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            <text>XL he H u t b o r,&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. IX.—No. 6.] NOVEMBER i, 1898. [Price Sixpence.&#13;
For the Opinions expressed in papers that are&#13;
signed or initialled the Authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the&#13;
collective opinions of the Committee unless&#13;
they are officially signed by G. Herbert&#13;
Thring, Sec.&#13;
THE Secretary of the Society begs to give notice that all&#13;
remittances are acknowledged by retnrn of post, and&#13;
requests that all members not receiving an answer to&#13;
important communications within two days will write to him&#13;
without delay. All remittances should be crossed Union&#13;
Bank of London, Chancery-lane, or be sent by registered&#13;
letter only.&#13;
Communications and letters are invited by the Editor on&#13;
all subjects connected with literature, but on no other sub-&#13;
joots whatever. Articles which cannot be accepted are&#13;
returned if stamps for the purpose accompany the MSS.&#13;
GENERAL MEMORANDA.&#13;
FOB some years it has been the praotioe to insert, in&#13;
every number of The Author, certain " General Con-&#13;
siderations," Warnings, Notices, &amp;o., for the guidance&#13;
of the reader. It has been objected as regards these&#13;
warnings that the tricks or frauds against which they are&#13;
directed cannot all be guarded against, for obvious reasons.&#13;
It is, however, well that they should be borne in mind, and&#13;
if any publisher refuses a clause of precaution he simply&#13;
reveals his true character, and should be left to oarry on&#13;
his business in his own way.&#13;
Let us, however, draw up a few of the rules to be&#13;
observed in an agreement. There are three methods of&#13;
dealing with literary property:—&#13;
I. That of selling it outright.&#13;
This is in some respects the most satisfactory, if a proper&#13;
price can be obtained. But the transaction should be&#13;
managed by a competent agent.&#13;
II. A profit-sharing agreement.&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs: or by charging exchange advertise-&#13;
ments.&#13;
(3.) Not to allow a special charge for " office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor I&#13;
(7.) To stamp the agreement.&#13;
III. The royalty system.&#13;
In this system, which has opened the door to a most&#13;
amazing amount of overreaching and trading on the&#13;
author's ignorance, it is above all things necessary to know&#13;
what the proposed royalty means to both rides. It is now&#13;
possible for an author to ascertain approximately and very&#13;
nearly the truth. From time to time the very important&#13;
figures connected with royalties are published in The Author.&#13;
Readers can also work out the figures themselves from the&#13;
"Cost of Production." Let no one, not even the youngest&#13;
writer, sign a royalty agreement without finding out what&#13;
it gives the publisher as well as himself.&#13;
It has been objected that these precautions presuppose a&#13;
great success for the book, and that very few books indeed&#13;
attain to this great success. That is quite true : but there is&#13;
always this uncertainty of literary property that, although&#13;
the works of a great many authors carry with them no risk&#13;
at all, and although of a great many it is known within a few&#13;
copies what will be their minimum circulation, it is not&#13;
known what will be their maximum. Therefore every&#13;
author, for every book, should arrange on the chance of a&#13;
success which will not, probably, come at all; but which&#13;
may come.&#13;
The four points which the Society has always demanded&#13;
from the outset are:—&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a oommon law right, which cannot be denied or&#13;
withheld.&#13;
(3.) That there shall be no secret profits.&#13;
(4.) That nothing shall be charged which has not been&#13;
actually paid—for instance, that there shall be no charge for&#13;
advertisements in the publisher's own organs and none for&#13;
exchanged advertisements, and that all discounts shall be&#13;
duly entered.&#13;
If these points are carefully looked after, the author may&#13;
rest pretty well assured that he is in right hands. At the&#13;
same time he will do well to send his agreement to the&#13;
seoretary before he signs it.&#13;
&#13;
&#13;
## p. 126 (#138) ############################################&#13;
&#13;
i26 THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
i. LI VERY member has a right to ask for and to receive&#13;
ITi advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. If the advioe&#13;
sought is such as can be given best by a solicitor, the member&#13;
has a right to an opinion from the Society's solicitors. If the&#13;
case is such that Counsel's opinion is desirable, the Com-&#13;
mittee will obtain for him Counsel's opinion. All this&#13;
without any cost to the member.&#13;
2. Remember that questions connected with copyright&#13;
and publisher's agreements do not generally fall within the&#13;
experience of ordinary solicitors. Therefore, do not scruple&#13;
to use the Society first—our solicitors are continually&#13;
engaged upon such questions for us.&#13;
3. Send to the office copies of past agreements and past&#13;
accounts with the loan of the books represented. This is in&#13;
order to ascertain what has been the nature of your agree-&#13;
ments, and the results to author and publisher respectively&#13;
so far. The Secretary will always be glad to have any&#13;
agreements, new or old, for inspection and note. The infor-&#13;
mation thus obtained may prove invaluable.&#13;
4. If the examination of your previous business trans-&#13;
actions by the Secretary proves unfavourable, you should&#13;
take advice as to a change of publishers.&#13;
5. Before signing any agreement whatever, send the pro-&#13;
posed document to the Society for examination.&#13;
6. The Society is acquainted with the methods, and—in&#13;
the oase of fraudnlent houses—the tricks of every publish-&#13;
ing firm in the oountry.&#13;
7. Remember always that in belonging to the Society you&#13;
are fighting the battles of other writers, even if you are&#13;
reaping no benefit to yourself, and that you are advancing&#13;
the best interests of literature in promoting the indepen-&#13;
dence of the writer.&#13;
8. Send to the Editor of The Author notes of every-&#13;
thing important to literature that you may hear or meet&#13;
with.&#13;
9. The Committee have now arranged for the reception of&#13;
members' agreements and their preservation in a fireproof&#13;
safe. The agreements will, of coarse, be regarded as con-&#13;
fidential documents to be read only by the Secretary, who&#13;
will keep the key of the safe. The Sooiety now offers:—(1)&#13;
To read and advise npon agreements and publishers. (2) To&#13;
stamp agreements in readiness for a possible action upon&#13;
them. (3) To keep agreements. (4) To enforce payments&#13;
due according to agreements.&#13;
Communications for The Author should reach the Editor&#13;
not later than the 21st of each month.&#13;
All persons engaged in literary work of any kind,&#13;
whether members of the Society or not, are invited to&#13;
communicate to the Editor any points oonnected with their&#13;
work which it would be advisable in the general interest to&#13;
publish.&#13;
Members and others who wish their MSS. read are&#13;
requested not to send them to the Offioe without previously&#13;
communicating with the Secretary. The utmost practicable&#13;
despatch is aimed at, and MSS. are read in the order in&#13;
which they are received. It must also be distinctly under-&#13;
stood that the Society does not, under any circumstances,&#13;
undertake the publication of MSS.&#13;
The present location of the Authors' Club is at 3, White-&#13;
hall-court, Charing Cross. Address the Seoretary for&#13;
information, rules of admission, Ac.&#13;
Will members take the trouble to ascertain whether they&#13;
have paid their subscriptions for the year? If they will do&#13;
this, and remit the amount, if still unpaid, or a banker's&#13;
order, it will greatly assist the Secretary, and save him the&#13;
trouble of sending out a reminder&#13;
Members are most earnestly entreated to attend to the&#13;
following warning. It is a most foolish and may be a&#13;
most disastrous thing to enter into an agreement binding&#13;
for a term of years. Let them ask themselves if they&#13;
would give a solicitor the collection of their rents for&#13;
five years to come, whatever his conduct, whether ho&#13;
was honest or dishonest? Of course they would not.&#13;
Why then hesitate for a moment when they are asked to-&#13;
sign themselves into literary bondage for three or five&#13;
years?&#13;
"Those who possess the 'Cost of Production' are&#13;
requested to note that the cost of binding has advanced 15&#13;
per cent." This clause was inserted three or four years ago.&#13;
Estimates have, however, reoently been obtained which show&#13;
that the figures in the book may be relied on as nearly&#13;
oorrect: as near as is possible.&#13;
Some remarks have been made npon the amount charged&#13;
in the " Cost of Production" for advertising. Of course, we&#13;
have not included any sums which may be charged for&#13;
inserting advertisements in the publisher's own magazines,&#13;
or in other magazines by exchange. As agreements too&#13;
often go, there is nothing to prevent the publisher from&#13;
sweeping the whole profits of a book into hia own pocket,&#13;
by inserting any number of advertisements in his own&#13;
magazines, and by exchanging with others. Some there are&#13;
who call this a form of fraud; it is not known what those&#13;
who practise this method of a welling their own profits call it&#13;
NOTICES.&#13;
THE Editor of The Author begs to remind members of the&#13;
Society that, although the paper is sent to them free&#13;
of charge, the cost of producing it would be a very&#13;
heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Seoretary the modest&#13;
08. 6d. subscription for the year.&#13;
The Editor is always glad to receive short papers and&#13;
communications on all subjects connected with literature&#13;
from members and others. Nothing can do more good to&#13;
the Society than to make The Author complete, attractive,&#13;
and interesting. Will those who are willing to aid in this&#13;
work send their names and the special subjects on which&#13;
they are willing to write?&#13;
THE AUTHORS' CLUB.&#13;
ri^HE Directors have the pleasure to inform&#13;
I the members of the Authors' Society that&#13;
the new lease of the club premises has now&#13;
been settled, and that the additional rooms will&#13;
shortly be opened.&#13;
One obstacle to the prosperous development of&#13;
the club has been the comparatively limited&#13;
accommodation offered to members, and com-&#13;
plaints have been put forward from time to time&#13;
that it was impossible, for that reason, for&#13;
&#13;
&#13;
## p. 127 (#139) ############################################&#13;
&#13;
THE AUTHOR.&#13;
127&#13;
members to ask their friends to join. The new&#13;
large coffee room will give increased facilities for&#13;
dining, and the directors expect to see an&#13;
accession of new members to the club. They&#13;
feel assured, after the very cordial expression of&#13;
goodwill at the last general meeting, that in&#13;
taking over the new rooms they have adopted a&#13;
course which will receive the hearty support of&#13;
all the members, and which will be to the advan-&#13;
tage of the club.&#13;
G. Herbert Theing, Secretary.&#13;
LITERARY PROPERTY.&#13;
I. —A County Couet Decision.—Spicer v.&#13;
Nutt.&#13;
ON the 17th Oct., in the Westminster County&#13;
Court, Judge Lumley Smith, Q.C., and a&#13;
jury heard the case of Spicer v. Nutt, an&#13;
action brought by an Oxford clergyman against&#13;
a Strand publisher and bookseller, to recover&#13;
.£41 is. Sd., profits on the sale of a book called&#13;
"The Baba Log."&#13;
The defendant claimed £21 is. Sd. as a set-off,&#13;
and paid £20 into court.&#13;
The Rev. J. M. Macdonald, a missionary in&#13;
India, wrote the book, a work for children in&#13;
British India, and got the Rev. Mr. Spicer to&#13;
have it published. The plaintiff agreed to pay&#13;
Mr. Nutt. He did so for some editions, and&#13;
guaranteed to pay for any further editions Mr.&#13;
Macdonald ordered. Mr. Macdonald had a cor-&#13;
respondence with Mr. Nutt as to publishing a&#13;
cheaper edition for use in schools in India as a&#13;
text-book, and ordered eventually 500 copies as a&#13;
school edition. The plaintiff refused to pay the&#13;
loss on that edition, £21 is. Sd., as he only, he&#13;
said, guaranteed to pay for further editions of the&#13;
book as he saw it—the higher priced edition.&#13;
The defendant contended that the school edition&#13;
was precisely the same except the binding, and was&#13;
practically the same book.&#13;
The jury found for the plaintiff for the amount&#13;
claimed, and judgment was given accordingly with&#13;
costs.—Daily Graphic.&#13;
II. —Copyright in Holland and Germany.&#13;
The following, which we quote from our con-&#13;
temporary Das Jiecht der Feder, a German organ&#13;
for the protection of copyright, is probably of&#13;
greater interest to English authors than the&#13;
majority of them suspect. Not everyone has&#13;
noticed in how many Dutch newspapers the&#13;
feuilleton is a translation of an English novel.&#13;
The Netherlands Union for the Advancement&#13;
of the Bookselling Trade has, at its general&#13;
meeting, decided, by a majority of eighty-one to&#13;
forty, to take no steps in favour of the adhesion&#13;
of Holland to the Berne Union. Herr A. J.&#13;
Robbeen, a partisan of adhesion to the Union,&#13;
divides the opponents of that step into three&#13;
classes:&#13;
1. A few small printer-publishers who procure&#13;
translations of foreign novels, and print them to&#13;
keep their presses going. The cost of production&#13;
being inconsiderable, the smallest sales produce&#13;
some profit.&#13;
2. Editors of newspapers who wish to procure&#13;
feuilletons at starvation prices.&#13;
3. Theatrical speculators.&#13;
On the contrary—so Herr Robbeen asserts—&#13;
all Dutch authors, all the great publishers, and&#13;
all the educated public are in favour of adhesion.&#13;
This opinion of his is hardly supported by the&#13;
fact that a number of Dutch statesmen and&#13;
jurists have always declared themselves to be&#13;
opponents of international copyright. Amongst&#13;
these Dr. J. D. Veergens has, in his writings,&#13;
expressed the following opinions:&#13;
"I consider the exploded doctrine of so-called&#13;
intellectual property to be absolutely untenable.&#13;
"Translation is not piracy, but original work.&#13;
"An idea as soon as it is expressed is public&#13;
property.&#13;
"Holland has not joined the Berne Union,&#13;
first of all, because, in the interests of the&#13;
community, the Government was indisposed&#13;
to sacrifice the fundamental liberty of transla-&#13;
tion.&#13;
"To this liberty Holland must hold fast."&#13;
From these and some other principles of equity&#13;
adduced by Dr. Veergens, Dr. Robbeen deduces&#13;
the conclusion that, "according to Veergens,&#13;
copyright exists only in consequence of legal&#13;
enactment. Were there no legislation on the&#13;
subject there would be no right."&#13;
Dr. J. A. Levy, a former deputy, seconds Dr.&#13;
Veergens by saying: "Thought is the highest&#13;
expression of the intellectual faculty of man.&#13;
Thought exists in order to be disseminated. Only&#13;
dissemination can make it fruitful. In conse-&#13;
quence, any hindrance of its dissemination is an&#13;
unpardonable crime against the evolution of&#13;
humanity. For this reason no one any longer&#13;
speaks of literary property as a legal right. . .&#13;
One respects the rights of authors. But transla-&#13;
tion forms no part of an author's rights. . . .&#13;
The translator works in his own sphere of thought,&#13;
in his own world of imagination. Into that&#13;
sphere the original author does not enter: the&#13;
translator is absolute master. By what pretence,&#13;
by what shadow of right, can the translator's&#13;
&#13;
&#13;
## p. 128 (#140) ############################################&#13;
&#13;
THE AUTHOR.&#13;
intellectual labour be denied the quality of origi-&#13;
nality? No two translations are alike."&#13;
Das Recht der Feder remarks on these charm-&#13;
ing statements: "That the liberty defended by&#13;
these gentlemen is that of the highwayman has&#13;
entirely escaped their observation. And are the&#13;
highest nights of imagination those which they&#13;
have been so desirous to reproduce? Certainly&#13;
not. Only his own interests make the translator&#13;
a thief. The foulest pamphlet that delights the&#13;
herd is by far more precious to him than the most&#13;
important intellectual work, which pleases only a&#13;
few cultivated people. The former brings in, the&#13;
latter costs, money. Culture that takes money&#13;
out of his pocket? Not if he knows it! Multa-&#13;
tuli was right. There is a robber State between&#13;
East Friesland and the Scheldt. When will the&#13;
Dutch open their eyes to the fact that the protec-&#13;
tion of the rights of foreign authors is the best&#13;
protection of national production?"&#13;
The German Union of Authors ("Schrifts-&#13;
teller Verband") on the occasion of the annual&#13;
general meeting at Wiesbaden, in September,&#13;
turned its attention to the proposed revision of&#13;
the copyright law of the German Empire, and&#13;
passed several important resolutions :—&#13;
1. That this meeting expresses its satisfaction&#13;
at the prospect of a revision of the law.&#13;
2. That the meeting trusts that before the&#13;
projected law is placed in the statute-book it&#13;
may be submitted for public criticism.&#13;
3. That the union shall appoint a commission&#13;
to determine (after making general inquiries&#13;
ainongst authors) what are the particular points&#13;
which should be taken into consideration by the&#13;
new legislation, and to lay the results of its in-&#13;
quiries before the Legislature.&#13;
On the motion of Herr M. Hilde brand four&#13;
general propositions respecting the lines which&#13;
the new Legislature should take were also passed,&#13;
the second and fourth not without opposition :—&#13;
1. The passing of a single enactment, replacing&#13;
the imperial laws of June 11, 1870, and Jan. 9,&#13;
1876.&#13;
2. Protection of copyright irrespective of the&#13;
nationality of the author or original locality of&#13;
publication.&#13;
3. Reproduction of newspaper articles to be&#13;
piracy—if for pecuniary advantage, or in order to&#13;
avoid the expense of procuring independent&#13;
'information.&#13;
4. A tax—to be applied to benevolent insti-&#13;
tutions for authors — to be imposed upon all&#13;
works of which the copyright has lapsed.&#13;
In defence of his second proposition, Herr&#13;
Hildebrand pleaded that making a distinction&#13;
between authors of different nationalities pro-&#13;
duces in the mind of the public a confusion of&#13;
ideas respecting the nature of literary property.&#13;
In a civilised State, such as the German Empire,&#13;
a man ought not to be robbed because he happens&#13;
to be a Roumanian or a Greek.&#13;
Translation of an Article Reprinted from&#13;
"Hannover schen Courier" in "Das Recht der&#13;
Feder" No. 143, October 2, 1898, p. 156.&#13;
We may express the hope that it [the revision&#13;
of the German Copyright Law] will not result in&#13;
a mere recension intended to amend certain par-&#13;
ticulars in which the law of 1870 has been left&#13;
behind by subsequent international conventions,&#13;
but that the Government may show itself disposed&#13;
to favour more advanced wishes. For some time&#13;
past a tendency that certainly deserves respect,&#13;
has existed in the German literary world, or at&#13;
least in that section of it which concerns itself&#13;
about these copyright questions that so closely&#13;
affect literary men—it is much to be regretted&#13;
that more great names do not belong to that&#13;
section of the literary world. On this subject a&#13;
correspondent writes to us:&#13;
"Discerning authors have already availed them-&#13;
selves of the opportunity of discussing the revision&#13;
of the law at congresses. Our present copyright&#13;
law protects only the German author from un-&#13;
authorised reproduction. Foreign authors are&#13;
protected only in so far as conventions exist with&#13;
their respective States. Literary works produced&#13;
in States with which we have no such conventions&#13;
(for example Russia, Sweden, Denmark, Greece,&#13;
Turkey, and many others) can be translated or&#13;
reproduced amongst us without restrictions, and&#13;
vice versd. The wishes of literary circles, so far&#13;
as these have been expressed, now go so far as to&#13;
desire that the new law should protect all intel-&#13;
lectual productions from translation, reproduction,&#13;
dramatisation, performance, &amp;c., irrespective of&#13;
the country in which the author lives. This pro-&#13;
posal at first sight appears to result from taking&#13;
a purely idealistic point of view. The Russian&#13;
author will be protected in Germany, and the&#13;
German author will be absolutely unprotected in&#13;
Russia. Nevertheless, solid realities lie at the base&#13;
of the proposal. When we protect the foreign&#13;
author from being taken advantage of, we compel&#13;
the German publisher who desires to bring out a&#13;
foreign work to come to terms with the author.&#13;
The publisher will have to pay the author and&#13;
the translator, and, in consequence, the foreign&#13;
work will be made more expensive; for example,&#13;
the foreign novel, which at present plays so im-&#13;
portant a rile in our newspapers and elsewhere.&#13;
Under these circumstances only those foreign&#13;
&#13;
&#13;
## p. 129 (#141) ############################################&#13;
&#13;
THE AUTHOR.&#13;
works will be translated upon which it is worth&#13;
while to spend some money. The German author&#13;
will be liberated from the base competition of bad&#13;
translations of foreign mediocre works which are&#13;
practically mere poor imitations either of our own&#13;
or of French literature; and German intellectual&#13;
labour will consequently increase in both material&#13;
and ideal value, seeing that the German author,&#13;
liberated from the meanest competition, will be&#13;
able to emancipate himself from anenervating over-&#13;
production. The proof of the correctness of this&#13;
view is at hand. France has had a law of this&#13;
sort—ein solches Gesetz, but this statement seems&#13;
to require qualification—since 1852, and French&#13;
literature and French authors stand in the highest&#13;
estimation. Supposing that a few journalistic&#13;
pirates, in Russia or Holland or elsewhere, wrest&#13;
foreign literary productions to their own advan-&#13;
tage, they do so at the cost of the development of&#13;
their own literature, which cannot but be a gain&#13;
to us. It is to be anticipated also that this view&#13;
may be taken by the representatives of our&#13;
Government; for example. Privy Councillor&#13;
Reichard, of the Foreign Office—I am unable to&#13;
find the name of Reichard in the books of&#13;
reference at my disposal—on one occasion re-&#13;
marked at a conference on international negotia-&#13;
tions, 'Only the nation which has a strong copy-&#13;
right law can possess a literature.'"&#13;
The opinions here expressed certainly contain&#13;
much that is to the point. On the other hand, it&#13;
is not possible at once to set aside the considera-&#13;
tion that by this one-sided protection of literary&#13;
work we may be surrendering a weapon that might&#13;
compel foreign States to abstain from pirating&#13;
German literature.&#13;
Revision of the German Copyright Law.&#13;
Herr Hildebrand, president of the Deutscher&#13;
Schriftsteller Genossenschaft, in his excellent&#13;
journal, Das Recht der Feder, is making strong&#13;
protests against the constitution of the commis-&#13;
sion of experts entrusted with the preliminary&#13;
consultations respecting the very important pro-&#13;
ject of the revision of the German imperial&#13;
copyright law. "Nine publishers, but not a&#13;
single literary celebrity!" he exclaims, and not&#13;
without reason. Associated with the names of&#13;
imperial officials and legal authorities we find&#13;
those of Brockhaus, Mulbrecht, and Voigtlander,&#13;
of the musical booksellers Birkmeyer, Bock,&#13;
Strecher, also of Engelhorn (President of the&#13;
German booksellers' Borsenverein) and of Von&#13;
Hase (President of the Musical Booksellers'&#13;
Society). But literature is represented by Herr&#13;
Hildebrand himself alone, whilst, to quote his own&#13;
words, " the name of no single author of celebrity&#13;
vol.. rx.&#13;
appears on the list." He adds modestly: "That&#13;
the honourable enterprise of defending the rights&#13;
of authors against the interests of publishers&#13;
should have been left to me alone, appears to me&#13;
by n'o means a satisfactory arrangement." Mean-&#13;
while the protests of some of the trade journals&#13;
against his large-minded views of copyright draw&#13;
from him the strong remark " that certain pub-&#13;
lishers should be alarmed at the prospect of being&#13;
compelled to earn their bread honestly, and of&#13;
being prevented from stealing, is quite compre-&#13;
hensible." And in conclusion he adds: "What&#13;
the interests of authors are must be learned from&#13;
authors, not from their publishers," in which we&#13;
entirely agree with him&#13;
III.—The Pall Mall on Mr. Victor Spiees.&#13;
"There is a long letter in The Author this month&#13;
from Mr. Victor Spiers which raises an interesting&#13;
point in the relation between the publisher and the&#13;
writer of books. . . . Mr. Spiers has taken&#13;
to issuing his books through a distributing agent,&#13;
as, it appears, Miss Braddon does also, and his&#13;
reason for recommending that method is practi-&#13;
cally this: that you should not trust any man in&#13;
the dark. Suppose one publishes a book on the&#13;
royalty system; the publisher after a due period&#13;
says that so many copies have been sold and pays&#13;
accordingly. But, says Mr. Spiers, how do you&#13;
know how many copies have been sold? You&#13;
rely on the publisher's bare word, and that is&#13;
not businesslike. Mr. Spiers proposes as an&#13;
amendment to this practice that the printer&#13;
should take his orders from the publisher and the&#13;
author jointly, and should render his account to&#13;
both. But every publishing house would refuse&#13;
to accept such a clause in an agreement, and&#13;
would regard the proposal as a slur upon its&#13;
integrity. That is, of course, the case; and I think&#13;
that there is a good deal to be said against the&#13;
attitude adopted by publishers in this matter.&#13;
For, even if it be granted that nine publishers out&#13;
of ten are to be trusted implicitly, there is always&#13;
the tenth man to consider. If A., B., C, and D.,&#13;
whom I can trust blindfolded, do not want to&#13;
publish my book, how can I go to E. and say:&#13;
'The arrangement which I should be willing to&#13;
accept with A., B., C, or D., implies more confi-&#13;
dence in the publisher than I should be willing&#13;
to extend to you'? Thus the action of the&#13;
trustworthy houses throws temptation in the way&#13;
of those who are less honest. And it must be&#13;
remembered that publishers have no control over&#13;
members of their trade. A solicitor who has&#13;
defrauded his client may be struck off the rolls,&#13;
but a publisher cannot be. What Mr. Sp&#13;
calls ' the large, old and respected houses' would&#13;
P&#13;
&#13;
&#13;
## p. 130 (#142) ############################################&#13;
&#13;
THE AUTHOR.&#13;
have probably everything to gain by accepting&#13;
'a legal examination of accounts.' Once the&#13;
point was conceded in theory not one author in&#13;
twenty would care to pay the expenses of such an&#13;
inquiry."—Pall Mall Gazette, Oct. 8.&#13;
Mr. Victor Spiers has sent a second letter to&#13;
the Pall Mall Gazette. It contains a statement&#13;
of the greatest interest:&#13;
In my first letter I suggested a simpler alternative than&#13;
a legal audit of accounts : it was merely that into the agree-&#13;
ment should be inserted a clause to the effect that the&#13;
printer should print only upon receipt of an order bearing&#13;
the joint signature of author and publisher. Some of your&#13;
many readers may be interested to hear that a large Paris&#13;
house actually gives these very terms in its contracts; at&#13;
any rate, I have just heard that they have been given to&#13;
one author, who moreover has the stereos under his oontrol,&#13;
and actually has in his possession a few plates of one of&#13;
bis books. Nor is it likely that he is the only one thus&#13;
privileged. The general adoption of this clause would do&#13;
away with the unpleasant feeling that undoubtedly exists in&#13;
the minds of most authors, and that, undoubtedly again,&#13;
should not be permitted to exist in the relations between&#13;
honourable men.&#13;
Suspicion ought not to exist in the relations&#13;
between honourable men. That is true. It is&#13;
impossible to exist between honourable men.&#13;
But when we have two sides, one of whom, like&#13;
Mr. Spiers, demands nothing but honesty and the&#13;
ordinary proofs of honesty, and the other side&#13;
absolutely refuses these proofs, on which side&#13;
does honour lie? Let us remember that in the&#13;
famous " draft agreements'' there is not one word of&#13;
concession. Why, even the charge for advertise-&#13;
ments not paid for is left without a word of&#13;
remonstrance! .&#13;
IV.—A Question of Eight.&#13;
In the number of the Publishers' Circular&#13;
dated Oct. 8 a letter appeared, signed "A&#13;
Publisher." The writer begins with the usual&#13;
petty spitefulness about this Society. It appears&#13;
that we are not "representative." He then pro-&#13;
ceeds to state certain considerations, especially&#13;
that when cases are submitted to the Publishers'&#13;
Association or the Authors' Society, neither of&#13;
these bodies is pledged to secrecy. "Has either&#13;
publisher or author the right of referring a dis-&#13;
pute, including communication of all documents&#13;
bearing upon it, to the Publishers' Association or&#13;
to the Society of Authors without first obtaining&#13;
the consent of the other party; and, if he does so,&#13;
will an action for damages lie?"&#13;
His question in effect is: "Has an author or a&#13;
publisher the legal right of making public to his&#13;
association the terms of any dispute and the com-&#13;
munication of all documents bearing upon it?"&#13;
I write from the author's point of view.&#13;
An author has a certain property. He employs&#13;
an agent to administer that property on certain&#13;
terms. He subsequently has a dispute with that&#13;
agent. J£ he thinks it desirable he can refer the&#13;
dispute, with all papers concerning it, to any&#13;
person. In the case of referring it to the&#13;
Authors' Society he refers it to them as an Asso-&#13;
ciation which can be of valuable assistance in&#13;
defending him and his property. The same&#13;
remark would apply where the author sells the&#13;
copyright or his property outright to the pub-&#13;
lisher. Apart from this broad principle, how-&#13;
ever, an author refers to the Secretary of the&#13;
Society in the first instance as to a solicitor, and&#13;
receives advice from the Secretary as from a&#13;
solicitor, the Secretary holding all such communi-&#13;
cations in confidence. If, subsequently, owing to&#13;
the dispute not being satisfactorily settled, the&#13;
author desires the matter referred to the Com-&#13;
mittee, it is still treated in confidence as far as&#13;
the Committee are concerned. The author, how-&#13;
ever, has the right of putting his statement of&#13;
facts before anyone he may choose, whether the&#13;
Secretary of the Society, the Committee, or the&#13;
public.&#13;
The writer states as follows: "It is obvious&#13;
that neither body can be regarded naturally as an&#13;
arbitration tribunal." Such a remark is wholly&#13;
unnecessary, though in some cases, with the con-&#13;
sent of both parties, it might be advantageous to&#13;
accept the Authors' Society or their authorised&#13;
representative as an arbitrator. In three cases&#13;
that came before the Secretary last year when&#13;
matters were in dispute between author and pub-&#13;
lisher, and the issue was one that could be best&#13;
settled by arbitration, the publisher accepted the&#13;
settlement of the case on the basis proposed by&#13;
the Secretary and the Society's solicitors. That&#13;
such should be the case speaks very favourably&#13;
for the Society's fairness in cases of dispute and&#13;
to a recognition of the fact that while the Society&#13;
exists for its members it does not entertain any&#13;
desire to injure other people. The main gist of&#13;
the question, however, appears to be that the&#13;
"Publisher," whoever he may be, strongly&#13;
objects to have his own practices or those of his&#13;
brothers in trade made public. Q-. H. T.&#13;
V.—CONTKIBUTIONS TO MAGAZINES.&#13;
(From the Law Journal, by permission.)&#13;
Section 18 of the Copyright Act of 1842&#13;
(5 &amp; 6 Vict. c. 45) provides that, when the&#13;
proprietor or conductor of an encyclopaedia,&#13;
magazine, review, or periodical or serial work,&#13;
employs persons to compose articles, essays,&#13;
poems, or any portion of such works, the copy-&#13;
right of the articles, essays, &amp;c., shall vest in such&#13;
proprietor or conductor, provided that the articles&#13;
&#13;
&#13;
## p. 131 (#143) ############################################&#13;
&#13;
THE AUTHOR.&#13;
»3i&#13;
were composed " on the terms that the copyright&#13;
shall belong to such proprietor," &amp;c., and have&#13;
actually been paid for, and subject to a right on&#13;
the part of the composer to publish his composi-&#13;
tions in a separate form at the expiration of&#13;
twenty-eight years from the date of their first&#13;
appearance in the encyclopaedia, magazine, or&#13;
other work. Tor some years after the passing of&#13;
the Act it was a disputed question what was the&#13;
precise meaning of the words "on the terms that&#13;
the copyright shall belong to such proprietor,"&#13;
&lt;fec. Was it sufficient to show that there had&#13;
actually been payment for an article in order to&#13;
vest the copyright in it in the proprietor of the&#13;
magazine in which it appeared? Must there&#13;
have been an express agreement that the copy-&#13;
right should pass from the author to the pro-&#13;
prietor, or could a transfer be implied from&#13;
circumstances? In Sweet v. Benning (24 Law&#13;
J. Eep. C. P. 175; 16 C. B. 459) the Court of&#13;
Common Pleas held that the transfer of copyright&#13;
to the magazine proprietor might take place by&#13;
implication, as well as by express agreement.&#13;
"Where," said Chief Justice Jervis (24 Law J.&#13;
Eep. C. P. 179; 16 C. B. 480), "the proprietor&#13;
of a periodical employs a gentleman to write a&#13;
given article or a series of articles or reports,&#13;
expressly for the purpose of publication therein,&#13;
of necessity it is implied that the copyright of&#13;
the articles so expressly written for such periodical&#13;
and paid for by the proprietors and publishers&#13;
thereof, shall be the property of such proprietors&#13;
and publishers; otherwise, it might be that the&#13;
author might, the day after his article has been&#13;
published by the persons for whom he contracted to&#13;
write it, republish it in a separate form, or in&#13;
another serial, and there would be no corres-&#13;
pondent benefit to the original publishers for&#13;
the payment they had made." But the impli-&#13;
cation does not arise from the mere fact that&#13;
payment has been made for the article ( Walter&#13;
v. Howe, 50 Law J. Rep. Chanc. 621; L. R.&#13;
17 Chanc. Div.). The copyright was in the first&#13;
instance in the author, and it remains in him&#13;
except in so far as he can be shown to have&#13;
parted with it {Hereford v. Griffin, 17 Law J.&#13;
Rep. Chanc. 210; 16 Sim. 190; Smith v. John-&#13;
son, 33 Law J. Rep. Chanc. 137; 4 Giff. 632).&#13;
Under the existing law, therefore, the offer of&#13;
an article to the proprietors of a periodical will&#13;
not carry copyright even upon payment, if the&#13;
article has not actually been written in pursu-&#13;
ance of a previous arrangement, express or&#13;
implied. The section, in fact, is only applicable&#13;
when the author, before commencing to write,&#13;
has entered into an agreement with the maga-&#13;
zine proprietor in express terms, or in terms&#13;
which may be implied to have existed through&#13;
VOL. IX.&#13;
the subsequent action, relations, or behaviour of&#13;
the parties.&#13;
The two bills recently before Parliament, intro-&#13;
duced by Lords Herschell and Monkswell, made&#13;
the following proposals as to this class of litera-&#13;
ture. Unlike the Act of 1842, which treated&#13;
encyclopaedias and magazines in precisely the same&#13;
way, the present bills divide them into two classes&#13;
consisting of (1) encyclopaedias, dictionaries, and&#13;
similar collective works; (2) magazines, reviews,&#13;
and other periodicals.&#13;
In the first class the copyright in contributions&#13;
will belong to the owner of the compilation dur-&#13;
ing the entire period for which copyright will&#13;
exist, and he or his assigns will be the only&#13;
persons entitled to take action in case of an&#13;
infringement. If the author wishes to reserve&#13;
copyright to himself, he must enter into a special&#13;
written agreement to that effect. It is obvious&#13;
that this is a more favourable arrangement for&#13;
proprietors of collective works than exists in the&#13;
present state of the law, when at the latest, con-&#13;
tributors to such works are entitled to republish&#13;
their contributions in separate form at the end of&#13;
twenty years.&#13;
In the second class the copyright in contribu-&#13;
tions will remain in the authors; but, provided&#13;
that payment has been made by the owner of the&#13;
magazine, &amp;c., to which they are contributed, the&#13;
authors will not be at liberty to republish their&#13;
contributions in a separate form until the expira-&#13;
tion of three years from the date when they first&#13;
appeared (or three years from the end of the&#13;
year in which they first appeared, as Lord&#13;
Herschell's Bill proposes). Authors are, how-&#13;
ever, at liberty to register their contributions at&#13;
Stationers' Hall as separate publications imme-&#13;
diately on their appearance, and can then claim&#13;
damages for infringement of copyright although&#13;
the three years have not elapsed. As under the&#13;
existing law, the magazine proprieters will have&#13;
the sole right of publication in their magazines&#13;
(but not otherwise) during the entire subsistence&#13;
of the copyright. Here, again, the proprietors&#13;
will be somewhat more favourably placed than at&#13;
present, because they will be legally entitled to&#13;
prevent separate publication on the author's part&#13;
for the specified period of three years, whereas&#13;
the only check that at present exists upon&#13;
separate publication by an author on the day&#13;
after his article has appeared in a magazine is, in&#13;
the absence of a special stipulation, the im-&#13;
probability that he would see his signature at the&#13;
foot of any further contributions in the same&#13;
magazine. With most contributors this would,&#13;
no doubt, be a sufficiently powerful incentive to&#13;
refrain from any unfair dealing, but the new&#13;
proposal places the rights of the various parties&#13;
&#13;
&#13;
## p. 132 (#144) ############################################&#13;
&#13;
132&#13;
THE AUTHOR.&#13;
on a clearer and more settled basis than at&#13;
present, and is therefore desirable from every&#13;
point of view.&#13;
Under existing conditions it is not an unusual&#13;
course among authors, when submitting their&#13;
contributions for an editor's approval, to notify&#13;
their desire to reserve the copyright. As the law&#13;
stands, this would appear to be a work of supere-&#13;
rogation, but what will be necessary when the&#13;
provisions of these bills become law will be a&#13;
notification that the contributor desires to reserve&#13;
the right of republication before the statutory&#13;
three years, if such is the case. Probably, how-&#13;
ever, the majority of contributors will not object&#13;
to the practical relinquishment of their copyright&#13;
for a period which does not seem to be unreason-&#13;
ably long to duly safeguard the interests of the&#13;
owners of periodicals.&#13;
VI.—The Question of Overs.&#13;
This point has been raised before. It was&#13;
brought before the notice of the Secretary for the&#13;
first time by receiving a publisher's account, in&#13;
which the author was credited with the " overs."&#13;
In three editions of a thousand each they made a&#13;
considerable difference in the sum due to him.&#13;
Now it must be remarked that this is the only&#13;
account ever received at the office in which the&#13;
"overs " were so much as mentioned. If a pub-&#13;
lisher is asked about them, he says that they are&#13;
not worth mentioning, or that there are no&#13;
"overs," or that the "overs" were used up to&#13;
complete imperfect copies. He might, however,&#13;
just as well say that two or three copies, or two or&#13;
three dozen copies, are not worth mentioning.&#13;
Now, a certain authority states that publishers&#13;
expect from 5 to 10 per cent. of " overs." This&#13;
seems to mean that, on an edition of 1000, there&#13;
are fifty to 100 "overs," which seems too many.&#13;
On this subject some exact information is greatly&#13;
to be desired. If "overs" mean anything like&#13;
fifty in a thousand, then a monstrous system of&#13;
fraud has been practised, so far with absolute&#13;
impunity.&#13;
THE INTERNATIONAL PRESS CONGRESS&#13;
AT LISBON.&#13;
THREE years have elapsed since I had the&#13;
pleasure of writing upon the International&#13;
Press Congress in The Author. In Nov.,&#13;
1895,1 described the work done at Bordeaux,&#13;
where a goodly gathering of English were present;&#13;
but since then, owing to the action of the&#13;
Institute of Journalists, the English have taken&#13;
no part in this international work for the better-&#13;
ing of journalists. But this year, thanks to the&#13;
establishment of the "British International&#13;
Association of Journalists," with Miss G. B.&#13;
Stuart as the energetic secretary, and Mr. P. W.&#13;
Clayden as president, again English journalists&#13;
have had a voice at this important congress.&#13;
The meeting at Lisbon promised to be an&#13;
important and interesting one, and those of us&#13;
who were in Holland for the Queen's enthrone-&#13;
ment felt, perhaps, more than others the care of&#13;
the combined Dutch and Congress committees,&#13;
for we were pleasantly sent direct, on a well-found&#13;
Dutch East Indiaman, to Lisbon, where we were&#13;
received in state by the ex-Minister of Marine of&#13;
Portugal.&#13;
In this fascinating capital we met 396&#13;
journalists of eighteen nationalities, the French&#13;
predominating in numbers, and we soon found&#13;
the local committee had indeed done everything&#13;
for the "congressites." The blue "Carnet"&#13;
with the "Ordre du Jour," "Emploi du&#13;
Temps " we quickly found was a passe-partout in&#13;
Lisbon.&#13;
The solemn inauguration on Monday, the 26th&#13;
Sept., was a short but important ceremony,&#13;
H.M. the King of Portugal presiding, with the&#13;
Queen and Dom Alphonso Infanta on either hand,&#13;
the members of the Corps Diplomatique and the&#13;
Municipality of Lisbon ranging round their&#13;
Majesties.&#13;
The Great Hall of the Geographical Society&#13;
(the whole building being given over as a&#13;
club to the congressites) was filled with a&#13;
brilliant gathering of Portuguese, and when&#13;
M. Singer, the president of the Congress, rose&#13;
to give his opening address, the scene was im-&#13;
pressive.&#13;
The King replied in a happy impromtu,&#13;
referring to the fact that he had just presided at a&#13;
medical congress,a gathering of those who cared for&#13;
the body, whilst before him were those who cared&#13;
for and healed the mind. The cheers at the end&#13;
of the King's speech in every European tongue&#13;
were very cordial.&#13;
The English secured seats in the front at the&#13;
gangway, and near them were the Dutch, Scandi-&#13;
navian, and Polish contingents; the Germans&#13;
this year numbered thirty, Professor Koch, of&#13;
Heidelberg, presiding on the third day.&#13;
International Telegraphic Tariffs.&#13;
On Tuesday, at the first session, Mr. P. W.&#13;
Clayden was elected to the Central Bureau as&#13;
the English representative, and took his seat&#13;
on the platform after the reading of the secre-&#13;
tary's and treasurer's reports. The very im-&#13;
portant matter of international telegraphic tariffs&#13;
was brought forward by M. de Beraza, of Spain.&#13;
&#13;
&#13;
## p. 133 (#145) ############################################&#13;
&#13;
THE AUTHOR.&#13;
i33&#13;
For four years the Central Bureau, with M.&#13;
Beraza, has been working for a reduction iu the&#13;
tariff for international Press telegrams, and have&#13;
succeeded so far, that a convention has been&#13;
signed between France and Spain, and an arrange-&#13;
ment has been entered into between France and&#13;
Luxembourg. Other countries have been loth to&#13;
take the matter up. England was disposed to&#13;
accept an arrangement, and asked for further&#13;
information, and later on was inclined to agree&#13;
to a reduced tax during the night. A brisk&#13;
discussion arose on this report, the speakers&#13;
being Dr. Israel and M. Elont, of Holland;&#13;
M. Constant, of France; and S. Beraza, of&#13;
Spain; the writer hereof causing some amuse-&#13;
ment by pointing out that the telegraphic Press&#13;
rate to England was only 400 reis for 100&#13;
words, at the same time urging that the English&#13;
suggestion of a reduction during the night be&#13;
accepted as a step in advance. Finally it was&#13;
agreed that the committee of direction should&#13;
carry on their negotiations with the various&#13;
countries.&#13;
A little diversion was caused during this debate&#13;
by an English member demanding that, as in&#13;
all international congresses, the question to be&#13;
voted upon, and any amendments, or rdsumd&#13;
of any important speech, should be given in&#13;
English and German, if spoken in French. The&#13;
President (M. Singer) added his weight to this&#13;
suggestion, and it was agreed to, but only in one&#13;
or two cases acted upon.&#13;
The subject of an International Bureau for&#13;
Journalists was then brought forward by M.&#13;
Torelli-Viollier and M. Janzon. This bureau is&#13;
already at work, 431 journalists being inscribed&#13;
upon its roll; so that any editor can know at&#13;
once whom to apply to all over Europe for news,&#13;
upon any important event happening where he&#13;
has no correspondent.&#13;
. This ended the work of the first session, and in&#13;
the afternoon the "congressites" betook them-&#13;
selves by special train to that paradise Southey&#13;
has rapturously described—Cintra. The Moorish&#13;
palace of the King on its rocky height, with the&#13;
vast, glorious views of piled volcanic crag,&#13;
vintaged plain, and olive and palmed-clothed&#13;
vales, were long lingered over; but an al fresco&#13;
lunch in the grounds below, and some of the&#13;
vintage of the district, transformed sedate profes-&#13;
sors and aged journalists into jovial schoolboys&#13;
decorated with palms, and feathers, and flowers,&#13;
trophies of the feast. In the cool of the evening&#13;
the wondrously beautiful tropical gardens and&#13;
park of Monserrat were visited; and the drive&#13;
back beneath the soft light of the full moon,&#13;
beneath the arching trees, was a most delightful&#13;
experience.&#13;
The Reproduction op Articles.&#13;
At 9.30 on the next morning, with a full house,&#13;
the stormy question of the "Right of Reproduc-&#13;
tion of Political Articles " was introduced by M.&#13;
Albert Bataille. At Stockholm, in 1897, the&#13;
copyright of telegrams had been sustained, but,&#13;
in the interest of a free propaganda of ideas, this&#13;
question had been reserved for the Lisbon&#13;
Congress. M. Bataille's report was well worked&#13;
out, and gave rise to a most animated discussion.&#13;
Personally, I was much interested in this debate,&#13;
for on Jan. 15, 1891, at a meeting of the&#13;
Society of Authors, Sir F. Pollock in the chair,&#13;
I brought up the question of " Copyright in Lite-&#13;
rary Style in News Notes "; and in the Law&#13;
Journal of Jan. 24 Mr. J. M. Lely wrote a leader-&#13;
ette upon the subject. Here, from the report,&#13;
the thing I had spoken for seven years ago was&#13;
within measurable distance of becoming inter-&#13;
national law. M. Bataille urged that no article&#13;
should be printed without the consent of the author&#13;
or the journal, but this was combated strongly&#13;
by MM. Waalwijk and Elont, of Holland; and&#13;
a brilliant passage of arms occurred between M.&#13;
Constant and M. Bataille. I ventured to claim&#13;
copyright, not only for political and other articles,&#13;
but also for " notes," as so much journalism now&#13;
consists of "notes." Finally, after a warm dis-&#13;
cussion that never descended into chaos, as did&#13;
the discussion on this knotty question in Bor-&#13;
deaux, it was unanimously voted: "That, as far&#13;
as concerns the reproduction of articles, treating&#13;
of political, religious, economical, and social sub-&#13;
jects, the right of citation is recognised in the&#13;
superior interest of free discussion; but, in all&#13;
cases, the journal reproducing must quote the&#13;
name of the author and the journal from which&#13;
the article is taken." Mr. Warden, the secretary&#13;
to the English section, pointed out that few&#13;
English articles were signed, but the word&#13;
"author" was introduced into the motion, as, of&#13;
course, foreign articles are so usually signed.&#13;
The whole matter will now be prepared for the&#13;
Diplomatic Conference at Berlin, in 1901—that is,&#13;
preparatory to the completion of the Berne Con-&#13;
vention; and it is hoped that all literary news-&#13;
paper work, including "notes"—that I was&#13;
assured by the "rapporteurs" upon this matter&#13;
should not be overlooked—will become inter-&#13;
nationally copyright. There is already a clause&#13;
in Lord Monkswell's Bill partially to effect this in&#13;
England.&#13;
This was the most exciting debate of the&#13;
Congress, and it showed how the members had&#13;
advanced in self-control since the Bordeaux&#13;
meeting. Yet, as M. Bataille remarked to me&#13;
at the banquet in the Opera House, "we must&#13;
go on improving." A sense of satisfaction was&#13;
&#13;
&#13;
## p. 134 (#146) ############################################&#13;
&#13;
134&#13;
THE AUTHOR.&#13;
very widely expressed that an English contin-&#13;
gent was again present, and hopes uttered that&#13;
next year our numbers would be greater.&#13;
At the third session, the subject of profes-&#13;
sional education for journalists was brought up&#13;
by M. Bataille. Dr. Koch, of Heidelberg,&#13;
explained his course of lectures on journalism;&#13;
and a report was received that a school for&#13;
journalists was to be opened in the Figaro office.&#13;
On the question of an international tribunal of&#13;
arbitration, it was decided the Central Bureau&#13;
should be this tribunal; and it was also left to&#13;
the Bureau to take up the matter of cards of&#13;
identity to act as passports for journalists.&#13;
Altogether, in spite of a somewhat weak agenda,&#13;
good work was done, and many an international&#13;
friendship made that ought to work for good,&#13;
individually and collectively.&#13;
A Social Success.&#13;
Socially the Congress was an immense suc-&#13;
cess. The King and Queen held a special&#13;
reception at the Ajuda Palace on their joint&#13;
birthdays, that fell on Sept. 28, a brilliant&#13;
function that was succeeded by the birthday&#13;
levie in the Throne-room, at which I also had the&#13;
pleasure of being present. The gracious affa-&#13;
bility of the Queen and her majestic beauty&#13;
completely won the hearts of all the "con-&#13;
gressites"; and the Lisbon committee sought&#13;
every possible means to give pleasure to the&#13;
journalists. An excursion to the historic Thomar&#13;
and to Cascaes, with banquets and luncheons and&#13;
illuminations, and an exceptionally brilliant bull-&#13;
fight of the Portuguese type, that has none of&#13;
the brutal cruelty to the horses, gave the members&#13;
a good insight into Portuguese life. The send-&#13;
off to Oporto with luncheon en route at Pampil-&#13;
hosa, was a most hearty and enjoyable ending to&#13;
the Lisbon festivities, Oporto taking up the warm&#13;
hospitality in a most cordial and even bewilder-&#13;
ing fashion. Few who were there will forget the&#13;
rare charm and beauty of Lisbon, and the rich&#13;
nature and wild scenery of Portugal. After&#13;
the President, Councillor A. Ennes, the English&#13;
were especially indebted to Dr. M. Lima and&#13;
Sefiors Mendonca de Costa and Tavares, and, as&#13;
usual, the whole of the " congressites " owe much&#13;
to the indefatigable and courteous secretary, M.&#13;
Victor Taunays. The next Congress will be held&#13;
at Borne in 1899, Paris asserting its claim for&#13;
1900. James Baker.&#13;
NOTES AND NEWS.&#13;
THE Secretary has been instructed to ask the&#13;
Committee of the Publishers' Association&#13;
if they desire to reply to the strictures on&#13;
their Draft Agreements contained in the July&#13;
number of The Author. In reply they have-&#13;
expressed a desire to confer on the Draft Agree-&#13;
ments. The Committee of the Authors' Society&#13;
have refused to hold any conference on these&#13;
documents.&#13;
The Daily Chronicle (Oct. 18), in an article&#13;
naturally called for by the De Rougemont expo-&#13;
sure, spoke strongly of the gradual degenera-&#13;
tion of periodical literature. "The spread,"&#13;
it said, "of a certain education, the constant&#13;
cheapening of production, and the rapid expan-&#13;
sion of the means of distribution to all the&#13;
world, have substituted for a small and cultured&#13;
public an immense audience whom no man can&#13;
number, but who ask only to be amused. . . .&#13;
With this movement there is combined another&#13;
to the full as parlous, unless some better influences&#13;
can overrule it. That is the astounding expansion&#13;
of advertisements. The moment a cheap sheet of&#13;
any sort can achieve a circulation counted in&#13;
five or six figures, advertisers compete for the&#13;
spare pages and its covers. For the word " sub-&#13;
stituted " in the above, I would read "added."'&#13;
The second part of this complaint seems inevit-&#13;
able. As soon as a sheet arrives at an immense&#13;
circulation, it naturally attracts advertisers, who-&#13;
will pay largely for the use of the spare pages.&#13;
This is an inconvenience that we shall nave to put&#13;
up with. As regards the first part it is most true&#13;
and most lamentable that there are millions of&#13;
people who only read for sensation—to laugh, or to-&#13;
shudder, or to while away the time. But, again,&#13;
what does this mean? It means, I believe, a certain&#13;
stage of intellectual development: all these multi-&#13;
tudes have arrived at those lower levels of mental&#13;
activity when the brain likes to be occupied but&#13;
has not yet arrived at the power of continuous&#13;
attention. It must be fed with comic scraps, with&#13;
little bits of useless information, with short&#13;
stories. It is a stage through which the better&#13;
sort quickly pass, but it is always receiving new&#13;
comers. We ought not to deride this condition,&#13;
of mind any more than we deride children who run&#13;
about shouting. i3-r,&#13;
There is, however, one person who is respon-&#13;
sible for the growing degradation. It is the&#13;
editor of those sheets which appeal to the popular&#13;
taste and make no attempt at leading or improv-&#13;
ing it. The ideal editor is the man who under-&#13;
stands how to guide and lead while lie. seems to.&#13;
&#13;
&#13;
## p. 135 (#147) ############################################&#13;
&#13;
THE AUTHOR.&#13;
i35&#13;
follow. The mischievous editor is the man who&#13;
picks out what is worst and lowest in his readers&#13;
and panders to that taste. There are at this&#13;
moment half a dozen journals which between&#13;
them have a circulation of millions. What will&#13;
the editors do with these papers? Will they&#13;
endeavour to impart to their readers, little by&#13;
little, literary taste and literary culture? They&#13;
can do it: the thing is possible: but the public&#13;
will not by itself " create," as the Daily Chronicle&#13;
asks, "an opinion in favour of work that will&#13;
keep sweet the wells of their delight in the great&#13;
Art of Letters." , ,&#13;
One more point from this article—it is not&#13;
often that one finds so much to say on a leader.&#13;
The writer says," Time was when the magazine was&#13;
an instalment of current literary work, addressed&#13;
by writers who were able and entitled to write to&#13;
a public which was able to criticise." Yes, but&#13;
that public has not disappeared: it remains as&#13;
strong and as large as ever. Its old magazines&#13;
are not swamped by those which circulate by&#13;
the million: they still flourish and lead and&#13;
teach. The Nineteenth Century: the Contempo-&#13;
rary: the Fortnightly: the National: the&#13;
Quarterly: the Edinburgh: the Athenseum: the&#13;
Academy: Literature; none of these organs&#13;
address the uncultivated class: none of these are&#13;
bought to while away an hour: and they have&#13;
not, I believe, gone down in circulation while&#13;
they have kept their old character. The surging&#13;
millions around us cannot influence these papers&#13;
nor can they influence their readers. What they&#13;
have always done, they still continue to do.&#13;
There is no hope that they will circulate among&#13;
this multitude of imperfect mental development.&#13;
In a word, the higher magazine is not sinking&#13;
down: there is no sign of decay or deterioration&#13;
in its tone or in its style. It remains to be seen&#13;
whether the lower kind of magazine is capable of&#13;
rising.&#13;
LITEBARY PUPIL required by Editor of well-known&#13;
London Magazine, resident in fashionable seaside&#13;
town; young Lady or Gentleman with literary tastes&#13;
preferred; a year's apprenticeship ; premium 100 guineas;&#13;
salary jgi a week; good referenoes essential.—Address, in&#13;
first instance,&#13;
It is not surprising that one who undertakes to&#13;
teach the art of writing, which is useful for the&#13;
production of literature, should express a prefer-&#13;
ence for a pupil with literary tastes. Is it&#13;
possible, however, to open the door of the literary&#13;
life by any teaching? Here, as in other questions&#13;
of the kind that come before us, we must distin-&#13;
guish. It is no more possible to turn any casual&#13;
person into a man or woman of letters than it is&#13;
to make him understand, against his powers of&#13;
mind, the Integral Calculus. Given, however, the&#13;
natural aptitude, then a certain amount of judi-&#13;
cious instruction might possibly save many disap-&#13;
pointments, and put a young man in the right&#13;
way. What is offered in this advertisement is too&#13;
vague for any practical purpose. The advertiser&#13;
has certainly not taken lessons in the art of&#13;
writing advertisements, which is a distinct branch&#13;
of the literary profession. First, the young&#13;
person is to pay ,£105 down. That is a serious&#13;
haul. Next, he is to receive a pound a week. To&#13;
begin with? To last how long? In return for&#13;
what duties? Is he to board with the advertiser?&#13;
If not, is he to reside in the same fashionable sea-&#13;
side town? What is to be the curriculum&#13;
of study? What are the advertiser's qualifica-&#13;
tions for the task? What is his literary&#13;
baggage? Has he ever had a literary pupil&#13;
before? If so, does that literary pupil now touch&#13;
the stars? And, above all, we repeat—what&#13;
about that pound a week? When does it begin?&#13;
When will it end? And, lastly, what is it for?&#13;
In another column is noticed, by Mr. Thring, a&#13;
letter from the Publisliers' Circular. I have&#13;
only one thing to add—viz., the animus discovered&#13;
towards the Authors' Society. It is a body, says the&#13;
writer, which "lacks any representative character."&#13;
One would like to know what this ingenuous sniffer&#13;
means by a "representative " character '( What&#13;
is it? What constitutes " representative charac-&#13;
ter "? The Society has between 1400 and&#13;
1500 members. Has this publisher seen their&#13;
names? He certainly has not. How does he&#13;
know them? But there are the names on the&#13;
Council: are not these names sufficiently repre-&#13;
sentative? There are among them leading names&#13;
of statesmen, historians, poets, artists, lawyers,&#13;
scientific men, musicians, educational men,&#13;
novelists, dramatists, journalists, antiquaries,&#13;
essayists, and travellers. What more is wanted to&#13;
make it a representative body? As for the ques-&#13;
tion asked, Mr. Thring has sufficiently answered&#13;
it in his paper. The publisher quoted actually&#13;
disputes the right of any person, in any quarrel, to&#13;
refer the subject to any other person he chooses,&#13;
with all the documents connected with it: and&#13;
especially the right of referring a question, with&#13;
all the documents connected with it, to a solicitor&#13;
—to any solicitor he chooses, whether to Mr.&#13;
Thring, or to the other solicitors to the Society,&#13;
Messrs. Field, Roscoe, and Emery. Certainly&#13;
we should be quite prepared to defend any action&#13;
brought by any publisher, or company of pub-&#13;
lishers, against ourselves for receiving and ad-&#13;
vising upon any documents whatever connected&#13;
with literary property. But the letter-looks as if&#13;
the publisher had just seen an unfortunate&#13;
author, and heard from him (or her) that he (or&#13;
&#13;
&#13;
## p. 136 (#148) ############################################&#13;
&#13;
i.36 THE AUTHOR.&#13;
she) was going to take all the documents to the&#13;
Society. And although, which is quite true, the&#13;
Seen tary points out that both the Committee and&#13;
himself are bound to secresy, the Committee&#13;
may, if they please, and if the author allows,&#13;
publish the whole case. It would then be open&#13;
to the poor ill-used publisher to take any action&#13;
he chose. .&#13;
In another column will be found an extract&#13;
from the Library World, the organ of libraries.&#13;
The writer complains of the cramped condition of&#13;
English free libraries owing to the limitation&#13;
clause as to the rate. I confess that I have small&#13;
sympathy with the complaint, for these reasons.&#13;
First, I do not think that a free library ought to&#13;
be expected to furnish all the new books, or even&#13;
all the best new books to its readers. Even at the&#13;
London Library, for which the members pay&#13;
three pounds a year subscription, we frequently&#13;
wait some months for certain new books greatly&#13;
in demand. But if the library goes on adding&#13;
every year only a hundred pounds' worth of&#13;
books, many of them cheap and second hand, it&#13;
will before long have alibrary equal to any demands&#13;
likely to be made upon it. As regards the&#13;
limitation clause, one or two London districts have&#13;
endeavoured to get it raised. The action terrifies&#13;
the ratepayer, to whom an extra penny in the&#13;
pound means an additional burden. People in&#13;
easy circumstances do not understand what the&#13;
extra penny may mean to a struggling shop-&#13;
keeper who must consider every sixpence. I am&#13;
persuaded that it is the fear of this increase&#13;
which has hitherto defeated all attempts made&#13;
to get a free library in Islington and Marylebone.&#13;
Let us do all we can with the penny rate and get&#13;
as many libraries as we can. Could not the&#13;
librarians, where the library is cramped, make&#13;
a list of books wanted and send it round among&#13;
the more wealthy classes?&#13;
Mr. Andrew Lang has been complaining that&#13;
"the world is fundamentally hostile to litera-&#13;
ture ": that it hates to spend money on books.&#13;
And then he has a gibe at The Author as&#13;
follows:—&#13;
The spirit of these remarks I find rebuked whenever I&#13;
torn from literature to authorship and study The Author.&#13;
In that great commercial organ, among the most eloquent&#13;
remarks on discount, I seem to find traces of optimism,&#13;
traces of belief in a great literary public. I do not believe&#13;
in any such thing, even if some novels, at 6s., find a market&#13;
for 100,000 copies. Even that (considering how bad most&#13;
of these books are, how ignorant, coarse, emphatic, and&#13;
illiterate) is relatively a very small demand. Think of the&#13;
millions of England, and think of how many of them buy a&#13;
book, say, of an author who is a man of genius, and&#13;
"popular," Mr. Kipling or Mr. Stevenson. What a&#13;
beggarly account! As for those who read Marlowe, or&#13;
Montaigne, they are the tiniest of remnants.&#13;
It is pleasing to find that he does read The&#13;
Author. It is the business of the paper to dis-&#13;
course upon discounts and everything else which&#13;
may concern the management of Literary Pro-&#13;
perty. Those who are not interested in the sub-&#13;
ject are not expected to read the paper at all. Ab&#13;
regards the " optimism," my own opinion of the&#13;
subject is utterly different from that of Mr. Lang.&#13;
It is based upon a study of the actual facts,&#13;
which are, briefly, these :—&#13;
(1) The question of money:&#13;
The vast mass of the people simply have no&#13;
money to buy books at the price at which they&#13;
are issued, say from 2*. 6d. upwards. How can&#13;
a working man on 30*. a week spend 10s. in&#13;
buying a book? How many books of 4*. 6d.&#13;
can he buy in a year? In fact, he never buys a&#13;
book at all. To get at the class of book-buyers&#13;
eliminate a vast majority of the people. What&#13;
about the remainder, which means about two and&#13;
a half millions, or 400,000 families? It is for&#13;
these 400,000 that all our books are published.&#13;
And I do think that if a book is bought by a&#13;
quarter of these families, and borrowed by the&#13;
other three-quarters, it is as much as any one can&#13;
expect.&#13;
2. The use of the free libraries:&#13;
The working man reads books, though he does&#13;
not buy them. He goes in multitudes to the free&#13;
libraries, where the librarians' lists show that he&#13;
makes a very good choice of books.&#13;
3. The wide purchase of cheap books:&#13;
Whenever a good popular book —" Lorna&#13;
Doone," for instance—is issued at sixpence it is&#13;
bought by the hundred thousand.&#13;
There is a so-called "library," containing&#13;
many excellent books, which is printed on vile&#13;
paper and sold at less than sixpence. This&#13;
"library " has sold by millions.&#13;
For these reasons I say that the people do&#13;
read books: that they do buy them when they&#13;
can afford it: and that their choice in the free&#13;
libraries is on the whole sound. Of course it&#13;
would be easy to pick out certain books and hold&#13;
them up to derision as popular favourites. They&#13;
may be favourites for a season: but they quickly&#13;
die and are forgotten. Walter Besant.&#13;
THE LIBRAEY AND THE LIMITATION&#13;
CLAUSE.&#13;
IT is perfectly certain that the cramped and&#13;
poverty-stricken condition of English&#13;
libraries, brought about by a grudging&#13;
Parliamentary limitation, has prevented, or at&#13;
&#13;
&#13;
## p. 137 (#149) ############################################&#13;
&#13;
THE AUTHOR.&#13;
i37&#13;
least postponed, the progress and development of&#13;
these institutions to a great extent. When we&#13;
contemplate what has been accomplished on the&#13;
meagre income doled out to libraries, we marvel&#13;
at the high measure of efficiency and degree of&#13;
success attained. But when we look a little&#13;
closer and consider what could be done with&#13;
sufficient means, and what ought to be done to&#13;
give public libraries their maximum value, it is&#13;
soon borne in upon us that the most popular&#13;
library in the country does little more than just&#13;
touch the fringe of its area of work and useful-&#13;
ness. According to the statistics carefully col-&#13;
lected by the Government of the country, about&#13;
60 per cent. of the inhabitants of any town are&#13;
possible users of public libraries. That is to say,&#13;
60 in every 100 of population are between the&#13;
ages of ten and sixty, with a fair allowance for&#13;
illiterates. But suppose we knock off other&#13;
10 per cent. as a further allowance on account of&#13;
children under twelve and illiterates or weaklings&#13;
of all ages, we still get 50 per cent. of readers who&#13;
are capable of using a library. How, then, does it&#13;
happen that not a single town in the country has&#13;
even 25 per cent. of its population enrolled as&#13;
borrowers, while a majority of places can only&#13;
boast of from 5 to 10 per cent.? The reason is&#13;
not far to seek. Owing to the starvling income&#13;
aforesaid, few libraries can afford to buy more&#13;
than one copy of a popular newspaper or maga-&#13;
zine, or one or two copies of a popular book at a&#13;
time. And what is the use of a single copy of a&#13;
popular book among 10,000 possible borrowers,&#13;
or of one solitary copy of a very popular illus-&#13;
trated journal among 50,000 possible readers?&#13;
Has anyone ever imagined what would take place&#13;
in a town of 100,000 inhabitants supposing every&#13;
possible reader availed himself of his right to use&#13;
the library? According to our computation&#13;
there would be 50,000 persons anxious to be&#13;
served with the latest books and journals on&#13;
topics of the day, and to do this effectually would&#13;
Tequire not one, but five large libraries with&#13;
huge news rooms attached and stocks of not less&#13;
than 20,000 volumes each. Instead of this, all&#13;
that a town of this size can generally do for&#13;
itself is to provide 20,000 or 30,000 volumes, 300&#13;
journals and magazines, and seats for 200 or 250&#13;
readers! For every reader or borrower who uses&#13;
a public library, at least two others decline to&#13;
come because they cannot obtain what they want&#13;
and will not trouble to wait. Again, no public&#13;
library can reach the poorer classes because it will&#13;
not, and cannot afford to, seek them out and bring&#13;
literature to their very doors. We have thrown&#13;
out these thoughts in the hope that they may&#13;
suggest to librariaus the connection between&#13;
extension of work and increase of income, and the&#13;
necessity which exists for agitation, in order to&#13;
receive such a recognition as will make it possible&#13;
for libraries to double, if not quadruple, their&#13;
present volume of work and usefulness.—From&#13;
the Library World.&#13;
REEVE, OF THE "EDINBURGH." *&#13;
TO have edited the Edinburgh Review for&#13;
forty years is an experience which could&#13;
not fail to be guarantee of an interesting&#13;
history, and the Memoirs of Henry Reeve, which&#13;
have just been published by Professor Laughton,&#13;
possess, doubtless, considerable value for the&#13;
literary aud the political observers of the period.&#13;
Political, for Henry Reeve at the age of twenty-&#13;
five was introduced to official life by being&#13;
appointed, through the influence of Lord Lans-&#13;
downe, to the Clerkship of Appeals; he became&#13;
a great political journalist, on terms of inti-&#13;
macy with Cabinet Ministers and Princes, abroad&#13;
as well as at home, and receiving those confidences&#13;
which exalted personages impart only to such as&#13;
do not fail to command an excellent discretion.&#13;
After a long connection with the Times, Eeeve&#13;
in 1855 succeeded Sir George Cornewall Lewis in&#13;
the editorship of the Edinburgh Review, and&#13;
served it, as we have said, for forty years. The&#13;
Author is not a review; and we do not attempt&#13;
to review these volumes, but merely to record, as&#13;
far as our space will afford, a few of the literary&#13;
incidents contained in them.&#13;
Born at Norwich in 1813, Reeve as a mere lad&#13;
enjoyed the society of great men. "It often&#13;
occurred even to himself," we are told, " that&#13;
there was something unusual and extraordinary&#13;
in a lad of eighteen or twenty, or even of twenty-&#13;
four, with no particular advantage of birth,&#13;
associating familiarly with men of European&#13;
reputation, Ambassadors, Ministers of State,&#13;
poets, painters, or musicians." In his twenty-&#13;
second year he was in Paris, and frequently met&#13;
Thackeray there. Writing from Paris in January,&#13;
1835, Reeve says:—"Thackeray is flourishing,&#13;
and after the opera we took tea, and had a long&#13;
talk of the doings of French artists. He com-&#13;
plains of the impurity of their ideas, and of the&#13;
jargon of a corrupt life, which they so unwisely&#13;
admit into their painting rooms." Again in&#13;
1836 Reeve writes from Paris to his mother:—&#13;
I continue to see the Macaulays a good deal. The girls&#13;
are dreadfully like Tom Babington, and very amusing from&#13;
* " Memoirs of the Life and Correspondence of Henry&#13;
Eeeve, C.B., D.C.L." By John Knox Laughton, ALA&#13;
Two voIb. Longmans, Green, and Co. 28*.&#13;
&#13;
&#13;
## p. 138 (#150) ############################################&#13;
&#13;
THE AUTHOR.&#13;
a mixture of saintship and politios, ignorance of the world,&#13;
and knowledge of Parliament. ... I have seen a good deal&#13;
of Thaokeray this last week. That excellent and faoetious&#13;
being is at the present moment editing an English paper&#13;
here, in opposition to Galignani's. Bat, what is more&#13;
ominous, he has fallen in love, and talks of being married in&#13;
less than twenty years. What is there so affecting as&#13;
matrimony? I dined yesterday with his objeot, who is a&#13;
nice, simple, girlish girl—a niece of that old Colonel Shawe&#13;
whom one always meets at the Sterlings'.&#13;
Professor Laughton says that the statement&#13;
about Thackeray editing an English paper" seems&#13;
to be a mistake." Reeve visited Balzac, too, in&#13;
those days—January, 1835—and was extraordi-&#13;
narily impressed:—&#13;
Such a singular contrast of profound philosophy—more of&#13;
intuition than of analysis—combined with the variety and&#13;
prodigality of an Eastern story-teller, expressed in a oopious&#13;
and brilliant language, frequently degenerating into the&#13;
violence or rising into the ostentation of positive insanity, I&#13;
have never met with. Balzac was seated in an elegant&#13;
apartment, situated at the very extremity of this side of&#13;
Paris, which he took because from some whim or strange&#13;
reason the house is called " La Fabrique de l'Absolu." To&#13;
this Fabrique we found our way, and, at the end of a long,&#13;
low room, as it were, between a study and a boudoir, we&#13;
found the Magician himself, ■urrounded by proofs and&#13;
manuscripts, which he was correcting and composing with a&#13;
rapidity that sets all the printers of Paris at naught. He&#13;
talked chiefly of himself, with the most boisterous and&#13;
fantastical self-acclamation, for it was more than approba-&#13;
tion. . . .&#13;
There are many glimpses of famous people&#13;
up and down these volumes. Of Sydney Smith,&#13;
for instance, we have the following anecdote:—&#13;
We got Sydney on the overpowering topio of Macaulay.&#13;
Macaulay is laying waste society with his waterspout of&#13;
talk; people in his company burst for want of an oppor-&#13;
tunity of dropping in a word; he confounds soliloquy and&#13;
colloquy. Nothing oould equal my diversion at seeing&#13;
T. B. M. go to the Counoil tie other day in a fine laced&#13;
coat, neat green bodied glass chariot, and a feather in his&#13;
hat. Sydney S. had said to Lord Melbourne that Macaulay&#13;
was a book in breeches. Lord M. told the Queen; bo when-&#13;
ever she sees her new Secretary of Wax, she goes into fits&#13;
of laughter. I said that the worst feature in Maoaulay's&#13;
character was his appalling memory; he haa a weapon more&#13;
than anyone else in the world's tournament. "Aye,&#13;
indeed," s&amp;id S. S.," why, he could repeat the whole History&#13;
of the Virtuous Blue Coat Boy, in three vols., post 8vo,&#13;
without a slip. He should take two tablespoonfuls of the&#13;
waters of Lethe every morning to oorreot his retentive&#13;
powers."&#13;
Bulwer Lytton, Landor, Macaulay, and&#13;
Sheridan Knowles are names that occur fre-&#13;
quently in the memoirs. "Dinner at Proctor's&#13;
with Harriet Martineau, Carlyle and his wife,&#13;
Thackeray, and Kinglake "—is one of the entries in&#13;
Reeve's diary. "Carlyle was so offensive I never&#13;
made it up with him." The circumstances of the&#13;
breach with Carlyle are not related, but it is&#13;
known to have occurred through Carlyle remark-&#13;
ing softly, when Reeve had the temerity to differ&#13;
with him in discussion, "You're a puir creature,&#13;
you're a puir creature." Of Landor this 1&#13;
related:—&#13;
Landor, you know, is quite as vain of not being read as&#13;
Bulwer is of being the most popular writer of the day.&#13;
Nothing can equal the contempt with which he treats any-&#13;
body who has more than six readers and three admirers,&#13;
unless it be that saying of Hegel's, when he declared that&#13;
nobody understood his writings but himself, and that not&#13;
always.&#13;
Reeve was perfectly sensible of his own value.&#13;
In his fifteen years' connection with the Timet&#13;
(1840-1855), he tells us, he wrote about 2482&#13;
full-paid articles, and received upwards of&#13;
£13,000 for them. "Its circulation rose in fifteen&#13;
years, from about 13,000 when I joined it to&#13;
62,000 when I left it, and although I do not&#13;
take to myself any peculiar share in this result,&#13;
for many other contributors wrote as well as I&#13;
did, and the editor was usually judicious and&#13;
always active, yet I doubt whether any other&#13;
writer had occasion to do as much." And on a&#13;
subsequent occasion he wrote: "The Review&#13;
suffers when I am too busy to write in it." There&#13;
is much of interest in these volumes regarding the&#13;
publication of the memoirs of Greville, for whom&#13;
Reeve was, of course, literary trustee. Journal-&#13;
ist of the old school, and holding in high regard&#13;
the moral responsibility of the journalist, Reeve&#13;
was opposed to anything in the nature of "log-&#13;
rolling," and on that ground was a firm believer&#13;
in anonymity. Writing to Mr. T. N. Longman&#13;
on Dec. 26, 1891, he says:—&#13;
I thought it best to tell Froude frankly that the review of&#13;
his book (" The Divorce of Catharine of Aragon ") in the&#13;
Edinburgh would be an unfavourable one. At the same&#13;
time I disclaimed in the strongest language any disposition&#13;
to make a personal attack on himself. Unfortunately he&#13;
seems to ascribe adverse criticism of his works to personal&#13;
animosity, which, in his case, is entirely wanting.&#13;
It is a painful necessity. Froude and his book are too&#13;
important to be passed over in silence. But the judicial&#13;
character and consistency, and I may say honour, of the&#13;
Review absolutely require that the truth should be told&#13;
about the book. I should consider it a derogation to my&#13;
duty to the Review if, from personal motives or affection, I&#13;
suppressed an adverse criticism of a work which impera-&#13;
tively demands an answer. ... I have modified as far&#13;
as possible any expressions which appeared to be of too&#13;
censorious a character; but it is impossible to avoid&#13;
condemning a mistaken book because the author is a per-&#13;
sonal friend. Judex damnatur si nocens absolvitur is our&#13;
motto.&#13;
Finally, there is the following interesting&#13;
reference to Reeve's literary advice to the&#13;
Messrs. Longman, whose "reader" he was for&#13;
many years:—&#13;
Books in French, German, or Italian, offered for trans-&#13;
lation, MSS. in English offered for publication—whatever&#13;
there was of grave, serious, or important, as well as a good&#13;
deal that was not, was sent to him for a first or a revised&#13;
opinion. And this opinion was given very frankly, and&#13;
most oommonly in the fewest possible words:—" My advioe&#13;
&#13;
&#13;
## p. 139 (#151) ############################################&#13;
&#13;
THE AUTHOR.&#13;
is that you have nothing to do with it " was a not nnfrequent&#13;
formula. Another, less freqnent, was:—" He—the aspirant&#13;
to literary fame and emolument—can neither write nor&#13;
spell English"; "I wish they wouldn't send their trash to&#13;
me" was an occasional prayer. "Seems to me sheer non-&#13;
sense"; "What a waste of time and labour!" "It's&#13;
very provoking that people should attempt to write books&#13;
who cannot write English," were oooasional reports. Of&#13;
course many of his judgments were very different: "A&#13;
work of great interest, which must have a large sale ";&#13;
"Secure this if you possibly can"; "A most able work, but&#13;
will scarcely command a remunerative sale." . . . As&#13;
it was with printed books and larger MSS., eo it was with&#13;
articles submitted for the Review; but he did not encourage&#13;
casual contributions, and seldom—perhaps never—accepted&#13;
any without some previous understanding. The political&#13;
articles and the reviews of important books were almost&#13;
invariably written in response to a direct invitation; but&#13;
whether the articles sent in were invited or offered, he&#13;
equally reserved the right to express his approval or dis-&#13;
approval or disagreement, and to insist, if necessary, on the&#13;
article being remodelled or withdrawn.&#13;
SOME SOUTHEY LETTERS.&#13;
AN interesting series of Southey's private&#13;
letters appeared for the first time in&#13;
the August number of Blackwood's. They&#13;
are written to his friend John May, with whom&#13;
he became acquainted in 1795 at Lisbon, and&#13;
to whom he dedicated his short and incom-&#13;
plete autobiography. They are very personal,&#13;
and give many valuable glimpses of the poet's&#13;
state of mind. When his little daughter is&#13;
dying in the autumn of 1803, he writes that&#13;
"never man enjoyed purer happiness than I&#13;
for the last twelve months," and "my plans&#13;
are now all wrecked." After having been at&#13;
a bull fight, he wrote that "the pain inflicted&#13;
by the sight was expiation enough for his folly&#13;
in going at all; and he added, "I cannot under-&#13;
stand the pleasure excited by a bull fight, and it&#13;
is honourable to the English character that none&#13;
of our nation frequent these spectacles." In a&#13;
letter dated Oct. 29, 1800, he discusses the pro-&#13;
posal to put his brother Henry in a profession,&#13;
and remarks that for the first time in his life he&#13;
has the power, "or at least it seems so," of&#13;
raising 100 guineas to place him under a provin-&#13;
cial surgeon for four or five years till he is old&#13;
enough to practice for himself. He explains the&#13;
expectation of this money, and indicates the self-&#13;
sacrifice in his disposal of it, as follows:&#13;
My metrical romance goes by the King George to market,&#13;
and I ask this sum as the price of a first edition. I have&#13;
little doubt of obtaining it. I had designed to furnish a&#13;
house with this money, and anchor myself, but this is a&#13;
a more important oall.&#13;
Southey had been advised at this time to try&#13;
his fate at the East Indian Bar. He doubted&#13;
whether the fortune to be gained could pay for&#13;
the loss of the friends in whose society "so much&#13;
of my happiness consists. The fate of Camoens&#13;
stares me in the face, and if I did go, prudence&#13;
would be the ostensible motive, but the real one&#13;
would be curiosity. I do long to become&#13;
acquainted with old Brama, and see the great&#13;
Indian fig tree; so at the end of twenty years&#13;
time I should come home with a copper-coloured&#13;
face, an empty purse, and a portfolio full."&#13;
He expresses the following amusing philo-&#13;
sophy also in 1800 :—&#13;
Yon remember the doggerel that " learning is better than&#13;
house or land." 'Tis a lying proverb! A good lifehold&#13;
estate is worth all the fame of the world in perpetuity, and&#13;
a comfortable honee rather more desirable than a monument&#13;
in Westminster Abbey.&#13;
And on his financial position we have the&#13;
following very interesting light in the autumn of&#13;
1816:&#13;
Herewith I send you a draft upon Longman for .£100, at&#13;
three dajs' sight. The last twelve months have proved&#13;
highly advantageous to my monied ooncerns, and for the&#13;
first time have made the balanoe of his account in my&#13;
favour. There is good reason for hoping that it will oon-&#13;
tinne so, and that it will not be long before I shall be able&#13;
to dear off my debt with you. "Koderick " has produced&#13;
for me above .£500, by three editions, and the fourth will&#13;
by this time have paid its expenses. Of the " Pilgrimage"&#13;
2000 were printed; they were all sold in the course of two-&#13;
months, leaving me a profit of £2X5. My account only&#13;
oomes up to midsummer, and therefore does not inolude the&#13;
'. Carmen Nuptiale," but of the fate of which I know&#13;
nothing, nor indeed what number was printed.&#13;
The prospect before me is very good. The produce of&#13;
my current publications may be reckoned at .£200 a year&#13;
certainly, not improbably at twice the sum; and Murray&#13;
pays me so well for the Quarterly that I hope there will be&#13;
no occasion to draw much upon the other fund for my&#13;
household expenses. For some artioles he offers me .£100&#13;
per article—such was that upon the Poor in the last&#13;
number, and one upon Foreign Travellers in England which&#13;
is designed for this, and which I am busy in completing.&#13;
The preface to "Mort Arthur," for which I am reading&#13;
much black letter, at some oost of eyesight and no little&#13;
expense of time, will give me .£200, and the second volume&#13;
of " Brazil " about half as much—a preposterous instanoe&#13;
of the caprice upon which a man of letters depends for his&#13;
remuneration! Perhaps the average may be fair at last,&#13;
but it is injurious as well as ridiculous, and I shall derive&#13;
my main support from what other persons might do as well,&#13;
and what might never be done at all; while for works of&#13;
permanent value and great labour, for which peculiar know-&#13;
ledge, peculiar talents, and peculiar industry are required,&#13;
the profit I obtain would scarcely exceed, and perhaps not&#13;
amount to, the expenses of the documents.&#13;
The letter from which the following is extracted&#13;
was written by Robert Southey, on April 22,&#13;
1834, to the late John A. Heraud, in whose&#13;
"Memoirs," by his daughter, just published by&#13;
Mr. George Redway, it appears for the first time,&#13;
with many other letters from the same poet:—&#13;
Yon oould not apply to a worse person than myself for&#13;
counsel as to any dealings with publishers. My general&#13;
&#13;
&#13;
## p. 140 (#152) ############################################&#13;
&#13;
140&#13;
THE AUTHOR.&#13;
practice is to let them take the whole risk of the work, and&#13;
give me half the eventual profits. Tha&amp;is, after the costs&#13;
-of publication are defrayed, a third of the surplus goes as&#13;
the allowance of the trade (this need to be Longmans' allow-&#13;
ance—Murray allowed somewhat more than a third), half of&#13;
the remainder then oomes to me. The publishers have then&#13;
the lion's share—but they have the lion's power, and can&#13;
always help themselves, which an author cannot.&#13;
CORRESPONDENCE.&#13;
I.—The Pecuniary Position op Writers.&#13;
IT is impossible to feel anything but the&#13;
highest admiration and respect for the&#13;
altruistic movement to better writers'&#13;
pecuniary position. But are there not insuper-&#13;
able difficulties in his way?&#13;
The point seems to be this: Taking a full&#13;
average of books published, there is a certain&#13;
profit. These books are created by writers; they&#13;
are printed, bound, and put before the public by&#13;
publishers. It is objected that (on the average)&#13;
the profits are unfairly divided—the authors get&#13;
too little, the publishers too much. The question&#13;
of binders' and printers' profits does not, I think,&#13;
•come in?&#13;
The supply of books comes from writers, the&#13;
.demand for books is from publishers. Surely the&#13;
relative profits made are subject to the ordinary&#13;
laws affecting supply and demand? And what&#13;
have we? A fairly constant periodic demand,&#13;
and at all times a supply enormously greater than&#13;
the demand! Necessarily, I submit, publishers&#13;
can make their own terms.&#13;
But the matter does not end here. The supply&#13;
is almost infinitely variable in quality, variable&#13;
both in artistic merit and—a very different&#13;
thing—in selling value. Now, the few writers&#13;
who can supply things of known, acknowledged&#13;
value can, I believe, always make their own&#13;
terms with publishers? But the others? No&#13;
man can assess either the artistic or pecuniary&#13;
value of his own work. And the publisher?&#13;
Aided by his reader, he guesses at the value, and&#13;
on his guess pays. Surely in all these cases the&#13;
author cannot complain if, with no personal&#13;
pecuniary risk, he gets the chance he wants of&#13;
catching the ear of the public. Let the author&#13;
.once catch that rough, thick-skinned ear and he&#13;
may hold it for even a lifetime and make his own&#13;
terms with the publisher for the dullest repeated&#13;
vibrations he may choose to supply.&#13;
Again, can you lay down hard-and-fast rules&#13;
fixing relative profit? The goods suppplied vary&#13;
from garbage to pearls; the public demand is&#13;
bizarre. My friend Jones's little romance " Totsey,&#13;
a Stray," is in its tenth thousand, while my work&#13;
of genius, "An Investigation into the Psycho-&#13;
logical Aspects of the Loves of Amelia Chol-&#13;
mondeley, with Notes on the Connection between&#13;
the Darwinian Theory and the Evolution of&#13;
Affection," cannot find a publisher I&#13;
I have written above from a purely pecuniary&#13;
point of view. But there is a moral, an artistic&#13;
view. Dealing with romance, of the many books&#13;
weekly published it were better for the world if&#13;
most had never been. There has never, I&#13;
believe, been a time when England has shown&#13;
greater general power, even genius, in romance.&#13;
But achievement? How many men, possibly of&#13;
genius, have we who have startled us by a first&#13;
great work of originality and who now repeat&#13;
themselves with careless, pale imitation? Has&#13;
art gained from the modern pecuniary success of&#13;
great writers? Has not the absorption of known&#13;
men into the inhumanity, the cross-gartered art&#13;
of London society led to the concealment of the&#13;
wood of humanity by the veneer of elaborately&#13;
polished language?&#13;
Let no man, no woman, take up romance&#13;
writing as a profession; let only those write who&#13;
cannot help writing. And then, though many of&#13;
us must still continue to give the world bad work,&#13;
the literary man will take that position which is&#13;
rightly his, and the supply will be reasonably&#13;
decreased. X.&#13;
[The answer to the above letter seems to be as&#13;
follows:&#13;
(1) The writer's position has been so much&#13;
improved by the action of the Society, that the&#13;
difficulties are proved not to be insuperable. (2)&#13;
The demand for books does not come from pub-&#13;
lishers, but from the public. The supply of what&#13;
is wanted is below rather than above the demand.&#13;
The supply of what is not wanted by the public,&#13;
but is furnished by the publisher, is certainly&#13;
in excess. (3) The demand for certain writers&#13;
is always below the supply. In many branches&#13;
of science and in general literature the writers&#13;
whose works are in request by the public ought&#13;
to be able to make their own terms for the&#13;
administration of their property. There are&#13;
certain writers who "X." seems to think are&#13;
supplying the demand, but if the public does&#13;
not care for and does not want their work, how&#13;
can they supply a demand?&#13;
The artistic side must not be mixed up with the&#13;
commercial side. We have again and again&#13;
repeated that the business of the Society is&#13;
simply the maintenance and defence of literary&#13;
property. This, we are ready to admit, and&#13;
have always admitted, may be totally different&#13;
from literary art. As regards the danger&#13;
of writing feebly after the production of strong&#13;
&#13;
&#13;
## p. 141 (#153) ############################################&#13;
&#13;
THE AUTHOR.&#13;
141&#13;
work, there is no doubt that this danger&#13;
does exist. It would be, however, more to the&#13;
point if our correspondent would suggest how a&#13;
novelist or an artist who has once devoted his&#13;
whole time to the production of the best work&#13;
possible to him, is to continue to live when he&#13;
becomes conscious that his work is no longer on&#13;
the same high level.—W. B.]&#13;
II.—A Plea, for Cut Edges.&#13;
Once or twice, recently, protests have appeared&#13;
against the custom many publishers have of&#13;
issuing books with uncut edges. Nothing, I&#13;
venture to say, is more annoying than to purchase&#13;
a book, to settle oneself for an hour's enjoyment,&#13;
and then to have the unnecessary and uncom-&#13;
fortable labour of cutting its edges. If, as is&#13;
sometimes the case, this occurs in a railway&#13;
carriage when one is minus a paper knife, the&#13;
enjoyment of the book is considerably jeopardised.&#13;
This can be easily obviated by three or four&#13;
strokes of the printer's guillotine. Moreover,&#13;
edges so cut are infinitely preferable to the rough&#13;
state they assume when cut with even the sharpest&#13;
paper-cutter. Lately several publishers have&#13;
adopted the method of sending out their books&#13;
with cut edges. This arrangement is a distinct&#13;
boon to the reader, and if the practice were made&#13;
a hard-and-fast rule the innovation would, 1 feel&#13;
sure, be hailed with unfeigned delight by every&#13;
book-lover. John C. Shannon.&#13;
III.—"Exchanges."&#13;
A few evenings ago, my own favourite&#13;
journal being sold our, I purchased for id.&#13;
eleven square feet of paper bearing printing&#13;
both back and front. Placed one on top of&#13;
another, the columns of printed matter might&#13;
rival in height a three-storied dwelling-house,&#13;
whilst the total length of the lines would extend&#13;
over a quarter of a mile. You will probably&#13;
wonder that I should write to complain of so&#13;
generous a pennyworth, but, after perusing it, I&#13;
felt that I should not be doing my duty to that&#13;
large body of your members who can be classified&#13;
under the heading of "Occasional Contributors,"&#13;
if I failed to draw attention to the growing&#13;
tendency to fill the pages of a paper with&#13;
"Exchanges "—though what the proprietors of&#13;
the journals who kindly lent their contents to fill&#13;
up this paper got in exchange I am unable to&#13;
say. In the most prominent part of the paper I&#13;
found that the New York Herald, per Reuter,&#13;
contributed the news from Jamaica; the Daily&#13;
Telegraph (two separate paragraphs), the&#13;
Egyptian news; the Morning Post, matter apper-1&#13;
taimng to Canada. The Dreyfus case was dealt&#13;
with in a satisfactory manner through the kind-&#13;
ness of the Figaro, the Journal, the Gaulois, and&#13;
the Matin, per Reuter, who also supplied the&#13;
tidings from Denmark. A column and a quarter&#13;
of CasselPs Magazine must have saved 30s.&#13;
at least to the proprietor of the paper;&#13;
whilst the Local Government Board's Report&#13;
must have been worth 10s. to the same individual&#13;
who had to thank the special correspondent of&#13;
the Daily Telegraph, the Figaro, the Daily&#13;
Chronicle, and, of course, Reuter, for "The&#13;
Fashoda Question." Some iuteresting personal&#13;
pars were culled from Vanity Fair, the Daily&#13;
Telegraph—our editor's favourite journal—the&#13;
Daily Mail, and the Times. A special article&#13;
on the late Queen of Denmark (cheerfully contri-&#13;
buted by the English Illustrated Magazine)&#13;
ran to three-quarters of a column, and the&#13;
Daily News "exchanged" half a column of&#13;
"Mount Vesuvius." The City Press lent a small&#13;
paragraph about a house in six parishes;&#13;
Reuter and the Daily Telegraph tackled the&#13;
question of Crete's future, and other interesting&#13;
paragraphs came from the "Central News" and&#13;
the "London News Agency. The Chinese crisis&#13;
was considered so important that only telegrams&#13;
from the Times and Dalziel could do satisfac-&#13;
tory justice to the subject, but they did not&#13;
occupy so much space as the two-thirds of a&#13;
column from the Daily News on Mr. Watt's&#13;
latest scheme, even when a par. re " Samory *&#13;
contributed by the Eclair was thrown in. Two&#13;
paragraphs based on Daily Telegraph and Times&#13;
reports completed the editor's " exchanges," and&#13;
we can imagine that gentleman laying down his&#13;
weary scissors with a sigh, and saying : " Thank&#13;
you, my friends, for your kindly hospitality, in&#13;
exchange for which I offer several pages of adver-&#13;
tisements, my leading article, a few columns of&#13;
book reviews, our Money Market columns, and&#13;
the signed articles that begin with 'Sir,' and are&#13;
contributed by my 'obedient servants.'"&#13;
If the example of this particular editor is&#13;
followed by his brethren, the "Occasional Con-&#13;
tributor" is doomed; let him take warning,&#13;
therefore, and ere it be too late invest his&#13;
savings (if he has any) in a stock of well-tem-&#13;
pered scissors, for a time will assuredly come&#13;
when there will be nothing for him to do but&#13;
start an evening paper on modern lines, unless&#13;
something can be done in the way of limiting&#13;
the proportion of an article, paragraph, or tele-&#13;
gram that can be printed with or without&#13;
acknowledgment of its original source without&#13;
payment to the person who wrote it or the&#13;
firm who paid for it in the first place.&#13;
An Occasional Victim to Steel&#13;
and Steal.&#13;
&#13;
&#13;
## p. 142 (#154) ############################################&#13;
&#13;
142&#13;
THE AUTHOR.&#13;
IV.—"The Author" and the Publishers.&#13;
After studying for many months your exposures&#13;
,of publishing methods, one conclusion is forced&#13;
upon me, namely, that if a publisher wishes to&#13;
swindle, no amount of dexterity on the part of the&#13;
author can prevent him from doing so. With&#13;
all the machinery of secret profits at his disposal,&#13;
with little or no probability of checking the&#13;
number of copies he professes to have sold, with&#13;
the advertisement swindle which you have so&#13;
often explained to us, and all the other dodges,&#13;
the author is practically at the publisher's mercy.&#13;
On the other hand, if the publisher is an honest&#13;
•man, precautions will be unnecessary. An author&#13;
is too poor and too busy to investigate the rami-&#13;
fications of a dishonest publisher's business&#13;
methods. Give him an honest publisher and let&#13;
him do his work in peace. My suggestion is&#13;
that the Society should publish for him. By&#13;
"publish" I do not mean buy his book out-&#13;
right or "speculate" in any sense of the word,&#13;
but merely print his book for him, and put it-&#13;
upon the market at the best market terms, with&#13;
all the advantages of "wholesale" prices for&#13;
paper, &amp;c., which the publisher now puts in his&#13;
pocket. Let the whole business be absolutely&#13;
"straight" and above board. The author pays&#13;
for the publication of the book on the advice of&#13;
the Society that it has a fair chance of success (or&#13;
against the advice of the Society if he chooses).&#13;
The Society charges him the actual cost of paper,&#13;
eomposing, correcting, binding, advertisement,&#13;
and distribution, such a fixed percentage on the&#13;
.outlay as experience may show to be necessary&#13;
to prevent the Society from losing. All profits&#13;
would then go to the author. It is true the author&#13;
would have to pay for publication, but in the&#13;
&lt;ase of the writer of established repute the&#13;
risk would be non-existent; in the case of the&#13;
unknown man it would be smaller than it is at&#13;
present when his book is published on com-&#13;
mission. The So.ciety could then offer the book-&#13;
sellers those improved terms which it believes to&#13;
be their due, thus stimulating the sale of its&#13;
books. All that is wanted for this scheme is a&#13;
sound business man, with experience of printing&#13;
and publishing, at its head. There must be&#13;
scores of members of the Society whom it would&#13;
pay better to publish in this way than to take&#13;
ostensibly a 15 per cent. royalty while paying&#13;
the publisher unacknowledged profits in the form&#13;
of discounts and percentages on every item in&#13;
ms A Member of the Society.&#13;
[I quite agree with the "Member" as to the&#13;
only method left possible. The publishers have&#13;
deliberately announced their intention of laying&#13;
hands on everything except perhaps a miserable&#13;
residuum. The only reply is to change the&#13;
method. I doubt whether the Society would act&#13;
as the " Member" suggests. It would be, how-&#13;
ever, quite possible to create a commission pub-&#13;
Usher—one who would do no other kind of busi-&#13;
ness. For the moment any other business is&#13;
taken in hand, the commission work begins to be&#13;
neglected. This is natural, for if a publisher can&#13;
make 10 per cent. by commission and anything&#13;
he pleases by any other way he will prefer that&#13;
other way.—W. B.]&#13;
BOOS TALK&#13;
BY general consent Mr. John Morley had&#13;
been selected as the probable writer of&#13;
the accredited Life of Mr. Gladstone, and&#13;
now the announcement of the fact is formally&#13;
made. The task is likely to occupy about three&#13;
years, and already Mr. Morley has dealt with a&#13;
large part of the correspondence, and has made&#13;
considerable progress with the chapters relating&#13;
the history of the Home Rule movement of Mr.&#13;
Gladstone. During his twenty years' intimate&#13;
acquaintance with Mr. Gladstone, Mr. Morley&#13;
received long letters from him on practically&#13;
every public topic that was engaging his atten-&#13;
tion. The biography will be published by Messrs.&#13;
Macmillan.&#13;
Sir Edward Hamilton, one of Mr. Gladstone's&#13;
private secretaries, has written a monograph on&#13;
the late statesman, which will be published by&#13;
Mr. Murray.&#13;
Another political biography, which has just&#13;
been completed, is that of Sir Robert Peel, by&#13;
Mr. C. S. Parker. This work has been an&#13;
exceedingly laborious one, from the amount of&#13;
correspondence that had to be gone through and&#13;
sifted. Letters to and from the Queen, the&#13;
Duke of Wellington, Disraeli, and other impor-&#13;
tant contemporaries will be contained in the&#13;
work, which Mr. Murray will publish shortly.&#13;
Mr. Kinloch Cooke's biography of the late&#13;
Duchess of Teck, from her journals and diaries,&#13;
will be published probably in the early days of&#13;
next year.&#13;
Sir Mountstuart Grant Duff, who published two&#13;
interesting and entertaining volumes of his diary&#13;
recently, is now adding two others, containing&#13;
his diary during the period when he was Governor&#13;
of Madras, and also containing his views on home&#13;
affairs.&#13;
Mrs. Alec Tweedie has in the press a life of&#13;
her father, Dr. Harley, of Harley-street. It will&#13;
be published by the Scientific Press.&#13;
&#13;
&#13;
## p. 143 (#155) ############################################&#13;
&#13;
THE AUTHOR.&#13;
143&#13;
Mr. Frederic G. Kitton is preparing a centenary&#13;
memoir of the late Dr. Zechariah Buck, the&#13;
organist and choirmaster of Norwich Cathedral.&#13;
Many of Dr. Buck's pupils, now in distinguished&#13;
positions in the musical world, contribute remini-&#13;
scences of him, and the family give their assist-&#13;
-ance. The work will be issued in a limited&#13;
edition shortly.&#13;
A biography of the late Professor Calderwood,&#13;
who occupied the chair of Moral Philosophy in&#13;
Edinburgh University for twenty years, is being&#13;
written by his son and the Rev. D. Woodside of&#13;
Glasgow.&#13;
Principal Fairbairn has written a book entitled&#13;
"" Catholicism—Roman and Anglican," which will&#13;
be brought out immediately.&#13;
The Rev. Leighton Pullan is general editor of&#13;
a new series of Church Text Books which has&#13;
been projected by Messrs. Rivington. The&#13;
volumes will be written by Oxford scholars, and&#13;
are not intended only for scholars, but also for&#13;
the general readers who are desirous of informa-&#13;
tion on church history, forms of worship, criti-&#13;
cism, &amp;c.&#13;
Robert Browning destroyed all his letters and&#13;
papers with-the exception of the letters that had&#13;
passed between Mrs. Browning and himself&#13;
before their marriage. These letters were care-&#13;
fully preserved, and while still in vigorous health&#13;
Mr. Browning said concerning them: "There&#13;
they are—do with them as you please when I am&#13;
dead and gone." The Athenaeum makes the&#13;
interesting announcement that the letters will&#13;
shortly be published.&#13;
The Rev. H. C. Beeching is reprinting his&#13;
"Pages from a Private Diary," papers which for&#13;
a time were a conspicuous and entertaining&#13;
feature of Comhill Magazine. The volume will&#13;
be published soon by Messrs. Smith, Elder, and&#13;
Co.&#13;
Mr. John Halsham is the author of "Idle-&#13;
hurst: A Journal Kept in the Country," which&#13;
Messrs. Smith, Elder, and Co. will publish this&#13;
autumn.&#13;
The identity of the Mr. W. H. of Shakespeare's&#13;
Sonnets having given rise again to some discus-&#13;
sion, h propos of the article by Mr. Sidney Lee on&#13;
Thomas Thorpe in the " Dictionary of National&#13;
Biography," Mr. Lee has now asked the critics&#13;
of his theory to await, before passing further&#13;
censure, the appearance of his forthcoming&#13;
biography of Shakespeare.&#13;
Mr. Alfred Whitman, of the British Museum,&#13;
has written a work on "The Masters of Mezzo-&#13;
tint," which Messrs. Bell will publish, with sixty&#13;
illustrations.&#13;
A new novel by Mr. W. C. Scully, author of&#13;
"Between Sun and Sand," and other tales of the&#13;
South African desert, is being published by&#13;
Messrs. Methuen, under the title " A Vendetta of&#13;
the Desert."&#13;
Mr. William Westall's new novel, "A Red&#13;
Bridal," is to be published by Messrs. Chatto&#13;
and Windus, who will also issue soon a volume&#13;
entitled " Slum Silhouettes," by Mr. J. D. Bray-&#13;
shaw.&#13;
Mr. F. G. Aflalo is editing a book on the cost&#13;
of sport, with practical information contributed&#13;
by a number of the specialists who wrote for the&#13;
"Encyclopaedia of Sport," of which splendid&#13;
work Mr. Aflalo was one of the editors. The&#13;
actual expenditure involved in angling, shooting,&#13;
hunting, and other sports will be estimated for&#13;
various incomes, and the scope of the work will&#13;
be comprehensive.&#13;
Those rights in Mr. William Watson's works&#13;
hitherto held by Messrs. Macmillan have been&#13;
purohased by Mr. John Lane, who is preparing a&#13;
collected edition of Mr. Watson's poems in a&#13;
single volume, which will appear this season.&#13;
Mrs. Pender, an Irish lady, some time ago&#13;
wrote an Ulster story of the '98 period entitled&#13;
"The Green Cockade." The book was printed&#13;
in Ireland, and the other day the London&#13;
firm, Messrs. Downey, received a consign-&#13;
ment of 100 copies. Since then, however, a&#13;
fire at the printers has destroyed not only the&#13;
other sheets of the book that had been printed,&#13;
but the type as well.&#13;
"The Gospel Writ in Steel" is the title of&#13;
Mr. Arthur Paterson's new novel. It is about&#13;
the American Civil War, but the interest&#13;
is romantic rather than historical. Messrs.&#13;
Innes are the publishers.&#13;
One of the chapters of Mr. Justin McCarthy's&#13;
reminiscences, to be published shortly by Messrs.&#13;
Chatto and Windus, is entitled " The Princes of&#13;
Literature," and contains Mr. McCarthy's recol-&#13;
lections of Dickens and Thackeray, Carlyle,&#13;
Tennyson, Browning. Another chapter deals&#13;
with his acquaintanceship with John Stuart Mill.&#13;
This week the third volume of the Blackwood&#13;
Annals will appear. Mrs. Oliphant, of course,&#13;
edited the two already published, and this one,&#13;
which brings the story of the publishing house&#13;
down to John Blackwood's death in 1879, has&#13;
been compiled by Mrs. Gerald Porter.&#13;
Mr. Bennet Burleigh, the war correspondent of&#13;
the Daily Telegraph, who has distinguished&#13;
himself so greatly in the Soudan, is writing an&#13;
account of the campaign down to its close at&#13;
Omdurman.&#13;
&#13;
&#13;
## p. 144 (#156) ############################################&#13;
&#13;
i44&#13;
THE AUTHOR.&#13;
"Book Auctions of the Seventeenth Century"&#13;
is the next volume in the Book-Lovers' Library,&#13;
published by Mr. Stock. The author is Mr.&#13;
John Lawler.&#13;
The Christmas issue of the Portfolio will be a&#13;
monograph on " George Morland and the Evolu-&#13;
tion from him of some later Painters," by Mr. J. T.&#13;
Nettleship.&#13;
The latest of new magazines is a penny one,&#13;
that aims at being fully equal to the sixpenny&#13;
monthlies. It is published by Messrs. Cassell,&#13;
and its title, the New Penny Magazine is&#13;
after the periodical "originated by Charles&#13;
Knight, and dear to the reading public in the&#13;
days of our fathers." There are sixty pages,&#13;
with numerous illustrations, and the character of&#13;
the contents is the same as that of the popular&#13;
magazines of to-day.&#13;
"The Lays of the Knights," a book of poems&#13;
by the Rev. C. W. Barraud, will be published by&#13;
Messrs. Longman.&#13;
Mr. J. H. Adeane has edited a work entitled&#13;
"The Early Married Life of Maria Josepha,&#13;
Lady Stanley, from 1796," which Messrs. Long-&#13;
man will publish shortly.&#13;
The letters given in Mrs. Richmond Ritchie's&#13;
introduction to the seventh volume in the valu-&#13;
able Biographical Edition of Thackeray's Works&#13;
which she is editing, deal chiefly with the&#13;
novelist's experiences as a lecturer. At a time&#13;
when all the relations of the home country with&#13;
America are so much discussed, an extract from&#13;
one of the letters from Thackeray during a tour&#13;
in the States may be found interesting. He is&#13;
writing from Boston on Dec. 22, 1852, to Mrs.&#13;
Proctor:—&#13;
Ab for writing abont this country—about Goshen, about&#13;
Canada, flowing with milk and honey, about the friends I&#13;
have found here, and who are helping me to procure inde-&#13;
pendence for my children, if I cut jokes against them may&#13;
I choke on the instant. If I can say anything to show that&#13;
my name is really Makepeace, and to increase the source of&#13;
love between the two countries, then, please God, I will.&#13;
The laugh dies out as we get old, you see, but the love and&#13;
the truth don't, praised be God! And I begin to think of&#13;
the responsibilities of this here pen now writing to yon&#13;
with a feeling of no small awe.&#13;
Mr. Wheatley's edition of Pepys will be com-&#13;
pleted by the issue of the ninth and tenth&#13;
volumes in January. The former will contain an&#13;
exhaustive index; the latter, a supplementary&#13;
volume, will contain appendices and Pepysian&#13;
miscellanea.&#13;
Bismarck's memoirs will be published in&#13;
English this month by Messrs. Smith, Elder,&#13;
and Co. in this country and Messrs. Harper&#13;
and Brothers in the United States.&#13;
A small album presented by Tennyson to a&#13;
fellow-undergraduate when at Cambridge has just&#13;
been sold at Messrs. Hodgson and Co.'s sale-room&#13;
in Chancery-lane. It contained the original MS.&#13;
of St. Agnes' Eve and two other poems, in the&#13;
poet's own handwriting. The little volume&#13;
realised the high price of .£32.&#13;
"The History of a Man," by the Man, will be&#13;
published shortly by Mr. Burleigh. It deals&#13;
with that aspect of human nature which Mr.&#13;
Balfour declared the most interesting — the&#13;
development of character.&#13;
A hitherto unpublished series of historical&#13;
studies of the Stuart period by Thomas Carlyle&#13;
is being brought out by Messrs. Chapman and&#13;
Hall. These were for a projected history of&#13;
the first two Stuart Kings of England, and they&#13;
are printed from a MS. left under the author's&#13;
will to his niece, and edited by her husband, Mr.&#13;
Alexander Carlyle. The volume will be pub-&#13;
lished under the title "Historical Sketches of&#13;
Noted Persons and Events in the Reigns of&#13;
James I. and Charles I." The portion devoted&#13;
to James I. contains chapters on Elizabeth's&#13;
Funeral, Shakespeare, the Gunpowder Plot, the&#13;
Hampton Court Conference, &amp;c.&#13;
A new Irish story by "Rita" will be published&#13;
shortly by Messrs. Hutchinson.&#13;
Miss L. S. Tiddeman has just brought out two-&#13;
new stories. The first, called " Reine's Kingdom,"&#13;
is published at the National Society's Depository.&#13;
The second, "Rosa's Repentance," by Messrs.&#13;
Blackie.&#13;
A new work by Mr. Fred Reynolds, author of&#13;
"A Tangled Garden," will be published at once by&#13;
James Bowden, under the title of "An Idyll of&#13;
the Dawn."&#13;
Mrs. Aylmer Gowing's new book, entitled " A&#13;
Touch of the Sun," will be published early in&#13;
this month by Mr. Burleigh.&#13;
"The Genius" (6d.), by Lessey Beard, will be&#13;
published on the 5th Nov. Another book by the&#13;
same author, comprising a collection of short&#13;
stories, sketches, &amp;c., will also be ready in&#13;
November.&#13;
Mrs. Edith E. Cuthell's new children's book is&#13;
just published by the S.P.C.K., under the title of&#13;
"A Bad Little Girl and her Good Little Brother,"&#13;
illustrated by Mrs. Farmiloe.&#13;
A new novel, entitled "Uncle Jack from&#13;
America," by Edith C. Kenyon and R. G. Soans,&#13;
is being published by Simpkin, Marshall, and Co.&#13;
The story has been very successful as a serial in&#13;
England and America.&#13;
&#13;
&#13;
## p. 145 (#157) ############################################&#13;
&#13;
THE AUTHOR.&#13;
»45&#13;
OBITUARY.&#13;
THE BOOZS OF THE MONTH.&#13;
MR. HA.ROLD FREDERIC died at his&#13;
residence at Kenley, Surrey, from&#13;
syncope, on Oct. 19. He was in his&#13;
forty-third year, and had been prostrated since&#13;
Aug. 12, on which day he had a stroke of&#13;
paralysis. Journalist and author, he was a&#13;
native of Utica, and, before becoming a member&#13;
of the staff of the New York Times, he edited for&#13;
brief periods—first, the Utica Observer, and&#13;
afterwards the Albany Evening Journal. In&#13;
1884 he came to England as the special corre-&#13;
spondent of the New York Times, for which he&#13;
did much brilliant work, and travelled over&#13;
Europe. His first novel to appear was " Seth's&#13;
Brother's Wife" (1887), a study of American&#13;
rural life. "In the Valley" and several others&#13;
followed, but Mr. Frederic's most striking success&#13;
was achieved with " Illumination," published in&#13;
the spring of 1896—a novel which, by the way,&#13;
had the somewhat exceptional distinction of being&#13;
published under another title in America, namely,&#13;
"The Damnation of Theron Ware." "March&#13;
Hares," which followed, appeared under a nom, de&#13;
guerre, and was a slighter work on London life;&#13;
and the one which will be compared with&#13;
"Illumination" is his "Gloria Mundi," a&#13;
romance of English social life, which will be pub-&#13;
lished to-day. Just before his death he had&#13;
revised his last work of fiction, which is called&#13;
"The Market Place."&#13;
The late Mr. Gleeson White, the editor of the&#13;
Studio, was one of the best-known writers on art&#13;
subjects in the metropolis, and connoisseur of&#13;
woodcuts and rare prints. His works include&#13;
"English Illustration in the Sixties," " Practical&#13;
Designing," "Salisbury Cathedral," "Master&#13;
Painters of Great Britain." He published anony-&#13;
mously a series of rather notable prose parodies&#13;
of well-known authors, under the title " Letters&#13;
to Eminent Hands," and another series, " Letters&#13;
to Living Artists." The ex-Libris series of&#13;
books was edited by Mr. Gleeson White, who&#13;
also compiled a charming collection of " Ballads&#13;
and Rondeaux" for the Canterbury Poets series.&#13;
He died suddenly on Oct. 19, at the age of forty-&#13;
seven, from typhoid fever contracted during a&#13;
recent visit to Italy.&#13;
From Ottawa the death is announced of Mr.&#13;
William Kingsford, the distinguished Canadian&#13;
historian. Mr. Kingsford was born in London in&#13;
1819.&#13;
[Sept. 24 to Oct. 22—502 Books.]&#13;
Abbott, E. A. St Thomas of Canterbury. 24/- Black.&#13;
Adams, E. D. A Girl of To-Day. 3/6. Blackie.&#13;
Addison, Kate. Economical Cookery. 1/6. Hodder.&#13;
Alexander, W. Primary Convictions. 3/6. Harper.&#13;
Alexander, Mrs. The Cost of Her Pride. 6/- White.&#13;
Allen, Grant. Venice. Historical Guide. 3/6 net. Richards.&#13;
Allen, Phcebe. May-Duke Blossoms. -i,- S.P.O.K.&#13;
Ambrose, W., and Ferguson, W. B. band Transfer Acts 1875 and&#13;
1897, and mnd Transfer Rules and Forms 1898, with Notes. 10/-&#13;
Butterworth.&#13;
Andrews, 0. M. Historical Development of Modern Europe. Vol. 2.&#13;
1850-97. 12/6. Putnam.&#13;
Andrews, M. The Child of the Lighthouse. 1/6. W.Gardner.&#13;
Anonymous (A Literary Club). Various Quills. 5/- Arnold.&#13;
Anonymous (J. A.). The Coming of Spring. 1/- net. Blackwell.&#13;
Anonymous (iff. A. B.). Man-Stories of a Black Snake 6/-&#13;
Whlttaker.&#13;
Anonymous (A. M. F.). Foreign Courts and Foreign Homes. 6/-&#13;
Longman.&#13;
Anonymous. 11 Alfred the Great," &lt;fcc., on the Egyptian Campaign.&#13;
6d. Arrowsmitn.&#13;
Anonymous (author of " Not a Saint";. Bitter Penitence. 1/6.&#13;
Stevens.&#13;
Anonymous (A. E. D.). Helen's Probation. 1/6. S P.O.K.&#13;
Anonymous (S. L. H. G.). In His Service. Story. 2/- S P.C.K.&#13;
Anonymous (Three Old Boys). KiDgswood School: Its History. 8/-&#13;
net. Kelly.&#13;
Anson, Sir W. (ed.). Autoblography, Ac., of the Third Duke of&#13;
Grafion. 18/- Murray.&#13;
Anstey, F. Paleface and Bedskln. 6/- Richards.&#13;
Armstrong, Annie. My Ladies Three. 3/6. Warne.&#13;
Ashby, H. Health in the Nursery. 3/6. Longman.&#13;
Atchison, O. C. Sprightly Fancies, Ac. 1/- Simpkin.&#13;
Atberton, Gertrude. The Californians. 6/- Lane.&#13;
Atkinson, 0. C. Evolution of Revelation of God. 1/- net.&#13;
Manchester: Sherratt and Hughes.&#13;
Austin, Alfred. Lamia's Winter Quarters. 9/- Macmillan.&#13;
Austin, Stella. Our Next-Door Neighbour. 2/6. W.Gardner.&#13;
Badrick, F. G. The Stone Door. 2/6. National Soc.&#13;
Balfour, G. Educational Systems ol Great Britain and Ireland. 7/6.&#13;
Frowde.&#13;
Ballingall, J. A Prince of Edom. 2/6. A. Gardner.&#13;
Balmforth, R. The Evolution of Christianity. 2/6. Sonnenschein.&#13;
Bamford, A. J. Things that are Made. 2/6. Alexander.&#13;
Bankes, R. A Story Book for Lesson Time. 1/- Constable.&#13;
Barber, W. T. A. David Hill, Missionary and Saint. 3/6. Kelly.&#13;
Baring-Gould, S. An Old English Home and its Dependencies. 6/-&#13;
Methuen.&#13;
Baring-Gould, S. Domitla. A Story of Ancient Rome. 6/- Methuen.&#13;
Barron, Elwyn. Menders. 6/- Macqueen.&#13;
Barry, J. A. The Luck of the Native Born. Macqueen.&#13;
Baratow, 0. H. Through Deep Waters. 1/6. Warne.&#13;
Beamea, Mrs. F. A Forgotten Christmas, Ac. 1/- Blackie.&#13;
Becke, L. Rodman the Boatateerer, Ac. 6/- Unwin.&#13;
Beddard, F. E. Structure and Classincation of Birds. 21/- net.&#13;
Beddow, F. First Stage Inorganic Chemistry (Practical). II- Cllve.&#13;
Besant, Walter. The Changeling. 6/- Chapman.&#13;
Birch, G. A. (ed ). King Rene's Honeymoon Cablnet. 5/- net.&#13;
Batsford.&#13;
Birchenough, Mabel 0. Potsherds. 6/- Cassell.&#13;
Birrell, Augustine. Sir Frank Lockwood. 10/6. Smith and E.&#13;
Blabs, F. (tr. by H. St. J. Thackeray). Grammar of New Testament&#13;
Greek. 14/- net. Macmillan.&#13;
Bliss, F. J. Excavations at Jerusalem, 1894-97. 12/6 net.&#13;
Palestine Expl. Fund.&#13;
Bloundelle-Burton, J. The Scourge of God. A Romance. 6/- Clarke.&#13;
Blount, C. Some Bimilies from the " Paradiso" of Dante Alighieii.&#13;
3/6. Chapman.&#13;
Boldrewood, R. A Romance of Canvas Town. 6/- Macmillan.&#13;
Boothby, Guy. Across the World for a Wife. 5/- Ward and L.&#13;
Bosworth, G. F. Essex, Past and Present. 2/- Philip.&#13;
Boulger, D. 0. The Congo State 16/- Thacker.&#13;
Bowles, G. S. A Gun-room Ditty Box. 2/- Cat&#13;
Brabrook, E. W. Provident Societies and Industrial Welfare.&#13;
-'6.&#13;
Braine, S. E. The Turkish Automaton. 3/6.&#13;
Bretherton, R. H. Nothing Personal. 1/- net.&#13;
Briggs. Alice J. Bessie's Ministry. 1/6.&#13;
Brooke, Stopford. The Gospel of Joy. 6/-&#13;
Brooks, Noah (ed.). The Story of Marco Polo. 6/-&#13;
Brown, W. L. Inebriety Among the Ancients. 1/- net.&#13;
Blackie.&#13;
J. Baker.&#13;
Culley.&#13;
Ishister.&#13;
Murray.&#13;
Co.&#13;
Brunetiere, F. (tr. by R. Derechef). Manual of the History of French&#13;
Literature. 12/- Unwin&#13;
Brunker, H. M. E. Questions on Organisation and Equipment&#13;
Subject G. 2/6. Cloves&#13;
&#13;
&#13;
## p. 146 (#158) ############################################&#13;
&#13;
146&#13;
THE AUTHOR.&#13;
Brunn, D. (tr. by L. A. E. B.). The Care-dwellers of Southern&#13;
Tunisia. 13/- Thicker.&#13;
Buchanan, Robert. Father Anthony. 6/- Long.&#13;
Buck, R. 0. A Manual of Algebra (for Sailors, Ac.). 3/6. Qrlffln.&#13;
Budge, E. A. Wallis (ed.). Coptic Psalter: The Earliest Known.&#13;
15/- net. Paul.&#13;
Burke, Mrs. W. A. The Structure of Life. 2/- net. Art Book Co.&#13;
Burneside, Margaret The Delusion of Diana. 6/- Arnold.&#13;
Burnett, J. C. The Change of Life in Women. 3/6. Homoep. Pub. Co.&#13;
Burnside, H. M.; and Monnsey, R. E. Stories of Land and Sea.&#13;
2/6. Tuck.&#13;
Burnside, H. M.; Quest, A., 4c. Little Bright Eyes. 2/6. Tuck.&#13;
Burrage. E. H. Out of the Deep. 2/- Partridge.&#13;
Burton, Beginald G. Tropica end Snows. 16/- Arnold.&#13;
Butler, S. The Iliad, rendered into English Prose. 7/6. Longman.&#13;
Butterworth, A. R. Criminal Evidence Act, 1898. 5/- Sweet and M.&#13;
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