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            <text>XI b e Huthot.&#13;
{The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. Vin.—No. 8.]&#13;
JANUARY i, 1898.&#13;
[Price Sixpence.&#13;
CONTENTS.&#13;
Oeneral Memoranda.&#13;
Literary Property—&#13;
1. The Discount (Question&#13;
1. The Law of Author and Publisher&#13;
3. The CoBt of Binding&#13;
4. The Copyright Association&#13;
5. Haddock v. Blackwood&#13;
6. Shelley's Publisher&#13;
Russian Copyright. By Henry Cresswell&#13;
New York Letter. By Norman Hapgood&#13;
PAOK&#13;
... 201&#13;
... 203&#13;
... 204&#13;
... 205&#13;
... 205&#13;
... 205&#13;
... 207&#13;
... 208&#13;
... 210&#13;
Notes and News. By the Editor.&#13;
A Chapter of the Past&#13;
Mr. Balfour on the Novel&#13;
International Relations of Authors&#13;
Personal&#13;
Correspondence—1. A Young Author's Grievance&#13;
lished Price&#13;
Book Talk&#13;
Literature in the Periodicals&#13;
The Books of the Month&#13;
The&#13;
p.* cik&#13;
... 211&#13;
... 214&#13;
... 217&#13;
... 217&#13;
... 218&#13;
Pnb-&#13;
... 218&#13;
... 219&#13;
PUBLICATIONS OP THE SOCIETY.&#13;
1. The Annual Report. That for January 1897 can be had on application to the Secretary.&#13;
2. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary&#13;
Property. Issued to all Members, 6*. 6d. per annum. Back numbers are offered at the&#13;
following prices: Vol. I., 10*. 6d. (Bound); Vols. II., III., and IV., 8s. 6d. each (Bound);&#13;
Vol. V., 6s. 6d. (Unbound).&#13;
3. Literature and the Pension List. By W. Morris Colles, Barrister-at-Law. (Henry Glaisher,&#13;
95, Strand, W.C.) 3s.&#13;
I. The History of the Societe des Gens de Lettres, By s. Squire Sprigqe, late Secretary to&#13;
the Society. 1*.&#13;
5. The Cost of Production. In this work specimens are given of the most important forms of type,&#13;
size of page, &lt;fcc, with estimates showing what it costs to produce the more common kinds of&#13;
books. Henry Glaisher, 95, Strand, W.C. 2s. 6d.&#13;
6. The Various Methods of Publication. By S. Squire Sprioge. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the various&#13;
kinds of fraud which have been made possible by the different clauses in their agreements.&#13;
Henry Glaisher, 95, Strand, W.C. 3*.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, and an Appendix containing the&#13;
Berne Convention and the American Copyright Bill. By J. M. Lely. Eyre and Spottis-&#13;
woode. i«. 6d.&#13;
8. The Society Of Authors, A Record of its Action from its Foundation. By Walter Besant&#13;
(Chairman of Committee, 1888—1892). i«.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By Ernst&#13;
Lunge, J.U.D. 2*. 6d.&#13;
\&#13;
&#13;
&#13;
## p. 200 (#634) ############################################&#13;
&#13;
11&#13;
AD VER TISEMENTS.&#13;
§t)e g&gt;ociete of Jtuffrors (gncotporateb).&#13;
PRESIDENT.&#13;
GEOBQE MEEEDITH.&#13;
COUNCIL.&#13;
The Eabl of Desart.&#13;
Austin Dobson.&#13;
A. Conan Doyle, M.D.&#13;
A. W. Duboubo.&#13;
Pbof. Michael Foster, P.E.S.&#13;
D. W. Fbeshfibld.&#13;
Kichabd Garnett, C.B., LL.D.&#13;
Edmund Gosse.&#13;
H. Rider Haggard.&#13;
Thomas Hardy.&#13;
Anthony Hope Hawkins.&#13;
Jerome K. Jerome.&#13;
Eudyard Kipling.&#13;
Prof. E. Eat Lankester, F.E.S.&#13;
W. E. H. Lecky, P.C., M.P.&#13;
J. M. Lely.&#13;
Mrs. E. Lynn Linton.&#13;
Bev. W. J. Loftie, F.S.A.&#13;
Sir A. C. Mackenzie, Mus.Doc.&#13;
Prof. J. M. D. Meiklejohn.&#13;
Counsel — E. M. Underdown,&#13;
Sib Edwin Abnold, K.C.I.E., C.S.I.&#13;
J. M. Babbie.&#13;
A. W. X Beckett.&#13;
Eobebt Bateman.&#13;
F. E. Beddabd, F.E.S.&#13;
Sib Henby Beronb, E.C.M.G.&#13;
Sir Walteb Besant.&#13;
Augustine Bibrell, M.P.&#13;
Eev. Prof. Bonney, F.E.S.&#13;
Eight Hon. James Bryce, M.P.&#13;
Eight Hon. Lord Bubghclxre, P.C.&#13;
Hall Caine.&#13;
Egebton Castle, F.S.A.&#13;
P. W. Clayden.&#13;
Edwabd Clodd.&#13;
w. mobbis colleb.&#13;
Hon. John Colliee.&#13;
Sib W. Martin Conway.&#13;
F. Marion Crawford.&#13;
Eight Hon. G. N. Cdbzon, P.C, M.P.&#13;
Hon.&#13;
Herman C. Meritale.&#13;
Eev. C. H. Middleton-Wake.&#13;
Sib Lewis Mobbis.&#13;
Henry Norman.&#13;
Miss E. A. Obmebod.&#13;
J. C. Parkinson.&#13;
Eight Hon. Lobd Pibbbight, P.C,&#13;
F.E.S.&#13;
SibFbedebick Pollock, Babt., LL.D.&#13;
Walteb Hebbies Pollock.&#13;
W. Baptists Scoones.&#13;
Miss Flora L. Shaw.&#13;
G. E. Sims.&#13;
S. Squire Sprigge.&#13;
J. J. Stevenson.&#13;
Francis Storr.&#13;
William Moy Thomas.&#13;
H. D. Traill, D.CL.&#13;
Mrs. Humphry Wabd.&#13;
Miss Chablotte M. Yongi.&#13;
Q.C.&#13;
&#13;
A W. X Beckett.&#13;
Sib Walteb Besant.&#13;
Egeeton Castle, F.S.A.&#13;
W. Mobbis Colles.&#13;
COMMITTEE&#13;
Chairman-&#13;
OF MANAGEMENT.&#13;
-H. Eider Haggard.&#13;
Sir W. Mabtin Conway.&#13;
D. W. Freshfield.&#13;
Anthony Hope Hawkins.&#13;
J. M. Lely.&#13;
Sir A. C. Mackenzie, Mus.Doc.&#13;
Henby Norman.&#13;
Fjiancis Storr.&#13;
COMMITTEES.&#13;
MUSIC.&#13;
C. Villibrs Stanford, Mas.D. (Chairman).&#13;
Jacques Blumenthal.&#13;
SUB&#13;
ART.&#13;
Hon. John Collier (Chairman).&#13;
Sib W. Martin Conway.&#13;
M. H. Spielmann.&#13;
f Field, Eoscoe, and Co., Lincoln's Inn Fields.&#13;
\, G. Hebbebt Thbino, B.A., 4, Portugal-street. Secretary—G. Herbert Tubing, B.A. OFFICES: 4, Pobtuoal Stbeet, Lincoln's Inn Fields, W.C&#13;
DEAMA.&#13;
Henry Arthur Jones (Chairman).&#13;
A. W. X Beckett.&#13;
Edward Eose.&#13;
Solicitors&#13;
IP. WATT &lt;Sc SO¥,&#13;
LITERARY AGENTS,&#13;
Formerly of 2, PATERNOSTER SUUARE,&#13;
Have now removed to&#13;
HASTINGS HOUSE, NORFOLK STREET, STRAND,&#13;
LONDON, W.C.&#13;
THE TEMPLE TYPEWRITING OFFICE.&#13;
YPEWEITING EXCEPTIONALLY ACCURATE. Moderate prioes. Duplicates of Circulars by the latest&#13;
process.&#13;
S OPINIONS OF CLIENTS— Distinguished Author:—"The most beautiful typing I have ever seen." Lady op Titlb:—"The&#13;
j work was very well aud clearly done." Provincial Editor:—"Many thanks for the spotless neatnesB and beautiful accuracy."&#13;
MISS &amp;KNTEY, KLDON CHAMBERS, 30, FLEET STREET, E.C.&#13;
T&#13;
&#13;
&#13;
## p. 201 (#635) ############################################&#13;
&#13;
TLhe Hutbor,&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. VIII.—No. 8.] JANUARY i, 1898. [Pbick Sixpence.&#13;
For the Opinions expressed in papers that are&#13;
signed or initialled the Authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the&#13;
collective opinions of the Committee unless&#13;
they are officially signed by G. Herbert&#13;
Thring, Sec.&#13;
THE Secretary of the Society begs to give notioe that all&#13;
remittances are acknowledged by return of post, and&#13;
requests that all members not receiving an answer to&#13;
important communications within two days will write to him&#13;
without delay. All remittances should be crossed Union&#13;
Bank of London, Chancery-lane, or be Bent by registered&#13;
letter only.&#13;
Communications and letters are invited by the Editor on&#13;
all subjects conneoted with literature, but on no other sub-&#13;
jects whatever. Articles which cannot be accepted are&#13;
returned if stamps for the purpose accompany the MSS.&#13;
GENERAL MEMORANDA.&#13;
IT^OR some years it has been the praotice to insert, in&#13;
J every number of The Author, certain " General Con-&#13;
siderations," Warnings, Notices, &amp;o., for the guidance&#13;
of the reader. It has been objected as regards these&#13;
warnings that the tricks or frauds against which they are&#13;
directed cannot all be guarded against, for obvious reasons.&#13;
It is, however, well that they should be borne in mind, and&#13;
if any publisher refuses a clause of precaution he simply&#13;
reveals his true character, and should be left to carry on&#13;
his business in his own way.&#13;
Let us, however, draw up a few of the rules to be&#13;
observed in an agreement. There are three methods of&#13;
dealing with literary property:—&#13;
I. That of selling it outright.&#13;
This is in some respects the most satisfactory, if a proper&#13;
price can be obtained. But the transaction should be&#13;
managed by a competent agent.&#13;
II. A profit-sharing agreement.&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pooket by charging for advertisements&#13;
VOL. Till.&#13;
in his own organs: or by charging exchange advertise-&#13;
ments.&#13;
(3.) Not to allow a special charge for " office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
(7.) To stamp the agreement,&#13;
ni. The royalty system.&#13;
In this system, which has opened the door to a most&#13;
amazing amount of overreaching and trading on the&#13;
author's ignorance, it is above all things neoessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately and very&#13;
nearly the truth. From time to time the very important&#13;
figures connected with royalties are published in The Author.&#13;
Readers can also work out the figures themselves from the&#13;
"Cost of Production." Let no one, not even the youngest&#13;
writer, sign a royalty agreement without finding out what&#13;
it gives the publisher as well as himself.&#13;
It has been objected that these precautions presuppose a&#13;
great success for the book, and that very few books indeed&#13;
attain to this great success. That is quite true: but there is&#13;
always this uncertainty of literary property that, although&#13;
the works of a great many authors carry with them no risk&#13;
at all, and although of a great many it is known within a few&#13;
oopies what will be their minimum circulation, it is not&#13;
known what will be their maximum. Therefore every&#13;
author, for every book, should arrange on the ohanoe of a&#13;
success which will not, probably, come at all; but which&#13;
may come.&#13;
The four points whioh the Society has always demanded&#13;
from the outset are:—&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) That there shall be no secret profits.&#13;
(4.) That nothing shall be charged whioh has not been&#13;
actually paid—for instance, that there shall be no oharge for&#13;
advertisements in the publisher's own organs and none for&#13;
exchanged advertisements and that all discounts shall be&#13;
duly entered.&#13;
If these points are carefully looked after, the author may&#13;
rest pretty well assured that he is in right hands. At the&#13;
same time he will do well to send his agreement to the&#13;
secretary before he signs it.&#13;
a 2&#13;
&#13;
&#13;
## p. 202 (#636) ############################################&#13;
&#13;
202 THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
I. "T7WERY member has a right to ask for and to receive&#13;
Fj advioe upon his agreements, his ohoioe of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. If the advice&#13;
sought is such as can be given best by a solicitor, the member&#13;
has a right to an opinion from the Society's solicitors. If the&#13;
case ia such that Counsel's opinion is desirable, the Com-&#13;
mittee will obtain for him Counsel's opinion. All this&#13;
without any cost to the member.&#13;
2. Eemember that questions connected with oopyright&#13;
and publisher's agreements do not generally fall within the&#13;
experience of ordinary solicitors. Therefore, do not soruple&#13;
to use the Sooiety first—our solicitors are continually&#13;
engaged upon suoh questions for us.&#13;
3. Send to the office oopies of past agreements and past&#13;
accounts with the loan of the bookB represented. This is in&#13;
order to ascertain what has been the nature of your agree-&#13;
ments, and the results to author and publisher respectively&#13;
so far. The Secretary will always be glad to have any&#13;
agreements, new or old, for inspection and note. The infor-&#13;
mation thus obtained may prove invaluable.&#13;
4. If the examination of your previous business trans-&#13;
actions by the Secretary proves unfavourable, you should&#13;
take advice as to a ohange of publishers.&#13;
5. Before signing any agreement whatever, send the pro-&#13;
posed document to the Society for examination.&#13;
6. The Society is acquainted with the methods, and—in&#13;
the case of fraudulent houses—the tricks of every publish-&#13;
ing firm in the country.&#13;
7. Remember always that in belonging to the Sooiety you&#13;
are fighting the battles of other writers, even if you are&#13;
reaping no benefit to yourself, and that you are advancing&#13;
the best interests of literature in promoting the indepen-&#13;
dence of the writer.&#13;
8. Send to the Editor of The Author notes of everything&#13;
important to literature that you may hear or meet with.&#13;
9. The committee have now arranged for the reception of&#13;
members' agreements and their preservation in a fireproof&#13;
safe. The agreements will, of course, be regarded as con-&#13;
fidential documents to be read only by the Secretary, who&#13;
will keep the key of the safe. The Society now offers:—(1)&#13;
To read and advise upon agreements and publishers. (2) To&#13;
stamp agreements in readiness for a possible action upon&#13;
them. (3) To keep agreements. (4) To enforce payments&#13;
due according to agreements.&#13;
THE AUTHORS' SYNDICATE.&#13;
MEMBERS are informed:&#13;
1. That the Authors' Syndicate takes charge of&#13;
the business of members of the Society. That it&#13;
submits MSS. to publishers and editors, concludes agree-&#13;
ments, examines, passes, and collects accounts, and, gene-&#13;
rally, relieves members of the trouble of managing business&#13;
details.&#13;
2. That the terms upon which its services oan be secured&#13;
will be forwarded upon detailed application.&#13;
3. That the Authors' Syndicate works only for those&#13;
members of the Society whose work possesses a market&#13;
value.&#13;
4. That the Syndicate can only undertake any negotiations&#13;
whatever on the distinct understanding that those negotia-&#13;
tions are placed exclusively in its hands, and that all&#13;
communications relating thereto are referred to it.&#13;
5. That clients can only be seen by the Director by&#13;
appointment, and that, when possible, at least two days'&#13;
notice should be given.&#13;
6. That every attempt is made to deal with all communi-&#13;
cations promptly. That Btamps should, in all cases, be sent&#13;
to defray postage.&#13;
7. That the Authors' Syndicate does not invite MSS.&#13;
without previous correspondence; does not hold itself&#13;
responsible for MSS. forwarded without notice; and that&#13;
in all cases MSS. must be accompanied by stamps to defray&#13;
postage.&#13;
8. That the Syndicate undertakes arrangements for&#13;
lectures by some of the leading members of the Society;&#13;
that it has a "Transfer Department" for the sale and&#13;
purchase of journals and periodicals; and that a " Register&#13;
of Wants and Wanted" is open. Members are invited to&#13;
communicate their requirements to the Manager.&#13;
There is an Honorary Advisory Committee, whose services&#13;
will be called upon in any case of dispute or difficulty. It&#13;
is perhaps necessary to state that the members of the&#13;
Advisory Committee have no pecuniary interest whatever in&#13;
the Syndicate.&#13;
NOTICES.&#13;
THE Editor of The Author begs to remind members of the&#13;
Society that, although the paper is sent to them free&#13;
of charge, the cost of producing it would be a very&#13;
heavy charge on the resources of the Society if a great&#13;
many members did not forward to the Seoretary the modest&#13;
6s. 6d. subscription for the year.&#13;
The Editor ia always glad to receive short papers and&#13;
communications on all subjects oonnected with literature&#13;
from members and others. Nothing can do more good to&#13;
the Society than to make The Author complete, attractive,&#13;
and interesting. Will those who are willing to aid in this&#13;
work send their names and the special subjects on which&#13;
they are willing to write P&#13;
Communications for The Author should reach the Editor&#13;
not later than the 21st of each month.&#13;
All persons engaged in literary work of any kind, whether&#13;
members of the Society or not, are invited to oommunioate&#13;
to the Editor any points connected with their work which&#13;
it would be advisable in the general interest to publish.&#13;
Members and others who wish their MSS. read are&#13;
requested not to send them to the Office without previously&#13;
communicating with the Seoretary. The utmost practicable&#13;
despatch is aimed at, and MSS. are read in the order in&#13;
which they are received. It must also be distinctly under-&#13;
stood that the Sooiety does not, under any circumstances,&#13;
undertake the publication of MSS.&#13;
The Authors' Club is now open in its new premises, at&#13;
3, Whitehall-court, Charing Cross. Address the Secretary&#13;
for information, rules of admission, &amp;o.&#13;
Will members take the trouble to ascertain whether they&#13;
have paid their subscriptions for the year P If they will do&#13;
this, and remit the amount, if still unpaid, or a banker's&#13;
order, it will greatly assist the Secretary, and save him the&#13;
trouble of sending out a reminder.&#13;
Members are most earnestly entreated to attend to the&#13;
following warning. It is a most foolish and may be a&#13;
most disastrous thing to enter into an agreement binding&#13;
for a term of years. Let them ask themselves if they&#13;
would give a solicitor the collection of their rents for five&#13;
years to oome, whatever his conduct, whether he was honest&#13;
&#13;
&#13;
## p. 203 (#637) ############################################&#13;
&#13;
THE AUTHOR.&#13;
203&#13;
or dishonest f Of course they would not. Why then&#13;
hesitate for a moment when they are asked to sign them-&#13;
selves into literary bondage for throe or five years P&#13;
Those who possess the "Cost of Production" are&#13;
requested to note that the cost of binding has advanced 15&#13;
per cent. This means, for those who do not like the trouble&#13;
of "doing sums," the addition of three shillings in the&#13;
pound on this head. In other words, if the oost of binding&#13;
is set down in onr book at eight pounds, to this must now be&#13;
added twenty-four shillings more, so that it now stands&#13;
at JE9 48. The figures in our book are as near the exact&#13;
truth as can be procured; but a printer's, or a binder's,&#13;
bill is so elaatio a thing that nothing more exact can be&#13;
arrived at.&#13;
Some remarks have been made upon the amount charged&#13;
in the " Cost of Production" for advertising. Of course, we&#13;
have not included any Hums whioh may be charged for&#13;
inserting advertisements in the publisher's own magazines,&#13;
or in other magazines by exchange. As agreements too&#13;
often go, there iB nothing to prevent the publisher from&#13;
sweeping the whole profits of a book into his own pocket,&#13;
by inserting any number of advertisements in his own&#13;
magazines, and by exchanging with others. Some there are&#13;
who call this a form of frand; it is not known what those&#13;
who practise this method of swelling their own profits call it.&#13;
LITERARY PROPERTY.&#13;
I.—The Discount Question.&#13;
1.&#13;
THE Publishers' Association having con-&#13;
sidered the report of the Sub-Committee of&#13;
the Society of Authors, published in The&#13;
Author last month, has forwarded the following&#13;
letters, which explain themselves :—&#13;
"H. Eider Haggard, Esq., Society of Authors.&#13;
"Dec. 9, 1897.&#13;
"My dear Haggard,—I laid the report of your&#13;
Society on the discount question before our&#13;
council to-day, and the following resolution was&#13;
passed: 'That in view of the report of the&#13;
Society of Authors, the council feel that it is not&#13;
possible for them to proceed with the proposed&#13;
scheme in its present form, but they are not&#13;
without hope that some other means of meeting&#13;
the difficulty may be suggested.' I was requested&#13;
to forward a copy of this resolution to you, and&#13;
also to the Associated Booksellers.—I am, yours&#13;
faithfully,&#13;
"(Signed) Chables James Longman,&#13;
"President."&#13;
11.&#13;
"T. Burleigh, Esq., Hon. Sec. Associated&#13;
Booksellers, 370, Oxford-street, W.&#13;
"Dec. 9, 1897.&#13;
"Dear Mr. Burleigh,—Tou have no doubt seen&#13;
the report of the Society of Authors on the&#13;
discount question. It was considered by the&#13;
council of the Publishers' Association to-day,&#13;
and I need hardly inform you that they greatly&#13;
regret the authors' decision, for though the&#13;
council were conscious of many difficulties in the&#13;
way of carrying out the scheme, they were pre-&#13;
pared to give it a fair and loyal trial if the co-&#13;
operation of the Authors' Society had been&#13;
secured. Although the present effort must be&#13;
considered to have failed, the council hope that&#13;
all who are interested in the circulation of books&#13;
will continue to give the matter full and careful&#13;
consideration in the endeavour to discover some&#13;
practicable scheme. The following resolution was&#13;
carried unanimously at to-day's meeting: 'That&#13;
in view of the report of the Society of Authors,&#13;
the council feel that it is not possible for them to&#13;
proceed with the proposed scheme in its present&#13;
form, but they are not without hope that some&#13;
other means of meeting the difficulty may be&#13;
suggested.'—I am, yours faithfully,&#13;
"Wm. Poulten, Secretary."&#13;
in.&#13;
Mr. Burleigh, hon. secretary of the Associated&#13;
Booksellers, has addressed the following letter to&#13;
the secretary of the Publishers' Association:—&#13;
370, Oxford-street, London, W.&#13;
Dec. 13,1897.&#13;
Dear Mr. Poulten,—I beg to acknowledge the&#13;
receipt of your letter of the 9th inst., with the&#13;
copy of resolution of the Publishers' Council.&#13;
The disappointing condition of affairs will be&#13;
considered at our next council meeting early in&#13;
January.&#13;
I trust the council and booksellers generally&#13;
will support me in the determination to continue&#13;
the struggle, until literature of a higher class can&#13;
be profitably placed upon our shelves, and many&#13;
authors, now smothered, obtain a better chance&#13;
with the public.—Yours faithfully,&#13;
Thomas Burleigh.&#13;
Hon. Sec. Associated Booksellers.&#13;
W. Poulten, Esq., Secretary,&#13;
The Pubhshers' Association.&#13;
IV.&#13;
The following letters also explain themselves.&#13;
The first is addressed to the secretary:—&#13;
Dec. 5, 1897.&#13;
Deab Sib,—I have belonged to the Society of&#13;
Authors for some years, and I am much indebted&#13;
to it for valuable advice given me on one occasion&#13;
when I was in a position of great difficulty. But&#13;
I so entirely disagree with the Report of the Sub-&#13;
committee on the Discount Question, and am so&#13;
anxious to dissociate myself from it, that I am&#13;
&#13;
&#13;
## p. 204 (#638) ############################################&#13;
&#13;
204&#13;
THE AUTHOR.&#13;
forced to resign my membership of the Society, as&#13;
I now do.&#13;
There is hardly any kind of business in which&#13;
the evils of reckless competition have not been&#13;
felt during the la&gt;t half century, and remedies of&#13;
various kinds have been sought after and adopted&#13;
with success in many trades. To take their stand,&#13;
as the Committee do, on the formulae which were&#13;
current in 1852 about the " freedom which ought&#13;
to prevail in commercial transactions," seems to&#13;
me an absurd anachronism.&#13;
Had it been clear that the Committee had&#13;
accepted Mr. Longman's offer, and had met with&#13;
the publishers' sub-committee in conference on the&#13;
subject, I should attach more importance to their&#13;
contention that the proposed organisation could&#13;
not be carried out.&#13;
I am sending a copy of this letter to the presi-&#13;
dent of the Publishers' Association.—I remain,&#13;
yours sincerely,&#13;
(Signed) Wm. Cunningham.&#13;
v.&#13;
Dec. 6, 1897.&#13;
The Rev. W. Cunningham.—Dear Sir,—I am&#13;
in receipt of your letter, and have removed your&#13;
name from the books of the Society for the reason&#13;
that you disapprove of the Report of the Com-&#13;
mittee on the Discount Question. The Committee&#13;
did not take their stand "on the formute which&#13;
were current in 1852." They have had a great&#13;
amount of evidence before them, and it is on this&#13;
evidence that they have come to draw their present&#13;
conclusions. We did not meet the sub-committee&#13;
of the publishers, because we had already the&#13;
publishers' views in the fullest manner before us&#13;
from the documents we had collected. We did,&#13;
however, as you will see by the Report, have the&#13;
views of booksellers of all classes, who surely are&#13;
more concerned in the affair than the publishers.&#13;
I must apologise, however, for going into these&#13;
details now.—Tours truly,&#13;
G. Herbert Thring.&#13;
II.—The Law of Author and Publisher.&#13;
An order was made last week by the Lord&#13;
Chief Justice of considerable interest to authors&#13;
and the publishing trade. It related to the deal-&#13;
ing with copies of books remaining unsold upon&#13;
the bankruptcy of a publisher. The decision&#13;
come to was in the nature of a compromise, and&#13;
lacks the authority of a judgment; but it is&#13;
probable that the case may become a precedent,&#13;
and the facts have therefore a special interest to&#13;
those connected with literature. The plaintiff&#13;
was Mr. Frederick Wicks, and the defendants&#13;
Remington and Co. (Limited), Mr. Sidney Cronk,&#13;
the liquidator of the company, and Mr. John&#13;
Grant Macqueen, the purchaser of Remington's&#13;
business. The company and its predecessors,&#13;
Eden, Remington, and Co., had published and&#13;
sold three editions of "The Veiled Hand," of&#13;
which Mr. Wicks is the author, and had printed&#13;
a fourth edition of 5000 copies. Between 2000&#13;
and 3000 of these remained unsold when the&#13;
company went into liquidation. The company&#13;
had also printed 5000 of "The Broadmoor&#13;
Patient" and 5000 of " The Infant," by the same&#13;
author, and had sold about 2000 of each. The&#13;
defendant Macqueen therefore acquired posses-&#13;
sion of some 8000 copies of the three works. The&#13;
agreements made by Mr. Wicks with Messrs.&#13;
Remington were agreements to print and publish&#13;
only, and in each case the author retained the&#13;
copyright. It is part of the established law that&#13;
agreements of this kind are not assignable with-&#13;
out the consent of the owner of the copyright,&#13;
and that they do not pass to an assignee in bank-&#13;
ruptcy nor to a liquidator of a company. Mr.&#13;
Cronk, however, assigned the agreements, and&#13;
sold the stock to Mr. Macqueen, who gave him an&#13;
indemnity for all the consequences of this act. The&#13;
correspondence showed that Mr. Wicks en-&#13;
deavoured to procure from Mr. Macqueen some&#13;
acknowledgment of his rights and some arrange-&#13;
ment for the continuance of the sales; but his&#13;
title to any participation in the proceeds of the&#13;
sale was denied in the first instance by both&#13;
parties. Later an endeavour to make an arrange-&#13;
ment was promised by Mr. Macqueen, but Mr.&#13;
Wicks was requested to wait until full considera-&#13;
tion could be given to the matter. A few months&#13;
later, nothing having been arranged, Mr. Wicks&#13;
found his books on sale at Messrs Smith and&#13;
Son's bookstalls at a slightly reduced price. He&#13;
ascertained that some 1200 copies had been&#13;
bought and paid for three months before without&#13;
any consent on his part, and when he applied for&#13;
an account it was refused. Some months after&#13;
he was offered a third of the royalty stipulated by&#13;
the original agreement on a part of the sales only,&#13;
and the court was applied to. Pressure being&#13;
put upon the parties by the Lord Chief Justice&#13;
to make an arrangement, it was ultimately decided&#13;
to take an order requiring Mr. Macqueen to bind&#13;
the books to the satisfaction of Mr. Wicks, to&#13;
sell them at prices agreed to by Mr. Wicks, to&#13;
expend a reasonable amount in advertising the&#13;
books, which amount would be fixed by a third&#13;
person, and to pay to Mr. Wicks the amount&#13;
acknowledged in the account rendered, and a&#13;
royalty on future sales as stipulated in the origi-&#13;
nal agreement respecting "The Veiled Hand."&#13;
This agreement fixed the royalties at 1*. lod. per&#13;
&#13;
&#13;
## p. 205 (#639) ############################################&#13;
&#13;
THE AUTHOR.&#13;
205&#13;
copy on the 10s. 6d. edition, and 9^. on the&#13;
3s. 6d. edition, to be increased to 2*. 3d. and io\d.&#13;
respectively after the sale of 5000, which has been&#13;
the case with "The Veiled Hand." The liquida-&#13;
tor of the company, who, the Lord Chief Justice&#13;
said, had assigned agreements that he had no&#13;
power to assign, was ordered to leave in the hands&#13;
of .the plaintiff five guineas paid into court.—The&#13;
Athenmum, Dec. 25.&#13;
m.—The Cost of Binding.&#13;
Exception has been taken to our estimate of t,d.&#13;
as the cost of plain binding. We have called&#13;
attention to an increase in the cost of binding.&#13;
This increase seems to belong to small orders.&#13;
Those who have sufficient business to give large&#13;
orders for cloth can still bind very cheaply. The&#13;
following taken from a publisher's account shows&#13;
what is actually paid for binding. There were&#13;
1328 copies bound, viz.:—&#13;
262, in paper, at id.&#13;
150 at 31*. 6d. a hundred, or $zd. a volume.&#13;
916 at 38s. 6d. the hundred, or $\d. a volume.&#13;
The average amounts to 3^m«?.—i.e., a little&#13;
over 3|rf.&#13;
It is pleasant, after hearing frantic declarations&#13;
that the work cannot be done at the price, to&#13;
receive actual accounts showing that the work has&#13;
been done at the price.&#13;
IV.—Thk Copyeight Association.&#13;
A service of plate was presented to Mr. Daldy&#13;
on Dec. 9 by the Copyright Association in recog-&#13;
nition of his services in the cause of copyright.&#13;
The association, as is well known, has been in&#13;
existence a long time. It consists of a few&#13;
authors and some publishers: of late it has been&#13;
working with the Society. It is now very much&#13;
to be desired that the authors who are in the&#13;
association should remember that the Society has&#13;
done a great deal of solid work in connection with&#13;
* copyright, and that a continuance of their&#13;
membership might lead to complications with&#13;
the Society, which should have the first claim&#13;
upon their support.&#13;
V.—Muddock v. Blackwood.&#13;
(Before Mr. Justice Kekewich.)&#13;
This was a copyright case of some importance.&#13;
Two copyright actions had been brought, one&#13;
having been commenced in the Chancery Division&#13;
and the other in the Queen's Bench Division, but&#13;
they had since been consolidated by an order in&#13;
the Chancery action. The writ in the Chancery&#13;
action was issued on Nov. 24, 1896, by the plain-&#13;
tiff, Mr. James Edward Muddock, the author or&#13;
and the registered proprietor of the copyright in&#13;
a work called "A Wingless Angel," against Mr.&#13;
James Blackwood, a publisher, and a firm of pub-&#13;
lishers called J. Blackwood and Co., claiming an&#13;
injunction, an account of profits, and delivery-up&#13;
of copies in respect of a work published by the&#13;
defendants under the same title, and being, in&#13;
fact, a reprint of the plaintiff's work. On Dec. 10&#13;
the principal defendant, Mr. James Blackwood,&#13;
wrote to the plaintiff offering to submit to an in-&#13;
junction, to pay =£10 as damages, to deliver up all&#13;
copies in his hands, and to pay the plaintiff's&#13;
costs as between party and party. The plaintiff,&#13;
however, refused the offer, and on Dec. 18 made a&#13;
demand in writing on the defendants under sect.&#13;
23 of the Copyright Act, 1842 (5 &amp; 6 Vict. c. 45),&#13;
for all copies of the book unlawfully printed or&#13;
imported; and then, on Dec. 23, 1896, issued the&#13;
writ in the Queen's Bench action, claiming&#13;
damages for wrongful conversion of copies of the&#13;
book unlawfully printed without the consent of&#13;
the plaintiff. Then he delivered a statement of&#13;
claim in that action, and on Feb. 1,1897, obtained&#13;
an order in chambers in that action transferring&#13;
it to the Chancery Division, but expressly reserv-&#13;
ing the costs of that action to be dealt with by&#13;
the Chancery judge at the trial. On Feb. 8 Mr.&#13;
Justice Kekewich, on the plaintiff's application,&#13;
made an order that the two actions should be&#13;
consolidated and proceed as one action, and in the&#13;
consolidated action the plaintiff delivered a state-&#13;
ment of claim, claiming an injunction, delivery up&#13;
of all copies in the defendants' possession, an&#13;
account of profits made by the defendants by the&#13;
infringement, or, alternatively, damages in respect&#13;
of the infringement, with an inquiry as to the&#13;
amount thereof, £2 50 damages for conversion as&#13;
in an action of trover, and costs. It appeared&#13;
that the plaintiff had not published any copies of&#13;
his work since 1875; that in 1886 the defendant&#13;
Mr. James Blackwood bought the stereotyped&#13;
plates of the work at an auction sale at Messrs.&#13;
Puttick and Simpson's, of Leicester-square, and&#13;
had used them without demur until last year. An&#13;
account furnished by the defendant showed that&#13;
in 1886 he sold 1010 copies at a total price of&#13;
■£38 199. g^d., and at a profit of £8 lot. 4$&lt;Z.;&#13;
also that in 1896 he sold 29 copies at a profit of&#13;
£1 4«. 2d., his total profits thus amounting to&#13;
=£9 148. 6\d. -. also that, after taking into account&#13;
the purchase of the plates and repairs, amounting&#13;
altogether to &lt;£io, there had been a net loss on&#13;
production and sale of the book of 58. $\d.&#13;
Warrington, Q.C., and J. G. Joseph for the&#13;
plaintiff, relied on sect. 23 of the Copyright Act,&#13;
1842 (5 &amp; 6 Vict. c. 45) (Scrutton on Copyright,&#13;
p. 246), which provides that "all copies of any&#13;
book wherein there shall be copyright, and of&#13;
which entry shall have been made in the said&#13;
&#13;
&#13;
## p. 206 (#640) ############################################&#13;
&#13;
206&#13;
THE AUTHOR.&#13;
registry book, and which shall have been unlaw-&#13;
fully printed or imported without the consent of&#13;
the registered proprietor of such copyright, in&#13;
writing under his hand first obtained, shall be&#13;
deemed to be the property of the proprietor of&#13;
such copyright, and who shall be registered as&#13;
such, and such registered proprietor shall, after&#13;
demand thereof in writing, be entitled to sue for&#13;
and recover the same, or damages for the deten-&#13;
tion thereof, in an action of detinue, from any&#13;
party who shall detain the same, or to sue for and&#13;
recover damages for the conversion thereof in an&#13;
action for trover."&#13;
Renshaw, Q.C. and J. W. Baines, for the&#13;
defendant Blackwood, referred to sect. 15, which&#13;
enacts that " if any person shall, in any part of&#13;
the British dominions, after the passing of this&#13;
Act, print or cause to be printed, either for sale&#13;
or exportation, any book in which there shall be&#13;
subsisting copyright, without the consent in&#13;
writing of the proprietor thereof, or shall import&#13;
for sale or hire any such book so having been&#13;
unlawfully printed from paits beyond the sea, or,&#13;
knowing such book to have been so unlawfully&#13;
printed or imported, shall sell, publish, or expose&#13;
for sale or hire, or cause to be sold, published,&#13;
or exposed for sale or hire, or shall have in his&#13;
possession, for sale or hire, any such book so un-&#13;
lawfully printed or imported, without such con-&#13;
sent as aforesaid, such offender shall be liable to a&#13;
special action on the case at the suit of the pro-&#13;
prietor of such copyright, to be brought in any&#13;
court of record in that part of the British&#13;
dominions in which the offence shall be com-&#13;
mitted." They submitted that the two sections&#13;
were inconsistent, and that the plaintiff was wrong&#13;
in claiming, as he had done, both in detinue and&#13;
in trover, for, under sect. 23 he must select the&#13;
one mode of action or the other, not both. As to&#13;
the alleged profits made by the defendant, when&#13;
the price of the plates and the usual trade dis-&#13;
count were taken into consideration, it was clear&#13;
there could be no profits. [Mr. Justice Kbke-&#13;
wich.—I should think wingless angels would&#13;
require some discount to make them fly. (Laugh-&#13;
ter.)] The plaintiff had resorted to a "multi-&#13;
plicity" of actions, when he might have sought&#13;
relief by one action. The action had been, in&#13;
fact, continued without any necessity, the defen-&#13;
dant having offered all the plaintiff could justly&#13;
claim.&#13;
Mr. Justice Kkkkwich said it was somewhat&#13;
strange that in the end of the year 1897 he should&#13;
be called upon for the first time to say what was&#13;
the meaning of sect. 23 of the Act 5 &amp; 6 Vict,&#13;
c. 45—whether the remedy given by that section&#13;
was inconsistent with that given by sect. 15; but&#13;
he supposed he was really called upon to do that&#13;
because no counsel had suggested to him that&#13;
there was any decision; and, moreover, the book&#13;
on copyright which was in the bands of the pro-&#13;
fession, and to which reference was usually made&#13;
on all questions of copyright, did not give any&#13;
case on the subject. Two points had been raised.&#13;
First, it was said on behalf of the defendant&#13;
that sect. 15 gave the proprietor of copyright a&#13;
remedy by special action on the case: that that&#13;
meant that this was the remedy which he was&#13;
intended to pursue, except so far as his remedies&#13;
at common law were not interfered with; that&#13;
the offender under sect. 23 was a different person&#13;
to the offender under sect. 15; that under sect. 15&#13;
he was dealing with a person who had " unlaw-&#13;
fully printed or imported " a book in which there&#13;
was a subsisting copyright, and that the other&#13;
Kect., 23, provided a remedy against the accidental&#13;
possessor of the infringing book, so as to give a&#13;
right of action against that accidental possessor&#13;
independently of his being otherwise a wrong-&#13;
doer. That might b-j the right view, but the&#13;
language of the sections was not sufficiently clear&#13;
to compel his Lordship to adopt it. No doubt&#13;
there were words in sect. 15 which were not to be&#13;
found in sect. 23, and he was unable to suggest&#13;
why the two sections should not have been put&#13;
into one, and why they should have been sepa-&#13;
rated as they were. But, on the other hand, he&#13;
did not see why, because the proprietor of copy-&#13;
right had a remedy under sect. 15 against the&#13;
wrong-doer, he could not sue that wrong-doer, if&#13;
so advised, under sect. 23. Then the next point&#13;
was this. The book being vested in the pro-&#13;
prietor of the copyright, sect. 23 said he "shall,&#13;
after demand in writing, be entitled to sue for&#13;
and recover the same or damages for the deten-&#13;
tion thereof, in an action of detinue, from any&#13;
party who shall detain the same, or to sue for and&#13;
recover damages for the conversion thereof in an&#13;
action of trover." That provided an alternative&#13;
remedy; and the argument on behalf of the&#13;
defendant was that the plaintiff claiming to sue •&#13;
under that section must elect to sue either in&#13;
detinue or in trover, and could not sue in both.&#13;
That was an easier point than the other.&#13;
There was an alternative remedy. It would,&#13;
in his Lordship's opinion, be adopting an&#13;
extremely narrow construction of the Act to say&#13;
that the proprietor of the copyright in a book,&#13;
knowing that a person had a certain number of&#13;
copies in his hands and that he had sold other&#13;
copies, could not sue that person in respect of&#13;
the copies that he had detained, and also in&#13;
respect of those that he had converted to his own&#13;
jise. It seemed tolerably plain upon the Act&#13;
itself, and in accordance with what was the appa-&#13;
rent intention of the Legislature, that the two&#13;
&#13;
&#13;
## p. 207 (#641) ############################################&#13;
&#13;
THE AUTHOR.&#13;
207&#13;
actions might be reduced to one action distributed&#13;
in the way he had suggested—that is to say, the&#13;
plaintiff might sue in detinue in respect of the&#13;
copies the defendant had detained, and might&#13;
sue in trover in respect of the copies he had&#13;
sold and converted to his own use. Having got&#13;
so far, the plaintiff in the present case, who was&#13;
the proprietor of the registered copyright in a&#13;
book called "A Wingless Angel," was entitled to&#13;
sue under sect. 23, and to sue the defendant not-&#13;
withstanding that he might have brought what&#13;
was called " a special action on the case " under&#13;
sect. 15; and he might have exercised his privi-&#13;
lege of bringing an action on the case by pro-&#13;
ceeding in the Chancery Division. What, then,&#13;
was the plaintiff's remedy? In his Lordship's&#13;
opinion he was entitled to the delivery-up on&#13;
oath of all books in the possession of the&#13;
defendant—that is to say, delivery-up, and also&#13;
damages as in an action of trover for the books&#13;
the defendant had sold. The defendant had sold&#13;
twice. In 1886 he sold 1010 copies and realised&#13;
.£38 19*. g^d., or, say, .£39, making a profit of&#13;
£8 10s. 4%d.; and then he published the book&#13;
again in 1896, and sold twenty-nine copies, and&#13;
made a profit of &lt;£i 40. 2d., which on his own&#13;
showing was rather more than one-eighth of&#13;
what he had made in 1886. His Lordship de-&#13;
clined to order an inquiry as to damages. It&#13;
would be almost wicked to send the case to the&#13;
master or to an official referee to find damages&#13;
for conversion; if necessary, he should have the&#13;
inquiry before himself. Mr. Warrington had&#13;
asked him to fix a sum, and if he added forty&#13;
guineas for the whole, he thought he was giving&#13;
the plaintiff as much as he was entitled to. The&#13;
plaintiff was also entitled to an injunction as&#13;
part of the order. Upon the question of costs,&#13;
his Lordship said that the plaintiff might have&#13;
obtained all the relief he sought by one action in&#13;
the Chancery Division. He seemed, however, to&#13;
have determined to multiply costs in every&#13;
possible way, and his Lordship would do his best&#13;
to mark his sense of that proceeding. He should&#13;
therefore give him only the costs of the Chancery&#13;
action; the costs of the other proceedings he&#13;
must be ordered to pay.—The Times, Nov. 17.&#13;
SHELLEY'S PUBLISHES.&#13;
CHARLES OLLIER began his working life&#13;
in Messrs. Coutts's bank, but a classical&#13;
education had developed literary tastes, and&#13;
these he first indulged by becoming a publisher.&#13;
He had not been a year in business when, through&#13;
Leigh Hunt—whose "Foliage," "Hero and&#13;
VOL. VIII.&#13;
Leander," and the second edition of " The Story&#13;
of Rimini" he published—he was introduced to&#13;
Keats, and the acquaintance led to his publishing&#13;
the first poems of Keats in 1817. The book was&#13;
not a success; Keats blamed the inactivity of the&#13;
publisher, and went over to Taylor and Hessey&#13;
with his subsequent works. With Shelley the&#13;
case was different. It was due to Oilier that&#13;
Shelley's "Laon and Cythna" was altered and&#13;
converted into "The Revolt of Islam"; and,&#13;
although the poet complained of that proceeding,&#13;
all his subsequent works published in his life-&#13;
time, except "Swellfoot the Tyrant," were&#13;
brought out by Oilier. When Shelley sent his&#13;
"Defence of Poetry" to Oilier in 1821, indeed, he&#13;
wrote that " if any expressions should strike you&#13;
as too unpopular, I give you the power of omit-&#13;
ting them; but I trust you will, if possible,&#13;
refrain from exercising this." Although his&#13;
brother James was the man of business, the firm&#13;
of Charles and James Oilier, of Vere-street, did not&#13;
prosper. Li 1819 he published " The Literary&#13;
Pocket Book," in which Shelley's poem of " Mari-&#13;
anne's Dream" was first printed; and in 1820&#13;
he brought out the first part of " Oilier's Literary&#13;
Miscellany, in Prose and Verse, by Several&#13;
Hands." This publication, which, as the title-&#13;
page said, was "to be continued occasionally,"&#13;
contained a remarkable article on the German&#13;
drama by Archdeacon Hare, and another by&#13;
Peacock on "The Four Ages of Poetry." As&#13;
the latter, in which the writer regarded poetry as a&#13;
worn-out delusion of barbarous times, provoked&#13;
Shelley's "Defence of Pcetry," the following&#13;
entertaining passage may be quoted as a taste of&#13;
its quality. The year of writing is 1820:—&#13;
In the origin and perfection of poetry, all the associa-&#13;
tions of life were composed of poetio materials. With us it&#13;
is decidedly the reverse. We know, too, that there are nu&#13;
Dryads in Hyde Park nor Naiads in the Regent's Canal&#13;
Bat barbaric manners and supernatural interventions are&#13;
essential to poetry. Either in the scene, or in the time, or&#13;
in both, it must be remote from our ordinary perceptions.&#13;
While the historian and the philosopher are advanoing in&#13;
and accelerating the progress of knowledge, the poet is&#13;
wallowing in the rubbish of departed ignoranoe, and raking&#13;
up the ashes of dead savages to find geegaws and rattles&#13;
for the grown babies of the age. Mr. Scott digs up the&#13;
poachers and cattle stealers of the anoient border. Lord&#13;
Byron cruises for thieves and pirates on the shores of the&#13;
Morea and among the Greek islands. Mr. Southey wades&#13;
through ponderous volumes of travel and old chronicles,&#13;
from which he carefully selects all that is false, useless,&#13;
and absurd, as being essentially poetioal; and when he has a&#13;
oommonplace book, full of monstrosities, strings them into&#13;
an epic Mr. Wordsworth picks up village legends from old&#13;
women and sextons; and Mr. Coleridge, to the valuable&#13;
information acquired from similar sources, superadds the&#13;
dreams of crazy theologians and the mysticisms of German&#13;
metaphysios, and favours the world with visions in verse,&#13;
in whioh the quadruple elements of sexton, old woman,&#13;
Jeremy Taylor, and Emanuel Kant are harmonised into a&#13;
T&#13;
&#13;
&#13;
## p. 208 (#642) ############################################&#13;
&#13;
208&#13;
THE AUTHOR.&#13;
delicious poetical compound. Mr. Moore presents as with&#13;
a Persian, and Mr. Campbell with a Pennsylvanian tale,&#13;
both formed on the same principle as Mr. Southey's epics,&#13;
by extracting from a perfunctory and desultory perusal of a&#13;
collection of voyages and travels, all that useful investiga-&#13;
tion would not seek for and that common sense would&#13;
reject.&#13;
"Very clever, but false," said Shelley of Pea-&#13;
cock's tilt against poetry. Shelley's " Defence"&#13;
was originally intended to appear in the second&#13;
part of "Ollier's Miscellany," but no second part&#13;
ever appeared. Then Ollier's business was wound-&#13;
up, and the " Defence" came into the possession&#13;
of John Hunt, who prepared it for publication&#13;
in the " Liberal," but that periodical also expired&#13;
before it could be published.&#13;
Meanwhile Oilier had become a literary adviser&#13;
to Bentley, and he continued long in this position.&#13;
He also contributed to magazines, and occasion-&#13;
ally gave lectures on celebrated writers. He&#13;
admired Shakespeare to such a degree, and held&#13;
himself under such a loyal weight of obligation&#13;
to him, that, says Hunt, "I have known him&#13;
involuntarily measure persons, whom he other-&#13;
wise respected, from head to foot if tbey ventured&#13;
to maintain the least objection to the great poet;&#13;
as though, in default of some possible intellectual&#13;
cause for it, he was trying to discover some cause&#13;
physical."&#13;
As an author, Oilier possessed two faults in&#13;
Leigh Hunt's eyes. First, he should have written&#13;
more; and, secondly, he should have taken more&#13;
pains to keep what he did write before the public.&#13;
His first work was "Altham and His Wife: a&#13;
Domestic Tale" (1818). Shelley wrote of this:&#13;
"It is a natural story, most unaffectedly told in a&#13;
strain of very pure and powerful English." Sir&#13;
Walter Scott, in a critique which he wrote in the&#13;
Quarterly Review on the novel of " Haggi Baba"&#13;
in England, refers to the story of "Altham and&#13;
His Wife" as furnishing pleasant authority for&#13;
the telling of love-tales under umbrellas during a&#13;
shower. Ollier's second book, "Iuesilla; or, the&#13;
Tempter: a Romance, with Other Tales" (1824),&#13;
Hunt said was "the best bit of diablerie in the&#13;
language." So high an opinion was entertained&#13;
of it by the authoress of "Frankenstein," that a&#13;
publisher having proposed to piece out the requi-&#13;
site size of a volume of stories from her pen by&#13;
one worthy of its companionship, she said she&#13;
should prefer this production of Mr. Oilier. Then&#13;
followed "Ferrers" (1842), a romance on the&#13;
execution of Earl Ferrers in 1760; "Fallacy of&#13;
Ghosts, Dreams, and Omens, with Stories of&#13;
Witchcraft, Life-in-Death, and Monomania"&#13;
(1848), reprinted from Ainsworth's Magazine,&#13;
and published by the author himself. Edmund&#13;
Oilier, author, who died in 1886, was a son of&#13;
Charles Oilier.&#13;
EUSSIAN COPYBIGHT.&#13;
AT present, no international copyright exists&#13;
in Russia. Not only is the Russian&#13;
Empire by far the largest and by far the&#13;
most important of the European States outside&#13;
the Berne Convention, but it is also without any&#13;
private copyright convention with any other&#13;
State. The readers of The Author will not&#13;
require to be told what that implies. The&#13;
results are, of course, as unsatisfactory to Russian&#13;
authors as they are to the authors of other&#13;
countries, all whose works are at the free disposal&#13;
of the subjects of the Tsar. Even editors and&#13;
publishers do not find it always convenient to be&#13;
unable either to inhibit the unlimited introduction&#13;
of translations of foreign works, or to get any&#13;
protection for those which they have themselves&#13;
brought out. In fact, the situation appears&#13;
to be rapidly becoming intolerable. The object,&#13;
however, of the present article is not to&#13;
explain that the results of unlimited piracy&#13;
are as unsatisfactory in Russia as elsewhere.&#13;
That is a matter of course. But it is pleasant&#13;
to be able to mention, on the other hand,&#13;
that the Russians are beginning to realise that&#13;
piracy is unsatisfactory, and that, in consequence,&#13;
some steps in a more hopeful direction have been&#13;
recently taken.&#13;
For some time past pleas have been urged in&#13;
favour of the renewal of the copyright conven-&#13;
tion formerly existing between Russia and France.&#13;
This lapsed upon the denunciation, in 1887, of&#13;
the treaty of 1861. In 1893 M. Zola published in&#13;
the Temps, "An Open Letter to the Russian&#13;
Press." In 1894 both the St. Petersburg Society&#13;
of Authors and the St. Petersburg Association of&#13;
Publishers named commissions to consider pro-&#13;
posals for some new legislation. The Musical&#13;
Society of St. Petersburg and the Society of&#13;
Artists took also similar steps. In the meantime&#13;
the Russian Government had instituted under the&#13;
presidency of Count Muravieff, then Minister of&#13;
Justice, but at present of Foreign Affairs, a com-&#13;
mission for the revision of the Russian code.&#13;
Upon reaching the section relating to copyright,&#13;
certain new regulations, in accordance with&#13;
modern views, were proposed and submitted for&#13;
consideration to various Russian societies com-&#13;
petent to give opinions concerning them. More&#13;
recently the text of the proposed legislation was&#13;
communicated to the congress at Monaco, accom-&#13;
panied by a letter from the Chancellor of the&#13;
Russian Imperial Commission. This letter ex-&#13;
plained that the projected regulations were&#13;
by no means to be regarded as final, and&#13;
that the right of translation, at present&#13;
&#13;
&#13;
## p. 209 (#643) ############################################&#13;
&#13;
THE AUTHOR.&#13;
209&#13;
treated in a manner altogether inconsistent&#13;
with the spirit of the Berne Convention,&#13;
would probably be reconsidered and placed&#13;
upon an entirely different basis. The Monaco&#13;
Congress was naturally much gratified by the&#13;
compliment paid it by the Russian Government,&#13;
and a special commission of the association was&#13;
nominated to study the proposals laid before it.&#13;
Those who are specially interested in the subject&#13;
will find lengthy and highly instructive articles&#13;
upon it in the recent numbers of Le Droit&#13;
d'Auteur, to which publication we are indebted&#13;
for the facte briefly summarised in the following&#13;
paragraphs.&#13;
All literary, musical, and artistic works are to&#13;
be protected. With some restrictions, copyright&#13;
is accorded also to collections of national ballads,&#13;
and of other folk-lore, hitherto orally transmitted&#13;
(an excellent provision in a country so rich in&#13;
folk-lore as Russia), and to editors of ancient&#13;
manuscripts—the last without prejudice to editors&#13;
of other manuscripts of the same work. Lectures,&#13;
sermons, and public discourses are also to be&#13;
copyright. Of judicial, municipal, and other&#13;
public speeches of the same kind, the authors&#13;
are to have a copyright, but the newspapers&#13;
to be free to report. Laws and public regula-&#13;
tions are not copyright. Both writer and&#13;
receiver, or their heirs, have control over private&#13;
letters. Amongst artistic works the following&#13;
are particularly specified as protected—maps,&#13;
plans, and architectural and technical designs.&#13;
Photographs are protected, with some restric-&#13;
tions.&#13;
Unpublished literary and artistic works cannot&#13;
be seized. Damages can be claimed for infringe-&#13;
ment of copyright, whether wilful or uninten-&#13;
tional. In the latter case the culprit is respon-&#13;
sible only for a sum representing his actual gain.&#13;
Proceedings before either civil or criminal&#13;
tribunals will be easily taken. The owner of the&#13;
copyright can proceed within a limit of three years&#13;
after his discovery of the infringement of his&#13;
rights. The penalty for illicit production of&#13;
dramatic works will be forfeiture to the author of&#13;
the whole of the gross receipts. Cession of a&#13;
work does not include cession of the right of&#13;
translation. Cession of right to publish a drama&#13;
does not include right to perform.&#13;
The author's rights are subject to certain&#13;
restrictions. The entire reproduction of works&#13;
of insignificant extent is permitted if they are&#13;
reproduced in voluminous works of an original&#13;
character. Reproduction in chrestomathies, or&#13;
in similar works of a scientific or educational&#13;
character, is also allowed. Periodicals are allowed&#13;
to copy matter from the columns of others, pro-&#13;
vided that the extracts are of small extent, not&#13;
VOL. VIII.&#13;
of a literary character, and not continuously&#13;
drawn from the same source. All such extracts&#13;
are to be accompanied by an indication of their&#13;
origin. The interests of the author are also&#13;
sacrificed to those of the musical composer.&#13;
Words for music may be taken freely from any&#13;
published work, unless the words have been&#13;
written exclusively for setting to music, and the&#13;
composer may sell the words with the music&#13;
without restriction. For restrictions on the rights&#13;
of artiste we must refer the rt ader to Le Droit&#13;
d'Auteur. A literary work may be dramatised&#13;
without the author's consent after a lapse of ten&#13;
years from its publication.&#13;
Respecting translation much remains to be&#13;
desired. The author of a work published in&#13;
Russia enjovs an exclusive right of translation for&#13;
ten years, if this right is expressly reserved by a&#13;
declaration on the title or in the preface, and if&#13;
he publishes a tsanslation within three years after&#13;
the appearance of the original work. Works&#13;
simultaneously published in different languages&#13;
are to be considered as original works in every&#13;
one of these languages.&#13;
When the right of translation has become&#13;
public property, a translator has no power to&#13;
inhibit any other translation of the same work.&#13;
The duration of copyright will be the same as&#13;
at present, the life of the author and fifty years&#13;
afterwards. This applies also to music. Fifty&#13;
years from the death of the author is the dura-&#13;
tion of the copyright of posthumous works.&#13;
Fifty years from the date of publication will be&#13;
the duration for—&#13;
(a) First editions of folk-lore;&#13;
(6) First editions of ancient manuscripts;&#13;
(c) The publications of universities, academies,&#13;
educational institutions, and learned societies.&#13;
The copyright of an anonymous or pseudony-&#13;
mous publication has a duration of thirty years&#13;
from the date of publication, unless the author&#13;
declares himself within that period, in which case&#13;
he acquires his ordinary rights.&#13;
The duration of copyright for a photograph is&#13;
five years only; for a translation it is the life of&#13;
the translator and thirty years afterwards.&#13;
The editors of periodicals, encyclopaedias,&#13;
almanacks, and similar works, composed of the&#13;
writings of different authors, have a fifty years'&#13;
copyright commencing from the date of publi-&#13;
cation. The contributors, without prejudice to&#13;
their rights in the miscellany, may, unless the&#13;
contrary has been expressly stipulated, reprint&#13;
their works two years after their appearance in&#13;
the miscellany.&#13;
The author who has ceded his right for a single&#13;
edition may, unless the contrary has been ex-&#13;
pressly stipulated, publish a new edition as soon&#13;
t 2&#13;
&#13;
&#13;
## p. 210 (#644) ############################################&#13;
&#13;
2IO&#13;
THE AUTHOR.&#13;
as the first is exhausted, or, even if it be not&#13;
exhausted, after five years; or at any time, if the&#13;
work has undergone such modifications as will&#13;
make it really a new book.&#13;
These regulations will apply to all works pub-&#13;
lished in Russia, whether the author be a Russian&#13;
or a foreigner. They apply also to the works of&#13;
a Russian subject published in a foreign country.&#13;
No protection is given to the works of foreigners&#13;
published outside the Russian Empire. Nor is&#13;
any hint given of conventions ultimately to be&#13;
concluded with other States. This would appear&#13;
to indicate that complete non-recognition of the&#13;
rights of foreigners is to be the rule. Happily,&#13;
the letter of the Chancellor of the Imperial Com-&#13;
mission leaves some hopes of an ultimate more&#13;
liberal arrangement.&#13;
Henby Cbesswell.&#13;
NEW YORK LETTER.&#13;
New York, Dec. 17, 1897.&#13;
ANUMBER of interesting changes in the&#13;
tendencies of publishing are visible in the&#13;
Christmas books this year, and they are&#13;
nearly all encouraging. All of the leading houses&#13;
are publishing less of those books which, intended&#13;
exclusively for Christmas sale, are of flimsy and&#13;
ephemeral character, with slight real interest.&#13;
Trifles for children, and gift-books full of cheap&#13;
illustrations and decorations, are not published&#13;
by any but some of the weaker houses. Instead&#13;
of that we see the solid books being advertised as&#13;
especially suitable for gift-books. A few of the&#13;
smaller houses, however, have just as large a&#13;
supply of tinsel as ever. Among the solid books&#13;
which seem to be especially popular for this par-&#13;
ticular purpose are those on the popular aspects&#13;
of science and philosophy, and especially on those&#13;
branches of those subjects which can be treated&#13;
in a half pictorial way, which explains an un-&#13;
common amount of literature about birds and&#13;
plants this year, and also explains the big&#13;
Christmas demand for books on art and travel.&#13;
The decoration is improving in the same way as&#13;
the contents. Really rich and luxurious paper&#13;
and binding are taking the place of the cheaper&#13;
devices, although one wasteful tendency is notice-&#13;
able—that of making the books so delicate that&#13;
any reasonable amount of handling would ruin&#13;
them. Perhaps of all the Christmas books,&#13;
properly speaking, the two most conspicuous are&#13;
Gibson's book on London (published by tbe&#13;
Scribners) and "Joan of Arc," by Boutet de&#13;
Mouvel, published by the Century Company.&#13;
John Li Farge's "Artist's Letters from Japan"&#13;
has attracted a good deal of attention, and&#13;
it is a reminder that the growing familiarity&#13;
with Japanese and French ideas in regard to&#13;
decoration is responsible for much of the im-&#13;
provement.&#13;
One of the most interesting of all the solid&#13;
books is the history of dancing from the earliest&#13;
stages to our own times, published by Appleton&#13;
and Co. as a translation from the French. The&#13;
text itself is complete and intelligent, and the&#13;
illustrations reproduce some of the finest works of&#13;
art from the earliest times down to Sargent,&#13;
Degas and Cheret.&#13;
Among the books which will appear before a&#13;
great while it must be said, to the credit of the&#13;
cheap magazines and the cheap publishing houses,&#13;
that the most interesting, to my mind at least, will&#13;
be given by Mr. Munsey. It will be made up of&#13;
a series of articles now running in the magazine&#13;
which give the judgment of various writers of&#13;
fiction on their favourite novelists. The date of&#13;
the issue cannot be fixed until it is known when&#13;
the series will be completed. Anthony Hope's&#13;
article on Sterne, in the November number of the&#13;
magazine, struck me as being the best piece of&#13;
literary criticism of recent publication that I have&#13;
seen anywhere. It suggested one rather gloomy&#13;
conclusion for the professional critic, which is,&#13;
that the man who sits down occasionally to&#13;
express ideas which he has thought of for many&#13;
years gives something more permanently worth&#13;
while than most of the criticism which is written&#13;
by men who turn everything they know into&#13;
copy.&#13;
This observation, by-the-way, has its relations&#13;
to an article which Professor H. T. Peck has&#13;
recently written, in which he says that the&#13;
influence of the magazine on authors has been&#13;
generally deteriorating, by inducing them to write&#13;
too constantly. Except in the cases of genius,&#13;
he thinks it makes no difference to the author,&#13;
because he wouldn't do anything anyway; but&#13;
where a man has genius he is ruined by the in-&#13;
ducement to hasty work. The corresponding&#13;
harm to the public is obvious.&#13;
Mr. Howells, who has just returned from&#13;
Europe, said while abroad that there was no one&#13;
in this country whose good opinion was like that&#13;
of Mr. Gladstone, able to make a reputation, and&#13;
that Lowell's opinion in his closing years would&#13;
have done more in that way than any other.&#13;
Seeking the reason for this truth, the Nation&#13;
thinks that it is because criticism here is too&#13;
gentle, and that Mr. Lowell's influence lay largely&#13;
in his freedom from the fault of indiscriminate&#13;
praise, which is surely an explanation altogether&#13;
insufficient to explain the lack of strong criticism&#13;
here—-ather the effect than the cause.&#13;
&#13;
&#13;
## p. 211 (#645) ############################################&#13;
&#13;
THE AUTHOR.&#13;
211&#13;
One queBtion that might with profit be dis-&#13;
cussed fully in this country is the ethics of&#13;
editing, which has received such thorough treat-&#13;
ment from The Author. The degree to which&#13;
some of the magazine editors change the words&#13;
and ideas in signed articles, not only in those&#13;
written by the less known men, but often in&#13;
those written by some of the most prominent&#13;
authors in the world is very marked. It would&#13;
not he safe for me to give the facts too specifically.&#13;
A subject about which I have found marked&#13;
differences of opinion lately is that of dating&#13;
books. One writer of long experience held that&#13;
in publishing a book of essays it was decidedly&#13;
better to date each essay, in order that the earlier&#13;
ones might be recognised as not the latest&#13;
product of the author's mind. Another man,&#13;
of equal ability and almost equal experience, said&#13;
that to date the essays, or in any way, as by an&#13;
acknowledgment in the front of the book, to show&#13;
that they had been published, would injure the&#13;
sale, so strong is the desire for " something new."&#13;
The literary success of the last few weeks in&#13;
New York belongs to England. The enthusiasm&#13;
with which intelligent people have received " The&#13;
Princess and the Butterfly" is as much due to&#13;
Mr. Pinero'8 literary qualities as to the dramatic&#13;
ones. There is no doubt that the play has made&#13;
a stronger impression on the minds of the intelli-&#13;
gent people of New York than anything else&#13;
which has been given here this year.&#13;
Norman Hapoood.&#13;
NOTES AND NEWS.&#13;
THE Speaker once more kindly devotes two or&#13;
three columns of abuse to this Society. It&#13;
appears that we contain few men of recog-&#13;
nised standing: that we are run by a small clique&#13;
of busybodies: that we claim to determine the&#13;
conditions upon which books shall be sold: that&#13;
nine-tenths of the known authors of the country&#13;
know nothing about the Society: that it is the&#13;
desire of the Society to establish a fixed royalty&#13;
for the author: that our Report on the Discount&#13;
System is a masterpiece of inconsequential&#13;
reasoning: and so on. Of course they put&#13;
my name forward as the supposed leader in&#13;
all this wickedness: to that I am quite accus-&#13;
tomed. It is the old trick of representing the&#13;
Society as consisting of one man. I only&#13;
wonder that they ever allow any others to be&#13;
connected with it at all. There are others, how-&#13;
ever: the writer acknowledges so much, though,&#13;
as he assures his readers, my friends, like myself,&#13;
only " cater for the middle class." This is a very&#13;
terrible charge. How is one to get out of it?&#13;
Since, however, the middle class of this country&#13;
furnishes the great bulk of readers: since from&#13;
the middle class come all our men of science,&#13;
of art, of literature; all our preachers, most&#13;
of our leaders, all our engineers, lawyers,&#13;
merchants—in fact, all the people who ever do any-&#13;
thing— I really see no disgrace in "catering"&#13;
for them. The Speaker, of course, " caters " for&#13;
the aristocracy alone. I wonder how it is done.&#13;
However, the true meaning of all this wrath&#13;
presently appears when the writer wanders from&#13;
his subject in order to talk about royalties. It is&#13;
the increase of the royalty which inspires this real&#13;
and genuine indignation. Now, it is certainly not&#13;
true, as the writer says, that we have ever advo-&#13;
cated a fixed royalty. We have, however, pub-&#13;
lished the meaning of royalties—what they give to&#13;
authors and what they give to publishers. These&#13;
truths have given a great deal of dissatisfaction.&#13;
It is undoubted that, thanks to the action of the&#13;
Society, royalties have very greatly advanced; it&#13;
is also true that certain publishers who used to&#13;
offer a sweating royalty, say, of 5 per cent., have&#13;
had to treble, and more than treble, their terms,&#13;
or else to see books taken elsewhere. Other little&#13;
trifles have also been secured to the author, such&#13;
as dramatic rights, American rights, Continental&#13;
rights, through the action of the Society in pub-&#13;
lishing the facts of the case.&#13;
Authors, again, have been kept out of certain&#13;
hands to the great loss and detriment of those&#13;
hands: light has been poured upon the meaning&#13;
of production and its cost. In this way it is&#13;
possible that dividends may have fallen in this or&#13;
that company. Such a consideration suggests a&#13;
very simple explanation if a paper should happen&#13;
to be controlled by a publishing house. But, if&#13;
the Speaker can reason at all on the subject, one&#13;
would ask if any purpose is gained by all this&#13;
invective? Is the Society one whit the worse for&#13;
these attacks \ I believe not. Never has any associa-&#13;
tion been more savagely attacked than the Society of&#13;
Authors. Yet it is larger, stronger, and of better&#13;
repute to-day than ever before. And the editor&#13;
of the Speaker may ask himself if, by any of his&#13;
previous attacks upon the paper, he has injured the&#13;
Society in the slightest way? And we may ask,&#13;
generally, all these persons, publishers or other-&#13;
wise, who attack the Society, whether they find&#13;
their own position improved by these attacks?&#13;
And we may ask the whole world whether authors,&#13;
like other people, are prepared to give up an asso-&#13;
ciation which has so enormously advanced their&#13;
own interests? .&#13;
Let us remind our members that ten or twelve&#13;
years ago a 10 per cent, royalty was the utmost&#13;
&#13;
&#13;
## p. 212 (#646) ############################################&#13;
&#13;
212&#13;
THE AUTHOR.&#13;
ever offered. Generally it was less—a 5 per&#13;
cent, with something down. A certain very&#13;
popular novel was once given to a publisher for&#13;
.£50 in advance and a 5 per cent, royalty. That&#13;
author's terms would now be 25 per cent. Look&#13;
at the difference on a sale of a thousand.&#13;
On a 5 per cent, royalty .£15 per thousand&#13;
copies.&#13;
On a 25 per cent, royalty ,£75 per thousand&#13;
copies.&#13;
On a sale of fifty thousand—it was more than&#13;
that—there was a difference — clear gain — of&#13;
£3000. And this is evidently the work of the&#13;
Society which was the first to investigate the&#13;
meaning of the figures and the corresponding&#13;
meaning of royalties. Take, however, a more&#13;
common case, the old royalty of 10 per cent,&#13;
compared with that of 25 per cent.&#13;
On 10 per cent, the sum of ,£30 for every&#13;
thousand copies.&#13;
On 25 per cent, the sum of J675 for every&#13;
thousand copies.&#13;
On a sale of fifty thousand—I repeat that the&#13;
book in question was very popular—the author is&#13;
a gainer of £1250. As to other services of the&#13;
Society, we may speak of them at another time.&#13;
Let the reader only consider that if the Society&#13;
were to become extinct these figures would very&#13;
speedily be lost and forgotten—and the old con-&#13;
dition of things would be restored.&#13;
I have before me certain remarks upon our&#13;
estimates and figures in a new paper of which&#13;
this is only the second number. It is called the&#13;
Qtiilldriver. The writer speaks well of the&#13;
Society, but complains that in The Author young&#13;
writers are led to believe that the average circu-&#13;
lation of a novel is 3000. Not so: the average&#13;
is not spoken of; in preparing these figures we&#13;
have nothing to do with the average, we have to&#13;
deal with the possibilities. In dealing with, or&#13;
speaking of, literary property we must consider&#13;
actual, substantial literary property — which&#13;
means the achievement of popularity: we must&#13;
prepare agreements for possibilities — never,&#13;
perhaps, to be realised, yet always possible.&#13;
That is the meaning of our figures. When we&#13;
assume a circulation of 3000 it is in order to&#13;
provide for the possibility of that number. Nor&#13;
can I believe that anyone is so foolish as to&#13;
think that the majority of novels do actually&#13;
attain this figure. When a young barrister enters&#13;
upon his profession he considers the prizes:&#13;
the great practice possible: the great reputa-&#13;
tion; he then lays himself out, so to speak, for&#13;
the attainment of this great practice: he does not&#13;
consider the many failures which are, of course,&#13;
possible for him as for any other. So a young&#13;
writer should, and does, consider the great&#13;
prizes open to him, though he may never arrive&#13;
at them. That is, again, the meaning of the&#13;
thousands introduced into our figures.&#13;
The writer before me goes on to say that he&#13;
has made a list of 150 writers well known to the&#13;
public; that he applied to their publishers for&#13;
information as to the circulation of their books;&#13;
and that this information was actually supplied!&#13;
This is a most wonderful thing. Publishers are&#13;
confidential agents; they have no more right to&#13;
reveal the secrets of their authors than lawyers&#13;
those of their clients. It is conceivable that such&#13;
a revelation might damage a writer very seriously,&#13;
say, when one of deserved name and reputation&#13;
was found to enjoy a very limited circulation.&#13;
However, for some unknown consideration, all the&#13;
publishers of the Hundred and Fifty are said to&#13;
have betrayed their trust, and to have given the&#13;
information asked for. The average circulation&#13;
of the lot, says my writer, was 4535 volumes.&#13;
Yes, perhaps. But is this the average of the&#13;
whole army of novelists? Can it be considered&#13;
as even approximately the average? Let us just&#13;
examine the figures. There were 150 novelists&#13;
selected; their average was 4535. This represents&#13;
no more than 68,025 volumes. Consequently&#13;
it cannot include Hall Caine, whose last novel&#13;
circulated to the tune of 150,000 copies at least.&#13;
Put him in: the average rises to 1444 copies for&#13;
every one of the 151. Nor does it include&#13;
Rider Haggard, whose most successful story&#13;
means at least 120,000. Add Eider Haggard&#13;
and the average for 152 goes up to 2224. Add&#13;
"Treasure Island" with, I believe, 80,000, and&#13;
the average for 153 is 2732. Add Marie Corelli&#13;
with 80,000 (say) and the average goes up to&#13;
3234 for 154. Putin adozen others with a circula-&#13;
tion of only 10,000 each and the average for 166&#13;
amounts to 3723. With these figures before us&#13;
it becomes evident that the figures quoted cannot&#13;
represent an average, which must include the&#13;
successful as well as the unsuccessful: and that&#13;
if, in The Author, we were to claim 3000 as an&#13;
average we might perhaps be justified. We do&#13;
not, however, advance any such claim. We are&#13;
quite prepared to admit that most novelists fail&#13;
to catch the public ear: in all professions it is&#13;
only the small minority that succeeds; we are&#13;
also prepared to admit that if we take the lower&#13;
half of living novelists their average is very small.&#13;
But then the lower half includes the unhappy&#13;
people who believe that by paying for production&#13;
they pay for publication, and that a printed book&#13;
is a published book, and that every novel is a&#13;
mine of gold.&#13;
&#13;
&#13;
## p. 213 (#647) ############################################&#13;
&#13;
THE AUTHOR.&#13;
The report of the Sub-Committee to consider&#13;
the proposals made by certain publishers for the&#13;
enslaving of the bookseller has been received by&#13;
the world with apparent satisfaction. Our own&#13;
members, with one exception, have not expressed&#13;
any dissatisfaction at the result of the inquiry.&#13;
The one exception sent a letter to the secretary,&#13;
which he also forwarded to the Publishers' Asso-&#13;
ciation. It is printed in another column. One&#13;
would not deny to every member the right to his&#13;
own opinion; but in cases where, as in that lately&#13;
before us, the independence of literature, the&#13;
dignity of men and women of letters, and their&#13;
material interests, were all together threatened&#13;
under cover of coercing booksellers: when, under&#13;
the same pretence, it was sought to raise the price&#13;
of books upon a public which already pays too&#13;
much: in such a case it is above all things neces-&#13;
sary that authors should stand together, and that&#13;
they should sink their individual opinion and&#13;
think only of the general good. That means that&#13;
they should accept the decision of the Committee,&#13;
which alone, remember, was able to hear the&#13;
evidence.&#13;
Mr. Cunningham says that the decision was&#13;
arrived at by adhering to old arguments. That is not&#13;
a correct statement of the case. The whole report&#13;
has been published in this paper, so that readers&#13;
may judge for themselves. Weight was certainly&#13;
given to the opinions of the men of 1852—distin-&#13;
guished men—all of whom have a right to be&#13;
considered, even fifty years after the event. But&#13;
the Committee were chiefly guided by the evidence&#13;
before them, rather than by the arguments of 18 5 2;&#13;
they learned and recognised the absolute impos-&#13;
sibility of coercion: the degradation of the book-&#13;
seller, who, if the proposed plan succeeded, would&#13;
become a mere clerk and servant of the publisher:&#13;
and the absolute certainty that the next step would&#13;
be the degradation of the author. Indeed, the&#13;
Times, in making a precis of the report, left out&#13;
altogether the statement of the case in 1852, so&#13;
little importance was attached by their reader to&#13;
that part of the report.&#13;
Mr. Cunningham disagrees with the report.&#13;
That is to be lamented; but everyone must form&#13;
his own opinion. He then, after acknowledging&#13;
the valuable aid which he has received from the&#13;
Society, withdraws from membership. This step&#13;
shows that he has not the least esprit de corps,&#13;
and that he owes no sense of duty or of brother-&#13;
hood to others engaged in literary work. How&#13;
could the Society have assisted or advised him but&#13;
for the association of a great many who by their&#13;
collective subscriptions enable us to provide offices,&#13;
collect cases, get legal advice, and maintain a&#13;
staff? How can such a Society be kept up if every&#13;
member who disagrees with a report or with the&#13;
action of the Committee immediately withdraws?&#13;
Surely a certain amount of loyalty is required in&#13;
the defence and the advancement of every cause—&#13;
in our case more than any other, on account of&#13;
the fierce resentment which has always met it on&#13;
every side, and the unscrupulous falsehoods with&#13;
which it is constantly assailed. The first thing&#13;
necessary, however, is the feeling that every&#13;
writer ought to support the Society not so much&#13;
for the assistance which he may receive, or for&#13;
gratitude for the assistance which he has received,&#13;
so much as for the solid work which the Society&#13;
has rendered to the material interests of litera-&#13;
ture, and for the assistance which it is constantly&#13;
giving to writers in trouble or in doubt. To do&#13;
this effectively, we ought to have at least 2000&#13;
members—that is, 600 more than our present&#13;
number. .&#13;
Literary men will do well to take legal advice&#13;
before accepting employment under the city of&#13;
New York, if the experience of Mr. Charles Burr&#13;
Todd, the historian of the city, counts for any-&#13;
thing. In 1895 the Common Council was desirous&#13;
of printing the early records of Dutch Man-&#13;
hattan and English New York which were&#13;
stored in ancient safes in the city library, and&#13;
were fast going to pieces with age and handling.&#13;
The Mayor appointed a committee to superintend&#13;
their publication, the members of which previous&#13;
to appointment met the Mayor in his office, and&#13;
agreed to serve without pay provided they could&#13;
have a secretary and editor to do the work, who&#13;
should be paid, and they named Mr. Todd as such&#13;
editor. The Mayor said he had wished Mr. Todd&#13;
on the committee, but it was pointed out that the&#13;
latter could not afford to serve without pay; to all&#13;
of which the Mayor agreed. Mr. Todd was soon&#13;
after appointed on the committee, and, with the&#13;
understanding that he should be paid, accepted.&#13;
Later the committee appointed him editor, agree-&#13;
ing to pay him, though no sum was fixed. He&#13;
served eight months and resigned, whereupon the&#13;
committee voted him 150 dollars per month. The&#13;
city refused to pay on the ground that the com-&#13;
mittee were to serve for nothing, whereupon Mr.&#13;
Todd sued for the amount. The case was tried&#13;
before Judge Russell in the Supreme Court of&#13;
New York, on Nov. 18, and the learned judge&#13;
held that as Mr. Todd was a member of a com-&#13;
mittee which was appointed to serve without pay&#13;
he could recover nothing. Mr. Todd says that&#13;
while this may be good law it is very poor equity&#13;
and justice; that somebody laid a trap for him&#13;
in order to get his services as editor for nothing,&#13;
&#13;
&#13;
## p. 214 (#648) ############################################&#13;
&#13;
214&#13;
THE AUTHOR.&#13;
and that altogether it is pretty small business for&#13;
the second largest city in the world.&#13;
He worked five years preparing his history of&#13;
the city, for which he has received about one&#13;
hundred and fifty dollars, and thinks if he per-&#13;
forms other services for the city it should be&#13;
willing to remunerate him. Waltee Be8ANT_&#13;
A CHAPTER OF THE PAST.&#13;
THE following extracts from Babbage's&#13;
"Economy of Machinery " are interesting&#13;
at present:—&#13;
(295.) . . . "A powerful combination, of&#13;
another kind, exists at this moment to a great&#13;
extent, and operates upon the price of the very&#13;
pages which we are now communicating informa-&#13;
tion respecting it. A subject so interesting to&#13;
every reader, and still more so to every manu-&#13;
facturer of the article which the reader consumes,&#13;
deserves an attentive examination.&#13;
"We have shown in Chapter XX., p. 166, the&#13;
component parts of the expense of each copy of&#13;
the present work; and we have seen that the&#13;
total amount of the cost of production, exclusive&#13;
of any payment to the author for his labour, is&#13;
28. tfd.&#13;
"Another fact, with which the reader is more&#13;
practically familiar, is, that he has paid, or is to&#13;
pay, his bookseller six shillings for the volume.&#13;
Let us now examine into the distribution of these&#13;
six shillings, and then, having the facts of the&#13;
case before us, we shall be better able to judge&#13;
of the merits of the combination and to explain&#13;
its effects.&#13;
Distribution of the profits on a six-shilling hook.&#13;
BayB at.&#13;
Sells at.&#13;
Profit on&#13;
capital&#13;
expended&#13;
No. 1. The publisher, who&#13;
s. d.&#13;
s. d.&#13;
accounts to the author for&#13;
every copy received&#13;
3 10&#13;
4 2&#13;
10 per&#13;
No. 2. Bookseller, who retails&#13;
cent.&#13;
4 2&#13;
6 0&#13;
44 per&#13;
cent.&#13;
Or&#13;
4 6&#13;
6 0&#13;
33i Par&#13;
cent.&#13;
"No. 1, the publisher, is a bookseller, he is in&#13;
fact the author's agent. His duties are to receive&#13;
and take charge of the stock, for whieh bo sup-&#13;
plies warehouse room, to advise the author about&#13;
the times and methods of advertising, and to&#13;
insert the advertisements. As he publishes other&#13;
books, he will advertise lists of those s^ld by him-&#13;
self; and thus by combining many in one adver-&#13;
tisement, diminish the expense to each of his&#13;
principals. He pays the author only for the&#13;
books actually sold, consequently, he makes no&#13;
outlay of capital, except that which he pays for&#13;
advertisements, but he is answerable for any bad&#13;
debts he may make in disposing of them. His&#13;
charge is usually 10 per cent, on the returns.&#13;
"No. 2 is the bookseller, who retails the work&#13;
to the public. On the publication of a new book&#13;
the publisher sends round to the trade to receive&#13;
subscriptions from them for any number of&#13;
copies, not less than two. These copies are usually&#13;
charged to the subscribers, on an average, at&#13;
about 4 or 5 per cent, less than the wholesale&#13;
price of the book, in the present case they pay&#13;
4«. 2d. for each copy. After the day of publica-&#13;
tion, the price charged by the publisher to the&#13;
booksellers is 4*. 6d. Different publishers offer&#13;
different terms to the subscriber, and it is usual&#13;
after intervals of about six months for the pub-&#13;
lisher again to open a subscription list, so that if&#13;
the work be one for which there is a steady&#13;
demand, the trade avail themselves of these oppor-&#13;
tunities of purchasing at the reduced rate enough&#13;
to supply their probable demand.&#13;
(296.) "The volume thus purchased of the&#13;
publisher at 4*. 2d. or 4*. 6d. is retailed by the&#13;
bookseller at 6s. In the one case he makes a&#13;
profit of 44, in the other of 33 per cent Even&#13;
the smaller of these two rates of profit on the&#13;
capital employed certainly appears too large. It&#13;
sometimes happens, when a purchaser inquires&#13;
for a book, the retail dealer sends across the&#13;
street to the wholesale agent, and receives for&#13;
this trifling service one-fourth part of the money&#13;
the purchaser pays; and perhaps the retail dealer&#13;
also takes six months' credit for the price which&#13;
the volume actually costs him. It is stated that&#13;
all retail books&gt; Hers allow their customers a dis-&#13;
count of 10 per cent, upon orders above .£20;&#13;
and that, therefore, the nominal profit of 44 or 33&#13;
per cent, is considerably reduced. H this is the&#13;
case, it may fairly be inquired why the price of&#13;
£2, for example, is printed upon the back of a&#13;
book when every bookseller is ready to sell it at&#13;
£1 16s.; and why those who are unacquainted&#13;
with that circumstance should be made to pay&#13;
more than others who are better informed?&#13;
Another reason has been assigned for the great&#13;
profit charged upon books, namely, that the pur-&#13;
chasers take long credit. This is probably a fact,&#13;
and, admitting it, no reasonable person can object&#13;
to a proportionate increase of price. But certainly,&#13;
it is equally clear that gentlemen who do pay&#13;
ready money should not be charged the same&#13;
price as those who defer their payments to a very&#13;
remote period. In the country there is a greater&#13;
&#13;
&#13;
## p. 215 (#649) ############################################&#13;
&#13;
THE AUTHOR.&#13;
215&#13;
appearance of reason for a considerable allowance&#13;
between the retail dealer and the public, because&#13;
the profit of the country bookseller will be&#13;
diminished by the expense of the conveyance of&#13;
the books from London; but even in this case it&#13;
appears to be too large when compared with the&#13;
rate of interest which capital produces in other&#13;
trades.&#13;
(297.) "That the profit in retailing books is&#13;
really too large is proved by two circumstances:&#13;
First, that the same nominal rate of profit&#13;
existed in the bookselling trade for a long series&#13;
of years, notwithstanding the great fluctuations&#13;
in the rate of profit on capital invested in every&#13;
other business; secondly, that until very lately a&#13;
multitude of booksellers in all parts of London&#13;
were willing to be satisfied with a much smaller&#13;
profit, and to sell, for ready money, or at short&#13;
credit, to persons of uudoubted character, at a&#13;
profit of only 10 per cent., and in some instances&#13;
even at a still smaller percentage instead of that&#13;
of 25 per cent, on the published prices.&#13;
"It cannot be pretended that this high rate of&#13;
profit is necessary to cover the risk of the book-&#13;
seller having some copies left on his shelves,&#13;
because he need not buy of the publisher a single&#13;
copy more than he has orders for; and even if&#13;
he do purchase more at the subscription price, he&#13;
proves, by that very purchase, that he himself&#13;
does not estimate that risk at above from 4 to 8&#13;
per cent. . It should also be remarked, that the&#13;
publisher is generally a retail as well as a whole-&#13;
sale bookseller; and that beside the profit which&#13;
he realises on every copy sold by him in his&#13;
capacity of agent, he is allowed to charge the&#13;
author as if every copy had been subscribed for&#13;
at 4«. 2d., and of course he receives the same&#13;
profit as the rest of the trade for those retailed&#13;
in his shop.&#13;
(298.) "Now a certain number of the London&#13;
booksellers have combined together. One of their&#13;
objects is to prevent any bookseller from selling&#13;
a book at less than 10 per cent, under the pub-&#13;
lished price; and, in order to enforce this prin-&#13;
ciple, they refuse to sell books, except at the&#13;
publishing price, to any bookseller who declines&#13;
signing their agreement. By degrees many were&#13;
prevailed upon to join this combination; and the&#13;
effect of the exclusion it inflicted left the small&#13;
capitalist no option between signing or having his&#13;
business destroyed. Ultimately nearly the whole&#13;
trade, comprising about two thousand four&#13;
hundred persons, have signed the agreement.&#13;
"As might be naturally expected from an agree-&#13;
ment so injurious to many of the parties to it,&#13;
disputes have arisen, several booksellers have&#13;
been placed under the ban of the combination,&#13;
who allege that they have not violated its rules,&#13;
and who accuse the opposite party of using spies,&#13;
&amp;c, to entrap them.&#13;
(299.) "The origin of this combination has&#13;
been explained by Mr. Pickering, of Chancery-&#13;
lane, himself a publisher, in a printed statement&#13;
entitled, ' Booksellers' Monopoly.'&#13;
"The following list of booksellers has been&#13;
copied from that printed at the head of each of&#13;
the cases published by Mr. Pickering of the&#13;
booksellers who form the committee for conduct-&#13;
ing this combination: Allen, J., 7, Leaienhall-&#13;
street; Arch, J., 61, Cornhill; Baldwin, R., 47,&#13;
Paternoster-row; Booth, J.; Duncan, J., 37,&#13;
Paternoster - row; Hatchard, J., Piccadilly;&#13;
Marshall, R., Stationers'-court; Murray, J.,&#13;
Albemarle-street; Rees, O., Paternoster-row;&#13;
Richardson, J. M., 23, Cornhill; Rivington, J.,&#13;
St. Paul's Churchyard; Wilson, E., Royal&#13;
Exchange.&#13;
(300.) "In whatever manner the profits are&#13;
divided between the publisher and the retail&#13;
bookseller, the fact remains, that the reader has&#13;
paid for the volume in his hands 6s., and that the&#13;
author will receive only 3s. ioe?.; out of which&#13;
latter sum the expense of printing the volume&#13;
must be paid, so that in passing through two&#13;
hands this book has produced a profit of 44 per&#13;
cent. This excessive rate of profit has drawn&#13;
into the book trade a larger share of capital than&#13;
was really advantageous, and the competition&#13;
between the different portions of that capital has&#13;
naturally led to the system of underselling, to&#13;
which the committee above-mentioned are en-&#13;
deavouring to put a stop.*&#13;
"There are two parties who chiefly suffer from&#13;
this combination—the public and authors. The&#13;
first party can seldom be induced to take an active&#13;
part ag linst any grievance; and, in fact, little is&#13;
required from it except a cordial support of the&#13;
authors in any attempt to destroy a combination&#13;
so injurious to the interests of both.&#13;
"Many an industrious bookseller would be glad&#13;
to sell for 5«. the volume which the reader holds&#13;
in his hand, and for which he has paid 6*.; and,&#13;
in doing so for ready money, the tradesman who&#13;
paid 4*. 6c?. for the book would realise, without&#13;
the least risk, a profit of 11 per cent, on the money&#13;
he had advanced. It is one of the objects of the&#13;
combination we are discussing, to prevent the&#13;
small capitalist from employing his capital at&#13;
that rate of profit which he thinks most advan-&#13;
* The monopoly cases, Nos. 1,2, and 3 of those published&#13;
by Mr. Pickering, should be oonsulted; and as the pnblic&#13;
will be better able to form a judgment by hearing the other&#13;
side of the question, perhaps the chairman of the 00m-&#13;
mittee (Mr. Richardson) would print those regulations&#13;
respecting the trade, a copy of which Mr. Piokering states&#13;
is refused by the committee even to those who sign thorn.&#13;
&#13;
&#13;
## p. 216 (#650) ############################################&#13;
&#13;
THE AUTHOR.&#13;
tageous to himself; and such a proceeding is&#13;
decidedly injurious to the public.&#13;
(301.) "Having derived little pecuniary advan-&#13;
tage from my own literary productions ; and being&#13;
aware that from the very nature of their subjects&#13;
they can scarcely be expected to reimburse the&#13;
expense of preparing tbem, I may be permitted to&#13;
offer an opinion which I believe to be as little&#13;
influenced by any expectation of advantage from&#13;
the future, as it is by any disappointment at the&#13;
past.&#13;
"Before, however, we proceed to sketch the plan&#13;
of a campaign against Paternoster-row, it will be&#13;
fit to inform the reader of the nature of the&#13;
enemy's forces and his means of attack and defence.&#13;
"Several of the great publishers find it con-&#13;
venient to be the proprietors of reviews, maga-&#13;
zines, journals, and even of newspapers. The&#13;
editors are paid in some instances very hand-&#13;
somely for their superintendence, and it is&#13;
scarcely to be expected that they should always&#13;
mete out the severest justice on works by the&#13;
sale of which their employers are enriched. The&#13;
great and popular works of the day are, of course,&#13;
reviewed with some care, and with deference to&#13;
public opinion. Without this the journals would&#13;
not sell, and it is convenient to be able to quote&#13;
such articles as instances of impartiality. Under&#13;
shelter of this a host of ephemeral productions&#13;
are written into a transitory popularity; and by&#13;
the aid of this process the shelves of the book-&#13;
seller, as well as the pockets of the public, are&#13;
disencumbered. To such an extent are these&#13;
means employed, that some of the periodical pub-&#13;
lications of the day ought to be regarded merely&#13;
as advertising machines. That the reader may&#13;
be in some measure on his guard against such&#13;
modes of influencing his judgment, he should&#13;
examine whether the work reviewed is published&#13;
by the bookseller who is the proprietor of the&#13;
review, a fact which can sometimes be ascertained&#13;
from the title of the book as given at the head of&#13;
the article. But this is by no means a certain&#13;
criterion, because partnerships in various publica-&#13;
tions exist between houses in the book trade,&#13;
which are not generally known to the public; so&#13;
that, in fact, until reviews are established in&#13;
which booksellers have no interest, they can&#13;
never be safely trusted.&#13;
(302.) "In order to put down the combination&#13;
of booksellers, no plan appears so likely to succeed&#13;
as a counter-association of authors. If any con-&#13;
siderable portion of the literary world were to&#13;
unite and form such an association; and if its&#13;
affairs were directed by an active committee much&#13;
might be accomplished. The object of this union&#13;
should be to employ some person well skilled in&#13;
the printing and in the bookselling trade, and to&#13;
establish him in some central situation as their&#13;
agent. Each member of the association to be at&#13;
liberty to place any or all of his works in the&#13;
hands of this agent for sale; to allow any adver-&#13;
tisements or list of books, published by members&#13;
of the association, to be stitched up at the end&#13;
of each of his own productions, the expense of&#13;
preparing them being defrayed by the proprietors&#13;
of the books advertised.&#13;
"The duties of the agent would be to retail to the&#13;
public for ready money, copies of books published&#13;
by members of the association. To sell to the&#13;
trade, at prices agreed upon, any copies they may&#13;
require. To cause to be inserted in the journals,&#13;
or at the end of works published by members, any&#13;
advertisements which the committee or authors&#13;
may direct. To prepare a general catalogue of the&#13;
works of members. To be the agent for any&#13;
member of the association in treating respecting&#13;
the printing of any work.&#13;
"Such a union would naturally present other&#13;
advantages, and as each author would retain the&#13;
liberty of putting any price he might think fit on&#13;
his productions, the public would still have the&#13;
advantage of reduction in price produced by com-&#13;
petition between authors on the same subject, as&#13;
well as of that arising from a cheaper mode of&#13;
publishing the volumes sold to them.&#13;
(303.) "Possibly one of the consequences re-&#13;
sulting from such an association would be the&#13;
establishment of a good and an impartial Review,&#13;
a work whose want has been felt lor several years.&#13;
The two long-established and celebrated Reviews,&#13;
the unbending champions of the most opposite&#13;
political opinions, are, from widely different&#13;
causes, exhibiting unequivocal signs of decrepi-&#13;
tude and decay. The Quarterly advocate of&#13;
despotic principles is fast receding from the&#13;
advancing intelligence of the age, and the new&#13;
strength and new position which that intelligence&#13;
has acquired for itself demands for its expression&#13;
new organs, equally the representatives of its&#13;
intellectual power and of its moral energies;&#13;
whilst, on the other hand, the sceptre of its&#13;
Northern rival has passed from the vigorous&#13;
grasp of those who established its dominion into&#13;
feebler hands.&#13;
"A difficulty has been stated that those most&#13;
competent to supply periodical criticism are&#13;
already engaged. But it is to be observed that&#13;
there are many who now supply literary criticisms&#13;
to journals whose political principles they disap-&#13;
prove, and that, if once a respectable and well-&#13;
supported Review* were established, capable of&#13;
* At the moment when this opinion aa to the necessity&#13;
for a new Review was passing through the press, I was&#13;
informed that the elements of snoh an undertaking were&#13;
already organised.&#13;
&#13;
&#13;
## p. 217 (#651) ############################################&#13;
&#13;
THE AUTHOR.&#13;
217&#13;
competing, in payment to its contributors, with&#13;
the wealthiest of its rivals, it would very soon be&#13;
supplied with the best materials the country can&#13;
produce.f"&#13;
ME. BALFOUR ON THE NOVEL.&#13;
MR. ARTHUR J. BALFOUR, M.P., pro-&#13;
posed the toast of "Literature" at the&#13;
fourth annual dinner of the Sir Walter&#13;
Scott Club, held in Edinburgh on the 20th ult.&#13;
He said it was hard to believe there was a time&#13;
when the world did without novels, and, in its&#13;
own opinion, did well without novels. Like&#13;
tobacco and the daily Press, novels had now&#13;
become a general necessity. It was an interest-&#13;
ing speculation to reflect what the future of the&#13;
novel was to be. He took it that there was&#13;
hardly any instance in literature of any sub-class&#13;
of composition being cultivated with success for&#13;
an indefinite period. The cause of decay was&#13;
commonly to be found either in the habit of&#13;
driving peculiarities to excess so that the whole&#13;
species of composition seemed weighed down by&#13;
its own exaggerations, or else dying away in a&#13;
kind of senile imbecility and perishing slowly&#13;
amid general contempt. An example of the first&#13;
kind they found in the death of the Elizabethan&#13;
drama, and of the second in that particular&#13;
kind of literature of which Pope was the&#13;
greatest ornament. But as to the novel, if&#13;
there were any signs of decadence, peihaps&#13;
they should look for it in the obvious difficulty&#13;
which novelists now found in getting hold&#13;
of appropriate subjects for their art to deal&#13;
with. Scott, however, had not only his unique&#13;
genius to depend upon; he had the specially&#13;
good fortune to open an entirely new vein.&#13;
Where was the modern novelist to find a new&#13;
vein? Every country had been ransacked to&#13;
obtain theatres upon which their imaginary&#13;
characters were to show themselves. They had&#13;
stories of civilised life, of semi-civilised life, of&#13;
barbarous life. They had novels of the natural&#13;
and the supernatural; they had scientific novels,&#13;
and they had thaumaturgic novels. So hardly&#13;
set were they for subjects that even the quint-&#13;
essence of dulness was extracted from the dullest&#13;
t It baa been suggested to me that the doctrines main-&#13;
tained in this chapter may subject the present volume to the&#13;
opposition of that combination which it has opposed. I do&#13;
not entdrtain that opinion, and for this reason—that the&#13;
booksellers are too shrewd a class to supply such an admirable&#13;
passport to publicity. But, should my readers take a diffe-&#13;
rent view of the question, they can easily assist in remedy-&#13;
ing the evil by each mentioning the existence of this little&#13;
volume to two of his friends.&#13;
localities, and turned into a subject of artistic&#13;
treatment. Yet there was one aspect of human&#13;
nature, and perhaps the most interesting of all,&#13;
which for obvious reasons had been very&#13;
sparingly treated by the novelists—the develop-&#13;
ment of character extending through the life of&#13;
the individual. A novel seldom or never—not in&#13;
one case in a thousand—attempted to take an&#13;
individual and trace what in natural science&#13;
would be called his life history. It would be&#13;
very inappropriate and very unnecessary to dwell&#13;
upon reasons why this biographical form of&#13;
fiction was difficult—he would not say impossible&#13;
—and he certainly did not venture to foretell that&#13;
any artist would be found who would be able to&#13;
overcome them. Whatever be the future of the&#13;
novel, they might always console themselves with&#13;
the reflection that every great literary revival had&#13;
been preceded by a period in which no revival&#13;
could by any possibility have been anticipated by&#13;
the closest critics of the time. He doubted&#13;
whether any contemporary of Sydney could have&#13;
foreseen Shakespeare; he doubted whether any-&#13;
body living in the Commonwealth was likely to&#13;
have foreseen Dry den in his maturity. He felt&#13;
sure nobody living in the time of Johnson could&#13;
really have foreseen Wordsworth, Coleridge, and&#13;
Scott. But though the provinces of literature&#13;
were many, the kingdom of literature was one;&#13;
however diverse were the fields, they all furthered&#13;
one cause. He did not pretend that literature&#13;
necessarily softened the manners or carried all&#13;
the cardinal virtues in its train. But it was the&#13;
greatest engine for the production of cultivated&#13;
happiness. It was daily producing more innocent&#13;
and refined pleasure in every class in every&#13;
country where education was known than any&#13;
other source of pleasure.&#13;
INTERNATIONAL RELATIONS OF AUTHORS.&#13;
IN the recent " Memoir" the evidences given of&#13;
good feeling toward America and Americans&#13;
on the part of Lord Tennyson have been&#13;
noted in the papers. To be sure, one might ask,&#13;
"Why not r And yet there were special annoy-&#13;
ances from American sources which must have&#13;
been particularly trying.&#13;
An American man of letters visiting England,&#13;
years ago, spent some time not far from Fresh-&#13;
water. Knowing many of Tennyson's American&#13;
and English friends, it would have been natural,&#13;
perhaps, for him to obtain an introduction; yet&#13;
he even kept away from Tennyson's end of the&#13;
Isle of Wight. Meeting once, in London, the&#13;
younger son of the Laureate, he told him he could&#13;
&#13;
&#13;
## p. 218 (#652) ############################################&#13;
&#13;
THE AUTHOR.&#13;
tell his father that at least one American was not&#13;
peering over his fences or shying stones at his&#13;
Farringford chickens.&#13;
The prying English tourist made himself a&#13;
nuisance to the Laureate; but the tourist who&#13;
came across the seas was, perhaps, a little more&#13;
likely to be troublesome, owing to his greater&#13;
enthusiasm and enterprise.&#13;
But, however a sensitive bard may have resented&#13;
intrusion upon his privacy, and whatever com-&#13;
plaints of their inconsiderate countrymen some&#13;
visiting Americans may at times have had to listen&#13;
to, it is evident that good feeling for " kin across&#13;
sea " was at the bottom of the poet's large heart.&#13;
Some of his American friends are named in the&#13;
book, but there were other American acquaint-&#13;
ances, some of an earlier date than certain of&#13;
those chronicled. There were Americans unknown&#13;
to fame who met with warm welcome from the&#13;
master of Farringford, and gained there a&#13;
genuine, helpful, and lasting friendship.&#13;
A pleasant chapter in the curiosities of English&#13;
literature could be made of international literary&#13;
relations—those between Scott and Irving, Emer-&#13;
son and Carlyle, for instance. Such a chapter&#13;
might include the friendship of American and&#13;
English writers with individuals less distinguished&#13;
of the opposite country. Some of the most inti-&#13;
mate friends of the Brownings were Americans,&#13;
and Lowell had English friends true and stead-&#13;
fast.&#13;
International relations of this kind do not&#13;
depend upon any treaty; they ought to, and do,&#13;
favourably affect the public opinion of the two&#13;
countries. While writers on both sides have done&#13;
much to fan the flames of unreasoned prejudice,&#13;
men of letters, being often, fortunately, men of&#13;
imagination, insight, and goodwill, have also stood&#13;
for brotherhood, and not for the brutal inherited&#13;
instinct of fight.— " Topics of the Time," Century&#13;
Magazine Christmas number.&#13;
PERSONAL.&#13;
THE American Ambassador, Colonel John&#13;
Hay, was the guest of the Omar Khayyam&#13;
Club at its first dinner of the season, held&#13;
in Frascati's Restaurant on Dec. 8, Mr. Henry&#13;
Norman, the president, in the chair. His Excel-&#13;
lency passed an eloquent eulogy upon FitzGerald's&#13;
translations of the Quatrains. Omar was a Fitz-&#13;
Gerald before the letter, or FitzGerald was a&#13;
reincarnation of Omar. Each seemed greater&#13;
than his work. Omar sang to a half barbarous&#13;
province, FitzGerald to the world. Wherever the&#13;
English speech is spoken or read the Rubaiyat had&#13;
taken their place as a classic. He heard Omar&#13;
quoted once in one of the most lonely and desolate&#13;
spots of the high Rockies. Certainly, Omar could&#13;
never be numbered among the great popular&#13;
writers of all time. The suffrages of the crowd&#13;
were not for the cool, collected observer, whose&#13;
eye no glitter could dazzle, no mist suffuse.&#13;
Mr. Augustine Birrell, Q-O, M.P., delivered an&#13;
address at the Commemoration Service of Brown-&#13;
ing, held at the Robert Browning Settlement,&#13;
Walworth, on the 12th ult. The obscure poet of&#13;
the obscure " Sordello," he said, had an influence&#13;
on literature which was indescribably majestic.&#13;
Like Carlyle and Tennyson, he never bowed the&#13;
knee to Baal. Poverty they knew, and depression&#13;
of spirit, but no one of them abated a jot or tittle&#13;
of his pretensions, or ever asked the people what&#13;
they wanted. Browning's religious belief was&#13;
not attained through the dark and mystical&#13;
passage of the Sacraments, but rather was the&#13;
result of a firm belief in a personal God, and his&#13;
strong faith in the soul of man. To call him a&#13;
cheerful poet would be wrong. He was too well&#13;
read in the literature of hell. But he was indeed&#13;
a cheering poet.&#13;
The Christmas dinner of the New Vagabond&#13;
Club took place in Holborn Restaurant on the&#13;
10th ult. The company was very numerous, and&#13;
included many ladies. Mr. Israel Zangwill pre-&#13;
sided, and Lord Charles Beresford was the&#13;
particular guest.&#13;
Lord Rosebery, speaking at the annual meeting&#13;
of the Scottish History Society, suggested that&#13;
there should be a book of those dignities which&#13;
were conferred by the Stuarts after their depar-&#13;
ture from England in 1689.&#13;
Owing to the pressure of the Jubilee year, the&#13;
committee charged with the project of a memorial&#13;
to Robert Louis Stevenson in Edinburgh did not&#13;
make an urgent appeal for subscriptions in the&#13;
year just closed. They will now shortly do so.&#13;
As to the form the memorial shall take, a&#13;
monument in St. Giles's Cathedral and another&#13;
on Calton Hill are suggested.&#13;
Professor Masson, who for thirty years occupied&#13;
the chair of English Literature in the University&#13;
of Edinburgh, has been presented with his portrait&#13;
painted by Sir George Reid.&#13;
CORRESPONDENCE.&#13;
I.—A Young Author's Gbievancb.&#13;
IRECENTLY read some letters in The Author&#13;
complaining of the time taken by editors in&#13;
returning rejected MSS. Personally I have&#13;
always found that rejected MSS. were returned&#13;
&#13;
&#13;
## p. 219 (#653) ############################################&#13;
&#13;
THE AUTHOR.&#13;
within a reasonable time, and it must be remem-&#13;
bered that contributions sent in on chance are&#13;
not invited. When, however, an editor has&#13;
personally interviewed an author, and verbally&#13;
arranged with him to accept a certain article for a&#13;
certain number of a magazine, the author natu-&#13;
rally looks for his article in—let us say, the&#13;
number for June.&#13;
The proof is sent to the writer some time in&#13;
May, but on looking at the magazine in June he&#13;
is often doomed to disappointment—at least if he&#13;
is a young author feeling his way. None of his&#13;
work appears. He calls on the editor, and is told&#13;
that his article was "crowded out," but that it&#13;
will appear in July. He looks again in the July&#13;
number, but to no purpose.&#13;
He is put off with the same excuse for three,&#13;
four, or even six months.&#13;
All this time he is obliged to stand out of his&#13;
money. Of course such a thing could not&#13;
happen to a well known man, but most of us&#13;
must climb the ladder of fame by degrees. This&#13;
is essentially a young author's grievance, and is&#13;
felt by those who are entirely dependent on their&#13;
pens. C. B. B.&#13;
II.—The Published Peice.&#13;
It is satisfactory to learn from Mr. Millar's&#13;
letter in your last issue that the Dundee Adver-&#13;
tiser, as well as Literature, the Literary World,&#13;
and the Bookman, announces in the reviews&#13;
themselves the prices of all b &gt;oks reviewed. It&#13;
may, perhaps, be hoped that this at present very&#13;
rare practice may gradually become more general,&#13;
and that publishers and authors will combine to&#13;
encourage it by procuring the price to be marked&#13;
on the binding, or a notification of the price to&#13;
be sent out with the review copies, and by&#13;
selecting as recipients of review copies those&#13;
newspapers which adopt the practice.&#13;
By the way, of the 379 "books of the month"&#13;
catalogued in your last issue at page 198, I&#13;
observe that no less than thirty-seven—about&#13;
one-tenth of the whole—have no price affixed to&#13;
them. How are the prices of the omitted thirty-&#13;
seven to be ascertained? J. M. Lely.&#13;
Dec. 20.&#13;
BOOS TALE.&#13;
ME. MACKENZIE BELL'S memoir of&#13;
Miss Christina Rossetti will be pub-&#13;
lished by Messrs. Hurst and Blackett&#13;
early this month. Two offers of marriage, we&#13;
are told, were made to Miss Rossetti, but the&#13;
charming lady simply chose to be an "old maid."&#13;
This volume will give for the first a little Italian&#13;
"octave " written by her father, Gabriele Rossetti,&#13;
in celebration of his " dear daughters" Christina&#13;
a.nd Maria—" fresh violets, opened at dawn."&#13;
Mr. Bell also records that Miss Rossetti and her&#13;
brothers and sisters were accustomed to address&#13;
their father invariably in Italian, his native&#13;
language. Several portraits of the poetess will&#13;
appear in the memoir, including, as frontispiece,&#13;
a reproduction of the chalk drawing of his sister,&#13;
which Dante Rossetti executed in 1866.&#13;
The scene of Mr. Rider Haggard's new&#13;
historical romance is laid in Holland in the days&#13;
of William of Orange. He has also engaged to&#13;
write for the Graphic a story of the Boers at the&#13;
time of their great trek in 1836. It will be called&#13;
"Swallow," and will commence in the above&#13;
journal in the latter part of this year.&#13;
Mr. Gilbert Parker has written a storv called&#13;
"Mrs. Falchion."&#13;
Mr. Max Pemberton has gone to the Balearic&#13;
Isles, which will be the scene of his next&#13;
story.&#13;
Mr. E. L. Voynich, author of "The Gadfly,"&#13;
is about to visit Austria in order to collect&#13;
material for a work dealing with contemporary&#13;
life there.&#13;
Mr. Henry Seton Merriman has written for&#13;
Harper's Magazine, beginning with the January&#13;
number, a novel entitled " Roden's Corner."&#13;
The score or so letters which passed between&#13;
Emerson and Sterling, and which were briefly&#13;
noticed in The Author a few months ago, are&#13;
now to be published by Messrs. Gay and Bird&#13;
in book form, edited by Edward Waldo Emerson,&#13;
and entitled "A Correspondence between John&#13;
Sterling and Ralph Waldo Emerson." The&#13;
letters appeared during last year in the Atlantic&#13;
Monthly.&#13;
Mr. William Black has completed his new&#13;
novel, and entitled it "Wild Eelin; otherwise&#13;
called Eelin of the Eyes like the Sea Wave."&#13;
It will begin its course as a serial this month.&#13;
Miss Lilian Goadby is retelling the story of&#13;
Homer's Iliad for bovs and girls. The book,&#13;
entitled "The Wrath of Achilles," will be pub-&#13;
lished shortly by Messrs. Edwin, Vaughan and&#13;
Co.&#13;
Mr. Anthony Hope has written a sequel to&#13;
"The Prisoner' of Zenda," entitled "Rupert of&#13;
Hentzau." It is now running serially in the Pall&#13;
Mall Magazine.&#13;
Miss Emily Lawless is publishing with Messrs.&#13;
Methuen a volume of Irish stories, entitled&#13;
"Traits and Confidences."&#13;
&#13;
&#13;
## p. 220 (#654) ############################################&#13;
&#13;
2 20&#13;
THE AUTHOR.&#13;
Mr. Bram Stoker has written the first story—&#13;
"Miss Betty," a seventeenth century romance—&#13;
for a new fiction series, which Messrs. C. Arthur&#13;
Pearson and Co. are projecting. This series&#13;
aspires to give in each volume six shillings' worth&#13;
of material for half-a-crown. Mr. Stoker's&#13;
volume will appear this month. Succeeding&#13;
volumes, to be issued at monthly intervals, will be&#13;
by Messrs. W. L. Alden, Clive Holland, Joseph&#13;
Hatton, Douglas Sladen, George Griffith, Fred.&#13;
Whishaw, and others.&#13;
Miss Adeline Sergeant has completed a novel&#13;
called "The Lady Charlotte " for publication by&#13;
Messrs. Hutchinson shortly.&#13;
Mr. Grant Allen has written a story entitled&#13;
"The Incidental Bishop."&#13;
Mr. William Le Queux is staying at Milan, and&#13;
writing a novol to be called "Scribes and&#13;
Pharisees."&#13;
Mr. Robert H. Sherard is writing the story of&#13;
the Dreyfus case for an American magazine.&#13;
"David Lyall's Love Story" is a volume of&#13;
Scotch idylls which Messrs. Hodder and Stough-&#13;
ton are publishing immediately. There has been&#13;
much speculation as to the identity of "David&#13;
Lyall," the author of this work and of " The Land&#13;
o' the Leal." We believe she is a sister of Annie&#13;
Swan (Mrs. Burnett Smith).&#13;
The Christmas number of Good Words con-&#13;
sisted of a novel entitled " The Looms of Time,"&#13;
by Mrs. Hugh Fraser. It will be published in&#13;
book form by Messrs. Isbister during the spring.&#13;
Mrs. de Courcy Laffan (" Mrs Leith Adams ") is&#13;
writing a novel called " The Prince's Feathers: a&#13;
Story of Leafy Warwickshire in the Olden Time,"&#13;
and a story of public school life entitled "The&#13;
Gift of God."&#13;
"A Voyage of Consolation" is the title of a&#13;
new story by Mrs. Everard Cotes.&#13;
Mrs. Pendler Cudlip (" Annie Thomas ") has a&#13;
novel, "Dick Rivers," about to be published by&#13;
Messrs. F. V. White and Co. She is engaged&#13;
upon another, to be called "Between the Devil&#13;
and the Deep Sea," and also upon a group of&#13;
stories for Messrs. Tillotson.&#13;
Mrs. Lovett Cameron's new novel "Devil's&#13;
Apples," will be published this month by Messrs.&#13;
White.&#13;
Mr. R. Andom has written of cycling incidents&#13;
and misadventures in a volume entitled "Side&#13;
Slips" which Messrs. Pearson will publish.&#13;
"Scenes from the Suburbs " is another humorous&#13;
work by the same author, which will be published&#13;
by Messrs. Jarrold. The books will appear in&#13;
the spring, the former illustrated by Mr. A.&#13;
Frederick, the latter by Mr. A. Carruthers&#13;
Gould.&#13;
A volume of Stories from soldier fife, by Mr.&#13;
E. Livingston Prescott, will be published this&#13;
month by Messrs. Warne. The author has now&#13;
in hand a romance (not military), entitled " Dearer&#13;
than Honour."&#13;
Mr. Archibald Forbes's "Life of Louis Napo-&#13;
leon" will be ready about the middle of the&#13;
month. It will contain, among other illustrations,&#13;
a drawing of the house which, prior to 1848, the&#13;
future head of the Third Empire occupied in&#13;
London.&#13;
Mr. Richard Kearton, F.Z.S., is writing a series&#13;
of sketches and tales of open-air life in the North&#13;
of England.&#13;
Dr. W. G. Blaikie is writing the life of the late&#13;
Principal David Brown, of the Free Church&#13;
College, Aberdeen.&#13;
Professor Max MUller's recollections of royalty,&#13;
and of musical, literary, and social life, which&#13;
have appeared in Cosmopolis, will be published&#13;
shortly in a volume by Messrs. Longmans, Green,&#13;
and Co., under the title " Auld Lang Syne."&#13;
The features of Cosmopolis this year will&#13;
include, in English, unpublished letters of John&#13;
Mill and notes of Coleridge; in French, the&#13;
letters of Emile Ollivier to Richard Wagner, the&#13;
correspondence of Marshal Magnan, and the&#13;
memoirs of the painter Ingres; and in German,&#13;
further correspondence of Tourguenieff. Mr.&#13;
Meredith has written three " Odes in Contribu-&#13;
tion to the Song of French History," entitled&#13;
"The Revolution," "Napoleon," "Alsace-&#13;
Lorraine," which will appear in the numbers for&#13;
March, April, and May.&#13;
The manuscript of "In Memoriam," given by&#13;
the poet to the late Sir John Simeon, has been&#13;
presented by the Hon. Lady Simeon to the library&#13;
of Trinity College, Cambridge, Tennyson's own&#13;
college, to which he intended it should fall.&#13;
A volume of sporting reminiscences by Mr.&#13;
Thomas Haydon will shortly be published by&#13;
Messrs. Bliss, Sands, and Co.&#13;
Mr. R. Farquharson Sharp, of the British&#13;
Museum, has compiled " A Dictionary of English&#13;
Authors, Biographical and Bibliographical," being&#13;
a compendious account of the lives and writings&#13;
of 700 British writers from the year 1400 to the&#13;
present time. Mr. George Redway will publish&#13;
the work.&#13;
English translations of two notable French&#13;
works will be published shortly, simultaneously&#13;
with the appearance of the originals in Paris.&#13;
&#13;
&#13;
## p. 221 (#655) ############################################&#13;
&#13;
THE AUTHOR.&#13;
221&#13;
These are M. Zola's new novel "Paris," trans-&#13;
lated by Mr. Vizetelly; and M. Huysman's " La&#13;
Cathedrale," whose translator is Mrs. Clara Bell.&#13;
Mr. William Archer and Miss Diana White&#13;
have completed their translation, from the&#13;
Danish, of Dr. Georg Brandes's critical study&#13;
of Shakespeare.&#13;
The important work "Industrial Democracy,"&#13;
upon which Mr. and Mrs. Sidney Webb have&#13;
long been engaged, is to be issued by Messrs.&#13;
Longmans on the 4th.&#13;
Prince Henry of Orleans's book of travels,&#13;
"Tonkin to India," is due this week from Messrs.&#13;
Methuen.&#13;
Sir Martin Conway's "Climbing and Explora-&#13;
tion in the Karakoram Himalayas" (Unwin,&#13;
1894) having been translated into French and&#13;
published serially in the Tour du Monde, is now&#13;
issued, abridged, in book form, by MM. Hachette&#13;
et Cie. Several of Mr. A. D. McCormick's&#13;
pictures to the work are reproduced in the French&#13;
volume.&#13;
A propos the teaching of English literature in&#13;
schools, the Academy notes that a recent school&#13;
edition of Carlyle's essay, " The Hero as Divinity"&#13;
(George Bell and Sons) is composed as follows:&#13;
Introduction, 90 pages; Carlyle's Essay, 42&#13;
pages; Notes, 53 pages; Index, 4 pages. The&#13;
essay thus forms about 22 per cent, of the whole,&#13;
and our contemporary asks whether it is the&#13;
powder or the jam.&#13;
America sent over a story the other day, which&#13;
had some appearance of actuality, telling of a&#13;
popular music-hall artiste having been subjected&#13;
to a kissing test. How many kisses could a&#13;
woman stand? The limit of endurance was&#13;
reached, if we remember the story rightly, at 547&#13;
or thereabouts. Our brisk Chicago contemporary,&#13;
the Chap-Book, on the other hand, has just been&#13;
discovering what it calls "the most thoroughly&#13;
kissed young woman in English fiction." This&#13;
curiosity, it avers, is the heroine Birdalone in&#13;
William Morris's posthumous romance "The&#13;
Water of the Wondrous Isles." She is pissed&#13;
eighty-six times according to the analysis of the&#13;
Chap-Book—fifty-two by men, and thirty-four by&#13;
women and children. Here is a summary and&#13;
description of the men's kisses :—&#13;
1 Merchant&#13;
4 Peasants&#13;
8 Servants&#13;
Hands.&#13;
Feet&#13;
Face.&#13;
Mouth.&#13;
4 ...&#13;
... 2 ...&#13;
... 0 ...&#13;
... 1 ..&#13;
0 ...&#13;
... 1 ...&#13;
» ...&#13;
... 0 ...&#13;
6 ...&#13;
13&#13;
t&#13;
3&#13;
33&#13;
Mr. A. C. Benson is writing a biographical&#13;
history of Eton and leading Etonians.&#13;
Mr. Edward Marston will shortly have ready&#13;
another book on outdoor life. There will be an&#13;
Edition de lujce. The publishers are, of course,&#13;
Messrs. Sampson Low, Marston and Co.&#13;
Mr. E. F. Benson is preparing for publication&#13;
by Messrs. Methuen his story called "The&#13;
Vintage," which has been appearing in the&#13;
Graphic. It deals with the opening year of the&#13;
Greek War of Independence in 1820.&#13;
A new publisher. He is John Long, 6, Chandos-&#13;
street, Strand. Mr. Long's programme is:&#13;
"Fiction by popular authors; fiction by new&#13;
writers of undoubted promise; works of travel;&#13;
medical works; poetry that may appeal to the&#13;
public."&#13;
A re-edited and enlarged edition of Dickinson's&#13;
"Glossary of Cumberland Words and Phrases"&#13;
is to be published, by subscription, by Dr. E. W.&#13;
Prevost, of Newnham, Glos. The work was origi-&#13;
nally published by the English Dialect Society.&#13;
Many words and phrases are being added in the&#13;
re-issue.&#13;
A special sub-committee of the Publishers'&#13;
Association is considering the subject of title-&#13;
pages.&#13;
The late strike of printers in Edinburgh caused&#13;
delay in the appearance of a number of books&#13;
during the past month. One that has suffered&#13;
postponement from this cause is the biography of&#13;
the Prince of Wales, which Mr. Grant Richards&#13;
now expects to publish early this month. The&#13;
narrative is said to exhibit "a truly loyal and&#13;
intelligent appreciation of His Royal Highness's&#13;
career and his services to his country."&#13;
The first representation of the play " Admiral&#13;
Guinea," by Messrs. W. E. Henley and Robert&#13;
Louis Stevenson, took place on Nov. 29 at the&#13;
Avenue Theatre, London. It was produced by&#13;
the New Century Theatre Company, and got a&#13;
favourable reception. Immediately before the&#13;
rising of the curtain Miss Elizabeth Robins&#13;
delivered a prologue written for the oocasion by&#13;
Mr. Henley, of which the following is a part:&#13;
Once was a pair of Friends, who loved to chance&#13;
Their feet In any by-way of Romance.&#13;
They, like two vagabond schoolboys, unafraid&#13;
Of stark impossibilities, essayed&#13;
To make these Penitent and Impenitent ThieveB,&#13;
These Pews and Oaunts, each man of them with his sheaves&#13;
Of humour, passion, cruelty, tyranny, life,&#13;
Fit shadows for the boards: till in the Btiifo&#13;
Of dream with dream, their Slaver-Saint came true,&#13;
And their Blind Pirate, their resurgent Pew&#13;
(A figure of deadly farce In his new birth)&#13;
Tap-tapped his way from Hades back to earth;&#13;
And so, their Lover and his Lass made one.&#13;
In their beat prose this Admiral here was done.&#13;
One of this Pair sleeps Ull the crack of doom&#13;
Where the great ocean-rollers plunge and boom,&#13;
The other waits and wonders what his Friend,&#13;
Dead now, and deaf, and silent, were the end&#13;
Revealed to his rare spirit would find to say&#13;
If you, his lovers, loved him for this Play.&#13;
&#13;
&#13;
## p. 222 (#656) ############################################&#13;
&#13;
222&#13;
THE AUTHOR.&#13;
Mrs. Sara H. Dunn has written "Sunny&#13;
Memories of an Indian Winter," which Messrs.&#13;
Walter Scott Limited will publish.&#13;
Mr. W. E. Henley has resigned the editorship&#13;
of the New Review, which hereupon ceases to be&#13;
a monthly magazine. Uncertain health and the&#13;
necessities of his own literary work have com-&#13;
pelled Mr. Henley's retirement. The Review,&#13;
completely transformed, will appear shortly as a&#13;
weekly journal, price 3c?.&#13;
Mr. James Britten retires from the editorship&#13;
of Nature Notes, which he has conducted for six&#13;
years.&#13;
Mr. E. Heron-Allen is translating Omar&#13;
Khayyam's " Rubaiyat," from the original Persian,&#13;
Many quatrains not hitherto translated will be&#13;
included, and the original Persian text will also&#13;
be given page for page. Messrs. H. S. Nichols&#13;
and Co. are the publishers.&#13;
Early in the year an illustrated book of&#13;
"Allegories," by Dean Farrar, will be published&#13;
by Messrs. Longmans, Green, and Co. He has&#13;
in hand a more important work which will be&#13;
called "Texts Rightly Interpreted."&#13;
Gallant little Wales now comes in for its&#13;
volume in the series of Stories of the Nations,&#13;
published by Mr. Unwin. The writer of the&#13;
history is Mr. Owen M. Edwards, Fellow of&#13;
Lincoln College, Oxford. The same publisher&#13;
will shortly issue a volume entitled " The Welsh&#13;
People," consisting of a series of essays, by Pro-&#13;
fessor Rhys and Mr. Brynmor Jones, on the&#13;
history, antiquities, ancient laws and customs, and&#13;
the social characteristics of Wales.&#13;
Mr. Oscar Browning is to write a life of Charles&#13;
XII. of Sweden, which Messrs. Hurst and&#13;
Blackett will publish. The same writer's Life&#13;
of Peter the Great is on the point of publication&#13;
by Messrs. Hutchinson and Co.&#13;
A century and a half is a long life for a news-&#13;
paper. The Aberdeen Journal first appeared on&#13;
Jan. 5, 1748, so that in a day or two it will have&#13;
completed its 150th year. Some time ago it&#13;
published a pamphlet recording its life-history.&#13;
It was founded by a fellow-apprentice of Benjamin&#13;
Franklin; its conductors bore an exciting patt in&#13;
the romantic rebellion of '45; it chronicled the&#13;
visit of Dr. Johnson and Boswell to Aberdeen&#13;
and the north; and its office was visited by&#13;
Robert Burns. In the United Kingdom only&#13;
four other daily newspapers of to-day can call up&#13;
a longer flight of years than the Aberdeen Journal.&#13;
They are Leeds Mercury (1718), Bristol Times&#13;
and Mirror (1735), Be/fast News Letter (1737),&#13;
and Birmingham Gazette (1741). The oldest&#13;
existing newspaper in the world is the Gazette de&#13;
France (1631), for which Louis XIII. wrote an&#13;
article.&#13;
Mr. Inderwick W. Foster has published&#13;
(Biscoke and Son, Richmond) a Bibliography&#13;
of Lawn Tennis (1874-1897). The work contains&#13;
titles and particulars of nearly 250 books,&#13;
pamphlets, &lt;fec, on the game of lawn tennis.&#13;
Professor Buchheim, who has already contri-&#13;
buted two popular volumes to Macmillan's " Golden&#13;
Treasury Series," viz., "Deutsche Lyrike" and&#13;
"Balladen und Romanzen," will shortly add a&#13;
third volume, entitled, "Heine's Lieder und&#13;
Gedichte," selected, and edited with notes and an&#13;
introduction. We also hear that the professor,&#13;
who, by-the-bye, has recently received the honorary&#13;
degree of M.A. from the University of Oxford, is&#13;
engaged on a monograph treating of the attempts&#13;
made in this country and America to popularise&#13;
Heine as a poet and a prose writer.&#13;
Mr. Rider Haggard, at the request of the Com&#13;
mittee of Management, has writteu a Christmas&#13;
appeal for the Victoria Hospital for Children at&#13;
Chelsea. It is called "A Visit to the Victoria&#13;
Hospital."&#13;
The Daily Chronicle has discovered a new&#13;
poet—Mr. Henry Newbolt (London: Elkin&#13;
Matthews, ii.) I have sent for a copy of his&#13;
poems. Meantime, I venture to extract one poem&#13;
from the columns of the Daily Chronicle in the&#13;
belief that it will send all our readers straight&#13;
to their booksellers to order a copy.&#13;
DRAKE'S DRUM.&#13;
Drake he was a Devon man, an' ruled the Devon seaa&#13;
(Capten, art tha sleepin' there below P),&#13;
Rovin' tho' his death fell, he went wi' heart at ease,&#13;
An' dreamin' arl the time 0' Plymouth Hoe.&#13;
"Take my drum to England, hang et by the shore,&#13;
Strike et when your powder's runnin' low;&#13;
If the Dons sight Devon, I'll qnit the port o' Heaven,&#13;
An' drum them up the Channel as we drummed them long&#13;
ago."&#13;
Drake he's in his hammock an' a thousand mile away,&#13;
(Capten, art tha sleepin' there below ?),&#13;
Slung atween the round shot in Nombre Dios Bay,&#13;
An' dreamin' arl the time o' Plymouth Hoe.&#13;
Yarnder lames the island, yarnder lie the ships,&#13;
Wi' sailor lads a-danoin' heel-an'-toe,&#13;
An' the shore-lights flashin', an' the night-tide dashin',&#13;
He sees et arl so plainly as he saw et long ago.&#13;
Drake lies in his hammock till the great Armadas oome,&#13;
(Capten, art tha sleepin' there below P),&#13;
Slung atween the round shot, listenin' for the drum,&#13;
An' dreamin' arl the time o' Plymouth Hoe.&#13;
Call him on the deep sea, call him np the Sound,&#13;
Call him when ye sail to meet the foe;&#13;
Where the old trade's plyin' an' the old flag flyin',&#13;
They shall find him ware an' wakin', as they found him&#13;
long ago.&#13;
Early this year Sir Charles Alexander Gordon's&#13;
"Recollections of Thirty-uine Years in the Army"&#13;
&#13;
&#13;
## p. 223 (#657) ############################################&#13;
&#13;
THE AUTHOR.&#13;
223&#13;
will be published by Messrs. Swan Sonnenschein.&#13;
Sir Charles was in the Mutiny, with Lord Elgin&#13;
in China, and in Paris during the siege.&#13;
A new edition of Whitman is to be published&#13;
by Messrs. Putnam, with thirteen short poems&#13;
that did not appear in the edition prepared by&#13;
the poet shortly before his death. "Though you&#13;
have put the finishing touches on the 'Leaves,'"&#13;
said one of his friends to Whitman, " you will go&#13;
on living a year or two longer and writing more&#13;
poems. The question is, what will you do with&#13;
these poems when the time comes to fix them in&#13;
the volume?" "I am not unprepared," said&#13;
Whitman, and I have a title in reserve—' Old Age&#13;
Echoes'—applying not so much to things as to&#13;
echoes of things reverberant, an aftermath."&#13;
A translation of the Italian masterpiece, the&#13;
"Pecorone" of Ser Giovanni Fiorentino, has&#13;
just been published by Messrs. Lawrence and&#13;
Bullen. Although it was published in 1558, this&#13;
novel has never before been done into any tongue.&#13;
The translation will be by Mr. W. G. Waters,&#13;
and illustrations will be by Mr. E. R. Hughes,&#13;
R.W.S.&#13;
Here is a tale of literary appropriation from&#13;
America. Mr. George Cable has been correcting&#13;
an American editor as to the authorship of a&#13;
certain poem. The editor had credited it to some&#13;
one named George Cooper, but Mr. Cable recog-&#13;
nised the poem, and wrote to the editor as&#13;
follows:&#13;
I have an impression that it was Coopered by quite&#13;
another George. My impression is that it was written by&#13;
myself twenty-seven years ago, on the occasion of the birth&#13;
of my first child. If yon can't take my word for it, I can&#13;
show yon the child. I am not a frequent versifier, and&#13;
never should have prized this bit if it had not immediately,&#13;
upon its first publication (in the New Orleans Picayune),&#13;
begun a mad career of getting stolen—like " Helen of Troy"&#13;
and others. It is only three days since I wrote to a Chicago&#13;
publishing house to say that it was not written by Mortimer&#13;
M. Thompson, as accredited in a volume called "The&#13;
Humbler Poets." Let me tell you, oven the humblest poet&#13;
"will turn." And I wish my consoious or unconscious&#13;
trespassers would give this much-stolen trifle a respite.&#13;
Zounds, man! have I done nothing else worth stealing?&#13;
It's mortifying.&#13;
Mr. Walter Wood has completed and delivered&#13;
to Messrs. Tillotson and Son, for serial publica-&#13;
tion, a military story which deals largely with&#13;
Frontier warfare. The story will run for about&#13;
three months and publication is to begin at an&#13;
early date. This is the second military serial&#13;
which has been written of late for Messrs. Tillot-&#13;
son by Mr. Wood, who has just published a series&#13;
of short stories in To-day.&#13;
The issue of the "Literary Year Book" for&#13;
1898 will be edited by Mr. Joseph Jacobs. This&#13;
annual, published by Mr. George Allen, now&#13;
makes its second appearance. The editor this&#13;
year has been assisted by two eminent bookmen,&#13;
a popular novelist, and a well-known editor. Mr.&#13;
Buskin's portrait will be the frontispiece.&#13;
At the sale of the second portion of the library&#13;
formed by the late Earl of Ashburnham, a remark-&#13;
able price was paid for a Caxton. This is " Le&#13;
Fevre (R.), a Boke of the Hoole Lvf of Jason,&#13;
translated out of the French by William Caxton,"&#13;
circa 1477, black letter, small folio, a rare Caxton&#13;
book, one of the earliest productions of the press&#13;
at Westminster. The whole of the volume is&#13;
genuine throughout, sound, and clean. It was&#13;
formerly Richard Heber's, and was sold in 1817&#13;
for .£162 15s., afterwards for .£95 11*., and at the&#13;
Heber sale for £87. The late Earl bought it&#13;
from Payne, the bookseller. It now fetched the&#13;
record price of .£2100, the purchaser being Mr.&#13;
Pickering.&#13;
Mr. John LI. Warden Page has written two&#13;
papers, which he has also illustrated, for&#13;
Travel. One is a description of the Great Fair&#13;
of Nijni Novgorod, the other is callled " Up the&#13;
Volga."&#13;
The same author's new book on the "North&#13;
Coast of Cornwall" (Simpkin, Marshall, and Co.)&#13;
is now ready, with twenty-one vignettes by the&#13;
author, and a map. The price is 6*. net.&#13;
Her Majesty the Queen has been graciously&#13;
pleased to accept a copy of Miss H. M. Burnside's&#13;
volume of verses and ly rics, "Drift Weed"&#13;
(Hutchinson and Co).&#13;
Messrs. Nelson and Son have just published&#13;
two stories for children, written by Miss Burn-&#13;
side, entitled "The Little V.C." and "The Lost&#13;
Letter."&#13;
LITERATURE IN THE PERIODICALS.&#13;
Authors, Publishers, and Booksellers. Leading&#13;
articles: The Times, Deo. 6; Daily Chronicle, Dec. 4;&#13;
Publishers' Circular, Deo. 11 ; The 8peaker (" A Question&#13;
of Discount") Dec. 11. Letters: "Z" and "Economist"&#13;
in Times, Deo. 4; "Country Bookseller" in Daily&#13;
Chronicle, Deo. 27; "Z." in Daily News, Dec. 7; Mr.&#13;
Frankfort Moore, Mr. Frederick Evans, and " A Publisher"&#13;
in Chapman's Magazine for December.&#13;
What the Trade Thinks. Interviews with Mr.&#13;
Burleigh, Mr. Frederick Evans, and others, regarding&#13;
Society of Authors' Committee Report on Discounts: Daily&#13;
Chronicle, Deo. 6.&#13;
BOOKBELLINO: A DECAYING INDUSTRY. Neville&#13;
Beeman. New Century Review for January.&#13;
Literary Grievances. From various standpoints.&#13;
And leading article. Morning Post for Deo. 18.&#13;
&#13;
&#13;
## p. 224 (#658) ############################################&#13;
&#13;
224&#13;
THE AUTHOR.&#13;
The Payment and Fostering) op Poetry. Glasgow&#13;
Herald for Nov. 20.&#13;
The Comino Litebabt Bevival. II. J. S. Tunison.&#13;
Atlantic Monthly for Dooember.&#13;
The Importation of German. Leslie Stephen.&#13;
National Review for December.&#13;
Commenting upon the "carefully-prepared&#13;
report" of the Society of Authors' special Com-&#13;
mittee on book-discounts, the Titnes agrees that&#13;
"no compact can restore the country bookseller&#13;
to his old position," and advises him to reshape&#13;
his way of doing business and be to his customers&#13;
more than a mere transmitter of orders. The&#13;
contingency of an author publishing his books&#13;
through a bookseller, through a printer, through&#13;
a literary agent, or through a draper, the Times&#13;
says " is not so very probable," although " there&#13;
are authors powerful enough to defeat any&#13;
attempt to fix the terms on which their books are&#13;
to be sold." But, finally, our great contemporary&#13;
states that " both authors and publishers are apt&#13;
to overlook the interests and bias of the reader,&#13;
who never was less disposed to fall in with&#13;
proposals to put things right at his expense. For&#13;
good books, which are rare, he does not probably&#13;
pay enough, but for indifferent and ephemeral&#13;
productions he is satisfied that he pays too much."&#13;
The Daily Chronicle, in placing the facts and&#13;
issues of the report before its readers, confesses&#13;
also that it sees no way to an artificial enhance-&#13;
ment of prices, and reads the country bookseller&#13;
the lesson that if he would survive " he will be&#13;
wise to lay to heart the suggestions made to him&#13;
by the Society of Authors." In anticipating the&#13;
concurrence of the Publishers' Association with&#13;
the finding of the Committee, it observes that the&#13;
relations between authors and publishers were&#13;
never closer or more sympathetic than at the&#13;
present moment; and "never was a mere author&#13;
of the least merit so certain of a publisher and&#13;
therefore of a chance to win for himself an&#13;
audience ":&#13;
Therefore neither publishers nor authors stand in need of&#13;
any adventitious helps. The; would both oommit a fatal&#13;
error if in an attempt to turn back the stream of irresis-&#13;
tible economic forces, they tried to help a section of&#13;
the retailers at the cost of the multitude of readers.&#13;
"Economist," writing in the Times, thinks that&#13;
if it is the interest of the author and the publisher&#13;
to have their books on show in shops all over the&#13;
country, surely the necessary steps ought to be&#13;
taken by them and at their expense. As to any&#13;
idea of restrictions upon the price at which a&#13;
bookseller shall offer books to the public, we quote&#13;
"Economist's " own words:&#13;
The druggist is more necessary to the well-being of a&#13;
country town than the bookseller, and, nowadays at least,&#13;
he is usually a man more expensively educated. Yet he has&#13;
to go outside his proper sphere, selling tobacco, hair-&#13;
brushes, and any " fal-lals " that he can find room for. The&#13;
reason is that the turnover even of his indispensable goods&#13;
is not great enough to occupy all his time, or to furnish&#13;
the inoome that he desires. The country bookseller merely&#13;
suffers under a general disadvantage. It there are to be&#13;
trade combinations to supply him with an inoome greater&#13;
than the market affords, why not go back to pure medievalism&#13;
and put on restrictions all round to make every tradesman&#13;
happy.&#13;
"A Country Bookseller" says that publishers&#13;
could stop the anomalies to-morrow if they would&#13;
forget the superstitious age and call twelve a dozen,&#13;
giving to the poor what they give to the rich; if&#13;
copyright publishers would sell five copies at the&#13;
same rate each as twenty-five; and the non-copy-&#13;
right man would sell twenty at the same rate&#13;
as 200.&#13;
We are assured by the Publishers' Circular&#13;
that although " publishers have done all in their&#13;
power to aid the retail trade," booksellers will not&#13;
cease to agitate. Mr. Burleigh, the secretary of&#13;
the Associated Booksellers, has said as much,&#13;
indeed, to an interviewer. The booksellers—who&#13;
are, of course, disappointed with the report—&#13;
cannot give up the movement, he said, "unless&#13;
they are to relinquish all prospects for them-&#13;
selves." Mr. Frederick Evans spoke to the same&#13;
effect. Mr. F. Stoneham, on the other hand, who&#13;
represents the discount side of the trade, thought&#13;
the report a very fair statement of the whole case.&#13;
"It got together the essential facts governing&#13;
bookselling, and, that done, its conclusions were&#13;
inevitable." The recommendation of greater&#13;
energy and enterprise in the bookselling trade is&#13;
not, the Publishers' Circular considers, "to be&#13;
taken seriously." The remaining criticisms&#13;
which the organ of the publishing trade passes&#13;
upon the report are contained in the following&#13;
passage:&#13;
Publishers are told they would do well to remember the&#13;
development of the system of serial publication; in other&#13;
words, they are asked to pay attention to a method of pub-&#13;
lication whioh they have themselves called into existence&#13;
and are carrying on. Collective wisdom could not go beyond&#13;
that. Whether the bookseller can be converted into a news-&#13;
agent, or the newsagent into a bookseller, readers may&#13;
decide for themselves. It is true there are houses which&#13;
now handle both books and newspapers in large quantities;&#13;
but the results of a general adoption of the principle are, to&#13;
say the least, a little doubtful.&#13;
The Speaker acknowledges, in the name of the&#13;
world, that the report is an "amusing document."&#13;
Hasn't seen anything so amusing for a long&#13;
time. The writer hurls at the Society of&#13;
Authors, after some personalities, the state,&#13;
ment that the whole question is one of&#13;
money; and concludes with the assertion that the&#13;
people of Great Britain begrudge every shilling&#13;
which they spend upon literature, and the pro-&#13;
phecy that"the middleman will disappear, leaving&#13;
&#13;
&#13;
## p. 225 (#659) ############################################&#13;
&#13;
THE AUTHOR.&#13;
225&#13;
as his only memorial a thousand desolated homes,&#13;
and the wholesale publishers will become more&#13;
and more the masters of the great trade in&#13;
books."&#13;
Mr. Neville Beeman tells booksellers that they&#13;
are chiefly responsible for their impecuniosity.&#13;
They are incompetent to buy cautiously, and&#13;
unable to sell in an intelligent manner. But in&#13;
defence of the bookseller it must be said that&#13;
many pitfalls are laid for him by those who&#13;
should be his best friends. To take the author:&#13;
he writes a good book; he becomes known by it;&#13;
he is seized by the wicked literary agent, who&#13;
"proceeds to make arrangements with as many&#13;
publishers as possible, who are all keen to secure&#13;
a rising man, and one fine morning the author&#13;
wakes up to find he is bound to write so many&#13;
words a day, whether he feels inclined or not, to&#13;
fulfil the contracts which his master has concluded&#13;
for him." Mr. Beeman uses the word "master"&#13;
advisedly, his one objection to the literary agent&#13;
("a useful and even necessary adjunct to the&#13;
literary man") being that he is "master"&#13;
instead of "servant." The author, then, having&#13;
scored a success with his first book, proceeds to&#13;
turn out hurried and slipshod work; meanwhile&#13;
the bookseller, buying on the original reputation,&#13;
finds himself saddled with dead stock. Moreover,&#13;
"there is no device, however low, that an author&#13;
will not stoop to in order to puff and advertise&#13;
himself to the notice of the bookseller." Mr. A.&#13;
rides on his bicycle in velvet knickerbockers and&#13;
lace frills. Mr. B. always drinks toddy while&#13;
writing. Mr. De Bow sends a notice to the&#13;
papers saying that he is off to Monte Carlo to&#13;
study up local colour, but Mrs. De Bow secretly&#13;
divulges the fact that poor Mr. De Bow is&#13;
really at the British Museum getting h*8&#13;
local colour! The bookseller's grievance against&#13;
the publisher is even more serious. "The&#13;
bookseller has no one to blame so much for his&#13;
present position than [sic] the publisher." In&#13;
his selection of MSS. the publisher is guided, as a&#13;
rule, by his readers, the greater number of&#13;
whom — so Mr. Neville informs us — " are&#13;
authors who have failed to make a living them-&#13;
selves at writing." Readers, then, are full of cranks&#13;
and fads in their choice of books. A publisher&#13;
is perhaps unable to fill his autumn list with&#13;
books of good merit, so he makes up with&#13;
second-rate books. And as the publisher's&#13;
traveller is persuasive, and the bookseller easily&#13;
persuaded, the latter in the end is stocked up&#13;
with books that do not suit him, and suffers a&#13;
serious loss. A third sinner arraigned alongside&#13;
the author and the publisher, is the Press,&#13;
against whom Mr. Beeman makes charges in&#13;
connection with reviewing. But we pass to the&#13;
panacea which the writer suggests to the Book-&#13;
sellers' Association:&#13;
Instead of trying to mnlct the pnblio of extra pennies,&#13;
which do the trade no good, and only drive away business,&#13;
they should suggest to the publishers that they should&#13;
Bupply a oopy of every new book to the Booksellers' Asso-&#13;
ciation one clear fortnight before issue. The Association&#13;
should appoint an expert to examine each book and&#13;
report on its merits. Then to each member of the Asso-&#13;
ciation a report would be sent, and, in the event of the&#13;
book proving saleable, a short epitome of the plot should&#13;
be printed on a leaflet for the bookseller's guidance. This&#13;
would get over to a large measure, the item of bad stock.&#13;
Following up Mr. Lang's article of the previous&#13;
month, an author — Mr. Frankfort Moore — a&#13;
publisher (anonymous), and a bookseller (Mr. F.&#13;
Evans) give their views in Chapman's. Neither&#13;
Mr. Moore nor Mr. Evans thinks that the reduc-&#13;
tion of discounts to the public need necessarily&#13;
mean a diminution of sales; and the publisher&#13;
remarks that his class has nothing to gain by&#13;
proposing to enforce " 2d. in the is.," but they&#13;
wish to save the booksellers from ruin. An&#13;
author, a publisher, and a critic air their re-&#13;
spective grievances, by request, in the columns&#13;
of the Morning Post, which devotes a leading&#13;
article to their views. The author says the&#13;
London publisher is " very much of a sheep; he&#13;
lacks initiative." If one publisher gets a " boom"&#13;
with a certain kind of novel, then nothing will&#13;
serve either him or his publishing brethren but&#13;
that kind of novel written by Tom, Dick, and&#13;
Harry, till the reader is gorged. Publishers do&#13;
not know how to advertise their books, and they&#13;
do not offer them to the dying country bookseller&#13;
on the principle of sale or return. The critic, too,&#13;
is given over to a belief in fashions; and he is&#13;
too generous to the established popular favourite,&#13;
too grudgini; to the deserving writer who has&#13;
not quite arrived. The critic, on his part, implores&#13;
authors to lighten his labours by making their&#13;
work either very good or very bad. Most of the&#13;
books that come under his notice are pretty good,&#13;
and he is overwhelmed by the the monotony of&#13;
their average excellence. Finally, the publisher&#13;
is on the whole well content except that he is&#13;
troubled about the retail bookseller's condition.&#13;
His remedy for this is suggested by the following&#13;
confident conclusions: "To advertise a book at&#13;
a fixed price and then to tell buyers privately that&#13;
that is not the price is a sham and a delusion&#13;
unworthy of our honourable calling. The price&#13;
at which a book is published and advertised is&#13;
the price the public should pay for it. The true&#13;
solution is to fix a net price which the public&#13;
must pay, and from which no bookseller can&#13;
make any allowance whatever—and live. That is&#13;
the conclusion of the whole matter." The Post&#13;
finds the most interesting feature of these letters&#13;
&#13;
&#13;
## p. 226 (#660) ############################################&#13;
&#13;
226&#13;
THE AUTHOR.&#13;
the fact that the author and the publisher&#13;
think poorly of the criticisms of the periodical&#13;
Press, while the reviewer's complaint is merely&#13;
that great works are rare, and bad work not so&#13;
common as is supposed. It suggests that the&#13;
general public would welcome "selection," and&#13;
the practice of curtailing reviews of most books&#13;
to a few words, saying whether they are worth&#13;
reading or not. Anyhow, " there is evidently at&#13;
present a magnificent opportunity for critics&#13;
whose judgments can win the public confidence.&#13;
To no man is a greater reward offered in the&#13;
literary world than to him who can prove his&#13;
judgment is so true and so fair that the public&#13;
will be ready to read the books which he recom-&#13;
mends."&#13;
We noticed in this column some months ago&#13;
the proposal of Mr. Le Gallienne that millionaires&#13;
should endow the genuine poets of the country.&#13;
He had thought, of course, of the State doing&#13;
something, but abandoned the idea as hopeless,&#13;
and turned persuasively to the millionaires, and&#13;
offered them the opportunity of immortality by&#13;
providing for the material wants of our singers.&#13;
The Glasgow Herald, however, harks back to the&#13;
State. The apathy of the public to poetry at the&#13;
present day is very plain, and yet, says our&#13;
Scottish contemporary, "there is probably no&#13;
one among us that is so much of a Philistine or&#13;
so pronounced a Platonist as to wish to see poetry&#13;
starved out." To place all the proved poets&#13;
of the day beyond the reach of want, and thus&#13;
enable them to cultivate their poetical gifts with&#13;
their whole mind, a not very extravagant annual&#13;
sum would be required. The question arises,&#13;
how to prove them; and here the Glasgow&#13;
Herald writer sees the possible use of some body&#13;
like the French Academy, which would raise the&#13;
higher criticism from the slough of sheer com-&#13;
mercialism into which it has fallen within the&#13;
last quarter of a century. "If such a body were&#13;
formed, the State would find in it, and ready to its&#13;
hand, a committee of selection which would guide&#13;
as to who are and who are not proved poets.&#13;
Here, at all, events, is a suggestion for adding&#13;
to the beneficent powers of the State which has&#13;
in it no taint of Socialism."&#13;
THE BOOKS OF THE MONTH.&#13;
[Nov. 24 to Dec. 23.—299 Books.]&#13;
Abcrnethy, J. S. Life and Work of James Abernethy, 0. E. 7/6.&#13;
Abbott, Jones.&#13;
Abney, Captain. Scientific Requirements of Colour Photography.&#13;
1/- net. Frowde.&#13;
Adye, General Sir J. Indian Frontier Policy. 3/6. Smith. Elder.&#13;
Ainslie, Noel. Among Thorns, 6/'- Lawrence.&#13;
Alcock, D. By Far Euphrates. A Tale. 5/- Hodderand Stoughton.&#13;
Allen, A. M. Gladys in Grammarland. 8/6. Boxburghe.&#13;
Andrews, W. (ed.). Bygone Durham. 7/6. Andrews.&#13;
Anonymous. AH About Animals. For Old and Young. 10/6. NewneB.&#13;
AnonjmouB. (" H. M." and " M. A. R. T."). Handbook to Chris-&#13;
tian and Ecclesiastical Borne. Part 11. 5/- Black.&#13;
Anonymous. The Official Guide to the Klondyke Country. 2/-&#13;
Bacon.&#13;
Anonymous. (" O. B. P."). The Soul in Paradise. Poem. 1/6.&#13;
Church Printing Company.&#13;
Anonymous. The Print Gallery. Reproductions of Eugravings&#13;
from end of XVth to beginning of XlXth Century. Vol. I. 21/-&#13;
Grevel.&#13;
Anonymous. Victorian Art. Reproduction of Pictures. 91/6 net.&#13;
Blades.&#13;
Anonymous. MrB. Turner's Cautionary Stories. 1/6. Richards.&#13;
Anst«d,A. A Dictionary of Sea Terms. 7/6. Upcott Gill.&#13;
Armstrong, Jessie. Through Rosamund's Eyes. 3/6. Jarrold.&#13;
Atlay, J. B. Trial of Lord Cochrane before Lord EUenborough.&#13;
18/- Smith, Elder.&#13;
Bacon, E. M. Chronicles of Tarry town and Sleepy Hollow. 5/-&#13;
Putnam.&#13;
Bain, R. Nisbet. The Pupils of Peter the Great. 1 6 - net Constable.&#13;
Baldwin, J. H. Social and Ethical Interpretations in Mental Develop-&#13;
ment. 10/- net. Macmillan.&#13;
Baly, E. Eur-Aryan Roots, with their English Derivatives, Ac.&#13;
50/- net. Kegan Paul.&#13;
Banbury, G. A. L. On the Verge of Two Worlas. 8/6. Boxburghe.&#13;
Barkly, F. A. From the Tropics to the North Sea. 8/6. Roxburghe.&#13;
Barrett, Wilson. The Harlequin's Last Leap, Ac. 1/- Saxon.&#13;
Barstow, 0. H. Natty's Violin. 1/6. Warne.&#13;
Becke, Louis. Wild Life in Southern Seas. 6/- Unwin.&#13;
Baoby, 0. E. Creed and Life. Beverley: Wright&#13;
Bellot, H. L. and Willis, B. J. The Law relating to Unconscionable&#13;
Bargains with Moneylenders. 7/6. Stevens and Haynes.&#13;
Berenson, B. The Central Italian Painters of the Renaissance. 4/6.&#13;
Putnam.&#13;
Rerridge, Ruth. The Baby Philosopher. 3/6 Jarrold.&#13;
Bickford-Smith, R. A. H Cretan Sketches. 6/- Bentley.&#13;
Bicknell, Anna L. The Story of Marie Antoinette. 12/- Unwin.&#13;
Binns, Charles F. The Story of the Potter. 1/- Newnes.&#13;
Black, Hugh. Friendship. 2/6. Hodder and Stoughton.&#13;
Boas, Mrs. F. English History for Children. 2/6. Nisbet.&#13;
Boulger, D. C. The Life of Sir Stamford Raffles. 21/- net Horace&#13;
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Brewer, H. W. Medissval Oxford: a Bird's Eye View. D. Fonrdrinier.&#13;
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Brockman, Louisa. Bright Thoughts. 2/6. Digby.&#13;
Bryant, Emi'y M. Norma: A School Tale. 3/6. Digby.&#13;
Budd, A , and others. Football. 1/- Lawrence.&#13;
Budge, E. A. Wallis (ed.). The Book of the Dead: The Chapters of&#13;
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Builder, The. Album of Royal Academy Architecture, 1897. Builder&#13;
Offlce.&#13;
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Macmillan.&#13;
Carey, R. Nouchette. Other People's Lives. 6/- Hodderand Stoughton.&#13;
Chambers, C. H. An Underground Tragedy, Ac. 1/- Saxon.&#13;
Channing, F. A. The Truth about Agricultural Depression. 6/-&#13;
Church, Dean. Village Sermons Third Series. 6/-&#13;
Clark, W. Eras of the Christian Church: The Anglican Revival. 6/-&#13;
Olark.&#13;
Clarke, H. B. The Cld Campcador and the Waning of the Orescent&#13;
in the West 6/- Putnam.&#13;
Cochrane, B. (ed.). Four Hundred Animal Stories. 2/6. Chambers.&#13;
Cohn, J., and Swales, F. Practical Horse Dentistry. 3/6. Vinton.&#13;
Coillard, Francois (tr. by 0. W. Mackintosh^. On the Threshold of&#13;
Central Africa. 15/- Hodder and Stoughton.&#13;
Collins, W. E. Beginnings of English Christianity. 8/6. M&lt;"&#13;
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Ooonley, L. A. (worda by). Singing Verses for Children. 8/6 net.&#13;
Cooper, E. H. The Marchioness against the County. 6/- Chapman.&#13;
Cordery, J. G. (tr.). The Odyssey of Homer. 7/6. Methnen.&#13;
Cotton, A. E. Queer Creatures. 2/6. Simplrin.&#13;
Couch, M. Qulller. Some Westora Folk. 8/6. Horace Marshall.&#13;
&#13;
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## p. 227 (#661) ############################################&#13;
&#13;
THE AUTHOR.&#13;
227&#13;
Cox, the father of Rev. W. S. Evly Promoted: A Memoir. 2/6. Low.&#13;
Oragg, A. B. HintB to Young Valuers. Land Agent s Record.&#13;
Crawford, Arthur. Our Troubles in Poona and the Deccan. 14/-&#13;
Constable.&#13;
Greswlcke, Louis. Love's Usuries. 3/6. Drane.&#13;
Crosland, N. Bumbles Round my Life, 1819-96. 7/6. E. W. Allen.&#13;
Cuthbertson, Evan J. William Shakespeare. 1/- Chambers.&#13;
D'Ache, C., and Wolseley, Hon. F. The Story of Marlborough. 10/6.&#13;
Grevel.&#13;
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Derbyshire, A. An Architect's Experiences. Manchester: Cornish.&#13;
Dawson, W. J. The Endless Choice, 1/6. Nisbet&#13;
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Dixon, Charles. Onr Favourite Song Birds. 7/6. Lawrence.&#13;
Douglas, Sir Goo., Bart. Poems of a Country Gentleman. 3/6.&#13;
Longmans.&#13;
Drummond, Henry. The Ideal Life, and other Unpublished Addresses.&#13;
6/- Hodder and Stoughton.&#13;
Drummond, Henry. The Monkey that Would Not Kill. 2/6.&#13;
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Customs, and Ceremonies. 21/- net. Frowde.&#13;
Duggan, J. Steps Towards Reunion. 61- Eegan Paul.&#13;
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Evans, T. J. Notes on Carpentry and Joinery.—I. 7/6. Chapman.&#13;
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Field, Eugene (selected by E. Grahame). Lullaby Land. 6/- Lane.&#13;
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Fltchett, W. H. (" Vedette "). Deeds that Won the Empire 6/-&#13;
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Forman, H. B. The Books of William Morris. 10/6 net. Boilings.&#13;
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Gilbert, W. S. Bab Ballads, and Songs of a Savoyard. Complete&#13;
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97. 57- Dublin: Hodges, Figgis.&#13;
Kenyon, Edith C. The Hand of His Brother. 6/- Gay and Bird.&#13;
Kenyon, F. G. (ed.). The Poems of Bacchylides. 21/-&#13;
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Christ." 1/6 net. Frowde.&#13;
Lockyor, Sir N. The Sun's Place In Nature, 1*/- Macmillan.&#13;
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Lutoslawski, W. Origin and Growth of Plato's Logic. 21/-&#13;
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MacGregor, B. King Longbeard, Fairy Tales. 6/- Lane.&#13;
Mcllwraitn, F. W. A Book about Shakespeare. 2/- Nelson.&#13;
Macklnnon, James. Leisure Hours in the Study. 6/- Unwin.&#13;
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Martin, David. The Glasgow School of Painting. 10/6 net. Bell.&#13;
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spector. Spon.&#13;
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Moborly, R. C. Ministerial Priesthood, 14/- Murray.&#13;
Moffat, Douglas. Crickety Orioket. 2/6. Longmans.&#13;
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&#13;
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## p. 228 (#662) ############################################&#13;
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228&#13;
THE AUTHOR.&#13;
Morris, the Hon. Martin. Transatlantic Traits. 6/- Stock.&#13;
Muir, Sir. W. The Hon. James Thorn.!son 2/- Clark.&#13;
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Nye, G. H. F. Our Island Home. 8/6. Bemrose.&#13;
O'Donoghae, D. J. Life and Writings of James Clarence Mangan.&#13;
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(editors). The Encyclopiodla of Sport. Vol. L A.—Leo. 25,-&#13;
Lawrence.&#13;
Symons, A. (ed.). A Selection from the Poems of Mathilde Blind.&#13;
7/6. Unwin.&#13;
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