#13;
Thring, Mr. Douglas Sladen, and Mr. M. H.&#13;
Spielmann being among the number.&#13;
On Monday, June 18, the Authors' Club held a&#13;
dinner to Lord Strathcona. There was a large&#13;
gathering. Mr. Robert Machray was in the chair.&#13;
In answer to the toast of his health Lord Strath-&#13;
cona gave some very interesting facts about his&#13;
connection with the Hudson Bay Company, and&#13;
that company's connection with the Empire, and&#13;
he ended his speech with a statement regarding&#13;
the enthusiasm of the Canadians in their action&#13;
in the present war. He stated that all the&#13;
Colonials were not so much fighting for the Mother&#13;
Country as fighting for themselves as part of the&#13;
Empire. His speech was enthusiastically received.&#13;
and dreary as the mines of Potosi. Yet from either there is&#13;
no return, and though little confident of finding content-&#13;
ment-happiness is too proud a term-I must work, I&#13;
believe, in those damp caverns till once the whole mind is&#13;
recast or the lamp of life has ceased to burn within it.&#13;
In the same collection was the following letter&#13;
from the Countess of Blessington :-&#13;
Since I first sent a book before the public I never,&#13;
directly or indirectly, asked for a notice of a book of mine.&#13;
I have hitherto been so fortunate as to have had my works&#13;
kindly treated by the Press, but this kind treatment would&#13;
have given me but little satisfaction had I owed it to any&#13;
solicitations of mine.&#13;
The following letter by Dr. Conan Doyle is taken&#13;
from the columns of the Daily Telegraph, to whose&#13;
veteran war correspondent in South Africa, Mr.&#13;
Bennet Burleigh, the letter was addressed. “As&#13;
I fear to spoil or transpose Dr. Conan Doyle's&#13;
graphic depiction of the event,” says Mr.&#13;
Burleigh, “I give it in his own words":&#13;
Brandfort, Monday, May 7.&#13;
My dear Barleigh, - ... and saw a little fight&#13;
beyond the Vet River. We had a curious adventure on the&#13;
way back, which might perhaps make a paragraph for a&#13;
letter if ever the great events run short. Langman and I&#13;
were riding back, and had reached the point where the&#13;
engagement was the day before, when a mounted Kaffi,&#13;
came across us, and told us that a wounded Englishman&#13;
had been deserted or overlooked, and was out some two or&#13;
three miles to the west on the veldt. We got him to guide&#13;
us, and set off in search. At last, in the middle of a large&#13;
clear space, we came across him, but he was dead. He was shot&#13;
in the stomach and through one arm, and had apparently bled&#13;
to death. He belonged to the New South Wales Mounted&#13;
Infantry, and had the initials “N. M'M." upon bis batand on a&#13;
silk handkerchief in his pocket. Horse and rifle were gone. A&#13;
carious detail was that his water-bottle lay beside him, and&#13;
on it was balanced a red chess pawn. The other chessmen&#13;
were in his haversack out of his reach. We laid the poor&#13;
fellow across my saddle and led the horse back to the road,&#13;
where we placed him under a telegraph post, and told the&#13;
officer of the next convoy, who promised to have him&#13;
decently buried.&#13;
Close to Brandfort we saw mounted and armed Boers on&#13;
a hill within half a mile of us. We were told that they&#13;
were Boers, and did not believe it, but this morning we&#13;
learn that they have been pursued. I suppose that they&#13;
thought we were too small game, but as we were unarmed and&#13;
apon tired horses, we were lucky to get past them.&#13;
A. CONAN DOYLE.&#13;
The President of the Argentine Republic has&#13;
accepted the adhesion of the Kingdom of Italy to&#13;
the Treaty of Montevideo-A South American&#13;
Copyright Union. Signor F. Foa discusses, in&#13;
an interesting article in the pages of our Italian&#13;
contemporary I Dritti d'Autore, the value to&#13;
Italian authors of this new international agree&#13;
ment. The advantages which it will confer do&#13;
not appear to be very great.&#13;
Lord Thring contributes an interesting article&#13;
on “The Copyright Bills, 1900," to the Nine.&#13;
teenth Century for June. The article is a plain&#13;
statement of facts. At its conclusion the author&#13;
remarks dryly, respecting the Bills, “Whatever&#13;
may be their demerits, they claim to have&#13;
reduced the law into an intelligible shape, in&#13;
which it is capable of being criticised by the most&#13;
unlearned of authors, and of being amended by&#13;
the most inexperienced of legislators.”&#13;
NOTES FROM AMERICA.&#13;
A letter written by Carlyle from Edinburgh&#13;
in 1821 was sold in London recently in the&#13;
collection belonging to the late Chevalier de&#13;
Chatelain. It was addressed to Dr. Allen, and&#13;
contained the following revelation of the philo-&#13;
sopher's mind-he was then only twenty-six :-&#13;
Literature is like money, the appetite increases by&#13;
gratification. The mines of literature, too, are unwholesome&#13;
LOLLOWING the evidence of publishers that&#13;
F there is an improving market for the&#13;
better class of books, the New York&#13;
Evening Post adds the testimony of the Hart-&#13;
ford (Conn.) Public Library, as given in the&#13;
president's annual report. From this it appears&#13;
that there has been a large gain in more serious&#13;
reading matter at the expense of tiction. As&#13;
compared with two years ago, novels have fallen&#13;
&#13;
&#13;
## p. 29 (#51) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
29&#13;
off 7 per cent., while sociology has gained about&#13;
8 per cent., the fine arts and history 11 per cent.&#13;
each, and biography 15 per cent.&#13;
A complete edition of the works of Mr. Thomas&#13;
Wentworth Higginson—who, at seventy-five, is&#13;
still active with his pen-is being prepared by&#13;
Messrs. Houghton, Mifflin and Co.&#13;
A new serial by Mr. Hamlin Garland has just&#13;
begun. It is a story of Western life, entitled&#13;
“The Eagle's Heart,” and deals with adventurous&#13;
life in cow towns and mining settlements.&#13;
Commenting on the recent financial difficulties&#13;
of Messrs. Appleton, the Sewanee Review for&#13;
April (Longmans) says:&#13;
Coming so soon after the Harper assignment, this notable&#13;
event in the publishing world calls special attention to the&#13;
fact that the pablisher of to-day does business on very&#13;
different lines from his predecessor. Production must now&#13;
be on a large scale if success is to be attained, and produc-&#13;
tion on a large scale means a big smash if affairs go wrong.&#13;
Local booksellers have long since gone to the wall; will&#13;
publishers go, too, leaving a trust monarch of all it surveys ?&#13;
We hope not.&#13;
The people of Northampton (Mass.) and dis-&#13;
tinguished guests from abroad have just erected a&#13;
memorial to Jonathan Edwards, the American&#13;
philosopher of the eighteenth century, and a&#13;
For the eighteenth century, and, a&#13;
proposal is made to issue a new edition of his&#13;
works.&#13;
" Janice Meredith” has been dramatised, the&#13;
rights of production going to Miss Mary Manner-&#13;
ing. Mr. Daniel Frohman will present“ Richard&#13;
Carvel ” in the coming season.&#13;
Ogilvie, Stuart&#13;
Skeat, The Rev. Professor&#13;
Parker, Louis N.&#13;
Smith, Dr. and Mrs. Barnett&#13;
Pinero, Mrs.&#13;
Sonnenschein, A.&#13;
Prinsep, Val&#13;
Thring, G. Herbert&#13;
Scott, Clement&#13;
Todd, Dr. Margaret&#13;
Senior, W.&#13;
Zangwill, I.&#13;
Shaw, Bernard&#13;
And many others.&#13;
The Chairman gave the toast of the evening,&#13;
and began his speech by an allusion to the losses&#13;
that letters had suffered through the deaths of Mr.&#13;
Ruskin, Dr. Martineau, Mr. R. D. Blackmore, and&#13;
Mr. G. W. Steevens. Proceeding, Mr. Pinero said :&#13;
This corporation of prominent literary men and&#13;
women to-night, for the first time in its history-&#13;
for the first time in the history of any modern&#13;
literary association-extends a kindly hand to the&#13;
poor hack-playwright. What is the reason, ladies&#13;
and gentlemen, underlying this generous and&#13;
gracious act on the part of the governing body of&#13;
your Society? I cannot tell you. I can only&#13;
indulge in surmise, in hypotheses. A vainer&#13;
person than myself might suppose that your&#13;
council is desirous of promoting a feeling of&#13;
fraternity, of establishing something approach-&#13;
ing a bond of equality between writers of books&#13;
and writers of plays. (Cheers.) But I cannot&#13;
think that; the assumption would be too arro.&#13;
gant. At the furthest, I can only believe that&#13;
certain members of your Council-grey-haired&#13;
men, perhaps, anxious to be at peace with the&#13;
world, even with playwrights; gentlemen of&#13;
acknowledged literary eminence, but possessed of&#13;
those normal feelings of compassion of which&#13;
writers of scholarly English are not necessarily&#13;
destitute—I can only believe that these gentlemen&#13;
have been impelled by a simple good-natured&#13;
impulse to bestow a passing pat-on-the-back upon&#13;
a poor, distant relative. (Laughter.) It may be&#13;
that I take too depressed a view of the whole&#13;
affair. It may be that the novelist is not only&#13;
gradually relaxing in his disdain for the drama,&#13;
but is applying himself assiduously to the task&#13;
of grasping the special conditions of dramatic&#13;
writing. It may be that in doing this he has&#13;
become possessed of the suspicion that these con-&#13;
ditions are exceptionally arduous, that they are&#13;
conditions requiring a wide and curious knowledge&#13;
of life and of manners, a rapid but assured touch&#13;
in the delineation of surface characteristics,&#13;
an unerringly accurate ear in striking the deeper&#13;
notes of pathos and of passion, and a wise&#13;
economy of selection and a dexterity of composi.&#13;
tion exacted by no other form of art. It may be,&#13;
too, that from his own young experience he is&#13;
beginning to perceive that while out of the&#13;
theatre the despised playwright labours in cir.&#13;
cumstances demanding the exercise of the closest&#13;
application and the practice of the sternest self-&#13;
denial, the writer of drama should bring to the&#13;
ANNUAL DINNER OF THE INCORPORATED&#13;
SOCIETY OF AUTHORS.&#13;
[Owing to the fact that the original dinner report has been&#13;
lost or mislaid, the present curtailed report has been&#13;
inserted at the last moment.]&#13;
THE annual dinner of the Society was held in&#13;
the King's Hall of Holborn Restaurant on&#13;
May 16, and was a large and highly suc-&#13;
cessful gathering Mr. A. W. Pinero presided.&#13;
Among the company were&#13;
Archer, William&#13;
Greville, Lady Violet&#13;
Ball, Sir Robert&#13;
Grundy, Sydney&#13;
Beringer, Mrs. Oscar&#13;
Hare, Mr. and Mrs. John&#13;
Besant, Sir Walter&#13;
Hawkins, Anthony Hope&#13;
Blake, Dr. Sophia&#13;
Hooking, Rev. Silas&#13;
Browning, Oscar&#13;
Hollingshead, John&#13;
Castle, Egerton&#13;
Hunt, Holman&#13;
Charley, Sir W. J.&#13;
Jacobs, W. W.&#13;
Collier, The Hon. John and Lee, Sidney&#13;
Mrs.&#13;
Lennox, Lady William&#13;
Colin Campbell, Lady&#13;
Marshall, Capt. R.&#13;
Courtney, W.L.&#13;
Middlemass, Miss Jean&#13;
Craigie, Mrs.&#13;
Monkswell, Lord&#13;
Fitoh, Sir Joshua&#13;
Norma&#13;
an, Mr. and Mrs.&#13;
Grand, Mmo. Sarab&#13;
Henry&#13;
&#13;
&#13;
## p. 30 (#52) ##############################################&#13;
&#13;
30&#13;
THE AUTHOR.&#13;
rehearsal of his work evidence of his capacity for does she persist in calling herself Anthony&#13;
gently influencing and gaining the sympathy and Hope ? " (Laughter.) But what I was about to&#13;
support of clever men and women of diverse but say is that, with writers of such high account&#13;
peculiarly sensitive temperaments, without which devoting themselves in part to the theatre, it will&#13;
capacity no dramatist ought to pass the stage be a matter of small wonder if the prevalent and&#13;
door; possessing which capacity he might, in disparaging idea of contemporary drama, and of&#13;
other and more fortunate walks of life, have led those who give their energies wholly to dramatic&#13;
parties or won battles. And I am encouraged to writing, does not ultimately yield to a fairer, a&#13;
think that there is something in all this, by more truthful, estimate. Only one danger do I&#13;
the fact that the drama has lately received many apprehend from the invasion of the playhouse by&#13;
notable contributions from authors enjoying the novelist-and I confess the contemplation of&#13;
enviable reputations in other departments of litera- it chills me to the marrow—the possibility that&#13;
ture. I will not attempt to furnish you with a the mere playwright may some day find his occu-&#13;
complete roll of these authors; in such an endea- pation gone. Indeed, the rich imagination of&#13;
vour the memory might prove treacherous, and Mr. Wells might form a conception of a time&#13;
the omission of a single name would, perhaps, when the carefully preserved skeleton of the&#13;
make one appear less ignorant than ungracious. dramatist who was not a novelist will be all&#13;
But I cannot refrain from mentioning, especially, that is left to remind people of the old order&#13;
two writers who have thus distinguished them of things. However, time alone can decide&#13;
selves—who have, if I may say so, made them- whether or not events are to justify these&#13;
selves indispensable to the modern stage. I fears, and, meanwhile, it is well, I suggest to you,&#13;
speak of the gentleman who is incautiously that we should all dwell together in the most&#13;
described in the list of your Council as Mr. perfect good-fellowship. It may be that the im-&#13;
Hawkins, but who masks himself closely from provisatore, reciting his romances in the market&#13;
the public under another title, and of that charm- place, with flashing eye and to the accompani.&#13;
ing lady who, by her own perversity, obliges me ment of sweeping gesture, is a slightly more&#13;
to be so ungallant as to allude to her as John imposing figure than the marionette man as we&#13;
Oliver Hobbes. (Cheers.) I wonder whether espy him through the curtains of his booth&#13;
any of you ladies and gentlemen are, like myself, lovingly assorting his little company of dolls.&#13;
a little disturbed by the dark disguises of certain But each plays his part : each suffers or enjoys&#13;
of our modern writers. (Laughter.) I confess I his share of defeat or of success; each, upon&#13;
find it difficult to feel quite at ease with mysterious occasion, tightens his belt in answer to the&#13;
figures in sombre draperies and slouch bats. One cravings of hunger, or releases a button after a&#13;
is almost inclined, for example, in speaking of congratulatory feast; each knows what it is to&#13;
Mr. Hobbes and of the creator of the delightful be waked from sleep by the sound of his own&#13;
“ Prisoner of Zenda,” to drop into a whisper. sighing, or to shirk purposely the slumber that&#13;
And the confusion in the public mind, too, pro- would suspend, even for a moment, the conscious.&#13;
duced by the aliases of popular authors is ness of a rare prosperity. Let them, therefore&#13;
positively lamentable. Only the other day, while the marionette man and the weaver of&#13;
on a visit to a provincial town, I found myself tales — foregather at the end of their day's&#13;
sitting beside a young lady who takes an eager, labour, as we do to-night, and, between their&#13;
if somewhat uninformed, interest in current draughts of Falerno, console one another, and&#13;
literature. “I wish you would explain to me,” stimulate one another, and so help one another,&#13;
she said, “why many of our famous novelists until the hour comes when the friendship must&#13;
appear to be so anxious to conceal their identity." perforce be broken, when the voice in the market&#13;
I hazarded the conjecture that it is, in some place is hushed, or the booth is found empty. In&#13;
instances perhaps, a precautionary measure on the this spirit, ladies and gentlemen, in the spirit&#13;
part of those who may desire, in later years, the which this Society has done much, and will, I&#13;
opportunity of living down their successes. “Tell venture to prophesy, do even more in the future,&#13;
me," my companion went on, evidently far from to promote ; in the spirit expressed by&#13;
satisfied, “tell me, have you ever met Mrs. the time-worn, but still eloquent, phrase-the&#13;
Craigie ?” I said I had had that privilege. Brotherhood of Letters—I beg leave to submit&#13;
“ And what is your opinion of her as an author?” the toast which it is my duty to propose. (Cheers.)&#13;
was the next question. I had no hesitation in With this toast I have the privilege of associating&#13;
replying, “ Assuredly one of the most brilliant the name of the gentleman of whom I have&#13;
women writers any country has produced.” “I already tremulously made mention-Mr. Hawkins.&#13;
agree with you,” said my fair friend, “I have And here you will, I am sure, appreciate the&#13;
read every word she has written. But why- renewed difficulties of my position. But if I&#13;
&#13;
&#13;
## p. 31 (#53) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
31&#13;
cannot overcome these difficulties, I can, I think, he told them that that was why he wrote them-&#13;
partially evade them; and with your permission (laughter)—and he therefore appreciated more the&#13;
I do so in this wise, by associating with this attitude of a man like Lord Monkswell, who had&#13;
toast the name of Mr. Hawkins and coupling probably not read his works, but had recognised,&#13;
with the name of Mr. Hawkins that of his friend, in his attitude towards the law of copyright, that&#13;
Mr. Hope. (Laughter.) Now, of Mr. Hawkins an author must live and have the means of feed.&#13;
I can say little, except that he is a devoted and ing bis brain so that it could produce the splendid&#13;
invaluable servant of this Society; and of Mr. visions that other people delighted to read about&#13;
Hope you will require me to tell you nothing, for in his books. (Laughter.) He thought the&#13;
is he not known to his brother and sister authors rights of authors should be as long-lived as&#13;
as a good comrade, and to the wide world as a those of the original shareholders in the New&#13;
writer of combined daintiness and power, and of River Company. After all, Shakespeare might&#13;
apparently inexhaustible fertility ? Indeed, tbe without exaggeration be considered to have done&#13;
worst I have ever heard of Mr. Anthony Hope- as much for the nation as one of those share.&#13;
and if I have not heard it, I must have dreamed holders. (Laughter and cheers.)&#13;
it-is that it may be remarked of him as a writer LORD MONKSWELL responded.&#13;
that his profundity will never be remembered till Mr. HENRY Norman, in giving “ The Chair-&#13;
we have succeeded in forgetting his vivacity. I man,” said the laughter caused by Mr. Pinero&#13;
do not know how just a reflection you may consider was not as the crackling of thorns under the pot,&#13;
this to be, but it is one that can be more easily but was always ornamented by a valuable idea.&#13;
repelled by Mr. Hawkins, or apologised for by He had given to the world the solemnities as seen&#13;
Mr. Hope, than dealt with by myself. I will no through the eyes of the humorist. He had held&#13;
longer, therefore, stand between you and these up the mirror to life as it was, and consequently&#13;
gentlemen. I give you“ The Society of Authors.” the absurd cbarge of indecency was made against&#13;
Let us drink to its continued, its increasing, him. (Laughter.) The toast would be drunk&#13;
usefulness and welfare. (Cheers.)&#13;
with especial heartiness. (Cheers.)&#13;
Mr. ANTHONY HOPE HAWKINS replied to the Mr. Pinero made a brief reply, and the com-&#13;
toast. The Society of Authors, he said, was pany adjourned to tea and talk.&#13;
making steady progress, but it wanted money.&#13;
Every day it was asked to undertake important&#13;
work which it could not undertake because of&#13;
this deficiency. There was notably the case of&#13;
THIRTEEN YEARS AGO.&#13;
America. The relations of literary men with that&#13;
country were becoming more and more intimate&#13;
and important, and the Society felt it desirable to&#13;
IN the year 1887, shortly after the foundation&#13;
maintain in America a permanent staff to look&#13;
1 of the Society, an article appeared in Time,&#13;
after the interests of British authors. (Hear,&#13;
e a monthly magazine now extinct, on the&#13;
hear.) Next year the Society would make a start&#13;
Society of Authors. It is signed with the name&#13;
with the Pension Fund. A man who had done&#13;
of J. Neville Porter, a writer of whom I know&#13;
good literary work would not under this scheme get&#13;
nothing. His name is not in the list of Barristers&#13;
charity from the Society, but his brothers would&#13;
and Solicitors for this current year. He writes,&#13;
offer him a testimonial in the shape of a good,&#13;
however, with apparent knowledge of law, and was&#13;
solid pension. (Cheers.)&#13;
laudably desirous of presenting the facts of the&#13;
Mr. BERNARD Shaw then proposed “The&#13;
case as he understood them. So much has been&#13;
Guests." He said he bad often been asked why&#13;
done since that time that it is well to look&#13;
he became an author, and had given many&#13;
back and to consider arguments and statements&#13;
reasons, most of them untrue—(laughter)-but&#13;
advanced thirteen years ago.&#13;
the real reason was because he had an unconquer.&#13;
THE SALE OF A MS. OUTRIGHT.&#13;
able aversion to honest work of any description. We find a publisher writing to say that he&#13;
(Laughter.) He had had to work a good deal should take no notice at all of any opinion of the&#13;
harder than people who had adopted honest Society as to the fair price. He understands by&#13;
means, and he would therefore point out to those this time that the author would then go to some-&#13;
who had not become authors, and therefore one else. Mr. Porter remarks, however, that&#13;
wanted to—(laughter)—that, if they entered the authors are not the best judges of the value of&#13;
profession on his grounds, they would probably MSS. He did not understand that the Society&#13;
be disappointed. (Laughter.) When people intended to proceed with the advice and help of&#13;
told him, with a slight air of unexpectedness, secretaries and solicitors always engaged upon the&#13;
that they had read his books and admired them, subject of Literary Property, and with a perma-&#13;
&#13;
&#13;
## p. 32 (#54) ##############################################&#13;
&#13;
32&#13;
THE AUTHOR.&#13;
nent committee also continually engaged upon inore than, as said above, a solicitor or a medical&#13;
the subject; so that it may now be fairly ad. man.&#13;
vanced that the Chairman and Secretary of the The author's risk, where there is risk, is his&#13;
Society, not to speak of the Committee, have time and labour; the publisher's risk, where there&#13;
between them a wider and firmer grasp of the is risk, is the money actually expended and the&#13;
subject than any publisher or company of pub. proportionate cost of his establishment.&#13;
lishers.&#13;
Here is another reference to a leading case :&#13;
Here, however, is a warning which should be&#13;
A contract between an anthor and a publisher, that the&#13;
looked into. We have always protested against&#13;
latter should, at his own risk and expense, publish a work&#13;
any alteration of an author's work without his belonging to the former upon payment of an equal division&#13;
consent. Read this note from the article :-&#13;
of the profits after all charges had been defrayed, may,&#13;
It bas been decided in the case of Cox v. Cox (11 Hare,&#13;
according to the dictum of Lord Justice Tarner in the case&#13;
118), that in the absence of a specific contract, reserving&#13;
of Stevens v. Benning (6 D. M. G. 229), be considered in&#13;
to the author a qualified copyright, the purchaser of a MS.&#13;
the double light of a licence and a partnership-a licence for&#13;
is entitled to alter and deal with it according to his&#13;
the publication of the treatise, and then a joint adventure&#13;
discretion. The consequence has been that several treatises&#13;
between the author and publisher in the copies to be thus&#13;
have been published in &amp; ridiculous manner, much to the&#13;
published. A pablisher, therefore, on the half-profit&#13;
prejudice of the writers. The remedy for this is, of course,&#13;
Bystem, is bound to show the author his accounts and&#13;
a matter for the agreement-form.&#13;
vouchers in respect of the work published, or an action&#13;
may be commenced to compel him to do so unless the pab.&#13;
lisher satisfies the judge that there is some preliminary&#13;
THE HALF-Profit System.&#13;
question to be tried. It is not, therefore, necessary to bave&#13;
It appears that Mr. E. Marston, according to &amp; stipulation in the agreement to this effect.&#13;
this writer, had written to the papers, stating&#13;
When there is no assignment of copyright in&#13;
that he knew nothing of any secret profits.&#13;
the agreement, and no stipulated time during&#13;
It was stated, from knowledge, by those who which the publisher is entitled to publish a book,&#13;
then represented the Society that there existed a&#13;
can the author put an end to the contract ? On&#13;
widespread system of secret profits, viz., by adding this point Mr. Porter is instructive :-&#13;
to the cost of printing, paper, corrections, and&#13;
If the author endeavour to put an end to the contract,&#13;
binding; and further, by advertisements costing and to stop the publication of any subsequent edition by&#13;
nothing to the publisher, such as advertisements the publisher, he must take action for this object previous&#13;
in their own organs and by exchanges. It has to any expenso being incurred by the publisher on account&#13;
been remarked repeatedly that in the agreement.&#13;
of such new edition; otherwise the publisher is entitled to&#13;
be repaid this cost, and to enjoy the benefit of all the profit&#13;
forms put forward by the Publishers' Association&#13;
the hope of which induced him to incur this expense. But&#13;
they claim the right of adding percentages, and when expense has not been incurred by the pablisher on a&#13;
say nothing about the advertisements which cost subsequent edition, the author can lawfully terminate the&#13;
nothing.&#13;
joint undertaking, and prevent any further issue of his work&#13;
Mr. Porter in this article falls into the trap&#13;
by the publisher, even if the latter has stereotyped the&#13;
book before the publication of the last published edition.&#13;
set for him, and looks upon the publisher as an&#13;
In deciding this question in 1838 in the case of Reade v.&#13;
agent as well as a publisher. The publisher is Bentley (4 Kay &amp; J. 664-6), Vice-Chancellor Wood (after.&#13;
entitled, Mr. Porter says, to a profit on every wards Lord Hatherley) pointed out the difficulties which&#13;
thing, to cover incidental expenses, and the cost&#13;
were connected with the subject, and the grounds on which&#13;
of his establishment; in other words, to cover&#13;
his judgment was based. He mentioned that, while on the&#13;
one band it might be stated on bebalf of the publisher that&#13;
his own work in the business. What claim has&#13;
he had devoted the benefit of his talents and status as a&#13;
he, after this, on the proceeds of the book ? And publisher to the undertaking, and bad incurred charges in&#13;
why are not the author's “incidental expenses " respect of bringing out the first edition in the hope that he&#13;
and the cost of his establishment to be con. would be repaid the expense of the first by the sale of the&#13;
sidered? And why are not the bookseller's inci.&#13;
second and subsequent editions, and to hold the author at&#13;
his own instance to be at liberty to put an end to the agree-&#13;
dental expenses and the cost of his establishment&#13;
ment after the first edition had been published, would be to&#13;
to be considered ? And why do not solicitors, enable him, by an arbitrary and unreasonable exercise of&#13;
medical men, and professional men of all kinds that power, to deprive the publisher of all his profits. On&#13;
charge for their establishments ? The history the contrary, it might be contended, on behalf of the&#13;
of the half-profit system is simply this : It meant,&#13;
anthor, that unless he was empowered to terminate the&#13;
contract, he might be under an obligation to the publisher&#13;
at first, the honest deduction from proceeds of&#13;
during the whole of the latter's life, while the publisher&#13;
actual cost and money expended. The publisher would be under no reciprocal obligation to bim. The former&#13;
then began to filch and to steal : he said he had could also prevent the author from publishing a single copy&#13;
spent £20 when he had only spent £15, and so on.&#13;
of the treatise so long as the publisher expressed his readi.&#13;
ness to continue publishing. The author, however, would&#13;
Then he began to rob on a system of adding so&#13;
bave no reciprocal power, and could not compel the pab.&#13;
much per cent.—saying nothing about it. Of&#13;
lisher to publish more than a single edition of the book.&#13;
course he has no right to any such profit any The latter, moreover, in the bona fide exercise of his discre.&#13;
&#13;
&#13;
## p. 33 (#55) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
33&#13;
tion as to the proper time and mode of publication, might twelve. Aboat £150 was spent by the plaintiffs in adver.&#13;
decline indefinitely to publish, but without giving up his tising the book, and more than 40,000 copies of it were sold.&#13;
agreement, while the author, at the same time, might be of As, however, Mrs. Cook became offended with the plaintiffs&#13;
an opposite opinion, yet for months, and even years, might for describing the book as a companion work of their series,&#13;
be kept in suspense, and probibited from publishing on his she gave them notice to put an end to the contract with&#13;
own account, until the publisher thought that the time had them, and entered into an agreement for the issue of a&#13;
arrived for the revival of the public interest in the book. revised edition of the book with Messrs. Routledge. It was&#13;
Under such circumstances, this learned judge thought the firstly maintained by the plaintiffs that their agreement&#13;
position of the author to be one of so great hardship and with Mrs. Cook amounted to a sale of the copyright; but,&#13;
difficulty, that anless it was clearly proved to have been at the hearing of the case, they merely moved for an injunc.&#13;
contemplated by both the contracting parties it should not tion to restrain the farther publication of the book as long&#13;
be enforced.&#13;
as any copies printed by them before the receipt of the&#13;
notice were unsold. The injunction, however, was not&#13;
On a royalty system we have advanced so much&#13;
granted, and the plaintiffs' bill of complaint was dismissed&#13;
that Mr. Porter's remarks need not be quoted. with costs. The verbal agreement referred to was 28&#13;
follows, according to the statement of Mr. Warne, mentioned&#13;
THE COMMISSION SYSTEM.&#13;
by the Master of the Rolls in his judgment, viz. : “I," said&#13;
Mr. Warne, "offered a royalty of a penny a copy on all&#13;
On the commission system he says that profits copies sold, counting thirteen copies as twelve ; to which&#13;
-i.e., secret profits-on the cost of production&#13;
she replied, I have a speculative turn of mind, and will&#13;
are reasonable. Surely when a man agrees&#13;
take the penny.' To this I consented.” This is all the con-&#13;
versation that occurred, and is the evidence upon which the&#13;
to act as agent for another man, and to sell&#13;
agreement is based. It is to be hoped that this case will&#13;
his wares for a fixed percentage, to take secretly be &amp; warning to authors and publishers against entering&#13;
another kind of percentage is pure swindling and into a mere verbal arrangement for publication. It is oppor.&#13;
cheating. Mr. Porter does not seem to under. tane to remark concerning this point that, if &amp; contract&#13;
stand this. Very few people did thirteen years&#13;
between an author and publisher is one that cannot be per.&#13;
formed within a year after being made, no legal action is&#13;
ago. His words, however, on vouchers show his&#13;
maintainable upon it for its enforcement, unless the agree-&#13;
desire to present the subject fairly :-&#13;
ment, or some memorandum or note of such, is in writing,&#13;
The commission publisher is under the same legal obliga-&#13;
and signed by the person to be charged therewith. It is&#13;
tion to show his accounts and vouchers on demand by the&#13;
not necessary, however, for this purpose that the agreement&#13;
author, as the half-profit system publisher is bound to show&#13;
should be in one document. It may be collected from many&#13;
them to his author, as the former publisher is the author's&#13;
papers if they are clearly connected, and do not reqaire&#13;
agent.&#13;
parol testimony to maintain the connection, as such&#13;
evidence is inadmissible for that object.&#13;
On the subject of "risk” he has been led&#13;
The rest of the paper is devoted to speculation&#13;
astray, as so many used to be, by a confusion of&#13;
as to the future of the Society. The writer thinks&#13;
thought. Those who wrote on one side used,&#13;
that authors will rather go to their solicitors than&#13;
and still use, the word “ risk” to signify danger&#13;
to a committee of authors, still under the supposi-&#13;
of loss; the publishers confused the minds of&#13;
tion that the Committee will themselves attempt&#13;
people by meaning chance of not making great&#13;
lawyers' work. He also thinks that publishers&#13;
profits. There are hundreds of writers, taking all&#13;
will refuse to treat with authors who send agree-&#13;
the branches, whose books carry no kind of risk-&#13;
ments to the Society, forgetting that if one&#13;
i.e., they are quite certain to be sold up to a&#13;
publisher puts his dignity before his business&#13;
number which will pay all expenses and leave a another man will reverse the operation.&#13;
reasonable margin. There are not many books&#13;
which are certain to sell in large quantities. That&#13;
THEN AND Now.&#13;
is as true to-day, when the demand for books has The Society proposed at the outset to recom-&#13;
so greatly increased, as it was thirteen years ago. mend authors to houses where they would be safe&#13;
-or comparatively safe. It is objected that&#13;
THE NEED FOR AGREEMENTS.&#13;
experienced authors will not need the advice of&#13;
the Society, and that inexperienced authors will&#13;
As to the folly of not looking after agreements,&#13;
find the publishers unwilling to publish in the&#13;
Mr. Porter adduced a remarkable case :-&#13;
mode recommended by the Society.&#13;
A notewortby instance of this was stated in the case of&#13;
Now, during the whole period of its existence,&#13;
Warne v. Routledge, adjadicated upon by Sir George Jessel,&#13;
Master of the Rolls, in Jane, 1874. In this instance, Mrs.&#13;
the Society has steadily kept its members out of&#13;
Milicent Cook wrote a book called “How to Dress on £15 certain publishers’ hands. . Authors experienced&#13;
a Year as a Lady, by a Lady," and entered into a verbal and authors inexperienced use the Society for&#13;
contract with Messrs. Warne and Co. that they should information and for advice : they come to the&#13;
pablish the work anonymously, and incur all expenses&#13;
Society when they are in difficulties. They get&#13;
directly and indirectly connected therewith, and that each&#13;
copy should be published at one shilling, and that the plain.&#13;
a legal opinion for nothing, and that of a kind&#13;
tiffs were to remunerate her by a royalty of one penny for which requires special knowledge which their own&#13;
each copy sold. The copies were to be rookoned thirteen as solicitors could not give them.&#13;
&#13;
&#13;
## p. 34 (#56) ##############################################&#13;
&#13;
34&#13;
THE AUTHOR.&#13;
boys.&#13;
The failure of these forebodings is instructive Straightforward copying, duplicating, &amp;c., are&#13;
and interesting.&#13;
still fairly easy to obtain, but the ever increasing&#13;
The writer acknowledges at the end of his paper army of " pocket-money ” workers who can afford&#13;
that the Society may have a great future before to undersell their work makes it increasingly&#13;
it. Yet he does not understand the greatness of difficult for a copyist to earn a living wage.&#13;
that future.&#13;
Some of us have to earn our own living by our&#13;
One point he advances which seems worth con. own unaided efforts, and some of us would gladly&#13;
sidering, but is not. He thinks that the Society earn it by less mechanical means—by making our&#13;
might point out methods of literary training for machines the handmaids of our intellect, and by&#13;
the higher class of instructive literary work. The placing our capacities of mind at the service of&#13;
only method of literary training for this higher those who write. A BOOK-LOVING TYPIST.&#13;
class of work is a full mind. A writer in order&#13;
to be instructive must be himself a scholar and a&#13;
student in his subject. Toe rest can be learned&#13;
II.-CONCERNING BOOKS FOR Boys.&#13;
by any work on rhetoric which will point out the The piece which you print in your June number&#13;
meaning of arrangement and order, attention to under this heading is useful, as a good example of&#13;
the marshalling of facts and an endeavour to aim the prevalent opinion with regard to books for&#13;
at the charm of style and language.&#13;
** Any trash will do," says the writer in the&#13;
Guardian from whose article you have quoted,&#13;
and this sentiment is apparently indorsed by&#13;
CORRESPONDENCE.&#13;
publishers and reviewers. The very manner in&#13;
which the “ gift book” makes its annual appear-&#13;
I.-AUXILIARY LITERARY WORK.&#13;
ance on the market is sufficient to rank it as some.&#13;
CAY I draw your attention to a branch of thing equal in value to Christmas crackers and&#13;
auxiliary literary work, i.e., typewriting candied fruit.&#13;
in combination with what, for want of The pay for this class of work is miserably&#13;
a better term, I must call secretarial duties? The poor; the reason, I am told, being the large dis-&#13;
question for the educated typist who aspires to be count which the publisher has to give to the book.&#13;
something more than part of ber machine is, How seller, while the reviewing is altogether a farce,&#13;
may such work be obtained ?&#13;
the “ innocents" being slaughtered in batches of&#13;
It is depressing to read lists of historical, from thirty to forty in a single column. When&#13;
biographical, and educational books, and to a longer“ notice" is given, it is often worse&#13;
realise that all of them have entailed a consider than none at all. I have been severely lectured&#13;
able amount of auxiliary work-such as copying for “ preaching a sermon on horse-racing," when&#13;
and arranging notes, epitomes of documents, and the book in question contained no mention what.&#13;
sorting masses of information, in addition to the ever of this kind of sport-a clear proof that the&#13;
more mechanical work of copying the finished “reviewer” had got the contents of several&#13;
MSS.&#13;
volumes mixed up in his head before setting to&#13;
A busy author must often need the services of work.&#13;
an efficient helper at some stage of the prepara- The assertion made by “R. F. C.” that boys&#13;
tion of his works, and he must need one who has read a sto y of school life simply to enjoy the&#13;
had experience and who is endued with a sense of discomfiture of a comic schoolmaster is a mis-&#13;
literary form. There can be no doubt that chievous statement, the untruth of which I, or&#13;
supply and demand both exist; but how may any writer of similar experience, can prove by&#13;
they be brought into contact ? I have ceased to letters received from readers ; but when our books&#13;
believe in advertisement as a means of procuring are bought as rubbish, sold as rubbish, and re-&#13;
either permanent or temporary appointments; as viewed as rubbish, it is perhaps natural for anyone&#13;
an instance, mine has appeared in The Author for to suppose that they are read and written in the&#13;
three montbs without eliciting a single reply. same spirit.&#13;
Perhaps this is not surprising, for the capacities It may, however, surprise “ R. F. C.” to learn&#13;
of an advertiser are, after all, merely a matter of that there are men and women who regard the&#13;
conjecture.&#13;
weaving of stories calculated to influence the&#13;
Is there any hope for the typist (and there impressionable mind of a child as a branch of the&#13;
must be many of them) who has not the necessary literary calling as honourable as that of the sensa-&#13;
capacity for original literary work, but who fortional novelist or newspaper hack.&#13;
love of books would fain have a place in the To write successfully for the young is an art&#13;
humbler rauks of literature ?&#13;
requiring special gifts and methods; an art which,&#13;
&#13;
&#13;
## p. 35 (#57) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
35&#13;
though at present ignored, will in time receive character-study, and every word that Miss Dora&#13;
due recognition and reward, but which is not Russell could give me. When nothing was&#13;
likely to derive either assistance or encouragement forthcoming, and at the request, in writing, of&#13;
from the penning of articles such as the one to the lady's sisters, I did the best I could. I looked&#13;
which you have referred.&#13;
day after day for improvement. There even&#13;
A WRITER FOR Boys. came to be some hope; but, unbappily, it never&#13;
arrived at fruition. May I, then, ask at what&#13;
precise point should I have stopped supply, and&#13;
III.—ROYALTIES.&#13;
by announcing that the novel could not proceed&#13;
When consulting the “ Tables of Royalties ” in ended all? It has been stated that sentiment of&#13;
“ The Literary Year Book” for 1900, I was sur that sort should not have prevented the enlighten-&#13;
prised to see that they only mention royalties ment of the public. But the syndicate was&#13;
varying from 2 to 15 per cent. Was this writing its congratulations on an improvement&#13;
curious table composed with the view of throwing which was being evidenced hy “the manner in&#13;
dust into the eyes of inexperienced authors by which you and Colonel Craig are finishing the&#13;
making them believe that 27 was a reasonable story."' Whose part was it to announce that a&#13;
royalty and 15 per cent. the utmost limit of work so satisfactorily proceeding-even in the&#13;
generosity ? I notice that the book is the pro- opinion of the syndicate which had had a&#13;
perty of a publisher, and perhaps that accounts monopoly of the authoress's work for years-had&#13;
for the milk in the cocoanut. GLENFRUIN. now become one of unavoidable collaboration.&#13;
Not mine, surely.&#13;
The serial issue began on Oct. I, 1897, as “ A&#13;
IV.-AUTHOR AND PUBLISHER.&#13;
New and Exciting Story! By that Talented and&#13;
With reference to “ A. Penn-Wyper's" commu- Popular Authoress, Dora Russell.” Of this&#13;
nication in the June number, I cannot suppose description I, of course, knew nothing, for I had&#13;
there would be any difficulty in forming a joiut never been consulted about the publication of the&#13;
committee to which a publisher and an author tale. I had not even heard of the issue having&#13;
would be mutually willing to submit the question commenced until several weeks after the date&#13;
of terms, in cases where the publisher was desirous given. When I at last asked for the names of&#13;
to publish a work and the author was willing that the papers in which the novel was appearing, I&#13;
he should do so. They could both state their got this somewhat curt answer from the syndi-&#13;
respective cases in writing, and their willingness cate: “It is a rule of our office not to supply&#13;
to abide by the decision given. It would secure to such information as you ask for.”&#13;
both the effective representation of their interests. The question has been put: How far did I&#13;
T. L.&#13;
acquiesce in the issue of the novel under the&#13;
name of the popular authoress? I answer: only&#13;
V.—“A TORN-Out PAGE,” “BY” Dora RUSSELL. in so far as I did not take legal action to prevent&#13;
It having become an item of general informa- it, or render myself liable to prosecution for&#13;
tion, froin a review which appeared in Vanity calumnious publication. But forbidding the&#13;
Fair of April 19, that the above novel could not issue by injunction would have been, first,&#13;
have been the unassisted work of the popular impossible, in my circumstances; secondly, unfair&#13;
novelist, I have had to assume all responsibility, to Dora Russell, who, after all, had actually&#13;
moral and literary, for the fact that every word written some thirty-three thousand words of the&#13;
on the concluding 239 pages was wholly mine. novel with her own hand; and thirdly, a stulti-&#13;
The letter proposing the scheme to the syndicate fication of myself, who, to help her, had written&#13;
was penned with her own hand. My undertaking the remainder. What I felt called upon to do&#13;
the task had the warm approval in writing of her was to satisfy the syndicate with the work. As&#13;
family. Every instalment as written by me was to duty to the public, that body had for weeks&#13;
read aloud to the authoress in the presence of her been assured that the novel was “by” the popular&#13;
sisters, except the concluding two.&#13;
writer before I had even come to know that the&#13;
When I wrote to the syndicate indorsing Miss clients of the syndicate “would acquire it.” And&#13;
Dora Russell's statement of my willingness to “by” Miss Dora Russell the novel actually was,&#13;
finish the novel as a help to her, I plainly made up to just about that time. Had I a right to&#13;
my doing so conditional upon “the scheme being assume that the syndicate's clients would be&#13;
announced to your readers as you” (the syndicate allowed to go on from that point, issuing the tale&#13;
“ may deem fit.” Taking up the authoress's without the announcement which I had demanded?&#13;
characters and incidents as I found them, I was As Vanity Fair says: “ Explanation of the&#13;
absolutely resolved to use every plot, every facts should have been made, as could easily&#13;
&#13;
&#13;
## p. 36 (#58) ##############################################&#13;
&#13;
36&#13;
THE AUTHOR.&#13;
have been done by a few words of preface, or by be true, I seem to have been badly treated. If&#13;
Colonel Craig's name as joint author.” I hold their “ belief," on the contrary, be even mode-&#13;
that I could not, by anticipation, charge the rately justified by the quality (such as it is) of&#13;
syndicate with the intention of continuing to the writing, I must have produced a fairly suc-&#13;
publish the novel from the point at which the cessful imitation (which should have been an-&#13;
work came to be mine (i.e., from p. 110) without nounced as such) of a certain class of popular&#13;
the announcement for which I had stipulated fiction, for which they have found a place.&#13;
expressly from the first. Am I to suppose that Either way, I hope, Sir, that you will find some&#13;
if I had received, and made use of, a letter of of the “ literary interest” so dear to T'he Author&#13;
thanks and commendation from the syndicate for in my statement of the matter.&#13;
my part of the work I should have been chargeable&#13;
R. MANIFOLD CRAIG.&#13;
with condonation and “acquiescence” past all 3, Harcourt-buildings,&#13;
pardon ?&#13;
The Temple, E.C.&#13;
I have come to know that the syndicate and a [Colonel Craig's case is not one in which any&#13;
London publisher have announced their belief question of legal liability arises. It presents,&#13;
that the authoress wrote every word of “A Torn. however, some features of literary interest, and&#13;
out Page.” Very well. Let us courteously assume the Committee have thougbt it right to give&#13;
that, after the fullest inquiry in every direction Colonel Craig this opportunity of stating his&#13;
except mine, they considered they had adequate view. 7&#13;
grounds for that belief. But I have at this&#13;
moment in my possession most of the typewritten&#13;
sheets, bearing proofs of being those from which&#13;
BOOK AND PLAY TALK.&#13;
my part of the work was set up. I allege that I&#13;
typed them in my own residence, directly upon COLUMNS of book announcements are very&#13;
my typewriter ; and that Miss Dora Russell I thin at present, as it is too early yet for the&#13;
was never in my home, and never saw my type-&#13;
autumn lists. One of the important books&#13;
writer. Is the belief of the syndicate and the then will be the biography of Professor Huxley,&#13;
publisher compatible with the veracity of that which his son is writing and which Messrs. Mac-&#13;
allegation? These sheets came back to me in the millan will publish. Mr. P. A. Chalmers Mitchell&#13;
ordinary course of proof-correction. I allege is carrying out a long-standing engagement with&#13;
that they and their fellows constituted the only Messrs. Putnam for a book on Huxley, while Mr.&#13;
“copy" of the story which was in existence at Edward Clodd is writing a volume on the same&#13;
the time of the serial publication. Can that subject for Messrs. Blackwood's “Modern English&#13;
statement be refuted ? Again, I have it under Writers " series. Another volume in this series&#13;
the hand of the syndicate that there had been no will be on George Eliot, by Mr. Sidney Lee, whose&#13;
"copy" from the authoress for months, and that services in connection with the now completed&#13;
she was far over two years in arrears with her “ Dictionary of National Biography” have just&#13;
work. Suddenly, directly upon the acceptance of been commemorated by a presentation of plate&#13;
my categorical offer to “finish " the novel, typo- made to him in the name of the contributors to&#13;
script copy begins to flow in at the rate of that monumental work.&#13;
- 15,000 to 20,000 words per week. Am I, in my&#13;
Mr. Justin McCarthy is finishing his “ History&#13;
courteous effort to believe in the belief of the&#13;
of the Four Georges,” and contemplates writing a&#13;
syndicate, to opine that that circumstance did not&#13;
novel on Ireland as he knew it in his youth.&#13;
strike them, or seem other than matter of course ?&#13;
I am entirely content that my whole case shall be&#13;
When Mr. B. L. Farjeon's new novel, “ The&#13;
read in the light of the declared belief of the&#13;
Mesmerists,” is published by Messrs. Hutchinson,&#13;
syndicate and the publisher. Surely, they can&#13;
the volume will be found to contain also a&#13;
have no objection.&#13;
dramatic version of the story. This is the first&#13;
I hold a statement of the syndicate that their&#13;
time, we believe, that the two have been com-&#13;
clients “ bad perceived the distinction between”&#13;
bined in one volume. The object is to safeguard&#13;
the authoress's work and mine. I answer that&#13;
the author against unauthorised stage versions of&#13;
with another statement from the same gentlemen.&#13;
his novel.&#13;
They say I have deceived them-palming as The Hon. W. H. Lyttleton is writing on “Out-&#13;
collaborated work matter which was entirely my Door Games” for Messrs. Dent's “ Haddon&#13;
own. Now, I claim that all this is matter of Hall Library." His work will be in two volumes,&#13;
literary interest; and surely the syndicate is at and in the first cricket and golf will be treated.&#13;
liberty to decide which is their real opinion. But “Hunting,” by Mr. Otho Paget, is another pro-&#13;
they cannot have it both ways. If what I allege spective volume in the series, but before either&#13;
&#13;
&#13;
## p. 37 (#59) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
37&#13;
of these there will be published “Our Forests and all times takes extreme pains in revising his&#13;
and Woodlands,” by Dr. John Nisbet, who pleads writings, is re-writing part of “Evelyn Innes.”&#13;
for more support from the State to enable land.&#13;
Mr. William Le Queux calls his forthcoming&#13;
owners to form plantations on poor lands and&#13;
waste tracts.&#13;
story “ An Eye for an Eye,” and the publishers&#13;
of Anthony Trollope's works (which, by the way,&#13;
An important scheme for the foundation of an&#13;
continue to find a good sale) have formally per-&#13;
international association of the principal scientific mitted the use of this title. On the subject of&#13;
and literary academies of the world is reported by duplicate titles, Mrs. Roy Devereux has been&#13;
the London correspondent of the Manchester writing in the Academy with reference to her&#13;
Guardian. It provides for the division of the book, «Sidelights on South Africa,” having been&#13;
association into two sections, “scientific ” and followed in a few months by one by Lady Sykes,&#13;
“ literary” respectively, and is the outcome of a entitled “Sidelights on the War in South Africa."&#13;
meeting of the representatives of the chief Euro. Mrs. Roy Devereux states that several cases have&#13;
pean and American academies held at Wiesbaden been reported to her in which readers who asked&#13;
in October last. “The Royal Society, which has for her book were supplied with that of Lady&#13;
taken a leading part in the promotion of the Sykes.&#13;
scheme, will naturally represent this country in&#13;
Among the newer guide-books “ Paris in its&#13;
the scientific section, and steps are being taken&#13;
with a view to securing an adequate representa-&#13;
Splendour," by Eustace A. Reynolds-Ball, must&#13;
tion in the second section.”&#13;
*be mentioned. It is a popular study of Paris&#13;
past and present, historic and picturesque. It is&#13;
Mr. Charles Neufeld, the “prisoner of the illustrated by sixty studies in photogravure, and&#13;
Khalifa,” is writing a story of adventure for&#13;
it contains 580 pages, in two volumes priced at&#13;
boys, based on his experiences in Egypt.&#13;
one guinea, and published by Dana Estes and Co.,&#13;
Mr. Walter Winans is writing a book-an Boston.&#13;
édition de luxe—on the art of revolver shooting, “The Mystic Number 7,” by Annabel Gray,&#13;
which will be published by Messrs. Putnam. the publication of which was delayed on account&#13;
Mr. Cutcliffe Hyne's letter to The Author of the war, is now at all the libraries and pub-&#13;
suggesting to novelists to combine in producing a&#13;
lished by Messrs. Simpkin, Marshall and Co.&#13;
book which should be sold on behalf of the War Mr. Thomas Cobb bas in the press a novel&#13;
Fund has come to fruition. The volume is entitled “ Severance," which will be published by&#13;
entitled “ For Britain's Soldiers," and contains Mr. John Lane. He has also almost ready “ The&#13;
stories by Mrs. Croker, Mr. W. L. Alden, Sir Bountiful Lady," to appear as one of Mr. Grant&#13;
Walter Besant, Mr. Crockett, Mr. Hornung, Mr. . Richards's “ Dumpy Books for Children.” “The&#13;
Hyne, Mr. Kipling, Mr. Mason, Mr. Moore, Mr. Dissemblers," from the same pen, will form a part&#13;
Pemberton, Mr. Roberts, Mr. Ridge, Mr. Wells, of Lippincott's Magazine for September.&#13;
Mr. White, and Mr. Wood. It will be published&#13;
immediately by Messrs. Methuen, whose services&#13;
H.R.H. The Prince of Wales has accepted a&#13;
copy of the “Handbook to Christian and Eccle-&#13;
also are given by way of a contribution to the&#13;
siastical Rome”-third volume, “Monasticism, and&#13;
same patriotic cause.&#13;
Ecclesiastical Rome” (A. and C. Black), by&#13;
Sir George Trevelyan is editing the diary of M. A. R. Tuker and Hope Malleson. Part 4&#13;
Lord Macaulay.&#13;
(Monasticism) contains an account of the order&#13;
Mr. Maurice Hewlett's new novel is to be called of St. John of Jerusalem, of which H.R.H. is&#13;
“ Richard Yea and Nay.”&#13;
Grand Prior in England and of which the first-&#13;
Sir Walter Besant's new novel is entitled named author is a member.&#13;
“The Fourth Generation.” After appearing as a Among many articles and stories of special&#13;
serial it has been partly rewritten and enlarged interest to be published in the August issue of&#13;
for publication in book form in September or The Argosy, a short story is included from the&#13;
October.&#13;
pen of the late Mr. Stephen Crane.&#13;
Mr. Neil Munro is writing a new novel, which The first thing which the author of “ To Have&#13;
will be published by Messrs. Blackwood, but will and to Hold” ever wrote for publication is said&#13;
not run serially.&#13;
to have been a little account of a roadside meeting&#13;
Mr. George Moore's new story will be called with Queen Victoria in the south of France.&#13;
“Sister Teresa," and it will have a certain connec- Professor Owen Edwards has completed his&#13;
tion with his last work, “Evelyn Innes.” The volume on Wales for “ The Story of the Nations"&#13;
chief subject is convent life. Mr. Moore, who at series.&#13;
&#13;
&#13;
## p. 38 (#60) ##############################################&#13;
&#13;
38&#13;
* THE AUTHOR.&#13;
Mr. Herman Merivale has been granted a Civil&#13;
List pension.&#13;
“The Casino Girl," a comic opera, written by&#13;
Mr. Harry B. Smith, and composed by Mr.&#13;
Ludwig Englander, is the American “success"&#13;
which is now taking the place of “An American&#13;
Beauty” at the Shaftesbury. The scene is laid&#13;
in Egypt, and one of the characters represents&#13;
the Khedive. The title róle is held by Miss&#13;
Mabelle Gilman, a singer and dancer whom&#13;
London sees for the first time.&#13;
Miss Julia Neilson's season at the Haymarket&#13;
will open on Aug. 30, when she and Mr. William&#13;
Mollison will produce “Mistress Nell Gwynne,"&#13;
a new play by Paul Koster. The part of&#13;
Charles II. will be taken by Mr. Fred Terry.&#13;
A new play called “The Great Philanthropist,"&#13;
by Miss Gertrude Warden and the late Mr.&#13;
Wilton Jones, will be produced at the Strand on&#13;
July 16, by way of celebrating Mr. Sidney&#13;
Alport's return from Australia. Miss Kate&#13;
Rorke and Mr. Abingdon will be in the cast.&#13;
The “ Pirates of Penzance" is being revived&#13;
at the Savoy.&#13;
Mrs. Patrick Campbell will produce in the&#13;
autumn an adaptation of Echegary's play, trans-&#13;
lated by Mr. J. M. Graham, and adapted by Mr.&#13;
Arthur Symons, entitled “Mariana.”&#13;
Mr. Robert Marshall has written a play for&#13;
Mr. Frederick Harrison and Mr. Cyril Maude.&#13;
It will touch the events of the South African&#13;
war.&#13;
of one of the most remarkable figures of the day.”&#13;
“ Interesting and historically important,” is the Daily&#13;
Telegraph's opinion of the speeches. The Daily News says&#13;
“ Vindex” is obviously an admirer of Mr. Rhodes, but " the&#13;
book should be equally welcome to those who do not and&#13;
those who do share his admiration.”&#13;
THE GENTLEMAN PENSIONER, by Albert Lee (Pearson,&#13;
68.), is a bistorical romance dealing with the rising of the&#13;
Nortbern Lords in Elizabeth's days. The Spectator says :&#13;
“Mr. Lee cleverly varies the adventures, and his story is&#13;
something more than readable.” British Weekly describes&#13;
it as “a powerful and abeorbing story, full of delicate&#13;
writing, without weakness or a touch of affectation . . .&#13;
a really excellent bit of historic fiction. Graphic says:&#13;
“Mr. Lee has made the most of his study of bulldog&#13;
tenacity and fidelity.” Scotsman describes the story as “ a&#13;
very successful attempt to deal with an interesting episode&#13;
in English history." The World: “Those who enjoy&#13;
historical romance will find this an excellent specimen of&#13;
the class to which it belongs."&#13;
HISTORY OF EPIC POETRY, by John Clark (Oliver and&#13;
Boyd, Edinburgh, 58.), is referred to by the Spectator as&#13;
"a very instructive volume, especially in respect of various&#13;
poems wbich are often spoken of, but very seldom read. Mr.&#13;
Clark has had the patience to deal with Valerius Flaccus&#13;
and Statius, and, what is a far greater achievement, Silius&#13;
Italicas himself.” “He limits his subject on his title-page&#13;
to .post-Virgilian,' bat he has something to say about both&#13;
Homer and Virgil that is worth reading. The defence of&#13;
Virgil, in particular, is distinctly able. The book, as a&#13;
whole, is an addition of value to the literature of criticism."&#13;
CHARLES HENRY PEARSON, Fellow of Oriel and Educa.&#13;
tion Minister in Victoria : Memorials by Himself, his Wife,&#13;
and his Friends, edited by William Stebbing (Longmans,&#13;
148.), “ one of the most interesting of recent biographies”&#13;
(Literature), is a “deeply interesting work," says the&#13;
Spectator; it “supplies a want, and we are grateful to Mrs.&#13;
Pearson and to Mr. Stebbing for presenting us with a true&#13;
portrait of Charles Henry Pearson.” The Daily Chronicle&#13;
(Hon. Alfred Deakin) says the volume will leave the reader&#13;
with “ a profound admiration” for the man it commemo.&#13;
rates.&#13;
A HISTORY OF GREECE, by Evelyn Abbott, M.A., LL.D.&#13;
(Longmans, 108. 6d.). Part III. : From the Thirty Years'&#13;
Peace to the Fall of the Thirty at Athens, 445.403, B.C.&#13;
“ The first volume of Dr. Abbott's History was published&#13;
in 1888, and another volume is wanting to complete the&#13;
purpose ; 80 that we have here," says the Spectator, “a&#13;
leisurely, well-considered work, which has occupied the&#13;
better part of two decades. The author's aim is to provide&#13;
a history in moderate compass dealing with broad lines of&#13;
development rather than minuto archeological questions.&#13;
It is a book of a different class from Holm's brilliant work ;&#13;
for one thing, it considers the great texts more in detail,&#13;
giving four volumes to his two. .. It is free from&#13;
the wordy platitudes of Curtius, and it is fairer and more&#13;
scientific than the many volumes of Grote and Thirlwall.&#13;
In certain ways it resembles Beloch's compendium, but it&#13;
has many qualities of its own. It is extremely readable,&#13;
and in the simple, anrhetorical style there is often a genuine&#13;
enthusiasm and appreciation.”&#13;
THINGS SEEN : IMPRESSIONS OF MEN, CITIES, AND&#13;
Books, by G. W. Steevens, collected and edited by G. S.&#13;
Street, with a memoir by W. E. Henley (Blackwood, 58.).&#13;
“Quite apart from the tragic circumstances of Mr.&#13;
Steevens's death,” says the Spectator, “the energy and&#13;
versatility displayed in the aureum quinquennium which&#13;
succeeded an exceptionally brilliant academic career, and&#13;
BOOKS AND REVIEWS.&#13;
(In these columns notes on books are given from reviews&#13;
which carry weight, and are not, so far as can be learned,&#13;
logrollers.)&#13;
GRANT ALLEN, A Memoir, by Edward Clodd (Richards,&#13;
68.) is, says the Daily Chronicle, "authoritative in many&#13;
ways. It has the authority of a long and intimate friend.&#13;
ship with its subject; it has, too, the authority of kinship&#13;
in studies pursued in much the same spirit, and certainly to&#13;
similar conclusions.” “Mr. Clodd does a real service to his&#13;
friend's memory in publishing letters which show how the&#13;
very makers of evolutionary sciences regarded Grant Allen."&#13;
The book also contains some of Grant Allen's letters,&#13;
though he was “not a great writer of letters," and two of the&#13;
dearest of his friends “add greatly to the value” of the&#13;
book by “vividly-written reminiscences : Miss Alice Bird&#13;
and Professor York Powell.”&#13;
CECIL RHODES, by Vindex (Chapman, 128. net), is &amp;&#13;
collection of speeches made by Mr. Rhodes from 1881 to&#13;
the present year. The Times says these give“ an extremely&#13;
interesting view ” of the development of contemporary&#13;
history in South Africa, with “characteristic bits of self-&#13;
revelation which, when the speeches are read together as a&#13;
whole, leave a tolerably vivid impression of the personality&#13;
&#13;
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## p. 39 (#61) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
39&#13;
the charm of his personality, the pablication of these stray&#13;
papers, edited by two intimate friends, is entirely justified&#13;
by their intrinsic merits."&#13;
THE EVOLUTION OF THE ENGLISH NOVEL, by Professor&#13;
Francis Hovey Stoddard (of New York University) (Mac-&#13;
millan, 68.), is praised by the Daily Chronicle as “ not only&#13;
well-written and well-informed, but also marked throughout&#13;
by measured judgment, proportion, and a certain dignity of&#13;
attitude and expression.” The Daily News calls it "an&#13;
interesting book on a pleasant sabject.”&#13;
DRIFT, by Horatio F. Brown (Richards, 58. net), is a&#13;
volume of poems. The Spectator says that " what strikes&#13;
the reader most in Mr. Brown's verse is his feeling for and&#13;
power of transmitting the charm of natural scenery. His&#13;
verse is full of rhythm and shows a nice and scholarly use&#13;
of language, bat beyond this there is what we may term an&#13;
hieracchic knowledge of invoking the genius loci, whether&#13;
he is dealing with England, Switzerland, or Italy. ..&#13;
The glimpses we get of hedgerows, of pine-clad mountain&#13;
slopes, or of windy wastes of inland waters are generally&#13;
incidental and unpremeditated.'&#13;
THE ART AND CRAFT OF GARDEN MAKING, by Thomas&#13;
H. Mawson (Batsford, 218.), is not only “excellent to read and&#13;
look at—the pictures with which it is embellished are without&#13;
exception delightful—but it is,” says the Spectator, “full of&#13;
practical suggestions for those who wish to lay out a&#13;
beautiful garden.” “Just at first," says Literature, “ the&#13;
beauty of the designs and the great charm of Mr. Chamber-&#13;
lain's chapter-headings threaten to deflect the mind of the&#13;
reader from the wise things in the text, but this is only at&#13;
first.” The Times says “Mr. Mawson has plenty of ideas&#13;
and a very pretty taste"; and the Daily Chronicle is equally&#13;
appreciative.&#13;
VILLAGE NOTES, by Pamela Tennant (Heinemann, 6s.),&#13;
bas, says the Daily Telegraph, "all the charm of the quaint&#13;
and primitive country she describes--South Wiltshire,&#13;
with its patient, slow-witted, but intelligent rustics, and&#13;
its rare provincialisms of speech.” “ It is pleasant,” says&#13;
the Daily Chronicle, " to those loving Nature, who yet do&#13;
not write about her, to find her approached in such a manner&#13;
as Mrs. Tennant's.”&#13;
NATURE IN DOWNLAND, by W. H. Hadson (Longman,&#13;
108. 6d.), is described by Literature as "a guidebook in the&#13;
sense that it reveals to you not the most interesting spots&#13;
and the exact turnings to take in reaching them, but the&#13;
trae beauty of the Sussex Downs, and the charm of the&#13;
human and of the wild life which inhabits them.”&#13;
HIGHWAYS AND BYWAYS IN NORMANDY, by Percy&#13;
Doarmer, with illustrations by Joseph Pennell (Macmillan,&#13;
68.), leads the Daily Chronicle to say : “If not too soon to&#13;
think of summer holidays, here is a book to send the fancy&#13;
toward a very pleasant land of travel.” Literature says it&#13;
“ will take a high place” in Messrs. Macmillan's series of&#13;
guide books, while the Spectator advises "all travellers in&#13;
Normandy, and especially all cyclists,” to read Mr.&#13;
Dearmer's book before they leave England.&#13;
TALKS WITH OLD ENGLISH CRICKETERS, by A. W.&#13;
Pullin (" Old Ebor") (Blackwood, 68.), “is crammed with&#13;
matter of the greatest interest to all who take delight in&#13;
the game and the lore of cricket." Among the veterans&#13;
with whom the reader is able to talk familiarly are V. E.&#13;
Walker and Richard Daft.&#13;
TRAVELS IN ENGLAND, by Richard Le Gallienne&#13;
(Richards, 68.), is “peripatetic prose,” in the language of&#13;
the Daily Chronicle, which thanks the bicycle " for having&#13;
taken Mr. Le Gallienne on a roving tour through the green&#13;
places of England, odorous with the memory of sweet&#13;
names.” “Mr. Le Gallienne is peculiarly rich in suggestion,&#13;
and as a ' Voyage autour de ma chambre' may be more&#13;
interesting than a journey to the moon, so are these&#13;
desultory rides on a bicycle quite independent for their&#13;
interest of the ground covered.”&#13;
"A PEEP INTO Punch,” by J. Holt Schooling (Newnes,&#13;
58.), is the “Story of Punch, with illustrations by Himself."&#13;
* Altogether,” says the Spectator, “this is a delightfully&#13;
amusing book by one who knows his subject.” The Daily&#13;
Chronicle describes it as excellent for a lazy summer day.&#13;
· THE HOUSING QUESTION, by Alfred Smith, late&#13;
Chairman of the Housing Committee, L.C.C.(Swan Sonnen-&#13;
schein). “Mr. Smith,” says the Guardian, “writes as&#13;
an expert and with the authority of one. This little book&#13;
contains an admirably clear statement of all the aspects of&#13;
housing the poor so far as that question affects London ;&#13;
and, though other towns suffer from the evils of overcrowding,&#13;
London suffers from them to a degree and extent which no&#13;
other city can approach. The second section sets out in an&#13;
impressive form the vast dimensions which this evil has -&#13;
attained in London.”&#13;
LOVE AND MR. LEWISHAM, by H. G. Wells (Harper,&#13;
68.), will be considered by many, says the Daily Telegraph,&#13;
“the most fascinating piece of work he has done." Mr.&#13;
Wells portrays the life of the fifth-rate assistant master.&#13;
“It is wonderfully well done,” says the Daily Chronicle.&#13;
“The descriptive pages are charming, the dialogue real and&#13;
bright.” “The element of irresponsible gaiety which&#13;
animated “The Wheels of Chance,'” says the Spectator, “ is&#13;
here replaced by a more consistently serious outlook on the&#13;
struggle for existence that goes on in the humbler ranks of&#13;
the teaching profession.” “The bandful of vivid human&#13;
figures belong,” says Literature, “ to a great extent, to the&#13;
world of South Kensington students, and into that often&#13;
purposeless and sordid background Mr. Wells weaves the&#13;
poetry of life and the beauty of human love."&#13;
JAN OXBER, by Orme Agnas (Ward, Look, and Co.,&#13;
38. 6d.), is a series of stories dealing with West of&#13;
England villagers. Mr. Agous, says the Daily Telegraph,&#13;
“has achieved a remarkable task in reproducing not only&#13;
the superficial life of the west country village, but the actual&#13;
workings of the rustic mind. Jan Oxber is a very striking&#13;
oharacter, and his tragic story is told with unforced pathos&#13;
and unexaggerated truth.” The Spectator describes it as&#13;
Hvigorous," “ well told,” and “highly entertaining"; and&#13;
says that “the author is one of our ablest interpreters of&#13;
rural manners."&#13;
UNLEAVENED BREAD, by Robert Grant (Hutchinson, 68.),&#13;
is a portrait of a type of American woman. “ Viewed in&#13;
the light of a study of character, it would be difficult,” says&#13;
the Spectator, " to find a modern novel cleverer than · Un.&#13;
leavened Bread.'” The book is divided into three sections.&#13;
one for each of Selma's matrimonial experiments, so that,&#13;
says the Literary World, it is “ three moderately long stories&#13;
rather than a novel. It is well written, and the characters&#13;
succeed in making us accept them as reasonable human&#13;
beings.”&#13;
BLACK HEART AND WHITE HEART, and Other Stories,&#13;
by H. Rider Haggard (Longmans, 68.), are stories of Zulus&#13;
and Central Africa. The Daily Chronicle heads its notice&#13;
of the yolume : “Mr. Haggard in his True Vein.” “Black&#13;
Heart and White Heart," the tale from which the volume&#13;
takes its name, is, says the Spectator, “quite in Mr. Hag.&#13;
gard's most vigorous and effective manner."&#13;
THE ACCUSED PRINCESS, by Allen Upward (Pearson,&#13;
68.), belongs, in the opinion of Literature, "to the class con-&#13;
ventionally known as 'readable.'” . The author “makes a&#13;
&#13;
&#13;
## p. 40 (#62) ##############################################&#13;
&#13;
40&#13;
THE AUTHOR.&#13;
new departure, and follows in the footsteps of Sherlock&#13;
Holmes. His book relates the mystery of the ruby of&#13;
Bharani, one of the sacred stones of India and the property&#13;
of the British Crown. It tells how the gom was brought&#13;
over to Europe to be sold, and how it disappeared and was&#13;
subsequently recovered with the help of an English detec-&#13;
tive." The Daily Chronicle finds the story “good and&#13;
ingeniously worked-out.” “Mr. Upward's characters are&#13;
quite alive, and the accused princess quite charming."&#13;
THE CHICAMON STONE, by Clive Phillipps-Wolley (Smith,&#13;
Elder, and Co., 68.), " is much more than a story for boys,"&#13;
says the Spectator, “though by its wealth of incident and&#13;
is wealth of incident and&#13;
its crazy athleticism ... it will appeal with peculiar&#13;
force to the javenile reader. Mr. Phillipps-Wolley is a&#13;
poet as well as a sportsman; he has a keen sense of the&#13;
picturesque and the sinster, a happy knack of translating&#13;
his impressions into forcible and suggestive language, and a&#13;
most artistic touch in the portraiture of villains, whether&#13;
of the pale or red-skinned variety.” “It is a delightful&#13;
book of stirring adventure,” says the Pilot, “one of the&#13;
best we have read for some time. The scene is laid in&#13;
Alaska; the Chicamon Stone is a specimen of gold, and the&#13;
book tells of the efforts of several people to find the rock&#13;
from which the specimen was taken, and so to become&#13;
rich. There is no love-making, indeed, there is no woman&#13;
in the book; the interest of the wild rough life is the only&#13;
interest, but that is sufficient, for there is no want of peril&#13;
and of thrilling escapes.”&#13;
VOICES IN THE NIGHT, by Flora Annie Steel (Heine-&#13;
mann, 68.). “ We cannot better summarise our impressions&#13;
of this brilliant but unequal novel,” says the Spectator,&#13;
" than by saying we have been fascinated by the native or&#13;
bazaar portion of the story and bored by the Anglo-Indian&#13;
chapters."&#13;
A LADY OF THE REGENCY, by Mrs. Stepney Rawson&#13;
(Hutchinson, 68.), is described by the Pilot as "a very fine&#13;
historical picture by an excellent artist. Jane, the girl&#13;
whose love affairs, after a bad start, come at last to a happy&#13;
end, is the Lady of the Regency in question, but from first&#13;
to last Caroline of Brunswick is the real heroine. From the&#13;
moment the novel opens up with her playing 'blind man's&#13;
buff' in her house at Blackheath, or bidding her guests&#13;
* bite off the head of the sugar Prince of Wales,' her figure&#13;
is thrown on the canvas with masterly art."&#13;
his “Notes on Sport and Travel,” published a few&#13;
months ago. The news of Miss Kingsley's death&#13;
came as a great shock to her many friends in this&#13;
country. She was about thirty-five years of age.&#13;
MR. STEPHEN CRANE died at Baden-weiler,&#13;
Baden, on June 5, aged thirty years. Of his&#13;
work as author and war correspondent, the most&#13;
distinguished is “ The Red Badge of Courage,”&#13;
published four years ago. As a detailed study&#13;
(in the form of romance) of the development of&#13;
a raw recruit in the American Civil War under&#13;
the fire of the enemy, it was remarkable in that&#13;
the author had&#13;
the author had not up to that time had any real&#13;
experience of what he so realistically described.&#13;
Next in importance comes his “ The Open Boat,"&#13;
a sketch of the wreck of a filibuster on the&#13;
Florida coast. Mr. Crane also wrote verse. He&#13;
was in the Cuban campaign as a correspondent,&#13;
and before the illness which has cut him off he&#13;
was writing some sketches of his Army experi-&#13;
ences before Santiago. He was also to proceed&#13;
to St. Helena on a commission for a London&#13;
daily. A volume of short stories, which will&#13;
probably be called “Wounds in Rain," and a&#13;
novel of adventure are among his literary&#13;
remains.&#13;
The death-roll of the month also includes the&#13;
Rev. J. M. RODWELL, the Orientalist, who trans-&#13;
lated the Koran about forty years ago ; Mr. H. R.&#13;
FRANCIS (89), author of "Junius Revealed by his&#13;
Surviving Grandson,” and an authority on the&#13;
literature of angling; Mr. D. D. WELLS, the&#13;
young American novelist, author of “Her Lady-&#13;
ship's Leopard,” &amp;c.; and Dr. T. H. RAND (New&#13;
Brunswick), whose“ Treasury of Canadian Verse”&#13;
has lately been published by Messrs. Dent in this&#13;
country.&#13;
-&#13;
OBITUARY.&#13;
* THE AUTHOR.”&#13;
SCALE FOR ADVERTISEMENTS.&#13;
M HE death of Miss Mary KINGSLEY, the&#13;
distinguished African traveller, was&#13;
announced by a telegram from Cape Town&#13;
on June 4. She was on her way to West Africa&#13;
to study the fish fauna of the country. Daughter&#13;
of Dr. George Kingsley and niece of Charles and&#13;
Henry Kingsley, her name first gained prominence&#13;
three years ago with the publication of “ Travels&#13;
in West Africa, Congo Français, Corisco, and&#13;
Cameroons.” Her second volume, “South&#13;
African Studies," was published at the beginning&#13;
of last year, and eight months ago she wrote a&#13;
little volume on South Africa for the “Story of&#13;
the Empire” series. More recently she wrote&#13;
a memoir of her father for the volume of&#13;
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&#13;
&#13;
## p. 40 (#63) ##############################################&#13;
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