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            <text>ZTbe Hutbor*&#13;
{The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. II.—No. 3.]&#13;
AUGUST i, 1891.&#13;
[Price Sixpence.&#13;
CONTENTS.&#13;
FAOE&#13;
The Dinner *9&#13;
Overheard—&#13;
I. At the Black Jack Club So&#13;
II. From a Letter 81&#13;
III. In the Train 81&#13;
IV. At the Table 8j&#13;
Literary Maxims 8a&#13;
Notes and News 8a&#13;
The Authors' Club 8s&#13;
International Copyright—&#13;
I. The President's Proclamation 86&#13;
II. Mr.Secretary Foster's Regulations 87&#13;
III. What will happen? 87&#13;
IV. Opinion of Sir Horace Davey 89&#13;
PAGE&#13;
International Copyright—continued.&#13;
V. Opinion of Sir Michael Hicks-Bcach 9°&#13;
VI. Answer to Questions 9'&#13;
Correspondence—&#13;
I. Now Grub Street 1*&#13;
II. The Rev. William Shakspearfi M&#13;
III. Presentation Copies °*&#13;
IV. Payment on Publication 94&#13;
V. Insurance 95&#13;
VI. Titles&#13;
US&#13;
From Grub Street 9S&#13;
"At the Author's Head" 9S&#13;
The Author's Bookstall ,6&#13;
EYRE AND SPOTTISWOODE.&#13;
ACTION OF LIGHT ON WATER COLOURS—Report&#13;
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PLIOCENE DEPOSITS OF BRITAIN, THE. By&#13;
Clement Reid, F.L S., F.G.S. Five Plates (48 cuts), s». id.&#13;
LONDON AND NEIGHBOURHOOD: Guido to the&#13;
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The Geology of. By W. Wiiitaker, B.A.. F.R.S., F.G.S.,&#13;
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WESTMINSTER ABBEY. Final Report of the Royal&#13;
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KEW BULLETIN, 1890. Issued by the Director of Kew&#13;
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ROYAL MILITARY EXHIBITION, 1890. Descriptive&#13;
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Hellier, Commandant Royal Military School of Music. The&#13;
instruments are fully described; they are arranged systemati-&#13;
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logical arrangement has, as much as possible, been adhered to.&#13;
Each family of instrument has been prefaced by a carefully-&#13;
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authority upon the subject nppears in the Appendix. The book&#13;
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EYRE anil SPttTTISffOODE, Her Majesty's Printers, East Harding Street, London, B.C.&#13;
&#13;
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## p. 66 (#470) #############################################&#13;
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66&#13;
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## p. 67 (#471) #############################################&#13;
&#13;
ADVERTISEMENTS. 67&#13;
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## p. 68 (#472) #############################################&#13;
&#13;
68&#13;
A D VEll TISEMENTS.&#13;
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## p. 69 (#473) #############################################&#13;
&#13;
^Tbe Butbot\&#13;
{The Organ of the Incorporated Society of Authors. Monthly.)&#13;
CONDUCTED BY WALTER BESANT.&#13;
Vol. II.—No. 3.] AUGUST i, 1891. [Pbice Sixpence.&#13;
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the month of August the secretarial strength&#13;
at the Office is greatly diminished. It will,&#13;
therefore, be a great convenience if letters asking&#13;
for advice or assistance could be kept back until&#13;
September. Urgent cases, however, will be sent on&#13;
and attended to as soon as possible. The Office is&#13;
open as usual for the payment of subscriptions and&#13;
donations, the entrance of names for membership,&#13;
and all ordinary office work.&#13;
Readers of the Author are earnestly' entreated&#13;
to disseminate as widely as possibly the warnings&#13;
and advice contained in every number; above all,&#13;
to enforce everywhere the simple counsel to have&#13;
nothing whatever to do with any publisher not&#13;
recommended by a friend who has had personal&#13;
experience, or by the Society.&#13;
♦■»■♦&#13;
THE ANNUAL DINNER&#13;
OF THE&#13;
INCORPORATED SOCIETY OF AUTHORS&#13;
HELD AT "THE WHITEHALL ROOMS,"&#13;
HOTEL METROFOLE,&#13;
ON&#13;
Thursday, July 16th, 1891,&#13;
LORD MONKSWELL in the Cuaib.&#13;
rflHERE were over two hundred members and&#13;
I guests present at the dinner. The following&#13;
is the list, but at the last moment two or three&#13;
found themselves unable to attend ;—.&#13;
More Adey.&#13;
George Allen.&#13;
Miss Grace Allen.&#13;
E. A. Armstrong.&#13;
Edwin Lester Arnold.&#13;
Mrs. Edwin Lester Arnold.&#13;
James Baker, F.R.G.S.&#13;
M. Powis Bale.&#13;
Wolcott Balestier.&#13;
The Rev. Dr. Barker.&#13;
Miss Jessie Barker.&#13;
Arthur W. a, Beckett.&#13;
Mrs. A. W. h Beckett.&#13;
Max Beerbohm.&#13;
Rev. Canon C. D. Bell.&#13;
Mackenzie Bell.&#13;
Miss Belloc.&#13;
Herbert Ben twitch.&#13;
Sir Henry Bergne, K.C.M.G.&#13;
Mrs. Oscar Beringcr.&#13;
Walter Besant.&#13;
Mrs. Walter Besant.&#13;
M. Bhowneggree.&#13;
Augustine Birrell, M.P.&#13;
William Black.&#13;
Henry Blackburn.&#13;
Mrs. Henry Blackburn.&#13;
J. Arthur Blaikie.&#13;
Paul Blouet. (" Max O'Rell.")&#13;
Madame Blouet.&#13;
Anna, Comtesse do Bremont.&#13;
A. E. Bridger.&#13;
Oscar Browning.&#13;
James Bryce, M.P.&#13;
Professor C. A. Buchheim, Ph.D.&#13;
Mrs. Mona Caird.&#13;
Mrs. Lovett Cameron.&#13;
J. Dykes Campliell.&#13;
Thomas Catling.&#13;
A. Chatto.&#13;
Edward Clodd.&#13;
John Coleman.&#13;
W. Morris Colles.&#13;
F. Howard Collins.&#13;
W. M. Conway. .&#13;
C. H. RadclifTe Cooke, M.P.&#13;
Miss Cordeux.&#13;
Miss K. M. Cordeux. (" Daniel Dormer.")&#13;
&#13;
&#13;
## p. 70 (#474) #############################################&#13;
&#13;
7o&#13;
THE AUTHOR.&#13;
Mrs. Roalfe Cox.&#13;
Miss Roalfe Cox.&#13;
Miss May Cronimelin.&#13;
John Beattie Crozier.&#13;
G. D. Dav.&#13;
C. F. Dowsett.&#13;
A. Conan Doyle.&#13;
A. W. Dubourg.&#13;
George Dumaurier.&#13;
J. W. Eilinonds.&#13;
Mrs. Edmonds.&#13;
Walter L. J. Ellis.&#13;
Dana Estes.&#13;
B. L. Farjeon.&#13;
George Manville Fenn.&#13;
Basil Field.&#13;
Mrs. Basil Field.&#13;
Clyde Fiteh.&#13;
Percy Fitzgerald.&#13;
Professor Michael Foster, F.R.S.&#13;
Dr. Richard Garnett.&#13;
William A. Gibbs.&#13;
Rev. Dr. Giusburg.&#13;
George W. Godfrey.&#13;
Dr. J. A. Goodchild.&#13;
Edmund Gosse.&#13;
Mrs. Edmund Gosse.&#13;
H. Rider Haggard.&#13;
Egmont Hake.&#13;
Professor John W. Hales.&#13;
Henry Harland.&#13;
Mrs. Henry Harland.&#13;
Mrs. George Harley.&#13;
Henry Harper.&#13;
Miss Harrison.&#13;
Bret Harte.&#13;
Joseph Hatton.&#13;
E. C. Haynes.&#13;
Arthur Herbert.&#13;
John W. Hill.&#13;
W. Earle Hodgson.&#13;
Clive Holland.&#13;
J. W. Houghton.&#13;
Miss Houghton.&#13;
Reginald Hughes.&#13;
Mrs. Reginald Hughes.&#13;
Rev. William Hunt.&#13;
Mrs. William Hunt.&#13;
Mrs. Hutcheson.&#13;
Professor Huxley.&#13;
Charles T. C. James.&#13;
Rev. Theodore Johnson.&#13;
Frel&gt;endary Harry Jones.&#13;
H. G. Keene, CLE.&#13;
Joseph Knight.&#13;
Mrs. Laffan. (" Mrs. Leith Adams.")&#13;
Rev. Dr. Lansdell.&#13;
Lorin Latbrop.&#13;
Mrs. Lorin Latbrop.&#13;
Edmund Lee.&#13;
Sidney Lee.&#13;
J. M. Lely.&#13;
Lady William Lennox.&#13;
Robert Lincoln (the American Minister).&#13;
J. Stanley Little.&#13;
Mrs. Carnegie Long.&#13;
Sidney Low.&#13;
Mrs. Sidney Low.&#13;
Justin Huntly McCarthy.&#13;
Justin McCarthy.&#13;
Norman McColl.&#13;
J. W. Mcllvaine.&#13;
S. B. G. McKinney.&#13;
Dr. B. E. Martin.'&#13;
Edward Martin.&#13;
Brander Matthews.&#13;
Mrs. Brander Matthews.&#13;
Atbol Maudslay.&#13;
M. Mijatovich.&#13;
Mine. Mijatovich.&#13;
Professor W. Minto.&#13;
W. Cosmo Monkhouse.&#13;
Lord Monkswell.&#13;
Lewis Morris.&#13;
George Moore.&#13;
Rev. W. D. Morrison.&#13;
Mrs. Chandler Moulton.&#13;
Henry H. Newill.&#13;
Professor J. E. Nixon.&#13;
Miss Oakes.&#13;
John O'Neill.&#13;
James R. Osgood.&#13;
Walter Pater.&#13;
Arthur Paterson.&#13;
Dr. William Pole, F.R.S.&#13;
Sir Frederick Pollock, Bart ., LL.D.&#13;
Lady Pollock.&#13;
Walter H. Pollock.&#13;
Mrs. Walter H. Pollock.&#13;
Miss Edith Pollock.&#13;
Reginald S. Poole.&#13;
Stanley Lane Poole.&#13;
Norman Porritt.&#13;
John Rae.&#13;
W. Fraser Rae.&#13;
Miss Helen Leah Read.&#13;
F. W. Robinson.&#13;
John Robinson.&#13;
James Rolt.&#13;
Rol&gt;ert Ross.&#13;
Miss Elise Ross.&#13;
Herr von Poorten Schwartz. (Mr. " Maar-&#13;
ten Maartens.")&#13;
George Sheldon.&#13;
Dr. Sisley.&#13;
Rev. Professor Skeat, Litt.D.&#13;
Douglas Sladen.&#13;
G. W. Smalley.&#13;
&#13;
&#13;
## p. 71 (#475) #############################################&#13;
&#13;
THE AUTHOR.&#13;
71&#13;
Rev. Dr. Smith.&#13;
Miss Jane Smith.&#13;
Mrs. Spender.&#13;
S. Squire Sprigge.&#13;
Dr. Balruanno Squire.&#13;
Sir John Staincr, Mus.D.&#13;
Professor C. V. Stanford, Mus.D.&#13;
Mrs. 0. V. Stanford.&#13;
Miss Stephens.&#13;
Miss J. Stephens.&#13;
J. Ashhv Sterrv.&#13;
C. T. Taylor."&#13;
Dr. Todhunter.&#13;
H. D. Traill.&#13;
Mrs. H. D. Traill.&#13;
Andrew W. Tuer.&#13;
Mrs. Alec. Twecdie.&#13;
Miss Roraola Tynte.&#13;
Dr. F. Valentine.&#13;
Dr. Henry Veale.&#13;
Edric Vredenburg.&#13;
Charles Dudley Warner.&#13;
Arthur Warren.&#13;
A. P. Watt.&#13;
Alec. Watt, jun.&#13;
Theodore Watts.&#13;
William Westall.&#13;
Miss Beatrice Whitby.&#13;
Oscar Wilde.&#13;
W. G. Wills.&#13;
H. Schiitz Wilson.&#13;
Colonel Winsloe.&#13;
At the conclusion of dinner, the toast of Her&#13;
Majesty the Queen having been heartily responded&#13;
to—&#13;
The Chairman.—Mr. Lincoln, Ladies, and Gen-&#13;
tlemen, I have to announce that I have received a&#13;
letter from Lord Tennyson, who writes that "In&#13;
the name of the United Kingdom our Society-&#13;
congratulates the United States on their great act&#13;
of justice." I have further to announce that the&#13;
following gentlemen regret their inability to attend:&#13;
The Bishops of Gloucester and Oxford, Cardinal&#13;
Manning, Mr. George Meredith, Mr. Holman&#13;
Hunt, Sir Edwin Arnold, Mr. Alfred Austin, the&#13;
Earl of Pembroke, Mr. Austin Dobson, Mr. Hail&#13;
Caine, Professor Church, and the Master of Balliol.&#13;
I may also mention that Lord Coleridge told me&#13;
the other day that it was with great regret that he&#13;
was compelled to decline an invitation at the&#13;
instance of Mr. Besant to lie here to-night, l&gt;ecause&#13;
he was receiving company at home. There is also&#13;
a letter from Mr. Thomas Hardy.&#13;
Now, it is my pleasing duty to give you another&#13;
toast—that of the President of the United Suites&#13;
of America. The toast of the Queen it is usual to&#13;
consider needs no preface. I should have adopted&#13;
the same course with regard to the President of the&#13;
United States, were it not that I wish to mention&#13;
that we owe a debt of obligation to the President,&#13;
because he has without any demur at once acceded&#13;
to our request to lx&gt; allowed to come under the&#13;
American Law of Copyright. It seems to me that&#13;
that shows a kindly feeling on the part of the&#13;
President of the United States towards England,&#13;
for he might, I think, have adopted a different&#13;
course, and I do not know if he had, whether we&#13;
should have had any reason to complain. He might&#13;
have said that the Law of Copyright in England is&#13;
quite unintelligible; that it was doubtful whether&#13;
the clause with regard to reciprocity in the Americjin&#13;
Act was complied with. The course that he has&#13;
adopted shows that he is animated with friendly&#13;
feelings towards England, and that is why I desire&#13;
to say a few words to the toast. I give you "The&#13;
President of the United States of America."—The&#13;
toast was cordially received.&#13;
The Chairman.—Ladies and Gentlemen, the&#13;
toast that I have now the honour to propose is that&#13;
of our guests, coupled with the name of Mr. Lincoln,&#13;
the American Minister. I feel that my presence&#13;
in the chair to-night on this important occasion,&#13;
and in the midst of such a distinguished company,&#13;
exhibits the Society of Authors in a very amiable&#13;
light. It shows that they carry to its extreme&#13;
limits the virtue of gratitude, for I am here to-night&#13;
not in respect of any service I have been able to&#13;
render to the Society of Authors, but only in respect&#13;
of services attempted to l&gt;e rendered. (No, no.)&#13;
Now, to-night, it is my pleasing duty to congratulate&#13;
the citizens of the United States of America, in the&#13;
person of their Minister, Mr. Lincoln, on the great&#13;
act of justice they have performed in recognising&#13;
the rights of British authors. I am sure we must&#13;
all lie extremelv glad to see Mr. Lincoln among us&#13;
to-night. Wc all know that Mr. Lincoln is the&#13;
distinguished son of an illustrious father. The&#13;
name of Abraham Lincoln ranks in the annals of&#13;
the United States second only to that of Washington&#13;
himself, of whom he was a worthy successor in the&#13;
Presidential Chair. If Mr. Lincoln looks around&#13;
him, I think he will discover that the company&#13;
here assembled is worthy of the occasion on which&#13;
we have met. I should not presume—it would be&#13;
impertinence for me to do so—to give a list of the&#13;
distinguished persons present here to-night, but I&#13;
should like to make one exception, I should like to&#13;
mention by name one great Englishman,—an&#13;
Englishman whose name is especially respected and&#13;
venerated in America, an Englishman whose&#13;
presence among us to-night is a signal act of&#13;
favour, inasmuch as for years past he has steadily&#13;
refused to be present at any banquet except in the&#13;
immediate circle of his intimate friends—I mean&#13;
Professor Huxley. One never knows in what&#13;
-&#13;
i&#13;
&#13;
&#13;
## p. 72 (#476) #############################################&#13;
&#13;
72&#13;
THE AUTHOR.&#13;
unexpected ways a man of gonitis may not. break&#13;
out. We have long known Mr. Huxley as an&#13;
eminent man of science and of letters. We must&#13;
now regard him in the liglit of a great Biblical&#13;
scholar; he is, as I understand, devoting his life to&#13;
the task of reconciling theology with science. If&#13;
he Bhould fail in the attempt, perhaps he will put&#13;
the boot on the other leg and try to reconcile&#13;
science with theology. Well, then, ladies and&#13;
gentlemen, as I have said, the United States of&#13;
America have done an act of justice to English&#13;
authors, and have done this act of justice to their&#13;
own material disadvantage. We speak the same&#13;
language as the Americans. To a great extent&#13;
we read the same books. The names of many&#13;
American authors are household words in England&#13;
just as they are in America, and, indeed, some&#13;
American authors have even become acclimatized&#13;
among us. And in the same way many English&#13;
authors arc exceedingly popular in America. The&#13;
United States of America have long enjoyed what&#13;
I may call a system of assisted education; that is&#13;
to say, education assisted by the industry and by&#13;
the intellect of English writers; but at the same&#13;
time the Americans have paid their teachers ex-&#13;
ceedingly little for their lessons, and what little&#13;
they have paid has hitherto been not a matter of&#13;
right but a matter of favour. Now, I think, it is&#13;
no small thing that the American people should&#13;
have agreed to pay for what they have so long&#13;
enjoyed without payment. I agree that this is&#13;
only a matter of justice, but at the same time it&#13;
is a kind of justice that it requires a good deal&#13;
of moral courage to carry into execution. It is&#13;
justice, I may mention, not only to English authors&#13;
but also to American authors, because for a long&#13;
time American authors have been subject to what&#13;
I may call unfair competition on the part of&#13;
English writers, for English writers have been&#13;
able to have their works printed in America at&#13;
what I may call an artificially low cost owing to&#13;
the absence of Copyright; and now the American&#13;
and the English writers have a fair field and no&#13;
favour in a friendly competition one with another.&#13;
Now, ladies and gentlemen, I approach a somewhat&#13;
debatable point. We know a great deal has been&#13;
said about what is called the printing clause in&#13;
the American Act, that is to say, the clause that&#13;
requires a book to be printed from type set up in&#13;
the United States before English writers can get&#13;
the benefit of American Copyright. I approach&#13;
this subject with a good deal of diffidence, partly&#13;
because my friend, Professor Bryce, has said&#13;
everything about it that I intended to say in last&#13;
Saturday's number of the Speaker. But as it is&#13;
just possible that there may be persons here present&#13;
who did not read the Speaker, perhaps I may be&#13;
allowed, in a few words, to tell yon what my views&#13;
are with regard to that clause. I must say that&#13;
I am Englishman enough to feel annoyance, and&#13;
indignation even, with my American cousins if&#13;
I consider that annoyance and indignation is&#13;
warranted by the facts of the case, but I do not&#13;
feel that any cause of indignation is given, because&#13;
the Americans have passed this printing clause.&#13;
In the first place, I would point out this: that the&#13;
supporters of the Bill had absolutely no option&#13;
whatever but to put this clause in. The American&#13;
Act wiis only passed by the. display of the greatest&#13;
tact and ability on the part of the promoters of it;&#13;
and if this sop to American printers had not been&#13;
put in it is absolutely certain that the Act would&#13;
never jmiss into law. Well, now, I think that we&#13;
in England are very well aware of the great&#13;
pressure and influence that can be brought to bear&#13;
by any organized men in the kingdom who con-&#13;
sider that their interests are threatened, and we in&#13;
England know perfectly well how helpless the&#13;
general public are in an unequal contest with an&#13;
organized and powerful and an enraged section&#13;
of the community. From what I have read it does&#13;
seem to me that the United States of America&#13;
is not entirely free from experience of that kind.&#13;
It is said, I know, that although this clause is&#13;
a necessary clause that it is a dishonest one, or, at&#13;
all events, if not dishonest, that it is a shabby piece&#13;
of legislation. Now, I confess that I am unable to&#13;
rgree with that opinion. It is perfectly certain&#13;
that if the American Act had been passed without&#13;
this clause that the American printing industry&#13;
would have suffered considerably. It would imme-&#13;
diately have lost what it now enjoys, the printing&#13;
of English copyright works; and I agree entirely&#13;
with Mr. Bryce when he says that the object of&#13;
this clause in the American Act was merely to put&#13;
the American printers in the same condition in&#13;
which they would have been in ha&lt;l the Act not&#13;
have been passed. I believe that its effect upon&#13;
English printing will be very slight. It may be&#13;
that a certain amount of English printing hitherto&#13;
done here will go to America, but I Ixdieve the&#13;
chief difference the Act will make is this: that it&#13;
will lead to a good deal of unnecessary and&#13;
wasteful printing; that most of the copyright&#13;
lx&gt;oks for English readers will be printed in&#13;
England, and most of the copyright books for&#13;
American readers will be printed in America. And&#13;
I would point out this: that the printing industry-&#13;
is, by the nature of things, a growing industry.&#13;
It must grow because our population is constantly&#13;
increasing, and because of the spread of education,&#13;
and any temporary check that may be administered&#13;
to it by American legislation will, I believe, be&#13;
only momentary, and will be barely perceptible.&#13;
Now, I wordd point out that this clause to which&#13;
so much objection has been taken, both on this&#13;
i&#13;
&#13;
&#13;
## p. 73 (#477) #############################################&#13;
&#13;
THE AUTHOR.&#13;
73&#13;
side and on the other side of the Atlantic, is simply&#13;
a part of the American system of Protection. Now&#13;
wc, in England, consider that this system of Pro-&#13;
tection is unwise, hut we cannot say that for those&#13;
who believe in it, it is in any respect immoral.&#13;
We believe that the effect of the clause will be&#13;
this: it will be to make not only American readers&#13;
pay toll to American printers, but also every in-&#13;
dustry throughout the United States. Our con-&#13;
tention is this: that if the American reader has to&#13;
pay more for his books, he will have to economise&#13;
in other directions; that is to say, he will wear his&#13;
old coats, his old hats, and his old boots longer,&#13;
and, worst of all, it may be that he will not be able&#13;
to afford his wife as many dresses as she requires.&#13;
Americans believe in Protection. If we, like the&#13;
Americans, believed in Protection, we should be&#13;
bound to practise it. While we did believe in&#13;
Protection we did practise it, and we almndoned&#13;
Protection not because we were more moral than&#13;
our neighbours, but because we flattered ourselves&#13;
that we were more enlightened. Now, we further&#13;
believe that Protection in the United States of&#13;
America handicaps her very severely in her com-&#13;
petition with us in the commerce of the world, and&#13;
regarded simply from the standpoint of material&#13;
interests, we can afford to regard with equanimity,&#13;
if not with satisfaction, every fresh development of&#13;
Protectionist policy in America. I am not going&#13;
to sivy that there are not some provisions in the&#13;
American Act that might very well with advantage&#13;
lx&gt; amended, but I do say this: that, substantially,&#13;
the Americans have gone as far to meet our views&#13;
as the supposed interests of their country would&#13;
allow them to do. I say that in their position,&#13;
holding their opinions, I believe we should have&#13;
behaved very much as they have behaved. And,&#13;
ladies and gentlemen, in conclusion, I hope it will&#13;
be generally recognised that the Americans have&#13;
gone as far to meet our wishes as we could reason-&#13;
ably hope, and I do trust that not a vestige of&#13;
irritation or annoyance will remain either on our&#13;
part or on the part of the people of the United&#13;
States of America to cloud that perfect under-&#13;
standing that ought to subsist between two peoples&#13;
so closely allied in blood, and so worthy of one&#13;
another's friendship. I give you "Our Guests,"&#13;
coupled with the name of Mr. Lincoln.&#13;
The American Minister (Mr. Lincoln).—&#13;
Lord Monkswell, Ladies, and Gentlemen, I thank&#13;
you very heartily and sincerely for the very kind&#13;
way in which this toast has been received, at least,&#13;
in so far as it regards myself, for I am only one of&#13;
the guests of this evening, and others are here who&#13;
will speak for themselves—as for myself, I am&#13;
heartily obliged. I hope and trust that you will&#13;
acquit me of any affectation when I say that it&#13;
would be very much more agreeable to me if this&#13;
VOL. II.&#13;
event which is being celebrated here to-night, and the&#13;
response of the American minister to this toast, had&#13;
been in the time of one of my eminent predecessors,&#13;
whose distinguished career and personal qualities&#13;
not only allied him to many of those who are here&#13;
present, but made him their close friend, and whose&#13;
wit and wisdom have made his name a household&#13;
word all over the world, and who has used them&#13;
in the most strenuous way in accomplishing the&#13;
purpose which has been attained. As his presence&#13;
here is impossible, it falls upon me to have the&#13;
pleasure of expressing the honour I feel at this&#13;
opportunity of meeting this distinguished company,&#13;
composed of so many of those who are devoting&#13;
their energies and their talents to the instruction&#13;
and the literary entertainment of the great English-&#13;
speaking race; and it is especially pleasant to do&#13;
so under the circumstances which make this par-&#13;
ticular dinner of the Author's Society so peculiarly&#13;
notable. You are signalising here the end of the&#13;
impatience which has existed for so many years on&#13;
both sides of the Atlantic, over the delay in esta-&#13;
blishing what may be called proper relations&#13;
between the Copyright laws of England and the&#13;
United States. How far they may have been&#13;
established may be a question in some minds, but&#13;
at all events, we all recognise that a correct principle&#13;
has been reached and settled. It is not at all&#13;
strange that such impatience has long existed, for&#13;
while our governments differ in form, yet the duties&#13;
on the one hand, and the rights and privileges on&#13;
the other, of the people of both our nations, are&#13;
nearly identical. They have a common language,&#13;
and for the most part a common origin, and with&#13;
an equally advanced civilisation, their modes of&#13;
thought and aspirations make our races almost&#13;
the same in the history and contemplation of the&#13;
world at large. Under those conditions it has&#13;
seemed to many for a long time, and it has seemed&#13;
to me among them, that it was almost arbitrary&#13;
and unreasonable that there should be continued in&#13;
force a rule of law which denied in each country&#13;
to the authors of the other, and to them alone&#13;
of all the people carrying on the numberless active&#13;
professions and trades of the civilisation of the&#13;
present day, the property rights which each country&#13;
gave to its own citizen and resident authors. In&#13;
saying this of England as well as the United&#13;
States, I speak of course in view of the fact that it&#13;
has only just now become certain that a non-resident&#13;
alien author can obtain the benefit of English&#13;
Copyright law, and that the first official and conclu-&#13;
sive declaration to that effect has just within a few&#13;
weeks been made and drawn forth by the passage&#13;
of the new American law on this subject. Between&#13;
our countries, to a far greater degree than l&gt;etween&#13;
those using different languages, this question of&#13;
reciprocal Copyright is a practical one and of high&#13;
F&#13;
&#13;
&#13;
## p. 74 (#478) #############################################&#13;
&#13;
74&#13;
THE AUTHOR.&#13;
importance, and consequently opposing interests&#13;
are more numerous and more powerful with us than&#13;
anywhere else. In the very nature of things the&#13;
adhesion which was reached, by various countries&#13;
under the provisions of the Berne Convention, were&#13;
far easier to be attained than the great arrangement&#13;
which has just been closed between Great Britain&#13;
and the United States. I am one of those who for&#13;
a long time have wished such an arrangement to&#13;
be made. It seems to me a great many years since&#13;
I signed a petition to that effect. I am neither an&#13;
author on the one side or a publisher on the other;&#13;
but it is my misfortune, when I am not doing&#13;
something else, to be a practising lawyer, and, as a&#13;
practising lawyer, I have never had any difficulty&#13;
whatever in feeling the justice of myself being&#13;
paid for any printed argument that I might make,&#13;
provided always it was a good one, and this&#13;
irrespective of the nationality of my client, and&#13;
what I thought just as regards myself I could hardly&#13;
think unjust as regarded any other man, whatever&#13;
his nation or however remote might be his geo-&#13;
graphical situation, from whose mental labours I&#13;
had derived profit or pleasure. Besides feeling&#13;
this sense of justice to authors themselves — I&#13;
hope it was a sense of justice—I but followed&#13;
the lead of, I believe, almost every living author of&#13;
high repute in my own country, in wishing them,&#13;
and especially their younger brethren who are still&#13;
struggling to find their proper place in the public&#13;
estimation, to be relieved from the involuntary,&#13;
perhaps I should say from the very unwilling,&#13;
competition of uncompensated foreign authorship,&#13;
and so that there should be taken away what I&#13;
consider a very great obstacle in the path of our&#13;
own home literary progress. But to go into this is&#13;
to enter upon subjects which are very familiar, and&#13;
as it is a rule of my profession that all the details&#13;
of a controversy should be ignored and theoretically&#13;
forgotten after the controversy has been settled by&#13;
an agreement, I think it would perhaps suit you, as&#13;
it will certainly suit me, to follow that rule. This&#13;
I do not believe to be an occasion to thresh over&#13;
what is happily now only old straw. It is rather&#13;
the time and the occasion to exchange felicitations&#13;
over the harvest which we lx-lieve is to be shared&#13;
by both our countries. I myself think it idle to&#13;
inquire, and very much outside of the real question&#13;
of justice at the bottom, to inquire or to speculate in&#13;
what proportions the division of that harvest may&#13;
possibly be made. It seems quite enough to see that&#13;
you English authors who are here to-night, and I am&#13;
happy to see one or two of my American friends of&#13;
the same category, and all their American brethren&#13;
are hereafter not to see the whole fruits of their&#13;
labour reaped by other people; and if there was no&#13;
other benefit to accrue to the public at large from&#13;
this, than the acquisition of what I hope will be&#13;
an easier conscience, I think there will be a good&#13;
deal gained for them as well. But, ladies aud&#13;
gentlemen, I very heartily believe that this is not&#13;
all that has l&gt;een provided for, for independently&#13;
and far beyond such considerations as I have&#13;
merely mentioned, it should be reineinbered that&#13;
by these contemporaneous acts of justice to authors,&#13;
the declaration of the Government of your own&#13;
country as to the existing law, and the new statute&#13;
of the United States followed by the proclamation&#13;
of the President, there has been removed a very just&#13;
cause of international irritation, and one too, if I&#13;
I may say so, that is felt most by a very influential&#13;
class of people in both countries, and by that&#13;
peculiar class who are best able to make them-&#13;
selves heard, and make their troubles known. But,&#13;
in addition to all this, I believe there has been&#13;
provided a new stimulus to literary effort, which I&#13;
think will lie felt long and on both sides of the&#13;
Atlantic, and I am sure, ladies and gentlemen, that&#13;
you will join me in hoping that in this new phase&#13;
of our community of interest and anticipation,&#13;
there may be found a new assurance of an exten-&#13;
sion in other directions of that goodwill and good&#13;
understanding which are so important to both our&#13;
countries, and which I am sure you will agree with&#13;
me in thinking it is so fitting should exist between&#13;
us.&#13;
The Chairman.—Ladies and Gentlemen, I have&#13;
the honour to propose the next toast—the toast of&#13;
"The Society of Authors." Now, if I fail, as I&#13;
am perfectly certain to fail, in doing justice to this&#13;
toast, I hope I may be recommended to mercy on&#13;
the ground that it was only yesterday that I&#13;
received notice that it would be my pleasant duty&#13;
to propose it. I had supposed, up to that time,&#13;
that the toast would have been entrusted to one of&#13;
the distinguished visitors here to-night, but as I am&#13;
asked to do it, of course I must do the best I can.&#13;
Now, it seems to me that a combination among&#13;
authors is one of the most remarkable signs of the&#13;
times. Not a great many years ago, it would&#13;
hardly have been believed that authors would have&#13;
combined together in a Society. It was supposed&#13;
that they lacked the elements of cohesion, but I am&#13;
assured that this Society is very flourishing, that it&#13;
is increasing in numbers every day, and therefore,&#13;
it is perfectly certain that this opinion that used to&#13;
be held can be held no longer. It is very desirable&#13;
that authors should combine together to get as good&#13;
a remuneration as they are entitled to in respect of&#13;
their works. The labouring man is always telling&#13;
us that he does not get the proper proportion of the&#13;
value that he creates; he is always telling us that&#13;
the middleman or the capitalist runs away with an&#13;
undue share of the profits. Now, I suppose there&#13;
is no industry in this country, in which the value&#13;
created by authors—the true value is less in&#13;
i&#13;
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## p. 75 (#479) #############################################&#13;
&#13;
THE AUTHOR.&#13;
7S&#13;
l&gt;n&gt;i&gt;ortion to what they receive than in the case of&#13;
literary men—the value is enormous in respect of&#13;
the very small proportion of the goods of this&#13;
world thai find their way into tin? pockets of authors.&#13;
The Society does, I believe, very good work in&#13;
helping young authors, and I suppose of all the&#13;
helpless people in the whole world a young author&#13;
is just about the most helpless, and the most at the&#13;
mercy of men of business.&#13;
I have already observed that you, the Society of&#13;
Authors, have carried gratitude to its extreme limits&#13;
in suggesting that I should take the chair here&#13;
to-night. Now I will venture to say with regard to&#13;
the Society of Authors, that if you have a fault it&#13;
is that you are too virtuous. You are too guileless;&#13;
there is too much of the milk of human kindness&#13;
about you. You are too simple-minded; you trust&#13;
too much in your simplicity to the justice of your&#13;
cause. Now, allow me to say that you will never&#13;
get what I consider to be a really good Law of&#13;
Copyright passed in England, either by the powers&#13;
that l&gt;e, or with the powers that may be, without&#13;
agitation; and, I do not believe that the Society of&#13;
Authors quite understands either the arts or the&#13;
necessity of agitation. I do not mean to say, of&#13;
course, that you should march in procession to the&#13;
Reform Tree in Hyde Park, with Lord Tennyson&#13;
and Mr. Besant at your head; I do not even&#13;
suggest that you should go to Trafalgar Square and&#13;
wave red flags. But what I do suggest is that you&#13;
will never get what you want until you use the&#13;
vast influence that you possess to get the assistance&#13;
of the newspaper press. You must induce the&#13;
newspaper press to take up your case unremittingly&#13;
and enthusiastically, and without that I do not&#13;
lK-lieve you will get what you want. I think the&#13;
Society would do well to take to heart the Scrip-&#13;
tural parable of the importunate widow. It is to&#13;
be regretted that while we have met here to-night&#13;
to congratulate America on the skill and success of&#13;
their own Copyright, that we Englishmen should&#13;
still have to groan under a Copyright that is unjust,&#13;
unintelligible, and grotesque, and is condemned by&#13;
every person who knows anything at all about it.&#13;
I hope the Society of Authors will take good heart,&#13;
and that they will leave no stone unturned to&#13;
obtain what I l&gt;elievc are just rights here. The&#13;
toast is, "The Society of Authors."&#13;
Mr. James Bryce, M.P.—Mr. Chairman, Mr.&#13;
Lincoln, Ladies, and Gentlemen, I have the honour-&#13;
able duty entrusted to me of proposing the toast&#13;
of our Benefactors, "the American Copyright&#13;
League," and I am asked to couple it with the&#13;
name of Mr. Brander Matthews. Ladies and&#13;
Gentlemen, we thank the American Copyright&#13;
League for what they have done for us, and we also&#13;
salute and congratulate them as the victors in a long&#13;
and arduous struggle. How long and how arduous&#13;
that struggle has l&gt;eeu, perhaps very few can under-&#13;
stand, except those who have from time to time&#13;
visited America and taken opportunities there of&#13;
ascertaining how great, were the difficulties which&#13;
confronted the advocates of International Copy-&#13;
right. They hod to overcome the difficulties&#13;
which the extremely technical procedure of the&#13;
American Congress presents; they had to over-&#13;
come the argument that the effect of Copyright&#13;
would l&gt;e to make books dearer to the American&#13;
public, and they had to cut deeper still, and to&#13;
defend the nature of literary property itself, and&#13;
to prove that a man has, and ought to have,&#13;
the same right of property in, and the same&#13;
beneficial enjoyment of, his ideas, as he has of&#13;
the labour of his hands. I remember reading,&#13;
with a good deal of entertainment, some of the&#13;
debates that passed in the American House of&#13;
Representatives, when this Bill was being debated.&#13;
There was one Member in particular, who did&#13;
the honour to a book, published upon American&#13;
institutions by myself, of selecting it as an&#13;
illustration of the evils which would follow from&#13;
the recognition of International Copyright. He&#13;
said, " Here is a l&gt;ook which is published for six&#13;
dollars; it could be printed, and bound, and&#13;
brought out in a convenient and elegant form for&#13;
three dollars; and it is nothing but the ruthless&#13;
avarice of the author and the publisher that pre-&#13;
vents this from being done." Now, all these&#13;
difficulties, and many more difficulties, which it&#13;
would take too long to enumerate to you, have&#13;
been overcome by the patience, and the zeal, and&#13;
the tact, the untiring perseverance and the un-&#13;
quenchable hopefulness of our friends of the&#13;
American Copyright League, and we rejoice in&#13;
their success on account of the admirable earnest-&#13;
ness and public spirit which they have shown, even&#13;
more than in respect of the benefits which we hope&#13;
■will accrue to British authors; and I want to say&#13;
in passing, that we ought not to lx&gt; ashamed of&#13;
expecting benefits for British authors. They are,&#13;
as they have often told us, a downtrodden and&#13;
necessitous class, and they an" a class which is&#13;
debarred from many of the opportunities that other&#13;
classes enjoy, of raising their remuneration. They&#13;
consist, I will not say of unskilled labourers, but&#13;
certainly of unorganised lalxmrers, and, therefore,&#13;
they are quite unable to get up a strike, and I do&#13;
not know that any philanthropist has offered to&#13;
protect them, even by an eight hours' law. But&#13;
there is a better reason still why those of us who&#13;
have watched the progress of this cause in America,&#13;
rejoice over the success of the Copyright League;&#13;
it is a victory for honesty—it is a victory of&#13;
enlightened public opinion. It is the greatest&#13;
testimony that has been given in our time of&#13;
the power of opinion expressed by a small circle&#13;
F 2&#13;
&#13;
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## p. 76 (#480) #############################################&#13;
&#13;
76&#13;
THE AUTHOR.&#13;
of cultivated men, to permeate and leaven the&#13;
whole people. It was authors themselves that&#13;
began this movement. I should like; to mention&#13;
in particular some among those to whom we are&#13;
indebted (because we ought to seize this opportunity&#13;
of making up for the lukewarmness of our own&#13;
press in acknowledging their services) the services&#13;
of Mr. Lowell, who gave the unrivalled influence&#13;
of his name and reputation very readily on every&#13;
occasion. Let me mention also four American&#13;
writers, probably known to many of you, who have&#13;
done yeoman service in this contest—Mr. Edward&#13;
Eggleston, Mr. R. U. Johnson, Mr. R. W. Gilder,&#13;
and Mr. E. C. Stedman—and I desire to add to these&#13;
the name of the gentleman who is going to respond,&#13;
and I believe in whose house it was that the&#13;
Copyright League was first started, a gentleman&#13;
who, since that date, has given unfailing attention&#13;
and earnest labour in endeavouring to promote its&#13;
objects; I mean Mr. Brander Matthews. Nor&#13;
would it be right to omit the names of three other&#13;
gentlemen also, two of them eminent politicians&#13;
who took up the cause and fought it with much&#13;
warmth,—both of them authors, as well as politi-&#13;
cians—Henry Cabot Lodge and Theodore Roose-&#13;
velt; one of them a publisher, Mr. George Haven&#13;
Putnam. Well, Gentlemen, there is one point more&#13;
t &gt; which I must advert in commemorating the&#13;
services of the Copyright League. It is one to&#13;
which your attention has already been called in the&#13;
speech of Mr. Lincoln. This is an Act which&#13;
rivets the bonds of friendship between the English&#13;
branch of our people and that now larger branch&#13;
of our people which inhabits the United States, and&#13;
we may reflect with some pleasure that it is by&#13;
literary men more than by anyone else, that&#13;
the two main branches of the English-speaking&#13;
race are united and taught to sympathise with one&#13;
another. It is by our literature that we, the&#13;
English of to-day, are known in America; it is by&#13;
our poets and our novelists that our manners, our&#13;
habits, our daily life is known; and in the same&#13;
way it is by the authors of America—it is by&#13;
writers like Mr. Charles Dudley Warner, whom I&#13;
see here to-night, Mr. Bret Harte, Mr. Howells,&#13;
Mr. Henry James, Mr. Henry Nelson Page, Miss&#13;
Jewett, Mrs. Deland, Mr. Harris, Mr. Edward&#13;
Eggleston, Mr. George Cable, Mrs. Burnett, and&#13;
many others—it is by them that we in England are&#13;
taught to know what is the life, what are the&#13;
thoughts, and beliefs, and aspirations of the Ameri-&#13;
can branch of our race; and feeling that, I feel&#13;
that we may see with warm satisfaction the removal&#13;
of what was a cause of heartburning between&#13;
English authors and the American people, and an&#13;
injury to American authors themselves, since it&#13;
injured their remuneration while it emphasized the&#13;
political severance of the two counties by preventing&#13;
an English author from feeling that he was at&#13;
home wherever the English tongue was spoken.&#13;
There was a time when we used to boast that the&#13;
drum of the British army followed the rising sun&#13;
over the world. We may boast now, and we can&#13;
boast, in a far higher sense, of the Empire which&#13;
has been won by the literature of England and&#13;
America, an Empire which is more wide, and&#13;
which is far more enduring, because no political&#13;
dangers can threaten it. And at this moment,&#13;
when we congratulate American authors on the&#13;
act of justice and of friendship which they have&#13;
secured, we may remember not without pride, that&#13;
a British or an American author now addresses an&#13;
audience which consists of one-half of civilised&#13;
mankind, and we may hope that the sense of the&#13;
power and responsibility which the vastness of that&#13;
audience carries with it, will stimulate still further&#13;
the imagination of our authors, and will enlarge&#13;
the range of their thoughts with the widening&#13;
process of the suns.&#13;
Mr. Brander Matthews.—My Lord, Ladies,&#13;
and Gentlemen, it is greatly to be regretted that&#13;
this toast could not be responded to by the Presi-&#13;
dent of the Copyright League, Mr. Lowell, or by&#13;
either of its Vice-Presidents, Mr. Stedman or&#13;
Dr. Eggleston, or by its energetic secretary, Mr.&#13;
Johnson. They could explain to you far better&#13;
than I can whatever is doubtful and obscure in the&#13;
Act which has just been passed. Since my arrival&#13;
in England I have been somewhat suqirised to&#13;
discover that there are certain English authors who&#13;
do not understand the American Copyright Law,&#13;
and there are others who do not believe in it.&#13;
Their attitude towards the new American Copy-&#13;
right Law is not unlike that of the American&#13;
young lady towards the Multiplication Table: she&#13;
said that " she never could learn the Multiplication&#13;
Table, and what was more, she did not believe it&#13;
was so." About 10 years ago, Mr. Gilder, the&#13;
editor of the Century Magazine, went to Wash-&#13;
ington to urge a Copyright treaty then under&#13;
consideration. The Secretary of State heard him&#13;
with patience, and then said, "Mr. Gilder, I do&#13;
not hear any loud popular demand for this thing."&#13;
Now that was true; for 5o years the authors of&#13;
America had been asking for some kind of Copy-&#13;
right arrangement with England, but there was not&#13;
that " loud popular demand for the thing" which&#13;
a politician could not afford to ignore. There is&#13;
nothing whatever wanted only by artists, authors,&#13;
or musicians, which can be got without agitation.&#13;
If there had been a "loud popular demand" in&#13;
England for Copyright reform, the Bill which you&#13;
are advocating would have become law in the&#13;
present session. I l)elieve if an author wants any-&#13;
thing from the public he must ask for it boldly and&#13;
often; it is for that purpose the American Copy-&#13;
&#13;
&#13;
## p. 77 (#481) #############################################&#13;
&#13;
THE AUTHOR.&#13;
77&#13;
right League was formed now eight years ago. It&#13;
was intended to excite sympathy, to focus public&#13;
opinion; and the authors belonging to the League&#13;
gave meetings, and lectures, anil dinners; they&#13;
wrote articles; they issued pamphlets; and they&#13;
listened to sermons. They enlisted the aid of the&#13;
journalists, and of the teachers, and of the clergy.&#13;
It was at their suggestion, and especially by the&#13;
zeal of Mr. Putnam, that the publishers were&#13;
organised into an allied league; and yet at the end&#13;
of five years of hard work all we could do was to&#13;
report progress. All that time we had been urging&#13;
a Hill which was a simple authors' Copyright. It&#13;
granted Copyright to the foreigner without any&#13;
condition whatever, being in that resjK'Ct like the&#13;
admirable law which exists in France to-day.&#13;
Then, at that time we received word that if we&#13;
were willing to modify our Bill and to make&#13;
manufacture in the United States a condition of&#13;
Copyright the journeymen printers of America, a&#13;
very widely organised and strong body, would lend&#13;
us their assistance. They promised us also the&#13;
sympathy and aid of all the allied labour organisa-&#13;
tions of the United Suites. Well, these were too&#13;
valuable allies to refuse; and after a very severe&#13;
debate in the councils of the League we amended&#13;
our Bill. We laboured for three years longer, the&#13;
printers gave us loyal assistance, and the Bill baa&#13;
l&gt;ecome a law. That law is not perfect; I am afraid&#13;
that there are few perfect laws in either country;&#13;
but that law will do one thing, it will put a stop&#13;
to the habit of piracy—which is a survival from&#13;
our former colonial dependence. I am afraid that&#13;
now and again an English author will still be&#13;
pirated in the Uniteil States, just as even now&#13;
there are American authors pirated every month in&#13;
England. The Act is imperfect, but it is only a&#13;
little more imperfect than the existing English&#13;
Act. We demand manufacture as a condition&#13;
precedent to Copyright, and you insist on prior&#13;
publication. Imperfect as the law is, it puts the&#13;
American and the foreigner on exactly the same&#13;
level. We have granted to the foreign author&#13;
what we have granted to the American author—&#13;
for the American author cannot now have Copy-&#13;
right unless his book is manufactured in America.&#13;
In one respect the American law is more liberal&#13;
to the English than the English law is to the&#13;
American. Under the new law now the English&#13;
novelist can reserve his exclusive right to dramatize&#13;
his story in the United States, a right still denied&#13;
to vou in this countrv. The laws of both countries&#13;
are very imperfect, but they are very much letter&#13;
than they were. When I think of them I am&#13;
reminded of the remark of the old negro to the&#13;
parson who was conducting a series of revival&#13;
meetings. Said the negro to the parson, "You do&#13;
not know what a power of good your preaching&#13;
has done us; why in my own family here since we&#13;
have been sitting under you we have given up evil-&#13;
speaking and profane swearing, lying, and stealing,&#13;
and cheating—to a considerable extent."&#13;
Professor Minto.—My Lord, Ladies, and Gen-&#13;
tlemen, it was only yesterday I received a summons&#13;
from Mr. Besant, and an intimation that I was to&#13;
speak to this toast. I cheerfully responded, because&#13;
it seems to me to be significant of the generous&#13;
friendship and esprit dc corps of this Society. I&#13;
am no longer resident in London, and it is only by&#13;
accident that I am here to-night, and I believe that&#13;
is the reason why I have been selected to propose&#13;
this important toast. The selection is intended a,s&#13;
a friendly compliment, and looking at it in that&#13;
light I warmly appreciate the compliment, and I&#13;
will repress any tendency to reflect whether after&#13;
all perhaps the choice is not due to the fact that&#13;
only the guileless person from the country could be,&#13;
found who was foolish enough to spoil his dinner&#13;
by afterwards having to make a speech. For-&#13;
tunately, the toast is safe in any hands, and I must&#13;
confess that having had only since yesterday to&#13;
think over the subject, and to collect my ideas, I&#13;
feel very much more disposed to sit down at once&#13;
than to inflict any speech upon you. I must say&#13;
that if I had teen consulted regarding the name&#13;
of the toast I should have preferred to spenk not&#13;
of American literature but of American writers of&#13;
English literature, for English literature is one,&#13;
and if, as a Scotchman, I may be allowed a theo-&#13;
logical allusion, I would say that the distinction&#13;
between American literature and English literature&#13;
is really not one of "substance " but of " i&gt;ersons."&#13;
The English and the American literature is the&#13;
same in substance. The fact is, that American&#13;
literature has no separate individuality any more&#13;
than Scotch literature or Irish literature. Swift&#13;
and Goldsmith are equally classics, so is Sir Walter&#13;
Scott, and even Burns, although lie wrote a dialect;&#13;
and I think we may claim a Washington Irving,&#13;
Edgar Allan Poc, with whom Oliver Wendell&#13;
Holmes and Bret Harte, ought to be amongst the&#13;
English classics. In saying that American literatim;&#13;
has no separate individuality I would not be mis-&#13;
understood to mean that American literature is&#13;
imitative. But a survey of too years of American&#13;
literature (with which I do not propose to trouble&#13;
you) would not bear out the same. The fact is,&#13;
that it is absurd to say that the influences that&#13;
operate upon literature as a whole, and in the&#13;
natural user, had operated on writers on both sides&#13;
of the Atlantic. Take any period that you like:&#13;
take the very beginnings of American Hterature,&#13;
when Charles Ripton Brown wrote. The influence&#13;
that stirred literature is not by any means through&#13;
English channels, and the fact is, that writers on&#13;
both sides have been working to build up the great&#13;
&#13;
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## p. 78 (#482) #############################################&#13;
&#13;
78&#13;
THE AUTHOR.&#13;
fabric of English literature, giving and taking, and&#13;
the Americans sometimes giving quite as much as&#13;
they took. It seems to me that if it is the case&#13;
that Washington Irving was influenced by Addison&#13;
and the essayists of the 18th Century, it is not&#13;
less true, as Mr. Dudley Warner, whose name I&#13;
have the pleasure of coupling with this toast, will&#13;
tell you, that Washington Irving had a very great&#13;
influence upon the literature of this country. I&#13;
also mentioned the great name of Edgar Allan Poe&#13;
as the greatest master of one of the new forms of&#13;
literature, the short story. The question is some-&#13;
times asked whether America is likely to produce&#13;
some new type of literature? Well, Sir, new types&#13;
of literature are not common; they do not flourish&#13;
on every hedge, and l&gt;efore you can have a good&#13;
type of literature you must have a man of genius&#13;
to make it. Now, if the man comes and the hour&#13;
in America, as the man and the hour came in&#13;
English literature but once only—the time of&#13;
Shakspeare—I have not the slightest doubt that the&#13;
man would be welcomed by the authors of this&#13;
country, but he will be welcomed not as the maker&#13;
of a new type of American literature but as the&#13;
maker of a new type of English literature. We&#13;
should welcome his work, however racy of the soil&#13;
it might be, however much it might be filled with&#13;
what we are disposed to call Americanisms—we&#13;
should welcome it as an addition to the wealth of&#13;
the literature of our common tongue. At this late&#13;
hour, of the evening I will only venture to say this&#13;
in all seriousness, we have present among us to-&#13;
night a good many American authors, among them&#13;
Mr. Warner, a distinguished gentleman, whose&#13;
name I have to couple with this toast. He is an&#13;
example of those who make for that solidarity of&#13;
our literature of which I spoke. I ask you to&#13;
drink to the health and prosperity of American&#13;
authors.&#13;
Mr. Charles Dudley Warner. — My Lord,&#13;
Ladies, and Gentlemen, I have, in-the first place,&#13;
the pleasant duty of .thanking the' Society of&#13;
Authors and the literary people of London who&#13;
have, been good enough to come here, for the&#13;
cordial expressions which I have heard with regard&#13;
to my compatriots who are. present here and else-&#13;
where. We are not English in America. We are&#13;
made up of all the peoples' that an inscrutable&#13;
Providence has given us for purposes I do not&#13;
quite understand. We mingle there to produce a&#13;
race, the destiny and quality of which'is practically&#13;
yet unknown. But underneath all this, the&#13;
seething struggle which is going on in the United&#13;
States, the guiding impulse has always been that&#13;
regard for law and order and Christian civilisation&#13;
which has had its best exemplification in the Island&#13;
of Great Britain, and Scotland,-and Ireland. We&#13;
have besides a training in traditions which are as&#13;
old as England itself. We have always looked&#13;
with a great deal of affection, and a good deal of&#13;
wrath sometimes, towards this side of the Atlantic.&#13;
We have been trained from age to age in the&#13;
literature which is common to both countries, and&#13;
which Professor Bryce likened to the drum&#13;
which followed the sun round with the English&#13;
flag. That is all true; and besides, we have the&#13;
American, the English, the Australian, the&#13;
Canadian—I think I may say now, the Egyptian —&#13;
literature; it is all one practically; that is to say,&#13;
the great English conquering language for our&#13;
possession; and if the time ever comes which tho&#13;
prophets ever like to harp upon, from Isaiah down,&#13;
and the poets like to dwell upon, the great battle&#13;
of Armageddon, where civilisation and barbarism&#13;
contend for the mastery in this world, I know that&#13;
the English flag and the American flag on the&#13;
same field and the same side of the line, will fall&#13;
or rise together. I am, my Lord, in a good deal&#13;
of embarrassment in replying to this toast which&#13;
is limited, for I have learnt since I have lieen in&#13;
London, from one of the most authoritative of&#13;
your English Reviews, that there is no such thing&#13;
as American literature, and very small prospect,&#13;
and a widening horizon of there ever being any&#13;
such thing. Now we had thought in our humble&#13;
way that there was, that there had been a little&#13;
something contributed to this great—you do not&#13;
know what the Mississippi river is—it is a large&#13;
river—the Mississippi river of literature; and we&#13;
did not require any argument on our side from&#13;
anybody on this side to say that we had contributed&#13;
a little something. It was very much like the&#13;
gentleman in Cincinnati who met the man from&#13;
Ohio. I need not explain to you that Ohio is not&#13;
the capital of Massachusetts. Walking along the&#13;
street, he saw a gentleman opposite, and he said,&#13;
"You don't know that man, perhaps?" "No, I&#13;
do not know him; who is he?" "Well, that&#13;
is Mr. Cackendorff; he is the ablest lawyer in the&#13;
State of Ohio." "Well," he said, "I never heard&#13;
of Mr. Cackendorff, and how do you prove that&#13;
he is the greatest lawyer in the State of Ohio?"&#13;
"Oh," he said, " you do1 not have to prove it, he&#13;
admits it himself." We admit, we know that we&#13;
have had from time to time in the old times, a&#13;
little • literature of the • old English flavour, kept&#13;
perhaps and &lt; imported ■ back and forth,- like the&#13;
cheese which we make and send over and cure,&#13;
and bring back and- think it is English cheese;&#13;
and we have had of late years, since the shekels&#13;
Of silver have released the American man from&#13;
localism, sporadically in; the west and in the south&#13;
and west, and in the middle States now and then,&#13;
something that had a flavour and type of its own,&#13;
and -'which, although English in-its form and&#13;
English in its language, was not Great Britain,&#13;
&#13;
&#13;
## p. 79 (#483) #############################################&#13;
&#13;
THE AUTHOR.&#13;
79&#13;
but which was most distinctly American. We&#13;
thought we had that, and we have not apologised&#13;
for it or been ashamed of it. There was some&#13;
time a great English literature not provincial, not&#13;
insular, the. literature which we all look to. I do&#13;
not know that it pxists to-day. I have not, in the&#13;
four weeks I have been in London, been able to&#13;
read all the smart newspapers of the place, but it&#13;
seemsto me that perhaps the literature of England&#13;
is somewhat of a local literature. Your novelist,-&#13;
your humorous papers, your newspaper press take&#13;
VP the affairs, t}iat interest the people of these&#13;
islands. We have also-in America a local litera-&#13;
ture which interests us. I believe they have in&#13;
Australia. I am certain they have in Canada. It&#13;
is just possible, that in these days of extraordinary&#13;
progress everywhere, literature is getting a little&#13;
localised, and that it will take another great period&#13;
of upheaval like that which • preceded the Eliza-&#13;
lx&gt;tlian literature to make a literature which will&#13;
go without charge and without tariff or custom&#13;
house, all over the world. I have some belief in&#13;
that, because I know very well that the language&#13;
of England, the English language to-day is the&#13;
prevailing and the conquering language of the&#13;
civilised world, and that, in speaking on behalf of&#13;
the little 62 millions in America, I think the&#13;
English language never before had such an oppor-&#13;
tunity to be the language of the world as it has&#13;
to-day, and that the author in Piccadilly or Pall&#13;
Mall never before had such a chance as he has&#13;
to-day to become the all embracing, comprehending&#13;
author of a great civilised world. I am not making&#13;
a speech; I want to say about the Copyright Act,&#13;
however, a word. It is perfectly well known that&#13;
all the American authors are rich. We have all&#13;
been made prosperous by 1 o per cent.; the pub-&#13;
lishers know it; they are all impoverished by our&#13;
exactions. Now 1 o per cent, on a book has made&#13;
us rich, and this enormous prospect of 62,000,000&#13;
of readers—of cabdrivers and millionaires—is no&#13;
doubt going to make all the English authors&#13;
prosperous and rich. I myself rejoice in that&#13;
prospect for them, because it is merely a matter&#13;
of arithmetic, that if you sell at a cheap rate of&#13;
10 cents a copy 10,000 things you would get&#13;
about 10 dollars in your pocket. You see how&#13;
the wealth will flow in. I hope no extravagant&#13;
ideas will l&gt;e raised in the minds of English&#13;
authors in regard to this; and I merely throw&#13;
this out by the way in pissing along. The author&#13;
all over the world lias never had any great recog-&#13;
nition; he has been asked to eulogise, to write&#13;
Laureate odes, occasionally to dine at the lower&#13;
end of the table. I myself sometimes wonder that&#13;
the authors do not, as I think Professor Bryce&#13;
suggested, strike; and I have sometimes wondered&#13;
what would l&gt;ecome of the rest of the world if&#13;
we did. What, for instance, would become of my&#13;
friends the publishers and the printers? What,&#13;
for instance, would become of all those intelligent,&#13;
people who give you their impression of what has&#13;
gone on in the world, and what the world ought&#13;
to have, and what the general opinion is after they&#13;
have read the morning papers? I wonder very&#13;
much what would happen if the literary folk, the&#13;
unconsidered folk who write in the magazines and&#13;
in the books, were one day to strike, and say,&#13;
"For the next year we won't do anything."&#13;
Privately I do not know that it would be a great&#13;
misfortune if a book was not published within the&#13;
next 10 years. But I am simply speaking of the&#13;
effect on conversation if the literary folk were&#13;
happening to strike for a year. You have some-&#13;
times crossed on an Atlantic steamer, and perhaps&#13;
you would notice that about the second day&#13;
without any newspapers the conversation lan-&#13;
guishes, and the people have not anything to talk&#13;
about. The thing has somehow died out. The&#13;
ordinary people—and I am quite one of them—&#13;
have to fill up every morning with something that&#13;
the editors have said in order to go on with the&#13;
daily conversation. Now, I am quite serious,&#13;
however, in standing up for a certain dignity of&#13;
literature, for I very well know for historical con-&#13;
siderations that the thing which endures and lasts&#13;
in all time is that little thing which we call&#13;
literature. You build your monuments, your&#13;
warehouses, your railroads, your great factories,&#13;
your showy palaces for a generation or two, but&#13;
somewhere in that time, in that period of great&#13;
prosperity, somebody sings a song or makes a&#13;
little poem—it may l&gt;e nothing more than a. sheet&#13;
of paper. There is the pyramid, and there is the&#13;
Trafalgar Square and New York, and there is&#13;
San Francisco, teeming with wealth and with&#13;
ostentation, but when all these things have passed&#13;
you know very well, you who have collected the&#13;
little service of Greek and of Roman intelligence,&#13;
the little, records of thought and motion that some&#13;
poet has preserved, you very well know that that&#13;
little thing, that one sheet of paper, something,&#13;
as I may say, light as air, as a bird's song—I&#13;
assure you is the thing that you love and that helps&#13;
the. world when all the rest has faded away like&#13;
a dream.&#13;
Mb. Arthub a Beckett.—Ladies and Gentle-&#13;
men, it is my fate to have to propose the con-&#13;
cluding toast of this evening. I have to propose&#13;
the health of our noble Chairman. I think you&#13;
will agree with me he has performed to-night the&#13;
duties of his office in a most satisfactory manner.&#13;
He has other claims upon our respcot, as it was&#13;
he who undertook the conduct of the Copyright&#13;
Act through Parliament, and got it as far as Par-&#13;
liament would allow it to go. It. is not yet beyond&#13;
&#13;
&#13;
## p. 80 (#484) #############################################&#13;
&#13;
8o&#13;
THE AUTHOR.&#13;
the second reading, but Lord Monkswell was able&#13;
to extort a promise from the Lord Chancellor that&#13;
sooner or later possibly—probably later—the sub-&#13;
ject would occupy the attention of the Government.&#13;
As it is very late I would like to bring my speech&#13;
to a conclusion, although I feel that you would&#13;
like to hear what I have to say on the Triple&#13;
Alliance and other subjects. But I would like to&#13;
tell you one little anecdote in compliment to our&#13;
brethren, who, I believe, generally finish their&#13;
speeches with a short story, because it calls&#13;
attention to the fact that the feeling of fraternity&#13;
which we experience in England towards our&#13;
American brethren is growing on the other side&#13;
of the Atlantic. Not very long ago it was my&#13;
pleasure to meet a gentleman who, from the&#13;
manner in which he spoke, except for the American&#13;
accent, I should have taken to be a native of this&#13;
land. He told me that there was one omission&#13;
which he found in England, and it was a serious&#13;
omission. He was very well satisfied in England,&#13;
but this omission was in connexion with West-&#13;
minster Abbey. There was a statue absent from&#13;
Westminster Abbey which he would like to have&#13;
seen there. I wondered for the moment what&#13;
that statue should be. I remembered that all my&#13;
colleagues here present were living, and he said,&#13;
"Well, Sir, he is an Englishman who l&gt;elongs to&#13;
a very good old English family." I was rather&#13;
surprised at this, because I understood that&#13;
Americans did not think much of old families,&#13;
they considered that beneath them. No, those&#13;
coat of arms he bad often seen about us. "The&#13;
old English gentleman, the statue of whom I&#13;
should like to see in Westminster Abbey," he said,&#13;
"is George Washington." I told him we were&#13;
making preparations to increase the size of West-&#13;
minster Abbey, and after the necessary alterations&#13;
were completed that, no doubt that statue would&#13;
appear. He went on further, and said, "You&#13;
should not only have George AVashington but you&#13;
should have his namesake, because I think that&#13;
those two Georges have done more, though in&#13;
different ways, to make the two nations what they&#13;
now are. The other George is George Farmer,&#13;
or, as yon call him, ' Farmer George.'"&#13;
The Chairman.—Ladies and Gentlemen, I shall&#13;
not make a speech at this late hour in the evening.&#13;
I can only say this: that it has afforded me very&#13;
great pleasure to preside, ami I shall lie very glad&#13;
if the result is to bind more closely the ties of&#13;
friendship which at present subsist between&#13;
England and the United States of America.&#13;
The proceedings then terminated.&#13;
,&#13;
OVERHEARD.&#13;
I.&#13;
At the Black Jack Club.&#13;
HE was an elderly gentleman with a red nose,&#13;
and an irascible manner. It was late—&#13;
towards midnight—but the room was still&#13;
full of men.&#13;
"I have been to the Dinner of the Society of&#13;
Authors. That's why I am in a dress coat. I&#13;
don't suppose I have had on evening dress for 20&#13;
years and more. Why they asked me I don't know.&#13;
Why I went I don't know. There wasn't a soul&#13;
in the place that I knew. Authors! It makes me&#13;
sick. Waiter, a Scotch and soda. Makes a man&#13;
sick, I say, to see a couple of hundred men and&#13;
women dressed up to the eyes, sitting down to a&#13;
tip-top dinner, with champagne flowing like bitter&#13;
beer, and a band playing, and noble lords about the&#13;
tables, calling themselves authors. Authors ! Why,&#13;
when I was a young man there were authors&#13;
worth the name. Douglas Jerrold, and Angus&#13;
Reach, and Brough, and good old Thack—what&#13;
did you say? Wouldn't have dared to call him&#13;
Thack? What do you know about it? You&#13;
weren't born. I say there were authors then, and&#13;
no mistake, and between 'em all not a single guinea,&#13;
most days of the week. How should there l&gt;e any?&#13;
The publishers took all the money, and we scarified&#13;
'em with epigrams. That's how we treated 'cm;&#13;
made their lives a burden to 'em. Look at the&#13;
fellows now. They can afford to pay a guinea&#13;
apiece for their dinner. They get up a Society&#13;
which can afford to ask thirty or forty guests at a&#13;
guinea apiece, and then they dare, to grumble at&#13;
their publishers! Even when they can pay a&#13;
guinea apiece for their dinner! What's the world&#13;
coming to? Waiter, another Scotch and soda.&#13;
"They asked me. Why? I don't know; I&#13;
hate 'em. I hate all the successful men. What&#13;
have they done to be. successful when I have been&#13;
all my life a failure? Why should the world run&#13;
after 'em, and praise 'em, and buy their books?&#13;
They never ran after mine. Of course, it's the log&#13;
rolling does it—the disgraceful log rolling. There's&#13;
that new boy—what's his name? What is there&#13;
in his things? Nothing. I give you my word—&#13;
nothing. No imagination, no romance, no dialogue&#13;
—nothing. All is creeping, real, natural, low.&#13;
You read a page, and you think it is the real&#13;
soldier talking. We knew better in our time; no&#13;
common, vulgar Tommy Atkins for us. But&#13;
his log rolled, and now he makes money. I&#13;
daresay he got fifty pounds—I shouldn't wronder—&#13;
fifty pounds by a single book, though he is but a What's that? Two thousand pounds&#13;
&#13;
&#13;
## p. 81 (#485) #############################################&#13;
&#13;
THE AUTHOR.&#13;
81&#13;
by a single book? Two thousand pounds? You&#13;
don't know, Sir, what you talk about. Nobody&#13;
ever could make so much money out of a book.&#13;
Waiter, another Scotch and soda. Well, they&#13;
didn't ask me to speak, or I could have told them&#13;
something. Grumbling against their publishers,&#13;
when they can afford to drive to the place in&#13;
broughams, and to dress their wives in silk, and&#13;
to pay a guinea down for a dinner! Grumbling!&#13;
Why they ought to be on their knees, the tears of&#13;
gratitude rolling down their cheeks, before these&#13;
most generous of men. I suppose they asked me&#13;
l&gt;ecause they wanted to bribe me into silence.&#13;
Well, they won't succeed. Waiter, another Scotch&#13;
and soda—big Scotch, little soda. Their champagne&#13;
was good. But I've got a batch of books on my&#13;
table at home, and, by gad, I'll scarify 'em. I'll&#13;
stick in the knife and I'll turn it round. I'll let 'em&#13;
know that the good old times are not gone. A&#13;
guinea for a dinner! In our days it was eighteen-&#13;
pence or two bob at most. And a band to play all&#13;
the time! Authors! Authors! The good old&#13;
name is being dragged in the mud. Never mind,&#13;
I'll scarify 'em."—[Goes home and does.]&#13;
II.&#13;
From a Letter.&#13;
"The Authors' Dinner was just lovely. I went&#13;
with my husband, and we sat next to quite pleasant&#13;
people. Everybody had a great card with the&#13;
names of all the company, so that you only had to&#13;
run down the list for a name and then look at the&#13;
table to which it belonged, to see anybody you&#13;
wanted. Unfortunately, I got the tables wrong,&#13;
and after gazing upon Mr. Rider Haggard till I&#13;
knew his features by heart, I found that it was a&#13;
certain learned professor, and I had to begin all over&#13;
again. This discovery I only made at the end of the&#13;
dinner, when it was too late to set things right.&#13;
Now I shall always think of Mr. llider Haggard&#13;
J DP&#13;
as an elderly gentleman with a red face and greyish&#13;
hair, which I am told is not at all like him. For&#13;
the same reason, I came away hopelessly mixed&#13;
with Mr. Walter Pater, Mr. William Black,&#13;
Professor Huxley, Mr. George Dumaurier, and&#13;
half-a-dozen others who were there. So that most&#13;
of the good I got from the dinner was from reading&#13;
the list. There was a band playing all the time,&#13;
but softly so as not to disturb the talk. Authors,&#13;
I was pleased to find, can talk. They talk as&#13;
fast as they can all the time. After the dinner the&#13;
speeches began. But very soon the authors rebelled&#13;
against the speeches. They wouldn't listen. In&#13;
vain the toastmaster begged for silence. They&#13;
only talked all the more. It seems a pity that they&#13;
should have any oratory at all if they dislike it so&#13;
much. I was told that there was no jealousy of the&#13;
speakers or wish to be themselves the speakers that&#13;
made them refuse to listen. English authors won't&#13;
speak, and can't speak. Many of them, if they&#13;
thought that they had to speak, would not come.&#13;
In the same way, they can't listen, and won't listen.&#13;
We ought to have an Authors' Society in New&#13;
York, with just such a dinner every year."&#13;
III.&#13;
In the Train.&#13;
The speaker was a gentleman of somewhat seedy&#13;
exterior. His hat alone proclaimed that things&#13;
were not going well with him. His eye was&#13;
restless ami perhaps shifty. "Have I l&gt;een to&#13;
the Authors' Dinner? No, I haven't. I wouldn't&#13;
go if I was asked. Authors? Look here now.&#13;
As to authors. I've long suspected, and now&#13;
I know. It's all a swindle. There ain't any&#13;
authors in the Society at all, except one.&#13;
There ain't any Society. There's only one man.&#13;
He keeps up the racket for his own purposes: he&#13;
pretends there's five hundred—six hundred—any-&#13;
thing you like. Will he publish a list of the&#13;
Members? Not he. Will he tell us who the&#13;
Members are? Not he. There ain't any Members&#13;
at all, I tell you. He persuades a few people to&#13;
come along and dine together every year. It's very&#13;
easy. First he gets A to meet B, then C to meet&#13;
A and B, then D to meet A and B and C, and&#13;
so on. That's all. That's the way it's done. As&#13;
for there being any real authors in the Society, or&#13;
any Society at all, or anything except that one&#13;
man, I tell you that it's ail bunkum and rubbish.&#13;
They've got an office? Well, yes, they have. It's&#13;
a thing, I suppose, that costs about ten pounds a&#13;
year. And a Journal? Well, yes, they have.&#13;
There's a thing they call a Journal—circulation&#13;
about twenty. Office and Journal both paid for by&#13;
the same man. Well, as you say, I suppose they&#13;
do put out a balance sheet showing about a thousand&#13;
a year income. What's easier than to make up a&#13;
balance sheet? I bring out balance sheets every&#13;
day for the authors, and I know. You make 'em&#13;
show anything you please. The Society publishes&#13;
books?' Suppose they do. Suppose they do bring&#13;
out books and advertise second editions. What's&#13;
easier than to call out second edition when you've&#13;
sold five-and-twenty copies? Don't tell me. I've&#13;
done it myself—often. Gar—r—r!"&#13;
&#13;
&#13;
## p. 82 (#486) #############################################&#13;
&#13;
82&#13;
THE AUTHOR.&#13;
IV.&#13;
At a Table'.,&#13;
"This dinner is only a beginning of what such an&#13;
annual gathering; ought to- l&gt;e. What the Royal1&#13;
Academy dinner does for Art, this dinner should&#13;
do for Literature. That is to say, if it is good for&#13;
Literature to have princes as guests, then we should&#13;
have princes; if. it is good for Literature to have&#13;
ambassadors, presidents of societies and institutions,&#13;
and great men in other lines, then we should have&#13;
these illustrious persons. It should be a dinner&#13;
which confers distinction on the recipient of an&#13;
invitation. It should lie, like the Academy dinner,&#13;
one of the great functions of the season. This it&#13;
can easily l&gt;ecome if literary men and women choose&#13;
to make it so. The dinner indicates the power&#13;
which should, and does already, lie behind, con-&#13;
cealed, but felt—a power which will be always&#13;
making rough things smooth, and causing the&#13;
sweater and the shark to have uneasy times, and&#13;
making it more and more difficult for the old-&#13;
fashioned Fraud to continue in his fraudulency.&#13;
The future of the Society opens up the most&#13;
splendid possibilities. Only let us awaken, little by&#13;
little, and maintain confidence among literary men,&#13;
and we shall carry out a programme never dreamed&#13;
of by the victims of the bad old times."&#13;
&#13;
LITERARY MAXIMS.&#13;
1. Popularity is a sure sign of popularity.&#13;
2. There are only two ways of succeeding: rise&#13;
high enough or sink low enough.&#13;
3. To read a book, it is necessary to look into&#13;
it: to review, all that may be necessary is to look&#13;
at it.&#13;
4. Any fool can find fault: any knave may&#13;
destroy.&#13;
5. Four stages in Art: the ideal, the idea, the&#13;
word, and the work.&#13;
6. In construction or in .criticism, competency&#13;
depends on the harmony of the first with the last.&#13;
7. Understand before you know: know before&#13;
you judge.&#13;
8. Art, like nature, never shows her best on the&#13;
surface.&#13;
9. The reviewer should never forget, that he is&#13;
a judge, often a very bad one.&#13;
10. It is easy to judge: it is hard to judge&#13;
justly.&#13;
11. Even reviewers have rights: some of them&#13;
even a sense of right.&#13;
12. All the fog is not in the other man's head.&#13;
13. If you will write for money, write for the'&#13;
many.&#13;
14. A first failure is not always a sure sign of&#13;
genius.&#13;
. 15. To please the public may be gratifying to the&#13;
soul, but is not always satisfying to the body.&#13;
16. Put your heart in your work, if you ha\e&#13;
got one to put.&#13;
17. If you wish to be taken seriously, write&#13;
satirically.&#13;
18. To know everything one must be a young&#13;
man or a myth.&#13;
19. 'Tis a wise author that knows himself after&#13;
a course of reviews.&#13;
20. Remember that all men do not see satire,&#13;
even with a telescope.&#13;
21. Do not read every review of your works: it&#13;
is healthier for your soul, to respect even your&#13;
inferiors.&#13;
22. In reviewing there is no trial by jury: your&#13;
peers are too busy, working or loafing, to review&#13;
anything.&#13;
23. To view is to see once: to review is to see&#13;
twice—or not at all.&#13;
24. The value of the collection is not estimable&#13;
by the size of the congregation.&#13;
25. As an art, painting is more popular than&#13;
preaching.&#13;
26. Unpopularity is no sure proof of superiority.&#13;
27. When a book is unintelligible to you, this&#13;
Is invariably due to the author's insanity or im-&#13;
becility.: tell him so, lest he should feel neglected!&#13;
Phinlay Glenelg. ♦■»■♦&#13;
NOTES AND NEWS.&#13;
WILL our readers be so good as to consider&#13;
carefully the suggestions as to the Authors'&#13;
Club? It is proposed to create what is&#13;
called a first-class club on the level, say, of the&#13;
Garrick, the Savile, or the Arts, of which the first&#13;
condition of membership shall be some connexion&#13;
with the literary life. Readers of this journal&#13;
understand by this time that one of the chief&#13;
objects contemplated by the Society is the union&#13;
of those who follow Literature, after the manner&#13;
observed by those who follow the Art of Painting.&#13;
The Society is such an association, but it is not&#13;
enough, because it is only in evidence on such&#13;
occasions as the annual dinner, when about one-&#13;
fourth of the Members attend. Besides, the Society&#13;
is necessarily engaged mainly upon the business&#13;
side of the calling. A club of position and repu-&#13;
tation would represent the social and successful&#13;
&#13;
&#13;
## p. 83 (#487) #############################################&#13;
&#13;
THE AUTHOR.&#13;
83&#13;
side. It would always lx&gt; a standing proof that&#13;
men of letters can unite together, are independent,&#13;
and have risen above the contempt which long&#13;
years of helpless dependence brought upon them.&#13;
The Club must begin with 5oo Members at least.&#13;
It is suggested that all Members of the Society&#13;
shall Ixj always eligible without entrance fee. A&#13;
form is enclosed which binds the signer to nothing&#13;
more than sympathy with the object proposed,&#13;
and his intention to belong, provided he approves&#13;
of the prospectus when decided.&#13;
It is not yet decided whether or no to admit&#13;
ladies to meml&gt;ership. If they are not admitted I&#13;
hope we may at once proceed to the establishment&#13;
of the Authors' House, a scheme in which I place&#13;
great faith. This House would be especially useful&#13;
to ladies.&#13;
The Pension List for this present year of grace&#13;
displays the same disregard of the Resolution of&#13;
1837, which has always, year after year, under&#13;
every Government, marked this little piece of&#13;
administration. The Resolution provided that&#13;
pensions to the amount of £1,200 every year might&#13;
l)c bestowed upon persons distinguished for Litera-&#13;
ture, Science, and Art. Fifteen pensions are&#13;
granted this year. Three are given to persons&#13;
distinguished in Literature and Art. Nine are&#13;
given to widows or daughters of persons so dis-&#13;
tinguished. Four are, as I think, wrongfully,&#13;
and in breach of trust, l&gt;estowed upon ladies whose&#13;
fathers or husbands were connected with the naval,&#13;
military, or civil service. The country votes a&#13;
sum of money for persons distinguished in Litera-&#13;
ture, Science, and Art. The Government give&#13;
it away to persons totally unconnected with&#13;
Literature, Science, and Art. When shall we&#13;
have this miserable little grant administered as&#13;
was intended? And when shall we get the&#13;
Resolution amended so as to make it impossible&#13;
for these jobs to lie committed?&#13;
The Annual Dinner, a full report of which is&#13;
contained in this number, was held on Thursday&#13;
the 16th. Every single seat in the great room of&#13;
the Hotel Metropole was taken. There were 216&#13;
guests in all, of whom 40 were guests of the&#13;
Society, and the rest were Memlxrs or Associates.&#13;
It was cheering to reflect, that this great gathering&#13;
really, contained no more than the fourth part of&#13;
our present following. The occasion, too, called&#13;
forth several letters—notably one of congratulation&#13;
from our President, Lord Tennyson; one from the&#13;
Bishop of Oxford; one from Cardinal Manning,&#13;
through Mr. A. W. a Beckett, speaking of the&#13;
interest with which he regarded the Society; from&#13;
Mr. George Meredith, who was prevented from&#13;
attending; ami many others. There was a general&#13;
feeling that the Society had never before met&#13;
together under more promising conditions, or in&#13;
greater numbers, or, to descend to smaller considera-&#13;
tions, to a better dinner. The animation of the&#13;
evening seemed to show that everyl&gt;ody was satisfied&#13;
with his neighbours—a very satisfactory result of a&#13;
very anxious distribution of places. Of course&#13;
there were one or two faces which we missed.&#13;
Bret Harte, at the last moment, was compelled to&#13;
stay away. Henry James could not come; we&#13;
were just too late for T. B. Aldrich. Professor&#13;
Jebb, Austin Dobson, Edmund Yates, Rudyard&#13;
Kipling, Thomas Hardy, Hall Caine, Mrs. Oliphant,&#13;
Mrs. Cashel Hoey, Edna Lyall, and many others&#13;
could not come. The list of those who were&#13;
present, however, printed in full with the report,&#13;
will show that English and American Literature&#13;
was well represented in all its branches.&#13;
There have been, on previous occasions, sneers&#13;
in certain papers at the record of the names, as&#13;
present, of those who are not so well known as&#13;
others in the profession. I think that this is&#13;
a very unworthy line; in literature there are&#13;
always men and women beginning at the bottom&#13;
and going up. They are at various stages of the&#13;
ladder when they come to us; even though they arc&#13;
only beginning; though a single volume is as yet the&#13;
whole of their literary baggage, they have a perfect&#13;
right to belong to us, to call themselves authors,&#13;
and to come to our dinner. They belong to the&#13;
calling: they are fellow craftsmen. It is in litera-&#13;
ture, in short, as with every other profession, there&#13;
must be in it certain leaders, there must be rank&#13;
and file; there must be more private soldiers than&#13;
officers, yet all are fighting men. Four years ago,&#13;
for instance, I was present at a great dinner—a&#13;
very great dinner—given in the Hall of the High&#13;
Court of Justice by the Law Institute to solicitors.&#13;
There were many hundreds present. I do not&#13;
rememl)er that anyone, speaking of this dinner,&#13;
sneered at these hundreds for ljeing obscure, as&#13;
they certainly were. I make this remark on this&#13;
year's dinner, because such a sneer coidd hardly&#13;
be made of such a gathering where there were so&#13;
many leaders.&#13;
This is the Holiday Number of the Author. Let&#13;
us put away all our papers, straighten the stiffened&#13;
ringers, lay down the pen, and go forth to rest in&#13;
shady places. For my own part, I make of the&#13;
■&#13;
&#13;
&#13;
## p. 84 (#488) #############################################&#13;
&#13;
84&#13;
THE AUTHOR.&#13;
summer holiday an occasion, which only comes once&#13;
a year, for reading the books which everybody has&#13;
been talking about. I am not more than five or six&#13;
years in arrears, and though I despair of ever quite&#13;
catching up, I daresay there will be no more than&#13;
five years' books in arrear when the, time conies for&#13;
putting up the shutters. These can be cremated&#13;
with me. Some men I can hardly look in the face&#13;
without a blush; with others, thanks to an occa-&#13;
sional ramble into the present, I am more easy.&#13;
Since, for instance, I have read the "World's&#13;
Desire " I feel more confidence in the presence of&#13;
its authors. Why has the world taken so little&#13;
notice of the wonderful allegory in that book? I&#13;
can boldly meet Thomas Hardy face to face, because&#13;
I have read the "Group of Noble Dames," and&#13;
Budyard Kipling, l&gt;ecause I can quote the " Light&#13;
that Failed." There is nothing so delightful as to&#13;
be working up arrears; nothing so truly restful as&#13;
to let other people write for you. For this and&#13;
other reasons, the August Number of the Author&#13;
is shorter than its brethren.&#13;
We have learned, with great regret, the death of&#13;
Mr. James Runciman at the early age of 38.&#13;
Mr. Runciman was one of the youngest of our&#13;
Members, but not one of the least cordial. His&#13;
early death has prevented him from doing full&#13;
justice to his great—his very great—abilities.&#13;
What he did achieve was marked by strength and&#13;
firmness of drawing, a vivid imagination, and a&#13;
clear eye. He could write verse with ease and&#13;
grace; some of his pictures of certain strata of life&#13;
will certainly last—at least beyond the time of many&#13;
writers now more popular.&#13;
Letter from a publisher: "I have offered you so&#13;
much for your work. This sum buys the entire&#13;
Copyright. Your request that I should leave you&#13;
the American rights might have been granted a&#13;
month ago. Under existing circumstances this is&#13;
not to be thought of."&#13;
In other words, what was worth so much when&#13;
American Copyright was worthless, is worth no&#13;
more though American Copyright doubles the&#13;
publishers' returns. This is very remarkable&#13;
justice. It makes one sigh for Jedburgh justice.&#13;
The Manchester Guardian reports that a certain&#13;
religions society has discovered a muddle in their&#13;
accounts by which debts of "thousands of pounds&#13;
for advertising" had not been brought forward in&#13;
the balance sheets, so that the committees were&#13;
personally liable. This society is not, we do hope&#13;
and trust, our dear old friend who keeps a Literary&#13;
Housemaid and sweats its victims with holy zeal.&#13;
It would lm too dreadful to think that its committee,&#13;
after such a long and successful course of sweating,&#13;
should be itself sweated! No! No! The reward&#13;
of the righteous is not often so thorough and so&#13;
certain.&#13;
Of "Literary" Associations, "Authors' Pub-&#13;
lishing" companies and societies which promise&#13;
poor, struggling authors help and pay, there is no end.&#13;
A blight seems to settle, upon these associations.&#13;
Nevertheless, one is pleased to give such publicity&#13;
as is possible to nil new societies of the, kind.&#13;
Here is one, for instance, called "The Authors'&#13;
Publishing Association." The manager is one&#13;
T. M. Field, of whom we know nothing, good or&#13;
bad. His association receives members at 5s. a&#13;
year, which is indeed cheap. It also runs a little&#13;
magazine called Literary Land. The May number&#13;
—containing 16 pages—is before us at this moment,&#13;
so that it really does exist. Literary workers of&#13;
all classes are invited to become meml^r?, particu-&#13;
larly those who seek—but have not yet found—a&#13;
remunerative return for their labours. This, they&#13;
may perhaps believe, will be found for them in&#13;
Literary L.and. Now, if this paper is to go on&#13;
presenting 16 pages every month to the world it will&#13;
remunerate—reckoning each article at three pages,&#13;
and the pay at—is 5s. a page too high?—five&#13;
authors a month or Co authors a year. If, there-&#13;
fore, an author is so fortunate as to become one of&#13;
this 6o he would receive, say, ios. in the year, out&#13;
of which he would pay 5s. for the magazine and 5»'.&#13;
for the association. For himself, 5*. will remain&#13;
—a princely income. I daresay a good many sub-&#13;
scribers will be found. It .seems hopeless to expect&#13;
that people who aspire to literary success will bring&#13;
the commonest rules of arithmetic, reason, and&#13;
common sense to bear upon their hopes and their&#13;
calculations. The "association" may mean well&#13;
and honestly, but let young writers ask what any&#13;
such association can do for anybody? There is&#13;
no royal road to success—there are no back stairs&#13;
to literary fame; every writer must with his own&#13;
pen fight his own way to the, front.&#13;
Yet another Society! This time it is the pro-&#13;
spectus of the "London Copy Society." It has&#13;
offices, and a secretary, but, as yet, neither directors,&#13;
bankers, nor solicitors. Its modest capital is £ i ,ooo.&#13;
It. proposes to become a syndicate for placing&#13;
things in newspapers both here and in America.&#13;
People are asked to pay a guinea a year in order to&#13;
have a chance of being taken by the American and&#13;
&#13;
&#13;
## p. 85 (#489) #############################################&#13;
&#13;
THE AUTHOR.&#13;
85&#13;
English journals through this agency. There are&#13;
already a good many such syndicates in the field,&#13;
and their experience is always the same, namely,&#13;
that then! is little difficulty in placing writers of&#13;
repute, but tliat it is absolutely impossible to place&#13;
writers who have not yet made their name.&#13;
Very likely this syndicate sees a way out of this&#13;
difficulty. •&#13;
The "Society" will also act as literary agents,&#13;
and will establish a school for journalism. The&#13;
subscribers will have to pay for the printing, mani-&#13;
folding, stereotyping, and postage of their work to&#13;
the "hundreds of journals" spoken of in the&#13;
prospectus. Suppose one of them writes a novel.&#13;
It would cost perhaps £80 to print. Another £20&#13;
might easily be spent in sending the work among&#13;
the "hundreds of journals." Are young literary&#13;
aspirants prepared to spend £100 on the very,&#13;
very slender chance of an unknown writer l&gt;eing&#13;
accepted by the country press? As for the school&#13;
of journalism, we wait to see who are the Professors&#13;
and Lecturers in that school.&#13;
From time to time there are sent to the Office&#13;
cuttings from certain papers in which the truth,&#13;
the whole truth, and a great deal more than the&#13;
truth is frankly and generously told about this&#13;
Society. In three or four cases we have held a&#13;
little inquiry into the cause and origin of this&#13;
generous amplification of the truth. It has been&#13;
found in all that the paragraphs have been&#13;
preceded, very strangely, by action on the part of&#13;
our Secretary. For instance, the editor of the&#13;
Universal Genius has refused to reply to a&#13;
contributor nsking payment for a MS. which has&#13;
appeared in the paper. The contributor, a Member&#13;
of the Society, brings the case before the Secretary.&#13;
The Secretary addresses a letter to the Editor.&#13;
Result: (1) Cheque to the author. (2) Nasty one&#13;
for the Society in the paper.&#13;
Again, the editor or proprietor of the Bear Pit&#13;
refuses to return a MS. sent to him by a writer for&#13;
publication, or to answer any letters relating to&#13;
that MS. The writer brings tin; case before the&#13;
Society. The Secretary addresses a letter to that&#13;
editor or proprietor. Result: (1) Return of the&#13;
MS. to the author. (2) Nasty one for the Society&#13;
in the paper. Moral—Obvious.&#13;
Readers of Mrs. Oliphant's "Life of Laurence&#13;
Oliphant" should read Mrs. Phillips' paper on&#13;
Mr. Harris in the National Review of July. Those&#13;
who possess the book should cut out the article and&#13;
bind it up as an appendix, ljecause the article gives&#13;
the other side of the question as seen by the friends&#13;
of Mr. Harris. No denial is offered by the writer&#13;
of the article of the facts as stated by Mrs. Oliphant.&#13;
They remain, presumably, undeniable. From the&#13;
point of view of Harris's disciples it is right, I&#13;
suppose, and only what was to be expected, that a&#13;
gentleman should be made to sell strawberries in&#13;
the street, that a lady should be made to tlo menial&#13;
work, and that a wedded pair should be separated.&#13;
These things l&gt;elong to spiritual levels, to which I,&#13;
alas! cannot reach. Heaven itself is out of the&#13;
reach of most of us, unless we can get to it with&#13;
our own people and following our own manners&#13;
and customs. At the same time, the paper of&#13;
Mrs. Phillips is not only extremely interesting but&#13;
extremely instructive, if only as showing what&#13;
qualities there were in Harris which could attract&#13;
such a man as Laurence Oliphant . And so much,&#13;
I believe, the author of this beautiful biography&#13;
would be the first to acknowledge. In every&#13;
generation there arises a Harris, either in this&#13;
country, or in America, or somewhere else. To&#13;
every Harris there comes a Revelation, to every one&#13;
a school of disciples, and every disciple is convinced&#13;
that he sees the beginning of the end—and the&#13;
assurance of the Second Coming of the Lord, when,&#13;
by the aid of the Harris, all things shall be made&#13;
straight.&#13;
Walter Besant.&#13;
THE AUTHORS' CLUB.&#13;
AMEETING of the Preliminary Committee&#13;
was held at the Society's offices on Thursday,&#13;
July 23rd. Present: Mr. Walter Besant,&#13;
Mr. Howard Collins, Mr. W. M. Colles, Mr. Oswald&#13;
Crawfurd, Mr. Egmont Hake, Mr. Arthur Montc-&#13;
fiore, and Mr. Vagg Walter, as Honorary Secretary&#13;
ad interim.&#13;
Mr. Walter reported that he had visited many&#13;
houses to let in the vicinity of Piccadilly and else-&#13;
where, anil sub mitted plans and drawings of certain&#13;
houses which might seem suitable for the Club, with&#13;
estimates for furniture and installation, and for the&#13;
day-by-day management of the Club.&#13;
After conversation it was Resolved to put forth&#13;
the following Suggestions for the consideration of&#13;
the Society, and of those who might be desirous of&#13;
joining the Club, and to invite comment and further&#13;
suggestions from all interested.&#13;
1. That it is desirable to found a Club whose&#13;
first condition of meml)ership shall be a&#13;
bona fide connexion with the life of Letters.&#13;
2. That, though the rules of the Society of&#13;
Authors admit into that body as MchiIhts&#13;
none but those who have actually produced&#13;
at least one printed and published volume,&#13;
the Club shall admit not only authors of&#13;
&#13;
&#13;
## p. 86 (#490) #############################################&#13;
&#13;
86&#13;
THE AUTHOR.&#13;
lmoks, but also . dramatists, journalists,&#13;
authors of papers in reviews and magazines,&#13;
editors of newspapers, journals, and maga-&#13;
zines, professors, lecturers, and Fellows of&#13;
colleges, men of science, scholars, and all&#13;
gentlemen who in their public or private&#13;
capacity shall advance the cause of Letters.&#13;
3. That since the first and most important side&#13;
of a Club is its social side, the new Club&#13;
should lie one in which the social attrac-&#13;
tions should at least equal those of any&#13;
other Club in London.&#13;
4. That the Club, though unconnected with the&#13;
Society of Authors, should recognise and&#13;
develop, as far as possible, the services&#13;
rendered to the cause of Letters by that&#13;
Society.&#13;
5. That the Club should be one of reasonable&#13;
charges and reasonable living.&#13;
6. That the serious and practical side of the&#13;
literary life should not be forgotten by the&#13;
Club, but that, as occasion may arise, meet-&#13;
ings and debates should be held or papers&#13;
read on subjects connected with the practical&#13;
Ride.&#13;
7. That ladies should be admitted either on&#13;
ladies' nights or on ladies' afternoons, or to&#13;
concerts or entertainments organized by the&#13;
committee.&#13;
8. That Members should present to the library&#13;
complete copies of their own works.&#13;
g. That the entrance fee be ten guineas, and the&#13;
annual subscription be five guineas; but that&#13;
the first 5oo members be admitted without&#13;
entrance fee.&#13;
10. That Members of the Society of Authors be&#13;
always admitted without entrance fee.&#13;
11. That before proceeding farther, the opinion&#13;
of the Members of the Society be ascer-&#13;
tained on the matter, and that a book be&#13;
opened at the office of the Society for the&#13;
entrance of names of those who would wish&#13;
to become original Members.&#13;
12. That the money requisite for first expenses&#13;
be subscribed by the Members in the form&#13;
of debentures at a certain interest, a method&#13;
frequently adopted by clubs.&#13;
13. That as soon as sufficient names have been&#13;
enrolled to warrant further proceeding, the&#13;
preliminary committee should dissolve and&#13;
be replaced by a Committee of Management&#13;
elected by the original Members, with power&#13;
to raise money by debentures, take pre-&#13;
mises, purchase furniture, draw up rules,&#13;
call meetings, and in all other ways act at*&#13;
may be necessary for the foundation of the&#13;
Club.&#13;
14. That the election of Members for the first year&#13;
at least should be in the hands of the&#13;
Committee of Management.&#13;
15. That these suggestions should be published&#13;
in the Author, and that Members of the&#13;
Society should Ik; earnestly requested to&#13;
contribute their own opinions, addressed to&#13;
the Secretary of the Society of Authors,&#13;
4, . Portugal Street, W.C.&#13;
♦■&gt;■♦&#13;
INTERNATIONAL COPYRIGHT.&#13;
L&#13;
The President's Proclamation.&#13;
From the " Times," July 2nd, 1891.&#13;
Washington, July 1.&#13;
PRESIDENT Harrison has issued a procla-&#13;
mation which provides for granting Copy-&#13;
right in the United States to citizens or&#13;
subjects of Great Britain, France, Belgium, and&#13;
Switzerland.&#13;
The text of the proclamation is as follows :—&#13;
"Whereas it is provided by Section i3 of the&#13;
Act of Congress of March 3, 1891, that the said&#13;
Act shall only apply to a citizen or subject of a&#13;
foreign State or nation, when such foreign State&#13;
or nation permits to citizens of the United States&#13;
the benefit of Copyright on substantially the same&#13;
basis as to its own citizens, or when such foreign&#13;
State or nation is a party to an International&#13;
agreement which provides for reciprocity in the&#13;
granting of Copyright, by the terms of which&#13;
agreement, the United States may, at their pleasure,&#13;
become a party to such agreement; and whereas,&#13;
satisfactory official assurances have been given in&#13;
Belgium, France, Great Britain, the British posses-&#13;
sions, and Switzerland, that the law permits to&#13;
citizens of the United States the same benefit of&#13;
Copyright as to their own citizens: Now, therefore,&#13;
I, as President, do declare and proclaim that the&#13;
first conditions specified in the said Section i3are&#13;
now fulfilled in respect to the citizens and subjects&#13;
of Belgium, France, Great Britain, and Switzer-&#13;
land."&#13;
This proclamation is preceded by a recital of the&#13;
Copyright Act passed by the last Congress, a copy&#13;
of the circular letter addressed to the United States&#13;
Ministers abroad, and an able and exhaustive&#13;
&#13;
&#13;
## p. 87 (#491) #############################################&#13;
&#13;
THE AUTHOR.&#13;
report to President Harrison, prepared- by' Mr.&#13;
Moon, Third Assistant Secretary of State, inter-&#13;
preting the law, and explaining why the operations&#13;
of the law are limited to the four countries named&#13;
in the proclamation, and why nations which are&#13;
parties to the Berne agreement are excluded from&#13;
the proclamation on that ground.&#13;
II.&#13;
The American Regulations.&#13;
Washington, July 6.&#13;
In pursuance of the provisions of the Copyright&#13;
Act of March 3, 1891, Mr. Foster, Secretary&#13;
of the Treasury, has prescribed the following&#13;
regulations:&#13;
1. Copyrighted books and articles of importation&#13;
which are prohibited by section 4956 of the&#13;
Revised Statutes, as amended by section 8 of&#13;
the said Act, shall not be admitted to entry. Such&#13;
books and articles, if imported with the previous&#13;
consent of the proprietor of the Copyright, shall&#13;
Ik) seized by the Collector of Customs, who shall&#13;
take proper steps for the forfeiture of the goods&#13;
to the United States under section 3o82 of the&#13;
Revised Statutes.&#13;
2. Copyrighted books and articles imported con-&#13;
trary to the said prohibition without the previous&#13;
consent of the proprietor of the Copyright, being&#13;
primarily subject to forfeiture to the proprietor&#13;
of the Copyright, shall be detained by the collector,&#13;
who shall forthwith notify such proprietor in order&#13;
to ascertain whether or not he wishes to institute&#13;
proceedings for the enforcement of the right to&#13;
forfeiture. If the proprietor institutes such pro-&#13;
ceedings, and obtains a decree of forfeiture, the&#13;
goods shall be delivered to him on payment of&#13;
the expenses incurred in the detention, storage,&#13;
and duties accruing thereon. If such proprietor&#13;
fails to institute proceedings within 60 days from&#13;
the date of notice, or declaration in writing, he&#13;
abandons his right to forfeiture, and the collector&#13;
shall proceed as in the case of articles imported&#13;
with the previous consent of the proprietor.&#13;
3. Copyrighted articles of importation which are&#13;
not prohibited, but which, by virtue of section&#13;
4965 of the Revised Statutes, as amended by&#13;
section 8 of the said Act, are forfeited to the&#13;
proprietor of the said Copyright when imported&#13;
without his previous consent, and, moreover,&#13;
subject to the forfeiture of Si or §10 per copy, as&#13;
the case may be, one-half thereof to the said&#13;
proprietor, and the other half to the United States,&#13;
shall lie taken possession of by the collector, who&#13;
shall take the necessary steps for securing to the&#13;
United States half the sum forfeited, and shall keep&#13;
the goods in his possession until the decree of&#13;
forfeiture has been obtained, and half of the sum so&#13;
forfeited, as well as the duties and charges accruing&#13;
are paid, whereupon he shall deliver the goods to&#13;
the proprietor of the Copyright. In case of a&#13;
failure to obtain a decree of forfeiture, the goods&#13;
shall be admitted to entry.—Dalziel {The Times&#13;
Special).&#13;
HI.&#13;
What will happen?&#13;
At last we have it. The next questions are:&#13;
What we shall do with it? What it will do for&#13;
us? And how we shall protect ourselves? For,&#13;
as it needs no prophet to understand, a most&#13;
determined effort will be made to defraud the author&#13;
of all the benefits which the Act might have con-&#13;
ferred upon him, and to convert it into an engine&#13;
for the further enrichment of the publisher.&#13;
Successful authors must understand—the sooner&#13;
the better—that they have now two countries to&#13;
deal with, and not one; that in many respects the&#13;
two countries are not alike, but dissimilar; that&#13;
what pleases one country may not please lx&gt;th;&#13;
that they have two sets of publishers; that although&#13;
they must not assume because they have got their&#13;
work accepted in this country that it will l&gt;e accepted&#13;
in the other, but they must act as if they were&#13;
going to be popular in both countries. That is to&#13;
say, in negotiating for their work they must strictly&#13;
reserve the American rights as the subject of separate&#13;
arrangement.&#13;
Again and again has the Author pointed out to&#13;
readers, that in all agreements they must put them-&#13;
selves into the position of business men agreeing&#13;
for the management of property, and this even&#13;
though the MS. represents no property at all. The&#13;
other side is always a business man actuated by no&#13;
other object than that of doing business, and&#13;
securing a good property for himself, if possible;&#13;
if not, on the best terms he can command.&#13;
If the Author warned and exhorted its readers&#13;
before the pawing of this Act, it must raise a&#13;
louder and a more warning voice still. The risk of&#13;
being plundered is twice as great as before; the&#13;
property to be defended is twice as great as before.&#13;
What books will take out Copyright? This is a&#13;
question of the greatest importance to printers, as&#13;
well as to authors. At a recent deputation to Sir&#13;
Michael Hicks-Beach, one of the speakers (see&#13;
p. 91) assumed that every author would not only&#13;
want Copyright, but would get it.&#13;
Indeed! And who is to pay the printer's bill?&#13;
A very large numl&gt;er of books are published at&#13;
1&#13;
&#13;
&#13;
## p. 88 (#492) #############################################&#13;
&#13;
88&#13;
THE AUTHOR.&#13;
the expense of the authors who have nothing, sub-&#13;
sequently, to show for their money but weeping,&#13;
wailing, and gnashing of teeth. Printing is a much&#13;
more expensive luxury in the States than here. It&#13;
is supposed, perhaps, that the author will pay the&#13;
increased bill with the additional expense of freight.&#13;
Hut there are, it will be said, a great many books&#13;
which both countries will want. Let us see what&#13;
these are.&#13;
First, we may exclude—&#13;
a. All theological books, sermons, and religious&#13;
books. Generally speaking, the Americans&#13;
will at least find their own religious food.&#13;
/3. All educational books, except a very few.&#13;
y. All scientific and technical books, except a&#13;
very few. The Americans will continue&#13;
to find their own works on science.&#13;
8. All three-volume novels.&#13;
f. Nearly all works connected with the history&#13;
of this country.&#13;
£. Works written for a very small circle, such&#13;
as special monographs, books of scholar-&#13;
ship, &amp;c. These books will be exported&#13;
in the same way as at present, in very&#13;
small quantities, paying a duty.&#13;
)). All our journals, magazines, and news-&#13;
papers.&#13;
What remain?&#13;
a. A great many novels.&#13;
jS. A few books of travel, history, biography,&#13;
science, and poetry.&#13;
As regards the first, I do not believe that the&#13;
popular novelist will be set up in America and&#13;
re-printed here. Why should he be? Consider.&#13;
It costs, for composition alone, of a one-volume&#13;
novel from £20 to £:5. It would cost in America&#13;
from £2o to £35. The extra cost of printing and&#13;
paper is in proportion. Considering, in addition,&#13;
all the worry and trouble, the extra cost, the cost&#13;
of freight, &amp;c, who would incur all this in order&#13;
to save a ten-pound note in the English edition of&#13;
a popidar author? It is absurd. Then, if we&#13;
take an English author who is not popular, are&#13;
we going to print him in the States, where he&#13;
is no more popidar than here, at an increased&#13;
cost, when there is great doubt whether he will&#13;
repay here the cost of setting him up?&#13;
If, on the other hand, a popular novelist is pub-&#13;
lished simultaneously on both sides, it will be as if&#13;
he were published in two languages; there will be&#13;
separate composition. We have not considered&#13;
here the attention which must be paid to the subject&#13;
of spelling, which is a very important point.&#13;
In the same way, special books — such as&#13;
Darwin's books, Herbert Silencer's books, Stanley's&#13;
Travels, &amp;c.—woidd be set up on both sides,&#13;
simply because in such a big thing it would&#13;
not be worth while to save a ten-pound note, at&#13;
the risk of exasperating one side or the other with&#13;
the spelling.&#13;
It certainly appears to the present writer that&#13;
printers will lose little or nothing by the "manu-&#13;
facture" clause, and that the whole action of the&#13;
Loudon Chamber of Commerce has been produced&#13;
by a panic.&#13;
The reply of Sir Michael Hicks-Beach to the&#13;
deputation was damping to their hopes. Probably,&#13;
he knew pretty well what he was saying. We&#13;
have ourselves felt the pulse of certain Members of&#13;
the House, not without influence. It may be taken&#13;
as perfectly certain and beyond all doubt, that Free&#13;
Trade Members will move Heaven and Earth&#13;
against any so-called retaliatory measures. There&#13;
need be no illusion on this head. Meantime, if it be&#13;
proved that our people suffer sensibly from the Act,&#13;
we shall do more by representations made to the&#13;
United States Government and its people than by&#13;
any fruitless agitation for Protection.&#13;
"I would suggest to printers, as a measure of self&#13;
defence, that they should join with authors and&#13;
insist upon a clause in authors' agreements, binding&#13;
the publisher to produce an English-manufactured&#13;
book. I can assure them beforehand of the&#13;
sympathy of authors, and of their rooted antipathy&#13;
to American spelling. All we have to do is to insert&#13;
that clause. If a book is worth copyrighting in&#13;
America, it is certainly worth setting up in both&#13;
countries."&#13;
In order to get an approximate idea of what&#13;
new English books are likely to take out Copyright&#13;
in America, let us run through the lists of the&#13;
advertisements in the last number of the At/iencettm.&#13;
It is true that it is a very bad time for new books,&#13;
and that the list is extremely scanty, but it will&#13;
serve our purpose to a certain extent.&#13;
The first, taking the publishers in their order&#13;
as they appear in the advertisement columns, is&#13;
the list of Messrs. Osgood, Mellvaine, and Co.&#13;
Ten books are in this list. Of these, seven&#13;
appear to be by Americans. There remain&#13;
three, viz., two by Oscar Wilde and one by&#13;
Thomas Hardy. Both these books would want&#13;
Copyright in the States. Next comes the&#13;
list of Messrs. Methuen. Here are works by&#13;
Norris, M. Betliam Edwards, Edna Lyall, S. Baring&#13;
Gould, W. Clark Russell, and Walter Pollock, all&#13;
of which would take out Copyright. There are&#13;
four books on social and political economy; two&#13;
biographies of religious leaders; two books of&#13;
poems; and a critical study on George Meredith.&#13;
Result: out of nineteen books, six would be copy-&#13;
&#13;
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## p. 89 (#493) #############################################&#13;
&#13;
THE AUTHOR.&#13;
89&#13;
righted in the States. The list of Smith and&#13;
Elder shows six books, of which three novels (by&#13;
Anstey, Norris, and Gissing) and one biography&#13;
—that of Robert Browning, by Mrs. Sutherland&#13;
Orr—would be copyrighted.&#13;
The list of Macmillan contains sixteen books,&#13;
mostly new editions. I should judge that six of&#13;
these would be published in the States. Chapman&#13;
and Hall advertise eleven books. If these were all&#13;
new books, three would certainly be copyrighted.&#13;
Of nine books advertised by Bentley, two would&#13;
certainly be copyrighted. Of fifteen advertised by&#13;
Hurst and Blackett, I do not think that more than&#13;
two would find it necessary to be copyrighted.&#13;
This, however, does not include their " Standard&#13;
Library " which is also advertised. Longman's list&#13;
contains eleven books, only two of which seem&#13;
likely to be in demand in America. Sampson&#13;
Low's list of five includes two—William Black's&#13;
last novel and the "Life of Gladstone"—which&#13;
would certainly be copyrighted. Clowes has a list of&#13;
law books which we may pass over. Then follow&#13;
a few books separately advertised. They are seven&#13;
in miml&gt;er, and one at least—Leland's "Heine"&#13;
would be copyrighted. Then follows Arrowsmith's&#13;
list of shilling books, all of which, I suppose, would&#13;
be copyrighted as they came out. But with old&#13;
lists we are not concerned. The result is that&#13;
25 per cent, would be copyrighted. But then we&#13;
must remember that a great many of these are&#13;
new editions of successful books. Let us wait till&#13;
October, when the great rush of new books appear.&#13;
Then we shall lx; able to form a closer estimate of&#13;
the proportion. But—and this is a very important&#13;
point— nearly all the books selected are in English&#13;
form, and would always be printed in that form.&#13;
Moreover, they are for the greater part written by&#13;
authors of so much eminence that the saving of&#13;
the initial cost of composition need not be reckoned.&#13;
Let us next turn to some American paper, and&#13;
find out, if we can, the kind of book likely to be&#13;
wanted in both countries. I have before me a&#13;
number of the New York Nation, which is half&#13;
literary, half political. The book advertisements&#13;
are not very numerous, but they are suggestive.&#13;
Professor Henry Brummond's works are reprinted&#13;
in full. Mona Caird's new novel "A Romance of&#13;
theMoors": Jerome's works in full: Mrs. Oliphant's&#13;
"Life of Laurence Oliphant": the University&#13;
Extension "Manuals": Russell's "Life of Glad-&#13;
stone ": Munro's "Grammar of the Homeric&#13;
Dialect": Frederick Locker Sampson's "Lyra&#13;
Elegantiarum": Herbert Spencer's "Plea for&#13;
Lilx-rty '': Oscar Wilde's "Intentions"; appear&#13;
either in the advertisements or in the book notices.&#13;
We, do not look in the Nation for lists of novels,&#13;
but we observe that the Tauchnitz books are adver-&#13;
tised for sale. I suppose that the result of the new&#13;
Act will be to stop the sale in America of any&#13;
new additions to the " Baron's" list.&#13;
IV.&#13;
Opinion of Sin Horace Davey.&#13;
Extract from Cask of Questions put. to Sir&#13;
Horace Davey, Q.C., and Mr. James Rolt,&#13;
and their Opinion thereon.&#13;
1. Whether section i3 of the American Copy-&#13;
right Act will lie satisfied as regards Great Britain&#13;
so as to enable English authors to obtain Copyright&#13;
in the United States by (a) the present state, of&#13;
the English law, or (6) the Berne Convention?&#13;
2. What may be considered the date of first&#13;
publication of a book as recognised by the English&#13;
courts of law, whether the English courts would&#13;
consider the hour as well as day of publication, and&#13;
whether any suggestion can be made as to keeping&#13;
impartial evidence of the date of first publication of&#13;
an English book?&#13;
3. Whether a publication by an American&#13;
publisher, wrongfully claiming to be proprietor&#13;
of an English book would prevent the English&#13;
author from publishing subsequently and obtaining&#13;
Copyright?&#13;
4. How far will English authors be entitled to&#13;
American Copyright in alterations or revisions of,&#13;
or additions to, their books previously published in&#13;
the States under section 5 of the American Bill,&#13;
and will they be entitled to this Copyright in cases&#13;
where they have absolutely ]»rted with their&#13;
English Copyright in such alterations, revisions, or&#13;
additions, or in the books to which they relate?&#13;
5. Whether the publication by an English&#13;
dramatist in the United States under the present&#13;
Bill of a drama as to which he has already granted&#13;
performing rights in the States will interfere with&#13;
such rights?&#13;
Opinion.&#13;
1. Notwithstanding the decision of the House of&#13;
Lords under the Statute 8 Anne c. 19 in Jeffreys v.&#13;
Boosey, 4 H.L.C. 815, we are of opinion that&#13;
under the present statute the benefit of Copyright&#13;
in books is conferred on aliens upon substantially&#13;
the same basis as on British authors (see per Lords&#13;
Cairns and Westbury in Routledgex. Lowe, L.R. 3&#13;
H.L. 100), and that, therefore, section i3 of the&#13;
American Copyright Act should in respect of books&#13;
be satisfied as regards Great Britain by the present&#13;
state of the English law. Whether section i3 of&#13;
&#13;
&#13;
## p. 90 (#494) #############################################&#13;
&#13;
9°&#13;
THE AUTHOR.&#13;
the American Copyright Act is satisfied, however,&#13;
depends on the construction which the President&#13;
or the American courts may give to that section.&#13;
It will be observed that the Act applies to Copy-&#13;
right not only in books but also in engravings,&#13;
prints, photographs, paintings, Ac. If section i3&#13;
be construed as not giving Copyrights of any kind&#13;
to aliens unless the foreign country gives to citizens&#13;
of the United States the benefit of Copyright in all&#13;
these subjects (as we think is the probable con-&#13;
struction) it must be observed that by 25 &amp; 26 Vict,&#13;
c. 68. s. 1, Copyright in paintings, drawings, and&#13;
photographs is confined to British subjects or&#13;
authors resident in the dominions of the Crown,&#13;
and therefore in that case section i3 is not satisfied.&#13;
If, however, the section can be read distributively,&#13;
we think it is satisfied as regards books within the&#13;
meaning of 5 &amp; 6 Vict. c. 45, and musical and&#13;
dramatic compositions. It should also be satisfied&#13;
by the Berne Convention if adopted by the United&#13;
States.&#13;
2. The date of first publication of a book as&#13;
recognised by the English courts is, in our opinion,&#13;
the date upon which the book is first offered to the&#13;
public generally. The court will not, as a rule,&#13;
consider fractions of a day, and we see no reason&#13;
why that rule should be departed from in ascer-&#13;
taining the date of first publication. We are unable&#13;
to offer any suggestion as to the manner in which&#13;
impartial evidence of the date of first publication&#13;
can be secured. The question is in each case one&#13;
of fact which must, if necessary, be established by&#13;
the evidence of the publisher or his agent.&#13;
3. We understand this question to refer to&#13;
obtaining American and not English Copyright,&#13;
and it therefore depends on the construction which&#13;
the American courts may place on the American&#13;
Act. In our opinion the publication referred to&#13;
in section 3 of the American Act is publication by&#13;
or with the consent of the person entitled to Copy-&#13;
right under section 1, and we do not think that an&#13;
English author would be prevented from obtaining&#13;
Copyright by a prior wrongful publication made&#13;
without his authority or consent. Whether publi-&#13;
cation by a person who had purchased advanced&#13;
sheets from the author would be wrongful must&#13;
depend upon the terms on which the sale was&#13;
made.&#13;
4. English authors will, in our opinion, be&#13;
entitled to American Copyright in alterations,&#13;
revisions, or additions to their books previously&#13;
published in the States, unless the additions form&#13;
part of a series or of a work published in parts in&#13;
course of publication at the time when the Act&#13;
takes effect. Where an author has already parted&#13;
with his English Copyright in such alterations or&#13;
additions, or in the books to which they relate, he&#13;
would not, in our opinion, 1*3 entitled to American&#13;
Copyright unless under some special agreement or&#13;
reservation in his favour.&#13;
5. Publication by an English dramatist in the&#13;
United States under the present Act would not,&#13;
in our opinion, interfere with performing rights&#13;
previously granted by him. The right of repre-&#13;
sentation in a dramatic work for which Copyright&#13;
has been obtained is expressly protected by sec-&#13;
tion 4966 of the revised American statutes, and&#13;
any performing rights granted by the author would&#13;
after publication take effect under that provision.&#13;
Hoiiace Dave v.&#13;
Lincoln's Inn, J. Bolt.&#13;
3oth June 1891.&#13;
V.&#13;
Statement by Sib Michael Hicks-Beach.&#13;
The President of the Board of Trade recently&#13;
received, on the subject of the recent American&#13;
Copyright Act, a large and representative deputation&#13;
from the London Chamber of Commerce, and a&#13;
great number of Trade Societies. The Members&#13;
of Parliament present were Sir John Lubbock, Sir&#13;
Albert Rollit, and Mr. Broadhurst.&#13;
Sir John Lubbock, in introducing the depu-&#13;
tation, said that the matter upon which they came&#13;
before the President of the Board of Trade was&#13;
one as to which there was no difference of opinion&#13;
between capital and labour, between employers and&#13;
employed. It was not a matter which affected one&#13;
part of the country as against the interests of&#13;
another part. London and the provinces were all&#13;
alike interested in the subject. Whilst the depu-&#13;
tation were glad that English authors should&#13;
receive the just reward of their labours in America,&#13;
they thought that might be done without interfering&#13;
with other very considerable interests which were&#13;
affected. It was admitted that the American Copy-&#13;
right Law, as it now stood, would very much dis-&#13;
courage the production of books, photographs, and&#13;
works of that character in this country, and tend&#13;
to carry all that business into America. It was&#13;
quite necessary, while giving protection to English&#13;
authors, to do so without affecting other interests,&#13;
and a Bill had been drafted and carefully con-&#13;
sidered by the London Chamber of Commerce,&#13;
with the objects of which they hoped to have the&#13;
sympathy of the Government.&#13;
Mr. Clowes (Chairman of the Printing and&#13;
Allied Trades Association) said the American&#13;
Copyright Act granted Copyright on the condition&#13;
that a book was printed from type set up in&#13;
&#13;
&#13;
## p. 91 (#495) #############################################&#13;
&#13;
THE AUTHOR.&#13;
America; consequently, all authors who thought&#13;
their books worth reading (and what author did&#13;
not ?) would desire to have them printed in&#13;
America, so as to receive Copyright there, with the&#13;
result that a large quantity of work which had&#13;
hitherto been done in England would in future be&#13;
done in America, and a large number of operatives&#13;
in this country would be thrown out of work. In&#13;
order to prevent that, it was proposed that a short&#13;
Bill should be passed, granting English Copyright&#13;
to all books printed within a country belonging to&#13;
the International Copyright Union. Such a&#13;
measure would not in any way injure the Americans,&#13;
it would to a very small extent affect authors, and&#13;
at the same time it would confer a great benefit&#13;
upon a large number of persons in this country.&#13;
They would hesitate to propose such a measure if&#13;
it would in any way increase the price of teoks;&#13;
but the cost of printing generally was higher in&#13;
America than in England, so that no advantage&#13;
would be gained by the community in England if&#13;
books were printed in America instead of in&#13;
England. Many trades were concerned in the&#13;
manufacture of a book, all of which woidd be&#13;
injured unless some such measure as that proposed&#13;
was passed. The trades principally concerned were&#13;
represented there that day both by employers and&#13;
employed, and would lay their views before Sir&#13;
Michael Hicks-Beach.&#13;
Representatives of various trades spoke.&#13;
Sir Michael Hicks-Beach, in reply, said:—■&#13;
Let me understand clearly what it is that you do&#13;
propose. I take it that ithis is the practical clause&#13;
of your Bill: "Any person shall be entitled by the&#13;
Copyright Act, 5th and 6th Victoria, cap. 45, to&#13;
Copyright in any book in the English language,&#13;
photograph, chromo, or lithograph, if it is first or&#13;
simultaneously published within the British do-&#13;
minions, and printed from type set within a country&#13;
belonging to the International Copyright Union,&#13;
or from plates made therefrom, or from negatives&#13;
or drawings on stone made therein, or from&#13;
transfers made therefrom, but not otherwise."&#13;
Have you taken legal advice whether, supposing&#13;
that were law at the present moment, the American&#13;
citizens would be in the same position in England&#13;
as the subject of England is now in the United&#13;
States, because that seems to me a very important&#13;
question?&#13;
Sir A. Rollit.—The Council of the Chamber&#13;
of Commerce have not been advised on that point,&#13;
but it has teen assumed that the object of this Act&#13;
was so, and that it carried out anil placed the&#13;
British subject in that position.&#13;
Sir Michael Hicks-Beach.—You will observe&#13;
that it is not the same as the American Act. It&#13;
differs from it. in very many particulars, and that&#13;
is a point which anybody proposing to introduce&#13;
such a measure as this should advise himself upon.&#13;
Sir A. Rollit.—There is no intention to gain&#13;
an advantage: equality is equity.&#13;
Sir Michael Hicks-Beach.—You see the im-&#13;
mediate result would be, that we should lose for&#13;
our authors the advantage which the American Act&#13;
would give them. Then there is another question.&#13;
The American Act has a clause in it prohibiting&#13;
the importation into the United States of any book&#13;
or photograph, or plates, &amp;c., with certain ex-&#13;
ceptions. Now, you have no proposal of that kind-&#13;
Do you intend it, or not? Because, if you do not&#13;
intend it, it seems to me that it would be not a&#13;
very difficult matter entirely to evade the provisions&#13;
of the Act, and that the reason for the insertion of&#13;
the clause in the American Act was that they were&#13;
quite aware of that fact, and advisedly put it in. I&#13;
thought it right to call your attention to these two&#13;
points, because they are both important. But&#13;
perhaps now I may make a few general observations&#13;
on what the deputation has said. I quite appre-&#13;
ciate the importance of this deputation, and the&#13;
varied interests that it represents; and the fact&#13;
also which has teen alluded to by more than one&#13;
speaker, that in those industries employers and&#13;
employed are in this matter of one mind. I do not&#13;
think that we ought to exaggerate the possible&#13;
operation of the American Act on the publishing&#13;
and printing business of this country. I believe&#13;
that that business may be said to be mainly a news-&#13;
paper and magazine business; and also there is,&#13;
of course, all the official and judicial printing, and&#13;
prospectuses and reports of companies, posters,&#13;
bills, and all kinds of circulars that come to us by&#13;
post, all those things, the great mass of printing&#13;
and publishing in this country, are absolutely&#13;
outside the operation of the American Copyright&#13;
Act. What is really in question is the printing&#13;
and publishing trade so far as books are printed.&#13;
I think that is so.&#13;
Mr. Drummond.—Yes, and nothing more.&#13;
Sir Michael Hicks-Beach.—I am advised that&#13;
that is not more than 5 per cent, of the printing&#13;
business. (No, no.) That is the estimate that&#13;
has teen given to me, and therefore I do not think&#13;
that we ought to look upon this question as it has&#13;
teen rather represented by people here, and cer-&#13;
tainly by people out of doors, as if the whole&#13;
papermaking industry would be ruined, by any&#13;
possibility, or the whole publishing trade. No&#13;
doubt those industries may be affected, but the&#13;
question is, How much will they be affected? You&#13;
here think that they will be very largely affected,&#13;
and other people have taken different views. One&#13;
or two statements have teen made to-day by&#13;
speakers who support the view that, they will be&#13;
&#13;
&#13;
## p. 92 (#496) #############################################&#13;
&#13;
92&#13;
THE AUTHOR.&#13;
largely affected. I think that something, at any&#13;
rate, of the suspension of business and the want&#13;
of employment should rather point to the fact that&#13;
people are hesitating what to do, l&gt;eeausc they were&#13;
uncertain whether the American Act would be&#13;
applied to English authors or not; and now that&#13;
that point is settled we shall be better able to see,&#13;
after the lapse of a reasonable time, what the effect&#13;
of the American Act will be. I should 1« very&#13;
sorry to-day to express any definite opinion as&#13;
to what it may be necessary to do in this matter;&#13;
but this I must Bay, that I do not think that the&#13;
time has yet come for legislation. We do not&#13;
exactly see; we cannot tell what the effect of the&#13;
Act may be, much less can we tell in what precise&#13;
point it may pinch us, if it does pinch us at all; and&#13;
what would be the best, way to deal with this point.&#13;
I think I put two questions to-day which may give&#13;
cause for reflection as to the particular proposal&#13;
that you have made; and I must add that it does&#13;
raise principles of considerable importance; and&#13;
although I am far from saying that the Parliament&#13;
of this country might not be driven by a policy of&#13;
this kind on the part of foreign countries to do&#13;
something which may be in contravention of&#13;
economical principles which have been long held&#13;
here, yet I think it would be only at the very last&#13;
resort, and that we should see our way as to the&#13;
successful issue of any move in that direction&#13;
before we make up our minds to do it. I do not&#13;
know that I have anything to add beyond an&#13;
assurance that I will lay before my colleagues&#13;
what has passed to-day, anil the whole matter will&#13;
have our attention, and an)' information bv those&#13;
present or by any other persons connected with the&#13;
printing anil publishing trade which may show the&#13;
effect of the American Act upon that trade will&#13;
have our most careful consideration.&#13;
Sir John Lubbock having thanked the right&#13;
hon. gentleman, the deputation withdrew.&#13;
The Times, Thursday, July 16th, 1891.&#13;
VI.&#13;
Answer to Questions.&#13;
In answer to Mr. Julian Corbett's two questions&#13;
in the June numl&gt;er of the Author, I think that,&#13;
to secure American Copyright, there can be no&#13;
question that every book, even if containing only a&#13;
dramatic composition, must be printed from type&#13;
set within the States. This proviso will be rigidly&#13;
enforced by the American authorities, and clearly&#13;
a dramatic composition is a book within the meaning&#13;
of the Revised Statute. With regard to the second&#13;
question, the performing right of a copyright&#13;
dramatic composition is clearly protected. But&#13;
the common law of the United States, the require-&#13;
ments of the common law had, therefore, better be&#13;
still observed just as if the Act had not passed.&#13;
Dramatists would be acting very foolishly if they&#13;
neglected to secure the invaluable advantages&#13;
conferred upon them by American common law.&#13;
Statute law is not an unmixed blessing, and of this,&#13;
Title Sixty, Chapter Three, of the Revised Statutes&#13;
of the United States promises to prove both an&#13;
example and a warning.&#13;
X. Y. Z.&#13;
&#13;
CORRESPONDENCE.&#13;
I.&#13;
New Grub Street.&#13;
"~\ /I ®* Andrew Lang, writing from Olympian&#13;
Yl Heights, is a peculiarly irritating person&#13;
to a poor devil like me, who happens&#13;
to be making a somewhat lengthy stay in a back&#13;
slum off New Grub Street. Mr. Lang does not&#13;
believe that there is such a place as New Grub&#13;
Street, which Mr. Gissing has drawn with so much&#13;
fidelity and power; and says that if there were such&#13;
a place, the inmates thereof should cultivate their&#13;
sense of humour and liveliness on a little bread&#13;
and less butter. Now, is it not a little too bad&#13;
of one who moves presumably in a world of&#13;
prosperous publishers, omnipotent editors (to most&#13;
of whose funerals I would cheerfully contribute),&#13;
and superior litterateurs—to express the opinion&#13;
that because he knows nothing of the world&#13;
which Mr. Gissing depicts, he is inclined to&#13;
think it does not exist? Does Mr. Lang know&#13;
anything, for instance, about the habits and&#13;
existence of the unattached journalist? This&#13;
unhappy being may be in possession of the&#13;
greatest sobriety, industry, and sense of humour.&#13;
He may also possess a fair amount of brains,&#13;
but, like a large number of his companions in&#13;
New Grub Street, he has not been lucky enough&#13;
to get on to the regular staff of a paper. The&#13;
excessive amount of nervous energy and physical&#13;
exertion that a man in this situation is compelled&#13;
to expend is out of all proportion to his gain, and&#13;
results in nine cases out of ten in drink, or a break&#13;
down in health. To earn, say, £i or £4 a week,&#13;
he must be ever on the alert to get hold of news,&#13;
race over London for copy to write up, attend a&#13;
day of functions without a chance of getting any&#13;
food, reach home dead weary, only to know that he&#13;
must write out his notes without delay. And all&#13;
with the pleasing consciousness that his day's&#13;
earnings will amount to some 12s., nothing Wing&#13;
&#13;
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## p. 93 (#497) #############################################&#13;
&#13;
THE AUTHOR.&#13;
93&#13;
allowed for shoe leather, ink, or paper. It&#13;
may be urged that this is an exceptional ease,&#13;
but it is nothing of the sort, and represents the&#13;
average unattached journalist, to say nothing of&#13;
the British Museum literary hack, whose unsuccess&#13;
is invariably and very unjustly attributed to&#13;
irregular habits or drink. In addition, what of&#13;
the horror of a slack season, when nothing is going&#13;
on except the unhappy journalist's appetite?&#13;
What of the MSS. rejected, one after another,&#13;
liecause members of the staff of the paper have&#13;
forestalled outsiders? What of the unexpected&#13;
collapse of the "column," which brings in the&#13;
modest sum of one guinea weekly? What of the&#13;
man who translates? But Mr. Lang bids us&#13;
cultivate our sense of humour. Well, we try to,&#13;
but we do not find that this materially aids us&#13;
in the payment of our washing bill. And as&#13;
to the lightheartedness of Miirger's young men,&#13;
it is delightful; but as their poverty never seems&#13;
to have stood in the way of their having a&#13;
bottle of wine when they wanted it, and as they&#13;
give us no information as to how they eluded&#13;
their rent day, the ordinary householder who has to&#13;
pay up punctually finds it all entertaining, but&#13;
puzzling. If Mr. Lang would like some practical&#13;
acquaintance with the disagreeable side of ink-&#13;
spilling, perhaps he would change places with me&#13;
for a few days. I would not undertake to fill his&#13;
place, but I venture to think I should find the&#13;
steering of his ship less arduous and thankless than&#13;
that of mv own little bark."&#13;
X.&#13;
II.&#13;
The Rev. William Shakspeare.&#13;
In last number of the Author, a contributor&#13;
speculates regretfully upon the very different world&#13;
which we might now enjoy, had Shakspeare&#13;
devoted his life to theology. For myself, I feel&#13;
thankful that he did not thus employ his genius.&#13;
As a professional theologian, several careers were&#13;
open to him, c.p.:—&#13;
1. To win orders in the Anglican Church,&#13;
publish a profound treatise upon theologv&#13;
—now read only by a few antiquaries, and&#13;
die Archbishop of Canterbury.&#13;
2. To migrate to the Continent, fall into the hands&#13;
of the Inquisition, and be now known, in&#13;
martyrology, as St. William.&#13;
3. To 'vert to Rome, be elevated to the Chair of&#13;
St. Peter, and be known in history as Pope&#13;
Benvenuto the First.&#13;
4. To Iwcome a free-lance, and die an agnostic.&#13;
No mere man, even Shakspeare, was ever capable&#13;
of fully " revealing revelation," or even of bringing&#13;
it permanently nearer to the masses of mankind,&#13;
and less so, if born in our land three centuries ago.&#13;
For one thing, no tongue has yet been evolved&#13;
upon our planet fit to express without ambiguity&#13;
the thoughts and precepts of the highest minds and&#13;
purest souls of the human race, and, still lacking&#13;
this, even Shakspeare cannot dispense with sectarian&#13;
commentators, to help to reveal his own natural&#13;
revelation.&#13;
I venture to affirm that had he essayed a still&#13;
higher plane of thought, his works would have been&#13;
even more unintelligible to the "common people."&#13;
In the process, he might have revealed to us much&#13;
more of his own inner self than he has ever done;&#13;
but, failing the pre-existence of a language, ex&#13;
pressive enough for his genius, for the subject, and&#13;
for his lowest, disciples, Shakspeare might have&#13;
become an even wiser man, but we should—as a&#13;
race—be now the poorer.&#13;
Thank heaven, say I, that he did not become&#13;
a " priest"!&#13;
PlIINLAY Gl.EXELU.&#13;
I have been trying to imagine William&#13;
Shakespeare "leaving his mark as a professed&#13;
theologian" with something approaching a&#13;
shudder. To wish one " Born for the universe"&#13;
to " narrow his mind" "and to" churches " give&#13;
up what was meant for mankind," perhaps even to&#13;
reach such supreme eminence as would entitle him&#13;
to declare authoritatively whether side means end,&#13;
and whether north is identical with west, and why&#13;
both are important, seems in an artistic sense little&#13;
less than profane.&#13;
What more than many things calls for reverence&#13;
in ShakesjH!ivre is his serene impartiality. He&#13;
presents us with every kind of human aspect, good&#13;
and bad, noble and degraded, intellectual and&#13;
spiritual, devout and doubting, chaste and licentious,&#13;
gentle and brutal, and he as often as not lets each&#13;
plead in its own justification. Moreover, he never,&#13;
in matters supernatural, takes what may lie called&#13;
a " side," or treats them otherwise than as material&#13;
for art. So much so, indeed, that we find it&#13;
difficult, if not impossible, to find out what his&#13;
own religion, if any, was.&#13;
Could a clergyman even of the " noble Church of&#13;
England" consistently have done that?&#13;
What would poor Jack Falstaff be in the hands&#13;
of the Right Rev. W. Shakespeare, D.D., S.T.P.?&#13;
But without that portly knight where, in the name&#13;
of near three centuries of honest English laughter,&#13;
should tee be?&#13;
And would not that delightful little piece of&#13;
frailty and falsehood, Cressida, have become a&#13;
&#13;
&#13;
## p. 94 (#498) #############################################&#13;
&#13;
94&#13;
THE AUTHOR.&#13;
penitent or an awful example, either of which&#13;
would hopelessly spoil her?&#13;
Furthermore, if this be not so, let it be other-&#13;
wise; that is, let the Rev. W. Shakespeare treat&#13;
things and persons Shakespearianly (pace the&#13;
dictionary), and how would the noble Church of&#13;
England treat him? It happens that there was&#13;
a great man, not quite contemporary with Shake-&#13;
speare, whose works we know Shakespeare to have&#13;
read and seemingly enjoyed, who was "directed to&#13;
the priestly office " in early life, and occupied it in&#13;
connexion, I think, with a parish called Meudon at&#13;
one time; but we do not recollect that his own or&#13;
any other Church appreciates that Vales as keenly&#13;
as we could wish.&#13;
While we are about it, we may as well wish that&#13;
one C. Marlowe, M.A., of Benet College, had taken&#13;
orders, and then we should have been spared the&#13;
distress of reading much of Hero and Leander, to&#13;
say nothing of the translations from Ovid (inter&#13;
respectabilcs hand nominandd), and how much&#13;
happier we should all be then!&#13;
Seriously, Shakespeare gave us the revelation lie&#13;
had to give of the lives and minds of men and&#13;
women, and there is none like it. The revelation&#13;
of what is above anil beyond men and women is&#13;
not given to any capacity of reason, however&#13;
godlike, and, personally, I am thankful to fall back&#13;
on the fact that Shakespeare was and did what we&#13;
know he did and was. He knew best. This with&#13;
all courtesy to the writer, and interest in the writing&#13;
of " If Shakespeare had lieen Priest."&#13;
John Hill.&#13;
III.&#13;
Presentation Copies.&#13;
Regarding the presentation of copies of works to&#13;
newspapers, it has always appeared to me that it is the&#13;
object of newspapers to chronicle events, and their&#13;
duty to do so if they would not belie their name.&#13;
Though, to carry out this object, they go to vast&#13;
expense in the matters of special correspondents,&#13;
telegraphic messages, &amp;c, yet, when it comes to&#13;
reporting on a book or a play or other show, they&#13;
expect to have the first given to them, and to re-&#13;
ceive free admission to the latter. Why should this&#13;
be? Is it not as much a part of their duty to&#13;
record the production of a book or a play, as a fire&#13;
or a divorce case? Certainly, to the latter they&#13;
have free access; but why should books and admis-&#13;
sions to plays and shows be given to them? It is&#13;
the duty of newspapers to gather news. Why,&#13;
then, should publishers and lessees of places of&#13;
amusement perform part of their duty for them?&#13;
It is certainly to their advantage to have the things&#13;
they bring out brought to the knowledge of the&#13;
public by means of notices in the press; but, if this&#13;
kind of publicity were as readily given to new in-&#13;
ventions, it would be regarded as giving them an&#13;
advertisement. Yet a new invention is as much an&#13;
event as a new literary work. Why should not&#13;
newspapers gather their own news, as much in the&#13;
literary sphere as in others? Why should not they&#13;
pay for the books they intend to review, and for&#13;
admission to the plays and shows they intend to&#13;
notice? Public announcement is usually given&#13;
previous to the production of plays &amp;c, and some-&#13;
times of books, which is not the case with many&#13;
important events instantly reported in the news-&#13;
papers; and really it looks like begging a news-&#13;
paper to perform its duty, and rewarding it for&#13;
doing so, if books and free admissions are given to&#13;
it. It cannot be that the public convenience is&#13;
enhanced by books, &amp;c. being given to newspaper&#13;
proprietors, and though it may be a convenience to&#13;
publishers and others to send them, it certainly is a&#13;
convenience to newspaper proprietors to receive&#13;
them, and for these particular things they should&#13;
be as desirous to pay as they are for other means of&#13;
obtaining information of public interest.&#13;
H. Haes.&#13;
[The answer to this note seems to be, that unless&#13;
the Editor were supplied with copies of new books&#13;
he and all authors would lie at the mercy of the&#13;
critic, who would go round the world of Letters&#13;
and the outer offices of publishers, begging and&#13;
extorting books on the promise of a favourable&#13;
review. This would be a tyranny unendurable.&#13;
It may be said that a gentleman could not do such&#13;
things. If the reviewer had to cadge about in&#13;
order to find his own copies for review, very few&#13;
gentlemen would be left in the profession. The&#13;
extortion of books under promise of a favourable&#13;
notice is sometimes done even now. Here followeth&#13;
fact. There was a man, about 20 years ago, a&#13;
clergyman and the lecturer for a well-known society,&#13;
who persuaded a certain geographer that he was a&#13;
great man in the London press, and actually got&#13;
from him a parcel of atlases, maps, and books on a&#13;
promise of favourable notices. He wrote no notices&#13;
and he sold the parcel for £z5.—Editou.]&#13;
IV.&#13;
Payment on Publication.&#13;
"The artists who illustrate the authors' work in&#13;
magazines are treated with a fairness unknown&#13;
to the writers—probably because they are firm&#13;
enough to insist upon it. An article upon which&#13;
I had spent a fortnight's work, and the material&#13;
for which cost money as well as time in the&#13;
&#13;
&#13;
## p. 95 (#499) #############################################&#13;
&#13;
THE AUTHOR.&#13;
95&#13;
gathering was illustrated by an artist who is a&#13;
friend of mine, of about an equal standing in his&#13;
profession—perhaps not an exalted standing—with&#13;
my own in mine. The drawings were sub-&#13;
servient to the text, which, indeed, was quite com-&#13;
plete without them, and they cost the artist less&#13;
than a week's work. The thing complete, text&#13;
and drawings, was offered to a magazine, the pro-&#13;
prietors of which expressed themselves willing to&#13;
pay £3o for the illustrations and £5 for the text—&#13;
about 7,000 words—each amount on their "usual&#13;
scale." The article, therefore, will not appear in&#13;
that magazine. But my chief object in mentioning&#13;
the matter is to draw attention to another thing.&#13;
The proprietors of the magazine were kind enough&#13;
to warn me that while the drawings would be paid&#13;
for at once the text "as usual" would only be&#13;
imiil for on publication—if that were 10 years&#13;
hence. Of course I know that this is "usual,"&#13;
but why? If the artist is paid for his goods upon&#13;
delivery why should the author wait until it pleases&#13;
the purchaser to put his goods to use? If I buy&#13;
a hat the hatter will not wait for his money until&#13;
I choose to begin wearing my purchase. Imagine&#13;
these worthy gentlemen saying to a compositor,&#13;
"Yes, you have been all the week setting up this&#13;
article, but you must wait for your wages until we&#13;
publish it—in a year's time or so." The com-&#13;
positor's union, of course, would never allow such&#13;
a " custom of the tra&lt;le" to grow up. Can our&#13;
union do nothing to get rid of it?"&#13;
M.&#13;
V.&#13;
Insurance.&#13;
There is a statement in the Author, under the&#13;
head of "Warning," to the effect that no fire&#13;
office will insure a MS. I insured the MS. of&#13;
"Rogers and His Contemporaries" in the Union&#13;
Office, paying 2s. bd. per cent, on the value, which&#13;
I fixed. The insurance covered the risk at my&#13;
own house, at the publishers, and at the printers.&#13;
P. W. Clatokn.&#13;
VI.&#13;
On Titles.&#13;
"I work for publishers. I have been swindled&#13;
by some and sweated by others. At the same time&#13;
the publisher has sometimes just cause for com-&#13;
plaint.&#13;
Here is an instance. Books for Christmas are by&#13;
some firms arranged and edited early in the year.&#13;
Considerable time, trouble, and money was spent on&#13;
our lwok with which I was concerned. Copies—&#13;
10,000 in numl)cr—were printed by May. The&#13;
travellers go out about June to sell the book, and&#13;
are aghast to find that another book with the same&#13;
title has just been published. In the last twelve&#13;
months I have known three cases like this."&#13;
E.&#13;
[This is a mischance which has happened often&#13;
enough to authors. The best way out of it is to&#13;
liave a registry for titles. Another way is to lxi&#13;
very careful in the invention of a title.—Editor.]&#13;
&#13;
FROM GRUB STREET.&#13;
ONC E upon a time—and it may not Ik; quite a&#13;
past time—a frog when slated by some ill-&#13;
conditioned boys, exclaimed, in answer to&#13;
their plea, that they did it only "for fun," that,&#13;
"if it was fun for them, it was death for him."&#13;
And I trust that you will permit me to expand that&#13;
exclamation a little in answer to Mr. Lang's jaunty&#13;
remark about its being " ouly a battle with snow-&#13;
balls at most; that the enemy should learn to keep&#13;
his temper; and that it does not signify."&#13;
First, slates are not mere idle snowballs. They&#13;
kill. They make existence for those for whom it is&#13;
already sufficiently difficult, more difficult still, or&#13;
impossible. Secondly, slating in Grub Street is not&#13;
the unpaid frolic of boys. It is a handsomely paid&#13;
business. And frog-stoning is deliberately pre-&#13;
ferred to honester work, because it is paid better.&#13;
Thirdly, frogs do not lose their temper because slates&#13;
fly about, but because they hit. Even frogs think&#13;
they have a right to live, so long as they are not&#13;
positively noxious. And it seems to them that&#13;
insult is added to injury when it is pretended that&#13;
slates thrown for pay, and known to hit in vital&#13;
parts, are thrown only " for fun."&#13;
That many frogs have objectionable ways, I&#13;
frankly admit, and doubtless I am myself of the&#13;
number. But though objectionable ways may&#13;
be corrected by responsible criticism, they arc not&#13;
to be corrected by that irresponsible indulgence of&#13;
personal likes and dislikes which is Grub Street&#13;
criticism, and the best-paid trade in the row—&#13;
unfortunately for—&#13;
A Frog.&#13;
«■•■♦&#13;
"AT THE AUTHOR'S HEAD."&#13;
MR. Hall Caine, when he delivered his lectures&#13;
on the Isle of Man at the Royal Institution,&#13;
opened an unexpected mine, rich though&#13;
small. He has now put the lectures together and&#13;
&#13;
&#13;
## p. 96 (#500) #############################################&#13;
&#13;
96&#13;
THE AUTHOR.&#13;
printed them as a book called "The Little Manx&#13;
Nation," and a very interesting book it is. The&#13;
lx&gt;ok is divided into three parts—the story of the&#13;
Manx Kings, the story of the Manx Bishops, and&#13;
the story of the Manx People. A better book in&#13;
a small compass we have seldom seen.&#13;
Mr. W. Morris Codes contributes an article on&#13;
"London and the Housing of the Working&#13;
Classes," to the August number of Murrai/s&#13;
Magazine.&#13;
A serial story, " Miss Merewether's Money," by&#13;
Thomas Cobb, author of "On Trust," &amp;c., will&#13;
commence in the May number of Household&#13;
Words. Messrs. Ward, Lock, &amp; Co. have in the&#13;
press a short story, "The House by the Common,"&#13;
by the same author.&#13;
The first volume of " The Works of Heinrich&#13;
Heine," translated by Charles Godfrey Leland, has&#13;
been sent to this office by the publisher (Heine-&#13;
mann). Charles Leland has long been occupied&#13;
with this work. He began something like thirty&#13;
years ago making tentative translations of Heine,&#13;
who is at once the easiest and the most difficult of&#13;
all German writers to translate. The first volume&#13;
includes the "Florentine Nights," the "Memoirs&#13;
of Herr von Sclmbelewopski, and "Shakespeare's&#13;
Maidens and Women "—all prose works.&#13;
Mr. Edric Vredenburg's story "The Haunted&#13;
House in Berkeley Square," which recently appeared&#13;
as a serial in the Weekly Times and Echo, has&#13;
now been published in volume form by Messrs.&#13;
Trisctiler &amp; Co.&#13;
Here is activity! By the same author, produced&#13;
in the same month, the following :—&#13;
A three-volume novel, viz., "Jardine's Wife."&#13;
(Trischler.)&#13;
A one-volume novel, viz., "Was He Justified?"&#13;
(Griffith, Farran, &amp; Co.)&#13;
A book of travels, viz., "In the Land of the&#13;
Lion and the Sun." (Ward and Lock.)&#13;
A short story, "The Pit Town Coronet."&#13;
(Trischler.)&#13;
The author is Mr. C. J. Wills.&#13;
Mr. J. Stanley Little contributes an article&#13;
entitled, "Why Great Britain should buy out&#13;
Portugal in East Africa ?" to the current number of&#13;
Greater Britain.&#13;
We have received a copy of "The Devil and&#13;
the Doctor" from the author. It should have been&#13;
acknowledged last month, but, with certain other&#13;
books, was accidently passed over. Perhaps it is&#13;
not too late to say that this is a book to be read.&#13;
THE AUTHOR'S BOOKSTALL.&#13;
Books FOR SAr.E.&#13;
Poetical Sketches of Scarborough. Illustrated&#13;
by Engravings of Humorous Subjects. Coloured.&#13;
Original Boards. By J. Green and T. Rowlandson.&#13;
Second Edition. i8i3.&#13;
An Academy for Grown Horsemen, and the&#13;
Annals of Horsemanship. By Geoffrey Gambado.&#13;
Illustrated with cuts by Rowlandson, &amp;c. Original&#13;
Boards. London, 1809.&#13;
Among the poetry of the year must be mentioned&#13;
William Sharp's "Sospiri di Roma," which was&#13;
received in time for notice last month, but was&#13;
unfortunately mislaid. Readers of poetry will&#13;
please make a note.&#13;
We have received and venture to recommend a&#13;
novel called "Elsn," by E. McQueen Gray&#13;
(Methuen &amp; Co.).&#13;
Books FOB Exchange.&#13;
Four French l&gt;ooks in a good state of preser-&#13;
vation, with Rolande's label on outside covers :—&#13;
Horizons Prochains; and, Horizons Celestes.&#13;
By'M. de Gasparin.&#13;
Souvenirs d'un Garibaldien. By Caraquel.&#13;
Garibaldi. By Dumas.&#13;
Wanted—Matthew Arnold's "Discourses in&#13;
America "; or his " Dramatic and later Poems."&#13;
London: Printed by Etbe and Spottiswoode, Printers to the Queen's most Excellent Majesty.</text>
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